All language subtitles for Tyler Perrys House of Payne - S05E24 - Back Where We Belong WEBDL-1080p_track3_[eng]

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:04,567 --> 00:00:05,833 GOOD MORNING. 2 00:00:05,833 --> 00:00:07,433 GOOD MORNING. 3 00:00:07,433 --> 00:00:08,967 AW. HURRY UP. HURRY UP. HURRY 4 00:00:08,967 --> 00:00:11,767 UP. HONEY, ARE YOU FEELING OK, 5 00:00:11,767 --> 00:00:12,600 BABY? 6 00:00:12,600 --> 00:00:13,600 OH, MS. ELLA, I FEEL 7 00:00:13,600 --> 00:00:15,267 SICK AS A DOG. 8 00:00:15,267 --> 00:00:17,300 OHH. WAIT, WAIT, WAIT. 9 00:00:17,300 --> 00:00:18,833 WELL, YOU DON'T HAVE A FEVER. 10 00:00:18,833 --> 00:00:20,500 WOULD YOU LIKE SOME SOUP? 11 00:00:20,500 --> 00:00:21,733 MM-HMM. 12 00:00:21,733 --> 00:00:23,067 I'D LIKE THAT. 13 00:00:23,067 --> 00:00:24,667 OH, I KNOW WHAT YOU HAVE. 14 00:00:24,667 --> 00:00:25,933 I KNOW WHAT'S WRONG. 15 00:00:25,933 --> 00:00:27,200 WHAT? 16 00:00:27,200 --> 00:00:29,467 YOU HAVE THE CALVIN. 17 00:00:29,467 --> 00:00:30,600 MISS ELLA, I DO NOT WANT TO 18 00:00:30,600 --> 00:00:31,200 HEAR HIS NAME. 19 00:00:31,200 --> 00:00:32,433 I DO NOT WANT TO TALK ABOUT HIM. 20 00:00:32,433 --> 00:00:33,033 OKAY. OKAY. 21 00:00:33,033 --> 00:00:34,967 I'M SORRY, BABY. OKAY. 22 00:00:34,967 --> 00:00:36,767 BUT CAN YOU BELIEVE HIM? 23 00:00:36,767 --> 00:00:38,267 WHAT'S WRONG WITH MEN? 24 00:00:38,267 --> 00:00:39,400 WELL, THEY'RE JUST SOMETIMES 25 00:00:39,400 --> 00:00:41,367 A LITTLE DEFECTIVE. 26 00:00:41,367 --> 00:00:42,333 HELLO. 27 00:00:42,333 --> 00:00:43,767 MAN IN THE ROOM. 28 00:00:43,767 --> 00:00:45,033 GOODBYE. 29 00:00:45,033 --> 00:00:49,500 BOY LEAVING THE ROOM. 30 00:00:49,500 --> 00:00:50,933 [ CHUCKLES SOFTLY ] 31 00:00:50,933 --> 00:00:52,033 GO TO SCHOOL. 32 00:00:52,033 --> 00:00:53,300 YOU KNOW WHAT, MIRANDA? 33 00:00:53,300 --> 00:00:54,767 I COULD HELP YOU OUT WITH THIS 34 00:00:54,767 --> 00:00:56,033 WHOLE MAN, YOU KNOW, WHOLE 35 00:00:56,033 --> 00:00:57,500 THING. 36 00:00:57,500 --> 00:01:00,667 I HAPPEN TO BE A MAN. 37 00:01:00,667 --> 00:01:02,733 MALIK, GO TO SCHOOL. 38 00:01:02,733 --> 00:01:04,500 LITTLE BOY, GO! 39 00:01:04,500 --> 00:01:06,300 I STILL AM A MAN. 40 00:01:06,300 --> 00:01:07,167 OKAY, ALL RIGHT. 41 00:01:07,167 --> 00:01:07,833 ALL RIGHT, MAN. 42 00:01:07,833 --> 00:01:09,800 [ LAUGHS ] 43 00:01:09,800 --> 00:01:10,900 OKAY, SOUP'S ON. 44 00:01:10,900 --> 00:01:11,700 THANK YOU. 45 00:01:11,700 --> 00:01:12,700 HOLD THE DOOR! 46 00:01:12,700 --> 00:01:13,733 HOLD THE DOOR OPEN! 47 00:01:13,733 --> 00:01:14,833 HOLD THE DOOR OPEN! 48 00:01:14,833 --> 00:01:16,067 I BEEN WAITING OUT THERE 49 00:01:16,067 --> 00:01:21,467 ALL MORNING. 50 00:01:21,467 --> 00:01:22,533 MIRANDA, I NEED A KEY FOR 51 00:01:22,533 --> 00:01:29,767 THE NEW LOCK. 52 00:01:29,767 --> 00:01:30,433 WE NEED TO TALK. 53 00:01:30,433 --> 00:01:31,567 CURTIS, I DON'T WANT TO TALK 54 00:01:31,567 --> 00:01:32,567 TO YOU. 55 00:01:32,567 --> 00:01:33,567 I CAN'T BELIEVE YOU. 56 00:01:33,567 --> 00:01:35,067 I CAN'T BELIEVE YOU CALLED MY 57 00:01:35,067 --> 00:01:37,500 JOB AND TOLD THEM I QUIT. 58 00:01:37,500 --> 00:01:39,767 OH, WELL, BABY, I WAS JUST 59 00:01:39,767 --> 00:01:42,233 PLAYING WITH THAT. 60 00:01:42,233 --> 00:01:43,333 CURTIS, WE HAVE BEEN MARRIED 61 00:01:43,333 --> 00:01:44,267 A LONG TIME, AND WE ARE IN 62 00:01:44,267 --> 00:01:45,633 TROUBLE. 63 00:01:45,633 --> 00:01:46,600 NOW, WE NEED SOME HELP, 64 00:01:46,600 --> 00:01:47,833 SOME COUNSELING, SOME ADVICE. 65 00:01:47,833 --> 00:01:48,333 NO. NO. 66 00:01:48,333 --> 00:01:49,633 I DON'T NEED COUNSELING. 67 00:01:49,633 --> 00:01:50,900 YOU NEED COUNSELING, ELLA. 68 00:01:50,900 --> 00:01:51,667 I DON'T -- 69 00:01:51,667 --> 00:01:52,633 YOU THE ONE MAD. 70 00:01:52,633 --> 00:01:54,067 YOU NEED ANGER-MANAGEMENT 71 00:01:54,067 --> 00:01:55,067 COUNSELING, ELLA. 72 00:01:55,067 --> 00:01:56,100 OKAY. 73 00:01:56,100 --> 00:01:57,067 EVERYTHING IS JUST A JOKE, 74 00:01:57,067 --> 00:01:57,700 ISN'T IT? 75 00:01:57,700 --> 00:01:59,467 WE DON'T COMMUNICATE WELL, 76 00:01:59,467 --> 00:02:00,567 CURTIS. 77 00:02:00,567 --> 00:02:02,067 THIS IS NOT GOOD. 78 00:02:02,067 --> 00:02:03,800 WE DON'T COMMUNICATE. 79 00:02:03,800 --> 00:02:05,433 YOU NEED TO LEARN HOW TO 80 00:02:05,433 --> 00:02:07,933 COMMUNICATE WITH ME. 81 00:02:07,933 --> 00:02:08,967 I WISH YOU'D COMMUNICATE IN 82 00:02:08,967 --> 00:02:09,867 THE KITCHEN AND GET ME SOME 83 00:02:09,867 --> 00:02:11,167 SOUP. 84 00:02:11,167 --> 00:02:11,833 SORRY, BABY. 85 00:02:11,833 --> 00:02:12,733 OH, THAT SOUND GOOD. 86 00:02:12,733 --> 00:02:13,900 AND, BABY, PUT SOME OF THE BACON 87 00:02:13,900 --> 00:02:14,867 SPRINKLES ON IT AND SOME 88 00:02:14,867 --> 00:02:15,300 CHEESE -- 89 00:02:15,300 --> 00:02:15,800 PLEASE. 90 00:02:15,800 --> 00:02:17,533 I WISH I WOULD MAKE YOU SOME 91 00:02:17,533 --> 00:02:19,067 SOUP. 92 00:02:19,067 --> 00:02:21,367 THIS IS RIDICULOUS. 93 00:02:21,367 --> 00:02:24,067 OKAY, LOOK. 94 00:02:24,067 --> 00:02:25,333 BABY, I KNOW YOU'RE MAD ABOUT 95 00:02:25,333 --> 00:02:27,233 THE HOUSE, OKAY? 96 00:02:27,233 --> 00:02:29,700 ELLA, COUNSELING IS NOT GONNA 97 00:02:29,700 --> 00:02:30,300 FIX THAT. 98 00:02:30,300 --> 00:02:31,967 CURTIS, THIS IS NOT JUST 99 00:02:31,967 --> 00:02:33,367 ABOUT THE HOUSE. 100 00:02:33,367 --> 00:02:36,633 THIS IS ABOUT OUR MARRIAGE. 101 00:02:36,633 --> 00:02:38,733 YOU DON'T APPRECIATE ME. 102 00:02:38,733 --> 00:02:41,633 OH! OH! COME ON. 103 00:02:41,633 --> 00:02:42,333 YOU SEE, THERE. 104 00:02:42,333 --> 00:02:43,233 WHAT YOU TALKING ABOUT? 105 00:02:43,233 --> 00:02:43,933 CURTIS, PLEASE. 106 00:02:43,933 --> 00:02:45,233 NO, BUT, SEE -- NO, NO. 107 00:02:45,233 --> 00:02:46,400 THAT'S WHAT I'M SAYING. 108 00:02:46,400 --> 00:02:48,067 YOU DONE FORGOT ALREADY, ELLA? 109 00:02:48,067 --> 00:02:48,967 WHAT, CURTIS? 110 00:02:48,967 --> 00:02:50,233 TUESDAY NIGHT? 111 00:02:50,233 --> 00:02:51,600 SWING! 112 00:02:51,600 --> 00:02:52,467 SPLATTER! 113 00:02:52,467 --> 00:02:53,367 CURTIS! 114 00:02:53,367 --> 00:02:55,200 OH, Y'ALL ARE MAKING ME 115 00:02:55,200 --> 00:02:56,800 REALLY FEEL SICK NOW. 116 00:02:56,800 --> 00:02:58,567 I DON'T EVEN WANT TO TALK TO 117 00:02:58,567 --> 00:02:59,533 YOU, OKAY? 118 00:02:59,533 --> 00:03:00,767 WE TALKING RIGHT NOW. 119 00:03:00,767 --> 00:03:02,367 YOU KNOW WHAT, CURTIS? 120 00:03:02,367 --> 00:03:04,200 YOU DON'T APPRECIATE ME. 121 00:03:04,200 --> 00:03:05,500 YOU DON'T APPRECIATE THE FACT 122 00:03:05,500 --> 00:03:06,767 THAT I HAVE A JOB AND THAT I 123 00:03:06,767 --> 00:03:07,900 ENJOY THE JOB. 124 00:03:07,900 --> 00:03:09,567 YOU DON'T LISTEN TO ME, CURTIS. 125 00:03:09,567 --> 00:03:10,767 YOU'RE SO INSENSITIVE. 126 00:03:10,767 --> 00:03:11,700 YOU'RE OLD-FASHIONED. 127 00:03:11,700 --> 00:03:12,633 YOU'RE RIDICULOUS. 128 00:03:12,633 --> 00:03:14,367 WHY DID YOU EVEN COME BY HERE? 129 00:03:14,367 --> 00:03:14,933 HUH? 130 00:03:14,933 --> 00:03:16,667 JUST GET OUT. 131 00:03:16,667 --> 00:03:17,333 THANK YOU. 132 00:03:17,333 --> 00:03:18,367 WHAT HAPPENED TO 133 00:03:18,367 --> 00:03:21,667 THE COMMUNICATING? 134 00:03:21,667 --> 00:03:22,867 WHAT HAPPENED TO THAT? 135 00:03:22,867 --> 00:03:24,600 I'M NOT GOING TO COUNSELING, 136 00:03:24,600 --> 00:03:26,267 ALL RIGHT? 137 00:03:26,267 --> 00:03:27,300 YOU KNOW WHAT? 138 00:03:27,300 --> 00:03:29,700 I HAVE PROVIDED A HOME FOR YOU, 139 00:03:29,700 --> 00:03:30,267 ELLA. 140 00:03:30,267 --> 00:03:31,833 OVER 20 YEARS, I'VE PROVIDED 141 00:03:31,833 --> 00:03:34,533 A GOOD HOME FOR YOU -- FOR US, 142 00:03:34,533 --> 00:03:35,900 OUR FAMILY. 143 00:03:35,900 --> 00:03:37,833 OKAY, I'M SORRY ABOUT 144 00:03:37,833 --> 00:03:39,067 THE CONTRACTOR, ALL RIGHT? 145 00:03:39,067 --> 00:03:40,567 SO I HIRE ONE LITTLE 146 00:03:40,567 --> 00:03:43,067 JACK LAY CONTRACTOR WHO DID 147 00:03:43,067 --> 00:03:45,533 $87,000 OF DAMAGE TO THE HOUSE, 148 00:03:45,533 --> 00:03:46,900 WHICH, BY THE WAY, YOU DIDN'T 149 00:03:46,900 --> 00:03:47,300 KNOW. 150 00:03:47,300 --> 00:03:48,700 I WENT TO THE FIREMAN'S CREDIT 151 00:03:48,700 --> 00:03:50,133 UNION, AND THEY'RE GONNA LOAN ME 152 00:03:50,133 --> 00:03:52,167 THE $67,000 TO GET THE HOUSE 153 00:03:52,167 --> 00:03:52,767 FIXED. 154 00:03:52,767 --> 00:03:53,367 HOW ABOUT THAT? 155 00:03:53,367 --> 00:03:54,267 YOU DIDN'T KNOW ABOUT THAT. 156 00:03:54,267 --> 00:03:55,067 OKAY, CURTIS. 157 00:03:55,067 --> 00:03:56,400 WELL, WHAT ABOUT THE $20,000 158 00:03:56,400 --> 00:03:57,333 THAT WE HAVE LEFT? 159 00:03:57,333 --> 00:03:59,167 THAT'S JUST LIKE $200,000 THAT 160 00:03:59,167 --> 00:03:59,833 WE DON'T HAVE. 161 00:03:59,833 --> 00:04:00,367 SEE? 162 00:04:00,367 --> 00:04:01,700 THAT'S WHAT I'M TALKING ABOUT, 163 00:04:01,700 --> 00:04:02,067 ELLA. 164 00:04:02,067 --> 00:04:02,533 WHAT? 165 00:04:02,533 --> 00:04:04,400 THAT'S WHAT I'M -- 166 00:04:04,400 --> 00:04:07,233 WHERE'S YOUR FAITH, ELLA? 167 00:04:07,233 --> 00:04:08,167 I'M GONNA COME UP WITH -- 168 00:04:08,167 --> 00:04:09,367 LOOK. HEY. 169 00:04:09,367 --> 00:04:10,600 I'M NOT GOING TO COUNSELING. 170 00:04:10,600 --> 00:04:11,300 HOW ABOUT THAT? 171 00:04:11,300 --> 00:04:12,667 FINE, CURTIS. 172 00:04:12,667 --> 00:04:17,467 FINE. 173 00:04:17,467 --> 00:04:19,133 HEY, W-WHAT -- WHAT HAPPENED 174 00:04:19,133 --> 00:04:21,367 TO MY SOUP? 175 00:04:21,367 --> 00:04:22,267 [ SIREN WAILS ] 176 00:04:22,267 --> 00:04:24,267 [ HORN HONKS ] 177 00:04:24,267 --> 00:04:30,233 [ TIRES SCREECH ] 178 00:04:30,267 --> 00:04:31,500 YOU GONNA HAVE TO LEARN TO 179 00:04:31,500 --> 00:04:32,633 DRIVE ON THE RIGHT SIDE OF 180 00:04:32,633 --> 00:04:33,133 THE ROAD. 181 00:04:33,133 --> 00:04:33,867 OH, SHUT UP. 182 00:04:33,867 --> 00:04:36,233 OH. 183 00:04:36,233 --> 00:04:37,300 OOH. 184 00:04:37,300 --> 00:04:38,333 WHAT IS THAT? 185 00:04:38,333 --> 00:04:41,133 [ COUGHS ] 186 00:04:41,133 --> 00:04:41,733 MAN. 187 00:04:41,733 --> 00:04:43,067 EW, CALVIN. 188 00:04:43,067 --> 00:04:43,667 OH. 189 00:04:43,667 --> 00:04:45,067 NO WONDER MIRANDA LEFT YOU. 190 00:04:45,067 --> 00:04:46,833 YOU'RE A SLOB. 191 00:04:46,833 --> 00:04:48,067 NOT TO MENTION YOU WERE 192 00:04:48,067 --> 00:04:50,900 SLOBBERING ALL OVER MERCEDES. 193 00:04:50,900 --> 00:04:52,833 IT WAS JUST A KISS. 194 00:04:52,833 --> 00:04:54,333 OH, YEAH, BUT WHEN THAT KISS 195 00:04:54,333 --> 00:04:55,767 AIN'T FOR YOUR WIFE, IT'S THE 196 00:04:55,767 --> 00:04:59,767 KISS OF DEATH. 197 00:04:59,767 --> 00:05:03,467 AM I SMELLING CHEESE? 198 00:05:03,467 --> 00:05:04,567 LOOK, IF YOU AND YOUR DADDY ARE 199 00:05:04,567 --> 00:05:05,700 GONNA STAY IN THE SHOP, YOU ALL 200 00:05:05,700 --> 00:05:06,867 ARE GONNA HAVE TO CLEAN UP AFTER 201 00:05:06,867 --> 00:05:07,367 YOURSELVES. 202 00:05:07,367 --> 00:05:07,767 COME ON. 203 00:05:07,767 --> 00:05:08,867 GET THIS STUFF UP OUT OF HERE. 204 00:05:08,867 --> 00:05:09,900 I GOT CUSTOMERS COMING. 205 00:05:09,900 --> 00:05:10,600 COME ON, NOW. 206 00:05:10,600 --> 00:05:11,633 WE'RE STARTING THE DAY. 207 00:05:11,633 --> 00:05:13,467 COME ON, MAN. MOVE! 208 00:05:13,667 --> 00:05:14,400 MOVING. 209 00:05:14,400 --> 00:05:15,367 STINKING. 210 00:05:15,367 --> 00:05:18,367 PHEW. 211 00:05:18,367 --> 00:05:18,967 HEY, OLIVIA. 212 00:05:18,967 --> 00:05:19,700 HEY, KIKI, DANA. 213 00:05:19,700 --> 00:05:20,367 WHERE'S MY FATHER? 214 00:05:20,367 --> 00:05:21,333 HE'S IN THE BACK. 215 00:05:21,333 --> 00:05:22,833 OKAY, BECAUSE I WANTED TO ASK 216 00:05:22,833 --> 00:05:24,067 YOUR OPINION ON SOMETHING. 217 00:05:24,067 --> 00:05:25,633 OH. 218 00:05:25,633 --> 00:05:27,400 I WANT TO SURPRISE THE MAN IN 219 00:05:27,400 --> 00:05:28,833 MY LIFE WITH A NEW SHIRT. 220 00:05:28,833 --> 00:05:30,500 WHAT DO YOU THINK? 221 00:05:30,500 --> 00:05:31,200 THE RED? 222 00:05:31,200 --> 00:05:32,167 MM. 223 00:05:32,167 --> 00:05:33,167 NO. 224 00:05:33,167 --> 00:05:36,533 OR...THE BLUE? 225 00:05:36,533 --> 00:05:37,200 OOH, YEAH. 226 00:05:37,200 --> 00:05:38,333 THAT'S A HOT SHADE OF BLUE. 227 00:05:38,333 --> 00:05:38,767 YEAH. 228 00:05:38,767 --> 00:05:39,833 THE BLUE ONE IS BANGING. 229 00:05:39,833 --> 00:05:41,133 YEAH, THAT'S WHAT I THOUGHT. 230 00:05:41,133 --> 00:05:42,500 BUT SOMETIMES YOU NEED A SECOND 231 00:05:42,500 --> 00:05:42,967 OPINION. 232 00:05:42,967 --> 00:05:43,333 OKAY. 233 00:05:43,333 --> 00:05:44,600 I'M GONNA TAKE THE OTHER ONE 234 00:05:44,600 --> 00:05:44,967 BACK. 235 00:05:44,967 --> 00:05:45,633 ALL RIGHT. 236 00:05:45,633 --> 00:05:46,467 SEE YOU LATER. 237 00:05:46,467 --> 00:05:47,300 SEE YOU LATER. 238 00:05:47,300 --> 00:05:47,733 AW. 239 00:05:47,733 --> 00:05:48,633 ISN'T SHE SO SWEET? 240 00:05:48,633 --> 00:05:49,467 SHE'S SO SWEET. 241 00:05:49,467 --> 00:05:50,467 I KNOW. 242 00:05:50,467 --> 00:05:51,767 HOW IS SHE RELATED TO FLOYD? 243 00:05:51,767 --> 00:05:52,233 OOH. 244 00:05:52,233 --> 00:05:54,700 [ CHUCKLES ] 245 00:05:54,700 --> 00:05:56,767 MY BABY -- ISN'T SHE THE 246 00:05:56,767 --> 00:05:58,967 SWEETEST DAUGHTER? 247 00:05:58,967 --> 00:06:00,700 GETTING READY TO GET A SHIRT FOR 248 00:06:00,700 --> 00:06:04,200 THE MAN IN HER LIFE. 249 00:06:04,200 --> 00:06:05,733 FLOYD, YOU HEARD HER? 250 00:06:05,733 --> 00:06:07,233 MM-HMM. 251 00:06:07,233 --> 00:06:08,600 BANGING BLUE SHIRT. 252 00:06:08,600 --> 00:06:09,433 FLOYD! 253 00:06:09,433 --> 00:06:10,433 YES, THAT'S NICE. 254 00:06:10,433 --> 00:06:11,833 NO, SHE'S TRYING TO SURPRISE 255 00:06:11,833 --> 00:06:12,200 YOU. 256 00:06:12,200 --> 00:06:13,733 DON'T LET HER KNOW YOU KNOW. 257 00:06:13,733 --> 00:06:14,700 OKAY. 258 00:06:14,700 --> 00:06:16,400 I KNOW WHAT MAKES A MAN GET THE 259 00:06:16,400 --> 00:06:17,167 MAN BLUES. 260 00:06:17,167 --> 00:06:19,900 IT'S LOVE OR MONEY. 261 00:06:19,900 --> 00:06:21,533 I'VE GOT BOTH. 262 00:06:21,533 --> 00:06:24,067 MIRANDA'S STILL MAD AT ME. 263 00:06:24,067 --> 00:06:25,533 POPS AND I ARE SLEEPING IN THE 264 00:06:25,533 --> 00:06:27,067 SHOP, AND MALIK AND MY MOM ARE 265 00:06:27,067 --> 00:06:28,933 SLEEPING IN MY CONDO. 266 00:06:28,933 --> 00:06:30,200 MAN. 267 00:06:30,200 --> 00:06:33,167 MY LIFE IS GREAT RIGHT NOW, BUT 268 00:06:33,167 --> 00:06:37,100 YOUR LIF SUCKS! 269 00:06:37,100 --> 00:06:38,767 WELL, IF I COULD HELP MY 270 00:06:38,767 --> 00:06:39,933 PARENTS GET THEIR HOUSE BACK, 271 00:06:39,933 --> 00:06:41,133 MAYBE MIRANDA AND I CAN WORK IT 272 00:06:41,133 --> 00:06:41,933 OUT. 273 00:06:41,933 --> 00:06:43,067 SO, HOW MUCH IS THIS GONNA 274 00:06:43,067 --> 00:06:44,567 COST YOU, THEN? 275 00:06:44,567 --> 00:06:46,233 $20,000. 276 00:06:46,233 --> 00:06:47,067 OOH. 277 00:06:47,067 --> 00:06:49,533 AND HOW MUCH YOU NEED? 278 00:06:49,533 --> 00:06:51,533 $20,000. 279 00:06:58,067 --> 00:06:58,633 HELLO! 280 00:06:58,633 --> 00:06:59,900 YOU'LL BE BETTER NOW THAT 281 00:06:59,900 --> 00:07:00,733 YOU'RE HOME... 282 00:07:00,733 --> 00:07:01,233 OKAY. 283 00:07:01,233 --> 00:07:02,200 HELLO. 284 00:07:02,200 --> 00:07:02,633 HEY. 285 00:07:02,633 --> 00:07:03,800 I'LL GET YOU OVER HERE. 286 00:07:03,800 --> 00:07:06,400 OOH. 287 00:07:06,400 --> 00:07:07,267 HELLO. 288 00:07:07,267 --> 00:07:08,067 UM... 289 00:07:08,067 --> 00:07:08,967 HI. 290 00:07:08,967 --> 00:07:10,867 [ Chuckling ] HI. 291 00:07:10,867 --> 00:07:12,633 ONE SEC. 292 00:07:12,633 --> 00:07:14,200 OKAY, MIRANDA, I KNOW YOU ARE 293 00:07:14,200 --> 00:07:15,833 HAVING PROBLEMS WITH CALVIN, BUT 294 00:07:15,833 --> 00:07:17,333 WHAT IS THIS WHITE MAN DOING 295 00:07:17,333 --> 00:07:17,767 HERE? 296 00:07:17,767 --> 00:07:19,367 IT IS NOT WHAT IT LOOKS LIKE. 297 00:07:19,367 --> 00:07:20,400 YOU'RE TELLING ME HE DOESN'T 298 00:07:20,400 --> 00:07:21,133 LOOK LIKE A WHITE MAN? 299 00:07:21,133 --> 00:07:22,267 HE'S WHITE, YES. 300 00:07:22,267 --> 00:07:23,800 BUT IT'S NOT THE SITUATION. 301 00:07:23,800 --> 00:07:25,067 THIS IS SCOTT. 302 00:07:25,067 --> 00:07:26,400 HE'S ONE OF MY CLIENTS. 303 00:07:26,400 --> 00:07:27,800 OH, I WAS SHOWING HIM THIS 304 00:07:27,800 --> 00:07:28,833 FABULOUS LOFT IN MIDTOWN, 305 00:07:28,833 --> 00:07:30,067 AND I JUST GOT A LITTLE DIZZY. 306 00:07:30,067 --> 00:07:32,200 SO HE INSISTED ON MAKING SURE I 307 00:07:32,200 --> 00:07:32,800 GOT HOME SAFE. 308 00:07:32,800 --> 00:07:34,433 OHH, THANK YOU, SCOTT. 309 00:07:34,433 --> 00:07:35,500 SIT DOWN, BABY. 310 00:07:35,500 --> 00:07:36,733 OHH, THANK YOU, SCOTT. 311 00:07:36,733 --> 00:07:37,767 YOU'RE WELCOME. 312 00:07:37,767 --> 00:07:38,800 OH. 313 00:07:38,800 --> 00:07:40,400 [ SIGHS ] 314 00:07:40,400 --> 00:07:42,367 MM. MY STOMACH. 315 00:07:42,367 --> 00:07:43,400 SO, DID YOU LIKE THE LOFT? 316 00:07:43,400 --> 00:07:44,133 OH, WELL, YEAH. 317 00:07:44,133 --> 00:07:45,267 OTHER THAN MY REAL-ESTATE AGENT 318 00:07:45,267 --> 00:07:46,300 LYING IN THE MIDDLE OF THE 319 00:07:46,300 --> 00:07:47,433 KITCHEN FLOOR, I THOUGHT IT WAS 320 00:07:47,433 --> 00:07:52,467 REALLY NICE. 321 00:07:52,467 --> 00:07:54,100 CALVIN? HELLO? 322 00:07:54,100 --> 00:07:55,200 OKAY, WELL, CALVIN, WHEN YOU GET 323 00:07:55,200 --> 00:07:56,233 THIS MESSAGE, DEAR, COULD YOU 324 00:07:56,233 --> 00:07:56,867 PLEASE HURRY HOME? 325 00:07:56,867 --> 00:07:57,500 CALL YOUR MOTHER. 326 00:07:57,500 --> 00:07:58,100 CALL YOUR WIFE. 327 00:07:58,100 --> 00:07:58,633 [ CHUCKLES ] 328 00:07:58,633 --> 00:07:59,633 THERE'S A STRANGE WHITE MAN 329 00:07:59,633 --> 00:08:00,233 HERE, HONEY. 330 00:08:00,233 --> 00:08:01,400 HE LOOKS LIKE HE HAS A WHOLE LOT 331 00:08:01,400 --> 00:08:01,833 OF MONEY. 332 00:08:01,833 --> 00:08:02,967 HE JUST BROUGHT YOUR WIFE HOME. 333 00:08:02,967 --> 00:08:03,733 COULD YOU PLEASE -- 334 00:08:03,733 --> 00:08:05,833 MISS ELLA. 335 00:08:05,833 --> 00:08:07,500 WHY DID YOU CALL CALVIN? 336 00:08:07,500 --> 00:08:09,067 I DON'T NEED HIM HERE. 337 00:08:09,067 --> 00:08:10,067 OH, MIRANDA, YES, YOU -- 338 00:08:10,067 --> 00:08:11,833 WELL -- WELL, IT LOOKS LIKE YOU 339 00:08:11,833 --> 00:08:12,867 DO. 340 00:08:12,867 --> 00:08:14,400 UM, MIRANDA, I UNDERSTAND THAT 341 00:08:14,400 --> 00:08:15,733 YOU AND CALVIN ARE HAVING 342 00:08:15,733 --> 00:08:17,100 PROBLEMS RIGHT NOW, BUT YOU 343 00:08:17,100 --> 00:08:18,667 NEED YOUR HUSBAND HERE TO HELP 344 00:08:18,667 --> 00:08:19,067 YOU. 345 00:08:19,067 --> 00:08:20,067 WELL, YOU KNOW WHAT? 346 00:08:20,067 --> 00:08:21,133 HE SHOULD HAVE THOUGHT ABOUT 347 00:08:21,133 --> 00:08:22,133 THAT BEFORE HE WAS WITH 348 00:08:22,133 --> 00:08:23,133 MERCEDES. 349 00:08:23,133 --> 00:08:24,733 WELL, I KNOW THAT THAT'S 350 00:08:24,733 --> 00:08:26,533 SOMETHING [Singsong voice] ELSE 351 00:08:26,533 --> 00:08:28,133 YOU GUYS NEED TO WORK OUT IN 352 00:08:28,133 --> 00:08:30,367 PRIVATE. 353 00:08:30,367 --> 00:08:31,400 SO, I GET IT. 354 00:08:31,400 --> 00:08:33,300 THIS -- THIS KISS WITH MERCEDES? 355 00:08:33,300 --> 00:08:35,133 THIS IS THE LITTLE PROBLEM YOU 356 00:08:35,133 --> 00:08:35,900 WERE REFERRING TO? 357 00:08:35,900 --> 00:08:36,333 MM-HMM. 358 00:08:36,333 --> 00:08:36,767 YEAH. 359 00:08:36,767 --> 00:08:37,200 OKAY. 360 00:08:37,200 --> 00:08:38,367 SO YOU TOLD THIS STRANGER ABOUT 361 00:08:38,367 --> 00:08:39,367 YOUR BUSINESS? 362 00:08:39,367 --> 00:08:41,067 SOMETIMES IT'S EASIER TO TALK 363 00:08:41,067 --> 00:08:41,867 TO A STRANGER. 364 00:08:41,867 --> 00:08:43,333 I MEAN, IT'S WORKING BECAUSE 365 00:08:43,333 --> 00:08:45,067 BEFORE I LEFT FOR WORK, I WANTED 366 00:08:45,067 --> 00:08:45,900 TO KILL CALVIN. 367 00:08:45,900 --> 00:08:47,533 NOW I JUST WANT TO BREAK HIS 368 00:08:47,533 --> 00:08:49,400 LEGS. 369 00:08:49,400 --> 00:08:51,367 MIRANDA, THIS IS SERIOUS. 370 00:08:51,367 --> 00:08:52,533 HOW DO YOU EXPECT TO WORK THIS 371 00:08:52,533 --> 00:08:54,167 OUT WITH CALVIN IF YOU WON'T 372 00:08:54,167 --> 00:08:55,567 EVEN BE IN THE SAME ROOM WITH 373 00:08:55,567 --> 00:08:55,900 HIM? 374 00:08:55,900 --> 00:08:57,200 MISS ELLA, I REALLY DON'T 375 00:08:57,200 --> 00:08:58,900 WANT TO GO THERE. 376 00:08:58,900 --> 00:09:00,100 ACTUALLY, MIRANDA, SHE'S 377 00:09:00,100 --> 00:09:00,500 RIGHT. 378 00:09:00,500 --> 00:09:01,433 THE BEST WAY TO DEAL WITH 379 00:09:01,433 --> 00:09:02,900 CONFLICT IS FACE-TO-FACE. 380 00:09:02,900 --> 00:09:03,500 [ SCOFFS ] 381 00:09:03,500 --> 00:09:04,300 OH, YOU KNOW WHAT? 382 00:09:04,300 --> 00:09:05,333 I WANT TO HAVE A FACE-TO-FACE. 383 00:09:05,333 --> 00:09:06,300 I WANT TO HAVE A FACE-TO-FACE 384 00:09:06,300 --> 00:09:06,900 WITH MERCEDES. 385 00:09:06,900 --> 00:09:08,100 THAT'S WHO NEEDS A FACE-TO-FACE 386 00:09:08,100 --> 00:09:09,833 RIGHT NOW. 387 00:09:09,833 --> 00:09:12,067 MIRANDA, YOU DON'T EVER WANT 388 00:09:12,067 --> 00:09:13,433 TO CONFRONT THE WOMAN. 389 00:09:13,433 --> 00:09:15,100 CHECK YOUR MAN FIRST. 390 00:09:15,100 --> 00:09:16,533 MISS ELLA, I'M JUST NOT 391 00:09:16,533 --> 00:09:18,067 FEELING VERY WELL. 392 00:09:18,067 --> 00:09:19,733 WELL, MAYBE YOU NEED TO GET 393 00:09:19,733 --> 00:09:20,700 SOMETHING IN YOUR STOMACH. 394 00:09:20,700 --> 00:09:21,867 OKAY. 395 00:09:21,867 --> 00:09:23,067 WELL, SCOTT, WOULD YOU LIKE TO 396 00:09:23,067 --> 00:09:23,733 JOIN US FOR LUNCH? 397 00:09:23,733 --> 00:09:24,833 I MEAN, IT'S THE LEAST THAT I 398 00:09:24,833 --> 00:09:25,533 CAN DO. 399 00:09:25,533 --> 00:09:26,800 OH, WE DON'T HAVE ENOUGH 400 00:09:26,800 --> 00:09:27,467 FOR HIM. 401 00:09:27,467 --> 00:09:28,500 MISS ELLA, PLEASE. 402 00:09:28,500 --> 00:09:29,567 WE DON'T. WE DON'T. 403 00:09:29,567 --> 00:09:30,933 WE DON'T. 404 00:09:30,933 --> 00:09:31,833 SHE'S KIDDING. 405 00:09:31,833 --> 00:09:37,700 I'D LOVE TO STAY. THANKS. 406 00:09:37,700 --> 00:09:39,233 CALVIN, MOVE. 407 00:09:39,233 --> 00:09:39,967 I HAVE A CUSTOMER. 408 00:09:39,967 --> 00:09:40,567 OH, SORRY. 409 00:09:40,567 --> 00:09:41,633 I'M TRYING TO FIGURE SOMETHING 410 00:09:41,633 --> 00:09:43,200 OUT. 411 00:09:43,200 --> 00:09:44,300 NAH, NAH, NAH. 412 00:09:44,300 --> 00:09:49,667 UNH-UNH. 413 00:09:49,667 --> 00:09:51,100 CALVIN, WHY DON'T YOU JUST 414 00:09:51,100 --> 00:09:52,067 USE THE OFFICE? 415 00:09:52,067 --> 00:09:53,400 I WOULD, BUT YOUR LUNCH-BOX 416 00:09:53,400 --> 00:09:54,633 COLLECTION IS TAKING UP HALF 417 00:09:54,633 --> 00:09:55,333 THE DESK. 418 00:09:55,333 --> 00:09:56,900 WELL, YOU ARE HALF THE OWNER. 419 00:09:56,900 --> 00:09:58,433 WHY DON'T YOU TAKE UP THE OTHER 420 00:09:58,433 --> 00:09:59,400 HALF OF THE DESK? 421 00:09:59,400 --> 00:10:03,333 DUH! 422 00:10:03,333 --> 00:10:05,267 HEY, EVERYBODY. 423 00:10:05,267 --> 00:10:05,633 HEY. 424 00:10:05,633 --> 00:10:07,200 HOW'S THE WORLD'S GREATEST 425 00:10:07,200 --> 00:10:08,167 FATHER? 426 00:10:08,167 --> 00:10:09,700 HEY, BUBELEH. 427 00:10:09,700 --> 00:10:10,633 HOW YOU DOING, BABY? 428 00:10:10,633 --> 00:10:12,233 I WASN'T EXPECTING MY PRINCESS 429 00:10:12,233 --> 00:10:13,367 TODAY. 430 00:10:13,367 --> 00:10:14,300 YOU KNOW WHAT? 431 00:10:14,300 --> 00:10:16,133 HAVE I TOLD YOU HOW MUCH I LOVE 432 00:10:16,133 --> 00:10:16,533 YOU? 433 00:10:16,533 --> 00:10:17,233 YES. 434 00:10:17,233 --> 00:10:18,433 YOU KNOW, I WOULD GIVE YOU 435 00:10:18,433 --> 00:10:22,767 TH SHIR OFF MY BACK. 436 00:10:22,767 --> 00:10:24,067 WHAT? 437 00:10:24,067 --> 00:10:26,633 I MEAN, CAN'T BLUE-COLLAR 438 00:10:26,633 --> 00:10:28,367 BROTHER... 439 00:10:28,367 --> 00:10:30,733 COME FROM TH CUFF? 440 00:10:30,733 --> 00:10:31,133 HMM? 441 00:10:31,133 --> 00:10:31,933 ARE YOU -- 442 00:10:31,933 --> 00:10:34,767 I MEAN, I DON'T HAVE ANYTHING 443 00:10:34,767 --> 00:10:37,400 UP MY SLEEVE. 444 00:10:37,400 --> 00:10:38,333 ARE YOU OKAY? 445 00:10:38,333 --> 00:10:39,167 YES, BABY, I'M GOOD. 446 00:10:39,167 --> 00:10:39,533 OKAY. 447 00:10:39,533 --> 00:10:40,033 [ CHUCKLES ] 448 00:10:40,033 --> 00:10:40,500 OHH! 449 00:10:40,500 --> 00:10:41,967 [ OBJECTS RATTLING ] 450 00:10:41,967 --> 00:10:44,800 BOY, IF YOU HAVE DENTED MY 451 00:10:44,800 --> 00:10:46,500 PAM GRIER LUNCH BOX, I AM 452 00:10:46,500 --> 00:10:49,067 STRAIGHT UP KICKING YOUR... 453 00:10:49,067 --> 00:10:51,133 HOW YOU BEEN? 454 00:10:51,133 --> 00:10:53,533 NOT AS GOOD AS YOU, BUT GOOD. 455 00:10:53,533 --> 00:10:54,500 YOU LOOK NICE. 456 00:10:54,500 --> 00:10:59,633 YOU LOOK NICE. 457 00:10:59,633 --> 00:11:00,500 I LIKE YOUR SHIRT. 458 00:11:00,500 --> 00:11:01,067 OOH. 459 00:11:01,067 --> 00:11:01,633 WHOA! 460 00:11:01,633 --> 00:11:02,067 OW. 461 00:11:02,067 --> 00:11:02,967 BOY, YOU -- YOU HIT MY 462 00:11:02,967 --> 00:11:03,533 DAUGHTER, MAN? 463 00:11:03,533 --> 00:11:04,200 NO, NO, NO, NO. 464 00:11:04,200 --> 00:11:05,233 SHE HAD AN EYELASH IN HER EYE, 465 00:11:05,233 --> 00:11:06,133 AND I WAS BLOWING IT OUT. 466 00:11:06,133 --> 00:11:07,167 THANK YOU FOR GETTING THAT 467 00:11:07,167 --> 00:11:07,933 EYELASH OUT OF MY EYE. 468 00:11:07,933 --> 00:11:08,867 DON'T LIE. 469 00:11:08,867 --> 00:11:10,267 1, 2, 3, 4, 5, 6, 7... 470 00:11:10,267 --> 00:11:11,333 NO. 471 00:11:11,333 --> 00:11:12,800 YOU KNOW WHAT? 472 00:11:12,800 --> 00:11:13,933 I DON'T FEEL GOOD. 473 00:11:13,933 --> 00:11:15,667 I'M COMING DOWN WITH SOMETHING. 474 00:11:15,667 --> 00:11:16,600 I'M GONNA GO. 475 00:11:16,600 --> 00:11:17,667 WHY DON'T YOU GO AHEAD AND 476 00:11:17,667 --> 00:11:18,800 FINISH THAT UP, AND, UM, JUST 477 00:11:18,800 --> 00:11:19,400 KEEP THE TIP. 478 00:11:19,400 --> 00:11:20,367 I'LL GET YOU NEXT TIME. 479 00:11:20,367 --> 00:11:22,233 BUT WHAT -- 480 00:11:26,367 --> 00:11:27,933 AND THAT'S ALL I'M GONNA 481 00:11:27,933 --> 00:11:29,600 SAY ABOUT MY CURTIS. 482 00:11:29,600 --> 00:11:30,800 AND, LISTEN, WHEN YOU SEE HIM, 483 00:11:30,800 --> 00:11:31,500 YOU'LL KNOW IT'S HIM. 484 00:11:31,500 --> 00:11:33,433 YOU'LL JUST KNOW. 485 00:11:33,433 --> 00:11:34,733 [ LAUGHS ] 486 00:11:34,733 --> 00:11:36,333 MIRANDA, YOU ARE RIGHT. 487 00:11:36,333 --> 00:11:37,700 SCOT I EASY TO TALK TO. 488 00:11:37,700 --> 00:11:38,600 I TOLD YOU. 489 00:11:38,600 --> 00:11:40,100 AND YOU GIVE GOOD ADVICE. 490 00:11:40,100 --> 00:11:41,567 WELL. 491 00:11:41,567 --> 00:11:44,967 [ CHUCKLES ] 492 00:11:44,967 --> 00:11:45,800 [ DOOR CLOSES ] 493 00:11:45,800 --> 00:11:47,167 THANK YOU FOR LEAVING THE 494 00:11:47,167 --> 00:11:49,167 DOOR OPEN. 495 00:11:49,167 --> 00:11:50,233 ELLA, CAN YOU MAKE ME SOMETHING 496 00:11:50,233 --> 00:11:50,600 TO EAT? 497 00:11:50,600 --> 00:11:54,133 I'M STARVING. 498 00:11:54,133 --> 00:11:54,967 WHO THE HELL ARE YOU? 499 00:11:54,967 --> 00:11:58,167 HEY, I'M SCOTT. 500 00:11:58,167 --> 00:12:01,967 YOU MUST BE CURTIS. 501 00:12:01,967 --> 00:12:02,900 WHAT DO YOU MEAN? 502 00:12:02,900 --> 00:12:04,333 WELL, ELLA'S BEEN TELLING ME 503 00:12:04,333 --> 00:12:05,967 A LOT ABOUT YOU. 504 00:12:05,967 --> 00:12:07,100 ELLA, WHY ARE YOU TELLING 505 00:12:07,100 --> 00:12:08,367 PEOPLE MY BUSINESS? 506 00:12:08,367 --> 00:12:08,900 OH, NO. 507 00:12:08,900 --> 00:12:10,400 SEE, WHAT HAPPENED WAS I WAS 508 00:12:10,400 --> 00:12:12,067 SHOWING HIM THIS APARTMENT IN 509 00:12:12,067 --> 00:12:13,433 MIDTOWN, AND THEN WE HAD A 510 00:12:13,433 --> 00:12:14,467 LITTLE ISSUE. 511 00:12:14,467 --> 00:12:15,533 WHAT HAPPENED? 512 00:12:15,533 --> 00:12:16,167 NOTHING. 513 00:12:16,167 --> 00:12:18,067 MIRANDA FAINTED, AND SCOTT 514 00:12:18,067 --> 00:12:20,100 BROUGHT HER HOME. 515 00:12:20,100 --> 00:12:21,233 SCOTT? 516 00:12:21,233 --> 00:12:22,733 BABY, ARE YOU OKAY? 517 00:12:22,733 --> 00:12:23,633 WHY DO YOU CARE? 518 00:12:23,633 --> 00:12:24,800 SHOULDN'T YOU BE WITH YOUR 519 00:12:24,800 --> 00:12:25,900 WOMAN? 520 00:12:25,900 --> 00:12:27,733 YOU ARE MY WOMAN. 521 00:12:27,733 --> 00:12:29,567 YOU KNOW, MIRANDA, I JUST -- 522 00:12:29,567 --> 00:12:30,867 I THINK I SHOULD GO. 523 00:12:30,867 --> 00:12:31,467 IT'S OKAY. 524 00:12:31,467 --> 00:12:32,733 OH, NO, NO, NO, NO. 525 00:12:32,733 --> 00:12:34,167 SCOTT, PLEASE STAY. 526 00:12:34,167 --> 00:12:35,433 I MEAN, THIS IS WHAT I WAS 527 00:12:35,433 --> 00:12:36,633 TELLING YOU ABOUT. 528 00:12:36,633 --> 00:12:37,767 WHO ARE YOU AND WHY ARE YOU 529 00:12:37,767 --> 00:12:38,600 IN THE MIDDLE OF THIS? 530 00:12:38,600 --> 00:12:39,533 OKAY, LISTEN. 531 00:12:39,533 --> 00:12:40,967 YOU DON'T HAVE ANYTHING TO SAY. 532 00:12:40,967 --> 00:12:42,400 YOU NEED TO BE HAPPY THAT I LET 533 00:12:42,400 --> 00:12:43,367 YOU IN THE HOUSE. 534 00:12:43,367 --> 00:12:44,433 WHOA, WHOA, WHOA. 535 00:12:44,433 --> 00:12:46,067 YOU GUYS ARE TALKING, BUT YOU'RE 536 00:12:46,067 --> 00:12:47,300 NOT LISTENING TO EACH OTHER. 537 00:12:47,300 --> 00:12:49,467 YOU'RE RIGHT ABOUT THAT. 538 00:12:49,467 --> 00:12:51,133 NOBODY'S LISTENING. 539 00:12:51,133 --> 00:12:52,867 'CAUSE I TOLD ELLA TO MAKE ME 540 00:12:52,867 --> 00:12:54,667 SOMETHING TO EAT AND I'M STILL 541 00:12:54,667 --> 00:12:56,300 STARVING. 542 00:12:56,300 --> 00:12:57,467 YOU KNOW, THERE'S A LOT OF 543 00:12:57,467 --> 00:12:58,667 EMOTION IN THE ROOM RIGHT NOW. 544 00:12:58,667 --> 00:12:59,900 I JUST -- I THINK THAT MIRANDA, 545 00:12:59,900 --> 00:13:01,567 CALVIN -- YOU GUYS JUST NEED TO 546 00:13:01,567 --> 00:13:02,500 LISTEN TO EACH OTHER. 547 00:13:02,500 --> 00:13:03,967 WHY IS THIS YOUR BUSINESS? 548 00:13:03,967 --> 00:13:04,833 CALVIN. 549 00:13:04,833 --> 00:13:06,100 NO, NO, HE'S RIGHT. 550 00:13:06,100 --> 00:13:07,700 I MEAN, SOMETIMES I CAN BE A 551 00:13:07,700 --> 00:13:09,333 LITTLE BLUNT. 552 00:13:09,333 --> 00:13:10,833 BUT SOMETIMES THAT'S WHAT WORKS 553 00:13:10,833 --> 00:13:11,400 BEST. 554 00:13:11,400 --> 00:13:13,167 I LIKE THAT. 555 00:13:13,167 --> 00:13:14,633 WELL, ELLA, LET ME BE BLUNT. 556 00:13:14,633 --> 00:13:16,633 I'M STARVING! 557 00:13:16,633 --> 00:13:18,933 AND LET ME BE BLUNT. 558 00:13:18,933 --> 00:13:20,700 I AM NOT YOUR LITTLE SHORT-ORDER 559 00:13:20,700 --> 00:13:22,367 COOK, CURTIS. 560 00:13:22,367 --> 00:13:23,600 WELL, YOU'RE SHORT, AND YOU 561 00:13:23,600 --> 00:13:26,067 COOK. 562 00:13:26,067 --> 00:13:28,100 CURTIS, YOU DON'T -- 563 00:13:28,100 --> 00:13:29,900 YOU DON'T EVEN INVOLVE ME IN 564 00:13:29,900 --> 00:13:32,067 YOUR DECISION-MAKING UNLESS IT 565 00:13:32,067 --> 00:13:34,867 HAS SOMETHING TO DO WITH FOOD OR 566 00:13:34,867 --> 00:13:37,700 BEDROOM DESSERT. 567 00:13:37,700 --> 00:13:39,300 BECAUSE I'M THE MAN, ELLA. 568 00:13:39,300 --> 00:13:40,800 I'M THE PROVIDER. 569 00:13:40,800 --> 00:13:42,867 I'M THE ALPHA MALE. 570 00:13:42,867 --> 00:13:44,300 UGHH! 571 00:13:44,300 --> 00:13:45,567 WOW. 572 00:13:45,567 --> 00:13:47,200 UM, THIS IS WHAT MY MARRIAGE 573 00:13:47,200 --> 00:13:48,267 USED TO BE LIKE. 574 00:13:48,267 --> 00:13:49,633 IT WAS ALL "I," "I," "I." 575 00:13:49,633 --> 00:13:51,100 BUT UNTIL WE STARTED TALKING 576 00:13:51,100 --> 00:13:52,700 ABOUT "WE," WE COULDN'T WORK 577 00:13:52,700 --> 00:13:53,500 THINGS OUT. 578 00:13:53,500 --> 00:13:55,633 WELL I' NOT TALKING TO 579 00:13:55,633 --> 00:13:56,900 IM.H 580 00:13:56,900 --> 00:14:00,233 AND I'M NOT TALKING TO HIM. 581 00:14:00,233 --> 00:14:02,700 AND I'M NOT TALKING TO HER. 582 00:14:02,700 --> 00:14:03,700 AND I AIN'T GOT NOTHING TO 583 00:14:03,700 --> 00:14:05,200 SA-- SAY. 584 00:14:05,200 --> 00:14:05,667 BABE. 585 00:14:05,667 --> 00:14:06,400 CURTIS? 586 00:14:06,400 --> 00:14:07,567 ARE YOU OKAY? 587 00:14:07,567 --> 00:14:08,700 I'M FINE. 588 00:14:08,700 --> 00:14:10,133 I'M FINE. 589 00:14:14,367 --> 00:14:16,133 MIRANDA, I THINK THAT WE 590 00:14:16,133 --> 00:14:17,700 SHOULD JUST TAKE YOU TO 591 00:14:17,700 --> 00:14:18,667 THE DOCTOR RIGHT NOW. 592 00:14:18,667 --> 00:14:20,333 MISS ELLA, I AM OKAY. 593 00:14:20,333 --> 00:14:21,233 I'M JUST TIRED. 594 00:14:21,233 --> 00:14:21,700 THAT'S ALL. 595 00:14:21,700 --> 00:14:22,700 I DON'T CARE WHAT YOU SAY. 596 00:14:22,700 --> 00:14:23,567 I'M MAKING YOU A DOCTOR'S 597 00:14:23,567 --> 00:14:25,433 APPOINTMENT TOMORROW. 598 00:14:25,433 --> 00:14:26,733 YOU KNOW, WITH ALL THAT'S 599 00:14:26,733 --> 00:14:28,100 GOING ON EMOTIONALLY, IT COULD 600 00:14:28,100 --> 00:14:30,700 BE AFFECTING YOU PHYSICALLY. 601 00:14:30,700 --> 00:14:32,533 SO, HOW DO YOU KNOW SO MUCH 602 00:14:32,533 --> 00:14:34,200 ABOUT EMOTIONS AND FEELINGS? 603 00:14:34,200 --> 00:14:35,233 [ CHUCKLES ] 604 00:14:35,233 --> 00:14:36,100 IT'S MY JOB. 605 00:14:36,100 --> 00:14:37,433 I'M A MARRIAGE COUNSELOR. 606 00:14:37,433 --> 00:14:38,967 DIDN'T MIRANDA TELL YOU? 607 00:14:38,967 --> 00:14:41,200 WHAT THE HELL? 608 00:14:41,200 --> 00:14:42,867 ELLA, YOU SET ME UP. 609 00:14:42,867 --> 00:14:44,600 I TOLD YOU I WASN'T GOING TO NO 610 00:14:44,600 --> 00:14:45,400 COUNSELING, BABY. 611 00:14:45,400 --> 00:14:46,567 OH, WELL, OKAY. 612 00:14:46,567 --> 00:14:47,933 I DIDN'T KNOW H WA A 613 00:14:47,933 --> 00:14:49,067 COUNSELOR. 614 00:14:49,067 --> 00:14:50,533 WAIT, WAIT, WAIT, WAIT. 615 00:14:50,533 --> 00:14:52,433 LISTEN, AFTER SPENDING 616 00:14:52,433 --> 00:14:53,800 THE EVENING WITH YOU GUYS, I CAN 617 00:14:53,800 --> 00:14:55,067 SEE THAT YOU ALL LOVE EACH OTHER 618 00:14:55,067 --> 00:14:56,300 A LOT. 619 00:14:56,300 --> 00:14:58,067 AND IF THERE'S ANYTHING THAT CAN 620 00:14:58,067 --> 00:15:01,833 FIX A MARRIAGE, IT'S LOVE. 621 00:15:01,833 --> 00:15:03,300 I MEAN, IF I HAD TO GIVE YOU MY 622 00:15:03,300 --> 00:15:04,467 PRESCRIPTION, IT WOULD BE 623 00:15:04,467 --> 00:15:05,967 COMMUNICATION. 624 00:15:05,967 --> 00:15:07,867 YOU ALL NEED TO START TALKING TO 625 00:15:07,867 --> 00:15:11,367 EACH OTHER. 626 00:15:11,367 --> 00:15:12,567 WELL, MIRANDA, I HOPE YOU FEEL 627 00:15:12,567 --> 00:15:12,967 BETTER. 628 00:15:12,967 --> 00:15:14,067 AND I'LL CALL YOU ABOUT THE 629 00:15:14,067 --> 00:15:14,400 CONDO. 630 00:15:14,400 --> 00:15:16,767 OKAY. 631 00:15:16,767 --> 00:15:18,900 AND, CURTIS, I'LL SEND YOU 632 00:15:18,900 --> 00:15:23,533 MY BILL. 633 00:15:23,533 --> 00:15:26,400 WELL, I WOULD LIKE TO 634 00:15:26,400 --> 00:15:30,100 COMMUNICATE SOMETHING. 635 00:15:30,100 --> 00:15:32,533 CURTIS, YOU WILL NOT SLEEP HERE 636 00:15:32,533 --> 00:15:33,100 TONIGHT. 637 00:15:33,100 --> 00:15:34,733 YOU NEED TO JUST GO BACK TO THE 638 00:15:34,733 --> 00:15:36,633 BARBER SHOP. 639 00:15:36,633 --> 00:15:38,533 OH, ELLA, COME ON. 640 00:15:38,533 --> 00:15:40,533 I WANT TO COMMUNICATE NOW. 641 00:15:40,533 --> 00:15:41,467 LOOK, I WANT TO TALK. 642 00:15:41,467 --> 00:15:44,200 I WANT TO COMMUNICATE. 643 00:15:44,200 --> 00:15:48,400 CAN I STAY HERE TONIGHT? 644 00:15:48,400 --> 00:15:50,100 YOU KNOW YOU'RE NOT STAYING 645 00:15:50,100 --> 00:15:51,800 HERE TONIGHT, RIGHT? 646 00:15:51,800 --> 00:15:53,067 HEY, YOU DON'T HAVE A CHOICE. 647 00:15:53,067 --> 00:15:54,100 I'M NOT LEAVING YOU HERE WHILE 648 00:15:54,100 --> 00:15:55,667 YOU'RE SICK. 649 00:15:55,667 --> 00:15:56,800 YOU CAN BE MAD AT ME ALL YOU 650 00:15:56,800 --> 00:15:58,500 WANT TO. 651 00:15:58,500 --> 00:15:59,467 WELL, YOU KNOW WE DON'T HAVE 652 00:15:59,467 --> 00:15:59,833 NO ROOM. 653 00:15:59,833 --> 00:16:00,700 YOU'RE NOT SLEEPING IN THE 654 00:16:00,700 --> 00:16:03,567 BEDROOM WITH ME. 655 00:16:03,567 --> 00:16:08,933 AT LEAST I'LL BE WITH YOU. 656 00:16:08,933 --> 00:16:13,700 [ SNORING ] 657 00:16:18,333 --> 00:16:21,833 YEP, YEP, YEP, YEP. 658 00:16:25,600 --> 00:16:26,500 HEY, CALVIN. 659 00:16:26,500 --> 00:16:27,367 HEY, EVERYBODY. 660 00:16:27,367 --> 00:16:28,667 YOU KNOW, YOU'RE HERE A LOT 661 00:16:28,667 --> 00:16:30,633 MORE THAN THEM BOOTLEGGERS ARE. 662 00:16:30,633 --> 00:16:32,733 WHY YOU NOT AT WORK? 663 00:16:32,733 --> 00:16:34,333 SOMEONE'S MEETING ME HERE, 664 00:16:34,333 --> 00:16:35,900 AND I'M TRYING TO AVOID 665 00:16:35,900 --> 00:16:37,067 MERCEDES. 666 00:16:37,067 --> 00:16:38,200 I AIN'T NEVER HEARD OF NO 667 00:16:38,200 --> 00:16:40,167 BLACK MAN AVOIDING A MERCEDES. 668 00:16:40,167 --> 00:16:41,733 I MEAN, THAT IS YOUR WOMAN NOW, 669 00:16:41,733 --> 00:16:42,167 RIGHT? 670 00:16:42,167 --> 00:16:43,533 LOOK, SHE'S NOT MY WOMAN. 671 00:16:43,533 --> 00:16:45,100 AND, QUITE FRANKLY, I'M TIRED OF 672 00:16:45,100 --> 00:16:46,733 TALKING ABOUT IT. 673 00:16:46,733 --> 00:16:47,767 HEY, HEY! 674 00:16:47,767 --> 00:16:49,067 MR. MILLERS. 675 00:16:49,067 --> 00:16:50,233 MY APPOINTMENT. 676 00:16:50,233 --> 00:16:54,400 RIGHT THIS WAY. 677 00:16:54,400 --> 00:16:56,067 RIGHT THIS WAY. 678 00:16:56,067 --> 00:16:57,100 HMM. 679 00:16:57,100 --> 00:16:58,467 OOH, WHO DO YOU THINK HE IS? 680 00:16:58,467 --> 00:16:59,900 HE LOOKED LIKE A LAWYER. 681 00:16:59,900 --> 00:17:00,433 MM. 682 00:17:00,433 --> 00:17:02,867 LIKE A DIVORCE LAWYER? 683 00:17:02,867 --> 00:17:03,233 OHH. 684 00:17:03,233 --> 00:17:04,567 DON'T JUMP TO CONCLUSIONS. 685 00:17:04,567 --> 00:17:05,267 [ DOOR OPENS ] 686 00:17:05,267 --> 00:17:06,700 YO, YO! 687 00:17:06,700 --> 00:17:07,500 WHAT'S UP, ZACH? 688 00:17:07,500 --> 00:17:08,067 HEY. 689 00:17:08,067 --> 00:17:09,300 HOW'S IT GOING, EVERYBODY? 690 00:17:09,300 --> 00:17:14,400 WHAT'S UP? 691 00:17:14,400 --> 00:17:16,400 OH, SHIRT. 692 00:17:16,400 --> 00:17:17,233 [ CHUCKLES ] 693 00:17:17,233 --> 00:17:18,100 WHAT? 694 00:17:18,100 --> 00:17:20,767 I was just saying. 695 00:17:20,767 --> 00:17:22,900 UM... 696 00:17:22,900 --> 00:17:24,100 WHAT ARE YOU DOING WITH THAT 697 00:17:24,100 --> 00:17:24,667 SHIRT ON? 698 00:17:24,667 --> 00:17:26,167 WHAT DO YOU MEAN? 699 00:17:26,167 --> 00:17:27,200 OLIVIA WAS SUPPOSED TO BE 700 00:17:27,200 --> 00:17:27,967 GIVIN M THAT SHIRT. 701 00:17:27,967 --> 00:17:28,667 NO. 702 00:17:28,667 --> 00:17:30,833 MAYBE A SHIRT LIKE IT, BUT NOT 703 00:17:30,833 --> 00:17:31,400 THIS SHIRT. 704 00:17:31,400 --> 00:17:31,900 NO, NO. 705 00:17:31,900 --> 00:17:33,100 I'M ALMOST SURE THAT -- 706 00:17:33,100 --> 00:17:34,167 HEY! 707 00:17:34,167 --> 00:17:36,200 Both: HEY. 708 00:17:36,200 --> 00:17:38,067 SPEAK OF THE LITTLE PRINCESS. 709 00:17:38,067 --> 00:17:40,367 UM, BABY, WHY DOES ZACH HAVE ON 710 00:17:40,367 --> 00:17:42,067 MY SHIRT? 711 00:17:42,067 --> 00:17:42,833 You told him? 712 00:17:42,833 --> 00:17:43,633 Did you tell him? 713 00:17:43,633 --> 00:17:44,667 I didn't say nothing. 714 00:17:44,667 --> 00:17:45,700 I THOUGHT YOU SAID YOU 715 00:17:45,700 --> 00:17:48,167 WERE, UM... 716 00:17:48,167 --> 00:17:50,067 YOU TOLD ME THAT THAT SHIRT WAS 717 00:17:50,067 --> 00:17:51,933 FOR THE MAN IN YOUR LIFE. 718 00:17:51,933 --> 00:17:53,133 IT IS. 719 00:17:53,133 --> 00:17:54,633 OH? 720 00:17:54,633 --> 00:17:57,267 ZACH IS THE MAN IN MY LIFE. 721 00:17:57,267 --> 00:17:58,400 OH, SHIRT. 722 00:17:58,400 --> 00:17:59,167 OHH. 723 00:17:59,167 --> 00:18:00,333 OKAY. 724 00:18:00,333 --> 00:18:02,533 WOW, IT'S LIKE THAT NOW. 725 00:18:02,533 --> 00:18:06,100 SO, YOU'RE DATING MY DAUGHTER. 726 00:18:06,100 --> 00:18:06,567 OKAY. 727 00:18:06,567 --> 00:18:07,633 UH, IT'S MUTUAL. 728 00:18:07,633 --> 00:18:08,867 WE'RE DATING TOGETHER. 729 00:18:08,867 --> 00:18:10,133 WE KIND OF MET IN THE MIDDLE. 730 00:18:10,133 --> 00:18:11,167 AND WE'RE TAKING IT FROM THERE. 731 00:18:11,167 --> 00:18:11,533 TEAM. 732 00:18:11,533 --> 00:18:12,667 IT'S LIKE, SLOW, TOGETHER. 733 00:18:12,667 --> 00:18:13,367 A TEAM? 734 00:18:13,367 --> 00:18:15,067 TOGETHER IN THE MIDDLE? 735 00:18:15,067 --> 00:18:15,600 MM. 736 00:18:15,600 --> 00:18:16,567 ZACH, GET LOW. 737 00:18:16,567 --> 00:18:19,533 FLOYD IS NASTY WITH A RAZOR. 738 00:18:19,533 --> 00:18:20,567 DADDY, CALM DOWN! 739 00:18:20,567 --> 00:18:20,967 SEE? 740 00:18:20,967 --> 00:18:22,500 THAT'S WHY I DIDN'T WANT YOU TO 741 00:18:22,500 --> 00:18:22,933 KNOW. 742 00:18:22,933 --> 00:18:24,067 I KNEW YOU'D BE UPSET. 743 00:18:24,067 --> 00:18:24,767 I'M NOT UPSET. 744 00:18:24,767 --> 00:18:25,500 YES, YOU ARE. 745 00:18:25,500 --> 00:18:26,667 LOOK, HE IS GOOD TO ME, AND I 746 00:18:26,667 --> 00:18:27,667 LIKE HIM, BUT -- 747 00:18:27,667 --> 00:18:28,233 RIGHT. 748 00:18:28,233 --> 00:18:30,133 DADDY, I WILL ALWAYS BE YOUR 749 00:18:30,133 --> 00:18:30,533 PRINCESS. 750 00:18:30,533 --> 00:18:32,800 MY PRINCESS? 751 00:18:32,800 --> 00:18:34,467 I JUST WANT YOU TO KNOW I 752 00:18:34,467 --> 00:18:36,300 WOULD NEVER DO ANYTHING TO HURT 753 00:18:36,300 --> 00:18:38,967 YOUR PRINCESS, YOUR OLIVIA. 754 00:18:38,967 --> 00:18:39,733 I WOULDN'T HURT HER. 755 00:18:39,733 --> 00:18:41,300 SO, YOU'VE BEEN DOING THIS 756 00:18:41,300 --> 00:18:42,200 BEHIND MY BACK? 757 00:18:42,200 --> 00:18:43,767 MY OWN FLESH AND BLOOD. 758 00:18:43,767 --> 00:18:44,167 IT'S OKAY. 759 00:18:44,167 --> 00:18:46,100 OKAY, OKAY. 760 00:18:46,100 --> 00:18:47,467 HERE YOU GO, KIKI. 761 00:18:47,467 --> 00:18:49,600 HOLD THAT FOR ME. 762 00:18:49,600 --> 00:18:50,600 FLOYD, WE CAN GET THROUGH 763 00:18:50,600 --> 00:18:50,933 THIS. 764 00:18:50,933 --> 00:18:51,900 YEAH, WE GONNA GET THROUGH 765 00:18:51,900 --> 00:18:52,200 IT. 766 00:18:52,200 --> 00:18:52,967 WE'RE JUST DATING. 767 00:18:52,967 --> 00:18:54,433 HEY. 768 00:18:54,433 --> 00:18:55,400 NO HARM, NO FOUL. 769 00:18:55,400 --> 00:18:56,067 WE GOOD? 770 00:18:56,067 --> 00:18:56,867 YEAH, WE GOOD. 771 00:18:56,867 --> 00:18:57,533 YEAH, COME ON. 772 00:18:57,533 --> 00:18:58,567 WHAT ARE YOU DOING? 773 00:18:58,567 --> 00:18:59,867 YOU'RE FAMILY NOW. 774 00:18:59,867 --> 00:19:00,767 OH, MY GOD. 775 00:19:00,767 --> 00:19:01,433 YEAH. 776 00:19:01,433 --> 00:19:02,667 FAMILY. I'M EXCITED. 777 00:19:02,667 --> 00:19:03,700 OH, OH, YEAH. 778 00:19:03,700 --> 00:19:05,233 BY THE WAY... 779 00:19:05,233 --> 00:19:06,667 YOU'RE FIRED. 780 00:19:06,667 --> 00:19:07,500 NO! DADDY, NO! 781 00:19:07,500 --> 00:19:08,700 I'M GONNA PRESS CHARGES! 782 00:19:08,700 --> 00:19:09,767 I'M GONNA PRESS CHARGES! 783 00:19:09,767 --> 00:19:10,200 I'M PRESSING CHARGES! 45939

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