All language subtitles for Tyler Perrys House of Payne - S05E23 - Moving Out WEBDL-1080p_track3_[eng]

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:04,400 --> 00:00:05,300 MS. ELLA, I DON'T KNOW WHAT 2 00:00:05,300 --> 00:00:07,600 TO DO. I CANNOT BELIEVE THAT HE 3 00:00:07,600 --> 00:00:09,167 STAYED OUT ALL NIGHT LONG, MS. 4 00:00:09,167 --> 00:00:10,600 ELLA. WHAT--WHAT DO--YOU KNOW, 5 00:00:10,600 --> 00:00:12,133 I KNOW HE WAS WITH THAT GIRL. 6 00:00:12,133 --> 00:00:14,567 THAT MERCEDES. BUT HOW DO I 7 00:00:14,567 --> 00:00:16,233 KNOW, MS. ELLA? TELL ME. 8 00:00:16,233 --> 00:00:18,567 MIRANDA--MIRANDA, JUST CALM 9 00:00:18,567 --> 00:00:22,600 DOWN, BABY. NOW, LISTEN. I HAVE 10 00:00:22,600 --> 00:00:24,500 BETTER THAN THIS. 11 00:00:24,500 --> 00:00:26,600 BUT LET ME TELL YOU ABOUT A 12 00:00:26,600 --> 00:00:27,567 MAN, OKAY? 13 00:00:27,567 --> 00:00:30,000 IF HE COMES IN HERE WITH 14 00:00:30,000 --> 00:00:32,500 FLOWERS, THEN HE'S JUST A 15 00:00:32,500 --> 00:00:33,700 LITTLE GUILTY. 16 00:00:33,700 --> 00:00:36,300 HE DIDN'T DO MUCH. 17 00:00:36,300 --> 00:00:38,267 BUT IF HE COMES IN HERE WITH 18 00:00:38,267 --> 00:00:40,400 SOMETHING MUCH MORE EXPENSIVE, 19 00:00:40,400 --> 00:00:42,100 YOU NEED A LAWYER. 20 00:00:42,100 --> 00:00:43,767 [ CHUCKLING ] 21 00:00:43,767 --> 00:00:44,900 [ SIGHS ] 22 00:00:44,900 --> 00:00:47,433 YOU WILL BE OKAY, MIRANDA. 23 00:00:47,433 --> 00:00:49,267 OKAY? 24 00:00:49,267 --> 00:00:50,267 I GOT TO GO TO WORK. 25 00:00:50,267 --> 00:00:51,933 CURTIS?! 26 00:00:51,933 --> 00:00:54,267 COME ON, BABY. 27 00:00:54,267 --> 00:00:56,333 WHERE ARE YOU GOING? 28 00:00:56,333 --> 00:00:59,267 I GOT TO GO TO WORK. 29 00:00:59,267 --> 00:00:59,867 NO, I'M SERIOUS. 30 00:00:59,867 --> 00:01:00,767 'CAUSE YOU SAID YOU WEREN'T 31 00:01:00,767 --> 00:01:01,567 GOING TO GO TO WORK TODAY, 32 00:01:01,567 --> 00:01:01,967 ELLA. 33 00:01:01,967 --> 00:01:03,900 I CHANGED MY MIND. 34 00:01:03,900 --> 00:01:05,067 I'M SICK OF THIS, ELLA. 35 00:01:05,067 --> 00:01:06,267 I'M TELLING YOU, I'M SICK OF 36 00:01:06,267 --> 00:01:06,667 THIS. 37 00:01:06,667 --> 00:01:07,900 YOU'VE BEEN COMING IN LATE, 38 00:01:07,900 --> 00:01:09,067 BABY, AND LEAVING EARLY. 39 00:01:09,067 --> 00:01:10,067 COMING HOME LATE AND LEAVING 40 00:01:10,067 --> 00:01:11,133 EARLY -- SOMETHING GOT TO GIVE! 41 00:01:11,133 --> 00:01:13,133 I DID GIVE, BABY. 42 00:01:13,133 --> 00:01:15,467 I GAVE UP MY HOUSE. 43 00:01:15,467 --> 00:01:16,833 HMM? 44 00:01:16,833 --> 00:01:17,800 WHY DO YOU GOT TO KEEP 45 00:01:17,800 --> 00:01:18,500 BRINGING THAT UP? 46 00:01:18,500 --> 00:01:19,467 'CAUSE I'M NOT THERE. 47 00:01:19,467 --> 00:01:21,100 'CAUSE I'M NOT AT MY HOUSE. 48 00:01:21,100 --> 00:01:22,833 WELL, HELLO, AND WHERE HAVE 49 00:01:22,833 --> 00:01:25,733 YOU BEEN ALL NIGHT? 50 00:01:25,733 --> 00:01:26,867 COME ON, CURTIS, PLEASE? 51 00:01:26,867 --> 00:01:28,200 I WANT TO STAY. 52 00:01:28,200 --> 00:01:28,633 CURTIS! 53 00:01:28,633 --> 00:01:29,600 BUT I WANT TO SEE THIS. 54 00:01:29,600 --> 00:01:30,733 COME ON, YOU'RE GOING TO MAKE 55 00:01:30,733 --> 00:01:32,700 ME LATE. 56 00:01:32,700 --> 00:01:34,567 [ SCOFFS ] 57 00:01:34,567 --> 00:01:35,933 WHY DO YOU SMELL LIKE 58 00:01:35,933 --> 00:01:37,533 ENCHILADAS? 59 00:01:43,867 --> 00:01:46,767 WHERE HAVE YOU BEEN? 60 00:01:46,767 --> 00:01:48,767 LOOK, MIRANDA, I JUST HAD TO 61 00:01:48,767 --> 00:01:52,700 ...GO. 62 00:01:52,700 --> 00:01:54,067 YOU HAVE BEEN GONE ALL NIGHT 63 00:01:54,067 --> 00:01:54,467 LONG. 64 00:01:54,467 --> 00:01:55,633 DO YOU HAVE ANY CLUE HOW 65 00:01:55,633 --> 00:01:56,300 WORRIED I'VE BEEN? 66 00:01:56,300 --> 00:01:57,567 LOOK, WHATEVER. 67 00:01:57,567 --> 00:01:59,567 LOOK, AFTER THAT FIGHT, I JUST 68 00:01:59,567 --> 00:02:02,833 HAD TO CLEAR MY MIND. 69 00:02:02,833 --> 00:02:04,633 WHERE WERE YOU, CALVIN, AND 70 00:02:04,633 --> 00:02:10,200 WHO WERE YOU WITH, ALL NIGHT? 71 00:02:10,200 --> 00:02:11,967 MIRANDA, DO YOU TRUST ME? 72 00:02:11,967 --> 00:02:14,600 I REALLY WANT TO, BUT YOU'RE 73 00:02:14,600 --> 00:02:16,200 MAKING IT REALLY HARD. 74 00:02:16,200 --> 00:02:17,533 LOOK, AFTER THAT FIGHT, I 75 00:02:17,533 --> 00:02:18,600 JUST NEEDED TO THINK. 76 00:02:18,600 --> 00:02:19,833 I DIDN'T KNOW WHAT TO DO. 77 00:02:19,833 --> 00:02:22,067 WHAT YOU DO IS YOU STAY. 78 00:02:22,067 --> 00:02:23,433 YOU DON'T LEAVE. 79 00:02:23,433 --> 00:02:26,900 MARRIED COUPLES FIGHT, CALVIN. 80 00:02:26,900 --> 00:02:28,267 BUT WE CAN GET THROUGH THIS. 81 00:02:28,267 --> 00:02:31,400 IT'S OKAY. 82 00:02:31,400 --> 00:02:32,533 DON'T YOU NEED TO GET READY FOR 83 00:02:32,533 --> 00:02:33,500 WORK? 84 00:02:33,500 --> 00:02:35,167 NO, I'M NOT GOING TODAY. 85 00:02:35,167 --> 00:02:36,467 LOOK, I'D RATHER SPEND THE DAY 86 00:02:36,467 --> 00:02:37,067 WITH YOU. 87 00:02:37,067 --> 00:02:38,267 BECAUSE AFTER THAT FIGHT, WE 88 00:02:38,267 --> 00:02:40,267 STILL GOT A LOT TO TALK ABOUT. 89 00:02:40,267 --> 00:02:41,667 YOU'RE RIGHT. 90 00:02:41,667 --> 00:02:44,100 WE DO HAVE A LOT TO TALK ABOUT. 91 00:02:44,100 --> 00:02:45,700 SO WHY DON'T YOU GO GET 92 00:02:45,700 --> 00:02:47,500 CLEANED UP, TAKE A SHOWER? 93 00:02:47,500 --> 00:02:48,833 I HAVE A COUPLE ERRANDS TO 94 00:02:48,833 --> 00:02:49,200 RUN. 95 00:02:49,200 --> 00:02:50,433 THEN I'LL MEET YOU AT THE 96 00:02:50,433 --> 00:02:51,867 BARBER SHOP IN ABOUT AN HOUR. 97 00:02:51,867 --> 00:02:53,100 OKAY? 98 00:02:53,100 --> 00:02:55,967 YEAH. 99 00:02:55,967 --> 00:02:59,300 OH. 100 00:02:59,300 --> 00:03:04,933 I BOUGHT THIS FOR YOU. 101 00:03:16,200 --> 00:03:18,767 MIRANDA? HEY. 102 00:03:18,767 --> 00:03:23,633 UM...HOW ARE YOU? WHAT'S UP? 103 00:03:23,633 --> 00:03:24,833 I JUST HAVE ONE QUESTION FOR 104 00:03:24,833 --> 00:03:25,733 YOU. 105 00:03:25,733 --> 00:03:27,200 SURE. 106 00:03:27,200 --> 00:03:28,733 WERE YOU WITH MY HUSBAND LAST 107 00:03:28,733 --> 00:03:29,800 NIGHT? 108 00:03:29,800 --> 00:03:31,200 EXCUSE ME? 109 00:03:31,200 --> 00:03:32,433 OH, YOU HEARD WHAT I SAID. 110 00:03:32,433 --> 00:03:33,833 ANSWER THE QUESTION. 111 00:03:33,833 --> 00:03:35,900 I CAN TELL YOU ONE THING 112 00:03:35,900 --> 00:03:37,500 ABOUT YOUR HUSBAND. 113 00:03:37,500 --> 00:03:38,667 OH, YOU'RE GOING TO STAND 114 00:03:38,667 --> 00:03:39,833 HERE AND TELL ME SOMETHING 115 00:03:39,833 --> 00:03:40,667 ABOUT MY HUSBAND? 116 00:03:40,667 --> 00:03:41,567 WHAT MIGHT THAT BE? 117 00:03:41,567 --> 00:03:43,767 THAT HE LOVES YOU, VERY 118 00:03:43,767 --> 00:03:44,500 MUCH. 119 00:03:44,500 --> 00:03:45,800 [ SCOFFS ] 120 00:03:45,800 --> 00:03:47,733 AND I THINK YOU NEED TO BE 121 00:03:47,733 --> 00:03:49,533 MORE SUPPORTIVE, AS A WIFE 122 00:03:49,533 --> 00:03:50,333 SHOULD BE. 123 00:03:50,333 --> 00:03:51,433 YOU'RE GOING TO STAND HERE 124 00:03:51,433 --> 00:03:52,533 AND TELL ME SOMETHING ABOUT MY 125 00:03:52,533 --> 00:03:52,933 HUSBAND? 126 00:03:52,933 --> 00:03:54,067 WHAT DO YOU KNOW ABOUT BEING A 127 00:03:54,067 --> 00:03:54,367 WIFE? 128 00:03:54,367 --> 00:03:54,967 ARE YOU MARRIED? 129 00:03:54,967 --> 00:03:56,067 HAVE YOU EVER BEEN MARRIED? 130 00:03:56,067 --> 00:03:57,067 YOU KNOW WHAT? 131 00:03:57,067 --> 00:03:58,067 CALVIN WAS RIGHT. 132 00:03:58,067 --> 00:03:58,967 YOU DON'T LISTEN. 133 00:03:58,967 --> 00:04:00,533 AND I HAVE TO GO TO WORK, SO 134 00:04:00,533 --> 00:04:01,233 EXCUSE ME. 135 00:04:01,233 --> 00:04:03,133 HAVE A GREAT DAY. 136 00:04:10,167 --> 00:04:10,933 HEY. 137 00:04:10,933 --> 00:04:11,767 HEY! 138 00:04:11,767 --> 00:04:13,600 IF IT AIN'T MR. "I'M TOO GOOD 139 00:04:13,600 --> 00:04:15,167 FOR YOU ALL NOW, NOW THAT I GOT 140 00:04:15,167 --> 00:04:17,567 MY CORPORATE JOB." 141 00:04:17,567 --> 00:04:19,067 YEAH, MAN, WHERE YOU BEEN? 142 00:04:19,067 --> 00:04:20,500 MIRANDA GOT YOU ON PUNISHMENT 143 00:04:20,500 --> 00:04:20,967 AGAIN? 144 00:04:20,967 --> 00:04:21,600 NO. 145 00:04:21,600 --> 00:04:23,633 ACTUALLY, ME AND MY BEAUTIFUL 146 00:04:23,633 --> 00:04:25,800 WIFE ARE ABOUT TO GO TO LUNCH. 147 00:04:25,800 --> 00:04:27,733 SHE'S OUT WINDOW SHOPPING. 148 00:04:27,733 --> 00:04:29,300 WELL, THEN, WHY DO YOU LOOK 149 00:04:29,300 --> 00:04:30,067 SO SAD? 150 00:04:30,067 --> 00:04:31,700 YOU OKAY? 151 00:04:31,700 --> 00:04:33,600 YOU GOT TO HOLD TO SOME BAD 152 00:04:33,600 --> 00:04:34,667 SAV, DIDN'T YOU? 153 00:04:34,667 --> 00:04:36,933 NO, EVERYTHING'S FINE. 154 00:04:36,933 --> 00:04:40,667 [ CELLPHONE RINGS ] 155 00:04:40,667 --> 00:04:42,733 UH, CAN YOU PLEASE ANSWER 156 00:04:42,733 --> 00:04:43,267 YOUR PHONE? 157 00:04:43,267 --> 00:04:44,133 THAT'S REALLY ANNOYING. 158 00:04:44,133 --> 00:04:45,967 I CAN'T STAND TO SEE A GROWN 159 00:04:45,967 --> 00:04:49,333 MAN WITH A RINGTONE. 160 00:04:49,333 --> 00:04:51,967 HELLO? 161 00:04:51,967 --> 00:04:55,600 I-I KNOW I'M NOT AT WORK. 162 00:04:55,600 --> 00:04:57,533 SORRY, I SHOULD HAVE OFFERED 163 00:04:57,533 --> 00:04:58,933 YOU A CUP OF COFFEE. 164 00:04:58,933 --> 00:05:00,700 OKAY, JUST -- JUST SLIDE IT IN 165 00:05:00,700 --> 00:05:01,433 MY MAILBOX. 166 00:05:01,433 --> 00:05:02,733 I'LL BE THERE TOMORROW. 167 00:05:02,733 --> 00:05:04,767 OKAY. BYE. 168 00:05:04,767 --> 00:05:07,667 HEY! HEY, YOU! 169 00:05:07,667 --> 00:05:09,067 HI. 170 00:05:09,067 --> 00:05:10,967 WHEN -- WHEN DID YOU GET HERE? 171 00:05:10,967 --> 00:05:12,067 OH, JUST NOW. 172 00:05:12,067 --> 00:05:13,767 THE STORE DIDN'T HAVE MY SHIRT, 173 00:05:13,767 --> 00:05:14,833 SO I CAME HERE. 174 00:05:14,833 --> 00:05:15,867 WHO WERE YOU TALKING TO ON THE 175 00:05:15,867 --> 00:05:16,233 PHONE? 176 00:05:16,233 --> 00:05:17,167 OH. UH... 177 00:05:17,167 --> 00:05:20,367 THAT WAS A -- A TELEMARKETER. 178 00:05:20,367 --> 00:05:21,967 WELL, WHY DID YOU TELL THEM 179 00:05:21,967 --> 00:05:23,200 YOU'D BE THERE TOMORROW? 180 00:05:23,200 --> 00:05:26,067 SO THEY CAN CALL ME TOMORROW 181 00:05:26,067 --> 00:05:27,533 AND I WON'T ANSWER THE PHONE. 182 00:05:27,533 --> 00:05:28,233 [ CHUCKLES ] 183 00:05:28,233 --> 00:05:29,433 NOW, BABY, YOU KNOW THAT 184 00:05:29,433 --> 00:05:30,467 DOES NOT MAKE ANY SENSE. 185 00:05:30,467 --> 00:05:31,400 BUT ANYWAY, LISTEN. 186 00:05:31,400 --> 00:05:32,700 THEY DIDN'T HAVE THE SHIRT, 187 00:05:32,700 --> 00:05:33,967 BUT THEY GAVE ME THIS CATALOG 188 00:05:33,967 --> 00:05:35,133 SO THAT I COULD ORDER IT. 189 00:05:35,133 --> 00:05:36,300 SO CAN I USE YOUR PHONE REAL 190 00:05:36,300 --> 00:05:37,467 QUICK SO I CAN CALL THEM? 191 00:05:37,467 --> 00:05:39,633 MY PHONE? 192 00:05:39,633 --> 00:05:41,400 YES. 193 00:05:41,400 --> 00:05:43,533 UH...THE BATTERY'S DEAD. 194 00:05:43,533 --> 00:05:45,133 BUT, CALVIN, YOU WERE JUST 195 00:05:45,133 --> 00:05:45,967 ON YOUR PHONE. 196 00:05:45,967 --> 00:05:49,867 IT -- IT JUST DIED. 197 00:05:49,867 --> 00:05:50,967 [ CELLPHONE RINGS ] 198 00:05:50,967 --> 00:05:52,900 ISN'T THAT YOUR PHONE? 199 00:05:52,900 --> 00:05:54,067 UH, YEAH. 200 00:05:54,067 --> 00:05:55,367 SEE, IT ONLY HAD ENOUGH JUICE 201 00:05:55,367 --> 00:06:00,467 FOR -- FOR -- FOR ONE CALL. 202 00:06:00,467 --> 00:06:00,933 GO TO HELL. 203 00:06:00,933 --> 00:06:02,233 SEE? IT'S DEAD. 204 00:06:02,233 --> 00:06:03,067 [ LAUGHS ] IT'S DEAD. 205 00:06:03,067 --> 00:06:04,300 LET'S GO DO LUNCH. 206 00:06:04,300 --> 00:06:05,533 OKAY. 207 00:06:05,533 --> 00:06:08,233 BYE, YOU ALL. 208 00:06:08,233 --> 00:06:09,433 BYE, MIRANDA. 209 00:06:09,433 --> 00:06:11,400 THAT WAS LOWDOWN. 210 00:06:11,400 --> 00:06:12,433 I DO WHAT I DO. 211 00:06:12,433 --> 00:06:13,600 THAT WAS LOWDOWN. 212 00:06:13,600 --> 00:06:15,200 IT WAS LOWDOWN WHAT HE DID. 213 00:06:15,200 --> 00:06:16,300 THAT'S MY GIRL. 214 00:06:16,300 --> 00:06:17,467 SOMETHING AIN'T RIGHT. 215 00:06:17,467 --> 00:06:19,133 MM-HMM. 216 00:06:19,133 --> 00:06:22,267 SOMETHING IS NOT FUNNY IN 217 00:06:22,267 --> 00:06:23,800 THE LAND OF BEES AND HONEY. 218 00:06:23,800 --> 00:06:25,333 I THINK YOU MEAN "BEES AND 219 00:06:25,333 --> 00:06:25,900 POLLEN." 220 00:06:25,900 --> 00:06:27,667 BECAUSE HONEY IS WHAT BEES MAKE. 221 00:06:27,667 --> 00:06:28,667 NO, IDIOT! 222 00:06:28,667 --> 00:06:30,067 HE'S CHEATING. 223 00:06:30,067 --> 00:06:31,533 AND SHE DOESN'T KNOW. 224 00:06:31,533 --> 00:06:32,500 [ CHUCKLES ] 225 00:06:32,500 --> 00:06:33,633 WHY DO YOU GUYS THINK THE 226 00:06:33,633 --> 00:06:34,433 WORST OF CALVIN? 227 00:06:34,433 --> 00:06:35,467 I MEAN, HE JUST WALKS IN 228 00:06:35,467 --> 00:06:36,800 LOOKING LIKE HE LOST HIS PUPPY. 229 00:06:36,800 --> 00:06:37,733 UH-HUH. 230 00:06:37,733 --> 00:06:38,600 AND HE HAS A SECRET 231 00:06:38,600 --> 00:06:39,200 CONVERSATION. 232 00:06:39,200 --> 00:06:39,700 UH-HUH. 233 00:06:39,700 --> 00:06:40,900 AND HE'S A LITTLE JUMPY WHEN 234 00:06:40,900 --> 00:06:41,633 HIS WIFE WALKS IN. 235 00:06:41,633 --> 00:06:43,500 THAT DOESN'T MEAN SOMETHING'S 236 00:06:43,500 --> 00:06:44,200 GOING ON. 237 00:06:44,200 --> 00:06:45,333 IT DOESN'T. 238 00:06:45,333 --> 00:06:47,167 SON, WHEN A MAN DOESN'T LET 239 00:06:47,167 --> 00:06:48,767 HIS WOMAN USE HIS CELLPHONE, 240 00:06:48,767 --> 00:06:50,500 HE'S CHEATING. 241 00:06:50,500 --> 00:06:55,167 [ KNOCK ON DOOR ] 242 00:06:55,167 --> 00:06:56,967 HEY! COME ON IN! 243 00:06:56,967 --> 00:06:57,367 HEY. 244 00:06:57,367 --> 00:06:58,633 AREN'T YOU SUPPOSED TO BE AT 245 00:06:58,633 --> 00:06:59,067 WORK? 246 00:06:59,067 --> 00:07:00,233 YEAH, I...I CLOSED THE 247 00:07:00,233 --> 00:07:01,567 BOUTIQUE FOR LUNCH, AND I HAD 248 00:07:01,567 --> 00:07:02,867 TO GET OUT OF THERE AND CLEAR 249 00:07:02,867 --> 00:07:03,367 MY HEAD. 250 00:07:03,367 --> 00:07:04,567 YOU GOT SOME TIME FOR SOME 251 00:07:04,567 --> 00:07:05,067 GIRL TALK? 252 00:07:05,067 --> 00:07:05,633 OH, SURE. 253 00:07:05,633 --> 00:07:06,333 JUST A MINUTE. 254 00:07:06,333 --> 00:07:07,167 I'LL BE RIGHT BACK. 255 00:07:07,167 --> 00:07:08,733 COME ON, GIRL. 256 00:07:08,733 --> 00:07:09,833 THANK YOU. 257 00:07:09,833 --> 00:07:11,433 WHAT'S THE MATTER? 258 00:07:11,433 --> 00:07:13,500 CURTIS MADE ME SO MAD THIS 259 00:07:13,500 --> 00:07:14,133 MORNING. 260 00:07:14,133 --> 00:07:15,833 MORE THAN USUAL? 261 00:07:15,833 --> 00:07:17,400 YES, MORE THAN USUAL. 262 00:07:17,400 --> 00:07:19,333 HE -- HE'S SO UPSET ABOUT THIS 263 00:07:19,333 --> 00:07:20,533 JOB AND ME WORKING. 264 00:07:20,533 --> 00:07:22,300 AND THEN HE SAYS, "YOU'RE NOT 265 00:07:22,300 --> 00:07:23,400 AT HOME ANYMORE." 266 00:07:23,400 --> 00:07:24,367 AND -- UGH. 267 00:07:24,367 --> 00:07:25,700 WELL... 268 00:07:25,700 --> 00:07:27,900 IT'S NOT ENOUGH, IS IT? 269 00:07:27,900 --> 00:07:30,333 WELL, GIRL TALK IS BETTER WITH 270 00:07:30,333 --> 00:07:30,967 BEER. 271 00:07:30,967 --> 00:07:32,800 CONTINUE. 272 00:07:32,800 --> 00:07:34,167 MAMA, PLEASE, YOU'RE NOT 273 00:07:34,167 --> 00:07:34,733 HELPING. 274 00:07:34,733 --> 00:07:36,067 WELL, YOU KNOW, MAYBE YOU 275 00:07:36,067 --> 00:07:37,400 COULD JUST GET YOUR HOURS 276 00:07:37,400 --> 00:07:38,067 ADJUSTED. 277 00:07:38,067 --> 00:07:39,600 I SHOULDN'T HAVE TO DO THAT, 278 00:07:39,600 --> 00:07:40,100 ROSIE. 279 00:07:40,100 --> 00:07:41,300 I-I WANT TO DO THIS. 280 00:07:41,300 --> 00:07:42,233 I WANT TO WORK. 281 00:07:42,233 --> 00:07:43,533 AND SO I SHOULD HAVE THE 282 00:07:43,533 --> 00:07:44,733 SUPPORT OF MY HUSBAND. 283 00:07:44,733 --> 00:07:45,633 OH, MEN. 284 00:07:45,633 --> 00:07:47,567 YOU KNOW, WE CAN'T LIVE WITH 285 00:07:47,567 --> 00:07:49,367 THEM, AND WE CANNOT SLEEP WITH 286 00:07:49,367 --> 00:07:50,733 THEIR BROTHER WITHOUT CAUSING 287 00:07:50,733 --> 00:07:51,467 SOME BIG ARGUMENT. 288 00:07:51,467 --> 00:07:53,067 MAMA, POR FAVOR. 289 00:07:53,067 --> 00:07:54,367 I'M JUST SAYING -- I'M JUST 290 00:07:54,367 --> 00:07:54,867 TALKING. 291 00:07:54,867 --> 00:07:56,067 PERO, NO HABLES TANTO. 292 00:07:56,067 --> 00:07:57,167 OKAY. 293 00:07:57,167 --> 00:07:59,600 WELL, I JUST -- I JUST REALLY 294 00:07:59,600 --> 00:08:02,067 WANT CURTIS TO BE UNDERSTANDING. 295 00:08:02,067 --> 00:08:03,200 THAT'S IT. 296 00:08:03,200 --> 00:08:04,867 LIKE PAUL. 297 00:08:04,867 --> 00:08:06,500 ROSIE, NO. 298 00:08:06,500 --> 00:08:08,767 I LOVE MY HUSBAND, OKAY? 299 00:08:08,767 --> 00:08:10,933 AND I JUST REMEMBER WHEN CURTIS 300 00:08:10,933 --> 00:08:13,133 WAS SENSITIVE AND ROMANTIC, AND 301 00:08:13,133 --> 00:08:14,167 I MISS THAT. 302 00:08:14,167 --> 00:08:15,467 I CAN'T HELP THINKING WHAT 303 00:08:15,467 --> 00:08:16,900 IT WOULD BE LIKE IF CURTIS WAS 304 00:08:16,900 --> 00:08:17,700 MORE LIKE PAUL. 305 00:08:17,700 --> 00:08:19,100 I MEAN, WHAT -- WHAT HE COULD 306 00:08:19,100 --> 00:08:19,700 GIVE YOU. 307 00:08:19,700 --> 00:08:21,100 OH, YES. 308 00:08:21,100 --> 00:08:23,067 ALL NIGHT LONG. 309 00:08:23,067 --> 00:08:26,400 OH. OKAY, MAMA. 310 00:08:26,400 --> 00:08:27,800 LISTEN, I JUST WANT CURTIS TO 311 00:08:27,800 --> 00:08:29,300 LISTEN TO ME, AND I WANT HIM TO 312 00:08:29,300 --> 00:08:30,633 RESPECT WHAT I HAVE TO SAY. 313 00:08:30,633 --> 00:08:32,367 WELL, ELLA, HAVE YOU TOLD 314 00:08:32,367 --> 00:08:33,667 CURTIS HOW YOU FEEL? 315 00:08:33,667 --> 00:08:35,633 YES, I HAVE TOLD CURTIS HOW 316 00:08:35,633 --> 00:08:36,267 I FEEL. 317 00:08:36,267 --> 00:08:37,900 BUT HE SAYS, "ELLA, YOU'RE 318 00:08:37,900 --> 00:08:39,267 JUST OVERSENSITIVE." 319 00:08:39,267 --> 00:08:43,100 AH, I GOT SOMETHING FOR THAT! 320 00:08:43,100 --> 00:08:45,067 I JUST THINK THAT YOU NEED TO 321 00:08:45,067 --> 00:08:46,667 SORT ALL THIS THING OUT, YOU 322 00:08:46,667 --> 00:08:47,167 KNOW? 323 00:08:47,167 --> 00:08:48,700 YOU HAVE -- YOUR FEELINGS ARE 324 00:08:48,700 --> 00:08:49,733 MIXED UP RIGHT NOW. 325 00:08:49,733 --> 00:08:51,800 NO, THEY'RE NOT. 326 00:08:51,800 --> 00:08:53,600 I WANT TO WORK. 327 00:08:53,600 --> 00:08:55,267 WELL, TELL HIM THAT. 328 00:08:55,267 --> 00:08:57,233 I DID, ROSIE. 329 00:08:57,233 --> 00:08:59,533 YES, WELL, YOU KNOW, I THINK 330 00:08:59,533 --> 00:09:01,833 YOU SHOULD ALWAYS GO FOR THE 331 00:09:01,833 --> 00:09:02,500 KNEES. 332 00:09:02,500 --> 00:09:04,300 THAT'S SOLUTION NUMBER ONE. 333 00:09:04,300 --> 00:09:06,133 OKAY. 334 00:09:06,133 --> 00:09:07,533 I THINK I'D LIKE TO BE JUST A 335 00:09:07,533 --> 00:09:08,833 LITTLE MORE SUBTLE THAN THAT. 336 00:09:08,833 --> 00:09:11,600 OH, REALLY? 337 00:09:11,600 --> 00:09:12,367 GOOD. 338 00:09:12,367 --> 00:09:17,200 THEN YOU WOULD LOVE THIS. 339 00:09:17,200 --> 00:09:20,600 YOU HAVE TO WEAR A PAIR OF BOOTY 340 00:09:20,600 --> 00:09:23,600 FOOTIES AND MAKE HIM WORK FOR 341 00:09:23,600 --> 00:09:24,167 IT. 342 00:09:24,167 --> 00:09:25,700 OKAY, MAMA? 343 00:09:25,700 --> 00:09:26,600 ENOUGH. 344 00:09:26,600 --> 00:09:27,967 ROSIE, THANK YOU. 345 00:09:27,967 --> 00:09:30,800 MAMA, THANK YOU -- I THINK. 346 00:09:30,800 --> 00:09:32,633 UM...I'M JUST GOING TO GO 347 00:09:32,633 --> 00:09:34,400 BACK -- GO BACK TO WORK. 348 00:09:34,400 --> 00:09:35,467 ALL RIGHT, ELLA. 349 00:09:35,467 --> 00:09:36,300 WELL, YOU CALL ME LATER. 350 00:09:36,300 --> 00:09:37,633 I HAVE THEM HERE IF YOU WANT 351 00:09:37,633 --> 00:09:38,300 THEM LATER. 352 00:09:38,300 --> 00:09:39,733 I WILL CALL YOU LATER, AND 353 00:09:39,733 --> 00:09:41,267 I'D LIKE TO TALK LATER, WITHOUT 354 00:09:41,267 --> 00:09:41,900 YOUR MAMA. 355 00:09:41,900 --> 00:09:44,233 THANKS. 356 00:09:44,233 --> 00:09:46,400 QUITAME EL BRUTO, DIOS MIO. 357 00:09:46,400 --> 00:09:47,967 I DON'T SPEAK SPANISH. 358 00:09:56,067 --> 00:09:57,567 THINGS ARE UP IN THE HO-- 359 00:09:57,567 --> 00:09:59,533 WE HAVE HAD TWO PAYNES IN THE 360 00:09:59,533 --> 00:10:00,833 HOUSE TODAY. 361 00:10:00,833 --> 00:10:03,033 WHAT DO I OWE THIS ILLUSTRIOUS 362 00:10:03,033 --> 00:10:04,533 PLEASURE? 363 00:10:04,533 --> 00:10:09,600 HEY, FLOYZOID. 364 00:10:09,600 --> 00:10:11,033 I CAN'T STAND THE PAIN. 365 00:10:11,033 --> 00:10:12,733 "CAN'T STAND THE PAIN"! 366 00:10:12,733 --> 00:10:13,700 [ LAUGHS ] 367 00:10:13,700 --> 00:10:15,300 NO PAIN, NO GAIN? 368 00:10:15,300 --> 00:10:16,433 "NO PAIN, NO GAIN"! 369 00:10:16,433 --> 00:10:18,067 I'M ROLLING, I'M ROLLING, I'M 370 00:10:18,067 --> 00:10:18,633 ROLLING. 371 00:10:18,633 --> 00:10:20,533 I'M BEING A PAIN? 372 00:10:20,533 --> 00:10:22,100 "HE'S BEING A PAIN"! 373 00:10:22,100 --> 00:10:23,267 COME ON, MAN. 374 00:10:23,267 --> 00:10:24,667 IT'S MY BEST STUFF. 375 00:10:24,667 --> 00:10:25,900 WHAT'S UP, MAN? 376 00:10:25,900 --> 00:10:28,067 IT'S VERY FUNNY. 377 00:10:28,067 --> 00:10:30,533 HA HA. 378 00:10:30,533 --> 00:10:31,733 MR. C., COME ON. 379 00:10:31,733 --> 00:10:33,433 WHERE'S YOUR SNAPPY COMEBACK? 380 00:10:33,433 --> 00:10:34,067 COME ON. 381 00:10:34,067 --> 00:10:37,033 I'M JUST NOT UP TO IT, KIKI. 382 00:10:37,033 --> 00:10:39,633 I'M HAVING WIFEY PROBLEMS. 383 00:10:39,633 --> 00:10:40,600 OH. 384 00:10:40,600 --> 00:10:42,500 NOT UP TO IT? 385 00:10:42,500 --> 00:10:43,967 IS THE LADDER NOT MAKING IT TO 386 00:10:43,967 --> 00:10:45,300 THE SECOND FLOOR, MR. C.? 387 00:10:45,300 --> 00:10:47,633 MY LADDER IS JUST FINE. 388 00:10:47,633 --> 00:10:50,667 THANK YOU VERY MUCH. 389 00:10:50,667 --> 00:10:51,933 IT'S ELLA! 390 00:10:51,933 --> 00:10:53,767 ELLA, MAN, ELLA! 391 00:10:53,767 --> 00:10:55,033 SHE'S AT THAT JOB LATE. 392 00:10:55,033 --> 00:10:56,667 SHE'S SPENDING TOO MUCH TIME AT 393 00:10:56,667 --> 00:10:57,133 WORK! 394 00:10:57,133 --> 00:10:57,600 WE 395 00:10:57,600 --> 00:10:58,767 WELL, YOU SHOULD BE HAPPY 396 00:10:58,767 --> 00:11:00,067 THAT YOUR LADY WANTS TO GO TO 397 00:11:00,067 --> 00:11:00,633 WORK, RIGHT? 398 00:11:00,633 --> 00:11:01,567 I GUESS SO. 399 00:11:01,567 --> 00:11:02,733 AND SHE WON'T BE HITTING YOU 400 00:11:02,733 --> 00:11:03,700 UP FOR ANY MONEY ANYMORE, 401 00:11:03,700 --> 00:11:04,067 RIGHT? 402 00:11:04,067 --> 00:11:05,400 THAT'S TRUE. 403 00:11:05,400 --> 00:11:11,967 [ CELLPHONE RINGS ] 404 00:11:11,967 --> 00:11:13,233 HELLO? 405 00:11:13,233 --> 00:11:16,067 HEY -- HEY, BABE. HEY, BABE. 406 00:11:16,067 --> 00:11:17,700 YEAH. 407 00:11:17,700 --> 00:11:21,333 ELL-- BABY, NO! BABY, NO! 408 00:11:21,333 --> 00:11:24,500 BUT YOU WAS WORKING LATE -- 409 00:11:24,500 --> 00:11:26,100 YOU WAS WORKING LATE LAST NIGHT. 410 00:11:26,100 --> 00:11:27,367 AND THE NIGHT BEFORE THAT AND 411 00:11:27,367 --> 00:11:28,333 THE NIGHT BEFORE THAT. 412 00:11:28,333 --> 00:11:29,567 COME ON, ELLA. COME ON, NOW. 413 00:11:29,567 --> 00:11:31,333 BABY, THAT MEAN I GOT TO COOK 414 00:11:31,333 --> 00:11:32,333 MY FOOD AGAIN? 415 00:11:32,333 --> 00:11:34,100 I GOT TO WASH THE CLOTHES, I 416 00:11:34,100 --> 00:11:35,600 GOT TO DO THE LAUNDRY. 417 00:11:35,600 --> 00:11:37,067 I GOT STAINS IN MY CLOTHES. 418 00:11:37,067 --> 00:11:38,367 I CAN'T EVEN GET THE STAINS 419 00:11:38,367 --> 00:11:40,333 OUT! 420 00:11:40,333 --> 00:11:44,167 I'M NOT TRYING TO HEAR THAT. 421 00:11:44,167 --> 00:11:45,467 YOU DOGGONE RIGHT WE GOING TO 422 00:11:45,467 --> 00:11:48,500 TALK TONIGHT WHEN YOU GET HOME. 423 00:11:48,500 --> 00:11:49,833 OKAY. 424 00:11:49,833 --> 00:11:52,467 BABY, I L-- HELLO? 425 00:11:52,467 --> 00:11:54,533 E-ELLA, HELLO? 426 00:12:02,867 --> 00:12:04,700 A BAD CONNECTION HERE. 427 00:12:04,700 --> 00:12:06,167 HEY, LET'S PLAY A GAME OF 428 00:12:06,167 --> 00:12:11,667 CHECKERS, MAN, COME ON. 429 00:12:11,667 --> 00:12:13,233 [ GRUNTS ] 430 00:12:13,233 --> 00:12:14,867 I'LL TALK TO YOU ALL LATER ON! 431 00:12:14,867 --> 00:12:18,433 I CAN'T DO IT! 432 00:12:18,433 --> 00:12:22,700 CURTIS! CURTIS! 433 00:12:22,700 --> 00:12:24,567 I HAVE NEVER SEEN HIM LIKE THIS 434 00:12:24,567 --> 00:12:26,367 BEFORE. 435 00:12:26,367 --> 00:12:29,133 YOU KNOW... 436 00:12:29,133 --> 00:12:32,067 SOMETHING'S FUNNY GOING ON WITH 437 00:12:32,067 --> 00:12:33,467 THE BEES AND HONEY. 438 00:12:33,467 --> 00:12:35,133 NO, IT'D BE THE BEES AND THE 439 00:12:35,133 --> 00:12:36,633 POLLEN, BECAUSE THE HONEY -- 440 00:12:36,633 --> 00:12:37,967 SHUT UP! NO! 441 00:12:37,967 --> 00:12:39,400 NO SHE' CHEATING. 442 00:12:39,400 --> 00:12:41,233 AN H DON'T KNOW. 443 00:12:41,233 --> 00:12:42,200 [ SCOFFS ] 444 00:12:42,200 --> 00:12:43,567 YOU GUYS THINK SHE'S CHEATING, 445 00:12:43,567 --> 00:12:45,067 JUST BECAUSE SHE'S STAYING OUT 446 00:12:45,067 --> 00:12:45,400 LATE? 447 00:12:45,400 --> 00:12:46,067 NOT COOKING? 448 00:12:46,067 --> 00:12:46,767 NOT CLEANING? 449 00:12:46,767 --> 00:12:47,867 THAT DOESN'T MEAN SHE'S 450 00:12:47,867 --> 00:12:48,467 CHEATING. 451 00:12:48,467 --> 00:12:50,433 LOOK, WHEN A WOMAN DOESN'T 452 00:12:50,433 --> 00:12:52,300 COME HOME TO COOK AND CLEAN, 453 00:12:52,300 --> 00:12:54,067 AND YOU SITTING BY THE PHONE ALL 454 00:12:54,067 --> 00:12:55,600 DAY AND SHE HASN'T CALLED YOU, 455 00:12:55,600 --> 00:12:56,500 SHE CHEATING. 456 00:12:56,500 --> 00:12:58,467 NOT IF THEY GOT A NANNY. 457 00:13:03,333 --> 00:13:07,233 [ SIREN WAILING ] 458 00:13:07,233 --> 00:13:09,133 HEY. 459 00:13:09,133 --> 00:13:11,467 OOH, YOU WANT -- YOU -- 460 00:13:11,467 --> 00:13:12,567 YOU WANT TO WATCH THIS MOVIE 461 00:13:12,567 --> 00:13:13,067 WITH ME? 462 00:13:13,067 --> 00:13:14,667 OKAY. 463 00:13:21,400 --> 00:13:23,067 ELLA, COME TO BED. 464 00:13:23,067 --> 00:13:24,533 CURTIS, I WANT TO GO TO BED, 465 00:13:24,533 --> 00:13:25,233 OKAY, BABY? 466 00:13:25,233 --> 00:13:26,633 BUT I JUST NEED TO COMPLETE 467 00:13:26,633 --> 00:13:28,067 THIS WORK FOR THE BOUTIQUE AND 468 00:13:28,067 --> 00:13:29,067 MAKE THIS DEPOSIT. 469 00:13:29,067 --> 00:13:30,500 OKAY? 470 00:13:30,500 --> 00:13:33,533 I'LL BE HOME AFTER I MAKE THIS 471 00:13:33,533 --> 00:13:34,700 DEPOSIT. 472 00:13:34,700 --> 00:13:35,833 BE HOME FROM WHERE? 473 00:13:35,833 --> 00:13:37,200 I'LL BE BACK. 474 00:13:37,200 --> 00:13:38,833 ELLA, I'M SICK OF THIS JOB, 475 00:13:38,833 --> 00:13:39,333 BABY. 476 00:13:39,333 --> 00:13:40,900 I'M SICK OF THIS JOB, OKAY? 477 00:13:40,900 --> 00:13:41,767 WHAT ABOUT ME? 478 00:13:41,767 --> 00:13:43,567 IT'S TIME YOU THOUGHT ABOUT ME, 479 00:13:43,567 --> 00:13:44,067 OKAY? 480 00:13:44,067 --> 00:13:45,567 OKAY. 481 00:13:45,567 --> 00:13:46,933 [ KNOCK ON DOOR ] 482 00:13:46,933 --> 00:13:47,867 OH, BABY, RELAX. 483 00:13:47,867 --> 00:13:49,233 I'LL GET IT. 484 00:13:49,233 --> 00:13:54,867 ALL RIGHT. 485 00:13:54,867 --> 00:13:56,433 MERCEDES, WHAT ARE YOU 486 00:13:56,433 --> 00:13:57,233 DOING HERE? 487 00:13:57,233 --> 00:13:58,833 I'M SO SORRY I'M HERE, 488 00:13:58,833 --> 00:13:59,567 MIRANDA. 489 00:13:59,567 --> 00:14:01,233 I HAVE TO TALK TO CALVIN. 490 00:14:01,233 --> 00:14:02,433 LISTEN, DIEGO'S ON HIS WAY 491 00:14:02,433 --> 00:14:03,433 OVER HERE, I THINK. 492 00:14:03,433 --> 00:14:04,900 AND HE WAS JUST REALLY UPSET. 493 00:14:04,900 --> 00:14:06,067 WHOA, WHOA -- WHAT IS DIEGO 494 00:14:06,067 --> 00:14:08,633 ON HIS WAY OVER HERE FOR? 495 00:14:08,633 --> 00:14:09,767 [ THUD ON DOOR ] 496 00:14:09,767 --> 00:14:11,133 YOU NEED TO STAY AWAY FROM MY 497 00:14:11,133 --> 00:14:11,533 SISTER. 498 00:14:11,533 --> 00:14:12,633 DIEGO, I TOLD YOU I WOULD 499 00:14:12,633 --> 00:14:13,200 HANDLE THIS. 500 00:14:13,200 --> 00:14:15,100 I SAW YOU, PUNK! 501 00:14:15,100 --> 00:14:16,367 HE KISSED HER! 502 00:14:16,367 --> 00:14:17,667 WHAT? WHAT? 503 00:14:17,667 --> 00:14:19,367 YOU WHAT? 504 00:14:19,367 --> 00:14:21,067 LOOK, BABY, IT'S -- IT'S NOT 505 00:14:21,067 --> 00:14:22,433 WHAT YOU THINK. 506 00:14:22,433 --> 00:14:23,667 YOU WERE KISSING HER, BUT 507 00:14:23,667 --> 00:14:24,700 IT'S NOT WHAT I THINK? 508 00:14:24,700 --> 00:14:25,633 LOOK, BABY, IT -- 509 00:14:25,633 --> 00:14:26,733 DON'T TOUCH ME! 510 00:14:26,733 --> 00:14:32,733 ARE YOU SERIOUS?! 511 00:14:32,733 --> 00:14:34,533 CALVIN, WHAT'S GOING ON? 512 00:14:34,533 --> 00:14:35,633 I'LL TELL YOU WHAT'S GOING 513 00:14:35,633 --> 00:14:35,933 ON. 514 00:14:35,933 --> 00:14:37,067 YEAH, YOUR SON OVER HERE HAS 515 00:14:37,067 --> 00:14:38,067 BEEN SLEEPING AROUND WITH MY 516 00:14:38,067 --> 00:14:38,767 SISTER. 517 00:14:38,767 --> 00:14:40,300 WE'RE NOT SLEEPING AROUND. 518 00:14:40,300 --> 00:14:41,333 I WOULDN'T DO THAT! 519 00:14:41,333 --> 00:14:42,133 HE'S MARRIED! 520 00:14:42,133 --> 00:14:43,433 AND I WOULDN'T DO IT, EITHER. 521 00:14:43,433 --> 00:14:44,667 NOTHING'S GOING ON BETWEEN US. 522 00:14:44,667 --> 00:14:46,333 AND I THOUGHT YOU WERE MY 523 00:14:46,333 --> 00:14:47,067 BOY, HUH? 524 00:14:47,067 --> 00:14:51,167 WHAT HAPPENED TO THAT, HUH? 525 00:14:51,167 --> 00:14:53,067 WAS THIS JUST AN ACT? 526 00:14:53,067 --> 00:14:54,667 WAS -- WAS THAT -- THIS WAS JUST 527 00:14:54,667 --> 00:14:55,667 AN ACT, RIGHT? 528 00:14:55,667 --> 00:14:57,600 SO YOU CAN GET WITH HER, THIS 529 00:14:57,600 --> 00:14:58,500 WHOLE TIME? 530 00:14:58,500 --> 00:14:59,567 LOOK, DIEGO, I AIN'T GOT TIME 531 00:14:59,567 --> 00:15:00,067 FOR THIS. 532 00:15:00,067 --> 00:15:00,833 I GOT TO DEAL WITH -- 533 00:15:00,833 --> 00:15:02,233 YOU MAKE TIME FOR THIS! 534 00:15:02,233 --> 00:15:03,567 YOU MAKE TIME FOR THIS!! 535 00:15:03,567 --> 00:15:04,567 STOP IT, DIEGO. 536 00:15:04,567 --> 00:15:06,167 YOU'RE THE ONLY ONE I TRUSTED 537 00:15:06,167 --> 00:15:07,667 EVER SINCE I GOT BACK FROM THE 538 00:15:07,667 --> 00:15:08,333 ARMY, MAN! 539 00:15:08,333 --> 00:15:09,400 YOU, AND THAT'S IT! 540 00:15:09,400 --> 00:15:10,300 DAMN! 541 00:15:10,300 --> 00:15:11,700 LOOK, DIEGO, I -- 542 00:15:11,700 --> 00:15:13,633 NO, YOU LOOK, ALL RIGHT? 543 00:15:13,633 --> 00:15:15,133 I'M WARNING YOU! 544 00:15:15,133 --> 00:15:16,333 YOU STAY THE HELL AWAY FROM 545 00:15:16,333 --> 00:15:17,200 HER! 546 00:15:17,200 --> 00:15:18,900 I WON'T HIT YOU BECAUSE I'LL 547 00:15:18,900 --> 00:15:20,267 RESPECT YOUR HOUSE! 548 00:15:20,267 --> 00:15:22,067 YOU'RE NOT GOING TO HIT ME. 549 00:15:22,067 --> 00:15:24,100 GET OUT. LET'S GO. LET'S GO. 550 00:15:24,100 --> 00:15:24,600 LET'S GO! 551 00:15:24,600 --> 00:15:27,067 DON'T YELL AT ME, DIEGO! 552 00:15:27,067 --> 00:15:29,067 YOU'RE A PUNK. 553 00:15:29,067 --> 00:15:30,933 I'M STANDING RIGHT HERE. 554 00:15:30,933 --> 00:15:34,367 YOU'RE A PUNK! 555 00:15:34,367 --> 00:15:35,667 THAT DAMN SHIRT -- WHAT HE GOING 556 00:15:35,667 --> 00:15:36,600 TO DO WITH THAT SHIRT ON? 557 00:15:36,600 --> 00:15:42,300 CURTIS! 558 00:15:42,300 --> 00:15:43,700 I GOT TO GO CHECK ON MIRANDA. 559 00:15:43,700 --> 00:15:44,533 HEY, CALVIN? 560 00:15:44,533 --> 00:15:45,067 WHAT? 561 00:15:45,067 --> 00:15:46,500 YOU MIGHT NOT WANT TO CHECK 562 00:15:46,500 --> 00:15:48,867 ON HER RIGHT NOW. 563 00:15:48,867 --> 00:15:51,400 CALVIN! 564 00:15:51,400 --> 00:15:52,333 YOU KNOW WHAT? 565 00:15:52,333 --> 00:15:53,900 I'M -- I'M GOING TO GO MAKE THIS 566 00:15:53,900 --> 00:15:54,733 DEPOSIT, BABY. 567 00:15:54,733 --> 00:15:56,067 I GOT TO GET OUT OF HERE. 568 00:15:56,067 --> 00:15:56,800 NO. 569 00:15:56,800 --> 00:15:58,267 YOU'RE NOT MAKING A DEPOSIT. 570 00:15:58,267 --> 00:15:59,833 AIN'T GOING TO BE NO DEPOSITS 571 00:15:59,833 --> 00:16:01,100 TONIGHT -- THAT'S IT. 572 00:16:01,100 --> 00:16:03,400 THAT'S IT. THAT'S IT, BABY. 573 00:16:03,400 --> 00:16:05,633 I'M SO TIRED OF THIS JOB, ELLA. 574 00:16:05,633 --> 00:16:06,733 I'M SO SICK OF THIS. 575 00:16:06,733 --> 00:16:08,167 I'VE BEEN PATIENT ABOUT THIS. 576 00:16:08,167 --> 00:16:09,567 I'VE BEEN LETTING IT SLIDE. 577 00:16:09,567 --> 00:16:11,267 THAT'S IT, I'M PUTTING MY FOOT 578 00:16:11,267 --> 00:16:12,067 DOWN, BABY! 579 00:16:12,067 --> 00:16:14,767 THAT'S IT! 580 00:16:14,767 --> 00:16:18,633 NOW, IT'S ME OR THE DEPOSITS! 581 00:16:18,633 --> 00:16:20,433 CHOOSE YE THIS DAY. 582 00:16:20,433 --> 00:16:21,633 MOVE, CURTIS. 583 00:16:21,633 --> 00:16:23,900 I'M GOING TO MAKE THIS DEPOSIT. 584 00:16:23,900 --> 00:16:25,333 I'M SICK OF THIS. 585 00:16:25,333 --> 00:16:27,300 I GOT TO GET OUT OF HERE. 586 00:16:27,300 --> 00:16:29,467 YOUR SON GOING CRAZY, YOU GONE 587 00:16:29,467 --> 00:16:30,167 CRAZY. 588 00:16:30,167 --> 00:16:35,100 CUR-- 589 00:16:35,100 --> 00:16:41,067 I'LL BE BACK. 590 00:16:41,067 --> 00:16:43,400 YOU DON'T HAVE TO COME BACK. 591 00:16:43,400 --> 00:16:50,500 DON'T COME BACK. 592 00:16:50,500 --> 00:16:52,833 [ DIALING ] 593 00:16:52,833 --> 00:16:57,100 I'LL MAKE SURE YOU COME BACK. 594 00:16:57,100 --> 00:17:00,733 HELLO? IS THIS THE BOUTIQUE? 595 00:17:00,733 --> 00:17:02,733 WHATEVER THE HELL THE NAME OF 596 00:17:02,733 --> 00:17:03,367 IT IS. 597 00:17:03,367 --> 00:17:06,233 LOOK, THIS IS CURTIS PAYNE, 598 00:17:06,233 --> 00:17:07,567 ELLA PAYNE'S HUSBAND. 599 00:17:07,567 --> 00:17:09,200 ELLA QUITS. 600 00:17:09,200 --> 00:17:14,133 AS OF TONIGHT, SHE'S THROUGH. 601 00:17:17,900 --> 00:17:20,167 I GOT YOU. 602 00:17:20,167 --> 00:17:21,600 YOU BETTER WALK BEFORE I DROP 603 00:17:21,600 --> 00:17:23,233 YOU. 604 00:17:23,233 --> 00:17:27,767 COME ON, SIT DOWN, SIT DOWN. 605 00:17:27,767 --> 00:17:30,267 DAMN, MAN, WHAT HAPPENED? 606 00:17:30,267 --> 00:17:32,100 YOU GUYS LOOK WORSE THAN YOU 607 00:17:32,100 --> 00:17:33,200 DID YESTERDAY. 608 00:17:33,200 --> 00:17:34,467 MIRANDA LEFT. 609 00:17:34,467 --> 00:17:36,200 OOH, PAY ME MY MONEY! 610 00:17:36,200 --> 00:17:37,100 PAY IT! 611 00:17:37,100 --> 00:17:37,933 WAIT, WAIT. 612 00:17:37,933 --> 00:17:39,067 YOU GUYS BET ON ME? 613 00:17:39,067 --> 00:17:40,233 NO, NO, WE DIDN'T BE O YOU. 614 00:17:40,233 --> 00:17:41,200 WE BE AGAINS YOU. 615 00:17:41,200 --> 00:17:42,967 WHOO-HOO! 616 00:17:42,967 --> 00:17:44,433 THAT IS SO COLD. 617 00:17:44,433 --> 00:17:45,600 YEAH, WHAT KIND OF FRIENDS 618 00:17:45,600 --> 00:17:46,067 ARE YOU? 619 00:17:46,067 --> 00:17:47,233 HEY, HEY, HEY, HEY. 620 00:17:47,233 --> 00:17:49,833 I DIDN'T BET ON YOU. 621 00:17:49,833 --> 00:17:52,200 REST ASSUREDLY THAT I CHERISH 622 00:17:52,200 --> 00:17:53,633 OUR FRIENDSHIP A WHOLE LOT MORE 623 00:17:53,633 --> 00:17:54,200 THAN THAT. 624 00:17:54,200 --> 00:17:55,833 THEY WOULDN'T LET YOU BET, 625 00:17:55,833 --> 00:17:56,267 HUH? 626 00:17:56,267 --> 00:17:58,133 NOT A PENNY. 627 00:17:58,133 --> 00:17:59,267 SO WHAT HAPPENED, CALVIN? 628 00:17:59,267 --> 00:18:00,600 MAN, MIRANDA THINKS THERE'S 629 00:18:00,600 --> 00:18:01,800 SOMETHING GOING ON BETWEEN ME 630 00:18:01,800 --> 00:18:02,433 AND MERCEDES. 631 00:18:02,433 --> 00:18:03,967 OOH, I KNEW IT! I KNEW IT! 632 00:18:03,967 --> 00:18:06,133 I DON'T BELIEVE YOU GUYS! 633 00:18:06,133 --> 00:18:07,800 WELL, IS THERE ANYTHING 634 00:18:07,800 --> 00:18:08,600 GOING ON? 635 00:18:08,600 --> 00:18:10,167 NO, NOTHING HAPPENED, I 636 00:18:10,167 --> 00:18:10,800 PROMISE. 637 00:18:10,800 --> 00:18:13,667 WELL, WE DID KISS ONCE OR TWICE, 638 00:18:13,667 --> 00:18:14,400 BUT THAT'S IT. 639 00:18:14,400 --> 00:18:19,700 CALVIN! 640 00:18:19,700 --> 00:18:21,067 DON'T CALL ME. 641 00:18:21,067 --> 00:18:23,300 DON'T BOTHER COMING HOME BECAUSE 642 00:18:23,300 --> 00:18:25,067 I CHANGED THE LOCKS. 643 00:18:25,067 --> 00:18:26,333 BYE. 644 00:18:26,333 --> 00:18:29,067 BYE. 645 00:18:29,067 --> 00:18:30,100 WHAT THE HELL? 646 00:18:30,100 --> 00:18:31,967 THIS IS YOUR STUFF! 647 00:18:31,967 --> 00:18:33,700 MM-HMM. 648 00:18:37,700 --> 00:18:39,667 DON'T CALL ME, DON'T BOTHER 649 00:18:39,667 --> 00:18:40,133 ME. 650 00:18:40,133 --> 00:18:42,067 AND I THINK THIS WILL BE GOOD 651 00:18:42,067 --> 00:18:43,867 FOR YOU TO STAY AWAY FROM HOME 652 00:18:43,867 --> 00:18:45,267 FOR A LITTLE WHILE. 653 00:18:45,267 --> 00:18:48,133 HELLO. GOODBYE. 654 00:18:48,133 --> 00:18:49,067 BYE, ELLA. 655 00:18:49,067 --> 00:18:50,500 BYE. 656 00:18:50,500 --> 00:18:51,700 WAIT, BABY, CAN WE TALK? 657 00:18:51,700 --> 00:18:53,200 CAN WE TALK? 658 00:18:53,200 --> 00:18:55,067 YES! 659 00:18:55,067 --> 00:18:55,733 PAY UP. 660 00:18:55,733 --> 00:19:00,067 ALWAYS BET ON THE WOMEN. 661 00:19:00,067 --> 00:19:05,467 [ CRYING ] 662 00:19:05,467 --> 00:19:06,567 I SEE WHY YOU ALL BY 663 00:19:06,567 --> 00:19:09,733 YOURSELF. 39405

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