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> YES, MOTHER. OK.
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OH, ARE THEY TAKING CARE OF YOU?
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THEY'RE TREATING YOU GOOD?
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WHAT'D YOU EAT? YOU ATE IT?
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OH, MOMMY! YES, CURTIS IS STILL
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BEING CURTIS, MOM. MOM SAYS HI!
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[ CHUCKLES ]
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MOM SAYS HI!
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I'M SURPRISED SHE EVEN
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REMEMBERS ME.
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NO, NO, CURTIS, WAIT.
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MOTHER, I GOT TO GO.
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CURTIS IS INTO THE TOOLS AGAIN.
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BABY, COME ON, COME ON.
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NOW -- YES, MOTHER?
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OKAY. TELL MOTHER YOU LOVE HER.
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[ MUTTERS ]
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LOVE YOU, MOM. BYE.
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BABY, COME ON.
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I CAN'T TALK.
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I CAN'T TALK RIGHT NOW.
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ELLA, I GOT TO SAVE THE HOUSE.
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WHAT ARE YOU DOING?
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BABY, YOU KNOW THAT CRACK
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THAT WAS IN THE BEDROOM?
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IT STRETCHED TWO FEET SINCE
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YESTERDAY.
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OKAY, CURTIS, CALM DOWN,
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BABY, COME ON.
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WHAT?
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NO, NO, NO.
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I THOUGHT WE WERE GETTING A
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CONTRACTOR TO GIVE US AN
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ESTIMATE ON THAT CRACK.
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OKAY.
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$15,000.
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YOU KNOW I AIN'T PAYING THAT.
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CURTIS, THAT IS A LOT OF
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MONEY.
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$15,000.
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RIGHT.
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WAIT A MINUTE, BABY.
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THERE ARE A LOT OF THINGS WRONG
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HERE.
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THIS IS WHAT'S WRONG WITH OUR
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HOUSE?
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WELL, YOU KNOW THEY BE ADDING
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STUFF ON.
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CURTIS, PLEASE.
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BABY, IF THIS HAS TO BE DONE, WE
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NEED TO HAVE A PROFESSIONAL
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HANDLE THIS, REALLY.
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DUH.
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BABY, I AM A PROFESSIONAL.
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YOU FORGOT?
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CURTIS, YOU HELD UP A STOP
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SIGN FOR A ROAD CREW.
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30 YEARS AGO.
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NO, I DIDN'T HELD UP A STOP
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SIGN.
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I WAS THE STOP-SIGN HOLDER.
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THERE'S A DIFFERENCE.
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YOU GOT TO TURN.
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YOU GOT TO DO ALL THIS, WATCH
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THE PEOPLE.
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OKAY, WHAT THAT GOT TO DO
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WITH FIXING THAT CRACK?
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BABY, I LEARNED A LOT HOLDING
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THAT SIGN, OKAY?
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LOOK, DON'T WORRY ABOUT THIS.
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I GOT THIS.
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IF I CALL A CONTRACTOR, ALL THEY
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GONNA DO IS JACK THE HOUSE UP
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AND POUR SOME CONCRETE, TALKING
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ABOUT THEY FIXING A FOUNDATION.
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I CAN DO THAT MYSELF.
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OKAY, WELL, CURTIS, I DON'T
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KNOW, BABY.
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REALLY.
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NO. CURTIS, WAIT A MINUTE.
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UH-UH.
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CURTIS, JUST WAIT A MINUTE.
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WAIT. WAIT A MINUTE!
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LOOK, BABY, NOW, MOVE, BABY.
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I GOT TO GO JACK UP THE HOUSE.
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MMM.
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I'LL BE OUTSIDE, BABY.
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NO, BABY.
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I NEED YOU TO STAY IN HERE
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'CAUSE I NEED YOU TO TELL ME
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WHEN THE HOUSE LIFTS UP.
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IF IT LIFT JUST A LITTLE BIT,
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YOU GOT TO TELL ME.
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WELL, CURTIS, GET MALIK TO DO
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THAT.
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I HAVE GOT TO GO TO THE
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BOUTIQUE, BABY.
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MALIK, COME HELP YOUR UNCLE JACK
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UP OUR HOUSE!
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MALIK, GO ON GET OUT HERE
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NOW!
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GOOD MORNING.
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GOOD MORNING, ELLA.
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YOU KNOW WHAT SHE'S DOING,
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RIGHT?
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MM-HMM.
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IT'S BEEN KIND OF SLOW TODAY.
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NOT TOO MANY CUSTOMERS.
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WELL, GOOD.
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WHAT YOU READING?
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AH, "10 THINGS YOU WANT IN A
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MAN."
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OOH HOO HOO.
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NO, NO, NO, I DON'T WANT TO DO
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THIS.
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UNH-UNH, I'M NOT THAT PICKY.
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I JUST NEED 5 THINGS.
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AH, WELL, MY TWO IS MEETING
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ME FOR LUNCH.
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[ CHUCKLES ]
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YOU AND CURTIS WANT TO JOIN US?
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NO.
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MY CURTIS IS AT HOME, FIXING THE
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CRACK IN OUR FOUNDATION ALL BY
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HIMSELF WITH A JACK FROM MY
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LITTLE CAR.
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HE'S SO CHEAP.
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AH, MAMITA.
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HE'S A LIGHTWEIGHT COMPARED TO
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CARLOS.
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DO YOU KNOW HE SPENT SATURDAY
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AFTERNOON TURNING TWO-PLY TOILET
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PAPER INTO ONE-PLY ROLLS?
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CAN YOU BELIEVE THAT?
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HA HA!
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YES, I CAN.
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CURTIS BUYS 3-PLY.
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AH!
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[ BOTH LAUGHING ]
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IF YOU'RE NOT GOING TO BUY
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THAT HAT, PUT IT BACK.
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NOW.
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AND THE JACKET.
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AND THE SHIRT.
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MM-HMM.
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YOU KNOW, WE SHOULD REALLY
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TAKE YOU OUT RIGHT NOW.
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YOU'RE NOT EVEN A GOOD
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SHOPLIFTER.
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GET OUT.
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WE SHOULD HAVE YOU ARRESTED.
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COME ON, COME ON!
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HEY, THAT PRETTY GIRL IS A
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THIEF!
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BACK TO BUSINESS.
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WE GOT TO TAKE THIS LOVE QUIZ.
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NO, NO, NO, NO, NO, NO, NO,
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NO, I DON'T WANT TO DO THAT.
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COME ON, WHAT ARE THE 10
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QUALITIES YOU LIKE IN A MAN?
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ROSIE, I DON'T WANT TO DO
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THIS.
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FILL OUT ALL THE THINGS YOU
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WANT IN A MAN HERE AND GIVE
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YOURSELF A POINT FOR EVERYTHING
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ON THE LIST.
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ROSIE!
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COME ON.
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OKAY.
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TALL.
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THAT'S NOT CURTIS.
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UH, FIT.
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THAT'S NOT CURTIS.
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HANDSOME. HUSH.
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THAT'S NOT --
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OKAY.
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LOVING.
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OOH, BLACK.
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OOH, THAT'S CURTIS.
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A MAN.
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OOH, THAT'S CURTIS, TOO.
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YES, IT IS.
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AH!
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OKAY, LOVING...
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AND, UM...PLAYFUL AT THE RIGHT
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TIME.
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That's not Curtis.
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NO, YOU KNOW WHAT?
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I DON'T WANT TO DO THIS.
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THIS IS DEPRESSING.
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OKAY, JUST DO THE FUN ONE.
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NO, NO, NO, ROSIE!
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THE LAST ONE, THE GOOD STUFF,
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IN THE BEDROOM.
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ROSIE, NO.
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OH, COME ON, SISTER, SPILL
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IT.
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ALE.D
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[ GRUNTS ]
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OKAY, HE SHOULD BE...JUST AS
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CONCERNED ABOUT MY FEELINGS AS
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HE SHOULD HIS OWN.
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HOW ABOUT THAT?
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OKAY.
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TALLY IT UP.
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HOW MUCH YOU GOT?
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OKAY.
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OH.
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[ WHINES ]
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WHAT YOU GOT?
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I DON'T HAVE ANY.
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CURTIS IS JUST A BLACK MAN.
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WELL, TECHNICALLY THAT'S TWO.
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CARLOS HAS TWO.
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CURTIS, WHAT'S -- WHAT'S THE
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EMERGENCY, MAN,
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WHAT'S THE EMERGENCY?
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HEY, FLYZOID, FLYZOID.
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TELL ME SOMETHING.
220
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WHAT?
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HOW DO YOU GET A CAR JACK
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FROM UNDER A HOUSE?
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OKAY, OKAY. HOW?
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IT'S NOT A JOKE.
225
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WHAT?
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I'M SERIOUS.
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LOOK, I WAS TRYING TO JACK UP
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THE HOUSE TO FIX THE FOUNDATION.
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YOU JACKASS!
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YOU CAN'T JACK UP A WHOLE HOUSE
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WITH A CAR JACK.
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YOU ARE THE IDIOT.
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I KNOW THAT NOW.
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ELLA'S GONNA KILL ME.
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HMM.
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I WAS JUST TRYING TO SAVE A
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LITTLE MONEY, YOU KNOW?
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AND INSTEAD, I'VE MADE IT WORSE.
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HEY!
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WHAT?
241
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DO ME A FAVOR.
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GO BACK THERE AND LOOK AND
243
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SEE IF THE BEDROOM LOOK CROOKED.
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I DON'T THINK ELLA WILL NOTICE.
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OKAY.
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OH, DAMN, SHE'LL NOTICE.
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WHAT -- WHAT'S WRONG WITH IT?
248
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YEAH, IT'S A LITTLE CROOKED.
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BUT IF YOU GET ELLA AND YOU TO
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WALK LIKE THIS, IT'LL BE
251
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STRAIGHT THEN.
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YOU SHOULD HAVE GOTTEN A
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PROFESSIONAL, MAN.
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I KNOW THAT.
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ELLA'S GONNA KILL ME.
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HEY.
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HMM?
258
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DO YOU KNOW ANY
259
00:06:53,700 --> 00:06:54,600
PROFESSIONALS?
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OKAY, WELL, I DO KNOW THIS
261
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ONE "PROFESSIONAL."
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HER NAME'S BEVERLY.
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SHE CAN COME WITH HER WORK BELT,
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AND SHE'S GOT THESE NEON
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STILETTOS.
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00:07:02,067 --> 00:07:03,500
AND YOU SHOULD SEE THE WAY SHE
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DANCES.
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[ HUMMING ]
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STAY RIGHT THERE.
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WHAT?
271
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GO ON, DO THAT AGAIN.
272
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[ HUMMING ]
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I AIN'T TALKING ABOUT THAT
274
00:07:11,567 --> 00:07:12,600
KIND OF PROFESSIONAL, FLOYD.
275
00:07:12,600 --> 00:07:13,933
COME ON, STAY WITH ME, MAN!
276
00:07:13,933 --> 00:07:15,200
I'M TRYING, BUT YOU'RE
277
00:07:15,200 --> 00:07:19,300
SPINNING.
278
00:07:19,300 --> 00:07:21,533
BUT LOOK, OKAY, ALL RIGHT.
279
00:07:21,533 --> 00:07:22,767
REST ASSURED, FLOYD IS HERE.
280
00:07:22,767 --> 00:07:24,067
I'M GONNA HELP YOU OUT, ALL
281
00:07:24,067 --> 00:07:24,433
RIGHT?
282
00:07:24,433 --> 00:07:25,800
'CAUSE I KNOW EVERYTHING THERE
283
00:07:25,800 --> 00:07:26,900
IS TO KNOW ABOUT FIXING
284
00:07:26,900 --> 00:07:27,400
FOUNDATIONS.
285
00:07:27,400 --> 00:07:28,533
WELL, THAT'S WHAT I'M TALKING
286
00:07:28,533 --> 00:07:28,867
ABOUT.
287
00:07:28,867 --> 00:07:30,367
THANK YOU.
288
00:07:30,367 --> 00:07:31,067
NOW THAT'S GREAT.
289
00:07:31,067 --> 00:07:31,533
ALL RIGHT.
290
00:07:31,533 --> 00:07:32,333
WHEN YOU GONNA START?
291
00:07:32,333 --> 00:07:33,367
OH, YOU WANT TO START NOW?
292
00:07:33,367 --> 00:07:33,767
YEAH.
293
00:07:33,767 --> 00:07:34,833
OKAY, WELL, THIS IS WHAT I'M
294
00:07:34,833 --> 00:07:35,333
GONNA NEED.
295
00:07:35,333 --> 00:07:36,500
I'M GONNA NEED A SLEDGEHAMMER...
296
00:07:36,500 --> 00:07:36,867
OKAY.
297
00:07:36,867 --> 00:07:37,833
...SOME ALABAMA CHROME...
298
00:07:37,833 --> 00:07:38,333
GOT THAT.
299
00:07:38,333 --> 00:07:39,367
...COTTAGE CHEESE, AND SOME
300
00:07:39,367 --> 00:07:39,700
SAND.
301
00:07:39,700 --> 00:07:41,567
AND I'M GONNA -- AND I'M
302
00:07:41,567 --> 00:07:43,067
GONNA NEED YOUR HAT.
303
00:07:43,067 --> 00:07:45,300
WHAT YOU NEED THE HAT FOR?
304
00:07:45,300 --> 00:07:46,967
YOU HAVE TO UNDERSTAND THAT
305
00:07:46,967 --> 00:07:52,167
50% OF THIS JOB IS 90% IMAGE.
306
00:07:52,167 --> 00:07:53,467
YEAH, YEAH.
307
00:07:53,467 --> 00:07:56,333
I'M TELLING YOU, I AM AN EXPERT.
308
00:07:56,333 --> 00:07:57,800
I KNOW EVERYTHING THERE IS TO
309
00:07:57,800 --> 00:08:00,167
KNOW ABOUT FIXING FOUNDATIONS.
310
00:08:03,967 --> 00:08:06,867
YOU IDIOT!
311
00:08:06,867 --> 00:08:08,067
I HAD TO RELEASE THE
312
00:08:08,067 --> 00:08:09,167
PRESSURE FROM THE LOWER
313
00:08:09,167 --> 00:08:10,167
EXTREMITIES.
314
00:08:10,167 --> 00:08:11,700
BOOP.
315
00:08:11,700 --> 00:08:13,233
BY PUTTING A HOLE IN MY
316
00:08:13,233 --> 00:08:14,667
WALL?!
317
00:08:14,667 --> 00:08:15,867
AIN'T NOBODY GONNA NOTICE
318
00:08:15,867 --> 00:08:18,367
THAT, MAN.
319
00:08:18,367 --> 00:08:19,933
THE HOLE IS BIGGER THAN ME!
320
00:08:19,933 --> 00:08:21,867
IT AIN'T THAT DAMN BIG.
321
00:08:21,867 --> 00:08:22,667
I'M SORRY, MAN!
322
00:08:22,667 --> 00:08:23,367
COME ON, NOW.
323
00:08:23,367 --> 00:08:24,700
CURTIS, CURTIS, FOR REAL, FOR
324
00:08:24,700 --> 00:08:25,533
REAL, FOR REAL.
325
00:08:25,533 --> 00:08:26,967
LOOK, I'LL TELL YOU WHAT -- SHE
326
00:08:26,967 --> 00:08:28,067
AIN'T GONNA NOTICE IT.
327
00:08:28,067 --> 00:08:29,433
I MEAN, WOMEN DON'T EVEN NOTICE
328
00:08:29,433 --> 00:08:30,433
THESE TYPE OF THINGS.
329
00:08:30,433 --> 00:08:31,933
YOU COULD PUT A PICTURE OVER IT.
330
00:08:31,933 --> 00:08:33,400
AS A MATTER OF FACT, I OPENED UP
331
00:08:33,400 --> 00:08:34,700
A VIDEO STORE IN MY SHED IN MY
332
00:08:34,700 --> 00:08:36,100
BACKYARD, AND VANITA AIN'T SEEN
333
00:08:36,100 --> 00:08:38,933
IT, AND IT'S BEEN 3 YEARS NOW.
334
00:08:38,933 --> 00:08:40,067
YOU SHUT UP.
335
00:08:40,067 --> 00:08:42,133
WE GOT TO CALL THAT CONTRACTOR
336
00:08:42,133 --> 00:08:42,533
BACK NOW.
337
00:08:42,533 --> 00:08:43,267
NO, NO, NO. HOLD ON.
338
00:08:43,267 --> 00:08:44,200
NO, NOW, DON'T CALL HIM YET.
339
00:08:44,200 --> 00:08:44,900
DON'T CALL HIM YET.
340
00:08:44,900 --> 00:08:46,733
I GOT SOMEBODY ELSE TO CALL.
341
00:08:51,833 --> 00:08:53,767
GIVE ME THAT PHONE!
342
00:08:53,767 --> 00:08:55,467
YES! YES.
343
00:08:55,467 --> 00:08:56,533
I GOT IT.
344
00:08:56,533 --> 00:08:58,067
OKAY, SERIOUSLY, I CAN CALL MY
345
00:08:58,067 --> 00:08:58,600
BOY RICO.
346
00:08:58,600 --> 00:09:00,133
YEAH, AND HE WORKS FOR CHEAP,
347
00:09:00,133 --> 00:09:00,533
TOO.
348
00:09:00,533 --> 00:09:02,133
I'M TELLING YOU, HE CAN DO IT.
349
00:09:02,133 --> 00:09:03,667
WELL, THEN, GIVE HIM A CALL,
350
00:09:03,667 --> 00:09:04,100
THEN.
351
00:09:04,100 --> 00:09:04,767
ALL RIGHT.
352
00:09:04,767 --> 00:09:05,600
WAIT A MINUTE.
353
00:09:05,600 --> 00:09:06,067
HMM?
354
00:09:06,067 --> 00:09:07,800
THAT'S NOT ONE OF THEM WEIRD
355
00:09:07,800 --> 00:09:09,433
POKER BUDDIES OF YOURS, IS IT?
356
00:09:09,433 --> 00:09:10,467
OH, NO, NO, NO.
357
00:09:10,467 --> 00:09:12,100
THIS IS MY CELLMATE AT ANGOLA
358
00:09:12,100 --> 00:09:14,800
PRISON.
359
00:09:14,800 --> 00:09:16,500
I CANNOT BELIEVE SHE WAS
360
00:09:16,500 --> 00:09:18,067
TRYING TO STEAL THIS CUTE,
361
00:09:18,067 --> 00:09:18,933
LITTLE HAT.
362
00:09:18,933 --> 00:09:19,867
HEY, ELLA.
363
00:09:19,867 --> 00:09:20,800
HEY, TIM.
364
00:09:20,800 --> 00:09:22,733
I MEAN, UH...
365
00:09:22,733 --> 00:09:24,433
HI, PAUL.
366
00:09:24,433 --> 00:09:26,067
WHOA, A LITTLE SLOW TONIGHT,
367
00:09:26,067 --> 00:09:26,467
HUH?
368
00:09:26,467 --> 00:09:28,067
WELL, YEAH, TODAY WE ARE.
369
00:09:28,067 --> 00:09:29,800
OOH, YOU GOT SOME NEW STUFF
370
00:09:29,800 --> 00:09:30,133
IN.
371
00:09:30,133 --> 00:09:31,467
MAYBE I SHOULD HAVE WAITED TO
372
00:09:31,467 --> 00:09:32,767
GIVE YOU THAT BRACELET.
373
00:09:32,767 --> 00:09:33,867
[ CHUCKLES ]
374
00:09:33,867 --> 00:09:34,933
ABOUT THAT.
375
00:09:34,933 --> 00:09:37,267
PAUL, YOU KNOW, I NEVER SHOULD
376
00:09:37,267 --> 00:09:38,200
HAVE ACCEPTED THIS.
377
00:09:38,200 --> 00:09:39,567
WHOA, WHOA, WHOA, WHOA, NO
378
00:09:39,567 --> 00:09:41,067
GIVE-BACKS.
379
00:09:41,067 --> 00:09:42,133
NO, NO WHAT? COME ON.
380
00:09:42,133 --> 00:09:43,633
WELL, I MEAN, LIKE, YOU KNOW,
381
00:09:43,633 --> 00:09:45,933
IN GRADE SCHOOL.
382
00:09:45,933 --> 00:09:47,100
I WAS TRYING TO BE PLAYFUL.
383
00:09:47,100 --> 00:09:47,567
OKAY.
384
00:09:47,567 --> 00:09:48,733
I GUESS IT JUST CAME ACROSS
385
00:09:48,733 --> 00:09:49,400
AS SILLY.
386
00:09:49,400 --> 00:09:51,167
NO, NO, NO, NO. PLAYFUL IS
387
00:09:51,167 --> 00:09:51,633
GOOD.
388
00:09:51,633 --> 00:09:52,433
REALLY.
389
00:09:52,433 --> 00:09:54,867
YOU ARE ALREADY AHEAD OF CURTIS.
390
00:09:54,867 --> 00:09:56,067
EXCUSE ME?
391
00:09:56,067 --> 00:09:58,267
UM, UH...
392
00:09:58,267 --> 00:10:01,400
PAUL, REALLY, I CANNOT...
393
00:10:01,400 --> 00:10:04,267
ACCEPT THIS BEAUTIFUL BRACELET.
394
00:10:04,267 --> 00:10:06,600
YOU KNOW, I CAN'T HELP IT.
395
00:10:06,600 --> 00:10:07,400
THANK YOU.
396
00:10:07,400 --> 00:10:08,967
I THINK ABOUT YOU ALL THE
397
00:10:08,967 --> 00:10:10,867
TIME.
398
00:10:10,867 --> 00:10:11,800
LOOK, ELLA, I KNOW YOU'RE
399
00:10:11,800 --> 00:10:12,233
MARRIED.
400
00:10:12,233 --> 00:10:12,867
PAUL, PLEASE.
401
00:10:12,867 --> 00:10:13,700
BUT I --
402
00:10:13,700 --> 00:10:14,267
YES?
403
00:10:14,267 --> 00:10:15,667
I FIND MYSELF REALLY
404
00:10:15,667 --> 00:10:16,667
ATTRACTED TO YOU.
405
00:10:16,667 --> 00:10:18,200
AND I HOPE I'M NOT BEING TOO
406
00:10:18,200 --> 00:10:19,867
FORWARD, BUT I JUST BELIEVE THAT
407
00:10:19,867 --> 00:10:21,333
WHEN A MAN SEES A BEAUTIFUL
408
00:10:21,333 --> 00:10:22,933
WOMAN, HE SHOULD TELL HER JUST
409
00:10:22,933 --> 00:10:24,600
EXACTLY HOW BEAUTIFUL SHE REALLY
410
00:10:24,600 --> 00:10:27,067
IS.
411
00:10:27,067 --> 00:10:29,433
HOW BEAUTIFUL AM I?
412
00:10:29,433 --> 00:10:30,500
DON'T ANSWER THAT.
413
00:10:30,500 --> 00:10:32,233
I MEAN -- I MEAN, I KNOW THAT
414
00:10:32,233 --> 00:10:34,100
I'M BEAUTIFUL.
415
00:10:34,100 --> 00:10:35,967
BUT, PAUL, I REALLY -- WE
416
00:10:35,967 --> 00:10:38,267
JUST -- YOU KNOW -- WAIT, WAIT,
417
00:10:38,267 --> 00:10:39,000
WAIT, WAIT.
418
00:10:39,000 --> 00:10:39,833
WHAT YOU DOING?
419
00:10:39,833 --> 00:10:41,100
YOU ARE TOO BEAUTIFUL.
420
00:10:41,100 --> 00:10:43,233
YOU'RE TOUCHING ME.
421
00:10:43,233 --> 00:10:44,067
OKAY.
422
00:10:44,067 --> 00:10:45,000
I'M SORRY.
423
00:10:45,000 --> 00:10:46,500
THAT WAS WAY OUT OF LINE.
424
00:10:46,500 --> 00:10:48,400
YES, IT WAS.
425
00:10:48,400 --> 00:10:49,433
YEAH, I SHOULDN'T SAY THINGS
426
00:10:49,433 --> 00:10:50,100
LIKE THAT TO YOU.
427
00:10:50,100 --> 00:10:50,867
I THINK I BETTER GO.
428
00:10:50,867 --> 00:10:53,500
OKAY.
429
00:10:53,500 --> 00:10:55,200
OKAY, PAUL, WAIT.
430
00:10:55,200 --> 00:10:58,700
REALLY, UM...
431
00:10:58,700 --> 00:11:00,067
IT REALLY IS OKAY.
432
00:11:00,067 --> 00:11:01,300
WE'RE GROWN PEOPLE.
433
00:11:01,300 --> 00:11:01,933
ELLA.
434
00:11:01,933 --> 00:11:02,533
BUT...
435
00:11:02,533 --> 00:11:03,933
THERE'S A PREACHER AT MY
436
00:11:03,933 --> 00:11:04,433
CHURCH.
437
00:11:04,433 --> 00:11:06,067
HE'S PREACHING THIS BIG REVIVAL
438
00:11:06,067 --> 00:11:06,600
TONIGHT.
439
00:11:06,600 --> 00:11:07,767
HE'S A GREAT PREACHER.
440
00:11:07,767 --> 00:11:09,233
SO, WHY DON'T YOU AND I GO
441
00:11:09,233 --> 00:11:10,067
LISTEN TO HIM?
442
00:11:10,067 --> 00:11:11,500
AND THEN MAYBE AFTERWARDS, WE
443
00:11:11,500 --> 00:11:12,867
CAN GO GRAB SOME DINNER.
444
00:11:12,867 --> 00:11:13,300
WHOO.
445
00:11:13,300 --> 00:11:14,500
WHAT, IS SOMETHING WRONG WITH
446
00:11:14,500 --> 00:11:14,833
THAT?
447
00:11:14,833 --> 00:11:15,967
MNH-MNH, NO, NO, NO NO.
448
00:11:15,967 --> 00:11:17,300
NO, NO, THE WAY YOU KNOW IF
449
00:11:17,300 --> 00:11:18,667
SOMETHING IS WRONG WITH THAT,
450
00:11:18,667 --> 00:11:21,867
PAUL, IS...
451
00:11:21,867 --> 00:11:22,433
HOW ABOUT THIS?
452
00:11:22,433 --> 00:11:24,600
CAN MY HUSBAND COME?
453
00:11:24,600 --> 00:11:25,367
[ CHUCKLES ]
454
00:11:25,367 --> 00:11:26,300
NO, NO, NO, WAIT.
455
00:11:26,300 --> 00:11:27,600
IS SOMETHING WRONG WITH THAT?
456
00:11:27,600 --> 00:11:28,700
NO.
457
00:11:28,700 --> 00:11:29,667
SURE.
458
00:11:29,667 --> 00:11:31,467
YOUR HUSBAND CAN COME.
459
00:11:31,467 --> 00:11:32,600
I'LL SEE YOU BOTH TONIGHT --
460
00:11:32,600 --> 00:11:32,933
7:00.
461
00:11:32,933 --> 00:11:34,167
I'LL COME BACK AND GIVE YOU THE
462
00:11:34,167 --> 00:11:36,100
DETAILS.
463
00:11:41,267 --> 00:11:44,500
[ LAUGHS ]
464
00:11:44,500 --> 00:11:45,967
IT'S A GOOD THING YOU CALLED ME.
465
00:11:45,967 --> 00:11:46,800
I TELL YOU WHAT.
466
00:11:46,800 --> 00:11:48,067
YOU WOULDN'T BELIEVE WHAT I
467
00:11:48,067 --> 00:11:48,467
FOUND.
468
00:11:48,467 --> 00:11:48,967
WHAT?
469
00:11:48,967 --> 00:11:50,067
SOME IDIOT...
470
00:11:50,067 --> 00:11:51,067
[ CHUCKLES ]
471
00:11:51,067 --> 00:11:53,167
...GOT A CAR JACK STUCK UPSIDE
472
00:11:53,167 --> 00:11:54,100
YOUR HOUSE.
473
00:11:54,100 --> 00:11:55,400
I WAS WONDERING WHAT THAT
474
00:11:55,400 --> 00:11:55,733
WAS.
475
00:11:55,733 --> 00:11:56,600
I NEVER SEEN --
476
00:11:56,600 --> 00:11:58,633
YEAH, THAT WAS AN IDIOT,
477
00:11:58,633 --> 00:12:00,633
THOUGH, FOR REAL.
478
00:12:00,633 --> 00:12:01,133
WHOO!
479
00:12:01,133 --> 00:12:02,267
SO CAN YOU FIX IT?
480
00:12:02,267 --> 00:12:03,567
HELL, I CAN FIX JUST ABOUT
481
00:12:03,567 --> 00:12:04,067
ANYTHING.
482
00:12:04,067 --> 00:12:05,233
JUST DEPENDS ON, YOU KNOW,
483
00:12:05,233 --> 00:12:06,533
WHETHER OR NOT YOU CAN AFFORD
484
00:12:06,533 --> 00:12:09,533
IT.
485
00:12:09,533 --> 00:12:10,467
DON'T I KNOW YOU?
486
00:12:10,467 --> 00:12:11,733
I-I DIDN'T DO ANYTHING.
487
00:12:11,733 --> 00:12:14,100
I DON'T KNOW NO ONE, NO.
488
00:12:14,100 --> 00:12:15,267
YOU'RE THE CAT THAT -- YOU'RE
489
00:12:15,267 --> 00:12:16,233
THE CAT THAT RENTED THAT
490
00:12:16,233 --> 00:12:17,367
APARTMENT TO C.J., MY NEPHEW.
491
00:12:17,367 --> 00:12:18,300
OH, YEAH!
492
00:12:18,300 --> 00:12:19,967
OH, YEAH, I REMEMBER YOU.
493
00:12:19,967 --> 00:12:21,300
OH, YOU MUST BE C.J.
494
00:12:21,300 --> 00:12:23,067
A LOT OF PEOPLE MAKE THAT
495
00:12:23,067 --> 00:12:23,767
MISTAKE, YEAH.
496
00:12:23,767 --> 00:12:25,100
LOOK, I HAD TO GET OUT OF THE
497
00:12:25,100 --> 00:12:26,433
REAL-ESTATE BUSINESS, YOU KNOW?
498
00:12:26,433 --> 00:12:28,333
YOU CAN'T IGNORE A COURT ORDER.
499
00:12:28,333 --> 00:12:29,500
WAIT A MINUTE.
500
00:12:29,500 --> 00:12:31,533
I THOUGHT YOU SAID YOU WAS GONNA
501
00:12:31,533 --> 00:12:32,433
HIRE RICO?
502
00:12:32,433 --> 00:12:34,367
OH, UH, ABOUT THAT.
503
00:12:34,367 --> 00:12:36,067
SEE, I'M NOT RICO.
504
00:12:36,067 --> 00:12:37,333
I'M JUST WORKING FOR HIM TILL HE
505
00:12:37,333 --> 00:12:38,500
GETS THIS WHOLE IMMIGRATION
506
00:12:38,500 --> 00:12:40,900
BUSINESS TOOK CARE OF.
507
00:12:40,900 --> 00:12:41,467
I'M JIM.
508
00:12:41,467 --> 00:12:42,133
I'M SORRY.
509
00:12:42,133 --> 00:12:43,400
WHAT'S YOUR NAME AGAIN?
510
00:12:43,400 --> 00:12:44,333
CURTIS PAYNE.
511
00:12:44,333 --> 00:12:46,533
PUT HER THERE, CURT.
512
00:12:46,533 --> 00:12:49,500
YEAH, ALL RIGHT.
513
00:12:49,500 --> 00:12:51,067
LOOK, JIM.
514
00:12:51,067 --> 00:12:52,167
MM-HMM?
515
00:12:52,167 --> 00:12:53,633
SO IF YOU'RE GONNA BE ABLE TO
516
00:12:53,633 --> 00:12:54,900
FIX THE PLACE, HOW MUCH IS IT
517
00:12:54,900 --> 00:12:55,533
GONNA COST?
518
00:12:55,533 --> 00:12:56,667
LET'S TAKE A LOOK.
519
00:12:56,667 --> 00:12:59,800
UH...$75,000.
520
00:12:59,800 --> 00:13:00,867
Both: WHAT?
521
00:13:00,867 --> 00:13:02,800
[ LAUGHS ]
522
00:13:02,800 --> 00:13:03,933
NO, WAIT, WAIT!
523
00:13:03,933 --> 00:13:05,467
HE'S JOKING. HE'S JOKING.
524
00:13:05,467 --> 00:13:06,933
CURTIS, HE'S JOKING NOW.
525
00:13:06,933 --> 00:13:08,300
[ LAUGHS ]
526
00:13:08,300 --> 00:13:09,833
BRRRR!
527
00:13:09,833 --> 00:13:10,967
I'M SORRY, MAN.
528
00:13:10,967 --> 00:13:12,200
I'M JUST KIDDING.
529
00:13:12,200 --> 00:13:13,667
TELL YOU WHAT, CURT.
530
00:13:13,667 --> 00:13:14,067
WHAT?
531
00:13:14,067 --> 00:13:14,967
SINCE YOU'RE A FRIEND OF
532
00:13:14,967 --> 00:13:15,867
MINE AND WE'RE PRACTICALLY
533
00:13:15,867 --> 00:13:16,433
FAMILY, RIGHT?
534
00:13:16,433 --> 00:13:17,433
YOU GOT A BLACK SHIRT ON.
535
00:13:17,433 --> 00:13:19,067
I'LL TELL YOU, I CAN DO YOUR
536
00:13:19,067 --> 00:13:20,533
FOUNDATION, I CAN FIX THAT HOLE
537
00:13:20,533 --> 00:13:22,600
IN YOUR WALL FOR $5,000.
538
00:13:22,600 --> 00:13:23,733
5,000.
539
00:13:23,733 --> 00:13:25,500
YOU'RE NOT JOKING?
540
00:13:25,500 --> 00:13:26,300
I'M NOT JOKING.
541
00:13:26,300 --> 00:13:26,733
OKAY.
542
00:13:26,733 --> 00:13:27,633
WELL, THAT'LL WORK.
543
00:13:27,633 --> 00:13:28,667
THAT'S ALL RIGHT THERE.
544
00:13:28,667 --> 00:13:29,700
THAT'S BETTER THAN THE
545
00:13:29,700 --> 00:13:30,867
ESTIMATE BEFORE YOU TORE UP
546
00:13:30,867 --> 00:13:31,333
MY WALL.
547
00:13:31,333 --> 00:13:33,333
I-I TOLD YOU I COULD HELP.
548
00:13:35,933 --> 00:13:37,600
YOU COME BACK, NOW.
549
00:13:37,600 --> 00:13:39,367
THANK YOU, COURTNEY.
550
00:13:39,367 --> 00:13:42,567
BYE-BYE.
551
00:13:42,567 --> 00:13:43,233
[ CLEARS THROAT ]
552
00:13:43,233 --> 00:13:44,333
SO, HE ASKED YOU OUT TO DINNER?
553
00:13:44,333 --> 00:13:46,567
NO.
554
00:13:46,567 --> 00:13:49,533
HE ASKED ME OUT TO CHURCH...
555
00:13:49,533 --> 00:13:50,467
AND THEN DINNER.
556
00:13:50,467 --> 00:13:52,833
OOH, HE'S SO SMOOTH!
557
00:13:52,833 --> 00:13:53,767
NO, HE'S NOT.
558
00:13:53,767 --> 00:13:54,767
THAT'S WHAT CHURCH PEOPLE DO.
559
00:13:54,767 --> 00:13:55,833
SO, ARE YOU GONNA GO?
560
00:13:55,833 --> 00:13:57,067
YOU'RE NOT GONNA GO, ARE YOU?
561
00:13:57,067 --> 00:13:57,667
YOU CAN'T GO.
562
00:13:57,667 --> 00:13:58,567
BUT YOU HAVE TO GO.
563
00:13:58,567 --> 00:13:59,400
OH, MY GOD, ELLA.
564
00:13:59,400 --> 00:14:00,767
WHAT ARE YOU GONNA DO?
565
00:14:00,767 --> 00:14:02,100
WOULD YOU CALM DOWN?
566
00:14:02,100 --> 00:14:04,067
YOU SOUND ABOUT AS CONFUSED AS I
567
00:14:04,067 --> 00:14:04,433
DID.
568
00:14:04,433 --> 00:14:06,767
MY HANDS ARE SWEATY!
569
00:14:06,767 --> 00:14:07,500
[ GIGGLES ]
570
00:14:07,500 --> 00:14:08,367
[ CHUCKLES ]
571
00:14:08,367 --> 00:14:10,167
WELL, NOBODY EVER ASKED ME
572
00:14:10,167 --> 00:14:11,967
OUT THAT LOOKED LIKE THAT.
573
00:14:11,967 --> 00:14:13,233
THAT'S A HOT GUY.
574
00:14:13,233 --> 00:14:16,400
WHAT ABOUT CARLOS?
575
00:14:16,400 --> 00:14:17,700
CARLOS ISN'T HOT.
576
00:14:17,700 --> 00:14:18,700
YES, HE IS.
577
00:14:18,700 --> 00:14:19,900
NO, MAMITA, CARLOS IS
578
00:14:19,900 --> 00:14:22,133
LUKEWARM.
579
00:14:22,133 --> 00:14:23,900
IN FACT, "CARLOS HERNANDEZ"
580
00:14:23,900 --> 00:14:25,433
MEANS THAT IN SPANISH --
581
00:14:25,433 --> 00:14:26,300
"LUKEWARM."
582
00:14:26,300 --> 00:14:27,067
[ SPEAKS SPANISH ]
583
00:14:27,067 --> 00:14:29,867
[ CHUCKLES ]
584
00:14:29,867 --> 00:14:31,067
OH, DON'T LOOK NOW, BUT YOUR
585
00:14:31,067 --> 00:14:33,233
FRIEND JUST WALKED IN!
586
00:14:33,233 --> 00:14:34,067
HEY, ROSIE.
587
00:14:34,067 --> 00:14:35,500
HI, PAUL.
588
00:14:35,500 --> 00:14:37,533
SO, ELLA, WHERE'S YOUR
589
00:14:37,533 --> 00:14:38,467
HUSBAND?
590
00:14:38,467 --> 00:14:39,833
YOU READY TO GO?
591
00:14:39,833 --> 00:14:41,900
[ CHUCKLES ]
592
00:14:41,900 --> 00:14:43,267
WELL, MY HUSBAND CANNOT GO.
593
00:14:43,267 --> 00:14:44,767
DOES THAT MEAN YOU'RE NOT
594
00:14:44,767 --> 00:14:45,267
GOING?
595
00:14:45,267 --> 00:14:47,067
YES, SHE CAN.
596
00:14:47,067 --> 00:14:48,600
NO, I CAN'T.
597
00:14:48,600 --> 00:14:50,700
IT'S JUST DINNER.
598
00:14:50,700 --> 00:14:53,100
THE LAST SUPPER.
599
00:14:53,100 --> 00:14:54,767
I MADE RESERVATIONS AT THIS
600
00:14:54,767 --> 00:14:56,900
NEW ITALIAN PLACE.
601
00:14:56,900 --> 00:14:59,067
WONDERFUL.
602
00:14:59,067 --> 00:14:59,833
PAUL, NO, NO, NO.
603
00:14:59,833 --> 00:15:00,600
I-I CAN'T.
604
00:15:00,600 --> 00:15:01,567
I CAN'T DO THIS.
605
00:15:01,567 --> 00:15:02,333
NO, I CANNOT.
606
00:15:02,333 --> 00:15:03,167
I CAN'T DO THIS.
607
00:15:03,167 --> 00:15:03,933
ELLA, ELLA.
608
00:15:03,933 --> 00:15:05,967
IT'S JUST DINNER.
609
00:15:05,967 --> 00:15:08,400
PAUL, TO YOU IT IS.
610
00:15:08,400 --> 00:15:10,067
SEE, THIS IS HOW THINGS START.
611
00:15:10,067 --> 00:15:11,667
IT STARTS OUT ALL INNOCENT.
612
00:15:11,667 --> 00:15:13,367
AND THEN YOU GIVE THE DEVIL AN
613
00:15:13,367 --> 00:15:15,700
INCH, HE TAKES A MILE.
614
00:15:15,700 --> 00:15:17,167
ARE -- ARE YOU CALLING ME THE
615
00:15:17,167 --> 00:15:17,600
DEVIL?
616
00:15:17,600 --> 00:15:19,067
NO, I'M NOT CALLING YOU THE
617
00:15:19,067 --> 00:15:19,467
DEVIL.
618
00:15:19,467 --> 00:15:20,800
I'M JUST SAYING...
619
00:15:20,800 --> 00:15:21,600
[ SIGHS ]
620
00:15:21,600 --> 00:15:23,333
REALLY, PAUL, I HAVE BEEN
621
00:15:23,333 --> 00:15:25,533
ENJOYING YOUR ATTENTION.
622
00:15:25,533 --> 00:15:26,933
MUCH MORE THAN A MARRIED WOMAN
623
00:15:26,933 --> 00:15:28,700
SHOULD.
624
00:15:28,700 --> 00:15:29,833
I JUST REALLY CAN'T.
625
00:15:29,833 --> 00:15:30,767
I CAN'T DO THIS.
626
00:15:30,767 --> 00:15:31,767
I CAN'T DO DINNER.
627
00:15:31,767 --> 00:15:32,567
BUT THANK YOU.
628
00:15:32,567 --> 00:15:34,233
THANK YOU FOR THINKING OF ME.
629
00:15:34,233 --> 00:15:36,067
WELL, I GUESS THERE'S REALLY
630
00:15:36,067 --> 00:15:36,467
NO --
631
00:15:36,467 --> 00:15:37,567
PLEASE, PLEASE, PLEASE,
632
00:15:37,567 --> 00:15:39,133
NO BEGGING, NO BEGGING, NO
633
00:15:39,133 --> 00:15:42,067
BEGGING.
634
00:15:42,067 --> 00:15:44,233
[ CHUCKLES ]
635
00:15:44,233 --> 00:15:45,067
GOODBYE, ELLA.
636
00:15:45,067 --> 00:15:46,133
NO.
637
00:15:46,133 --> 00:15:47,833
OH, PAUL, WE'LL SEE EACH OTHER
638
00:15:47,833 --> 00:15:48,800
AROUND THE MALL.
639
00:15:48,800 --> 00:15:49,733
GIVE ME A HUG.
640
00:15:49,733 --> 00:15:51,700
MWAH!
641
00:15:51,700 --> 00:15:53,533
THANK YOU.
642
00:15:57,167 --> 00:15:57,933
OH, WELL.
643
00:15:57,933 --> 00:15:59,567
I GUESS YOU DID THE RIGHT THING.
644
00:15:59,567 --> 00:16:00,367
DID I?
645
00:16:00,367 --> 00:16:01,500
I DON'T KNOW.
646
00:16:01,500 --> 00:16:02,133
YES, I DID.
647
00:16:02,133 --> 00:16:03,233
IF HE HAD KISSED ME ON THE
648
00:16:03,233 --> 00:16:04,300
HAND LIKE THAT, I WOULD HAVE
649
00:16:04,300 --> 00:16:05,333
GONE.
650
00:16:05,333 --> 00:16:06,767
OH, WELL.
651
00:16:06,767 --> 00:16:07,967
YOU CAN ALWAYS GO HOME TO CURTIS
652
00:16:07,967 --> 00:16:10,767
NOW.
653
00:16:10,767 --> 00:16:11,967
PAUL!
654
00:16:11,967 --> 00:16:18,500
PAUL? PAUL?
655
00:16:18,500 --> 00:16:20,400
WHY IS THERE A LITTLE BOY
656
00:16:20,400 --> 00:16:22,533
DRIVING A PICKUP TRUCK IN OUR
657
00:16:22,533 --> 00:16:23,167
YARD?
658
00:16:23,167 --> 00:16:24,700
[ CHUCKLES ]
659
00:16:24,700 --> 00:16:25,933
GIRL, HUSH.
660
00:16:25,933 --> 00:16:26,567
THAT'S MERLE.
661
00:16:26,567 --> 00:16:27,533
[ HORN HONKS TO TUNE OF
662
00:16:27,533 --> 00:16:28,167
"DIXIELAND" ]
663
00:16:28,167 --> 00:16:30,333
OKAY, CURTIS.
664
00:16:30,333 --> 00:16:31,867
MERLE WHO?
665
00:16:31,867 --> 00:16:34,700
MERLE, JIM'S BOY.
666
00:16:34,700 --> 00:16:36,167
OKAY, CURTIS.
667
00:16:36,167 --> 00:16:37,367
[ CHUCKLES ]
668
00:16:37,367 --> 00:16:39,900
[ Southern accent ] BACK UP AND
669
00:16:39,900 --> 00:16:42,067
EXPLAIN TO ME WHO JIM IS.
670
00:16:42,067 --> 00:16:43,433
WEREN'T YOU JUST THERE PAYING
671
00:16:43,433 --> 00:16:44,733
ATTENTION TO WHAT I JUST TOLD
672
00:16:44,733 --> 00:16:45,133
YOU?
673
00:16:45,133 --> 00:16:46,333
[ Normal voice ] STOP.
674
00:16:46,333 --> 00:16:47,633
[ Southern accent ] JIM'S
675
00:16:47,633 --> 00:16:49,067
RIGHT BACK YONDER, RIGHT BACK
676
00:16:49,067 --> 00:16:51,167
THERE YONDER.
677
00:16:51,167 --> 00:16:52,400
[ Normal voice ] I HIRED HIM.
678
00:16:52,400 --> 00:16:53,767
HE'S GONNA FIX THE FOUNDATION,
679
00:16:53,767 --> 00:16:54,133
OKAY.
680
00:16:54,133 --> 00:16:57,067
$5,000. THAT'S IT.
681
00:16:57,067 --> 00:16:58,567
JUST $5,000, CURTIS?
682
00:16:58,567 --> 00:16:59,600
YES, MA'AM.
683
00:16:59,600 --> 00:17:00,667
NO.
684
00:17:00,667 --> 00:17:02,300
THAT -- THAT SOUNDS TOO GOOD TO
685
00:17:02,300 --> 00:17:03,233
BE TRUE, CURTIS.
686
00:17:03,233 --> 00:17:04,767
WHAT WE NEED TO DO IS JUST GO
687
00:17:04,767 --> 00:17:06,433
WITH THE ESTIMATE OF $15,000 AND
688
00:17:06,433 --> 00:17:07,967
THAT PROFESSIONAL MAN.
689
00:17:07,967 --> 00:17:09,067
WHAT? ELLA!
690
00:17:09,067 --> 00:17:10,133
WHAT AM I GONNA DO THAT FOR?
691
00:17:10,133 --> 00:17:11,133
THE MAN'S CHARGING $5,000.
692
00:17:11,133 --> 00:17:12,233
HE'S GONNA DO THE SAME THING.
693
00:17:12,233 --> 00:17:13,400
HE'S GONNA MESS UP, CURTIS.
694
00:17:13,400 --> 00:17:14,400
BABY, I HIRED SOMEBODY.
695
00:17:14,400 --> 00:17:15,567
YOU DIDN'T WANT ME TO DO IT, SO
696
00:17:15,567 --> 00:17:16,633
NOW I GOT SOMEBODY TO DO IT.
697
00:17:16,633 --> 00:17:18,267
WE GOOD.
698
00:17:18,267 --> 00:17:19,700
OKAY, OKAY.
699
00:17:19,700 --> 00:17:21,333
HE'S GONNA DO IT.
700
00:17:21,333 --> 00:17:22,133
YEAH, HE GOT IT.
701
00:17:22,133 --> 00:17:23,300
HOW LONG IS IT GONNA TAKE,
702
00:17:23,300 --> 00:17:25,233
CURTIS?
703
00:17:25,233 --> 00:17:26,500
HE GONNA DO IT RIGHT AFTER HE
704
00:17:26,500 --> 00:17:30,800
FIX THE WALL.
705
00:17:30,800 --> 00:17:32,900
WHAT WALL?
706
00:17:32,900 --> 00:17:33,267
BABY?
707
00:17:33,267 --> 00:17:34,467
YOU DIDN'T KNOW ABOUT THE
708
00:17:34,467 --> 00:17:34,833
WALL?
709
00:17:34,833 --> 00:17:35,767
WHAT WALL, CURTIS?
710
00:17:35,767 --> 00:17:38,267
WELL, FLOYD CAME OVER --
711
00:17:38,267 --> 00:17:39,233
YOU KNOW WHAT?
712
00:17:39,233 --> 00:17:40,067
I -- MNH-MNH.
713
00:17:40,067 --> 00:17:41,333
I DON'T--I DON'T EVEN WANT TO
714
00:17:41,333 --> 00:17:41,833
HEAR IT.
715
00:17:41,833 --> 00:17:43,067
I DON'T EVEN WANT TO KNOW.
716
00:17:43,067 --> 00:17:43,600
OKAY.
717
00:17:43,600 --> 00:17:45,133
I THOUGHT YOU WAS GONNA BE LATE
718
00:17:45,133 --> 00:17:46,400
TONIGHT.
719
00:17:46,400 --> 00:17:48,133
UM, I DIDN'T WANT TO GO TO
720
00:17:48,133 --> 00:17:49,067
THAT CHURCH.
721
00:17:49,067 --> 00:17:50,600
YOU KNOW HOW CHURCHES ARE.
722
00:17:50,600 --> 00:17:52,433
I JUST THOUGHT IT WOULD BE BEST
723
00:17:52,433 --> 00:17:54,233
IF I COME HOME AND I SPEND THE
724
00:17:54,233 --> 00:17:55,967
EVENING WITH MY HUSBAND.
725
00:17:55,967 --> 00:17:57,800
OH, THAT'S GREAT, BABY.
726
00:17:57,800 --> 00:17:59,867
I LIKE THAT WHEN MY BABY DO
727
00:17:59,867 --> 00:18:02,300
THAT, 'CAUSE I'M HUNGRY.
728
00:18:03,300 --> 00:18:04,967
[ BANGING ]
729
00:18:04,967 --> 00:18:06,100
UH-OH!
730
00:18:06,100 --> 00:18:09,567
OH...THAT'S NOT GOOD.
731
00:18:09,567 --> 00:18:10,833
WHAT?
732
00:18:10,833 --> 00:18:11,900
CURTIS?
733
00:18:11,900 --> 00:18:14,267
OH, BOY, NEITHER IS THAT.
734
00:18:14,267 --> 00:18:15,800
[ BANGING ]
735
00:18:15,800 --> 00:18:19,500
OH, SHEET ROCK!
736
00:18:19,500 --> 00:18:20,867
LOOK, UH, IT'S TIME TO GO.
737
00:18:20,867 --> 00:18:22,400
YOU OUGHT TO GET OUT OF HERE,
738
00:18:22,400 --> 00:18:22,867
TOO!
739
00:18:22,867 --> 00:18:24,067
WAIT A MINUTE.
740
00:18:24,067 --> 00:18:25,800
I PAID YOU $5,000 TO FIX THE
741
00:18:25,800 --> 00:18:26,167
HOUSE.
742
00:18:26,167 --> 00:18:27,267
WELL, I'M GONNA HAVE TO
743
00:18:27,267 --> 00:18:28,300
ADJUST THAT ESTIMATE, I'M
744
00:18:28,300 --> 00:18:28,833
AFRAID.
745
00:18:28,833 --> 00:18:30,400
OKAY, MR. JIM, HOW MUCH ARE
746
00:18:30,400 --> 00:18:31,900
WE GONNA HAVE TO PAY YOU NOW?
747
00:18:31,900 --> 00:18:33,333
OH, IT'S GONNA BE ABOUT, UH,
748
00:18:33,333 --> 00:18:34,200
$50,000.
749
00:18:34,200 --> 00:18:35,200
CURTIS!
750
00:18:35,200 --> 00:18:36,067
[ LAUGHS ]
751
00:18:36,067 --> 00:18:37,733
HE ALMOST GOT ME AGAIN!
752
00:18:37,733 --> 00:18:39,633
YOU ALMOST DID AGAIN, BOY.
753
00:18:39,633 --> 00:18:40,533
NO, IT'S NOT A JOKE.
754
00:18:40,533 --> 00:18:41,667
I'M TELLING YOU, IF YOU DO NOT
755
00:18:41,667 --> 00:18:42,833
GET SOME SUPPORT UNDERNEATH THAT
756
00:18:42,833 --> 00:18:44,067
WALL, THIS WHOLE HOUSE IS GONNA
757
00:18:44,067 --> 00:18:44,800
COLLAPSE.
758
00:18:44,800 --> 00:18:46,833
OKAY, BUT THIS IS OUR HOME.
759
00:18:46,833 --> 00:18:47,833
WELL, LOOK, I KNOW.
760
00:18:47,833 --> 00:18:49,067
I CANNOT FIX IT WITH JUST A
761
00:18:49,067 --> 00:18:50,333
PICKUP TRUCK AND A 6-YEAR-OLD,
762
00:18:50,333 --> 00:18:50,900
ALL RIGHT?
763
00:18:50,900 --> 00:18:53,833
YOU GOT TO GET A PROFESSIONAL.
764
00:18:53,833 --> 00:18:54,933
LOOK, YOU GOT TO GET OUT.
765
00:18:54,933 --> 00:18:56,100
I'M TELLING YOU, THIS IS NOT
766
00:18:56,100 --> 00:18:57,300
GONNA BE YOUR HOME FOR LONG.
767
00:18:57,300 --> 00:18:58,600
THIS HOUSE IS GONNA MOVE FASTER
768
00:18:58,600 --> 00:19:01,800
THAN A TRAILER IN A TORNADO.
769
00:19:01,800 --> 00:19:02,367
CURTIS!
770
00:19:02,367 --> 00:19:03,233
WAIT A MINUTE!
771
00:19:03,233 --> 00:19:04,567
YOU GET BACK HERE AND FIX THIS
772
00:19:04,567 --> 00:19:05,667
HOUSE, JIM!
773
00:19:05,667 --> 00:19:06,900
HE GOT MY MONEY!
774
00:19:06,900 --> 00:19:08,800
GIVE ME MY MONEY!
45518
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