Original subtitles

THIS ONE IS FOR THE LIGHT

BILL.

OH, WAIT A MINUTE.

YOU GOT TO -- YOU GOT TO DEAL

THOSE AGAIN 'CAUSE I AIN'T GONNA

TO PAY THE LIGHT BILL AND THE

CABLE BILL.

NO, YOU GONNA PAY THE LIGHT

BILL IF YOU LOSE.

THAT'S THE BET.

I NEED A NEW HAND.

THIS HAND IS -- THAT'S A WHACK

HAND.

HOW YOU GONNA THROW A HAND

IN IF -- IF --

HEY, SWEETHEART!

HOW YOU DOING?

HMM.

PREY GOOD.

HOW WAS SCHOOL TODAY?

IT WAS PRETTY GOOD.

YEAH?

WHAT ABOUT YOU, SON?

OH, IT WAS GREAT.

WAIT A MINUTE -- WHY ARE YOU

SO HAPPY?

YOU FINALLY MADE IT UP THE ROPE

IN P.E.?

NO.

I'M STILL WORKING ON THAT ONE.

BUT, DAD, GUESS WHAT.

WHAT?

I'M GOING TO PLAY THE

SAXOPHONE IN THE SCHOOL'S

TALENT SHOW.

HOT DOG!

YEAH!

OKAY, THERE'S TWO THINGS

WRONG WITH THAT PLAN.

THE FIRST ONE IS YOU DON'T HAVE

ANY TALENT.

YEAH.

AND THE SECOND ONE IS...

YOU DON'T HAVE ANY TALENT.

[ LAUGHS ]

VERY GOOD!

VERY GOOD, GRASSHOPPER!

VERY GOOD.

[ LAUGHS ]

LOOK, I MAY NOT HAVE TALENT,

BUT I HAVE BOOK SMARTS.

YES, YOU DO.

YEAH.

BOOK SMARTS.

AND LET'S SEE WHAT THESE BOOKS

ARE RIGHT HERE.

"SAXOPHONE AT HOME."

"SAXOPHONE FOR DUMMIES."

OH.

OH, YEAH, AND DON'T FORGET THIS

ONE.

"MORONS AND THEIR MUSIC"?

YEAH.

I PICKED OUT THAT ONE.

> OKAY, YOU GOT EVERYTHING

YOU NEED.

THERE'S JUST ONE THING

YOU'RE MISSING.

WHAT'S THAT?

THINK, MALIK.

WHAT?

A SAXOPHONE, MALIK.

HE'S RIGHT.

DAD, I NEED YOU TO SIGN THIS.

WHY, WHAT IS --

"WILL YOU GO WITH ME?

YES, NO, MAYBE?

CHECK ONE."

SORRY ABOUT THAT --

SILLY GIRLS.

WHOO -- I NEED YOU TO SIGN THIS.

THAT WAY, THEY CAN LOAN ME

A SAXOPHONE.

SON, WHEN DID YOU BECOME SO

INTERESTED IN THE SAXOPHONE

ANYWAY?

I'M NOT.

HE'S INTERESTED IN SHELLY.

OH.

SHE'S INTERESTED IN BOYS

WHO COULD PLAY THE SAXOPHONE.

SHE SAYS I HAVE THE SAXOPHONE

LIPS, THAT THEY'RE JUST SAXY.

WELL, YOU KNOW SAXY RUNS

IN THE FAMILY.

AND YOU'RE GOING TO HAVE TO

TAKE THOSE SAXY LIPS OF YOURS,

KISS HER GOODBYE, 'CAUSE AFTER

SHE HEAR YOU PLAY, IT'S OVER.

NOW, YOU COME ON HERE SO YOU CAN

PAY THIS BILL FOR ME.

THERE YOU GO, SON.

WORK ON YOUR SAXY.

DAD, THAT'S WHY I NEED YOU

TO SIGN THIS SO I COULD START

PRACTICING.

SON, WHEN IS THE TALENT SHOW?

IN TWO DAYS.

TWO DAYS?

BOY, YOU CAN'T LEARN HOW TO PLAY

NO SAXOPHONE IN TWO DAYS!

WELL, IT TOOK YOU TWO WEEKS

TO LEARN HOW TO RIDE A BIG

WHEEL.

I DID NOT THINK IT WAS

POSSIBLE FOR THOSE PEOPLE TO

EAT ME OUT OF A HOUSE AND HOME,

BUT THEY DID!

WE DID NOT HAVE ANYTHING LEFT

FROM THE BAKE SALE, CLARETHA!

YOU ARE SO RIGHT.

WITH PEOPLE LIKE BROTHER

MATTHEWS -- DO YOU KNOW THAT HE

BOUGHT THREE SWEET POTATO PIES?

YES, HE BOUGHT THEM FOR SOME

DINNER PARTY.

WELL, THAT DINNER PARTY

MUST'VE SHOWED UP IN THE PARKING

LOT 'CAUSE HE SAT THERE AND ATE

ALL THREE.

GET OUT OF HERE!

I'M SERIOUS, ELLA.

GIRL, YOU KNOW PEOPLE LOVE

YOUR DESSERTS.

WELL, I GUESS THEY DO.

YEAH.

CLARETHA, WE MADE $500 FOR

THE CHURCH TODAY.

THAT IS MORE THAN WE HAVE

EVER MADE.

ACTUALLY, IT WAS $550.

I HAD TO TAKE MY CUT.

CLARETHA, NO, YOU DIDN'T.

ELLA, I EARNED IT.

NO, YOU DID NOT.

OH, YES, I EARNED IT.

NOW, YOU KNOW HOW I WAS HUSTLING

AROUND HERE MAKING SALES

FOR YOU.

LOOK, I EVEN GOT THE PASTOR TO

BUY A DEVIL'S FOOD CAKE AND YOU

KNOW THAT WAS A HARD SELL.

THAT IS STILL NO EXCUSE!

OH.

WELL, WOULD IT MAKE YOU FEEL ANY

BETTER IF I TOLD YOU THAT I

LINED UP A FEW BAKING JOBS JUST

FOR YOU?

MM-HMM.

I'M LISTENING.

HERE WE GO.

NOW, SISTER ETHEL NEEDS A CAKE

FOR A BABY SHOWER.

ETHEL.

AND SISTER WILLAMAE NEEDS

FIVE PIES FOR A BRIDAL SHOWER.

FIVE PIES?

MM-HMM.

AND BROTHER TYRONE NEEDS

100 KOSHER CUPCAKES FOR

A BAR MITZVAH.

TYRONE?

MM-HMM.

TYRONE NOT JEWISH.

YES, HE IS --

ON HIS DADDY'S SIDE.

OH, GIRL, HIS FULL NAME IS

BROTHER TYRONE SHALOM ROSENBERG.

CLARETHA, I DON'T HAVE ALL

THESE INGREDIENTS.

WE NEED TO GO BUY MORE

INGREDIENTS AND PANS...

OKAY.

...FOR THIS BIG ORDER.

THAT'S ALL RIGHT, THOUGH.

YOU GOING TO MAKE YOUR MONEY

BACK NOW, SEE?

AND THIS TIME, ALL THE PROFITS

WILL BE FOR YOU -- AND ME,

OF COURSE.

CLARETHA?

HMM?

DOES THIS MEAN WE ARE

BUSINESS PARTNERS?

OOH. THAT SOUNDS SWEET TO ME.

OKAY, SO, WHAT ARE WE GOING

TO CALL OURSELVES?

HOW ABOUT

CLARETHA'S HOUSE OF GOODIES?

OKAY, CLARETHA, SINCE ALL OF

THE BAKING WILL PROBABLY BE DONE

HERE, IT NEEDS TO HAVE MY NAME.

OKAY, OKAY, OKAY.

WHAT YOU GOT?

OKAY, UM...

WELL, WELL, OKAY.

HOW ABOUT THIS?

IT'S AN ELLA-VA TREAT.

AH, LA-LA-LA-LA-LA-LA!

I LIKE IT!

[ LAUGHS ]

YEAH, THAT'S ELLA GOOD.

IT'S ELLA GOOD!

[ SAXOPHONE PLAYS ]

OH, MY GOODNESS!

OOH!

I CAN'T TAKE IT!

C.J., YOU HAVE GOT TO DO

SOMETHING.

THIS IS RIDICULOUS, MAN!

COME ON, HE SOUNDS AWFUL!

I KNOW.

MY EARS ARE BLEEDING.

MY EARS ARE BLEEDING.

DAD!

THESE COTTON BALLS AREN'T

WORKING.

CAN I TAKE THEM OUT NOW?

YOU CAN TAKE

THE COTTON BALLS OUT.

YOU'RE GOING OUT?

TA-DA.

YOU KNOW WHAT?

I'M -- I'M JUST GOING TO GO AND

GIVE HIM A FEW TIPS.

TIP -- I GOT A TIP FOR HIM.

I GOT HIS TIP.

MALIK, STOP PLAYING!

COME ON, UNCLE CURTIS.

I MEAN, YOU KNOW WHAT IT WAS

LIKE WHEN YOU WERE YOUNG AND

YOU WANTED TO IMPRESS A GIRL.

YEAH, I DO, C.J., BUT I

WASN'T HURTING ANYTHING OR

ANYBODY WHILE I WAS DOING IT!

MY GOODNESS, THE BOY SOUND LIKE

HE CHOKING DUCKS BACK THERE!

I CAN'T TAKE

ANY MORE OF THIS!

UNCLE CURTIS,

I'LL BE IN YOUR ROOM.

SHE'S RIGHT, SHE'S RIGHT.

I'M -- I'M GOING TO TALK TO HIM.

GO AHEAD, YOU SIT DOWN, BUT --

BUT, UNCLE CURTIS, IT'S GOT TO

BE DONE DELICATE.

I MEAN, THESE KIDS WITH THEIR

GROWTH AND THEIR CREATIVITY,

WE GOT TO BE SENSITIVE WHEN IT

COMES TO HIM LEARNING HOW TO DO

THESE THINGS, OKAY?

SO, I'M GOING TO TALK TO HIM,

BUT I'M GOING TO BE DELICATE.

MALIK!

YES, DAD?

COME HERE -- COME ON, MAN.

WE -- SON, WE -- WE WANT TO TALK

TO YOU ABOUT YOUR PLAYING.

SIT DOWN.

OH. I'M GETTING BETTER, HUH?

[ CHUCKLES ]

NO.

YOU -- YOU HEARD ME BACK

THERE?

SOUNDED LIKE I WAS PLAYING

"MARY HAD A LITTLE LAMB," RIGHT?

IS THAT WHAT YOU WERE

JUST PLAYING?

IT SOUNDED LIKE MARY WAS

SACRIFICING THE LITTLE LAMB.

SEE -- YOU --

YOU GOT TO JUST TRY TO...

FINESSE YOUR SKILLS.

OH, GOD.

WELL, THANK YOU, DAD.

THANK YOU FOR LETTING ME KNOW

I HAVE SKILLS.

YOU -- YOU GOT SOMETHING,

YOU GOT SOMETHING.

LOOK, I'M SORRY.

I CAN'T GO WITH YOUR LITTLE

PLAN, OKAY?

YOU GOT TO BE DIRECT WITH

THE CHILD, C.J.

YOU CAN'T BEAT AROUND THE BUSH

WITH A CHILD.

YOU GOT TO BE BLUNT, OKAY?

MALIK, I'M YOUR UNCLE

AND I LOVE YOU, BUT YOU SUCK!

SON, SON?

YOU HEARD ME -- YOU SUCK!

YOU NEED TO TAKE THIS THING

AND -- I WISH I COULD RAM IT

DOWN YOUR THROAT RIGHT NOW --

'CAUSE IT WOULD SOUND BETTER.

NO. THAT'S NOT WHAT

WE TRYING TO SAY.

THAT IS NOT WHAT

WE TRYING TO SAY.

WHAT WE TRYING TO SAY, SON,

MAYBE YOU SHOULD TELL SHELLY

THAT --

THAT YOU SUCK, THAT YOU

SHOULDN'T BE HOLDING A HORN,

THAT IT'D BE SOUNDING BETTER

IN THE TRASH CAN SOMEWHERE

WITH THE MICE BLOWING IN IT!

BUZZ!

THAT'S HOW HORRIBLE YOU PLAY!

I CAN'T TELL HER ALL THAT.

SHE GOING TO LAUGH AT ME.

MALIK?

[ CHUCKLES ]

I'M LAUGHING AT YOU.

I'M LAUGHING AT YOU!

OKAY, COME HERE.

COME HERE, WE GOING TO DO THIS

ANOTHER WAY.

COME ON, I'M GOING TO TRY IT

YOUR DADDY'S WAY.

YOUR DADDY WANT TO BE GENTILE

AND -- AND CARING.

YEAH?

I CAN'T DO IT LIKE THAT.

OH.

GET A GRIP. YOU HEARD ME?

GET A GRIP -- YOU CAN'T PLAY,

MALIK!

YOU CAN'T PLAY!

YOU NEED TO GET THIS HORN AND

YOU NEED TO THROW IT ACROSS

THE STREET.

GET IT AS FAR AWAY FROM YOU

AS POSSIBLE, YOU HEARD ME?

OKAY.

UM, UNCLE CURTIS, UM, CAN

YOU -- CAN YOU TEACH ME

HOW TO PLAY?

THAT WAS GOOD.

THAT WAS GOOD.

UH-HUH.

BUT YOU DIDN'T MISS THAT ONE.

HOW THE HELL I'M GOING TO TEACH

YOU HOW TO PLAY, MALIK?

I CAN'T PLAY THE DOGGONE THING!

WHAT AM I GOING TO TEACH YOU?

SON?

SON, WHY -- WHY DIDN'T YOU JUST

ASK ME?

WELL, UNCLE CURTIS, HE --

HE GOT MORE AIR TO BLOW WITH.

WAS THAT A FAT JOKE?

UNCLE CURTIS CAN'T TEACH YOU

HOW TO PLAY THE SAXOPHONE 'CAUSE

HE CAN'T PLAY THE SAXOPHONE!

I JUST TOLD THE BOY

I CAN'T PLAY.

BUT WHAT I CAN DO IS FAKE IT

TILL I MAKE IT.

I CAN TEACH THE BOY HOW TO FAKE

IT TILL YOU MAKE IT!

WELL, WHY DIDN'T YOU JUST SAY

YOU COULD TEACH ME HOW TO FAKE

IT TO MAKE IT JUST FROM THE

BEGINNING, HUH?

HUH?

WHEN YOU BOOKED THIS BRIDAL

SHOWER AND THIS BABY SHOWER AND

THE BAR MITZVAH, YOU DID NOT

TELL ME THAT THAT ALL WAS IN

THE SAME NIGHT.

I THINK YOU'RE TRYING

TO KILL ME.

BUT THANK GOODNESS WE THOUGHT

TO USE MY OVEN, TOO.

OTHERWISE, I DON'T KNOW HOW WE

WOULD'VE GOTTEN THROUGH THIS.

CLARETHA, LET ME ASK YOU

SOMETHING, BABY.

WHY DOES YOUR OVEN SMELL LIKE

BURNT HAIR?

OH.

THAT'S -- THAT'S WHERE I KEEP MY

WET WIGS.

THAT IS SO NASTY.

NOW YOU TELL ME.

[ TELEPHONE RINGS ]

HELLO?

UH -- UH, YES, SIR.

[ CHUCKLES ]

NO, SIR.

NO, NO, SIR, WE DO NOT TAKE

CREDIT CARDS.

YOU LIVE WHERE?

OH.

WELL, YES, WE CAN.

THAT IS NO PROBLEM.

THAT IS NO PROBLEM.

YES, WE CAN DELIVER THERE.

UH-HUH. OKAY.

ALL RIGHT, THANK YOU.

ALL RIGHT, BYE.

I GUESS THAT AD IS WORKING.

WHAT AD?

OH, DIDN'T I TELL YOU?

I-I PLACED A LITTLE SMALL AD

IN ONE OF THE LOCAL NEWSPAPERS.

CLARETHA, YOU PUT A LITTLE

SMALL AD IN WHAT LOCAL

NEWSPAPER?

UH..."A.J.C."

THAT IS THE BIGGEST NEWSPAPER

IN ATLANTA!

I KNOW -- I WAS JUST TRYING

TO EXPAND THE BUSINESS, ELLA!

YOU'RE TRYING TO KILL ME.

NO, I'M NOT.

WHO'S GOING TO FINISH THIS?

I NEED -- CLARETHA,

WE NEED HELP!

I'M HELPING AS MUCH AS I CAN.

JAZMINE! C.J.!

COME HERE, BABY.

COME ON OVER HERE.

THE FIRST THING WE GOT TO DO

WITH YOU, MALIK, IS WE GOT TO

GET SOME SWAGGER IN YOU, MAN,

HUH?

WE GOT TO GET THE SWAGGER IN

YOUR STEP.

WE GOT TO GET SOME COOL

IN YOUR GLIDE. HUH?

YOU GOT TO BE A HIP CAT, MAN.

OKAY.

HUH? OKAY.

WE GOT TO CHANGE THE FACE.

THE FACE SPEAKS.

THE EYES HAVE WINDOWS FROM

THE SOUL -- WINDOWS.

HMM?

YEAH, SOMETHING -- IT --

YOU -- YOU KNOW WHAT I'M --

YOU'LL GET WHAT I'M SAYING.

AND THE FACE STARTS -- SEE, YOUR

FACE RIGHT NOW -- WHEN I LOOK

AT YOUR FACE, YOUR FACE SAY

TO ME -- YOU KNOW WHAT IT SAY?

"I'M SCARED, I'M SCARED.

I'M SCARED. I DON'T --

I DON'T KNOW HOW TO PLAY THIS.

I DON'T KNOW HOW TO PLAY

THE SAXOPHONE."

THE AUDIENCE WILL EAT YOU UP,

MAN!

THEY'LL EAT YOU UP 'CAUSE THAT'S

THE FIRST THING THEY SEE.

THAT'S THE FIRST THING THEY SEE,

YOUR FACE, OKAY?

SO WE GOT TO GET

THE COOLNESS THERE.

PUT YOUR FOOT OUT.

HMM.

NOW, YOU ALWAYS GOT TO GIVE A

LITTLE LOOK, SO MAKE SURE

THE LOOK IS...

OKAY, YOU GOT THE SOUND, BUT

YOUR FACE -- YOU LOOK LIKE YOU

PULLED A MUSCLE.

OH.

OKAY? IT'S NOT --

IT'S NOT SURFACE.

IT'S NOT SURFACE. IT'S INNER.

IT COMES FROM HERE.

IT -- IT ENDS UP HERE, BUT IT

COMES FROM HERE.

IT GOES FROM HERE TO HERE.

IT'S LIKE THERE'S ONE MOTION.

OKAY?

OKAY, NOW, WHAT DO YOU KNOW HOW

TO PLAY?

UM...A NO-- A NOTE.

A NOTE?

MM-HMM.

A NOTE?

A NOTE.

ONE NOTE?

ONE.

OKAY. WE'LL WORK WITH IT.

WE CAN WORK WITH THAT 'CAUSE

WHAT WE CAN DO IS, WE CAN

INCORPORATE POETRY

WITH THE ONE NOTE.

OKAY.

AND WE PUT POETRY WITH THE

NOTE, THEN THAT FATTENS THAT

NOTE UP AND THEN YOU HAVE MUSIC.

OKAY.

SO, LET'S PLAY THE NOTE.

AND THEN WE'RE GOING TO PUT

THE -- WE'RE GOING TO PUT THE

POETRY IN.

OKAY.

[ HUMMING ]

ALL RIGHT, HERE WE GO.

YOU GOT TO BE THERE.

YOU GOT TO BE THERE.

YOU GOT TO BE THERE.

YOU GOT TO BE THERE, MALIK.

COME ON, THIS IS NOT A GAME,

OKAY?

SORRY.

IT'S NOT A GAME!

YOU GOING TO PLAY JAZZ,

YOU GOT TO PLAY JAZZ!

YOU GOT TO FEEL IT.

FEEL THE DOWNBEAT, OKAY?

OKAY.

NOW, COME ON, MAN, COME ON.

[ HUMS ]

[ PLAYS NOTE ]

AND I WAS STANDING

IN THE HALL.

[ PLAYS NOTE ]

I SAW SHELLY, I SAID, "LET'S GO

TO THE MALL."

[ PLAYS NOTE ]

SHE SAID, "YOU KNOW,

THAT'S FINE.

WE CAN EAT AND CHILL."

[ PLAYS NOTE ]

YOU SAID, "I'M BROKE, BUT I

CAN'T PAY THE BILL SO YOU GOT TO

PAY MY BILLS!"

[ PLAYS NOTE ]

OOH! HIGH PAYER!

OOH! PAY MY BILL!

[ SCATS ]

OOH.

[ SCATS ]

OOH.

* BOO-BEEP-BOP-BOO-BUH-BUH *

AND THEN TWO TIMES --

[ PLAYS NOTE ]

THAT WAS BEAUTIFUL.

[ COUGHS ]

THAT WAS BEAUTIFUL.

OKAY, YOU GOT THAT.

YOU GOT THAT.

BUT LOOK HERE.

YOU GOT THE SWAGGER.

YOU GOT THE COOL.

YOU A HIP CAT.

THANK YOU.

ONE MORE THING FOR YOU.

ALL RIGHT.

YOU GOT ME SUNGLASSES?

YEAH.

THANK YOU, UNCLE CURTIS.

[ LAUGHS ]

THEY GOING TO MAKE ME LOOK

COOL, AIN'T THEY?

WELL, YOU MAKE THEM LOOK

COOL, DADDY.

OH, OKAY.

YEAH, THAT'S NOT FOR THAT.

THAT'S IN CASE YOU MAKE A FOOL

OF YOURSELF.

THEN THEY WON'T SEE YOU CRYING.

THAT'S WHAT THAT DOES, OKAY?

OKAY.

NOW, HIT ME, HIT ME.

GIVE ME THAT LAST NOTE AGAIN

'CAUSE YOU -- THE WAY YOU HIT

THAT WAS -- WAS --

[ PLAYS NOTE ]

[ SCATS ]

[ PLAYS NOTE ]

[ SCATS ]

[ PLAYS NOTE ]

[ SCATS ]

[ PLAYS NOTE ]

[ SCATS ]

[ PLAYS NOTE ]

[ SCATS ]

[ PLAYS NOTE ]

HE IS HORRIBLE.

I DON'T THINK I COULD

DO THIS AGAIN.

ME TOO, AND I HAVEN'T EVEN

STARTED WORKING YET.

WELL, AT LEAST WE MADE

$8,000.

OKAY, WAIT A MINUTE.

I FEEL BETTER.

DID YOU SAY THAT WE MADE $8,000

IN ONE DAY?

$8,000, CLARETHA, IN ONE DAY?

OH, ACTUALLY, WE MADE

$10,000, BUT $2,000 WENT TOWARD

EXPENSES AND, YOU KNOW, VARIOUS

AND SUNDRY THINGS AND MY FEE,

OF COURSE.

CLARETHA, I AM SO HAPPY.

I CAN'T EVEN ARGUE WITH YOU.

$8,000?

[ DOORBELL RINGS ]

WHO COULD THAT BE?

WHO IS THAT?

I DON'T KNOW.

CLARETHA, WHO IS THAT?

I DIDN'T HAVE ANYBODY COMING.

I'LL GET IT, I PROMISE.

WAIT, WAIT, WAIT, WAIT --

BEFORE YOU OPEN THE DOOR, BABY,

IF IT'S A CUSTOMER,

WE'RE CLOSED.

RIGHT.

WE MADE ENOUGH MONEY TODAY.

HELLO.

HI. CAN I HELP YOU?

YES. WHO'S THE OWNER OF THIS

PATISSERIE?

DID YOU JUST CURSE AT ME?

JAZMINE.

HE JUST CURSED AT ME.

JAZMINE -- NO, NO.

I'M THE OWNER. AND YOU ARE?

CITY INSPECTOR ROBERTS.

I HEARD YOU'RE RUNNING A

BUSINESS WITHOUT A LICENSE.

OH, YOU MEAN, THE OWNER?

OH, THAT WOULD BE HER --

ELLA PAYNE OF ELLA-VA TREAT.

CITY CODE DICTATES THAT

YOU ARE NOT ALLOWED TO RUN

A BUSINESS WITHOUT A BUSINESS

LICENSE.

AND FURTHERMORE, WITH A FOOD

ESTABLISHMENT, YOUR KITCHEN HAS

TO PASS A HEALTH INSPECTION.

OKAY.

AND THIS TAKES INTO ACCOUNT

SAFE FOOD STORAGE,

REFRIGERATION, WATER

TEMPERATURES... AND NO MINORS.

OH, OH, SHE'S NOT WORKING

HERE.

THEN WHY'D YOU PAY ME $20?

JASMINE!

WHAT?

IT SEEMED LIKE A JOB TO ME,

IN MY OPINION.

GO TO BED! THAT'S MY OPINION.

OKAY, INSPECTOR, WE --

OKAY, I-I DIDN'T KNOW ALL THIS.

I DIDN'T KNOW THAT.

WELL, IN THE EYES OF THE LAW,

IGNORANCE IS NO EXCUSE.

UNFORTUNATELY, THIS CARRIES

A HEAVY FINE.

HOW MUCH IS THE FINE?

$8,000.

AAH!

UNCLE CUR--

LOOK AT UNCLE CURTIS SLEEPING.

THINK I SHOULD DO IT?

DID HE SMACK YOU?

YEAH, HE DID.

WELL, THEN YOU NEED TO GET

HIM BACK.

ALL RIGHT.

[ PLAYS NOTES ]

EVERYBODY, COME ON, EVERYBODY

COME ON! EVERYBODY, LET'S GO!

WHOO-HOO! WHOO-HOO-HOO!

OH, LOOK AT HIM.

LOOK AT YOU. LOOK AT YOU.

BOY, YOU LOOK GOOD.

MALIK.

YEAH?

HOW'D IT GO, MALIK?

WELL, IT WENT ALL RIGHT,

COOL DADDY.

[ CHUCKLES ]

THIRD PLACE, BABY.

OH, WELL, ALL RIGHT,

CAT DADDY, LOOK AT YOU.

SLIDE IT TO ME.

SLIDE IT.

SLIDE IT.

YOU'RE A HIP CAT, MAN.

OH, THANK YOU, THANK YOU.

HOW'D IT GO WITH SHELLY?

OH, SHELLY -- SHE HAD TO WAIT

IN LINE WITH ALL THE OTHER

FOXY MAMAS.

THAT'S WHAT I'M

TALKING ABOUT.

YOU LET THEM FOXES WAIT ON YOU,

MAN.

[ CHUCKLES ]

SO EVERYTHING WORKED OUT, HUH?

YEAH. YEAH.

THE BOY PUT THE "C" IN "COOL."

OH, UH...DAD, I NEED YOU TO

SIGN THIS.

WHAT'S THIS?

WELL, TOMORROW, I START MY

GUITAR LESSONS.

LATISHA SAYS SHE LIKE

GUYS THAT PLAY THE GUITAR.

[ Southern Accent ]

* I'M JUST A COUNTRY BOY *

* I LIKE GIRLS WHO LOOK *

* REAL PURTY *

* I DON'T NEED CITY *

* AND I DON'T NEED SMOG *

* ALL I NEED IS MY HORSE *

* AND MY HOG *

* TAKE ME BACK HOME *

* I SAID JUST TAKE ME *

* BACK HOME *

* TAKE ME, TAKE ME, TAKE ME *

* TAKE ME, TAKE ME *

* TAKE ME BACK HOME Y'ALL **

THANK YOU, OKLAHOMA.

I LOVE YOU ALL.

GOOD NIGHT.