All language subtitles for Tyler Perrys House of Payne - S04E13 - Meet the Lucases WEBDL-1080p_track3_[eng]

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These are the user uploaded subtitles that are being translated: 1 00:00:02,967 --> 00:00:04,367 THIS ONE IS FOR THE LIGHT 2 00:00:04,367 --> 00:00:05,700 BILL. 3 00:00:05,700 --> 00:00:06,933 OH, WAIT A MINUTE. 4 00:00:06,933 --> 00:00:08,533 YOU GOT TO -- YOU GOT TO DEAL 5 00:00:08,533 --> 00:00:10,067 THOSE AGAIN 'CAUSE I AIN'T GONNA 6 00:00:10,067 --> 00:00:10,900 TO PAY THE LIGHT BILL AND THE 7 00:00:10,900 --> 00:00:11,433 CABLE BILL. 8 00:00:11,433 --> 00:00:12,300 NO, YOU GONNA PAY THE LIGHT 9 00:00:12,300 --> 00:00:13,367 BILL IF YOU LOSE. 10 00:00:13,367 --> 00:00:14,067 THAT'S THE BET. 11 00:00:14,067 --> 00:00:14,967 I NEED A NEW HAND. 12 00:00:14,967 --> 00:00:15,867 THIS HAND IS -- THAT'S A WHACK 13 00:00:15,867 --> 00:00:16,533 HAND. 14 00:00:16,533 --> 00:00:17,700 HOW YOU GONNA THROW A HAND 15 00:00:17,700 --> 00:00:18,367 IN IF -- IF -- 16 00:00:18,367 --> 00:00:19,467 HEY, SWEETHEART! 17 00:00:19,467 --> 00:00:20,133 HOW YOU DOING? 18 00:00:20,133 --> 00:00:20,800 HMM. 19 00:00:20,800 --> 00:00:21,667 PREY GOOD. 20 00:00:21,667 --> 00:00:23,000 HOW WAS SCHOOL TODAY? 21 00:00:23,000 --> 00:00:24,200 IT WAS PRETTY GOOD. 22 00:00:24,200 --> 00:00:24,867 YEAH? 23 00:00:24,867 --> 00:00:26,033 WHAT ABOUT YOU, SON? 24 00:00:26,033 --> 00:00:27,167 OH, IT WAS GREAT. 25 00:00:27,167 --> 00:00:28,800 WAIT A MINUTE -- WHY ARE YOU 26 00:00:28,800 --> 00:00:29,467 SO HAPPY? 27 00:00:29,467 --> 00:00:30,467 YOU FINALLY MADE IT UP THE ROPE 28 00:00:30,467 --> 00:00:32,567 IN P.E.? 29 00:00:32,567 --> 00:00:33,633 NO. 30 00:00:33,633 --> 00:00:35,367 I'M STILL WORKING ON THAT ONE. 31 00:00:35,367 --> 00:00:37,100 BUT, DAD, GUESS WHAT. 32 00:00:37,100 --> 00:00:37,967 WHAT? 33 00:00:37,967 --> 00:00:39,400 I'M GOING TO PLAY THE 34 00:00:39,400 --> 00:00:40,800 SAXOPHONE IN THE SCHOOL'S 35 00:00:40,800 --> 00:00:41,733 TALENT SHOW. 36 00:00:41,733 --> 00:00:42,533 HOT DOG! 37 00:00:42,533 --> 00:00:43,200 YEAH! 38 00:00:43,200 --> 00:00:44,767 OKAY, THERE'S TWO THINGS 39 00:00:44,767 --> 00:00:46,067 WRONG WITH THAT PLAN. 40 00:00:46,067 --> 00:00:47,867 THE FIRST ONE IS YOU DON'T HAVE 41 00:00:47,867 --> 00:00:49,733 ANY TALENT. 42 00:00:49,733 --> 00:00:51,267 YEAH. 43 00:00:51,267 --> 00:00:52,733 AND THE SECOND ONE IS... 44 00:00:52,733 --> 00:00:54,633 YOU DON'T HAVE ANY TALENT. 45 00:00:54,633 --> 00:00:56,433 [ LAUGHS ] 46 00:00:56,433 --> 00:00:57,533 VERY GOOD! 47 00:00:57,533 --> 00:00:59,633 VERY GOOD, GRASSHOPPER! 48 00:00:59,633 --> 00:01:00,833 VERY GOOD. 49 00:01:00,833 --> 00:01:01,967 [ LAUGHS ] 50 00:01:01,967 --> 00:01:04,800 LOOK, I MAY NOT HAVE TALENT, 51 00:01:04,800 --> 00:01:06,700 BUT I HAVE BOOK SMARTS. 52 00:01:06,700 --> 00:01:07,767 YES, YOU DO. 53 00:01:07,767 --> 00:01:08,433 YEAH. 54 00:01:08,433 --> 00:01:09,500 BOOK SMARTS. 55 00:01:09,500 --> 00:01:10,500 AND LET'S SEE WHAT THESE BOOKS 56 00:01:10,500 --> 00:01:12,667 ARE RIGHT HERE. 57 00:01:12,667 --> 00:01:15,567 "SAXOPHONE AT HOME." 58 00:01:15,567 --> 00:01:17,267 "SAXOPHONE FOR DUMMIES." 59 00:01:17,267 --> 00:01:18,300 OH. 60 00:01:18,300 --> 00:01:19,933 OH, YEAH, AND DON'T FORGET THIS 61 00:01:19,933 --> 00:01:22,867 ONE. 62 00:01:22,867 --> 00:01:24,567 "MORONS AND THEIR MUSIC"? 63 00:01:24,567 --> 00:01:25,233 YEAH. 64 00:01:25,233 --> 00:01:27,467 I PICKED OUT THAT ONE. 65 00:01:27,467 --> 00:01:29,333 > OKAY, YOU GOT EVERYTHING 66 00:01:29,333 --> 00:01:30,067 YOU NEED. 67 00:01:30,067 --> 00:01:31,100 THERE'S JUST ONE THING 68 00:01:31,100 --> 00:01:31,767 YOU'RE MISSING. 69 00:01:31,767 --> 00:01:33,300 WHAT'S THAT? 70 00:01:33,300 --> 00:01:34,800 THINK, MALIK. 71 00:01:34,800 --> 00:01:36,400 WHAT? 72 00:01:36,400 --> 00:01:39,633 A SAXOPHONE, MALIK. 73 00:01:39,633 --> 00:01:40,867 HE'S RIGHT. 74 00:01:40,867 --> 00:01:44,433 DAD, I NEED YOU TO SIGN THIS. 75 00:01:44,433 --> 00:01:46,167 WHY, WHAT IS -- 76 00:01:46,167 --> 00:01:48,167 "WILL YOU GO WITH ME? 77 00:01:48,167 --> 00:01:49,667 YES, NO, MAYBE? 78 00:01:49,667 --> 00:01:50,900 CHECK ONE." 79 00:01:50,900 --> 00:01:52,800 SORRY ABOUT THAT -- 80 00:01:52,800 --> 00:01:53,633 SILLY GIRLS. 81 00:01:53,633 --> 00:01:55,600 WHOO -- I NEED YOU TO SIGN THIS. 82 00:01:55,600 --> 00:01:57,067 THAT WAY, THEY CAN LOAN ME 83 00:01:57,067 --> 00:01:58,567 A SAXOPHONE. 84 00:01:58,567 --> 00:01:59,767 SON, WHEN DID YOU BECOME SO 85 00:01:59,767 --> 00:02:01,067 INTERESTED IN THE SAXOPHONE 86 00:02:01,067 --> 00:02:02,367 ANYWAY? 87 00:02:02,367 --> 00:02:03,067 I'M NOT. 88 00:02:03,067 --> 00:02:04,567 HE'S INTERESTED IN SHELLY. 89 00:02:04,567 --> 00:02:05,967 OH. 90 00:02:05,967 --> 00:02:07,467 SHE'S INTERESTED IN BOYS 91 00:02:07,467 --> 00:02:08,733 WHO COULD PLAY THE SAXOPHONE. 92 00:02:08,733 --> 00:02:12,300 SHE SAYS I HAVE THE SAXOPHONE 93 00:02:12,300 --> 00:02:17,233 LIPS, THAT THEY'RE JUST SAXY. 94 00:02:17,233 --> 00:02:19,300 WELL, YOU KNOW SAXY RUNS 95 00:02:19,300 --> 00:02:21,800 IN THE FAMILY. 96 00:02:21,800 --> 00:02:23,067 AND YOU'RE GOING TO HAVE TO 97 00:02:23,067 --> 00:02:24,933 TAKE THOSE SAXY LIPS OF YOURS, 98 00:02:24,933 --> 00:02:27,500 KISS HER GOODBYE, 'CAUSE AFTER 99 00:02:27,500 --> 00:02:30,167 SHE HEAR YOU PLAY, IT'S OVER. 100 00:02:30,167 --> 00:02:31,067 NOW, YOU COME ON HERE SO YOU CAN 101 00:02:31,067 --> 00:02:32,067 PAY THIS BILL FOR ME. 102 00:02:32,067 --> 00:02:34,100 THERE YOU GO, SON. 103 00:02:34,100 --> 00:02:36,467 WORK ON YOUR SAXY. 104 00:02:36,467 --> 00:02:37,500 DAD, THAT'S WHY I NEED YOU 105 00:02:37,500 --> 00:02:38,633 TO SIGN THIS SO I COULD START 106 00:02:38,633 --> 00:02:40,733 PRACTICING. 107 00:02:40,733 --> 00:02:44,067 SON, WHEN IS THE TALENT SHOW? 108 00:02:44,067 --> 00:02:45,133 IN TWO DAYS. 109 00:02:45,133 --> 00:02:46,067 TWO DAYS? 110 00:02:46,067 --> 00:02:48,067 BOY, YOU CAN'T LEARN HOW TO PLAY 111 00:02:48,067 --> 00:02:49,067 NO SAXOPHONE IN TWO DAYS! 112 00:02:49,067 --> 00:02:50,133 WELL, IT TOOK YOU TWO WEEKS 113 00:02:50,133 --> 00:02:51,133 TO LEARN HOW TO RIDE A BIG 114 00:02:51,133 --> 00:02:52,333 WHEEL. 115 00:03:01,733 --> 00:03:02,967 I DID NOT THINK IT WAS 116 00:03:02,967 --> 00:03:04,767 POSSIBLE FOR THOSE PEOPLE TO 117 00:03:04,767 --> 00:03:06,067 EAT ME OUT OF A HOUSE AND HOME, 118 00:03:06,067 --> 00:03:07,367 BUT THEY DID! 119 00:03:07,367 --> 00:03:09,067 WE DID NOT HAVE ANYTHING LEFT 120 00:03:09,067 --> 00:03:09,933 FROM THE BAKE SALE, CLARETHA! 121 00:03:09,933 --> 00:03:11,433 YOU ARE SO RIGHT. 122 00:03:11,433 --> 00:03:13,133 WITH PEOPLE LIKE BROTHER 123 00:03:13,133 --> 00:03:15,200 MATTHEWS -- DO YOU KNOW THAT HE 124 00:03:15,200 --> 00:03:16,933 BOUGHT THREE SWEET POTATO PIES? 125 00:03:16,933 --> 00:03:18,633 YES, HE BOUGHT THEM FOR SOME 126 00:03:18,633 --> 00:03:20,900 DINNER PARTY. 127 00:03:20,900 --> 00:03:22,200 WELL, THAT DINNER PARTY 128 00:03:22,200 --> 00:03:23,633 MUST'VE SHOWED UP IN THE PARKING 129 00:03:23,633 --> 00:03:24,767 LOT 'CAUSE HE SAT THERE AND ATE 130 00:03:24,767 --> 00:03:25,900 ALL THREE. 131 00:03:25,900 --> 00:03:27,500 GET OUT OF HERE! 132 00:03:27,500 --> 00:03:28,367 I'M SERIOUS, ELLA. 133 00:03:28,367 --> 00:03:29,633 GIRL, YOU KNOW PEOPLE LOVE 134 00:03:29,633 --> 00:03:30,967 YOUR DESSERTS. 135 00:03:30,967 --> 00:03:32,733 WELL, I GUESS THEY DO. 136 00:03:32,733 --> 00:03:33,600 YEAH. 137 00:03:33,600 --> 00:03:36,100 CLARETHA, WE MADE $500 FOR 138 00:03:36,100 --> 00:03:37,667 THE CHURCH TODAY. 139 00:03:37,667 --> 00:03:38,533 THAT IS MORE THAN WE HAVE 140 00:03:38,533 --> 00:03:39,200 EVER MADE. 141 00:03:39,200 --> 00:03:41,133 ACTUALLY, IT WAS $550. 142 00:03:41,133 --> 00:03:42,933 I HAD TO TAKE MY CUT. 143 00:03:43,067 --> 00:03:45,100 CLARETHA, NO, YOU DIDN'T. 144 00:03:45,100 --> 00:03:46,067 ELLA, I EARNED IT. 145 00:03:46,067 --> 00:03:46,667 NO, YOU DID NOT. 146 00:03:46,667 --> 00:03:47,400 OH, YES, I EARNED IT. 147 00:03:47,400 --> 00:03:48,300 NOW, YOU KNOW HOW I WAS HUSTLING 148 00:03:48,300 --> 00:03:49,067 AROUND HERE MAKING SALES 149 00:03:49,067 --> 00:03:49,700 FOR YOU. 150 00:03:49,700 --> 00:03:51,933 LOOK, I EVEN GOT THE PASTOR TO 151 00:03:51,933 --> 00:03:53,233 BUY A DEVIL'S FOOD CAKE AND YOU 152 00:03:53,233 --> 00:03:54,567 KNOW THAT WAS A HARD SELL. 153 00:03:54,567 --> 00:03:56,433 THAT IS STILL NO EXCUSE! 154 00:03:56,433 --> 00:03:57,600 OH. 155 00:03:57,600 --> 00:03:58,833 WELL, WOULD IT MAKE YOU FEEL ANY 156 00:03:58,833 --> 00:04:00,100 BETTER IF I TOLD YOU THAT I 157 00:04:00,100 --> 00:04:01,367 LINED UP A FEW BAKING JOBS JUST 158 00:04:01,367 --> 00:04:02,733 FOR YOU? 159 00:04:02,733 --> 00:04:04,267 MM-HMM. 160 00:04:04,267 --> 00:04:05,567 I'M LISTENING. 161 00:04:05,567 --> 00:04:06,667 HERE WE GO. 162 00:04:06,667 --> 00:04:08,733 NOW, SISTER ETHEL NEEDS A CAKE 163 00:04:08,733 --> 00:04:10,067 FOR A BABY SHOWER. 164 00:04:10,067 --> 00:04:10,900 ETHEL. 165 00:04:10,900 --> 00:04:12,833 AND SISTER WILLAMAE NEEDS 166 00:04:12,833 --> 00:04:13,700 FIVE PIES FOR A BRIDAL SHOWER. 167 00:04:13,700 --> 00:04:14,767 FIVE PIES? 168 00:04:14,767 --> 00:04:15,533 MM-HMM. 169 00:04:15,533 --> 00:04:17,067 AND BROTHER TYRONE NEEDS 170 00:04:17,067 --> 00:04:18,500 100 KOSHER CUPCAKES FOR 171 00:04:18,500 --> 00:04:19,500 A BAR MITZVAH. 172 00:04:19,500 --> 00:04:20,267 TYRONE? 173 00:04:20,267 --> 00:04:21,067 MM-HMM. 174 00:04:21,067 --> 00:04:22,400 TYRONE NOT JEWISH. 175 00:04:22,400 --> 00:04:23,700 YES, HE IS -- 176 00:04:23,700 --> 00:04:24,767 ON HIS DADDY'S SIDE. 177 00:04:24,767 --> 00:04:26,133 OH, GIRL, HIS FULL NAME IS 178 00:04:26,133 --> 00:04:27,633 BROTHER TYRONE SHALOM ROSENBERG. 179 00:04:27,633 --> 00:04:29,167 CLARETHA, I DON'T HAVE ALL 180 00:04:29,167 --> 00:04:29,833 THESE INGREDIENTS. 181 00:04:29,833 --> 00:04:30,533 WE NEED TO GO BUY MORE 182 00:04:30,533 --> 00:04:31,500 INGREDIENTS AND PANS... 183 00:04:31,500 --> 00:04:32,167 OKAY. 184 00:04:32,167 --> 00:04:33,067 ...FOR THIS BIG ORDER. 185 00:04:33,067 --> 00:04:34,100 THAT'S ALL RIGHT, THOUGH. 186 00:04:34,100 --> 00:04:34,900 YOU GOING TO MAKE YOUR MONEY 187 00:04:34,900 --> 00:04:35,733 BACK NOW, SEE? 188 00:04:35,733 --> 00:04:37,433 AND THIS TIME, ALL THE PROFITS 189 00:04:37,433 --> 00:04:39,067 WILL BE FOR YOU -- AND ME, 190 00:04:39,067 --> 00:04:40,067 OF COURSE. 191 00:04:40,067 --> 00:04:40,967 CLARETHA? 192 00:04:40,967 --> 00:04:41,633 HMM? 193 00:04:41,633 --> 00:04:43,233 DOES THIS MEAN WE ARE 194 00:04:43,233 --> 00:04:44,533 BUSINESS PARTNERS? 195 00:04:44,533 --> 00:04:46,467 OOH. THAT SOUNDS SWEET TO ME. 196 00:04:46,467 --> 00:04:48,400 OKAY, SO, WHAT ARE WE GOING 197 00:04:48,400 --> 00:04:49,367 TO CALL OURSELVES? 198 00:04:49,367 --> 00:04:50,067 HOW ABOUT 199 00:04:50,067 --> 00:04:53,600 CLARETHA'S HOUSE OF GOODIES? 200 00:04:53,600 --> 00:04:55,467 OKAY, CLARETHA, SINCE ALL OF 201 00:04:55,467 --> 00:04:56,600 THE BAKING WILL PROBABLY BE DONE 202 00:04:56,600 --> 00:04:59,067 HERE, IT NEEDS TO HAVE MY NAME. 203 00:04:59,067 --> 00:05:00,400 OKAY, OKAY, OKAY. 204 00:05:00,400 --> 00:05:01,333 WHAT YOU GOT? 205 00:05:01,333 --> 00:05:03,533 OKAY, UM... 206 00:05:03,533 --> 00:05:04,867 WELL, WELL, OKAY. 207 00:05:04,867 --> 00:05:06,100 HOW ABOUT THIS? 208 00:05:06,100 --> 00:05:07,967 IT'S AN ELLA-VA TREAT. 209 00:05:07,967 --> 00:05:10,267 AH, LA-LA-LA-LA-LA-LA! 210 00:05:10,267 --> 00:05:11,400 I LIKE IT! 211 00:05:11,400 --> 00:05:12,767 [ LAUGHS ] 212 00:05:12,767 --> 00:05:13,800 YEAH, THAT'S ELLA GOOD. 213 00:05:13,800 --> 00:05:15,067 IT'S ELLA GOOD! 214 00:05:16,500 --> 00:05:18,100 [ SAXOPHONE PLAYS ] 215 00:05:18,100 --> 00:05:19,367 OH, MY GOODNESS! 216 00:05:19,367 --> 00:05:21,967 OOH! 217 00:05:21,967 --> 00:05:26,100 I CAN'T TAKE IT! 218 00:05:26,100 --> 00:05:27,333 C.J., YOU HAVE GOT TO DO 219 00:05:27,333 --> 00:05:28,467 SOMETHING. 220 00:05:28,467 --> 00:05:30,700 THIS IS RIDICULOUS, MAN! 221 00:05:30,700 --> 00:05:31,933 COME ON, HE SOUNDS AWFUL! 222 00:05:31,933 --> 00:05:33,200 I KNOW. 223 00:05:33,200 --> 00:05:34,400 MY EARS ARE BLEEDING. 224 00:05:34,400 --> 00:05:36,333 MY EARS ARE BLEEDING. 225 00:05:36,333 --> 00:05:39,133 DAD! 226 00:05:39,133 --> 00:05:39,900 THESE COTTON BALLS AREN'T 227 00:05:39,900 --> 00:05:40,467 WORKING. 228 00:05:40,467 --> 00:05:41,633 CAN I TAKE THEM OUT NOW? 229 00:05:41,633 --> 00:05:43,067 YOU CAN TAKE 230 00:05:43,067 --> 00:05:44,200 THE COTTON BALLS OUT. 231 00:05:44,200 --> 00:05:48,333 YOU'RE GOING OUT? 232 00:05:48,333 --> 00:05:52,400 TA-DA. 233 00:05:52,400 --> 00:05:53,067 YOU KNOW WHAT? 234 00:05:53,067 --> 00:05:54,067 I'M -- I'M JUST GOING TO GO AND 235 00:05:54,067 --> 00:05:55,300 GIVE HIM A FEW TIPS. 236 00:05:55,300 --> 00:05:56,933 TIP -- I GOT A TIP FOR HIM. 237 00:05:56,933 --> 00:05:58,567 I GOT HIS TIP. 238 00:05:58,567 --> 00:06:02,900 MALIK, STOP PLAYING! 239 00:06:02,900 --> 00:06:04,567 COME ON, UNCLE CURTIS. 240 00:06:04,567 --> 00:06:05,633 I MEAN, YOU KNOW WHAT IT WAS 241 00:06:05,633 --> 00:06:06,600 LIKE WHEN YOU WERE YOUNG AND 242 00:06:06,600 --> 00:06:07,833 YOU WANTED TO IMPRESS A GIRL. 243 00:06:07,833 --> 00:06:09,533 YEAH, I DO, C.J., BUT I 244 00:06:09,533 --> 00:06:10,867 WASN'T HURTING ANYTHING OR 245 00:06:10,867 --> 00:06:13,067 ANYBODY WHILE I WAS DOING IT! 246 00:06:13,067 --> 00:06:14,467 MY GOODNESS, THE BOY SOUND LIKE 247 00:06:14,467 --> 00:06:16,933 HE CHOKING DUCKS BACK THERE! 248 00:06:16,933 --> 00:06:17,800 I CAN'T TAKE 249 00:06:17,800 --> 00:06:18,767 ANY MORE OF THIS! 250 00:06:18,767 --> 00:06:19,733 UNCLE CURTIS, 251 00:06:19,733 --> 00:06:21,733 I'LL BE IN YOUR ROOM. 252 00:06:21,733 --> 00:06:23,300 SHE'S RIGHT, SHE'S RIGHT. 253 00:06:23,300 --> 00:06:25,300 I'M -- I'M GOING TO TALK TO HIM. 254 00:06:25,300 --> 00:06:26,433 GO AHEAD, YOU SIT DOWN, BUT -- 255 00:06:26,433 --> 00:06:27,533 BUT, UNCLE CURTIS, IT'S GOT TO 256 00:06:27,533 --> 00:06:28,500 BE DONE DELICATE. 257 00:06:28,500 --> 00:06:29,800 I MEAN, THESE KIDS WITH THEIR 258 00:06:29,800 --> 00:06:31,200 GROWTH AND THEIR CREATIVITY, 259 00:06:31,200 --> 00:06:33,067 WE GOT TO BE SENSITIVE WHEN IT 260 00:06:33,067 --> 00:06:34,833 COMES TO HIM LEARNING HOW TO DO 261 00:06:34,833 --> 00:06:35,867 THESE THINGS, OKAY? 262 00:06:35,867 --> 00:06:37,367 SO, I'M GOING TO TALK TO HIM, 263 00:06:37,367 --> 00:06:38,800 BUT I'M GOING TO BE DELICATE. 264 00:06:38,800 --> 00:06:40,933 MALIK! 265 00:06:42,567 --> 00:06:43,500 YES, DAD? 266 00:06:43,500 --> 00:06:45,167 COME HERE -- COME ON, MAN. 267 00:06:45,167 --> 00:06:47,733 WE -- SON, WE -- WE WANT TO TALK 268 00:06:47,733 --> 00:06:48,500 TO YOU ABOUT YOUR PLAYING. 269 00:06:48,500 --> 00:06:49,067 SIT DOWN. 270 00:06:49,067 --> 00:06:51,833 OH. I'M GETTING BETTER, HUH? 271 00:06:51,833 --> 00:06:53,833 [ CHUCKLES ] 272 00:06:53,833 --> 00:06:55,067 NO. 273 00:06:55,067 --> 00:06:56,067 YOU -- YOU HEARD ME BACK 274 00:06:56,067 --> 00:06:56,700 THERE? 275 00:06:56,700 --> 00:06:57,500 SOUNDED LIKE I WAS PLAYING 276 00:06:57,500 --> 00:06:59,267 "MARY HAD A LITTLE LAMB," RIGHT? 277 00:06:59,267 --> 00:07:00,333 IS THAT WHAT YOU WERE 278 00:07:00,333 --> 00:07:01,367 JUST PLAYING? 279 00:07:01,367 --> 00:07:03,667 IT SOUNDED LIKE MARY WAS 280 00:07:03,667 --> 00:07:04,900 SACRIFICING THE LITTLE LAMB. 281 00:07:07,533 --> 00:07:10,533 SEE -- YOU -- 282 00:07:10,533 --> 00:07:13,233 YOU GOT TO JUST TRY TO... 283 00:07:13,233 --> 00:07:15,200 FINESSE YOUR SKILLS. 284 00:07:15,200 --> 00:07:17,267 OH, GOD. 285 00:07:17,267 --> 00:07:18,667 WELL, THANK YOU, DAD. 286 00:07:18,667 --> 00:07:19,667 THANK YOU FOR LETTING ME KNOW 287 00:07:19,667 --> 00:07:21,100 I HAVE SKILLS. 288 00:07:21,100 --> 00:07:22,100 YOU -- YOU GOT SOMETHING, 289 00:07:22,100 --> 00:07:22,767 YOU GOT SOMETHING. 290 00:07:22,767 --> 00:07:24,733 LOOK, I'M SORRY. 291 00:07:24,733 --> 00:07:26,067 I CAN'T GO WITH YOUR LITTLE 292 00:07:26,067 --> 00:07:27,133 PLAN, OKAY? 293 00:07:27,133 --> 00:07:28,233 YOU GOT TO BE DIRECT WITH 294 00:07:28,233 --> 00:07:29,633 THE CHILD, C.J. 295 00:07:29,633 --> 00:07:31,133 YOU CAN'T BEAT AROUND THE BUSH 296 00:07:31,133 --> 00:07:31,900 WITH A CHILD. 297 00:07:31,900 --> 00:07:35,333 YOU GOT TO BE BLUNT, OKAY? 298 00:07:35,333 --> 00:07:37,900 MALIK, I'M YOUR UNCLE 299 00:07:37,900 --> 00:07:40,733 AND I LOVE YOU, BUT YOU SUCK! 300 00:07:40,733 --> 00:07:41,400 SON, SON? 301 00:07:41,400 --> 00:07:42,833 YOU HEARD ME -- YOU SUCK! 302 00:07:42,833 --> 00:07:43,867 YOU NEED TO TAKE THIS THING 303 00:07:43,867 --> 00:07:45,300 AND -- I WISH I COULD RAM IT 304 00:07:45,300 --> 00:07:46,500 DOWN YOUR THROAT RIGHT NOW -- 305 00:07:46,500 --> 00:07:48,067 'CAUSE IT WOULD SOUND BETTER. 306 00:07:48,067 --> 00:07:49,500 NO. THAT'S NOT WHAT 307 00:07:49,500 --> 00:07:50,400 WE TRYING TO SAY. 308 00:07:50,400 --> 00:07:51,467 THAT IS NOT WHAT 309 00:07:51,467 --> 00:07:52,300 WE TRYING TO SAY. 310 00:07:52,300 --> 00:07:53,800 WHAT WE TRYING TO SAY, SON, 311 00:07:53,800 --> 00:07:55,067 MAYBE YOU SHOULD TELL SHELLY 312 00:07:55,067 --> 00:07:55,700 THAT -- 313 00:07:55,700 --> 00:07:57,533 THAT YOU SUCK, THAT YOU 314 00:07:57,533 --> 00:07:58,900 SHOULDN'T BE HOLDING A HORN, 315 00:07:58,900 --> 00:08:00,733 THAT IT'D BE SOUNDING BETTER 316 00:08:00,733 --> 00:08:01,933 IN THE TRASH CAN SOMEWHERE 317 00:08:01,933 --> 00:08:03,400 WITH THE MICE BLOWING IN IT! 318 00:08:03,400 --> 00:08:05,200 BUZZ! 319 00:08:05,200 --> 00:08:08,067 THAT'S HOW HORRIBLE YOU PLAY! 320 00:08:08,067 --> 00:08:09,833 I CAN'T TELL HER ALL THAT. 321 00:08:09,833 --> 00:08:11,533 SHE GOING TO LAUGH AT ME. 322 00:08:11,533 --> 00:08:12,800 MALIK? 323 00:08:12,800 --> 00:08:13,933 [ CHUCKLES ] 324 00:08:13,933 --> 00:08:15,600 I'M LAUGHING AT YOU. 325 00:08:15,600 --> 00:08:17,800 I'M LAUGHING AT YOU! 326 00:08:17,800 --> 00:08:19,633 OKAY, COME HERE. 327 00:08:19,633 --> 00:08:20,733 COME HERE, WE GOING TO DO THIS 328 00:08:20,733 --> 00:08:21,467 ANOTHER WAY. 329 00:08:21,467 --> 00:08:22,533 COME ON, I'M GOING TO TRY IT 330 00:08:22,533 --> 00:08:23,933 YOUR DADDY'S WAY. 331 00:08:23,933 --> 00:08:26,067 YOUR DADDY WANT TO BE GENTILE 332 00:08:26,067 --> 00:08:29,367 AND -- AND CARING. 333 00:08:29,367 --> 00:08:30,567 YEAH? 334 00:08:32,733 --> 00:08:34,067 I CAN'T DO IT LIKE THAT. 335 00:08:34,067 --> 00:08:35,367 OH. 336 00:08:35,367 --> 00:08:37,200 GET A GRIP. YOU HEARD ME? 337 00:08:37,200 --> 00:08:38,867 GET A GRIP -- YOU CAN'T PLAY, 338 00:08:38,867 --> 00:08:39,533 MALIK! 339 00:08:39,533 --> 00:08:40,600 YOU CAN'T PLAY! 340 00:08:40,600 --> 00:08:41,867 YOU NEED TO GET THIS HORN AND 341 00:08:41,867 --> 00:08:43,333 YOU NEED TO THROW IT ACROSS 342 00:08:43,333 --> 00:08:44,333 THE STREET. 343 00:08:44,333 --> 00:08:45,600 GET IT AS FAR AWAY FROM YOU 344 00:08:45,600 --> 00:08:47,300 AS POSSIBLE, YOU HEARD ME? 345 00:08:47,300 --> 00:08:48,267 OKAY. 346 00:08:48,267 --> 00:08:52,100 UM, UNCLE CURTIS, UM, CAN 347 00:08:52,100 --> 00:08:53,733 YOU -- CAN YOU TEACH ME 348 00:08:53,733 --> 00:08:55,800 HOW TO PLAY? 349 00:08:57,367 --> 00:08:58,267 THAT WAS GOOD. 350 00:08:58,267 --> 00:08:59,267 THAT WAS GOOD. 351 00:08:59,267 --> 00:09:00,067 UH-HUH. 352 00:09:00,067 --> 00:09:01,433 BUT YOU DIDN'T MISS THAT ONE. 353 00:09:01,433 --> 00:09:02,767 HOW THE HELL I'M GOING TO TEACH 354 00:09:02,767 --> 00:09:03,633 YOU HOW TO PLAY, MALIK? 355 00:09:03,633 --> 00:09:05,467 I CAN'T PLAY THE DOGGONE THING! 356 00:09:05,467 --> 00:09:07,067 WHAT AM I GOING TO TEACH YOU? 357 00:09:07,067 --> 00:09:07,833 SON? 358 00:09:07,833 --> 00:09:09,067 SON, WHY -- WHY DIDN'T YOU JUST 359 00:09:09,067 --> 00:09:09,800 ASK ME? 360 00:09:09,800 --> 00:09:12,200 WELL, UNCLE CURTIS, HE -- 361 00:09:12,200 --> 00:09:13,900 HE GOT MORE AIR TO BLOW WITH. 362 00:09:13,900 --> 00:09:16,633 WAS THAT A FAT JOKE? 363 00:09:16,633 --> 00:09:17,833 UNCLE CURTIS CAN'T TEACH YOU 364 00:09:17,833 --> 00:09:19,300 HOW TO PLAY THE SAXOPHONE 'CAUSE 365 00:09:19,300 --> 00:09:20,533 HE CAN'T PLAY THE SAXOPHONE! 366 00:09:20,533 --> 00:09:21,533 I JUST TOLD THE BOY 367 00:09:21,533 --> 00:09:22,567 I CAN'T PLAY. 368 00:09:22,567 --> 00:09:24,067 BUT WHAT I CAN DO IS FAKE IT 369 00:09:24,067 --> 00:09:24,867 TILL I MAKE IT. 370 00:09:24,867 --> 00:09:26,433 I CAN TEACH THE BOY HOW TO FAKE 371 00:09:26,433 --> 00:09:28,300 IT TILL YOU MAKE IT! 372 00:09:28,300 --> 00:09:29,700 WELL, WHY DIDN'T YOU JUST SAY 373 00:09:29,700 --> 00:09:30,833 YOU COULD TEACH ME HOW TO FAKE 374 00:09:30,833 --> 00:09:32,100 IT TO MAKE IT JUST FROM THE 375 00:09:32,100 --> 00:09:33,067 BEGINNING, HUH? 376 00:09:33,067 --> 00:09:34,667 HUH? 377 00:09:45,667 --> 00:09:47,100 WHEN YOU BOOKED THIS BRIDAL 378 00:09:47,100 --> 00:09:48,733 SHOWER AND THIS BABY SHOWER AND 379 00:09:48,733 --> 00:09:50,533 THE BAR MITZVAH, YOU DID NOT 380 00:09:50,533 --> 00:09:52,733 TELL ME THAT THAT ALL WAS IN 381 00:09:52,733 --> 00:09:54,267 THE SAME NIGHT. 382 00:09:54,267 --> 00:09:55,600 I THINK YOU'RE TRYING 383 00:09:55,600 --> 00:09:56,267 TO KILL ME. 384 00:09:56,267 --> 00:09:57,833 BUT THANK GOODNESS WE THOUGHT 385 00:09:57,833 --> 00:09:58,900 TO USE MY OVEN, TOO. 386 00:09:58,900 --> 00:09:59,733 OTHERWISE, I DON'T KNOW HOW WE 387 00:09:59,733 --> 00:10:00,800 WOULD'VE GOTTEN THROUGH THIS. 388 00:10:02,100 --> 00:10:03,267 CLARETHA, LET ME ASK YOU 389 00:10:03,267 --> 00:10:04,200 SOMETHING, BABY. 390 00:10:04,200 --> 00:10:06,267 WHY DOES YOUR OVEN SMELL LIKE 391 00:10:06,267 --> 00:10:07,133 BURNT HAIR? 392 00:10:07,133 --> 00:10:08,900 OH. 393 00:10:08,900 --> 00:10:10,367 THAT'S -- THAT'S WHERE I KEEP MY 394 00:10:10,367 --> 00:10:11,167 WET WIGS. 395 00:10:11,167 --> 00:10:14,067 THAT IS SO NASTY. 396 00:10:14,067 --> 00:10:15,133 NOW YOU TELL ME. 397 00:10:15,133 --> 00:10:17,167 [ TELEPHONE RINGS ] 398 00:10:17,167 --> 00:10:19,267 HELLO? 399 00:10:19,267 --> 00:10:21,567 UH -- UH, YES, SIR. 400 00:10:21,567 --> 00:10:22,733 [ CHUCKLES ] 401 00:10:22,733 --> 00:10:24,167 NO, SIR. 402 00:10:24,167 --> 00:10:25,733 NO, NO, SIR, WE DO NOT TAKE 403 00:10:25,733 --> 00:10:26,633 CREDIT CARDS. 404 00:10:26,633 --> 00:10:28,800 YOU LIVE WHERE? 405 00:10:28,800 --> 00:10:29,467 OH. 406 00:10:29,467 --> 00:10:30,567 WELL, YES, WE CAN. 407 00:10:30,567 --> 00:10:31,367 THAT IS NO PROBLEM. 408 00:10:31,367 --> 00:10:32,267 THAT IS NO PROBLEM. 409 00:10:32,267 --> 00:10:33,700 YES, WE CAN DELIVER THERE. 410 00:10:33,700 --> 00:10:35,533 UH-HUH. OKAY. 411 00:10:35,533 --> 00:10:37,000 ALL RIGHT, THANK YOU. 412 00:10:37,000 --> 00:10:38,700 ALL RIGHT, BYE. 413 00:10:38,700 --> 00:10:40,700 I GUESS THAT AD IS WORKING. 414 00:10:40,700 --> 00:10:41,967 WHAT AD? 415 00:10:41,967 --> 00:10:43,767 OH, DIDN'T I TELL YOU? 416 00:10:43,767 --> 00:10:45,900 I-I PLACED A LITTLE SMALL AD 417 00:10:45,900 --> 00:10:47,300 IN ONE OF THE LOCAL NEWSPAPERS. 418 00:10:47,300 --> 00:10:49,067 CLARETHA, YOU PUT A LITTLE 419 00:10:49,067 --> 00:10:50,067 SMALL AD IN WHAT LOCAL 420 00:10:50,067 --> 00:10:51,500 NEWSPAPER? 421 00:10:51,500 --> 00:10:53,933 UH..."A.J.C." 422 00:10:53,933 --> 00:10:55,200 THAT IS THE BIGGEST NEWSPAPER 423 00:10:55,200 --> 00:10:55,867 IN ATLANTA! 424 00:10:55,867 --> 00:10:56,767 I KNOW -- I WAS JUST TRYING 425 00:10:56,767 --> 00:10:58,233 TO EXPAND THE BUSINESS, ELLA! 426 00:10:58,233 --> 00:10:59,033 YOU'RE TRYING TO KILL ME. 427 00:10:59,033 --> 00:10:59,900 NO, I'M NOT. 428 00:10:59,900 --> 00:11:00,933 WHO'S GOING TO FINISH THIS? 429 00:11:00,933 --> 00:11:02,600 I NEED -- CLARETHA, 430 00:11:02,600 --> 00:11:03,567 WE NEED HELP! 431 00:11:03,567 --> 00:11:04,633 I'M HELPING AS MUCH AS I CAN. 432 00:11:04,633 --> 00:11:07,167 JAZMINE! C.J.! 433 00:11:07,167 --> 00:11:07,833 COME HERE, BABY. 434 00:11:10,333 --> 00:11:11,067 COME ON OVER HERE. 435 00:11:11,067 --> 00:11:11,833 THE FIRST THING WE GOT TO DO 436 00:11:11,833 --> 00:11:12,833 WITH YOU, MALIK, IS WE GOT TO 437 00:11:12,833 --> 00:11:14,333 GET SOME SWAGGER IN YOU, MAN, 438 00:11:14,333 --> 00:11:15,100 HUH? 439 00:11:15,100 --> 00:11:16,200 WE GOT TO GET THE SWAGGER IN 440 00:11:16,200 --> 00:11:16,933 YOUR STEP. 441 00:11:16,933 --> 00:11:18,333 WE GOT TO GET SOME COOL 442 00:11:18,333 --> 00:11:20,833 IN YOUR GLIDE. HUH? 443 00:11:20,833 --> 00:11:22,367 YOU GOT TO BE A HIP CAT, MAN. 444 00:11:22,367 --> 00:11:23,133 OKAY. 445 00:11:23,133 --> 00:11:27,333 HUH? OKAY. 446 00:11:27,333 --> 00:11:30,200 WE GOT TO CHANGE THE FACE. 447 00:11:30,200 --> 00:11:33,167 THE FACE SPEAKS. 448 00:11:33,167 --> 00:11:34,267 THE EYES HAVE WINDOWS FROM 449 00:11:34,267 --> 00:11:36,233 THE SOUL -- WINDOWS. 450 00:11:36,233 --> 00:11:38,300 HMM? 451 00:11:38,300 --> 00:11:39,600 YEAH, SOMETHING -- IT -- 452 00:11:39,600 --> 00:11:40,400 YOU -- YOU KNOW WHAT I'M -- 453 00:11:40,400 --> 00:11:42,133 YOU'LL GET WHAT I'M SAYING. 454 00:11:42,133 --> 00:11:44,567 AND THE FACE STARTS -- SEE, YOUR 455 00:11:44,567 --> 00:11:45,533 FACE RIGHT NOW -- WHEN I LOOK 456 00:11:45,533 --> 00:11:46,833 AT YOUR FACE, YOUR FACE SAY 457 00:11:46,833 --> 00:11:48,600 TO ME -- YOU KNOW WHAT IT SAY? 458 00:11:48,600 --> 00:11:50,200 "I'M SCARED, I'M SCARED. 459 00:11:50,200 --> 00:11:51,167 I'M SCARED. I DON'T -- 460 00:11:51,167 --> 00:11:52,067 I DON'T KNOW HOW TO PLAY THIS. 461 00:11:52,067 --> 00:11:52,733 I DON'T KNOW HOW TO PLAY 462 00:11:52,733 --> 00:11:53,700 THE SAXOPHONE." 463 00:11:53,700 --> 00:11:55,067 THE AUDIENCE WILL EAT YOU UP, 464 00:11:55,067 --> 00:11:56,067 MAN! 465 00:11:56,067 --> 00:11:58,133 THEY'LL EAT YOU UP 'CAUSE THAT'S 466 00:11:58,133 --> 00:11:59,400 THE FIRST THING THEY SEE. 467 00:11:59,400 --> 00:12:00,333 THAT'S THE FIRST THING THEY SEE, 468 00:12:00,333 --> 00:12:02,933 YOUR FACE, OKAY? 469 00:12:02,933 --> 00:12:03,600 SO WE GOT TO GET 470 00:12:03,600 --> 00:12:05,500 THE COOLNESS THERE. 471 00:12:05,500 --> 00:12:06,967 PUT YOUR FOOT OUT. 472 00:12:06,967 --> 00:12:09,833 HMM. 473 00:12:09,833 --> 00:12:11,700 NOW, YOU ALWAYS GOT TO GIVE A 474 00:12:11,700 --> 00:12:12,533 LITTLE LOOK, SO MAKE SURE 475 00:12:12,533 --> 00:12:14,067 THE LOOK IS... 476 00:12:20,467 --> 00:12:21,633 OKAY, YOU GOT THE SOUND, BUT 477 00:12:21,633 --> 00:12:22,633 YOUR FACE -- YOU LOOK LIKE YOU 478 00:12:22,633 --> 00:12:23,433 PULLED A MUSCLE. 479 00:12:23,433 --> 00:12:24,100 OH. 480 00:12:24,100 --> 00:12:24,767 OKAY? IT'S NOT -- 481 00:12:24,767 --> 00:12:25,700 IT'S NOT SURFACE. 482 00:12:25,700 --> 00:12:27,633 IT'S NOT SURFACE. IT'S INNER. 483 00:12:27,633 --> 00:12:29,200 IT COMES FROM HERE. 484 00:12:29,200 --> 00:12:32,067 IT -- IT ENDS UP HERE, BUT IT 485 00:12:32,067 --> 00:12:33,167 COMES FROM HERE. 486 00:12:33,167 --> 00:12:34,933 IT GOES FROM HERE TO HERE. 487 00:12:34,933 --> 00:12:37,233 IT'S LIKE THERE'S ONE MOTION. 488 00:12:37,233 --> 00:12:38,700 OKAY? 489 00:12:38,700 --> 00:12:40,167 OKAY, NOW, WHAT DO YOU KNOW HOW 490 00:12:40,167 --> 00:12:40,900 TO PLAY? 491 00:12:40,900 --> 00:12:43,100 UM...A NO-- A NOTE. 492 00:12:43,100 --> 00:12:44,067 A NOTE? 493 00:12:44,067 --> 00:12:44,833 MM-HMM. 494 00:12:44,833 --> 00:12:45,867 A NOTE? 495 00:12:45,867 --> 00:12:46,533 A NOTE. 496 00:12:46,533 --> 00:12:47,333 ONE NOTE? 497 00:12:47,333 --> 00:12:49,067 ONE. 498 00:12:49,067 --> 00:12:50,200 OKAY. WE'LL WORK WITH IT. 499 00:12:50,200 --> 00:12:51,433 WE CAN WORK WITH THAT 'CAUSE 500 00:12:51,433 --> 00:12:52,600 WHAT WE CAN DO IS, WE CAN 501 00:12:52,600 --> 00:12:54,833 INCORPORATE POETRY 502 00:12:54,833 --> 00:12:55,900 WITH THE ONE NOTE. 503 00:12:55,900 --> 00:12:56,567 OKAY. 504 00:12:56,567 --> 00:12:57,600 AND WE PUT POETRY WITH THE 505 00:12:57,600 --> 00:12:58,733 NOTE, THEN THAT FATTENS THAT 506 00:12:58,733 --> 00:13:02,800 NOTE UP AND THEN YOU HAVE MUSIC. 507 00:13:02,800 --> 00:13:04,400 OKAY. 508 00:13:04,400 --> 00:13:06,433 SO, LET'S PLAY THE NOTE. 509 00:13:06,433 --> 00:13:07,567 AND THEN WE'RE GOING TO PUT 510 00:13:07,567 --> 00:13:08,900 THE -- WE'RE GOING TO PUT THE 511 00:13:08,900 --> 00:13:09,833 POETRY IN. 512 00:13:09,833 --> 00:13:10,800 OKAY. 513 00:13:10,800 --> 00:13:12,867 [ HUMMING ] 514 00:13:12,867 --> 00:13:14,567 ALL RIGHT, HERE WE GO. 515 00:13:14,567 --> 00:13:15,600 YOU GOT TO BE THERE. 516 00:13:15,600 --> 00:13:17,533 YOU GOT TO BE THERE. 517 00:13:17,533 --> 00:13:18,800 YOU GOT TO BE THERE. 518 00:13:18,800 --> 00:13:20,200 YOU GOT TO BE THERE, MALIK. 519 00:13:20,200 --> 00:13:21,167 COME ON, THIS IS NOT A GAME, 520 00:13:21,167 --> 00:13:21,833 OKAY? 521 00:13:21,833 --> 00:13:22,500 SORRY. 522 00:13:22,500 --> 00:13:24,067 IT'S NOT A GAME! 523 00:13:24,067 --> 00:13:24,800 YOU GOING TO PLAY JAZZ, 524 00:13:24,800 --> 00:13:26,133 YOU GOT TO PLAY JAZZ! 525 00:13:26,133 --> 00:13:27,067 YOU GOT TO FEEL IT. 526 00:13:27,067 --> 00:13:30,067 FEEL THE DOWNBEAT, OKAY? 527 00:13:30,067 --> 00:13:30,667 OKAY. 528 00:13:30,667 --> 00:13:33,433 NOW, COME ON, MAN, COME ON. 529 00:13:33,433 --> 00:13:35,633 [ HUMS ] 530 00:13:38,967 --> 00:13:39,767 [ PLAYS NOTE ] 531 00:13:39,767 --> 00:13:40,567 AND I WAS STANDING 532 00:13:40,567 --> 00:13:42,467 IN THE HALL. 533 00:13:42,467 --> 00:13:43,400 [ PLAYS NOTE ] 534 00:13:43,400 --> 00:13:44,633 I SAW SHELLY, I SAID, "LET'S GO 535 00:13:44,633 --> 00:13:46,067 TO THE MALL." 536 00:13:46,067 --> 00:13:46,867 [ PLAYS NOTE ] 537 00:13:46,867 --> 00:13:47,533 SHE SAID, "YOU KNOW, 538 00:13:47,533 --> 00:13:48,200 THAT'S FINE. 539 00:13:48,200 --> 00:13:49,600 WE CAN EAT AND CHILL." 540 00:13:49,600 --> 00:13:50,500 [ PLAYS NOTE ] 541 00:13:50,500 --> 00:13:51,633 YOU SAID, "I'M BROKE, BUT I 542 00:13:51,633 --> 00:13:53,600 CAN'T PAY THE BILL SO YOU GOT TO 543 00:13:53,600 --> 00:13:54,567 PAY MY BILLS!" 544 00:13:54,567 --> 00:13:55,767 [ PLAYS NOTE ] 545 00:13:55,767 --> 00:13:57,067 OOH! HIGH PAYER! 546 00:13:57,067 --> 00:13:59,400 OOH! PAY MY BILL! 547 00:13:59,400 --> 00:14:00,667 [ SCATS ] 548 00:14:00,667 --> 00:14:01,433 OOH. 549 00:14:01,433 --> 00:14:02,667 [ SCATS ] 550 00:14:02,667 --> 00:14:03,600 OOH. 551 00:14:03,600 --> 00:14:05,500 * BOO-BEEP-BOP-BOO-BUH-BUH * 552 00:14:05,500 --> 00:14:06,633 AND THEN TWO TIMES -- 553 00:14:06,633 --> 00:14:09,467 [ PLAYS NOTE ] 554 00:14:12,067 --> 00:14:13,233 THAT WAS BEAUTIFUL. 555 00:14:13,233 --> 00:14:14,200 [ COUGHS ] 556 00:14:14,200 --> 00:14:15,767 THAT WAS BEAUTIFUL. 557 00:14:15,767 --> 00:14:18,067 OKAY, YOU GOT THAT. 558 00:14:18,067 --> 00:14:18,667 YOU GOT THAT. 559 00:14:18,667 --> 00:14:19,567 BUT LOOK HERE. 560 00:14:19,567 --> 00:14:20,933 YOU GOT THE SWAGGER. 561 00:14:20,933 --> 00:14:22,300 YOU GOT THE COOL. 562 00:14:22,300 --> 00:14:23,633 YOU A HIP CAT. 563 00:14:23,633 --> 00:14:24,500 THANK YOU. 564 00:14:24,500 --> 00:14:25,467 ONE MORE THING FOR YOU. 565 00:14:25,467 --> 00:14:27,967 ALL RIGHT. 566 00:14:27,967 --> 00:14:29,367 YOU GOT ME SUNGLASSES? 567 00:14:29,367 --> 00:14:30,067 YEAH. 568 00:14:30,067 --> 00:14:31,600 THANK YOU, UNCLE CURTIS. 569 00:14:31,600 --> 00:14:32,267 [ LAUGHS ] 570 00:14:32,267 --> 00:14:33,200 THEY GOING TO MAKE ME LOOK 571 00:14:33,200 --> 00:14:33,867 COOL, AIN'T THEY? 572 00:14:33,867 --> 00:14:35,100 WELL, YOU MAKE THEM LOOK 573 00:14:35,100 --> 00:14:36,067 COOL, DADDY. 574 00:14:36,067 --> 00:14:37,067 OH, OKAY. 575 00:14:37,067 --> 00:14:37,933 YEAH, THAT'S NOT FOR THAT. 576 00:14:37,933 --> 00:14:38,767 THAT'S IN CASE YOU MAKE A FOOL 577 00:14:38,767 --> 00:14:39,300 OF YOURSELF. 578 00:14:39,300 --> 00:14:41,833 THEN THEY WON'T SEE YOU CRYING. 579 00:14:41,833 --> 00:14:43,700 THAT'S WHAT THAT DOES, OKAY? 580 00:14:43,700 --> 00:14:44,433 OKAY. 581 00:14:44,433 --> 00:14:45,400 NOW, HIT ME, HIT ME. 582 00:14:45,400 --> 00:14:46,233 GIVE ME THAT LAST NOTE AGAIN 583 00:14:46,233 --> 00:14:47,333 'CAUSE YOU -- THE WAY YOU HIT 584 00:14:47,333 --> 00:14:48,200 THAT WAS -- WAS -- 585 00:14:48,200 --> 00:14:49,167 [ PLAYS NOTE ] 586 00:14:49,167 --> 00:14:50,633 [ SCATS ] 587 00:14:50,633 --> 00:14:51,333 [ PLAYS NOTE ] 588 00:14:51,333 --> 00:14:52,433 [ SCATS ] 589 00:14:52,433 --> 00:14:53,333 [ PLAYS NOTE ] 590 00:14:53,333 --> 00:14:55,067 [ SCATS ] 591 00:14:55,067 --> 00:14:56,133 [ PLAYS NOTE ] 592 00:14:56,133 --> 00:14:57,200 [ SCATS ] 593 00:14:57,200 --> 00:14:58,067 [ PLAYS NOTE ] 594 00:14:58,067 --> 00:14:59,433 [ SCATS ] 595 00:14:59,433 --> 00:15:00,933 [ PLAYS NOTE ] 596 00:15:00,933 --> 00:15:02,367 HE IS HORRIBLE. 597 00:15:06,767 --> 00:15:08,067 I DON'T THINK I COULD 598 00:15:08,067 --> 00:15:08,933 DO THIS AGAIN. 599 00:15:08,933 --> 00:15:11,067 ME TOO, AND I HAVEN'T EVEN 600 00:15:11,067 --> 00:15:12,100 STARTED WORKING YET. 601 00:15:13,833 --> 00:15:15,200 WELL, AT LEAST WE MADE 602 00:15:15,200 --> 00:15:15,900 $8,000. 603 00:15:15,900 --> 00:15:17,167 OKAY, WAIT A MINUTE. 604 00:15:17,167 --> 00:15:17,933 I FEEL BETTER. 605 00:15:17,933 --> 00:15:20,133 DID YOU SAY THAT WE MADE $8,000 606 00:15:20,133 --> 00:15:20,900 IN ONE DAY? 607 00:15:20,900 --> 00:15:23,567 $8,000, CLARETHA, IN ONE DAY? 608 00:15:23,567 --> 00:15:24,667 OH, ACTUALLY, WE MADE 609 00:15:24,667 --> 00:15:27,233 $10,000, BUT $2,000 WENT TOWARD 610 00:15:27,233 --> 00:15:29,300 EXPENSES AND, YOU KNOW, VARIOUS 611 00:15:29,300 --> 00:15:30,533 AND SUNDRY THINGS AND MY FEE, 612 00:15:30,533 --> 00:15:31,200 OF COURSE. 613 00:15:31,200 --> 00:15:32,300 CLARETHA, I AM SO HAPPY. 614 00:15:32,300 --> 00:15:34,067 I CAN'T EVEN ARGUE WITH YOU. 615 00:15:34,067 --> 00:15:34,867 $8,000? 616 00:15:34,867 --> 00:15:35,600 [ DOORBELL RINGS ] 617 00:15:35,600 --> 00:15:36,267 WHO COULD THAT BE? 618 00:15:36,267 --> 00:15:36,933 WHO IS THAT? 619 00:15:36,933 --> 00:15:37,667 I DON'T KNOW. 620 00:15:37,667 --> 00:15:38,633 CLARETHA, WHO IS THAT? 621 00:15:38,633 --> 00:15:39,733 I DIDN'T HAVE ANYBODY COMING. 622 00:15:39,733 --> 00:15:40,500 I'LL GET IT, I PROMISE. 623 00:15:40,500 --> 00:15:41,300 WAIT, WAIT, WAIT, WAIT -- 624 00:15:41,300 --> 00:15:42,167 BEFORE YOU OPEN THE DOOR, BABY, 625 00:15:42,167 --> 00:15:42,933 IF IT'S A CUSTOMER, 626 00:15:42,933 --> 00:15:44,100 WE'RE CLOSED. 627 00:15:44,100 --> 00:15:45,067 RIGHT. 628 00:15:45,067 --> 00:15:47,600 WE MADE ENOUGH MONEY TODAY. 629 00:15:51,233 --> 00:15:52,333 HELLO. 630 00:15:52,333 --> 00:15:53,900 HI. CAN I HELP YOU? 631 00:15:53,900 --> 00:15:55,533 YES. WHO'S THE OWNER OF THIS 632 00:15:55,533 --> 00:15:56,267 PATISSERIE? 633 00:15:56,267 --> 00:15:57,467 DID YOU JUST CURSE AT ME? 634 00:15:57,467 --> 00:15:58,433 JAZMINE. 635 00:15:58,433 --> 00:15:59,167 HE JUST CURSED AT ME. 636 00:15:59,167 --> 00:16:00,900 JAZMINE -- NO, NO. 637 00:16:00,900 --> 00:16:02,500 I'M THE OWNER. AND YOU ARE? 638 00:16:02,500 --> 00:16:03,467 CITY INSPECTOR ROBERTS. 639 00:16:03,467 --> 00:16:04,467 I HEARD YOU'RE RUNNING A 640 00:16:04,467 --> 00:16:05,633 BUSINESS WITHOUT A LICENSE. 641 00:16:05,633 --> 00:16:07,900 OH, YOU MEAN, THE OWNER? 642 00:16:07,900 --> 00:16:09,667 OH, THAT WOULD BE HER -- 643 00:16:09,667 --> 00:16:11,667 ELLA PAYNE OF ELLA-VA TREAT. 644 00:16:11,667 --> 00:16:13,300 CITY CODE DICTATES THAT 645 00:16:13,300 --> 00:16:14,267 YOU ARE NOT ALLOWED TO RUN 646 00:16:14,267 --> 00:16:15,300 A BUSINESS WITHOUT A BUSINESS 647 00:16:15,300 --> 00:16:16,533 LICENSE. 648 00:16:16,533 --> 00:16:17,400 AND FURTHERMORE, WITH A FOOD 649 00:16:17,400 --> 00:16:18,667 ESTABLISHMENT, YOUR KITCHEN HAS 650 00:16:18,667 --> 00:16:19,967 TO PASS A HEALTH INSPECTION. 651 00:16:19,967 --> 00:16:21,067 OKAY. 652 00:16:21,067 --> 00:16:22,467 AND THIS TAKES INTO ACCOUNT 653 00:16:22,467 --> 00:16:23,833 SAFE FOOD STORAGE, 654 00:16:23,833 --> 00:16:25,300 REFRIGERATION, WATER 655 00:16:25,300 --> 00:16:28,800 TEMPERATURES... AND NO MINORS. 656 00:16:28,800 --> 00:16:30,067 OH, OH, SHE'S NOT WORKING 657 00:16:30,067 --> 00:16:30,667 HERE. 658 00:16:30,667 --> 00:16:32,367 THEN WHY'D YOU PAY ME $20? 659 00:16:32,367 --> 00:16:34,067 JASMINE! 660 00:16:34,067 --> 00:16:34,767 WHAT? 661 00:16:34,767 --> 00:16:35,733 IT SEEMED LIKE A JOB TO ME, 662 00:16:35,733 --> 00:16:36,667 IN MY OPINION. 663 00:16:36,667 --> 00:16:38,067 GO TO BED! THAT'S MY OPINION. 664 00:16:41,700 --> 00:16:43,900 OKAY, INSPECTOR, WE -- 665 00:16:43,900 --> 00:16:45,733 OKAY, I-I DIDN'T KNOW ALL THIS. 666 00:16:45,733 --> 00:16:46,600 I DIDN'T KNOW THAT. 667 00:16:46,600 --> 00:16:48,367 WELL, IN THE EYES OF THE LAW, 668 00:16:48,367 --> 00:16:49,833 IGNORANCE IS NO EXCUSE. 669 00:16:49,833 --> 00:16:52,833 UNFORTUNATELY, THIS CARRIES 670 00:16:52,833 --> 00:16:54,300 A HEAVY FINE. 671 00:16:54,300 --> 00:16:56,833 HOW MUCH IS THE FINE? 672 00:16:56,833 --> 00:16:58,433 $8,000. 673 00:16:58,433 --> 00:16:59,567 AAH! 674 00:17:03,833 --> 00:17:07,200 UNCLE CUR-- 675 00:17:09,233 --> 00:17:12,233 LOOK AT UNCLE CURTIS SLEEPING. 676 00:17:12,233 --> 00:17:14,067 THINK I SHOULD DO IT? 677 00:17:14,067 --> 00:17:14,700 DID HE SMACK YOU? 678 00:17:14,700 --> 00:17:15,633 YEAH, HE DID. 679 00:17:15,633 --> 00:17:16,467 WELL, THEN YOU NEED TO GET 680 00:17:16,467 --> 00:17:16,967 HIM BACK. 681 00:17:16,967 --> 00:17:18,767 ALL RIGHT. 682 00:17:18,767 --> 00:17:20,167 [ PLAYS NOTES ] 683 00:17:20,167 --> 00:17:21,100 EVERYBODY, COME ON, EVERYBODY 684 00:17:21,100 --> 00:17:22,133 COME ON! EVERYBODY, LET'S GO! 685 00:17:27,467 --> 00:17:29,067 WHOO-HOO! WHOO-HOO-HOO! 686 00:17:29,067 --> 00:17:30,200 OH, LOOK AT HIM. 687 00:17:30,200 --> 00:17:33,067 LOOK AT YOU. LOOK AT YOU. 688 00:17:33,067 --> 00:17:34,167 BOY, YOU LOOK GOOD. 689 00:17:34,167 --> 00:17:36,600 MALIK. 690 00:17:36,600 --> 00:17:37,333 YEAH? 691 00:17:37,333 --> 00:17:38,867 HOW'D IT GO, MALIK? 692 00:17:38,867 --> 00:17:39,933 WELL, IT WENT ALL RIGHT, 693 00:17:39,933 --> 00:17:41,067 COOL DADDY. 694 00:17:41,067 --> 00:17:42,400 [ CHUCKLES ] 695 00:17:42,400 --> 00:17:44,333 THIRD PLACE, BABY. 696 00:17:44,333 --> 00:17:45,267 OH, WELL, ALL RIGHT, 697 00:17:45,267 --> 00:17:46,933 CAT DADDY, LOOK AT YOU. 698 00:17:46,933 --> 00:17:47,600 SLIDE IT TO ME. 699 00:17:47,600 --> 00:17:49,333 SLIDE IT. 700 00:17:49,333 --> 00:17:50,967 SLIDE IT. 701 00:17:50,967 --> 00:17:52,733 YOU'RE A HIP CAT, MAN. 702 00:17:52,733 --> 00:17:54,133 OH, THANK YOU, THANK YOU. 703 00:17:54,133 --> 00:17:55,200 HOW'D IT GO WITH SHELLY? 704 00:17:55,200 --> 00:17:56,800 OH, SHELLY -- SHE HAD TO WAIT 705 00:17:56,800 --> 00:17:58,167 IN LINE WITH ALL THE OTHER 706 00:17:58,167 --> 00:17:59,267 FOXY MAMAS. 707 00:17:59,267 --> 00:18:00,133 THAT'S WHAT I'M 708 00:18:00,133 --> 00:18:00,800 TALKING ABOUT. 709 00:18:00,800 --> 00:18:02,467 YOU LET THEM FOXES WAIT ON YOU, 710 00:18:02,467 --> 00:18:03,867 MAN. 711 00:18:03,867 --> 00:18:05,333 [ CHUCKLES ] 712 00:18:05,333 --> 00:18:06,400 SO EVERYTHING WORKED OUT, HUH? 713 00:18:06,400 --> 00:18:07,767 YEAH. YEAH. 714 00:18:07,767 --> 00:18:09,833 THE BOY PUT THE "C" IN "COOL." 715 00:18:09,833 --> 00:18:12,733 OH, UH...DAD, I NEED YOU TO 716 00:18:12,733 --> 00:18:13,500 SIGN THIS. 717 00:18:16,567 --> 00:18:17,533 WHAT'S THIS? 718 00:18:17,533 --> 00:18:18,600 WELL, TOMORROW, I START MY 719 00:18:18,600 --> 00:18:20,767 GUITAR LESSONS. 720 00:18:20,767 --> 00:18:21,700 LATISHA SAYS SHE LIKE 721 00:18:21,700 --> 00:18:22,567 GUYS THAT PLAY THE GUITAR. 722 00:18:26,633 --> 00:18:27,333 [ Southern Accent ] 723 00:18:27,333 --> 00:18:31,467 * I'M JUST A COUNTRY BOY * 724 00:18:31,467 --> 00:18:32,467 * I LIKE GIRLS WHO LOOK * 725 00:18:32,467 --> 00:18:35,567 * REAL PURTY * 726 00:18:35,567 --> 00:18:37,967 * I DON'T NEED CITY * 727 00:18:37,967 --> 00:18:41,967 * AND I DON'T NEED SMOG * 728 00:18:41,967 --> 00:18:43,633 * ALL I NEED IS MY HORSE * 729 00:18:43,633 --> 00:18:46,733 * AND MY HOG * 730 00:18:46,733 --> 00:18:49,067 * TAKE ME BACK HOME * 731 00:18:49,067 --> 00:18:50,433 * I SAID JUST TAKE ME * 732 00:18:50,433 --> 00:18:52,633 * BACK HOME * 733 00:18:52,633 --> 00:18:53,567 * TAKE ME, TAKE ME, TAKE ME * 734 00:18:53,567 --> 00:18:55,067 * TAKE ME, TAKE ME * 735 00:18:55,067 --> 00:19:00,067 * TAKE ME BACK HOME Y'ALL ** 736 00:19:02,567 --> 00:19:05,867 THANK YOU, OKLAHOMA. 737 00:19:05,867 --> 00:19:08,400 I LOVE YOU ALL. 738 00:19:08,400 --> 00:19:09,567 GOOD NIGHT. 44034

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