Original subtitles

For the past 10 years,

New Yorkers have known who to turn to

for the most accurate weather.

Who has broughtthem events as they were

happening before they happened.

In fact, it's almost unnaturalhow accurate this man

has been about the weather.

It's made us wonder.

Starting this winter, he'll be giving

his heart and soul to do it for the rest of us

all across the country.

This is your new "Hello, USA" weatherman.

This man is Greg Harrison.

And he's willing to do whatever it takes.

Well, let's cut to it.

I'm getting the sense youdidn't like the commercial.

Now what makes you think that?

Because you haven't said a word about it,

which is not like you.

Well.

Come on, out with it. I can take it.

I can take the truth.

Tell me what the younger generation thinks.

I thought itmade you look a little evil.

The message is that I'm ruthless,

that I'll do whatever it takes to bring

the people the weather.

They like that.

But you're not ruthless, Greg.

Jane, you have to be pretty ruthless to get

to be national weatherman.

Or a good kiss ass.

Have you smelled this vanilla?

Smell it.

I--

See how ruthless I am?

My parent's brownstone was just like this one.

Grove Street was just around the corner.

I used to walk home from schooldown this street all the time.

Hello?

Not very friendly.

It's nice, isn't it?

Yeah, it's all right, all right.

Sorry, it's not exactly my style.

Oh, as if you had a style, Greg.

That's why I hooked up with you, dear.

So your aunt fell down all those stairs?

That's a lot of stairs for an old lady.

That is a lot of stairs for anybody.

Somebody should have toldher to move somewhere else.

She wouldn't have listened.

My aunt depended on no one.

I would come here to visither when I was little.

I remember I used to lie awake at night

and fantasize about havingmy own apartment just

like this one.

And now it's mine.

Yours?

She snuck my name on the lease.

So I pay what she payed, $400 a month.

$400?

The landlord can't be too happy about that.

You might me able to subletthis place, $3,000-$4,000 easy.

I'm not going to sublet it, Greg.

I'm keeping it.

Keeping it?

I don't understand.

We just got a place together.

I just want a little space.

Is that a crime?

My office is so small, andCheryl shares that with me.

I just-- this place is so cheap.

And you, this is yourgraceful way of telling me?

I was-- I was waiting for the--

that's why--

Hey, you're Greg Harrison, "Rise

and Shine New York," right?

Let me shake your hand.

You're great.

Well, thanks a lot.

You know, I appreciate that, really.

OK. See you.

Thanks. You have a good night.

OK, heh-heh.

That's why you keptpushing back the moving day?

This is your graceful way out of it?

You want me to live in theWestchester house by myself?

I'm in the middle of the most important career

move of my life.

I need you now.

Why couldn't you tell me sooner?

I didn't know sooner.

Jane, you think you can just throw

other people's lives intoturmoil and it doesn't matter?

It does.

It has serious repercussions.

Can we talk about this?

If you'd calm down, Greg.

What about dinner?

Look, you'll have to forgive me.

I'm really not in the mood to go out anymore.

I'm gonna go open up.

Oh, you've got keys.

How'd you get the keys?

I'm moving into theapartment on the fifth floor.

My name's Jane Emelin.

I've seen you here before, haven't I?

Probably.

I used to visit my Aunt Cecile.

Did you know Cecile?

Oh, well, of course I did.

Hello, Jane.

My name's Martha Stewart--

not the famous one though.

Right.

Oh, you know, I'm the one who found her.

It was just awful, herhead smashed to potatoes.

Poor dear.

Do you need any help carrying your things in?

No, I'm fine.

I have movers coming.

I have a lot of stuff.

Oh, good, good, good.

That's what this building has--

can't be bought, can't be sold.

Have you met anyone else yet?

In the building, you mean?

No, not yet.

Oh, well, we're all avery friendly group here.

Mr. And Mrs. Bryant live on the second floor.

Mr. Collins lives on the third floor.

He's a dashing man.

You should probably leave him alone though.

He likes his privacy.

What about the person right beneath me

with all those trash bags?

The fourth floor?

Yeah.

Oh, dear Alice, poor thing.

She was hit really hard by your aunt's death.

It was just about more than she could stomach.

You won't have to see much of her.

She's a hermit, an eccentric, you know.

Yeah.

Oh, what's this?

So you like older men, do you?

No, not necessarily.

He looks a lot likethat weatherman, you know,

the "Rise and Shine" guy?

Yeah, that's him.

Where did you meet?

I helped him with his office.

Secretary?

Not quite.

I help him with acquisitions.

I'm an interior designer.

Well.

Yes?

What's going on here?

You just come here and noone says anything to me?

I'm sorry.

You're sorry?

You will be.

You can't just move inhere without talking to me.

Give me your keys.

Give me your keys.

Now, Jerry.

Jerry, calm down.

Calm down, dear.

You know you're not allowed keys.

It's all right.

It's all right.

What was that about?

He's the super.

Well, he's actually the landlord's nephew.

He probably just thought he'dbe moving into the apartment.

He has to live in the basementwith all the storage, you see.

He's got a disability.

Oh.

Oh, shit.

Oof.

Ah.

Whoa.

Shit.

OK.

Hello?

Hello?

Who is it?

Hello?

DELIVERYMAN: Delivery for Jane Emelin.

What?

He said it has to be set up in your bedroom,

and we have to program it for you.

He said you wouldn't know how to.

Yeah, I don't know howbecause I hate television.

I'm sorry, ma'am.

I'm just trying to do my job.

OK.

Well, I have to get ready.

Yeah, we'll just set this up.

Then we'll get out of your way.

Yeah, OK.

Altercation?

Jerry?

Did you have something--

I know you meant it as a nice gesture, Greg.

But the thing takes up half my bedroom.

I don't know.

Get somebody to come and get rid of it.

Yeah, what surprise?

Cheryl, you want to come bring those in?

OK.

I've got to go.

All right, I'll talk to you later.

Goodbye.

Everything OK with him?

Yeah, everything's fine.

Why?

I don't know.

You seem a little tense.

That's because the lady downstairs

left me this crabby note.

I want to move my furniturearound before it gets too late.

Jeez.

I have to bring in those tear sheets.

I know.

I know.

You know, I have a goodidea of what you're going for.

I could start it for you.

And then you could unpack.

Yeah, that would be great.

Would you do that for me?

So call me at home if you have any questions.

I've got it all under control.

I'm just trying to figure it out,

what I could have done differently.

It's not about you.

It's about me.

It's about this place.

When you asked me to move in with you,

I really wanted for it to be right.

I really did.

And I tried to convince myself.

Look, Greg, I've nevereven lived on my own yet.

I'd hate to have to us move allthe way out there and find out

that we didn't really know whatwe were getting ourselves into.

I just know that this isn't going

to turn out the way you want.

Can't we just keep it the way it is for now,

and then we'll see?

Well, I don't see that I have much choice.

Ah.

Hey.

Hey, wait.

Oh, I thought you were Mrs. Stewart.

Mrs. Stewart?

Yes, thank god.

That woman pursues me everytime I walk into this place.

It's getting me in shape,I'll tell you that.

How do you do?

I'm Mr. Collins.

You must be Miss Emelin, the new tenant.

We, none of us, knew that, um--

that Mrs. Lewis had anyone.

Such a tragedy, what happened.

Yeah.

I'm sorry I haven't comeup to introduce myself.

It's bad form.

No, not at all.

I should have introduced myself.

Actually, I'm kind of off to a rocky start

with half the building already.

I've always been amazed at your profession,

to go into other people'shouses and decide

how they should live.

It's true.

But I find that people don'tknow what they really want.

And most of the time, I havea better idea than they do.

The job is to try and get insidetheir heads and figure it out.

Sometimes that's tough.

Oh, the million dollar question, what

goes on inside others' heads?

We only know what they show us.

It's true.

Quite a collection you have here.

Oh, thank you, Mr. Collins.

It's kind of all over the place right now.

That carving, is that South American?

Actually, that's aCambodian protective spirit.

And you hang it above thedoorway, and it protects you.

I haven't figured out just how to hang it yet.

I'm a collector myself, you know--

Mid-East, mostly.

I'm terrible.

I keep on getting more and more things.

And I don't have the space for it.

Well, I could really chat all night.

But you've obviously got some work ahead of you.

Yeah.

It's good to get a bettersense of you, Miss Emelin.

911, what's your emergency?

Hi.

I'm not sure if this is an emergency or not.

But--

Name and address?

Jane Emelin, 14611th Street.

I just saw something in the window right

across the way from mine.

And I'm not sure what the address is.

I just know it's right--

Can you hold on for one second, please?

Sorry to bother you so late.

I hope you don't still have company.

On the phone with your boyfriend?

No.

Just wondering if I couldborrow a little sugar, dear.

Sure.

Oh, thank you.

Good morning.

Rise and shine, and getout of bed, New York City.

Wipe that sleep out of you eyes.

Come on, everybody.

Don't be a plain-Jane.

Ugh.

And Rise and shine,

and give out your glory, glory.

Rise and shine, and give out your glory, glory.

Rise and shine, and give out your glory, glory.

And I got a letter from Todd Jacobs, age 5,

asking how to become a weatherman.

Well, Ted, there's a lot you can do

to learn more about the environment around you.

This week is a good week to start.

As you can see from the satellite,

look, we've got some beautifullyunstable weather moving

towards the Big Shiny Apple thismorning, or by this evening,

or tomorrow Dust off andwhip out those umbrellas.

We should be getting a douser.

Clouds are already moving--

Oh, gross.

--North and the West.

Thunderstorms are already popping up

in South Central New Hampshireand Eastern Massachusetts.

Oh, boy.

Sorry.

"You've been warned.

Take it seriously."

Uh.

You need any help back there, young lady?

Oh, no.

I'm just looking for the right size nails.

Let me in.

Come on.

For the last time, I'm telling you.

Uh, open up.

Come on.

It's Mrs. Bryant.

Her husband accidentally locked her out again.

They're both deaf, blind as bats too.

Oh, and don't touch her.

They scare very easily.

So I gather you met Mr. Collins last night.

Yeah, he's very nice.

Well, I'm glad you met.

But it's best not to bother him again.

Well, I didn't think I was bothering him.

Well, I understand, dear.

But it's really best to leave him alone.

OK.

Open the door.

Just open this door.

Oh, damn it.

Hello?

Apartment 5?

You just move in, Jane?

I saw your note on the door downstairs.

Oh, yeah.

I haven't met her yet.

You stick something inhere trying to open the door?

No.

Well, there's something jamming this up.

You're gonna need a new lock.

OK, I think this should cover it.

We saw each other last night, didn't we?

I'm sorry?

I live right over there across the way.

You were looking in my apartment.

No.

I-- well, I wasn't--

Don't you know aboutpeople and their privacy?

I'm just kidding.

Don't worry about it.

I hope you didn't call thecops on me or anything.

No.

No, of course not.

I just happened tonotice you and your wife.

She's not my wife.

She's just helping me with something.

Here's your new set.

Thank you very much.

It's a great apartment.

It's one of my favorite buildings--

It's impossible to get into this building.

Is that key to my place also?

Yeah.

I keep a master to every lockI work on in this building.

The super isn't allowed to keep keys here.

He's a little strange.

You know, you have a really interesting face.

Uh.

Aw, come on.

This is absurd.

I gotta move in, Granny.

Unbelievable.

Unbelievable.

Oh, man.

OK, listen to this.

"You must lay large area rugsor buffers down to reduce

everyday oral disturbances.

You are forbidden to wear shoes after dark.

You may keep them outside yourdoor as is customary in Japan."

Japan?

And there's more.

"After 10 p.m., no guests are allowed.

Any romantic liaisons may becarried out with common regard

for oral disturbance."

She keeps saying that.

Oral disturbance.

"If objects are to be moved around,

you may do so between 1:00 and 1:15.

This includes any previsions."

I mean, is she fucking kidding me?

How many?

Pages, pages upon pages of this stuff.

And then the last sentencesays, "You have now been warned,

so there will be no forgiveness."

You know, you should askaround about this lady.

She sounds a little kooky.

Yeah, she does, doesn't she?

I mean do you think a little oldwoman could have written that?

Yeah, why not?

Hey, you gotta close yourwindows or something.

You got a fly problem in here.

Oh, I don't know.

I'm probably overreacting, but it--

it just seems so vicious and weird,

like I have to walk oneggshells in my own apartment.

I understand.

You're loving this, aren't you?

Don't say I didn't warn you.

These people are very predictable.

You had this romantic idea of a friendly--

Are we a little nervous?

Hi.

I saw this at an auction today.

I thought you would like it.

Consider it a housewarming gift.

Wow, that's very nice.

Thank you.

Oh, I'm sorry.

I didn't realize that--

No, that's OK.

That's Greg Harrison, the weatherman.

Well, you know, I watch youevery morning that you're on.

Oh, that's very kind.

Thank you.

We actually went to the same high school, PS 4.

My name is Albert Collins.

Collins?

You used to live downin this area, didn't you?

Did we know each other?

No, no, no.

You wouldn't have known me.

But I thought that sinceyou're such a famous alumnus,

I had to mention it anyway.

I didn't mean to intrude. I--

Not at all.

Not at all.

Hello?

Excuse me.

I have to take this. - Yeah.

OK?

Have a seat.

Oh.

Yes, I'm listening.

Thank you.

So you decided to stay down here.

Oh, yeah.

Excuse me.

Don't worry about it.

Have a seat.

So they still talk about me at PS 4?

Yes, I understand.

Of course, it's very hard.

I'm on your side though, Mrs. Adamson.

I know.

I know.

I'll speak to you firstthing tomorrow morning, OK?

All right.

OK, buh-bye.

Sorry about that.

She keeps threatening to get another--

Hello?

Hello, Greg?

Jane?

You scared me.

Are you sure this alonespace is good for your health?

Where did you go?

Just out in the hallway.

I was just saying goodbye to Collins.

He's a nice guy.

Let's eat.

I'm famished.

What?

You have to wipe those completely,

otherwise they spot.

I am.

No, look.

This one's starting to streak already.

Well, this is the way I wipe plates.

What's with you all of a sudden?

Don't get offended because Iwant my plates a certain way.

Your plates.

You have to haveeverything a certain way.

What is that supposed to mean?

Forget it, nothing.

No.

What does that mean?

Please, I'm trying to concentrate.

Stop it.

You know, nothing is a compromise with you.

It's either your way or bust.

You're really going tothrow a fit because of the way

I want my plates.

Come on, Jane.You're smarter than that.

This isn't about your goddamn dishes.

What is the difference?

What is the difference ifI move out there with you

or if I just stay out there with you?

Come on, Greg.

I thought we had a great night together.

We ate together.We're washing dishes together.

But it's your place.

It's not our place.

You know what your problem is, Greg?

You are so hung up on terms.

I really-- I don't think itwould make a bit of difference.

I really don't. - Jane, I love you.

I love spending time with you.

But Jane, what do you think we're doing here?

We're playing house.

I'm tired of-- of playing.

I'm not taking shit from you tonight.

Ah!

I was just standing right there.

And then, all of a sudden, thetiles just started exploding.

I mean, look at my floor.

Yeah.

Any answer?

No.

That's because she supposedlynever answers the door.

You know, the lady from thefirst floor said an 80-year-old

woman lives downstairs.

Yeah, that's her.

That's Alice.

Well, they blew up in a line.

I'd say it was your heating pipes.

It happens in these old buildings.

You weren't there.

It was explosive.

It was violent.

It's not heating pipes.

WOMAN 1: Officer, please come in.

Excuse me.

Ah, of course, Elly.

WOMAN 1: Jane Emelin, special case.

Yeah.

Jane Emelin? - Yes.

You called a few nights agoand started to report something

else about this neighbor?

No, no.

That was another person across the way

in the building next to mine.

All right.

Now listen.

You can fill out a report if you want to.

OK.

But if you ask me, youshould call your landlord

and check your pipes.

My pipes, yeah, OK.

Thank you.

I thought it might be you.

What was all the hubbub earlier with the police?

Don't worry about it, Martha.

I'm taking care of the problem.

We don't like the police coming here.

You mess with me, I mess with you.

Got my mantra down.

Got my mantra down.

Got my mantra down.

Got my mantra down.

Ultra violet light, such a violent life,

such a violent life, such a violent life.

Got my mantra down.

Got my mantra down.

You hear that?

You hear that?

Do you hear that?

Yeah!

Got my mantra down.

Got my mantra down.

Got my mantra down.

Got my mantra down.

Hey!

Ultra violet light, such a violent life,

such a violent life.

Woo!

I overslept.

The power somehow justwent off in my apartment.

I'm leaving right now.

Fuck you already.

Oh!

Is there anything we can do legally?

Anything at all?

I'm just trying to think impartially here.

I don't think anyone's goingto believe an old lady is

capable of doing all this.

Has anyone else complained?

No.

But I don't think it's just a coincidence.

It's been happening since I moved in.

Everything you have is circumstantial.

Listen, Jane.

I'll do whatever you want me to.

But between you and me, if you're

having this many problems, maybe it would

be easier just to move out.

Moving out is not an option for me, Ashley.

This apartment's just a fluke.

You and Greg were gonna move in together.

Are you on Greg's payroll?

Jane?

Did you bring in the mock-upsfor the Baron meeting today?

Oh, no.

I forgot about that.

I think one of the moversmoved them into the basement.

I'll look for them.

- We need them. - Yeah, I know.

I know. I'll get them to you.

It'll just be a little later.

You know, Jane, you're alittle spun out these days.

Maybe you should justlet me go to the meeting,

just until you've calmed downand settled this stuff at home.

Cheryl, I'd appreciate it if you'd

keep the personal shit to yourself

and just focus on the office right now.

I'll be fine.

OK?

OK.

Jesus!

What are you doing downhere without the lights on?

Mr. Collins, the light switch didn't work.

I just came down here toget something from a box.

You scared me to death.

You know, I almost knockedon your door earlier.

Are you all right, Miss Emelin?

I hear the police were here last night.

What on earth could havewarranted calling the police?

Well, I called them because I had to.

I'm being attacked by the woman downstairs.

I'm afraid Alice didn't likeyour Aunt Cecile very much.

She must be taking it out on you.

Martha told me that they were friends.

Friends?

Not at all.

No.

No, the truth is Alice doesn'tget along with anyone, really.

I'm sorry this has been so difficult for you.

But you know, sometimes it justtakes time to find your groove.

Of course, sometimes peoplejust never do find it.

It's like oil and water.

Buildings like this are just about compromise.

So maybe this is a sign that it was smart of you

to move to Westchester after all.

Westchester?

You mean Greg's house?

Aw, you-- it sounds like a lovely home.

And he-- he's such a nice man.

Yes.

He is.

No, I'm not moving there.

I'll fit in just fine here.

Thank you very much.

I didn't mean to insult you, Miss Emelin.

I'm just trying to look after you.

No, I appreciate your concern, Mr. Collins.

But I'll be fine.

Not to worry.

Will you let me in, Betty, please?

Betty!

Good evening.

Betty.

Oh, very well, thank you.

Just trying to find the groove here.

Betty, come on.

Betty, will you let me in, please?

Darn it, Betty!

You just move in, Jane?

Ah!

Oh, my god.

Oh!

Ah!

Oh, shit!

Oh!

Oh-ho, whoa.

Oh, you got an army in there.

How long's this been going on?

Just this morning.

I mean, don't you think that's a little strange?

You clean up after yourself and everything?

Yes.

I'm gonna be a while.

OK.

So what do you think?

I come back later this afternoon?

Is that good?

Yeah, I may need reinforcements.

Fine.

Do whatever you have to do.

Yeah, get back. Hey!

Get back in.

I'll be right over, Mrs. Adamson,

and then we'll work it out.

I've just been having someproblems-- and these--

at home lately.

Um, can I get you to deliver this to my place

at around 5:00?

No problem.

What's your address?

14611st Street, Apartment 5.

Of course.

Well, you'll be comfortablewith everything.

It's not a problem.

OK, I'll see you soon.

Say hello to Miss Cooper for me.

Miss Cooper? You know her?

We've been bringing her groceries for 15 years.

Then two months ago therewas a note saying she doesn't

want deliveries anymore.

Will you tell her we're asking about her?

Yeah, OK.

I'll tell her.

Thank you very much.

Come back soon.

We know your address

I wanted to talk to you about Alice, Martha.

Alice?

I was down at the Korean grocery.

And he told me that she, all of a sudden,

just stopped ordering groceries from them.

Wait a minute.

Wait a minute.

Why are you asking the Koreans about Alice?

I didn't ask him.

He just told me that.

What is it with you?

First, the police-- then the Koreans?

Don't you have any respectfor people's privacy?

Who do you think you are?

A spy?

No, I'm not a spy.

And what about what Itold you about Mr. Collins?

I asked you to leave the poor man alone.

He told me that you'vebeen knocking on his door,

asking about this and that, and this and that.

There are rules here.

But you have to be a rebel, don't you?

You are just like your aunt.

Why are you attacking meall of a sudden, Martha?

I'm not attacking you.

I'm warning you.

You are walking on very thin ice down here.

You're putting thethermometer on the radiator.

Some of us are trying to live here.

We gotta talk.

You been noticing a lotmore flies in your apartment

these days?

Yeah, a few, now that you mention it.

They've been coming upthrough the drain in your tub.

Them white things in your tub are maggots.

Something must have died in those pipes.

They like to nest in soft tissue.

Something died?

Ah, don't worry.

I sprayed pretty good.

But I'd keep a plug inthat drain for a few days.

OK.

Now about the mice.

I was cleaning up when I found this.

Now take a close look.

You see that white mouse?

That's an albino mouse.

That ain't natural.

That's a laboratory mouse.

People use them to feed their pet snakes.

I don't understand.

At first, I didn't either.

Come here.

I covered this up for you.

That's the mousehole there?

Take a look at that hole.

That ain't no mousehole.

Somebody drilled that.

You don't have a mouse problem, lady.

You got a neighbor problem.

Greg, are you there?

Will you pick up, please?

OK, there's some verybad things happening now.

I think something really strangeis going on with the neighbor

down below me.

I really need you to call me back.

OK, please?

Can you hear me?

Are you there?

All right, bye.

Oh, my god.

Oh, oh, my gosh.

Portcullis.

Hello?

Hi, I have a delivery

for your neighbor upstairs.

Can I leave it with you?

Yeah.

I'll be right down.

OK.

X-ray tech to ICU.

X-ray tech to ICU.

Over here, she needed an EKG.

Let me know.

Thank you.

I'm trying to tellyou that somebody hit me.

And look at my forehead.

You passed out from the gas, Jane.

You hit your head on the floor.

You're my lawyer, OK?

Now help me out here.

I'm telling you that somebody hit me.

Did you see him?

I don't remember.

They said her memory wasgoing to be a little shaky.

I remember everything.

I remember everything that happened to me.

I remember-- he sent me apicture of Cecile's dead body,

Greg, like he was behind it.

And I was taking these pictures.

I was going to show you.

I had all the proof.

He stole everything that I had.

What pictures?

This fucking maniac, he diagrammed

my apartment on his ceiling.

I saw it.

He knew exactly where everything was,

and he had it all mapped out.

I saw it.

Who is he?

There is no old woman downstairs.

An old woman couldn't have done what I saw.

He did something to her.

Did any of the neighbors see anything?

They don't think anything is going on.

Well, we have to go to the police.

With what?

Can we show the police anything?

My floor, he drilled a hole in my floor.

Um, there's no hole.

What?

You sure it was here?

Yes.

I'm positive it was here.

Oh, I don't understand.

Are you all right?

Yeah, I'm fine, fine.

We have a reoccurring 10-90 with Jane Emelin.

Yes.

I have 1785--

It just doesn't make any sense.

--Asa recurring special case.

You've called a fewtimes before, haven't you,

Miss Emelin?

A few times?

Yes.

I tried to get help.

Copy that.

All right.

I'll go down and check the hall downstairs

and see if I can see anything.

I don't understand.

So how come youdidn't tell me about calling

the police those other times?

Keep a list.

You know, they think we're both crazy.

I saw the plans in the fourth-floor apartment.

And whoever this guy is, he wants

to take the building back.

How about all the peopleon the other three floors?

Why hasn't anything happened to them?

Nobody knows what you're talking about, Jane.

We could go back theretomorrow when I feel better.

And then I'll show you exactly what I'm talking about.

I could find the exterminator.

No.

No, this has got to stop.

Nobody believes you, Jane.

Listen, you never even haveto go back in that building.

The phone gets turned off tonight.

I'll get the movers to pack you up tomorrow.

You are safe.

You've got a great house up in the country.

Things got out of hand.

And it happened badly.

But it's a good thing thatwe're moving in together.

And I will give you what you need.

I promise.

Knock, knock, knock!

You think you can get rid of me?

Come on, you son of a bitch!

Face me now.

Come on out and face me, you motherfucker.

I'm not afraid of you.

Come out, you fucking coward.

You'd better come downstairs.

He wants to take my place, take

it over, that fucking coward.

I know you think I'm crazy.

But I'm not.

I'm not crazy.

No, not at all.

Because I know what I know.

I know he did something to that woman.

And I know he did something to my aunt.

I know it now.

I believe you.

You do?

Yeah.

There is something really evil going on.

Evil-- you think so?

I saw it.

I saw it upstairs.

It's not something that I'mjust going to walk away from.

I'm trying to own what's mine.

And I have rights.

And I won't have somebodyjust try to take that from me.

I understand.

I have a right to be herejust like anybody else.

And he wants to take thataway from me-- my right?

You were saying?

Portcullis.

I tried tolook after you, to give you

the clues, to make you see that this

was not where you belonged.

Unlike the others, I gaveyou the chance to leave.

But you wanted to know the answer

to the million dollar question.

Do you know it now?

You're here.

Welcome to my design.

Welcome to the inside of my mind.

Oh, oh, oh.

Ever been caughtin a portcullis before?

A chamber to insulate thepharaohs in their tombs.

This is my version.

Help!

Help!

Silence is the mostbeautiful noise in the world.

But you don't understand that.

A building is an organic creature, you know?

And the organism of this building, what I need

is not a lot to ask for.

But you have to have your own rules.

Cecile didn't understand.

Alice didn't understand.

You, all of you, are infections.

And infections have to be cleared or cut out.

Ah!

It's very sad, Miss Emelin.

We see the world in much the same way, I think.

Territory is very important to us.

Unfortunately, yourterritory infringes on mine.

Yah!

I think is the only way out.

Ow, oh.

What are you doing?

Collins.

Gregory.

Give it.

Ah!

Shh.

Rise and shine, New York City.

Even though we've had a very feisty fall,

we've unfortunately got an evenmore active winter on the way.

This is also, unfortunately, my last show

as your local forecaster.

Now, now, now.

I'll still be with you though every morning--

You suck, Greg.

--On "Hello, USA."

But first, let me give you that one last look

at the weather in your area.

Showers--

Did you get everything we wanted today?

Yeah, the Adamson's are back on track.

Of course, I made a few suggestions.

I think you'd approve.

Well, I'm sure I would.

I have total faith in you, Cheryl.

Hey, I'm just trying to do my job.

Oh, yeah, that locksmith guycalled and left his address.

Said he needs to see you.

He has something to show you.

Oh, good.

I never got a chance to thank him.

For the past 10 years,

New Yorkers have known who to turn to

for the most accurate weather.

He's the man who has broughtthem events as they were

happening before they happened.

In fact, it's almost unnaturalhow accurate this man

has been about the weather.

It's made us wonder.

Starting this winter, he'll be giving

his heart and soul to do it for the rest of us

all across the country.

This man is your new, "Hello, USA" weatherman.

This man is Greg Harrison.

And he's willing to do whatever it takes.