All language subtitles for The Fugitive 2x15

( knock on door )

Who is it?

MAN:
Dan Martin.

They want Hallie out front.

I haven't seen her.

I'm sorry. I was sure
I heard her voice.

How are you on keyholes?

NARRATOR:

( dramatic theme playing )

A QM Production.

Starring David Janssen
as Dr. Richard Kimble.

An innocent victim
of blind justice,

falsely convicted
for the murder of his wife,

reprieved by fate
when a trainwreck

freed him en route
to the death house.

Freed him to hide
in lonely desperation,

to change his identity,

to toil at many jobs.

Freed him to search
for a one-armed man

he saw leave
the scene of the crime.

Freed him to run

before the relentless pursuit

of the police lieutenant
obsessed with his capture.

ANNOUNCER:
The guest stars
in tonight's story:

Janis Paige,

Mark Richman.

ANNOUNCER:

( mellow theme playing )

NARRATOR:
A roadhouse several miles south

of Salisbury, Ohio.

Richard Kimble,
wearing the name Pete Glenn,

grows restless now.

He has worked here two months.

Long enough in one place.

Perhaps too long.

Time to move on.

Mr. Haywood.

I told you to have
that other banner up

by the time I got back.

I know, but--
Skip the buts, huh?

Just get it done, will you?

Yeah, I got it.

Thanks.

Well, they were not
on the train.

That was a wire from her.

They're driving in
later tonight.

One thing you can
always say about her,

she's got great timing.

Could of been held up
at the telegraph office,

I'll call.
Don't bother, huh?

And you can bet it wasn't
the telegraph company.

Is this it?

We got stiffed by a table
of college kids.

That's great.

We'll make it up
tomorrow night.

You know, I'm about ready
to forget the whole thing.

Look, Johnny,

I know it still hurts.

But you said she was gonna cut
an album here tomorrow night.

"Hallie Martin at the Log Cabin"
or something like that.

Yeah, that's what I said.

Her Royal Highness has decided
to throw some crumbs

to the peasants.

And we happen to be the
hungriest peasants on the block.

A half a million albums
floating around the country

with our name on it
could do us a lot of good.

I don't, uh,
need any favors from her.

Use your head, Johnny.

With a name like hers,

we'll have the press swarming
around here tomorrow night,

and not just those freeloading
saloon bums.

We'll get some real coverage.

Okay.

Okay.

But I'm not gonna wait up
for the royal coach.

Mr. Haywood,
I'd like to--

Mr. Haywood.

I just wanted to tell you
I'm leaving tomorrow.

What do you mean
you're leaving?

I'm taking off
tomorrow morning.

Well, that's great.

That's just great.

I'm sorry.

Well, that's too bad
you're sorry.

But tomorrow night is a big one
and I need somebody

on that light who knows
what they're doing.

Well, like I told you,
I've got to go.

Okay, okay, walk. Walk.

But I want you out early.

I can't afford any more
free breakfasts.

Davey, bring out that old, uh,
lobby sign of Hallie's.

I don't want any complaints
when she gets here.

What's bothering him?

Don't you know?

Come on,
give me a hand.

Do I know what?

Johnny was married to her
and she walked out on him.

Another man?

I guess you'd call it
another life.

She told him she wanted
to make it big.

She couldn't do it
if she had to drag him along.

Must have been a hundred people
standing around.

It sure wasn't pretty.

Rough way to get it.

Yeah. The trouble is,
she did make it.

She made it big and Johnny's
still here

sweating out the payroll
every Saturday night.

The whole thing shook him up
pretty good.

Well, there we are.

I guess that's your
last official act.

Hey, what's the matter?

Uh, I guess I'm tired now.

Get some sleep.

Good luck, Pete.

Yeah.

( tires screeching )

( ominous theme playing )

( woman singing )
( guitar being strummed )

WOMAN:
* I never thought I'd find you *

* There never come a day *

* When someone could see
The future life with me *

* But love has found a way *

* I've searched
The whole world over *

* When you were here
All alone *

* And I have found
Someone who'll stick around *

* Now love is here to stay *

* Yes, love is here
To stay *

( sighs )

Hello?

Hello.

I'm Hallie Martin.

I hope I didn't wake you up
or anything.

That's all right.

Come on, grab a chair.
Sit down.

I'm afraid I don't
sleep much these days.

You work here?

Up until tonight.

What's your name?

Pete Glenn.

That was a nice song.

Your ex-boss wrote it for me.

Johnny fire you or something?

No, I quit.

What did you do
for him?

Oh, I ran the, uh, spots,

uh, hung the curtains,
swept the floor. You know.

Mm.

Why did you quit?

It was about that time.

Hm.

I know what you mean.

When are you leaving?

There's a bus
in a couple of hours.

Did you, uh,
run the follow spot?

Yes.

Would you run it for me?

I can't.

I'd appreciate it.

I'd like to--

Please, it would just be
for the one night.

I'm sorry.

No, I'm sorry.

I guess sometimes I--

I get a little
too pushy.

Still friends?

Still friends.

Good.

Good night, Miss Martin.

That's not friends.

The name's Hallie.

Good night, Hallie.

Good night, Pete.

MAN:
Hallie.

Honey, we've been looking
all over for you.

They've got your room ready.

So?

Well, you better
get some sleep.

I sleep when I'm tired.

MAN:
It's 3:30 in the morning,

and tomorrow night--

Is tomorrow night.

Now, get off my back.

Hallie.

And now a word
from the crown princess.

Oh, come on, Dad,
let her do what she wants.

She's going to anyway.

And that, dear family,
is my message to the world.

( guitar being played )

( mysterious theme playing )

( dramatic theme playing )

You still here, huh?

I though I'd, uh,

stay through tonight.

Unless you've made other plans.

Don't do me any favors, huh?

I'm not doing you
any favors.

I need the 15 bucks.

Okay. As soon as I can
I'll have you meet our star.

She'll, uh, give you her cues.

That is, uh,
if she ever gets here.

She's here.

How do you know?

I talked with her.

Oh, now you're staying, huh?

That's right.

Well, I guess she hasn't
lost her touch.

Pete, is the--?

Hello, Hallie.

( sighs ):
Johnny.

You still, ruining the coffee
with those rotten egg shells?

( chuckles )

Nice to see you too.

Johnny, we ought to be over that
by now, don't you think?

Yeah.

I guess we ought to.

Coffee hot yet?

What time are the record people
getting here?

Around 2 they said.

Then you and Glenn here

better, uh, run over your cues
before lunch.

Pete and I will take care of it.

Pete and you will
take care of it, huh?

Good.

( door closes )

Well, thanks for staying.

I need the money.

Is that the only reason?

Maybe not.

Johnny.

Hello, Nora.

How are you?

I'm fine, Johnny.

Nice to see you.

Come on,
take a ride with me.

Oh, I-- I think
Dad's waiting.

Come on,
it won't take long.

I just have to ask the sheriff
to let me off the hook tonight.

Hey, is Frank Larson
still sheriff?

Yeah. He'll get a kick
out of seeing you.

Come on.

What do you need
from Frank?

Well, my permit's only
for 150 customers.

I want 200
there tonight.

Your sister's
a very big draw now.

Have you seen her?

Yeah, I've seen her.

I left her playing Cleopatra
with my light man.

I'm sorry, Johnny.

The wounds
still show, huh?

( chuckles )

That's funny, I thought
I stopped bleeding months ago.

I guess we all have
a few wounds.

( strumming guitar )
( hummming )

And...off.

Applause, applause, applause,

and...on.

That's good.

Come on down.

For, uh, encores I do requests,

so I'm afraid you're just
gonna have to wing it.

You know, most clubs you go
into, you gotta rehearse

those cues, oh,
six or seven times.

Even then you're libel to end up
singing the last 16 in the dark.

What'd you do
before you took this job?

A lot of everything, I guess.

Around here?

Around every place.

Then you, uh...

Can't be married.

No.

Sort of like me,
I guess.

Split weeks
and one-nighters.

That's about it, huh?

( mysterious theme playing )

Well, Frank, you wanted
to inspect. Go ahead, inspect.

I'd better check it with
Ira at the fire station.

You can use the phone
in my office.

I'll, uh, tell
Hallie you're here.

Good. Then you can fill me in
on all the local gossip.

( chuckles )

I'm not sure there is any gossip

to fill you in on.
Oh, come on.

Sometimes I think if I have
to pack one more suitcase--

I know what you mean.

Are you all right?

Whoa.

That's what I get for drinking
before breakfast.

Look, um...

You wait--
You wait here.

I'll-- I'll be back
in a couple of minutes.

You know,
you're a nice guy.

( door closes )

Glenn.

I thought you were supposed
to be rehearsing the cues.

Oh, yeah,
we just finished.

Yeah, I saw.

You better get rid
of this junk.

I was going to.

I'll bet you were.

I don't know what I've done
but I think we ought to

get it out in the open.

It is out in the open.

You've been trying
to make it with Hallie

ever since she got here.

And you don't like it?

That's right.

Or you, mister.

Johnny. I think I convinced
our friend the fire chief.

You wanna start taking
me through this firetrap?

I'm glad you've got
an open mind, Frank.

I'll, uh, get this stuff
out of here.

Well?

Come on, Frank.

Come on in.

Well, it's not much,
but, uh...

A man should never turn down
an invitation

to a lady's dressing room.

You know, I don't think
your ex-husband

even likes me
talking to you.

I'm sorry.

I didn't know
it was still that bad.

Has it worked yet?

What?

The morphine.

What are you
talking about?

Well, it could be
insulin or heroin.

But I'd guess morphine
or a derivative.

You know what
you're saying?

You're carrying a hypodermic
syringe in your purse.

I'd say you just used it.

I also drink.

Have you got that down?

You don't sleep.
Haywood said you lost weight.

You got pain so bad that the
alcohol doesn't help anymore.

It only makes it worse.

That's why the morphine.

It's inoperable, isn't it?

Nobody knows.

How long have you known?

( chuckles )

Uh...

A year ago,
the 16th of last month,

at 2:35
in the afternoon.

I'm sorry.

Well, I'm sorry
you found out.

I was hoping to keep it
my little secret.

Well, as far as I'm concerned,
it's still your secret.

( knock on door )

Who is it?

JOHNNY:
It's me, Hallie.

I got an old friend out here,

uh, wants to say hello.

Frank Larson.

I'll be right out.

And now while, uh--

While you're keeping my secret,
I'll be busy keeping yours.

I don't follow you.

Don't you, Dr. Kimble?

Well, you just
think about it.

( door slams )

( dramatic theme playing )

Don't you think
you've had enough?

Why don't you mind
your own business.

"You shouldn't do this,
you shouldn't do that.

Why don't you do this,
why don't you do that?"

Why don't you go someplace
and grow roses or something?

You're disgusting.

I guess it runs
in the family, baby.

( door slams )

Hallie?

Why do you do it?

Leave me alone, Pete,
I'm tired.

Let me take you back.
Come on.

I can't go back.

All I want to do
is go someplace and rest.

Come on.

Come on.

Is this where
he put you?

It's no wonder you quit.

We used to use this
for storage.

Here, you can, uh,
sit, lie down,

anything you want.

Can't you stay?

All right.

Why did you decide
to stay tonight?

Well, I'm not sure.

I think I am.

I think I reminded you
of your wife.

I could almost tell
the way you look at me.

You see, during your trial...

It must have been a couple
of years ago, I guess.

Well, anyhow, I--

I took quite a ribbing because
of the resemblance.

So I suppose I followed the
trial closer than most people.

You've darkened
your hair and all that,

but your eyes are the same.

It was the eyes
that made me feel

that maybe you didn't do it.

I didn't.

Have you seen Hallie?

She's supposed to do
one of those radio interviews

on the phone.

She's probably
in her dressing room.

Hallie?

Why do you want all this hate
from everybody?

How often?

Whenever the pain starts.

Is it always bad?

Sometimes worse than others.

Well, why don't you
wait and see?

Why?

So you won't start needing it
when there's no pain.

She's not there.

I'll have to cancel
the interview.

Look, try and find her,
will you?

I'll look for her, Nora.

And now, doctor,
what was your question again?

Why do you want so much hate
from everybody?

Not everybody.

All right,
not everybody.

Just the people who should
mean the most to you.

You've got it backwards.

Only the people
I mean the most to.

You understand?

I'm afraid not.

When my mother died,

I was 7 and Nora was 3.

If Dad could have crowned me
queen of everything

I think he would have done it.

Hey, you're right.

I didn't need it this time.

How about
your sister?

Oh, Dad loves her,
all right.

But it's always
kind of an afterthought,

you know what I mean?

So you're going to cushion
the fall for him and Johnny.

That's why I left Johnny.

He had me so far up
on that pedestal

that he forgot
what I was really like.

So you're gonna cut
the statue down to size.

I'm going to destroy it
before it destroys them.

Hallie--
Look, Pete,

I didn't, uh--

I didn't tell you all this
because I need a shoulder.

I know.

But anytime.

Thanks.

But are you...?

Are you sure it's really me
you're worried about?

( knock on door )

Who is it?

Dan Martin.

They want Hallie out front.

I haven't seen her.

I'm sorry.

I was sure
I heard her voice.

How are you on keyholes?

( dramatic theme playing )

( upbeat jazzy music playing)

How's the crowd?

It should be sold-out
by showtime.

Record people happy?

Far as I know.

And how far is that?

Hallie, it's so close to
showtime, don't you think--?

Are you starting
with me again?

If you don't like
the way I live my life,

you can just
get out of it.

I'm sorry,
baby--

Dad, how can you just
stand there and take it?

If he wants a free ride
on the glamour train,

he can just pay for it.

No free rides for anybody.

Maybe you'd better go, Nora.

Nora doesn't want to go,
do you, baby?

Don't you know, Johnny?

Nora's had a crush on you
for years.

Well, Hallie,
you've come a long ways.

Johnny, please,
I only want...

What?

What do you want now?

That's what gets to you,
isn't it?

That I've got it made
and you're just hanging on.

I always told you that
small time's a sickness

you're born with.

That never bothered me, Hallie.

A small-time saloon keeper
or king of the world.

It didn't matter.

Know why?

Because I had something
that nobody else had.

Yeah.

I had a woman

that made everybody else
seem second-rate.

And then one day,
this-- This woman,

this beautiful woman
turned ugly and rotten.

Almost while
I looked at her face.

Almost while I held her
in my arms.

Just like a nightmare.

You know something, Hallie?

Seeing you again,

and listening to you
just now with Nora and Dan,

well, I think maybe...
maybe that ended it.

Understand?

Because all I can feel right now
is a kind of relief.

Relief that
it's all over.

Over and dead,
Hallie.

Not a mourner
in the house.

( sobs )

Oh!

( upbeat jazzy music playing )

Hallie.

( engine starts )

Well, where is she?

I don't know, Johnny.

She was here
five minutes ago.

I know.

I got a $2,000 house
out there and she has to--

Davey, have you
seen Hallie?

Well, no,
I'm looking for Glenn.

It's almost showtime.

Thanks for telling me.

We have a drug addict
working for us, Davey.

Get me the sheriff
on the phone.

( dramatic theme playing )

( truck horn honking )

( tires squeal )

( sighs )

I'm sorry, Pete.

For a minute there, I...

Even forgot you were here.

I'm glad one of us
remembered.

I don't think I could have gone
through with it anyway.

I couldn't wait to find out.

Anyhow, if you had
gone through with it,

everything so far
would have been wasted.

What do you mean?

If something happens
to you, Hallie,

the public's gonna
want to know why,

and then everything comes out.

I suppose you're right.

Nobody wants
to die alone, Hallie.

Nobody wants to die at all.

But at least you can do it
the way you want.

Everything paid.

( sniffles )

You really
lay it on the line, doc.

Maybe I was thinking of someone
who didn't have that choice.

A woman who must have died
angry...

hating, afraid.

You don't have to be alone,
Hallie.

Nobody's expecting me anyplace.

( sniffles )

Both of us
sitting on death row, huh?

They'll be looking for us.

Yeah.

( starts engine )

( upbeat jazzy music playing )

( door closes )

Well, I hope we're not
interrupting anything.

but you were supposed to be
in front of that audience

a half-hour ago.
No kidding?

Look, you don't owe me any
favors and I don't want any,

but those people out there paid
good money to hear you.

I was just going,
Mr. Ziegfeld.

I'll get on the light.

Why don't you do that.

( music stops )
( crowd applauds )

Johnny, listen...

Not now, Dan.

But Johnny...

Johnny, I've gotta
talk to you.

Dan, it'll have to wait.

It can't wait.

Where is he?

He's up there.

Good, I'll take him
right now.

Frank, how about letting
him work the show first?

He's not going anywhere.

Sure, if you don't mind.

I'll just alert my boys.

Thanks, Frank.

Johnny, you've got to know.

What, Dan,
what?

That-- That hypodermic.

It's Hallie's.

What are you talking about?

I found it in Glenn's room.

Then he probably knows too,
but believe me, it's hers.

Dan, what are you
trying to tell me?

That Hallie...?

It's not what
you think, Johnny.

Hallie is sick.

What do you mean "sick"?

I mean real sick.

Why don't you
bring her on first,

then I'll tell you.

( indistinct chattering )

Ladies and gentlemen.

Ladies and gentlemen.

The Log Cabin is privileged
to present

a program of songs

by one of America's most
exciting personalities.

Miss Hallie Martin.

( crowd applauds )

( guitar being strummed )
HALLIE: * I never thought *

* I'd find you *

* There'd never come a day *

*When someone could see
The future... *

You never told Nora.

I knew how hard it was
to keep quiet myself.

I just wasn't sure
Nora could carry it through.

I'll tell her
at the right time.

You see, I-- I always felt
I owed it to Hallie

to let her do it
like she wanted.

But Johnny, you won't--

Shh.

I wanna hear
the song.

* ...Love is here
To stay *

( all applaud )

She's, uh...

She's quite a performer.

( suspenseful theme playing )

Hold it, buddy.

That's right, you.

Let's go.

JOHNNY:
Frank.

Frank, uh...

I don't know how
to apologize,

but, there's, uh,
been a mistake.

What mistake?

Well, that syringe I found

doesn't belong to Glenn here.

Well, then whose is it?

It's mine, sheriff.

I, uh-- I'm a diabetic.

That syringe
contains insulin.

I accidentally left it
in Glenn's room.

I guess I made a fool
out of myself.

Well...

Here you are.

Thank you.

I'll give you
a little tip.

Next time somebody like me grabs
you on a bum rap,

don't look so guilty.

I'm almost ready
to take you in anyhow.

I, uh, need him
more than you do.

You could give him a couple
of extra bucks for the scare.

Well, we got a free show
out of you, anyhow.

See you later, Johnny.

Thanks, Frank.

You know about Hallie,
don't you?

She doesn't know
anyone else knows.

Why--?

Why did she tell you?

I don't know.

She just wanted to talk to
somebody and, besides, I'm safe.

How do you mean "safe"?

She doesn't love me.

Thanks, Glenn.

I'm, uh-- I'm sorry.

Yeah.

( sighs )

I can't let her
leave that way.

That's the way
she wants it, Johnny.

Dan, I'm still in love with her.

If she didn't know that,
she wouldn't be doing this.

That's crazy.

Makes sense to her,
doesn't it?

Does it?

Makes no sense to me.

All right, who else
matters now?

I'm sorry. I--

I gotta see her.

Can I drop you somewhere?

I'm all packed.

Well, then I'll get on
my traveling clothes

and we'll travel.

Pete, is she in there?

Johnny, what are
you gonna do?

I'm gonna tell her
that I know.

No, don't do it.

Would you mind
getting out of the way.

Now, you always tell everybody:
"Don't do me any favors."

Maybe she feels the same way.

Well, if it isn't my friend
the impresario.

What are you doing back here
in the slums?

Making sure I don't skip out
with the company towels?

No.

I, uh, thought you had gone.

I just wanted to air out
the dressing room.

So long, Johnny.

So long, Hallie.

You coming, Pete?

NORA:
Going someplace, Hallie?

Where are you off to this time?

Why, I'm going anywhere
Pete wants to take me.

And what do you care?

Oh, I don't care.

As long as you don't come back.

Don't, Nora.
No, I am sorry, Dad.

I am sick of this phony
goddess routine.

You are so selfish, sadistic.

Everything you touch
turns to dirt.

I am sick of the sight of you!

See you.

Nora, I...

I wanna talk to you.

( mellow theme playing )

You sure you'll
be all right?

Sure.

( sighs )

Was that for me?

I think so.

Thank you.

NARRATOR:
A chance meeting.

A thousand ghosts are stirred.

And a fugitive wonders how long

before they'll be at rest.

( dramatic theme playing )

NARRATOR: