All language subtitles for FBI S07E15 Acolyte 1080p AMZN WEB-DL DDP5 1 H 264-FLUX[EZTVx.to]

The more you fight,

the quicker
the drugs will kick in.

First, you lose your ability
to blink and speak.

Then you won't be able
to move at all.

I'm gonna start with your face.

Are you sneaking out?

I was trying not to wake you.

I wanna know
everything about you.

Oh, yeah?

Mm-hmm.

Favorite dessert?

What do you think
of those driverless cars?

Mm, not for me,
and pistachio--

not in that order.

How you got this scar?

Yeah, that's--

that's for another day.

Stuff I'm not ready
to scare you with yet.

Hey.

People call me
in the worst moments

of their lives every day.

All right?

I can handle it.
- OK.

Maybe you're the one
that's scared.

Damn.

Is everything OK?

I gotta go.

Hey.

What do we know?
- Well, not much.

Postal Service employee
found by a groundskeeper

at 5:00 AM this morning.

That's a crappy way
to start a shift.

Right?

Mosbach's ready to fill us in.

He says he's never seen
anything like it.

- Hey.
- Hey.

Vic's prints came back
to Vanessa Walker.

Prelim paints a pretty
dark picture for the way

she spent her last 24 hours.

That's got to be
hundreds of cuts.

More like a thousand.

Poor girl.

She bled out.

What's her timeline?

Figure she succumbed
to her injuries

less than 12 hours ago.

Based on lack of blood
at the scene, ligature marks

on her wrists and ankles,
I'm thinking,

what, Vanessa was held,
tortured, and killed elsewhere?

What do you think, Maggie?

Body dump?
- Yeah.

Look at her hands and feet.
- Yeah.

It's the only part of her
that's pristine and untouched.

Right, so why go through

all the trouble
of marking her body

just to leave her prints?

You're thinking our killer
wanted us to ID her.

And find her.

Why else would he leave her

in the most popular park
in the city?

This isn't a dump site.

This is a demonstration.

For who?

There's no witnesses.

There's one.

Yeah.

OK, eyes up, people!

The city is on high alert
and for good reason.

Meet Vanessa Walker's killer.

He's wearing a hoodie,
but maybe we'll get lucky

and he'll give us a glimpse
of his face.

Here we go.

Staring us down like
he's daring us to catch him.

Let's accept his
challenge, huh?

I'm guessing he didn't
give us a look at his face

on any of the park's other
security cameras, yeah?

No, this is the only
footage we have of him,

taken around 3:00 AM
when he dumped Vanessa's body.

Yeah, clearly no face rec,
but height diagnostics

place the suspect at 6'4".

Yeah, big guy.

All right,
so with no other visual,

we'll have to turn to Vanessa's
side of the equation.

According to the ME,

it was death
by a thousand cuts, right?

That is not an accident.

That is a message.

The question is,
what is it trying to convey?

So does Vanessa have
any enemies?

An ex, a relative?
Let's talk about her.

Yeah, I took a deep dive
into her profile.

She was not just
a postal worker.

She was VP of Human Resources.

Last month, she cut just
over a thousand jobs in DC.

So it could be poetic justice
or our killer's version of it--

a thousand jobs,
a thousand cuts.

She lives in New York
and travels back and forth.

But she should be
in DC right now.

Yeah?
What was she doing here?

Her office said she requested
to leave a day early,

surprise her husband
for their anniversary,

but no charges on her cards
to indicate how she got here.

So maybe she paid cash
to travel?

Right.

All right, so back
to the disgruntled employees.

If our killer is one
of the guys she let go of,

how do we identify him?

Uh, yeah, I'll get
a list of employees

Vanessa laid off
at the Department of Labor,

see if any of them are
a height match to our killer.

Exactly, great.

In the meantime,
Maggie and Scola are

on their way
to notify the husband.

Hopefully,
he can help us narrow down

this list of suspects.

I didn't know
that she was in the city.

I don't understand.

She was not supposed to be back
until tomorrow.

She was gonna surprise you.

I was in surgery all night.

I should have called out.

I knew something
was gonna happen.

She told me not to worry.

I warned NYPD about him,

and they wouldn't listen to me.

Hold--hold on.

Slow down for me, Peter.

You warned NYPD about who?

Mack Fuller.

I told them all about him.

We weren't made aware
of that.

He's been harassing us
for weeks.

A lunatic--

he's convinced
Vanessa killed his brother.

Why would he believe that?

I told the cops this already.

OK. Do you mind telling us?

Vanessa laid off Mack's
brother about a month ago.

He took his own life.

Vanessa felt awful.

The worst part about her job
is layoffs.

Mack wouldn't let her
forget it,

harassing her for weeks,

phone calls in the middle
of the night, threats.

When was the last time
you received a threat?

Last night.

Guy drove all the way
from DC to confront her.

Here.

See for yourself.

You open up!

I'm not leaving until you do!

Open up!

Ah!

That look familiar?

God.

What am I gonna tell
my daughter?

Are you sure
this is the right location?

JOC confirmed Fuller
just bought a coffee here.

Who kills somebody
and then buys a coffee?

Someone who's proud
of his work.

Morning. FBI.

I have a couple questions
for you.

Scola, I think
that's him on the bench.

Oh, yeah.

All right, this could get
nasty if he resists.

It's gonna be up to him.
You wanna go deep?

Yep.

Guys, you need to leave.

Mack Fuller.

FBI.

Is this about Vanessa Walker?

Yes.

Hands behind your back.

Let's go.

I know why I'm here.

'Cause I--I visited
the Walker residence.

I'm glad we're on
the same page.

You wanna tell us
why you were there?

I was--

I was just angry.

I was blowing off some steam.

I shouldn't have done that.

You always drive 4 1/2 hours
to blow off steam?

Just wanted a face-to-face

after my brother, he--

he shot himself.

Look, I never heard
one word from her.

She put out
that BS press release

about how sorry she was,
and that was it.

OK, so you wanted
some payback.

What happened to your hands?

I wish I remembered,
but look,

I swear,
you guys got it all wrong.

I don't think we do.

That's you at Vanessa's house.

And we've seen
that posture before.

- That's not me.
- No?

No.

So what happened
to your hands?

I told you, I don't remember!

Hey, listen to me.

"I don't remember" is not
gonna help you in here.

Look, you have it all wrong.

Last night,
she never came home.

So I--I walked to a bar
and started knocking 'em back.

What bar?

What?

I don't--I don't know.

It couldn't have been far--
a couple blocks away--

'cause the next thing I know,
I'm waking up

on a bench in Central Park
this morning.

Yeah, the same park
that Vanessa was found in,

cut from head to toe.

Look, I-I didn't do this!

No, you don't remember
doing this

because you were
blacked out, correct?

No!

Well, yes, I was blacked out,

but I don't remember
what happened--

Then it's possible
that you doubled back

to Vanessa after the bar.

I am telling you,
I am not a killer.

All right, tell me
the blood on Fuller's shirt

is a match for our victim.

Negative--it was a match
for Fuller himself.

OK, so guy gets
fall-down drunk.

Maybe he fell down.

But that still doesn't explain
the knuckles, right?

No, but this does.

I tracked down the bar
by Vanessa's house

Fuller claimed he went to.

Exterior bar
surveillance shows him

in a fight with another patron
just before close,

which is at 3:00 AM.

So this dude knocked
Mack Fuller out

right around the time our
killer dumped Vanessa's body.

OK, so Vanessa has no shortage
of enemies, right?

Could this be a case
of right motive, wrong suspect?

I went through
the list of layoffs.

Including Fuller,
30 of them match the height

of our killer, but only
Fuller was in New York at

the time of Vanessa's murder.

Yes?

Right.

So we could have
the wrong suspect pool,

which would put us
back to square one.

Great.

Jubal, someone's here
from "The New York Times."

- Hey.
- Hi.

Emily Stanton,
deputy managing editor.

Jubal Valentine.

Thanks--thanks for coming down.

I'm just sorry
we didn't catch this sooner.

Our mailroom gets all sorts
of aberrant communication--

always has.

They didn't flag this
at first, but--

well, see for yourself.

It should be in your inbox now.

OK. Yeah, you wanna...

- Yeah.
- Throw it up here?

OK.

"Hi.

"In two days,
you're gonna find a woman

"I cut up under an arch.

"I had fun,
gonna have a lot more.

Can you guess
where I put the next?"

When did you receive this?

Two days ago.

What is that?

This is the original.

OK, I want this sent
to graphology,

processed for prints
and DNA immediately.

Thank you for coming down.

All right, folks,
check it out.

Vanessa Walker's killer
is implying she was not

his last victim,
which means we could be

witnessing a serial
in the making.

Let's make sure that wheel
doesn't spin any further.

Where are we with
the graphology report?

They're cross-referencing
the killer's handwriting

with DMV signatures--
no match so far.

No prints or DNA either.

All we know is the note was
written on butcher paper.

On butcher pap--

OK, any yarn to spin with that?

No luck in narrowing it down.

How are we doing with
solving the killer's riddle

of where he put
the next victim?

Still working on it.

"Can you guess
where I put the next?

"You won't have to wonder
for long.

She will be in a room
made for stares."

S-T-A-R-E-S.
So what is that? A theater?

A concert hall? An auditorium?

No shortage of options
in the five boroughs.

Yeah.

We need more information.

Wait, what is this?

Is this--something's
written on the back.

Do we have that?
- Uh, yeah.

Forensics sent over scans
of both sides.

One side is
the killer's letter.

Other side is
this pattern of arrows.

Uh-huh.

OK, any idea
what the pattern is?

I think I do.

It's some kind of cipher.

Have you tried folding it?

Yeah, like along these arrows
on the outside or something?

Mm-hmm, mm-hmm.

Yeah, something like--
or maybe--

- Yeah, yeah, I got it.
- Yeah? OK.

Yeah, yeah! OK.
Yeah, what is that?

Wait, that's the symbol
for the goddess Athena--

or Minerva.

OK, so--so we got
some kind of theater and--

Wait.
There's an arthouse cinema

in the village named Minerva,
only open on weekends.

OK, I want SWAT
and our team there now.

Theater 1 is clear.

Meet me in theater 3.

Ma'am?

FBI.

Oh, my God.

Jubal, we just found
our second victim.

We need ERT down here now.

Is that what I think it is?

Yeah, we got another letter.

All right, folks,
so we have our second victim,

Laura Flemming.

Jubal,
according to the ME report,

based on Laura Flemming's
decomposition,

her body was in the theater
for two days.

She was placed there
before Vanessa Walker.

OK.

Is there any connection

between our two victims?

Nothing besides race.

And Laura doesn't even live
in the city.

According to her parents,
she was up

visiting from Philadelphia.

So this could be a case
of wrong place, wrong time.

That means any woman in
the city could be in danger.

Well, I've been
going over the letter

we found on Laura,
trying to see where it points.

Right.

OK, so, "Hi. You found me.
Good work.

"I hope you're having fun too,

"because this is only
the beginning.

"I do this
so they won't forget.

Where will I leave
my next reminder?"

I don't know about you,
but I'm getting sick of

this guy telling me
where to look.

We're trying to find him,
our killer.

All these little riddles
are gonna do

is lead us to the next
dead body.

All right, we need to go
back over everything.

This guy thinks he's pretty
damn clever, and that's good.

Overconfidence creates
blind spots.

All these breadcrumbs
he's dropping,

there's got to be one
he did not intend to drop,

a clue he didn't mean to leave.

That is what we're looking for.

Uh, yeah, got something.

So this second letter,

it's also written
on butcher's paper.

But this time, there's
a blind stamp in the corner.

That is a logo for a butcher
shop in Carroll Gardens.

Hello?

FBI!

FBI!

Put down the knife now!

- Whoa, whoa, whoa, whoa, whoa.
- Hands!

Show me your hands.
- I'm just working here.

I'm just working.

Thanks. All right, Barrett.

Alibi checks out.

Boss confirmed that
you were working

at the time of both murders.

Like I said.

Well, butcher paper
that we came across

in our investigation
led us to this shop.

So do you keep a record
of everyone you sell to?

This isn't a big operation.

The boss is old school.

We encourage people
to buy in cash.

OK, any customers
that stick out lately?

We're looking for a male,
6'4", heavy build.

You mean Wesley Cookler.

He's a freak, man.

Got two different-colored eyes.

What now?

One's blue.

The other one is--

I don't know--it's different.

OK. He's a customer here?

No, man.

No, he used to be
an employee here.

He worked here
for a couple months.

He's no longer welcome.

Why not?

Gives off bad energy.

First, he was quiet.

And then he started
asking questions,

weird crap like if, you know,
I ever thought about

using one of these knives
on a person.

He'd get this weird look
in his eye

when he was talking
all this craziness.

Anyways, the boss told me
to let him go last week.

Still waiting for him
to clean out his locker.

You guys can check it out
if you want.

I know what this is about.

JOC ran the name
Wesley Cookler--

no hits.

Definitely using a fake.

Which means
this is our only hope.

You really think
he's gonna help?

Maybe if I talk to him alone.

Do you mind waiting
outside the room?

Um, I'd like to be with you.

Well, I understand that,
but this is best shot.

Hey.

Why do you think
he's gonna help you after

you've already
locked this guy up twice?

Because I have
something he wants.

Special Agent Maggie Bell.

Ray.

What are you doing here?

Drop the act.

What act?

Who'd you put to work
out there?

Who is out there
cutting up girls?

Who are they?

How long have you been
in touch with him?

And where is he right now?

I have no idea
what you're talking about.

But I'm not inclined
to help you after

you put me in here
with rapists and murderers.

You're exactly
where you belong.

No, you don't mean that,
Maggie.

You know what I really am.

I haven't thought about you
one time until today.

Now, tell me who
you're collaborating with.

I'm not working with anybody.

Look, you really think
I'm gonna believe that?

That's the truth!

You do with it what you want.

Best of luck to you.

I'm done here. Take me back.

Are you sure about that?

You don't wanna take a look
at the pictures?

See what he's doing?

Well, I mean,
since you offered...

Take a peek.

Let's see what your man
has been up to.

He's been communicating
with us through these letters.

I'm not interested
in riddles, Maggie.

Show me the real work.

No.

No, no, no, no, no, no!

He's ruining them.

Wow.

You really don't have a clue,
do you?

You need my help.

Say it.

Well, I'm here, Ray.

So yes, we need your help.

We? The FBI?

I don't care about them.

You, Maggie,

you need me.

Say it.

I need your help.

Yeah, you do.

You really don't see it,
do you?

It's so obvious
once you see the pattern.

He's marking them,
just like I did.

Sandra Aiden,
your first victim.

There you go.

She put me on the map.

Every woman in New York
couldn't walk down the street

without looking
over their shoulder,

wondering if they were next.

- I remember that.
- Yeah.

So who are you working with?

Oh, Maggie.

This isn't gonna work unless
there's trust between us.

You're not answering
my questions.

I'm trying to.

You're not listening to me.

I don't know who did this.

What I know is this...

amateur is out there,

and he's making a mess
of these girls.

He is copying you.

Yes, of course.

Look at the marks.

Look at their faces.

That's exactly
how I marked Sandra.

And then he adds
his embellishments.

And then he does
the most awful thing.

He kills them.

Such a waste,

all that hard work

buried in the ground
where no one can see it.

Well, I'm gonna make sure
there's nobody else to bury.

Excuse me.

Does Ray DiStefano get
any regular visitors or mail?

Guy only gets mail
from his father.

He's got health issues, apparently.

Put in for furlough,
but was denied by the board.

Thank you.

All right, so he's not
in contact with our killer.

So he has a copycat.

Copycat who escalated
to murder.

Right.

Cuts line up perfectly.

Yeah.

So it looks like
DiStefano was right.

Our killer was copying
the slashing

that kicked off DiStefano's
violent spree 17 years ago.

The victim was Sandra Aiden.

The key difference is DiStefano
never killed his victims.

So we're dealing with
a different animal here.

Yeah, BAU sent up
their profile.

According to their psych eval,

he feels neglected
in his day-to-day life.

He's seeking
the same attention,

notoriety DiStefano garnered
from that case.

Well, that tracks.

The Sandra Aiden case got
a lot of play in the press.

Mayor had to address it.

Women afraid to take
the subway, walk home alone.

Right,
and he probably thought

he'd gain even more notoriety
by upping the ante,

not just by escalating
to murder,

but by taunting the media.

Well, the timing suggests
he was recently ignited.

Right after Maggie put
DiStefano away again,

"The Times" did a piece about
DiStefano's original spree,

calling it "an era of terror."

I think it's very likely
why the killer

wrote to them specifically.

Right.

So if we don't stop him,

it makes sense that he'll keep
recreating Sandra's assault

over and over again.

Do we know where Sandra is now?

She moved to Oregon
after the attack.

Local PD checked in.
She's safe.

All right,
so the clock is ticking.

DiStefano's clue is a lead.

You know, if the killer
is fixated on Sandra

and that assault,
let's talk about other details

from that crime that he might
be interested in mimicking.

What else do we know?

According to
Sandra Aiden's case file,

17 years ago,
DiStefano grabbed her

from Port Authority at 3:13 PM.

Did we ever figure out
how Vanessa got

from DC to New York?
- Yes.

Port Authority surveillance
caught Vanessa Walker

in the terminal at, yeah,
3:00 PM on the day

she returned to New York.

Cameras lose her
when she exits.

This was Vanessa's
last-known whereabouts.

And it's the same place
and time

that DiStefano grabbed
Sandra Aiden.

That cannot be a coincidence.

What about Laura Flemming?

I'm checking her financials.

She bought a ticket for a bus

that arrived at Port Authority

the day before Vanessa's,
but her bus got in

around the same time, 3:00 PM.

You're telling me
both our victims have

the same last-known
whereabouts?

Yeah, that's exactly
what I'm saying.

OK, so our killer is
grabbing women

at 3:00 PM at Port Authority,

just like DiStefano did
all those years ago.

And he's on
the same timeline.

At the height of
DiStefano's spree,

he slashed a woman a day.

All right,
looks like we have

just enough time
to get down there.

I want our teams down
to Port Authority.

I want eyes in that station.

Any woman arriving could be
our next victim.

Got eyes up
on the bus from DC.

Keep your eyes peeled
for a suspect

with two different-color eyes,
6'4", white, heavy build.

A lot of potential
female targets.

They're spreading to the wind.

I mean, the suspect
could be anywhere.

All right, bus is clear.

I'm heading back inside.

Not easy to be looking
for a guy with

two different-colored eyes

without seeming like
you want a date.

Come on, Scola.

You're telling me
you don't know how to flirt?

- Jubal.
- Yeah?

Got one? OK.

We got a 3:17 arriving
from Boston, gate 10.

OK, I'm on my way.

3:20 from Philadelphia,
gate 12.

Copy.

Yeah, I don't know, guys.

Something's not making sense
to me here.

Why is our killer
grabbing these women

in broad daylight in the middle
of a crowded station?

He's right.

Too many eyewitnesses.

It'd draw too much attention.

Maybe he's following them
out, stalking them

and taking them
when they're alone.

Yeah, yeah, yeah.

Get me the outside cameras
up on the board, please.

All right.

I got your eyes.

Let us know
if you see anything.

OK, nothing yet.

Hey, where is that?

Taxi stand, upper level.

Zoom in.

Are those two
different color eyes?

Looks like it.
Brown and blue.

OK, Maggie, our suspect
already has his next victim.

Get to the taxi stand,
upper level.

We're running facial rec
on both right now.

FBI! Move!

Kelly, you get the IDs yet?

Can't get a hit
on facial rec.

Hoodie's in the way.

But the vic comes back

to Melody Walton, 22,
from Boston.

Thank you.

Jubal, what's their location?

We lost track of them,
Maggie.

We're searching the cameras.

OK, where'd they go?
We just had them, right?

There are blind spots
across the pickup line

until you get to the exit.

That means you could have
passed them in the car.

We need to stop every cab.

OK, I got the back.

Move! Move!

Hey!

Hey!

Stop the car!

Open the door!

Come on!

All right.

Open the door.

Take off your glasses now.

Hey!

Hello? Excuse me.

Maggie, somebody just
jumped out of line.

Yeah.
I see him.

I can't make out his face.

Hey, FBI! Slow down!

Stop the car!

Get out of the car!

FBI!

Get out of the car now!

FBI!

I said, get out!

Jubal, we just saw him.

License plate 8-6, Zebra, 5.

Run it.

Got him.

Daryl Lee Ricklan, 37,

registered taxi driver
for five years.

He's got a rap sheet,
bounces from detainment

to psychiatric care.
- You got an address for him?

- Yes, in Tremont.
- OK, Maggie, Scola,

suspect may be headed
to the Bronx,

and so are you.

FBI!

Scola?

Nobody here.

Place is empty.

Jubal.

OK, Maggie,
give me some good news.

I don't have any.

Ricklan's place has been
cleared out.

Nothing to indicate where he
might have taken Melody Walton?

Nothing.

I might have to go back
to DiStefano.

Wait, why?
You think he'll help us?

His father's sick.

So maybe I can get
his furlough,

and he'll cooperate.

Well, no.

His father just died,

so you have nothing to
offer him.

What?

He died in his
hospice facility.

Sorry, Jubal, does--
does DiStefano know

that his father passed?

No, he hasn't been
informed yet.

Can--can you
hold off on that?

I think I can make this work.

Copy that.

There's only one reason
you're here.

You didn't find him.

No.

You found him, and he got away.

- He did.
- You see?

Honesty, Maggie.

See how easy that is?

OK, you're right.

I need your help still.
- Boring.

What's boring?

Playing cops and robbers
with you.

Ignoring the fact
that you and I are

so much more than that.

I'm here to cut a deal
with you for your assistance.

Whatever you think we have,

the relationship
you've made up,

that is in your head.

No, you can keep pretending.

Look, I don't have time
for this.

Just keep pretending.

You can lock it away.

You can shut the door.

But eventually, Maggie,

the door is gonna burst open,

and you are gonna lose control.

I know your father's sick.

And I know that
your furlough was denied.

I can change that.

Wow.

You must be really up a tree.

You'd do that?

Oh.

He's taken another girl.

And if we don't find him
quickly, he's gonna kill her.

That's not your only problem,
Maggie.

He saw you.

He knows who you are.

He knows you're hunting him.

You, who put me away--

his hero.

Where did you take Sandra
before you cut her?

Ray, we never found that out.

Listen, you need to tell me.

Otherwise,
the deal is off the table.

I took her to my home.

We already checked
Ricklan's home.

There was nothing there.

So did you stop anywhere else
before that?

After?

Yeah.

After.

I was kind to her.

I stayed nearby,

waiting for her to be found.

Where, Ray?

It was near Cookler Street.

Cookler.
What was the intersection?

- Wesley.
- Wesley. Yep.

Wait. How did you know that?

Because he's using
the name Wesley Cookler.

And we thought it was a who,
and now we know

that it's a where.
- No, whoa, whoa.

Maggie, listen to me.

You need to be safe out there.

I know you don't want to be,
but you're part of this story

because you're part
of my story.

I can take care of myself.

All right, all right,
all right.

All right, folks, Maggie
solved Ricklan's latest riddle.

His false name, Wesley Cookler,
is a combination

of two cross streets
in Queens--

apparently, the location they
found Sandra Aiden post-attack.

OK, typing in those streets,
nothing's coming up.

That's because both streets
were renamed 10 years ago.

Cookler Street is now
Chester Boulevard,

and Wesley is Raleigh.

- Raleigh.
- Yeah, OK.

There's an abandoned building
at that cross street

awaiting demolition.
- All right.

Get Maggie and Scola
down there now.

Maggie, in here.

Maggie?

There's no sign of Ricklan.

He had Melody here.

They're gone now.
- Oh, God.

Scola.
- What?

He's watching us.

Wow, you found me.

Yeah, we did, Daryl.

It's over.

It's time to return
Melody Walton to us now alive.

How about this?

I'll give her back to you
when I'm done with her.

I know you admire
DiStefano's work.

I see what you're doing.

No, no, that's not right.

I'm finishing the job.

And when I'm done,

my name will be
the only one they remember.

That's not gonna happen,
Daryl,

because I'm gonna make sure
that your name is forgotten.

Oh, really?

I'll show you
who'll be forgotten.

And by the time you find her,
I'll be gone.

I don't know
what to say, Maggie.

He's about to kill her.
We have no idea where they are.

No, no, no.

At least we know
that she's alive.

I know that was risky,
but I got the screenshots.

So we have some idea
of where they are.

All right, folks,
so Daryl Lee Ricklan

has Melody Walton,
and he intends to kill her.

We were not able to trace his
location from the video call.

But we're digging into
Ricklan's past for any clues

as to where he might
have taken her.

And what about
the screenshots Maggie sent?

Any leads here?

Yeah, the stones
behind Ricklan

are this greenish-gray color.

It looks like serpentinite,
which is a rock

unique to Staten Island.
- OK.

So we're close.
It's not a big island.

Does Ricklan have any
connections to Staten island?

Checking.

Jubal, the letter,
the second one

that we found
with Laura Flemming,

the spaces were in
the shape of a cross.

Right.

Are there any churches
made from the stone

in that screenshot?

Uh, not finding any.

What if it's not a church?

In the 17th century,
crosses were drawn

on the doors of people
infected with the plague.

If it's a clue to his
next dumping ground--

The abandoned smallpox
hospital in Staten Island.

Get the whole team
down there right now.

All right,
NYPD has got the perimeter.

Eyes up and stay quiet.

Ricklan could be anywhere.

If he hears us,
that girl is as good as dead.

Copy.

OK, SWAT, you're gonna take
the south and west wing.

Maggie, Scola,
you take the east wing.

Good luck.

Let's split up.

Ricklan, drop the knife.

Show me your hands now.

I got Ricklan!

Her pulse is weak,
but she's alive.

Get an ambo here now!
- Copy.

Jubal, we need and ambo here.

Scola.

Scola, you copy?

Ricklan, come out--

You can scream.

Your friend won't hear you.

This--this isn't how
you get what you want.

You don't know
anything about me.

I know that you want
to replace DiStefano.

No.

I would never do that.

What he did was beautiful.

He showed me what was possible.

But he got caught.

You didn't catch me.

I led you here.

I'm gonna start with your face.

Suspect down.

Jubal, we got Ricklan.

You OK?

You catch him?

Yeah. We did.

It's over.

Good.

You're welcome.

Where's my furlough?

That's why I'm here.

No.

No, no, no, no, no,
you wouldn't dare, Maggie.

I helped you.

You never would have
found him without me.

I agree.

And we were prepared
to keep our end of the deal.

But it's not possible now.

You lied.

No, things changed.

What changed?

Your father died.

How?

In his sleep, I'm told.

Sorry for your loss.

When?

You knew.

Oh, you lying bitch.

You lying bitch!

I'm gonna get you, Maggie Bell.

Nowhere is safe for you,
Maggie!

I will find you if it takes
a thousand years!

Nowhere is safe!

I swear to God, I'll get you!

I swear it!

- Hey.
- Hey.

Look, about this morning,
um...

You're right.

I don't--

I don't let people in
very easily.

But I--

I wanna try with you.

I wanna tell you about

the scar and--

I don't know--
whatever else comes up.

Any chance
you're free tonight?

Yeah.

I'm headed home now.

Why don't you meet me there?

I'll see you soon.