All language subtitles for fatal.crossing.s01e08.subbed.720p.web.h264-skyfire

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Original subtitles

www.titlovi.com

Just try to look there. She is completely fucked in the head.

You guys are local, right? Are there any large empty buildings nearby?

There is a disused factory over here behind.

- How far is it? - It's ten minutes.

We damn well can't wait, that they come all the way from Copenhagen.

I'm going in. You stay here.

Lulu?

Are you Lulu?

What has she done to you?

Do you know who I am?

Do you know where we are?

i don't know what is this but...

... i don't think it's something you want.

Let me help you.

Are you scared?

What are you doing, Lulu?

What?

what are you doing

Do you think I'm afraid of you?

Do you think you can be allowed to rule over me? What?

Do you think so?

But I'm not afraid. So you can just shoot.

Come on. Shoot.

Come on. Shoot, dammit!

shoot me

I'm not afraid.

Shoot.

Nora?

Nora!

Nora!

Hey Nora!

Nora, wake up!

Nora, hey.

Nora.

Nora? Nora!

Hey.

My favorite silly little niece.

- Your only one. - Do you think your uncle is stupid, Nora?

- What do you mean? - Are you trying to save the computer?

Then you sit here and work.

- Of course. - Yes.

I still can't really figure this story out.

I am not...

I can't write it objectively.

I think I ...

I have to write it�

... from the inside, I think.

How many characters do I get?

- The crayfish called. - Now shut up.

I don't work for Globalt anymore.

- These are new times, Nora. - How so?

The weekly newspapers are squeezed from all sides.

You have not let Nord Media buy you out!

- We will be weekend supplements... - No!

Yes. I have already bought a wooden boat and am in the process of sanding it.

Yes. But that's fine, that you have allowed yourself to retire.

But I don't want to write for Globalt again.

You get a really good salary. A really good salary.

You get your own researchers.

You get almost 100% freedom.

- Researchers? - Hmm.

- In the majority? - You get your own department.

Emily is in place. Bo has submitted an application.

But calm down.

You have a week to think about it.

Now look at that fool there.

Someone is probably happy today.

I have to say hello.

From ...

There is one thing I still don't understand.

Why was it just me? who would have those pictures?

I don't really know what she was thinking.

Or why.

She had read about you.

She liked you, I think.

Lisbeth was not like others.

She wasn't afraid of anything.

Have you been scared, Lulu?

Won't you tell me about Damtoft?

Damtoft

He drooled and sighed for the girls.

After me.

"We've hugged him," Lisbeth said.

He did as we wanted.

He believed that... he was in control.

But one day Lisbeth told me...

"Now we own that satan."

He had to give us money.

He was so afraid of it, he had done.

What about Hix?

Hic.

It was Lisbeth who discovered him.

On the ferry.

He followed us.

He offered me money for a blowjob in his car.

And then we split the money and...

... asked if we could drive with him further.

He liked to photograph us.

He loved when we were naughty.

He thought he... had control over us.

But no one can control Lisbeth.

Lisbeth loved ...

... when she could see the fear in others.

Hix saw her as such a�

... goddess.

She taught me to...

... becomes friends with ... the fear.

Know it.

Take it in.

Surrender me.

Lisbeth...

Lisbeth loved me.

In his own way.

Who was the first victim?

It just happened.

It was a girl our age.

Lisbeth decided, that we should be nice to her.

She seemed lonely and�

... feel safe with us.

She was so trusting.

i don't know if she could sense it.

Lisbeth said, that I should hold her.

Hix took pictures.

So Hix took the blame for murder, He had not committed?

Yes, Bill would rather look like a dangerous man�

...than as a man, who was totally humiliated by two ...

... teenage girls.

It was as if...

... we took our own fears ...

... and gave to her.

We had lots of pictures.

When he went to prison, then...

... Lisbeth began to long for

- - to come back to Denmark.

No matter what I did, what she said.

We took more lives.

Almost as such a ...

... old habit.

If we were restless, or...

... things were not, as they should be between us.

A victim.

It was what bound us together.

Lisbeth read a lot.

Abraham and Isaac.

I didn't quite get it, although she...

Although Lisbeth explained.

I just did what she said.

What kind of life was that for you, Lulu?

Didn't you yearn for something else?

- You didn't want to leave? - You know what you have.

It is not known whether ... one would be happier somewhere else.

Is it right?

Did you never regret what had you done?

Did you feel no pity for those girls?

Lisbeth said that...

... if there was a god ...

... then he would stop us.

She wanted to see if there was anyone up there.

Lisbeth taught me, that you have to sacrifice something...

... to be perfectly happy.

The most important decisions...

... the most important choices ...

... they require repentance.

We often talked about... that kind of and�

... about everything we chose from.

were you happy

i don't think I know exactly what happiness is.

So why did you shoot her?

You have to sacrifice something.

"Every life is a story."

"Sometimes lives intertwine."

"And turns into a new story."

"A bigger story."

"The stories are about giving life a meaning."

�So the question is, is it true. If there is a meaning."

"The story of Lisbeth and Lulu, the girls from

the England boat - - is the story of all girls."

"All women's. All mothers'. Daughter's. People's."

"Because we can all be wrong."

"Misinterpreting history."

"In trying to understand all stories through ourselves -

- and our perception of the world."

"My name is Nora Sand."

"And I misinterpreted the story about the girls."

"They were not victims."

"Not first and foremost."

"They weren't weak."

"Not first and foremost."

"They were let down."

"I'm a journalist."

"But I'm no longer objective."

"For me, there is no distance from the story of Lisbeth and Lulu."

"Or to their mothers."

"Or to their fates."

"Or to those who were affected by the evil the story is about."

�This is not the story of them�

... but about myself."

�And about the anxiety. As we know so well�

... that we don't even notice it anymore."

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