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Right, a short exercise for you all here
and this is something I do after each
wedding season without fail.
I go back through my entire library of
best images and I narrow them down to
my top ten.
From this process I also end up with
an updated folder of my very very best
work, usually a folder of 50-60 images
that form the main pool of images I
use for any marketing material or website updates.
Now it's hugely important that you recognise that
your portfolio should always be your best work,
not your most recent or as I've seen
in some cases a list of blog posts.
If your portfolio page shows your most recent
weddings in a blog form it's not your
portfolio.
This is all about controlling what the user
sees when they land on your site.
Don't make it hard for them to find
your best work.
You have a few seconds to show them
two or three killer frames, make them count.
And also remind yourself that although you see
these images all the time and some of
them you might have seen for five years
now, potential couples might only be seeing them
for the first time on your site.
Portfolio is your very very best work.
Have I made that clear?
Okay so I'll cover how I organise my
catalogues and folder structure further into the course
but at the end of each year I
end up with a folder of my best
images that go into producing my best of
blog post.
From that I get them printed out.
I use Simlab which I'll link to below
and from that I try and narrow my
selection down to a select few that go
into compete with my previous best ten.
It's always a healthy exercise to do as
you can only pick ten so they have
to be the very best you have and
inevitably you will have to kill some good
images but understanding why one image trumps its
competing frames is a positive trait to have.
So let me share my latest round of
top ten and why I picked them.
Notice it's a variety of couple portraits and
documentary moments.
First up Emily's dad this is from 2014
but it's still one of my favourites.
Would it be in the top ten if
Emily's hand wasn't coming into the frame?
Probably not.
Abigail in London this is all about perspective
and grabs attention.
Three Amelie and Steve this is just a
relaxed portrait a moment during dinner but there's
a strong fashion element with the black tie
and Amelie's dress and I just love the
simplicity of the frame.
Four Scarlett again from the early years but
just another simple frame and I love the
lines and composition and again the hands creeping
in from the right of the frame.
Laura and Will I just smile back whenever
I see this frame it just shows the
atmosphere and joy of a wedding day just
look at all those teeth.
Number six Katie and Luke this ticks the
party box these guys are target client the
venue and festoon lights look ace and it
shows that I stay late.
Seven Amy and Tim the sunset the light
the location the dress it just ticks all
the boxes.
Elle this is five years ago and this
would never have normally made the call let
alone my top ten it's out of focus
but actually I love it for that it
captures the atmosphere of the night and exactly
how I want people to feel when they
relive their images.
Nine Emma and Jade I love these girls
they look incredible hugely aspirational strong dress choices
and an amazing venue in Badminton House.
And finally number ten Ruth's dad possibly the
most powerful image I've ever taken emotion trumps
everything for me.
So that's my latest top ten now there's
an argument I could do that tomorrow and
pick an entirely different top ten depending on
my mood but even if I did it's
still a beneficial exercise.
Once you've got that body of ten these
should be used to create a mood board
alongside website examples you like with fonts and
layout ideas you're ready to start a design.
If you opt for a design agency Ruth
use that mood board and by the end
of the process any design agency should supply
you with brand guidelines which will include fonts
sizes and colours stick to them.
If you go and build from a template
on your own create some brand guidelines and
stick to them be consistent
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