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These are the user uploaded subtitles that are being translated: 1 00:00:16,170 --> 00:00:18,830 Right, a short exercise for you all here 2 00:00:18,830 --> 00:00:20,630 and this is something I do after each 3 00:00:20,630 --> 00:00:22,350 wedding season without fail. 4 00:00:23,030 --> 00:00:24,990 I go back through my entire library of 5 00:00:24,990 --> 00:00:26,770 best images and I narrow them down to 6 00:00:26,770 --> 00:00:27,510 my top ten. 7 00:00:28,230 --> 00:00:30,130 From this process I also end up with 8 00:00:30,130 --> 00:00:32,270 an updated folder of my very very best 9 00:00:32,270 --> 00:00:34,470 work, usually a folder of 50-60 images 10 00:00:34,470 --> 00:00:37,050 that form the main pool of images I 11 00:00:37,050 --> 00:00:39,910 use for any marketing material or website updates. 12 00:00:40,830 --> 00:00:43,590 Now it's hugely important that you recognise that 13 00:00:43,590 --> 00:00:46,190 your portfolio should always be your best work, 14 00:00:46,430 --> 00:00:48,570 not your most recent or as I've seen 15 00:00:48,570 --> 00:00:50,670 in some cases a list of blog posts. 16 00:00:51,210 --> 00:00:53,590 If your portfolio page shows your most recent 17 00:00:53,590 --> 00:00:55,730 weddings in a blog form it's not your 18 00:00:55,730 --> 00:00:56,210 portfolio. 19 00:00:57,490 --> 00:01:00,130 This is all about controlling what the user 20 00:01:00,130 --> 00:01:01,550 sees when they land on your site. 21 00:01:02,210 --> 00:01:03,629 Don't make it hard for them to find 22 00:01:03,629 --> 00:01:04,349 your best work. 23 00:01:04,850 --> 00:01:06,570 You have a few seconds to show them 24 00:01:06,570 --> 00:01:09,190 two or three killer frames, make them count. 25 00:01:10,510 --> 00:01:12,330 And also remind yourself that although you see 26 00:01:12,330 --> 00:01:13,970 these images all the time and some of 27 00:01:13,970 --> 00:01:15,270 them you might have seen for five years 28 00:01:15,270 --> 00:01:18,030 now, potential couples might only be seeing them 29 00:01:18,030 --> 00:01:19,450 for the first time on your site. 30 00:01:20,710 --> 00:01:23,110 Portfolio is your very very best work. 31 00:01:23,390 --> 00:01:24,130 Have I made that clear? 32 00:01:26,650 --> 00:01:28,830 Okay so I'll cover how I organise my 33 00:01:28,830 --> 00:01:31,210 catalogues and folder structure further into the course 34 00:01:31,210 --> 00:01:33,130 but at the end of each year I 35 00:01:33,130 --> 00:01:34,490 end up with a folder of my best 36 00:01:34,490 --> 00:01:36,630 images that go into producing my best of 37 00:01:36,630 --> 00:01:37,170 blog post. 38 00:01:37,890 --> 00:01:39,710 From that I get them printed out. 39 00:01:40,170 --> 00:01:41,730 I use Simlab which I'll link to below 40 00:01:41,730 --> 00:01:43,770 and from that I try and narrow my 41 00:01:43,770 --> 00:01:45,930 selection down to a select few that go 42 00:01:45,930 --> 00:01:47,910 into compete with my previous best ten. 43 00:01:48,970 --> 00:01:51,610 It's always a healthy exercise to do as 44 00:01:51,610 --> 00:01:53,010 you can only pick ten so they have 45 00:01:53,010 --> 00:01:55,270 to be the very best you have and 46 00:01:55,270 --> 00:01:57,330 inevitably you will have to kill some good 47 00:01:57,330 --> 00:02:00,690 images but understanding why one image trumps its 48 00:02:00,690 --> 00:02:03,250 competing frames is a positive trait to have. 49 00:02:04,590 --> 00:02:06,670 So let me share my latest round of 50 00:02:06,670 --> 00:02:08,009 top ten and why I picked them. 51 00:02:08,710 --> 00:02:11,210 Notice it's a variety of couple portraits and 52 00:02:11,210 --> 00:02:12,170 documentary moments. 53 00:02:13,230 --> 00:02:15,850 First up Emily's dad this is from 2014 54 00:02:15,850 --> 00:02:18,030 but it's still one of my favourites. 55 00:02:18,550 --> 00:02:19,450 Would it be in the top ten if 56 00:02:19,450 --> 00:02:20,930 Emily's hand wasn't coming into the frame? 57 00:02:21,450 --> 00:02:22,310 Probably not. 58 00:02:24,150 --> 00:02:26,610 Abigail in London this is all about perspective 59 00:02:26,610 --> 00:02:27,750 and grabs attention. 60 00:02:29,430 --> 00:02:31,850 Three Amelie and Steve this is just a 61 00:02:31,850 --> 00:02:34,610 relaxed portrait a moment during dinner but there's 62 00:02:34,610 --> 00:02:36,430 a strong fashion element with the black tie 63 00:02:36,430 --> 00:02:38,350 and Amelie's dress and I just love the 64 00:02:38,350 --> 00:02:39,390 simplicity of the frame. 65 00:02:40,610 --> 00:02:43,230 Four Scarlett again from the early years but 66 00:02:43,230 --> 00:02:44,870 just another simple frame and I love the 67 00:02:44,870 --> 00:02:47,570 lines and composition and again the hands creeping 68 00:02:47,570 --> 00:02:48,830 in from the right of the frame. 69 00:02:49,970 --> 00:02:52,330 Laura and Will I just smile back whenever 70 00:02:52,330 --> 00:02:54,130 I see this frame it just shows the 71 00:02:54,130 --> 00:02:56,450 atmosphere and joy of a wedding day just 72 00:02:56,450 --> 00:02:57,310 look at all those teeth. 73 00:02:58,550 --> 00:03:01,110 Number six Katie and Luke this ticks the 74 00:03:01,110 --> 00:03:04,010 party box these guys are target client the 75 00:03:04,010 --> 00:03:06,390 venue and festoon lights look ace and it 76 00:03:06,390 --> 00:03:07,310 shows that I stay late. 77 00:03:08,050 --> 00:03:10,990 Seven Amy and Tim the sunset the light 78 00:03:10,990 --> 00:03:13,210 the location the dress it just ticks all 79 00:03:13,210 --> 00:03:13,690 the boxes. 80 00:03:15,250 --> 00:03:17,590 Elle this is five years ago and this 81 00:03:17,590 --> 00:03:19,270 would never have normally made the call let 82 00:03:19,270 --> 00:03:21,370 alone my top ten it's out of focus 83 00:03:21,370 --> 00:03:24,170 but actually I love it for that it 84 00:03:24,170 --> 00:03:26,010 captures the atmosphere of the night and exactly 85 00:03:26,010 --> 00:03:28,150 how I want people to feel when they 86 00:03:28,150 --> 00:03:29,050 relive their images. 87 00:03:30,110 --> 00:03:32,150 Nine Emma and Jade I love these girls 88 00:03:32,150 --> 00:03:35,690 they look incredible hugely aspirational strong dress choices 89 00:03:35,690 --> 00:03:37,570 and an amazing venue in Badminton House. 90 00:03:38,070 --> 00:03:40,550 And finally number ten Ruth's dad possibly the 91 00:03:40,550 --> 00:03:43,290 most powerful image I've ever taken emotion trumps 92 00:03:43,290 --> 00:03:44,090 everything for me. 93 00:03:44,750 --> 00:03:47,610 So that's my latest top ten now there's 94 00:03:47,610 --> 00:03:49,590 an argument I could do that tomorrow and 95 00:03:49,590 --> 00:03:51,610 pick an entirely different top ten depending on 96 00:03:51,610 --> 00:03:53,810 my mood but even if I did it's 97 00:03:53,810 --> 00:03:55,390 still a beneficial exercise. 98 00:03:55,930 --> 00:03:58,250 Once you've got that body of ten these 99 00:03:58,250 --> 00:03:59,610 should be used to create a mood board 100 00:03:59,610 --> 00:04:02,490 alongside website examples you like with fonts and 101 00:04:02,490 --> 00:04:05,270 layout ideas you're ready to start a design. 102 00:04:06,270 --> 00:04:08,210 If you opt for a design agency Ruth 103 00:04:08,210 --> 00:04:09,830 use that mood board and by the end 104 00:04:09,830 --> 00:04:12,550 of the process any design agency should supply 105 00:04:12,550 --> 00:04:14,610 you with brand guidelines which will include fonts 106 00:04:14,610 --> 00:04:17,130 sizes and colours stick to them. 107 00:04:18,310 --> 00:04:20,130 If you go and build from a template 108 00:04:20,130 --> 00:04:22,930 on your own create some brand guidelines and 109 00:04:22,930 --> 00:04:25,550 stick to them be consistent 7794

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