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Right, a short exercise for you all here
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and this is something I do after each
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wedding season without fail.
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I go back through my entire library of
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best images and I narrow them down to
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my top ten.
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From this process I also end up with
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an updated folder of my very very best
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work, usually a folder of 50-60 images
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that form the main pool of images I
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use for any marketing material or website updates.
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Now it's hugely important that you recognise that
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your portfolio should always be your best work,
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not your most recent or as I've seen
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in some cases a list of blog posts.
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If your portfolio page shows your most recent
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weddings in a blog form it's not your
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portfolio.
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This is all about controlling what the user
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sees when they land on your site.
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Don't make it hard for them to find
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your best work.
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You have a few seconds to show them
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two or three killer frames, make them count.
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And also remind yourself that although you see
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these images all the time and some of
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them you might have seen for five years
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now, potential couples might only be seeing them
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for the first time on your site.
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Portfolio is your very very best work.
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Have I made that clear?
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Okay so I'll cover how I organise my
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catalogues and folder structure further into the course
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but at the end of each year I
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end up with a folder of my best
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images that go into producing my best of
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blog post.
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From that I get them printed out.
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I use Simlab which I'll link to below
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and from that I try and narrow my
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selection down to a select few that go
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into compete with my previous best ten.
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It's always a healthy exercise to do as
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you can only pick ten so they have
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to be the very best you have and
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inevitably you will have to kill some good
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images but understanding why one image trumps its
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competing frames is a positive trait to have.
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So let me share my latest round of
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top ten and why I picked them.
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Notice it's a variety of couple portraits and
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documentary moments.
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First up Emily's dad this is from 2014
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but it's still one of my favourites.
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Would it be in the top ten if
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Emily's hand wasn't coming into the frame?
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Probably not.
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Abigail in London this is all about perspective
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and grabs attention.
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Three Amelie and Steve this is just a
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relaxed portrait a moment during dinner but there's
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a strong fashion element with the black tie
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and Amelie's dress and I just love the
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simplicity of the frame.
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Four Scarlett again from the early years but
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just another simple frame and I love the
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lines and composition and again the hands creeping
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in from the right of the frame.
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Laura and Will I just smile back whenever
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I see this frame it just shows the
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atmosphere and joy of a wedding day just
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look at all those teeth.
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Number six Katie and Luke this ticks the
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party box these guys are target client the
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venue and festoon lights look ace and it
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shows that I stay late.
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Seven Amy and Tim the sunset the light
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the location the dress it just ticks all
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the boxes.
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Elle this is five years ago and this
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would never have normally made the call let
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alone my top ten it's out of focus
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but actually I love it for that it
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captures the atmosphere of the night and exactly
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how I want people to feel when they
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relive their images.
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Nine Emma and Jade I love these girls
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they look incredible hugely aspirational strong dress choices
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and an amazing venue in Badminton House.
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And finally number ten Ruth's dad possibly the
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most powerful image I've ever taken emotion trumps
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everything for me.
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So that's my latest top ten now there's
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an argument I could do that tomorrow and
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pick an entirely different top ten depending on
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my mood but even if I did it's
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still a beneficial exercise.
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Once you've got that body of ten these
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should be used to create a mood board
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alongside website examples you like with fonts and
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layout ideas you're ready to start a design.
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If you opt for a design agency Ruth
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use that mood board and by the end
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of the process any design agency should supply
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you with brand guidelines which will include fonts
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sizes and colours stick to them.
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If you go and build from a template
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on your own create some brand guidelines and
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stick to them be consistent
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