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So we will start with both of you
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laughing at my camera.
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Yes, both laughing at my camera.
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Amazing, I love it.
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Go back.
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One time in this camera.
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Okay, now just stand next to each other,
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like hand in hand.
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Now we will do a cool one.
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Yeah, we will take a cool photo.
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Get a little closer, yes.
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Get a little closer together.
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Yes, perfect.
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Now you can turn to Flo.
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Okay, please don't laugh.
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Stop that, Greg.
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You can do that.
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One, two, three.
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Flo, maybe you can put one hand in
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your pocket.
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You can put one hand in your pocket.
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Maybe this way, yeah.
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Okay, now look at my camera again.
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Now we will take some sweet pictures.
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To do this, hold each other by the
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hand.
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Pull away a bit from each other.
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Yeah, and then come back together again.
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Yes, and repeat.
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Very nice.
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You're doing great.
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Yes, come really close.
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Back and forth.
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Now, yes, put both arms around her and
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hold her tight.
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Perfect.
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That's amazing, guys.
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Love it.
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I want them to swap sides.
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Now you can swap sides.
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Yes, just change sides.
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Now hold hands again and just look at
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each other.
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Perfect, perfect.
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That's cool.
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Okay, Flo, you can open your arms a
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little and Lucy comes up to you.
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Very nice.
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Now have a look at each other.
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Get a little closer together.
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Closer, closer.
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Perfect, perfect.
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Love it.
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Awesome.
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I can finally take my picture.
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He's already angry.
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I like another photo where Lucy just cuddles
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on Flo's shoulder.
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Yes, yes, yes.
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Beautiful.
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And Lucy, turn a bit in our direction.
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Yes, I love it.
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Now poke him a bit with your nose.
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And Flo, you can also put your hand
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around Lucy's hips.
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Yes, that's great.
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Feel free.
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Now put your arms around her and lay
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your hand on his neck and give him
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a kiss.
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Perfect.
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Perfect.
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I love it.
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So now we'll do a motion shot.
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You have to walk towards us a little.
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Lucy, you can also turn around once and
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take both hands.
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Okay, just walk towards us.
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Yes, yes, yes.
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And Lucy's a little bit in the front.
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Just walk, yeah.
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Just start.
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Just look at each other.
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Look at each other.
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I love it.
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Awesome, guys.
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I love it.
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Very nice.
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Now come towards us again.
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Yes, yes, yes.
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You can go right past us.
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You can't do anything wrong.
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Just walk towards us.
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Very nice.
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Perfect.
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I love it.
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Everything alright?
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Now walk in front of him and give
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him both hands.
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Yes, amazing.
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Come closer.
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Perfect.
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I love it.
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Cuddling is good.
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You're doing great.
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The rain got a little less heavy immediately
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after the group photos.
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We had been waiting for that.
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Yeah, we immediately started with a few couple
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shots.
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When it rains at the wedding you sometimes
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have to be a bit more spontaneous.
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Yeah, the bridal couple knew and hoped for
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a slot without rain.
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When we visited the location in the morning,
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we had already decided on a few photos
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in front of the wooden wall.
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Yeah, we just love the rustic surface of
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the wooden wall.
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And of course, we also wanted to take
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pictures behind the tipi.
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We always choose our locations for couple photos
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according to specific criteria.
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Of course, you're a bit limited at a
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wedding and we try to take a couple
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photos in the immediate vicinity.
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If you have bought the section with the
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couple shoot, you can find out more about
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location choice.
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We also elaborate more specifically on the subject
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of couple photography.
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For us, it's important for the location search
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that the background is nice and clean.
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Also, the location should match the style of
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the wedding.
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Here, for example, it was great to take
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some pictures with a tender background.
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Yeah, and also with this barn look.
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It's perfect.
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We had previously searched for clearing in the
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forest, but didn't find anything suitable.
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So, we decided to take the couple photos
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in the immediate vicinity.
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Of course, it always depends on the weather
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to some extent.
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It is also important to us that you
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can move around well at the location.
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That's what gives life to our portraits.
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As you saw, we started with some static
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pictures in front of the wall and then
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moved around more and more.
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Since it soon started raining again, we decided
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to go back to the wedding location to
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take some pictures.
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Especially in such difficult conditions, the challenge is
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of course to get as much as possible
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done in the shortest possible time and also
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to have variety in the portraits.
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But see for yourselves.
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Everything looks great.
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I love it.
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Now smile towards me.
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Lovely.
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Now hold hands again and pull away from
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each other.
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Push and pull.
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Yes.
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Are you ready?
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Now pull her towards you and swing a
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little with your hips.
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Yes.
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Shake your hips.
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You can dance a little.
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Okay.
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I'll take a full body photo.
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Yes.
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Now dance again and pull together again.
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Good.
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Beautiful.
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You're doing great, guys.
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I love it.
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As I said, we went back inside because
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of the rain and made a few portraits
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in front of the wedding background.
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We didn't know if the weather would improve
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again.
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That was the only opportunity to take a
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few pictures in the dry.
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Of course we hoped that there would be
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another slot without rain.
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But then we went back into the tent
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and the dinner had started.
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...
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...
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...
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...
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...
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...
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...
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...
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...
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...
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...
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...
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...
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...
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...
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...
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...
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...
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...
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...
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...
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...
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...
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In the tent, the speeches and the first
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two courses of the dinner had started.
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First, the crew made a speech.
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During the speeches we worked partly with flash
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and partly with eye.
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This is the time where you can capture
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the atmosphere in the tent very well.
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When the guests are toasting with their glasses,
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talking and so on.
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In these speeches, it is often the case
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that one of us is behind the crew
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or among the guests, focusing on them to
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get their reactions, their emotions and their laughter.
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The bride and groom sat next to each
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other when the best man made his speech.
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There were some special moments that we managed
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to capture.
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Because the space was very tight in the
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tent, we were always very close to the
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action and that was great.
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...
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...
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...
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...
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...
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...
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...
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...
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...
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...
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...
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coming from there.
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Let's go over here.
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What are you doing?
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Want to catch that?
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That was just a joke, but it was
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so cute.
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I love it.
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Come towards me like mates.
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Yes, put an arm around her shoulders.
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Yeah, and you can keep the dress up.
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Very cool.
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Turn towards me a little.
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Now give her a kiss on the cheek.
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Very good.
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Perfect.
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You're sweet.
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Now Lucy, hold up the dress a little
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bit so you can hop around.
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Maybe it's a bit hard from the ground.
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I don't know.
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You can hop a little.
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We'll show you.
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Like this.
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Like horses.
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Don't need to look at the camera though.
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Look at each other, smile, be happy, right
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at each other, not into the camera.
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Just have fun, guys.
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Amazing.
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You're doing great.
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I love it.
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We have to do it again.
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Now walk towards us and lift her up
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in the same movement.
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Let's go.
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Now pick her up and turn.
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You are so sweet.
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Now come towards me again.
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Very cool.
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You're doing great.
298
00:12:27,940 --> 00:12:28,540
Yes.
299
00:12:29,260 --> 00:12:30,620
Walk cool in my direction.
300
00:12:30,960 --> 00:12:31,640
Yes, I love it.
301
00:12:31,700 --> 00:12:32,740
The tippies in the background.
302
00:12:33,300 --> 00:12:34,720
Now look at each other.
303
00:12:39,680 --> 00:12:42,300
I'd like to do some peaceful and intimate
304
00:12:42,300 --> 00:12:42,800
shots.
305
00:12:43,500 --> 00:12:45,760
Lucy, turn your head back to Flo.
306
00:12:46,880 --> 00:12:48,820
No, just turn around Flo.
307
00:12:49,340 --> 00:12:51,620
And Flo, just wrap your arms around her
308
00:12:51,620 --> 00:12:53,620
very tightly from behind.
309
00:12:53,860 --> 00:12:55,360
You don't have to look at the camera.
310
00:12:55,580 --> 00:12:57,580
It's more like turn to Lucy.
311
00:12:57,680 --> 00:12:58,660
And Lucy, turn a little bit more to
312
00:12:58,660 --> 00:12:58,760
Flo.
313
00:12:59,100 --> 00:12:59,620
Perfect.
314
00:13:00,340 --> 00:13:02,600
Open your mouth a little, smiley Lucy.
315
00:13:03,060 --> 00:13:04,080
You look awesome.
316
00:13:05,320 --> 00:13:06,340
Swing your hips.
317
00:13:06,460 --> 00:13:06,680
Beautiful.
318
00:13:06,880 --> 00:13:08,140
Relax your shoulders.
319
00:13:08,940 --> 00:13:10,080
That's perfect, guys.
320
00:13:10,880 --> 00:13:13,240
And you can also just stroke up and
321
00:13:13,240 --> 00:13:15,980
down her arm and tickle her a little.
322
00:13:16,320 --> 00:13:18,060
And you can hug her very tight.
323
00:13:18,580 --> 00:13:18,920
Perfect.
324
00:13:19,340 --> 00:13:21,780
Okay, Lucy, now look into my camera.
325
00:13:24,420 --> 00:13:26,100
Yes, you're doing great.
326
00:13:26,420 --> 00:13:28,600
Now Lucy, turn once more towards Flo.
327
00:13:29,040 --> 00:13:29,600
Perfect.
328
00:13:29,860 --> 00:13:30,600
Very nice.
329
00:13:30,720 --> 00:13:31,640
Come even closer.
330
00:13:32,040 --> 00:13:32,360
Perfect.
331
00:13:33,020 --> 00:13:34,840
You're so sweet.
332
00:13:35,680 --> 00:13:38,620
Lucy, you put your arms around Flo's neck.
333
00:13:39,280 --> 00:13:39,960
Yes.
334
00:13:40,440 --> 00:13:41,120
Amazing.
335
00:13:41,480 --> 00:13:42,560
Get a little closer.
336
00:13:42,740 --> 00:13:44,440
We always say you have to cuddle a
337
00:13:44,440 --> 00:13:45,940
bit like the kittens.
338
00:13:46,720 --> 00:13:48,760
Yes, like the cuddling cats.
339
00:13:48,780 --> 00:13:49,600
The nose is like the kittens.
340
00:13:49,960 --> 00:13:51,020
Just like with the forehead.
341
00:13:52,320 --> 00:13:52,420
Yes.
342
00:13:54,920 --> 00:13:57,920
Lucy, you can stroke Flo's neck.
343
00:13:59,720 --> 00:14:02,140
Yes, just stroke up and down her back.
344
00:14:02,420 --> 00:14:02,760
Beautiful.
345
00:14:03,220 --> 00:14:03,620
Beautiful.
346
00:14:04,240 --> 00:14:05,480
Amazing, guys.
347
00:14:05,920 --> 00:14:07,280
You're doing very well.
348
00:14:07,280 --> 00:14:07,580
You guys are too cute.
349
00:14:07,920 --> 00:14:08,960
One kiss.
350
00:14:09,240 --> 00:14:09,580
Yeah.
351
00:14:10,360 --> 00:14:10,840
Great.
352
00:14:14,280 --> 00:14:17,220
And even though it had started to get
353
00:14:17,220 --> 00:14:19,580
dark, we got them out for the photo
354
00:14:19,580 --> 00:14:20,320
shoot again.
355
00:14:21,040 --> 00:14:24,100
Unfortunately, it was still raining a bit, but
356
00:14:24,100 --> 00:14:26,640
the two of them really wanted to scurry
357
00:14:26,640 --> 00:14:28,380
back out with us.
358
00:14:28,880 --> 00:14:31,140
But we knew that we wouldn't plan for
359
00:14:31,140 --> 00:14:32,180
more than 10 minutes.
360
00:14:32,620 --> 00:14:35,200
So we waited for a short break between
361
00:14:35,200 --> 00:14:37,960
the courses and used that time.
362
00:14:38,220 --> 00:14:38,380
Yeah.
363
00:14:38,760 --> 00:14:41,880
And we included the tent again in the
364
00:14:41,880 --> 00:14:42,260
photos.
365
00:14:42,880 --> 00:14:45,060
Then we made a few photos with movement.
366
00:14:45,460 --> 00:14:46,620
We love that.
367
00:14:47,180 --> 00:14:47,280
Yeah.
368
00:14:47,400 --> 00:14:51,520
We always like to do something with lots
369
00:14:51,520 --> 00:14:52,140
of movement.
370
00:14:52,700 --> 00:14:55,400
Something where he picks her up and turns
371
00:14:55,400 --> 00:14:56,060
around.
372
00:14:56,320 --> 00:14:56,420
Yeah.
373
00:14:56,520 --> 00:14:59,080
In these moments, when the couple is moving,
374
00:14:59,220 --> 00:15:01,300
they don't think about how they are looking.
375
00:15:01,800 --> 00:15:04,580
And often you get the most beautiful moments
376
00:15:04,580 --> 00:15:04,960
then.
377
00:15:05,620 --> 00:15:07,860
Moments where you can catch real laughter.
378
00:15:08,320 --> 00:15:08,540
Yeah.
379
00:15:08,620 --> 00:15:11,900
Because we want to create very natural photos.
380
00:15:12,740 --> 00:15:13,040
Yeah.
381
00:15:13,100 --> 00:15:15,880
And this works especially well if you give
382
00:15:15,880 --> 00:15:17,720
them small tasks.
383
00:15:18,640 --> 00:15:21,260
Like when we asked them to hop towards
384
00:15:21,260 --> 00:15:24,440
us and he had to lift her in
385
00:15:24,440 --> 00:15:27,460
the same movement and then turn her around.
386
00:15:28,120 --> 00:15:28,220
Yeah.
387
00:15:28,420 --> 00:15:32,260
Here we like to give rough instructions to
388
00:15:32,260 --> 00:15:34,360
the couples and tell them what to do.
389
00:15:34,700 --> 00:15:36,820
But not in any great detail.
390
00:15:37,160 --> 00:15:39,220
So they do it in their own way.
391
00:15:39,780 --> 00:15:42,120
So we try to create these moments.
392
00:15:42,480 --> 00:15:44,880
And of course, it is important that you
393
00:15:44,880 --> 00:15:47,420
stay awake to capture the real moments.
394
00:15:47,800 --> 00:15:47,940
Yeah.
395
00:15:48,080 --> 00:15:50,260
So you should never stop taking photos.
396
00:15:50,480 --> 00:15:52,680
Even if the pose is already over.
397
00:15:53,460 --> 00:15:53,700
Yeah.
398
00:15:53,800 --> 00:15:55,740
If you have bought the couple shoot part,
399
00:15:56,220 --> 00:15:58,680
then you can take a closer look at
400
00:15:58,680 --> 00:16:00,500
how we work in couple shoots.
401
00:16:01,080 --> 00:16:03,980
But also here, I think you can see
402
00:16:03,980 --> 00:16:06,580
very well how we approach a couple shoot.
403
00:16:07,040 --> 00:16:07,360
Yeah.
404
00:16:07,860 --> 00:16:10,540
Of course, we also do some classic photos
405
00:16:10,540 --> 00:16:12,540
where the couple looks into the camera.
406
00:16:13,340 --> 00:16:16,020
In general, you can always build in some
407
00:16:16,020 --> 00:16:18,540
movement to get the mood relaxed.
408
00:16:19,000 --> 00:16:20,840
That works in every pose.
409
00:16:21,020 --> 00:16:21,160
Yeah.
410
00:16:21,260 --> 00:16:23,940
We always tell them to swing their hips
411
00:16:23,940 --> 00:16:24,340
a bit.
412
00:16:25,920 --> 00:16:26,480
And yeah.
413
00:16:26,760 --> 00:16:31,540
It's also important that you always give positive
414
00:16:31,540 --> 00:16:32,020
feedback.
415
00:16:32,280 --> 00:16:32,460
Yeah.
416
00:16:32,560 --> 00:16:34,520
Lots of praise and encouragement.
417
00:16:35,160 --> 00:16:37,980
When we had finished, we went back into
418
00:16:37,980 --> 00:16:38,580
the tent.
419
00:16:38,580 --> 00:16:39,380
Yeah.
420
00:16:39,540 --> 00:16:42,280
During the couple shoot, it was really dark.
421
00:16:42,960 --> 00:16:44,840
And you will see in the editing part
422
00:16:44,840 --> 00:16:47,520
how difficult the lighting situation was.
423
00:16:47,680 --> 00:16:47,860
Yeah.
424
00:16:47,960 --> 00:16:50,640
Nevertheless, we are overjoyed with the results.
425
00:16:51,280 --> 00:16:51,520
Yeah.
426
00:16:51,620 --> 00:16:53,660
The two were just super sweet with each
427
00:16:53,660 --> 00:16:54,000
other.
428
00:17:49,820 --> 00:17:52,480
When we got back, there were more speeches.
429
00:17:53,200 --> 00:17:53,740
And yeah.
430
00:17:53,780 --> 00:17:56,700
All the pictures you have just seen were
431
00:17:56,700 --> 00:17:58,200
taken without flash.
432
00:17:58,260 --> 00:17:58,400
Yeah.
433
00:17:58,580 --> 00:17:59,780
We think this is great.
434
00:18:00,220 --> 00:18:02,060
The ISO was already at 4000.
435
00:18:02,520 --> 00:18:04,820
But the pictures are still very good quality.
436
00:18:05,640 --> 00:18:08,420
Without flash, you can capture the mood very
437
00:18:08,420 --> 00:18:08,940
nicely.
438
00:18:09,220 --> 00:18:09,500
Yeah.
439
00:18:09,900 --> 00:18:12,780
My favorite pictures are always without flash.
440
00:18:12,940 --> 00:18:13,040
Yeah.
441
00:18:13,040 --> 00:18:13,360
Mine too.
442
00:18:14,740 --> 00:18:17,060
A flash is always a safe option.
443
00:18:17,300 --> 00:18:20,600
But if you compare an ambient light photo
444
00:18:20,600 --> 00:18:22,860
with good light, like here with the fairy
445
00:18:22,860 --> 00:18:25,580
lights, with a flash light photo, then it
446
00:18:25,580 --> 00:18:28,500
is always more atmospheric without flash.
447
00:18:28,740 --> 00:18:28,980
Yeah.
448
00:18:29,340 --> 00:18:31,980
With such beautiful light in the evening, it
449
00:18:31,980 --> 00:18:34,960
definitely makes sense to shoot without flash.
450
00:18:35,540 --> 00:18:37,480
And we are not afraid to push the
451
00:18:37,480 --> 00:18:40,360
ISO to 6400 or more.
452
00:18:40,480 --> 00:18:40,720
Yeah.
453
00:18:40,860 --> 00:18:43,920
That's why in our wedding guide, we suggest
454
00:18:43,920 --> 00:18:46,420
to our couples to use the right lighting
455
00:18:46,420 --> 00:18:47,180
in the evening.
456
00:18:47,180 --> 00:18:47,600
Yeah.
457
00:18:47,960 --> 00:18:50,320
For example, many warm light sources.
458
00:18:50,600 --> 00:18:52,120
Fairy lights, candles.
459
00:18:52,620 --> 00:18:52,720
Yeah.
460
00:18:52,720 --> 00:18:53,460
Sparklers.
461
00:18:54,000 --> 00:18:54,300
Yeah.
462
00:18:54,580 --> 00:18:56,000
No colored spotlights.
463
00:18:56,820 --> 00:18:56,920
Yeah.
464
00:18:56,920 --> 00:18:57,360
Yes.
465
00:19:34,400 --> 00:19:34,580
Yeah.
466
00:19:40,300 --> 00:19:41,340
Yeah.
467
00:19:48,860 --> 00:19:49,140
Yeah.
468
00:19:49,380 --> 00:19:49,480
Yeah.
469
00:19:49,820 --> 00:19:50,860
Yeah.
470
00:19:50,860 --> 00:19:51,280
Yeah.
471
00:19:51,280 --> 00:19:51,500
Yeah.
472
00:19:52,280 --> 00:19:53,320
Yeah.
473
00:19:53,460 --> 00:19:54,140
Yeah.
474
00:19:55,180 --> 00:19:55,440
Yeah.
475
00:19:56,200 --> 00:19:56,580
Yeah.
476
00:19:59,140 --> 00:19:59,740
Yeah.
477
00:20:01,240 --> 00:20:01,840
Yeah.
478
00:20:02,280 --> 00:20:02,880
Yeah.
479
00:20:11,910 --> 00:20:14,290
By the way, the dinner was a table
480
00:20:14,290 --> 00:20:17,430
buffet, which is always very cool because then
481
00:20:17,430 --> 00:20:20,310
there is just such a nice communication by
482
00:20:20,310 --> 00:20:21,010
the tables.
483
00:20:21,210 --> 00:20:23,970
And that allows you to take great photos.
484
00:20:23,970 --> 00:20:27,350
When dinner was over it was time for
485
00:20:27,350 --> 00:20:32,050
the cake cutting and of course we always
486
00:20:32,050 --> 00:20:34,230
make a few detail photos of the cake
487
00:20:34,230 --> 00:20:34,650
too.
488
00:20:34,990 --> 00:20:37,290
Since the cake was directly in front of
489
00:20:37,290 --> 00:20:40,270
the yellow tippy wall we use the flash
490
00:20:40,270 --> 00:20:40,770
again.
491
00:20:41,270 --> 00:20:43,030
Yeah it was just too dark in that
492
00:20:43,030 --> 00:20:47,070
corner and not enough light sources there were
493
00:20:47,070 --> 00:20:49,070
not a lot enough light sources available.
494
00:20:49,530 --> 00:20:52,850
For the cake cutting we shoot it from
495
00:20:52,850 --> 00:20:55,190
two different angles and we try to get
496
00:20:55,190 --> 00:20:57,350
the guests in the pic as well if
497
00:20:57,350 --> 00:20:59,590
it's possible.
498
00:22:21,100 --> 00:22:24,140
So the mood was awesome the entire day
499
00:22:24,140 --> 00:22:26,520
that's what we talked about in the branding
500
00:22:26,520 --> 00:22:26,980
part.
501
00:22:27,620 --> 00:22:30,520
If you are capturing a wedding of your
502
00:22:30,520 --> 00:22:32,900
dream clients then you have lots of fun
503
00:22:32,900 --> 00:22:33,440
together.
504
00:22:34,160 --> 00:22:36,720
We also always tell our couples that they
505
00:22:36,720 --> 00:22:39,200
shouldn't let the weather take away their joy.
506
00:22:39,560 --> 00:22:41,880
And these two weren't in the least troubled
507
00:22:41,880 --> 00:22:42,540
by it.
508
00:22:42,880 --> 00:22:44,580
Yeah that was just pretty cool.
509
00:22:45,940 --> 00:22:49,680
In this part we where the pineapple and
510
00:22:49,680 --> 00:22:51,300
the avocado were smashed.
511
00:22:51,760 --> 00:22:55,540
Chris used direct flashlight and I use indirect
512
00:22:55,540 --> 00:22:59,720
flash and partially photograph without flash.
513
00:22:59,980 --> 00:23:02,760
Yeah we always try to have different looks
514
00:23:02,760 --> 00:23:05,620
so that we end up with the more
515
00:23:05,620 --> 00:23:06,940
varied pictures.
516
00:23:07,580 --> 00:23:10,620
Now we'll explain which flash we use and
517
00:23:10,620 --> 00:23:13,020
the two different ways how we use our
518
00:23:13,020 --> 00:23:16,740
flash and which camera settings to use here.
519
00:23:17,900 --> 00:23:21,520
So here we have the Canon EX-RT
520
00:23:21,520 --> 00:23:22,180
600.
521
00:23:22,600 --> 00:23:24,480
This is a speed light from Canon.
522
00:23:24,920 --> 00:23:28,180
This flash also has Master and Sleight modes
523
00:23:28,180 --> 00:23:31,540
and you can sync multiple flashes together.
524
00:23:32,400 --> 00:23:34,740
We used to do that in the past
525
00:23:34,740 --> 00:23:37,660
but now we only use simple flash because
526
00:23:37,660 --> 00:23:40,440
we believe that this old-school look is
527
00:23:40,440 --> 00:23:41,260
pretty cool.
528
00:23:42,340 --> 00:23:45,660
Yeah when we use indirect flash Chris always
529
00:23:45,660 --> 00:23:49,020
works in manual mode and here you can
530
00:23:49,020 --> 00:23:52,700
adjust the strength of the flash and we
531
00:23:52,700 --> 00:23:55,260
always direct the flash at the ceiling when
532
00:23:55,260 --> 00:23:57,260
we are working with indirect flash.
533
00:23:57,980 --> 00:24:00,160
Yeah as I said you can vary the
534
00:24:00,160 --> 00:24:01,640
strength of the flash here.
535
00:24:02,200 --> 00:24:04,880
We'll need that later when we use direct
536
00:24:04,880 --> 00:24:05,660
flash.
537
00:24:06,520 --> 00:24:09,700
Yeah with indirect flash we include enough ambient
538
00:24:09,700 --> 00:24:10,100
light.
539
00:24:10,840 --> 00:24:14,500
So here for example in the Tibidend we
540
00:24:14,500 --> 00:24:16,560
used ISO 2000.
541
00:24:17,600 --> 00:24:20,300
That way you catch the mood and lights
542
00:24:20,300 --> 00:24:23,380
in the room and then you use a
543
00:24:23,380 --> 00:24:26,480
soft flash against the ceiling or even slightly
544
00:24:26,480 --> 00:24:30,000
backwards just to brighten things up a bit
545
00:24:30,000 --> 00:24:30,920
from the front.
546
00:24:31,560 --> 00:24:34,380
Yeah if for example the ceiling is very
547
00:24:34,380 --> 00:24:37,540
dark so that it no longer reflects light
548
00:24:37,540 --> 00:24:40,140
or the room is very high then it
549
00:24:40,140 --> 00:24:42,280
makes sense to get the white card out.
550
00:24:42,740 --> 00:24:45,440
This reflects some light from the front onto
551
00:24:45,440 --> 00:24:46,260
the object.
552
00:24:46,900 --> 00:24:47,000
Yeah.
553
00:24:52,780 --> 00:24:55,340
I'm a bit lazy when I use indirect
554
00:24:55,340 --> 00:24:58,400
flash and then I just set the flash
555
00:24:58,400 --> 00:24:59,980
to ETTL.
556
00:25:01,340 --> 00:25:04,660
In this mode the flash actually sets itself
557
00:25:04,660 --> 00:25:05,460
completely.
558
00:25:06,480 --> 00:25:09,200
In addition the flash knows as you can
559
00:25:09,200 --> 00:25:12,560
see here that it is flashing the ceiling.
560
00:25:13,020 --> 00:25:16,660
So it automatically calculates the power setting for
561
00:25:16,660 --> 00:25:17,120
the shoot.
562
00:25:17,600 --> 00:25:19,780
Here you can see very well the infrared
563
00:25:19,780 --> 00:25:24,100
light that we mentioned earlier and this infrared
564
00:25:24,100 --> 00:25:27,160
light helps to focus in the evening without
565
00:25:27,160 --> 00:25:29,440
really looking through the viewfinder.
566
00:25:30,320 --> 00:25:34,200
Sometimes we rotate the flash completely backwards as
567
00:25:34,200 --> 00:25:36,040
if we were not going to use it.
568
00:25:36,680 --> 00:25:39,300
The infrared helps us focus better in the
569
00:25:39,300 --> 00:25:39,620
evening.
570
00:25:40,160 --> 00:25:42,040
We use this trick often when we use
571
00:25:42,040 --> 00:25:44,380
indirect flash but don't really want to create
572
00:25:44,380 --> 00:25:45,240
a flash mode.
573
00:25:45,760 --> 00:25:48,720
This makes it much easier for you to
574
00:25:48,720 --> 00:25:49,820
focus in the dark.
575
00:25:49,960 --> 00:25:52,520
At the party we use a hard flashlight.
576
00:25:52,980 --> 00:25:54,760
That means we flash directly.
577
00:25:55,320 --> 00:25:58,200
When you use direct flash we turn the
578
00:25:58,200 --> 00:26:00,720
flash forward and point it directly at the
579
00:26:00,720 --> 00:26:01,180
person.
580
00:26:02,200 --> 00:26:02,420
Yeah.
581
00:26:02,580 --> 00:26:04,560
We leave the flash as it is and
582
00:26:04,560 --> 00:26:06,440
don't cover it with anything.
583
00:26:07,680 --> 00:26:08,140
Yes.
584
00:26:09,280 --> 00:26:12,080
Here you can see the infrared again.
585
00:26:13,100 --> 00:26:16,840
With direct flash we always set everything manually.
586
00:26:17,320 --> 00:26:20,060
For example here we can focus a flash.
587
00:26:20,680 --> 00:26:22,420
That depends on the focal length.
588
00:26:22,740 --> 00:26:25,900
In order to illuminate everything well with a
589
00:26:25,900 --> 00:26:28,840
35mm lens you would have to set the
590
00:26:28,840 --> 00:26:30,920
zoom of the flash to 35mm.
591
00:26:31,600 --> 00:26:34,960
We almost always use a 35mm lens at
592
00:26:34,960 --> 00:26:37,040
the party in the evening but we like
593
00:26:37,040 --> 00:26:40,780
to focus a flash to 70 or 85mm.
594
00:26:41,140 --> 00:26:43,560
That way we get a very narrow beam
595
00:26:43,560 --> 00:26:45,800
of light and a nice dark edge which
596
00:26:45,800 --> 00:26:46,360
we like.
597
00:26:46,820 --> 00:26:48,940
When we use direct flash we set a
598
00:26:48,940 --> 00:26:51,380
flash to the low setting because the light
599
00:26:51,380 --> 00:26:55,040
comes out very directionally and otherwise your pictures
600
00:26:55,040 --> 00:26:56,160
get very bright.
601
00:26:56,540 --> 00:26:59,040
We would now set the ISO value to
602
00:26:59,040 --> 00:27:02,380
160 and we might set the aperture to
603
00:27:02,380 --> 00:27:04,240
3.5 at the party.
604
00:27:05,060 --> 00:27:05,200
Yeah.
605
00:27:05,280 --> 00:27:07,200
To have a deeper focus area.
606
00:27:08,500 --> 00:27:13,180
These are the settings and this is the
607
00:27:13,180 --> 00:27:14,300
setting for the flash.
608
00:27:15,740 --> 00:27:15,880
Yeah.
609
00:27:16,120 --> 00:27:16,960
You can see it here.
610
00:27:21,660 --> 00:27:23,720
This kind of flash can do a lot
611
00:27:23,720 --> 00:27:26,280
and we don't use all its functions.
612
00:27:27,040 --> 00:27:29,660
We are very happy with this flash and
613
00:27:29,660 --> 00:27:31,680
we hope that helps you and that you
614
00:27:31,680 --> 00:27:34,020
learn something about how we work in the
615
00:27:34,020 --> 00:27:36,120
evenings and at parties.
616
00:28:10,810 --> 00:28:13,550
I am ready.
617
00:28:14,030 --> 00:28:15,770
I am ready.
618
00:28:16,190 --> 00:28:18,230
I am ready.
619
00:28:19,110 --> 00:28:20,010
I am.
620
00:28:21,210 --> 00:28:24,890
To be starting tomorrow.
621
00:28:24,890 --> 00:28:25,050
I am ready.
622
00:28:27,450 --> 00:28:28,690
I am.
623
00:28:28,810 --> 00:28:29,550
I am.
624
00:28:30,350 --> 00:28:31,090
I am.
625
00:28:31,650 --> 00:28:32,130
I am.
626
00:28:40,450 --> 00:28:41,910
I am.
627
00:28:42,990 --> 00:28:43,950
I am.
628
00:29:14,050 --> 00:29:21,420
I am.
629
00:29:31,900 --> 00:29:33,720
I am.
630
00:29:33,720 --> 00:29:33,820
I am.
631
00:29:33,820 --> 00:29:33,920
I am.
632
00:29:33,920 --> 00:29:34,020
I am.
633
00:29:34,020 --> 00:29:34,120
I am.
634
00:29:34,120 --> 00:29:34,220
I am.
635
00:29:34,220 --> 00:29:34,320
I am.
636
00:29:34,320 --> 00:29:34,420
I am.
637
00:29:34,420 --> 00:29:34,520
I am.
638
00:29:34,520 --> 00:29:34,620
I am.
639
00:29:34,620 --> 00:29:34,720
I am.
640
00:29:34,720 --> 00:29:34,820
I am.
641
00:29:34,820 --> 00:29:34,920
I am.
642
00:29:34,920 --> 00:29:35,020
I am.
643
00:29:35,020 --> 00:29:35,120
I am.
644
00:29:35,120 --> 00:29:35,220
I am.
645
00:29:35,220 --> 00:29:35,320
I am.
646
00:29:35,320 --> 00:29:35,420
I am.
647
00:29:35,420 --> 00:29:35,520
I am.
648
00:29:35,520 --> 00:29:35,620
I am.
649
00:29:35,620 --> 00:29:35,720
I am.
650
00:29:35,720 --> 00:29:35,820
I am.
651
00:29:35,820 --> 00:29:35,920
I am.
652
00:29:35,920 --> 00:29:36,020
I am.
653
00:29:36,020 --> 00:29:36,120
I am.
654
00:29:36,120 --> 00:29:36,220
I am.
655
00:29:36,220 --> 00:29:36,320
I am.
656
00:29:36,320 --> 00:29:36,420
I am.
657
00:29:36,420 --> 00:29:36,520
I am.
658
00:29:36,520 --> 00:29:36,620
I am.
659
00:29:36,620 --> 00:29:36,720
I am.
660
00:29:36,720 --> 00:29:36,820
I am.
661
00:29:36,820 --> 00:29:36,920
I am.
662
00:29:36,920 --> 00:29:37,020
I am.
663
00:29:37,020 --> 00:29:37,120
I am.
664
00:29:37,120 --> 00:29:37,220
I am.
665
00:29:37,220 --> 00:29:37,320
I am.
666
00:29:37,320 --> 00:29:37,420
I am.
667
00:29:37,420 --> 00:29:37,520
I am.
668
00:29:37,520 --> 00:29:37,620
I am.
669
00:29:37,620 --> 00:29:37,720
I am.
670
00:29:37,720 --> 00:29:37,820
I am.
671
00:29:37,820 --> 00:29:37,920
I am.
672
00:29:37,920 --> 00:29:38,020
I am.
673
00:29:38,020 --> 00:29:38,120
I am.
674
00:29:38,120 --> 00:29:38,220
I am.
675
00:29:38,220 --> 00:29:38,320
I am.
676
00:29:38,320 --> 00:29:38,420
I am.
677
00:29:38,420 --> 00:29:38,520
I am.
678
00:29:38,520 --> 00:29:38,620
I am.
679
00:29:38,620 --> 00:29:38,720
I am.
680
00:29:38,720 --> 00:29:38,820
I am.
681
00:29:38,820 --> 00:29:38,920
I am.
682
00:29:38,920 --> 00:29:39,020
I am.
683
00:29:39,020 --> 00:29:39,120
I am.
684
00:29:39,120 --> 00:29:39,220
I am.
685
00:29:39,220 --> 00:29:39,320
I am.
686
00:29:39,320 --> 00:29:39,420
I am.
687
00:29:39,420 --> 00:29:39,520
I am.
688
00:29:39,520 --> 00:29:39,620
I am.
689
00:29:39,620 --> 00:29:39,720
I am.
690
00:29:39,720 --> 00:29:39,820
I am.
691
00:29:39,820 --> 00:29:39,920
I am.
692
00:29:39,920 --> 00:29:40,020
I am.
693
00:29:40,020 --> 00:29:40,120
I am.
694
00:29:40,120 --> 00:29:40,220
I
695
00:30:47,130 --> 00:31:17,090
and
696
00:31:18,910 --> 00:31:21,590
I'm Be on that track that I wanna
697
00:31:21,590 --> 00:31:24,150
let it go There's no way I can
698
00:31:24,150 --> 00:31:26,710
face that I'm losing all control Ch-ch
699
00:31:26,710 --> 00:31:30,410
-ch-ch-chill up my girl Mouth and
700
00:31:30,410 --> 00:31:34,990
talk Look at her dick Good night, that
701
00:31:34,990 --> 00:31:39,770
tonight's gonna be good Good night, that tonight's
702
00:31:39,770 --> 00:31:43,030
gonna be good Good, good, do it, do
703
00:31:43,030 --> 00:31:46,070
it, do it Do it, do it, do
704
00:31:46,070 --> 00:31:48,210
it, do it Here we go, here we
705
00:31:48,210 --> 00:31:51,030
go You better hop, hop, hop, hop Here
706
00:31:51,030 --> 00:31:53,530
we go, here we go Tell me you'll
707
00:31:53,530 --> 00:31:56,270
count, count, count Until it's shot, all you
708
00:31:56,270 --> 00:31:58,590
got Fuck it, don't stop, fuck it, don't
709
00:31:58,590 --> 00:32:00,990
stop Fuck it, don't stop, fuck it, don't
710
00:32:00,990 --> 00:32:01,570
stop Don't run, don't run, don't run Ch
711
00:32:01,570 --> 00:32:03,570
-ch-ch-ch-chill up my girl Mouth
712
00:32:03,570 --> 00:32:07,370
and talk Look at her dick Good night,
713
00:32:08,230 --> 00:32:12,210
that tonight's gonna be good Good night, that
714
00:32:12,210 --> 00:32:15,730
tonight's gonna be good You ain't even there
715
00:32:16,450 --> 00:32:20,370
Everybody's watching with their eyes wide open Good
716
00:32:20,370 --> 00:32:29,790
girl Good girl
717
00:32:29,790 --> 00:32:33,150
I know you want it You're soft and
718
00:32:33,150 --> 00:32:38,590
plastic Talk about your plastic Good night I
719
00:32:38,590 --> 00:32:43,510
know you want it I know you want
720
00:32:43,510 --> 00:33:08,000
it At
721
00:33:08,000 --> 00:33:09,960
the first dance you saw that Tris was
722
00:33:09,960 --> 00:33:12,700
using indirect flash most of the time while
723
00:33:12,700 --> 00:33:16,120
I sometimes used my flash and sometimes only
724
00:33:16,120 --> 00:33:17,000
available light.
725
00:33:17,320 --> 00:33:20,120
Of course we both always had the flash
726
00:33:20,120 --> 00:33:22,960
available and that's why it sometimes seems like
727
00:33:22,960 --> 00:33:25,940
Ruth is just pretending to work and forgets
728
00:33:25,940 --> 00:33:26,940
to trigger the camera.
729
00:33:27,200 --> 00:33:27,620
Yeah, for sure.
730
00:33:27,620 --> 00:33:30,980
In those moments of course she wasn't using
731
00:33:30,980 --> 00:33:31,740
her flash.
732
00:33:32,260 --> 00:33:36,060
So as always it's also important for us
733
00:33:36,060 --> 00:33:39,180
to try different things for the first dance
734
00:33:39,180 --> 00:33:44,120
like for example with flash, without flash and
735
00:33:44,120 --> 00:33:45,660
using different lenses.
736
00:33:46,820 --> 00:33:48,500
Just to get varied shots.
737
00:33:49,220 --> 00:33:52,380
And after the first dance which was so
738
00:33:52,380 --> 00:33:56,120
sweet they went straight to the party and
739
00:33:56,120 --> 00:33:58,520
during the party we used the direct harsh
740
00:33:58,520 --> 00:34:02,520
flashlight the entire time as we just explained.
741
00:34:03,300 --> 00:34:07,199
Maybe you also saw us using the infrared
742
00:34:07,199 --> 00:34:08,280
to focus.
743
00:34:08,800 --> 00:34:11,400
For that we always keep the focus point
744
00:34:11,400 --> 00:34:14,500
exactly in the middle and when we then
745
00:34:14,500 --> 00:34:16,920
see the red light blinking on the person
746
00:34:16,920 --> 00:34:20,239
we know exactly that that's the middle and
747
00:34:20,239 --> 00:34:22,199
that's where the focus is.
748
00:34:22,560 --> 00:34:23,840
And that works really great.
749
00:34:23,840 --> 00:34:26,719
So now you've been to a wedding with
750
00:34:26,719 --> 00:34:27,060
us.
751
00:34:27,179 --> 00:34:30,820
For us this project was really exciting and
752
00:34:30,820 --> 00:34:34,540
we are also really grateful that the newlyweds
753
00:34:34,540 --> 00:34:38,320
and also Fabien supported us and allowed us
754
00:34:38,320 --> 00:34:39,080
to do this.
755
00:34:39,560 --> 00:34:41,699
We just want to thank you again from
756
00:34:41,699 --> 00:34:42,920
the bottom of our hearts.
757
00:34:43,420 --> 00:34:45,960
It's such a private event and not something
758
00:34:45,960 --> 00:34:47,520
that we can take for granted.
759
00:34:48,040 --> 00:34:50,420
But Lucy and Flo are just super cool
760
00:34:50,420 --> 00:34:54,080
and again thank you so much Fabien for
761
00:34:54,080 --> 00:34:58,900
the great planning, organization and everything you've done.
762
00:34:59,660 --> 00:35:02,000
We hope you guys got a lot out
763
00:35:02,000 --> 00:35:04,800
of this workshop and also that you had
764
00:35:04,800 --> 00:35:08,580
fun with us or at our expense.
765
00:35:09,720 --> 00:35:11,460
But it's not over yet.
766
00:35:11,660 --> 00:35:14,340
Now you can see the results and the
767
00:35:14,340 --> 00:35:15,140
editing part.
768
00:35:15,140 --> 00:35:18,260
Have fun seeing how we edit the image
769
00:35:18,260 --> 00:35:20,360
and give the pictures a special look.
770
00:35:20,940 --> 00:35:22,760
And if you also bought the cover shoot
771
00:35:22,760 --> 00:35:25,680
then you're lucky because there are still some
772
00:35:25,680 --> 00:35:28,220
things to learn that we could not show
773
00:35:28,220 --> 00:35:30,040
you at this wedding edition.
774
00:35:30,600 --> 00:35:33,560
So we're looking forward to it and see
775
00:35:33,560 --> 00:35:34,020
you soon.
45963
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