All language subtitles for 11 Let´s tell a Story Part 01

I already, yesterday, I copied the video on

the computer.

I only copied here, this is R7S2, there's

all the video what I've done with my

camera.

Guys, I didn't done enough footage yesterday, so

let's try to build something, but understand me,

if you don't count something amazing, I didn't

done so many footage.

It's difficult to explain and work at the

same time.

There's something, but let's see.

Here I've got the ceremony from my second

shooter, the drone shot that I've done faster.

Here was the evening from my second shooter.

Here I've got the Ronin shot, so all

the shot with the movement with the Ronin,

I have it here.

Now I import them in Final Cut.

How I work in Final Cut?

I make one library.

Library, normally, it's this symbol with the in

Final Cut, there's a star here like this.

This is a library.

You see it, it's this one, this is

a library.

This one is almost similar.

This I do for every wedding.

Every wedding, I create one library, one library

for every wedding.

Like this, I can organize and put everything

there inside.

The library, when we go inside, we'll have

the name of the couple.

I put the name of the couple most

of the time.

Inside the library, I import all the footage

that I have and I divide them with

getting ready.

I make all the video that I've done

for the getting ready, all the video of

the ceremony, all the video of the shooting,

and all the video of the evening.

I make something like this.

Yes, I make also the one from the

Ronin and the Ronin, but this don't come

every time.

This is every time, this is every time.

They will be here somewhere.

I don't divide them in this moment.

And from these things, I create, the first

things what I do, I create a small

project.

Small project, so I go here and get

in ready where there are all the videos,

all the raw footage, all the raw video,

and I create a project with a timeline.

I create a project with a timeline with

the name getting ready.

And here, this is my way to work.

This is how I work.

There are people who rename the footage, but

this is my way, this is my way

how I work.

So I make a project for the name,

for the getting ready, and in the project,

I put all the clips I select, all

the part of the clips of the getting

ready that I could use for the film.

So I will have one timeline with all

clips that I can use for the film,

that are useful, that are good, that are

steady, that are nice shots, that I can

work with in the film.

And I make these things for everyone of

this, I make many projects.

If you see, for example here, Christina, I

have here getting ready.

Yeah, I have getting ready, I have a

project, the project is getting ready.

If I click inside, there's a really clean

timeline with the magnetic timeline, and there are

all clips that I can use in the

film for the getting ready.

Yes, yes, how they are, how I take

them, and I have them all.

This is the first thing, one of the

first things what I'm doing at the beginning

of the, when I begin to start on

a project.

After, I will have one timeline, but it

will be the ceremony, the ceremony all synchronized.

So I will have a timeline, I will

have a timeline with all the cameras, all

the cameras and all my microphone all synchronized.

So it will be everything synchronized, it will

be completely the ceremony with all the cameras

and all the audio, everything synchronized.

You use PluralEyes?

I use PluralEyes, we will see it now.

This is everything what I do first, okay,

and this is what we do now.

So we create a new library, a new

library.

I decide to put it on the desktop,

let's call it workshop day two.

Normally that's the name of the of the

couple, and here I begin to import file,

import media.

So here I go where there are all

the footage that I see here.

Okay, here I begin to import and make

the folder.

Here was the getting ready, getting ready, getting

ready, getting ready, getting ready, getting ready, getting

ready, getting ready, getting ready.

So, till here, these are all footage getting

ready, this one, then here, create new event

in the library and I call it getting

reality.

I let everything like this, copy in the

library, copy in the library, it means that

it's copied the file in the library, it

copied this video in the library, it means

that after I could delete the original file,

so I make copy in the library and

with Canon footage, I would select create optimized

media, create optimized media for the Canon footage,

for the 5D Mark 3, 5D Mark 2,

create optimized media, it convert the H264, they

convert this file that is not so nice

to edit into a ProRes 422, I think,

that is more useful, more good to edit.

It becomes much more bigger, but it's much

more easier to edit.

For the Sony, I had no problem, so

I let everything like this, import selected and

I go on, so it's importing, I see

here on top, it is importing and I

go on with the ceremony, ceremony, ceremony, ceremony,

here, create, ceremony, then

I go on the shooting, shooting, shooting, shooting,

shooting, shooting, almost everything, shooting

and then evening, evening, evening, evening, okay,

this was for my camera and let's go

on with drone, it's only one shot, so

create new drone, this

is not, Ronin, I make event with Ronin,

this is ceremony and I put it in

the ceremony and evening, I put this

in the evening, okay,

I finish to import all the file, it's

working there and this time that is working

to import, I synchronize my audio with the

video, do you use all Pluralize, do you

use Pluralize, do you use Pluralize, how you

synchronize your video?

How you put them together?

Okay, now you understand that you can make

it with Pluralize, much more better and easier.

I use still the Pluralize 3, there's the

4, I have the 4 also, but I

work better with the 3.

The thing is that you can't see the

Sony footage on the 3, you can't see

it, but they are synchronized, you can't see

them, but they are synchronized.

This program, it helps you to synchronize all

the footage with the audio, so now we

will see, I go here, let's go to

the ceremony, this is the footage of the

ceremony of Ilia, I bring it inside, I

bring all the footage, it takes a while,

then I go on my, let's go to

look for the ceremony, that's this one, I

make a small size to understand where it

begins, where the end, okay, this one,

I create a new camera, new camera, and

I bring it inside, and I have already

two cameras here, and I have also the

running footage that there are in the ceremony.

This two, this two, sometimes I have four

or five cameras on the ceremony, it's enough

to put them all here, I create another

camera, I bring this two, and now I've

got to look for the audio, sometimes I've

got the GoPro, the camera on the stative

and everything.

Let's hear one second the audio that we

record, this is was the small zoom H1

that I put on the box, so it

was on the box.

If my, all my recorders are broken, this

is also usable, it's not the best audio

in the world, but it's much more cleaner

than the camera audio that you have from

far away.

Okay, and this is, I create audio back,

and I bring it inside, then I create

another audio, and let's look for the one,

this is the audio from the groom, this

is the audio from the groom.

If the audio, it's still usable, it's not

nice like the other one, but it's still

usable.

We are far away, we are one meter

and a half from the celebrant here with

the audio.

For sure, this is really good for the

speech of the groom.

So I create another audio things, I've done

it already, excuse me, and I put it

inside.

And now let's go to the good one,

to the good audio, that is the six,

this is not, this is not, because when

I record with the zoom, I record from

the XLR or from the end, from the,

and it's the reason for the inner radiance.

That's a nice audio.

Love is the power that enlightens the fire

in our soul.

If love gets fulfilled, we get the impression

that the sky touches.

So I take it and I put it

here.

Okay, now he will import everything.

Give it one second.

And really, this is, you can put all

the videos, all the videos, the PluralEyes 4,

you can put, you take all the video,

you can put it here, understand that there

are different cameras.

It's only that one time I had a

little bit of problem with synchronizing, when I

went to my PluralEyes 3, to the older

version.

As I said, I can't see the footage,

but I can see that they are synchronized.

Can I ask you a quick question?

How many did the, how many files did

the H6 record in the ceremony?

The H5.

How many files was the H5 recording?

One from the desk and just one from

the top speakers?

The H5, you mean?

Yeah, in the ceremony.

In the ceremony.

How many versions, how many different audio did

it record?

I have three, three.

Normally I would, yesterday I would have four,

but it would be two lavaliers for the,

one for the celebrant and one for the

groomer, one on the box and one on

the mixer of the DJ.

I would have four audio.

Yeah, you wanted the box, the H1 to

that separate, but there's one room with that,

that one for you, just two, two, XLR

and stereo.

Yeah, yeah, yeah.

But sometimes, guys, sometimes I got only one.

Sometimes I got only one possibility, or it's

only the lavalier or it's like Annie and

Kazu, I had only one, only one.

Yeah, I had the groom.

Yes, but only that microphone.

So here it's finished to import.

I click here, synchronize and it's a kind

of magic.

It's amazing.

This is synchronized.

It's a little bit faster.

So here I've got everything synchronized.

What I do now, I like to have

the main camera, but in this case it's

mine, in the basement, really down.

So I change the number and I put

this one, I write three.

This is, I write two and this is,

I write one.

It's only to make that this one, it's

more near to the timeline.

And what they do, export in the timeline,

final cut for this case.

I know that in Pluralize, it's inside the

Pluralize.

So you don't have to make something that

you go outside from a program, but for

final cut is like this.

Export, open, choose.

It's export XML.

So it isn't that it's importing all the

files, it's only the references.

So I choose workshop day two, is my

library where I want to put it and

where there are all the videos.

Choose, importing, and now we would watch if

he done a good work or not.

So the name is Untitled Sync.

I call it Ceremony Sync.

And the project, I call it also Ceremony

Sync.

We go inside.

Here it is.

Can you see?

I put away the audio from the camera.

Copy and paste for all the video.

I put away the audio from all the

videos.

And now I have only the audio.

What I want is this one in the

middle.

The other one, I bring it to show

you that he synchronized everything and to make

you hear the difference.

One second.

So the video that I synchronized.

Yeah, we can see it when she speak.

So let's hear the sound.

Perfect.

Okay.

The same work.

Perfect.

Easy.

The same work I do it for the

evening for Valerie.

So let's go here.

And also the dance.

So let's see.

After we will see the difference between with

light or without light.

I bring it here inside.

Evening camera.

And what we need.

Ah, the audio.

Naturally.

Let's hear the sound of the evening.

Music.

Okay, same work.

We do it.

Yeah.

Yeah, there's nothing creativity.

It's only to organization of the work.

After we begin to choose the file and

after the file, we begin to create the

film.

What bit rate do you record the Zoom

sounds?

I don't know.

16 or 48?

I think 48.

I thought I read somewhere if you don't,

if you want like 96 or something, that

it has problems synchronizing the audio.

Ah, okay.

I make it in 48.

Yeah.

The file becomes a little bit longer.

It's like one frame longer.

It's really a pain to make it shorter

because no editing program offers this function.

I make an open event and project that

automatically in Final Cut.

I choose this one.

Every time the same place, choose, choose.

And I will name here Evening Sync and

the project.

And here is our beautiful Valerie speaking.

For a man who could break your heart.

Okay.

And when you met Marcel, I was afraid

at first.

The guy with the whitest smile.

The guy who seems like a perfect man.

Super charming.

Always happy.

There must be something wrong, I thought.

Like her.

Thank you for proving me that there are

good men out there.

Okay.

The first dance.

Okay.

This is the first part to begin to

work.

After I would go to the gate.

It could be nice to make a break

now.

Yes.

Because if not, we will become crazy.

Let's make a break.

After we go on.

Oh my God.

Oh my God.

This is your moment.

Everything you have experienced so far finds its

destination in this one moment.

The primordial force with which your love took

hold of you may need a certain maturity.

Today it is only about you.

About your love.

About your faith in the eternity of your

love.

There are not only two wonderful grown-up

people in front of me.

But also two stories.

And two lives.

A little Annie and a little Akazu.

And there is no definition of love.

No quote that I have looked at.

What your individual definition of love could reflect.

Finding the right person is one

thing.

But being the right person is another thing.

The last five years with you are like

a flight to me.

Because they say that if you feel good

and happy time goes faster.

But actually I don't want time to go

fast.

Because if something goes wrong it means that

there will be an end.

I wish we could stop time without it

going wrong.

What I wish for us is that every

day, every second that we spend together, we

consciously perceive and our common time and our

common moments close in our hearts and enjoy.

Every time you tell me that I am

the most beautiful woman in the world for

you and that I have been waiting for

a long time to be able to believe

that.

I have been afraid for a long time

that I did not deserve your love.

And I was very afraid to lose you

again.

I promise you in front of the eyes

of our families and all our friends to

love you to respect you and to honor

you.

I will help you, support you and worry

for you.

I will protect you with all my strength

and comfort you.

I will take away your fears and insecurities.

I will listen to you and respect you.

And I will fight for you and our

love until I fall.

Because what I don't want is that in

the last moments before I close my eyes

forever I have to admit that I did

not make you 100% happy.

You are my happiness, my love, my everything.

I promise you here and today in front

of all these witnesses that you will forever

be the love of my life.

No one has ever given more space in

my heart.

You are my life.

I'm really proud of this video.

It's really, really nice.

The speeches of him what he said it's

in German but it was really, really beautiful.

Really, really beautiful.

Okay in the last break I went a

little bit on with selecting the clips and

I said I'm doing this work now selecting

all the clips from the different situations.

I've done already the getting ready so if

I go here there's a project with all

shot Wait a second I put away the

audio.

I don't like to hear me all the

time.

I try only I select only clips that

I find that they could be used in

the film.

I really like the layers when there's something

like three layers and the movement try to

think with simple move of the hand I

find beautiful.

Here I record a little bit too late

but it's okay.

This is what I select for the getting

ready.

I done a small selection for the running

shot so with our shot done to the

running and

here some b-roll that I can use

from the location in the church Now

I let the shooting to select so now

I will select the shooting clips like this

see how I choose them I make a

project I have new project shooting the video

is in 50 frames per second but my

project is in 24 23,98 it's in

24 so it doesn't matter the video they

are all in 60 frames per second this

time we shoot because we had a problem

with the flickering of the television so all

the cameras we synchronize in 60 frames per

second every camera that was here they are

all in the same frame per second and

you can see it one second I look

for continuous movement so not changing direction or

something like this continuous movement and if I

go here and I click on the clip

and I say make me the automatic speed

so here is the possibility automatic speed, what

means automatic speed that means that my timeline

is 24 frames per second my video is

60 frames per second make me this video

it's the same frame per second of the

project so if I press it what will

happen it becomes a slow motion video, 40

% because it's in 60 frames per second

and it's fluid sorry for the audio it's

fluid okay this is automatic frame per second

I can hold it how it was you

don't see anymore the 50 frames per second

because if I watch the video this is

I don't know if you feel it I

try to watch it good the video how

it looks this is the original video this

is 50 frames per second and this is

the same video but in 24 now it's

really good I can't show you exactly how

it looks because it's it's like a preview

of the shot but it's not so fluid

it will not be fluid like this one

and this one it's really video really like

I don't know like it looks really cheap

if you make a video at 50 frames

per second it will look shit it doesn't

look good in my opinion it looks too

fluid 24 the video looks cinematic like on

television yeah like on television like an old

fiction or something like this it doesn't look

good and for example there's Peter Jackson that

he done the orbit he done it at

48 frames per second and there's a big

discussion he was right or he was wrong

but it doesn't look so beautiful like the

Lord of the Rings it looks much more

video it doesn't look anymore so cinematic so

I go on to select because we have

so much things to say now I choose

the clips what I could use for the

film what I make I scroll here and

then I press E and it goes directly

on the timeline ok I watch here, I

scroll here it begins the movement and here

she's coming inside so and here she comes

and this is BAM and

here let's look all the movement that they

could look good a little bit sharp lens

flare here here

we have you see this symbol here it

means that the clip is in really strong

slow motion, has really many many frames so

this is I know that is in 120

frames per second and we will see let's

look beautiful beautiful if I make this one

now in automatic speed you see it becomes

20% of the speed everything

in slow motion looks beautiful you can shoot

like this after you make it in slow

motion it looks beautiful beautiful nice

the light in

this moment I stay on that side because

I like the light there, the light for

me it was optimal for stay to that

side if the light is flat something like

this I turn around and it depends also

about the background in this case all of

you to one side so I couldn't play

so much but here there was the light

really good for me I find really dramatic

it's really beautiful after we will watch it

big the shots looks beautiful thanks God that

we done a good shooting I was afraid

that I didn't shoot enough but it is

really beautiful these

are kind of shot that you can use

in the beginning because you see and you

don't see you feel that there is something

but you don't know what is these are

shot that give curiosity to the viewer I

find and

this shot already you see everything we

are almost at the end it is

really dark I wanted to don't have the

smoke overexposed there is nothing

that I can use maybe this one 1000

kisses ok this is what we have already

I make a small slow motion here you

will see that we have some cool nice

shots I think you can press shift command

F to full screen I can press yes

I can press you are right so

the focus point stays the same I saw

yesterday normally I got one point and I

try to look to look for the sharp

point and I play with this I go

inside, outside look a nice shot and this

is in super slow motion beautiful

in slow motion everything ok let's go

on so shot so Ronin evening we have

the dance the dance part but I will

let the dance part to choose at the

end let's go on with the part to

choose the speeches the part of the speeches

what we could use in the film let's

begin with the ceremony we go inside in

the ceremony sync normally in a normal wedding

I duplicate this project and this one I

let it like this here everything clean and

in the other one I call it sequences

it means that I can become dirty and

cut it and make what I want but

one I let it really clean if I

wanted to have something more, something less I

let it clean but for this let's play

only with this one let's hear one second

if we arrive to find part of the

part of the speeches that could be useful

for the film this moment is worth so

dear Kelly dear Marcel I welcome you to

this special and in fact life changing moment

even though the magic of this moment is

breathtaking for all of us, we should remember

to inhale deep enough to make sure that

our senses absorb every single component feel this

moment and be aware that you are taking

another big step on your shared path today

this one this one already feel the moment

I find already that it's something good feel

this moment and be aware that you are

taking another big step on your shared path

today nice, or?

it's a nice part so let's zoom inside

feel this moment and then I press B

and it comes out this blade and for

the reason that I have many files I

press shift and you see that the blade

becomes double ok, and if I press now

I cut all I've done a cut here

ok and let's see and be aware that

you are taking another big step on your

shared path today perfect and I cut it

again here clean it, this is I don't

need it this is ok I have this

thing I select them all I press alt

G and it's the name of this thing

is a coupon clip, the thing is that

I put all this information together and it's

one clip that I can find it I

can find it in the here after so

this is I call it for example feel

the moment this is for me the name

of this part I press and I have

it this is it will be useful for

the film and I have it ready to

take it after in this ceremony here it

is, you see it it's enough that I

drag and drop and it's this part ok,

let's go on to hear something other I

thank you for your confidence and the honor

to create this ceremony of love for you

Kelly and Martha I look at you and

I see two people that are blessed with

beauty by working as models for years you

both have shown us countless proof for your

beauty and charm but what makes you even

more attractive is something that neither makeup artist

could paint on your face nor a model

coach could teach it's your inner grace and

the love that you feel for each other

that makes you shine from within your love

gives you this lovely and magical sparkle in

your eyes and it's the reason for your

inner radiance this part could be interesting, your

love something with magical sparkling it could fix

I'm thinking we were both shot with the

cloud or with the smoke your love gives

you this lovely and magical sparkle in your

eyes and it's the reason for your inner

radiance I selected I don't know, maybe it

could be, so the same like before tac

tac magic moment go on

love is the power that enlightens a fire

in our soul and love gets fulfilled love

is the power that enlightens a fire in

our soul and

love gets fulfilled we get the impression hey

guys, it isn't every time like this when

you are in a wedding sometimes it's really,

really hard work to find good parts I

had one time one celebrant that she spoke

for one hour and I didn't find anything

that I can use in the film you

can't believe I didn't find anything anything the

sky charges the earth that all clouds stand

still for a while and the devotion of

joy arises from our heart it gives us

the strength to stand up after we have

fallen it gives us the strength to stretch

our back and raise our head high in

the air to show that it has nothing

to do with your physical age for sure

self-love is the base for this phenomenon

but if our self-love gets reflected by

a counterpart it's getting multiplied infinitely and in

this case love builds up every single cell

in our body and gives us the impression

that we got in contact with immortality what

is immortality no, it's too long but for

what reasons do we fall in love but

for what reasons do we fall in love

it's the but that I don't like let's

see yes we can use it Love

is our

heart like an explosion, sometimes it creeps up

on soft souls and surprises us.

Because we haven't expected to fall in love

or find love at all.

I take it all.

Okay, let's stop with Christina because I have

enough.

What is it?

What should it be?

Explosion.

Fire, explosion, magic.

I go on.

Love is so much more than physical attraction.

I go further.

I would hear everything.

I would arrive to the end.

But let's try to build something.

Then we come to the realization that love,

even though it's possibly random, this

is what makes love pure.

Pure love invites another soul to come home.

This is the end.

Let's go to the promises.

I take everything from she and after.

I don't know.

There was something that happened really often.

I really don't like how he spoke.

As I said, it's something that happened.

It's understandable.

But for the feeling of the film, it

disturbs me and could disturb also the couple.

Don't think that they would like to hear

themselves like this.

It could be that really it disturbs also

the couple to hear them in this way.

I know that I've had enough with you

when I saw you on the casting directly

in front of me.

On a perfect day, the sun is shining

and we are spending a lot of time

together, from sunrise to sunset and even more.

We have most fun when nobody is watching

and we are allowed to freak out completely.

With no one else but you, I can

play and win a tennis game without having

any skills.

You touch my heart and sorrow when you

look into my eyes and tell me that

you love me.

You take away all my worries when you

start with shit talk which I can imagine.

It's not good.

It's not useful.

So what I could think to use...

I think that in this case I would

try to concentrate when he says yes we

can.

The part where I say yes, yes I

do.

For your rights and deepest dreams, knowing that

you are more than inspiring for Kelly with

this property and knowing that this will rise

both of you to a higher level in

life.

If this is your deepest wish, I now

ask you to answer with yes I will.

And hear the sound.

He has no microphone but he has the

microphone.

It's good that I have it.

So I take it to the part of

the...

Will you continue to try?

And so I ask you Marcel.

And like this we put inside Marcel in

the story.

And now you can kiss the bride.

To seal your bond of love, you may

kiss the bride now.

I take all the clap of the hands.

Okay, this is done.

Now let's go to Valerie.

Evening, evening.

Just a question about the upper track that

you delete every time.

Is it empty?

This is the third camera that normally is

the Ronin.

If you see, this is the third camera

is the Ronin and there are only two

shots.

So there is an empty camera.

Evening sync.

The in-camera audio from the other two,

you also took it out in the beginning,

right?

The in-camera audio, you took it out?

I took it out, yes.

I don't need them.

It was only to synchronize the video.