All language subtitles for 07 Inside the Edit Part 01

So, everybody sleep good?

Wonderful.

So, today is the editing part.

It's a little bit complex because there are

some people advanced, some people that are a

little bit at the beginning.

I tried to take it easy, but it

could be that it isn't so easy.

I thought that to make like this, to

take three of my films first, and try

to break them down, to explain every aspect

of these three films.

And after, in the afternoon, we try to

make what we've done yesterday.

We try to build what we've done yesterday.

I wanted to begin the first one with

a movie of 2015, it was in Ibiza,

Wedding in Ibiza.

So there I was alone with Anne, so

I didn't have a second shooter.

It was a beautiful wedding, it was one

of our favorite wedding.

There were some emotional speeches, some emotional vows

in the ceremony, where I always say that

the guy cried, it was really, really beautiful.

When I was there in the ceremony, there

was the speeches of the celebrant, but when

you were there, it looked really boring and

flat.

It was really long and flat, so without

so much emotion, you only speak.

But if you find some cool pieces in

the speeches, and you put it in the

right moment, it looks like the best celebrant

in the world.

Okay, let's look again at this film, I

think that you know it, but let's look

at it.

Ich liebe deine kleinen Ohren und deinen schiefen

Mund.

Ich liebe es, wie du mich immer überraschst,

immer wieder, und mir jeden Tag aufs Neue

zeigst, dass ich deine Nummer Eins bin.

Ich liebe es, mit dir gemeinsam das Mondlicht

auf dem Rhein glitzern zu sehen, und dass

du mich auch im Streit bei meinem Cosenamen

nennst.

Der schönste Augenblick bisher in unserem Leben war

der Tag, an dem du mich gefragt hast,

ob ich deine Frau werden will.

2004 haben wir uns im Internet kennengelernt.

Nur wenige Tage später habe ich dich mit

einer Fokuhila-Frisur inklusive blonden Strähnchen in einem

übertrieben lauten, orangen Sportwagen zu Hause abgeholt.

Deine Mutter hat dich trotzdem bei mir einsteigen

lassen, was mich bis heute etwas an ihr

zweifeln lässt.

Ohne mir der ganzen Bedeutung der Worte damals

bewusst zu sein, versprach ich deiner Mutter beim

Gehen, dass ich an dem Abend schon auf

dich aufpassen werde.

Heute bin ich mir dieser Worte bewusst und

verspreche dir das Gleiche für das ganze Leben.

Wir sind heute hier gesammelt in einem alten

und universellen Ritual.

Ein Ritual, das schon unzählige Mal durch den

Nebel der Geschichte sich durchgeführt hat.

In vielen Kulturen und in vielen Orten.

Wir sind gekommen, um teilzunehmen an die wundervolle

Bindung zwischen einem Mann und einer Frau zu

feiern.

Sollte einer der anwesenden Herren einen Tipp brauchen,

wie man mit Frauen umgehen kann, sollte, so

kann er mich gerne ansprechen, denn ich habe

es geschafft, die beste Frau der Welt.

Wirklich und wahrhaftig verbunden zu sein in der

Ehe ist vielleicht das Erstaunlichste der zwei ethischen

Seelen, die gefahren sind.

Es braucht Mut, dich zu lieben und gut

zu lieben.

Stark genug zu sein, im eigenen Selbstbewusstsein und

zugleich verlässlich genug, um sich vollständig öffnen zu

können, ist in der Tat eine heroische Leistung.

Wunderbar, es ist ein wunderbarer Film.

Was ist die Art, was du denkst, warum

ist dieser Film so wundervoll?

Wo beginnst du?

Was?

Wo beginnst du alles davon?

Ja...

Dieses ist...

So, let's go inside this film, how

it is.

Here it is, this is the film.

I use Final Cut, I explain you, I

explain you for the people who don't know,

Final Cut is divide in, this is the

timeline, this is the place where you build

the film, this is the place where you

create your movie.

In this part you can have all your

footage and your small project, everything, this is

where you see your video, and here in

this part there is the inspector, this is

in the place where you can control the

things, so effects, titles, color, it's here, this

is Final Cut, it's really simple, really easy

and really visual, normally Final Cut has a

really fantastic feature that is the magnetic timeline,

it's called the magnetic timeline, the magnetic timeline,

what is it, it's this part here down,

the grey one, it's so fantastic that I

don't use it, normally the magnetic timeline, it

could be fantastic because every clip what you

put in the timeline, it will go here

and it will stay near, so if I

put a clip there, it will go near,

it's magnetic, everything, it's go together, they say

that it's an amazing feature, but I can't

work with it, I don't feel comfortable, so

what I do, I make, I put one

grey long empty space and I build my

film over it, you will see later how

I work with this.

So here in this film, as I told

you yesterday, for me the biggest moment, the

biggest part, it was when this part, this

part for me it was the most important

part of the film, so I try one

second to put away the audio, I

put away the music in this moment and

we see only the sound of the voice

and what he is saying in this moment,

sorry if now it's turning the wheel, but

it takes a little bit when it's the

first time that I play, normally after I

don't make it anymore, I hope, breather, breather,

the wheel it will go away, this is

for me was the most important part.

When I was there, this part it really

touched me, it was really strong and this

part, every song what I look, it was

based on this part, I wanted the music

that fit perfectly to this part, it really

doesn't matter the rest, the rest of the

film for me doesn't matter, the most important

part it is this one and here I

had another music that I was thinking about,

but it didn't work and if you see

the music, now I make you hear, but

it fit nothing against the music what I

choose, but there's this part that exactly in

the same place I put it where the

speech is, there's

a pause, it's like go up, go up,

go up and a pause, I wanted to

have this kind of effect, a kind of

effect that brings you to this attention, to

this moment and then it must stop, it

couldn't go on the speech, you've got to

focus on what it told in that moment,

you've got to understand that he was the

first one who speak and after she spoke

and in the film you see totally opposite,

you see that she speak before and after

he speak, why I change the position, because

I find that her speech it wasn't so

powerful like his speech and on this kind

of music and everything, as I said look

what I've done here on the music, on

this moment, the music has a original break

in this moment, in this point there's a

original break, I've done it this break a

little bit louder, I put up a little

bit the sound, I put a little bit

the sound because I want that this part,

it comes much more important to give this

break and you hear it.

It's like this, it's so important, it's so

important, it's so, so important and you've got

to feel it, when I was hearing this

music I say, but this is the point,

this is the point where it's fantastic, it

fits perfectly and like this it worked.

Here the music I've done it also a

little bit longer, this is when you see

this small symbol, can you see, can you

see on the screen or it's too small,

but there's this small symbol that there are

like two squares, it means that inside there's

a small project, inside there's a small project,

if I click inside, if I click here

we go inside and here there's the music,

what I've done with the music and the

music what I've done, I've done a small

loop here at the beginning to make the

beginning a little bit longer, to give a

little bit more time for the speeches of

the bride and here you see that.

You hear that there's this big bump, normally

it isn't perfect, but during the film the

attention isn't there, so it isn't perfect, but

I find that it's usable.

Another big moment for me when I've done

this film, it's this part, this shot, I

found this shot, it was a girl, I

was a little bit, I went a little

bit out from the party, there was a

party and there was this girl that she

was there, I don't know if she was

there to smoke a cigarette or to enjoy,

but I had this lucky shot and her

movement, how she moved, how I took this

shot, I don't know, it tells me so

much, this shot, she's there to enjoy the

party from outside and I find it perfect

to finish the party with this shot and

if you feel the music and her movement,

it seems that she tells something with the

music, because her shoulder goes down at the

same time with the music, and if you

hear here...

There are small things that make so much

in my opinion.

Perfect, perfect, and here a black break to

finish, to follow the music, here the music

went on and I had only to put

some shots to feel the music, but this

shot and this moment, it's the movie for

me, it's the movie, all the rest goes

over, ok, what I can put here, what

I can put here, there's a space there,

I can put a story there, but really,

this moment and this moment, for me, it

makes the film.

And this part, I put it only because

normally he doesn't say something amazing here, it's

something not so, I find that if you

translate it, it's something that has not so

much meaning, but in this moment, it's filled

that place, without speeching, only with pictures, I

had the feeling that the video, the film

was a little bit empty.

I work with, you see, sound effects, these

are all fake sound effects, there's a wave

here, and if you put it away...

But if you put the sound, it pushes

also the music, here the music is going

up, until this part, the music is going

really up, so let's put a little bit,

it was a little bit too slowly here,

if you think without the sound, it's too

slowly.

Again, here there's another sound of the wave.

And here,

all

these blue things that you see here, they

are only me, but I'm putting some marker,

how I do this marker, I only close

my eyes, I close my eyes, I hear

this music, and I hear...

I try to hear the beat of this

music, this part has to be filled with

fast movement, if I would do it now,

I would do it much more faster, this

was almost two years ago, but the cut,

it's following a little bit of the beat,

so for me, this is here, you see,

I don't use this magnetic timeline, and it

happens something like this.

Because normally with the magnetic timeline you have

to...

I go every time up, because I don't

want to stay there, to crop every video,

every timeline, I want to have a marker,

and everything that is up is the one

that comes.

The clip down, you will never see it

on the timeline, on the video, and for

me it's a little bit easier for organization,

it looks weird if you watch it here,

like this, but you will see, after in

the afternoon, when I edit, it's really, really

practical, really, really practical.

I think that the one time when you

begin to use, to work like this, you

go on to work like this, because it's

really practical.

And so here I follow the beat and...

And when

you edit something like this, and you feel

that it's coming out, you feel really, like

that you are in love, you feel the

butterfly in the stomach, everything, it's working perfectly,

it's amazing.

When you find the right shot with two

girls that are dancing like crazy, I find

that it fits perfectly, and it isn't a

fantastic shot, it isn't a beautiful shot, but

it fits perfectly.

Beautiful, beautiful.

Yeah, and then there are some...

Every time, the speeches, it's the basis of

the film.

You will see also today, when we will

edit the film of yesterday, what we've done,

the speeches is the...

The base of the film.

After everything, it comes, all the rest, it

comes up.

All the rest, it comes up.

Here it comes up, because there's a little

bit of studying of the time.

If we hear the speech of him...

This is the speech of him.

Let's see if now it will play.

Here, for example, he told something more.

He told something more, but I cut it

away, I chose a part to cut away.

He said this part, In that evening, when

I went out, I promised to your mother,

that in that evening, that following the night,

it will follow the night, this part, I

cut it away.

I needed to crop a little bit the

speech, to go to the right moment, in

the nice place of the music.

If I didn't cut it, I had to

go too near to the speech of the

bride.

You need to have breathing.

You must build a curiosity, and you've got

to look a thousand times your film, to

understand where you need to have the break,

when the things come too fast, or too

slowly.

You've got to give breath to the film.

It's really like dancing.

It needs to have a tempo.

It's like this.

First of all, because we are playing with

music.

And the music is there, it's really present.

So, if you want to tell the story,

dance!

So, let's hear it again.

When the night is coming, I want to

take care of myself.

Today I ask myself this question, and I

promise you the same, to give it all.

For me, it's more important what he said

there, than the kiss.

So, I cut away the kiss.

This is something that you've got to understand

what you want to show.

Not what must be shown.

What you want to show.

What you want to tell in the film.

In this case, I think that 90%

of the people would edit with the kissing.

I'm fast sure.

I'm fast sure.

We put this speech...

Let's try to see how it looks.

On the film.

One second, let it render.

It's okay.

I'll make...

It doesn't fix.

It doesn't fix.

It doesn't have to go the kiss there.

It doesn't fix.

It doesn't tell what I want to say.

It disturbs me.

So, away.

Cut away.

There was a cut of the cake.

There's no cut of the cake.

There are fantastic shoes.

You will never see the shoes.

It's...

It depends what you want to say.

What you want to say.

What you want to say with the film.

It takes out the electricity.

There's so much electricity in this part.

When you kiss, it's going down.

Yeah.

I find it like this.

But this is really...

If you find that the kiss is more

important than what is said, then...

Put the kiss in the right moment.

Let's try to put the kiss in the

right moment.

Maybe it changes a little bit the feeling.

Let's try to find...

So...

Here, here.

Cut away.

I find that the kiss must go in

this place.

In this moment.

In this break.

So I put an M but I see

it really good.

Because I see the wave here of the

music.

So let's try to find the kiss here.

That is there.

The kiss is there.

Let's put the kiss here.

Okay.

Right place.

I find that the kiss now takes a

little bit of importance.

Okay.

Let's bring it back how it was before.

Like this.

How long do you need to find the

right music?

It depends.

As I said, sometimes I take days.

Maybe longer?

Sometimes.

Sometimes, yes.

Often.

I take more time to find the right

music than to edit.

For example, the wedding in Trinidad, the carnival

wedding, there I've done the film in two

days because the music I had already when

I was there.

It depends.

Would you look for the music first before

you start the edit?

Or would you start the edit and then

you look for the music for the emotion

of the film?

Most of the time, I do a selection

of my beautiful clips what I can use

in the film and I begin to hear

the speeches.

When I've done these two things, I have

all the beautiful shots in my head.

I have it there and I begin to

hear the speeches and I have something in

my mind to work for looking for.

I have, for example, here, I was looking

for music that fits for that moment.

The music, I was lucky because the music

is beautiful.

It's amazing.

Amazing.

I used three or five tracks of him

in my film because I love this kind

of way to be cinematic.

What means a cinematic music?

What is a cinematic music?

It's a music that can tell a story.

It's a music that has a part that

happens something, that can happen something.

This for me is a cinematic music.

There are many music really flat and happy

the white dress, beautiful kiss on the beach

or something like this.

Easy music that sounds good, sounds beautiful and

if you are thinking they fit perfectly with

a wedding day but they don't tell a

story.

They don't tell emotional things.

They don't tell something.

I don't know.

As I said, this is my way.

I explain you all what I do but

it's not a bible.

You can find your completely a better way

or another way to say a story.

If you didn't have those beautiful vows you

would have a different film there.

What are you going to base it on?

It's the words that he's speaking that you're

telling the film around but if you have

a wedding like that and the vows are

just...

This is something that I can't answer because

it didn't happen.

I don't know how it could be if

there weren't speeches or both of the speeches

were not...

I had other occasions where it happened but

they were totally different kind of occasions.

I found other things that could be important.

Yeah.

Let's see how it's going.

Let's go on.

I have some other questions about this film.

Let's go on with another one.