Original subtitles

For the shooting part, I don't need so

much time.

I need 10, 15 minutes normally.

10, 15 minutes is more than enough.

I'm working every time with the photographer together.

It doesn't matter if it's Anna or somebody

else, but better with Anna, naturally.

I try to make only one small part

where I would like to make the things

alone, so only me without the photographer.

And the rest of the time, I'm near

to the photographer with 7,200 or 135,

and I try to catch what she is

doing.

But for my shot, I need really 10,

15 minutes.

And now we will see how.

Normally, I have two cameras with me.

One is on the glide cam with the

24 millimeter, and one is on the monopod

with the 50 millimeter.

In this situation, I'd like to see Kelly,

that she is coming inside and meeting with

Marcel.

So we will make this part, OK?

So this is the glide cam.

Some people hate it, as I say, and

some people, like me, love it really much.

The thing is important is to calibrate it

good.

Normally, something really easy, it's important, but this

takes a little bit of time, like two

seconds to make this movement.

So one, two, three, perfect.

This is a good thing.

And two, it's heavy.

For girls, I think that it's a little

bit heavy, these things.

But I use it really to make small

shots.

Most of the time, I hold it like

this.

I make this shot, and after, back, and

I use the monopod.

In this moment, I have a 24 millimeter

from Nikon.

It's everything manual here, the adapter.

What I make now, I ask to the

bride to go to the groomer.

Could be that I ask two times, but

how I speak with them, I say, guys,

Kelly, you go to your man now.

You go to your man, and you enjoy

this moment.

I would like that you feel alone, and

what I would like to see through the

camera is a little bit of your passion,

intimate part.

So I'd like to see the movement of

your hands and everything.

And just play like that nobody's watching you,

okay?

So come a little bit here, here, this

position, and you wait her.

She is coming to you, you watching her,

okay?

But the things that I would like, I

like to have this shot that Marcel is

unsharp, and she is coming inside sharp.

I have this, Kelly, she will be sharp

here.

I would watch again the distance, because for

me the most important that Kelly is sharp

when she's coming inside to this picture, okay?

Kelly, are you ready?

And let's go.

Beautiful.

Okay, now that we are there, I continue

to go on with this shot with the

glidecam.

I'd like to see the hands.

Okay, good, beautiful.

The thing is that for this camera, when

you make a really slow motion, it will

crop a lot.

Here I can make 120 frames per second.

And you see that when I press record,

it will crop a lot the image, okay?

But I use it only because I want

to have a shot.

Okay, and you are totally in love and

kissing.

And so let's make this.

Okay, I stop it.

I put it again at 50, how it

is, guys?

It's cold, cold, cold.

It's okay.

I put it again at 60, because I

really like this moment.

And I'm looking to shots that in the

beginning of the movement, of the movie, can

give curiosity.

So it means that I'm looking for a

shot where you don't see everything.

So I'm looking from hands, from parts of

the mouth, of something like this.

Because till now, I've done movement where you

see almost everything.

And if you put this shot at the

beginning, could go down the curiosity.

You saw already everything.

You saw the most important part, that is

the love of them.

So again, you are here.

So I go near now, go really near.

And I'm looking for details that can bring

in the film curiosity.

To make better this part, I change to

the monopod and the 50mm macro.

And now we try something new that we've

never done it in now.

It's the smoke bomb.

Okay, let's try, let's try.

Let's try.

Ah, dog!

Okay.

Again, again, one turn near to them.

Okay, okay, go, go, go to the other

side.

Love it, guys.

Again, again.

This is cool.

Okay, thank

you, guys.

Thank you, okay, perfect.

Let's go to the hot, let's go to

the hot part.

So we've seen it's really fast.

Normally it's faster.