Original subtitles

Okay, what I'm doing, I put my, this

is my backup recorder that is with the

Rode app, Rode app, I think it costs

five dollars, something like this, and with the

smart lav plus.

I record, you try, you see the levels,

you see how it's working, you ask to

say one, two, three, and yeah, and you

have here, when you have it, it must

be in plane mode, in flight mode, so

that you don't have to receive some SMS

or something like this.

And then I put it off and I

try to fix it like this, this is

my, hey, it isn't really a poor way

to put it, but it every time worked

and it worked fine.

No, it wasn't you, it's not connected.

With this microphone, normally I take really good

the audio of the groom and the speeches

of the bride.

I can take, I can hear them both

on this microphone.

Anthony is checking, how is Anthony?

And I see that the celebrant, she has

a microphone, he has a microphone.

Normally I put mine, another one of this,

I put also to the celebrant normally, but

let's try to make it like this, that

I have all the audio coming from the

guy who's thinking about the audio.

You are the one who brings the audio,

so don't put the responsibility to the sound

guy.

So check, check, watch, try.

Now I see that the DJ has the

chinch output, the chinch output, they are the

red and the black one.

And I connected together with my H5 here

on the side.

I don't have the XLR in this time.

I tried already, he tried, I hear when

she speak, so I have the audio.

It comes direct from the console of the

DJ.

It's okay, it's okay, it's okay.

The thing is that this one, you've got

to be really careful if the battery is

going to die.

If the battery is going to die, your

audio is going to die.

I have quite new battery and I think

that there will be enough for now, but

normally I add a battery bank on the

side and it could save you.

I hear people that if you don't stop

to record it before, it could be that

you lost all your audio.

So I would not risk it.

Normally I have every time, every time when

I begin a wedding, I put fresh batteries

in everything that I have.

It doesn't matter if here there's only one

line away, I put fresh battery.

I don't want to risk it.

They cost nothing, the batteries, or you have

the batteries that you can load also at

home, but I put fresh battery inside.

And now it doesn't matter that the ceremony

will begin in 10-15 minutes, it doesn't

matter.

I check the audio, I see that everything

works, I press record.

Because there was one time that I said,

okay, I press after, after, and after I

was there recording and you hear me, shit,

shit, I forgot to press record.

In this moment I am quiet, but I

have the audio of the celebrant, I have

the audio recording, I have a backup there

from the box.

This takes the people who sing, it takes

everything who comes.

And then I have the microphone to the

groom that takes the groom and the bride.

And also he will give a microphone to

the speaker, to the groom and the bride

also.

So I have a lot of audio.

It couldn't be something wrong.

And this is for me, it's really important,

it's really important.

Audio, audio.

So now we try to deal with, we

have everything about the audio, we are covered.

And now we've got to deal about this

important moment, that is the first look in

the church or in the, in whatever, in

the ceremony where we are.

Normally the setting that I would have here,

it will be a tripod here.

So normally I have, I would have one

tripod here in this situation, in this kind

of situation, to have a look of the

groom, the celebrant, and a little bit of

the people.

Okay?

The main camera here, it will be me

during the ceremony I'm speaking, during the ceremony,

it will be me here from, from the

back.

And this will be the main camera, because

I take every time the celebrant speaking, she

will be speaking and say all the ceremony,

and after I will take the promise between

Kelly and Marcel, because they will stay here

and they will say the promise.

And I have the main camera is that

one, me on the back with the 70

-200.

Ilya, normally in this, in this moment when

Kelly is coming inside, this is my second

shooter, his work is, at this moment he

is not there, so Marcel, he will be

here to wait, to wait Kelly, his wife,

that is coming inside.

What he is doing, Ilya, with the 70

-200, or with another objective what he has,

if he has the 50 millimeter, he can

make it with the 50 millimeter, but I

like to have a reaction, how he feels

in this moment with waiting his wife.

So Marcel, now you are in the mood

to wait your wife, okay?

And go, go down a second, you are

not acting, you are waiting your wife, okay?

So he is taking much reaction of him,

and in the same time, when she is

crossing the door, she is crossing, he comes

here and he makes a video of the

bride that is coming inside.

Perfect.

So this is the part of my second

shooter.

As you see, the part of my second

shooter is more important than mine, is more

important than mine, because he has got the

shot that the bride wants to see.

This is the shot that the bride wants

to see.

But I make the shot that I want

to see.

So I care about the shot that I

find that it's the one who gives drama

to this part, and this shot of the

bride that she comes inside, I take now,

in this moment I take the Ronin, but

it could be a glide cam with the

24mm, but I want to have this movement

when the bride is coming inside.

So now we make it again, and, wait,

okay, this is, I will put it somewhere

in a corner, because it's the camera that

I will use after.

I've done already a white balance on the

Ronin.

The white balance is the same with the

other camera.

As I said, I try 17mm, in this

moment I take everything, everything, and I try

to focus.

So in this moment it's really closed, it's

at 7.1, and the ISO is 5000.

It's quite clean, the image, because we have

the 7S1, but with 7.1 could be

that something is out of focus.

So I try to check something that gives

me this kind of distance.

So I find that this is the distance

that I will be with the bride.

So I take that point, I zoom inside,

I check the focus, and, okay, now I'm

ready to shoot the bride when she comes

inside.

My movement, it must give space to the

photographer to have a shot without me.

And this is the photographer, he will be

really grateful to you if you make it.

Because at the beginning I was like this,

all the time, and every time there's a

shot with Riccardo like this.

Now I learned that I could make a

nice shot with crossing this part and make

this kind of movement, like this, here, without

the bag.

Okay, so again, this is the movement what

I will do.

I will see Kelly when she comes inside,

I will follow her, follow her, follow her,

and let her go.

And look, there's a much space where Anne

or the photographer, they have without me.

In that moment when I'm away and the

bride is already there, and she has already

five or ten pictures of the bride, then

I run again.

I run and I take the last second

of the meeting of them, because normally it

isn't like this, you take the hand of

the bride and you are really happy to

see her.

Okay, let's make this shot, and okay, Kelly,

and with this moment that you are here,

you can go away really slowly and you

have another great shot.

And then when you've done this, stop, pull

it off the camera, and put it away

on your stative.

Okay, and this is my position for the

ceremony, okay?

If you don't have a second shooter, I

would don't think at the beginning, I would

don't think so much to make a really

creative shot.

I will think to make this shot when

the bride is coming inside, so from there,

and when I'm there, I come here again.

You've got to think what you need, what

you really need on your shot.

So for me, it's really important, the speeches,

and you know that the song, when there

are some songs, some pray or something like

this, there you don't need it in the

film, so I move away from there, and

I come in front one second, and I

begin to take the reaction of the people,

because I don't need what happened here, and

I take reaction of the people, because in

that moment they are looking, every time something,

they are there like this, and you can

add these shots after when they are speaking

or something like this, okay?

So, dear Kelly, dear Marcel, I welcome you

to the special and in fact life-changing

moment.

Even though the magic of this moment is

breathtaking for all of us, we should remember

to inhale deep enough to make sure that

our senses absorb every single component.

Feel this moment and be aware that you

are taking another big step on your shared

path today.

I thank you for your confidence and the

honor to create this ceremony of love for

you.

Kelly and Marcel, I look at you and

I see two people that are blessed with

beauty.

By working as models for years, you both

have shown us countless proof for your beauty

and charm, but what makes you even more

attractive is something that neither a makeup artist

could paint on a face, nor a model

coach could teach.

It's your inner grace and the love that

you feel for each other that makes you

shine from within.

Your love gives you this lovely and magical

sparkle in your eyes and it's the reason

for your inner radiance.

Love is the power that enlightens a fire

in our soul.

If love gets fulfilled, we get the impression

that the sky touches the earth, that all

clocks stand still for a while and that

a volcano of joy arises from our heart.

It gives us the strength to stand up

after we have fallen.

It gives us the strength to stretch our

back and raise our head high in the

air to show an inner side that has

nothing to do with your physical height.

For sure, self-love is the base for

this phenomenon, but if our self-love gets

reflected by a counterpart, it's getting multiplied infinitely.

In this case, love fills up every single

cell in our body and gives us the

impression that we got in contact with immortality.

But for what reasons do we fall in

love?

Love isn't plannable at all.

Sometimes, love hits our heart like an explosion.

Sometimes, it creeps up on soft souls and

surprises us because we haven't expected to fall

in love or find love at all.

In the beginning, it feels like we have

taken illegal and healthy drugs.

We neither have to sleep nor to eat

and we see the world in psychedelic colored

patterns.

If our love gets more major, the effect

of our love cocktail gets weaker, but what

remains is the impression that we have found

our second, our new family.

Love is so much more than a physical

attraction, but of course, physical attraction is more

than welcome.

If we fall in love, not only our

bodies react, but our hearts feel a magnetical

force to the counterpart's heart.

This is what makes love so magical, getting

reflected with everything that we are made from,

being loved because of our inner beauty, including

all the parts that we personally would prefer

to deny.

And now, I invite you, Kathleen, to make

your made promise.

I knew that I fell in love with

you when you went on holiday the first

time alone, and I noticed how much I

just missed you then when I left you

back home.

On a perfect day, you and I would

just go out and eat our favorite food

like burgers or sparrows.

We have the most fun if we are

just being silly and don't taking ourselves too

seriously, just fooling around a little bit.

With no one else but you, I can

travel the whole world without arguing a single

time, we just having fun in the nature

and enjoying our holiday.

You touch my heart and soul by your

loving look into my eyes, just like right

now.

You take away all my worries by taking

me close into your arms, that's when I

feel better.

Okay, and so I asked you myself, Will

you continue to try to balance out your

relationship with your relaxed view about life?

Will you always try to preserve the honesty

in your relationship, to keep the love, trust,

and reliance between Kelly and you?

Will you go on to stand up for

your rights and deepest dreams, knowing that you

are more than inspiring for Kelly with this

property, and knowing that this will rise both

of you to a higher level in life?

If this is your deepest wish, I now

ask you to answer with, Yes, I will.

Yes, I will.

Kelly, now I ask you, will you go

on to enlighten myself life with your laughter

and your ability to feel joy in every

single moment?

Will you continue to show your pureness and

your true inner self to myself, knowing that

this is what he loves and admires the

most?

Will you go on using your unrestrained love

as the key that is able to open

myself's heart?

If this is your deepest wish, I now

ask you to answer with, Yes, I will.

Yes, I will.

To seal your bond of love, you may

kiss the bride now.

And now take my best wishes for your

common future.

Okay, thank

you.

Thank you.

Nice, bride and groom.

So, wait, wait, wait one second.

So, some questions and now.

It was, okay, all right.

Thank you, Christina, for the celebration, it was

good.

Now, there's the moment where the bride and

the groom, they go out.

Normally, there's one second here.

So, I put off my camera, I put

it away in a corner here.

My assistant, my second shooter, he will go,

he go every time in front, like before.

And he makes you, he makes the shot

when they come out from the door.

Okay.

I make this shot where they are walking

out with the honing.

So, I take my honing, but it's here.

In this moment, when they go out, there's

a change from dark to light.

I normally put the ISO automatic.

Be careful, you don't fall down.

So, I watch here, I have the same

shot of before, but I put the ISO

to automatic.

And this has allowed me to have a

little bit of details when we go out.

The image, it will become darker, and I

have details when they're coming, when they're going

out.

Okay, let's go.

So, let's give a hand here.