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Hello friends, how are you?
How is everything going?
I hope the best possible.
Here you have me giving war again and
this chapter I would like to dedicate it
to reviewing the images that you all sent
me for the challenge that I launched a
couple of weeks ago.
Remember that the challenge was to try to
make some of the images in the state
in which we are, that is, in confinement,
in which you try to get out of
your comfort zone, try to play with interesting
lights in which you could play with your
partner, with yourself, with your animals, your children
and ultimately it was to find neutral backgrounds
and if it could be with all kinds
of primary colors or all kinds of complementary
colors.
So first I want to thank all of
you who have been brave enough to send
me photos, there are super interesting photos and
those who do not, I understand that maybe
you have not had time but for the
next challenge I invite you to participate because
it is a really important game to see
how far our limitations go.
So what I'm going to do now is
just show you some of the images that
you have been sending me, what I'm going
to try to criticize and within all of
them we are going to try to find
the one that I like the most and
remember that the one that was the winner
or the one that was the winner is
going to take two hours of talk with
me in which we can talk about anything
you want from creativity to business or whatever
you want.
Ok, so I don't get distracted anymore and
we're going to get them.
First of all I would like to show
you the photos of our friend Jorge Sulbarán
and although I said that one could be
sent, but well, there have been several people
who have sent several, so well, I'm going
to have fun with them too and I'm
going to criticize them or I'm going to
analyze them a little bit, ok?
I would like to show you the photos
that Jorge sent me.
Sincerely, out of the four, I think the
one that could fit me the most could
be this one, but I would have to
analyze it a little more consciously, although it
is also quite good, but what I would
have done would be, well, move that mirror
to the other side and I would have
done quite well with what was, for example,
with what was the reflection and with what
were also, for example, the hands, I want
to think that they are his hands with
those of his partner.
The mistake that I see here is that
the hands touch, perhaps it would have worked
better in which the hands had not touched,
right?
It is just the moment before they touch,
right?
Do you remember the painting of the Sistine
Chapel?
Ok, that is, it would have been good
that they were almost about to touch, but
without reaching it and also, as you can
see, if they had not touched, the shadow
that is projected, because it would not have
touched and it would have been a little
more interesting.
I also see that the mirror, what I
would have done, correct the perspective a bit
in Photoshop or in post-production so that
the mirror, instead of having this effect, would
have been completely straight, okay?
If we already move on to the next
image, I like how Jorge has played with
his hands, how he holds, for me it
ends up convincing is that again he touches
his girl kissing, I think it would have
worked better if he had not touched her,
that he was about to kiss.
Remember that something fundamental is to play with
our spectator and at the moment that there
are two people kissing, the action has already
been finished, that is why it is good
that they are about to always touch, so
that there is a game with that spectator,
okay?
This photo, you see, it works but there
are already things that distract me a lot,
like that line that cuts Jorge right in
the back, it also gets a little in
the head and makes it not finish working,
also that line is not entirely straight and
notice that Jorge is also touching the mirror
with his left arm and it does not
finish working either, his girl's knee, sorry, is
also touching that imaginary line of the mirror,
with which it does not finish either.
You see that the idea is very good,
all the ideas that Jorge is having are
quite good, but he does not finish executing
them perfectly, it is only a matter of
time and it is a matter of looking
a little more and seeing what those little
mistakes have been, okay?
We are already going for the last one,
which I think I would have re-squared
a little more and above all that window
in which we can see that intrusive light
that is above the couple, possibly I would
have darkened it and also what I would
have done, I would have removed all the
lines, both vertical and horizontal, in the case
of the horizontal ones, they work very well
but it seems that the vertical ones are
wobbling a little so I would have corrected
them, right?
Congratulations to our friend Jorge because he has
worked hard enough.
We are going to go for another colleague,
okay?
A colleague that I know, Rafa Bichero, congratulations
Rafa for having sent us, I thank you
and the photos that Rafa has sent us
are this, this and this, okay?
Here we can see that we even have
a couple here, who has put on a
mask, but hey, I think the most interesting
photo could be this, it is the one
that plays, I suppose it will be his
daughter or his son, I think his daughter,
okay?
And I like how he played with the
light but it does not convince me, right?
Why?
Notice that the neutral background is perfect but
it has an illumination above what the girl
is, for example, with which I would recommend
to overexpose a little less, perhaps a step
of diaphragm or even two to get that
light to be below and already in post
-production, which would raise the girl a little,
okay?
I especially like the one that plays with,
well, with the girl, right?
That it looks like her right arm, you
see that it looks like it is running
and that it gives it a certain movement,
right?
Yes, I like the dark light game, right?
But as I tell you, for me it
is overexposed a step at least, okay?
We are going to the second and notice
how already not having a neutral background, that
rock background or that stone background no longer
ends up working.
Yes, it is true that I find that
triangle game interesting, but it is about time.
Like Jorge Sulbarán, they are very good ideas
but they are not fully executed to perfection.
And finally, we go for another photo.
The idea is good and the truth is
that I appreciate that you have, well, that
you have messed up or that you have
convinced a couple, but look at the place
where the neutral background was.
The neutral background is found in this box
that we have here and you have not
worked perfectly.
Notice that if we had avoided or if
we had cropped the couple a little by
the waist, the truth is that it would
have worked well, right?
And also notice that the column or the
line that I am marking now does not
finish working, it is with which it does
not work either.
The images are correct but there are small
nuances, small things that do not end up
working and that is missing a little bit
to get there, okay?
We are going to go for other images
of our friend Joe Macas.
I would like to show you this first,
I think it is a pretty, pretty, pretty
pretty photo.
Notice how well the light works here, that
is, if I have these lights, right?
That work so well that they go from
left to right that you can almost touch
them.
They are very, very plastic lights, very, very
interesting.
And what we see, I suppose it will
be Joe's wife, here also later with her
child, with the Batman shirt.
And well, I love that the child is
right between the legs, for example, because of
his mother.
How well the hands work, for example, how
the feet also work and it is a
super, super, super natural image, which is very,
very good, okay?
It is quite good.
Well, and as we are seeing, I think
we have to congratulate him.
I don't know if this image is from
your previous child, is it the one you
are waiting for?
I think it is the one you are
waiting for because the photograph has a current
date, so Joe, congratulations, okay?
You are going to be a father again
of one or two.
Well, and speaking, for example, of this image,
what I must tell you is that the
light is super interesting, how it plays with
the hands and, above all, with the language
or with the information that it is giving
us, so nothing, congratulations, really.
Okay, well, let's talk about the next photographer
who sent us images.
I'm talking about Francesca and Francesca sent us
three photos and I want us to see
them.
This first one, this one, and this one
too.
Honestly, my favorite is this one because the
neutral background is simply formed by that amount
of droplets that the child is throwing at
us and I think that, that is, it
catches a lot and I don't know, there
is something that worries me and, above all,
it reminds me of summer, of the happiness
of the children, of how they throw water
and all these things and I think it
is quite good.
Then we have these images that are interesting
but no longer reach the power that the
first one had and look at how the
background here no longer works so well, the
intrusive lights are everywhere and I think the
background should have worked more or it should
have, for example, been cut, but of course,
if we cut it, the background no longer
begins to work because we would carry the
foot of the child on the left or
the child on the right, so we would
have to look or simply darken the sky
a little and also the light that hits
the ground to direct all the gaze towards
the children.
If we go to this one, it also
seems very interesting to me how it has
been played with the colors, how it has
been played with the lights, but notice that
there are lines that do not end up
convincing, for example, like the one I am
pointing out now, that makes it not end
up working and the line that we are
seeing horizontally does not end up convincing me
either, but the rest works quite well.
I have to remember that Francesca was the
winner of the edition contest in which the
presets were won, so well, first congratulations for
the prize and second congratulations also for sending
me this piece of images.
Ok Francesca, let's go for the next one
and we are going to go for the
crazy Alfonso Wassmer.
Alfonso, creativity surely that you do not lack
at all and the images that Alfonso has
sent us, I want us to take a
look, we are talking about how he played
with these marionettes or these figurines.
For me, I think the most interesting could
be this one, in which it is not
a hard light but it is an interesting
light, that is, remember that the day may
come out cloudy or foggy or a very
very strong sun does not come out, but
the most important thing is to find an
interesting light, it is the starting point for
everything and the rest we will already play.
As you are seeing Alfonso here, well, he
has played as if the couple were a
couple of marionettes.
I see that the bride or the girl,
for example, in this case lost her left
hand, so well, nothing happens.
Let's go for the second one, okay?
Although it is a vertical photo and you
already know that vertical photos sometimes do not
convince me, because they have to have a
higher power and it is also super complicated
to find the composition in them, but I
would like to talk to you, for example,
about it.
The biggest mistake or the main mistake I
see is this, in which, notice that the
left arm of the figure is touching, or
the left arm of the boy is touching
the girl's left leg, so that does not
end up working.
I love that continuous light with which you
have played with the girl, I think it
is very very interesting.
I would dare to say that it is
a LED light and it works very well,
that is, how you have also directed her
hands and how you have placed the boy.
Perhaps the boy would have worked better if
he had not looked at us, but if
he had looked well to the left or
well to the right, but hey, it works
quite well and above all the idea is
very good, okay?
And we are going for the last one.
The truth is that the idea again is
good, but as always, it lacks a little
degree of execution, right?
And what I mean is that, notice that
the neutral blue background is perfect, but the
line that cuts through the boy's head does
not end up working and also it does
not end up working for me at all,
that the left foot and the right foot
of him are mutilated, with which we should
have picked up those legs a little or
have taken a small step back so that
everything would have fitted perfectly.
So nothing, Alfonso, it was just not good.
You have a very, very interesting job, but
just as I was saying, for example, to
Jorge Sulbaran and, for example, to Rafa Vicheros,
you just have to think a little more
and you just have to breathe deeply and
know, I mean, before pressing the click, think
about what is at all ends of my
frame and see how we can correct it.
At the moment you look at all ends
and see what there is, I assure you
that the photograph will change, but totally, okay?
Very good guys.
Ok, well, let's look at some more, okay?
And above all, some very, very crazy, like
the ones you are seeing now, from our
friend Andrés Montoya, who titles this image as
the cage, in allegory, right?
To the times that, well, that is, because
we are living and I must say that,
kid, your head has gone very well, with
the head of a dead bird and the
background is all reddish.
But hey, just analyzing, I see that there
is a very, very, very interesting light, because
it comes from the right, in which it
is bathing in a very cold temperature, which
is, I think it will be Andrés, in
which it will have been put on by
the mask, and notice how well that neutral
background works, right?
I always say that they seem very, very
interesting to me, that is, the contrast, right?
Between colors that have a warm temperature and
colors that have a cold temperature, right?
Very good, but your head has gone, huh?
Ok, let's go for our friend Diego Tabango,
I love this type of edition and I
also love how you have positioned yourself there,
okay?
Perfect, Diego, perfect for how you came out
of your comfort zone and how you have
photographed yourself in a very, very interesting location,
right?
How did you play with the geometry, which
was something that I had forgotten to comment
on, which is also something fundamental, and above
all, right?
With the neutral background of the sky and
with the geometry in a circular way, very
interesting.
Let's go for our friend Manuel García, who
plays with his daughter, look at what an
interesting light too, look at how he played
with all the balls, I want to think
that you raised or played with all the
balls, and well, and with the girl with
those glasses, so interesting, right?
Let's also go for our friend Andrea Cazziola,
I have known Andrea for a long time,
for several years, he has attended several of
my workshops, he lives in southern Italy and
is an incredible person, in addition to being
a photographer, because as you are seeing, super
interesting.
Congratulate him, right?
For how he has played with that master
line that cuts in half, which seems super
interesting to me, how he has played with
the greens, with the blues ...
Notice that in addition, both the green and
the blue are colors, that is, they are
cold colors, but notice that in this photograph,
what Andrea has achieved, that the cold colors
are warm colors, right?
So it seems very, very interesting to me,
well, how he has played, okay?
Well, congratulations Andrea, perfect, and continue like this,
please, don't stop, don't stop creating.
Ok, well, let's go with Xeni León, I
have to congratulate you Xeni, your portrait is
incredible.
I always say that the people that I
portray, who do not look at the camera,
unless they have an incredible look or a
very interesting look, as is the case, right?
I mean, look, for example, the penetrating look
that the boy has, for example, right?
It works perfectly, and how, after seeing his
look, I am going to entertain myself or
observe the rest of the image and I
already see, right?
How the girl is playing and the girl
is bathed with an incredible light, it works
perfectly, and also look at how well that
neutral background works, it is completely black, okay?
But it is a perfect light-dark game,
right?
And it reminds me of a painting, so
Xeni, congratulations, it seems very, very interesting to
me.
Let's go for another image of our friend
Alex Torres.
Sincerely, when I saw the image of Alex
Torres, I wondered, right?
That it had been done during this quarantine,
that despite seeing that in the metadata the
image was shot in the days that I
told you it should be photographed, I asked
Alex, right?
And I said, Alex, have you photographed this
in these days?
And he clearly said yes, right?
So congratulations, one, for convincing a couple in
these days, which surely was not easy to
convince them, so congratulations.
And already, a little by analyzing it, I
have to congratulate you because you have played
perfectly with light, with interesting light, with neutral
backgrounds, with little hands, you have played with
the couple, although they do not look at
each other, there is a complicity thanks to
the hands, great, great.
But there is another little detail that I
would like to point out, which is that
hand that is cut off from the boy.
Those small mistakes make a photograph that could
be outstanding, or noteworthy.
So, please, always, once again, remember, before you
press, before you click, that is, think, the
bastard of Spanish who told me, before pressing
the click, we are going to observe the
ends of the frame to see if everything
works.
If it doesn't work, guys, that hand goes
up.
And if it works, clack clack.
Yes?
Ok.
Well, let's go for another image.
I'm talking about our friend Vicente Pastor and
what I like is how Vicente has played
with those primary colors in which it could
be a reddish purple, a blue of the
sky and a white that, in turn, both
the white and the blue and, in a
certain way, that reddish color is the same
color that, for example, the boy has, right?
So everything works well, except, again, a part
that is mutilated and, surely, you don't need
me to tell you what it is, right?
That little leg that cuts around here.
Those little mistakes make our images not be
perfectly closed.
So remember, correct them well, please.
Okay?
And we're going for the last one.
And it's not because it's the best, but
it's going to be the winner for me
and what also for Erika, because, well, I
asked her, right?
I say, which one, which one, which one?
I mean, which one do we choose, right?
And the truth is that we were thinking
between this one, especially Andrea's, we thought about
Xeni too, which could be very, very interesting.
We were also thinking about Alfonso's creativity, right?
About how he had played, okay?
And of course, we were also thinking, for
example, about Jorge Sulbarán, because he took out
a room, a lot of creative resources to
which we must praise, we must congratulate, but
in all these images there were small mistakes
and, honestly, the one that transmitted us a
better vibe, a better atmosphere, and how he
had played with those primary colors, neutral backgrounds,
hard light or very interesting light, had been
Marcelo Domiciano, from Brazil.
So, congratulations, Marcelo, the photo is really interesting,
although I should also say that there are
small mistakes, right?
Like that line that he is mutilating by
hand, right here of the boy, notice that
that does not make it end up working
so well, and I, perhaps, the approach would
have directed it towards him and not towards
her.
You have been with us for a couple
of hours, and we can talk about whatever
you want, right?
About creativity, editing, or business, although I think
we know very little about business, although very
soon you will have a good chapter on
it.
So, well, I mean, congratulations to everyone, okay?
Again, thank you very much, and see you
in a chapter that you will surely like
even more.
Bye, bye.
Take care, friends.
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