Original subtitles

Hello friends, how are you?

How are things going?

As you can see, today we are two

and if we are two, it is always

synonymous that we are going to share something

interesting with you because, yes, man, when I

dedicate a company, it is because we have

to tell something, because we want it to

be really interesting, that is, it means that

the rest of the videos, which are only

me, are very uninteresting, right?

Well, the jokes are already out, simply because

in this video we would like to share

with you how we work one of our

last, if not the last, almost last weddings

of last year, we did it on the

last weekend of October in Orihuela, a town

in Alicante and well, it was a wedding

that we had a lot of fun, but

we would like to show you the whole

gallery, the gallery that we have delivered to

our clients, it was a lovely couple, super

super nice with us, also from the beginning

they always had the super clear things that

they wanted from us and they wanted our

more creative side and they gave us freedom

at all times, they were one of those

faithful couples.

Yes, both he and she, well, a couple

of architects too, that is, well, they were

already very clear, as Erika says, everything they

wanted, right?

The story is that a priori everything painted

that it was going to be a wedding,

which it was, but as always in life

you tend to see paths that cross, and

the thing is that it could have been

a much more visually attractive wedding, but it

rained, yes, that, more lucid perhaps, but it

rained and well, that is, it had to

have been celebrated in an interior area of

​​an incredible old convent.

It was super cool, but well, what Victor

and I say, the couple saved the whole

wedding.

If it were another couple with less energy,

surely we would not be publishing this video

and showing this wedding.

But well, going back to the visual, which

is what you are also interested in, in

the gallery you will be able to see,

right?

As in the beginning, well, I mean, a

good report came out, but it was not

easy, right?

Both the room or the preparations for it

happened in a place with very bad light,

right?

Yes, one of the most complicated I have

had, and even seeing the result, I am

always more critical of whether they are good

or not, because it could have been better,

it could have been, it could have been,

but it could not be.

But you will see that, well, he is

complaining and, come on, the work is very

well photographed.

And in my case too, well, even though

it was a very spacious house, finally, well,

there were times when the light did not

help you either, but well, in short, I

think we tell a good story and it

is the one that we would like to

share.

That is, as I have told you, what

we are going to do, well, simply, well,

in the gallery you will see all the

work that we have delivered, from the moment

we started working, from the preparations, until the

last moment that we stayed at the party,

which meant an hour, an hour and a

half, more or less, after the opening of

the party, okay?

What we are going to do, so that

you can see it well and so that

we can tell you a little bit about

how it was more or less happening, well,

we are going to simply share the screen

so that you can see what we have

in front of us, I mean, so that

you can see all the photographs and we

will describe them to you, both the ones

that Erika took and the ones that I

was taking, okay?

So, I mean, we think it's going to

be an interesting video because you are going

to see our whole visual journey at a

good wedding, okay?

Come on, until now.

Very well, friends, this is, well, here you

have the gallery, because we are going to

start talking about it, just a little bit,

right?

There are 800 images that we have delivered,

normally we usually deliver maybe a few less,

but in this case, well, you are going

to see that there were a lot of

moments, we captured good photos and well, I

mean, because of the couple, well, it deserved

it, so we didn't mind including maybe some

more, just as you can see in the

area below, here, where I am just showing

it now, here you are also going to

see all the metadata that we leave here

in case someone is curious to know what

type of ISO we use, speeds, diagrams and

all these things.

I simply, or Erika and I, well, we

are going to move forward and we are

going to start viewing all these images and

we will tell you, okay?

As usual, I personally took care of what

the bride's preparations were and while Erika was

waiting a bit in the hotel for the

time to start with the groom, I simply

don't, I always like to accompany the bride

in everything she does, not only preparations, but

to see a little bit if she was

having breakfast with her brother, and I was

having a bit of fun trying to have

images, well, not only of the bride with

her makeup, but well, as you are seeing,

with the preparations and in different rooms to

make it as visual as possible and make

the photos not be taken in the same

space, because in the end, well, sometimes it

can be a bit repetitive, right?

Here just came the moment in which Erika

arrived, as you can see, you arrived just

in time, right?

Yes, I arrived just when the father was

leaving, and a bit of what Víctor was

saying, that when I arrived to the room,

it was a room of a fairly normal

hotel, with very little light, well, the typical

three-star hotel, a bit like that, a

bit like Ranciete, that when I entered, well,

I said, wow, what do I do?

And then, what we have always talked about,

Víctor and I, looking for a nice light,

and from there, working, right?

And then I sacrificed having more space and

staying only in a space where the light

was good and working in it.

And what I was saying to Víctor, why

I am not very happy with my preparations,

is because in the end they became very

monotonous, all the time I was in the

same space, my creative resources were reduced a

lot, and I also had a videographer who

did not help much, so it was a

bit of a mess, but well, I did

what I could.

No, what I wanted to say, Erika, a

little bit, right?

I mean, he directed everything to happen in

the same room, close to a window, that

the window gave a touch of light, which

for my understanding, or for my taste, is

not bad at all, but well, the person

you are seeing is not the boyfriend, but

the brother of the boyfriend, okay?

Who also had a lot of prominence.

Yes, exactly.

And well, as you have seen, I was

also working whenever I could, both on the

terrace and inside and outside, sometimes I asked

the make-up artist with a lot of

education if she cared to go out, I

mean, to go a little bit having something

more than usual, I mean, if we did

make-up that were in different rooms or

spaces, if it was possible to go, for

example, scratching a little bit, right?

What Erika was referring to was a little

bit to this, as you are going to

see, there is a certain repetition in what

is to creative resources, in what is to

light, but for my understanding, or in my

opinion, and it is not to praise it,

because you already know that I am critical

with everyone, but for me it is the

right thing, what I would have done the

same, I mean, there was only that solution,

to bring the boyfriend closer to a light

source, in this case the natural light source,

and start capturing moments, I mean.

Yes, yes, that's what I did, but I

wanted something, you know, that which is super

motivated at that wedding, that you want to

do something more, and it was like I

couldn't do anything else, and that blocked me

a little bit, but well, that's it, I

captured moments without stopping, and that, always going

to that point of light, that I knew

that it was the one that was correct,

because the rest, the room had no other

window, and it was very dark, and it

denied me to turn on artificial lights, so

there was no other.

You see that I did, in quotation marks,

something similar, they are also close to the

window, right?

And I, well, I was looking for that,

okay?

I was looking for, all the time, to

have the girls, at least, illuminated, and like

Erika, I mean, to capture moments in the

most natural way possible, right?

We are going to continue, for example, moving

forward a little bit, so that you can

see how was the whole, I mean, the

whole journey, okay?

In these moments, the most we can, or

that we could do, or that we do,

both in this wedding and in all of

them, is simply, I mean, to propose, right?

Both the groom and the bride, that they

are close to a window, or close to

a source of light, more or less interesting,

and start to work.

And that they do what they want, but

always in that location.

If we don't say anything, it's because I

think it's not necessary to say anything, right?

More or less, it's better that we are

quiet, and that you continue, for example, watching

the images.

There is now a photo of Erika that

I like a lot, not only this one,

this one, oh, sorry, this one, I liked

this one, the hand is not there, just

the hand there, yes, but it's okay.

Well, but it's on the other side, okay.

Let's see if the photo that I wanted

to tell you arrives.

I don't know which one.

The one that comes out with the champagne

glass, and the other hand just raised, right?

Ah, the one of the mother who tells

her to stop putting champagne on her.

Yes, this one, I like this one, I

don't know.

I mean, it really has something very interesting.

Well, like many, right?

Yes, something critical that I see in me

that I don't see in you, which I

think is also good to say, that sometimes

when I see Victor's photos, I say, wow,

I should have done more detail.

Sometimes I forget, right?

I don't know how to create these transition

photos that Victor does very well in the

preparatory sessions, and sometimes I forget about them.

I mean, going back, it's like...

Doing this...

One of the things that I, or the

rules that I usually have is to make

a very open shot, a little less, that's

it, one very open and two more closed.

It's like something that I always follow, right?

I mean, something open, closed, and more closed

still, right?

And in those moments, right?

I think that closing, or closing more is

when sometimes you find that little essence of

things, right?

But well, Erika is being critical of herself,

but I assure you that, well, I consider

that her gallery is very good, and that

both galleries, hers and mine, make that all

this gallery have, I mean, a graphic consistency,

and I like it, definitely, right?

Notice that this was a moment that I

captured in a natural way, of the photo

of the slopes, that you will later see,

one of my favorites from last year, and

the moment I captured this, I already had

an idea.

Of course, you see that also, when one

is looking at hands, or what I was

telling you, you can take an open shot,

and then go closer, or vice versa, right?

This one.

Yes, I think this is one of my

coolest photos from last year.

The bride is coming out, as you already

know, both when the groom leaves his house,

and the bride too, those are all transition

photos, so we are going to work as

hard as possible, because we think that in

the type of photos like this, there is

nature, right?

Of course, here if you see so many

similar photos, it is because the bride was

really…

Very beautiful.

Very photogenic.

Yes, she was very photogenic, and everything worked

very well.

And it is true that, even though it

was not a sunny day, I mean, it

was almost about to rain, but we tried

to take advantage of those types of lights,

which are not as hard as we would

like, but well, everything is possible, in the

end, what matters for us are always the

moments, being close to the couple, and trying

to document, of course, these photos you are

seeing, maybe the light is not…

well, this changes a lot, but maybe the

previous ones were not incredible lights, but we

must not forget that we are working for

people, we do not know if the people

who hug the bride and groom are important

or not, that is why we photograph everything

possible so that our couples do not miss

anything.

Here we decided, right?

Yes, I was behind, well, I was with

the groom and Víctor, you were on the

other side.

Of course, here is normally how we usually

proceed, Erika is in charge of photographing everything

that has to do with the groom, from

the preparations to the arrival of the bride,

and I am in charge of accompanying the

bride from behind, that is, Erika is on

the altar and I am right behind.

I also like this one a lot, a

good moment, and I was right behind.

And the ceremony, well, within what is possible,

within the rigidity of a Christian religious ceremony,

that you know that you have certain limitations,

we dedicate ourselves to taking all kinds of

images, this one, for example, taken by Erika

from a more external circle and another more

testimonial, mine in this case, very close to

the people who read.

It is true that we were a bit

lucky in this case because the priest was

a friend of the family and we were

able to move with total freedom at all

times, to get closer, to be outside, there

were no problems because of that.

We are quiet, eh?

Yes, here it is a bit...

Of course.

Here, of course, in the church or in

the ceremony you get carried away by how

everything happens, trying sometimes to scratch something that

is a bit interesting.

It is what Victor always says, if Victor

is on one side, I am on the

other, if he is 85, I am 35,

trying to complement each other so as not

to have the same photos.

And if I am very close, you a

bit further away.

And if he is on the altar, I

am in front.

This photo is a bit...

it is like a mental page of mine,

but I like it, everyone with a mask,

Christ the Redeemer right in the background, he

is the only one who does not wear

a mask, everyone, just the moment of taking

the body of Christ in the ceremony, I

do not know, I found it interesting.

But you see that there are also photos

like these, sorry, like these, more basic perhaps,

but as long as we can, as long

as we have the opportunity to get a

little closer or to have something more, we

will try to get it.

This is another transition photo, in which we

have...

it is like a more customary image of

a couple kissing, well, kissing, just hugging, which

could have been taken in the 30s, like

now, the only thing is because of the

mask of the guy in the background, who

makes us reveal that we are now.

Here, while one is doing this, well, I

mean, one is doing a more open shot,

the other is always doing closed shots, to

have different points of view at the same

time.

The truth is that in moments as simple

as these, we never lower our guard, because

we never know what may happen, to capture

photos like these, that is, the hug with

his brother-in-law, to get to capture

some super crazy transition photo.

That is why we never know when something

important will arrive, and that is why we

are always glued to the mere couple, to

see what happens there.

I think here you can see how Erika

was and how I am.

You can see me taking photos and kneeling.

35, 85 always, to have a little bit

of everything.

This was mine, this too, I think, yes.

And now, as always, there is a little

bit of hugs, congratulations, and all these things.

This is the moment when they released balloons.

I chose this photo because you can't really

see in the eyes, and I thought it

was interesting to have captured that moment.

I had already tried the formula to stick

a lot to the car's glass, I thought

it could be interesting to repeat it.

Here Erika left with our car and I

stuck to the couple's car to take some

photos.

I took the opportunity to make a quick

detail.

This is where the dinner was made.

It wasn't food, as it could have been,

but that's it.

Of course, even though this place may seem

beautiful, the food was going to be in

an outdoor patio from 4 or 5 centuries

ago.

Much bigger, because it was a very small

space for the people there.

But it wasn't an ugly place.

No, no, no.

To make a plan B was very good.

I quickly made, in 15 or 20 minutes,

a few portraits.

I think this is super...

Yes, I mean...

accurate, because I remember that at this moment

the boyfriend told me something like, we know

you work very hard, there are always sunny

days here, and curiously, today there is no

hard light.

The boyfriend knew perfectly what the strong point

was, but despite everything, we tried to take

photos or take some good portraits, not only

for the couple, but also for us.

And well, we spent a little time there.

I think we invested 15 minutes.

They wanted to welcome all their guests, and

they were waiting outside.

So we had very little time.

And that's it.

We took the opportunity.

They were welcoming the guests.

I like this photo.

It may look like a very serious guy,

but he was a very funny guy.

And this one, do you remember that we

both have it?

Yes, both.

Because that courtyard was where they had to

have had dinner.

Although here there was a very good light,

but in the end it rained.

Yes, it rained a lot.

Thank God they didn't do it there.

We keep moving forward.

Of course, if they don't ask us, we

dedicate ourselves to this, to photograph a little

from various points of view.

And if they ask us for family photos,

as you will see, many were photographed.

Of course, but imagine if in this courtyard

there had been both the food and the

after party.

It would have been apotheosic.

But things are like that and you have

to adapt to what is coming.

Yes, here it was already starting to rain.

They are already moving the tables.

More portraits.

You will see how soon they will enter

the dining room.

And even though this is the moment they

enter.

I was behind and I didn't do it

well.

I lost all the composition everywhere.

Here they were about to start running.

And notice that here I mutilated below and

I don't understand why I didn't wait any

longer.

I was too close to them and I

should have taken a step back to have

captured her, the boy in the air.

It was simple and I was wrong.

But hey, we started with all the fuss.

Grandparents, celebrations ...

Of course, the light here, you are already

seeing it, is difficult to control.

We don't use flash.

As you can see, we use ISO and

that's it.

We didn't do more.

You don't have to be sad thinking that

it would have happened if it hadn't rained.

After all, we were already at work and

we had to do it right.

We were lucky that they invited us to

eat well.

If this year there hasn't been as much

luck as last year.

I'm going forward.

Speeches.

Yes, that's what we were talking about, a

little about their attitude.

If they hadn't been so active and all

this, things would have changed a lot.

They didn't stop at all.

And that's to thank because they gave us

photos.

Yes, in the end, it's what we've said

so many times, that a wedding comes out

well photographed or that the photos are beautiful,

it depends so much on the couple to

be active.

Another couple, maybe because they don't do it

outside and all that, they go down.

But we will continue with our wedding.

That helped us a lot.

Here I have a band.

Of course, here it was a total drama.

It was a very ugly place with a

very bad light.

You'll see, it was super complicated.

And there I shit in everything I said

because of the rain.

I said, fuck the rain because, again, there

we were.

Very close to everything, capturing this kind of

photos, which is what they pay us for,

and doing our best with grandma, relatives, brothers,

best friends.

Here, this area was a total drama.

It was a corridor.

Yes, a small corridor, a terrible light.

And there we were super close, you and

I, trying not to be seen.

Although from time to time you can see

me from there.

Yes, that's what it is.

Of course, what I didn't like here was

the light, so hard towards the back of

the room.

But...

not even using a flash we were compensating.

No, because I had a flash, I put

a flash to see if I could...

but, you see, it didn't improve much.

No.

And now, well, at this moment, I assure

you, because the couple was very nice and

always took care of us, but at this

moment they started asking me for family photos.

Yes, at seven in the afternoon.

Super late.

The party was already in full swing.

I was partying and Víctor was taking family

photos.

And I was shitting my pants.

I said, no, this can't happen now.

I said, family photos now.

But, of course, with a smile and doing

things right, doing what the clown did, and

that, right?

Erika was taking photos of the party and

I was taking photos of the family.

My God.

That's how we were.

And I was telling them, but, I mean,

we have to do it fast because the

sun is going to go down, the sun

is going to go down, we don't have

light, and everyone was starting to take photos

non-stop.

And, well, after all, it's what they pay

us for, right?

Here I had to put the flash, as

you can see.

And, meanwhile, Erika with her party.

The truth is that they messed it up

a lot.

They set up a great party there.

They didn't look alike when we met them.

I don't know.

Very cool.

And then there was a kind of mobile

disco where they were dancing a little.

We were with them a little longer, not

much longer, but there.

And we tried, as you can see, not

to use flash but to take photos with

ambient light, right?

You see that Erika was partying and I

was still taking family photos.

What a mess.

And this was the last one we delivered,

right?

So this is photo number 812.

We delivered a lot.

We don't usually deliver as many as we

told you, but, well, here...

But, well, in the last weddings we also

delivered 800.

No, 700.

700?

So, well, that's all, friends.

We hope you liked this gallery.

We say goodbye, both Erika and me.

I don't know if you want to add

something.

No, well, I think I've said everything with

the photos.

We can't say much when there's a photo

that explains it better than us.

So, that's all, friends.

See you soon.

Be good.

Y hasta la próxima.

Chao, chao.