Original subtitles

Hello friends, how are you?

How are things going?

Welcome to a new video.

In today's video I would like to show

you one of our latest galleries, the one

that we concretely delivered just a week ago,

and I would like to share it with

you.

I mean, I would like to simply show

you the photos that we have delivered to

the couple who hired us.

I'm talking about 700 images that we are

going to show you in 15-20 minutes,

okay?

And it's a wedding that we photographed with

Erika in Zaragoza, in our city.

It's a local wedding, it's a church wedding,

it's a lovely couple, or it was a

lovely couple, or it still is, of course,

and the truth is that we had a

great time at that wedding, and the truth

is that I feel like sharing it because

you will be able to see a little

bit of the whole visual journey, where we

photographed interesting things, where we photographed more normal

things, and I believe that this way many

of you will get a better idea of

how we work, not at a local wedding,

but at any wedding, okay?

So I'm just going to share the screen

with all of you and we'll keep going.

Until now, very well, friends, as I was

saying, this is the gallery that I would

like to show you.

If I have selected this wedding it's because,

well, first of all it's a wedding in

my city, and second, it's because I have

visited both the restaurant or the shop, as

well as the church, many times, and that's

why I think it might be interesting for

you to see how we have resolved, both

Erika and I, this wedding, from the beginning

to the end.

I would also like to show you that

you will be able to see each photo,

how it was shot, the diaphragms, the speeds,

the ISO, and all of this, okay?

So I'm going to show you photo by

photo.

In some moments I'm not going to speak,

because I think it's better that I don't

speak and that you see this yourselves, and

also because when I speak, I don't usually

say anything useful, okay?

So, because we're going to start, as I

was saying, or as I would like to

say, I personally took care of what was

the bride's house, or the preparations in the

bride's house, and Erika took care of what

were the preparations, as you can see now,

in the groom's house, right?

So what you're going to see in each

moment are the photos that we took, the

photos, sorry, that were taken at the same

time, okay?

That's why right now you're seeing, right?

Both in the groom's house and in the

bride's house, a small breakfast was prepared, and

then it was like we started working.

We started working, worth the redundancy, before the

preparations, I mean, in the same breakfast, right?

That's why all these photos appear before the

preparations as such, okay?

And now I'm going to shut up and

let you see a little bit of all

this, okay?

The photos that we gave to this couple

are 707 photos, okay?

In which, as you're going to see, everything

appears, from big moments to a portrait, for

example, of the bride's father, as you just

saw, or a portrait of the groom's father,

as you're seeing now, right?

For us, it's so important, or more, not

only to photograph the grooms as such, right?

But also the people with whom the grooms

surround themselves, I mean, family, best friends, and

all this, okay?

This is one of the weddings in which

we would like to create a small blog

entry, because, despite the fact that the places

in which we have photographed this wedding are

very common in Zaragoza, I mean, we're talking

about one of the places, or some of

the most classic places, both the church and

the hacienda, and the truth is that, from

the beginning, we put all our efforts in

photographing what was happening with the people, because,

as I say, the people are the only

difference in each wedding.

After all, the haciendas end up being repeated,

the churches end up being repeated, and even

more so when you work in a city

that's not as big as mine, right?

Just as an anecdote, you see, this is

the place where the bride ends up getting

dressed.

I'm going to show it to you shortly.

Sorry, I want to go back, sorry, okay?

In which, as you can see, both a

place where the bride changed, and where the

groom got dressed are places with neutral backgrounds,

that is, very clean rooms where you can

work perfectly.

In fact, in the bride's room, as you

will see below, the room in which the

bride got dressed, I mean, it was a

room that was full of things, and we

literally emptied it.

Here was a TV, here was a sofa,

and I proposed to the bride that it

would be best if she stayed in the

diaphanous room, that is, completely clean, so that

we could work.

Something that you will constantly see are these

types of images.

In Zaragoza, in my city, it is very

common for couples to ask us for family

photos, but you will also see great moments

that we will capture.

As I always say, a wedding is something

more than photographing portraits, details, or even moments.

I mean, there is time for everyone.

We have 12, 14 hours to photograph all

kinds of moments and all kinds of photos

that customers ask us for, for example.

Although a couple asks me for family photos,

that does not mean that I will lower

my level of demand, or that I will

forget about my DNA.

I mean, I know perfectly well what my

DNA is, but it does not mean that

if at a given moment we have to

do details like these, or we have to

take family photos, we will do them, because

at the end of the day, we understand

what are the needs of our customers.

As you can see, the grooms are about

to arrive at the church.

Erika arrived earlier and took care of photographing

all these moments, while I was in the

bride's car.

Here we see that the bride is arriving.

In this case, as you can see, one

of us will always be, for example, on

the floor or on the floor, taking photos,

and another, as you can see, Erika, in

this case, was placed in a high position.

As you can see, she is up here,

you see?

To always have, well, more graphic richness, I

mean, a lot of different possibilities at the

same time, or different points of view at

the same time, okay?

You see that I have been silent because,

as I had told you, I prefer you

to see a little bit of all the

photos before you listen to me, right?

Look at where I was, you see?

Behind the bride's back, there I was.

I mean, once again, on the main altar,

but behind everything, and as you can see,

the priest does not usually say anything, he

does not usually, okay?

And Erika in front, I mean, we are

always in a complementary position to the other

partner to try to capture the most number

of points of view at the same time,

okay?

Many hugs, signatures, witnesses, and

of course, family photo, and we start.

In this case, it was the exit, Erika

was placed behind and I was placed in

front, right?

I mean, in front, as if they came

after me, right?

And then, in a burst, to death, and

I was alternating both with 35, as with

85, as you are seeing now, okay?

And I mainly like this photo, right?

It's pure VictorLax, right?

I mean, the moment as such, but captured

from another different vision, right?

Okay, all hugs, as you are going to

see now.

It is something that we love and that

the masks, in this case, have bothered us

a lot because, as you are seeing, we

can't see, after all, almost the emotion of

the people, right?

Here, the bride, yes, but the girl on

the left, it's a shame that we can't

see her face, right?

Let's hope that, sooner or later, the masks

will be part of the story for us

wedding photographers, right?

Because, as you are seeing, another great photo

of my friend Erika, and, as you know,

as I already told in one of the

chapters, this photo was captured while I was

doing this one, so a 10 for Erika.

I'm going to go through this quickly, okay?

I don't think it makes much sense, just

families, and the bride, I already have her.

You see, right?

I mean, what I mean when I say

that we photograph people and not locations.

It's not the energy that a couple can

have, it's the one that's going to give

us the photos, in general, right?

And, also, I'm showing you this gallery because

the bride, like many couples in Zaragoza, wanted

to go to a place where I've visited,

or I've visited it in the past hundreds

of times, right?

I even had to use, for example, with

effects, I had to use a 20mm portrait

to exaggerate everything.

I mean, yes, yes, it's done with a

20mm, that's not common for me, that a

portrait ends up looking like this, but I

use the 20mm, as I say, to exaggerate

everything, as you're seeing now, and get a

more visual, more powerful photo of such a

basic moment, okay?

While I was here with the portraits, which

lasted 15 minutes, Erika was already on the

farm waiting for the couple to arrive with

the smoke.

The truth is that I still don't understand

what the meaning is for the couples of

this, of the smoke.

I respect it, but I don't understand it,

okay?

And, well, here we already started with the

cocktail, more hugs, of course, photos with the

direct family, with the grandparents who still made

us...

Surely, if you're from Spain, you understand all

this perfectly, okay?

But it's part of our life as wedding

photographers.

Look, there I broke the photo to my

dear Erika.

And, well, the truth is that there are

many photos that don't say much, like the

family photo, I mean, but we're happy because

there are a lot of moments, we worked

on the preparations very well, the ceremony was

worked on well, the exterior reports, the 15

minutes we had too, and what you're going

to see next was also worked on well,

so I think it's a wedding in which

we can be proud of how complete it

can be, okay?

I'm going to skip this a bit because,

as you can see, more than one will

already be getting bored, but we're always working

for our clients.

Very good, now they come to the restaurant.

This restaurant, although it's one of the best,

I mean, it's the most complicated one can

have or that I can have.

Why?

Because the walls are red and the hostess,

consequently, is red, so if you shoot a

flash inside, you have to shoot it because

there's no light, the skins, as you can

see, even if you try to correct it,

that red hostess remains, which is a drama,

and I've tried to do it actively and

passively, and believe me, I don't know how

to solve it, but it's the thing of

working there, in this restaurant.

Believe me, it's one of the best in

Zaragoza, but we die trying.

Well, you're already seeing golf friends, the family's

grandfather, hugs and kisses, and then there was

a little dance of one of the main

dancers in my city, as you're going to

see.

This is the best friend of the bride,

in addition to the neighbor, and well, I'm

still with all this.

As you can see, there was quite a

party, so to speak, or emotions, details, well,

there was everything around here, and we're going

to move forward.

I hope you're enjoying it, and I hope

you're not getting bored, okay?

This is the dancer I was talking about.

The photos you see with 35mm were taken

by Erika, and the photos you're going to

see with 20mm, like this one, were taken

by me.

Why with 20mm?

Because since Erika was going with 35mm, I

thought that the 20mm could help me to

get a more powerful moment, right?

The LEDs you see over there are from

the videographers colleagues, which I must say, now

that those who don't listen to me, who

are very good people, but at this wedding

they fucked us up, because they didn't stop

standing in front of us.

But well, that doesn't matter anymore.

It's over.

And this is the second area of the

hacienda where the dance was done, right?

The dance or the celebration as such, right?

The party, I mean.

Of course, everything changes here.

I personally love this area here, because as

you can see, you can play with lights,

both natural and artificial, or mix both, as

you can see.

Again, those LEDs you see are not ours,

they are from the videographers, okay?

But they will help us perfectly with this.

In fact, I would like to say that

the flamenco band they brought is from Seville

and is one of the best known in

Spain today, okay?

As you can see, I mean, we work

in the same way, Erika at one point

and I at another.

We put two flashes, always at 45 degrees,

to be able to illuminate perfectly.

There we see Erika right in the background,

do you see her?

And we keep working, we keep working and

we try to capture, I mean, not only

the couple dancing now, but how you are

going to see the rest of the guests,

right?

They are going to be released little by

little and the party is going to start

little by little.

By the way, it was a pretty, pretty

fun party and a bit golfy, but that's

what we live from.

Very good.

And this was one of the last images

and as you can see, this, this and

this.

I don't know, I don't know if I

passed the photos very quickly, I hope not,

okay?

But as it is a video you can

stop it if you are curious about any

of them and you can go back and

all these things, okay?

So nothing else, friends, this was what I

wanted to share with you, the complete gallery

of my dear Jasmine and Diego, a wedding

that we took in Zaragoza on July 31st

and the photos are already completely edited and

that we will soon deliver to our dear

customers.

Nothing else, friends, be good, behave well and

I hope you liked it.

Ciao, ciao!