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THE OLD RANGER:
And now,Death Valley Days.
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♪♪ [ trumpet ]
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00:00:12,795 --> 00:00:14,797
Hyah! Yah!
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Yah! Yah!
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00:00:32,075 --> 00:00:35,426
Howdy, folks.
I'’m the Old Ranger,
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00:00:35,470 --> 00:00:38,081
and I have another
interesting true story for you
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00:00:38,125 --> 00:00:41,345
about the historic
Death Valley country.
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00:00:41,389 --> 00:00:43,869
This is the story of a little
red-haired wisp of a girl...
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San Francisco
in the year 1853.
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00:00:49,223 --> 00:00:52,008
The brigantineRainbow
has just arrived from New York.
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Your husband asked me
to meet you and your daughter,
Mrs. Crabtree--
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00:00:54,532 --> 00:00:57,405
Oh....and to instruct you
to join him in Grass Valley.
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Grass Valley?Yes. That'’s a camp.
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00:00:59,407 --> 00:01:02,192
A few days'’ journey from here,
up in the High Sierra.
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It'’s just like Crabtree.
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He finally sends for us
after a whole year,
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00:01:07,023 --> 00:01:10,983
and then when we get here,
he'’s off chasing rainbows.
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It'’d serve him right
if I turned around
and went back home.
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You poor old horsie.
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You'’re all hot.
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You'’d like a nice drink
of water, wouldn'’t ya?
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The Grass Valley stage
leaves at 4:00 this afternoon.
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That was Edwin Booth.
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The actor?Yes.
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Well, what'’s he doing
out here?
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Oh, San Francisco'’s
full of actors.
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Everything from minstrels
to Shakespeare.Oh, really?
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I'’ve never seen a town
so show crazy.
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Miners come down
from the mountains
with their pockets full of gold.
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They'’ll pay any price
to see a good show.
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Hmm.
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Lotta?
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00:01:51,285 --> 00:01:53,330
Lotta.
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Come along, Lotta.
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Mama, he'’s tired.
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I'’m a little tired myself.
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Look at the big load
he has to pull.
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I wish he was mine.
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00:02:06,648 --> 00:02:08,302
Will you please come on?
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00:02:08,345 --> 00:02:11,174
Mr. Purcell is waiting for us.
We'’ve got to be on your way.
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Where to?Grass Valley.
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That where Papa'’s
digging for gold?We hope.
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Bye, horsie.
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[ horse whinnies ]
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THE OLD RANGER:
In spite of her resentment
over the situation
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00:02:29,366 --> 00:02:32,326
and her inclination
to turn around
and go back home,
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Mary Ann beautifully
took the stage
with little Lotta
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00:02:34,850 --> 00:02:37,548
to join her husband
in Grass Valley.
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It was a different kind of town
than she had lived in before
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00:02:40,203 --> 00:02:42,162
and not a bit to her liking.
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00:02:42,205 --> 00:02:44,860
Nor were
the financial prospects
to her liking,
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when she found out
John Crabtree'’s gold digging
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was nothing but talk,
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00:02:49,299 --> 00:02:51,388
and she would have to do
the providing.
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We'’re wasting our time
here in Grass Valley, Mary Ann."We"?
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If we move on up
to Rabbit Creek,
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00:03:01,355 --> 00:03:03,226
you won'’t have to
run a boarding house.
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00:03:03,270 --> 00:03:05,141
I'’ll make the money.
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00:03:05,185 --> 00:03:07,317
The gold up there
lies in great pockets.
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Every pocket worth a fortune.
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00:03:09,580 --> 00:03:12,714
After you'’ve located it. I will if I get there
soon enough.
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00:03:12,757 --> 00:03:16,935
I might go on ahead.
You could follow with Lotta.
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00:03:16,979 --> 00:03:19,590
Say, where is Lotta?Out riding with Lola Montez.
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You let that child-- Why not?
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She can'’t sit around
the house all day.
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00:03:23,768 --> 00:03:26,249
Well, Lola Montez
is a notorious woman.
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00:03:26,293 --> 00:03:29,426
An actress and a dancer.And a very good neighbor.
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00:03:29,470 --> 00:03:32,690
I'’m surprised at you, Mary Ann,
approving of such a person.
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00:03:32,734 --> 00:03:35,171
I didn'’t say I did.
But I like her.
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00:03:35,215 --> 00:03:38,087
She'’s been mighty nice to Lotta.
She'’s taught her to ride.
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00:03:38,130 --> 00:03:39,828
What else has Lotta
learned from her?
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00:03:39,871 --> 00:03:42,961
Nothing she shouldn'’t.
I'’m sure of that.
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♪♪ [ "Camptown Races" ]
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There. Now your pony
is as good as ever.
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00:04:03,068 --> 00:04:04,679
Thank you.
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00:04:04,722 --> 00:04:06,333
What do we owe you?
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Be glad to do it
for the little girl.
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00:04:08,813 --> 00:04:11,686
Dance for him, Lotta.
The Spanish dance
I taught you.
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Clear the table. You.
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Spanish music, please.
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00:04:16,517 --> 00:04:19,259
♪♪ [ folk dance ]
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♪♪ [ continues ]
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♪♪ [ ends ]
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[ cheering ]
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[ cheering, applause continue ]
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And when I finished,
they threw things at me.
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00:05:25,934 --> 00:05:28,197
[ laughing ]
"Things"?
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00:05:28,240 --> 00:05:31,505
That was money, child.
Gold, silver.
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00:05:31,548 --> 00:05:33,681
Lotta'’s a natural-born dancer.
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00:05:33,724 --> 00:05:36,161
Never have I seen a child
learn so quickly.
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00:05:36,205 --> 00:05:38,555
I'’ve gone through
the steps but once,
and she knows them.
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00:05:38,599 --> 00:05:40,209
You'’ve been teaching her?
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00:05:40,252 --> 00:05:45,083
Even complicated routines
she picks up in no time at all.
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00:05:45,127 --> 00:05:48,086
Who gave you permission,
Miss Montez?
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I hope you will.
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00:05:50,045 --> 00:05:52,308
Let me take her back
to Paris with me
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where she can have
professional training
for the stage.
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00:05:54,615 --> 00:05:56,225
Daughter of mine?
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00:05:56,268 --> 00:05:58,401
Oh, could I, Papa,
please?
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Never.
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00:06:04,451 --> 00:06:05,365
No.
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00:06:07,236 --> 00:06:08,846
Perhaps they'’ll
change their minds
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00:06:08,890 --> 00:06:10,674
when you show them
what you can do.
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00:06:10,718 --> 00:06:12,197
We'’re leaving
Grass Valley at once
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for Rabbit Creek.
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00:06:14,635 --> 00:06:16,985
It'’s a rich
new strike up there.
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00:06:17,028 --> 00:06:20,510
I don'’t wanna go.
I wanna stay here with Lola.
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LOLA:
We'’ll see one another
again sometime.
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00:06:23,121 --> 00:06:26,603
No, we won'’t, Lola.
Never, ever.
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I love you, Lola.
I don'’t wanna say good-bye.
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[ crying ]
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Suppose we go out
and unsaddle your pony.
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There. You see?
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00:06:45,927 --> 00:06:48,364
That'’s what comes
of letting her associate
with an actress.
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00:06:48,408 --> 00:06:50,845
She must'’ve made
a pretty picture on that table.
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I wish I'’d have been there.
I'’d have put a stop to it.
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Yes, you would.
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Well, wouldn'’t you?No.
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No. If I'’d been there,
I'’d have picked up the money.
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00:07:07,514 --> 00:07:09,994
THE OLD RANGER:
Once again,
Mary Ann Crabtree and Lotta
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00:07:10,038 --> 00:07:13,389
found themselves
on a stagecoach
headed for a new town,
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00:07:13,433 --> 00:07:17,132
with Mary Ann'’s resentment
of such a life
steadily growing.
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00:07:17,175 --> 00:07:20,701
And arrival in Rabbit Creek
didn'’t do anything
to help her resentment.
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For in spite of the fact
that fortunes
were being made every day,
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the gold John had promised
continued to elude him.
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00:07:27,882 --> 00:07:30,101
But she kept her feelings
to herself,
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00:07:30,145 --> 00:07:32,930
and once more turned
to the only means she knew
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00:07:32,974 --> 00:07:35,759
to keep a roof
over her and Lotta'’s head.
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00:07:35,803 --> 00:07:37,500
MARY ANN: Why don'’t you go
and play, Lotta?
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00:07:37,544 --> 00:07:39,807
There'’s nobody to play with.
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Well, then, run to the store
and do an errand for me, hmm?
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00:07:42,374 --> 00:07:44,159
I need some prunes.Which store?
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00:07:44,202 --> 00:07:46,117
Mark Taylor'’s.Next to the theater?
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00:07:46,161 --> 00:07:49,033
That'’s right. And tell
Mr. Taylor to charge it.
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00:07:49,077 --> 00:07:51,514
And don'’t waste any time.
Come right straight back.
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00:07:51,558 --> 00:07:53,037
Yes, Mama.
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00:08:01,002 --> 00:08:03,308
♪♪ [ accordion ] [ soft-shoe dancing ]
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♪♪ [ continues ]
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[ laughter ]
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♪♪ [ tempo increases ]
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[ laughter ]
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♪♪ [ ends ]
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[ cheering ]
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00:09:24,259 --> 00:09:26,174
[ cheering continues ]
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00:09:31,005 --> 00:09:34,225
"Little Sue Robinson,
the Fairy Star"?
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00:09:34,269 --> 00:09:36,706
A child prodigy
from San Francisco.
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00:09:36,750 --> 00:09:38,578
She was booked to play
my theater for one night,
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00:09:38,621 --> 00:09:41,232
but there was some disagreement
over, uh, terms,
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00:09:41,276 --> 00:09:44,496
so she'’s appearing instead
across the street
at a dance hall.
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00:09:44,540 --> 00:09:46,150
Why are you
telling me this?
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00:09:46,194 --> 00:09:48,762
Because I want to put on
a rival show tonight
starring Lotta.
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Lotta'’s ten times prettier
than Sue Robinson,
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00:09:51,286 --> 00:09:53,462
and she can dance
rings around her.
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00:09:53,505 --> 00:09:55,203
Will you
and Mr. Crabtree let her?
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00:09:55,246 --> 00:09:58,206
Mr. Crabtree is off prospecting.
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Then will you?
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She hasn'’t a thing to wear.
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You could whip her up a costume
between now and tonight.
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00:10:06,475 --> 00:10:08,651
Suppose she gets
stage fright.
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00:10:08,695 --> 00:10:12,873
Once that the music start up,
and Lotta'’s feet
can'’t help dancing.
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LOTTA:
Mommy! Mommy!
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Mommy! Mommy!
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Mommy, there'’s a new
little girl in camp,
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and her name'’s Sue,
and she'’s just my age.
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Can I go play with her?
166
00:10:23,753 --> 00:10:25,146
No, Lotta.
167
00:10:25,189 --> 00:10:28,149
But she'’s only gonna
be here one day,
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00:10:28,192 --> 00:10:31,108
and it'’s the first time
I'’ve had anyone to play with.
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00:10:31,152 --> 00:10:34,372
Sue Robinson can'’t possibly
be a playmate for you, Lotta.
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00:10:34,416 --> 00:10:35,765
Why not?
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Because she'’s a-- a rival.
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A professional rival.
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MAN:
Hurry! Hurry!
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00:10:45,645 --> 00:10:47,995
Ladies and gentlemen,
right this way!
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One night only!
Little Sue Robinson!
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00:10:50,911 --> 00:10:54,741
This way, folks,
to see the wonder of the West,
Lotta Crabtree.
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00:10:54,784 --> 00:10:57,526
Come right on in and see
the most brilliant,
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00:10:57,569 --> 00:10:59,702
the most scintillating,
the most beautiful
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00:10:59,746 --> 00:11:02,009
young dancing star
the West has to offer.
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00:11:02,052 --> 00:11:03,445
Step right in, folks.
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00:11:03,488 --> 00:11:05,882
Get your money ready.
Get your money ready.
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00:11:05,926 --> 00:11:09,277
No waits, no delays.
Step right in.
Hurry. Hurry.
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00:11:09,320 --> 00:11:10,844
Step right in.
Won'’t you come in, please?
184
00:11:10,887 --> 00:11:13,020
See Lotta Crabtree.
Come right on. That'’s fine.
185
00:11:13,063 --> 00:11:15,022
No waits, no delays.
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00:11:15,065 --> 00:11:16,980
Comfortable seats
on the inside.
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00:11:17,024 --> 00:11:18,808
Step right up,
ladies and gentlemen.
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00:11:18,852 --> 00:11:21,637
Come right on in.
Come right on in, gentlemen.
189
00:11:21,681 --> 00:11:23,987
That'’s fine, ladies.
Lotta Crabtree.
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00:11:24,031 --> 00:11:27,817
Lotta Crabtree,
the most beautiful
young dancing star of the West.
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00:11:27,861 --> 00:11:30,951
Direct from San Francisco.
Get your money ready.
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00:11:30,994 --> 00:11:33,040
Get your money.
Hurry. Hurry.
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00:11:33,083 --> 00:11:35,085
Come and see Lotta.
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00:11:35,129 --> 00:11:37,044
Ladies and gentlemen,
right this way.
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00:11:41,744 --> 00:11:44,834
And now for the feature
of the evening,
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00:11:44,878 --> 00:11:47,750
Miss Lotta Crabtree,
juvenile star,
197
00:11:47,794 --> 00:11:49,883
who has chosen the camp
of Rabbit Creek
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00:11:49,926 --> 00:11:51,754
for her premier performance
199
00:11:51,798 --> 00:11:54,757
in the Golden State
of California.
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00:11:54,801 --> 00:11:56,106
[ applause ]Now remember.
201
00:11:56,150 --> 00:11:58,413
Do it just the way
Mr. Taylor told you to.
202
00:11:58,456 --> 00:12:00,981
I'’m scared, Mama.Oh, there'’s nothing
to be scared of.
203
00:12:01,024 --> 00:12:03,984
Those folks out there
are just neighbors.
204
00:12:04,027 --> 00:12:05,681
♪♪ [ piano ]Now smile.
205
00:12:05,725 --> 00:12:07,552
That'’s it.
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00:12:09,032 --> 00:12:11,165
[ applause ]
207
00:12:17,911 --> 00:12:26,441
♪ Maxwelton'’s braes are bonnie ♪
208
00:12:26,484 --> 00:12:33,840
♪ Where early fa'’s the dew ♪
209
00:12:33,883 --> 00:12:41,325
♪ It was there
that Annie Laurie ♪
210
00:12:41,369 --> 00:12:47,418
♪ Gave me her promise true
211
00:12:49,638 --> 00:12:57,689
♪ Gave me her promise true
212
00:12:57,733 --> 00:13:06,568
♪ Which ne'’er forgot shall be ♪
213
00:13:06,611 --> 00:13:15,142
♪ And for bonnie Annie Laurie
214
00:13:15,185 --> 00:13:22,236
♪ I'’d lay me doon ♪
215
00:13:22,279 --> 00:13:25,108
♪ And dee
216
00:13:25,152 --> 00:13:27,023
♪♪ [ ends ] [ applause ]
217
00:13:36,685 --> 00:13:39,253
♪♪ [ Irish jig ]
218
00:13:44,475 --> 00:13:45,650
♪♪ [ continues ]
219
00:14:30,173 --> 00:14:31,783
♪♪ [ ends ]
220
00:14:31,827 --> 00:14:33,524
[ applause ]
221
00:14:35,918 --> 00:14:37,354
[ coins clinking ]
222
00:14:47,321 --> 00:14:51,020
This is more money
than I ever had in my hands
at one time in my life.
223
00:14:51,064 --> 00:14:54,328
I never saw
anything like it.
224
00:14:54,371 --> 00:14:58,245
She was a sensation.
She'’ll be a sensation
wherever she goes.
225
00:14:58,288 --> 00:15:01,639
But to exploit my own child.Lotta loves it.
226
00:15:01,683 --> 00:15:04,164
She was laughing
all the time she was dancing.
227
00:15:04,207 --> 00:15:06,862
She did seem to be
in her element.
228
00:15:06,906 --> 00:15:08,995
We'’ll form
our own little troupe,
229
00:15:09,038 --> 00:15:11,040
tour the remote camps
where they never see a child.
230
00:15:11,084 --> 00:15:14,783
They'’ll take her
to their hearts,
shower her with gold.
231
00:15:14,826 --> 00:15:18,091
Of course, if you want
to consult your husband...
232
00:15:18,134 --> 00:15:20,267
I can make
the decision myself.
233
00:15:23,009 --> 00:15:24,836
When do we start?
234
00:15:26,273 --> 00:15:27,927
THE OLD RANGER:
That was the beginning
235
00:15:27,970 --> 00:15:31,321
of Lotta Crabtree'’s
professional career.
236
00:15:31,365 --> 00:15:33,367
She and her mother
toured the mining camps
237
00:15:33,410 --> 00:15:35,804
over mountain trails
no wagon could travel.
238
00:15:35,847 --> 00:15:38,502
They played in barrooms
and country stores,
239
00:15:38,546 --> 00:15:41,462
in campus tents
and in log cabins,
240
00:15:41,505 --> 00:15:43,681
and everywhere,
Lotta was a hit.
241
00:15:43,725 --> 00:15:45,727
Camps roared
in thundered applause
242
00:15:45,770 --> 00:15:47,990
for the little redheaded girl
with the nimble feet,
243
00:15:48,034 --> 00:15:51,428
the quick laugh,
the genius for mimicry.
244
00:15:51,472 --> 00:15:54,562
Through the years,
Mrs. Crabtree
not only guarded the money,
245
00:15:54,605 --> 00:15:56,607
but as Lotta grew
into young ladyhood,
246
00:15:56,651 --> 00:15:59,610
she also guarded her
like a dragon.
247
00:15:59,654 --> 00:16:01,090
But just once,
248
00:16:01,134 --> 00:16:04,180
in a remote mining camp
in the Mother Lode Country,
249
00:16:04,224 --> 00:16:07,923
were Lotta was playing
an extended
three-day engagement,
250
00:16:07,967 --> 00:16:11,709
her mother'’s watchful eye
was distracted for a moment.
251
00:16:28,378 --> 00:16:31,120
You'’re Lotta Crabtree,
aren'’t you?
Yes.
252
00:16:31,164 --> 00:16:33,079
Miss Lotta,
the unapproachable.
253
00:16:33,122 --> 00:16:35,603
Why do you say that?That'’s what they call you.
254
00:16:35,646 --> 00:16:37,953
Oh, they do?
255
00:16:37,997 --> 00:16:39,520
I'’ve seen your show
every night.
256
00:16:39,563 --> 00:16:41,304
You'’re wonderful.
257
00:16:41,348 --> 00:16:44,220
But thank you.
Did you like
the cakewalk number?
258
00:16:44,264 --> 00:16:47,310
I like the ballads best of all.
259
00:16:47,354 --> 00:16:49,225
When you sang those,
you didn'’t seem like an actress.
260
00:16:49,269 --> 00:16:51,749
You were just yourself.
261
00:16:53,490 --> 00:16:56,667
A girl a man could ask
to go driving with him.
262
00:16:56,711 --> 00:16:59,409
Driving? I'’ve got a horse and buggy.
263
00:16:59,453 --> 00:17:03,065
I don'’t suppose that seems
like very much
to a famous person like you.
264
00:17:03,109 --> 00:17:05,502
I'’ve never been buggy-riding
with a boy in my life.
265
00:17:05,546 --> 00:17:07,156
Would you like to?
266
00:17:07,200 --> 00:17:08,810
Oh, I'’d love it. MARY ANN:
Lotta?
267
00:17:08,853 --> 00:17:10,420
When?
268
00:17:10,464 --> 00:17:12,553
Tomorrow morning.
We'’re at the hotel.
269
00:17:12,596 --> 00:17:14,337
Lotta.I'’ll call for you
in the morning.
270
00:17:14,381 --> 00:17:15,686
At 10:00.
271
00:17:18,820 --> 00:17:21,779
My very first beau.
272
00:17:25,174 --> 00:17:27,785
Who was that young man
you were talking to, Lotta?
273
00:17:27,829 --> 00:17:30,571
I don'’t know his name,
but he has a horse and buggy,
274
00:17:30,614 --> 00:17:32,312
and he'’s asked me
to go driving with him.[ scoffs ]
275
00:17:32,355 --> 00:17:34,836
Such insolence.
You refused, of course?
276
00:17:34,879 --> 00:17:36,838
No. I accepted.
277
00:17:36,881 --> 00:17:38,840
You'’ll do nothing
of the kind.
278
00:17:38,883 --> 00:17:41,147
Come back into
the theater with me.
279
00:17:50,591 --> 00:17:53,159
I'’m sick of the old theater.Lotta!
280
00:17:53,202 --> 00:17:55,291
I'’m sick and tired
of always being on the move,
281
00:17:55,335 --> 00:17:57,859
never seeing anybody
except across the footlights.
282
00:17:57,902 --> 00:17:59,730
When you...
283
00:18:03,908 --> 00:18:07,260
When you have a career,
my dear, you--But I don'’t want a career.
284
00:18:07,303 --> 00:18:11,699
I want to be like other girls--
have friends and a home and fun.
285
00:18:11,742 --> 00:18:14,397
Well, I don'’t care what you say.
I'’m going driving
with him tomorrow.
286
00:18:14,441 --> 00:18:16,747
He'’s nice.
287
00:18:16,791 --> 00:18:19,707
The world is full of men
who look nice.
288
00:18:19,750 --> 00:18:22,144
This is one of them.
289
00:18:22,188 --> 00:18:23,754
Papa!
290
00:18:23,798 --> 00:18:26,801
Oh! I didn'’t know
you were here.
291
00:18:26,844 --> 00:18:28,803
I thought
I'’d surprise you.
292
00:18:28,846 --> 00:18:30,761
That was a great performance
you gave tonight, Lotta.
293
00:18:30,805 --> 00:18:32,372
I was proud of you.
294
00:18:32,415 --> 00:18:34,243
How well you look.He should,
295
00:18:34,287 --> 00:18:36,767
on the allowance
we'’ve been sending him.
296
00:18:36,811 --> 00:18:39,292
My little Lotta.
You'’re growing up.
297
00:18:39,335 --> 00:18:41,555
Yes, I am.
298
00:18:41,598 --> 00:18:45,080
And I'’ve met a boy who wants
to take me driving tomorrow,
and I told him I will.
299
00:18:45,124 --> 00:18:46,995
You won'’t be here tomorrow.
300
00:18:47,038 --> 00:18:48,431
We'’re leaving tonight.
301
00:18:48,475 --> 00:18:49,998
Tonight? For where?
302
00:18:50,041 --> 00:18:51,695
For San Francisco.
303
00:18:51,739 --> 00:18:54,394
And from there,
for New York.
New York?
304
00:18:54,437 --> 00:18:57,353
Out here, everyone thinks of you
as Lotta the mimic,
305
00:18:57,397 --> 00:18:59,225
Lotta the minstrel,
306
00:18:59,268 --> 00:19:02,445
Lotta who dances jigs
and reels and breakdowns.
307
00:19:02,489 --> 00:19:04,099
"Little Lotta."
308
00:19:04,143 --> 00:19:08,712
Well, I won'’t be satisfied
until you'’re the "great Lotta."
309
00:19:14,065 --> 00:19:15,763
THE OLD RANGER:
In the months that followed,
310
00:19:15,806 --> 00:19:19,158
Mary Ann Crabtree'’s
dearest ambitions
were realized.
311
00:19:19,201 --> 00:19:21,334
Lotta was a sensation
wherever she went.
312
00:19:21,377 --> 00:19:23,988
Theaters in New York,
Boston, Philadelphia,
313
00:19:24,032 --> 00:19:25,860
Chicago opened
their doors to her.
314
00:19:25,903 --> 00:19:27,905
Plays were written for her.
315
00:19:27,949 --> 00:19:30,125
Audiences rich and poor,
high and low
316
00:19:30,169 --> 00:19:31,866
took her to their hearts.
317
00:19:31,909 --> 00:19:34,085
The dark-eyed,
redheaded girl from the West
318
00:19:34,129 --> 00:19:38,002
who could sing, dance,
act with equal ability.
319
00:19:38,046 --> 00:19:41,005
And in the 1870s,
after a triumphant tour,
320
00:19:41,049 --> 00:19:45,184
she returned to San Francisco
to the California Theater.
321
00:19:45,227 --> 00:19:47,186
♪♪ [ piano, slow tempo ]
322
00:19:47,229 --> 00:19:49,753
[ applause ]
323
00:19:53,888 --> 00:20:00,155
♪ '’Tis the last rose of summer ♪
324
00:20:00,199 --> 00:20:08,119
♪ Left blooming alone
325
00:20:08,163 --> 00:20:15,562
♪ All her lovely companions
326
00:20:15,605 --> 00:20:23,526
♪ Are faded and gone
327
00:20:23,570 --> 00:20:30,098
♪ No flower of her kindred
328
00:20:30,141 --> 00:20:34,624
♪ No rosebud
329
00:20:34,668 --> 00:20:41,718
♪ Is nigh
330
00:20:42,937 --> 00:20:47,289
♪ To reflect back
331
00:20:47,333 --> 00:20:51,815
♪ Her blushes
332
00:20:51,859 --> 00:20:56,429
♪ Or give
333
00:20:56,472 --> 00:21:04,175
♪ Sigh for sigh
334
00:21:04,219 --> 00:21:05,655
♪♪ [ ends ] [ applause ]
335
00:21:11,313 --> 00:21:15,361
Why, thank you, Captain.
You are getting bolder.
336
00:21:15,404 --> 00:21:17,493
♪♪ [ piano, upbeat tempo ]
337
00:21:22,368 --> 00:21:25,980
♪ As they marched
through the town
with their banners so gay ♪
338
00:21:26,023 --> 00:21:29,766
♪ I ran to the window
to hear the band play ♪
339
00:21:29,810 --> 00:21:33,553
♪ I peeped through the blinds
very cautiously then ♪
340
00:21:33,596 --> 00:21:37,383
♪ Lest the neighbors should say
I was looking at the men ♪
341
00:21:37,426 --> 00:21:41,343
♪ Oh, I heard the drums beat
and the music so sweet ♪
342
00:21:41,387 --> 00:21:45,086
♪ But my eyes at the time
caught a much greater treat ♪
343
00:21:45,129 --> 00:21:48,568
♪ The troop was the finest
ever I did see ♪
344
00:21:48,611 --> 00:21:52,441
♪ And the captain
with the whiskers
took a sly glance at me ♪
345
00:21:52,485 --> 00:21:53,442
Hi! ♪♪ [ ends ]
346
00:21:53,486 --> 00:21:55,662
[ applause ]
347
00:21:55,705 --> 00:21:58,578
[ cheering ]
348
00:22:06,281 --> 00:22:07,848
Miss Lotta.
349
00:22:07,891 --> 00:22:10,154
I'’m from
the San Francisco Chronicle.
350
00:22:10,198 --> 00:22:13,027
The boy with
the horse and buggy.
351
00:22:13,070 --> 00:22:16,073
You remembered.Oh, I wanted so
to send you word,
352
00:22:16,117 --> 00:22:18,424
but I didn'’t even
know your name.
I understood.
353
00:22:18,467 --> 00:22:21,252
You'’re even more wonderful
than ever.
354
00:22:21,296 --> 00:22:23,211
I suppose you'’re used
to hearing that.
355
00:22:23,254 --> 00:22:26,170
Every man who'’s ever seen you
has fallen in love with you.
356
00:22:26,214 --> 00:22:28,608
But not one of them has
ever taken me buggy riding.
357
00:22:28,651 --> 00:22:31,437
No?
And no one has
ever kissed me.
358
00:22:39,009 --> 00:22:43,100
Is this real,
or just another play?
359
00:22:43,144 --> 00:22:46,060
Lotta the actress
and Lotta the woman--
360
00:22:46,103 --> 00:22:49,019
two parts, two lives.
361
00:22:49,063 --> 00:22:52,371
Which one is you? MARY ANN:
Lotta? Lotta?
362
00:22:52,414 --> 00:22:53,937
On stage quickly.
The mayor.
363
00:22:53,981 --> 00:22:55,548
The mayor.
364
00:23:00,291 --> 00:23:02,903
Well, it was nice
to meet you again.
Good-bye.
365
00:23:02,946 --> 00:23:04,861
Good-bye, Lotta.
366
00:23:04,905 --> 00:23:06,559
[ no audible dialogue ]
367
00:23:15,742 --> 00:23:17,657
[ applause ]
368
00:23:26,492 --> 00:23:28,668
As mayor of San Francisco,
369
00:23:28,711 --> 00:23:32,149
I take pleasure
in presenting to you,
Miss Lotta,
370
00:23:32,193 --> 00:23:36,415
a slight token of the esteem
in which this city holds you.
371
00:23:38,068 --> 00:23:41,115
A diamond tiara
372
00:23:41,158 --> 00:23:43,726
for the queen of the theater. [ applause ]
373
00:23:51,865 --> 00:23:55,434
And... a bagful
of double eagles.
374
00:23:55,477 --> 00:23:58,175
[ applause ]
375
00:23:59,525 --> 00:24:01,440
You'’re all so kind to me,
376
00:24:01,483 --> 00:24:04,617
and I should like
to do something in return.
377
00:24:04,660 --> 00:24:07,489
I remember the day
I landed here in San Francisco
378
00:24:07,533 --> 00:24:09,796
and made my very first friend--
379
00:24:09,839 --> 00:24:12,059
a tired, old dray horse. [ laughter ]
380
00:24:12,102 --> 00:24:13,974
In his memory,
381
00:24:14,017 --> 00:24:16,324
I'’m giving
to the city of San Francisco
382
00:24:16,367 --> 00:24:18,369
a bronze drinking fountain
383
00:24:18,413 --> 00:24:20,676
to be placed
in the very heart of the city
384
00:24:20,720 --> 00:24:23,766
where anyone, man or beast,
who is thirsty
385
00:24:23,810 --> 00:24:25,812
can stop to rest and drink.
386
00:24:25,855 --> 00:24:28,554
[ applause ]
387
00:24:30,686 --> 00:24:33,384
God bless you all.
388
00:24:33,428 --> 00:24:35,691
[ applause continues ]
389
00:24:42,002 --> 00:24:43,873
THE OLD RANGER:
Lotta'’s Fountain,
as it is called,
390
00:24:43,917 --> 00:24:46,136
still stands today
at a busy intersection
391
00:24:46,180 --> 00:24:48,182
in downtown San Francisco--
392
00:24:48,225 --> 00:24:50,053
one of the few landmarks
to survive
393
00:24:50,097 --> 00:24:53,666
the great destruction
of the city in 1906.
394
00:24:53,709 --> 00:24:57,844
And when she died an old lady,
still "Miss Lotta,"
395
00:24:57,887 --> 00:25:01,108
she bequeathed
her entire fortune
of four million dollars
396
00:25:01,151 --> 00:25:02,979
to charity.
397
00:25:04,764 --> 00:25:07,549
LOTTA:
All my money
came from strangers,
398
00:25:07,593 --> 00:25:10,900
and now I give it back
into the hands of strangers.
30511
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