Afrikaans
Akan
Albanian
Amharic
Arabic
Armenian
Azerbaijani
Basque
Belarusian
Bemba
Bengali
Bihari
Bosnian
Breton
Bulgarian
Cambodian
Catalan
Cebuano
Cherokee
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Czech
Danish
Dutch
English
Esperanto
Estonian
Ewe
Faroese
Filipino
Finnish
French
Frisian
Ga
Galician
Georgian
German
Greek
Guarani
Gujarati
Haitian Creole
Hausa
Hawaiian
Hebrew
Hindi
Hmong
Hungarian
Icelandic
Igbo
Indonesian
Interlingua
Irish
Italian
Japanese
Javanese
Kannada
Kazakh
Kinyarwanda
Kirundi
Kongo
Korean
Krio (Sierra Leone)
Kurdish
Kurdish (Soranรฎ)
Kyrgyz
Laothian
Latin
Latvian
Lingala
Lithuanian
Lozi
Luganda
Luo
Luxembourgish
Macedonian
Malagasy
Malay
Malayalam
Maltese
Maori
Marathi
Mauritian Creole
Moldavian
Mongolian
Myanmar (Burmese)
Montenegrin
Nepali
Nigerian Pidgin
Northern Sotho
Norwegian
Norwegian (Nynorsk)
Occitan
Oriya
Oromo
Pashto
Persian
Polish
Portuguese (Brazil)
Portuguese (Portugal)
Punjabi
Quechua
Romansh
Runyakitara
Russian
Samoan
Scots Gaelic
Serbian
Serbo-Croatian
Sesotho
Setswana
Seychellois Creole
Shona
Sindhi
Sinhalese
Slovak
Slovenian
Somali
Spanish
Spanish (Latin American)
Sundanese
Swahili
Swedish
Tajik
Tamil
Tatar
Telugu
Thai
Tigrinya
Tonga
Tshiluba
Tumbuka
Turkish
Turkmen
Twi
Uighur
Ukrainian
Urdu
Uzbek
Vietnamese
Welsh
Wolof
Xhosa
Yiddish
Yoruba
Zulu
So here we have yet another scenario that
we can, that gives us an idea of
a pose.
Of course we're emulating a staircase, of course
we have some apple boxes and there's many
things that we can do, but this will
give you an idea of a foundation to
start from and how to go.
Of course when you're walking upstairs or walking
downstairs, think of it, it's, it's, you can
pose on it, no problem, but you almost
get the idea of an organic flow.
She's either walking up them, she's either looking
behind her shoulder, she's walking down, she's being
escorted down.
You think about all the obvious things and
that'll give you the ideas for the posing.
Of course all the foundations that we've set,
all the concepts, the principles behind posing will
all apply here.
Remember we're looking for the S-curve, we're
looking for that bending of the wrist, we're
looking for the chin up, we're looking for
the softness of each body part and all
these different things.
Once you combine these things, no matter what
location or what device or what area you're
in, it should really be an easy evolution
from understanding the principles but applying them to
any particular spot.
So in this particular thing we've actually already
established a pose here for Lisa.
Let's just go back here and and have
a look and see if that works.
So she could be easily holding a stair
rail, so let's say, let's just assume that
you are holding a staircase.
Do you see how her fingers are really
soft and beautiful?
She's looking over her shoulder back at her
man, chin up a little bit, that's beautiful.
She could also be holding her dress, sort
of, that's it, beautiful.
And you can actually bring your shoulders a
bit forward, very very gently, that's it, turn
your body this way, other way, gorgeous, love
that, isn't that beautiful?
See now I need her left elbow out
a little bit, all right, so that's gorgeous.
So now I see her right arm enveloped
by her body, so I see her silhouette
and then I have an actual little gap
between her waist and her elbow there as
well, so that's a beautiful shot, an idea.
Now here's the reason why staircases are your
best friend or even it could be the
curb of a street, dare I say the
gutter, but basically anything with a step on
it will force her leg up.
So right now we're bringing her right leg
up because there's a beautiful flow, that's no
different than doing the pointing of the toe,
bending of the knee and shifting the weight
back like we've discussing all tutorial.
In this case, the staircase is there, you
want to bring the leg that's closest to
the camera up, watch what happens, bring that
material and chill down, I want to just
expose what's happening on your leg over here,
so if you see how this beautiful shape,
watch what happens when we actually turn around
and bring this foot down and that left
foot up.
See it widens the dress and it flattens
everything, it just doesn't look as flat just
know that most of the time, as I've
proven during this tutorial, that the leg that's
closest to the camera is the one that
you should bend.
Let's do that again, so right foot up,
beautiful, fantastic, great.
So now let's say for example we wanted
to include the groom, you would not waste
that pose because it took you a while
to actually organise that, so what you'll do,
you get the groom in and what idea
is the dress and that staircase giving us
for a photograph?
Well, if he was a gentleman, he would
be doing one of two things, he'd be
holding the dress, so pick up the bulk
of the dress and bring your heel a
little bit more back, like your toe a
little bit more back this way down, so
yeah, so your right foot, bring it a
little bit closer, your other right, on the
top step, bring it back, yep, there you
go, perfect, good, so you're holding your dress
as well there Lisa and then you're looking
back at your man and loving him, that's
beautiful, very good.
Now if you wanted a bit of motion
with him, he can come closer to the
bride, so come closer mate, bring your right
foot on the next step, on that step,
perfect, so he gets a bit of flow
as well, so it feels like there's a
bit of motion there too, perfect.
Now let's say we're changing the role here,
now very gently Lisa, put your right foot
down the same step, now I want you
to walk down the stairs, so come up
one step, be careful, that's it, in fact
let's get you on that top step, now
if you wanted a bit of motion here,
there's a few things that you can do,
so put your dress behind you, as if
you're walking sort of downstairs, okay, now this
really depends guys on what you're trying to
say, if you want an idea of the
groom, you actually want to see him, then
you might want to do this, so Dylan
I'm going to get you up on that
step, turn right around towards me, turn, turn,
turn, turn, turn, all the way facing that
way, and then give me the escort arm,
so you're going to stand extreme right of
that, and then Lisa come a little bit
this way, please do not fall, here we
go, and your hands in your pocket there
for me, that's it, and then you're just
lifting your foot up there like you're about
to sort of walk, that's it, good, and
you're looking back at your beautiful girl, and
now Lisa, pretend like you're holding the rail
of a staircase with your left hand, that's
it, gorgeous, beautiful, maybe even that way, so
just follow along, they're beautiful, or you're going
to be holding your dress, just hold your
veil out there, so beautiful, so that really
works as well, or it can actually be
a suggestion of the groom, which looks really
cool, so now Dylan I'm going to get
you down the stairs, so to speak, you're
going to face the wall there, and your
left hand in your pocket, and then you're
going to escort her with your right hand
on her right hand, that's beautiful, so now
shoulders back there for me, lean forward, give
me a little bend in the elbow there
as well, and then now we have this
beautiful little delicate sort of escorting as well,
so what I would do in this kind
of situation guys, I would take a shot
like this, that's static, it's beautiful, but there's
a bit of motion to it, because I'm
emulating that with their body, with their body
shapes, and their legs, and what they're doing,
then I would get her to just lift
off her leg as if she's about to
step off, and it would be in fact
the left leg, remember the one that's closest
to the camera is the one that's going
to bend, so just bend, perfect, click, that's
when it happens, okay go back again, fantastic,
now guys there's countless ways you can do
it, all I'm telling you is that a
staircase, which is common when you're going to
a venue, it's common when you're going to
a church or synagogue, whatever it is that
you're going to, that all these different things,
they will give you an idea, think about
it, what would a gentleman do escorting a
bride down the stairs, well of course you'd
be holding the arm, and holding the hand,
you'd be holding the dress, maybe even holding
the flowers in that particular case, maybe the
flowers might work in that capacity as well,
so always remember the location will tell you
what to do.
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.