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Hey.

- You are very late. - I know.

- Sorry, M. Culson. - It's Coulson, not Culson.

Don't you drink?

No. Not when I work.

Cheers.

It doesn't help to be so alone.

That is why you would also come along more often.

Why don't you go back to England?

No more power, my angel.

I had a lot of success, did you know that?

Yes, you said that a hundred times.

That must be done, otherwise I will forget it.

"Wild Fire."

'Trainée de poudre' in French.

I won the Booker Prize with that novel.

You said last time that you had started writing again.

Yes. And I just finished it.

I see.

It is a comedy, for the stage.

But it will never be performed.

Why not?

In England they call me a has-been.

But in France they find me too dark.

Do you want to read it? It is called 'Passwords'.

"Mots the passe."

- It is very funny. - Read it out.

Get my glass for a moment.

Is everything alright?

Thank you, my angel.

- Is not it too hot? - It's perfect. Perfect.

Come to me.

Get my dressing gown.

Take everything that is in the bags.

Take it.

Dress up now. And come to me.

On my desk.

Digoxin.

Fast.

Digoxin.

You said there is a password at the door.

You said I had to write it down, but my pen was empty.

That way we can 'wait' for a long time.

You play with my head.

Ah, your head.

That was it for today.

I will not leave without that password.

Stand up, Madeleine.

The word. Give me the floor.

'Mouth?' - No.

- It is on the tip of my tongue. - 'Mouth shut?'

- You work on my nerves. - 'Just wait.

Stand up, Madeleine.

This is the closing evening, Bertrand. Take a bow.

Ladies and gentlemen: Bertrand Valade.

- Is it going well? - Look, what a success.

And further?

I am still waiting for the sequel.

Not tonight, Régis.

Don't protect him. You have to choose.

- Do you want to fire me? - What nonsense.

I enjoyed it. It is really good.

Can I get a signature?

The whole is very British. Have you lived in England?

Yes, that is somewhat true.

I love the English.

- Who is it for? - Thierry.

Have a good trip, Thierry.

A glass of water, please.

To the sequel.

I thought you stopped.

You said you had a new piece ready. Did I dream that?

I started a novel.

Are you serious?

Time is running out, Bertrand. The meter is running.

Speak for yourself.

- Where are you going? - Home.

- And then the party? - What party?

- You can't just leave. What should I do? - Come with me.

If I don't deliver, I have to pay him back.

Relax.

- And if I run out of money? - That won't happen.

- Why not? - Because you have me.

- That doesn't mean anything to me. - Then let's get to work.

What do you have so far?

- I have an idea for a comedy. - Can I see it?

It is too early.

Something is brewing.

- Is that the title? - Well.

I can't write here.

At my parents' house, in the mountains? You'll be alone. I will join you at the end of the week.

Why not?

I'm going to call Madame Germain. She will do the shopping.

- Then all I have to do is write. - Nobody can do it for you.

Do you know what Laure said yesterday?

Is she still predicting the future?

That we are made for each other.

- It's scary. - Yeah, but that's how it is.

- So... - The chalet?

Sorry. I am Richard Barrot.

I will reimburse you the window and the shutter.

- And for the whiskey? - We were cold. We were stuck.

- Who are we? - Eva.

A whiskey?

Where are you, Richard? I'm thirsty.

Aren't you ashamed?

- This is my house. - And then? Get out. And close the door.

What do you think of her?

We can share her.

Go away.

- Excuse me? - Shake up.

I'll take her.

Are you crazy?

Come down, Eva.

What are you doing?

- Do you mind changing customers? - Where is Richard?

Outside. In the freezer.

Come on...

You didn't miss it.

- I fell down the stairs. - Free fall?

That would be a fun title.

Otherwise, where are you with your novel?

It has become a play.

Boy meets girl at a party. He wants to catch her.

But she hits him on his head with an ashtray.

He comes to the hospital, sees his fiancee...

and he pretends not to recognise her.

Do you understand?

It's about a man that pretends he has amnesia.

He can afford to do anything, without memory.

- I have yet to see it. - You'll see it.

Caroline and Alban are waiting for you.

Hello, Bertrand.

Did you slip?

Indeed.

We start the tour in Annecy. Then Lyon, Grenoble, Marseille, Toulouse.

- Why Annecy? - Just ask Caroline.

We start in two weeks. But we will have to do some cuts.

I'll leave you alone for a moment.

You keep lying. I'm fed up with it.

I don't lie. I was drunk and I fell down the stairs.

- I fainted. - Is that right?

I don't know anything about it anymore.

You were sleeping it off, burglars tore off a shutter, broke a window and stole nothing.

That's what Ms. Germain told me.

Was that all?

No, that's not all. Don't take me for an idiot.

You're annoying.

Yes, with me.

Denis?

Excuse me. I confused it with Jean-Denis.

Of course, Denis. How are you?

So late?

That costs a lot.

The Beaulieu is a well-run theatre.

70,000 patrons per year.

Are you sleeping?

No.

Caroline is a good person.

- We talk a lot with each other. - Good.

She really loves you.

Alban, I have no desire to talk about Caroline with you.

Good. Have you seen the cuts I've made?

- Yes. It is fine by me. - It seems like you don't care.

'Mots de passe' is passé.

- That's the writer talking. - Thank you.

Why did you actually come along?

Hey.

We worked for the same client, Madame de Tassin.

Yes.

- How is she doing? - She is dead.

- Are you still doing it? - No, I stopped.

Then you are lucky.

Okay, see you then.

I'm going straight to bed.

- What time tomorrow? - You don't have to come.

What time?

At eight o'clock. I have an appointment with the director.

Okay, I'll see.

Did Caroline ask you to spy on me?

Spy on you? Really?

Welcome, M. Valade. We wish you a pleasant stay in our hotel.

'What are you doing?' He: 'Do you want to change customers?'

She: "And Richard? Where is he?'

No. 'Where is he? Where is Richard?"

"Where is Richard?"

No, Robert. "Where is Robert?" He:

'Outside. In the freezer."

Excuse me. Is that place free?

1050 Euros, sir.

Bet now.

Bet placed.

No more bets.

Four, black, even, manque. No winners.

Bet now.

I'm going to the cashier.

Bet placed.

No more bets.

17, black, odd, manque.

Bet now.

That chair is occupied.

- Does not it surprise you to see me? - Not really.

My friend is at the checkout. Go away.

- Is he really your friend? - Whoever pays is my friend.

Then we can meet again.

- 13, black, odd, manque. - Go away, you bring bad luck.

Hey. This is Eva. Leave your number.

It's Bertrand. We met each other yesterday in the casino.

06-03-10-53-88.

Isn't it beautiful.

- What? - The weather is nice.

Philippe, Théo. Put it here.

There you go, you screw it up.

This is Mathis, the director. This is Bertrand.

Sleep well?

I lost track of time.

Sorry, it's Caroline.

When are you coming?

Not before the weekend, I have too much work.

Unfortunately.

We can meet in the chalet, to refresh your memory.

- Stop. - Okay, I'll stop.

- What are you stopping? - Bothering you. See you later.

Take the scenery piece to the garden.

Screw it tight. Now unscrew it.

That's good.

- You see, it will be fine. - But the scenery still has to be different.

Sorry. That is Caroline again.

- Did you call? - Eva?

I can go at four o'clock. Does that fit? The address is rue de l'Etraz 12.

- Got it. - Four o'clock. Rue de l'Etraz 12.

Fine. Bye.

Tighten it. Just a little. Good.

Thanks, guys.

Hello, come in.

Can I take your coat?

Do you want something to drink?

Gladly.

This is the waiting room. Champagne?

- Is this a package deal? - Excuse me?

Is the drink included in the price? What is your rate?

300, including champagne.

- Why are you looking at me like that? - You shouldn't wear make-up.

- Don't you like it? - You would look much nicer without it.

That's not true. I feel ugly without make-up.

Champagne or not?

Did you come here just to show me that?

You asked for it.

A little maybe. I shouldn't have treat you like that.

I can get wild when I feel humiliated.

Is that how you treat all your men?

Once in a while. They still come back again.

It's your business but one day they may not come back.

I've never chased anyone and I'm not going to start.

- Why don't you stop? - Stop what?

Having customers.

I have to live?

- No hard feelings? - No hard feelings.

Are you just going to talk?

Because you are wasting your time, and mine.

It's a big place for one person.

It's owned by a friend of my husband.

- Your husband? - Yes, my husband.

- What does he do? - He is an art dealer.

His name is Georges.

- And where does Georges live? - A little of everywhere.

He is constantly travelling. He is an expert. Very reputable.

- He is aware of... your activity? - It's none of your business.

- I have to go back to the theatre. - What theatre?

My play was a success in Paris. We're doing it here tonight.

'Mots de passe'. Did you hear about it? That is the title.

No, but...

- I did not think that... - What?

You don't really seem like a theatre person.

If you're interested, I can leave a ticket for you.

- If you promise that it won't be boring. - I just need your name.

Eva.

No more?

Eva.

Marlin.

So maybe I'll see you tonight.

It starts at 8.30 pm. Let's meet fifteen minutes earlier.

As compensation.

Thanks.

- You really don't want the champagne? - Next time.

Has Eva Marlin arrived?

No, her ticket is still there.

Thanks.

It's started well.

It's full house.

- It's Bertrand. - Ah, hello.

I've been waiting for you.

Really?

But I hadn't promised anything? I couldn't.

Why not?

Why why why? That's what a child says.

Georges made a surprise visit.

Oh yeah. Georges.

Yes, he was on his way to Singapore.

He often suddenly drops in but that suits me. I have to work. Good bye.

How do you like me?

Very enthusiastic.

What are we doing? Are you hungry?

Is something wrong?

No.

This was in the bathroom.

Fake. Your girlfriend has a bad taste.

It's not my girlfriend, if you must know.

- You don't believe me. - Indeed.

I don't want them in my house.

Is it progressing?

- Can I read it? - No, they're just notes.

- Do you want some? - What is it?

When can I read it?

Surprise.

This is piping hot.

Are you sleeping?

- You talked in your sleep. - What did I say?

Everything.

- What things? - Nothing.

And? The poor guy who lost memory? Did you continue with it?

I have a better idea.

Decide quickly or you will soon be unemployed.

It's about a prostitute in a provincial town.

Exciting.

A professional who is well established on the street.

She meets a man who falls for her.

- Did you fuck a whore? - Can I finish it?

Go ahead.

He soon discovers that she is ice cold. Calculating.

She is lying, selfish.

He decides to beat her at her own game.

How?

So you find it interesting?

Continue.

- He wants her to fall in love. - Such women don't fall in love.

Exactly. That's what the public thinks.

Will he succeed in trapping her or not?

What do you think?

Can I start?

One month. I'll give you a month.

What is her name?

Eva.

Choukri.

Marlin.

Loiset.

- You look bad. - And you. How is your stomach?

An endoscopy must be done, but it is a lot of hassle.

You won't believe the waiting list. A stomach ulcer is nothing here.

- What are you taking? - Life on the bright side.

How are you?

- Do you eat? - Yes. In the cafeteria.

- Have you seen Marion? - We're going to have lunch soon.

She knows a police commissioner.

- A customer? - Yes I think so.

And?

Nothing. She said it might help.

- Did you hear anything from Santini? - Yes, he is confident.

As long as you pay him.

How long do you want to stay?

I have to go. I don't like to drive in the dark.

She: 'I don't follow anyone, so not now either. '

He: "Why don't you stop?"

She: "With what?"

He: 'With the customers.'

She: 'I have to live?'

She: "With what?" He: 'The customers.'

She: 'I have to live?'

I have to live...

You talk in yourself.

- Yes, I write that. - Well, well...

What?

It's flat. You are better than that.

- I told you to wait. - You were right.

It is too much of a first draft.

The second draft comes later.

It's the 3rd that counts.

The 3rd?

Yes. From the first to the second, and back to the first: the third layer.

Does Régis say that?

No.

The third draft.

Just like in 'Mots de passe'. That's yours?

And it is a success.

What do you want from me?

I'm going to get food. It can take a while.

It's Bertrand. Can we meet?

I'm busy.

I'll take you out for dinner. Good?

- Well? - Good, but I choose the restaurant.

500 for the whole evening.

- Exclusive of VAT? - What?

Just kidding.

Six o'clock at my place. We take my car.

See you later.

Nice dress.

Thank you.

Did you expect something slutty?

Yes, I admit it.

It means I don't know you well enough.

I don't like driving in the evening.

- My eyesight is bad. - Do you want me to drive?

Your health.

I think this is yours.

Thank you. I am very attached to it.

It is worth a lot.

It was a gift from Georges.

Funny, I often come here with him.

- Is he still travelling? - Yes, it doesn't stop. Horrible.

- And you? Do you travel a lot? - No, I have a fear of flying.

Does he really have no idea what you are doing?

- You have already asked that. - It intrigues me.

If he knew, he would kill me.

And you?

Whether I'm jealous?

But no.

Do you live alone?

- Yes. - I don't believe you.

- You probably have someone. - No.

- Do you really have to do this? - Another subject, please.

- Waiter? - Madam.

- The féra des Tresoms. - That's the specialty of the house.

Can we order? I'm very hungry.

The féra des Tresoms is delightful.

Then I'll have that.

How about the chariot de Savoie for dessert?

I still want a bottle of wine.

Sure?

- Charms-Chambertin? - Charms-Chambertin.

Oh yes, Charmes-Chambertin. That's what I would like to be called.

- Is Eva your real name? - Of course not.

But my last name is Marlin.

What do you care about my name?

I am almost dry.

Do you often go out with your customers?

To a restaurant? It happens, but not often.

Usually they want to deal with it quickly. And so do I.

With you, it's a little different.

- A little? - That is not a bad thing.

I looked up your name on the internet.

- Oh yeah? - You are really well known.

I regretted not going to the theatre.

- Because of Georges? - No way.

In the theatre, I'm always afraid of falling asleep.

Another time.

Sir, your charms-Chambertin, 2005. Domaine Castaldi.

I can't possibly drive.

And you?

Do you want to ask whether they have a room?

He can hardly walk.

You are just like the others. You only think of one thing.

Don't go away.

Don't leave.

Stay.

Don't go away.

My husband, you are so far away.

My head is exploding.

- We had... - We had what?

No, I would remember that.

I'm still sleepy.

- What are you going to do? - Coffee.

- Do you want some? - I said I wanted to sleep.

And there is only one man in my life and that's Georges.

- I did not ask anything. - I want it to be clear.

You don't stand a chance.

But if you want to make love, you can. You paid for it.

Just don't get attached to me.

- Was everything as desired? - Definitely.

I have to go to Annecy. Can you call a taxi?

Certainly, M. Valade. Go ahead.

Payment completed.

"I want it to be clear. Michel is my life. You don't stand a chance.

But if you want to make love, you can. You paid for it."

He: 'Do you like me?'

Do you like me?

"I know you like me. I know.'

Where are you?

With friends.

With whom?

You don't know them.

- You lie, but it will. - You went away.

Not true. I left you behind.

I miss you. When are you coming back?

End of the week. Maybe sooner.

I went to bed with Régis.

- Did you really go to bed with him? - No, idiot.

Do you still want to get married?

"Mots the passe." Beautiful title.

- Apart from the title? - I have nothing bad to say about you.

And your next play?

It's taking shape.

- A comedy? - Not really.

- I have trouble with pure comedy. - Henri loves Chekhov very much.

"Your cherry garden is sold to pay off your debts.

"The sale takes place on 22 August.

But no worries. You can go to bed quietly."

Henri has a very good memory.

I would have liked to have made theatre.

- Oh yeah? As a writer? - No. As an actor, of course.

I often think that an operating room and a theatre have something in common.

Yes, the operating theatre.

Shall we talk about the wedding? When?

- June? - I'm okay with that.

- Then we go for June. - Good for me too.

This marriage is bullshit.

- I'm not asking you to be a witness. - Is this to reassure you?

For the money?

To bother me?

Sometimes I think you would be capable of killing someone.

Was that all?

No. I gave you 20,000 Euros in advance and I haven't see anything coming.

How are you doing?

- Eva is attached to me. - And you?

What's up with me?

I must be crazy to pay you for that whore.

I didn't force you.

You don't have a letter yet on paper, eh?

You're just taking me for a ride.

Does Eva actually exist? I doubt it.

Is that you, Bertrand? Why are not you saying anything? Do you hear me?

When can we meet?

Not for tomorrow. I am completely full.

- Do you have time in the morning? - Not till half past five. OK?

- Are you in Paris? - See you tomorrow.

And... How is she?

- Who? - Well, her. Your Eva.

Still interested?

How old is she?

- I don't care. - Older than you?

Younger than you in any case.

I'll send you her contact info.

You never know.

Mme Marlin? Mr. Santini can see you in five minutes.

Georges has half of his sentence served.

He can be released conditionally.

- Who determines that? - The criminal judge.

A probation officer will guide him.

- Does he stand a chance? - He must first find work.

- He has connections. - I don't doubt it.

But it is out of the question for him to work in antiques.

- An art gallery? - Not at all.

I know a printer in Paris.

A printer? He doesn't know anything about that.

Photocopy, reprography, 3D. You can learn that quickly.

- Would you do a job like that? - Mme Marlin.

We have to find someone who wants to accept an ex-detainee.

That is really not easy.

- Do you accept cash? - No problem.

How is Marion doing?

Very well.

- I'll see her soon. - Give her my warm greetings.

I will certainly do that.

Did you hang that mirror?

No, it was already there.

Even the ugly ones like to look at themselves.

- I would like to get to know your husband. - You might like him.

Everyone loves Georges.

It often makes me angry how they run after him.

I want to tell them that it is not always convenient.

He can be very violent.

- Really? - One morning he hit me.

He said he had a nightmare.

He's a little crazy.

I'm expecting someone, so you have to go.

You could have warned me.

He cums very quickly. You can wait upstairs if you want.

You still had a return ticket?

- My train leaves in an hour. - Then it makes no sense.

- We can be friends. - Too much hassle.

- I can take you on a journey. - Where to?

I don't know.

- Ever been to Venice? - Yes, with Georges. Long ago.

- Would you be sad if he was dead? - I would kill myself.

I don't want to see you anymore.

It's me. Who calling?

Do we know each other?

That doesn't mean anything to me.

Today I'm working somewhere else. Possibly tonight.

Just hold on.

I'll be back at seven. Is that good?

Have you never been to my house? Where did we meet?

It's possible.

Rue de l'Etraz 12.

All right then.

See you tonight.

Eva?

- Yes? - Thierry.

- Do you want something to drink? - I don't have much time.

- Shall we go? - That's fine, though.

No, I pay for my own drinks.

- Room 12. - Yes sir.

Marion? Where are you?

Yes, there I am.

- I did not have time to eat. Do you want? - No thanks.

Did you see Thierry? A quicky?

- Less than a quarter of an hour. - Ideal.

- What shall we do? - I only have an hour.

- What is it? - No idea.

I feel like I'm being followed.

Who are you?

I am Jean-Louis. We have an appointment.

Jean-Louis?

This morning, over the phone.

- Did you come by car? - Yes why?

- What sort of car? - A black Clio.

Why did you follow me? What do you want from me?

You are mistaken, but it doesn't matter.

They said you were serious. Good evening.

Wait a second. I'll open up.

Who told you about me?

A friend. He wants to remain anonymous. He is going to marry.

My most customers are married.

- Do I follow you? - Yes.

This is the waiting room.

- Like the doctor? - I often think so too.

- How much is it, doctor? - 300, including champagne.

Payment in advance.

Jean-Louis. You are my first customer with that name. Cheers.

- Were you on the highway just now? - No not at all.

Strange.

I am on my way. I'm from Belgium.

- You are Belgian? - No, I'm not.

Good. Shall we then...

- Not yet. - Why not?

Can you keep a secret?

It excites me to talk with someone who turns me on.

The rest doesn't interest me.

I find it rather flat, actually.

Each to his own. Are you married?

Hell no.

Nobody on the horizon?

I was so stupid to fall in love with a young woman who loves another.

- So cliché. - It happens.

Do you really want to undress? It might change your mind.

I once had sex with her.

- Only once. - You see, it happened.

She did it despite herself.

Despite herself? How do you mean?

- Without wanting it. - You're the one who said it.

She is very young. Much younger than me.

Age doesn't matter if you can each other.

- Do you have a regular clientele? - For the most part, yes.

All ages?

Mostly your age. But also younger.

- Very young? - Young people.

No children. Not yet, at least.

You are not a child, are you?

And?

A little?

Come on.

I'll let you sleep. You are dead.

May I kiss you?

No, I'll walk you out.

- Have you lost weight. - I was starting to get a belly.

I think of you all the time.

I have submitted my release request.

- Santini is looking for a job for you. - I'll do everything, if I can leave here.

'La Noce Chez le photographe.'

What is the name of that painter again?

A double name. I forgot.

Dagnan-Bouveret. He is indeed not so well known.

Why do you ask that?

No idea. I just think it's a beautiful painting.

Marlin, the time is up.

It will do us good.

Hm?

It will do us good.

Yes, the fresh air.

Forget about the play. It'll comes when it comes.

I'll finish it.

When we get married, we must go on a honeymoon.

Yes, people do that.

Where to?

Have you never been to Venice?

- Isn't that a bit cliché? - That's what's good.

- Oh yes... the third draft. - That's how it is.

Then we go to Venice. But I'll arrange everything.

- Everything? Really everything? - Everything.

Yes, Alban?

What?

When?

The last time I saw him, he seemed...

I'm coming.

Régis has become unwell. According to Alban, it is serious.

Where is he?

I'll ask my father to stop by.

When will the first train go to Paris?

Do you want me to go along?

I'll open up.

I thought you didn't want to see me anymore?

Pay me later.

I have a bath on.

- Are you busy? - Three this morning. Not bad.

- Am I number three? - No, you're the fourth.

Come on now.

You know, I've been thinking and I agree.

- What? - Venice.

I am very tired. It will do me good.

Look at me. I look awful.

Do you want to sleep in the chalet tonight?

- Do you remember? - Hell yes. And you?

A black hole.

It's over.

Where are you, Bertrand? Can you bring cigarettes?

And the Paris Match.

You are a sweetheart.

You knew she would come back. Did you do it on purpose?

Did you do it on purpose?

Take me home.

Do you hear me?

- Do you hear me? - Caroline. Leave a message.

Sir? You can't stay here. An accident happened.

It is now 600 Euros.

I've come to kill you.

You make me laugh.

Wait here, I'll be right back.

Eva?

Give me that.

He was lucky that you found him.

Never come near me again.

Never... again.

Are you coming? Marion is waiting for us.

Who is that?

Nobody.