All language subtitles for Episode 42º Patreon Off Camera Victor Laura (2)

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These are the user uploaded subtitles that are being translated: 1 00:00:00,840 --> 00:00:01,280 Are we ready? 2 00:00:02,080 --> 00:00:03,400 Is everyone ready for another video? 3 00:00:03,660 --> 00:00:04,480 Well, let's go for it. 4 00:00:04,960 --> 00:00:06,820 Okay, as I told you in the previous 5 00:00:06,820 --> 00:00:08,540 episode, in which I told you the first 6 00:00:08,540 --> 00:00:11,380 part of the pre-wedding or anniversary of 7 00:00:11,380 --> 00:00:14,120 Víctor and Laura, my dear Víctor and Laura, 8 00:00:15,200 --> 00:00:18,880 we were working on what was the Olympus 9 00:00:18,880 --> 00:00:20,100 building, it was a black building that I 10 00:00:20,100 --> 00:00:23,020 already explained to you at what points or 11 00:00:23,020 --> 00:00:25,080 at what moments we were brilliant and others 12 00:00:25,080 --> 00:00:26,900 perhaps that we were a little less, just 13 00:00:26,900 --> 00:00:27,480 a little less. 14 00:00:27,480 --> 00:00:29,400 And in today's video I would like to 15 00:00:29,400 --> 00:00:31,820 talk to you about the images that we 16 00:00:31,820 --> 00:00:33,640 take in the building that is right next 17 00:00:33,640 --> 00:00:35,080 to it, it is the building that is 18 00:00:35,080 --> 00:00:37,140 properly used for congresses. 19 00:00:37,140 --> 00:00:40,740 Before we start, I should tell you that 20 00:00:40,740 --> 00:00:45,500 this building has the peculiarity, as it is 21 00:00:45,500 --> 00:00:47,580 said, it has a first wall that is 22 00:00:47,580 --> 00:00:51,000 a typical smooth gray wall and without more, 23 00:00:51,400 --> 00:00:53,820 and another wall that is a kind of 24 00:00:53,820 --> 00:00:58,800 wrapping or covering or covering in which it 25 00:00:58,800 --> 00:01:01,360 is a second wall that is about a 26 00:01:01,360 --> 00:01:03,879 meter and a half and that has these 27 00:01:03,879 --> 00:01:05,020 forms so significant. 28 00:01:05,020 --> 00:01:06,940 You see that they are shapes that seem 29 00:01:06,940 --> 00:01:11,200 as if they were like deformed bubbles and 30 00:01:11,200 --> 00:01:14,040 that it has little circles and sometimes it 31 00:01:14,040 --> 00:01:17,300 has shapes like that, they are very, very 32 00:01:17,300 --> 00:01:19,620 interesting shapes and that, as I tell you, 33 00:01:19,780 --> 00:01:24,620 and there comes the magic, between these two 34 00:01:24,620 --> 00:01:27,200 walls, between the smooth wall and the wall 35 00:01:27,200 --> 00:01:30,240 with shapes, they create different volumes, with which 36 00:01:30,240 --> 00:01:33,680 we believed that this building or this location 37 00:01:33,680 --> 00:01:37,140 could have a special charm to carry out 38 00:01:37,140 --> 00:01:38,040 a special session. 39 00:01:38,440 --> 00:01:41,260 The truth is that, as Erika, as many 40 00:01:41,260 --> 00:01:43,180 of you know, is an architect and she 41 00:01:43,180 --> 00:01:47,820 already recommended that we take a look at 42 00:01:47,820 --> 00:01:49,800 this building because it had a lot of 43 00:01:49,800 --> 00:01:50,220 potential. 44 00:01:51,300 --> 00:01:54,300 It was a matter of almost a year 45 00:01:54,300 --> 00:01:55,920 ago that we visited the place, but as 46 00:01:55,920 --> 00:01:59,420 you know, the fucking pandemic forbade us or 47 00:01:59,420 --> 00:02:02,040 did not allow us to visit it, so 48 00:02:02,040 --> 00:02:05,160 we had it saved until a special occasion 49 00:02:05,160 --> 00:02:07,120 arrived, as was the case of the session 50 00:02:07,120 --> 00:02:08,699 that we are doing. 51 00:02:09,340 --> 00:02:11,980 Well, just tell you a little bit and 52 00:02:11,980 --> 00:02:14,180 we are going to go into detail. 53 00:02:15,640 --> 00:02:18,580 Once we got there, the first thing that 54 00:02:18,580 --> 00:02:20,320 occurred to us or the first thing that 55 00:02:20,320 --> 00:02:22,240 we started working on was with the couple. 56 00:02:22,360 --> 00:02:24,920 Of course, I had not had a partner 57 00:02:24,920 --> 00:02:29,100 yet in this place and when we arrived, 58 00:02:29,300 --> 00:02:31,600 the first thing I noticed was that the 59 00:02:31,600 --> 00:02:34,440 place is huge, or the building, sorry, is 60 00:02:34,440 --> 00:02:38,240 huge and the couple or the human being 61 00:02:38,240 --> 00:02:42,360 compared to the building, let's say that the 62 00:02:42,360 --> 00:02:44,180 human being is very, very small compared to 63 00:02:44,180 --> 00:02:46,380 the size of the building, so that was 64 00:02:46,380 --> 00:02:50,220 the first problem that I started having and 65 00:02:50,220 --> 00:02:52,720 well, the first image that I started taking, 66 00:02:52,880 --> 00:02:54,700 that is, that I started making, was simply, 67 00:02:55,000 --> 00:02:58,180 well, taking advantage of me until I was 68 00:02:58,180 --> 00:03:01,860 getting a better idea, was to ask Laura 69 00:03:01,860 --> 00:03:04,660 to sit as she was and well, to 70 00:03:04,660 --> 00:03:06,600 sit like this, that is, simply with an 71 00:03:06,600 --> 00:03:08,920 arm like that, because it seemed very, very 72 00:03:08,920 --> 00:03:13,100 interesting to me the games or the color 73 00:03:13,100 --> 00:03:16,820 game that existed between Laura's dress with the 74 00:03:16,820 --> 00:03:19,040 neutral background, with a neutral background, remember that 75 00:03:19,040 --> 00:03:23,260 it was a gray-white background and all 76 00:03:23,260 --> 00:03:26,660 this, so that contrast that Laura's dress had 77 00:03:26,660 --> 00:03:29,080 with the background, for example, could fit very 78 00:03:29,080 --> 00:03:31,000 well and as I had already explained to 79 00:03:31,000 --> 00:03:33,700 you, between the two walls, between the first 80 00:03:33,700 --> 00:03:35,920 wall and the other wall, they create certain 81 00:03:35,920 --> 00:03:39,140 volumes and light enters in a certain way 82 00:03:39,140 --> 00:03:44,080 and interesting shapes are created, so I thought 83 00:03:44,080 --> 00:03:46,540 it could look good to place Víctor in 84 00:03:46,540 --> 00:03:50,500 the background and Laura in the foreground, and 85 00:03:50,500 --> 00:03:52,360 the second thing was to start playing with 86 00:03:52,360 --> 00:03:56,340 the building as such and the first option 87 00:03:56,340 --> 00:03:58,020 that I did or the first option that 88 00:03:58,020 --> 00:04:01,160 I photographed was this, in which, as you 89 00:04:01,160 --> 00:04:03,700 are seeing, Laura was, well, her life in 90 00:04:03,700 --> 00:04:07,760 a kind of, well, a second floor and 91 00:04:07,760 --> 00:04:09,860 she was like this and while Víctor was 92 00:04:09,860 --> 00:04:10,540 just below. 93 00:04:11,180 --> 00:04:12,760 Until there, more or less everything was normal, 94 00:04:13,120 --> 00:04:17,920 until I decided to play with the building 95 00:04:17,920 --> 00:04:20,000 as such, with the volumes, with the shapes 96 00:04:20,000 --> 00:04:23,520 of the bubbles that had seemed so interesting 97 00:04:23,520 --> 00:04:23,620 to me. 98 00:04:23,620 --> 00:04:25,660 So the first thing I asked for is, 99 00:04:25,800 --> 00:04:28,940 as always, something a little simpler in what 100 00:04:28,940 --> 00:04:31,140 I told the couple to stand face to 101 00:04:31,140 --> 00:04:34,380 face and simply kiss, right? 102 00:04:34,720 --> 00:04:36,520 Of course, I would like us to analyze 103 00:04:36,520 --> 00:04:38,800 for a second this image in which you 104 00:04:38,800 --> 00:04:41,020 are seeing, in which the couple comes out, 105 00:04:41,040 --> 00:04:45,040 for example, kissing, but I did not finish 106 00:04:45,040 --> 00:04:47,560 convincing myself by the fact that, I want 107 00:04:47,560 --> 00:04:50,180 you to look, everything more or less works, 108 00:04:50,820 --> 00:04:54,900 the background works, the location works, the couple 109 00:04:54,900 --> 00:04:57,080 works, because I have to say that it 110 00:04:57,080 --> 00:04:59,560 is an incredible couple and that it was 111 00:04:59,560 --> 00:05:03,120 100% with us and always said yes 112 00:05:03,120 --> 00:05:05,480 to everything, but I want you to take 113 00:05:05,480 --> 00:05:09,960 a look at what would be, well, Víctor's 114 00:05:09,960 --> 00:05:11,020 body, right? 115 00:05:11,080 --> 00:05:11,620 I mean, the groom. 116 00:05:12,160 --> 00:05:14,200 You see that his face is not illuminated 117 00:05:14,200 --> 00:05:16,140 by the mere fact that the light works 118 00:05:16,140 --> 00:05:18,880 or the light is directed from the right 119 00:05:18,880 --> 00:05:20,100 to the left. 120 00:05:20,360 --> 00:05:25,140 Therefore, I do not like this image because 121 00:05:25,140 --> 00:05:28,280 the light does not work on the groom's 122 00:05:28,280 --> 00:05:28,380 face. 123 00:05:28,380 --> 00:05:31,700 So the next step was to ask them 124 00:05:31,700 --> 00:05:32,880 to turn, right? 125 00:05:32,940 --> 00:05:36,540 That their faces, both Laura's and Víctor's, were 126 00:05:36,540 --> 00:05:39,040 directed to the light, right? 127 00:05:39,040 --> 00:05:43,100 To the right side where all the light 128 00:05:43,100 --> 00:05:43,200 came from. 129 00:05:43,740 --> 00:05:46,240 As you have seen, both in the previous 130 00:05:46,240 --> 00:05:47,980 one and in the image that I was 131 00:05:47,980 --> 00:05:50,920 showing you now, the ground is not seen. 132 00:05:50,920 --> 00:05:51,780 Why? 133 00:05:52,040 --> 00:05:54,040 Because I had already explained to you when 134 00:05:54,040 --> 00:05:55,580 I was or when I have always been 135 00:05:55,580 --> 00:06:00,000 talking about portraits or couple portraits in which 136 00:06:00,000 --> 00:06:01,780 I like to hide the ground. 137 00:06:02,200 --> 00:06:06,940 The moment we hide the ground, we are 138 00:06:06,940 --> 00:06:09,520 not giving the viewer so many clues, so 139 00:06:09,520 --> 00:06:11,760 many details of the place in which we 140 00:06:11,760 --> 00:06:12,620 are photographing. 141 00:06:12,620 --> 00:06:15,880 If I have chosen such a strange, such 142 00:06:15,880 --> 00:06:17,600 a Martian, such a special place like this, 143 00:06:18,220 --> 00:06:21,160 we will continue to be non-obvious, right? 144 00:06:21,300 --> 00:06:23,820 I mean, think that if I have chosen 145 00:06:23,820 --> 00:06:26,500 this location because of how special it is 146 00:06:26,500 --> 00:06:28,700 for me, I am going to give or 147 00:06:28,700 --> 00:06:31,500 I am going to show everything as special 148 00:06:31,500 --> 00:06:35,900 as I can or all the elements or 149 00:06:35,900 --> 00:06:39,280 creative resources to get an image as less 150 00:06:39,280 --> 00:06:42,160 obvious or as special as possible, you understand? 151 00:06:42,320 --> 00:06:44,760 That is why I always, in many of 152 00:06:44,760 --> 00:06:47,580 my images, not only in this session but 153 00:06:47,580 --> 00:06:50,140 in many, I usually cut or I do 154 00:06:50,140 --> 00:06:52,520 not usually show the background or the ground 155 00:06:52,520 --> 00:06:54,520 in which, for example, the couple is. 156 00:06:54,880 --> 00:06:58,260 Once I had this and I saw that 157 00:06:58,260 --> 00:07:01,200 it did not end up working, I mean, 158 00:07:01,340 --> 00:07:03,520 it worked but I wanted something more. 159 00:07:03,520 --> 00:07:05,440 Since it was in a place like this, 160 00:07:05,680 --> 00:07:07,440 we are going to take advantage of it, 161 00:07:07,480 --> 00:07:07,580 right? 162 00:07:07,860 --> 00:07:10,560 So what I asked Laura to go up 163 00:07:10,560 --> 00:07:14,540 to one side and to adopt a position 164 00:07:14,540 --> 00:07:17,940 as if every day of the week she 165 00:07:17,940 --> 00:07:20,700 went to that same place to sunbathe and 166 00:07:20,700 --> 00:07:22,300 to be super relaxed. 167 00:07:22,300 --> 00:07:24,740 I proposed to Víctor, I asked Víctor to 168 00:07:24,740 --> 00:07:26,620 stand on the other side, okay? 169 00:07:27,680 --> 00:07:30,600 What I did, I asked Víctor to stand 170 00:07:30,600 --> 00:07:35,520 on top of that ladder to gain height 171 00:07:35,520 --> 00:07:39,180 and to place Laura and Víctor almost at 172 00:07:39,180 --> 00:07:39,860 the same height. 173 00:07:39,860 --> 00:07:43,580 And simply, as an idea, I asked Víctor 174 00:07:43,580 --> 00:07:45,680 to take a look at Laura and to 175 00:07:45,680 --> 00:07:48,060 make him a little, well, the fool or 176 00:07:48,060 --> 00:07:50,740 the madman, placing his hands, as you are 177 00:07:50,740 --> 00:07:52,380 seeing, to create a certain interest. 178 00:07:52,820 --> 00:07:57,800 What comes next is perhaps the most interesting 179 00:07:57,800 --> 00:08:00,660 photo of the session in which I could 180 00:08:00,660 --> 00:08:04,220 see that the sun was already gaining strength 181 00:08:04,220 --> 00:08:08,720 and had created a fairly interesting circular shape. 182 00:08:08,720 --> 00:08:12,580 And then I thought it could be interesting 183 00:08:12,580 --> 00:08:15,980 to ask Víctor to be fitted, to be 184 00:08:15,980 --> 00:08:21,320 placed in that circumference that had created the 185 00:08:21,320 --> 00:08:24,120 second wall or the second wall or the 186 00:08:24,120 --> 00:08:25,560 roof of the building, right? 187 00:08:25,560 --> 00:08:28,280 So the only idea that came to me 188 00:08:28,280 --> 00:08:31,840 was to ask Víctor to start jumping like 189 00:08:31,840 --> 00:08:37,480 Superman and trying to fit Víctor perfectly in 190 00:08:37,480 --> 00:08:39,640 one of those circles, right? 191 00:08:39,740 --> 00:08:41,880 Until finally, as you are seeing, I did 192 00:08:41,880 --> 00:08:42,020 it. 193 00:08:42,020 --> 00:08:45,840 And so we continued working, we continued getting 194 00:08:45,840 --> 00:08:49,200 the most out of this building, but the 195 00:08:49,200 --> 00:08:50,940 truth is that I wanted to stop in 196 00:08:50,940 --> 00:08:52,500 a couple of portraits that we made almost 197 00:08:52,500 --> 00:08:54,500 at the end of the session and that 198 00:08:54,500 --> 00:08:56,740 seem to me, well, in a way, interesting, 199 00:08:57,420 --> 00:08:59,580 since, as you can see, this is the 200 00:08:59,580 --> 00:09:01,740 first of all in which I asked Víctor 201 00:09:01,740 --> 00:09:05,340 to stand near the wall and I wanted 202 00:09:05,340 --> 00:09:07,620 to take advantage of that beautiful light that 203 00:09:07,620 --> 00:09:11,320 came in and get a different portrait, right? 204 00:09:11,780 --> 00:09:14,780 Always, or often, in the sessions that we 205 00:09:14,780 --> 00:09:16,000 have as a couple, we no longer only 206 00:09:16,000 --> 00:09:21,400 photograph the couple together or separately, but sometimes 207 00:09:21,400 --> 00:09:25,860 we also take a photo of the couple 208 00:09:25,860 --> 00:09:29,500 separately, I mean, make some portraits as such. 209 00:09:29,900 --> 00:09:31,200 And in this case they were the only 210 00:09:31,200 --> 00:09:32,840 photos, in fact, that we took in black 211 00:09:32,840 --> 00:09:35,440 and white because it seemed interesting to me, 212 00:09:35,520 --> 00:09:37,300 since the light that came in seemed like 213 00:09:37,300 --> 00:09:40,780 a small spotlight that was perfectly illuminating Víctor. 214 00:09:40,780 --> 00:09:42,800 Simply, as you are seeing, I asked him 215 00:09:42,800 --> 00:09:45,640 to turn over there, to raise his hand 216 00:09:45,640 --> 00:09:49,700 so as not to photograph such a basic 217 00:09:49,700 --> 00:09:51,700 portrait and I asked him to raise his 218 00:09:51,700 --> 00:09:54,760 jacket a little more, to put his fist 219 00:09:54,760 --> 00:09:56,040 right here so that it could be seen, 220 00:09:56,260 --> 00:09:56,360 right? 221 00:09:56,420 --> 00:09:58,660 And you see that I didn't want his 222 00:09:58,660 --> 00:10:00,080 mouth to be seen either, right? 223 00:10:00,100 --> 00:10:02,300 It's just a part of him and that's 224 00:10:02,300 --> 00:10:02,500 it. 225 00:10:02,500 --> 00:10:05,320 And then I asked Laura, for not having 226 00:10:05,320 --> 00:10:07,740 the same portrait with Laura on that side, 227 00:10:07,860 --> 00:10:09,820 I asked her to look forward, I took 228 00:10:09,820 --> 00:10:12,720 a step back and I saw that the 229 00:10:12,720 --> 00:10:14,960 shape that she had drawn or that she 230 00:10:14,960 --> 00:10:16,760 had of the building, this one so interesting, 231 00:10:17,300 --> 00:10:20,220 made Laura fit perfectly. 232 00:10:20,220 --> 00:10:23,220 A part of Laura's face is completely illuminated 233 00:10:23,220 --> 00:10:24,500 and the other in the shade and that 234 00:10:24,500 --> 00:10:26,940 created interest for me and I really liked 235 00:10:26,940 --> 00:10:27,520 it. 236 00:10:27,780 --> 00:10:30,480 So these were more or less all the 237 00:10:30,480 --> 00:10:33,800 photos or the most interesting photos that we 238 00:10:33,800 --> 00:10:34,500 actually took. 239 00:10:34,500 --> 00:10:37,600 Simply nothing, before finishing, I would like to 240 00:10:37,600 --> 00:10:41,420 thank the couple again for the patience they 241 00:10:41,420 --> 00:10:43,720 had, for the confidence they have always had, 242 00:10:43,900 --> 00:10:47,320 not only for giving us the opportunity to 243 00:10:47,320 --> 00:10:50,960 photograph their wedding, but also for this session. 244 00:10:51,320 --> 00:10:53,280 I don't entertain myself one more centimeter, one 245 00:10:53,280 --> 00:10:55,420 more second, sorry, one centimeter, what a dick. 246 00:10:56,520 --> 00:10:59,280 And nothing, see you soon in another video. 247 00:10:59,520 --> 00:11:01,920 Okay, be good, until next time. 248 00:11:02,840 --> 00:11:03,040 Bye! 249 00:11:04,500 --> 00:11:04,820 Transcribed by https://otter.ai 17906

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