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Welcome back.
So in those first two weeks, we laid
down the foundation for everything that's to come.
That was the why.
And so now we're going to switch gears
and start picking apart the how.
And all that stuff we introduced last week
was centered around that energy triangle.
And so what we're actually going to start
this week with is diving in to that
technical side of the triangle in much, much
more detail.
And we're kind of going from what we
feel is the most important stuff last week,
you know, the foundation, our approach, our philosophy,
what we feel is probably the least important
stuff, the gear we use.
But that's not to say it isn't important,
it's just not as important.
So we're going to dive into our gear
bag and we're going to show you exactly
what we bring to every wedding and why
we bring it.
Then we're going to talk camera settings and
show you exactly how we set up our
cameras.
Yeah, and so that's the first part of
this week.
Cameras, lenses, flashes, and the mechanics of all
of that.
In the second part, we're going to zoom
into something else that we only just barely
touched on in the energy triangle.
Light.
And not manufactured light, yet.
That's coming next week.
This week is all about natural light, which
is actually almost always our preference, honestly.
And most of our work, to be honest.
Yeah, it's a bit of a misconception that,
you know, we're all about off-camera light
all the time.
We make light when we need to and
when it's a situation that's calling out for
it.
I would say at least 80% of
what we do is lit by the sun
or the natural ambient light.
And so we're starting with natural light because
you can't become a good lighting photographer until
you become a good natural light photographer.
So we're going to start with seeing it,
move into shooting it, and then we're going
to finish by taking you behind the scenes
with us on a shoot where we're using
nothing but natural light.
All right, let's do this.
Week three, here we come.
Here we go.
Let's do it.
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