All language subtitles for Switched.at.Birth.S02E05.The.Acquired.Inability.To.Escape.1080p.HULU.WEB-DL.DD+5.1.H.264-playWEB_track3_[eng]

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:01,585 --> 00:00:03,127 - PREVIOUSLY ON "SWITCHED AT BIRTH"... - REGINA, UM, 2 00:00:03,128 --> 00:00:05,087 ANYTHING IN THE HOUSE IS YOURS. WE HAVE A FULL BAR-- 3 00:00:05,088 --> 00:00:06,547 I'M SOBER, KATHRYN. 4 00:00:06,548 --> 00:00:09,008 I'VE BEEN SOBER FOR 11 AND A HALF YEARS. 5 00:00:09,009 --> 00:00:12,386 - WHAT ARE YOU DOING? - TRYING TO FIGURE OUT WHAT TO DO WITH MYSELF 6 00:00:12,387 --> 00:00:14,722 NOW THAT I'M NO LONGER A HAIRDRESSER. 7 00:00:14,723 --> 00:00:17,975 - REGGIE? - HI! WHAT'S IT BEEN, 15 YEARS? 8 00:00:17,976 --> 00:00:20,520 - YEAH. - KATHRYN, THIS IS ZANE. 9 00:00:20,521 --> 00:00:21,771 ZANE, KATHRYN. 10 00:00:21,772 --> 00:00:24,066 WHY DON'T WE CALL A TRUCE? 11 00:01:15,117 --> 00:01:17,577 HI! SHOULDN'T YOU STILL BE AT SCHOOL? 12 00:01:17,578 --> 00:01:19,078 MY LAST CLASS WAS STUDY HALL. 13 00:01:19,079 --> 00:01:22,415 HEY, DO YOU HAVE ANY OF THOSE SEA-SALT PITA CHIP THINGIES? 14 00:01:22,416 --> 00:01:24,208 YEAH. WAIT WAIT WAIT! 15 00:01:24,209 --> 00:01:26,627 - WASH YOUR HANDS. - OH, SORRY. 16 00:01:26,628 --> 00:01:29,046 I'M DOING POTTERY WITH REGINA-- THROWING CLAY. 17 00:01:29,047 --> 00:01:31,591 IT'S SUPER WET AND SHAPEY. 18 00:01:31,592 --> 00:01:34,427 - SHE CAN DO THAT WITH HER HANDS? - THAT'S THE COOL PART. 19 00:01:34,428 --> 00:01:37,847 SHE JUST TELLS ME WHAT TO DO AND I DO IT. 20 00:01:37,848 --> 00:01:40,224 IT'S LIKE I'M HER HANDS. TOTAL VULCAN MIND MELD. 21 00:01:40,225 --> 00:01:42,768 WELL, I'M GONNA BE MAKING TURKEY MEATBALLS LATER. 22 00:01:42,769 --> 00:01:44,437 MAYBE YOU CAN COME AND BE MY HANDS. 23 00:01:44,438 --> 00:01:46,188 THAT'S HILARIOUS. YOU KNOW WHAT-- 24 00:01:46,189 --> 00:01:47,606 I THINK I'M JUST GONNA HAVE DINNER OVER THERE 25 00:01:47,607 --> 00:01:50,109 'CAUSE WE STILL MIGHT BE, LIKE, IN THE ZONE. 26 00:01:50,110 --> 00:01:52,612 ONCE MORE INTO THE CLAY! 27 00:03:15,362 --> 00:03:18,989 "AND HOW DO YOU PROPOSE PAYING FOR THIS NEW RESOURCES BOARD?" 28 00:03:18,990 --> 00:03:20,908 UH, WELL... 29 00:03:20,909 --> 00:03:24,245 - THROUGH THE CLOSING 30 00:03:24,246 --> 00:03:26,956 - OF LOOPHOLES-- - CLOSING OF TAX LOOPHOLES IN THE STATE TAX CODE 31 00:03:26,957 --> 00:03:29,834 - WILL GENERATE THE NECESSARY REVENUES. - OKAY. OKAY. 32 00:03:29,835 --> 00:03:31,794 HEY, CAN I INTERRUPT FOR A SECOND? 33 00:03:31,795 --> 00:03:34,130 - ABSOLUTELY YOU MAY. - SO I'M THINKING ABOUT APPLYING 34 00:03:34,131 --> 00:03:36,132 - TO WASHINGTON UNIVERSITY. - OH! 35 00:03:36,133 --> 00:03:38,592 - WASH U. - BUT IT'S COMPETITIVE, 36 00:03:38,593 --> 00:03:41,345 SO A FAMILY CONNECTION 37 00:03:41,346 --> 00:03:44,014 - WOULD REALLY HELP OUT. - OKAY. 38 00:03:44,015 --> 00:03:46,851 GRANDPA BILL WENT TO WASH U, DIDN'T HE? 39 00:03:46,852 --> 00:03:49,437 TOBY, YOU GET GOOD GRADES, 40 00:03:49,438 --> 00:03:51,772 YOU'RE GOING TO A GOOD SCHOOL. YOU'RE GONNA BE FINE. 41 00:03:51,773 --> 00:03:55,818 HONEY, HE'S NOT WRONG. THESE DAYS YOU HAVE TO PRESS EVERY ADVANTAGE. 42 00:03:55,819 --> 00:03:58,612 A RECOMMENDATION FROM SOMEONE WHO HASN'T BEEN THERE IN 40 YEARS? 43 00:03:58,613 --> 00:04:01,198 - WHAT GOOD IS THAT GONNA DO? - CAN I AT LEAST ASK, THOUGH? 44 00:04:01,199 --> 00:04:05,161 - I MEAN, WHAT'S THE HARM? - WELL, IT'S YOUR APPLICATION. 45 00:04:05,162 --> 00:04:07,872 DO WHAT YOU WANT. 46 00:04:07,873 --> 00:04:09,916 I NEED A BATHROOM BREAK. BE RIGHT BACK. 47 00:04:12,169 --> 00:04:15,379 WELL, I KNOW GRANDPA BILL ISN'T COMING OVER 48 00:04:15,380 --> 00:04:18,215 FOR SUNDAY DINNERS, BUT I CAN'T EVEN ASK FOR A FAVOR? 49 00:04:18,216 --> 00:04:21,802 HE SAID YES. I'D JUST RUN WITH THAT. 50 00:04:21,803 --> 00:04:25,140 TWO VODKA ROCKS, ONE WITH A TWIST. HANG ON. 51 00:04:35,650 --> 00:04:37,693 EXCUSE ME. YOU'RE WITH ZANE, RIGHT? 52 00:04:37,694 --> 00:04:39,862 - UM... - OH, SORRY. 53 00:04:39,863 --> 00:04:41,697 NOT ASKING FOR A STATUS UPDATE. 54 00:04:41,698 --> 00:04:43,783 IT'S JUST COULD YOU TAKE THIS TRAY UP TO THE GUYS? 55 00:04:43,784 --> 00:04:45,659 I'M A LITTLE SLAMMED HERE. 56 00:04:45,660 --> 00:04:47,703 - SURE. - YOU ARE OVER 21, RIGHT? 57 00:04:47,704 --> 00:04:49,747 NICE TRY. 58 00:04:49,748 --> 00:04:53,292 A LITTLE FLATTERY TO GREASE THE WHEELS. YOU KNOW WHAT? HERE. 59 00:04:53,293 --> 00:04:54,668 FOR YOU. 60 00:04:54,669 --> 00:04:56,921 I CALL IT A "HEADLESS HORSEMAN." 61 00:04:56,922 --> 00:04:59,132 - LET ME KNOW WHAT YOU THINK. - OKAY. 62 00:05:01,885 --> 00:05:04,303 NO, MAN, IT'S NOT LIKE THAT. I TOLD YOU. 63 00:05:04,304 --> 00:05:07,723 HEY, IF I'M GONNA SELL MY SOUL, I AT LEAST WANT TO RIDE IN A LIMO. 64 00:05:07,724 --> 00:05:09,975 WHO IS SELLING THEIR SOUL? 65 00:05:09,976 --> 00:05:12,853 ZANE'S TRYING TO BOOK US INTO SOME CORPORATE DEATH MARCH. 66 00:05:12,854 --> 00:05:15,314 IT'S EVENT, STAN. IT'S AN EVENT. 67 00:05:15,315 --> 00:05:17,817 YOU CALL IT WHAT YOU WANT, I DON'T DO BACKGROUND MUSIC. 68 00:05:17,818 --> 00:05:20,694 TRY BEING UNEMPLOYED. THAT'LL GET YOU OVER YOUR INTEGRITY. 69 00:05:20,695 --> 00:05:23,823 PLEASE. HE'S A DRUMMER. THEY'RE NEVER UNEMPLOYED. 70 00:05:23,824 --> 00:05:27,034 HERE IS TO WORKING FOR AN HONEST LIVING. 71 00:05:27,035 --> 00:05:28,787 - Regina: HEAR HEAR. - SALUT. 72 00:05:29,704 --> 00:05:32,082 - IS THAT YOURS? - OH, UM... 73 00:05:33,083 --> 00:05:34,792 I'M ON A CLEANSE. 74 00:05:34,793 --> 00:05:36,628 I GOTTA HIT THE LITTLE DRUMMER'S ROOM. 75 00:05:39,422 --> 00:05:42,049 - I LIKED YOUR SET. - I LIKED HAVING YOU HERE. 76 00:05:42,050 --> 00:05:46,053 YOU ARE NOT GONNA CALL ME A "MUSE" AT ANY POINT, ARE YOU? 77 00:05:46,054 --> 00:05:48,849 - NOT OUT LOUD, NO. 78 00:05:50,600 --> 00:05:52,601 I'M GONNA HAVE TO GO PRETTY SOON. 79 00:05:52,602 --> 00:05:55,855 NO NO-- YOU GOTTA STAY FOR MY NEXT SET. 80 00:05:55,856 --> 00:05:58,399 ZANE, I HAVE TO MAKE BREAKFAST AT 7:00 A. M. 81 00:05:58,400 --> 00:06:01,527 OKAY, I TURN ON A COFFEE POT, BUT STILL. 82 00:06:01,528 --> 00:06:02,778 LOOK, REGGIE, YOU'RE HERE. 83 00:06:02,779 --> 00:06:05,322 THE NIGHT'S YOUNG. THE MUSIC'S GOOD. 84 00:06:05,323 --> 00:06:07,825 I WILL HAVE YOU HOME BY MIDNIGHT. 85 00:06:07,826 --> 00:06:10,161 I PROMISE. 86 00:06:12,038 --> 00:06:13,914 CAN I GET A CLUB SODA? 87 00:06:13,915 --> 00:06:16,501 AND, HERE, YOU CAN TAKE THIS. 88 00:06:32,100 --> 00:06:33,643 WHAT? 89 00:06:38,773 --> 00:06:41,191 "GRAVES"? UH, NO. 90 00:06:41,192 --> 00:06:44,153 I-- THROWING CLAY. 91 00:06:44,154 --> 00:06:46,572 POTTERY? 92 00:06:46,573 --> 00:06:49,451 MY MOM IS TEACHING ME. 93 00:06:52,787 --> 00:06:55,122 UH, PAINTING MOSTLY. 94 00:06:55,123 --> 00:06:57,626 BUT, YEAH. YOU? 95 00:07:20,440 --> 00:07:21,690 OKAY. 96 00:07:21,691 --> 00:07:23,985 YEAH, I'LL CHECK IT OUT. 97 00:07:27,614 --> 00:07:29,740 - HEY. - HEY THERE. 98 00:07:29,741 --> 00:07:31,659 I, UH-- I HEARD 99 00:07:31,660 --> 00:07:34,870 THAT YOU PLAY. AND I STARTED A LITTLE 100 00:07:34,871 --> 00:07:37,623 PICKUP GAME AT LUNCH. SO YOU SHOULD JOIN. 101 00:07:37,624 --> 00:07:41,919 I REALLY HAVEN'T PLAYED MUCH SINCE THEY CUT OUR BASKETBALL TEAM. 102 00:07:41,920 --> 00:07:44,588 YOU KNOW WHAT? IF YOU CAN DRIBBLE OR YOU CAN SHOOT 103 00:07:44,589 --> 00:07:47,217 YOU'RE GONNA BE THE M. V. P. OF THIS TEAM. I PROMISE YOU. 104 00:07:49,219 --> 00:07:51,845 SO IT LOOKS LIKE YOU'RE STARTING TO FEEL AT HOME HERE? 105 00:07:51,846 --> 00:07:54,807 YEAH, YOU KNOW, WHEN LIFE GIVES YOU LEMONS... 106 00:07:54,808 --> 00:07:56,767 WAIT-- HEY! WE'RE NOT LEMONS. 107 00:07:56,768 --> 00:07:58,477 BAD CHOICE OF WORDS. 108 00:07:58,478 --> 00:08:00,521 - BAD A. S. L.! 109 00:08:00,522 --> 00:08:03,440 STUPID EXPRESSION ANYWAY BECAUSE I DON'T EVEN LIKE LEMONADE 110 00:08:03,441 --> 00:08:05,609 - OR LEMONS. - OH, THAT'S TOO BAD. 111 00:08:05,610 --> 00:08:09,029 BECAUSE MY LEMON MERINGUE IS AWESOME! 112 00:08:09,030 --> 00:08:11,365 - MMM! HEY MAN. 113 00:08:11,366 --> 00:08:13,367 SO NO LUNCHTIME HOOPS. 114 00:08:13,368 --> 00:08:15,704 WHAT ABOUT A LITTLE ONE-ON-ONE AFTER SCHOOL MAYBE? 115 00:08:21,292 --> 00:08:25,337 ACTUALLY I HAVE PLANS AFTER SCHOOL WITH TRAVIS. 116 00:08:25,338 --> 00:08:27,506 DO YOU KNOW TRAVIS? HE'S DEAF? 117 00:08:27,507 --> 00:08:30,092 WE'RE GONNA TAKE OUT MY FOOD TRUCK. 118 00:08:30,093 --> 00:08:31,511 ALL RIGHT. 119 00:08:42,439 --> 00:08:43,481 HEY. 120 00:08:45,025 --> 00:08:46,484 SO THAT'S IT. 121 00:08:49,612 --> 00:08:51,905 DOES THE PLAY TAKE PLACE IN-- 122 00:08:51,906 --> 00:08:54,658 I DON'T KNOW THE SIGN FOR "DUNGEON"-- 123 00:08:54,659 --> 00:08:56,911 LIKE A CASTLE BASEMENT? 124 00:09:15,847 --> 00:09:18,099 UH... 125 00:09:20,602 --> 00:09:23,520 YOU KNOW WHAT YOU COULD DO? PROJECTIONS. 126 00:09:23,521 --> 00:09:28,150 MAYBE SOME SOVIET PHOTOS OR ARTWORK OR SOMETHING. 127 00:09:28,151 --> 00:09:31,445 OH! YOU COULD HANG FABRIC 128 00:09:31,446 --> 00:09:35,365 IN LIKE STRIPS, YEAH, SOMETHING SHEER, 129 00:09:35,366 --> 00:09:36,910 THAT WAY IT HAS ALL THESE LAYERS. 130 00:09:40,580 --> 00:09:44,374 STUDENTS? STUDENTS, CAN WE GATHER TOGETHER PLEASE? 131 00:09:44,375 --> 00:09:47,252 I'M SORRY TO INFORM YOU THAT YOUR DIRECTOR 132 00:09:47,253 --> 00:09:50,756 WILL NOT BE ABLE TO CONTINUE WITH THIS PRODUCTION. 133 00:09:50,757 --> 00:09:55,636 AS YOU KNOW, CARLTON HAS BROUGHT IN SOME NEW PROGRAMS, 134 00:09:55,637 --> 00:09:59,598 AND WE'VE HAD TO ELIMINATE OTHERS. 135 00:09:59,599 --> 00:10:01,517 AND IN SPITE OF THESE CHANGES, 136 00:10:01,518 --> 00:10:04,686 WE ARE STILL STRUGGLING FINANCIALLY. 137 00:10:04,687 --> 00:10:08,649 AND, AS DIFFICULT AS IT IS FOR ME TO TELL YOU THIS, 138 00:10:08,650 --> 00:10:11,902 WE WILL NOT BE ABLE TO DO 139 00:10:11,903 --> 00:10:14,447 THE SPRING PRODUCTION THIS YEAR. 140 00:10:21,788 --> 00:10:24,540 NO, NO ONE HAS BEEN FIRED. 141 00:10:24,541 --> 00:10:29,211 WE CANNOT PAY THE DIRECTOR'S SALARY AND HE HAD TO MOVE ON. 142 00:10:29,212 --> 00:10:33,590 I THANK YOU ALL FOR YOUR ENERGY 143 00:10:33,591 --> 00:10:36,969 AND YOUR PASSION AND YOUR UNDERSTANDING. 144 00:10:36,970 --> 00:10:39,430 WE'LL TRY AGAIN NEXT YEAR. 145 00:10:40,557 --> 00:10:43,601 I'M REALLY SORRY. 146 00:11:55,298 --> 00:11:58,467 AND JUST LIKE THAT, THE ENTIRE DRAMA PROGRAM GETS CUT? 147 00:11:58,468 --> 00:12:00,427 IT WASN'T REALLY A WHOLE PROGRAM. 148 00:12:00,428 --> 00:12:02,346 IT WAS MORE OF AN AFTER-SCHOOL THING. 149 00:12:02,347 --> 00:12:04,056 YOU KNOW, SWEETIE, IF YOU WANT TO PAINT SETS, 150 00:12:04,057 --> 00:12:05,974 THERE'S THIS REALLY GREAT PROGRAM AT BUCKNER. 151 00:12:05,975 --> 00:12:08,185 WELL-FUNDED IN PART BY US, I MIGHT ADD. 152 00:12:08,186 --> 00:12:10,604 DAD, I AM NOT GOING BACK TO BUCKNER. 153 00:12:10,605 --> 00:12:12,356 THAT'S THE BUMMER ABOUT THIS WHOLE THING. 154 00:12:12,357 --> 00:12:14,775 I WAS FINALLY STARTING TO FIT IN AT CARLTON 155 00:12:14,776 --> 00:12:16,568 AND NOW THIS IS YET ANOTHER THING 156 00:12:16,569 --> 00:12:19,321 THAT WAS KILLED OFF BY THE HEARING KIDS. 157 00:12:19,322 --> 00:12:23,450 THAT'S WHAT THEY SAID? THEY CUT THE PLAY BECAUSE OF THE HEARING PROGRAM? 158 00:12:23,451 --> 00:12:24,952 THEY MIGHT AS WELL HAVE. 159 00:12:24,953 --> 00:12:27,287 YOU KNOW WHAT? I'M JUST-- I'LL BE-- 160 00:12:27,288 --> 00:12:30,832 - BACK FOR DINNER. - I'M GONNA MAKE A COUPLE OF CALLS ABOUT THIS. 161 00:12:30,833 --> 00:12:33,210 OH, MOM, NO. I WOULDN'T. 162 00:12:33,211 --> 00:12:35,045 HONESTLY, IT'S A DONE DEAL. 163 00:12:35,046 --> 00:12:37,839 HAVE YOU NOT SEEN YOUR MOTHER IN ACTION? NOTHING IS A DONE DEAL. 164 00:12:37,840 --> 00:12:40,634 FIGHTING FOR ARTS IN PUBLIC EDUCATION? 165 00:12:40,635 --> 00:12:43,220 THEY BETTER WATCH OUT. 166 00:12:43,221 --> 00:12:45,806 HEY! CAN I TALK TO YOU GUYS? 167 00:12:45,807 --> 00:12:48,350 - CHANGING OF THE GUARDS. - NO, STAY. 168 00:12:48,351 --> 00:12:52,479 I WANT TO TAKE THE FOOD TRUCK OUT AGAIN TOMORROW AFTER SCHOOL. 169 00:12:52,480 --> 00:12:54,648 SWEETIE, WE TALKED ABOUT THIS, OKAY? 170 00:12:54,649 --> 00:12:57,359 YOU ARE TOO YOUNG TO BE SETTING UP SHOP BY YOURSELF. 171 00:12:57,360 --> 00:13:01,239 MY MOM SAID IT WAS OKAY. AND I WON'T BE ALONE. I'M GOING WITH TRAVIS. 172 00:13:02,949 --> 00:13:05,200 REGINA SAYS IT'S OKAY... 173 00:13:05,201 --> 00:13:08,412 OKAY, BUT I WANT YOU BACK HERE BY 9:00. 174 00:13:08,413 --> 00:13:10,080 - OKAY, OF COURSE. - ALL RIGHT. 175 00:13:10,081 --> 00:13:11,624 YES. THANK YOU! 176 00:13:21,301 --> 00:13:22,843 HEY HEY! 177 00:13:22,844 --> 00:13:26,179 WHY ALL THE SECRET SIGNING? 178 00:13:26,180 --> 00:13:27,932 NOTHING! 179 00:13:29,350 --> 00:13:31,643 SO WHY WASH U, HUH? 180 00:13:31,644 --> 00:13:33,895 - WELL, YOU WENT THERE. 181 00:13:33,896 --> 00:13:36,315 I KIND OF LIKE THE IDEA OF KEEPING UP A FAMILY TRADITION. 182 00:13:36,316 --> 00:13:38,900 WELL, YOUR FATHER DIDN'T GO THERE. 183 00:13:38,901 --> 00:13:40,278 HE DIDN'T GO ANYWHERE. 184 00:13:42,196 --> 00:13:46,826 I GUESS SOMETIMES FAMILY TRADITIONS SKIP GENERATIONS. 185 00:13:49,203 --> 00:13:52,956 - SO WHAT ELSE DO YOU HAVE? - WHAT DO YOU MEAN? 186 00:13:52,957 --> 00:13:55,417 WELL, YOU DID TWO YEARS OF LACROSSE AND QUIT. 187 00:13:55,418 --> 00:13:58,170 YOU HAVE ANY OTHER EXTRACURRICULARS? 188 00:13:58,171 --> 00:14:00,547 ARE YOU FLUENT IN ANY LANGUAGES? 189 00:14:00,548 --> 00:14:02,924 A.S.L.-- SIGN LANGUAGE. 190 00:14:02,925 --> 00:14:06,179 - EVER SINCE DAPHNE-- MY SISTER-- - YEAH, I KNOW WHO YOU MEAN. 191 00:14:08,264 --> 00:14:11,933 WELL, MUSIC REALLY TAKES UP MOST OF MY TIME. 192 00:14:11,934 --> 00:14:15,062 - I HAVE A BAND-- - A ROCK AND ROLL BAND, I BET. 193 00:14:15,063 --> 00:14:17,898 YEAH! WELL, ALTERNATIVE ROCK, BUT YEAH. 194 00:14:17,899 --> 00:14:21,109 YOU KNOW, THE KIDS YOU'RE COMPETING AGAINST-- 195 00:14:21,110 --> 00:14:24,488 THEY'VE BEEN DOING SOLOS WITH THE ST. LOUIS SYMPHONY. 196 00:14:24,489 --> 00:14:26,490 - WELL, THAT'S-- - AND I JUST READ 197 00:14:26,491 --> 00:14:29,117 ABOUT A KID WHO SPENT HIS SUMMER 198 00:14:29,118 --> 00:14:31,870 EXCAVATING MAYAN RUINS IN GUATEMALA 199 00:14:31,871 --> 00:14:34,957 AND THEN GOT THE FINDINGS PUBLISHED IN AN ARCHAEOLOGY JOURNAL. 200 00:14:37,085 --> 00:14:39,294 SO FROM WHERE I SIT, 201 00:14:39,295 --> 00:14:42,255 THERE'S JUST NOT MUCH HERE TO DISTINGUISH YOU 202 00:14:42,256 --> 00:14:44,633 FROM HUNDREDS OF OTHER KIDS WHO ARE APPLYING. 203 00:14:44,634 --> 00:14:48,012 WELL, THAT'S WHY I WANTED TO ASK FOR YOUR HELP. 204 00:14:49,722 --> 00:14:50,932 CAN I HAVE SOME KETCHUP? 205 00:14:55,269 --> 00:14:57,187 - DO YOU HAVE ANY USE FOR THIS? - Kathryn: NO. 206 00:14:57,188 --> 00:14:58,564 I USE AN ELECTRIC. 207 00:14:59,857 --> 00:15:02,275 OH, UM, SORRY. ANYWAY, THIS MEETING? 208 00:15:02,276 --> 00:15:05,362 YEAH, IT'S THIS AFTERNOON. AND I PLAN ON GOING INTO THAT PRINCIPAL'S OFFICE 209 00:15:05,363 --> 00:15:09,366 WITH A BATTERING RAM. AND I WOULD LOVE TO HAVE MORE PARENTS WITH ME. 210 00:15:09,367 --> 00:15:11,701 I AM SO WITH YOU ON SAVING ARTS PROGRAMS. 211 00:15:11,702 --> 00:15:14,329 BUT I CAN'T THIS AFTERNOON. I HAVE A JOB INTERVIEW. 212 00:15:14,330 --> 00:15:17,165 - THAT'S TERRIFIC. WHERE? - ANSWERING PHONES AT A SPA. 213 00:15:17,166 --> 00:15:20,168 THAT COULD BE FUN-- DISCOUNTED MASSAGES? 214 00:15:20,169 --> 00:15:21,962 AT THIS POINT, I'LL TAKE ANYTHING. 215 00:15:21,963 --> 00:15:24,132 BECAUSE CLEARLY I NEED TO GET OUT OF THE HOUSE. 216 00:15:25,550 --> 00:15:27,552 SO ARE YOUR ARMS HURTING? 217 00:15:29,178 --> 00:15:30,263 NOT IF I DON'T USE THEM. 218 00:15:32,140 --> 00:15:34,558 AND DON'T WORRY, I'M NOT DEPRESSED. 219 00:15:34,559 --> 00:15:37,310 I'M JUST IN MY ROBE BECAUSE I WAS OUT LATE. 220 00:15:37,311 --> 00:15:39,312 REALLY?! IS THIS WITH...? 221 00:15:39,313 --> 00:15:43,024 ZANE. I SAW HIS BAND LAST NIGHT. 222 00:15:43,025 --> 00:15:45,360 I KNEW IT. DID I CALL IT OR WHAT? 223 00:15:45,361 --> 00:15:49,114 YOU DID. I'M JUST NOT SURE IT'S THE RIGHT CALL FOR ME. 224 00:15:49,115 --> 00:15:51,575 - WHY NOT? - LOOK AT MY LIFE. 225 00:15:51,576 --> 00:15:55,996 THIS ISN'T EXACTLY THE TIME FOR ME TO BE HANGING OUT AND LISTENING TO JAZZ, 226 00:15:55,997 --> 00:15:59,624 AND ARGUING ABOUT ART AND POLITICS AND THEN GOING OUT FOR PANCAKES. 227 00:15:59,625 --> 00:16:01,293 WHY NOT? 228 00:16:01,294 --> 00:16:03,211 BECAUSE I'M NOT IN MY 20s. 229 00:16:03,212 --> 00:16:05,505 I NEED A JOB, A PLACE OF MY OWN 230 00:16:05,506 --> 00:16:08,217 AND A HUSBAND WHO ISN'T OUT GETTING OTHER PEOPLE PREGNANT. 231 00:16:09,635 --> 00:16:11,553 SORRY. 232 00:16:11,554 --> 00:16:13,763 I KNOW YOU'RE GOING THROUGH A LOT RIGHT NOW, 233 00:16:13,764 --> 00:16:16,266 BUT THAT'S EXACTLY WHY YOU NEED TO GO OUT. 234 00:16:16,267 --> 00:16:18,643 SEE, THIS IS MY POINT. WHEN TIMES ARE TOUGH 235 00:16:18,644 --> 00:16:21,188 THAT'S WHEN YOU NEED CREATIVITY THE MOST. 236 00:16:21,189 --> 00:16:23,982 STIMULATION, INSPIRATION, 237 00:16:23,983 --> 00:16:27,444 EXPRESSION-- THESE ARE THE THINGS THAT RENEW US 238 00:16:27,445 --> 00:16:30,530 AND KEEP US GROWING SO WE CAN FIGHT THROUGH ANOTHER DAY. 239 00:16:30,531 --> 00:16:33,159 YOU ARE READY TO TALK TO THAT PRINCIPAL, AREN'T YOU? 240 00:16:34,619 --> 00:16:35,911 YEAH. 241 00:16:35,912 --> 00:16:38,997 I APPRECIATE THE VALUE OF ARTS IN EDUCATION, 242 00:16:38,998 --> 00:16:41,041 - KATHRYN, I DO. - I KNOW YOU DO-- 243 00:16:41,042 --> 00:16:43,001 BUT THAT DOESN'T BALANCE MY BUDGET. 244 00:16:43,002 --> 00:16:46,880 AND IF I DON'T BALANCE MY BUDGET, THEN THERE IS NO MORE CARLTON. 245 00:16:46,881 --> 00:16:50,050 THEN GIVE IT TO US. LET THE PARENTS TAKE OVER THE PLAY 246 00:16:50,051 --> 00:16:52,219 AND YOU JUST WORRY ABOUT SAVING THE SCHOOL. 247 00:16:52,220 --> 00:16:54,888 PLEASE! IT WOULD MEAN SO MUCH TO THEM. 248 00:16:54,889 --> 00:16:56,640 WE JUST LOST THE DIRECTOR. 249 00:16:56,641 --> 00:16:59,476 I DON'T HAVE A SALARY OR A PRODUCTION BUDGET. 250 00:16:59,477 --> 00:17:02,146 I THINK THE SHIP HAS SAILED ON THIS ONE. 251 00:17:04,106 --> 00:17:05,482 - Daphne: THANK YOU. - ♪ I TURNED THE CORNER ♪ 252 00:17:05,483 --> 00:17:07,776 ♪ AND I SAW YOUR SMILE ♪ 253 00:17:07,777 --> 00:17:11,071 ♪ IT TAKES ME BACK, TAKES ME BACK FOR A WHILE ♪ 254 00:17:11,072 --> 00:17:12,740 ♪ TO A PLACE ♪ 255 00:17:14,075 --> 00:17:15,952 ♪ I FEEL LIKE I BELONG ♪ 256 00:17:17,954 --> 00:17:21,248 ♪ YOU GOT ME LAUGHING, LAUGHING LIKE YOU ALWAYS DO ♪ 257 00:17:21,249 --> 00:17:24,751 ♪ IT'S REALLY SIMPLE, BUT I DIG THE THINGS YOU DO ♪ 258 00:17:24,752 --> 00:17:27,295 ♪ A LITTLE WINK ♪ 259 00:17:27,296 --> 00:17:30,091 ♪ JUST LIGHTS UP THE ROOM ♪ 260 00:17:31,926 --> 00:17:33,718 ♪ YOU GOT A GLOW ♪ 261 00:17:33,719 --> 00:17:37,139 ♪ FROM HEAD TO TOE... ♪ 262 00:17:38,307 --> 00:17:40,892 - (vocalizing) 263 00:17:40,893 --> 00:17:43,395 ♪ IT'S SUCH A GOOD TIME. ♪ 264 00:17:43,396 --> 00:17:45,397 HI, HOW CAN I HELP YOU? 265 00:17:45,398 --> 00:17:47,023 UH, TWO OF THE SPECIALS. 266 00:17:47,024 --> 00:17:48,900 OKAY, SPICY OR REGULAR? 267 00:17:48,901 --> 00:17:50,820 - SPICY. - SPICY. 268 00:17:57,118 --> 00:17:58,577 YEAH. 269 00:17:58,578 --> 00:18:00,912 - IS HE THROWING GANG SIGNS AT YOU? - NO NO, 270 00:18:00,913 --> 00:18:03,999 - IT'S SIGN LANGUAGE. WE'RE DEAF. - FOR REAL? 271 00:18:04,000 --> 00:18:06,209 - BUT YOU HEARD WHAT I SAID. - I READ YOUR LIPS. 272 00:18:06,210 --> 00:18:07,669 COOL. 273 00:18:07,670 --> 00:18:09,879 WHO DO YOU WORK FOR? I'VE NEVER SEEN THIS TRUCK BEFORE. 274 00:18:09,880 --> 00:18:11,881 - OH, IT'S MINE. - YOURS? 275 00:18:11,882 --> 00:18:13,300 - MM-HMM. - DAMN. 276 00:18:13,301 --> 00:18:15,928 I CAN HEAR AND SEE PERFECT-- ALL I GOT IS AN OLD BIKE. 277 00:18:19,599 --> 00:18:21,808 HEY, YOU KNOW WHAT YOU SHOULD DO? PUT YOUR PICTURE 278 00:18:21,809 --> 00:18:24,060 ON THE SIDE OF THE TRUCK, CALL IT "DEAF HOT TACOS." 279 00:18:24,061 --> 00:18:27,105 WITH A FACE LIKE YOURS, GUYS WILL BE LINING UP AROUND THE BLOCK. 280 00:18:27,106 --> 00:18:29,692 THANKS. ENJOY. 281 00:18:38,951 --> 00:18:41,953 OOH, SCARY. 282 00:18:41,954 --> 00:18:44,039 I'M SORRY ABOUT THE MESS. 283 00:18:44,040 --> 00:18:45,957 I PROMISE I'M GOING TO CLEAN IT UP. 284 00:18:45,958 --> 00:18:48,878 NO, IT'S FINE. IT'S NICE HAVING YOU WORK HERE. 285 00:18:50,838 --> 00:18:53,923 I HATE TO BOTHER YOU WHILE YOU'RE IN "THE ZONE," 286 00:18:53,924 --> 00:18:55,842 BUT I JUST WANTED TO TELL YOU 287 00:18:55,843 --> 00:18:58,136 THAT SOME WONDERFULLY COMMITTED CARLTON PARENT 288 00:18:58,137 --> 00:19:00,472 SPOKE TO PRINCIPAL ROSE THIS AFTERNOON 289 00:19:00,473 --> 00:19:03,350 AND IT LOOKS LIKE THE PLAY IS BACK ON. 290 00:19:03,351 --> 00:19:06,645 - SERIOUSLY? WHO DID THAT? - ME. 291 00:19:06,646 --> 00:19:09,272 THAT'S AMAZING! THANK YOU. 292 00:19:09,273 --> 00:19:11,733 REHEARSALS START TOMORROW AFTER SCHOOL, 293 00:19:11,734 --> 00:19:13,401 AND I AM SO EXCITED! 294 00:19:13,402 --> 00:19:15,987 WHY ARE YOU SO EXCITED? 295 00:19:15,988 --> 00:19:20,492 WELL, AS YOU KNOW, THEY HAD TO CUT THE SALARY OF THE DIRECTOR 296 00:19:20,493 --> 00:19:23,745 BECAUSE OF THE BUDGET, SO IT BECAME A VOLUNTEER POSITION. 297 00:19:23,746 --> 00:19:26,498 - YOU VOLUNTEERED. - YEAH. 298 00:19:26,499 --> 00:19:28,375 IT'S JUST A STOPGAP MEASURE. 299 00:19:28,376 --> 00:19:32,212 ARE YOU REALLY QUALIFIED TO DO SOMETHING LIKE THIS? 300 00:19:32,213 --> 00:19:35,757 I'VE BEEN IN A LOT OF PLAYS AND I DIRECTED THE HOLIDAY PAGEANT AT THE CHURCH-- 301 00:19:35,758 --> 00:19:38,386 RIGHT, UH... YEAH, I KNOW. 302 00:19:39,720 --> 00:19:41,430 I'M SURE IT'S GONNA BE FINE. 303 00:19:42,973 --> 00:19:45,851 HEY, HOW DID IT GO WITH YOUR GRANDFATHER? 304 00:19:47,061 --> 00:19:48,937 UH, ACTUALLY NOT SO GOOD. 305 00:19:48,938 --> 00:19:51,606 WHAT DO YOU MEAN? IS HE GOING TO MAKE THE CALL OR WHAT? 306 00:19:51,607 --> 00:19:54,234 I DON'T KNOW. HE DIDN'T SAY. 307 00:19:54,235 --> 00:19:57,821 HUH. SO WHAT DID HE SAY? 308 00:19:57,822 --> 00:20:00,532 THAT I AM NOT WASH U MATERIAL. 309 00:20:00,533 --> 00:20:05,078 - HE SAID THAT? - WELL YEAH, THAT I'M... 310 00:20:05,079 --> 00:20:07,622 LIKE EVERYBODY ELSE THAT'S APPLYING. 311 00:20:07,623 --> 00:20:09,874 DID YOU TELL HIM ABOUT YOUR MUSIC? 312 00:20:09,875 --> 00:20:13,378 I TRIED, BUT HE JUST KEPT CALLING IT A HOBBY. 313 00:20:13,379 --> 00:20:15,422 HONESTLY, I DON'T EVEN CARE. 314 00:20:15,423 --> 00:20:17,215 OKAY, YOU KNOW WHAT? LISTEN TO ME. 315 00:20:17,216 --> 00:20:19,968 YOUR MUSIC, YOUR BAND-- THESE ARE THINGS 316 00:20:19,969 --> 00:20:22,011 THAT ARE GOING TO SET YOUR APPLICATION APART. 317 00:20:22,012 --> 00:20:23,556 AND YOUR GRANDFATHER... 318 00:20:26,767 --> 00:20:28,977 HE'S NOT THE KIND OF MAN 319 00:20:28,978 --> 00:20:30,812 TO OFFER A LOT OF APPROVAL. 320 00:20:30,813 --> 00:20:32,939 HE'S GOT HIS OWN IDEAS 321 00:20:32,940 --> 00:20:34,816 ABOUT HOW THINGS SHOULD GO. 322 00:20:34,817 --> 00:20:38,111 AND IF YOU WANT TO GO YOUR OWN WAY-- LIKE, LET'S SAY, 323 00:20:38,112 --> 00:20:41,406 TURN DOWN A FOOTBALL SCHOLARSHIP TO THE UNIVERSITY OF IOWA 324 00:20:41,407 --> 00:20:43,450 TO PLAY BASEBALL IN THE MAJOR LEAGUES-- 325 00:20:43,451 --> 00:20:45,702 NO AMOUNT OF SUCCESS 326 00:20:45,703 --> 00:20:47,287 WILL MAKE HIM COME AROUND. 327 00:20:47,288 --> 00:20:49,873 ALL HE SEES 328 00:20:49,874 --> 00:20:51,876 IS THAT YOU DIDN'T DO IT HIS WAY. 329 00:20:55,296 --> 00:20:58,339 WELL, IF I DID IT HIS WAY, I'D BETTER START HIGH SCHOOL AGAIN. 330 00:20:58,340 --> 00:21:00,258 NOW YOU LISTEN TO ME. 331 00:21:00,259 --> 00:21:02,761 THIS AFTERNOON, YOU PUT IT OUT OF YOUR HEAD. 332 00:21:02,762 --> 00:21:06,931 YOU FINISH THOSE APPLICATIONS. HE DOES NOT GET TO DERAIL YOU. 333 00:21:06,932 --> 00:21:09,768 - BUT, DAD, I-- - NO BUTS, TOBY. 334 00:21:09,769 --> 00:21:12,772 YOU GET THOSE APPLICATIONS IN. 335 00:21:22,323 --> 00:21:23,698 SO WHAT WAS THE THEORY AGAIN? 336 00:21:23,699 --> 00:21:26,409 FAMILY CONNECTIONS ARE GONNA HELP TOBY GET INTO COLLEGE? 337 00:21:26,410 --> 00:21:28,369 - DID HE TALK TO YOUR DAD? - OH YEAH. 338 00:21:28,370 --> 00:21:31,456 JUST LONG ENOUGH TO START THINKING HE DOESN'T HAVE A SHOT AT GETTING IN. 339 00:21:31,457 --> 00:21:34,710 - HOW DID HE DO THAT? - I KNOW EXACTLY HOW HE DID IT. 340 00:21:37,546 --> 00:21:40,673 PEERING OVER HIS GLASSES LIKE YOU BOTH KNOW IT'S THE TRUTH, 341 00:21:40,674 --> 00:21:43,551 AND IF YOU CAN'T ADMIT IT, YOU'RE A COWARD. 342 00:21:43,552 --> 00:21:45,804 OKAY, 343 00:21:45,805 --> 00:21:47,764 WE KNOW TOBY. 344 00:21:47,765 --> 00:21:51,601 HE MAY GET PUSHED OFF HIS AXIS FOR A DAY OR TWO, 345 00:21:51,602 --> 00:21:53,228 BUT HE'LL THINK ABOUT IT 346 00:21:53,229 --> 00:21:55,146 AND HE'LL COME BACK STRONGER THAN EVER. 347 00:21:55,147 --> 00:21:57,982 - YOU SURE ABOUT THAT? - HE'S NOT LIKE YOU, JOHN. 348 00:21:57,983 --> 00:22:00,860 - WHAT'S THAT SUPPOSED TO MEAN? - IT MEANS HE DIDN'T GROW UP 349 00:22:00,861 --> 00:22:02,654 HAVING TO DEFEND HIMSELF ALL THE TIME. 350 00:22:02,655 --> 00:22:05,824 HE HAS A LOVING FATHER 351 00:22:05,825 --> 00:22:07,951 WHO SUPPORTS HIM. HE'LL TAKE IT IN 352 00:22:07,952 --> 00:22:10,663 AND THEN REMEMBER WHO HE IS. 353 00:22:11,664 --> 00:22:13,832 REGGIE, COME ON, IT'S NOT EVEN MIDNIGHT YET. 354 00:22:13,833 --> 00:22:15,875 WHAT, IS YOUR CAR GONNA TURN INTO A PUMPKIN? 355 00:22:15,876 --> 00:22:18,044 HAVE YOU SEEN MY CAR? BECAUSE THAT WOULD BE AN IMPROVEMENT. 356 00:22:18,045 --> 00:22:21,714 OKAY, HAVE YOU HAD THE MARTINIS AT THE GREEN MILL? 357 00:22:21,715 --> 00:22:24,759 - BECAUSE IF YOU HAVEN'T-- - ZANE, I GOTTA GET HOME. 358 00:22:24,760 --> 00:22:27,595 DO YOU UNDERSTAND? RESPONSIBILITY, DAUGHTER, 359 00:22:27,596 --> 00:22:30,974 - CRAPPY JOBS TO APPLY FOR. - ALL OF WHICH WILL STILL BE THERE 360 00:22:30,975 --> 00:22:33,351 - AFTER THE MARTINI. 361 00:22:33,352 --> 00:22:36,271 HAVE YOU EVEN HAD A DAY JOB? 362 00:22:36,272 --> 00:22:38,106 UH, HELL YES. 363 00:22:38,107 --> 00:22:41,192 REUPHOLSTERING FURNITURE IN MY UNCLE'S SHOP. I WAS MISERABLE. 364 00:22:41,193 --> 00:22:43,903 BY THE WAY, IT'S NOT LIKE I'M LIVING A LIFE OF LEISURE HERE. 365 00:22:43,904 --> 00:22:46,198 BUT IT'S A HELL OF A LOT MORE FUN. 366 00:22:49,243 --> 00:22:51,453 YOU KNOW WHAT? 367 00:22:53,205 --> 00:22:56,749 MAYBE I'M JUST NOT IN A FUN PLACE IN MY LIFE RIGHT NOW. 368 00:22:56,750 --> 00:22:58,626 UH-OH. 369 00:22:58,627 --> 00:23:00,628 YOU LIVE IN OZ, 370 00:23:00,629 --> 00:23:03,631 AND I AM IN KANSAS 371 00:23:03,632 --> 00:23:06,175 IN, LIKE, THE MIDDLE OF A TORNADO. 372 00:23:06,176 --> 00:23:09,263 - HOLD ON-- - AND HONESTLY? I DON'T EVEN LIKE JAZZ ALL THAT MUCH. 373 00:23:11,432 --> 00:23:13,558 THERE SHE IS. 374 00:23:13,559 --> 00:23:15,894 THERE'S THE GIRL I REMEMBER. 375 00:23:15,895 --> 00:23:18,396 I THINK SHE IS LONG GONE. 376 00:23:18,397 --> 00:23:20,565 YOU DON'T THINK I HAVEN'T CHANGED EITHER? 377 00:23:20,566 --> 00:23:23,401 I HAVE TWO GROWN GIRLS. I HAVE AN EX-WIFE. 378 00:23:23,402 --> 00:23:25,778 I'M PUTTING TOGETHER GIGS WEEK TO WEEK. 379 00:23:25,779 --> 00:23:28,032 I KNOW. 380 00:23:29,533 --> 00:23:31,659 AND I REALLY LIKE HANGING OUT WITH YOU. 381 00:23:31,660 --> 00:23:33,703 BUT... 382 00:23:33,704 --> 00:23:35,956 I GOTTA DEAL WITH THE TORNADO. 383 00:23:51,096 --> 00:23:52,890 TAKE CARE OF YOURSELF. 384 00:24:57,579 --> 00:24:59,956 - HEY THERE. - DAMN, THOSE TACOS WERE GOOD. 385 00:24:59,957 --> 00:25:02,458 - THANKS. - WHAT DO YOU PUT IN THEM? 386 00:25:02,459 --> 00:25:03,876 MY SECRET INGREDIENT. 387 00:25:03,877 --> 00:25:06,796 HEY, HOW DO YOU SAY "TACO" IN SIGN LANGUAGE? 388 00:25:06,797 --> 00:25:09,090 JUST HOW IT LOOKS-- LIKE THIS. 389 00:25:09,091 --> 00:25:10,633 THAT'S COOL. 390 00:25:10,634 --> 00:25:12,927 - WHAT'S YOUR NAME? - DAPHNE. 391 00:25:12,928 --> 00:25:15,471 SO, DAPHNE, 392 00:25:15,472 --> 00:25:17,349 YOU WANNA GO OUT SOMETIME? 393 00:25:20,310 --> 00:25:21,645 UH... 394 00:25:24,398 --> 00:25:25,649 DO-- 395 00:25:27,317 --> 00:25:29,444 NO, DON'T! NO! 396 00:25:29,445 --> 00:25:33,323 - Guy: LET GO! 397 00:25:34,825 --> 00:25:36,452 - CATCH! - C'MON, MAN! LET'S GO! 398 00:26:54,738 --> 00:26:56,989 HEY. 399 00:26:56,990 --> 00:26:59,451 HOW DID IT GO THE PARK? DID YOU HAVE ENOUGH SHRIMP? 400 00:27:00,452 --> 00:27:02,578 YEAH, WE HAD ENOUGH. 401 00:27:02,579 --> 00:27:05,373 - ARE YOU OKAY? - YEAH, UM, 402 00:27:05,374 --> 00:27:07,750 I'M JUST TIRED. I'M GOING TO GO TO BED. 403 00:27:07,751 --> 00:27:09,086 OKAY. 404 00:27:20,764 --> 00:27:23,433 LOOKS LIKE IT. 405 00:27:26,353 --> 00:27:28,563 HELLO, EVERYBODY! HELLO! 406 00:27:28,564 --> 00:27:30,982 UM, GATHER AROUND, PLEASE. 407 00:27:30,983 --> 00:27:33,317 COME ON, DON'T BE SHY. 408 00:27:33,318 --> 00:27:35,319 MY NAME IS KATHRYN. 409 00:27:35,320 --> 00:27:38,949 AND LET'S PUT ON A PLAY! 410 00:27:41,493 --> 00:27:44,161 I KNOW THAT YOU ALREADY 411 00:27:44,162 --> 00:27:48,541 STARTED REHEARSALS... 412 00:27:48,542 --> 00:27:50,042 UM, UH, 413 00:27:50,043 --> 00:27:51,878 THIS IS SO EXCITING. 414 00:27:51,879 --> 00:27:54,715 I HAVE MY OWN INTERPRETER. 415 00:27:58,760 --> 00:28:01,470 WE'RE ALL STORYTELLERS, RIGHT? 416 00:28:01,471 --> 00:28:06,768 SO PLEASE, JOIN ME FOR THE STORY OF ROMEO AND JULIET. 417 00:28:09,396 --> 00:28:12,189 OKAY. 418 00:28:12,190 --> 00:28:14,442 THIS IS THE STORY BALL. 419 00:28:14,443 --> 00:28:17,278 WHEN YOU HOLD IT, YOU HAVE 420 00:28:17,279 --> 00:28:19,363 THE POWER OVER THE STORY. 421 00:28:19,364 --> 00:28:22,533 OKAY? OH WAIT, I SEE-- 422 00:28:22,534 --> 00:28:25,745 YOU HAVE TO SIGN AND HOLD THE BALL-- THAT'S NOT GONNA WORK. 423 00:28:25,746 --> 00:28:28,415 SO OKAY. 424 00:28:29,458 --> 00:28:30,875 LET'S MAKE IT 425 00:28:30,876 --> 00:28:33,253 AN IMAGINARY BALL. YEAH? 426 00:28:35,088 --> 00:28:38,342 ALL RIGHT, HERE, BAY, CATCH! 427 00:28:39,343 --> 00:28:43,471 OKAY, UH... ONCE THERE WAS 428 00:28:43,472 --> 00:28:46,140 A GIRL NAMED JULIET 429 00:28:46,141 --> 00:28:48,643 AND SHE DID NOT WANT TO 430 00:28:48,644 --> 00:28:52,564 MARRY THE GUY SHE WAS SUPPOSED TO MARRY... 431 00:28:55,400 --> 00:28:57,860 "SO SHE GOT INTO A SPACESHIP 432 00:28:57,861 --> 00:29:00,029 AND STARTS HEADING OFF INTO SPACE." 433 00:29:00,030 --> 00:29:02,281 "WE'RE NOT TALKING ABOUT GOING OFF INTO SPACE! 434 00:29:02,282 --> 00:29:04,451 THAT'S STUPID." 435 00:29:06,328 --> 00:29:09,455 "THE SOVIET UNION? THAT WASN'T STUPID?" 436 00:29:09,456 --> 00:29:10,873 WAIT, HOLD IT, HOLD IT. 437 00:29:10,874 --> 00:29:14,418 WE DON'T USE THE WORD "STUPID"! ALL IDEAS ARE WELCOME! 438 00:29:14,419 --> 00:29:16,462 COME ON, EVERYBODY. OKAY-- EXCUSE ME? 439 00:29:16,463 --> 00:29:18,673 EVERYONE, COME BACK, PLEASE. 440 00:29:18,674 --> 00:29:21,384 YOU-- IN THE BLUE? CAN SOMEONE GET HER ATTENTION? 441 00:29:21,385 --> 00:29:24,303 PLEASE. OKAY, NOW WHO HAS THE BALL? 442 00:29:24,304 --> 00:29:26,390 WHO HAS THE IMAGINARY BALL? 443 00:29:28,308 --> 00:29:29,559 YOU STAY HERE, OKAY? 444 00:29:36,274 --> 00:29:38,443 - HELLO. - HEY. 445 00:29:39,444 --> 00:29:41,529 YOU AND TOBY IN THE SAME WEEK. 446 00:29:41,530 --> 00:29:45,325 - IT MUST BE MY BIRTHDAY. - YEAH, I WANTED TO TALK TO YOU ABOUT THAT. 447 00:29:46,868 --> 00:29:50,204 YOU KNOW, I DON'T EVEN HEAR FROM YOU PEOPLE FOR SIX YEARS, 448 00:29:50,205 --> 00:29:52,790 AND THE DAY YOU SHOW UP, YOU ASK ME FOR A FAVOR? 449 00:29:52,791 --> 00:29:54,709 CALLING YOU WASN'T MY IDEA. 450 00:29:54,710 --> 00:29:56,460 I TRIED TO TALK HIM OUT OF IT. 451 00:29:56,461 --> 00:29:58,629 - I THOUGHT WE HAD A NICE MEETING. - OH YEAH? 452 00:29:58,630 --> 00:30:01,173 IS THAT WHAT YOU THINK? YOU THINK IT WAS NICE? 453 00:30:01,174 --> 00:30:02,717 HE ASKED YOU TO MAKE ONE CALL. 454 00:30:02,718 --> 00:30:05,094 - I KNOW WHAT HE ASKED ME. - THEN WHY COULDN'T YOU DO IT 455 00:30:05,095 --> 00:30:07,263 WITHOUT ALL THE LITTLE DIGS? 456 00:30:07,264 --> 00:30:09,223 I TOLD HIM I'D MAKE THE CALL 457 00:30:09,224 --> 00:30:11,517 AFTER HE BEEFED UP HIS RESUME. 458 00:30:11,518 --> 00:30:13,728 YOU WEREN'T SUPPOSED TO CRITIQUE HIM. 459 00:30:13,729 --> 00:30:16,230 HE WASN'T ASKING FOR YOUR OPINION. 460 00:30:16,231 --> 00:30:18,399 MAYBE, JUST MAYBE, 461 00:30:18,400 --> 00:30:20,443 HE WANTED A LITTLE SUPPORT. 462 00:30:20,444 --> 00:30:22,945 HE'S GOT SOME STIFF COMPETITION. IF HE CAN'T TAKE THAT-- 463 00:30:22,946 --> 00:30:25,364 OH YEAH-- YEAH RIGHT. YEAH. 464 00:30:25,365 --> 00:30:28,200 THE BILL KENNISH NO-BULL STRAIGHT TALK. 465 00:30:28,201 --> 00:30:31,245 WELL, THANK YOU FOR BEING THE ONLY PERSON 466 00:30:31,246 --> 00:30:33,247 TO TELL IT TO HIM LIKE IT REALLY IS. 467 00:30:33,248 --> 00:30:35,541 YOU TURNED OUT ALL RIGHT. 468 00:30:35,542 --> 00:30:38,169 YOU CAN'T TAKE CREDIT FOR ME. 469 00:30:38,170 --> 00:30:40,839 WHAT I'VE DONE, I'VE DONE IN SPITE OF YOU. 470 00:30:42,549 --> 00:30:46,093 YOU CAME ALL THE WAY OUT HERE TO PICK THAT SAME OLD FIGHT WITH ME? 471 00:30:46,094 --> 00:30:48,180 SOME THINGS JUST NEVER CHANGE, DO THEY? 472 00:30:50,140 --> 00:30:53,225 YOU KNOW, 473 00:30:53,226 --> 00:30:56,187 EVERY ONCE IN A WHILE I ASK MYSELF IF I DID THE RIGHT THING 474 00:30:56,188 --> 00:30:59,106 KEEPING YOU OUT OF MY KIDS' LIVES. 475 00:30:59,107 --> 00:31:02,359 AND I JUST WANT TO THANK YOU FOR REMOVING ANY OF THAT DOUBT 476 00:31:02,360 --> 00:31:04,196 ONCE AND FOR ALL. 477 00:31:12,746 --> 00:31:15,040 YES, HELLO, I WAS HOPING TO SPEAK WITH CINDY? 478 00:31:15,415 --> 00:31:17,374 HI, CINDY, THIS IS REGINA VASQUEZ. 479 00:31:17,375 --> 00:31:19,669 WE MET YESTERDAY ABOUT THE RECEPTIONIST POSITION? 480 00:31:21,588 --> 00:31:24,174 OH, YOU FILLED IT. 481 00:31:25,425 --> 00:31:27,218 UH-HUH, RIGHT. 482 00:31:27,219 --> 00:31:29,887 WELL, I MEAN, I DON'T HAVE SPECIFIC RECEPTIONIST EXPERIENCE 483 00:31:29,888 --> 00:31:32,516 BUT I RAN MY OWN BUSINESS FOR 12 YEARS, WHICH I THOUGHT-- 484 00:31:36,311 --> 00:31:38,647 WELL, IF YOU HAVE ANY OTHER OPENINGS-- 485 00:31:42,692 --> 00:31:44,527 WELL, I WILL THINK ABOUT THAT. 486 00:31:44,528 --> 00:31:45,570 THANKS SO MUCH. 487 00:32:33,410 --> 00:32:35,412 KATHRYN WANTED YOU TO HAVE THIS. 488 00:32:39,499 --> 00:32:43,002 THEY ARE THE OUTLINES TO THE STAGE. 489 00:32:43,003 --> 00:32:45,964 SHE'S LOOKING FOR NEW SET-DESIGN IDEAS. 490 00:32:48,758 --> 00:32:50,843 "BUT BAY ALREADY HAD A GREAT IDEA." 491 00:32:50,844 --> 00:32:54,597 - IT WAS JUST SOME PROJECTIONS. - OH, THAT SOUNDS GREAT! 492 00:32:54,598 --> 00:32:57,725 - WHY DIDN'T YOU TELL ME? - IT JUST HADN'T COME UP YET. 493 00:32:57,726 --> 00:32:59,977 OH. WE'LL TALK ABOUT IT AT HOME. 494 00:32:59,978 --> 00:33:03,648 BUT I WANT YOU TO KNOW THAT I AM OPEN TO ALL IDEAS. 495 00:33:13,700 --> 00:33:16,912 YEAH. THAT'S MY MOM. 496 00:33:21,708 --> 00:33:24,377 SHE JUST WANTED TO. 497 00:33:32,677 --> 00:33:37,264 THAT'S MY OTHER MOM. THIS MOM DOESN'T REALLY HAVE A LIFE OF HER OWN, 498 00:33:37,265 --> 00:33:40,435 SO SHE'S ALWAYS PUTTING HERSELF INTO MINE. 499 00:33:55,450 --> 00:33:56,868 MOM. 500 00:33:59,371 --> 00:34:01,372 IS THAT WHAT YOU THINK OF ME? 501 00:34:01,373 --> 00:34:03,207 THAT I DON'T HAVE A LIFE? 502 00:34:03,208 --> 00:34:06,335 THAT I'M SOMEONE YOU NEED TO APOLOGIZE FOR? 503 00:34:06,336 --> 00:34:07,836 NO. 504 00:34:07,837 --> 00:34:09,588 AND TO WHO? 505 00:34:09,589 --> 00:34:13,342 THAT MEAN GIRL? HER OPINION MEANS THAT MUCH TO YOU? 506 00:34:13,343 --> 00:34:15,803 I'M SORRY, I WASN'T THINKING. 507 00:34:15,804 --> 00:34:17,805 I HAVE FEELINGS, BAY. 508 00:34:17,806 --> 00:34:20,975 I AM NOT JUST A ROBOT WHO JUST PROVIDES FOR YOU 509 00:34:20,976 --> 00:34:23,519 AND THEN DISAPPEARS UNTIL YOU NEED ME AGAIN. 510 00:34:23,520 --> 00:34:25,105 MOM-- MOM! 511 00:34:28,358 --> 00:34:30,109 THAT'S NOT WHAT I THINK. 512 00:34:30,110 --> 00:34:32,403 YOU THINK THAT BECAUSE I AM NOT ARTISTIC 513 00:34:32,404 --> 00:34:35,072 OR INDEPENDENT ENOUGH FOR YOU, 514 00:34:35,073 --> 00:34:37,492 YOU DON'T HAVE TO BE KIND TO ME OR SUPPORTIVE? 515 00:34:39,286 --> 00:34:41,245 BAY, I DID THIS FOR YOU. 516 00:34:41,246 --> 00:34:43,330 NO, YOU DIDN'T. 517 00:34:43,331 --> 00:34:45,207 I'M SORRY, MOM, BUT YOU DID THIS FOR YOU. 518 00:34:45,208 --> 00:34:47,459 YOU ASKED ME TO SAVE YOUR DRAMA CLUB! 519 00:34:47,460 --> 00:34:49,838 I DIDN'T ASK YOU TO JOIN IT! IT WAS MY THING. 520 00:34:53,258 --> 00:34:56,970 IN TWO YEARS YOU'RE GOING TO BE OUT OF THE HOUSE FOREVER. 521 00:34:59,055 --> 00:35:02,016 AND THIS THAT WE HAVE TOGETHER RIGHT NOW? 522 00:35:02,017 --> 00:35:03,602 IT'S GOING TO BE GONE. 523 00:35:05,687 --> 00:35:08,565 I JUST WANTED TO MAKE IT LAST A LITTLE LONGER. 524 00:37:16,234 --> 00:37:17,569 HEY. 525 00:37:18,987 --> 00:37:22,156 YOU'D THINK I'D HAVE LEARNED TO LABEL THESE BUTTONS. 526 00:37:22,157 --> 00:37:24,409 IT'S SO HARD TO FIND A MATCH. 527 00:37:25,994 --> 00:37:27,996 I'M SORRY ABOUT WHAT I SAID TO NATALIE. 528 00:37:30,123 --> 00:37:32,167 I KNOW THAT YOU HAVE A LIFE. 529 00:37:33,710 --> 00:37:35,753 YOU KNOW YOU WEREN'T WRONG 530 00:37:35,754 --> 00:37:39,256 ABOUT ME BARGING IN ON YOUR DRAMA CLUB. 531 00:37:39,257 --> 00:37:41,550 YOU DIDN'T ASK FOR THAT. 532 00:37:41,551 --> 00:37:44,219 AND AS SOON AS I CAN FIND A REPLACEMENT, I'LL STEP DOWN. 533 00:37:44,220 --> 00:37:46,806 THAT'S NOT WHAT I WANT. 534 00:37:49,934 --> 00:37:53,145 SOMETIMES IT'S NOT JUST ABOUT WHAT YOU WANT. 535 00:37:53,146 --> 00:37:55,732 I KNOW. 536 00:37:58,735 --> 00:38:01,905 I'M SORRY. I FEEL SO BAD. 537 00:38:08,077 --> 00:38:10,455 HONEY, COME HERE. 538 00:38:12,499 --> 00:38:16,169 YOU ARE NOT THE FIRST DAUGHTER TO TORMENT HER MOTHER. 539 00:38:18,087 --> 00:38:20,757 I'LL GET OVER IT. 540 00:38:27,222 --> 00:38:30,557 - BUT I'M NOT SURE I REALLY LIKE THIS NATALIE. 541 00:38:30,558 --> 00:38:33,811 I DIDN'T EITHER... AT FIRST, 542 00:38:33,812 --> 00:38:36,146 BUT SHE'LL COME AROUND. 543 00:38:36,147 --> 00:38:38,816 MMM. 544 00:38:38,817 --> 00:38:41,194 I CAN'T WAIT. 545 00:38:42,445 --> 00:38:44,863 HEY, I GOT YOUR TEXT. 546 00:38:44,864 --> 00:38:46,657 HEY. SO, 547 00:38:46,658 --> 00:38:48,575 I HAVE BEEN IN TOUCH WITH DARRYL, 548 00:38:48,576 --> 00:38:51,078 MY OLD BATTING COACH WITH THE ROYALS. HE'S A WASH U ALUM. 549 00:38:51,079 --> 00:38:53,330 TURNS OUT HIS BROTHER IS A DEAN OVER THERE. 550 00:38:53,331 --> 00:38:55,958 HE WANTS TO SIT DOWN WITH YOU AND CALL HIS BROTHER 551 00:38:55,959 --> 00:38:57,960 WHO'S GOT A LITTLE PULL. 552 00:38:57,961 --> 00:39:00,546 - OH. - C'MON! THIS IS GREAT NEWS. 553 00:39:00,547 --> 00:39:02,923 YEAH, IT'S JUST-- 554 00:39:02,924 --> 00:39:05,133 I DON'T KNOW. I'VE BEEN THINKING. 555 00:39:05,134 --> 00:39:08,679 I ONLY APPLIED TO WASH U BECAUSE MY COUNSELOR SAID I SHOULD. 556 00:39:08,680 --> 00:39:12,182 - IF YOU DON'T WANT TO GO THERE-- - ANY COLLEGE REALLY. 557 00:39:12,183 --> 00:39:16,353 I MEAN I ONLY APPLIED BECAUSE THAT'S WHAT YOU'RE SUPPOSED TO DO-- 558 00:39:16,354 --> 00:39:19,565 AH, NO NO. IT'S ABOUT GROWING UP 559 00:39:19,566 --> 00:39:20,983 AND STARTING LIFE AS AN ADULT. 560 00:39:20,984 --> 00:39:23,569 BUT COLLEGE ISN'T THE ONLY WAY TO DO THAT. 561 00:39:23,570 --> 00:39:25,904 YOU SAID YOU NEVER GREW UP FASTER THAN THAT SUMMER 562 00:39:25,905 --> 00:39:29,074 YOU PLAYED BASEBALL FOR THAT CAPE COD LEAGUE WHEN YOU WERE 17. 563 00:39:29,075 --> 00:39:32,828 - I WAS ON A DIFFERENT PATH. - I DON'T EVEN KNOW IF I HAVE A PATH. 564 00:39:32,829 --> 00:39:34,705 SEE THAT RIGHT THERE? 565 00:39:34,706 --> 00:39:37,624 THAT IS EXACTLY WHAT 566 00:39:37,625 --> 00:39:40,794 GET UNDER YOUR SKIN AND MAKE YOU DOUBT YOURSELF. 567 00:39:40,795 --> 00:39:43,463 DAD, THIS ISN'T ABOUT YOU AND GRANDPA AND WHO'S RIGHT. 568 00:39:43,464 --> 00:39:45,924 IT'S ABOUT ME AND WHAT I WANT. 569 00:39:45,925 --> 00:39:49,094 YOU KNOW WHAT, IT'S OKAY TO BE NERVOUS OR EVEN HAVE DOUBTS. 570 00:39:49,095 --> 00:39:51,305 COLLEGE IS A BIG CHANGE, 571 00:39:51,306 --> 00:39:53,891 BUT YOU HAVE THE ENTIRE SUMMER AHEAD OF YOU. 572 00:39:53,892 --> 00:39:56,268 DO WHAT YOU WANT-- 573 00:39:56,269 --> 00:39:59,062 TRAVEL, PLAY MUSIC, LOAF AROUND. 574 00:39:59,063 --> 00:40:00,939 NO PRESSURE. 575 00:40:00,940 --> 00:40:03,776 YOU DO NOT HAVE TO MAKE UP YOUR MIND RIGHT NOW. 576 00:40:05,153 --> 00:40:07,196 WELL, I HAVE MADE UP MY MIND. 577 00:40:08,239 --> 00:40:10,074 I'M NOT GOING TO COLLEGE NEXT YEAR. 578 00:40:15,038 --> 00:40:17,873 HEY. SO DID YOU DO 579 00:40:17,874 --> 00:40:20,084 A SET DESIGN IDEA? 580 00:40:24,088 --> 00:40:25,506 OH. 581 00:40:27,717 --> 00:40:30,136 NO, I GET IT. 582 00:40:40,271 --> 00:40:42,981 WE HAVE A PRETTY SERIOUS SITUATION HERE. 583 00:40:42,982 --> 00:40:47,653 THE SCHOOL HAS NO MONEY FOR ANY OF THIS-- NOTHING. 584 00:40:47,654 --> 00:40:50,864 NOT FOR SETS, NOT FOR COSTUMES, 585 00:40:50,865 --> 00:40:52,658 NOT FOR INTERPRETERS 586 00:40:52,659 --> 00:40:55,078 AND DEFINITELY NOT FOR DRAMA TEACHERS. 587 00:40:56,621 --> 00:40:59,122 SO WE NEED TO BE DOING THIS, 588 00:40:59,123 --> 00:41:01,833 ALL OF US, 589 00:41:01,834 --> 00:41:04,337 SOLELY OUT OF LOVE. 590 00:41:06,047 --> 00:41:08,465 LOVE FOR THE THEATER, 591 00:41:08,466 --> 00:41:12,302 AND LOVE FOR WORKING TOGETHER AS A TEAM-- 592 00:41:12,303 --> 00:41:14,888 EACH OF US WITH DIFFERENT TALENTS 593 00:41:14,889 --> 00:41:17,766 AND DIFFERENT IDEAS, COMING TOGETHER 594 00:41:17,767 --> 00:41:20,770 TO CREATE SOMETHING THAT JUST MIGHT BE... 595 00:41:22,397 --> 00:41:24,023 GREAT. 596 00:41:25,942 --> 00:41:29,486 SO IF YOU'RE READY TO DO THIS WITH ME, 597 00:41:29,487 --> 00:41:32,072 THEN STAY. AND IF YOU'RE NOT, 598 00:41:32,073 --> 00:41:33,950 THEN IT'S TIME TO GO. 599 00:41:45,336 --> 00:41:47,879 GOOD. THEN LET'S GET STARTED. 600 00:41:47,880 --> 00:41:50,800 I'VE MADE SOME COPIES OF THE OPENING SCENE... 601 00:41:51,801 --> 00:41:53,845 AND HERE YOU GO. 602 00:42:04,981 --> 00:42:08,692 - Zane: HEY. - DID I MISS YOUR WHOLE SET? 603 00:42:08,693 --> 00:42:10,360 PERFECT TIMING ACTUALLY. 604 00:42:10,361 --> 00:42:12,529 WE WERE JUST ABOUT TO GO GET SOMETHING TO EAT. 605 00:42:12,530 --> 00:42:14,906 YOU GUYS GO. I'M NOT THAT HUNGRY. 606 00:42:14,907 --> 00:42:16,783 AW MAN, JACKPOT! 607 00:42:16,784 --> 00:42:19,244 SOMEBODY LEFT LIKE HALF A BORDEAUX. 608 00:42:19,245 --> 00:42:21,163 IT'S A $300 BOTTLE, PEOPLE. 609 00:42:21,164 --> 00:42:23,457 - WHO'S IN? - CAN'T PASS THAT UP. 610 00:42:23,458 --> 00:42:25,084 REGINA? 611 00:42:29,756 --> 00:42:32,924 YOU KNOW, YOU LOOK FANTASTIC TONIGHT. 612 00:42:32,925 --> 00:42:34,802 WHERE ARE YOU GUYS HEADED? 613 00:42:36,304 --> 00:42:39,097 UH, EMERALD CITY. 614 00:42:39,098 --> 00:42:43,603 ♪ IT'S JUST A VACATION... ♪ 615 00:42:46,814 --> 00:42:49,816 - Bartender: NICE, RIGHT? - BEAUTIFUL. 616 00:42:49,817 --> 00:42:51,610 GUESS YOU'RE DONE WITH THAT CLEANSE. 617 00:42:51,611 --> 00:42:54,738 ALL DONE. 618 00:42:54,739 --> 00:42:57,032 SO, REGINA, WHAT DO YOU DO? 619 00:42:57,033 --> 00:42:59,618 COSMETOLOGY FOR A LOT OF YEARS, 620 00:42:59,619 --> 00:43:03,246 BUT I'M OPEN TO SOMETHING NEW RIGHT NOW. 621 00:43:03,247 --> 00:43:04,289 REGINA CAME HERE 622 00:43:04,290 --> 00:43:06,041 EVER SINCE T. J. WAS RUNNING IT. 623 00:43:06,042 --> 00:43:09,503 - NO. 624 00:43:09,504 --> 00:43:11,755 YOU'RE THE ONE THAT CAN DANCE, RIGHT? 625 00:43:11,756 --> 00:43:14,008 - OH, SHE CAN? - I'VE HEARD OF HER! 47286

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