All language subtitles for Switched.at.Birth.S01E30.Street.Noises.Invade.The.House.1080p.HULU.WEB-DL.DD+5.1.H.264-playWEB_track3_[eng]

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:00,876 --> 00:00:01,918 PREVIOUSLY ON "SWITCHED AT BIRTH" 2 00:00:01,919 --> 00:00:03,377 I DON'T ALWAYS WANNA WONDER IF 3 00:00:03,378 --> 00:00:05,296 WE MISSED OUT ON SOMETHING REALLY GOOD 4 00:00:05,297 --> 00:00:06,965 BECAUSE WE WERE TOO SCARED. 5 00:00:08,800 --> 00:00:09,884 WHAT THE HELL IS THIS? 6 00:00:09,885 --> 00:00:11,219 NO WAY. 7 00:00:11,220 --> 00:00:13,054 THIS GUY BETTER WATCH OUT THAT I DON'T FIND HIM, MAN. 8 00:00:13,055 --> 00:00:14,388 IT'S ON NOW. 9 00:00:14,389 --> 00:00:15,806 HUH?! YOU'RE NOT GONNA DISS MY WORK AGAIN! 10 00:00:15,807 --> 00:00:17,391 - GET OUT OF HERE! - CRAZY BITCH! 11 00:00:17,392 --> 00:00:20,394 ONE THING, YOUR HONOR. WE SEEK LEAVE TO AMEND OUR WITNESS LIST 12 00:00:20,395 --> 00:00:21,812 TO INCLUDE ONE MORE WITNESS 13 00:00:21,813 --> 00:00:22,898 KATHRYN KENNISH. 14 00:00:24,024 --> 00:00:25,399 EVER SINCE WE FOUND OUT ABOUT THE SWITCH 15 00:00:25,400 --> 00:00:27,985 IT HAS BEEN ONE THING AFTER ANOTHER! 16 00:00:27,986 --> 00:00:29,153 AND WE'RE DONE. 17 00:00:29,154 --> 00:00:30,530 YEAH, I GOT IT. 18 00:00:33,825 --> 00:00:35,284 COULD I STAY WITH YOU FOR A WHILE? 19 00:00:35,285 --> 00:00:37,287 YEAH. COME IN. 20 00:00:55,138 --> 00:00:57,139 HEY. 21 00:00:57,140 --> 00:00:59,183 SO THEY WANTS US AT THE TRIAL AGAIN 22 00:00:59,184 --> 00:01:00,518 IF YOU DON'T MIND. 23 00:01:00,519 --> 00:01:01,895 I DON'T MIND. 24 00:01:09,528 --> 00:01:11,904 DID YOU SEE ALL THE DECORATIONS KATHRYN PUT UP? 25 00:01:11,905 --> 00:01:13,906 IT'S LIKE A PUMPKIN THREW UP IN THERE. 26 00:01:13,907 --> 00:01:16,618 I KNOW, RIGHT? 27 00:01:20,372 --> 00:01:21,872 WHAT ARE YOU DOING TOMORROW NIGHT? 28 00:01:21,873 --> 00:01:24,333 I MEAN, YOU DON'T HAVE TO WORK, DO YOU? 29 00:01:24,334 --> 00:01:27,670 YEAH, THE RESTAURANT'S DOING THIS WHOLE PUMPKIN MENU 30 00:01:27,671 --> 00:01:29,797 AND THE WAITERS ARE DRESSING UP. 31 00:01:29,798 --> 00:01:32,384 - IT SHOULD BE FUN. - (cellphone vibrates) 32 00:01:36,847 --> 00:01:38,431 AM I INTERRUPTING? 33 00:01:38,432 --> 00:01:40,725 SORRY. IT'S JUST SOMEONE FROM WORK. 34 00:01:40,726 --> 00:01:43,437 YOU REALLY LOVE THIS JOB, DON'T YOU? 35 00:01:44,771 --> 00:01:46,398 YEAH. I DO. 36 00:01:50,902 --> 00:01:52,361 - HEY. - HEY. 37 00:01:52,362 --> 00:01:54,155 PUMP-TASTIC. 38 00:01:54,156 --> 00:01:55,239 THANKS. 39 00:01:55,240 --> 00:01:56,699 WE FEAST TONIGHT. 40 00:01:56,700 --> 00:01:57,993 NICE! 41 00:01:59,911 --> 00:02:00,995 HOT DOGS, CHIPS 42 00:02:00,996 --> 00:02:02,706 AND BEER. 43 00:02:04,082 --> 00:02:05,666 AND... 44 00:02:05,667 --> 00:02:06,709 MY DAD CALLED. 45 00:02:06,710 --> 00:02:08,711 NO KIDDING! 46 00:02:08,712 --> 00:02:10,296 DUDE, I WAS KINDA FREAKED OUT AT FIRST 47 00:02:10,297 --> 00:02:11,839 'CAUSE I HAVEN'T HEARD FROM HIM IN FOREVER. 48 00:02:11,840 --> 00:02:13,841 I THOUGHT HE WAS IN MOROCCO. 49 00:02:13,842 --> 00:02:15,259 TURNS OUT, HE'S IN MEXICO. 50 00:02:15,260 --> 00:02:16,677 OH. WELL, IT STARTS WITH AN "M." 51 00:02:16,678 --> 00:02:17,845 YEAH. SO, 52 00:02:17,846 --> 00:02:20,890 YOU KNOW THAT STREET ARTIST NAMED JR, RIGHT? 53 00:02:20,891 --> 00:02:23,309 YEAH, THE FRENCH DUDE WHO COVERED THE, UH-- THE ROOFTOPS IN KENYA 54 00:02:23,310 --> 00:02:24,727 - WITH LIKE, THE VINYL POSTERS - THE VINYL POSTERS! 55 00:02:24,728 --> 00:02:25,936 - YEAH! - YEAH! OKAY. 56 00:02:25,937 --> 00:02:27,188 SO MY DAD HEARD 57 00:02:27,189 --> 00:02:28,981 HE'S HEADING DOWN TO MEXICO FOR A NEW PIECE. 58 00:02:28,982 --> 00:02:31,609 NO ONE KNOWS WHAT EXACTLY, BUT HIM AND A BUNCH OF DUDES 59 00:02:31,610 --> 00:02:32,818 ARE GONNA GO DOWN THERE AND TRY TO BE A PART OF IT. 60 00:02:32,819 --> 00:02:34,862 YOU SHOULD TOTALLY GO. 61 00:02:34,863 --> 00:02:36,238 OH, I AM. THIS CHRISTMAS. 62 00:02:36,239 --> 00:02:38,032 JUST GOTTA GET SOME MONEY. 63 00:02:38,033 --> 00:02:40,534 AFTER YOU PAY ME BACK. 64 00:02:40,535 --> 00:02:42,329 MM. AFTER I PAY YOU BACK. 65 00:02:46,083 --> 00:02:47,668 IGNORE IT. JUST KEEP GOING. 66 00:02:48,919 --> 00:02:50,920 SO I WAS THINKING OF STOPPING IN AUSTIN FOR A FEW DAYS 67 00:02:50,921 --> 00:02:52,338 - ON MY WAY THERE. - (cellphone ringing) 68 00:02:52,339 --> 00:02:53,340 AND-- 69 00:02:56,885 --> 00:02:59,595 - THAT'S LIKE THE THIRD TIME SHE CALLED IN AN HOUR. - (ringing continues) 70 00:02:59,596 --> 00:03:01,890 YOU SHOULD PICK UP OR HER NEXT CALL'S GONNA BE THE POLICE. 71 00:03:03,725 --> 00:03:04,725 HELLO. 72 00:03:04,726 --> 00:03:07,603 BAY? SWEETIE? 73 00:03:07,604 --> 00:03:09,980 - HI. - Oh, honey. 74 00:03:09,981 --> 00:03:11,233 WHEN ARE YOU GONNA COME HOME? 75 00:03:12,651 --> 00:03:14,985 I'M NOT SURE EXACTLY. 76 00:03:14,986 --> 00:03:16,904 WHAT'S SHE SAYING? I WANNA HEAR WHAT 77 00:03:16,905 --> 00:03:17,863 she's saying. 78 00:03:17,864 --> 00:03:19,907 UH. IF YOU JUST COME HOME 79 00:03:19,908 --> 00:03:21,534 WE COULD TALK THIS ALL THROUGH. 80 00:03:21,535 --> 00:03:23,661 IS DAD THERE? 81 00:03:23,662 --> 00:03:26,455 - NO. - (loudly) ASK HER WHERE THE HELL SHE'S STAYING. 82 00:03:26,456 --> 00:03:27,998 HE IS THERE. I CAN HEAR HIM. 83 00:03:27,999 --> 00:03:30,961 YEAH. WELL, WE JUST WANT YOU HOME HERE WITH US. 84 00:03:34,881 --> 00:03:37,800 DOESN'T EXACTLY SOUND LIKE DAD WANTS ME HOME. 85 00:03:37,801 --> 00:03:39,427 BUT YOU KNOW THAT'S NOT TRUE. 86 00:03:39,428 --> 00:03:41,011 WOULD YOU STOP TREATING HER WITH KID GLOVES? 87 00:03:41,012 --> 00:03:42,763 I AM DEALING WITH IT, JOHN! 88 00:03:42,764 --> 00:03:44,515 YOU KNOW WHAT? I GOTTA GO. 89 00:03:44,516 --> 00:03:46,934 NOW BAY, I-- 90 00:03:46,935 --> 00:03:48,228 BAY? 91 00:03:50,021 --> 00:03:51,564 THEY BUGGING YOU TO GO HOME? 92 00:03:51,565 --> 00:03:52,940 YEAH. MY MOM'S JUST WORRIED THAT 93 00:03:52,941 --> 00:03:54,775 THE NEIGHBORS ARE GONNA START GOSSIPING 94 00:03:54,776 --> 00:03:56,736 AND MY DAD JUST WANTS ME HOME SO HE CAN YELL AT ME. 95 00:03:58,155 --> 00:03:59,781 SO STICK WITH ME FOR A WHILE. 96 00:04:02,242 --> 00:04:03,452 YOU KNOW, I THINK I WILL. 97 00:04:12,085 --> 00:04:13,794 ARE YOU DAPHNE? 98 00:04:13,795 --> 00:04:15,796 YES. 99 00:04:15,797 --> 00:04:17,423 I'M MICHELLE NATTERSON. 100 00:04:17,424 --> 00:04:18,507 THE OWNER. 101 00:04:18,508 --> 00:04:20,092 OH! HI! 102 00:04:20,093 --> 00:04:22,011 - IT'S NICE TO MEET YOU. - I'D LIKE TO SPEAK WITH YOU 103 00:04:22,012 --> 00:04:24,639 ABOUT YOUR RELATIONSHIP WITH JEFF REYCRAFT. 104 00:04:26,349 --> 00:04:27,349 OKAY. 105 00:04:27,350 --> 00:04:29,059 MM. NOT HERE. 106 00:04:29,060 --> 00:04:30,895 IS THERE A PROBLEM? 107 00:04:30,896 --> 00:04:32,855 WELL, I DON'T KNOW YET. 108 00:04:32,856 --> 00:04:33,898 CAN YOU FOLLOW ME? 109 00:04:33,899 --> 00:04:35,567 OF COURSE. 110 00:04:47,454 --> 00:04:49,371 I COULD JUST GET EMANCIPATED. 111 00:04:49,372 --> 00:04:50,664 WHAT'S THAT? 112 00:04:50,665 --> 00:04:52,625 UH, I MEANS THAT YOU CAN DO WHATEVER YOU WANT, 113 00:04:52,626 --> 00:04:54,210 YOU DON'T HAVE TO LISTEN TO YOUR PARENTS. 114 00:04:54,211 --> 00:04:55,461 OH. SOUNDS COOL. 115 00:04:55,462 --> 00:04:57,254 YEAH, THIS GIRL AT BUCKNER DID IT 116 00:04:57,255 --> 00:05:00,132 SO SHE COULD GO TO PARIS AND BECOME A MODEL. 117 00:05:00,133 --> 00:05:01,759 SO YOU JUST HAVE TO GO BEFORE A JUDGE 118 00:05:01,760 --> 00:05:04,136 AND PROVE THAT YOU ARE BETTER OFF WITHOUT THEM. 119 00:05:04,137 --> 00:05:06,555 DAMN. IN MY WORLD, PEOPLE JUST RUN AWAY. 120 00:05:06,556 --> 00:05:09,559 ZARRA! COME OUT, COME OUT WHEREVER YOU ARE! 121 00:05:10,727 --> 00:05:12,729 TRICK OR TREAT. 122 00:05:16,483 --> 00:05:17,817 IT'S SMAK. 123 00:05:17,818 --> 00:05:19,235 WHAT ARE WE GONNA DO? 124 00:05:19,236 --> 00:05:22,029 NOT INSIDE? DAMN! 125 00:05:22,030 --> 00:05:23,906 LET'S CHECK OVER THERE. 126 00:05:23,907 --> 00:05:25,783 GET AWAY FROM THE WINDOW! GET BACK, GET BACK! 127 00:05:25,784 --> 00:05:26,742 GET DOWN, GET DOWN! 128 00:05:26,743 --> 00:05:28,577 ZARRA! 129 00:05:28,578 --> 00:05:30,955 - THEY'RE LOOKING IN EVERY TRAILER. - SHH SHH, QUIET. 130 00:05:30,956 --> 00:05:32,748 - WHAT ARE YOU DOING? - CALLING 911. 131 00:05:32,749 --> 00:05:34,333 - NO NO, YOU CAN'T! - (pounding continues) 132 00:05:34,334 --> 00:05:36,293 THEY'RE GONNA ARREST US ALL LIKE THEY DID LAST TIME, ALL RIGHT? 133 00:05:36,294 --> 00:05:37,628 IT'S NOT LIKE I PAY RENT ON THIS THING. 134 00:05:37,629 --> 00:05:39,672 - WE SHOULD MAKE A RUN FOR IT. - NO NO. IT'S TOO RISKY. 135 00:05:39,673 --> 00:05:41,215 OKAY. WELL, WHAT ARE WE GONNA DO? 136 00:05:41,216 --> 00:05:42,675 WE'RE JUST GONNA LAY LOW. MAYBE THEY'LL MISS US. 137 00:05:42,676 --> 00:05:43,677 YEAH, AND IF THEY DON'T? 138 00:05:49,683 --> 00:05:51,517 ZARRA! 139 00:05:51,518 --> 00:05:53,520 COME OUT, COME OUT, WHEREVER YOU ARE. 140 00:05:55,522 --> 00:05:56,647 THERE HAVE BEEN RUMORS 141 00:05:56,648 --> 00:05:59,233 THAT MR. REYCRAFT IS HAVING AN INAPPROPRIATE 142 00:05:59,234 --> 00:06:02,111 RELATIONSHIP WITH ONE OF THE EMPLOYEES. 143 00:06:02,112 --> 00:06:04,697 NOW WE TAKE THIS VERY SERIOUSLY. 144 00:06:04,698 --> 00:06:07,116 OUR LAWYER IS CONDUCTING A FORMAL INVESTIGATION-- 145 00:06:07,117 --> 00:06:09,118 - LAWYER? - BUT I NEED TO KNOW 146 00:06:09,119 --> 00:06:12,038 RIGHT NOW JUST HOW BIG A PROBLEM I'VE GOT. 147 00:06:13,832 --> 00:06:15,833 I'M HAVING TROUBLE FOLLOWING YOU. 148 00:06:15,834 --> 00:06:17,626 I REALLY SHOULD WAIT FOR AN INTERPRETER. 149 00:06:17,627 --> 00:06:20,588 YOU WON'T BE FIRED FOR TELLING THE TRUTH. 150 00:06:20,589 --> 00:06:22,214 AND IF YOU ARE BEING VICTIMIZED, 151 00:06:22,215 --> 00:06:23,591 JEFF CAN'T HURT YOU, I PROMISE. 152 00:06:23,592 --> 00:06:25,134 I'M NOT BEING VICTIMIZED! 153 00:06:25,135 --> 00:06:27,845 CHEF IS MY BOSS. THAT'S IT. 154 00:06:27,846 --> 00:06:29,054 DAPHNE, 155 00:06:29,055 --> 00:06:31,348 YOU WERE PROMOTED FROM DISHWASHER 156 00:06:31,349 --> 00:06:33,934 TO GARDE MANGER VERY QUICKLY. 157 00:06:33,935 --> 00:06:35,728 BECAUSE I DID MY JOB 158 00:06:35,729 --> 00:06:37,813 AND HELPED EVERYONE ELSE WITH THEIRS. 159 00:06:37,814 --> 00:06:39,315 DID JEFF PROMISE YOU PROMOTION 160 00:06:39,316 --> 00:06:41,317 IN RETURN FOR SEXUAL FAVORS? 161 00:06:41,318 --> 00:06:42,526 NO! 162 00:06:42,527 --> 00:06:44,737 DID YOU AND CHEF 163 00:06:44,738 --> 00:06:47,323 HAVE A ROMANTIC RELATIONSHIP? 164 00:06:47,324 --> 00:06:48,909 OR DO YOU NOW? 165 00:06:51,119 --> 00:06:52,120 NO. 166 00:06:54,789 --> 00:06:56,665 DID CHEF ASK YOU TO SAY THAT? 167 00:06:56,666 --> 00:06:58,626 NO. LOOK... 168 00:06:58,627 --> 00:07:00,711 THERE WAS AN EMPLOYEE WHO ASKED ME OUT 169 00:07:00,712 --> 00:07:01,962 AND I TURNED HIM DOWN 170 00:07:01,963 --> 00:07:03,756 AND ON THE SAME DAY HE GOT FIRED 171 00:07:03,757 --> 00:07:05,841 FOR MAKING A HUGE MISTAKE IN THE KITCHEN. 172 00:07:05,842 --> 00:07:08,636 I THINK THAT MAY HAVE SOMETHING TO DO WITH THIS. 173 00:07:08,637 --> 00:07:11,055 IS CHEF IN TROUBLE? 174 00:07:11,056 --> 00:07:14,183 I'M JUST GATHERING INFORMATION. 175 00:07:14,184 --> 00:07:16,560 BUT ONCE I GET TO THE BOTTOM OF THIS, 176 00:07:16,561 --> 00:07:20,482 I WILL TAKE WHATEVER ACTION NEEDS TO BE TAKEN. 177 00:07:23,068 --> 00:07:25,653 THINK THEY LEFT? 178 00:07:25,654 --> 00:07:27,196 I DON'T KNOW. 179 00:07:27,197 --> 00:07:29,199 WHAT IF THEY'RE WAITING FOR US? 180 00:07:35,997 --> 00:07:38,415 - (pounding on door) 181 00:07:38,416 --> 00:07:39,750 HEY BAY, YOU IN THERE? 182 00:07:39,751 --> 00:07:41,544 IT'S MY BROTHER. 183 00:07:44,714 --> 00:07:46,091 HEY, GOT YOUR TEXT. HERE'S YOUR BAG. 184 00:07:47,092 --> 00:07:48,509 HEY, WHERE'S YOU CAR? 185 00:07:48,510 --> 00:07:49,593 UH, IT'S AROUND THE CORNER, WHY? 186 00:07:49,594 --> 00:07:50,553 'CAUSE WE HAVE TO GO NOW. 187 00:07:51,596 --> 00:07:52,805 WHAT? IS SOMETHING WRONG? 188 00:07:52,806 --> 00:07:54,014 GO GO. SHH, QUIET. 189 00:07:54,015 --> 00:07:55,015 THEY MIGHT STILL BE HERE. 190 00:07:55,016 --> 00:07:56,226 WHO MIGHT STILL BE HERE? 191 00:07:59,938 --> 00:08:01,188 THERE THEY ARE! 192 00:08:01,189 --> 00:08:02,439 - AH! COME ON! - GO GO GO GO GO GO! 193 00:08:02,440 --> 00:08:03,691 - GO GO GO GO! - GO GO GO! 194 00:08:03,692 --> 00:08:05,901 - TOBY, HURRY UP! - COME ON, GET IN THE CAR! 195 00:08:05,902 --> 00:08:07,695 UNLOCK IT, UNLOCK IT, UNLOCK IT! 196 00:08:07,696 --> 00:08:08,612 - OPEN IT! OPEN IT! 197 00:08:08,613 --> 00:08:09,863 HIT IT TWICE! HURRY UP! 198 00:08:09,864 --> 00:08:11,699 - I'M TRYING! - COME ON! 199 00:08:11,700 --> 00:08:12,616 GO! GO GO GO! 200 00:08:12,617 --> 00:08:13,992 LET'S GO! LET'S GET HER, COME ON! 201 00:08:13,993 --> 00:08:16,161 COME ON, COME ON, COME ON. 202 00:08:16,162 --> 00:08:17,413 COME ON, COME ON. GET IN. 203 00:08:17,414 --> 00:08:19,123 GO GO GO! CLOSE IT, CLOSE IT! 204 00:08:19,124 --> 00:08:20,542 GO! GO GO GO GO GO! 205 00:08:42,313 --> 00:08:43,647 WHATEVER YOU DO, PLEASE DO NOT TELL 206 00:08:43,648 --> 00:08:45,149 MOM AND DAD WHAT JUST HAPPENED. 207 00:08:45,150 --> 00:08:47,527 WHAT? THE FRIDAY THE 13th SEQUEL THAT JUST HAPPENED? 208 00:08:50,071 --> 00:08:52,156 - BAY! - HI. 209 00:08:52,157 --> 00:08:53,824 BAY. 210 00:08:53,825 --> 00:08:55,659 WE NEED TO TALK. 211 00:08:55,660 --> 00:08:56,995 - HEY. - IN PRIVATE. 212 00:09:05,420 --> 00:09:06,421 PARENTS LOVE ME. 213 00:09:09,424 --> 00:09:11,175 I TEXTED YOU THAT I WAS AT ZARRA'S. 214 00:09:11,176 --> 00:09:12,176 A GREAT COMFORT. 215 00:09:12,177 --> 00:09:13,594 YOU KNOW WHAT? 216 00:09:13,595 --> 00:09:15,596 YOU CLEARLY DO NOT WANT ME HERE. 217 00:09:15,597 --> 00:09:17,765 WHAT WE DO NOT WANT IS YOU STEALING AND LYING. 218 00:09:17,766 --> 00:09:19,349 I SAID I WAS SORRY. 219 00:09:19,350 --> 00:09:20,809 STOP IT! BOTH OF YOU! 220 00:09:20,810 --> 00:09:22,644 WE KNOW YOU WANT YOUR INDEPENDENCE, 221 00:09:22,645 --> 00:09:23,729 BUT YOU'RE STILL A MINOR 222 00:09:23,730 --> 00:09:25,522 AND WE'RE STILL RESPONSIBLE FOR YOU. 223 00:09:25,523 --> 00:09:26,899 WE DON'T KNOW WHERE ZARRA LIVES. 224 00:09:26,900 --> 00:09:28,150 WE'VE NEVER MET HER PARENTS-- 225 00:09:28,151 --> 00:09:29,526 SHE'S 19, MOM. NOT NINE. 226 00:09:29,527 --> 00:09:30,778 DON'T TALK TO YOUR MOTHER IN THAT TONE. 227 00:09:30,779 --> 00:09:32,404 WE WANNA MAKE SURE 228 00:09:32,405 --> 00:09:35,032 THAT YOU'RE SAFE AND MAKING GOOD DECISIONS. 229 00:09:35,033 --> 00:09:36,784 AND BASED ON WHAT'S BEEN HAPPENING LATELY, 230 00:09:36,785 --> 00:09:39,496 CAN YOU HONESTLY BLAME US FOR BEING CONCERNED? 231 00:09:40,413 --> 00:09:41,663 OKAY, YOU'RE RIGHT. 232 00:09:41,664 --> 00:09:42,665 I AM SORRY. 233 00:09:44,084 --> 00:09:46,710 AND NOW I'M WONDERING IF ZARRA AND I CAN CRASH HERE. 234 00:09:46,711 --> 00:09:48,712 "CRASH HERE"? YOU LIVE HERE! 235 00:09:48,713 --> 00:09:50,506 - AS FOR THAT GIRL, I DON'T CARE-- - SHE HAS A NAME! 236 00:09:50,507 --> 00:09:51,508 - AND YOU KNOW WHAT IT IS. - (door opens) 237 00:09:54,010 --> 00:09:55,427 I JUST STOPPED BY TO 238 00:09:55,428 --> 00:09:57,806 DROP OFF ANGELO'S SHIRT FOR COURT. 239 00:09:59,349 --> 00:10:00,808 REGINA. 240 00:10:00,809 --> 00:10:02,559 CAN MY FRIEND ZARRA STAY WITH YOU? 241 00:10:02,560 --> 00:10:04,394 - NO, SHE CANNOT! - I WAS ASKING ABOUT REGINA'S HOUSE. 242 00:10:04,395 --> 00:10:07,397 THAT IS MY HOUSE. THIS IS MY HOUSE. I SAY NO! 243 00:10:07,398 --> 00:10:08,399 - JOHN?! - WHAT?! 244 00:10:09,484 --> 00:10:10,859 WHAT DID THAT ACCOMPLISH? 245 00:10:10,860 --> 00:10:12,444 WE NEED TO BE HER PARENTS! 246 00:10:12,445 --> 00:10:14,656 - I'M TRYING TO BE HER MOTHER! - (door closes) 247 00:10:16,866 --> 00:10:19,284 HOW CAN YOU JUST LET HIM TALK TO YOU LIKE THAT? 248 00:10:19,285 --> 00:10:21,328 "THIS IS MY HOUSE. THAT IS MY HOUSE." 249 00:10:21,329 --> 00:10:22,538 OKAY, HE'S UPSET 250 00:10:22,539 --> 00:10:24,540 AND HE'S GOT A LOT ON HIS PLATE RIGHT NOW. 251 00:10:24,541 --> 00:10:26,500 HE'S ALWAYS UPSET! 252 00:10:26,501 --> 00:10:28,293 YOU PROBABLY WON'T BELIEVE THIS, BUT SOMETIMES 253 00:10:28,294 --> 00:10:31,046 GROWING UP IS HARDER ON THE PARENTS THAN IT IS THE KIDS. 254 00:10:31,047 --> 00:10:33,423 I'M SORRY, ARE YOU TAKING HIS SIDE? 255 00:10:33,424 --> 00:10:35,050 I DON'T WANNA GET IN THE MIDDLE OF THIS, BUT 256 00:10:35,051 --> 00:10:37,261 I CAN SEE WHERE HE'S COMING FROM. 257 00:10:37,262 --> 00:10:39,471 WOW. THEY ARE ALWAYS FIGHTING WITH YOU 258 00:10:39,472 --> 00:10:41,056 TO BE PARENTS TO DAPHNE, BUT WITH ME, 259 00:10:41,057 --> 00:10:43,016 YOU'RE JUST WILLING TO LET THEM RUN THE SHOW. 260 00:10:43,017 --> 00:10:44,435 BAY! 261 00:10:52,360 --> 00:10:54,361 YOUR DAD GOT A PROBLEM WITH ALL OF BAY'S FRIENDS? 262 00:10:54,362 --> 00:10:57,364 ONLY THE ONES THAT LIVE IN ABANDONED TRAILER PARKS 263 00:10:57,365 --> 00:10:59,075 AND GET CHASED BY SCARY ANGRY GUYS. 264 00:11:00,702 --> 00:11:02,119 IT'S GOOD FOR HOT HOUSE FLOWERS 265 00:11:02,120 --> 00:11:04,496 TO GET SOME EXPOSURE TO THE REAL WORLD. 266 00:11:04,497 --> 00:11:06,583 ESPECIALLY IF THEY WANT TO CREATE ART. 267 00:11:09,127 --> 00:11:10,127 I DON'T KNOW YOU 268 00:11:10,128 --> 00:11:12,379 AND I HAVE NOTHING AGAINST YOU. 269 00:11:12,380 --> 00:11:14,298 BUT I DON'T WANT ANYTHING BAD TO HAPPEN TO BAY. 270 00:11:14,299 --> 00:11:17,134 I DON'T WANT ANYTHING BAD TO HAPPEN TO HER EITHER. 271 00:11:17,135 --> 00:11:18,261 HEY. 272 00:11:20,305 --> 00:11:23,307 YOU CAN'T STAY AND I HAVE TO. 273 00:11:23,308 --> 00:11:24,433 I'M SO SORRY. 274 00:11:24,434 --> 00:11:26,101 YEAH, I COULD KINDA HEAR FROM THE YELLING. 275 00:11:26,102 --> 00:11:27,728 IT'S COOL. 276 00:11:27,729 --> 00:11:29,563 I'M GONNA STAY WITH EIGHT BALL FOR A WHILE. 277 00:11:29,564 --> 00:11:30,898 HE'S ON HIS WAY TO COME GET ME. 278 00:11:30,899 --> 00:11:33,108 WHAT ABOUT THE TRAILER? 279 00:11:33,109 --> 00:11:35,110 EIGHT BALL HE WENT BY THERE A LITTLE WHILE AGO 280 00:11:35,111 --> 00:11:37,863 AND SMAK AND HIS CREW ARE STILL THERE... WAITING. 281 00:11:37,864 --> 00:11:39,699 WELL, WHAT ABOUT YOUR STUFF? 282 00:11:41,367 --> 00:11:43,328 WELL, IT MAY NOT BE MY STUFF ANYMORE. 283 00:11:44,996 --> 00:11:46,247 SEE YA. 284 00:11:52,837 --> 00:11:54,463 WHAT'D YOU TELL HER? 285 00:11:54,464 --> 00:11:55,422 NOTHING. I SWEAR. 286 00:11:55,423 --> 00:11:57,257 I MEAN, WHO ELSE KNOWS? 287 00:11:57,258 --> 00:11:58,842 UH, DID MELODY REPORT US? 288 00:11:58,843 --> 00:12:00,135 DID YOU TELL YOUR MOM? 289 00:12:00,136 --> 00:12:01,428 COULD YOU PLEASE SLOW DOWN? 290 00:12:01,429 --> 00:12:04,848 WHAT'D SHE SAY? YOU KNOW WHAT? LET ME GUESS. 291 00:12:04,849 --> 00:12:06,391 "DON'T WORRY. WE'RE ON YOUR SIDE. 292 00:12:06,392 --> 00:12:07,809 YOU CAN TELL US ANYTHING." RIGHT? 293 00:12:07,810 --> 00:12:11,063 OF COURSE. TO ME, IT WAS ALL... 294 00:12:11,064 --> 00:12:12,564 "WORD GETS OUT THAT YOU WERE FIRED 295 00:12:12,565 --> 00:12:14,358 FOR CARRYING ON WITH AN EMPLOYEE, YOU'LL BE LUCKY TO BE 296 00:12:14,359 --> 00:12:16,193 FLIPPING BURGERS AT WHITE CASTLE." 297 00:12:16,194 --> 00:12:17,778 YOU'RE TALKING TOO FAST AGAIN. 298 00:12:17,779 --> 00:12:19,905 GOD, THIS IS A DISASTER! YOU KNOW THAT, RIGHT? 299 00:12:19,906 --> 00:12:22,241 YOU KNOW HOW MANY YEARS COULD'VE JUST GONE DOWN THE DRAIN? 300 00:12:22,242 --> 00:12:23,450 I'M SUCH AN IDIOT. 301 00:12:23,451 --> 00:12:25,410 IT'S GONNA BE FINE. I PROMISE. 302 00:12:25,411 --> 00:12:27,412 YEAH. 303 00:12:27,413 --> 00:12:28,414 SURE IT IS. 304 00:12:39,926 --> 00:12:40,926 HEY. 305 00:12:40,927 --> 00:12:43,095 YOU'RE LEAVING ALREADY? 306 00:12:43,096 --> 00:12:44,304 YEAH, SORRY. I TEXTED YOU. 307 00:12:44,305 --> 00:12:45,514 CAN YOU GET A RIDE TO THE COURT? 308 00:12:45,515 --> 00:12:46,932 OF COURSE. WHERE ARE YOU GOING? 309 00:12:46,933 --> 00:12:47,849 UH, TAKING MY MOM TO THE PHARMACY 310 00:12:47,850 --> 00:12:49,434 AND JUST A QUICK ERRAND. 311 00:12:49,435 --> 00:12:50,644 I WILL SEE YOU THERE. 312 00:12:50,645 --> 00:12:53,021 - DOES THIS ERRAND HAVE A NAME? - YEAH. 313 00:12:53,022 --> 00:12:54,898 THE CLEAR PATH EMPLOYMENT AGENCY. 314 00:12:54,899 --> 00:12:56,775 OH, YOU FINALLY QUIT THAT SALON? 315 00:12:56,776 --> 00:12:57,859 NO. SOME OF US 316 00:12:57,860 --> 00:13:00,195 ACTUALLY TRY TO AVOID UNEMPLOYMENT. 317 00:13:00,196 --> 00:13:01,197 MA. 318 00:13:02,782 --> 00:13:04,783 GERALDO SAID THAT IF I'M NOT BACK CUTTING HAIR SOON 319 00:13:04,784 --> 00:13:06,201 HE'S GONNA RENT MY CHAIR TO SOMEONE ELSE. 320 00:13:06,202 --> 00:13:07,786 I'M SORRY. 321 00:13:07,787 --> 00:13:09,204 YEAH. WELL, I CAN'T GET MAD. 322 00:13:09,205 --> 00:13:10,747 I MEAN, I GET IT. 323 00:13:10,748 --> 00:13:11,790 - SHOULDN'T WE GET GOING? - REGINA. 324 00:13:11,791 --> 00:13:13,709 IF THINGS GET TOUGH, YOU KNOW? 325 00:13:13,710 --> 00:13:15,877 WHAT? YOU'LL TAKE CARE OF HER WITH THE CARPENTRY JOB YOU QUIT? 326 00:13:15,878 --> 00:13:16,878 MA! 327 00:13:16,879 --> 00:13:18,714 I'M JUST SAYING. 328 00:13:18,715 --> 00:13:20,882 THINGS COULD BE DIFFERENT FOR YOU AND ME. 329 00:13:20,883 --> 00:13:21,884 AFTER THIS TRIAL. 330 00:13:22,760 --> 00:13:24,887 DON'T GET AHEAD OF YOURSELF. 331 00:13:28,349 --> 00:13:29,726 I'LL SEE YOU LATER. 332 00:14:47,303 --> 00:14:48,304 HEY. 333 00:14:56,521 --> 00:14:57,563 YEAH. 334 00:15:04,028 --> 00:15:05,321 UH. WITH A FRIEND. 335 00:15:11,452 --> 00:15:14,789 UH. JUST GIVING SOME STUFF AWAY. 336 00:15:23,214 --> 00:15:25,758 DAPHNE GOT THE CAMERA BACK TO YOU, RIGHT? 337 00:15:36,811 --> 00:15:38,354 IT WAS NO BIG DEAL. 338 00:15:45,570 --> 00:15:46,779 ARE YOU A COP NOW? 339 00:15:50,283 --> 00:15:53,368 WELL, YOU DON'T NEED TO WORRY ABOUT ME ANYMORE. 340 00:15:53,369 --> 00:15:55,370 IT'S NOT YOUR JOB. 341 00:15:55,371 --> 00:15:57,540 I GOTTA GO. 342 00:16:16,058 --> 00:16:17,142 HEY. 343 00:16:17,143 --> 00:16:18,935 WHAT'S WRONG? 344 00:16:18,936 --> 00:16:20,771 NOTHING. 345 00:16:22,148 --> 00:16:23,148 YOU'RE NOT TELLING ME SOMETHING. 346 00:16:23,149 --> 00:16:24,150 WHAT IS IT? 347 00:16:26,652 --> 00:16:29,279 I TRIED TO FIX SOMETHING. 348 00:16:29,280 --> 00:16:31,740 BUT I THINK I MADE IT WORSE. 349 00:16:31,741 --> 00:16:33,783 WELL, MADE WHAT WORSE? 350 00:16:33,784 --> 00:16:37,538 JEFF-- CHEF-- MY BOSS. 351 00:16:39,540 --> 00:16:41,166 THINGS WERE GOING SO GREAT 352 00:16:41,167 --> 00:16:42,500 AND THEN THE OWNER CALLED ME IN 353 00:16:42,501 --> 00:16:44,336 TO INTERROGATE ME ABOUT HIM. 354 00:16:44,337 --> 00:16:46,338 WH-- THE OWNER CALLED YOU IN? 355 00:16:46,339 --> 00:16:49,674 AND NOW JEFF IS SO MAD AT ME. 356 00:16:49,675 --> 00:16:51,343 ARE YOU GONNA LOSE YOUR JOB? 357 00:16:51,344 --> 00:16:52,761 I ALREADY QUIT. 358 00:16:52,762 --> 00:16:56,181 QUIT?! WHY-- WHY WOULD YOU QUIT? 359 00:16:56,182 --> 00:16:57,515 I HAD TO. 360 00:16:57,516 --> 00:16:59,809 WE COULDN'T BE TOGETHER IF I WAS WORKING FOR HIM 361 00:16:59,810 --> 00:17:01,645 AND HE COULDN'T QUIT, OBVIOUSLY. 362 00:17:01,646 --> 00:17:02,646 WAIT WAIT WAIT. 363 00:17:02,647 --> 00:17:04,856 BE TOGETHER? 364 00:17:04,857 --> 00:17:07,026 ARE YOU... 365 00:17:08,110 --> 00:17:09,237 SEEING JEFF? 366 00:17:10,613 --> 00:17:11,613 YOU JUST HAD A CRUSH ON HIM. 367 00:17:11,614 --> 00:17:12,822 HE WAS JUST DATING MELODY. 368 00:17:12,823 --> 00:17:13,823 I KNOW HE'S OLDER 369 00:17:13,824 --> 00:17:15,617 AND I KNOW HE'S MY BOSS, 370 00:17:15,618 --> 00:17:17,619 BUT IT DOESN'T MATTER. 371 00:17:17,620 --> 00:17:20,038 HE'S PRESSURING YOU TO GIVE UP SOMETHING THAT YOU LOVE? 372 00:17:20,039 --> 00:17:22,832 HAVE YOU FORGOTTEN HOW HARD IT IS TO FIND A JOB WORKING IN A KITCHEN? 373 00:17:22,833 --> 00:17:25,126 HE'S NOT PRESSURING ME! I DID THAT MYSELF. 374 00:17:25,127 --> 00:17:26,461 I THOUGHT YOU WOULD BE SUPPORTIVE. 375 00:17:26,462 --> 00:17:27,629 WHY WOULD I BE SUPPORTIVE 376 00:17:27,630 --> 00:17:30,382 OF YOU DATING SOMEBODY SO TOTALLY INAPPROPRIATE? 377 00:17:30,383 --> 00:17:32,384 BECAUSE FRANKLY, MOM, YOU'RE NOT EXACTLY A ROLE MODEL 378 00:17:32,385 --> 00:17:33,719 FOR CHOOSING GREAT MEN! 379 00:17:37,306 --> 00:17:38,682 YOU NEED TO MARCH BACK IN THERE, 380 00:17:38,683 --> 00:17:40,600 DUMP THIS GUY AND GET YOUR JOB BACK. 381 00:17:40,601 --> 00:17:42,811 YOU'RE NOT LISTENING TO ME. 382 00:17:42,812 --> 00:17:45,272 I WANT HIM MORE THAN I WANT THE JOB! 383 00:17:45,273 --> 00:17:46,523 IS THAT WHAT I TAUGHT YOU? 384 00:17:46,524 --> 00:17:48,984 TO GIVE UP EVERYTHING THAT YOU CARE ABOUT FOR A MAN? 385 00:17:48,985 --> 00:17:51,152 THAT HE IS MORE IMPORTANT? 386 00:17:51,153 --> 00:17:52,571 YOU MUST HAVE LEARNED THAT FROM KATHRYN 387 00:17:52,572 --> 00:17:53,781 BECAUSE YOU DID NOT GET IT FROM ME! 388 00:17:56,742 --> 00:17:58,535 - DAMN IT. DAPHNE-- - REGINA, DAPHNE. 389 00:17:58,536 --> 00:18:00,037 THEY'RE READY FOR US. 390 00:18:01,455 --> 00:18:02,456 I'M SORRY. 391 00:18:07,628 --> 00:18:08,587 GOD. 392 00:18:08,588 --> 00:18:11,214 SO WE'RE ALL HERE, BAY. 393 00:18:11,215 --> 00:18:13,217 PLEASE, JUST CALL ME BACK WHEN YOU GET THIS. 394 00:18:14,885 --> 00:18:15,927 STILL NOTHING? 395 00:18:15,928 --> 00:18:17,053 I CAN'T BELIEVE SHE'S DOING THIS. 396 00:18:17,054 --> 00:18:18,513 TODAY OF ALL DAYS. 397 00:18:18,514 --> 00:18:20,515 WELL, SWEETIE. WE HAVE TO GO IN. ARE YOU OKAY? 398 00:18:20,516 --> 00:18:21,975 GOD, NO! JUST WHEN I THOUGHT SHE COULDN'T 399 00:18:21,976 --> 00:18:23,561 PISS ME OFF ANY MORE. 400 00:18:25,146 --> 00:18:26,438 EVERYTHING ALL RIGHT? 401 00:18:26,439 --> 00:18:28,648 YEAH, IT'S FINE. WE'LL SEE YOU INSIDE. 402 00:18:28,649 --> 00:18:31,277 IF YOU NEED ANYTHING FROM ME, JUST LET ME KNOW. 403 00:18:36,407 --> 00:18:38,451 THAT WAS SUPPOSED TO BE OUR LIFE. 404 00:18:43,581 --> 00:18:45,957 I WROTE THE BOOK TO TRY AND MAKE SENSE OF WHAT HAPPENED. 405 00:18:45,958 --> 00:18:48,126 AND MAKE A LITTLE MONEY ALONG THE WAY? 406 00:18:48,127 --> 00:18:50,712 I'M DONATING ALL THE PROFITS TO A CHILDREN'S CHARITY. 407 00:18:50,713 --> 00:18:53,590 BECAUSE YOU DIDN'T EXACTLY NEED THE MONEY YOURSELF, DID YOU? 408 00:18:53,591 --> 00:18:55,592 OBJECTION. 409 00:18:55,593 --> 00:18:56,718 SUSTAINED. 410 00:18:56,719 --> 00:18:58,219 MRS. KENNISH, 411 00:18:58,220 --> 00:19:01,097 WHO IS BRIZIA MUÑOZ? 412 00:19:01,098 --> 00:19:04,684 SHE'S A NURSE WHO WORKED IN THE NURSERY AT THE HOSPITAL 413 00:19:04,685 --> 00:19:06,686 THE NIGHT THAT BAY AND DAPHNE WERE SWITCHED. 414 00:19:06,687 --> 00:19:08,647 AND YOU GAVE HER MONEY TOO, DIDN'T YOU? 415 00:19:08,648 --> 00:19:09,481 YES. 416 00:19:09,482 --> 00:19:12,442 TO PAY HER TO TESTIFY ON YOUR BEHALF 417 00:19:12,443 --> 00:19:15,612 ABOUT HOW POORLY THE HOSPITAL TREATED ITS EMPLOYEES? 418 00:19:15,613 --> 00:19:18,531 NO. SHE WAS GONNA TESTIFY ON OUR BEHALF, 419 00:19:18,532 --> 00:19:21,910 BUT SHE CHANGED HER MIND WHEN SHE LOST HER JOB. 420 00:19:21,911 --> 00:19:25,497 I JUST LENT HER SOME MONEY TILL SHE FOUND A NEW JOB. 421 00:19:25,498 --> 00:19:27,457 YOU'RE A VERY GENEROUS WOMAN. 422 00:19:27,458 --> 00:19:29,209 GIVING YOUR PROFITS TO CHARITY, 423 00:19:29,210 --> 00:19:30,920 LENDING MONEY TO SOMEBODY YOU HARDLY KNOW. 424 00:19:32,797 --> 00:19:34,547 IT WAS THE RIGHT THING TO DO. 425 00:19:34,548 --> 00:19:37,217 AND ON PAGE 122 OF YOUR BOOK, 426 00:19:37,218 --> 00:19:39,844 DIDN'T YOU SAY THAT BECAUSE OF THE 427 00:19:39,845 --> 00:19:42,639 SWITCH YOU, QUOTE... 428 00:19:42,640 --> 00:19:46,059 "FEEL BLESSED TO HAVE BEEN GIVEN MORE THAN I EVER WANTED." 429 00:19:46,060 --> 00:19:47,436 END QUOTE. 430 00:19:48,896 --> 00:19:50,230 I WAS REUNITED 431 00:19:50,231 --> 00:19:52,315 WITH THE DAUGHTER I GAVE BIRTH TO. 432 00:19:52,316 --> 00:19:54,943 THAT'S A BLESSING. 433 00:19:54,944 --> 00:19:57,445 SO WHY ARE WE HERE? 434 00:19:57,446 --> 00:19:59,406 - EXCUSE ME? - WHY ARE WE TROUBLING 435 00:19:59,407 --> 00:20:01,533 THE GOOD LADIES AND GENTLEMEN OF THIS JURY 436 00:20:01,534 --> 00:20:03,451 TO HEAR YOUR SUIT FOR DAMAGES 437 00:20:03,452 --> 00:20:05,370 WHEN, IN FACT, 438 00:20:05,371 --> 00:20:07,080 BY YOUR OWN ACCOUNT, YOUR LIFE 439 00:20:07,081 --> 00:20:10,041 HAS BEEN MADE BETTER, NOT WORSE, BY THE SWITCH. 440 00:20:10,042 --> 00:20:11,251 OBJECTION! 441 00:20:11,252 --> 00:20:13,503 UH, NO. I WANT TO ANSWER THAT. 442 00:20:13,504 --> 00:20:15,381 OVERRULED. 443 00:20:18,426 --> 00:20:21,386 I WENT TO THAT HOSPITAL TO HAVE MY BABY. 444 00:20:21,387 --> 00:20:24,974 I CAME HOME WITH A BABY THAT WASN'T MINE. 445 00:20:26,308 --> 00:20:28,435 DO YOU REALIZE HOW DEVASTATED I AM? 446 00:20:28,436 --> 00:20:31,062 TO KNOW THAT THE LIFE 447 00:20:31,063 --> 00:20:34,357 THAT I BROUGHT INTO THIS WORLD 448 00:20:34,358 --> 00:20:36,985 WAS CARED FOR AND NURTURED... 449 00:20:36,986 --> 00:20:39,697 BY SOMEONE I DIDN'T EVEN KNOW? 450 00:20:44,118 --> 00:20:45,911 I MISSED 16 YEARS. 451 00:20:47,621 --> 00:20:49,039 THE BABY YEARS. 452 00:20:51,208 --> 00:20:54,961 ALL THOSE TIMES WHEN DAPHNE WAS HURT 453 00:20:54,962 --> 00:20:56,380 I WASN'T THERE FOR HER. 454 00:20:57,590 --> 00:20:59,216 ALL THOSE LITTLE MOMENTS, 455 00:21:00,676 --> 00:21:03,304 ALL THOSE MEMORIES TOGETHER... 456 00:21:05,264 --> 00:21:06,432 I MISSED. 457 00:21:12,146 --> 00:21:13,189 WE MISSED. 458 00:21:17,735 --> 00:21:19,361 I'LL NEVER GET OVER THAT. 459 00:21:21,197 --> 00:21:22,322 NEVER. 460 00:21:22,323 --> 00:21:25,158 SO LET ME GET THIS STRAIGHT? 461 00:21:25,159 --> 00:21:27,368 WHAT YOU'RE SAYING IS, 462 00:21:27,369 --> 00:21:30,371 IF YOU COULD GO BACK IN TIME AND UNDO THE SWITCH, 463 00:21:30,372 --> 00:21:31,748 YOU WOULD. 464 00:21:31,749 --> 00:21:34,417 YOU MEAN, AND NEVER KNOW BAY? 465 00:21:34,418 --> 00:21:35,585 YES, THAT'S WHAT I'M SAYING. 466 00:21:35,586 --> 00:21:36,961 IN A PARALLEL UNIVERSE, 467 00:21:36,962 --> 00:21:39,172 WHERE THE SWITCH NEVER HAPPENED, 468 00:21:39,173 --> 00:21:40,381 YOU WOULDN'T BE THE MOTHER TO BAY. 469 00:21:40,382 --> 00:21:41,591 THAT'S WHAT YOU WANT?! 470 00:21:41,592 --> 00:21:42,801 OBJECTION! 471 00:21:42,802 --> 00:21:44,344 OVERRULED. 472 00:21:44,345 --> 00:21:47,347 NO. NO. OF COURSE NOT. 473 00:21:47,348 --> 00:21:48,306 NO. 474 00:21:48,307 --> 00:21:51,185 YOU WOULDN'T WANT TO UNDO THE SWITCH? 475 00:21:54,480 --> 00:21:55,898 NO. 476 00:21:58,442 --> 00:21:59,527 I WOULDN'T. 477 00:22:00,903 --> 00:22:02,403 NO FURTHER QUESTIONS. 478 00:22:02,404 --> 00:22:04,406 BUT-- 479 00:22:17,378 --> 00:22:19,170 HEY. 480 00:22:19,171 --> 00:22:20,380 DUDE, WHAT ARE YOU DOING HERE? 481 00:22:20,381 --> 00:22:21,589 DON'T YOU HAVE YOUR BIG COURT THING? 482 00:22:21,590 --> 00:22:25,176 I WAS ON MY WAY, BUT THEN I GOT TO THINKING... 483 00:22:25,177 --> 00:22:26,761 JR IS A LEGEND. 484 00:22:26,762 --> 00:22:29,723 AND A CHANCE TO WORK WITH HIM MAY NEVER COME AGAIN. 485 00:22:30,808 --> 00:22:31,808 OKAY. 486 00:22:31,809 --> 00:22:32,810 I WANNA COME. 487 00:22:34,228 --> 00:22:35,228 SERIOUSLY? 488 00:22:35,229 --> 00:22:36,479 LET'S GO. 489 00:22:36,480 --> 00:22:39,315 - WHAT, NOW? - WHY NOT? 490 00:22:39,316 --> 00:22:41,234 LOOK, WE COULD STAY HERE AND WE COULD DEAL WITH SMAK 491 00:22:41,235 --> 00:22:44,321 AND ALL THIS OTHER B. S. OR WE COULD JUST GO. 492 00:22:45,239 --> 00:22:47,366 KINDA WANNA MEET PAPA ZARRA. 493 00:22:50,160 --> 00:22:51,161 LET'S GO TO MEXICO. 494 00:22:52,371 --> 00:22:54,372 WHAT, THAT'S IT? YOU DON'T NEED ANYTHING? 495 00:22:54,373 --> 00:22:55,541 NO, DUDE. I'M GOOD. 496 00:22:57,543 --> 00:22:58,751 LET'S ROLL. 497 00:22:58,752 --> 00:23:00,296 HA! 498 00:23:11,265 --> 00:23:13,266 NOW DAPHNE PROBABLY THINKS THAT I DON'T WANT HER. 499 00:23:13,267 --> 00:23:14,934 SWEETIE, WHAT YOU SAID ABOUT DAPHNE DOESN'T MEAN 500 00:23:14,935 --> 00:23:16,728 YOU LOVE HER ANY LESS. SHE KNOWS THAT. 501 00:23:16,729 --> 00:23:18,354 LOOK, I KNOW I SHOULDN'T HAVE SAID THAT, 502 00:23:18,355 --> 00:23:19,314 BUT HOW COULD I LIE? 503 00:23:19,315 --> 00:23:23,026 HOW COULD I SAY I WISHED I'D NEVER RAISED BAY? 504 00:23:23,027 --> 00:23:25,278 - SWEETIE, IT'S FINE. - YEAH, BUT NOW THE HOSPITAL 505 00:23:25,279 --> 00:23:28,281 CAN SAY THAT WE WEREN'T REALLY HARMED BY THE SWITCH, RIGHT? 506 00:23:28,282 --> 00:23:31,326 WELL, HOPEFULLY THE JURY WAS AS MOVED BY YOUR TESTIMONY 507 00:23:31,327 --> 00:23:32,577 AS THE REST OF US WERE. 508 00:23:32,578 --> 00:23:34,872 ANYTHING CAN HAPPEN. JUST SIT TIGHT. 509 00:23:37,333 --> 00:23:39,918 HAS ANYBODY HEARD FROM BAY? HAVE YOU HEARD FROM BAY? 510 00:23:39,919 --> 00:23:40,920 NO. 511 00:23:43,464 --> 00:23:44,881 WHAT IS HE DOING HERE? 512 00:23:44,882 --> 00:23:46,257 I GOT DESPERATE. I TEXTED HIM. 513 00:23:46,258 --> 00:23:48,009 - I THOUGHT MAYBE-- - YOU DIDN'T THINK SHE WOULD-- 514 00:23:48,010 --> 00:23:49,011 WOULD SHE? 515 00:23:51,180 --> 00:23:52,848 HI. 516 00:23:55,225 --> 00:23:57,019 HAVE YOU HEARD FROM BAY? 517 00:24:06,862 --> 00:24:08,279 HE SAID HER SAW HER THIS MORNING-- 518 00:24:08,280 --> 00:24:10,657 - I ACTUALLY THINK I GOT MOST OF THAT. - WHAT?! 519 00:24:10,658 --> 00:24:12,241 YOU WHAT THE TRUTH IS, SHE'S PROBABLY AT HOME 520 00:24:12,242 --> 00:24:13,534 PAINTING HORRIBLE PICTURES OF ME. 521 00:24:13,535 --> 00:24:14,953 BUT THE GOOD NEWS IS, 522 00:24:14,954 --> 00:24:16,537 I'M TRACKING HER PHONE WITH THIS. 523 00:24:16,538 --> 00:24:19,123 AND I CAN TELL YOU EXACTLY WHERE SHE IS. 524 00:24:19,124 --> 00:24:20,208 WHICH IS IN... 525 00:24:20,209 --> 00:24:22,168 - OKLAHOMA?! 526 00:24:22,169 --> 00:24:23,169 WHAT IS SHE DOING 527 00:24:23,170 --> 00:24:24,587 IN OKLAHOMA? 528 00:24:24,588 --> 00:24:28,132 I KNOW ZARRA'S DAD LIVES IN MEXICO. 529 00:24:28,133 --> 00:24:29,300 - MEXICO? - OH, GOD. 530 00:24:29,301 --> 00:24:31,095 OKAY, I'M GOING AFTER HER. 531 00:24:32,721 --> 00:24:33,763 YOU'RE COMING-- NO NO. 532 00:24:33,764 --> 00:24:34,806 YOU ARE NOT COMING. 533 00:24:34,807 --> 00:24:36,724 JOHN? 534 00:24:36,725 --> 00:24:38,185 LET HIM GO. 535 00:24:40,896 --> 00:24:42,480 I'LL STAY WITH MOM. 536 00:24:42,481 --> 00:24:44,148 FINE. 537 00:24:44,149 --> 00:24:46,151 CALL ME AS SOON AS YOU KNOW ANYTHING. 538 00:24:51,865 --> 00:24:54,075 FRIDA KAHLO'S HOUSE IS IN COYOACAN, WHICH I'VE BEEN 539 00:24:54,076 --> 00:24:56,285 DYING TO SEE SINCE I WAS LIKE NINE. 540 00:24:56,286 --> 00:24:57,286 OH! AND OAXACA 541 00:24:57,287 --> 00:24:59,038 IS SUPPOSED TO BE INCREDIBLE. 542 00:24:59,039 --> 00:25:01,499 OH, ALL THOSE AMAZING FRUIT MARKETS, RIGHT? 543 00:25:01,500 --> 00:25:02,667 AND CHOCOLATE MOLE SAUCE. 544 00:25:02,668 --> 00:25:04,669 AH, YEAH. DUDE, WE WILL SEE IT ALL 545 00:25:04,670 --> 00:25:06,713 - AND DO IT ALL! - GUACAMOLE WITH EVERY MEAL. 546 00:25:06,714 --> 00:25:08,548 NO! MARGARITAS WITH EVERY MEAL! 547 00:25:08,549 --> 00:25:11,050 - WHOO! - WOO-HOO! 548 00:25:11,051 --> 00:25:13,094 SO HOW LONG DO YOU THINK WE'RE GONNA BE THERE? 549 00:25:13,095 --> 00:25:15,138 I'M NOT SURE. 550 00:25:15,139 --> 00:25:17,223 SOME OF HIS INSTALLATIONS CAN TAKE WEEKS. 551 00:25:17,224 --> 00:25:19,684 AND RUMOR HAS IT, HE'S GOT A TRIP TO CUBA IN THE WORKS. 552 00:25:19,685 --> 00:25:22,228 DUDE, I'VE BEEN DYING TO SEE CUBA BEFORE IT'S ALL COVERED IN MINI MALLS 553 00:25:22,229 --> 00:25:24,397 AND TOUR BUSES, YOU KNOW? 554 00:25:24,398 --> 00:25:26,150 YEAH. 555 00:25:32,406 --> 00:25:33,615 WHERE IS SHE NOW? 556 00:25:36,368 --> 00:25:38,202 SAN ANTONIO?! THAT'S LIKE-- 557 00:25:38,203 --> 00:25:39,621 THAT'S LIKE THREE HOURS FROM THE BORDER. 558 00:25:44,084 --> 00:25:45,501 "WE'RE GONNA FIND HER." 559 00:25:45,502 --> 00:25:47,504 HAVE YOU MET THIS ZARRA PERSON? 560 00:25:49,548 --> 00:25:51,132 I THOUGHT THE ARMY KID WAS GONNA BE A PROBLEM. 561 00:25:51,133 --> 00:25:52,967 YOU, I WASN'T SO MUCH WORRIED ABOUT. 562 00:25:52,968 --> 00:25:54,136 MAYBE I SHOULD HAVE BEEN. 563 00:25:55,804 --> 00:25:58,181 I HAVE NO IDEA WHAT'S GOING ON ANYMORE. 564 00:25:58,182 --> 00:26:00,099 KATHRYN WANTED THE HANDS-OFF APPROACH, 565 00:26:00,100 --> 00:26:02,143 I WANTED RULES AND CONSEQUENCES. 566 00:26:02,144 --> 00:26:04,187 BUT, GUESS WHAT? 567 00:26:04,188 --> 00:26:05,397 NOTHING WORKED. 568 00:26:11,570 --> 00:26:13,780 I KNOW YOU-- 569 00:26:13,781 --> 00:26:15,990 YOU HAD A BAD TIME LAST YEAR. 570 00:26:15,991 --> 00:26:18,159 SO... 571 00:26:18,160 --> 00:26:19,994 WHAT DO I DO? 572 00:26:19,995 --> 00:26:21,997 HOW DO I HELP BAY? 573 00:26:27,920 --> 00:26:28,921 OKAY. 574 00:26:33,425 --> 00:26:34,759 WHAT'S WRONG? 575 00:26:34,760 --> 00:26:37,553 I DON'T KNOW. I-- I GUESS I WASN'T, UH, 576 00:26:37,554 --> 00:26:40,306 ANTICIPATING BEING GONE FOR SO LONG. 577 00:26:40,307 --> 00:26:43,434 THEN AGAIN, I REALLY DON'T KNOW WHAT I THOUGHT. 578 00:26:43,435 --> 00:26:46,312 OH, WE DON'T HAVE TO JOIN HIS WORLD TOUR. I MEAN... 579 00:26:46,313 --> 00:26:48,940 OH, NO NO! THAT SOUNDS TOTALLY AWESOME. 580 00:26:48,941 --> 00:26:51,692 IT'S JUST, UH... 581 00:26:51,693 --> 00:26:54,070 I DIDN'T SAY GOOD-BYE TO DAPHNE. 582 00:26:54,071 --> 00:26:56,782 UH, I FEEL KINDA BAD JUST DITCHING HER. 583 00:26:57,991 --> 00:27:00,118 WELL, YOU KNOW, WHEN WE GET TO MEXICO CITY 584 00:27:00,119 --> 00:27:03,746 JUST SEND HER A POSTCARD OR SEND HER AN E-MAIL OR SKYPE OR WHATEVER. 585 00:27:03,747 --> 00:27:05,123 YEAH. 586 00:27:05,124 --> 00:27:06,750 YEAH, IT'LL BE FINE. 587 00:27:18,387 --> 00:27:19,930 "LAST YEAR... 588 00:27:21,390 --> 00:27:22,808 PARENTS 589 00:27:23,892 --> 00:27:25,477 WERE IN THEIR OWN WORLD." 590 00:27:28,438 --> 00:27:30,524 YOU WERE SMASHING THINGS. 591 00:27:32,901 --> 00:27:33,986 SO THEY WOULD LISTEN TO YOU. 592 00:27:36,446 --> 00:27:38,448 SO THEY WOULD ASK YOU 593 00:27:44,746 --> 00:27:46,748 'CAUSE YOU COULDN'T SAY IT. 594 00:27:55,257 --> 00:27:56,675 WE SHOULD GET GOIN'. 595 00:28:03,849 --> 00:28:05,975 HONESTLY, THE PORK RINDS FROM THE VENDING MACHINE 596 00:28:05,976 --> 00:28:08,186 AT THE LAST TRUCK STOP WOULD HAVE BEEN BETTER. 597 00:28:10,230 --> 00:28:11,439 AW, NO! 598 00:28:11,440 --> 00:28:12,441 CRAP! 599 00:28:17,696 --> 00:28:19,072 THEY GOT THE REST OF THE MONEY. 600 00:28:20,908 --> 00:28:23,534 WAIT, YOU-- YOU LEFT THE MONEY IN THE SLEEPING BAG? 601 00:28:23,535 --> 00:28:24,911 IN THE CAR? 602 00:28:24,912 --> 00:28:26,747 I'M SORRY, OKAY? 603 00:28:28,832 --> 00:28:30,083 WELL, HOW MUCH DO WE HAVE LEFT? 604 00:28:33,837 --> 00:28:35,963 53. YOU? 605 00:28:35,964 --> 00:28:37,341 UH. 606 00:28:38,800 --> 00:28:40,384 LIKE 80. 607 00:28:40,385 --> 00:28:42,595 HOW MUCH FURTHER IS YOUR DAD'S PLACE? 608 00:28:42,596 --> 00:28:43,972 UH, I'M NOT SURE. 609 00:28:45,724 --> 00:28:47,725 UH, MAYBE YOU SHOULD CALL HIM. 610 00:28:47,726 --> 00:28:49,894 WELL, HE CALLED ME FROM A PAY PHONE 611 00:28:49,895 --> 00:28:51,771 AND I E-MAILED HIM AND TOLD HIM WAS COMING, 612 00:28:51,772 --> 00:28:53,856 BUT I HAVEN'T HEARD BACK, OKAY? 613 00:28:53,857 --> 00:28:55,650 SO 614 00:28:55,651 --> 00:28:57,109 YOU HAVE NO IDEA WHERE HE IS 615 00:28:57,110 --> 00:28:58,820 OR EVEN WHERE WE'RE GOING? 616 00:28:59,780 --> 00:29:01,530 NO, I-- I DO. BASICALLY. 617 00:29:01,531 --> 00:29:03,324 WELL. 618 00:29:03,325 --> 00:29:04,533 DOES HE HAVE A PLACE TO STAY? 619 00:29:04,534 --> 00:29:05,534 DO WE HAVE A PLACE TO STAY? 620 00:29:05,535 --> 00:29:07,161 LOOK! WHATEVER. I WILL FIND HIM. 621 00:29:07,162 --> 00:29:09,372 IT'S FINE. WE'LL JUST SLEEP IN THE CAR, 622 00:29:09,373 --> 00:29:12,125 WE'LL SAVE MONEY FOR GAS AND WE'LL KEEP HEADING SOUTH. 623 00:29:13,752 --> 00:29:15,336 ZARRA, THEY STOLE MY PASSPORT. 624 00:29:15,337 --> 00:29:16,879 YOU CAN'T CROSS THE BORDER WITHOUT A PASSPORT! 625 00:29:16,880 --> 00:29:18,966 WE WILL FIGURE IT OUT! 626 00:29:20,926 --> 00:29:22,927 WHAT, YOU'RE NOT GONNA MELT DOWN ON ME NOW, ARE YOU? 627 00:29:22,928 --> 00:29:24,762 - NO. - OKAY? 'CAUSE WE CAN JUST GO BACK. 628 00:29:24,763 --> 00:29:26,931 NO. 629 00:29:26,932 --> 00:29:28,934 OKAY THEN. 630 00:29:30,227 --> 00:29:32,020 AT LEAST THEY DIDN'T TAKE THE CAR. 631 00:29:43,323 --> 00:29:44,907 WHY THE HELL WOULD YOU QUIT? 632 00:29:44,908 --> 00:29:48,536 - BUT EVERYTHING'S OKAY NOW. - I DIDN'T ASK YOU TO QUIT. 633 00:29:48,537 --> 00:29:50,162 I KNOW. I JUST WANTED TO-- 634 00:29:50,163 --> 00:29:51,747 YOU KNOW HOW THIS LOOKS? 635 00:29:51,748 --> 00:29:53,749 IT LOOKS LIKE WE'RE GUILTY. LIKE-- LIKE WE LIED. 636 00:29:53,750 --> 00:29:54,750 BUT IT DOESN'T MATTER 637 00:29:54,751 --> 00:29:56,961 BECAUSE IF I DON'T WORK FOR YOU ANYMORE-- 638 00:29:56,962 --> 00:29:59,381 IF YOU DON'T WORK FOR ME ANYMORE, WHAT? 639 00:30:02,175 --> 00:30:04,803 THEN WE CAN BE TOGETHER. 640 00:30:07,848 --> 00:30:09,224 OH, HONEY. 641 00:30:11,977 --> 00:30:13,769 OH. 642 00:30:13,770 --> 00:30:15,855 OH, I'M THE MOST SELFISH MAN ON THE PLANET. 643 00:30:15,856 --> 00:30:17,231 I DON'T EVEN CARE ABOUT THE JOB. 644 00:30:17,232 --> 00:30:18,400 I'LL GET ANOTHER JOB. 645 00:30:19,735 --> 00:30:21,485 I JUST WANNA BE WITH YOU. 646 00:30:21,486 --> 00:30:23,488 DAPHNE... 647 00:30:26,992 --> 00:30:28,618 OH, NO. 648 00:30:29,661 --> 00:30:33,456 I-- I CARE ABOUT YOU.... A LOT. 649 00:30:33,457 --> 00:30:35,041 BUT... 650 00:30:35,042 --> 00:30:37,002 I'M IN LOVE WITH YOU. 651 00:30:40,881 --> 00:30:43,299 YOU'RE GONNA FIND SOMEONE 652 00:30:43,300 --> 00:30:45,301 SO MUCH BETTER FOR YOU THAN ME. 653 00:30:45,302 --> 00:30:48,096 MUCH MUCH BETTER. 654 00:30:51,016 --> 00:30:52,851 I KNOW WHAT THAT MEANS. 655 00:30:55,645 --> 00:30:58,774 THAT MEANS "I DON'T LOVE YOU BACK." 656 00:31:01,068 --> 00:31:03,486 YOU WERE... 657 00:31:03,487 --> 00:31:07,949 THIS GIFT THAT I DIDN'T... 658 00:31:09,701 --> 00:31:11,703 EXPECT. 659 00:31:15,999 --> 00:31:19,585 IF I CLOSE MY EYES 660 00:31:19,586 --> 00:31:22,964 I CAN'T SEE WHAT YOU'RE SAYING SO I CAN IMAGINE ANYTHING I WANT. 661 00:31:30,263 --> 00:31:33,849 I'M GONNA OPEN MY EYES NOW AND-- 662 00:31:33,850 --> 00:31:35,477 AND I'M GONNA GO. 663 00:31:52,953 --> 00:31:54,162 I'M SORRY. 664 00:32:03,296 --> 00:32:05,297 ZARRA. ZARRA. 665 00:32:05,298 --> 00:32:06,675 WHAT? 666 00:32:08,635 --> 00:32:09,635 HEY HEY, GET OUT OF HERE! 667 00:32:09,636 --> 00:32:11,762 I'VE GOT A KNIFE! 668 00:32:11,763 --> 00:32:14,598 GOD, I HOPE THAT'S NOT TRUE. 669 00:32:14,599 --> 00:32:16,225 DAD? 670 00:32:16,226 --> 00:32:17,935 YES. 671 00:32:17,936 --> 00:32:19,145 EMMETT? 672 00:32:19,146 --> 00:32:20,437 YOU ALL RIGHT? 673 00:32:20,438 --> 00:32:22,148 WHAT THE--? 674 00:32:22,149 --> 00:32:25,192 I'M FINE. WHAT ARE YOU DOING HERE? 675 00:32:25,193 --> 00:32:26,528 HOW DID YOU FIND ME? 676 00:32:28,530 --> 00:32:29,572 YOU TRACKED US? 677 00:32:29,573 --> 00:32:31,032 THAT WOULD BE CORRECT. 678 00:32:32,576 --> 00:32:35,578 BAY, MAY I SPEAK TO YOU FOR A MINUTE PLEASE? 679 00:32:35,579 --> 00:32:37,581 YOU STAY HERE? 680 00:32:53,597 --> 00:32:55,556 EMMETT? 681 00:32:55,557 --> 00:32:58,185 YEAH. HE'S THE ONE THAT FIGURED OUT YOU'D LEFT. 682 00:33:00,770 --> 00:33:02,606 BAY, WHAT ARE YOU DOING? 683 00:33:04,608 --> 00:33:06,734 I'M GOING TO MEXICO 684 00:33:06,735 --> 00:33:08,402 TO PAINT WITH ZARRA'S DAD. 685 00:33:08,403 --> 00:33:10,779 MEXICO. 686 00:33:10,780 --> 00:33:12,657 AND POSSIBLY CUBA. 687 00:33:16,953 --> 00:33:18,288 AMBITIOUS. 688 00:33:20,040 --> 00:33:21,625 IT'S PROBABLY NOT MY BEST PLAN. 689 00:33:23,710 --> 00:33:25,086 AND WHY IS THAT? 690 00:33:27,464 --> 00:33:29,466 NO MONEY, NO PASSPORT. 691 00:33:31,134 --> 00:33:32,552 THAT COULD BE A PROBLEM. 692 00:33:34,346 --> 00:33:37,140 I'M NOT GONNA STOP DOING STREET ART. 693 00:33:38,725 --> 00:33:41,435 I CAN'T STOP. IT'S WHO I AM. 694 00:33:41,436 --> 00:33:45,649 IT'S WHAT I LOVE. IT'S PART OF WHAT MAKES ME... 695 00:33:47,150 --> 00:33:48,360 ME. 696 00:33:49,945 --> 00:33:51,362 AND IF I COULDN'T DO IT ANYMORE, 697 00:33:51,363 --> 00:33:53,364 I-- 698 00:33:53,365 --> 00:33:55,492 I WOULD JUST FALL APART. 699 00:33:58,662 --> 00:34:00,496 THAT IS EXACTLY 700 00:34:00,497 --> 00:34:03,667 HOW I WOULD FEEL... 701 00:34:05,085 --> 00:34:06,461 WITHOUT YOU. 702 00:34:09,297 --> 00:34:11,632 AND WHAT ARE WE GONNA DO? 703 00:34:11,633 --> 00:34:13,634 I DON'T KNOW. 704 00:34:13,635 --> 00:34:16,972 BUT I DON'T THINK WE'RE GONNA FIGURE IT OUT IN THIS PARKING LOT. 705 00:34:30,652 --> 00:34:32,444 YOUR MOM 706 00:34:32,445 --> 00:34:33,446 IS BESIDE HERSELF. 707 00:34:35,115 --> 00:34:37,284 BOTH OF YOUR MOMS. 708 00:34:40,662 --> 00:34:43,289 YOU CANNOT BLAME YOURSELF. 709 00:34:43,290 --> 00:34:45,624 MAYBE I SHOULD BE TRYING TO BE MORE OF A PARENT TO BAY. 710 00:34:45,625 --> 00:34:47,668 MAYBE IF I HAD TAKEN HER SIDE, SHE WOULDN'T HAVE LEFT. 711 00:34:47,669 --> 00:34:50,462 LOOK, SHE'S GONNA BE OKAY. THEY'RE GONNA FIND HER. 712 00:34:50,463 --> 00:34:51,880 AND AS AN ADDED BONUS, 713 00:34:51,881 --> 00:34:53,465 I MANAGED TO SAY 714 00:34:53,466 --> 00:34:55,634 ALL THE WRONG THINGS TO DAPHNE TOO. 715 00:34:55,635 --> 00:34:56,969 ABOUT BAY? 716 00:34:56,970 --> 00:34:59,888 NO. ABOUT THE GUY DAPHNE'S BEEN DATING. 717 00:34:59,889 --> 00:35:02,434 WHAT'S WRONG WITH THE GUY THAT DAPHNE'S BEEN DATING? 718 00:35:03,852 --> 00:35:05,270 HE'S HER BOSS. 719 00:35:06,646 --> 00:35:08,690 WHAT DO YOU MEAN HE'S HER BOSS? 720 00:35:10,483 --> 00:35:12,443 YOU KNOW WHAT? NEVER MIND. 721 00:35:12,444 --> 00:35:13,569 NO NO NO NO NO! 722 00:35:13,570 --> 00:35:15,446 HOW OLD IS HE? 723 00:35:15,447 --> 00:35:18,490 UH... 724 00:35:18,491 --> 00:35:20,284 27, 28. 725 00:35:20,285 --> 00:35:23,246 28? WHAT KIND OF GROWN MAN DATES A 16-YEAR-OLD? 726 00:35:24,414 --> 00:35:26,457 - WHERE IS SHE NOW? - I DON'T KNOW. 727 00:35:26,458 --> 00:35:27,626 SHE'S NOT ANSWERING MY TEXTS. 728 00:35:28,668 --> 00:35:30,669 ANGELO. 729 00:35:30,670 --> 00:35:32,421 ANGELO! WHERE ARE YOU GOING? 730 00:35:32,422 --> 00:35:34,423 I'M GONNA TALK TO THIS MAN THAT THINKS IT'S OKAY 731 00:35:34,424 --> 00:35:35,591 TO DATE A HIGH SCHOOL GIRL. 732 00:35:35,592 --> 00:35:36,593 ANGELO! 733 00:35:43,224 --> 00:35:45,434 REGINA? 734 00:35:45,435 --> 00:35:47,394 THEY FOUND BAY. SHE'S FINE. 735 00:35:47,395 --> 00:35:49,480 - THEY'RE BRINGING HER HOME. - OH, THANK GOD. 736 00:35:49,481 --> 00:35:51,440 I NEED TO BORROW YOU CAR. ANGELO TOOK MINE. 737 00:35:51,441 --> 00:35:53,610 OKAY. WHY? 738 00:35:55,403 --> 00:35:56,945 DAPHNE'S DATING HER BOSS. 739 00:35:56,946 --> 00:35:59,448 - CHEF JEFF?! - UH-HUH. 740 00:35:59,449 --> 00:36:01,700 - WHAT IS HAPPENING WITH OUR CHILDREN? - I DON'T KNOW. 741 00:36:01,701 --> 00:36:03,327 YELL ABOUT IT IN THE CAR. ANGELO KNOWS TOO 742 00:36:03,328 --> 00:36:05,120 AND HE'S ON HIS WAY OVER TO MAIZE TO TALK TO HIM RIGHT NOW. 743 00:36:05,121 --> 00:36:06,664 - OH, NO... - EXACTLY. 744 00:36:06,665 --> 00:36:07,665 OH. 745 00:36:07,666 --> 00:36:08,875 HURRY. COME ON, COME ON. 746 00:36:13,171 --> 00:36:15,339 ♪ SHAKING YOUR HEAD ♪ 747 00:36:15,340 --> 00:36:18,343 ♪ LIKE IT'S ALL WRONG ♪ 748 00:36:21,513 --> 00:36:23,555 ♪ BEFORE YOU'RE HERE ♪ 749 00:36:23,556 --> 00:36:27,143 ♪ YOU'RE ALREADY GONE... ♪ 750 00:36:30,438 --> 00:36:32,231 DAPHNE. 751 00:36:32,232 --> 00:36:33,440 WHAT ARE YOU DOING HERE? 752 00:36:33,441 --> 00:36:35,317 WHAT HAPPENED? WHAT DID HE DO TO YOU? 753 00:36:35,318 --> 00:36:37,362 HOW DID YOU EVEN KNOW?! 754 00:36:39,364 --> 00:36:40,864 WAIT, NO! ANGELO! 755 00:36:40,865 --> 00:36:42,032 YOU CAN'T GO IN THERE! 756 00:36:42,033 --> 00:36:43,410 ANGELO! 757 00:36:44,953 --> 00:36:46,745 WHERE'S THE KITCHEN? I NEED TO SEE THE CHEF. 758 00:36:46,746 --> 00:36:47,747 WHERE'S THE KITCHEN? 759 00:36:50,375 --> 00:36:51,333 ARE YOU JEFF? 760 00:36:51,334 --> 00:36:52,335 ARE YOU? 761 00:36:54,003 --> 00:36:55,587 I NEED TO TALK TO THE CHEF. WHERE'S JEFF? 762 00:36:55,588 --> 00:36:57,006 WHOA. I'M THE CHEF. 763 00:36:58,466 --> 00:36:59,717 - ANGELO! - DAPHNE? 764 00:36:59,718 --> 00:37:00,718 WHO THE HELL ARE YOU? 765 00:37:00,719 --> 00:37:01,928 I'M DAPHNE'S FATHER. 766 00:37:03,221 --> 00:37:04,472 OH MY GOD! 767 00:37:06,141 --> 00:37:08,518 DON'T YOU EVER TOUCH MY DAUGHTER AGAIN! 768 00:37:09,728 --> 00:37:10,770 EVER! 769 00:37:12,897 --> 00:37:14,356 WOULD SOMEBODY PLEASE GET THIS 770 00:37:14,357 --> 00:37:16,150 LUNATIC OUT OF MY KITCHEN? 771 00:37:16,151 --> 00:37:17,652 NOW! 772 00:37:24,868 --> 00:37:27,662 WHY DON'T YOU AND ZARRA FOLLOW ME AND EMMETT? 773 00:37:31,332 --> 00:37:32,625 WHERE IS SHE? 774 00:37:40,967 --> 00:37:42,302 "PUT IT ON MY TAB." 775 00:37:44,304 --> 00:37:45,388 YOU WANNA GO AFTER HER? 776 00:37:46,890 --> 00:37:48,891 NO. 777 00:37:48,892 --> 00:37:50,268 SHE'LL BE FINE. 778 00:37:58,860 --> 00:38:00,069 SURE. 779 00:38:02,447 --> 00:38:03,782 SO YOU-- 780 00:38:05,492 --> 00:38:07,118 OKAY, YOU GUYS CAN FOLLOW ME. 781 00:38:10,330 --> 00:38:12,539 I CAN'T BELIEVE YOU CAME OUT ALL THIS WAY 782 00:38:12,540 --> 00:38:14,000 JUST TO COME FIND ME. 783 00:38:25,053 --> 00:38:29,056 ♪ HERE IS A HEART ♪ 784 00:38:29,057 --> 00:38:31,058 ♪ I MADE IT FOR YOU ♪ 785 00:38:31,059 --> 00:38:33,393 ♪ SO TAKE IT ♪ 786 00:38:33,394 --> 00:38:35,771 - ♪ BATTERED AND BRAISED ♪ - (car approaching) 787 00:38:35,772 --> 00:38:37,981 ♪ GRILLED AND SAUTEED ♪ 788 00:38:37,982 --> 00:38:39,775 ♪ JUST HOW YOU LIKE IT ♪ 789 00:38:39,776 --> 00:38:42,110 ♪ LIKE IT ♪ 790 00:38:42,111 --> 00:38:46,324 ♪ YOU KNOW I LIVE TO FILL YOU UP ♪ 791 00:38:50,829 --> 00:38:52,830 ♪ BLOOD OF MY BLOOD ♪ 792 00:38:52,831 --> 00:38:54,498 ♪ DRIPPING WITH LOVE ♪ 793 00:38:54,499 --> 00:38:56,875 ♪ I BRING YOU THE THING YOU NEED MOST... ♪ 794 00:38:56,876 --> 00:38:58,627 DAPHNE, ARE YOU OKAY? 795 00:38:58,628 --> 00:39:01,338 ♪ SILENT BETWEEN ♪ 796 00:39:01,339 --> 00:39:04,759 - ♪ SUPPLIES AND MACHINES ♪ - OH, SWEETHEART. 797 00:39:05,969 --> 00:39:07,554 I'M SO SORRY. 798 00:39:10,306 --> 00:39:12,349 YOU GOT THAT JOB AS A FAVOR FOR ME 799 00:39:12,350 --> 00:39:14,310 AND I JUST MESSED IT UP! 800 00:39:16,312 --> 00:39:17,730 IT'S OKAY. 801 00:39:18,982 --> 00:39:20,900 IT'S FINE. 802 00:39:24,654 --> 00:39:28,448 ♪ I WANNA BE HERE AND NOWHERE ELSE... ♪ 803 00:39:28,449 --> 00:39:30,451 IT'S OKAY. 804 00:39:33,454 --> 00:39:38,418 ♪ SO I CAN CRUMBLE AT YOUR SIDE. ♪ 805 00:39:50,138 --> 00:39:51,847 LADIES AND GENTLEMEN OF THE JURY, 806 00:39:51,848 --> 00:39:54,641 HAVE YOU REACHED A VERDICT IN EACH OF THESE TWO CASES? 807 00:39:54,642 --> 00:39:57,185 - Jury Foreperson: WE HAVE, YOUR HONOR. - Judge: WHAT SAY YOU? 808 00:39:57,186 --> 00:39:59,855 IN THE MATTER OF JOHN KENNISH AND KATHRYN KENNISH 809 00:39:59,856 --> 00:40:01,189 VERSUS CHILDREN'S HOSPITAL 810 00:40:01,190 --> 00:40:02,190 OF KANSAS CITY, 811 00:40:02,191 --> 00:40:03,859 WE FIND IN FAVOR OF THE PLAINTIFFS... 812 00:40:03,860 --> 00:40:07,155 - All: OH! - ...JOHN KENNISH AND KATHRYN KENNISH. 813 00:40:08,740 --> 00:40:10,449 IN THE AMOUNT OF $1. 814 00:40:10,450 --> 00:40:12,452 - WHAT? 815 00:40:14,787 --> 00:40:17,164 - ORDER, ORDER! 816 00:40:17,165 --> 00:40:18,457 IN THE MATTER OF ANGELO SORRENTO 817 00:40:18,458 --> 00:40:20,334 VERSUS CHILDREN'S HOSPITAL 818 00:40:20,335 --> 00:40:23,253 OF KANSAS CITY, WE FIND IN FAVOR OF THE PLAINTIFF, 819 00:40:23,254 --> 00:40:24,130 ANGELO SORRENTO... 820 00:40:27,175 --> 00:40:29,677 IN THE AMOUNT OF FIVE MILLION DOLLARS. 821 00:40:37,644 --> 00:40:38,853 - Judge: ORDER! - (gavel bangs) 822 00:40:41,230 --> 00:40:43,106 THANK YOU LADIES AND GENTLEMEN OF THE JURY 823 00:40:43,107 --> 00:40:44,692 FOR YOUR SERVICE. YOU ARE EXCUSED. 824 00:40:46,110 --> 00:40:47,528 THIS COURT STANDS ADJOURNED. 825 00:40:52,909 --> 00:40:55,118 KATHRYN, JOHN, I AM SO SORRY. 826 00:40:55,119 --> 00:40:56,203 CRAIG, IT'S FINE. 827 00:40:56,204 --> 00:40:58,705 IT WAS NEVER ABOUT THE MONEY. 828 00:40:58,706 --> 00:41:01,875 THEY DID WRONG AND NOW IT'S ON THE RECORD. 829 00:41:01,876 --> 00:41:03,043 WE WON. 830 00:41:03,044 --> 00:41:05,087 WE GOT WHAT WE WANTED. 831 00:41:05,088 --> 00:41:06,088 YEAH. 832 00:41:06,089 --> 00:41:08,256 AND ANGELO'S NOW A WEALTHY MAN, 833 00:41:08,257 --> 00:41:10,092 SO HE GOT WHAT HE WANTED. 834 00:41:10,093 --> 00:41:12,678 SOME PEOPLE ALWAYS SEEM 835 00:41:12,679 --> 00:41:14,096 TO FAIL UP! 836 00:41:14,097 --> 00:41:16,056 WELL, CONGRATULATIONS. 837 00:41:16,057 --> 00:41:17,224 WHAT DO YOU MEAN? 838 00:41:17,225 --> 00:41:18,475 WELL, YOU'RE MARRIED TO HIM. 839 00:41:18,476 --> 00:41:20,478 HALF THAT MONEY'S LEGALLY YOURS, RIGHT? 840 00:41:32,699 --> 00:41:35,492 SO DO YOU THINK HE'LL STICK AROUND 841 00:41:35,493 --> 00:41:37,453 AFTER HE GETS THE MONEY? 842 00:41:38,746 --> 00:41:41,415 I DON'T KNOW. 843 00:41:41,416 --> 00:41:44,167 DO YOU REMEMBER WHAT IT WAS LIKE BEFORE 844 00:41:44,168 --> 00:41:46,378 YOU FOUND OUT ABOUT ALL THIS? 845 00:41:46,379 --> 00:41:48,381 I MEAN, LIKE THE DAY BEFORE? 846 00:41:49,966 --> 00:41:52,135 MY LAST DAY OF NORMAL. 847 00:41:53,678 --> 00:41:55,220 I DO. 848 00:41:55,221 --> 00:41:57,639 IT WAS THE FIRST GAME OF THE SEASON 849 00:41:57,640 --> 00:41:59,933 AND MY MOM AND I WENT OUT TO GET PIZZA 850 00:41:59,934 --> 00:42:01,518 FROM THIS PLACE THAT'S CLOSED DOWN NOW, 851 00:42:01,519 --> 00:42:02,687 SAL'S. 852 00:42:03,938 --> 00:42:05,565 WITH THE GARLIC KNOTS? 853 00:42:07,233 --> 00:42:09,359 NO WAY. YOU DON'T KNOW SAL'S. 854 00:42:09,360 --> 00:42:12,154 UH, THEY HAD MY DAD'S PICTURE ON THE WALL. 855 00:42:12,155 --> 00:42:14,156 OH MY GOD. 856 00:42:14,157 --> 00:42:16,158 WE USED TO GO THERE ALL THE TIME. 857 00:42:16,159 --> 00:42:18,035 SO DID WE. 858 00:42:18,036 --> 00:42:20,913 DO YOU THINK WE WERE EVER THERE AT THE SAME TIME? 859 00:42:22,081 --> 00:42:23,916 WE MUST HAVE BEEN. 860 00:42:25,793 --> 00:42:28,003 WHAT IF WE, LIKE, SAT NEXT TO EACH OTHER 861 00:42:28,004 --> 00:42:29,254 OR SAW EACH OTHER? 862 00:42:29,255 --> 00:42:33,925 AND WE HAD NO IDEA. 863 00:42:33,926 --> 00:42:35,719 HOW COULD WE NOT HAVE 864 00:42:35,720 --> 00:42:37,930 FELT SOMETHING OR KNOWN SOMEHOW? 865 00:42:39,974 --> 00:42:41,058 BECAUSE THAT'S THE THING. 866 00:42:41,059 --> 00:42:45,103 THEY DAY BEFORE YOUR WHOLE LIFE CHANGES FOREVER, 867 00:42:45,104 --> 00:42:48,315 FEELS JUST LIKE ANY OTHER DAY. 868 00:42:48,316 --> 00:42:51,276 ♪ WHEN THERE'S SHADOW THERE IS LIGHT ♪ 869 00:42:51,277 --> 00:42:55,072 ♪ LOVE IS IN THE BATTLE CRY ♪ 870 00:42:55,073 --> 00:42:58,784 ♪ EVEN IN THE DARKEST NIGHT ♪ 871 00:42:58,785 --> 00:43:03,163 ♪ THERE IS SHADOW THERE IS LIGHT ♪ 872 00:43:03,164 --> 00:43:04,706 ♪ OH OH, THERE IS LIGHT... ♪ 873 00:43:04,707 --> 00:43:05,957 HI. 874 00:43:05,958 --> 00:43:07,626 - HI. - HI. 875 00:43:07,627 --> 00:43:10,213 I'M LOOKING FOR ANGELO SORRENTO. 876 00:43:11,839 --> 00:43:13,633 DO YOU KNOW WHERE HE IS? 60141

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