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1
00:00:00,667 --> 00:00:01,876
PREVIOUSLY ON
"SWITCHED AT BIRTH."
2
00:00:01,877 --> 00:00:03,127
YOU'RE GONNA WEAR
A SWEATER WITH THAT, RIGHT?
3
00:00:03,128 --> 00:00:04,337
NO, I'M GOOD.
4
00:00:04,338 --> 00:00:05,963
IF YOU'RE TRYING
TO CATCH SOMEONE'S EYE--
5
00:00:05,964 --> 00:00:07,089
OH MY GOD, MOM.
6
00:00:07,090 --> 00:00:08,425
THIS IS NOT
ABOUT SOME BOY.
7
00:00:10,969 --> 00:00:12,470
OH, UH...
8
00:00:12,471 --> 00:00:15,014
YEAH, I'M ACTUALLY
ALL GOOD WITH GLASSES.
9
00:00:15,015 --> 00:00:16,350
- WOO!
- (cheering)
10
00:00:17,643 --> 00:00:19,310
- I'M NIKKI.
- TOBY.
11
00:00:19,311 --> 00:00:21,354
WE'RE HAVING ANOTHER ONE
OF THESE NEXT WEEK
12
00:00:21,355 --> 00:00:23,814
IF YOU WANT TO SWING BY.
13
00:00:23,815 --> 00:00:25,483
I THOUGHT WE WERE
KIND OF THE SAME.
14
00:00:25,484 --> 00:00:26,901
I JUST KNOW
THAT YOU GET THIS
15
00:00:26,902 --> 00:00:29,153
HUGE PART OF MY LIFE
16
00:00:29,154 --> 00:00:31,156
THAT NO ONE ELSE GETS.
17
00:00:32,157 --> 00:00:33,199
I WILL PAINT OVER THIS
18
00:00:33,200 --> 00:00:35,618
AGAIN AND AGAIN
DAY IN AND DAY OUT.
19
00:00:35,619 --> 00:00:36,786
I WILL NOT
LET THEM WIN.
20
00:00:36,787 --> 00:00:38,079
YOU KNOW THE GIRL
THAT WAS PAINTED HERE?
21
00:00:38,080 --> 00:00:39,413
GRAFFITI ON THE WALL?
22
00:00:39,414 --> 00:00:41,040
- I DID IT.
- YOU DEFACED MY WALL?
23
00:00:41,041 --> 00:00:42,917
- WHY WOULD YOU DO THAT?
- THOUGHT YOU WOULD LIKE IT.
24
00:00:42,918 --> 00:00:44,378
I FEEL LIKE
I DON'T KNOW YOU.
25
00:01:00,269 --> 00:01:02,853
SO THEN ANGELO MOVED
OUT OF THE GUEST HOUSE
26
00:01:02,854 --> 00:01:04,522
- AND INTO OUR HOUSE.
27
00:01:04,523 --> 00:01:06,065
ONE BIG HAPPY FAMILY.
28
00:01:06,066 --> 00:01:08,234
YEAH, WE'RE STILL WORKING
ON THAT "HAPPY" PART.
29
00:01:08,235 --> 00:01:09,443
HMM.
30
00:01:09,444 --> 00:01:12,071
WHEN I WAS A KID, IT WAS JUST
ME AND MY MOM MOSTLY.
31
00:01:12,072 --> 00:01:14,323
- MY DAD WAS IN AND OUT.
- ARE THEY DIVORCED?
32
00:01:14,324 --> 00:01:16,075
THEY MIGHT
WELL HAVE BEEN.
33
00:01:16,076 --> 00:01:17,743
OH, HE SPENT MORE TIME
WITH HIS CREW
34
00:01:17,744 --> 00:01:18,869
THAN WITH US.
35
00:01:18,870 --> 00:01:20,079
HE WAS A WRITER.
36
00:01:20,080 --> 00:01:21,205
"NEPT2N."
37
00:01:21,206 --> 00:01:22,540
YOUR DAD IS NEPT2N?
38
00:01:22,541 --> 00:01:23,874
THE GUY WHO DID
THE BACK-TO-BACK
39
00:01:23,875 --> 00:01:25,501
OFF THE BELL STREET
EXIT RAMP?
40
00:01:25,502 --> 00:01:26,961
YEAH, YOU KNOW IT?
41
00:01:26,962 --> 00:01:28,838
YEAH, DO I KNOW IT.
IT'S AWESOME.
42
00:01:28,839 --> 00:01:30,423
NO ONE'S TOUCHED
THAT PIECE IN YEARS.
43
00:01:30,424 --> 00:01:33,217
- HE'S A LEGEND.
- THE HELL IS THIS?
44
00:01:33,218 --> 00:01:34,302
NO WAY.
45
00:01:34,303 --> 00:01:36,053
DUDE.
46
00:01:36,054 --> 00:01:38,389
THAT SON OF A BITCH.
47
00:01:38,390 --> 00:01:39,849
THIS GUY'S BEEN
MARKING PIECES
48
00:01:39,850 --> 00:01:41,309
ALL OVER THE NORTH SIDE.
49
00:01:41,310 --> 00:01:43,060
WELL, MAYBE WE CAN FIX IT.
50
00:01:43,061 --> 00:01:46,230
WHY? SO SMAK CAN COME
AND SLASH OUR STUFF AGAIN?
51
00:01:46,231 --> 00:01:47,690
NO, DUDE.
THIS GUY BETTER WATCH OUT
52
00:01:47,691 --> 00:01:49,276
THAT I DON'T FIND HIM, MAN.
IT'S ON NOW.
53
00:02:28,940 --> 00:02:30,524
YEAH, I, UH, FORGOT.
54
00:02:30,525 --> 00:02:33,527
THE SINK IN THE COFFEE BAR
IS A LITTLE STOPPED UP.
55
00:02:33,528 --> 00:02:35,613
IT'S DRAINING,
BUT IT'S RUNNING SLOWLY.
56
00:02:35,614 --> 00:02:37,657
- MM-HMM.
- MY MAIN PROBLEM
IS IN THE KITCHEN.
57
00:02:37,658 --> 00:02:39,660
THE DISHWASHER IS LEAKING
ALL OVER THE PLACE.
58
00:02:55,509 --> 00:02:56,717
YOU COULD HAVE
JUST ASKED ME.
59
00:02:56,718 --> 00:02:58,260
YOU DID NOT NEED
TO GO THROUGH MY THINGS!
60
00:02:58,261 --> 00:03:00,638
WOULD YOU PLEASE
KEEP YOUR VOICE DOWN?
61
00:03:00,639 --> 00:03:03,641
BAY, I KNOW IT'S BEEN
A HARD TIME FOR YOU LATELY
62
00:03:03,642 --> 00:03:06,770
WITH EMMETT AND EVERYTHING.
63
00:03:08,355 --> 00:03:10,022
MOM, NO.
THIS IS NOT ABOUT THAT.
64
00:03:10,023 --> 00:03:11,190
IT'S NOT EVEN
ABOUT EMMETT.
65
00:03:11,191 --> 00:03:13,568
I WAS DOING THIS
WAY BEFORE I EVER MET HIM.
66
00:03:15,028 --> 00:03:17,030
HOW LONG HAS THIS
BEEN GOING ON?
67
00:03:20,992 --> 00:03:22,868
- ABOUT TWO YEARS.
- John: WHAT?!
68
00:03:22,869 --> 00:03:24,453
TWO YEARS?
ARE YOU KIDDING ME?
69
00:03:24,454 --> 00:03:26,539
WE HAVE ALWAYS
BEEN SUPPORTIVE
70
00:03:26,540 --> 00:03:27,665
OF YOUR CREATIVITY.
71
00:03:27,666 --> 00:03:29,208
ALL THOSE ART CLASSES?
ALL OF THIS?
72
00:03:29,209 --> 00:03:30,626
AND THIS IS DANGEROUS.
73
00:03:30,627 --> 00:03:32,086
WHAT IF SOMETHING
HAPPENED TO YOU?
74
00:03:32,087 --> 00:03:33,838
NOT TO MENTION
YOU COULD WIND UP IN JAIL.
75
00:03:33,839 --> 00:03:35,172
YES.
76
00:03:35,173 --> 00:03:37,967
SO, WHAT? I'M GROUNDED
UNTIL I'M LIKE, 25?
77
00:03:37,968 --> 00:03:39,928
YEAH.
BECAUSE THAT WORKS.
78
00:03:41,388 --> 00:03:44,432
NO. WE'RE LEAVING
IT UP TO YOU.
79
00:03:44,433 --> 00:03:46,684
WE KNOW WHO
YOU ARE AT HEART.
80
00:03:46,685 --> 00:03:50,020
WE KNOW YOU KNOW THE DIFFERENCE
BETWEEN RIGHT AND WRONG.
81
00:03:50,021 --> 00:03:52,190
AND THAT YOU'RE
A PERSON OF INTEGRITY.
82
00:03:53,567 --> 00:03:54,608
THIS IS A TEST, RIGHT?
83
00:03:54,609 --> 00:03:56,569
KIND OF.
84
00:03:56,570 --> 00:03:58,737
BE THE BAY KENNISH
WE TAUGHT YOU TO BE.
85
00:03:58,738 --> 00:04:02,241
THE PERSON THAT
WE KNOW YOU ARE.
86
00:04:02,242 --> 00:04:03,577
IT'S YOUR CALL.
87
00:04:09,916 --> 00:04:11,375
WE CAN ACTIVATE
THE TRACKER APP ON HER PHONE
88
00:04:11,376 --> 00:04:12,793
AT ANY TIME.
89
00:04:12,794 --> 00:04:15,004
NO, WE HAVE TO GIVE HER
A CHANCE TO DO THE RIGHT THING.
90
00:04:15,005 --> 00:04:16,923
AND THEN WE ACTIVATE
THE TRACKER APP.
91
00:06:04,072 --> 00:06:05,364
THANK YOU.
92
00:06:05,365 --> 00:06:07,741
I GUESS I UNDERESTIMATED
HOW HEAVY THEY WERE.
93
00:06:07,742 --> 00:06:10,160
OH YEAH.
DON'T WORRY ABOUT IT.
94
00:06:10,161 --> 00:06:12,621
ANGELO HAS BEEN
HELPING OUT A LOT,
95
00:06:12,622 --> 00:06:15,416
- BUT--
- OH, HOW'S IT GOING
IN LAKE MICHIGAN?
96
00:06:15,417 --> 00:06:16,834
WELL, I JUST TALKED
TO HIM LAST NIGHT
97
00:06:16,835 --> 00:06:19,128
AND HE SAID THAT
THE JOB IS GOING GREAT
98
00:06:19,129 --> 00:06:21,046
AND YOUR FRIENDS'
LAKE HOUSE IS BEAUTIFUL.
99
00:06:21,047 --> 00:06:24,300
- YEAH.
- ANOTHER THANK YOU
THAT I OWE YOU.
100
00:06:24,301 --> 00:06:26,343
WELL, ANGELO'S
A WONDERFUL CARPENTER.
101
00:06:26,344 --> 00:06:27,344
WHERE DO YOU
WANT THESE?
102
00:06:27,345 --> 00:06:28,346
OH, OVER THERE
IS FINE.
103
00:06:30,473 --> 00:06:33,809
SO, UM, DAPHNE'S
OPEN HOUSE AT CARLTON
104
00:06:33,810 --> 00:06:35,269
IS THIS WEEK.
105
00:06:35,270 --> 00:06:37,563
AND I THOUGHT
THAT MAYBE
106
00:06:37,564 --> 00:06:40,232
YOU AND JOHN MIGHT
LIKE TO COME ALONG.
107
00:06:40,233 --> 00:06:41,984
WE WOULD LOVE TO.
108
00:06:41,985 --> 00:06:43,736
AND YOU KNOW,
IF YOU'RE HAVING ANY TROUBLE
109
00:06:43,737 --> 00:06:45,863
TALKING TO HER TEACHERS,
MY SIGNINGS GETTING PRETTY GOOD.
110
00:06:45,864 --> 00:06:46,697
I CAN INTERPRET
FOR ALL OF US.
111
00:06:46,698 --> 00:06:48,115
THEY HAVE INTERPRETERS THERE.
112
00:06:48,116 --> 00:06:50,576
NOT ALL THE KIDS'
PARENTS SIGN.
113
00:06:50,577 --> 00:06:52,453
RIGHT.
OF COURSE.
114
00:06:52,454 --> 00:06:54,204
OW.
115
00:06:54,205 --> 00:06:55,956
UH, YOU KNOW,
116
00:06:55,957 --> 00:06:58,459
JOHN HAS THIS AMAZING
ORTHOPEDIC SURGEON--
117
00:06:58,460 --> 00:07:00,002
JASON FULLER.
118
00:07:00,003 --> 00:07:01,754
HE'S WORKED ON
THE WHOLE TEAM.
119
00:07:01,755 --> 00:07:03,505
I COULD GIVE YOU
HIS INFORMATION
120
00:07:03,506 --> 00:07:04,590
AND IF YOU CAN'T GET
AN APPOINTMENT,
121
00:07:04,591 --> 00:07:06,550
I COULD MAKE A CALL.
122
00:07:06,551 --> 00:07:08,094
GREAT. THANKS.
123
00:07:13,892 --> 00:07:16,268
♪ This cloud is gray ♪
124
00:07:16,269 --> 00:07:18,520
♪ Void of color ♪
125
00:07:18,521 --> 00:07:19,730
♪ This day... ♪
126
00:07:19,731 --> 00:07:21,148
- DAD.
- YEAH?
127
00:07:21,149 --> 00:07:22,274
THANKS.
128
00:07:22,275 --> 00:07:23,317
WHAT'S WITH THE MUSIC?
129
00:07:23,318 --> 00:07:24,985
OH, IT'S A GREAT
LOCAL MUSICIAN
130
00:07:24,986 --> 00:07:26,820
NAMED TOBY KENNISH.
131
00:07:26,821 --> 00:07:28,489
CAN YOU PLEASE
TURN IT OFF?
132
00:07:28,490 --> 00:07:29,531
WHAT ARE YOU
TALKING ABOUT?
133
00:07:29,532 --> 00:07:31,283
YOU NEVER KNOW
WHO MIGHT COME THROUGH HERE,
134
00:07:31,284 --> 00:07:32,576
HEAR YOUR MUSIC.
135
00:07:32,577 --> 00:07:34,328
DAD, I APPRECIATE
THE SUPPORT,
136
00:07:34,329 --> 00:07:35,996
BUT I'D LIKE HAVE
AN ACTUAL CAREER
137
00:07:35,997 --> 00:07:37,998
BEFORE I BECOME MUZAK.
138
00:07:37,999 --> 00:07:39,792
OH.
139
00:07:39,793 --> 00:07:41,460
OKAY. SURE.
140
00:07:41,461 --> 00:07:43,754
- THANKS.
- YEAH.
141
00:07:43,755 --> 00:07:48,801
♪ I don't want
another day in my life ♪
142
00:07:48,802 --> 00:07:51,637
♪ I don't want another day
in my life ♪
143
00:07:51,638 --> 00:07:52,806
WELL.
144
00:07:54,808 --> 00:07:56,809
HEY. WHAT ARE YOU--
145
00:07:56,810 --> 00:07:57,811
WHAT ARE YOU DOING?
146
00:08:03,858 --> 00:08:05,859
NO NO. YOU FILED
THOSE YESTERDAY.
147
00:08:05,860 --> 00:08:07,112
YOU'RE GOOD.
148
00:08:10,323 --> 00:08:12,032
UM, WAIT A SECOND.
149
00:08:12,033 --> 00:08:13,784
WHOA WHOA.
150
00:08:13,785 --> 00:08:15,035
YOUR SHIFT IS OVER.
151
00:08:15,036 --> 00:08:16,870
YOU GO HOME.
IT'S OKAY.
152
00:08:16,871 --> 00:08:17,872
BYE-BYE.
153
00:08:19,207 --> 00:08:20,958
IT'S FINE.
GO HOME.
154
00:08:20,959 --> 00:08:22,502
GOOD NIGHT.
BYE-BYE.
155
00:08:34,180 --> 00:08:35,973
WHAT, YOU JUST
UPLOADED SMAK'S TAG?
156
00:08:35,974 --> 00:08:37,516
YEAH, I JUST
SEARCHED THE IMAGE
157
00:08:37,517 --> 00:08:38,976
AND BINGO. IT LOOKS LIKE
WE'RE NOT THE ONLY ONES
158
00:08:38,977 --> 00:08:40,145
THAT HE PISSED OFF.
159
00:08:41,521 --> 00:08:42,897
OH, CLICK ON THAT ONE.
160
00:08:44,357 --> 00:08:46,025
"THIS PUNK HIT
TWO OF MY PIECES
161
00:08:46,026 --> 00:08:47,067
WITHIN 24 HOURS.
162
00:08:47,068 --> 00:08:48,361
I HAT HIM."
163
00:08:49,571 --> 00:08:51,572
PRETTY SURE
HE MEANS "HATE."
164
00:08:51,573 --> 00:08:53,115
I HAVE A FEELING THIS IS
MORE OF A VISUAL TYPE.
165
00:08:53,116 --> 00:08:55,075
THIS GUY MOVES FAST.
166
00:08:55,076 --> 00:08:56,243
IT'S ALMOST LIKE
HE KNOWS
167
00:08:56,244 --> 00:08:57,619
WHEN THE PIECE
IS GONNA COME UP.
168
00:08:57,620 --> 00:08:58,746
SO LET'S THROW OUT
SOME BAIT.
169
00:08:58,747 --> 00:08:59,955
YEAH, WE'LL PUT UP
A NEW PIECE,
170
00:08:59,956 --> 00:09:01,081
WE'LL POST IT ON THE BLOG,
171
00:09:01,082 --> 00:09:02,082
AND THEN
WE'LL STAKE IT OUT.
172
00:09:02,083 --> 00:09:03,543
SEE IF HE SHOWS UP
AND THEN BUST HIM.
173
00:09:05,128 --> 00:09:07,212
IF WE COULD GET A PICTURE
OF HIM SLASHING OUR PIECE,
174
00:09:07,213 --> 00:09:09,131
WE CAN POST THAT.
HE'D BE OUTED TO EVERYONE.
175
00:09:09,132 --> 00:09:10,258
YEAH, EXACTLY.
176
00:09:11,551 --> 00:09:13,552
ALL RIGHT.
SO BUS GRAVEYARD TONIGHT?
177
00:09:13,553 --> 00:09:14,928
I'LL BE DONE BY 6:00.
178
00:09:14,929 --> 00:09:16,263
OH, HEY, ACTUALLY
179
00:09:16,264 --> 00:09:18,724
I'M PROBABLY GONNA
HAVE TO SIT THIS ONE OUT.
180
00:09:18,725 --> 00:09:20,142
WHY? ARE YOU
AFRAID OF THIS PUNK?
181
00:09:20,143 --> 00:09:21,602
NO.
182
00:09:21,603 --> 00:09:24,063
IT'S JUST THAT MY PARENTS
HAVE BEEN ON MY ASS LATELY
183
00:09:24,064 --> 00:09:26,398
ABOUT GRADES AND STUFF.
184
00:09:26,399 --> 00:09:28,192
I'M KIND OF ON PROBATION.
185
00:09:28,193 --> 00:09:30,611
YOU KNOW, MY DAD ONLY
CARED ABOUT ONE THING.
186
00:09:30,612 --> 00:09:31,737
ART.
187
00:09:31,738 --> 00:09:33,322
HE SAID A TRUE ARTIST
188
00:09:33,323 --> 00:09:34,948
PUTS HIS ART
BEFORE ANYTHING ELSE--
189
00:09:34,949 --> 00:09:37,285
HIS FRIENDS,
FAMILY, COPS.
190
00:09:46,753 --> 00:09:48,587
TEXTING YOUR BOYFRIEND
ON COMPANY TIME?
191
00:09:48,588 --> 00:09:50,964
NO, I NEVER TOOK
MY BREAK EARLIER.
192
00:09:50,965 --> 00:09:52,424
AND I DON'T HAVE
A BOYFRIEND.
193
00:09:52,425 --> 00:09:53,425
GIRLFRIEND?
194
00:09:53,426 --> 00:09:54,593
I'M JUST LOOKING
FOR THE NAME
195
00:09:54,594 --> 00:09:56,720
OF THE NEW PASTRY CHEF
AT THE GREEN TREE BISTRO.
196
00:09:56,721 --> 00:09:58,555
ARE YOU LOOKING
FOR A NEW JOB?
197
00:09:58,556 --> 00:10:00,265
BECAUSE IF YOU
LEAVE ME SHORTHANDED,
198
00:10:00,266 --> 00:10:02,017
I'M GONNA GIVE YOU
A TERRIBLE REFERENCE.
199
00:10:02,018 --> 00:10:03,769
YOU NEVER WANTED ME HERE
IN THE FIRST PLACE.
200
00:10:03,770 --> 00:10:05,145
THAT'S TRUE.
201
00:10:05,146 --> 00:10:07,189
BUT NOW I'M SORT OF
USED TO HAVING YOU AROUND.
202
00:10:07,190 --> 00:10:09,358
NO ONE ELSE LOOKS AT ME
SO INTENTLY WHEN I TALK.
203
00:10:09,359 --> 00:10:12,444
JUST CHECKING OUT
THE COMPETITION.
204
00:10:12,445 --> 00:10:14,030
WELL, I CERTAINLY
LIKE THAT.
205
00:10:16,991 --> 00:10:18,952
DO YOU WANT TO
COME WITH ME?
206
00:10:20,703 --> 00:10:21,995
WHEN?
207
00:10:21,996 --> 00:10:23,623
TOMORROW?
208
00:10:25,125 --> 00:10:27,460
SURE. WHY NOT?
209
00:10:46,646 --> 00:10:48,272
YEAH, WELL,
210
00:10:48,273 --> 00:10:50,357
GOOD FOOD WILL
DEFINITELY HELP.
211
00:10:50,358 --> 00:10:51,650
HI.
212
00:10:51,651 --> 00:10:53,026
I SAW YOUR CAR.
213
00:10:53,027 --> 00:10:54,696
DID I FORGET
WE HAD PLANS?
214
00:11:00,076 --> 00:11:02,035
I CALLED CARLTON,
215
00:11:02,036 --> 00:11:04,538
AND THEY TOLD ME
THAT MELODY NEEDED HELP
216
00:11:04,539 --> 00:11:06,206
GETTING ORGANIZED.
217
00:11:06,207 --> 00:11:08,126
THAT'S GREAT.
218
00:11:10,003 --> 00:11:12,087
UM, NO.
I HAVE STUFF TO DO.
219
00:11:12,088 --> 00:11:13,089
UM, I'M GONNA GO.
220
00:11:14,674 --> 00:11:15,674
OKAY.
221
00:11:15,675 --> 00:11:17,009
OH, WERE YOU ABLE
TO GET IN
222
00:11:17,010 --> 00:11:18,135
TO SEE DR. FULLER?
223
00:11:18,136 --> 00:11:19,137
I'M ON IT.
224
00:11:21,598 --> 00:11:22,848
HEY, SWEETIE.
HEY.
225
00:11:22,849 --> 00:11:25,017
HEY. HEY, YOU KNOW,
I GOT A QUESTION FOR YOU.
226
00:11:25,018 --> 00:11:26,436
WHAT DO YOU KNOW
ABOUT TRAVIS?
227
00:11:29,939 --> 00:11:31,732
YEAH, SWEETIE?
WHOA WHOA WHOA.
228
00:11:31,733 --> 00:11:32,734
CAN YOU HELP ME OUT HERE?
229
00:11:36,946 --> 00:11:39,281
HE'S OLDER THAN
THE OTHER KIDS AT SCHOOL.
230
00:11:39,282 --> 00:11:40,282
UH-HUH.
231
00:11:40,283 --> 00:11:43,702
HE GOT HELD BACK
AT HEARING SCHOOL
232
00:11:43,703 --> 00:11:45,746
BEFORE HE WENT
TO CARLTON.
233
00:11:45,747 --> 00:11:47,080
AND, UM.
234
00:11:47,081 --> 00:11:49,291
HOW ABOUT HIS FAMILY?
235
00:11:49,292 --> 00:11:52,169
I KNOW THEY DON'T SIGN.
236
00:11:52,170 --> 00:11:56,216
AND THEY DON'T SEEM
VERY INTERESTED IN SCHOOL.
237
00:11:57,717 --> 00:11:59,718
- WHY?
- YOU KNOW,
HE'S ALWAYS AT WORK.
238
00:11:59,719 --> 00:12:01,971
HE NEVER WANTS
TO GO HOME. NEVER.
239
00:12:04,432 --> 00:12:06,558
WHEN NO ONE
SIGNS AT HOME,
240
00:12:06,559 --> 00:12:09,103
KIDS CAN FEEL
PRETTY LONELY.
241
00:12:22,158 --> 00:12:23,283
SURE.
242
00:12:23,284 --> 00:12:25,619
UH, YOUR TEXT
SOUNDED KIND OF URGENT.
243
00:12:25,620 --> 00:12:27,247
IS EVERYTHING OKAY?
244
00:12:32,210 --> 00:12:34,504
OKAY.
245
00:12:37,966 --> 00:12:40,551
YEAH.
246
00:12:46,849 --> 00:12:48,475
WOW. UH...
247
00:12:48,476 --> 00:12:50,395
ISN'T HE HER BOSS?
248
00:12:56,818 --> 00:12:57,818
WAIT WAIT.
249
00:12:57,819 --> 00:12:59,569
YOUR MOM
250
00:12:59,570 --> 00:13:03,282
AND THE GUY THAT DAPHNE
HAS A CRUSH ON
251
00:13:03,283 --> 00:13:04,284
ARE HOOKING UP?
252
00:13:06,661 --> 00:13:08,830
HOW OLD IS HE?
253
00:13:12,542 --> 00:13:14,167
AND HE'S HEARING?
254
00:13:14,168 --> 00:13:15,836
MELODY'S DATING
A HEARING GUY
255
00:13:15,837 --> 00:13:17,297
AFTER ALL THE CRAP
THAT SHE GAVE ME?
256
00:13:18,464 --> 00:13:20,091
YEAH, YOU THINK?
257
00:13:22,760 --> 00:13:25,178
SO I'M ASSUMING
DAPHNE DOESN'T KNOW
258
00:13:25,179 --> 00:13:27,765
ABOUT YOUR MOM
AND THE GUY?
259
00:13:36,232 --> 00:13:39,568
WELL, DAPHNE'D BE
SUPER EMBARRASSED,
260
00:13:39,569 --> 00:13:42,154
AND IT'S JUST A CRUSH.
261
00:13:42,155 --> 00:13:44,574
IT PROBABLY WON'T
TURN INTO ANYTHING.
262
00:13:46,075 --> 00:13:48,828
I SAY NO, JUST KEEP IT
TO YOURSELF.
263
00:13:53,041 --> 00:13:56,710
I WAS THINKING
ABOUT YOU TODAY ACTUALLY.
264
00:13:56,711 --> 00:13:59,588
I'VE BEEN WANTING
TO TAKE SOME PICTURES
265
00:13:59,589 --> 00:14:01,883
OF SOME PIECES
THAT I'VE PUT UP
AROUND THE BUS YARD.
266
00:14:03,718 --> 00:14:06,888
AND I WAS WONDERING IF I
COULD BORROW YOUR CAMERA?
267
00:14:22,737 --> 00:14:24,280
NO THANKS.
I'LL BE CAREFUL.
268
00:14:25,406 --> 00:14:26,908
I REALLY APPRECIATE THIS.
269
00:14:29,619 --> 00:14:32,204
BUT NOTHING HAS CHANGED
270
00:14:32,205 --> 00:14:33,456
WITH US.
271
00:14:53,726 --> 00:14:55,770
THE PLAZA?
WHAT'S GOING ON THERE?
272
00:14:57,647 --> 00:14:59,356
YEAH, I DON'T KNOW.
273
00:14:59,357 --> 00:15:01,358
I'LL LET YOU KNOW
IF I'LL MEET UP WITH YOU.
274
00:15:01,359 --> 00:15:02,568
ALL RIGHT.
PEACE.
275
00:15:06,989 --> 00:15:09,491
WATERFALL--
CARTON DIDN'T
TOUCH THE LIPS.
276
00:15:09,492 --> 00:15:10,784
OH.
277
00:15:10,785 --> 00:15:12,452
SO...
278
00:15:12,453 --> 00:15:15,831
HOW DO YOU FEEL
ABOUT HANG GLIDING?
279
00:15:15,832 --> 00:15:18,166
TERRIFIED. WHY?
280
00:15:18,167 --> 00:15:19,460
I DON'T KNOW.
281
00:15:21,295 --> 00:15:23,089
OKAY, HOW ABOUT
A MOVIE?
282
00:15:24,465 --> 00:15:26,883
DAD, I'M FINE.
283
00:15:26,884 --> 00:15:28,885
YOU AND MOM JUST
NEED TO RELAX.
284
00:15:28,886 --> 00:15:30,470
WE'RE NOT WORRIED
ABOUT YOU.
285
00:15:30,471 --> 00:15:31,763
YOU KNOW,
IT'S JUST--
286
00:15:31,764 --> 00:15:32,889
YOU AND ME--
287
00:15:32,890 --> 00:15:34,766
DAD, WE'RE FINE.
288
00:15:34,767 --> 00:15:35,976
THE CAT'S IN THE CRADLE.
289
00:15:35,977 --> 00:15:37,477
OR IT'S NOT.
290
00:15:37,478 --> 00:15:39,646
I DON'T KNOW.
WELL, WHATEVER'S GOOD.
291
00:15:39,647 --> 00:15:42,691
OKAY. YOU WANT TO HANG
WITH KIDS YOUR OWN AGE,
292
00:15:42,692 --> 00:15:45,026
I GET IT.
I GET IT.
293
00:15:45,027 --> 00:15:46,820
IT'S NOTHING
PERSONAL.
294
00:15:46,821 --> 00:15:48,989
CHEVES AND BURF
AND THE GUYS
295
00:15:48,990 --> 00:15:50,282
ARE MEETING
DOWN AT THE PLAZA.
296
00:15:50,283 --> 00:15:52,033
OH, SOUNDS LIKE FUN.
297
00:15:52,034 --> 00:15:53,535
HAVE A GOOD TIME.
298
00:15:53,536 --> 00:15:56,372
AND USE A GLASS
NEXT TIME.
299
00:16:08,009 --> 00:16:10,802
I DON'T CARE
HOW MANY FANCY SAUCES
YOU PUT WITH THEM.
300
00:16:10,803 --> 00:16:12,470
DONUTS ARE NOT FOOD.
301
00:16:12,471 --> 00:16:14,681
- THEY'RE A FAD.
- OH, YEAH.
302
00:16:14,682 --> 00:16:16,349
IS THAT WHY
YOU ATE SEVEN OF THEM?
303
00:16:16,350 --> 00:16:18,518
I DID NOT EAT SEVEN.
304
00:16:18,519 --> 00:16:19,603
YES, YOU DID.
305
00:16:19,604 --> 00:16:21,229
THERE WERE
NINE ON THE PLATE
306
00:16:21,230 --> 00:16:23,398
AND I HAD TWO.
307
00:16:23,399 --> 00:16:24,900
SO,
308
00:16:24,901 --> 00:16:26,735
YOU'RE A SCOREKEEPER.
309
00:16:26,736 --> 00:16:28,445
OH, NO. I JUST
LIKE TO MAKE SURE
310
00:16:28,446 --> 00:16:30,405
I GET MY FAIR SHARE.
311
00:16:30,406 --> 00:16:32,532
YOU THINK
THE WORLD IS FAIR.
312
00:16:32,533 --> 00:16:34,784
AND YOU KEEP TRYING
TO TELL ME WHO I AM.
313
00:16:34,785 --> 00:16:36,745
YOU LIKE TO ARGUE.
314
00:16:36,746 --> 00:16:38,414
HEY, PARDON ME.
315
00:16:42,835 --> 00:16:43,961
SORRY.
316
00:16:46,047 --> 00:16:47,548
IT'S NO PROBLEM.
317
00:16:51,510 --> 00:16:53,053
WHAT IF I'M NOTHING
318
00:16:53,054 --> 00:16:54,555
LIKE WHO
YOU THINK I AM?
319
00:16:58,893 --> 00:17:01,062
THEN I GUESS I'D BETTER
GET TO KNOW YOU BETTER.
320
00:17:08,444 --> 00:17:11,113
I SHOULD GO.
321
00:17:12,281 --> 00:17:15,451
THAT, UH--
THAT'S PROBABLY
A GOOD IDEA.
322
00:17:16,452 --> 00:17:18,788
GOOD NIGHT.
323
00:17:30,174 --> 00:17:31,424
YOU KNOW, NOT TO MENTION
THE FACT THAT ANGELO
324
00:17:31,425 --> 00:17:33,760
ALWAYS LEAVES THE 40-POUND
PLATES IN THE CURL BAR.
325
00:17:33,761 --> 00:17:35,095
NOW, LOOK,
I CAN HANDLE THAT,
326
00:17:35,096 --> 00:17:36,430
BUT NOT WHEN
I'M WARMING UP.
327
00:17:37,765 --> 00:17:39,225
MAYBE SHE
CAN'T AFFORD IT.
328
00:17:40,226 --> 00:17:42,018
- WHAT?
- REGINA.
329
00:17:42,019 --> 00:17:43,853
SHE STILL HASN'T
CALLED DR. FULLER.
330
00:17:43,854 --> 00:17:45,647
MAYBE THE REASON
SHE HASN'T
331
00:17:45,648 --> 00:17:46,898
IS BECAUSE
SHE CAN'T AFFORD IT.
332
00:17:46,899 --> 00:17:50,193
WE HAVE NO IDEA WHAT KIND OF
HEALTH INSURANCE SHE HAS.
333
00:17:50,194 --> 00:17:52,821
YOU KNOW, I HAD FORGOTTEN
THE PRE-BOOK WHIRLWIND
334
00:17:52,822 --> 00:17:54,197
THAT IS KATHRYN KENNISH.
335
00:17:54,198 --> 00:17:55,532
WHAT ARE YOU
TALKING ABOUT?
336
00:17:55,533 --> 00:17:57,158
OH, I DON'T KNOW.
YOU FOUND ANGELO A JOB,
337
00:17:57,159 --> 00:17:58,952
YOU'RE COORDINATING
THE CARLTON OPEN HOUSE,
338
00:17:58,953 --> 00:18:00,829
YOU'RE MICROMANAGING
REGINA'S HEALTH CARE.
339
00:18:00,830 --> 00:18:02,497
YOU DO LIKE
A PROJECT OR THREE.
340
00:18:02,498 --> 00:18:04,165
YEAH, BUT REGINA
NOT SIGNING
341
00:18:04,166 --> 00:18:05,959
HAS TO BE AFFECTING
DAPHNE.
342
00:18:05,960 --> 00:18:07,586
SO,
343
00:18:07,587 --> 00:18:09,254
MAYBE WE SHOULD
ASK REGINA
344
00:18:09,255 --> 00:18:11,047
IF SHE NEEDS SOME HELP
WITH HER MEDICAL BILLS.
345
00:18:11,048 --> 00:18:13,675
SWEETIE, DAPHNE'S FINE
AND REGINA HAS NEVER
RESPONDED WELL
346
00:18:13,676 --> 00:18:15,468
WHEN WE INTERFERE
IN HER PERSONAL AFFAIRS.
347
00:18:15,469 --> 00:18:17,137
PLUS IT IS NEVER
A GOOD IDEA
348
00:18:17,138 --> 00:18:18,513
TO LEND MONEY
TO FRIENDS.
349
00:18:18,514 --> 00:18:19,723
REMEMBER RUDY METZGER?
350
00:18:19,724 --> 00:18:21,808
WHEN I INVESTED IN HIS
SPORTING GOODS STORE?
351
00:18:21,809 --> 00:18:24,936
YEAH, WELL,
REGINA IS NOT A FRIEND.
352
00:18:24,937 --> 00:18:26,479
SHE'S FAMILY.
353
00:18:26,480 --> 00:18:27,814
YEAH, THAT RAISES
THE STAKES.
354
00:18:27,815 --> 00:18:28,857
WHERE DO WE STOP?
355
00:18:28,858 --> 00:18:30,483
HER SISTER,
HER COUSIN? WHAT?
356
00:18:30,484 --> 00:18:32,235
OH, COME ON.
357
00:18:32,236 --> 00:18:34,529
HONEY, IT IS
A SLIPPERY SLOPE
358
00:18:34,530 --> 00:18:37,033
THAT ONLY ENDS WITH
EVERYONE FEELING BAD.
359
00:18:44,498 --> 00:18:46,875
"I REALLY APPRECIATE
WHAT YOU'RE DOING
FOR CARLTON."
360
00:18:46,876 --> 00:18:48,293
IT IS MY PLEASURE.
361
00:18:48,294 --> 00:18:51,046
ALTHOUGH, I AM GOING
TO MAKE ONE CHANGE.
362
00:18:51,047 --> 00:18:53,840
I'M GOING TO SUBSTITUTE
THE SHORT RIB TACOS
363
00:18:53,841 --> 00:18:54,841
FOR THE LO POBRE.
364
00:18:54,842 --> 00:18:56,510
IT'S A SIGNATURE
DISH FOR US.
365
00:18:57,845 --> 00:18:59,638
DID YOU GET
ANY OF THAT?
366
00:18:59,639 --> 00:19:01,222
NO.
367
00:19:01,223 --> 00:19:02,266
YES.
368
00:19:14,737 --> 00:19:15,737
I'D LOVE TO.
369
00:19:15,738 --> 00:19:18,199
UNFORTUNATELY
I HAVE TO WORK LATE.
370
00:19:19,575 --> 00:19:20,576
OKAY.
371
00:19:23,913 --> 00:19:25,455
RAIN CHECK.
372
00:19:25,456 --> 00:19:27,458
RAIN CHECK.
GOT IT.
373
00:19:29,085 --> 00:19:30,919
WELL, THANK YOU
FOR DINNER.
374
00:19:30,920 --> 00:19:31,961
I'LL SEE YOU TOMORROW.
375
00:19:31,962 --> 00:19:33,297
- YEAH.
- OKAY.
376
00:19:36,759 --> 00:19:37,760
BYE.
377
00:19:50,481 --> 00:19:52,649
OH, HEY.
378
00:19:52,650 --> 00:19:54,234
WHAT ARE
YOU LOOKING FOR?
379
00:19:54,235 --> 00:19:56,319
BUTTER.
380
00:19:56,320 --> 00:19:57,904
I'M MAKING COOKIES.
381
00:19:57,905 --> 00:19:59,155
I RAN OUT.
382
00:19:59,156 --> 00:20:00,782
I'M NO CHEF,
383
00:20:00,783 --> 00:20:04,077
BUT I THINK...
384
00:20:04,078 --> 00:20:06,996
THAT THIS IS WHAT
YOU'RE LOOKING FOR.
385
00:20:06,997 --> 00:20:08,666
YEAH.
386
00:20:10,960 --> 00:20:12,293
ARE YOU OKAY?
387
00:20:12,294 --> 00:20:13,462
YEAH.
388
00:20:18,092 --> 00:20:21,302
CHEF AND I
ALMOST KISSED.
389
00:20:21,303 --> 00:20:24,639
UHH...
390
00:20:24,640 --> 00:20:26,891
HOW ALMOST?
391
00:20:26,892 --> 00:20:28,643
IF I HADN'T GOTTEN
INTO MY CAR,
392
00:20:28,644 --> 00:20:31,688
IT TOTALLY
WOULD HAVE HAPPENED.
393
00:20:31,689 --> 00:20:34,190
ISN'T HE
A LITTLE OLD FOR YOU?
394
00:20:34,191 --> 00:20:36,901
WELL, JOHN'S OLDER
THAN KATHRYN.
395
00:20:36,902 --> 00:20:38,027
RIGHT?
396
00:20:38,028 --> 00:20:41,030
YES, BUT IT'S
ONLY BY A FEW YEARS.
397
00:20:41,031 --> 00:20:44,200
PLUS HE WAS
NEVER HER BOSS.
398
00:20:44,201 --> 00:20:46,035
AND, YOU KNOW,
399
00:20:46,036 --> 00:20:48,705
THEY DIDN'T MEET
UNTIL WAY AFTER
400
00:20:48,706 --> 00:20:50,374
SHE FINISHED COLLEGE.
401
00:20:52,168 --> 00:20:53,668
WOW.
402
00:20:53,669 --> 00:20:56,087
WHEN DID YOU START
FOLLOWING ALL THE RULES?
403
00:20:56,088 --> 00:20:57,339
DAPHNE.
404
00:20:59,508 --> 00:21:01,509
I THINK THERE'S SOMETHING
YOU NEED TO KNOW
405
00:21:01,510 --> 00:21:03,345
ABOUT THIS GUY.
406
00:22:17,086 --> 00:22:19,255
HONEY, THERE'S TRAVIS.
407
00:22:21,590 --> 00:22:23,091
OH, YEAH.
408
00:22:23,092 --> 00:22:25,093
WHY IS EVERYTHING
SO SMALL?
409
00:22:25,094 --> 00:22:26,428
IT'S TAPAS.
410
00:22:28,097 --> 00:22:29,764
MAYBE HIS PARENTS CAME.
411
00:22:29,765 --> 00:22:31,099
WHO?
412
00:22:31,100 --> 00:22:34,269
TRAVIS. MAYBE
HIS PARENTS ARE HERE.
413
00:22:34,270 --> 00:22:36,938
IT'S UNLIKELY, GIVEN WHAT
MELODY WAS TELLING US.
414
00:22:36,939 --> 00:22:38,940
YEAH, WELL,
415
00:22:38,941 --> 00:22:40,942
I THINK YOU
SHOULD FIND THEM
416
00:22:40,943 --> 00:22:42,819
AND ENCOURAGE THEM
TO LEARN A. S. L.
417
00:22:42,820 --> 00:22:44,612
SWEETIE, I'M NOT
EXACTLY A MODEL
418
00:22:44,613 --> 00:22:46,322
OF CONNECTING
WITH CHILDREN.
419
00:22:46,323 --> 00:22:47,991
WHAT ARE YOU
TALKING ABOUT?
420
00:22:47,992 --> 00:22:50,159
WELL, I HARDLY SPEND
ANY TIME WITH DAPHNE ANYMORE
421
00:22:50,160 --> 00:22:51,494
NOW THAT BASKETBALL'S OVER.
422
00:22:51,495 --> 00:22:54,163
BAY IS... BAY.
423
00:22:54,164 --> 00:22:56,499
TOBY'S BECOMING
UNREACHABLE.
424
00:22:56,500 --> 00:22:58,376
NOBODY GETS
UNADULTERATED LOVE
425
00:22:58,377 --> 00:22:59,712
FROM THEIR TEENAGERS.
426
00:23:05,467 --> 00:23:06,509
ALL RIGHT.
427
00:23:06,510 --> 00:23:07,677
I THINK
WE'RE ALL SET.
428
00:23:07,678 --> 00:23:09,137
YOU CAN GO AHEAD
AND GO, MEG.
429
00:23:09,138 --> 00:23:10,138
THANKS FOR COMING IN.
430
00:23:10,139 --> 00:23:11,472
NO PROBLEM.
431
00:23:11,473 --> 00:23:13,266
YOU WANT ME TO TELL DAPHNE
TO COME OVER AND HELP?
432
00:23:13,267 --> 00:23:14,809
WHAT ARE YOU
TALKING ABOUT?
433
00:23:14,810 --> 00:23:15,852
DAPHNE.
434
00:23:15,853 --> 00:23:17,353
ISN'T SHE HERE
TO HELP SERVE?
435
00:23:17,354 --> 00:23:18,856
DEAF GIRL,
DEAF SCHOOL.
436
00:23:20,858 --> 00:23:23,860
NO, THAT'S OKAY.
THANK YOU.
437
00:23:23,861 --> 00:23:24,904
SEE YOU TOMORROW.
438
00:23:25,905 --> 00:23:27,030
WOW.
439
00:23:27,031 --> 00:23:28,865
IT LOOKS WONDERFUL.
440
00:23:28,866 --> 00:23:30,533
THANK YOU.
441
00:23:30,534 --> 00:23:34,329
WHY IS DAPHNE HERE?
442
00:23:34,330 --> 00:23:36,540
SHE'S A STUDENT HERE.
443
00:23:40,127 --> 00:23:42,087
UH, RIGHT.
444
00:23:58,187 --> 00:23:59,228
HEY!
445
00:23:59,229 --> 00:24:01,147
OH. WHO IS NIKKI?
446
00:24:01,148 --> 00:24:02,190
NOBODY.
447
00:24:02,191 --> 00:24:03,316
WELL, THE FLYER SAYS
448
00:24:03,317 --> 00:24:04,317
"MY HEART BELONGS
TO JESUS,"
449
00:24:04,318 --> 00:24:05,735
BUT THE HANDWRITING SAYS
450
00:24:05,736 --> 00:24:07,028
"EVERYTHING ELSE
IS NEGOTIABLE."
451
00:24:07,029 --> 00:24:08,237
BAY.
452
00:24:08,238 --> 00:24:09,365
FINE.
453
00:24:10,908 --> 00:24:13,159
SO, UH...
454
00:24:13,160 --> 00:24:14,911
YOU HEARD ABOUT
MOM AND DAD
455
00:24:14,912 --> 00:24:16,914
RAIDING MY
ART STUDIO, RIGHT?
456
00:24:17,915 --> 00:24:19,541
"BE THE KENNISH
WE KNOW YOU ARE."
457
00:24:20,876 --> 00:24:22,543
I'M SUPPOSED
TO HELP A FRIEND
458
00:24:22,544 --> 00:24:25,338
PUT UP SOME NEW PIECES,
SORT OF.
459
00:24:25,339 --> 00:24:27,340
SHOULD I JUST BAIL?
460
00:24:27,341 --> 00:24:29,217
WELL, YOU COULD GO
SEE A MOVIE
461
00:24:29,218 --> 00:24:30,551
WITH CHEVES, BURF, AND I.
462
00:24:30,552 --> 00:24:32,637
WHY WOULD I DO THAT?
463
00:24:32,638 --> 00:24:35,473
BECAUSE IT WOULD
GIVE YOU TWO PLUS HOURS
464
00:24:35,474 --> 00:24:36,557
WORTH OF ALIBI.
465
00:24:36,558 --> 00:24:38,810
YOU COULD DO
WHATEVER YOU WANT.
466
00:24:38,811 --> 00:24:40,687
MM. NO--
I DON'T KNOW.
467
00:24:40,688 --> 00:24:42,855
COME ON.
DON'T ACTUALLY FALL
468
00:24:42,856 --> 00:24:45,942
FOR "OPERATION
MAKE GOOD CHOICES."
469
00:24:45,943 --> 00:24:47,610
IT'S WHAT THEY DO
WHEN THEY GOT NOTHING LEFT.
470
00:24:47,611 --> 00:24:50,906
THEY KEPT GIVING ME
DISAPPOINTY FACE.
471
00:24:52,282 --> 00:24:53,866
DO YOU KNOW HOW MANY TIMES
WILKE AND I PLAYED
472
00:24:53,867 --> 00:24:55,034
SEEDY DIVE BARS?
473
00:24:55,035 --> 00:24:56,494
NO.
474
00:24:56,495 --> 00:24:58,496
EXACTLY.
BECAUSE I ALWAYS SAID
475
00:24:58,497 --> 00:25:00,081
THAT WE WERE PLAYING
COFFEE SHOPS.
476
00:25:00,082 --> 00:25:02,458
YOU CAN'T DISAPPOINT THEM
477
00:25:02,459 --> 00:25:04,460
UNLESS THEY KNOW
YOU'VE DISAPPOINTED THEM.
478
00:25:04,461 --> 00:25:06,463
HMM.
479
00:25:07,673 --> 00:25:08,840
WELL, IN THAT CASE,
480
00:25:08,841 --> 00:25:11,552
I HAVE A MOVIE
TO NOT SEE.
481
00:25:13,095 --> 00:25:15,346
HEY, YOU SHOULD
DITCH TOO.
482
00:25:15,347 --> 00:25:16,432
GIVE THAT NIKKI GIRL
A CALL.
483
00:25:18,225 --> 00:25:20,810
I'M NOT SURE ABOUT HER.
484
00:25:20,811 --> 00:25:22,812
SHE'S PRETTY CHURCH-Y.
485
00:25:22,813 --> 00:25:24,188
HMM.
486
00:25:24,189 --> 00:25:25,940
WELL, THEN THERE'S
A GOOD CHANCE THAT SHE WON'T
487
00:25:25,941 --> 00:25:26,941
SLEEP WITH MY BOYFRIEND,
488
00:25:26,942 --> 00:25:29,027
SO I LIKE HER ALREADY.
489
00:25:29,028 --> 00:25:31,487
AND JUDGING BY THE WAY
YOU'RE LOOKING AT THAT FLYER,
490
00:25:31,488 --> 00:25:32,531
SO DO YOU.
491
00:25:39,705 --> 00:25:40,872
HEY.
492
00:25:40,873 --> 00:25:42,750
HOW'S-- HOW'S THE FOOD?
493
00:25:46,378 --> 00:25:48,629
YEAH. TAPAS.
494
00:25:48,630 --> 00:25:51,215
BELIEVE ME,
I DON'T GET IT EITHER.
495
00:25:51,216 --> 00:25:53,468
SO HOW'S
WORK STUDY GOING?
496
00:25:53,469 --> 00:25:55,678
ARE YOU KEEPING
YOUR GRADES UP?
497
00:25:55,679 --> 00:25:58,681
YEAH. IT'S GREAT.
498
00:25:58,682 --> 00:26:00,391
THAT'S TOUGH.
499
00:26:00,392 --> 00:26:02,978
I'M IMPRESSED.
500
00:26:04,396 --> 00:26:05,898
THERE YOU ARE.
501
00:26:08,817 --> 00:26:10,360
WHERE ARE YOUR--
WHERE ARE YOUR PARENTS?
502
00:26:15,115 --> 00:26:17,284
SO YOU CAME
WITHOUT THEM?
503
00:26:25,709 --> 00:26:28,212
JUST FOR THE FOOD, HUH?
504
00:26:36,386 --> 00:26:38,471
WOULD YOU EXCUSE ME
FOR ONE MOMENT?
505
00:26:38,472 --> 00:26:40,265
SURE.
506
00:27:02,788 --> 00:27:03,789
UH, CHEF?
507
00:27:10,462 --> 00:27:13,089
DID YOU BRING ANY
OF THOSE FRIED ARTICHOKES?
508
00:27:13,090 --> 00:27:15,591
MY FRIEND WANTS
TO TRY SOME.
509
00:27:15,592 --> 00:27:16,926
NO, I DIDN'T.
510
00:27:16,927 --> 00:27:18,095
SORRY.
511
00:27:38,907 --> 00:27:40,658
HAVE YOU TRIED
ACUPUNCTURE?
512
00:27:40,659 --> 00:27:43,327
YES. I DIDN'T NOTICE
MUCH IMPROVEMENT.
513
00:27:43,328 --> 00:27:44,495
OH, THAT'S TERRIBLE.
514
00:27:44,496 --> 00:27:46,289
I AM SO SORRY
TO INTERRUPT.
515
00:27:46,290 --> 00:27:48,708
REGINA, COULD YOU DO
THE A. S. L. SIGN-UPS?
516
00:27:48,709 --> 00:27:49,709
OH , SURE.
517
00:27:49,710 --> 00:27:51,294
SHE IS THE PERFECT
PERSON TO ASK.
518
00:27:51,295 --> 00:27:52,503
REGINA WAS SUCH
AN INSPIRATION
519
00:27:52,504 --> 00:27:53,588
WHEN WE WERE
FIRST LEARNING.
520
00:27:53,589 --> 00:27:55,298
OH, SHE'S AN INSPIRATION
TO ALL OF US.
521
00:27:55,299 --> 00:27:58,134
OH, UM. CANDACE,
THIS IS KATHRYN KENNISH.
522
00:27:58,135 --> 00:27:59,385
HI.
523
00:27:59,386 --> 00:28:01,053
OH. YOU'RE DAPHNE'S
REAL MOTHER.
524
00:28:01,054 --> 00:28:02,805
IT IS SO NICE
TO MEET YOU.
525
00:28:02,806 --> 00:28:03,806
I READ YOUR BOOK.
526
00:28:03,807 --> 00:28:05,558
IT WAS GREAT.
WHAT A STORY.
527
00:28:05,559 --> 00:28:07,143
THANK YOU,
528
00:28:07,144 --> 00:28:09,729
BUT WE'RE BOTH
REAL MOTHERS...
529
00:28:09,730 --> 00:28:10,855
OH, OF COURSE.
530
00:28:10,856 --> 00:28:12,481
I-- I'M--
531
00:28:12,482 --> 00:28:16,194
YOU KNOW, I'M GONNA GO SEE
IF I CAN FIND SOME RECRUITS.
532
00:28:20,866 --> 00:28:23,868
WHAT IF SMAK
DOESN'T SHOW?
533
00:28:23,869 --> 00:28:26,538
GOTTA LEARN SOME
PATIENCE, MY FRIEND.
534
00:28:28,790 --> 00:28:30,249
WHAT'D YOU TELL
YOUR PARENTS
535
00:28:30,250 --> 00:28:31,584
ABOUT WHERE YOU WERE?
536
00:28:31,585 --> 00:28:33,836
THAT I WAS
AT THE MOVIES.
537
00:28:33,837 --> 00:28:35,838
HMM.
538
00:28:35,839 --> 00:28:37,840
THAT'S NOT
ENTIRELY UNTRUE.
539
00:28:37,841 --> 00:28:39,342
I MEAN WE ARE SITTING HERE
540
00:28:39,343 --> 00:28:41,177
LOOKING AT A PICTURE.
541
00:28:41,178 --> 00:28:42,721
IT'S JUST NOT MOVING,
THAT'S ALL.
542
00:28:44,181 --> 00:28:45,806
DO YOU STILL
LIVE WITH YOUR MOM?
543
00:28:45,807 --> 00:28:47,767
NO. WHEN I TURNED 18,
544
00:28:47,768 --> 00:28:50,144
SHE MARRIED SOME LOSER
AND MOVED OUT.
545
00:28:50,145 --> 00:28:52,146
THERE'S THIS, LIKE,
GRAVEYARD
546
00:28:52,147 --> 00:28:55,566
OF ABANDONED TRAILERS
BY THE RAILROAD.
547
00:28:55,567 --> 00:28:56,734
I KIND OF
MADE ONE MY OWN.
548
00:28:56,735 --> 00:28:57,902
IT MUST BE NICE,
YOU KNOW,
549
00:28:57,903 --> 00:29:00,237
NOT TO HAVE TO
EXPLAIN TO ANYBODY
550
00:29:00,238 --> 00:29:03,491
WHERE YOU'RE GOING
OR WHAT YOU'RE DOING.
551
00:29:03,492 --> 00:29:06,077
I HAVE ROOM FOR A ROOMMATE
IF YOU'RE LOOKING.
552
00:29:06,078 --> 00:29:09,747
YEAH. THAT'D BE REALLY HARD
TO EXPLAIN TO MY PARENTS.
553
00:29:09,748 --> 00:29:11,207
COME ON, YOU DON'T
HAVE IT SO BAD.
554
00:29:11,208 --> 00:29:13,876
MY FOLKS COULD NEVER AFFORD
TO GIVE ME SOMETHING LIKE THAT.
555
00:29:13,877 --> 00:29:14,877
OKAY, THIS IS NOT MINE.
556
00:29:14,878 --> 00:29:16,212
IT'S A FRIEND'S.
557
00:29:16,213 --> 00:29:17,672
WELL, I DON'T HAVE
ANY FRIENDS WHO CAN AFFORD
558
00:29:17,673 --> 00:29:19,048
TOYS LIKE THAT, EITHER.
559
00:29:19,049 --> 00:29:22,718
WELL, AT LEAST
YOU DON'T HAVE TO LIE.
560
00:29:22,719 --> 00:29:24,387
I GET REALLY TIRED
OF THAT SOMETIMES.
561
00:29:24,388 --> 00:29:27,265
SO STOP LYING.
562
00:30:14,271 --> 00:30:16,564
HEY. HEY.
563
00:30:16,565 --> 00:30:18,525
DID YOU KNOW THAT MELODY
WAS DATING MY BOSS?
564
00:30:19,526 --> 00:30:20,736
YES.
565
00:30:21,820 --> 00:30:24,113
WELL, NO ONE ASKED ME
IF I WAS OKAY WITH IT.
566
00:30:24,114 --> 00:30:26,240
WHAT HAPPENS WHEN
YOU GUYS BREAK UP
567
00:30:26,241 --> 00:30:27,492
AND HE TAKES IT
OUT ON ME?
568
00:30:29,995 --> 00:30:31,538
BECAUSE YOU KNOW HIM
SO WELL.
569
00:30:32,622 --> 00:30:34,331
UM...
570
00:30:34,332 --> 00:30:35,792
WOULD YOU EXCUSE US?
571
00:30:41,631 --> 00:30:44,300
I DON'T THINK THIS IS
JUST ABOUT MELODY
572
00:30:44,301 --> 00:30:45,552
DATING CHEF.
573
00:30:47,304 --> 00:30:49,305
WHAT ELSE
WOULD IT BE ABOUT?
574
00:30:49,306 --> 00:30:51,098
WELL, I'M WONDERING
575
00:30:51,099 --> 00:30:54,519
IF MAYBE YOU'RE STARTING
TO HAVE FEELINGS FOR HIM?
576
00:30:55,645 --> 00:30:57,271
THAT'S CRAZY.
577
00:30:57,272 --> 00:30:58,273
WHY WOULD YOU
THINK THAT?
578
00:31:00,025 --> 00:31:01,859
ALL THE PRETTY
NEW CLOTHES FOR WORK,
579
00:31:01,860 --> 00:31:04,403
ALL THE TIME
SPENT GETTING READY
580
00:31:04,404 --> 00:31:05,571
BEFORE YOU GO IN?
581
00:31:05,572 --> 00:31:07,865
WE HAVE TO GO
TO MY HISTORY CLASS.
582
00:31:07,866 --> 00:31:09,533
THEY'LL BE
CLOSING UP SOON.
583
00:31:09,534 --> 00:31:10,869
WHAT-- HONEY.
584
00:31:12,037 --> 00:31:14,121
IT'S NOTHING
TO BE ASHAMED ABOUT.
585
00:31:14,122 --> 00:31:17,000
I DO NOT HAVE
A CRUSH ON CHEF.
586
00:31:18,668 --> 00:31:20,002
WELL, GOOD.
587
00:31:20,003 --> 00:31:22,171
BECAUSE HE'S TOTALLY
INAPPROPRIATE FOR YOU.
588
00:31:22,172 --> 00:31:24,507
HE'S TOO OLD,
HE'S YOUR BOSS,
589
00:31:24,508 --> 00:31:26,008
AND JUDGING BY
HOW QUICKLY
590
00:31:26,009 --> 00:31:27,134
HE AND MELODY
GOT TOGETHER--
591
00:31:27,135 --> 00:31:28,511
YOU'RE TALKING
TOO FAST.
592
00:31:28,512 --> 00:31:29,971
I CAN'T READ
YOUR LIPS.
593
00:31:42,192 --> 00:31:43,400
OKAY.
594
00:31:43,401 --> 00:31:45,778
MY BUTT'S NUMB. I THINK
I GOT BIT BY SOMETHING.
595
00:31:45,779 --> 00:31:47,447
ARE THERE CHIGGERS OUT
THIS TIME OF YEAR?
596
00:32:01,920 --> 00:32:03,755
OKAY, WE NEED TO GET HIM
TO TURN AROUND.
597
00:32:11,680 --> 00:32:12,722
HEY, DOUCHE BAG!
598
00:32:14,015 --> 00:32:15,766
ZARRA, WHAT ARE YOU DOING?
599
00:32:15,767 --> 00:32:16,767
ZARRA!
600
00:32:16,768 --> 00:32:18,435
ONE LITTLE QUESTION,
601
00:32:18,436 --> 00:32:20,187
SO YOU JUST COME HERE
602
00:32:20,188 --> 00:32:21,939
AND MARK ALL OVER
SOMEONE ELSE'S WORK
603
00:32:21,940 --> 00:32:23,482
LIKE SOME
SORRY ASS DOG?
604
00:32:23,483 --> 00:32:25,235
YEAH. WHAT'S
IT TO YOU, HUH?
605
00:32:26,444 --> 00:32:28,154
UH, THIS IS
MY PIECE, JACKASS.
606
00:32:28,155 --> 00:32:29,823
HOW ABOUT YOU GET OUT
OF MY WAY, ALL RIGHT?
607
00:32:31,741 --> 00:32:33,826
YO. HEY!
608
00:32:33,827 --> 00:32:35,745
- THE HELL DO YOU
THINK YOU'RE DOING?, HUH?
- I TOLD YOU TO GET OUT OF HERE.
609
00:32:39,166 --> 00:32:40,417
GET OUT!
610
00:32:42,627 --> 00:32:43,711
CRAP.
611
00:32:43,712 --> 00:32:45,005
HEY!
612
00:32:46,006 --> 00:32:47,465
HEY.
613
00:32:48,800 --> 00:32:49,842
GET OUT OF HERE, DUDE.
614
00:32:49,843 --> 00:32:51,135
- YO.
- I'M GONNA CUT HIM.
615
00:32:51,136 --> 00:32:52,136
WHAT ARE YOU DOING?
616
00:32:52,137 --> 00:32:53,137
WHAT?
YOU WANT TO GO?
617
00:32:53,138 --> 00:32:54,263
- WHOA. CHILL!
- I'LL GO!
618
00:32:54,264 --> 00:32:55,806
YOU'RE NOT GONNA
DISS MY WORK AGAIN.
619
00:32:55,807 --> 00:32:57,391
- GET OUT OF HERE!
- CRAZY BITCH, YO.
620
00:32:57,392 --> 00:32:59,018
ALL RIGHT,
GET OUT OF HERE!
621
00:32:59,019 --> 00:33:00,603
YOU SLASH MY PIECE
ONE MORE TIME,
622
00:33:00,604 --> 00:33:02,439
I WILL MESS YOU UP!
623
00:33:03,523 --> 00:33:05,191
WHAT THE HELL
ARE YOU THINKING?
624
00:33:05,192 --> 00:33:06,192
YOU WERE GONNA
CUT HIM?
625
00:33:06,193 --> 00:33:07,860
WITH WHAT?!
626
00:33:07,861 --> 00:33:09,196
PAINT SCRAPER.
627
00:33:10,530 --> 00:33:11,864
A PAINT SCRAPER?
628
00:33:11,865 --> 00:33:14,575
ARE YOU INSANE?
WHAT IF HE WENT AFTER YOU?
629
00:33:14,576 --> 00:33:16,368
I'D HAVE BEEN SCREWED.
630
00:33:16,369 --> 00:33:17,912
OKAY, YOU KNOW WHAT?
YOU CALLED HIM OUT
631
00:33:17,913 --> 00:33:19,205
ON EVERYTHING.
632
00:33:19,206 --> 00:33:21,207
OH MY-- AND "HEY,
YOU WANT TO GO?
633
00:33:21,208 --> 00:33:23,500
- LET'S GO!"
- HE'S LIKE "CRAZY BITCH."
634
00:33:23,501 --> 00:33:24,960
HE WAS SO SCARED.
DID YOU SEE THAT?
635
00:33:24,961 --> 00:33:26,837
- IT WAS SO COOL.
636
00:33:26,838 --> 00:33:28,006
OH, MAN.
637
00:33:31,176 --> 00:33:33,969
UM, I CAN DRIVE YOU HOME
638
00:33:33,970 --> 00:33:35,972
IF YOU-- IF YOU NEED.
639
00:33:39,559 --> 00:33:40,809
WHOA WHOA WHOA WHOA.
640
00:33:40,810 --> 00:33:43,230
YOU-- YOU AND DAPHNE
ARE GOING OUT?
641
00:33:48,610 --> 00:33:50,403
BOWLING, HUH?
642
00:34:00,830 --> 00:34:03,249
I'M GOING TO TRUST
THAT YOU JUST SAID
643
00:34:03,250 --> 00:34:05,251
YOU'RE GOING TO BE
A PERFECT GENTLEMAN
644
00:34:05,252 --> 00:34:06,878
WHEN YOU'RE OUT
WITH MY DAUGHTER.
645
00:34:08,922 --> 00:34:11,007
MM-HMM.
YOU'D BETTER BE.
646
00:34:15,679 --> 00:34:17,764
BYE.
647
00:34:19,975 --> 00:34:21,892
EMMETT.
648
00:34:21,893 --> 00:34:23,603
NICE TO SEE YOU.
649
00:34:27,649 --> 00:34:30,694
I THINK I'LL GO SEE
IF MELODY NEEDS SOME HELP.
650
00:34:34,155 --> 00:34:35,447
HELLO! HELLO HELLO!
651
00:34:35,448 --> 00:34:36,657
ATTENTION EVERYONE.
652
00:34:36,658 --> 00:34:38,158
COME UP TO THE STAGE.
653
00:34:38,159 --> 00:34:40,662
THANKS FOR COMING.
COME ON UP TO THE FRONT.
654
00:34:43,039 --> 00:34:45,666
THANK YOU ALL
FOR COMING TONIGHT.
655
00:34:45,667 --> 00:34:50,212
IT'S WONDERFUL TO SEE
SO MANY PEOPLE HERE.
656
00:34:50,213 --> 00:34:53,465
A SPECIAL THANK YOU
TO OUR ORGANIZERS,
657
00:34:53,466 --> 00:34:55,176
MELODY BLEDSOE
658
00:34:56,928 --> 00:34:58,971
AND KATHRYN KENNISH.
659
00:34:58,972 --> 00:35:01,765
THANK YOU.
THANK YOU.
660
00:35:01,766 --> 00:35:04,435
OH! AND A SPECIAL
THANK YOU
661
00:35:04,436 --> 00:35:07,479
TO CHEF JEFF REYCRAFT
662
00:35:07,480 --> 00:35:09,023
AND MAIZE RESTAURANT
663
00:35:09,024 --> 00:35:11,526
FOR THE FANTASTIC
FOOD, HUH?
664
00:35:12,819 --> 00:35:15,279
- THANK YOU.
- WELL, GOOD NIGHT EVERYONE.
665
00:35:15,280 --> 00:35:18,198
AND REMEMBER,
OUR MAGAZINE DRIVE
666
00:35:18,199 --> 00:35:20,117
STARTS NEXT WEEK.
667
00:35:20,118 --> 00:35:23,203
SO SUBSCRIBE AND HELP
SUPPORT OUR SCHOOL.
668
00:35:23,204 --> 00:35:24,872
CAN YOU HELP
CLEAN UP OVER THERE?
669
00:35:24,873 --> 00:35:26,081
THANKS.
670
00:35:26,082 --> 00:35:29,001
KATHRYN,
HAVE YOU SEEN DAPHNE?
671
00:35:29,002 --> 00:35:30,836
UH, SHE WENT BACK
TO THE RESTAURANT TO HELP.
672
00:35:30,837 --> 00:35:33,339
I ASSUMED
YOU'D OKAYED IT.
673
00:35:33,340 --> 00:35:35,674
RIGHT. I FORGOT.
I'LL SEE YOU AT HOME.
674
00:35:35,675 --> 00:35:37,426
WAIT, REGINA.
675
00:35:37,427 --> 00:35:39,386
I KNOW HOW HARD
IT'S BEEN FOR YOU
676
00:35:39,387 --> 00:35:41,347
NOT SIGNING AT HOME
WITH DAPHNE.
677
00:35:41,348 --> 00:35:43,140
- WE'RE FINE.
- AND IF THE REASON
678
00:35:43,141 --> 00:35:45,142
YOU HAVEN'T GONE
TO SEE DR. FULLER
679
00:35:45,143 --> 00:35:46,644
- IS FINANCIAL--
- STOP.
680
00:35:46,645 --> 00:35:48,896
LOOK, I'M NOT TRYING
TO OFFEND--
681
00:35:48,897 --> 00:35:51,149
KATHRYN, STOP.
682
00:35:52,192 --> 00:35:53,734
NOT THAT IT'S ANY
OF YOUR BUSINESS,
683
00:35:53,735 --> 00:35:55,110
BUT I DID GO SEE
DR. FULLER,
684
00:35:55,111 --> 00:35:56,403
AND HE TOLD ME
THE SAME THING
685
00:35:56,404 --> 00:35:57,905
THAT MY DOCTOR HAS BEEN
TELLING ME FOR MONTHS.
686
00:35:57,906 --> 00:35:59,657
THERE'S NO MAGIC BULLET.
687
00:35:59,658 --> 00:36:01,075
IT JUST TAKES TIME
TO HEAL.
688
00:36:01,076 --> 00:36:02,576
I'M SORRY.
689
00:36:02,577 --> 00:36:05,412
- I WAS JUST TRYING TO--
- I KNOW WHAT YOU WERE
TRYING TO DO,
690
00:36:05,413 --> 00:36:07,331
AND I NEED YOU TO STOP.
691
00:36:07,332 --> 00:36:10,042
DO YOU HONESTLY THINK
THAT IF THERE WAS ANYTHING
692
00:36:10,043 --> 00:36:11,543
THAT WOULD HELP ME
TO COMMUNICATE WITH DAPHNE
693
00:36:11,544 --> 00:36:13,170
THE WAY THAT WE USED TO,
THAT I WOULDN'T MOVE
694
00:36:13,171 --> 00:36:15,297
HEAVEN AND EARTH OR GROVEL
TO YOU FOR THE MONEY
695
00:36:15,298 --> 00:36:16,383
IN ORDER TO
MAKE THAT HAPPEN?
696
00:36:27,560 --> 00:36:28,894
NICE TO MEET YOU.
697
00:36:28,895 --> 00:36:30,105
BYE. BYE.
698
00:36:34,776 --> 00:36:35,902
WHAT ARE
YOU DOING HERE?
699
00:36:42,117 --> 00:36:44,576
UH, DAPHNE WENT
TO THE RESTAURANT
700
00:36:44,577 --> 00:36:45,620
TO HELP.
701
00:36:53,086 --> 00:36:54,421
OH.
702
00:36:56,214 --> 00:36:57,423
OH, IS THAT RIGHT?
703
00:36:57,424 --> 00:36:59,425
HEY, HEY.
WHOA WHOA WHOA.
704
00:36:59,426 --> 00:37:01,761
UM, I CAN DRIVE YOU
HOME IF YOU WANT?
705
00:37:05,098 --> 00:37:06,557
YOU KNOW WHAT?
I GOT A BETTER IDEA.
706
00:37:06,558 --> 00:37:07,683
WHY DON'T YOU AND I
707
00:37:07,684 --> 00:37:09,310
GO TO THE BATTING CAGES?
708
00:37:10,687 --> 00:37:12,813
YEAH.
I KNOW THE OWNER.
709
00:37:12,814 --> 00:37:14,149
HE'LL LET US IN.
710
00:37:15,942 --> 00:37:17,735
HEY, NO NO.
HEY, HEY, HEY.
711
00:37:17,736 --> 00:37:18,737
NOT JUST FOR YOU.
712
00:37:22,907 --> 00:37:24,659
COME ON.
713
00:37:30,957 --> 00:37:33,460
I'M GONNA PRETEND
I DIDN'T UNDERSTAND THAT.
714
00:37:40,800 --> 00:37:43,177
- HEY.
- HI.
715
00:37:43,178 --> 00:37:45,596
SORRY TO BOTHER YOU,
BUT DID, UM...
716
00:37:45,597 --> 00:37:46,972
DAPHNE TELL YOU WHAT TIME
SHE WAS COMING HOME?
717
00:37:46,973 --> 00:37:48,515
SHE'S NOT ANSWERING
MY TEXTS.
718
00:37:48,516 --> 00:37:50,559
NO, SHE DIDN'T.
719
00:37:50,560 --> 00:37:51,560
THANKS.
720
00:37:51,561 --> 00:37:54,188
LOOK, TO BE TOTALLY HONEST,
721
00:37:54,189 --> 00:37:56,648
DAPHNE DIDN'T TELL ME
SHE WAS GOING BACK TO WORK.
722
00:37:56,649 --> 00:37:59,110
SHE ONLY TOLD YOU.
723
00:38:00,278 --> 00:38:02,697
WELL, SHE LEFT IN A HURRY
IF THAT'S ANY HELP.
724
00:38:05,241 --> 00:38:06,700
I FEEL LIKE I'M
LOSING TOUCH WITH DAPHNE
725
00:38:06,701 --> 00:38:08,328
AND I TOOK IT OUT ON YOU,
AND I'M SORRY.
726
00:38:11,372 --> 00:38:13,540
ME TOO.
727
00:38:13,541 --> 00:38:15,375
MAYBE I'VE
OVERSTEPPED.
728
00:38:15,376 --> 00:38:17,878
IT'S OKAY.
729
00:38:17,879 --> 00:38:19,172
I KNOW YOU MEAN WELL.
730
00:38:21,508 --> 00:38:22,966
WANT SOME TEA?
731
00:38:22,967 --> 00:38:25,303
SURE. THANKS.
732
00:38:28,181 --> 00:38:30,974
WE JUST FOUND OUT
THAT BAY'S BEEN
DOING STREET ART
733
00:38:30,975 --> 00:38:33,644
FOR THE PAST
TWO YEARS.
734
00:38:33,645 --> 00:38:35,562
WHAT DO YOU MEAN?
735
00:38:35,563 --> 00:38:36,814
SPRAY PAINT,
736
00:38:36,815 --> 00:38:38,607
SNEAKING OUT,
737
00:38:38,608 --> 00:38:40,400
PUTTING UP
ILLEGAL PAINTINGS
738
00:38:40,401 --> 00:38:43,195
ON WALLS ALL OVER
THE CITY.
739
00:38:43,196 --> 00:38:44,239
WOW.
740
00:38:47,283 --> 00:38:48,867
YOU DIDN'T KNOW?
741
00:38:48,868 --> 00:38:51,245
I JUST ASSUMED
742
00:38:51,246 --> 00:38:54,248
SHE TALKING TO YOU
ABOUT THINGS LIKE THAT.
743
00:38:54,249 --> 00:38:55,916
NOT THIS TIME.
744
00:38:55,917 --> 00:38:57,000
WANT TO SIT DOWN?
745
00:38:57,001 --> 00:38:58,586
SURE.
746
00:39:00,672 --> 00:39:02,548
HERE YOU GO.
747
00:39:02,549 --> 00:39:05,300
SO WHAT'D YOU DO?
748
00:39:05,301 --> 00:39:07,803
WE APPEALED
TO HER BETTER SELF,
749
00:39:07,804 --> 00:39:10,347
HER SENSE
OF RIGHT AND WRONG.
750
00:39:10,348 --> 00:39:12,433
BOLD MOVE.
751
00:39:13,601 --> 00:39:15,018
SOMETIMES I HATE
752
00:39:15,019 --> 00:39:16,186
THAT THEY'RE GROWING UP.
753
00:39:16,187 --> 00:39:18,397
YOU ARE SO MUCH EASIER
TO COMPETE WITH
754
00:39:18,398 --> 00:39:19,399
THAN ADULTHOOD.
755
00:39:22,277 --> 00:39:23,569
WELL, HEY, BAY.
756
00:39:23,570 --> 00:39:25,113
HOW WAS THE MOVIE?
757
00:39:27,615 --> 00:39:28,867
I DIDN'T GO
TO THE MOVIES.
758
00:39:30,451 --> 00:39:33,120
I WANT TO BE THE PERSON
THAT YOU RAISED ME TO BE,
759
00:39:33,121 --> 00:39:35,080
BUT I'M ALSO THE PERSON
THAT I WAS BORN TO BE.
760
00:39:35,081 --> 00:39:36,456
I'M AN ARTIST.
761
00:39:36,457 --> 00:39:39,919
AND I DON'T WANT
TO LIE TO YOU ANYMORE.
762
00:39:41,713 --> 00:39:43,589
BUT I'M ALSO
NOT GONNA STOP
763
00:39:43,590 --> 00:39:44,966
DOING STREET ART.
764
00:39:49,262 --> 00:39:50,638
GOOD NIGHT.
765
00:40:02,984 --> 00:40:05,068
HEY, NINJA.
766
00:40:05,069 --> 00:40:06,695
YOU SLIP IN,
YOU SLIP OUT
767
00:40:06,696 --> 00:40:08,447
UNDER COVER
OF DARKNESS.
768
00:40:08,448 --> 00:40:09,656
YOU SEEMED BUSY.
769
00:40:09,657 --> 00:40:10,949
OH, CHATTY GROUP.
770
00:40:10,950 --> 00:40:12,868
WILL YOU COME BACK?
771
00:40:12,869 --> 00:40:14,662
I'M THINKING
ABOUT IT.
772
00:40:16,664 --> 00:40:17,706
SO, UH...
773
00:40:17,707 --> 00:40:19,958
YOU WANT TO HANG OUT?
774
00:40:19,959 --> 00:40:21,501
MAYBE GO TO THE PLAZA
OR SOMETHING?
775
00:40:21,502 --> 00:40:24,880
I'M NOT MUCH
OF A PLAZA GIRL.
776
00:40:24,881 --> 00:40:26,965
I ALWAYS GET
TOO COLD
777
00:40:26,966 --> 00:40:28,926
AND NOBODY EVER
SITS DOWN.
778
00:40:28,927 --> 00:40:30,886
WELL, I KNOW
A WARM COFFEE SHOP
779
00:40:30,887 --> 00:40:32,012
WITH LOTS OF CHAIRS.
780
00:40:32,013 --> 00:40:34,640
- HOW ARE YOU
AT BACKGAMMON?
781
00:40:34,641 --> 00:40:36,934
YOU ARE SO
GONNA REGRET THIS.
782
00:40:36,935 --> 00:40:40,354
I AM AWESOME
AT BACKGAMMON.
783
00:40:40,355 --> 00:40:42,230
I'LL BE RIGHT BACK.
784
00:40:42,231 --> 00:40:44,525
NO NINJA ACTION
WHILE I'M GONE.
785
00:41:02,710 --> 00:41:03,920
DAPHNE.
786
00:41:07,423 --> 00:41:08,548
WHAT ARE
YOU DOING HERE?
787
00:41:08,549 --> 00:41:12,136
I NEED TO KNOW
WHAT'S GOING ON.
788
00:41:13,429 --> 00:41:15,097
I WAS JUST
PUTTING STUFF AWAY
789
00:41:15,098 --> 00:41:16,975
AND GETTING READY
TO GO HOME.
790
00:41:18,393 --> 00:41:20,436
THAT'S NOT
WHAT I MEAN.
791
00:41:23,606 --> 00:41:24,940
YOU'RE IN HIGH SCHOOL.
792
00:41:24,941 --> 00:41:26,441
SO?
793
00:41:26,442 --> 00:41:28,527
I THOUGHT YOU WERE
IN COLLEGE.
794
00:41:28,528 --> 00:41:30,696
WHY WOULD
YOU THINK THAT?
795
00:41:30,697 --> 00:41:34,116
I NEVER LOOKED
AT YOUR APPLICATION.
796
00:41:34,117 --> 00:41:36,034
YOU GETTING HIRED
WAS A DONE DEAL.
797
00:41:36,035 --> 00:41:39,163
I HEARD "STUDENT,"
I MET YOU.
798
00:41:41,290 --> 00:41:44,084
I ASSUMED
YOU WERE IN COLLEGE.
799
00:41:44,085 --> 00:41:47,421
SO NOW YOU DON'T
LIKE ME ANYMORE?
800
00:41:47,422 --> 00:41:49,423
NO, THAT'S--
801
00:41:49,424 --> 00:41:50,757
THAT'S NOT THE POINT.
802
00:41:50,758 --> 00:41:52,093
IT IS TO ME.
803
00:41:54,429 --> 00:41:57,889
PLUS, YOU'RE MY EMPLOYEE.
804
00:41:57,890 --> 00:42:00,559
IT DIDN'T MATTER
THE OTHER NIGHT
IN THE PARKING LOT.
805
00:42:00,560 --> 00:42:03,603
♪ I CAN'T SLEEP
WITHOUT YOU ANYMORE... ♪
806
00:42:03,604 --> 00:42:04,980
WELL, IT SHOULD HAVE.
807
00:42:04,981 --> 00:42:07,274
YOU HAVE TO LOOK AT ME
WHEN YOU'RE TALKING.
808
00:42:07,275 --> 00:42:10,152
♪ LISTEN TO THE LULLABY... ♪
809
00:42:10,153 --> 00:42:12,363
I WANT THIS TO HAPPEN.
810
00:42:16,159 --> 00:42:19,412
♪ I NEED YOU NOW ♪
811
00:42:20,455 --> 00:42:28,629
♪ I NEED YOU NOW ♪
812
00:42:30,590 --> 00:42:34,968
♪ OH OH, I NEED YOU NOW ♪
813
00:42:34,969 --> 00:42:44,978
♪ I NEED YOU NOW ♪
814
00:42:44,979 --> 00:42:48,816
♪ I NEED YOU NOW. ♪
54210
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