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- Good evening. I'm Vic Michaelis.
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- And I'm The Letterman.
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- Back with another edition of...
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Very Important People.
- Vegetables In Pasta.
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- Hi, I'm Tamar.
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- Hi, I'm Alex.
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- And this is "Last Looks".
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- What does it say?
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- Even in the afterlife,
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I've seen nothing quite as
spooky as your eyesight.
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- Okay, well that's...
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Don't mug to camera.
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- Zac Oyama...
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What did we even call his character?
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Long hair-
- Person?
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- Person.
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- Well, I think we were
both really conscious
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of approaching Zac.
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He was such a fan favorite last year.
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They loved his character.
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And so we wanted to give him something new
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to transform into.
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- Just holding handfuls of hair.
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- Help!
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- This was a look that
we were so excited about
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from the first season.
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Originally, the concept was to
have the ex step-grandmother
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have super, super, super long hair,
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and super, super long
fingernails and toenails.
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- And we were concerned that it was
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gonna limit her performance.
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- Cut to season two.
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And where do we go from Tommy Shriggly?
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- I'm too scared and shy.
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- You just spent so much time telling me
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how you wanted to be
the center of attention.
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- I know. That's why it's so hard.
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- It was really important to us
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that the hair would actually
trail on the ground.
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- That was, I believe,
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four different wigs sewn together,
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and ladders built down the side.
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I had hired a friend, Regina, to help me,
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and we ended up adding
fabric inside the wig,
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where we then sewed weft
on as a support structure
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for the wig itself.
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And then also to give us that length,
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because there's only so much hair
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that was being held on the
base of that cap of the wig.
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- This is so much hair.
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I'm a Korean spa ghost.
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Right? That's what this is?
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- Our first season.
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he was probably one of the
longest makeups that we did,
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and the most consuming
and the most constrictive.
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He lost his hearing,
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because it was so much
prosthetics built up.
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And this one, he sat down, it's
probably a 30 minute makeup,
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and then we said we were done.
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He was like, "Wait, what?
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That's it?"
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- All right, well...
- Cool.
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- And so we didn't put the
wig on until his reveal,
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so right before camera started rolling,
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he was just like,
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"Did you even do anything in this chair?"
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- Oh, no!
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I just inhaled some hair.
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- His episode, it was kind
of a fever dream actually,
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because of the amount of
improv that ended up happening,
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not just from Vic and Zac,
but also from our crew,
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and how much the camera department
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has to improvise and kind
of move around the cameras.
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Back behind Video Village,
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it's Paul, me, David,
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Santi our DP, and our
script supervisor, Johnny.
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And kind of all of us are working together
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to make sure that Santi's communicating
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with his camera department,
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and Johnny's trying to keep everything
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on track and consistent.
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And it's just like such a
dance behind the camera.
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And I think Zac's episode
is such a testament
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to how gung-ho everyone is,
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just to think quick on their feet.
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- Hey, we're fine. We're fine.
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- You gotta outrun them for two.
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- You gotta outrun who?
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