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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:49,650 --> 00:00:51,233 Oriental music 2 00:01:49,608 --> 00:01:51,816 {\an8}- I think I overestimated my strength. 3 00:01:51,983 --> 00:01:54,941 I saw myself too big. And I'm losing a lot of money. 4 00:01:55,108 --> 00:01:56,233 Really ? 5 00:01:56,775 --> 00:01:57,900 It's simple, I'm ruined. 6 00:01:58,066 --> 00:01:59,858 - Wait. What are you talking about? 7 00:02:00,025 --> 00:02:02,191 - Maybe I'd better stop everything. 8 00:02:02,358 --> 00:02:04,525 - I've never heard you talk like that. 9 00:02:04,691 --> 00:02:05,566 He sighs. 10 00:02:05,733 --> 00:02:07,066 We'll see. 11 00:02:07,233 --> 00:02:09,275 - Hey, it'll be okay. I'm sure of it. 12 00:02:09,441 --> 00:02:11,900 - See you soon, sister. I'll call you back. 13 00:02:12,066 --> 00:02:13,066 All right. 14 00:02:13,400 --> 00:02:14,316 He hangs up. 15 00:02:18,983 --> 00:02:21,441 Ticking of a clock 16 00:02:31,358 --> 00:02:34,691 Dramatic music 17 00:02:48,650 --> 00:02:51,566 - (In Armenian) - I am the eye and you are the light, 18 00:02:51,900 --> 00:02:54,400 without light, the eye is at night. 19 00:02:54,858 --> 00:02:56,191 Me, the fish, 20 00:02:56,358 --> 00:02:58,108 you, the river, 21 00:02:58,275 --> 00:03:00,400 Without water, fish cannot survive. 22 00:03:00,816 --> 00:03:04,691 But when he is plunged into clear water, he comes back to life. 23 00:03:05,108 --> 00:03:08,816 If you and I are separated, this very hour is my last. 24 00:03:08,983 --> 00:03:11,733 - I'll bring you something to eat and drink! 25 00:03:11,900 --> 00:03:14,066 Come on, Aida. They have begun. 26 00:03:14,233 --> 00:03:15,358 Mischa... 27 00:03:16,983 --> 00:03:19,233 Mischa, what are you going to feed them? 28 00:03:19,400 --> 00:03:22,733 You emptied our reserves last week, I remind you. 29 00:03:22,900 --> 00:03:24,650 You already invite one out of two customers! 30 00:03:24,941 --> 00:03:27,108 - They're not customers, they're friends. 31 00:03:27,275 --> 00:03:29,566 And they're just like us. They're artists, my dear. 32 00:03:30,025 --> 00:03:31,150 Come dance... 33 00:03:31,316 --> 00:03:33,025 You know what I always say. 34 00:03:33,191 --> 00:03:35,025 Look where we came from and where we are today! 35 00:03:35,191 --> 00:03:37,233 But yes, mom! Come on, come dance. 36 00:03:37,400 --> 00:03:39,733 - What are you doing here? Don't listen to us. 37 00:03:39,900 --> 00:03:41,650 Come on, come on, come on, come on! 38 00:03:41,816 --> 00:03:44,775 Dancing music Lively hubbub 39 00:04:07,691 --> 00:04:10,650 He sings. 40 00:04:24,316 --> 00:04:25,483 "The Two Guitars" (Aznavour) 41 00:04:25,650 --> 00:04:27,858 Two gypsies, without respite 42 00:04:29,441 --> 00:04:31,650 Strumming their guitars 43 00:04:33,316 --> 00:04:35,400 Reviving from the depths of the night 44 00:04:37,066 --> 00:04:39,275 All my memory 45 00:04:41,025 --> 00:04:43,650 Without knowing what's rolling inside me 46 00:04:44,358 --> 00:04:46,525 A flood of distress 47 00:04:49,025 --> 00:04:51,275 Are reborn under their fingers 48 00:04:52,525 --> 00:04:54,525 My Crazy Youth 49 00:04:56,650 --> 00:05:00,191 E khe raz, is cho raz 50 00:05:00,691 --> 00:05:03,566 Is there a man who is not a man? 51 00:05:03,858 --> 00:05:06,025 E khe raz, is cho raz 52 00:05:08,400 --> 00:05:10,816 Is for men men raz 53 00:05:12,316 --> 00:05:14,441 I want to laugh, I want to sing 54 00:05:15,900 --> 00:05:18,066 And make my pain drunk 55 00:05:20,691 --> 00:05:22,525 To forget the past 56 00:05:24,025 --> 00:05:26,566 That I hang around with, come on 57 00:05:27,233 --> 00:05:30,775 E khe raz, is cho raz 58 00:05:31,150 --> 00:05:33,941 Is there a man who is not a man? 59 00:05:34,108 --> 00:05:36,483 E khe raz, is cho raz 60 00:05:38,316 --> 00:05:40,775 Is for men men raz 61 00:05:42,233 --> 00:05:44,358 Two guitars in my mind 62 00:05:45,150 --> 00:05:47,400 They cause immense disturbance 63 00:05:48,900 --> 00:05:50,858 Explaining vanity to me 64 00:05:52,191 --> 00:05:53,816 Of our existence 65 00:05:54,900 --> 00:05:57,691 What do we live? Why do we live? 66 00:05:58,400 --> 00:06:00,316 What is the reason for being? 67 00:06:00,983 --> 00:06:03,483 You are alive today You will be dead tomorrow 68 00:06:03,650 --> 00:06:06,191 And even more after tomorrow 69 00:06:06,358 --> 00:06:09,066 Dancing music Lively hubbub 70 00:06:36,025 --> 00:06:38,108 Brouhaha 71 00:06:44,358 --> 00:06:45,775 Manouch, where are we? 72 00:06:45,941 --> 00:06:46,858 - I have two or three ideas. 73 00:06:47,275 --> 00:06:48,691 - Mmh mmh. - But I'm still hesitant. 74 00:06:48,858 --> 00:06:49,525 Mischa, 75 00:06:49,691 --> 00:06:53,316 These flyers are expensive. Are you sure you want to order some? 76 00:06:53,483 --> 00:06:54,941 Obviously, I'm sure. 77 00:06:55,108 --> 00:06:57,316 Advertising is important. 78 00:06:57,650 --> 00:07:00,233 - Manouch, what do you suggest? - So... 79 00:07:01,441 --> 00:07:03,983 "At Aznavourian, everything is grand." 80 00:07:06,650 --> 00:07:08,858 - We can find better. - Better! 81 00:07:09,025 --> 00:07:10,691 "At Aznavourian's... 82 00:07:10,858 --> 00:07:11,650 "on mange bien". 83 00:07:11,816 --> 00:07:12,608 Laughs 84 00:07:13,775 --> 00:07:15,733 - And the rhyme, you idiot? - You, you idiot. 85 00:07:15,900 --> 00:07:17,900 - Not easy, the rhyme, with "Aznavourian". 86 00:07:18,066 --> 00:07:20,441 Brouhaha 87 00:07:20,608 --> 00:07:21,983 Otherwise, I might have an idea. 88 00:07:22,608 --> 00:07:26,941 - At Aznavour's, we run there. - At Aznavour's, we run there. Here. 89 00:07:27,108 --> 00:07:31,108 - Hello. At Aznavour, we run there. Come to our restaurant. 90 00:07:31,275 --> 00:07:33,733 Hello, sir. Come to our restaurant. 91 00:07:33,900 --> 00:07:36,400 - Hello, madam. At Aznavour's, we run there. 92 00:07:36,566 --> 00:07:39,150 - Hello, Charles! - Hello, hello! 93 00:07:39,316 --> 00:07:41,233 - Hey, hi, Charles! - Hi. How are you? 94 00:07:41,400 --> 00:07:43,566 Bell 95 00:07:43,733 --> 00:07:46,650 - I warned you. - Come on, kids. Let's go! 96 00:07:46,816 --> 00:07:48,566 He doesn't even speak French. 97 00:07:48,733 --> 00:07:51,566 Street noise 98 00:08:00,608 --> 00:08:03,858 - What are we going to eat? - I'm going shopping. 99 00:08:04,025 --> 00:08:05,191 What are you going to pay with? 100 00:08:05,358 --> 00:08:06,608 Don't worry. 101 00:08:07,775 --> 00:08:09,983 Did you sell your gold tooth? 102 00:08:10,441 --> 00:08:12,150 You have to eat, right? 103 00:08:19,858 --> 00:08:21,608 Discussion inaudible 104 00:08:23,608 --> 00:08:25,733 Street noise 105 00:08:25,900 --> 00:08:27,816 Do you think it'll be okay, Mom? 106 00:08:27,983 --> 00:08:29,275 If God wills. 107 00:08:29,900 --> 00:08:30,858 The children... 108 00:08:31,025 --> 00:08:33,816 Come see our new cafe, our new home. 109 00:08:44,025 --> 00:08:45,066 She sighs. 110 00:08:53,525 --> 00:08:55,400 I know what you're thinking. 111 00:08:55,566 --> 00:08:56,566 I know. 112 00:08:57,275 --> 00:08:59,150 It's true that it's small here. 113 00:09:00,066 --> 00:09:02,025 But we won't stay long. 114 00:09:02,400 --> 00:09:03,150 All right ? 115 00:09:03,316 --> 00:09:04,983 And we are together... 116 00:09:05,150 --> 00:09:08,066 As long as we are family, nothing can happen to us. 117 00:09:10,441 --> 00:09:12,983 Happy birthday 118 00:09:13,150 --> 00:09:16,483 - Happy birthday... - Stop. That will be enough for me. 119 00:09:16,775 --> 00:09:19,525 Monday morning at the Théâtre des Champs-Élysées, 9 a.m. 120 00:09:20,316 --> 00:09:21,608 - You tell your parents. - Yes. 121 00:09:21,775 --> 00:09:22,566 (-Congratulations.) 122 00:09:23,400 --> 00:09:26,733 - Is there a little boy who can do an African accent? 123 00:09:26,900 --> 00:09:28,441 Is it paid, sir? 124 00:09:28,858 --> 00:09:30,691 - Who said that? - It was me. 125 00:09:31,650 --> 00:09:34,191 - It could be. Do you know how to do the accent? 126 00:09:34,483 --> 00:09:37,025 - (African accent) - Of course! Hello, sir. 127 00:09:37,191 --> 00:09:38,858 Laughs 128 00:09:41,400 --> 00:09:44,108 - Monday at the Champs-Élysées theater. - Okay. 129 00:09:44,275 --> 00:09:45,316 9 h. 130 00:09:45,483 --> 00:09:46,441 THANKS. 131 00:09:49,775 --> 00:09:51,108 Hey, I, am. 132 00:09:51,275 --> 00:09:52,191 Are you doing Arthur? 133 00:09:52,358 --> 00:09:54,025 - Yes, it's me. - Are you ready? 134 00:09:54,441 --> 00:09:55,900 - Yes. - There you go, that's good. 135 00:09:56,650 --> 00:09:57,400 I tell you "shit". 136 00:09:57,733 --> 00:09:59,816 - "Shit"? - It brings good luck. 137 00:09:59,983 --> 00:10:01,525 Is this your first time on stage? 138 00:10:01,816 --> 00:10:03,275 - Yes. - Come on, come on. 139 00:10:03,441 --> 00:10:04,733 It's going to be yours. 140 00:10:06,233 --> 00:10:07,733 Thank you. Come. 141 00:10:07,900 --> 00:10:09,066 Don't forget, 142 00:10:09,233 --> 00:10:11,150 you stand up straight and speak loudly. 143 00:10:11,316 --> 00:10:12,441 All right. 144 00:10:12,608 --> 00:10:13,566 Come on. 145 00:10:14,150 --> 00:10:16,066 Blows 146 00:10:16,233 --> 00:10:16,983 Majestic music 147 00:10:25,566 --> 00:10:26,691 Oh, are you there? 148 00:10:26,858 --> 00:10:29,025 - (African accent) - I'm here. I've arrived. 149 00:10:29,191 --> 00:10:30,525 Audience laughter 150 00:10:35,983 --> 00:10:38,525 - Please welcome our next issue: 151 00:10:38,900 --> 00:10:40,900 Charles Trenet ! 152 00:10:41,066 --> 00:10:42,525 We applaud him loudly. 153 00:10:42,691 --> 00:10:44,483 Applause and cheers 154 00:10:50,525 --> 00:10:53,108 “There is joy” (Charles Trenet) 155 00:10:54,983 --> 00:10:57,566 - There is joy Hello, hello, swallows 156 00:10:57,733 --> 00:11:00,441 There is joy In the sky, above the roof 157 00:11:00,608 --> 00:11:03,233 There is joy and sunshine in the alleys 158 00:11:03,400 --> 00:11:05,900 There is joy Everywhere, there is joy 159 00:11:06,608 --> 00:11:09,275 All day long my heart beats, capsizes and staggers 160 00:11:09,441 --> 00:11:12,233 It's love that comes with I don't know what 161 00:11:12,400 --> 00:11:14,983 It's love Hello, hello, ladies 162 00:11:15,150 --> 00:11:17,441 There is joy Everywhere, there is joy 163 00:11:17,983 --> 00:11:19,066 - (In German) - Thank you, madam. 164 00:11:19,525 --> 00:11:21,025 That's it, please be nice. 165 00:11:21,191 --> 00:11:21,858 Henrietta, 166 00:11:22,191 --> 00:11:25,316 Are you going to let me do something other than imitate Trenet? 167 00:11:25,483 --> 00:11:28,691 - I can sing real songs. - What do you want to sing? 168 00:11:29,066 --> 00:11:31,483 - Great classics, love songs... 169 00:11:31,650 --> 00:11:33,650 To sing about love, you have to be beautiful. 170 00:11:33,816 --> 00:11:35,441 Your voice is completely broken. 171 00:11:35,608 --> 00:11:37,525 Just do what you know how to do. 172 00:11:37,691 --> 00:11:39,358 People are here to have fun. 173 00:11:39,525 --> 00:11:41,608 - Only me... - Stop bothering me! 174 00:11:41,775 --> 00:11:43,441 Light hubbub 175 00:11:45,816 --> 00:11:48,566 Love songs... Anything, him. 176 00:11:48,733 --> 00:11:51,316 Barking in the distance 177 00:11:51,483 --> 00:11:54,400 Shouting in German from afar 178 00:11:54,566 --> 00:11:56,400 Whistle blows 179 00:11:57,650 --> 00:12:00,733 Cries in the distance 180 00:12:06,191 --> 00:12:07,483 Barking in the distance 181 00:12:22,650 --> 00:12:25,108 - Hello, Mélinée. - Hello, Charles. 182 00:12:25,566 --> 00:12:28,566 - Is Manouch here? - He's waiting for you to beat you at chess. 183 00:12:28,733 --> 00:12:29,566 We'll see. 184 00:12:29,733 --> 00:12:30,733 Mom. 185 00:12:30,900 --> 00:12:33,650 - I found some bread and rutabagas. - That's good. 186 00:12:33,816 --> 00:12:36,441 (We're going to have to share dinner. And you...) 187 00:12:36,608 --> 00:12:38,441 - I know, we'll have to sleep on the floor. 188 00:12:38,608 --> 00:12:40,650 There are people. There are even French people. 189 00:12:40,816 --> 00:12:43,733 - French? - Jews. Manouch will explain to you. 190 00:12:45,525 --> 00:12:48,441 - That's incredible. What is it? - It's your sister. 191 00:12:48,608 --> 00:12:51,441 Next week I'll be all over the subway. 192 00:12:51,900 --> 00:12:54,858 - You're beautiful, too. I never noticed. 193 00:12:55,483 --> 00:12:58,733 - "Aznamour?" - According to the director, it's more glamorous. 194 00:12:58,900 --> 00:13:02,108 Not very flattered, but I'm the only one not undressing. 195 00:13:02,275 --> 00:13:04,233 I wasn't going to be picky. 196 00:13:04,400 --> 00:13:06,400 - I'm proud of you. - Thank you. 197 00:13:06,566 --> 00:13:08,066 Little happy laughs 198 00:13:10,608 --> 00:13:11,691 Discussion inaudible 199 00:13:11,858 --> 00:13:13,066 Gentlemen. 200 00:13:14,025 --> 00:13:15,358 This is my son. 201 00:13:15,525 --> 00:13:18,025 Let me introduce you to Charles. The Rozenbaum family. 202 00:13:18,191 --> 00:13:20,316 - They're going to sleep here for a few days. - Okay. 203 00:13:20,775 --> 00:13:22,900 They were supposed to leave us alone. 204 00:13:23,066 --> 00:13:25,400 Since this morning, they have been rounding up everyone, 205 00:13:25,858 --> 00:13:27,400 Assisted by French police. 206 00:13:27,566 --> 00:13:28,900 - Really? - Yes. 207 00:13:29,358 --> 00:13:30,566 Well done, Mr. Manouchian. 208 00:13:30,941 --> 00:13:31,983 THANKS. 209 00:13:32,400 --> 00:13:36,316 The two Russians and the Armenian work for the German army. 210 00:13:36,483 --> 00:13:39,025 By force. They have just deserted. 211 00:13:39,191 --> 00:13:41,233 They found clothes for them, 212 00:13:41,400 --> 00:13:43,441 but we have to help them disappear. 213 00:13:44,025 --> 00:13:45,983 A bit like your madman, Charles. 214 00:13:48,525 --> 00:13:51,441 - Are you going to get rid of the uniforms? - Yes. 215 00:13:51,608 --> 00:13:53,066 And you change neighborhoods. 216 00:13:53,233 --> 00:13:55,941 - You don't throw them in the same place. - Okay. 217 00:13:56,566 --> 00:14:00,483 - And I sleep at night on the grass of the woods 218 00:14:00,775 --> 00:14:03,900 Flies don't bite me, no, no, no 219 00:14:04,066 --> 00:14:07,608 I'm happy I'm okay, I'm not hungry anymore 220 00:14:07,775 --> 00:14:08,941 And I sing 221 00:14:09,233 --> 00:14:14,566 On my way 222 00:14:14,733 --> 00:14:17,108 Yes! Applause and cheers 223 00:14:18,066 --> 00:14:20,316 - Hey, you know some great people. 224 00:14:20,483 --> 00:14:21,525 Thanks to my poster. 225 00:14:21,691 --> 00:14:23,900 They saw her. The name caught their attention. 226 00:14:24,066 --> 00:14:26,566 They came to see me at the concert. She rings. 227 00:14:26,733 --> 00:14:29,900 - (Imitating his father) - "Advertising is important." 228 00:14:30,066 --> 00:14:31,566 - Yes. Little laughs. 229 00:14:31,733 --> 00:14:33,316 Ah, hello, Aida! Welcome. 230 00:14:33,483 --> 00:14:36,066 - Hello. Charles, this is Jean-Louis Marquet. 231 00:14:36,233 --> 00:14:37,108 Good morning. 232 00:14:37,275 --> 00:14:39,608 - I will introduce you to the Song Club. 233 00:14:39,775 --> 00:14:42,483 - Your sister told me a lot about you. - She's nice. 234 00:14:42,650 --> 00:14:44,025 Our authors, Francis Blanche 235 00:14:44,191 --> 00:14:45,733 - and Lawrence Riesner. - Welcome. 236 00:14:45,900 --> 00:14:47,650 - Hi. How are you, Aida? - Yes. 237 00:14:47,816 --> 00:14:49,816 Pierre Saka, also a singer. 238 00:14:50,441 --> 00:14:51,483 - Little laugh - Hello. 239 00:14:51,650 --> 00:14:53,983 - Behind the scores, our president. 240 00:14:54,150 --> 00:14:55,233 This is Pierre Roche. 241 00:14:55,400 --> 00:14:56,566 Pierre ? 242 00:14:56,733 --> 00:14:58,233 Oh, hello. 243 00:14:59,108 --> 00:15:00,691 Charles. Nice to meet you. 244 00:15:00,858 --> 00:15:02,816 Oh, I'm the one who's delighted. 245 00:15:03,775 --> 00:15:05,483 For me, it will be an osso bucco 246 00:15:05,650 --> 00:15:08,316 and the butter pancake with its coulis, 247 00:15:08,483 --> 00:15:09,608 Please. 248 00:15:10,941 --> 00:15:12,025 And for you? 249 00:15:13,358 --> 00:15:14,816 I'm not very hungry, thank you. 250 00:15:14,983 --> 00:15:17,775 - That's right, you don't want anything? Take something. 251 00:15:17,941 --> 00:15:19,775 Just a coffee for me. 252 00:15:20,108 --> 00:15:21,108 Good... 253 00:15:21,691 --> 00:15:22,775 Is the apartment yours? 254 00:15:23,191 --> 00:15:25,025 Yes, finally to my parents. 255 00:15:25,191 --> 00:15:27,650 They are never there. They live in the provinces. 256 00:15:27,816 --> 00:15:31,025 And you, do you sing and act in the theatre? 257 00:15:31,191 --> 00:15:34,066 - I perform in cabarets and sell newspapers. 258 00:15:34,233 --> 00:15:37,316 - You and Aida are brave. - No real choice. 259 00:15:38,108 --> 00:15:40,733 I take anything that can make me money. 260 00:15:40,900 --> 00:15:42,483 Yes, I understand. 261 00:15:42,650 --> 00:15:45,025 Are you helping me get the singers to work? 262 00:15:45,191 --> 00:15:46,025 My pleasure. 263 00:15:46,191 --> 00:15:49,108 I could work on my singing. My voice is veiled. 264 00:15:49,275 --> 00:15:50,900 It's interesting, a veiled voice. 265 00:15:51,066 --> 00:15:53,816 Lots of American jazz singers have one. 266 00:15:53,983 --> 00:15:56,108 - I sing through my nose. - Oh yeah, well... 267 00:15:56,275 --> 00:15:58,108 at the same time, with that nose, Charles! 268 00:15:58,275 --> 00:15:59,316 - Little laugh - Ah, okay! 269 00:15:59,483 --> 00:16:00,525 They laugh. 270 00:16:00,691 --> 00:16:04,775 Attacked by a young man who is balder than my father. 271 00:16:04,941 --> 00:16:06,983 Lots of humor, I see. 272 00:16:07,150 --> 00:16:08,358 That's good. 273 00:16:09,025 --> 00:16:10,358 Let's get down to business. 274 00:16:11,691 --> 00:16:13,358 Did you see the girls behind you? 275 00:16:14,941 --> 00:16:18,233 - Three brunettes. The prettiest is the one wearing the headscarf. 276 00:16:18,400 --> 00:16:21,275 Observer, with that. I like it a lot. 277 00:16:21,775 --> 00:16:23,025 Admire a little. 278 00:16:23,941 --> 00:16:24,858 Ladies, 279 00:16:25,150 --> 00:16:27,275 Excuse my audacity. Let me introduce you to: 280 00:16:27,441 --> 00:16:29,650 Charles Aznavour, Pierre Roche, 281 00:16:29,816 --> 00:16:32,941 - Parisian dandies at your service. - Yes, and? 282 00:16:33,108 --> 00:16:35,191 - I'm giving a concert in a few days. 283 00:16:35,358 --> 00:16:37,775 I would be delighted to invite you there. Finally... 284 00:16:37,941 --> 00:16:39,650 We would love to have you there. 285 00:16:40,108 --> 00:16:42,566 And you will see that I don't just play the pipe. 286 00:16:42,733 --> 00:16:43,400 Laughs 287 00:16:47,858 --> 00:16:49,525 You welcome people, you smile. 288 00:16:49,691 --> 00:16:51,566 - She's already smiling brightly. - Hello, Pierre. 289 00:16:52,316 --> 00:16:53,525 - Hello, children. - How are you? 290 00:16:53,691 --> 00:16:56,150 - No, we have no news from Pierre Saka. 291 00:16:56,316 --> 00:16:58,066 - He would have been called? - Ah, shit. 292 00:16:58,400 --> 00:17:01,733 - I'm going to sing alone. I can't do the whole song tour. 293 00:17:02,191 --> 00:17:04,150 Could you sing one more song? 294 00:17:04,316 --> 00:17:05,775 No, but don't bother. 295 00:17:06,483 --> 00:17:09,650 - I can sing you two or three songs. - Well... 296 00:17:10,025 --> 00:17:11,441 Yes, why not. 297 00:17:11,858 --> 00:17:12,816 Are you sure, Pierre? 298 00:17:15,900 --> 00:17:16,733 He sighs. 299 00:17:16,900 --> 00:17:18,483 You will pass between Aida and me. 300 00:17:18,983 --> 00:17:20,191 Come on, hop hop hop! 301 00:17:20,358 --> 00:17:21,941 Get back behind your microphone. 302 00:17:22,525 --> 00:17:25,858 Lively piano music Applause and cheers 303 00:17:28,900 --> 00:17:30,733 - And now we will welcome 304 00:17:31,108 --> 00:17:34,608 Pierre Roche and Charles Aznavour! 305 00:17:34,775 --> 00:17:37,233 - She calls us at the same time. What a fool! 306 00:17:37,400 --> 00:17:38,525 Come on, Pierre! 307 00:17:38,691 --> 00:17:40,775 - Let's go. She announced us. 308 00:17:40,941 --> 00:17:43,400 - Together? - Yes, we just have to do like at the club. 309 00:17:43,566 --> 00:17:45,816 - I know the songs. - Pierre Roche... 310 00:17:45,983 --> 00:17:48,400 - Okay, go on. - And Charles Aznavour! 311 00:17:48,566 --> 00:17:50,066 Applause and cheers 312 00:17:50,233 --> 00:17:52,191 - Ah! - Rock Stone ! 313 00:17:56,150 --> 00:18:01,233 IN PARIS, THERE IS A LADY 314 00:18:02,025 --> 00:18:07,983 IN PARIS, THERE IS A LADY 315 00:18:09,108 --> 00:18:10,358 (-Three, four...) 316 00:18:10,525 --> 00:18:14,025 - IN PARIS, THERE IS A LADY IN PARIS, WHO THINKS OF ME 317 00:18:14,191 --> 00:18:17,566 IN PARIS, SHE CLAIM FOR ME IN PARIS, I HEAR HER VOICE 318 00:18:17,733 --> 00:18:19,525 SHE HAS GOLD TEETH, MANY SERVANTS 319 00:18:19,691 --> 00:18:21,400 COURTS OF ADMIRES, A GARDEN ON ITS ROOF 320 00:18:21,566 --> 00:18:23,525 FISH IN THE BATH, FANTASTIC JEWELRY 321 00:18:23,691 --> 00:18:25,525 Birds of Brazil 322 00:18:25,691 --> 00:18:28,275 An Alaskan fox 323 00:18:28,775 --> 00:18:31,358 AH AH AH AH 324 00:18:31,733 --> 00:18:35,358 IN PARIS, THERE IS A LADY IN PARIS, WHO THINKS OF ME 325 00:18:35,525 --> 00:18:38,191 IN PARIS, SHE CLAIM ME IN PARIS... 326 00:18:38,358 --> 00:18:39,775 - I hear his voice - With us! 327 00:18:39,941 --> 00:18:42,400 - THERE IS A LADY IN PARIS WHO THINKS OF ME 328 00:18:42,775 --> 00:18:46,275 IN PARIS, SHE CLAIM FOR ME IN PARIS, I HEAR HER VOICE 329 00:18:46,441 --> 00:18:47,858 SHE HAS GOLD TEETH, MANY SERVANTS 330 00:18:48,233 --> 00:18:49,941 COURTS OF ADMIRES, A GARDEN ON ITS ROOF 331 00:18:50,108 --> 00:18:52,275 FISH IN THE BATH, FANTASTIC JEWELRY 332 00:18:52,441 --> 00:18:54,108 - Birds... - FROM BRAZIL 333 00:18:54,275 --> 00:18:55,608 The audience sings along. 334 00:18:55,775 --> 00:18:58,441 Applause and cheers 335 00:18:59,233 --> 00:19:01,983 - A guy who has a club in Lille invites you to come. 336 00:19:02,358 --> 00:19:05,400 It's very small. It would cost 50 francs, but hey... 337 00:19:05,566 --> 00:19:09,025 - It's going to be complicated to get there. There are almost no more trains. 338 00:19:09,733 --> 00:19:11,525 50 francs... each? 339 00:19:12,191 --> 00:19:12,858 Mmh. 340 00:19:14,066 --> 00:19:16,441 - For 50 francs, we will find a solution. 341 00:19:16,608 --> 00:19:19,233 - It's a strip club, a bit like a stripper. 342 00:19:19,608 --> 00:19:21,941 - You're right, we'll find a solution. 343 00:19:22,108 --> 00:19:22,733 Laughs 344 00:19:23,858 --> 00:19:24,733 You will need 345 00:19:24,900 --> 00:19:26,733 songs for you. Oh yes! 346 00:19:26,900 --> 00:19:28,733 We're not just going to do covers. 347 00:19:28,900 --> 00:19:31,441 - We have the best authors in Paris here. 348 00:19:31,733 --> 00:19:34,483 Do you have anything to suggest to us? 349 00:19:35,150 --> 00:19:37,483 - We have two or three finished songs, yes. 350 00:19:38,275 --> 00:19:42,066 But we plan to offer them to more famous singers. 351 00:19:42,941 --> 00:19:44,733 Finally, which are already turning. 352 00:19:44,900 --> 00:19:48,233 - But the spirit of the Song Club is precisely... 353 00:19:48,400 --> 00:19:49,233 It doesn't matter. 354 00:19:50,608 --> 00:19:52,025 We'll do it ourselves. 355 00:19:52,858 --> 00:19:56,525 It shouldn't be that complicated to write two verses and a chorus. 356 00:19:56,691 --> 00:19:58,858 Soft piano music 357 00:20:03,191 --> 00:20:04,691 Look at the desk. 358 00:20:05,858 --> 00:20:07,525 There are pens too. 359 00:20:19,941 --> 00:20:22,191 - I can't stand all their "lalalalala" anymore. 360 00:20:22,358 --> 00:20:23,900 "I'm walking down the street, lalalalala", 361 00:20:24,400 --> 00:20:26,191 "And look at the sky, lalalalala"... 362 00:20:27,066 --> 00:20:28,691 We need to put words in their place. 363 00:20:29,191 --> 00:20:30,983 I thought of something. 364 00:20:31,816 --> 00:20:33,191 Upbeat music 365 00:20:33,358 --> 00:20:34,608 Keep it up. 366 00:20:36,358 --> 00:20:37,816 He wore 367 00:20:37,983 --> 00:20:38,983 a taupe felt 368 00:20:39,150 --> 00:20:40,900 Charles hums. 369 00:20:42,066 --> 00:20:43,233 A taupe felt? 370 00:20:43,525 --> 00:20:44,233 Yes. 371 00:20:44,650 --> 00:20:46,275 I was in your neighborhood 372 00:20:46,733 --> 00:20:49,691 and in a hatter's window I see "taupé felt". 373 00:20:49,858 --> 00:20:52,816 The guy explained to me that it was made of moleskin. 374 00:20:52,983 --> 00:20:56,525 With the war, even the bourgeoisie are getting by. 375 00:20:56,691 --> 00:20:59,733 - A taupe felt-tip pen? I like it a lot. - Is that true? 376 00:20:59,900 --> 00:21:01,441 - Yes. Upbeat music 377 00:21:01,816 --> 00:21:04,233 - I would like to rhyme that with "onomatopoeia". 378 00:21:04,400 --> 00:21:06,108 I could scatter like a jazzman. 379 00:21:06,275 --> 00:21:07,691 Ah! Now you're talking to me. 380 00:21:09,316 --> 00:21:10,400 Shall we try together? 381 00:21:15,275 --> 00:21:17,608 HE WAS WEARING A TAUPE FELT HAT 382 00:21:17,775 --> 00:21:19,733 He spoke through onomatopoeia 383 00:21:19,900 --> 00:21:22,108 He drank iced coffees 384 00:21:22,275 --> 00:21:25,108 With straws 385 00:21:25,275 --> 00:21:26,608 - But it works! - Mmh. 386 00:21:26,983 --> 00:21:28,566 But I find it amazing. 387 00:21:28,941 --> 00:21:30,691 Boh, have you written before? 388 00:21:30,858 --> 00:21:31,941 Non. 389 00:21:32,108 --> 00:21:34,441 - I don't believe you. - I swear I don't. 390 00:21:35,025 --> 00:21:36,608 The crazy thing is... 391 00:21:37,650 --> 00:21:39,650 It doesn't even seem difficult to me. 392 00:21:40,566 --> 00:21:42,525 LATER THEY GOT MARRIED 393 00:21:42,691 --> 00:21:44,983 IT MADE A MIX OF CRAZY PEOPLE 394 00:21:45,150 --> 00:21:49,150 - WHO IS WALKING AT COMBINED STEPS - Boulevard Raspail 395 00:21:49,316 --> 00:21:51,066 - You have to see them... - In the cafes 396 00:21:51,233 --> 00:21:53,400 - On the counter... - Drinking frappés 397 00:21:54,066 --> 00:21:54,983 COFFEES 398 00:21:55,316 --> 00:21:59,983 FRAPPED COFFEE WITH STRAWS 399 00:22:00,691 --> 00:22:02,191 - Applause - Thank you. 400 00:22:05,150 --> 00:22:08,816 Now, ladies and gentlemen, I leave you with Miss Viviane. 401 00:22:08,983 --> 00:22:11,191 Cabaret Music Whistling 402 00:22:13,233 --> 00:22:15,983 Did you spot them both over there? Mother and daughter. 403 00:22:16,441 --> 00:22:17,608 I'm going to go see them. 404 00:22:17,775 --> 00:22:21,441 You join us. You talk with the mother and I, with the daughter. 405 00:22:21,608 --> 00:22:24,150 - But who is the mother, who is the daughter? 406 00:22:24,525 --> 00:22:27,275 You know what? I'm going to give them my special. 407 00:22:27,441 --> 00:22:29,733 Like last time, at the little club of... 408 00:22:30,150 --> 00:22:31,191 Charles ? 409 00:22:32,733 --> 00:22:35,150 - Good evening. I was watching you from the stage. 410 00:22:35,316 --> 00:22:37,650 - You light up the whole room. - Thank you. 411 00:22:37,816 --> 00:22:39,400 - Do you say that every time? - No. 412 00:22:39,983 --> 00:22:41,525 - Do you allow me? - Please. 413 00:22:41,691 --> 00:22:43,025 Good evening, ladies. 414 00:22:43,191 --> 00:22:45,483 I was watching you from the stage. 415 00:22:45,650 --> 00:22:47,483 You light up the whole room. 416 00:22:48,691 --> 00:22:49,816 All right. 417 00:22:49,983 --> 00:22:52,900 - And a liar, too. - Only on special occasions. 418 00:22:53,066 --> 00:22:55,858 - Is this me, the opportunity? Is this supposed to please me? 419 00:22:56,025 --> 00:22:58,150 No, I am the big occasion. 420 00:22:58,733 --> 00:23:01,233 - It's up to me to judge, if you allow me. 421 00:23:01,400 --> 00:23:02,108 SO ? 422 00:23:02,816 --> 00:23:04,150 What is the verdict? 423 00:23:04,316 --> 00:23:04,983 SO... 424 00:23:06,066 --> 00:23:08,358 laborious beginnings, but interesting repartee. 425 00:23:08,525 --> 00:23:10,691 - Oh... - There is hope for the future. 426 00:23:11,108 --> 00:23:13,775 - It's the sequel that I'm best at. 427 00:23:13,941 --> 00:23:15,025 Ah OK. 428 00:23:15,275 --> 00:23:16,275 Hmm? 429 00:23:17,108 --> 00:23:17,941 So what? 430 00:23:18,941 --> 00:23:20,275 No follow-up possible? 431 00:23:21,233 --> 00:23:23,566 - I'll try to go and light up the stage. 432 00:23:23,733 --> 00:23:24,650 Ah good ? 433 00:23:24,983 --> 00:23:26,525 - Little laugh - Mmh mmh. 434 00:23:27,025 --> 00:23:30,358 - You had her very young. I thought she was your sister. 435 00:23:30,525 --> 00:23:31,191 She laughs. 436 00:23:31,358 --> 00:23:34,150 "I have two loves" (Josephine Baker) 437 00:23:34,316 --> 00:23:39,150 I have two loves 438 00:23:39,566 --> 00:23:43,191 My country and Paris 439 00:23:44,733 --> 00:23:48,733 By them always 440 00:23:49,233 --> 00:23:51,983 My heart is delighted 441 00:23:56,358 --> 00:23:58,233 - Where are you going, my son? - To Lille. 442 00:23:59,108 --> 00:24:00,733 We're going to have a concert. 443 00:24:02,691 --> 00:24:04,316 I write songs now. 444 00:24:04,483 --> 00:24:06,025 - Songs? - Mmh. 445 00:24:06,191 --> 00:24:07,441 That's good. 446 00:24:07,608 --> 00:24:10,233 Do you know what the best song is? 447 00:24:10,400 --> 00:24:11,650 "There is joy." 448 00:24:11,816 --> 00:24:13,816 There is joy He hums. 449 00:24:13,983 --> 00:24:15,233 Swallows, there is joy 450 00:24:15,400 --> 00:24:18,400 - No one can do better. - You make me laugh. 451 00:24:19,233 --> 00:24:20,275 Come on. 452 00:24:20,441 --> 00:24:22,316 - See you soon, Dad. - Good luck. 453 00:24:22,483 --> 00:24:24,733 "His Youth" (Charles Aznavour) 454 00:24:25,566 --> 00:24:28,233 - I hope we'll be dealing with some admirers. 455 00:24:28,400 --> 00:24:30,108 When we hold 456 00:24:30,733 --> 00:24:32,358 In his hands 457 00:24:32,525 --> 00:24:34,816 This wealth 458 00:24:36,150 --> 00:24:38,483 - Being twenty years old - It's not the time, come on! 459 00:24:38,650 --> 00:24:39,400 Tomorrows 460 00:24:39,900 --> 00:24:41,983 - Full of promises - Oh no, cows. 461 00:24:42,150 --> 00:24:44,400 - Come on, Mr. "Azbanour". We're going to sing. 462 00:24:44,566 --> 00:24:50,400 When love leans over us 463 00:24:52,066 --> 00:24:54,233 To offer us 464 00:24:55,275 --> 00:24:58,233 His sleepless nights 465 00:24:59,025 --> 00:25:00,733 When we see 466 00:25:00,900 --> 00:25:02,483 Far ahead 467 00:25:02,650 --> 00:25:04,775 Laugh at life 468 00:25:06,400 --> 00:25:09,191 Embroidered with hope, rich with joy 469 00:25:09,983 --> 00:25:11,900 And madness 470 00:25:13,483 --> 00:25:18,858 You have to drink until you get drunk. 471 00:25:20,150 --> 00:25:24,566 His youth 472 00:25:26,316 --> 00:25:28,858 He speaks German. 473 00:25:30,316 --> 00:25:32,900 - Are you Jewish? - Oh no, not at all. 474 00:25:33,358 --> 00:25:34,525 Pull down your pants. 475 00:25:39,150 --> 00:25:40,066 - Hurry up! 476 00:25:42,566 --> 00:25:46,983 And never again 477 00:25:47,150 --> 00:25:47,983 - You go. 478 00:25:48,150 --> 00:25:50,608 Lost time 479 00:25:51,191 --> 00:25:53,608 - Don't face us - Get out. 480 00:25:55,858 --> 00:25:59,191 He passes 481 00:25:59,816 --> 00:26:01,233 Often in vain 482 00:26:01,400 --> 00:26:03,233 - There's no more bread. - We hold out our hands. 483 00:26:03,691 --> 00:26:05,025 And we regret 484 00:26:07,525 --> 00:26:08,900 It's too late 485 00:26:09,775 --> 00:26:12,858 On his way, nothing stops him 486 00:26:14,691 --> 00:26:16,608 We cannot keep forever 487 00:26:19,441 --> 00:26:20,691 His youth 488 00:26:21,150 --> 00:26:25,983 His youth 489 00:26:28,191 --> 00:26:30,941 - Before we smile, we leave childhood behind 490 00:26:31,275 --> 00:26:34,150 Before knowing, youth runs away 491 00:26:34,775 --> 00:26:38,108 It seems so short that one is quite surprised. 492 00:26:39,358 --> 00:26:42,316 That before understanding, we leave existence 493 00:26:42,733 --> 00:26:43,566 When we hold 494 00:26:43,733 --> 00:26:45,775 In his hands This wealth 495 00:26:45,941 --> 00:26:47,275 To be twenty years old 496 00:26:47,441 --> 00:26:49,608 Tomorrows full of promise 497 00:26:49,941 --> 00:26:53,691 When love leans over us To offer us its sleepless nights 498 00:26:53,858 --> 00:26:56,025 - When we see - When we see 499 00:26:56,191 --> 00:26:57,358 - Far ahead - Far ahead 500 00:26:57,525 --> 00:27:00,066 - Laugh at life - Laugh at life 501 00:27:00,233 --> 00:27:02,525 - Embroidered with hope - Embroidered with hope 502 00:27:02,691 --> 00:27:04,441 - Rich in joy - Rich in joy 503 00:27:04,608 --> 00:27:06,775 And madness 504 00:27:07,816 --> 00:27:09,816 You have to drink until you get drunk 505 00:27:11,233 --> 00:27:12,233 His youth 506 00:27:12,775 --> 00:27:14,608 Because every moment of our twenties 507 00:27:14,775 --> 00:27:16,108 We are counted 508 00:27:16,275 --> 00:27:17,566 And never again The time wasted 509 00:27:17,733 --> 00:27:19,150 Don't face us 510 00:27:19,608 --> 00:27:20,900 He passes 511 00:27:22,066 --> 00:27:23,525 They had the Manouchian network. 512 00:27:23,900 --> 00:27:25,816 Apparently they have already shot them. 513 00:27:30,441 --> 00:27:31,483 I have to go. 514 00:27:31,650 --> 00:27:32,691 Yes yes. 515 00:27:39,025 --> 00:27:40,691 She sobs. 516 00:27:42,400 --> 00:27:43,358 Quick, quick! 517 00:27:43,525 --> 00:27:46,275 We can't stay here any longer, it's dangerous. 518 00:27:46,441 --> 00:27:48,650 The Germans will find us. 519 00:27:48,816 --> 00:27:50,483 Let's go to the hotel across the street. 520 00:27:52,025 --> 00:27:54,775 Quick! We're going to hide in the hotel. 521 00:27:56,441 --> 00:27:59,108 Vehicle approaching Door slamming 522 00:27:59,275 --> 00:28:01,816 Inaudible words in German 523 00:28:01,983 --> 00:28:03,150 - (In German) - Come on, quickly! 524 00:28:04,233 --> 00:28:05,316 - Hurry up. 525 00:28:05,483 --> 00:28:07,316 Aznavourian, first floor! 526 00:28:08,150 --> 00:28:09,733 Let's go up, quickly! 527 00:28:13,108 --> 00:28:15,483 - Sir! - Micheline? 528 00:28:15,650 --> 00:28:17,400 - It's over! - What? 529 00:28:17,566 --> 00:28:18,983 - We're free! - I'm coming. 530 00:28:19,150 --> 00:28:20,400 - Come down! - Are you okay? 531 00:28:20,566 --> 00:28:23,441 - Yes, it's okay! The Americans are here. 532 00:28:23,608 --> 00:28:25,191 We are free! 533 00:28:25,358 --> 00:28:26,775 Come on, come down! 534 00:28:27,150 --> 00:28:28,483 Get down! 535 00:28:28,650 --> 00:28:29,775 Come on! 536 00:28:29,941 --> 00:28:32,316 Cries of joy 537 00:28:34,983 --> 00:28:36,108 Micheline! 538 00:28:36,275 --> 00:28:37,816 Joyful laughter 539 00:28:38,733 --> 00:28:40,816 - I'm so happy to see you. - Me too. 540 00:28:40,983 --> 00:28:43,233 Cries of joy 541 00:28:44,900 --> 00:28:46,691 - Are we free? - Yes. 542 00:29:02,650 --> 00:29:04,275 Long live freedom! 543 00:30:02,025 --> 00:30:03,483 - Charles? He sighs. 544 00:30:03,650 --> 00:30:04,858 She laughs. 545 00:30:06,358 --> 00:30:07,858 It was great. Thank you very much. 546 00:30:08,025 --> 00:30:09,358 Can you laugh about it? 547 00:30:09,525 --> 00:30:12,066 - I can't wait until we have our house. - Charles, are you there? 548 00:30:15,691 --> 00:30:17,733 - Ah, you're here too, Micheline. - Yes. 549 00:30:17,900 --> 00:30:18,816 How are you, Charles? 550 00:30:18,983 --> 00:30:20,025 - Yes. - You look tense. 551 00:30:21,108 --> 00:30:22,108 Non. 552 00:30:22,400 --> 00:30:23,441 Are you hungry? 553 00:30:24,025 --> 00:30:25,441 Yes. Uh, no. 554 00:30:26,275 --> 00:30:27,691 I'm going to cook. 555 00:30:29,358 --> 00:30:30,775 Micheline laughs. 556 00:30:30,941 --> 00:30:32,066 He laughs. 557 00:30:34,150 --> 00:30:35,108 It's going to roll. 558 00:30:35,275 --> 00:30:37,150 If you have 1,000 francs, that's great. 559 00:30:37,316 --> 00:30:40,150 - Let me do it. Don't say anything. - You'll ruin everything. 560 00:30:40,316 --> 00:30:42,775 - Shut up and smile. - Oh, artists! 561 00:30:43,691 --> 00:30:45,400 We're going for three nights, huh? 562 00:30:46,025 --> 00:30:48,233 I can offer you... 1,500. 563 00:30:49,108 --> 00:30:50,066 Well no. No. 564 00:30:50,691 --> 00:30:51,858 We are 3,000. 565 00:30:52,400 --> 00:30:53,316 3 000 ? 566 00:30:53,650 --> 00:30:54,400 Each ? 567 00:30:57,733 --> 00:30:58,566 Of course. 568 00:31:00,525 --> 00:31:01,608 By evening? 569 00:31:02,941 --> 00:31:03,983 Mmh. 570 00:31:05,400 --> 00:31:07,483 Wait, guys, 18,000 francs! 571 00:31:08,025 --> 00:31:09,400 Well, that's it. It's... 572 00:31:09,858 --> 00:31:11,650 This is what we usually take. 573 00:31:12,691 --> 00:31:13,816 Well, it's not cheap. 574 00:31:15,608 --> 00:31:17,566 But hey... Here's a little advance. 575 00:31:18,608 --> 00:31:20,483 For now, there are only 1,000. 576 00:31:22,233 --> 00:31:23,150 We will prepare you 577 00:31:23,316 --> 00:31:24,983 your contracts, and then we sign 578 00:31:25,150 --> 00:31:26,983 - from tomorrow. - Thank you. 579 00:31:27,150 --> 00:31:29,525 Street noise 580 00:31:33,733 --> 00:31:34,733 Attends. 581 00:31:36,983 --> 00:31:39,025 Cry of joy 582 00:31:39,191 --> 00:31:41,608 - We're going to drink, my friend. We're going to party. 583 00:31:41,775 --> 00:31:44,191 Tonight, the best restaurant in Paris. 584 00:31:44,358 --> 00:31:46,941 - Gladly. - Better yet: all this week 585 00:31:47,108 --> 00:31:50,441 - we go to the best restaurants. - Tutututut. 586 00:31:50,608 --> 00:31:52,650 Wait, tonight we're having fun. 587 00:31:52,816 --> 00:31:54,358 But we will invest the rest. 588 00:31:54,525 --> 00:31:57,066 - We're going to have our posters printed. - But no. 589 00:31:57,233 --> 00:32:00,191 For once we have a little bit to spare, we have to make the most of it. 590 00:32:00,358 --> 00:32:03,191 - But we'll enjoy it. But later, even better. 591 00:32:03,358 --> 00:32:04,858 In the meantime, we need to make ourselves known. 592 00:32:06,025 --> 00:32:08,650 He speaks Armenian. Advertising is important. 593 00:32:11,150 --> 00:32:12,816 Horn honks 594 00:32:16,233 --> 00:32:17,191 Welcome to all 595 00:32:17,358 --> 00:32:21,066 at Paris Radio Diffusion, musical and live broadcast. 596 00:32:21,608 --> 00:32:24,733 - Do you see who is there? - Charles Trenet. 597 00:32:24,900 --> 00:32:26,191 And Edith Piaf. 598 00:32:26,775 --> 00:32:27,983 And Edith Piaf! 599 00:32:28,983 --> 00:32:32,358 - Roche and Aznavour, with “Express Departure”! 600 00:32:32,525 --> 00:32:34,858 Applause 601 00:32:37,025 --> 00:32:38,066 Ladies and Gentlemen. 602 00:32:38,525 --> 00:32:40,775 "Express Departure" (Charles Aznavour) 603 00:32:44,358 --> 00:32:46,233 ONE DAY IN MAY WHEN BOREDOM WEIGHED ON ME 604 00:32:46,400 --> 00:32:49,483 TO LIVE MY LIFE LEAVING WHAT OPPRESSES ME 605 00:32:49,650 --> 00:32:51,150 I LEFT EVERYTHING WITHOUT SORROW WITHOUT REGRET 606 00:32:51,316 --> 00:32:53,650 SINCE TRAVEL SHAPES YOUTH 607 00:32:53,816 --> 00:32:56,608 To the curious people, I answered... 608 00:32:56,775 --> 00:32:57,983 "Destination unknown" 609 00:32:59,191 --> 00:33:01,566 - I TOOK THE FIRST TRAIN THAT LEFT IN THE MORNING 610 00:33:01,733 --> 00:33:03,816 BY CHANCE, THERE WAS A VERY NICE WOMAN ON THE TRAIN 611 00:33:04,191 --> 00:33:06,275 HOW KINDLY DESTINY WATCHES OVER ME 612 00:33:06,650 --> 00:33:08,941 SHE WAS JUST IN MY COMPARTMENT 613 00:33:09,108 --> 00:33:11,483 THE TRAIN WAS MAKING AN INFERNAL NOISE 614 00:33:11,650 --> 00:33:13,900 ON THE WOODEN BENCH WE WERE RATHER UNHAPPY 615 00:33:14,275 --> 00:33:16,566 AND WHEN I TOOK HIS HAND SPEAKING SOFTLY 616 00:33:16,733 --> 00:33:18,733 FASTER THAN THE TRAIN WERE MY HEARTBEATS 617 00:33:18,900 --> 00:33:21,483 In a charming, slightly mocking tone 618 00:33:21,650 --> 00:33:23,566 In an instant, I took his heart 619 00:33:23,941 --> 00:33:26,358 I suggested to him very gallantly: 620 00:33:26,525 --> 00:33:28,900 “Come with me to the dining car” 621 00:33:29,358 --> 00:33:31,691 - Gentlemen, congratulations. I liked it very much. 622 00:33:31,983 --> 00:33:34,275 - Coming from you, Mr. Trenet, it is an honor. 623 00:33:34,608 --> 00:33:37,441 - Do you know Raoul Breton, a great Parisian publisher? 624 00:33:37,608 --> 00:33:38,733 - Of course. - We can't. 625 00:33:38,900 --> 00:33:42,316 you miss, you have posters everywhere. I'm interested. 626 00:33:42,483 --> 00:33:44,275 Come see me next week. 627 00:33:44,441 --> 00:33:46,816 With pleasure, thank you. Monday morning? 628 00:33:47,650 --> 00:33:49,358 Ah... Yes, Monday morning, 629 00:33:49,525 --> 00:33:50,775 - That's good. - See you soon, Edith. 630 00:33:50,941 --> 00:33:52,150 See you next time. 631 00:33:52,316 --> 00:33:55,691 - It was an honor to receive you. - Come, come and see. 632 00:33:56,275 --> 00:33:58,191 - Me? - Well yes, you. 633 00:33:58,358 --> 00:34:00,400 Light hubbub 634 00:34:03,900 --> 00:34:06,608 It was good. It moves a little compared to the others. 635 00:34:06,900 --> 00:34:09,150 - Thank you very much. - What are you doing tonight? 636 00:34:09,316 --> 00:34:11,525 There will be friends at my place. Do you want to come? 637 00:34:13,858 --> 00:34:16,191 Yes. With pleasure. 638 00:34:16,608 --> 00:34:17,483 My partner too? 639 00:34:17,983 --> 00:34:20,483 - The partner? Oh well, bring him too. 640 00:34:20,650 --> 00:34:22,275 - See you later. - See you later. 641 00:34:23,233 --> 00:34:26,566 Jazz music 642 00:34:30,400 --> 00:34:32,900 - There they are. They finally found it. 643 00:34:33,816 --> 00:34:36,441 The little one sang well. And he wrote, too. 644 00:34:37,191 --> 00:34:40,108 Give them a drink. Then pour me another, don't lose your touch. 645 00:34:40,275 --> 00:34:42,608 Edith, gently anyway. 646 00:34:42,775 --> 00:34:44,025 Oh, it's okay, honey. 647 00:34:44,191 --> 00:34:46,941 He's afraid I'll turn into a drunk. He's hiding me. 648 00:34:47,108 --> 00:34:49,066 - bottles. - Do you write music? 649 00:34:49,233 --> 00:34:50,191 Words, especially. 650 00:34:50,358 --> 00:34:51,483 And quite well, even. 651 00:34:51,650 --> 00:34:54,650 His way of writing is interesting. Not like the others. 652 00:34:54,816 --> 00:34:56,191 His voice is not bad. 653 00:34:56,358 --> 00:34:58,358 A little broken. Looks like an American. 654 00:34:58,525 --> 00:35:00,775 - Are you Jewish? - No, Armenian. 655 00:35:01,816 --> 00:35:03,066 - What is it? - Whoa. 656 00:35:03,525 --> 00:35:05,983 - Too long to explain. - Then don't bother looking. 657 00:35:06,400 --> 00:35:07,858 Why black? In mourning? 658 00:35:08,150 --> 00:35:10,066 - No. When it's dirty, it's less visible. 659 00:35:10,441 --> 00:35:12,900 - Maybe your shirt is disgusting? 660 00:35:13,066 --> 00:35:14,733 It could well be, yes. 661 00:35:14,900 --> 00:35:16,400 - She laughs. - He's very good. 662 00:35:16,566 --> 00:35:18,275 He even wears dirty shirts. 663 00:35:19,441 --> 00:35:21,108 Are you like me, do you come from the street? 664 00:35:21,275 --> 00:35:23,608 - Did you sing in the street? - And how! 665 00:35:23,983 --> 00:35:26,025 Oh, there, I'm starting to like you. 666 00:35:26,191 --> 00:35:29,066 - I had bought a bicycle to go to the musette ball. 667 00:35:29,233 --> 00:35:31,525 - Oh yeah? Have you ever been to the Petit Balcon? 668 00:35:31,691 --> 00:35:33,275 Sure. I prefer the Ball to Jo. 669 00:35:33,441 --> 00:35:34,358 Are you dancing the 3-beat? 670 00:35:35,025 --> 00:35:35,816 I want, yes. 671 00:35:35,983 --> 00:35:36,858 Right side up, upside down? 672 00:35:37,025 --> 00:35:37,650 Obviously. 673 00:35:37,816 --> 00:35:38,775 - Upside down? - Yes. 674 00:35:38,941 --> 00:35:40,566 Well, you bastard, we'll see about that. 675 00:35:40,858 --> 00:35:42,900 Here, Michel, Henri, roll up the carpet for me. 676 00:35:43,066 --> 00:35:44,775 Marguerite, at the piano. Plays a waltz. 677 00:35:45,358 --> 00:35:46,775 We will see if Mr. Aznavour 678 00:35:46,941 --> 00:35:48,483 knows how to dance the waltz backwards. 679 00:35:48,650 --> 00:35:49,816 Help me up, you. 680 00:35:50,608 --> 00:35:51,566 Edith laughs. 681 00:35:52,608 --> 00:35:53,650 SO... 682 00:35:55,525 --> 00:35:57,400 And... one, two, three. 683 00:35:57,566 --> 00:35:59,233 Fake 684 00:36:14,608 --> 00:36:15,441 Charles rit. 685 00:36:15,608 --> 00:36:16,691 Edith laughs. 686 00:36:16,858 --> 00:36:20,108 - It's a real one. - I return the compliment, ma'am. 687 00:36:20,858 --> 00:36:22,358 - Call me Edith. 688 00:36:22,525 --> 00:36:23,775 Okay, Edith. 689 00:36:25,275 --> 00:36:28,650 - I'm going on tour with the Compagnons de la Chanson. 690 00:36:29,233 --> 00:36:30,483 I'm giving you a chance. 691 00:36:30,900 --> 00:36:32,483 You're going to do my curtain raiser. 692 00:36:32,650 --> 00:36:35,441 - After the intermission, you will announce me. - Oh well, thank you. 693 00:36:37,025 --> 00:36:38,566 But if I may dare, 694 00:36:39,900 --> 00:36:41,566 we will be paid, or...? 695 00:36:43,650 --> 00:36:47,066 - I offer you to go on tour and you ask for how much? 696 00:36:48,316 --> 00:36:50,650 That's right. Sorry. 697 00:36:51,566 --> 00:36:54,025 I have a family to support and I'm planning to get married. 698 00:36:55,025 --> 00:36:57,983 - At your age and in this profession, we are single. 699 00:36:58,150 --> 00:36:59,025 Am I married? 700 00:37:01,900 --> 00:37:02,858 Alright. 701 00:37:03,025 --> 00:37:04,941 - Train to Roubaix, the day after tomorrow, at 8:20 a.m. 702 00:37:05,108 --> 00:37:07,233 Be on time. Don't jump on the bandwagon. 703 00:37:09,108 --> 00:37:11,191 Thank you, Edith. 704 00:37:15,025 --> 00:37:16,275 Hey! 705 00:37:18,525 --> 00:37:19,691 Hey! 706 00:37:19,858 --> 00:37:20,941 Non ! 707 00:37:21,441 --> 00:37:25,233 Train whistle 708 00:37:25,400 --> 00:37:26,775 Shit ! 709 00:37:28,358 --> 00:37:29,358 Peter is going to kill me. 710 00:37:29,525 --> 00:37:31,191 - Let me through, for God's sake! 711 00:37:31,358 --> 00:37:32,816 - Excuse me. - You too? 712 00:37:32,983 --> 00:37:34,608 Pierre laughs. Charles laughs. 713 00:37:34,775 --> 00:37:35,525 - But no? - Look. 714 00:37:35,691 --> 00:37:37,275 - Good Lord! They laugh. 715 00:37:37,441 --> 00:37:38,316 Oh ! 716 00:37:38,483 --> 00:37:39,941 - We are puppets. - We laugh, 717 00:37:40,108 --> 00:37:42,316 We laugh, but we just ruined everything. 718 00:37:42,775 --> 00:37:44,566 Well, I'm going to go back to bed. 719 00:37:44,733 --> 00:37:46,983 - A pretty blonde is waiting for me in my bed. - No. 720 00:37:47,150 --> 00:37:48,775 We're not going to stay like this. 721 00:37:49,233 --> 00:37:50,233 We go to the bus station. 722 00:37:50,400 --> 00:37:52,900 Bridges destroyed, trains take ages. 723 00:37:53,650 --> 00:37:56,191 We can arrive at the same time as her. 724 00:37:56,358 --> 00:37:58,441 - Let's go. - Let's go, Alonso. 725 00:37:58,608 --> 00:38:00,150 Jazz music 726 00:38:02,400 --> 00:38:03,441 Edith! 727 00:38:04,025 --> 00:38:06,191 Oh! Well, you're there? 728 00:38:06,358 --> 00:38:08,025 We didn't jump on the bandwagon. 729 00:38:08,191 --> 00:38:09,858 And they're being smart, too. 730 00:38:10,191 --> 00:38:13,316 I can't wait to see what it's going to be like, with some zigotos. 731 00:38:13,483 --> 00:38:14,733 - See you tonight. - See you tonight. 732 00:38:14,900 --> 00:38:17,275 - We play at 8:00. Be there at 7:00. - We'll be there. 733 00:38:17,441 --> 00:38:18,483 We will be there. 734 00:38:18,858 --> 00:38:20,483 Ladies and Gentlemen, 735 00:38:21,275 --> 00:38:25,775 one name. And in that name, the whole song. 736 00:38:25,941 --> 00:38:27,441 Edith Piaf. 737 00:38:27,608 --> 00:38:30,483 Applause and cheers 738 00:38:33,525 --> 00:38:34,608 THANKS. 739 00:38:36,358 --> 00:38:39,358 By Michel Emer, “The Accordionist”. 740 00:38:39,525 --> 00:38:42,066 "The Accordionist" (Edith Piaf) 741 00:38:56,025 --> 00:38:58,483 The girl of joy is beautiful 742 00:38:58,650 --> 00:39:01,275 Around the corner, over there 743 00:39:01,441 --> 00:39:03,608 She has a clientele 744 00:39:03,775 --> 00:39:06,525 Who fills his stocking 745 00:39:06,691 --> 00:39:09,191 When his job is done 746 00:39:09,358 --> 00:39:11,858 She leaves in turn 747 00:39:12,025 --> 00:39:14,150 Looking for a little dream 748 00:39:14,316 --> 00:39:17,316 At a ball in the suburbs 749 00:39:17,483 --> 00:39:20,275 Her man is an artist 750 00:39:20,441 --> 00:39:23,025 He's a funny little guy 751 00:39:23,483 --> 00:39:26,066 An accordionist 752 00:39:26,566 --> 00:39:33,025 Who knows how to play java 753 00:39:34,316 --> 00:39:35,733 She listens to java 754 00:39:35,900 --> 00:39:37,733 But she doesn't dance it 755 00:39:37,900 --> 00:39:40,983 She doesn't even look at the track 756 00:39:41,150 --> 00:39:42,691 But his loving eyes 757 00:39:42,858 --> 00:39:44,275 The nervous game follows 758 00:39:44,691 --> 00:39:47,566 And the artist's long, dry fingers 759 00:39:47,733 --> 00:39:49,316 It gets under his skin 760 00:39:49,483 --> 00:39:51,316 From below, from above 761 00:39:51,483 --> 00:39:54,275 She wants to sing It's physical 762 00:39:54,650 --> 00:39:56,233 His whole being is tense. 763 00:39:56,400 --> 00:39:58,191 His breath is suspended 764 00:39:58,358 --> 00:40:01,441 She's a real music freak 765 00:40:06,733 --> 00:40:09,525 The girl of joy is sad 766 00:40:09,691 --> 00:40:12,108 Around the corner, over there 767 00:40:12,525 --> 00:40:15,525 His accordionist 768 00:40:15,691 --> 00:40:17,941 He left as a soldier 769 00:40:18,566 --> 00:40:21,108 When he comes back from the war 770 00:40:21,275 --> 00:40:23,233 They will take a house 771 00:40:24,066 --> 00:40:26,233 She will be the cashier 772 00:40:26,400 --> 00:40:29,900 And he will be the boss 773 00:40:30,733 --> 00:40:32,858 How beautiful life will be! 774 00:40:33,025 --> 00:40:35,316 They will be real pashas 775 00:40:36,025 --> 00:40:39,275 And every night for her 776 00:40:39,441 --> 00:40:45,275 He will play java 777 00:40:46,191 --> 00:40:47,775 She listens to java 778 00:40:47,941 --> 00:40:50,025 She hums quietly 779 00:40:50,191 --> 00:40:52,858 She sees her accordionist again 780 00:40:53,025 --> 00:40:54,733 And his loving eyes 781 00:40:54,900 --> 00:40:56,400 The nervous game follows 782 00:40:56,566 --> 00:40:59,358 And the artist's long, dry fingers 783 00:40:59,525 --> 00:41:01,233 It gets under his skin 784 00:41:01,400 --> 00:41:03,275 From below, from above 785 00:41:03,441 --> 00:41:06,191 She feels like crying It's physical 786 00:41:06,358 --> 00:41:07,858 His whole being is tense. 787 00:41:08,025 --> 00:41:09,858 His breath is suspended 788 00:41:10,025 --> 00:41:13,941 She's a real music freak 789 00:41:16,191 --> 00:41:17,150 They laugh. 790 00:41:17,316 --> 00:41:19,650 Oh, by the way, we're going to cut the tour short. 791 00:41:19,816 --> 00:41:21,691 I got an offer for New York. 792 00:41:21,858 --> 00:41:23,941 New York? The dream! 793 00:41:24,941 --> 00:41:26,483 When are we leaving? 794 00:41:26,650 --> 00:41:27,983 I'm leaving next Tuesday. 795 00:41:28,150 --> 00:41:30,733 You, well... when you can afford your ticket. 796 00:41:30,900 --> 00:41:32,025 Lively hubbub 797 00:41:37,150 --> 00:41:38,483 Stop! 798 00:41:41,358 --> 00:41:44,400 - I have to buy him some more clothes. Everything is too small. 799 00:41:48,691 --> 00:41:50,941 We need to move. The Nazis are back. 800 00:41:51,358 --> 00:41:53,400 - Mmh mmh. Children 801 00:41:55,775 --> 00:41:58,441 - Seda, she's Roche's daughter. - Mmh mmh. 802 00:41:58,608 --> 00:41:59,775 Mmh. 803 00:41:59,941 --> 00:42:01,900 Charles? You're not listening to me. 804 00:42:02,066 --> 00:42:04,816 - Ah, sorry, excuse me. I was thinking. 805 00:42:05,650 --> 00:42:07,150 - Tell me. - When are you with us? 806 00:42:07,816 --> 00:42:11,150 You've been on tour for months. You've barely seen your daughter. 807 00:42:11,316 --> 00:42:13,275 I was glad it ended. 808 00:42:13,441 --> 00:42:15,358 I thought you were happy to be home. 809 00:42:15,525 --> 00:42:18,358 - I'm glad to be home and see you, finally! 810 00:42:20,275 --> 00:42:23,066 I have the right to regret that the tour is over. 811 00:42:23,233 --> 00:42:24,816 I've been waiting for this my whole life. 812 00:42:24,983 --> 00:42:27,316 I'm doing this for us, so we're safe. 813 00:42:27,483 --> 00:42:30,191 If my own wife doesn't understand this, what do I do? 814 00:42:30,358 --> 00:42:33,566 - I put my career aside for Seda. - Oh, no! 815 00:42:33,733 --> 00:42:34,816 Non. 816 00:42:35,525 --> 00:42:37,025 I never asked you that. 817 00:42:37,191 --> 00:42:40,150 You could have gone ahead. My parents would have taken care of it. 818 00:42:40,816 --> 00:42:42,275 She needs parents. 819 00:42:42,441 --> 00:42:46,108 - What the hell are you doing in New York? - I'm going to do my job there! 820 00:42:46,858 --> 00:42:48,233 If I have to neglect everything around 821 00:42:48,400 --> 00:42:50,025 to get there, I will. 822 00:42:50,191 --> 00:42:52,941 You're constantly complaining! 823 00:42:53,108 --> 00:42:55,275 - Never happy. - The world upside down! 824 00:42:55,608 --> 00:42:57,400 You're the one who's never satisfied. 825 00:42:57,566 --> 00:43:01,275 If only you were happy with us... Even if you are present, you are absent. 826 00:43:01,441 --> 00:43:03,650 You're in your thoughts, your songs. 827 00:43:04,650 --> 00:43:06,525 You're bored with us, Charles. 828 00:43:10,066 --> 00:43:12,650 - Isn't this serious? - Why? Are you happy now? 829 00:43:12,816 --> 00:43:14,691 Are you happy with what we've been doing since then? 830 00:43:15,566 --> 00:43:18,483 Can you imagine the little American girls hanging around your neck? 831 00:43:18,650 --> 00:43:22,441 - How can I get the tickets? My parents cut off my funding. 832 00:43:22,775 --> 00:43:25,566 - And you have a wife and a daughter. - Trust me. 833 00:43:25,900 --> 00:43:27,025 So, my children, 834 00:43:27,525 --> 00:43:28,525 here it is. 835 00:43:29,150 --> 00:43:30,483 It's the big day. 836 00:43:31,900 --> 00:43:35,483 I am very proud that you are joining the Raoul Breton house. 837 00:43:35,816 --> 00:43:37,900 I'm already telling everyone about you. I signed 838 00:43:38,066 --> 00:43:39,733 amazing songwriters. 839 00:43:40,650 --> 00:43:43,066 We're going to write for all the great singers. 840 00:43:43,233 --> 00:43:45,025 - Have you read the contract? - YES. 841 00:43:46,650 --> 00:43:48,400 - Did you see the advance? - Yes, thank you. 842 00:43:48,816 --> 00:43:50,775 - Exactly, we too have taken a lead. 843 00:43:50,941 --> 00:43:52,983 We've already written quite a few songs. 844 00:43:53,150 --> 00:43:55,025 And regarding the deposit, 845 00:43:55,191 --> 00:43:57,358 we would need a little more because... 846 00:43:58,691 --> 00:44:00,650 We would like to talk to you about a project. 847 00:44:02,025 --> 00:44:04,441 But dad, you put too much stuff in there. 848 00:44:04,608 --> 00:44:07,150 - How are you, my son? - Let me help you. 849 00:44:07,316 --> 00:44:09,441 - Were you going to the flea market like that? - It'll be fine. 850 00:44:09,608 --> 00:44:13,400 - You're going to break your back. - Oh... Usually it's lighter. 851 00:44:13,816 --> 00:44:15,275 How are you? 852 00:44:15,525 --> 00:44:18,941 - It's okay. Pierre and I are going to America. 853 00:44:19,108 --> 00:44:20,483 America? 854 00:44:20,650 --> 00:44:22,983 - We're going to join Piaf in New York. - New York? 855 00:44:23,316 --> 00:44:26,525 Do you remember when you were little, we wanted to live there? 856 00:44:26,691 --> 00:44:28,108 But we are good here. 857 00:44:33,608 --> 00:44:35,358 - No! What are you doing? - Take this. 858 00:44:35,525 --> 00:44:37,525 - No, keep it! - I have what I need. 859 00:44:37,691 --> 00:44:40,025 - It's your money. - I'm going to find a job. 860 00:44:40,191 --> 00:44:42,775 - You're gonna need it over there. - It'll be okay. 861 00:44:43,150 --> 00:44:44,108 All right ? 862 00:44:52,275 --> 00:44:54,650 Aircraft engine 863 00:44:57,733 --> 00:44:59,400 It's amazing to be here. 864 00:44:59,566 --> 00:45:01,691 The country where everything is possible, Mr. Roche. 865 00:45:01,858 --> 00:45:03,900 Great things are going to happen here. 866 00:45:04,650 --> 00:45:05,941 America, 867 00:45:06,358 --> 00:45:07,691 to us! 868 00:45:08,566 --> 00:45:10,358 - (In English) - You don't have a visa? 869 00:45:10,525 --> 00:45:11,400 Ouch. 870 00:45:11,775 --> 00:45:14,441 I don't think we can get in. We need a visa. 871 00:45:14,608 --> 00:45:17,608 - What do you mean? You don't speak English fluently? 872 00:45:17,775 --> 00:45:20,566 - English, yes. But this is American. 873 00:45:20,941 --> 00:45:22,941 We are talking about territorial administration. 874 00:45:23,358 --> 00:45:26,941 This is very technical language, so let me do it. 875 00:45:27,108 --> 00:45:27,775 Uh... 876 00:45:27,941 --> 00:45:30,441 So... Pierre clears his throat. 877 00:45:30,608 --> 00:45:33,150 What... what are we... 878 00:45:33,691 --> 00:45:34,733 So what? 879 00:45:34,900 --> 00:45:35,858 She sighs. 880 00:45:36,025 --> 00:45:38,441 - Do you know Edith Piaf? - Immigration. 881 00:45:38,608 --> 00:45:39,316 The Kid! 882 00:45:39,483 --> 00:45:40,275 Following ! 883 00:45:40,441 --> 00:45:41,608 The Kid. 884 00:45:43,150 --> 00:45:45,566 Dramatic music 885 00:46:04,650 --> 00:46:06,358 Where are they taking us? 886 00:46:14,025 --> 00:46:16,650 Light hubbub 887 00:46:16,816 --> 00:46:18,150 Heavy breathing 888 00:46:18,316 --> 00:46:20,191 What the hell are we doing here? 889 00:46:20,358 --> 00:46:22,983 - How long are we going to stay? - I don't know. 890 00:46:23,150 --> 00:46:24,816 We need to find some paper and a pen. 891 00:46:25,566 --> 00:46:26,650 Let's take the opportunity to write. 892 00:46:27,483 --> 00:46:28,608 - What are you talking about ? 893 00:46:29,025 --> 00:46:30,316 Well done, Charles. 894 00:46:30,483 --> 00:46:31,566 - What? - Your idea 895 00:46:31,733 --> 00:46:34,066 to join Piaf without telling anyone. Thank you. 896 00:46:34,233 --> 00:46:35,191 You're funny. 897 00:46:35,483 --> 00:46:37,900 You're the one who bought the plane tickets. 898 00:46:38,066 --> 00:46:39,816 - Didn't they tell you anything about the visa? - Yes, 899 00:46:39,983 --> 00:46:41,816 but I preferred prison. We are fine. 900 00:46:41,983 --> 00:46:43,525 Well no, they didn't tell me anything! 901 00:46:44,150 --> 00:46:45,316 Well, we have to make a phone call. 902 00:46:45,608 --> 00:46:48,275 - To whom? - I don't know. To our parents, 903 00:46:48,441 --> 00:46:50,316 I don't know. We can't stay here. 904 00:46:51,233 --> 00:46:52,400 Moan of disgust 905 00:46:52,566 --> 00:46:53,816 You will catch diseases. 906 00:46:55,150 --> 00:46:57,441 I shouldn't have listened to you. We can't afford it. 907 00:46:57,608 --> 00:46:59,941 the return. You gave everything to your family. 908 00:47:00,108 --> 00:47:01,483 Light hubbub 909 00:47:01,650 --> 00:47:03,316 I already explained it to you, Pierre. 910 00:47:05,191 --> 00:47:06,316 I'm sorry. 911 00:47:11,775 --> 00:47:12,441 Okay, 912 00:47:12,608 --> 00:47:14,691 Let's see if there are any young ladies. Little laugh 913 00:47:14,858 --> 00:47:17,441 Dramatic music Light hubbub 914 00:47:38,775 --> 00:47:41,858 - Mr. Charles Aznavourian and Mr. Pierre Roche. 915 00:47:42,025 --> 00:47:43,525 - Himself. 916 00:47:43,858 --> 00:47:46,316 Comments in English. 917 00:47:46,483 --> 00:47:48,900 - Did you come here to kill the president? 918 00:47:49,233 --> 00:47:50,191 No, no. 919 00:47:51,066 --> 00:47:53,775 - We don't even know who it is. - Two musicians. 920 00:47:54,233 --> 00:47:56,358 - What are you singing? 921 00:47:56,525 --> 00:48:00,358 - Our own songs, but also translated American standards. 922 00:48:05,275 --> 00:48:06,316 What songs? 923 00:48:06,650 --> 00:48:08,608 Oh! I got that. 924 00:48:08,775 --> 00:48:11,400 For example. (-Wow, that's good.) 925 00:48:12,358 --> 00:48:14,233 For example... 926 00:48:14,775 --> 00:48:16,233 "Look To The Rainbow". 927 00:48:17,150 --> 00:48:18,816 - Sing it. 928 00:48:23,233 --> 00:48:24,858 Three, four... 929 00:48:25,150 --> 00:48:27,400 - Look... - Look... 930 00:48:27,566 --> 00:48:29,900 LOOK TO THE RAINBOW 931 00:48:30,066 --> 00:48:32,775 LOOK, LOOK... 932 00:48:32,941 --> 00:48:35,775 LOOK AT THE RAINBOW 933 00:48:36,150 --> 00:48:41,775 FOLLOW THE FELLOW WHO FOLLOWS A DREAM 934 00:48:41,941 --> 00:48:48,900 FOLLOW YOUR FRIEND WHO PURSUES HIS DREAM 935 00:48:49,483 --> 00:48:50,983 - Hats off. - Hats off to you. 936 00:48:51,775 --> 00:48:53,358 PASSED 937 00:48:58,316 --> 00:49:00,691 Not approaching 938 00:49:07,608 --> 00:49:09,566 - What are you doing? - We'll find you. 939 00:49:10,400 --> 00:49:11,483 It seems tenuous. 940 00:49:11,650 --> 00:49:13,650 - You idiots, do you think I have time? 941 00:49:15,233 --> 00:49:17,066 Thanks ... thing. 942 00:49:20,275 --> 00:49:21,525 Peter clears his throat. 943 00:49:23,941 --> 00:49:24,858 Good... 944 00:49:25,025 --> 00:49:26,150 She sighs. 945 00:49:27,150 --> 00:49:29,441 What are we going to do with you, my two idiots? 946 00:49:30,025 --> 00:49:32,025 I heard you needed some sorrel. 947 00:49:32,191 --> 00:49:34,983 We'll find you some. I won't let you down. 948 00:49:35,150 --> 00:49:38,316 - I have an idea, but not in New York. - Where are we going to go? 949 00:49:38,483 --> 00:49:41,025 Cabaret music 950 00:49:41,191 --> 00:49:42,358 In Montreal. 951 00:49:45,108 --> 00:49:46,608 We'll find you some tickets. 952 00:49:46,775 --> 00:49:48,483 Cover yourself. It's freezing out there. 953 00:49:48,650 --> 00:49:50,983 You will be greeted by Gustave Longtin. 954 00:49:51,275 --> 00:49:53,525 I'll call him. He can't refuse me anything. 955 00:49:53,691 --> 00:49:55,900 He has a very good location, the Latin Quarter, 956 00:49:56,066 --> 00:49:57,108 who already has his customers. 957 00:49:57,608 --> 00:49:59,066 It has to work there. 958 00:49:59,233 --> 00:50:02,775 You will have the French and the Quebecers love the French. 959 00:50:03,066 --> 00:50:06,025 With your French faces and your rhythmic songs, 960 00:50:06,191 --> 00:50:07,191 they will love you. 961 00:50:07,358 --> 00:50:10,983 He will find you a contract, an apartment... 962 00:50:11,150 --> 00:50:13,941 I'll tell him to say that you are my protégés. 963 00:50:14,108 --> 00:50:17,358 and you have a huge success in Paris. They won't check. 964 00:50:17,525 --> 00:50:20,025 You will have the Quebec women at your feet. 965 00:50:20,191 --> 00:50:21,983 Then you won't be in my way. 966 00:50:23,025 --> 00:50:25,650 Here you go, guys. It's well deserved. 967 00:50:25,816 --> 00:50:27,066 3 500. 968 00:50:27,233 --> 00:50:28,358 Little happy laugh 969 00:50:31,816 --> 00:50:34,441 Applause 970 00:50:41,233 --> 00:50:43,733 - There, Edmond, sorry, but we can't play here. 971 00:50:44,608 --> 00:50:45,608 Pardon ? 972 00:50:45,775 --> 00:50:48,066 How do you play on a stage like that? 973 00:50:48,233 --> 00:50:49,775 If you can call it a scene. 974 00:50:49,941 --> 00:50:53,275 - It's not the stage that attracts people. It's the singer. 975 00:50:53,775 --> 00:50:57,483 - Allow me, I learned my trade from Edith Piaf. 976 00:50:57,650 --> 00:51:00,358 - She would never have set foot here. - Ah... 977 00:51:01,025 --> 00:51:02,191 OK. 978 00:51:02,358 --> 00:51:03,608 What would we do? 979 00:51:04,025 --> 00:51:05,191 Works. 980 00:51:05,900 --> 00:51:07,108 Lots of work. 981 00:51:07,441 --> 00:51:10,441 - It's not a problem. You should think about it. 982 00:51:10,608 --> 00:51:12,650 I would like to speak to my colleague. 983 00:51:12,816 --> 00:51:14,025 So do this. 984 00:51:14,525 --> 00:51:16,775 - There's nothing to think about, we're not coming here. 985 00:51:16,941 --> 00:51:19,275 It's too small, ugly, dirty. It stinks. 986 00:51:19,983 --> 00:51:21,775 We are very happy in the Latin Quarter. 987 00:51:21,941 --> 00:51:25,316 Then you know who it is? Do you want to work for a mobster? 988 00:51:25,483 --> 00:51:26,983 A mafioso, well anyway... 989 00:51:27,400 --> 00:51:30,483 - So what difference does that make? - I double your salary. 990 00:51:36,608 --> 00:51:37,858 - Trust me. 991 00:51:38,316 --> 00:51:41,650 The decoration needs to be redone. It looks like an old dance hall. 992 00:51:41,816 --> 00:51:44,233 Re-dress the walls, change the floor... 993 00:51:44,400 --> 00:51:46,816 - The curtains aren't right either? 994 00:51:46,983 --> 00:51:48,650 - No, I like them. - Oh yeah? 995 00:51:48,816 --> 00:51:51,816 - I really like the color. We'll have to move them back. 996 00:51:52,983 --> 00:51:54,983 We're going to install some slides in the back. 997 00:51:55,150 --> 00:51:58,316 - If we do that, it will become too small for the stage. 998 00:51:59,025 --> 00:52:00,483 Just lengthen it. 999 00:52:01,775 --> 00:52:03,441 And above all... He stamps his foot. 1000 00:52:03,608 --> 00:52:04,733 raise it. 1001 00:52:04,900 --> 00:52:06,025 Little laughs 1002 00:52:06,191 --> 00:52:07,525 It's an investment. 1003 00:52:07,691 --> 00:52:09,733 - Believe me, you won't regret it. - Yes. 1004 00:52:10,316 --> 00:52:12,108 Light hubbub 1005 00:52:15,691 --> 00:52:16,566 - We're going to go. - Yes. 1006 00:52:16,733 --> 00:52:18,275 I'm counting on you. Come on. 1007 00:52:20,358 --> 00:52:22,358 Ladies and gentlemen, good evening. 1008 00:52:22,525 --> 00:52:26,150 Thank you all for coming to the reopening of the Golden Pheasant. 1009 00:52:26,316 --> 00:52:27,441 To celebrate this, 1010 00:52:27,608 --> 00:52:30,775 welcome the french duo that everyone is talking about: 1011 00:52:30,941 --> 00:52:32,733 Roche and Aznavour. 1012 00:52:32,900 --> 00:52:35,275 Applause 1013 00:52:37,650 --> 00:52:39,358 Good evening, Montreal. 1014 00:52:39,525 --> 00:52:42,941 Here is a piece that will certainly warm your heart. 1015 00:52:43,358 --> 00:52:44,400 Three, four... 1016 00:52:44,566 --> 00:52:46,775 Upbeat music 1017 00:52:49,400 --> 00:52:51,525 HE WAS WEARING A TAUPE FELT HAT 1018 00:52:51,691 --> 00:52:53,858 HE SPOKEN THROUGH ONOMATOPOEIA 1019 00:52:54,025 --> 00:52:56,066 HE DRINK ICED COFFEE 1020 00:52:56,233 --> 00:52:58,150 With straws 1021 00:52:58,316 --> 00:53:00,900 - You have to see them... - In a café 1022 00:53:01,066 --> 00:53:02,775 - On the counter... - Drinking frappés 1023 00:53:02,941 --> 00:53:05,650 COFFEES, FRAPPED COFFEES 1024 00:53:05,816 --> 00:53:08,483 WITH STRAWS 1025 00:53:08,650 --> 00:53:10,233 - Jocelyne. - Good morning, Charles. 1026 00:53:10,400 --> 00:53:12,025 - Are you okay? - Yes, and you? 1027 00:53:12,191 --> 00:53:15,816 - Is the bird awake? - Not for long. I'm running away. 1028 00:53:15,983 --> 00:53:17,191 See you later. 1029 00:53:17,775 --> 00:53:18,733 Camera Roll 1030 00:53:18,900 --> 00:53:19,900 - What are you doing ? 1031 00:53:21,816 --> 00:53:23,441 - Charles? - Shit, then! 1032 00:53:23,608 --> 00:53:26,983 - Your forehead doesn't fit in the frame. - You're a bitch. You're handsome. 1033 00:53:27,150 --> 00:53:27,858 New costume. 1034 00:53:29,650 --> 00:53:31,191 - Tell me, Jocelyne, there... 1035 00:53:31,358 --> 00:53:34,025 I've never met the same girl so many times. One month, 1036 00:53:34,191 --> 00:53:35,275 It's a record. 1037 00:53:36,025 --> 00:53:37,650 It's true that I like him. 1038 00:53:38,275 --> 00:53:41,316 - And you, where were you? - With Mariflore, the tall redhead. 1039 00:53:41,483 --> 00:53:42,483 Oh yes. 1040 00:53:42,650 --> 00:53:46,150 I've been around. I'm sick of little admirers. 1041 00:53:46,816 --> 00:53:50,275 I see myself sitting down with Jocelyne and building something. 1042 00:53:50,441 --> 00:53:52,358 And then there we have the ideal life. 1043 00:53:52,691 --> 00:53:54,650 We finally have everything we need. 1044 00:53:55,233 --> 00:53:56,191 What ? 1045 00:53:56,983 --> 00:53:59,483 "I see myself sitting down with Jocelyne." Pierre laughed. 1046 00:53:59,650 --> 00:54:02,650 “Build something.” Are we talking about Pierre Roche? 1047 00:54:02,816 --> 00:54:03,983 Hey oh. 1048 00:54:04,150 --> 00:54:05,900 Laugh. You can't understand. 1049 00:54:06,066 --> 00:54:09,608 You too, one day, will want to have a wife and a child. 1050 00:54:11,358 --> 00:54:12,900 That's a low blow. 1051 00:54:14,983 --> 00:54:15,941 But finally, Charles... 1052 00:54:22,275 --> 00:54:23,400 You're right. 1053 00:54:26,275 --> 00:54:27,983 I have to stop lying to myself. 1054 00:54:28,608 --> 00:54:30,191 And lie to him too. 1055 00:54:31,983 --> 00:54:34,733 Since we've been here, I've been telling myself that as soon as it works, 1056 00:54:34,900 --> 00:54:36,525 I'm bringing her with my daughter. 1057 00:54:39,066 --> 00:54:41,066 But I'm just pushing back the deadline. 1058 00:54:43,858 --> 00:54:45,941 - Hey. - It's nice of you to come with us. 1059 00:54:46,108 --> 00:54:49,191 - I wouldn't have let you go to the airport in a taxi. 1060 00:54:49,358 --> 00:54:51,150 How long will it take you to come back? 1061 00:54:51,316 --> 00:54:53,566 - Three weeks, maybe a month. 1062 00:54:54,191 --> 00:54:56,191 Ah, the future bride and groom! 1063 00:54:56,358 --> 00:54:57,775 - Wow! - Thanks. 1064 00:54:57,941 --> 00:55:01,650 - Don't mess around. Over there, you say yes, then you come back. 1065 00:55:01,941 --> 00:55:04,608 Everybody in the tank, we're going to be late. 1066 00:55:05,316 --> 00:55:06,483 Honk the horn 1067 00:55:08,275 --> 00:55:10,108 - Charles ! - Ah ! 1068 00:55:10,650 --> 00:55:11,483 Dear ! 1069 00:55:13,150 --> 00:55:14,900 - Dad. - My son. 1070 00:55:15,066 --> 00:55:16,191 I am happy. 1071 00:55:16,650 --> 00:55:18,525 And you, my darling, eh? 1072 00:55:18,691 --> 00:55:20,816 Make a patchik for dad. Make a patchik . 1073 00:55:20,983 --> 00:55:22,608 Kiss Little tender laughs 1074 00:55:22,775 --> 00:55:23,983 You learned how to dress yourself. 1075 00:55:24,775 --> 00:55:26,858 - Are you starting? - Well, yes. 1076 00:55:27,025 --> 00:55:28,483 Are you going to come back to live here? 1077 00:55:28,650 --> 00:55:29,900 - I don't know, we're fine there. 1078 00:55:30,566 --> 00:55:34,150 Aida, you could sing there. The Quebecers will love you. 1079 00:55:40,608 --> 00:55:42,566 - I told you it was bullshit. 1080 00:55:43,525 --> 00:55:45,150 We are so out of sync. 1081 00:55:45,316 --> 00:55:47,275 Between her here and the success in Montreal... 1082 00:55:47,566 --> 00:55:50,275 How? Success? What success? 1083 00:55:50,441 --> 00:55:52,775 - It works pretty well. - And that's enough for you, 1084 00:55:52,941 --> 00:55:55,941 to have your little success in a cabaret at the end of the world? 1085 00:55:56,108 --> 00:55:57,983 Are you thinking about what's next? Oh! 1086 00:55:58,150 --> 00:55:59,900 Honestly, my little stupid genius, 1087 00:56:00,066 --> 00:56:02,858 You have talent, but you don't know how to lead a career. 1088 00:56:03,025 --> 00:56:05,858 Listen to your big sister. This is what you're going to do. 1089 00:56:06,025 --> 00:56:08,400 To be successful, you have to have a good face. 1090 00:56:08,566 --> 00:56:12,775 If you want to sing about love, it's time to get your nose redone. 1091 00:56:12,941 --> 00:56:15,316 I know a specialist. He works miracles. 1092 00:56:15,483 --> 00:56:17,066 I'll give you the operation. 1093 00:56:17,525 --> 00:56:20,775 You will take your best handwriting and write three letters. 1094 00:56:20,941 --> 00:56:22,358 "From now on" (Charles Aznavour) 1095 00:56:22,525 --> 00:56:24,691 The first one, you will address it to the Golden Pheasant 1096 00:56:24,858 --> 00:56:26,400 to tell them you're not coming back. 1097 00:56:26,566 --> 00:56:28,275 This job takes place in Paris. 1098 00:56:28,816 --> 00:56:30,566 Edmond is going to kill us, he's waiting for us. 1099 00:56:30,733 --> 00:56:33,858 - Why bury yourself in Montreal? There are four poor places. 1100 00:56:34,525 --> 00:56:37,858 A French artist must first be successful in France. 1101 00:56:38,025 --> 00:56:39,025 It's happening in Paris. 1102 00:56:39,608 --> 00:56:42,525 You have to sing your songs in front of the French audience. 1103 00:56:43,483 --> 00:56:49,441 - From now on, we will not be seen together anymore. 1104 00:56:51,108 --> 00:56:56,900 From now on my heart will live under the rubble 1105 00:56:57,358 --> 00:56:58,733 Damn French people. 1106 00:56:59,275 --> 00:57:00,025 After, 1107 00:57:00,191 --> 00:57:02,525 you're going to write to the little girl to leave her. 1108 00:57:02,691 --> 00:57:03,858 You're not in love anymore. 1109 00:57:04,025 --> 00:57:06,691 Since when can you be successful while married? 1110 00:57:06,858 --> 00:57:12,441 - From now on, my voice will no longer say "I love you" 1111 00:57:12,608 --> 00:57:14,275 I will always be there, Micheline. 1112 00:57:14,441 --> 00:57:16,233 I'll find you a place to live. 1113 00:57:16,400 --> 00:57:19,566 Seda will also be able to continue living with my parents. 1114 00:57:20,483 --> 00:57:24,191 - I will be a shadow of myself 1115 00:57:24,358 --> 00:57:27,108 My hand from your hand separated 1116 00:57:27,275 --> 00:57:28,650 The 3rd letter, you will write it 1117 00:57:28,816 --> 00:57:30,816 to warn your little friend Pierre 1118 00:57:31,275 --> 00:57:33,150 that it's over, you stay here. 1119 00:57:33,316 --> 00:57:36,566 - Pierre just got married. He will never want to stay in Paris. 1120 00:57:36,733 --> 00:57:38,400 Fine, you don't need him. 1121 00:57:39,400 --> 00:57:40,066 A man, 1122 00:57:40,233 --> 00:57:42,650 a real one, leads a solo career. 1123 00:57:44,025 --> 00:57:50,191 - We will never know the same fear again 1124 00:57:50,358 --> 00:57:55,025 To see our happiness slip away 1125 00:57:55,316 --> 00:57:58,525 And besides, from now on 1126 00:57:59,358 --> 00:58:01,983 - Do you understand what that means? - Yes. 1127 00:58:02,400 --> 00:58:06,150 But I'm ready to start over, to work twice as hard. 1128 00:58:06,316 --> 00:58:07,608 I'm talking to you about me here! 1129 00:58:07,775 --> 00:58:10,066 For once, can we not talk about you? 1130 00:58:10,233 --> 00:58:12,608 Of your desires, of your ambitions? 1131 00:58:13,483 --> 00:58:15,066 You wrote to Edmond without warning. 1132 00:58:15,233 --> 00:58:17,733 - Do you really think he's going to keep me? - Sorry, 1133 00:58:17,900 --> 00:58:20,733 but I turned the question over in my mind. 1134 00:58:21,941 --> 00:58:23,316 I don't want it anymore. 1135 00:58:24,483 --> 00:58:25,941 I don't have to force myself. 1136 00:58:26,275 --> 00:58:28,108 Of course I thought of you. 1137 00:58:28,275 --> 00:58:31,733 It's hard to imagine what's next without you. Only, you're married. 1138 00:58:32,608 --> 00:58:33,983 Your life is over there. 1139 00:58:34,275 --> 00:58:35,650 It's a game changer. 1140 00:58:36,233 --> 00:58:38,358 I just know I want to write. 1141 00:58:38,525 --> 00:58:42,150 And to write my songs, I need the streams of Paris. 1142 00:58:42,316 --> 00:58:43,775 But you see, you again! 1143 00:58:44,150 --> 00:58:46,066 Your career, your songs! 1144 00:58:46,233 --> 00:58:50,358 You were often right, but here I think you are wrong. 1145 00:58:50,525 --> 00:58:52,066 We have everything we want in Montreal. 1146 00:58:52,900 --> 00:58:56,650 No, maybe not you, because mister is never satisfied. 1147 00:58:57,316 --> 00:59:00,358 But your ambitions will eventually make you lose everything. 1148 00:59:00,525 --> 00:59:02,316 Me, your wife, your daughter, everything! 1149 00:59:02,483 --> 00:59:03,441 It is thanks 1150 00:59:03,608 --> 00:59:06,983 That's how you got a big apartment and found your wife. 1151 00:59:07,150 --> 00:59:08,400 So yes, I have ambitions. 1152 00:59:08,733 --> 00:59:10,066 Yes, we don't have the same ones. 1153 00:59:19,316 --> 00:59:20,691 Do I have to apologize for this? 1154 00:59:24,858 --> 00:59:25,900 Pierre... 1155 00:59:41,566 --> 00:59:43,983 "I'm Walkin'" (Fats Domino) 1156 01:00:02,733 --> 01:00:05,275 - And the suitcase, am I going to carry it? 1157 01:00:05,441 --> 01:00:06,566 Sorry, Edith. 1158 01:00:12,191 --> 01:00:15,275 I'm sorry, I won't be able to come with you to Bordeaux. 1159 01:00:16,025 --> 01:00:19,775 Paradis Latin offers me to play. It's a great contract. 1160 01:00:20,191 --> 01:00:23,483 - Would you prefer Paradis Latin to be my curtain raiser? 1161 01:00:23,650 --> 01:00:26,983 - But no, that's not it at all... - I'm joking. 1162 01:00:27,816 --> 01:00:31,608 Go sing with your lame ass dancers. That'll be one less flop. 1163 01:00:32,983 --> 01:00:34,191 Huh, my little dumb genius? 1164 01:00:34,358 --> 01:00:35,358 She laughs. 1165 01:00:41,441 --> 01:00:43,150 - You know what? - No. 1166 01:00:43,316 --> 01:00:45,941 - The more I look at you, the more I prefer your old nose. 1167 01:00:46,650 --> 01:00:47,775 Oh yes ? 1168 01:00:47,941 --> 01:00:49,483 - (Laughing) - No. 1169 01:00:49,650 --> 01:00:51,191 "I hate Sundays" (Juliette Gréco) 1170 01:00:51,566 --> 01:00:52,525 Oh... 1171 01:00:53,400 --> 01:00:54,941 This is my song. 1172 01:00:55,566 --> 01:00:56,900 I was the one who wrote to him. 1173 01:00:57,733 --> 01:00:58,858 - Is it ok? - Mmh. 1174 01:00:59,025 --> 01:01:00,941 Why didn't you offer it to me? 1175 01:01:01,108 --> 01:01:03,066 Yes, I did suggest it to you. 1176 01:01:03,233 --> 01:01:04,483 And what did I say? 1177 01:01:05,025 --> 01:01:08,608 - That she had nothing and that I could stick her wherever I thought. 1178 01:01:08,941 --> 01:01:10,650 - Did I say that? - Yes. 1179 01:01:10,816 --> 01:01:13,275 - That's weird, that's not my style. They laugh. 1180 01:01:16,275 --> 01:01:20,066 - Happiness is in the arms of a colored boy 1181 01:01:20,233 --> 01:01:22,483 Because he goes away and breaks her heart 1182 01:01:22,650 --> 01:01:24,358 Okay, we want the Môme! 1183 01:01:24,525 --> 01:01:25,691 Audience laughter 1184 01:01:25,858 --> 01:01:27,150 Hands him his ticket 1185 01:01:27,650 --> 01:01:29,983 He said to her, "Honey, I'm going to miss you." 1186 01:01:31,358 --> 01:01:34,858 But what is it... but what is it? 1187 01:01:35,025 --> 01:01:38,400 An everyday story 1188 01:01:38,566 --> 01:01:41,733 But what is it... but what is it? 1189 01:01:42,275 --> 01:01:44,400 Maybe the end of a love 1190 01:01:44,566 --> 01:01:46,566 Brouhaha 1191 01:01:48,316 --> 01:01:50,941 - Are you finished, Josephine? - Yes. 1192 01:01:51,108 --> 01:01:53,066 - Hi, Charles. - Hi, Françoise. 1193 01:01:54,025 --> 01:01:55,900 I'm in the car. Shall we have a drink? 1194 01:01:56,066 --> 01:01:58,316 Since when have you had a car? 1195 01:01:58,483 --> 01:01:59,566 - Come on, follow me. 1196 01:02:00,108 --> 01:02:01,233 - Wait for me. 1197 01:02:08,691 --> 01:02:11,150 Is that what your evenings are like when you leave the cabaret? 1198 01:02:11,900 --> 01:02:13,858 I can't believe you're living at Piaf's. 1199 01:02:14,025 --> 01:02:16,233 - Han! - Is it going well, my little genius? 1200 01:02:16,400 --> 01:02:17,316 Alright. 1201 01:02:17,483 --> 01:02:19,358 Josephine, Edith. 1202 01:02:19,525 --> 01:02:20,525 She is buff, 1203 01:02:20,691 --> 01:02:21,983 the chick. Little laugh 1204 01:02:22,150 --> 01:02:24,858 Gilbert, you probably already know Charles Aznavour. 1205 01:02:25,025 --> 01:02:27,358 That's Gilbert Bécaud, a good little author. 1206 01:02:27,525 --> 01:02:29,275 - Charles. - Nice to meet you, Gilbert. 1207 01:02:29,441 --> 01:02:33,108 HOW NOT TO LOSE YOUR HEAD 1208 01:02:33,400 --> 01:02:37,066 HOLDER BY BOLD ARMS 1209 01:02:37,608 --> 01:02:40,733 - Recently, I had a revelation. I wrote "On my life", 1210 01:02:40,900 --> 01:02:43,191 - where I talk about myself. - Is that the secret? 1211 01:02:43,358 --> 01:02:47,441 - I don't know, but it seems important to me to say "I" and "you". 1212 01:02:47,900 --> 01:02:50,275 When we say "you", it distances us. 1213 01:02:51,441 --> 01:02:54,858 We have to write every song as if it happened to us. 1214 01:02:55,150 --> 01:02:57,775 Even if it's not true. Gilbert laughed. 1215 01:02:59,233 --> 01:03:01,566 You have to be a singer-songwriter. 1216 01:03:01,733 --> 01:03:03,816 Piaf is a singer-songwriter. 1217 01:03:03,983 --> 01:03:05,358 Then, for the rest, 1218 01:03:05,691 --> 01:03:07,025 it's just work. 1219 01:03:07,191 --> 01:03:08,816 Put the right word in the right place. 1220 01:03:08,983 --> 01:03:10,816 Each word has its own rhythm. 1221 01:03:10,983 --> 01:03:12,900 Charles, I sang with Piaf. 1222 01:03:13,066 --> 01:03:14,775 - Well, there you go. Laughs 1223 01:03:14,941 --> 01:03:17,233 - I like her. She's my favorite. 1224 01:03:18,191 --> 01:03:20,608 - Are you little geniuses talking? - I said to him. 1225 01:03:20,775 --> 01:03:22,358 how much I love his work. 1226 01:03:22,525 --> 01:03:24,358 Ah well, that's a good author. 1227 01:03:24,525 --> 01:03:27,150 But he wants to sing, and on stage, it's not... 1228 01:03:27,650 --> 01:03:29,441 fun, huh? Edith laughs. 1229 01:03:29,608 --> 01:03:31,566 I'll take your two songs. 1230 01:03:32,066 --> 01:03:33,316 Little happy laugh 1231 01:03:34,608 --> 01:03:35,858 - Good. - I don't feel well. 1232 01:03:36,316 --> 01:03:37,191 My head is spinning. 1233 01:03:37,650 --> 01:03:38,441 I'm coming back. 1234 01:04:04,650 --> 01:04:05,941 Are you going to stay long? 1235 01:04:16,025 --> 01:04:17,316 What do parents say? 1236 01:04:17,483 --> 01:04:20,025 - Nothing yet. I haven't introduced him to them. 1237 01:04:20,191 --> 01:04:22,191 They will be happy. He is Armenian. 1238 01:04:22,358 --> 01:04:23,775 Georges Garvarentz. 1239 01:04:23,941 --> 01:04:25,358 He is an extraordinary composer. 1240 01:04:26,150 --> 01:04:27,400 He earns his living? 1241 01:04:28,733 --> 01:04:30,983 - He's gifted. - Gifted isn't enough. 1242 01:04:31,150 --> 01:04:32,941 Stop acting like a big brother. 1243 01:04:33,108 --> 01:04:34,775 I know you'll love it. 1244 01:04:35,566 --> 01:04:36,983 Okay, tell me what's wrong? 1245 01:04:37,691 --> 01:04:38,858 You look bad. 1246 01:04:39,775 --> 01:04:41,316 It's okay, I'm hanging in there. 1247 01:04:43,150 --> 01:04:45,858 I need to work more, I need to rehearse more. 1248 01:04:46,025 --> 01:04:48,066 - You're the driver for the other tyrant. 1249 01:04:48,483 --> 01:04:49,858 - Stop. - It's true. 1250 01:04:50,025 --> 01:04:52,191 I don't understand why you accept. 1251 01:04:52,358 --> 01:04:54,358 - It's not easy every day, but... 1252 01:04:55,400 --> 01:04:57,150 But I learn a lot from him. 1253 01:04:57,316 --> 01:04:58,858 Then it's Edith Piaf, after all. 1254 01:04:59,775 --> 01:05:00,900 You are Charles Aznavour. 1255 01:05:04,691 --> 01:05:06,316 What exactly are you afraid of? 1256 01:05:08,566 --> 01:05:09,941 That's not you, Charles. 1257 01:05:15,108 --> 01:05:21,316 Jezebel 1258 01:05:22,400 --> 01:05:25,941 This demon that burned my heart 1259 01:05:26,108 --> 01:05:29,608 This angel who dried my tears 1260 01:05:29,775 --> 01:05:32,358 It was me... It wasn't me, it was you 1261 01:05:32,525 --> 01:05:33,691 She laughs. 1262 01:05:33,858 --> 01:05:34,900 Inaudible remarks 1263 01:05:35,691 --> 01:05:38,650 Don't you think it's a little high for me? 1264 01:05:38,816 --> 01:05:40,775 No, that's exactly what's beautiful. 1265 01:05:40,941 --> 01:05:43,483 - That you have to push. - Yes? 1266 01:05:43,650 --> 01:05:45,483 Don't hesitate to attack it hard . 1267 01:05:45,775 --> 01:05:47,608 - Little laugh - Loud... 1268 01:05:47,775 --> 01:05:49,441 He gives directions in Italian, 1269 01:05:49,608 --> 01:05:50,941 my little genius? 1270 01:05:51,108 --> 01:05:53,566 Not easy to sing, but it'll be good. 1271 01:05:55,233 --> 01:05:56,608 She sighs. I already told you, 1272 01:05:56,775 --> 01:05:58,733 don't do the funny little song. 1273 01:05:59,858 --> 01:06:02,441 You should focus on your work as an author. 1274 01:06:03,066 --> 01:06:07,400 Aren't you tired of being a failure as the opening act? Or of singing 1275 01:06:07,566 --> 01:06:10,191 between two strippers? Move on. 1276 01:06:10,358 --> 01:06:13,150 - You said that if I were a man, a real one, 1277 01:06:13,316 --> 01:06:16,233 I had to come back to be successful in France. 1278 01:06:16,400 --> 01:06:19,441 - And you can very well be successful as an author. 1279 01:06:19,608 --> 01:06:21,233 You weren't talking about that. 1280 01:06:21,400 --> 01:06:22,858 You were talking about being a singer. 1281 01:06:23,316 --> 01:06:26,191 - Yes, but to be a singer you need a voice. 1282 01:06:26,358 --> 01:06:28,066 And your voice is veiled. 1283 01:06:28,233 --> 01:06:29,691 Don't bother me, let's get back to it. 1284 01:06:30,983 --> 01:06:32,150 "Jezebel" (Charles Aznavour) 1285 01:06:32,525 --> 01:06:34,483 She clears her throat. 1286 01:06:35,483 --> 01:06:36,483 Non. 1287 01:06:39,691 --> 01:06:40,733 I have to go. 1288 01:06:42,733 --> 01:06:44,858 I sing between two strippers. 1289 01:06:45,025 --> 01:06:46,900 - He's upset. Come on, we have work to do! 1290 01:06:47,066 --> 01:06:48,900 - I have work too. - What is it? 1291 01:06:49,066 --> 01:06:51,775 To try to be a singer, is that it? 1292 01:06:51,941 --> 01:06:53,275 Exactly, yes. 1293 01:06:53,566 --> 01:06:55,941 - Besides, I've been thinking about it for a while. 1294 01:06:56,108 --> 01:06:57,941 Of all that I have learned at your side, 1295 01:06:58,108 --> 01:07:00,066 If there is one thing I have understood, 1296 01:07:00,233 --> 01:07:02,275 It's just that only work pays. 1297 01:07:02,441 --> 01:07:03,775 It's time for me to get started. 1298 01:07:03,941 --> 01:07:07,650 To devote myself to my songs, to my singing career. 1299 01:07:07,816 --> 01:07:09,066 Because yes, 1300 01:07:09,650 --> 01:07:11,775 Whether you like it or not, I'm a singer. 1301 01:07:13,441 --> 01:07:16,066 And what I do for you, day, night, 1302 01:07:16,233 --> 01:07:17,733 It takes up all my time. 1303 01:07:18,691 --> 01:07:20,233 It's not possible anymore, Edith. 1304 01:07:21,775 --> 01:07:22,941 I can't do it anymore. 1305 01:07:26,941 --> 01:07:28,275 He sighs. 1306 01:07:28,441 --> 01:07:29,566 I stop. 1307 01:07:34,816 --> 01:07:37,858 - No lie, it feels weird to hear you say that. 1308 01:07:40,400 --> 01:07:41,441 It's what ? 1309 01:07:42,358 --> 01:07:44,358 Are you abandoning your big sister on the street? 1310 01:07:45,941 --> 01:07:47,775 You think you don't need me anymore? 1311 01:07:48,650 --> 01:07:49,941 I have no choice. 1312 01:07:51,483 --> 01:07:53,441 I have to think about myself now. 1313 01:07:56,400 --> 01:07:58,108 Well, that's to your credit. 1314 01:07:58,275 --> 01:07:59,900 It takes courage, I must say. 1315 01:08:00,066 --> 01:08:02,900 I don't like indecisive people. If you leave, you leave. 1316 01:08:04,983 --> 01:08:07,400 Then a lot of doors will close. 1317 01:08:07,566 --> 01:08:10,691 You might feel lonely if you're no longer under my wing. 1318 01:08:12,483 --> 01:08:13,650 Heavy breathing 1319 01:08:16,150 --> 01:08:17,483 Thank you for everything, Edith. 1320 01:08:21,108 --> 01:08:23,191 - Well, go away. I don't like goodbyes. 1321 01:08:30,525 --> 01:08:33,733 Jazz music Street hubbub 1322 01:08:52,441 --> 01:08:53,983 There is a knock. 1323 01:08:54,150 --> 01:08:55,316 I'm coming. 1324 01:09:03,150 --> 01:09:05,316 - Charles. - Raoul. How are you? 1325 01:09:05,691 --> 01:09:08,316 - According to people, she fired you because she didn't believe 1326 01:09:08,483 --> 01:09:10,066 - in your talent. - They say that? 1327 01:09:10,233 --> 01:09:11,358 And without it, you're put to death 1328 01:09:11,525 --> 01:09:13,650 - in the public square. - I'll show them. 1329 01:09:13,816 --> 01:09:15,358 There's a knock. Oh. 1330 01:09:15,525 --> 01:09:16,941 My new impresario. 1331 01:09:17,483 --> 01:09:18,983 You'll see, you'll like it. 1332 01:09:20,608 --> 01:09:22,025 - Hello, Charles. - Come in. 1333 01:09:22,191 --> 01:09:24,275 - No, Jean-Louis Marquet! 1334 01:09:24,900 --> 01:09:27,400 - I thought about it. What is Charles Aznavour? 1335 01:09:28,316 --> 01:09:31,816 He's a skinny guy, 1.64 meters tall, with a husky voice. 1336 01:09:32,483 --> 01:09:34,525 I can't do anything about my size. 1337 01:09:34,691 --> 01:09:36,566 I have to accept it to make her forget. 1338 01:09:36,733 --> 01:09:38,108 Then, my voice. 1339 01:09:38,275 --> 01:09:40,608 I won't be able to transform it, but I can work on it. 1340 01:09:40,775 --> 01:09:43,275 to increase my range a little. Believe me, 1341 01:09:43,816 --> 01:09:45,108 I do it every day. 1342 01:09:45,275 --> 01:09:47,108 And I know I'm sorely lacking 1343 01:09:47,275 --> 01:09:48,441 of culture. 1344 01:09:48,691 --> 01:09:51,733 To write, to respond to journalists, I have to read. 1345 01:09:51,900 --> 01:09:56,066 Raoul, give me a list of the great classics of literature. 1346 01:09:56,233 --> 01:09:58,983 We need to move up a gear. 1347 01:09:59,150 --> 01:10:01,191 "Everything is going away" (Charles Aznavour) 1348 01:10:01,358 --> 01:10:03,150 I want to make my own record. 1349 01:10:03,316 --> 01:10:04,775 My face and name on the cover. 1350 01:10:05,191 --> 01:10:06,775 Let it come out as soon as possible. 1351 01:10:06,941 --> 01:10:09,025 I've wasted too much time. Shall we start again? 1352 01:10:19,983 --> 01:10:22,733 Everything goes away, everything dies 1353 01:10:22,900 --> 01:10:25,650 I feel fear settling inside me 1354 01:10:26,275 --> 01:10:28,983 I can already hear the wind rising 1355 01:10:29,150 --> 01:10:31,233 To chase my dreams 1356 01:10:33,733 --> 01:10:36,650 Everything goes away, everything dies 1357 01:10:36,983 --> 01:10:40,025 But spring returns victorious 1358 01:10:40,316 --> 01:10:43,066 Arms full of dreams and tears 1359 01:10:43,233 --> 01:10:44,900 And dry our tears 1360 01:10:45,066 --> 01:10:46,441 And sow in our hearts 1361 01:10:46,608 --> 01:10:49,191 These grains of madness 1362 01:10:50,066 --> 01:10:52,275 Such is life 1363 01:10:56,191 --> 01:10:57,608 It's funny, though. 1364 01:10:57,775 --> 01:10:59,566 Okay, all the radios received it? 1365 01:10:59,733 --> 01:11:00,858 Yes yes. 1366 01:11:01,025 --> 01:11:02,858 - Is it reacting well? - Uh... 1367 01:11:03,025 --> 01:11:06,441 Not really. They don't really want to spend it right now. 1368 01:11:06,941 --> 01:11:10,650 There's that idiot Vital, the boss of RTL, who stole a song from you. 1369 01:11:10,816 --> 01:11:13,233 - What do you mean? - He's a film producer. 1370 01:11:13,983 --> 01:11:16,941 In his latest film he uses your song "Parce que". 1371 01:11:17,108 --> 01:11:19,900 Without asking permission, without paying fees. 1372 01:11:20,066 --> 01:11:22,441 - He's not bored. - It's a huge mistake. 1373 01:11:22,608 --> 01:11:25,108 professional, and good news for us. 1374 01:11:26,066 --> 01:11:27,858 He is not in a position to negotiate. 1375 01:11:28,025 --> 01:11:32,150 His film comes out in a week. The reels are ready to go. 1376 01:11:32,316 --> 01:11:35,525 I might as well tell you that we can impose whatever price we decide. 1377 01:11:35,691 --> 01:11:37,025 Jazz music 1378 01:11:37,191 --> 01:11:38,941 I think I have a better idea. 1379 01:11:40,650 --> 01:11:42,858 Muffled discussion 1380 01:11:47,233 --> 01:11:48,066 Charles ? 1381 01:11:48,400 --> 01:11:49,441 Charles ! 1382 01:11:49,608 --> 01:11:50,566 Yes, I'm here. 1383 01:11:50,733 --> 01:11:52,816 You could work with Georges. 1384 01:11:52,983 --> 01:11:55,275 - Why not, we just have to talk to each other... Oh! 1385 01:11:55,441 --> 01:11:58,650 "On my life" (Charles Aznavour) 1386 01:11:58,816 --> 01:12:00,900 - Do you hear? - Is that you, Dad? 1387 01:12:01,066 --> 01:12:01,900 And how! 1388 01:12:02,191 --> 01:12:03,691 - Are you on the radio? - Yes. 1389 01:12:03,858 --> 01:12:04,483 Amazing ! 1390 01:12:05,191 --> 01:12:06,733 They finally figured it out. 1391 01:12:06,900 --> 01:12:09,275 - The boss of RTL didn't have much choice. 1392 01:12:09,441 --> 01:12:11,316 Joyful laughter Applause 1393 01:12:12,441 --> 01:12:14,358 - (In Armenian) - Well done, my son. Well done! 1394 01:12:15,775 --> 01:12:16,858 Hey! 1395 01:12:17,025 --> 01:12:19,566 "You never know" (Charles Aznavour) 1396 01:12:19,733 --> 01:12:23,525 - You never know How love comes to lovers 1397 01:12:23,983 --> 01:12:26,358 How he does it or how he goes about it 1398 01:12:26,525 --> 01:12:28,400 To keep us in his nets 1399 01:12:28,566 --> 01:12:31,066 But suddenly it's wonderful 1400 01:12:31,400 --> 01:12:33,650 There are tears full of our joys 1401 01:12:33,816 --> 01:12:36,358 Caresses at our fingertips 1402 01:12:36,525 --> 01:12:39,400 And dreams in the depths of our eyes 1403 01:12:40,275 --> 01:12:41,525 You never know 1404 01:12:41,691 --> 01:12:44,066 But why seek to know? 1405 01:12:44,233 --> 01:12:47,066 No one has ever had this power We forget everything... 1406 01:12:47,816 --> 01:12:49,983 - Turn that off. It's horrible. 1407 01:12:50,150 --> 01:12:51,108 How so ? 1408 01:12:51,900 --> 01:12:53,108 I'm horrible. 1409 01:12:53,275 --> 01:12:55,233 I make unnecessary gestures. 1410 01:12:55,400 --> 01:12:57,108 I look everywhere like a fool. 1411 01:12:57,275 --> 01:12:59,358 Who sings with his hands in his pockets? 1412 01:12:59,525 --> 01:13:01,733 Suit too big. Hair doesn't fit. 1413 01:13:01,900 --> 01:13:04,816 - Don't ruin your first TV for a few criticisms. 1414 01:13:04,983 --> 01:13:06,441 Any criticism? 1415 01:13:06,608 --> 01:13:09,316 One speaks of my hoarse muezzin voice, 1416 01:13:09,483 --> 01:13:11,608 the other compares my stamp to a pepper mill... 1417 01:13:11,941 --> 01:13:12,941 Ah. 1418 01:13:14,316 --> 01:13:17,733 "A small-time crook, sized to his size. 1419 01:13:18,608 --> 01:13:22,650 "His caveman voice is not compensated by the beauty of the gesture." 1420 01:13:23,025 --> 01:13:25,275 - They're racists. - Charles, you're exaggerating. 1421 01:13:25,441 --> 01:13:26,525 Am I exaggerating? 1422 01:13:27,275 --> 01:13:27,983 Attends. 1423 01:13:28,275 --> 01:13:29,316 I'm exaggerating... 1424 01:13:29,483 --> 01:13:30,525 To be. 1425 01:13:31,483 --> 01:13:33,275 "This Armenian is not edible. 1426 01:13:33,441 --> 01:13:36,650 "An Armenian has a reputation for knowing how to count. 1427 01:13:36,816 --> 01:13:38,400 "Let him do accounting." 1428 01:13:39,483 --> 01:13:42,066 - Isn't that racism? - It's meanness. 1429 01:13:42,233 --> 01:13:43,483 This is stupidity. 1430 01:13:43,650 --> 01:13:45,816 But you're starting to get an audience. 1431 01:13:45,983 --> 01:13:47,733 I'm going to go see the public. 1432 01:13:47,900 --> 01:13:48,608 Jean-Louis, 1433 01:13:48,775 --> 01:13:51,233 You're going to reserve a large room in Paris for me. 1434 01:13:51,400 --> 01:13:53,441 We will invite everyone, 1435 01:13:53,733 --> 01:13:55,525 all the cream of the crop, the journalists... 1436 01:13:55,941 --> 01:13:57,733 Even them, there. Especially them. 1437 01:13:58,733 --> 01:14:01,691 But first, I will do a tour throughout France. 1438 01:14:02,108 --> 01:14:03,191 With ten musicians. 1439 01:14:03,358 --> 01:14:06,525 - We don't have the money to pay for a tour with an orchestra. 1440 01:14:06,691 --> 01:14:08,483 I will finance it with my own money. 1441 01:14:08,650 --> 01:14:11,441 - Calm down. For once you have a little side. 1442 01:14:11,608 --> 01:14:14,108 Don't put yourself on a tour that may not work. 1443 01:14:14,275 --> 01:14:15,733 And why wouldn't it work? 1444 01:14:15,900 --> 01:14:17,816 - Why? - Well... 1445 01:14:17,983 --> 01:14:19,108 Raoul ? 1446 01:14:19,650 --> 01:14:22,525 - It's a bit risky, he's not wrong. - Exactly! 1447 01:14:22,983 --> 01:14:24,275 We've already talked about it. 1448 01:14:24,441 --> 01:14:26,775 You have to take risks. Otherwise, you're dead. 1449 01:14:26,941 --> 01:14:28,983 You can take some without risking everything. 1450 01:14:29,566 --> 01:14:32,150 - It's exciting, but it's crazy. - Crazy? 1451 01:14:32,316 --> 01:14:34,316 But damn! Even you, you're leaving me? 1452 01:14:34,483 --> 01:14:36,275 - You don't believe in me? - NO, NO! 1453 01:14:36,441 --> 01:14:38,233 Yes! I will prove it to you all. 1454 01:14:38,400 --> 01:14:40,441 You, the public, the journalists... 1455 01:14:40,608 --> 01:14:41,525 All ! 1456 01:14:41,691 --> 01:14:45,566 I'm going to put on a new show. And I'm going to do this tour. 1457 01:14:45,900 --> 01:14:47,983 I will convince every viewer 1458 01:14:48,150 --> 01:14:49,858 in every room. From now on, 1459 01:14:50,025 --> 01:14:51,775 I will write a song a day. 1460 01:14:51,941 --> 01:14:53,941 I will sing until my throat tears. 1461 01:14:56,608 --> 01:14:59,066 I'll show them that I'm not negligible. 1462 01:14:59,233 --> 01:15:01,566 They haven't heard the last of Aznavour. 1463 01:15:01,983 --> 01:15:02,900 He slams the door. 1464 01:15:03,066 --> 01:15:04,608 Upbeat music 1465 01:15:09,108 --> 01:15:12,025 He hums. 1466 01:15:20,066 --> 01:15:22,483 Upbeat music 1467 01:15:43,441 --> 01:15:45,566 Light applause 1468 01:15:50,566 --> 01:15:53,150 It's horrible, Jean-Louis. There's not a sound. 1469 01:15:54,066 --> 01:15:57,066 It's hell. (-It'll be okay! Stay focused.) 1470 01:15:57,233 --> 01:15:58,983 (Huh, Charles? Breathe.) 1471 01:15:59,150 --> 01:16:01,400 - It's terrible. (-But no, it's very good.) 1472 01:16:01,566 --> 01:16:02,858 Come on ! 1473 01:16:03,025 --> 01:16:04,983 Dynamic music 1474 01:16:05,150 --> 01:16:08,483 - Shall I help you carry your suitcase? - No, that's fine. Thanks. 1475 01:16:37,900 --> 01:16:39,691 "On my life" (Charles Aznavour) 1476 01:16:40,400 --> 01:16:42,108 About my life 1477 01:16:42,566 --> 01:16:44,858 I swore to you one day 1478 01:16:45,025 --> 01:16:50,650 To love you until the last day of my life 1479 01:16:50,983 --> 01:16:54,108 And even now 1480 01:16:54,275 --> 01:16:56,983 I will keep my oath 1481 01:16:57,400 --> 01:17:03,191 Despite all the harm you have done to me 1482 01:17:03,358 --> 01:17:07,150 On my life, darling 1483 01:17:07,650 --> 01:17:14,441 I will love you 1484 01:17:20,150 --> 01:17:22,816 Light applause 1485 01:17:27,816 --> 01:17:30,025 I think I overestimated my strength. 1486 01:17:30,191 --> 01:17:31,733 I saw myself as too big. 1487 01:17:32,358 --> 01:17:34,941 The truth is that no one is waiting for me in the provinces. 1488 01:17:35,108 --> 01:17:37,525 - Then I lose a lot of money. - Really? 1489 01:17:38,233 --> 01:17:40,108 It's simple, I'm ruined. 1490 01:17:40,525 --> 01:17:43,066 I have to sell my car for posters. 1491 01:17:45,525 --> 01:17:48,858 - You still have Paris. Are the concerts next month full? 1492 01:17:49,025 --> 01:17:49,733 Paris ? 1493 01:17:50,358 --> 01:17:53,733 We took a week at the Alhambra. That the first night is full. 1494 01:17:54,108 --> 01:17:55,900 I better stop everything. 1495 01:17:56,066 --> 01:17:58,400 - No, wait, what are you talking about? 1496 01:17:58,566 --> 01:18:00,941 I've never heard you talk like that. 1497 01:18:01,108 --> 01:18:02,691 It will be okay, I'm sure. 1498 01:18:02,858 --> 01:18:04,150 We'll see. 1499 01:18:06,566 --> 01:18:08,983 - There you go. See you soon, sister. - Wait! 1500 01:18:09,150 --> 01:18:11,441 Parents gave me a letter for you. 1501 01:18:12,650 --> 01:18:14,733 It comes from an Arlette. Does that mean anything to you? 1502 01:18:14,900 --> 01:18:17,358 Mmh, it's been a long time. 1503 01:18:18,358 --> 01:18:20,275 - Read me the letter. - Yes. 1504 01:18:25,066 --> 01:18:26,191 "Cher Charles, 1505 01:18:27,358 --> 01:18:30,691 "This letter is not easy to write. I will be direct. 1506 01:18:30,858 --> 01:18:32,150 "You have a son. 1507 01:18:34,066 --> 01:18:35,566 "His name is Patrick. 1508 01:18:36,316 --> 01:18:37,608 “He is eight years old. 1509 01:18:38,775 --> 01:18:42,900 "When I heard about it, I had just met someone in the provinces. 1510 01:18:43,066 --> 01:18:45,150 "I thought it would be better not to tell you about it. 1511 01:18:45,316 --> 01:18:48,691 "But I left this man, who became an alcoholic and violent 1512 01:18:48,858 --> 01:18:50,525 "towards me and Patrick. 1513 01:18:50,691 --> 01:18:52,066 "I have few resources. 1514 01:18:52,358 --> 01:18:53,775 "Patrick needs a father 1515 01:18:53,941 --> 01:18:56,025 “Can I introduce him to you quickly?” 1516 01:18:57,025 --> 01:18:59,650 At the bottom of the letter, she left a number. 1517 01:19:03,066 --> 01:19:06,191 - Charles... - That's a lot. I'll call you back. 1518 01:19:23,900 --> 01:19:25,691 Ticking of a clock 1519 01:19:32,816 --> 01:19:35,108 Light hubbub 1520 01:19:39,691 --> 01:19:41,608 Ticking of a clock 1521 01:19:41,775 --> 01:19:43,483 Intriguing music 1522 01:19:54,400 --> 01:19:56,650 "Nasal voice and lack of vocal power. 1523 01:19:56,816 --> 01:20:00,400 "His pretension to appear before an audience is inconceivable. 1524 01:20:00,566 --> 01:20:01,775 "What total unconsciousness." 1525 01:20:01,941 --> 01:20:03,983 Oh no, why are you reading this, Charles? 1526 01:20:04,150 --> 01:20:07,275 - And this: "We had the scoop on an apparition 1527 01:20:07,441 --> 01:20:11,316 "which brought us back to monstrous imagery, to the century of Quasimodo. 1528 01:20:11,483 --> 01:20:13,983 "How can you let a cripple sing?" 1529 01:20:14,150 --> 01:20:17,358 - A cripple... - Ignore all that. They're idiots. 1530 01:20:17,525 --> 01:20:18,150 Here we go. 1531 01:20:18,316 --> 01:20:19,858 We start in five minutes. 1532 01:20:20,025 --> 01:20:22,316 He opens and closes the door. 1533 01:20:22,483 --> 01:20:25,066 Dramatic music 1534 01:20:32,233 --> 01:20:34,191 Muffled hubbub 1535 01:20:50,400 --> 01:20:52,566 He sighs. 1536 01:20:55,066 --> 01:20:56,941 Tonight I live or I die. 1537 01:20:57,108 --> 01:21:00,775 Music of tension 1538 01:21:00,941 --> 01:21:03,983 "I saw myself already" (Charles Aznavour) 1539 01:21:08,525 --> 01:21:12,108 At 18, I left my province 1540 01:21:12,275 --> 01:21:15,483 Determined to seize life 1541 01:21:16,108 --> 01:21:19,525 Light heart and light baggage 1542 01:21:19,691 --> 01:21:23,025 I was certain I would conquer Paris 1543 01:21:23,816 --> 01:21:27,358 At the most chic tailor, I had it made 1544 01:21:27,525 --> 01:21:30,983 This blue suit was the latest fashion 1545 01:21:31,733 --> 01:21:35,316 The photos, the songs and the orchestrations 1546 01:21:35,483 --> 01:21:38,566 They got the better of my savings 1547 01:21:39,483 --> 01:21:42,775 I already saw myself at the top of the bill 1548 01:21:43,275 --> 01:21:46,483 Ten times bigger than anyone else, my name was spread 1549 01:21:47,150 --> 01:21:50,650 I already saw myself adored and rich 1550 01:21:51,066 --> 01:21:54,441 Signing my photos to the admirers who were jostling around 1551 01:21:55,025 --> 01:21:58,650 I was the greatest of the great fantasists 1552 01:21:58,816 --> 01:22:02,483 Making such a big hit that people were standing and cheering for me 1553 01:22:02,650 --> 01:22:06,441 I could already see myself searching through my list 1554 01:22:06,608 --> 01:22:10,275 The one who in the evening could hang around my neck by favor 1555 01:22:10,441 --> 01:22:14,233 My features have aged, of course, under my makeup. 1556 01:22:14,400 --> 01:22:18,066 But the voice is there, the gesture is precise and I have resilience. 1557 01:22:18,233 --> 01:22:21,983 My heart has grown a little bitter as I have gotten older. 1558 01:22:22,150 --> 01:22:25,816 But I have ideas, I know my job, I still believe in it. 1559 01:22:25,983 --> 01:22:29,691 Just under my feet to feel the scene 1560 01:22:29,858 --> 01:22:33,525 Seeing a seated audience in front of me makes my heart pound. 1561 01:22:33,691 --> 01:22:37,191 I didn't get any help, I was unlucky 1562 01:22:37,483 --> 01:22:41,066 But deep down I'm sure at least I have talent. 1563 01:22:43,441 --> 01:22:47,108 I've been wearing my blue suit for thirty years. 1564 01:22:47,275 --> 01:22:51,025 And my songs only make me laugh 1565 01:22:51,191 --> 01:22:54,900 I run the stamp, I go door to door 1566 01:22:55,066 --> 01:22:58,066 To survive, I do anything 1567 01:22:58,983 --> 01:23:02,566 I have only known easy successes 1568 01:23:02,733 --> 01:23:06,066 Night trains and soldier girls 1569 01:23:06,816 --> 01:23:10,441 The lousy fees, the suitcases to carry 1570 01:23:10,608 --> 01:23:13,816 Small furnished accommodation and meager meals 1571 01:23:14,650 --> 01:23:18,400 I already saw myself in the photograph 1572 01:23:18,566 --> 01:23:22,275 On the arm of a star in the winter in the snow, in the summer in the sun 1573 01:23:22,441 --> 01:23:25,983 I could already see myself telling my life story 1574 01:23:26,316 --> 01:23:29,858 Disillusioned air to beginners eager for advice 1575 01:23:30,191 --> 01:23:33,941 I opened quietly on opening nights 1576 01:23:34,108 --> 01:23:37,858 A thousand telegrams from this whole of Paris that scares us so much 1577 01:23:38,025 --> 01:23:41,941 And dying of stage fright in front of this audience 1578 01:23:42,108 --> 01:23:45,816 Entered the stage to cheers and spotlights 1579 01:23:45,983 --> 01:23:49,566 I tried everything to get out of the number 1580 01:23:49,733 --> 01:23:53,400 I sang about love, I did comedy and fantasy 1581 01:23:53,566 --> 01:23:57,316 If everything went wrong for me, if I'm in the shadows 1582 01:23:57,483 --> 01:24:01,233 It's not my fault but that of the public who didn't understand anything. 1583 01:24:01,400 --> 01:24:05,150 I was never given a chance 1584 01:24:05,316 --> 01:24:08,983 Others have succeeded with few votes and a lot of money. 1585 01:24:09,150 --> 01:24:12,691 I was too pure or too advanced. 1586 01:24:12,858 --> 01:24:16,525 But one day I will show them that I have talent. 1587 01:24:33,566 --> 01:24:35,983 Creaking of the folding seats 1588 01:24:41,608 --> 01:24:43,483 Tomorrow, we change jobs. 1589 01:24:43,900 --> 01:24:45,733 I know it, that sound of a folding seat. 1590 01:24:45,900 --> 01:24:48,108 - People are leaving. - Go and greet them anyway. 1591 01:24:48,275 --> 01:24:50,316 - What's the point? - Go ahead, Charles. 1592 01:24:50,483 --> 01:24:52,650 Light hubbub 1593 01:25:01,483 --> 01:25:04,191 Applause and cheers 1594 01:25:49,691 --> 01:25:52,816 I already saw myself at the top of the bill 1595 01:25:53,316 --> 01:25:54,441 HEALTH ! 1596 01:25:54,608 --> 01:25:57,400 - Health to all! - And to all the radio bosses 1597 01:25:57,566 --> 01:26:01,400 that I met after the show and who all want to play it. 1598 01:26:01,858 --> 01:26:05,108 You're going to come in through the front door. You're going to be heard everywhere. 1599 01:26:05,275 --> 01:26:08,191 - What a show! What a beautiful idea, this staging. 1600 01:26:08,525 --> 01:26:11,108 - Thank you, Charles. - This is Charles Trenet. 1601 01:26:11,275 --> 01:26:12,941 Laughs 1602 01:26:13,108 --> 01:26:15,525 - I love it. - Look who's here. 1603 01:26:16,275 --> 01:26:18,441 Bouchard: I hate this journalist. 1604 01:26:19,025 --> 01:26:20,733 He put me to death several times. 1605 01:26:20,900 --> 01:26:22,275 Mr. Aznavour, 1606 01:26:22,441 --> 01:26:24,108 nothing to say, you amazed me. 1607 01:26:24,275 --> 01:26:25,400 Thank you so much. 1608 01:26:26,025 --> 01:26:27,650 Sorry for my previous post. 1609 01:26:27,816 --> 01:26:30,858 - I wasn't very gentle. - Really? 1610 01:26:31,525 --> 01:26:33,191 I never read the press. 1611 01:26:33,816 --> 01:26:34,816 Ah. 1612 01:26:35,358 --> 01:26:36,775 Have a glass of champagne. 1613 01:26:37,358 --> 01:26:38,400 It's for me. 1614 01:26:38,900 --> 01:26:41,733 It's my pleasure. I wish you a good evening. 1615 01:26:41,900 --> 01:26:44,108 Thank you very much. See you soon. 1616 01:26:44,400 --> 01:26:46,483 Little laughs 1617 01:26:46,650 --> 01:26:48,066 Very nice lesson in diplomacy. 1618 01:26:48,233 --> 01:26:51,275 - Hat. - It's strong. Come on, have some champagne. 1619 01:26:51,441 --> 01:26:53,483 a little, Charles Trenet. 1620 01:26:53,816 --> 01:26:57,233 I always said, the best song is "There's Joy". 1621 01:26:57,400 --> 01:26:58,400 Yes, but tonight, 1622 01:26:59,150 --> 01:27:01,983 My son has become a great artist. Huh, Charles? 1623 01:27:03,316 --> 01:27:04,816 Do you remember what I said? 1624 01:27:04,983 --> 01:27:07,275 Look where we came from and where we are today! 1625 01:27:07,441 --> 01:27:09,400 Light hubbub 1626 01:27:09,900 --> 01:27:12,608 - The little one is here. - Good evening, ladies and gentlemen. 1627 01:27:13,233 --> 01:27:15,358 - Good evening. - Good evening. 1628 01:27:16,441 --> 01:27:17,650 Good evening, Arlette. 1629 01:27:20,150 --> 01:27:22,691 Very nice to meet you, Patrick. Really. 1630 01:27:25,941 --> 01:27:26,983 Did you like the show? 1631 01:27:27,441 --> 01:27:28,816 Yes, it was good. 1632 01:27:32,150 --> 01:27:33,733 Did your mom explain to you? 1633 01:27:33,900 --> 01:27:36,608 - Yes. I will live with you from time to time. 1634 01:27:36,775 --> 01:27:37,441 So. 1635 01:27:40,191 --> 01:27:41,900 Come, let me introduce you to your family. 1636 01:27:43,275 --> 01:27:44,066 Your grandfather, Mischa. 1637 01:27:44,441 --> 01:27:45,608 Hello, my son. 1638 01:27:45,775 --> 01:27:47,275 - Your grandmother, Knar. 1639 01:27:47,441 --> 01:27:48,691 And your big sister, Seda. 1640 01:27:48,858 --> 01:27:50,400 I have prepared your bed for you. 1641 01:27:50,566 --> 01:27:53,108 - That's a lot of people at once, huh? 1642 01:27:53,275 --> 01:27:57,108 - Are you going to the Armenian school? - It's your son, Charles. 1643 01:27:57,691 --> 01:28:00,816 It is a normal school with Armenian courses. 1644 01:28:00,983 --> 01:28:02,150 Is it difficult? 1645 01:28:02,816 --> 01:28:05,483 Jazz music 1646 01:28:07,733 --> 01:28:09,566 - Well, what are you doing here? 1647 01:28:09,733 --> 01:28:11,275 You're wasting your life. 1648 01:28:11,441 --> 01:28:14,608 - It's okay, it's okay. - "It's okay, it's okay"... It's not okay at all. 1649 01:28:14,775 --> 01:28:16,733 You look good behind that saucepan. 1650 01:28:16,900 --> 01:28:18,941 You should be in front of a concert piano, 1651 01:28:19,108 --> 01:28:21,233 in front of a packed house. 1652 01:28:21,400 --> 01:28:24,400 - What are you doing here? - We can't be in two places. 1653 01:28:24,566 --> 01:28:26,275 - Let me laugh! - Cut! 1654 01:28:26,441 --> 01:28:27,650 Okay, cut. 1655 01:28:30,066 --> 01:28:33,400 It was very good. We will do it again one more time. 1656 01:28:33,566 --> 01:28:37,066 Charles, could you be a little more blasé? 1657 01:28:37,233 --> 01:28:40,525 - Mr. Truffaud, we have to change the coils. A quarter of an hour. 1658 01:28:40,691 --> 01:28:41,691 15 minute break. 1659 01:28:41,858 --> 01:28:43,441 - Mr. Aznavour? - Yes. 1660 01:28:43,608 --> 01:28:45,358 Can I have an autograph? 1661 01:28:46,441 --> 01:28:48,150 I have a pen. 1662 01:28:48,316 --> 01:28:49,983 - What is it for? - Celine. 1663 01:28:50,150 --> 01:28:51,400 Light hubbub 1664 01:28:52,483 --> 01:28:54,816 - Good morning, Charles. Always early. 1665 01:28:54,983 --> 01:28:59,316 - I have good news... - I will translate my texts, record 1666 01:28:59,483 --> 01:29:02,441 - my songs in Spanish and English. - Okay. There? 1667 01:29:02,608 --> 01:29:03,941 We have no choice. 1668 01:29:04,108 --> 01:29:06,525 Nothing beats 17 hours of work a day. 1669 01:29:06,691 --> 01:29:08,066 It's not wrong. I'll tell you 1670 01:29:08,233 --> 01:29:09,650 the good news. 1671 01:29:09,816 --> 01:29:13,275 We have passed the 300,000 album mark for "Je m'voyais déjà". 1672 01:29:13,775 --> 01:29:15,316 Second good news: 1673 01:29:15,483 --> 01:29:18,191 after your record of 90 concerts at the Alhambra, 1674 01:29:18,358 --> 01:29:20,816 we will open for two weeks at the Olympia. 1675 01:29:20,983 --> 01:29:23,316 - I have new songs for you to listen to. 1676 01:29:23,483 --> 01:29:25,525 - Are you happy with it? - Very. 1677 01:29:25,691 --> 01:29:27,525 I think I found the formula. 1678 01:29:27,691 --> 01:29:29,941 - The Aznavour formula. - Ah. 1679 01:29:30,108 --> 01:29:32,775 - Shall I play them for you? - Uh... Well then, quickly. 1680 01:29:32,941 --> 01:29:34,108 Just one. 1681 01:29:34,275 --> 01:29:35,816 I have an appointment waiting for me. 1682 01:29:35,983 --> 01:29:40,025 In the little wood of Trousse Chemise 1683 01:29:40,191 --> 01:29:43,983 When the sea is grey and we are a little grey 1684 01:29:44,150 --> 01:29:48,275 In the little wood of Trousse Chemise 1685 01:29:48,441 --> 01:29:52,108 We do stupid things, remember us two 1686 01:29:52,275 --> 01:29:55,858 We were leaving for Trousse Chemise 1687 01:29:56,025 --> 01:29:59,900 Watched by the old ladies behind their shutters 1688 01:30:00,066 --> 01:30:03,400 We left with a flower in our ear 1689 01:30:03,566 --> 01:30:09,066 With two bottles of real muscadet 1690 01:30:12,066 --> 01:30:16,316 Come see the actors, see the musicians 1691 01:30:16,483 --> 01:30:19,400 See the magicians who arrive 1692 01:30:19,566 --> 01:30:22,691 The actors have set up their trestles 1693 01:30:22,858 --> 01:30:26,608 They set up their platform and held out the banners 1694 01:30:26,900 --> 01:30:30,025 The actors toured the suburbs 1695 01:30:30,191 --> 01:30:34,108 They gave the parade with great drumming 1696 01:30:34,275 --> 01:30:37,608 In front of the church, a caravan painted green 1697 01:30:37,775 --> 01:30:41,066 With the chairs of an open-air theater 1698 01:30:41,233 --> 01:30:44,025 And behind them, like a crazy procession 1699 01:30:44,191 --> 01:30:45,525 They drain the whole country 1700 01:30:45,691 --> 01:30:48,733 The actors 1701 01:30:48,900 --> 01:30:50,233 It's beautiful. 1702 01:30:52,025 --> 01:30:53,483 - And your appointment? 1703 01:30:53,650 --> 01:30:54,566 Ah, shit. 1704 01:30:59,650 --> 01:31:00,441 - Charles... - Yes? 1705 01:31:00,608 --> 01:31:03,233 - You should open the mail, especially this one. 1706 01:31:03,400 --> 01:31:04,608 You'll like it. 1707 01:31:05,025 --> 01:31:06,441 It's your copyright. 1708 01:31:08,233 --> 01:31:09,358 1 million ? 1709 01:31:09,691 --> 01:31:11,108 Are these old francs? 1710 01:31:11,275 --> 01:31:13,816 - No, new ones. He closes the door. 1711 01:31:13,983 --> 01:31:16,191 Brouhaha 1712 01:31:16,358 --> 01:31:18,066 Gentlemen magicians, 1713 01:31:18,608 --> 01:31:20,691 we will be able to get set up. 1714 01:31:21,316 --> 01:31:22,150 Michel ? 1715 01:31:23,900 --> 01:31:25,816 Blows 1716 01:31:25,983 --> 01:31:27,983 "Because you believe" (Charles Aznavour) 1717 01:31:34,275 --> 01:31:36,316 Because you believe 1718 01:31:36,483 --> 01:31:39,483 That you are my weakness 1719 01:31:39,650 --> 01:31:41,108 Tu me blesses 1720 01:31:41,275 --> 01:31:43,566 Hurt me 1721 01:31:44,150 --> 01:31:46,108 And you play with me 1722 01:31:46,275 --> 01:31:48,316 As with everything 1723 01:31:48,983 --> 01:31:50,900 And have 1724 01:31:51,066 --> 01:31:53,275 Of my life 1725 01:31:54,275 --> 01:31:56,275 And day and... 1726 01:31:56,941 --> 01:31:58,441 Stop ! Stop ! 1727 01:31:58,608 --> 01:31:59,775 The strings. 1728 01:31:59,941 --> 01:32:01,108 That's not very fair. 1729 01:32:01,275 --> 01:32:03,275 Let's focus. Come on, let's go back. 1730 01:32:03,441 --> 01:32:04,316 From the start. 1731 01:32:12,900 --> 01:32:15,025 Because you believe 1732 01:32:15,191 --> 01:32:16,983 That... We stop. 1733 01:32:17,691 --> 01:32:19,441 It's me, sorry. Sorry. 1734 01:32:19,608 --> 01:32:20,608 We're going back. 1735 01:32:30,900 --> 01:32:32,233 The brass. 1736 01:32:32,691 --> 01:32:35,650 Can I have them more spiky, dynamic? 1737 01:32:36,358 --> 01:32:38,941 Are you going to do it for me at least once? 1738 01:32:41,525 --> 01:32:42,650 Let's start again. 1739 01:32:42,816 --> 01:32:44,233 Blows 1740 01:32:44,400 --> 01:32:47,525 "What's the Difference" (Dr. Dre) 1741 01:34:19,816 --> 01:34:22,900 Johnny Hallyday, Charles Aznavour. 1742 01:34:23,066 --> 01:34:24,066 - Nice to meet you. - Hello. 1743 01:34:24,233 --> 01:34:26,941 - Thank you for having me at your home. It's a pleasure. 1744 01:34:28,233 --> 01:34:29,191 It's beautiful here. 1745 01:34:29,358 --> 01:34:30,358 - You think so? - Yeah. 1746 01:34:30,525 --> 01:34:32,691 - Where are you from? - I grew up a little in Paris, 1747 01:34:32,858 --> 01:34:35,191 a little in Belgium, but especially in the street. 1748 01:34:35,358 --> 01:34:37,441 - That gives us something in common. - Really? 1749 01:34:37,608 --> 01:34:39,525 I heard you singing. Well done. 1750 01:34:39,691 --> 01:34:41,816 - Well done, you have real talent. - Thank you. 1751 01:34:41,983 --> 01:34:45,816 Few singers of your generation are interested in me, in rock. 1752 01:34:45,983 --> 01:34:47,650 or yéyé, as they say. 1753 01:34:47,816 --> 01:34:50,316 - They are afraid that their place will be taken. 1754 01:34:51,316 --> 01:34:54,775 So if we don't listen to what's happening, we're dead. 1755 01:34:56,066 --> 01:34:58,191 Sing without your rock'n'roll effects. 1756 01:34:58,358 --> 01:35:01,316 Use a soft voice, as if speaking to a woman. 1757 01:35:01,483 --> 01:35:03,191 Okay. That speaks to me. 1758 01:35:04,191 --> 01:35:05,233 I begin. 1759 01:35:05,400 --> 01:35:06,941 "Hold the night" (Johnny Hallyday) 1760 01:35:07,108 --> 01:35:10,233 Hold back the night 1761 01:35:10,983 --> 01:35:15,066 For both of us, until the end of the world 1762 01:35:15,483 --> 01:35:18,900 Hold back the night 1763 01:35:19,066 --> 01:35:22,941 For our hearts in its wandering race 1764 01:35:23,108 --> 01:35:25,150 - HOLD ME TIGHT 1765 01:35:25,316 --> 01:35:27,275 AGAINST YOUR BODY 1766 01:35:27,691 --> 01:35:31,483 IT IS NECESSARY THAT IN THE TIME OF MADNESS 1767 01:35:31,650 --> 01:35:33,525 THE GREAT LOVE 1768 01:35:33,691 --> 01:35:35,441 CROSS OUT THE DAY 1769 01:35:35,900 --> 01:35:40,275 AND MAKE US FORGET LIFE 1770 01:35:40,691 --> 01:35:41,858 REMEMBER... 1771 01:35:42,358 --> 01:35:43,983 - Lively hubbub at night 1772 01:35:44,150 --> 01:35:47,441 "Reach Out I'll Be There" (Four Tops) 1773 01:35:54,733 --> 01:35:56,941 - Are you coming to dance with us? - No, thank you. 1774 01:35:58,400 --> 01:35:59,566 - Little laugh - Well then, 1775 01:35:59,733 --> 01:36:01,650 Charles, are you being picky? 1776 01:36:01,816 --> 01:36:02,941 You don't like them? 1777 01:36:03,108 --> 01:36:05,900 - They are pretty, but I know why they are there. 1778 01:36:06,233 --> 01:36:09,650 - Oh, you're annoying. But you skipped half of the Côte d'Azur. 1779 01:36:09,816 --> 01:36:12,233 - He laughed. - Half? Only? 1780 01:36:14,983 --> 01:36:18,400 - Here are my Swedish friends. I'll introduce them to you. 1781 01:36:18,858 --> 01:36:19,941 Girls! 1782 01:36:21,275 --> 01:36:22,400 Come on, girls! 1783 01:36:24,066 --> 01:36:26,400 "She" (Charles Aznavour) 1784 01:36:32,525 --> 01:36:35,233 Charles, this is Essie. 1785 01:36:35,983 --> 01:36:36,941 And Ulla. 1786 01:36:55,733 --> 01:36:56,983 Ulla, is that it? 1787 01:36:57,400 --> 01:36:58,441 - Ulla. - Ulla. 1788 01:36:58,608 --> 01:36:59,650 Good evening, Charles. 1789 01:36:59,816 --> 01:37:01,608 - Glad to see you. - Thank you very much. 1790 01:37:03,275 --> 01:37:04,983 The beard in the mailbox. 1791 01:37:05,316 --> 01:37:07,441 - Do you speak Swedish? - No, not at all. 1792 01:37:07,608 --> 01:37:10,233 That's the only sentence. I don't know what it means. 1793 01:37:10,400 --> 01:37:11,900 That means... 1794 01:37:12,358 --> 01:37:14,775 "caught the beard in the mailbox." 1795 01:37:14,941 --> 01:37:16,858 In our country, "caught red-handed". 1796 01:37:17,025 --> 01:37:18,775 Good evening. Congratulations, Mr. Aznavour. 1797 01:37:19,275 --> 01:37:19,983 THANKS. 1798 01:37:20,150 --> 01:37:20,816 Thank you. 1799 01:37:20,983 --> 01:37:22,316 Do you know everyone? 1800 01:37:22,483 --> 01:37:25,691 - No, it's rather them who know me. They are fans. 1801 01:37:25,983 --> 01:37:27,525 - Fans? - Mmh. 1802 01:37:28,066 --> 01:37:29,025 Why fans? 1803 01:37:29,691 --> 01:37:31,358 Charles Aznavour, does that mean anything to you? 1804 01:37:32,400 --> 01:37:33,358 No, sorry. 1805 01:37:33,525 --> 01:37:36,483 I don't know French culture very well. 1806 01:37:36,650 --> 01:37:37,775 Don't be sorry. 1807 01:37:38,150 --> 01:37:42,025 Know that in French culture, when you are offered a haircut, 1808 01:37:42,191 --> 01:37:43,691 you have to accept it. 1809 01:37:45,650 --> 01:37:47,191 What do you do for a living? 1810 01:37:47,358 --> 01:37:50,483 - I'm a model. I take pictures. - I would have bet on it. 1811 01:37:51,066 --> 01:37:53,108 - You must travel a lot. - Yes. 1812 01:37:53,275 --> 01:37:54,650 Milan, 1813 01:37:55,525 --> 01:37:57,650 Paris, a bit like the "United States"... 1814 01:37:57,816 --> 01:37:59,066 So listen, Ulla, 1815 01:37:59,233 --> 01:38:02,358 the day I change to the "United States", I invite you. 1816 01:38:02,525 --> 01:38:05,025 I take care of everything: flight, accommodation... 1817 01:38:05,191 --> 01:38:07,566 - Everything. - Thank you, that's nice. But... 1818 01:38:07,733 --> 01:38:10,233 If that happens, I'll buy my own ticket. 1819 01:38:13,733 --> 01:38:14,733 Alright. 1820 01:38:17,150 --> 01:38:19,525 Du coup... The beard in the mailbox. 1821 01:38:19,691 --> 01:38:21,191 Little laughs 1822 01:38:21,358 --> 01:38:24,525 Caught red-handed, is that it? 1823 01:38:32,816 --> 01:38:33,775 Are we going to dance? 1824 01:38:34,775 --> 01:38:36,150 All right. 1825 01:38:50,066 --> 01:38:51,441 Barking 1826 01:38:53,691 --> 01:38:56,983 - Come and have breakfast. - No, thank you. 1827 01:38:57,150 --> 01:38:58,566 Not for now. 1828 01:38:58,733 --> 01:39:00,441 How are you at school, Patrick? 1829 01:39:01,566 --> 01:39:04,650 - With Patrick, it's hard to know. He doesn't talk. 1830 01:39:05,400 --> 01:39:08,650 - Tomorrow, we're having lunch with Frédéric Dard. Are you coming? 1831 01:39:08,983 --> 01:39:11,733 - I can't. I'm recording six songs in Spanish. 1832 01:39:12,233 --> 01:39:14,150 - I hope you have time to eat. 1833 01:39:14,316 --> 01:39:15,066 A sandwich. 1834 01:39:15,233 --> 01:39:16,275 Mmh. 1835 01:39:16,650 --> 01:39:19,566 - Before, it was due to lack of money, now, of time. 1836 01:39:19,733 --> 01:39:20,691 Oh yes. 1837 01:39:20,858 --> 01:39:22,691 Who is talking to me? Charles or Aznavour? 1838 01:39:23,066 --> 01:39:23,983 Little laugh You will tell me 1839 01:39:24,150 --> 01:39:25,358 when my brother is available. 1840 01:39:25,525 --> 01:39:26,775 You're funny, sister. 1841 01:39:27,358 --> 01:39:28,983 Squeak Ah! 1842 01:39:30,900 --> 01:39:33,233 - Did you sleep well, my love? - Very well. 1843 01:39:33,400 --> 01:39:35,108 - I didn't hear you come down. - Hi, Ulla. 1844 01:39:35,775 --> 01:39:36,858 Good morning. 1845 01:39:38,191 --> 01:39:42,066 Soft music 1846 01:39:42,233 --> 01:39:43,983 That's pretty. What is it? 1847 01:39:44,150 --> 01:39:48,316 - We are working with Jacques Plante. I finally found the melody. 1848 01:39:48,483 --> 01:39:50,650 - Can you play it? - If you want. 1849 01:39:53,066 --> 01:39:54,608 "La Bohème" (Charles Aznavour) 1850 01:40:14,858 --> 01:40:16,441 I'm talking to you about a time 1851 01:40:16,608 --> 01:40:17,900 That those under twenty years old 1852 01:40:18,066 --> 01:40:20,400 Cannot know 1853 01:40:21,441 --> 01:40:23,816 Montmartre at that time 1854 01:40:24,733 --> 01:40:26,275 Hung her lilacs 1855 01:40:26,441 --> 01:40:27,858 Right under our windows 1856 01:40:28,025 --> 01:40:29,566 And if the humble garni 1857 01:40:29,733 --> 01:40:31,150 Which served as our nest 1858 01:40:31,316 --> 01:40:33,566 Didn't look like much 1859 01:40:33,733 --> 01:40:35,691 That's where we met 1860 01:40:35,858 --> 01:40:37,316 I who was crying famine 1861 01:40:37,483 --> 01:40:39,983 And you who posed naked 1862 01:40:40,150 --> 01:40:43,358 Bohemia 1863 01:40:44,233 --> 01:40:46,608 Bohemia 1864 01:40:47,608 --> 01:40:49,483 It meant 1865 01:40:50,025 --> 01:40:52,316 We are happy 1866 01:40:53,400 --> 01:40:55,483 Bohemia 1867 01:40:56,358 --> 01:40:58,775 Bohemia 1868 01:40:58,941 --> 01:41:04,941 We only ate every other day 1869 01:41:07,108 --> 01:41:08,525 In the nearby cafes 1870 01:41:08,691 --> 01:41:10,025 There were a few of us 1871 01:41:10,191 --> 01:41:12,275 Who were waiting for glory 1872 01:41:12,941 --> 01:41:15,441 And although miserable 1873 01:41:16,191 --> 01:41:17,733 With an empty stomach 1874 01:41:17,900 --> 01:41:19,025 We kept believing in it 1875 01:41:19,191 --> 01:41:21,025 And when some bistros 1876 01:41:21,191 --> 01:41:22,525 Against a good hot meal 1877 01:41:22,691 --> 01:41:24,566 We took a canvas 1878 01:41:24,733 --> 01:41:27,108 We recited verses 1879 01:41:27,275 --> 01:41:28,608 Grouped around the stove 1880 01:41:28,775 --> 01:41:31,275 Forgetting the winter 1881 01:41:31,441 --> 01:41:34,066 Bohemia 1882 01:41:35,191 --> 01:41:36,941 Bohemia 1883 01:41:37,108 --> 01:41:40,358 - I did well to give you a chance in this box. 1884 01:41:41,608 --> 01:41:43,400 You were so sure of yourself. 1885 01:41:43,566 --> 01:41:44,441 Little laugh 1886 01:41:44,608 --> 01:41:46,816 So pretentious. 1887 01:41:48,316 --> 01:41:49,483 So French. 1888 01:41:50,566 --> 01:41:54,900 - I'm the one who gave you your chance. - You see, that's exactly it. 1889 01:41:55,066 --> 01:41:56,275 They laugh. 1890 01:41:57,858 --> 01:42:01,191 He sings "La Bohème" in English. 1891 01:42:22,275 --> 01:42:25,400 - My parents moved there after they got married. 1892 01:42:25,566 --> 01:42:27,150 - So, Charles? - Mmh? 1893 01:42:27,816 --> 01:42:29,400 - When are you going to ask me to marry you? 1894 01:42:29,566 --> 01:42:32,983 - Oh me, marriage, children, I've given enough. 1895 01:42:33,233 --> 01:42:34,941 I think it's more for me. 1896 01:42:35,108 --> 01:42:37,566 Bohemia 1897 01:42:38,316 --> 01:42:40,858 Bohemia 1898 01:42:41,025 --> 01:42:43,400 He sings "La Bohème" in Spanish. 1899 01:43:07,025 --> 01:43:08,816 I'm just trying to understand you. 1900 01:43:08,983 --> 01:43:11,691 We're not going to bring that back up, damn it! 1901 01:43:11,858 --> 01:43:12,983 All right. 1902 01:43:13,608 --> 01:43:15,025 I'm going back to Sweden. 1903 01:43:15,191 --> 01:43:17,400 And if one day you want to see me again, 1904 01:43:17,858 --> 01:43:19,358 It's for the wedding. 1905 01:43:19,650 --> 01:43:20,733 Attention. 1906 01:43:21,691 --> 01:43:24,150 Are you sure about what you're doing? 1907 01:43:26,108 --> 01:43:29,233 She slams the door. The bohemian 1908 01:43:30,316 --> 01:43:32,733 Bohemia 1909 01:43:33,441 --> 01:43:35,691 He sings "La Bohème" in English. 1910 01:43:39,650 --> 01:43:42,441 Bohemia 1911 01:43:43,316 --> 01:43:45,941 Bohemia 1912 01:43:46,108 --> 01:43:52,150 It doesn't mean anything at all anymore 1913 01:44:04,608 --> 01:44:06,858 Cris 1914 01:44:10,358 --> 01:44:12,691 Applause and cheers 1915 01:44:30,650 --> 01:44:31,608 (In English) 1916 01:44:31,775 --> 01:44:34,775 - Charles Aznavour, the famous French singer, 1917 01:44:34,941 --> 01:44:38,316 performed for the first time at Carnegie Hall tonight. 1918 01:44:38,483 --> 01:44:40,525 French journalists were present 1919 01:44:40,691 --> 01:44:43,775 to witness his long-awaited New York debut. 1920 01:44:44,400 --> 01:44:46,400 - This is my first time in the United States 1921 01:44:46,566 --> 01:44:48,733 and I know that the audience was full of French people, 1922 01:44:48,900 --> 01:44:51,650 but I will come back to sing more in English, 1923 01:44:51,816 --> 01:44:54,483 because I dream of a big tour in the United States. 1924 01:44:54,650 --> 01:44:56,566 There is someone else for you. 1925 01:44:56,733 --> 01:44:58,941 - You see I'm busy. - He insists. 1926 01:45:00,066 --> 01:45:01,066 - Excuse me. 1927 01:45:03,441 --> 01:45:04,816 What is his name? 1928 01:45:05,650 --> 01:45:07,233 His name is Pierre Roche. 1929 01:45:07,733 --> 01:45:09,066 Oh, Pierre. 1930 01:45:13,483 --> 01:45:15,608 - You didn't tell me anything. - You don't like surprises? 1931 01:45:15,775 --> 01:45:16,775 Between. 1932 01:45:18,025 --> 01:45:18,983 Pierre Roche. 1933 01:45:19,150 --> 01:45:21,650 - My best friend. - Nice to meet you. 1934 01:45:21,816 --> 01:45:23,941 We have to go. Thanks again. 1935 01:45:24,108 --> 01:45:24,816 It was nothing. 1936 01:45:24,983 --> 01:45:25,941 Bye. 1937 01:45:26,316 --> 01:45:27,191 Hey, Frank? 1938 01:45:28,858 --> 01:45:32,108 I will sing here until I get the same salary as you. 1939 01:45:32,275 --> 01:45:33,858 - Little laugh - Good luck. 1940 01:45:36,275 --> 01:45:39,775 - Did you tell Frank Sinatra you were going to get the same salary? 1941 01:45:39,941 --> 01:45:42,566 - Mmh. - I missed you, Charles. 1942 01:45:44,025 --> 01:45:45,691 And then look at yourself! 1943 01:45:45,858 --> 01:45:47,233 Little happy laughs 1944 01:45:47,608 --> 01:45:49,316 I can't tease you about your nose anymore. 1945 01:45:49,858 --> 01:45:50,733 On the other hand, me... 1946 01:45:50,900 --> 01:45:52,316 - Yes, I know. - Really, there... 1947 01:45:52,483 --> 01:45:53,691 They laugh. 1948 01:45:54,608 --> 01:45:55,650 And you ? 1949 01:45:56,316 --> 01:45:57,441 Where are you? 1950 01:45:58,108 --> 01:46:00,108 I play the piano in a hotel. 1951 01:46:00,941 --> 01:46:04,191 Customers don't listen to me. I don't have much pressure. 1952 01:46:04,650 --> 01:46:07,983 I am happy. Thanks to my son, I have started composing again. 1953 01:46:08,150 --> 01:46:11,233 - What do you mean? - Whatever happens, every morning, 1954 01:46:11,400 --> 01:46:13,108 I'm with him at breakfast. 1955 01:46:13,275 --> 01:46:15,316 I ask him to tell me about his dreams 1956 01:46:15,483 --> 01:46:18,025 - and then, it inspires melodies. - Oh yeah? 1957 01:46:18,525 --> 01:46:19,691 And you ? 1958 01:46:20,025 --> 01:46:21,441 - Me? - Are you happy? 1959 01:46:22,775 --> 01:46:23,858 Yes. 1960 01:46:25,316 --> 01:46:27,983 - You're good there. You have everything you want. 1961 01:46:28,150 --> 01:46:30,108 Light hubbub 1962 01:46:30,275 --> 01:46:31,400 Yes. 1963 01:46:33,900 --> 01:46:34,900 Yeah. 1964 01:46:36,608 --> 01:46:38,025 Still not satisfied, huh? 1965 01:46:39,775 --> 01:46:40,900 And women? 1966 01:46:42,858 --> 01:46:44,608 I almost experienced true love. 1967 01:46:44,775 --> 01:46:47,233 - What do you mean? - She wanted to get married, I didn't. 1968 01:46:47,983 --> 01:46:50,150 - She's gone. - Damn. 1969 01:46:53,483 --> 01:46:54,275 Ulla. 1970 01:46:55,316 --> 01:46:58,400 She is Swedish, beautiful, refined. 1971 01:46:58,858 --> 01:47:00,941 And then it's my reverse mirror. 1972 01:47:01,108 --> 01:47:03,358 When she is ice, I am fire. 1973 01:47:04,025 --> 01:47:06,150 You see, you still talk about it in the present tense. 1974 01:47:07,358 --> 01:47:08,150 What are you waiting for? 1975 01:47:08,900 --> 01:47:11,525 "Formidable" (Charles Aznavour) 1976 01:47:16,316 --> 01:47:19,483 You are the one for me, for me, for me 1977 01:47:19,650 --> 01:47:21,566 Formidable 1978 01:47:23,358 --> 01:47:26,858 You are my love very, very, very 1979 01:47:27,025 --> 01:47:28,983 True 1980 01:47:30,816 --> 01:47:37,066 And I wish I could finally tell you one day 1981 01:47:38,191 --> 01:47:40,816 Write it to you 1982 01:47:41,400 --> 01:47:45,608 In the language of Shakespeare 1983 01:47:45,775 --> 01:47:48,858 My daisy, daisy, daisy 1984 01:47:49,025 --> 01:47:51,275 Desirable 1985 01:47:52,650 --> 01:47:55,941 I am unhappy to have so few words 1986 01:47:56,108 --> 01:47:58,941 To offer you as gifts 1987 01:47:59,108 --> 01:48:02,108 Darling I love you, love you, 1988 01:48:02,275 --> 01:48:03,441 Darling, I want you 1989 01:48:04,816 --> 01:48:07,191 And that's about it. 1990 01:48:07,358 --> 01:48:10,150 You are the one for me, for me 1991 01:48:10,483 --> 01:48:13,775 For me, formidable 1992 01:48:33,483 --> 01:48:34,275 Dad, 1993 01:48:34,441 --> 01:48:36,650 are you going to have breakfast with us? 1994 01:48:37,191 --> 01:48:40,275 Yes, yes. Oh, it smells good in here. 1995 01:48:40,441 --> 01:48:42,233 Shall I give you some jam? 1996 01:48:42,400 --> 01:48:44,233 No, I don't like jam. 1997 01:48:45,066 --> 01:48:46,025 Ah. 1998 01:48:46,191 --> 01:48:48,900 Tell me, Katia, what beautiful thing did you dream about? 1999 01:48:49,066 --> 01:48:52,233 - I dreamed about Mischa. In the garden, there was a dog 2000 01:48:52,400 --> 01:48:54,108 who wanted to catch us. 2001 01:48:54,275 --> 01:48:56,025 And Mischa, he was crying. 2002 01:48:58,108 --> 01:48:59,858 - Babillage - Mother. 2003 01:49:00,025 --> 01:49:01,150 Little laugh 2004 01:49:01,775 --> 01:49:02,983 That's very good. 2005 01:49:03,150 --> 01:49:05,358 - Will you be there this weekend? - In the morning. 2006 01:49:06,858 --> 01:49:08,316 And tonight? 2007 01:49:09,275 --> 01:49:11,525 Tonight I'm not here. I'm working. 2008 01:49:11,691 --> 01:49:12,983 "Time" (Charles Aznavour) 2009 01:49:13,150 --> 01:49:15,941 Let me guide your steps in life 2010 01:49:16,108 --> 01:49:18,816 Give me the chance to be loved 2011 01:49:18,983 --> 01:49:22,233 Come like a child into the hollow of my shoulder 2012 01:49:22,400 --> 01:49:26,441 Let me take the role of making you forget 2013 01:49:26,858 --> 01:49:28,275 The time that goes 2014 01:49:28,441 --> 01:49:29,941 The time that sleeps 2015 01:49:30,108 --> 01:49:31,441 Time without joys 2016 01:49:31,608 --> 01:49:33,233 The time of wonders 2017 01:49:33,400 --> 01:49:34,691 The time of a day 2018 01:49:34,858 --> 01:49:36,275 Time of a second 2019 01:49:36,441 --> 01:49:37,816 Time is running out 2020 01:49:37,983 --> 01:49:39,608 Or the one who scolds 2021 01:49:39,775 --> 01:49:41,066 Time, time 2022 01:49:41,233 --> 01:49:43,066 Time and nothing else 2023 01:49:43,233 --> 01:49:45,900 Yours, mine The one we want ours 2024 01:49:46,066 --> 01:49:47,233 Time, time 2025 01:49:47,400 --> 01:49:49,150 Time and nothing else 2026 01:49:49,316 --> 01:49:50,191 Yours, mine 2027 01:49:50,483 --> 01:49:52,608 The one we want ours 2028 01:49:53,691 --> 01:49:55,191 Time passed 2029 01:49:55,358 --> 01:49:56,858 The one who will be born 2030 01:49:57,025 --> 01:49:58,358 Time to love 2031 01:49:58,525 --> 01:49:59,983 And disappear 2032 01:50:00,150 --> 01:50:01,483 The time of tears 2033 01:50:01,650 --> 01:50:02,858 Lucky time 2034 01:50:03,608 --> 01:50:05,900 We knock and enter. 2035 01:50:06,066 --> 01:50:07,816 Oh, Patrick. 2036 01:50:07,983 --> 01:50:08,775 Hi, Dad. 2037 01:50:08,941 --> 01:50:11,941 - Come here, big guy. Jean-Louis told me you were here. 2038 01:50:12,108 --> 01:50:13,108 You should have warned me. 2039 01:50:13,275 --> 01:50:15,150 We haven't seen you in weeks. 2040 01:50:15,316 --> 01:50:16,400 I know. 2041 01:50:19,191 --> 01:50:20,316 - What's going on? 2042 01:50:20,483 --> 01:50:21,900 Nothing. Nothing, nothing. 2043 01:50:22,066 --> 01:50:24,066 And congratulations for tonight. It was very good. 2044 01:50:24,233 --> 01:50:26,816 Oh no. That wasn't good at all. 2045 01:50:27,150 --> 01:50:28,650 Let's talk about something else. 2046 01:50:28,816 --> 01:50:30,775 - Three weeks of absence. - Yes, sorry. 2047 01:50:30,941 --> 01:50:33,150 - Tell me. - I didn't want to go out. 2048 01:50:33,441 --> 01:50:34,816 I wasn't in very good shape. 2049 01:50:34,983 --> 01:50:36,191 But it's getting better. 2050 01:50:37,608 --> 01:50:38,650 (It's getting better.) 2051 01:50:39,066 --> 01:50:41,816 And this new apartment, is it good? 2052 01:50:43,066 --> 01:50:44,358 Don't you feel too lonely? 2053 01:50:44,525 --> 01:50:46,025 No not at all. 2054 01:50:46,191 --> 01:50:47,941 And the apartment is perfect. 2055 01:50:48,483 --> 01:50:49,983 Thank you, it's a nice gift. 2056 01:50:50,150 --> 01:50:52,775 - Don't thank me. It's completely normal. 2057 01:50:52,941 --> 01:50:54,108 You are my son. 2058 01:50:54,275 --> 01:50:56,608 If you need anything else... 2059 01:50:57,066 --> 01:50:57,983 Non. 2060 01:51:00,733 --> 01:51:01,858 The plan? 2061 01:51:03,941 --> 01:51:06,233 - Did you get it? - Yes. Yes. 2062 01:51:06,400 --> 01:51:07,566 He's handsome, huh? 2063 01:51:07,733 --> 01:51:08,691 Little happy laugh 2064 01:51:09,108 --> 01:51:10,525 We knock and then we enter. 2065 01:51:10,691 --> 01:51:13,858 - The guy from the Parisian would like to see you. - I'm coming. 2066 01:51:15,608 --> 01:51:16,983 Above all, don't hesitate. 2067 01:51:18,566 --> 01:51:19,983 I want you to lack nothing. 2068 01:51:20,150 --> 01:51:21,275 I have everything I need. 2069 01:51:21,441 --> 01:51:22,566 Charles closes the door. 2070 01:51:23,691 --> 01:51:26,483 "Under the Parisian Sky" (Edith Piaf) 2071 01:51:31,358 --> 01:51:36,191 - Under the sky of Paris A song flies away 2072 01:51:36,358 --> 01:51:39,025 Mmh, mmh 2073 01:51:39,191 --> 01:51:41,108 She was born today 2074 01:51:41,275 --> 01:51:43,816 In the heart of a boy 2075 01:51:46,691 --> 01:51:49,775 Brouhaha 2076 01:51:49,941 --> 01:51:50,983 One last one. 2077 01:51:52,108 --> 01:51:54,233 Ladies and gentlemen, sorry, we have to go. 2078 01:51:54,733 --> 01:51:57,108 Well done, Charles! It was magnificent. 2079 01:51:57,733 --> 01:51:59,025 It was very good tonight. 2080 01:51:59,191 --> 01:52:03,483 - No. I know when I've been good and when I've not been good. 2081 01:52:03,650 --> 01:52:05,025 Let's go have a drink. 2082 01:52:05,191 --> 01:52:08,900 A seated philosopher 2083 01:52:09,066 --> 01:52:10,316 Two musicians 2084 01:52:10,483 --> 01:52:11,983 Some onlookers 2085 01:52:12,150 --> 01:52:15,233 Then people by the thousands 2086 01:52:15,400 --> 01:52:16,900 Brouhaha 2087 01:52:17,066 --> 01:52:18,816 - Take me where you would have gone. 2088 01:52:19,400 --> 01:52:22,191 - I mostly go to places, bars... 2089 01:52:22,358 --> 01:52:23,566 Bars d'homo ? 2090 01:52:24,066 --> 01:52:25,900 - It's not a bad word. - Gay bars. 2091 01:52:27,483 --> 01:52:28,358 THANKS. 2092 01:52:28,525 --> 01:52:31,066 - Where is Patrick? - He's already gone. 2093 01:52:31,233 --> 01:52:33,983 Already? He didn't even say goodbye. 2094 01:52:34,150 --> 01:52:35,483 Thank you so much. 2095 01:52:40,775 --> 01:52:42,858 He falls asleep at night 2096 01:52:43,025 --> 01:52:45,691 The tramps and the beggars 2097 01:52:48,441 --> 01:52:50,316 Under the Parisian sky 2098 01:52:50,483 --> 01:52:52,775 The birds of the Good Lord 2099 01:52:52,941 --> 01:52:54,066 Mmh, mmh 2100 01:52:55,983 --> 01:52:58,191 Come from all over the world 2101 01:52:58,358 --> 01:53:00,858 To chat among themselves 2102 01:53:02,525 --> 01:53:05,233 Rhythmic music Brouhaha 2103 01:53:09,191 --> 01:53:12,066 - Well done, Jacky. That was very moving. - Thank you. 2104 01:53:12,566 --> 01:53:14,900 - It's a very personal interpretation. 2105 01:53:15,525 --> 01:53:17,025 - I liked it. - It touches me. 2106 01:53:17,441 --> 01:53:21,108 I've sung in clubs before where I've been insulted. 2107 01:53:21,275 --> 01:53:22,983 I've heard it all, you know. 2108 01:53:23,150 --> 01:53:25,608 Folle, tarlouze, 2109 01:53:25,775 --> 01:53:27,108 dirty faggot, obviously. 2110 01:53:27,275 --> 01:53:30,483 - I know insults well too. - Really? 2111 01:53:30,650 --> 01:53:33,316 What did we tell you? He laughed. 2112 01:53:33,483 --> 01:53:34,983 Oh, if you only knew... 2113 01:53:35,150 --> 01:53:36,233 Rom, 2114 01:53:36,400 --> 01:53:37,650 naboth, 2115 01:53:37,816 --> 01:53:38,941 foreigner, 2116 01:53:40,150 --> 01:53:41,191 dirty Jew... 2117 01:53:41,358 --> 01:53:43,358 - But you're not Jewish, right? - No. 2118 01:53:44,066 --> 01:53:45,400 At least you're gay. 2119 01:53:45,816 --> 01:53:48,566 - Yes, yes. They laugh. 2120 01:53:51,650 --> 01:53:52,941 Who's gonna sing this? 2121 01:53:53,608 --> 01:53:54,608 Me. 2122 01:53:56,316 --> 01:53:58,150 - You say "I" in the song. - Yes. 2123 01:53:59,025 --> 01:54:00,566 - Little laugh - So what? 2124 01:54:01,650 --> 01:54:03,150 Are you going to explain to people? 2125 01:54:03,316 --> 01:54:05,816 Make an announcement? They won't understand anything. 2126 01:54:05,983 --> 01:54:09,150 - Of course not, we're not going to make an announcement before. 2127 01:54:09,316 --> 01:54:11,483 Don't think the public is stupid. 2128 01:54:11,650 --> 01:54:13,275 I'll sing it as is. 2129 01:54:14,316 --> 01:54:15,983 I will stand like you. 2130 01:54:21,108 --> 01:54:23,483 "As they say" (Charles Aznavour) 2131 01:54:32,441 --> 01:54:34,900 I live alone with my mom 2132 01:54:35,066 --> 01:54:37,483 In a very old apartment 2133 01:54:39,150 --> 01:54:41,941 Sarasate Street 2134 01:54:43,275 --> 01:54:45,733 I have to keep me company 2135 01:54:46,150 --> 01:54:48,983 One turtle, two canaries 2136 01:54:50,275 --> 01:54:53,775 And a pussy 2137 01:54:54,441 --> 01:54:57,066 To let mom rest 2138 01:54:57,233 --> 01:54:59,983 Very often I go to the market 2139 01:55:01,275 --> 01:55:04,608 And the kitchen 2140 01:55:05,400 --> 01:55:08,025 I tidy up, I wash, I dry 2141 01:55:08,191 --> 01:55:11,608 Occasionally I also sting 2142 01:55:11,775 --> 01:55:16,441 To the machine 2143 01:55:16,608 --> 01:55:19,191 I'm not afraid of work 2144 01:55:19,358 --> 01:55:21,941 I'm a bit of a decorator 2145 01:55:22,650 --> 01:55:26,316 A bit of a stylist 2146 01:55:27,316 --> 01:55:28,441 But my real job 2147 01:55:28,608 --> 01:55:29,941 It's night 2148 01:55:30,441 --> 01:55:32,816 That I exercise it in disguise 2149 01:55:33,858 --> 01:55:37,441 I am an artist 2150 01:55:37,816 --> 01:55:40,900 I have a very special number 2151 01:55:41,066 --> 01:55:42,983 Who ends up completely naked 2152 01:55:44,858 --> 01:55:47,650 After striptease 2153 01:55:48,858 --> 01:55:51,275 And in the room I see that 2154 01:55:51,441 --> 01:55:53,941 The males can't believe their eyes 2155 01:55:54,108 --> 01:55:55,566 I am a homo 2156 01:55:56,066 --> 01:56:01,316 As they say 2157 01:56:08,025 --> 01:56:09,900 So, we show up unannounced? 2158 01:56:12,483 --> 01:56:13,483 Heavy breathing 2159 01:56:13,650 --> 01:56:14,816 What's going on? 2160 01:56:14,983 --> 01:56:15,691 Charles... 2161 01:56:16,483 --> 01:56:17,608 Is it the parents? 2162 01:56:20,525 --> 01:56:21,525 Aida? 2163 01:56:22,650 --> 01:56:24,025 Aida? She's sobbing. 2164 01:56:24,275 --> 01:56:25,316 Speak. 2165 01:56:28,941 --> 01:56:30,275 This is Patrick. 2166 01:56:30,650 --> 01:56:31,691 And what? 2167 01:56:32,150 --> 01:56:34,025 We found him like that at his home. 2168 01:56:36,108 --> 01:56:38,900 He's dead, Charles. I'm sorry. 2169 01:56:47,066 --> 01:56:50,275 Armenian lyrics 2170 01:57:07,525 --> 01:57:08,483 I'm going to go there. 2171 01:57:09,858 --> 01:57:11,941 - You're not coming with us to your parents' house? 2172 01:57:12,900 --> 01:57:14,775 I have to go to the Olympia. I'm playing. 2173 01:57:14,941 --> 01:57:16,191 Even tonight? 2174 01:57:16,358 --> 01:57:18,691 Bells 2175 01:57:38,691 --> 01:57:40,316 He sobs. 2176 01:57:50,941 --> 01:57:51,900 He sniffs. 2177 01:58:00,150 --> 01:58:02,650 Muffled cheers 2178 01:58:08,691 --> 01:58:11,650 Cheers 2179 01:58:12,358 --> 01:58:14,775 Barking 2180 01:58:31,358 --> 01:58:33,025 - Are you okay, brother? - Yes. 2181 01:58:35,275 --> 01:58:36,691 - T'es sûr? - Mmh. 2182 01:58:36,858 --> 01:58:38,275 It's okay, yes. I... 2183 01:58:38,858 --> 01:58:40,733 I was writing a song. 2184 01:58:43,858 --> 01:58:44,983 She sniffs. 2185 01:58:45,900 --> 01:58:48,025 You can tell me if it's not okay. 2186 01:58:48,816 --> 01:58:51,608 I'm doing very well. Well, you know, I... 2187 01:58:53,400 --> 01:58:55,608 I was focused on a text. 2188 01:58:55,775 --> 01:58:58,691 - Why do you lock yourself away all day to write? 2189 01:59:00,066 --> 01:59:02,233 There is no rush to release a new album. 2190 01:59:03,358 --> 01:59:05,525 You don't need any new money coming in. 2191 01:59:07,066 --> 01:59:09,691 - We have to maintain everyone's standard of living. 2192 01:59:09,858 --> 01:59:10,816 Charles... 2193 01:59:11,858 --> 01:59:13,066 you're at the top. 2194 01:59:16,400 --> 01:59:17,775 You can take your time. 2195 01:59:19,566 --> 01:59:21,483 After what happened... 2196 01:59:22,150 --> 01:59:25,400 She sighs. Maybe you can calm things down a bit, 2197 01:59:25,566 --> 01:59:26,983 enjoy the children. 2198 01:59:31,233 --> 01:59:33,191 Charles, you just lost your son. 2199 01:59:34,858 --> 01:59:36,108 Talk to me. 2200 01:59:36,941 --> 01:59:39,525 She sniffles. You can tell me you're sad. 2201 01:59:39,691 --> 01:59:41,066 She sighs. 2202 01:59:43,191 --> 01:59:45,816 First of all, I don't think I'm at the top. 2203 01:59:47,358 --> 01:59:49,025 And I thought about it. 2204 01:59:50,566 --> 01:59:53,191 I will ask Jean-Louis to rent 2205 01:59:53,358 --> 01:59:54,691 the most beautiful room 2206 01:59:54,858 --> 01:59:57,775 in every capital of every major country. 2207 01:59:58,400 --> 02:00:00,066 She sobs. 2208 02:00:02,025 --> 02:00:03,608 I need to travel. 2209 02:00:06,025 --> 02:00:07,441 I need to see people. 2210 02:00:07,608 --> 02:00:09,275 "Take me" (Charles Aznavour) 2211 02:00:09,441 --> 02:00:10,358 All right. 2212 02:00:12,650 --> 02:00:14,108 This is a very good idea. 2213 02:00:17,858 --> 02:00:20,025 In case you don't know my name, 2214 02:00:20,775 --> 02:00:22,275 I had it written here. 2215 02:00:22,441 --> 02:00:25,150 Towards the docks where the weight and the boredom 2216 02:00:25,316 --> 02:00:27,650 They bend my back 2217 02:00:29,191 --> 02:00:31,650 They arrive with heavy stomachs 2218 02:00:31,816 --> 02:00:33,525 Fruit boats 2219 02:00:36,316 --> 02:00:37,400 They come from the ends of the earth 2220 02:00:37,566 --> 02:00:38,816 Bringing with them wandering ideas 2221 02:00:38,983 --> 02:00:40,525 With reflections of blue skies 2222 02:00:41,025 --> 02:00:42,483 Of mirages 2223 02:00:43,191 --> 02:00:45,275 Trailing a peppery scent From unknown countries 2224 02:00:45,441 --> 02:00:47,525 And eternal summers Where we live almost naked 2225 02:00:47,691 --> 02:00:49,358 On the beaches 2226 02:00:49,525 --> 02:00:52,358 I who have not known all my life 2227 02:00:52,775 --> 02:00:54,566 Than the northern sky 2228 02:00:56,316 --> 02:00:58,691 I would like to wash away this gray 2229 02:00:58,858 --> 02:01:01,483 Turning around 2230 02:01:02,608 --> 02:01:07,025 Take me to the ends of the earth 2231 02:01:08,025 --> 02:01:11,066 Take me to wonderland 2232 02:01:11,233 --> 02:01:14,900 It seems to me that misery 2233 02:01:15,066 --> 02:01:17,691 Would be less painful in the sun 2234 02:01:18,775 --> 02:01:21,066 In the bars at dusk 2235 02:01:21,233 --> 02:01:23,400 With the sailors 2236 02:01:25,191 --> 02:01:27,650 When we talk about girls and love 2237 02:01:27,816 --> 02:01:30,358 A glass in hand 2238 02:01:32,191 --> 02:01:34,150 I lose track of things And suddenly my thoughts 2239 02:01:34,316 --> 02:01:36,733 Picks me up and drops me off A wonderful summer 2240 02:01:36,900 --> 02:01:38,941 On the strike 2241 02:01:39,108 --> 02:01:40,816 Where I see love stretching out its arms like a madman 2242 02:01:40,983 --> 02:01:43,525 Runs to meet me and hangs on my neck 2243 02:01:43,691 --> 02:01:44,775 From my dream 2244 02:01:45,441 --> 02:01:48,066 When the bars close, the sailors 2245 02:01:48,233 --> 02:01:50,566 Join their side 2246 02:01:52,566 --> 02:01:54,983 I still dream until morning 2247 02:01:55,150 --> 02:01:57,733 Standing on the harbor 2248 02:01:58,733 --> 02:02:00,191 - (In English)- You love being on tour, 2249 02:02:00,358 --> 02:02:02,525 - So? - ​​I love it. It's my whole life. 2250 02:02:02,691 --> 02:02:04,566 I sing all over the world... 2251 02:02:04,733 --> 02:02:06,650 but it is a permanent challenge. 2252 02:02:06,816 --> 02:02:09,608 Show business is magic. You never know. 2253 02:02:09,775 --> 02:02:11,733 why it works or not. 2254 02:02:11,900 --> 02:02:15,066 And I want to see if the magic will work again. 2255 02:02:15,233 --> 02:02:17,983 - Thank you for being with us this evening. - With pleasure. 2256 02:02:18,150 --> 02:02:19,816 Ladies and Gentlemen, 2257 02:02:19,983 --> 02:02:22,191 thunderous applause for Mr. Charles Aznavour. 2258 02:02:22,775 --> 02:02:24,858 Applause 2259 02:02:27,650 --> 02:02:28,775 Well done, you were perfect. 2260 02:02:29,358 --> 02:02:30,483 THANKS. 2261 02:02:31,233 --> 02:02:34,233 - I'm leaving, I'm exhausted. - The driver is waiting for you. 2262 02:02:34,400 --> 02:02:36,816 I got the American production, and it's good. 2263 02:02:36,983 --> 02:02:38,691 You'll have the same cachet as Sinatra. 2264 02:02:39,275 --> 02:02:40,566 Non ? 2265 02:02:40,858 --> 02:02:42,025 Oh my gosh... 2266 02:02:42,191 --> 02:02:43,358 Well done, Charles. 2267 02:02:45,150 --> 02:02:47,233 Dramatic music 2268 02:03:00,691 --> 02:03:01,775 - Excuse me ? 2269 02:03:02,191 --> 02:03:03,691 Can you stop here? 2270 02:03:03,858 --> 02:03:04,983 I have... 2271 02:03:05,775 --> 02:03:08,191 - I need to walk. - Yes, of course. 2272 02:03:38,441 --> 02:03:42,316 - I am received like a king here by the public, the media... 2273 02:03:42,483 --> 02:03:44,025 This is awesome. 2274 02:03:44,191 --> 02:03:46,191 Why are you telling me this in that tone? 2275 02:03:46,358 --> 02:03:47,566 I don't know well. I... 2276 02:03:48,066 --> 02:03:49,191 I feel... 2277 02:03:51,566 --> 02:03:52,650 bizarre. 2278 02:03:53,941 --> 02:03:56,525 I don't know if I want to laugh or cry. 2279 02:04:00,025 --> 02:04:01,900 I think back to the parents, 2280 02:04:02,566 --> 02:04:03,650 to Patrick. 2281 02:04:05,108 --> 02:04:06,525 Pierre, Edith... 2282 02:04:11,525 --> 02:04:13,316 Do you remember Dad's phrase? 2283 02:04:14,608 --> 02:04:16,775 Naked ourh éïnk ourh eguank. 2284 02:04:17,483 --> 02:04:20,525 “Look where we came from and look where we are.” 2285 02:04:20,691 --> 02:04:22,150 Well look where you are. 2286 02:04:22,316 --> 02:04:24,733 You've achieved all your goals, that's it. 2287 02:04:25,691 --> 02:04:27,775 - Maybe that's the problem. 2288 02:04:30,691 --> 02:04:32,983 I worked so hard to get here. 2289 02:04:34,941 --> 02:04:37,983 And now I don't know what I'm going to do. 2290 02:04:38,941 --> 02:04:40,858 I'm not used to this. 2291 02:04:44,483 --> 02:04:45,525 Aida sighs. 2292 02:04:46,275 --> 02:04:47,775 Hey, but Charles, it's... 2293 02:04:48,566 --> 02:04:51,566 This is where I tell you that you need to slow down, 2294 02:04:51,733 --> 02:04:53,858 that you take time for yourself, but... 2295 02:04:54,566 --> 02:04:56,566 we know what you're going to say to me. 2296 02:04:56,733 --> 02:04:58,233 I would like that. 2297 02:05:00,066 --> 02:05:01,816 But if I stop, I die. 2298 02:05:07,983 --> 02:05:09,066 Charles ? 2299 02:05:15,775 --> 02:05:16,775 He sniffs. 2300 02:05:17,400 --> 02:05:18,816 Charles, are you there? 2301 02:05:22,400 --> 02:05:24,525 Okay, it'll be fine. 2302 02:05:24,858 --> 02:05:25,983 I will call you back. 2303 02:05:26,150 --> 02:05:27,691 - Mmh? - Okay. 2304 02:05:29,275 --> 02:05:30,483 It'll be OK. 2305 02:05:37,150 --> 02:05:38,525 He sighs. 2306 02:05:42,650 --> 02:05:43,650 Little laugh 2307 02:06:03,691 --> 02:06:06,566 "Yesterday again" (Charles Aznavour) 2308 02:06:23,025 --> 02:06:26,108 Yesterday I was twenty years old again 2309 02:06:26,275 --> 02:06:28,233 I was caressing time 2310 02:06:28,400 --> 02:06:30,233 And played with life 2311 02:06:30,400 --> 02:06:31,691 How we play love 2312 02:06:31,858 --> 02:06:33,525 And I lived at night 2313 02:06:33,691 --> 02:06:35,275 Not counting my days 2314 02:06:35,441 --> 02:06:37,316 Who fled in time 2315 02:06:37,650 --> 02:06:41,191 I have made so many plans that have remained in the air. 2316 02:06:41,358 --> 02:06:45,066 I had so many hopes that flew away 2317 02:06:45,233 --> 02:06:48,525 That I remain lost not knowing where to go 2318 02:06:48,691 --> 02:06:52,900 Eyes searching the sky, but hearts buried in the ground 2319 02:06:53,400 --> 02:06:56,025 Yesterday I was twenty years old again 2320 02:06:56,191 --> 02:06:58,150 I was wasting time 2321 02:06:58,316 --> 02:06:59,525 Thinking to stop it 2322 02:07:00,150 --> 02:07:03,525 And to hold him back, even to get ahead of him 2323 02:07:03,941 --> 02:07:05,275 I just ran 2324 02:07:05,733 --> 02:07:07,733 And I ran out of breath 2325 02:07:07,900 --> 02:07:10,941 Ignoring the past, conjugating in the future 2326 02:07:11,650 --> 02:07:15,400 I preceded any conversation with myself. 2327 02:07:15,566 --> 02:07:18,858 And gave my opinion that I wanted the right one 2328 02:07:19,025 --> 02:07:22,025 To casually criticize the world 2329 02:07:22,816 --> 02:07:24,275 Yesterday again... 2330 02:07:24,566 --> 02:07:27,858 - A legend of French song has just passed away. 2331 02:07:28,025 --> 02:07:31,233 Charles Aznavour died at the age of 94. 2332 02:07:31,941 --> 02:07:34,900 Until the end, he wrote and sang on stage 2333 02:07:35,066 --> 02:07:37,525 in France and around the world. 2334 02:07:37,691 --> 02:07:40,566 With 180 million records sold, he leaves 2335 02:07:40,733 --> 02:07:42,358 behind him a considerable work. 2336 02:07:42,733 --> 02:07:44,066 He, the son of refugees 2337 02:07:44,441 --> 02:07:46,983 has become the symbol of French culture 2338 02:07:47,150 --> 02:07:49,566 and even the image of France in the world. 2339 02:07:49,733 --> 02:07:53,525 - And I wasted my life and my young years 2340 02:07:53,691 --> 02:07:54,941 Of the best and the worst 2341 02:07:55,400 --> 02:07:56,858 Throwing away the best 2342 02:07:57,525 --> 02:07:58,983 I froze my smiles 2343 02:07:59,150 --> 02:08:00,733 And I froze my tears 2344 02:08:01,316 --> 02:08:02,691 Where are they now? 2345 02:08:04,108 --> 02:08:06,525 Now 2346 02:08:06,691 --> 02:08:10,400 My twenties? 2347 02:08:24,816 --> 02:08:27,650 "My troubles" (Charles Aznavour) 2348 02:08:31,358 --> 02:08:34,608 I worked for years 2349 02:08:34,775 --> 02:08:36,441 Without respite 2350 02:08:36,608 --> 02:08:38,108 Day and night 2351 02:08:38,691 --> 02:08:39,775 To succeed 2352 02:08:39,941 --> 02:08:41,316 Yes, to climb 2353 02:08:41,483 --> 02:08:43,275 Oh yes, the summit 2354 02:08:45,816 --> 02:08:47,316 While forgetting 2355 02:08:47,483 --> 02:08:49,108 Often in 2356 02:08:49,275 --> 02:08:52,441 My race against time 2357 02:08:52,983 --> 02:08:54,608 My friends 2358 02:08:54,775 --> 02:08:56,358 My loves 2359 02:08:56,525 --> 02:08:58,150 My troubles 2360 02:09:00,108 --> 02:09:03,566 I ran with all my might 2361 02:09:03,733 --> 02:09:05,358 Thirsty 2362 02:09:05,525 --> 02:09:06,900 Obstinate 2363 02:09:07,358 --> 02:09:08,900 Towards the horizon 2364 02:09:09,066 --> 02:09:10,691 The illusion 2365 02:09:10,858 --> 02:09:12,275 Towards the abstract 2366 02:09:14,441 --> 02:09:15,858 By sacrificing 2367 02:09:16,025 --> 02:09:17,358 It's sad 2368 02:09:18,066 --> 02:09:20,650 I blame myself for it now. 2369 02:09:21,691 --> 02:09:23,233 My friends 2370 02:09:23,400 --> 02:09:24,733 My loves 2371 02:09:25,233 --> 02:09:26,816 My troubles 2372 02:09:28,775 --> 02:09:31,066 "La Mamma" (Charles Aznavour) 2373 02:09:36,858 --> 02:09:38,900 They came They are all here 2374 02:09:39,066 --> 02:09:41,108 As soon as they heard this cry 2375 02:09:41,275 --> 02:09:47,108 She's going to die, mamma 2376 02:09:50,608 --> 02:09:52,400 They came They are all here 2377 02:09:52,566 --> 02:09:54,358 Even those from southern Italy 2378 02:09:54,858 --> 02:09:56,941 There's even Giorgio, the cursed son 2379 02:09:57,108 --> 02:10:00,525 With arms full of presents 2380 02:10:01,858 --> 02:10:03,941 All the children play in silence 2381 02:10:04,108 --> 02:10:06,066 Around the bed or on the tile 2382 02:10:06,233 --> 02:10:08,358 But their games don't matter 2383 02:10:08,525 --> 02:10:10,483 It's a bit like their last gifts. 2384 02:10:10,650 --> 02:10:13,900 To the mother 2385 02:10:18,566 --> 02:10:22,941 There is so much love, so many memories 2386 02:10:23,400 --> 02:10:27,608 Around you, mamma 2387 02:10:27,775 --> 02:10:32,191 There are so many tears and smiles 2388 02:10:32,358 --> 02:10:36,525 Through you, the mamma 2389 02:10:37,566 --> 02:10:39,691 Than ever 2390 02:10:39,858 --> 02:10:41,775 Never 2391 02:10:41,941 --> 02:10:44,983 Never 2392 02:10:45,358 --> 02:10:48,858 You will not leave us 2393 02:10:55,941 --> 02:10:58,525 "No, I haven't forgotten anything" (Charles Aznavour) 2394 02:11:07,233 --> 02:11:10,566 I would never have believed 2395 02:11:10,733 --> 02:11:13,066 That we would meet 2396 02:11:13,691 --> 02:11:15,566 Chance is curious 2397 02:11:15,941 --> 02:11:19,025 He provokes things 2398 02:11:19,775 --> 02:11:22,150 And destiny in a hurry 2399 02:11:22,316 --> 02:11:27,066 A moment strikes a pose 2400 02:11:27,233 --> 02:11:34,108 No, I didn't forget anything. 2401 02:11:38,275 --> 02:11:39,900 I smile in spite of myself 2402 02:11:41,275 --> 02:11:43,066 Just looking at you 2403 02:11:44,316 --> 02:11:46,358 If the months, the years 2404 02:11:46,525 --> 02:11:49,441 Often mark beings 2405 02:11:50,358 --> 02:11:52,483 You haven't changed. 2406 02:11:53,358 --> 02:11:57,441 Hairstyle maybe 2407 02:11:57,608 --> 02:12:04,650 No, I didn't forget anything. 2408 02:12:05,025 --> 02:12:07,775 Nothing forgotten 2409 02:12:09,775 --> 02:12:13,316 "Old-fashioned Pleasures" (Charles Aznavour) 2410 02:12:22,525 --> 02:12:26,650 In the familiar noise of the fashion box 2411 02:12:28,858 --> 02:12:33,566 With psychedelic lights and curious decorum 2412 02:12:35,233 --> 02:12:39,691 We discover sitting on uncomfortable chairs 2413 02:12:41,525 --> 02:12:47,400 The latest pop records pushed to the max 2414 02:12:47,816 --> 02:12:52,608 That's where we met among those of our age. 2415 02:12:54,233 --> 02:13:00,733 You, dressed as an Indian , and me, in a Mao collar 2416 02:13:00,983 --> 02:13:05,566 We have been coming back since then as if on a pilgrimage 2417 02:13:07,191 --> 02:13:12,900 Dancing in the knife-cut smoke 2418 02:13:13,733 --> 02:13:17,858 Come, let's discover, you and me 2419 02:13:18,566 --> 02:13:21,233 Old-fashioned pleasures 2420 02:13:24,816 --> 02:13:27,858 Your heart against my heart 2421 02:13:28,025 --> 02:13:31,191 Despite the crazy rhythms 2422 02:13:31,525 --> 02:13:37,233 I want to feel my body embraced by your body 2423 02:13:38,983 --> 02:13:44,066 Let's dance cheek to cheek 2424 02:13:45,983 --> 02:13:50,983 Let's dance cheek to cheek170000

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