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These are the user uploaded subtitles that are being translated: 1 00:00:03,870 --> 00:00:06,871 ♪ WE CAN DO ANYTHING 2 00:00:06,873 --> 00:00:09,608 ♪ JUST YOU AND ME, BABY, BABY, BABY, BABY 3 00:00:09,610 --> 00:00:11,009 ♪ BABY, BABY 4 00:00:11,011 --> 00:00:15,246 ♪ WAIT AND SEE 5 00:00:15,248 --> 00:00:19,217 ♪ HOLD ON, SIT TIGHT 6 00:00:19,219 --> 00:00:22,453 ♪ ARE YOU READY FOR A CRAZY RIDE? 7 00:00:22,455 --> 00:00:26,557 ♪ YOU'RE ON YOUR OWN, IT AIN'T RIGHT 8 00:00:26,559 --> 00:00:29,427 ♪ SOMETHING'S GOTTA GIVE TONIGHT 9 00:00:29,429 --> 00:00:32,931 ♪ SO IF YOU WANT TO RUN, RUN AND DISAPPEAR 10 00:00:32,933 --> 00:00:36,901 ♪ YOU AND I CAN BUST OUR WAY RIGHT OUT OF HERE 11 00:00:36,903 --> 00:00:40,571 ♪ TOGETHER WE CAN SHOOT THE MOON, STOP THE RAIN 12 00:00:40,573 --> 00:00:44,375 ♪ EVEN RIDE A HURRICANE IF WE WANNA 13 00:00:44,377 --> 00:00:49,114 ♪ TOGETHER WE CAN WALK INTO SPACE, SAVE THE HUMAN RACE 14 00:00:49,116 --> 00:00:51,315 ♪ DO YOU THINK WE OUGHTA, OUGHTA? 15 00:00:51,317 --> 00:00:55,386 ♪ WHOA, TOGETHER WE CAN SHOOT THE MOON, STOP THE RAIN, 16 00:00:55,388 --> 00:00:58,957 ♪ EVEN RIDE A HURRICANE IF WE WANNA 17 00:00:58,959 --> 00:01:03,795 ♪ TOGETHER WE CAN WALK INTO SPACE, SAVE THE HUMAN RACE 18 00:01:03,797 --> 00:01:07,165 ♪ DO YOU THINK WE OUGHTA, OUGHTA? 19 00:01:07,167 --> 00:01:10,068 ♪ IF WE TAKE OUR TIME, WE CAN HAVE IT ALL 20 00:01:10,070 --> 00:01:13,638 ♪ I DON'T THINK WE'RE GONNA MAKE IT ON OUR OWN 21 00:01:13,640 --> 00:01:17,408 ♪ TOGETHER WE CAN SHOOT THE MOON, STOP THE RAIN 22 00:01:17,410 --> 00:01:19,577 ♪ EVEN RIDE A HURRICANE... (AQUA) OW! 23 00:01:19,579 --> 00:01:20,645 ♪ IF WE WANNA 24 00:01:20,647 --> 00:01:22,647 HER FOOT'S CAUGHT! 25 00:01:22,649 --> 00:01:25,817 ♪ WALK INTO SPACE, SAVE THE HUMAN RACE 26 00:01:25,819 --> 00:01:29,187 ♪ DO YOU THINK WE OUGHTA, OUGHTA? 27 00:01:29,189 --> 00:01:31,489 ♪ WALK INTO SPACE... 28 00:01:31,491 --> 00:01:33,091 GET UP! 29 00:01:33,093 --> 00:01:35,994 ♪ DO YOU THINK WE OUGHTA, OUGHTA? 30 00:01:35,996 --> 00:01:39,230 HURRY! ♪ TOGETHER WE CAN! ♪ 31 00:01:39,232 --> 00:01:40,832 OW! OW! 32 00:01:42,335 --> 00:01:45,336 (LAUGHING) 33 00:01:45,338 --> 00:01:47,205 (GIRL) PIÑATA! 34 00:01:47,207 --> 00:01:50,274 SO WE HAD SOME TECHNICAL DIFFICULTIES. 35 00:01:50,276 --> 00:01:52,276 I THINK IT'S A SIGN. 36 00:01:52,278 --> 00:01:55,213 MAYBE WE'RE NOT READY FOR THE TALENT SHOW AUDITION TOMORROW. 37 00:01:55,215 --> 00:01:56,981 CHANEL, LISTEN TO ME. 38 00:01:56,983 --> 00:01:59,818 YOU FINALLY HIT THAT HIGH "C" IN THE SECOND CHORUS. 39 00:01:59,820 --> 00:02:03,888 NEVER HAPPENED BEFORE. I THINK THAT'S A SIGN THAT WE'RE READY! 40 00:02:03,890 --> 00:02:06,357 I DID? MM-HMM. 41 00:02:06,359 --> 00:02:08,727 I DID, HUH? 42 00:02:08,729 --> 00:02:10,729 AND WE HUNG IN THERE LIKE PROS. 43 00:02:10,731 --> 00:02:14,432 AQUA, BAREFOOT AND HUNGRY, YOU KEPT OUR HARMONIES TIGHT. 44 00:02:14,434 --> 00:02:16,935 WELL, Y'ALL KNOW HOW YOU DO IT IN TEXAS. 45 00:02:16,937 --> 00:02:19,403 ALWAYS RIDE WITH YOUR SPURS ON, GIRLS. 46 00:02:19,405 --> 00:02:21,472 AND DO-RE-MI, YOU'RE SORE NOW, 47 00:02:21,474 --> 00:02:24,209 BUT YOU GAVE 110% TO OUR FANS. HOW YOU FEEL? 48 00:02:24,211 --> 00:02:28,012 IT WAS FUN, AND THE BRUISES... THEY'RE NOT THAT BAD. 49 00:02:28,014 --> 00:02:30,514 RIGHT. NOW, IF THERE IS ONE PERSON WHO DOUBTS 50 00:02:30,516 --> 00:02:32,516 THAT WE CAN'T BE THE FIRST FRESHMEN 51 00:02:32,518 --> 00:02:34,518 TO WIN THE MANHATTAN MAGNET SCHOOL TALENT SHOW, 52 00:02:34,520 --> 00:02:37,122 SPEAK NOW OR FOREVER HOLD YOUR PEACE. 53 00:02:38,225 --> 00:02:40,625 OH! 54 00:02:42,996 --> 00:02:47,498 YOU KNOW WHAT? I TAKE A WHACKIN' AND KEEP ON SMACKIN'. 55 00:02:47,500 --> 00:02:50,201 NOW, I AM GONNA BE A STAR. 56 00:02:50,203 --> 00:02:53,271 DO I HAVE TO BE SOLO, OR ARE YOU CHEETAHS READY TO HIT IT BIG TIME? 57 00:02:55,075 --> 00:02:59,110 (ALL) CHEETAHS! 58 00:02:59,112 --> 00:03:01,913 OK, SO LIGHTS OUT BY 9:30. 59 00:03:01,915 --> 00:03:04,615 I HAVE LESSONS AT THE YOUTH CENTER AND TONS OF HOMEWORK. 60 00:03:04,617 --> 00:03:07,051 IF I MISS THIS BUS, I'M GONNA BE OFFICIALLY LATE FOR SCHOOL TOMORROW. 61 00:03:07,053 --> 00:03:09,353 LESSONS? YOU NEED TO REST THOSE LEGS. 62 00:03:09,355 --> 00:03:11,790 BUT... LET THE GIRL TAKE HER LESSONS. 63 00:03:11,792 --> 00:03:13,925 THEN I'LL E-MAIL YOU WHAT WE'RE GONNA WEAR TOMORROW... 64 00:03:13,927 --> 00:03:16,460 NO! BECAUSE... MY COMPUTER IS STILL DOWN. 65 00:03:16,462 --> 00:03:19,831 JUST GIVE IT TO ME TOMORROW. I'LL SEE YOU GUYS LATER! 66 00:03:19,833 --> 00:03:23,134 SEE, I'M STILL BACK IN ACTION. SEE YA LATER. BYE! 67 00:03:23,136 --> 00:03:25,703 THAT GIRL IS ALWAYS ON THE MOVE. 68 00:03:25,705 --> 00:03:27,138 WAIT, TAXI! 69 00:03:27,140 --> 00:03:30,041 IT'S CALLED HAVING A LIFE, AND I'VE GOT ONE, TOO. 70 00:03:30,043 --> 00:03:32,376 MY TRIG CLASS AT NYU STARTS IN TEN MINUTES! 71 00:03:32,378 --> 00:03:33,778 TAXI! 72 00:03:33,780 --> 00:03:35,780 YOU'VE BEEN HERE FOR SIX MONTHS 73 00:03:35,782 --> 00:03:38,116 AND YOU'RE STILL SCARED TO RIDE THE SUBWAY? 74 00:03:38,118 --> 00:03:40,785 LOOK, I TOLD MY DADDY I WOULD LIVE IN NEW YORK. 75 00:03:40,787 --> 00:03:42,987 I NEVER SAID ANYTHING ABOUT UNDER NEW YORK. 76 00:03:42,989 --> 00:03:46,424 IT'S DARK AND DIRTY AND THERE ARE MOLE PEOPLE DOWN THERE. 77 00:03:46,426 --> 00:03:50,228 GIRL, WHATEVER. LEARN THIS, EINSTEINETTE. 78 00:03:50,230 --> 00:03:53,631 (WHISTLES/TIRES SCREECH) 79 00:03:53,633 --> 00:03:55,766 BUT YOU DO HAVE TO GET THE DOOR YOURSELF, YOU KNOW. 80 00:03:59,806 --> 00:04:02,473 REMEMBER ME. THANK YOU. 81 00:04:02,475 --> 00:04:04,108 BYE-BYE! 82 00:04:04,110 --> 00:04:06,510 PRINCESS HIGH IN THE LAND OF MAINTENANCE. 83 00:04:06,512 --> 00:04:09,480 HEY, SHE MAKES ME GIGGLE, AND SHE DOES HAVE THE LUNGS OF LIFE. 84 00:04:09,482 --> 00:04:10,481 ALL RIGHT. 85 00:04:10,483 --> 00:04:14,285 (BOTH) ♪ AAH! 86 00:04:14,287 --> 00:04:16,787 GIRL, BUT IT'S SO HARD WORKING WITH FOUR GIRLS. 87 00:04:16,789 --> 00:04:19,790 I MEAN, IT WAS SO MUCH EASIER WHEN IT WAS JUST YOU AND ME. 88 00:04:19,792 --> 00:04:21,625 DIVAS IN DIAPERS. 89 00:04:21,627 --> 00:04:24,795 BUT DRINKA WAS RIGHT. WE NEEDED THAT BACKUP, YOU KNOW? 90 00:04:24,797 --> 00:04:26,797 NOW THAT WE GOT AQUA AND DO, 91 00:04:26,799 --> 00:04:29,267 GIRL, WE LOOK AND SOUND LIKE A REAL GIRL GROUP. 92 00:04:29,269 --> 00:04:32,270 BUT WHAT ABOUT TOMORROW? I AM NOT TRYING TO GET CRUNCHED LIKE CORN CHIPS. 93 00:04:32,272 --> 00:04:34,605 PLEASE BELIEVE IT. LISTEN, WE HAVE WHAT IT TAKES. 94 00:04:34,607 --> 00:04:36,607 NOW ALL WE NEED IS THE ATTITUDE. 95 00:04:36,609 --> 00:04:39,277 AND WHEN YOU GET WOBBLY, JUST THINK ABOUT THE DREAM, GIRL. 96 00:04:39,279 --> 00:04:41,612 WE COULD BE GRABBI'' GRAMMYS! 97 00:04:41,614 --> 00:04:45,583 OH, THANK YOU! THANK YOU SO MUCH! 98 00:04:45,585 --> 00:04:48,286 I LOVE YOU IN THE BACK ROW! THANK YOU. 99 00:04:48,288 --> 00:04:50,621 WE'RE GONNA BE JUGGLIN' THE HOTTEST PRODUCERS... 100 00:04:50,623 --> 00:04:53,291 RODNEY JERKINS, BABYFACE, JACKAL JOHNSON. 101 00:04:53,293 --> 00:04:55,760 OH, YEAH, AND ALL THE HOT DESIGNERS ARE CALLIN' US. 102 00:04:55,762 --> 00:04:58,963 THEY LIKE, "SORRY, DOLCE, I HAVE GABBANA ON THE OTHER LINE." 103 00:04:58,965 --> 00:05:01,933 "UH, PLEASE HOLD ON." CHUCHIE, IT'S GUCCI. GET TOM FORD. 104 00:05:01,935 --> 00:05:05,469 OH, NO, I WEAR PRADA OR NADA, MAMA. 105 00:05:05,471 --> 00:05:07,138 (BOTH) NADA! 106 00:05:07,140 --> 00:05:11,342 PLEASE BELIEVE IT. GIRL, YOU PROMISE ME THAT WHEN WE GET RICH, 107 00:05:11,344 --> 00:05:14,578 WE'RE GONNA BUY A HUGE PENTHOUSE APARTMENT FOR JUST YOU AND ME? 108 00:05:14,580 --> 00:05:17,916 FRIENDS FOREVER? FOREVER. 109 00:05:17,918 --> 00:05:19,384 COME ON, LET'S GO. 110 00:05:22,289 --> 00:05:24,688 HOLD UP. THAT'S SCHEREZADE. 111 00:05:24,690 --> 00:05:26,891 THAT'S JACKAL JOHNSON'S NEW GIRL. 112 00:05:26,893 --> 00:05:31,195 I LOVE HER. THAT'S MY VIDEO, GIRL. SHE BE LIKE, OH, OH, OH. 113 00:05:31,197 --> 00:05:37,402 WORK IT, UH-HUH, GIRL, UH, WHOO-WHOO, COME ON, GIRL. 114 00:05:37,404 --> 00:05:38,970 HEY! 115 00:05:41,607 --> 00:05:44,608 (♪ "GIRLFRIEND" BY CHAR) 116 00:05:44,610 --> 00:05:46,077 COME ON. 117 00:05:47,747 --> 00:05:48,947 WHOO! 118 00:05:48,949 --> 00:05:54,218 YEAH, COME ON. UH, UH, WHOO! 119 00:05:54,220 --> 00:05:58,256 UH! THAT'S RIGHT! 120 00:05:58,258 --> 00:05:59,257 UH! 121 00:06:01,127 --> 00:06:02,827 GIRLFRIEND! 122 00:06:04,464 --> 00:06:05,896 WHOO! 123 00:06:05,898 --> 00:06:08,399 OH, UH-HUH. 124 00:06:08,401 --> 00:06:10,935 I'LL TAKE THAT. UH, UH, YEAH. 125 00:06:10,937 --> 00:06:13,037 YOU KNOW WE CAN WORK IT! 126 00:06:13,039 --> 00:06:14,272 (APPLAUSE) 127 00:06:14,274 --> 00:06:16,975 OH, THANK YOU. 128 00:06:16,977 --> 00:06:18,977 THANK YOU. 129 00:06:18,979 --> 00:06:22,280 YOU WILL BE SEEING OUR FACES IN THESE WINDOWS VERY SOON. 130 00:06:22,282 --> 00:06:24,282 WATCH OUT FOR... 131 00:06:24,284 --> 00:06:26,284 OH, MY GOODNESS! OH, MY GOODNESS! 132 00:06:26,286 --> 00:06:27,952 TOTO. I FORGOT ABOUT TOTO. 133 00:06:27,954 --> 00:06:30,955 MOM AND DAD'S GONNA KILL ME! COME ON, LET'S GO! 134 00:06:30,957 --> 00:06:32,257 (WOMAN) YEAH, SALLY, EVERYTHING'S GREAT. 135 00:06:32,259 --> 00:06:33,891 OH, SANDY, YES. 136 00:06:33,893 --> 00:06:37,228 YOUR ENSEMBLE IS ABSOLUTELY FABULOUS. 137 00:06:37,230 --> 00:06:39,864 YOU'RE GOING TO LOVE IT. 138 00:06:39,866 --> 00:06:43,268 THE PRODIGAL DAUGHTER HAS RETURNED. BYE. 139 00:06:43,270 --> 00:06:46,804 MOM, I AM SO SORRY I'M LATE. 140 00:06:46,806 --> 00:06:48,806 OH, DON'T APOLOGIZE TO ME. 141 00:06:48,808 --> 00:06:50,941 I THINK YOU SHOULD TALK TO TOTO. 142 00:06:50,943 --> 00:06:53,511 I CAN TAKE MYSELF TO THE BATHROOM, THANK YOU. 143 00:06:53,513 --> 00:06:56,781 OH, I'M SO SORRY, PASTA MUFFIN. 144 00:06:56,783 --> 00:07:01,252 I PROMISE, IT'LL NEVER HAPPEN AGAIN, OK? OH. 145 00:07:01,254 --> 00:07:04,088 THIS IS THE LAST TIME I'M GONNA DO YOUR CHORES. 146 00:07:04,090 --> 00:07:06,457 MOM, I KNOW I HAVE BEEN REALLY BUSY, 147 00:07:06,459 --> 00:07:09,093 BUT THE TALENT SHOW'S AUDITIONS ARE TOMORROW. 148 00:07:09,095 --> 00:07:11,496 I PROMISE YOU, IT'S GONNA PAY OFF. 149 00:07:11,498 --> 00:07:12,997 PAY? 150 00:07:12,999 --> 00:07:15,500 THAT'S EXACTLY WHAT I WANTED TO TALK TO YOU ABOUT. 151 00:07:15,502 --> 00:07:17,368 CONSTELLATION JONES? 152 00:07:17,370 --> 00:07:19,304 WHEN WERE YOU GOING TO TELL ME 153 00:07:19,306 --> 00:07:22,707 THAT SHE WANTED TO RESCHEDULE HER FITTING? 154 00:07:22,709 --> 00:07:24,809 I DIDN'T TELL YOU ABOUT THAT ONE? NO. 155 00:07:24,811 --> 00:07:27,612 I THOUGHT I WROTE IT DOWN, MOM. 156 00:07:27,614 --> 00:07:30,014 WAIT, LET ME CHECK IN THE PAD. 157 00:07:30,016 --> 00:07:32,016 UM, YEAH. "CONSTELLATION WILL MISS SATURDAY. 158 00:07:32,018 --> 00:07:35,019 (JAMAICAN ACCENT) CALL HER BACK. SHE CAN CHAT TODAY." 159 00:07:35,021 --> 00:07:38,088 OH... RIGHT. 160 00:07:38,090 --> 00:07:40,425 I DID THIS ONE AS THE JAMAICAN VIBE 161 00:07:40,427 --> 00:07:44,395 I WAS FEELIN' FOR THE GIRLS. CHECK IT OUT, SEE... 162 00:07:44,397 --> 00:07:46,397 (JAMAICAN ACCENT) CONSTELLATION WILL MISS SATURDAY. 163 00:07:46,399 --> 00:07:48,499 CALL HER BACK. SHE CAN CHAT TODAY. 164 00:07:48,501 --> 00:07:50,635 BOMP BOMP, KITTY KITTY, OH, GO, MAMA, GO. 165 00:07:50,637 --> 00:07:53,504 CHAT CHAT, KITTY KITTY, BOOP BOOP... 166 00:07:53,506 --> 00:07:56,140 HEY... OH... SO THAT'S YOUR EXCUSE? 167 00:07:56,142 --> 00:07:59,811 FOR MAKING ME LOOK FLAKY IN FRONT OF ONE OF MY BEST CUSTOMERS? 168 00:07:59,813 --> 00:08:03,147 COMIN' UP WITH THIS, WHAT, CHEETAH CHATTER? 169 00:08:03,149 --> 00:08:05,483 (MAN) ♪ LA DONNA É MOBILE... PAPA! 170 00:08:05,485 --> 00:08:09,053 I NEED YOU TO HELP ME. HELP YOU? I TELL YOU WHAT NEEDS HELP. 171 00:08:09,055 --> 00:08:11,288 LA MIA CUCINA HA BISOGNO D'AIUTO, EH? 172 00:08:11,290 --> 00:08:13,290 MY CHICKEN PICCATA'S READY FOR THE CAPERS 173 00:08:13,292 --> 00:08:15,292 I ASKED YOU TO BRING HOME. 174 00:08:15,294 --> 00:08:17,495 THE CAPERS. RIGHT. 175 00:08:17,497 --> 00:08:18,996 MY BAD. DO ME A FAVOR. 176 00:08:18,998 --> 00:08:21,399 BRING THIS PRETTY HEAD OF YOURS DOWN FROM THE CLOUDS 177 00:08:21,401 --> 00:08:24,301 AND USE IT, PER PIACERE. 178 00:08:24,303 --> 00:08:27,372 I AM USING MY HEAD, AND ONCE MY PLAN JUMPS OFF, 179 00:08:27,374 --> 00:08:29,507 YOU'LL BE SWIMMING UP TO YOUR EARS IN CAPERS. 180 00:08:29,509 --> 00:08:33,143 OH. AND WHAT PLAN MIGHT THAT BE? 181 00:08:35,114 --> 00:08:38,549 YOU KNOW WHAT? I THINK THAT I BETTER HAVE A SEAT, 182 00:08:38,551 --> 00:08:41,386 BECAUSE THIS IS GOING TO BE A VERY LONG STORY. 183 00:08:41,388 --> 00:08:43,053 DON'T YOU THINK SO, PAPA? 184 00:08:43,055 --> 00:08:46,056 OK. FIRST PRIZE FOR THE TALENT SHOW... 185 00:08:46,058 --> 00:08:49,427 TIME IN A REAL RECORDING STUDIO, 186 00:08:49,429 --> 00:08:52,062 WHERE I CAN MAKE A DEMO LIKE A PRO, YOU KNOW? 187 00:08:52,064 --> 00:08:54,699 SO I CAN PUT IT IN SOME BIG WILLY'S HANDS, 188 00:08:54,701 --> 00:08:57,402 AND IT'LL BE KA-CHING, KA-CHING, BLING BLING BLING... 189 00:08:57,404 --> 00:09:00,571 I THOUGHT IT WAS "BLING BLING." NOW IT'S THREE "BLINGS"? 190 00:09:00,573 --> 00:09:02,206 MA, IO NON CAPISCO PIÙ NIENTE. 191 00:09:02,208 --> 00:09:05,075 FAME AND FORTUNE, WHOO! JUST LIKE THAT, HUH? 192 00:09:05,077 --> 00:09:07,077 MOM, MONIQUE TWIG, ELECTRA BREEZE... 193 00:09:07,079 --> 00:09:10,448 ALL TALENT SHOW WINNERS, ALL PLATINUM. 194 00:09:10,450 --> 00:09:13,317 AND JACKAL JOHNSON, HE WENT TO MANHATTAN MAGNET, TOO, 195 00:09:13,319 --> 00:09:14,985 WAY BACK IN THE '90s. 196 00:09:14,987 --> 00:09:18,289 BACK BEFORE THE INTERNET AND ALL THAT. MOM, HE'S NOT THAT OLD. 197 00:09:18,291 --> 00:09:20,391 BUT, LISTEN, THE CHEETAH GIRLS 198 00:09:20,393 --> 00:09:22,393 ARE FIRST IN LINE TO WIN THIS THING. 199 00:09:22,395 --> 00:09:25,396 WHEN WE DO, WE WILL BE NEEDING BUCKETS TO BRING IN THE DUCATS 200 00:09:25,398 --> 00:09:27,131 WHEN IT COMES RAINING DOWN. 201 00:09:27,133 --> 00:09:29,333 AND THEN I WILL COVER YOU IN ICE, 202 00:09:29,335 --> 00:09:33,137 AND WE'LL HAVE "YES, SIR" AND "NO, SIR" BUTLERS AND MAIDS. 203 00:09:33,139 --> 00:09:35,807 HOW DO YOU LIKE THAT PLAN? 204 00:09:35,809 --> 00:09:38,476 I LOVE YOUR PLAN, SWEETHEART, 205 00:09:38,478 --> 00:09:42,513 AND YOUR PLANS AND YOUR DREAMS ARE VERY IMPORTANT TO US, 206 00:09:42,515 --> 00:09:45,950 BUT BEFORE WE CAN GET TO MAIDS AND BUTLERS AND ICE, 207 00:09:45,952 --> 00:09:48,820 WE HAVE TO GET TO SOME RESPONSIBILITY, 208 00:09:48,822 --> 00:09:50,855 SO HERE'S MY PLAN... 209 00:09:50,857 --> 00:09:54,091 THAT YOU FOCUS ON REAL LIFE AND REAL CHORES 210 00:09:54,093 --> 00:09:58,329 REAL, REAL SOON. 211 00:09:58,331 --> 00:10:00,331 ECCO? 212 00:10:00,333 --> 00:10:01,732 OK. 213 00:10:01,734 --> 00:10:03,835 I PROMISE I WILL GET IT TOGETHER. 214 00:10:03,837 --> 00:10:06,370 PROMISE. 215 00:10:06,372 --> 00:10:08,806 COME ON, CAPER. DADDY NEEDS TOTOS. 216 00:10:11,511 --> 00:10:13,043 BYE. 217 00:10:18,150 --> 00:10:20,451 HEY. 218 00:10:20,453 --> 00:10:22,286 ALL RIGHT. THANKS. 219 00:10:22,288 --> 00:10:23,888 SEE YA. 220 00:10:36,335 --> 00:10:39,470 (HUMMING) 221 00:11:02,261 --> 00:11:04,228 WHAT IS THIS? 222 00:11:04,230 --> 00:11:06,163 WHAT'S SHE TRYING TO... 223 00:11:08,001 --> 00:11:12,637 UGH! MA, LOOKING FOR SOMETHING? 224 00:11:14,173 --> 00:11:18,543 FOUND IT, HUH? THE BOMB TOP TO WEAR TO DINNER TONIGHT. 225 00:11:18,545 --> 00:11:22,880 MA, DON'T SAY "BOMB." IT'S OUT. SAY "TIGHT." 226 00:11:22,882 --> 00:11:24,549 TIGHT, TIGHT. 227 00:11:24,551 --> 00:11:28,619 AS IN, "THAT TOP IS TOO TIGHT FOR ANYBODY'S MOM TO WEAR." 228 00:11:28,621 --> 00:11:30,755 Y COMO FUE LA FIESTA? 229 00:11:30,757 --> 00:11:33,658 IT WAS COLD. BUT THE CHEETAH GIRLS, MA... 230 00:11:33,660 --> 00:11:36,561 OOH, NOW IT'S WORKING. ...WERE OFF THE HOOK! 231 00:11:36,563 --> 00:11:41,032 MA, WHAT ABOUT THIS? 232 00:11:41,034 --> 00:11:43,834 IT'S CHEETAH-LICIOUS! YEAH. 233 00:11:45,838 --> 00:11:47,838 NOW, THIS IS TIGHT, HUH? 234 00:11:47,840 --> 00:11:50,608 YOU'RE GONNA BE MY DAUGHTER THE FASHION BUYER. 235 00:11:50,610 --> 00:11:53,978 NO, MA, I'M GONNA BE YOUR DAUGHTER THE CHEETAH GIRL, REMEMBER? 236 00:11:53,980 --> 00:11:55,813 DID YOU SAY SOMETHIN', MIJA? 237 00:11:55,815 --> 00:11:58,983 YEAH, I SAID... SO, ANOTHER DATE WITH THAT FRENCH GUY? 238 00:11:58,985 --> 00:12:00,885 EXCUSE ME, 239 00:12:00,887 --> 00:12:03,921 BUT LUC IS NOT JUST "THAT FRENCH GUY." 240 00:12:03,923 --> 00:12:05,923 HOW WOULD YOU LIKE IT IF PEOPLE CALLED YOU 241 00:12:05,925 --> 00:12:07,992 "THE PUERTO RICAN, CUBAN, DOMINICAN..." 242 00:12:07,994 --> 00:12:09,994 THEY DO. THAT'S WHO I AM. 243 00:12:09,996 --> 00:12:12,262 NO. NO, NO, NO, NO, NO. 244 00:12:12,264 --> 00:12:15,566 I TAUGHT YOU THAT WHAT MATTERS IS WHAT'S INSIDE, 245 00:12:15,568 --> 00:12:20,370 AND DEEP INSIDE, LUC IS... VERY, VERY... 246 00:12:22,675 --> 00:12:25,309 ...RICH. 247 00:12:25,311 --> 00:12:26,944 I'M JUST JOKING. 248 00:12:26,946 --> 00:12:29,080 (DOOR BUZZES) THERE HE IS. 249 00:12:29,082 --> 00:12:31,415 OK, MY BABY, YOU'RE GONNA LOCK UP, OK? 250 00:12:31,417 --> 00:12:32,917 AND, UH, LET'S SEE. 251 00:12:32,919 --> 00:12:34,752 PUCCI IS STILL AT YOUR DAD'S, 252 00:12:34,754 --> 00:12:36,754 SO YOU DON'T HAVE TO WORRY ABOUT HIM. 253 00:12:36,756 --> 00:12:38,055 OK. OK? AND, UH... 254 00:12:38,057 --> 00:12:39,624 I KNOW I'M FORGETTING SOMETHING... 255 00:12:39,626 --> 00:12:41,626 MA, MA. YOU MIGHT WANT THAT. 256 00:12:41,628 --> 00:12:44,461 BABY, YOU ARE MY ANGEL. COME HERE. 257 00:12:44,463 --> 00:12:46,530 MOMMIE... I'M ON CELLY-JELLY. 258 00:12:46,532 --> 00:12:49,366 OK. MOMMIE, I WANT TO TALK TO YOU... WE'LL TALK LATER, OK? 259 00:12:49,368 --> 00:12:51,468 MA. MA! I'M SO LATE. 260 00:12:51,470 --> 00:12:52,670 I LOVE YA! 261 00:12:58,144 --> 00:13:00,845 BY THE WAY, MA, 262 00:13:00,847 --> 00:13:03,614 I HIT A HIGH "C" TODAY WITH THE CHEETAH GIRLS. 263 00:13:05,284 --> 00:13:08,886 ♪ CHEETAH GIRLS ♪ 264 00:13:08,888 --> 00:13:11,055 (♪ POP MUSIC) 265 00:13:12,725 --> 00:13:16,093 ♪ COULD EVER BE (PHONE RINGING) 266 00:13:16,095 --> 00:13:18,162 ♪ I MADE MISTAKES BEFORE 267 00:13:18,164 --> 00:13:21,365 ♪ BUT I KNOW I'M NOT PERFECT 268 00:13:21,367 --> 00:13:23,768 ♪ IT'S OK 'CAUSE... (CHANEL) BUENO. 269 00:13:23,770 --> 00:13:25,469 HEY, CHUCHIE, MADRINA'S STILL NOT HOME YET? 270 00:13:25,471 --> 00:13:30,207 NOPE. I GUESS MR. TYCOON FLEW HER TO PARIS FOR DINNER. 271 00:13:30,209 --> 00:13:32,376 I'M STILL HERE FOR YOU, CHUCHIE. YOU KNOW THAT. 272 00:13:32,378 --> 00:13:33,711 THANKS, BUBBLES. 273 00:13:33,713 --> 00:13:36,380 NO PROBLEM. HEY, GIRL, LISTEN TO THIS. 274 00:13:36,382 --> 00:13:39,516 ♪ I MADE MISTAKES BEFORE 275 00:13:39,518 --> 00:13:43,220 ♪ BUT I KNOW I'M NOT PERFECT 276 00:13:43,222 --> 00:13:45,690 ♪ IT'S OK 'CAUSE WHO COULD... 277 00:13:45,692 --> 00:13:47,491 HEY, TOTO, DO YOU LIKE THAT ONE? 278 00:13:47,493 --> 00:13:49,827 GUESS WHAT, CHUCHIE? TOTO LIKES IT. 279 00:13:49,829 --> 00:13:52,163 IS IT GONNA BE A HIT, TOTO? 280 00:13:52,165 --> 00:13:53,330 ALL RIGHT, HE THINKS IT'S A HIT! 281 00:13:53,332 --> 00:13:55,866 GO CHEETAHS, GO TOTO. WIN THE TALENT SHOW. 282 00:13:55,868 --> 00:13:57,935 WE GOIN' STRAIGHT TO THE TOP! 283 00:13:57,937 --> 00:14:00,905 YEAH, LET'S GET THROUGH THE TRYOUTS FIRST, A'IGHT? 284 00:14:02,508 --> 00:14:04,942 ♪ AS LONG AS I GIVE MY BEST 285 00:14:04,944 --> 00:14:07,311 ♪ IT DON'T MATTER WHAT NO ONE SAYS 286 00:14:07,313 --> 00:14:08,979 ♪ 'CAUSE DOWN IN MY HEART 287 00:14:08,981 --> 00:14:12,282 ♪ I GOT THE POWER TO MAKE IT ALL HAPPEN 288 00:14:12,284 --> 00:14:15,452 (BELL RINGS) 289 00:14:15,454 --> 00:14:17,888 HEY, CHANEL, HOW DID THAT TEST GO? 290 00:14:17,890 --> 00:14:20,057 ARE YOU GUYS SURE THAT THE LOUISIANA PURCHASE 291 00:14:20,059 --> 00:14:22,392 HAD NOTHING TO DO WITH GUMBO? 292 00:14:22,394 --> 00:14:24,561 CHUCHIE, YOU CAN'T DROP YOUR GRADES NOW. 293 00:14:24,563 --> 00:14:26,563 I'M CALLING A CHEETAH STUDY SESSION. 294 00:14:26,565 --> 00:14:29,734 IT'S OK. I'LL WALK YOU THROUGH THE HISTORY OF HER STORY, 295 00:14:29,736 --> 00:14:32,703 AND YOU CAN WALK ME THROUGH YOUR CLOSET. 296 00:14:32,705 --> 00:14:33,738 A'IGHT! 297 00:14:33,740 --> 00:14:36,073 CHEETAH. 298 00:14:36,075 --> 00:14:38,109 (IMITATING STEVE IRWIN) CRIKEY, MACKEREL, WE'VE SPOTTED 299 00:14:38,111 --> 00:14:41,078 THE WILD CHEETAH GIRLS DOIN' THEIR SECRET GIRL HANDSHAKE. 300 00:14:41,080 --> 00:14:44,248 WHAT WOULD THEY DO IF THEY WERE, SAY, THE ELEPHANT GIRLS? 301 00:14:44,250 --> 00:14:45,315 (TRUMPET) 302 00:14:45,317 --> 00:14:47,551 BASTA PASTA, DEREK. YOU, TOO, MACKEREL. 303 00:14:47,553 --> 00:14:49,486 YOU KNOW, WE CALL OURSELVES THE CHEETAHS 304 00:14:49,488 --> 00:14:51,321 BECAUSE THE CHEETAH IS THE FASTEST 305 00:14:51,323 --> 00:14:53,323 AND THE FIERCEST FELINE IN THE JUNGLE. 306 00:14:53,325 --> 00:14:54,925 LET'S BOUNCE, GIRLS. 307 00:14:54,927 --> 00:14:57,928 I'M TRYING TO KEEP IT LITE FM WITH YOU, DEREK, OK? 308 00:14:57,930 --> 00:15:00,597 I'M SAVING MY ENERGY FOR THE TALENT SHOW, REMEMBER? 309 00:15:00,599 --> 00:15:02,699 OR ARE YOU THROWING IN THE TOWEL 310 00:15:02,701 --> 00:15:04,701 'CAUSE YOU KNOW YOU'RE GONNA LOSE? 311 00:15:04,703 --> 00:15:07,371 (NORMAL VOICE) THAT'S WHAT I NEED TO TALK TO YOU ABOUT. 312 00:15:07,373 --> 00:15:11,075 SEE, YOUR LITTLE PROJECT AUDITIONS AT 3:15, RIGHT? 313 00:15:11,077 --> 00:15:13,944 WE'RE AT 3:30. CAN WE SWITCH TIMES? 314 00:15:13,946 --> 00:15:17,948 OUR SETUP TAKES TIME. WE USE REAL INSTRUMENTS. 315 00:15:17,950 --> 00:15:22,086 AND HELP YOU? I DON'T THINK SO. 316 00:15:22,088 --> 00:15:26,157 I HAVE AN ORTHODONTIST APPOINTMENT, AND MY MOM'S GONNA FREAK IF I'M LATE. 317 00:15:26,159 --> 00:15:27,925 LET HIM TAKE THE SPOT. 318 00:15:27,927 --> 00:15:31,095 I HAVE TO MEET WITH MRS. ALMANAC ABOUT MY HISTORY TEST. 319 00:15:31,097 --> 00:15:33,798 YOU KNOW WHAT? I'M NOT VERY COMFORTABLE WITH CHANGE, 320 00:15:33,800 --> 00:15:35,465 BUT HOW'S EVERYBODY ELSE? 321 00:15:35,467 --> 00:15:37,768 IT'S CUTTING A LITTLE TIGHT FOR ME, BUT... 322 00:15:37,770 --> 00:15:39,336 WHERE DO YOU ALWAYS HAVE TO GO, DO? 323 00:15:39,338 --> 00:15:41,505 NOWHERE. DON'T WORRY, I'M FINE. 324 00:15:41,507 --> 00:15:44,275 OK, HAMBONE, WHATEVER. 325 00:15:44,277 --> 00:15:47,711 JUST KNOW THAT YOU CAN AUDITION FIVE TIMES, 326 00:15:47,713 --> 00:15:50,981 BUT YOU'RE STILL GONNA LOSE. 327 00:15:50,983 --> 00:15:54,651 KEEP BELIEVIN', FRESHMAN. I RESPECT THAT. 328 00:15:54,653 --> 00:15:57,654 BUT YOU KNOW YOU'RE STILL MY BOO. 329 00:15:57,656 --> 00:16:00,324 (SQUEALING) 330 00:16:00,326 --> 00:16:03,493 (MACKEREL) SHE LIKES YOU! 331 00:16:03,495 --> 00:16:06,297 HE IS TRYING SO HARD NOT TO LIKE YOU. 332 00:16:06,299 --> 00:16:09,300 AND I THINK NOW WOULD BE THE PROPER TIME TO POINT OUT 333 00:16:09,302 --> 00:16:11,869 THAT HE IS EXTRA-SPECIALLY CHEETAH-LICIOUS! 334 00:16:11,871 --> 00:16:13,537 IT'S A TRICK, YOU GUYS. 335 00:16:13,539 --> 00:16:15,873 EVERY TIME HE BATS THOSE LONG EYELASHES OF HIS, 336 00:16:15,875 --> 00:16:18,742 IT'S JUST A WAY TO BRING DOWN THE HAMMER ON OUR SUCCESS. 337 00:16:18,744 --> 00:16:21,011 DON'T FALL FOR IT. 338 00:16:22,748 --> 00:16:25,182 (LAUGHTER) 339 00:16:26,986 --> 00:16:30,354 OH, HE EVEN MAKES REALLY EMBARRASSING THINGS 340 00:16:30,356 --> 00:16:32,923 LOOK REALLY, REALLY CUTE. 341 00:16:32,925 --> 00:16:37,194 AND... HE WANTS YOU TO BE HIS BOO! 342 00:16:40,833 --> 00:16:44,601 HE'S GONNA BE CRYIN' "BOO HOO" WHEN WE WIN THE TALENT SHOW. 343 00:16:44,603 --> 00:16:47,271 TRUE. 344 00:16:47,273 --> 00:16:49,373 LET'S GET OUT OF HERE. 345 00:16:54,747 --> 00:16:56,247 MAY THE GROWL POWER 346 00:16:56,249 --> 00:16:58,916 OF ALL THE FABULOUS DIVAS WHO CAME BEFORE US 347 00:16:58,918 --> 00:17:00,417 BE WITH US NOW. 348 00:17:00,419 --> 00:17:02,286 MAY WE USE OUR HEARTS, 349 00:17:02,288 --> 00:17:04,154 OUR BRAINS AND OUR COURAGE 350 00:17:04,156 --> 00:17:06,490 TO REACH OUR CHEETAH-LICIOUS POTENTIAL 351 00:17:06,492 --> 00:17:09,093 RIGHT HERE, RIGHT NOW. 352 00:17:10,963 --> 00:17:13,397 READY, GIRLS? 353 00:17:13,399 --> 00:17:15,499 (ALL) CHEETAH! 354 00:17:15,501 --> 00:17:17,034 LET'S DO THIS. 355 00:17:17,036 --> 00:17:19,770 (BOY) OK, HERE WE GO. 356 00:17:19,772 --> 00:17:22,773 (WHISPERING) OK, BE QUIET. 357 00:17:22,775 --> 00:17:24,909 HERE, PUSH THIS ONE. 358 00:17:26,612 --> 00:17:28,745 (♪ "CINDERELLA") 359 00:17:35,288 --> 00:17:38,088 ♪ WHEN I WAS JUST A LITTLE GIRL 360 00:17:38,090 --> 00:17:40,757 ♪ MY MAMA USED TO TUCK ME INTO BED 361 00:17:40,759 --> 00:17:44,962 ♪ AND SHE'D READ ME A STORY 362 00:17:44,964 --> 00:17:48,732 ♪ IT ALWAYS WAS ABOUT A PRINCESS IN DISTRESS 363 00:17:48,734 --> 00:17:54,238 ♪ AND HOW A GUY WOULD SAVE HER AND END UP WITH THE GLORY 364 00:17:54,240 --> 00:17:56,974 ♪ I'D LIE IN BED AND THINK ABOUT 365 00:17:56,976 --> 00:17:59,310 ♪ THE PERSON THAT I WANTED TO BE 366 00:17:59,312 --> 00:18:01,912 ♪ THEN ONE DAY I REALIZED 367 00:18:01,914 --> 00:18:04,014 ♪ THE FAIRY TALE LIFE WASN'T FOR ME 368 00:18:04,016 --> 00:18:06,683 ♪ I DON'T WANNA BE LIKE CINDERELLA 369 00:18:06,685 --> 00:18:08,785 ♪ SITTIN' IN A DARK, COLD, DUSTY CELLAR 370 00:18:08,787 --> 00:18:10,754 ♪ WAITING FOR SOMEBODY 371 00:18:10,756 --> 00:18:13,324 ♪ TO COME AND SET ME FREE 372 00:18:13,326 --> 00:18:15,993 ♪ I DON'T WANNA BE LIKE SOMEONE WAITING 373 00:18:15,995 --> 00:18:18,162 ♪ FOR A HANDSOME PRINCE TO COME AND SAVE ME 374 00:18:18,164 --> 00:18:20,630 ♪ ONLY WILL SURVIVE 375 00:18:20,632 --> 00:18:22,333 ♪ UNLESS SOMEBODY'S ON MY SIDE, 376 00:18:22,335 --> 00:18:25,602 ♪ DON'T WANNA BE NO, NO, NO ONE ELSE 377 00:18:25,604 --> 00:18:30,040 ♪ I'D RATHER RESCUE MYSELF 378 00:18:30,042 --> 00:18:31,908 ♪ OOH, MM 379 00:18:36,482 --> 00:18:41,285 ♪ I CAN SLAY MY OWN DRAGONS 380 00:18:41,287 --> 00:18:45,889 ♪ I CAN DREAM MY OWN DREAMS 381 00:18:45,891 --> 00:18:50,760 ♪ MY KNIGHT IN SHINING ARMOR 382 00:18:50,762 --> 00:18:53,297 ♪ IS ME 383 00:18:53,299 --> 00:18:56,133 ♪ SO I'M GONNA SET ME FREE 384 00:18:56,135 --> 00:18:58,335 ♪ I DON'T WANNA BE LIKE CINDERELLA 385 00:18:58,337 --> 00:19:00,504 ♪ SITTIN' IN A DARK, COLD, DUSTY CELLAR 386 00:19:00,506 --> 00:19:02,339 ♪ WAITIN' FOR SOMEBODY 387 00:19:02,341 --> 00:19:05,709 ♪ TO COME AND SET ME FREE 388 00:19:05,711 --> 00:19:07,911 ♪ I DON'T WANNA BE LIKE SOMEONE WAITING 389 00:19:07,913 --> 00:19:09,880 ♪ FOR A HANDSOME PRINCE TO COME AND SAVE ME 390 00:19:09,882 --> 00:19:11,648 ♪ ONLY WILL SURVIVE 391 00:19:11,650 --> 00:19:14,951 ♪ UNLESS SOMEBODY'S ON MY SIDE 392 00:19:14,953 --> 00:19:17,354 ♪ I DON'T WANNA BE LIKE CINDERELLA 393 00:19:17,356 --> 00:19:19,156 ♪ SITTIN' IN A DARK, COLD, DUSTY CELLAR 394 00:19:19,158 --> 00:19:21,358 ♪ WAITIN' FOR SOMEBODY 395 00:19:21,360 --> 00:19:23,860 ♪ TO COME AND SET ME FREE 396 00:19:23,862 --> 00:19:27,197 ♪ I DON'T WANNA BE LIKE SOMEONE WAITING 397 00:19:27,199 --> 00:19:28,832 ♪ FOR A HANDSOME PRINCE TO COME AND SAVE ME 398 00:19:28,834 --> 00:19:30,767 ♪ ONLY WILL SURVIVE 399 00:19:30,769 --> 00:19:32,536 ♪ UNLESS SOMEBODY'S ON MY SIDE 400 00:19:32,538 --> 00:19:36,373 ♪ DON'T WANNA BE NO, NO, NO ONE ELSE 401 00:19:36,375 --> 00:19:39,943 ♪ I'D RATHER RESCUE MYSELF ♪ 402 00:19:41,847 --> 00:19:44,348 BRAVA. BRAVA! BRAVA, DIVAS! 403 00:19:44,350 --> 00:19:47,784 SO, DRINKA, WHAT DO YOU THINK? 404 00:19:47,786 --> 00:19:51,488 DRINKA. DRINKA, YOU STILL THERE? 405 00:19:51,490 --> 00:19:52,423 DRINKA? 406 00:19:55,894 --> 00:19:58,895 DRINKA, WERE WE THAT BAD? 407 00:19:58,897 --> 00:20:01,532 YEAH. TELL THEM. 408 00:20:01,534 --> 00:20:02,866 THEY CAN TAKE IT. 409 00:20:02,868 --> 00:20:04,601 I'M ALL RIGHT. 410 00:20:06,038 --> 00:20:08,572 I WILL SURVIVE. 411 00:20:08,574 --> 00:20:10,941 IT'S JUST THAT... 412 00:20:12,578 --> 00:20:15,145 ...WHEN I SEE YOU GIRLS, 413 00:20:15,147 --> 00:20:17,781 I SEE MYSELF. 414 00:20:17,783 --> 00:20:20,250 I MEAN, NOT NOW AS A LOWLY HIGH SCHOOL ART TEACHER 415 00:20:20,252 --> 00:20:23,987 BUT AS DRINKA CHAMPAGNE, 1977. 416 00:20:23,989 --> 00:20:26,390 I HAD A HIT! 417 00:20:26,392 --> 00:20:28,758 ♪ CHAMPAGNE, BUBBLES OF LOVE 418 00:20:28,760 --> 00:20:30,627 WHOO! SING IT, GIRL. 419 00:20:30,629 --> 00:20:33,630 ♪ YOU'RE THE ONLY ONE I BEEN DREAMIN' OF 420 00:20:33,632 --> 00:20:35,832 ♪ I HAVE... ♪ 421 00:20:35,834 --> 00:20:38,635 DRINKA... YOU GOTTA SLOW DOWN THE DISCO FEVER, DRINKA. 422 00:20:40,005 --> 00:20:42,439 YOU KNOW WHAT? WHEN I SEE YOU GIRLS, 423 00:20:42,441 --> 00:20:45,242 I SEE, LIKE, LITTLE DRINKA CLONES. 424 00:20:45,244 --> 00:20:47,277 GALLERIA, WHEN I LOOK AT YOU, 425 00:20:47,279 --> 00:20:50,947 I SEE A BIRACIAL, HIP-HOPPIN' VERSION OF ME. 426 00:20:50,949 --> 00:20:54,151 AND, CHANEL, WHEN I LOOK AT YOU, HONEY, 427 00:20:54,153 --> 00:20:58,855 I SEE A HOT, LATIN, SPICY VERSION OF ME. 428 00:20:58,857 --> 00:21:01,492 AND, AQUA, WHEN I LOOK AT YOU, 429 00:21:01,494 --> 00:21:05,329 I SEE MYSELF AS IF I WAS FROM THE SASSY SOUTH. 430 00:21:05,331 --> 00:21:08,698 AND, DORINDA, WHEN I SEE YOU, 431 00:21:08,700 --> 00:21:10,800 I SEE YOU AS IF I WAS... 432 00:21:10,802 --> 00:21:13,470 IF YOU WERE WHAT? GO AHEAD AND SAY IT. EVERYONE ELSE DOES. 433 00:21:13,472 --> 00:21:16,473 "DORINDA'S LIKE ME IF I WAS SHRIMPY AND WHITE." 434 00:21:16,475 --> 00:21:20,010 IF I WAS ABLE TO DANCE. 435 00:21:20,012 --> 00:21:23,713 DRINKA, WE JUST WANT TO KNOW, ARE WE IN? 436 00:21:23,715 --> 00:21:26,517 OH, YES, HONEY. YOU ARE IN! 437 00:21:26,519 --> 00:21:30,720 (CHEETAHS SCREAM) 438 00:21:30,722 --> 00:21:34,224 BUT, DRINKA, LIKE, DO WE ACTUALLY HAVE A CHANCE OF WINNING? 439 00:21:34,226 --> 00:21:36,893 OH. YES, YES, YES. AND I'LL WORK WITH YOU, 440 00:21:36,895 --> 00:21:39,229 JUST LIKE I WORKED WITH ELECTRA BREEZE. 441 00:21:39,231 --> 00:21:41,965 (MAN) OR MAYBE I'LL WORK WITH 'EM. 442 00:21:41,967 --> 00:21:44,568 JACKAL JOHNSON? YOU'RE HERE? 443 00:21:44,570 --> 00:21:46,570 WATCHING US! 444 00:21:46,572 --> 00:21:48,805 JACKAL JOHNSON. OH! 445 00:21:48,807 --> 00:21:51,575 MY MOST FAMOUS STUDENT. WELL, HOW YOU DOIN'? 446 00:21:51,577 --> 00:21:55,312 OH, YOU LOOK FABULOUS. WHAT ARE YOU DOIN' HERE? 447 00:21:55,314 --> 00:21:57,481 I SEE THAT TALENT SHOW BANNER HANGING OUTSIDE, 448 00:21:57,483 --> 00:21:59,716 AND I WANNA BE BACK WALKIN' THESE HALLS. 449 00:21:59,718 --> 00:22:01,718 I STILL KEEP MY HAND IN THE COMMUNITY. 450 00:22:01,720 --> 00:22:03,387 THE JACKAL KEEPS IT REAL. 451 00:22:03,389 --> 00:22:06,089 AND I HAVEN'T SEEN THIS MUCH TALENT ON THAT STAGE 452 00:22:06,091 --> 00:22:07,591 SINCE MY GRADUATION. 453 00:22:07,593 --> 00:22:12,829 WELL, YOU KNOW, THE CHEETAHS, THEY'RE MY LATEST PROJECT. 454 00:22:12,831 --> 00:22:14,831 YOU ALWAYS COULD SPOT TALENT, DRINKA. 455 00:22:14,833 --> 00:22:17,067 AND NOW I'D LIKE TO TALK TO YOU LADIES 456 00:22:17,069 --> 00:22:19,002 ABOUT THE NEXT STEP IN YOUR CAREER. 457 00:22:19,004 --> 00:22:21,505 JACKAL JOHNSON WANTS TO WORK WITH US. 458 00:22:21,507 --> 00:22:24,274 YOU SEE, I'M LOOKIN' FOR THE NEXT BIG THING, 459 00:22:24,276 --> 00:22:28,512 AND I THINK... THAT THING MIGHT JUST HAVE SPOTS. 460 00:22:28,514 --> 00:22:30,447 LET'S GET DOWN THERE. 461 00:22:30,449 --> 00:22:32,516 WE HAVE SPOTS! WE HAVE SPOTS! 462 00:22:32,518 --> 00:22:35,785 WE HAVE SPOTS! 463 00:22:35,787 --> 00:22:40,557 JACKAL, WHEN YOU'RE READY TO TALK DOLLARS AND CENTS, MY CARD. 464 00:22:40,559 --> 00:22:43,760 CHEETAH GIRLS' MANAGER KID SALSA. PUCCI! 465 00:22:43,762 --> 00:22:47,631 (GALLERIA) CHANEL, GET YOUR BROTHER OUT OF HERE. 466 00:22:47,633 --> 00:22:49,966 HELLO, JACKAL JOHNSON. I'M GALLERIA GARIBALDI. 467 00:22:49,968 --> 00:22:53,203 I'M THE FOUNDER OF THE CHEETAH GIRLS. I ALSO WROTE "CINDERELLA," 468 00:22:53,205 --> 00:22:57,241 WHICH I HOPE TO RECORD FOR YOU IN THE NEAR FUTURE. 469 00:22:57,243 --> 00:23:00,176 EXCELLENT. EXCELLENT. 470 00:23:00,178 --> 00:23:02,446 SO, LET'S SET SOMETHING UP. SCHEDULE! 471 00:23:02,448 --> 00:23:04,448 HOLD ON. 472 00:23:04,450 --> 00:23:06,650 I AM DOROTHEA GARIBALDI, 473 00:23:06,652 --> 00:23:08,719 AND THERE MUST BE SOME MISUNDERSTANDING HERE. 474 00:23:08,721 --> 00:23:12,289 YOU SEE, SINGING IS JUST SOME, LIKE, FUN SIDE THING FOR OUR GIRLS. 475 00:23:12,291 --> 00:23:14,625 THEY'RE NOT PROFESSIONALS. MOM! MOM. 476 00:23:14,627 --> 00:23:16,793 THIS IS... JACKAL JOHNSON. 477 00:23:16,795 --> 00:23:21,365 HE'S ONE OF THE BIGGEST RECORD PRODUCERS OF MY TIME, MOTHER. 478 00:23:22,801 --> 00:23:24,301 LET'S SEE NOW... 479 00:23:26,438 --> 00:23:28,171 ...EIGHT GRAMMYS, 480 00:23:28,173 --> 00:23:30,741 $20 MILLION LABEL DEAL, 481 00:23:30,743 --> 00:23:32,576 MULTI-PICTURE MOVIE DEAL, 482 00:23:32,578 --> 00:23:34,444 FOUR HOUSES, SEVEN CARS, 483 00:23:34,446 --> 00:23:36,846 AND YOU'RE ALLERGIC TO DOGS. 484 00:23:36,848 --> 00:23:38,081 NICE WORK. 485 00:23:38,083 --> 00:23:40,116 I READ. 486 00:23:40,118 --> 00:23:42,152 NICE TO HAVE MET YOU, MR... 487 00:23:42,154 --> 00:23:43,520 JACKAL JOHNSON. 488 00:23:43,522 --> 00:23:47,457 YES, JACKAL JOHNSON. YES, OF COURSE. 489 00:23:47,459 --> 00:23:48,792 GIRLS, COME ON. 490 00:23:48,794 --> 00:23:50,860 I'M GONNA TAKE US ALL OUT TO EAT. 491 00:23:50,862 --> 00:23:53,196 OK, GET YOUR STUFF. COME ON. 492 00:23:53,198 --> 00:23:55,699 (AQUA) JACKAL JOHNSON. BUT... 493 00:23:55,701 --> 00:23:59,670 LISTEN. JUST IN CASE, THERE'S MY CARD. 494 00:23:59,672 --> 00:24:01,438 YOUR MOM'S NO JOKE. 495 00:24:01,440 --> 00:24:03,774 NO. NONE. NEVER. 496 00:24:03,776 --> 00:24:05,609 BYE, MR. JOHNSON. 497 00:24:05,611 --> 00:24:07,744 BYE. 498 00:24:07,746 --> 00:24:09,346 HMM. 499 00:24:22,127 --> 00:24:24,627 THANKS FOR DROPPIN' ME OFF. I LIVE RIGHT HERE. 500 00:24:24,629 --> 00:24:26,563 OH, GOOD. WATCH THE CARS. 501 00:24:26,565 --> 00:24:28,898 OK. BYE-BYE. 502 00:24:28,900 --> 00:24:30,600 LOVELY GIRL. 503 00:24:39,979 --> 00:24:43,847 (DOROTHEA) DORINDA SEEMS LIKE A REAL NICE GIRL. WHAT ARE HER PARENTS LIKE? 504 00:24:43,849 --> 00:24:48,018 THE ONLY THING WE KNOW IS SHE HAS A LITTLE SISTER. 505 00:24:48,020 --> 00:24:51,488 HER PARENTS AREN'T ALWAYS UP IN HER THING. 506 00:24:51,490 --> 00:24:53,690 THEY TRUST HER. 507 00:24:55,361 --> 00:24:57,361 YOU GOT IN THE TALENT SHOW. 508 00:24:57,363 --> 00:25:00,464 PLEASE DON'T SPOIL THIS DAY BECAUSE YOU DIDN'T GET EVERYTHING YOU WANTED. 509 00:25:00,466 --> 00:25:03,433 AT THIS RATE, YOU'RE HEADED TO YOUR ROOM. 510 00:25:07,272 --> 00:25:10,073 MAMA, JACKAL LIKED MY SONG! THAT WAS OUR BIG CHANCE! 511 00:25:10,075 --> 00:25:12,242 DIDN'T YOU THINK WE WERE TALENTED ENOUGH? 512 00:25:12,244 --> 00:25:13,610 OF COURSE, SWEETHEART. 513 00:25:13,612 --> 00:25:15,945 YOU'RE INCREDIBLY TALENTED. YOU KNOW I THINK THAT. 514 00:25:15,947 --> 00:25:18,281 AND YOU'LL BE AS TALENTED AFTER COLLEGE. 515 00:25:18,283 --> 00:25:22,052 MAMA, ONE CD, AND I CAN PAY FOR COLLEGE, MAMA, 50 TIMES OVER. 516 00:25:22,054 --> 00:25:24,354 THEN YOU WOULD NOT HAVE THE TIME TO STUDY. 517 00:25:24,356 --> 00:25:26,523 THEREFORE, YOU WOULD NOT HAVE THE GRADES TO GET IN, 518 00:25:26,525 --> 00:25:28,525 AND THAT IS WHAT YOU CALL A "PARADOX." 519 00:25:28,527 --> 00:25:30,360 SOME COLLEGES DON'T LOOK AT GRADES. 520 00:25:30,362 --> 00:25:32,262 SOME PEOPLE DON'T EVEN GO TO COLLEGE. 521 00:25:32,264 --> 00:25:35,399 FRANCO? GALLERIA, YOU'RE NOT HELPING YOURSELF HERE. 522 00:25:35,401 --> 00:25:38,402 PAPA, TELL HER I'M NOT A KNUCKLEHEAD. TELL HER I'M NOT A PAZZA. 523 00:25:38,404 --> 00:25:40,803 YOU'RE NOT A PAZZO. TELL HER? 524 00:25:40,805 --> 00:25:43,706 BUT YOU KNOW WHAT? YOU HAVE TO LISTEN TO YOUR MOTHER'S ADVICE. 525 00:25:43,708 --> 00:25:46,743 NOW, LISTEN. THE BOTTOM LINE IS YOU ARE TOO YOUNG. 526 00:25:46,745 --> 00:25:49,712 I'VE BEEN THERE, AND I KNOW WHAT IT'S LIKE 527 00:25:49,714 --> 00:25:52,049 WHEN A YOUNG GIRL GETS UNDER PRESSURE AND CANNOT HANDLE IT. 528 00:25:52,051 --> 00:25:55,385 SILLY PEOPLE DO SILLY THINGS, MOM. I GET GOOD GRADES. 529 00:25:55,387 --> 00:25:57,720 I SPEND MORE TIME ON MY HOMEWORK THAN I DO MY HAIR. 530 00:25:57,722 --> 00:26:01,591 I SET MY MIND TO SOMETHING, AND I ALMOST GET THERE, AND YOU JUST STAND IN MY WAY! 531 00:26:01,593 --> 00:26:05,328 WHAT'S THE GOOD OF EATING YOUR VEGETABLES IF YOU CAN'T HAVE DESSERT? 532 00:26:05,330 --> 00:26:07,464 STRONG BONES AND TEETH! 533 00:26:14,273 --> 00:26:17,507 (WAILS) 534 00:26:17,509 --> 00:26:20,777 MA, IT'S NOT FAIR THAT WE DON'T GET TO TALK TO JACKAL. 535 00:26:20,779 --> 00:26:23,780 HONEY, I THINK DOROTHEA'S INSTINCTS ARE RIGHT ON THIS ONE, OK? 536 00:26:23,782 --> 00:26:26,616 I MEAN, YOU DON'T NEED TO BE WORKING WITH THIS JACKAL. 537 00:26:26,618 --> 00:26:29,619 ALL THAT PLATINUM AND THOSE HEAVY CHAINS. IT'S TACKY. 538 00:26:29,621 --> 00:26:32,589 MA, IT DOESN'T MATTER HOW HE DRESSES. 539 00:26:32,591 --> 00:26:34,691 HE'S NOT LIKE THE MEN FROM PARIS. 540 00:26:34,693 --> 00:26:37,694 I MEAN, LUC... OH! HE IS ALWAYS ON... 541 00:26:37,696 --> 00:26:40,097 MA, CAN YOU NOT TALK ABOUT LUC FOR ONE SECOND? 542 00:26:40,099 --> 00:26:42,599 I'M REALLY UPSET HERE. REALLY. 543 00:26:42,601 --> 00:26:45,469 AND I KNOW WHAT'S GONNA CHEER YOU UP. 544 00:26:45,471 --> 00:26:47,637 WHAT, YOU GONNA TALK TO MADRINA 545 00:26:47,639 --> 00:26:50,039 AND TELL HER TO CHANGE HER MIND? NOPE. 546 00:26:50,041 --> 00:26:51,674 SHOPPING. 547 00:26:51,676 --> 00:26:54,411 YOU AND ME SHOPPING. 548 00:26:54,413 --> 00:26:56,746 OK. AND THEN YOU'LL TALK TO MADRINA? 549 00:26:56,748 --> 00:26:58,748 YES. YES. 550 00:26:58,750 --> 00:27:01,084 NOW, I HAVE TO ASK YOU. WHAT? 551 00:27:01,086 --> 00:27:04,521 WHAT DO YOU THINK ABOUT PARIS? 552 00:27:04,523 --> 00:27:07,290 WHAT, LUC WANTS YOU TO VISIT? MM-HMM. 553 00:27:07,292 --> 00:27:11,027 TO VISIT AND... TO LIVE... 554 00:27:11,029 --> 00:27:14,097 WHOA! WHAT?! (PHONE RINGING) 555 00:27:18,403 --> 00:27:21,404 HELLO? HOLD ON, BUBBLES. TO LIVE?! 556 00:27:21,406 --> 00:27:23,806 PROMISE ME YOU'LL THINK ABOUT IT. 557 00:27:23,808 --> 00:27:25,808 OH, I'LL THINK ABOUT IT, ALL RIGHT. 558 00:27:25,810 --> 00:27:27,910 OH, MY GOD, BUBBLES, THANK GOODNESS IT'S YOU. 559 00:27:27,912 --> 00:27:29,746 MY LIFE IS OVER. 560 00:27:29,748 --> 00:27:32,048 SHE WON'T EVEN LET ME CALL JACKAL. 561 00:27:32,050 --> 00:27:35,718 SHE USED EVERY EXCUSE IN THE BOOK TO RUIN OUR LIVES. 562 00:27:35,720 --> 00:27:37,720 WELL, YOU KNOW WHAT? MNH-MNH. THIS ISN'T OVER. 563 00:27:37,722 --> 00:27:41,090 OK? I AM NOT DROPPING ALL OF OUR HARD WORK. 564 00:27:41,092 --> 00:27:44,394 JUANITA IS TRYING TO MOVE TO PARIS WITH MR. TYCOON. 565 00:27:44,396 --> 00:27:47,264 DIDN'T THEY SEE US TONIGHT? DON'T THEY KNOW OUR FUTURES ARE RIGHT HERE? 566 00:27:47,266 --> 00:27:51,268 BELLA, LET THE GIRL CALL THE PRODUCER. NO. 567 00:27:51,270 --> 00:27:55,905 (SINGS IN ITALIAN) 568 00:27:55,907 --> 00:27:58,475 NO GUARDA MI COSI. NONE OF THOSE TRICKS. 569 00:27:58,477 --> 00:28:01,478 YOU BAT THOSE LONG EYELASHES, AND I SAY YES EVERY TIME. 570 00:28:01,480 --> 00:28:03,680 NO, FRANCO, SHE'S TOO YOUNG. 571 00:28:03,682 --> 00:28:06,249 I HAVE MADE SO MANY MISTAKES IN MY LIFE, 572 00:28:06,251 --> 00:28:09,519 AND I'M DETERMINED NOT TO HAVE OUR DAUGHTER MAKE THE SAME MISTAKES I DID. 573 00:28:09,521 --> 00:28:11,854 SHE'S NOT GOING TO MAKE THE SAME MISTAKES. 574 00:28:11,856 --> 00:28:15,358 SHE WILL MAKE HER OWN. THAT'S HOW SHE'LL LEARN. 575 00:28:15,360 --> 00:28:17,360 BUT WHAT IF HER DREAMS FALL APART? 576 00:28:17,362 --> 00:28:23,500 IF SHE'S OLDER, SHE MIGHT BE MORE... MORE, UM... READY. 577 00:28:23,502 --> 00:28:25,735 CARA, NO ONE IS EVER READY 578 00:28:25,737 --> 00:28:27,737 FOR THEIR DREAMS TO FALL APART, 579 00:28:27,739 --> 00:28:29,806 BUT WHEN SHE'S OLDER, 580 00:28:29,808 --> 00:28:33,910 WE'RE NOT GOING TO BE THERE TO HELP HER PUT THEM BACK TOGETHER. HMM? 581 00:28:33,912 --> 00:28:35,478 HO RAGIONE? "SÍ, FRANCO, RAGIONE." 582 00:28:35,480 --> 00:28:37,480 (AS DOROTHEA) Sì, FRANCO... (CONTINUES IN ITALIAN) 583 00:28:37,482 --> 00:28:40,116 Sì, FRANCO. 584 00:28:40,118 --> 00:28:45,088 IT'S SICK! SHE DANGLED A SHOPPING TRIP IN MY FACE AND THEN LOWERED THE BOOM! 585 00:28:45,090 --> 00:28:48,791 WELL, YOU KNOW WHAT? TELL HER NO CHANCE, NO DANCE. 586 00:28:48,793 --> 00:28:50,126 NO, WAIT. 587 00:28:50,128 --> 00:28:52,462 TAKE THE SHOPPING TRIP FIRST, THEN TELL HER. 588 00:28:52,464 --> 00:28:54,097 (FRANCO) GALLERIA. WAIT A SECOND. HOLD ON. 589 00:28:54,099 --> 00:28:57,100 YOUR MOTHER AND I, W... 590 00:28:57,102 --> 00:28:59,802 ASPETTO. (SPEAKING ITALIAN) 591 00:28:59,804 --> 00:29:02,038 GIRL, HOLD ON. SOMETHIN' ABOUT TO HAPPEN. HOLD ON. 592 00:29:10,482 --> 00:29:13,916 YOUR FATHER THINKS THAT THIS WOULD BE A GOOD EXPERIENCE FOR YOU, 593 00:29:13,918 --> 00:29:16,919 SO YOU CAN GO ON AND CALL... 594 00:29:16,921 --> 00:29:19,289 THAT RECORD PRODUCER PERSON. AAH! THANK YOU, MOM! 595 00:29:19,291 --> 00:29:21,291 THANK YOU! THANK YOU! THANK YOU! THANK YOU! 596 00:29:21,293 --> 00:29:23,293 THANK YOU SO MUCH. 597 00:29:23,295 --> 00:29:24,927 BUT THERE ARE CONDITIONS. 598 00:29:24,929 --> 00:29:26,929 I'D BETTER SIT DOWN FOR THIS ONE. 599 00:29:26,931 --> 00:29:30,300 FIRST, I WILL BE GOING TO THE MEETING WITH YOU. 600 00:29:30,302 --> 00:29:34,103 SECOND, IF I DON'T LIKE WHAT'S GOING ON THERE, WE ARE OUT. 601 00:29:34,105 --> 00:29:37,807 NUMBER THREE... NUMBER THREE, SHE PROMISES TO KEEP AN OPEN MIND. 602 00:29:37,809 --> 00:29:38,975 HA. 603 00:29:38,977 --> 00:29:41,378 DAI, DAI, DAI. ANDIAMO, ANDIAMO, ANDIAMO. 604 00:29:42,947 --> 00:29:46,383 CHUCHIE, THEY'RE GONNA LET ME CALL JACKAL. 605 00:29:46,385 --> 00:29:49,051 DAD COMES THROUGH FOR ME AGAIN! WOW! 606 00:29:49,053 --> 00:29:51,388 WE'RE GONNA HAVE OUR PENTHOUSE SOON. 607 00:29:51,390 --> 00:29:55,592 OH, TODAY HAS BEEN JUST SO CHEETAH CRAZY! 608 00:29:55,594 --> 00:29:59,496 YEAH. YOU WERE DEFINITELY A LITTLE LOCO TONIGHT. 609 00:29:59,498 --> 00:30:02,732 SINCE WHEN ARE YOU THE FOUNDER OF THE CHEETAH GIRLS? 610 00:30:02,734 --> 00:30:05,034 WHAT? YEAH, THAT'S WHAT YOU TOLD JACKAL. 611 00:30:05,036 --> 00:30:07,704 YOU WERE ALL, "I WROTE THE SONG 'CINDERELLA' 612 00:30:07,706 --> 00:30:10,273 AND I'M THE FOUNDER OF THE CHEETAH GIRLS." 613 00:30:10,275 --> 00:30:13,242 YADDA, YADDA, YADDA. YOU KNOW I DIDN'T MEAN IT THAT WAY. 614 00:30:13,244 --> 00:30:15,712 I WAS JUST TRYIN' TO GET IN THERE BEFORE MY MOM DOES. 615 00:30:15,714 --> 00:30:18,915 AND YOU KNOW I WILL DO WHATEVER'S CLEVER 616 00:30:18,917 --> 00:30:20,950 TO KEEP THE CHEETAH GIRLS ON THE PROWL. 617 00:30:23,988 --> 00:30:27,156 YES. THANK YOU VERY MUCH. 618 00:30:27,158 --> 00:30:29,225 YES, WE WILL BE AWAITING YOUR CALL. 619 00:30:29,227 --> 00:30:31,861 HAVE A WONDERFUL DAY. BYE-BYE. 620 00:30:31,863 --> 00:30:35,031 AHEM. WELL, SHE'S GONNA BE CALLING US BACK FOR A TIME ON FRIDAY 621 00:30:35,033 --> 00:30:37,534 SO WE CAN MEET JACKAL JOHNSON! 622 00:30:37,536 --> 00:30:41,170 OH, YEAH, I KNEW IT. CHEETAH POWER! 623 00:30:41,172 --> 00:30:43,206 IT'S ALL OVER THE SCHOOL 624 00:30:43,208 --> 00:30:46,543 ABOUT YOUR 15 MINUTES OF JACKAL FAME. 625 00:30:46,545 --> 00:30:50,012 WELL, YOU KNOW, WE'RE VERY FORTUNATE. 626 00:30:50,014 --> 00:30:52,014 YEAH, WHILE YOU GUYS WERE CROSSING PAWS 627 00:30:52,016 --> 00:30:53,516 WITH JACKAL JOHNSON, 628 00:30:53,518 --> 00:30:55,518 WE RUSHED TO A LECTURE 629 00:30:55,520 --> 00:30:58,020 WITH THE GREAT WYNTON MARSALIS. 630 00:30:58,022 --> 00:30:59,622 ACTUALLY, WE COULDN'T AFFORD TICKETS, 631 00:30:59,624 --> 00:31:01,691 SO WE DRANK MOCHACCINOS ACROSS THE STREET. 632 00:31:01,693 --> 00:31:03,860 WELL, I HAD HOT CHOCOLATE... WYNTON CAME IN. 633 00:31:03,862 --> 00:31:06,195 HE SAT TWO TABLES DOWN, AND WE EXCHANGED IDEAS. 634 00:31:06,197 --> 00:31:09,399 NO, NO, NO, MAN. YOU HANDED HIM A SUGAR PACKET. 635 00:31:09,401 --> 00:31:12,402 BUSTED. YOU DIDN'T EVEN BUY THE MAN A COFFEE? 636 00:31:12,404 --> 00:31:14,404 HEY, CHEETAHS. (CHEETAHS) HEY. 637 00:31:14,406 --> 00:31:16,740 CAN YOU GUYS COME BY THE NEWSPAPER OFFICE FOR AN INTERVIEW? 638 00:31:16,742 --> 00:31:18,274 THE JACKAL STORY IS FRONT PAGE. 639 00:31:18,276 --> 00:31:21,745 OH, SURE, WE ARE ALWAYS DOWN FOR A PHOTO-OP. 640 00:31:21,747 --> 00:31:24,247 MY MAN HANDED MARSALIS A SUGAR PACKET. 641 00:31:24,249 --> 00:31:27,316 WE AIN'T GONNA GET NO INK? 642 00:31:27,318 --> 00:31:29,819 BYE. HE IS JUST SO FINE. 643 00:31:29,821 --> 00:31:31,454 ARE YOU CRAZY? 644 00:31:31,456 --> 00:31:34,524 IF HE CAN'T RESPECT MY ART, HE CAN'T HAVE MY HEART. 645 00:31:34,526 --> 00:31:36,626 (AQUA) WHATEVER. LYRIC MOMENT. 646 00:31:36,628 --> 00:31:38,327 WE GOT FRONT PAGE ON THE MAGAZINE! 647 00:31:38,329 --> 00:31:40,963 (GARBLED) 648 00:31:40,965 --> 00:31:43,065 WAIT, WAIT, WAIT! HOLD THAT DOWN! 649 00:31:43,067 --> 00:31:45,001 YEAH, CHEETAH! HEY! 650 00:31:45,003 --> 00:31:46,469 WHAT? NOW THAT WE'RE STARS, 651 00:31:46,471 --> 00:31:48,405 WE NEED TO START ACTING LIKE IT. 652 00:31:48,407 --> 00:31:50,507 AND HOW IS THAT? 653 00:31:50,509 --> 00:31:53,510 WELL, STARS DON'T TALK WITH THEIR MOUTH FULL. 654 00:31:53,512 --> 00:31:57,013 AND THEY DON'T CARRY BOTTLES OF HOT PAPA SAUCE IN THEIR PURSES. 655 00:31:57,015 --> 00:31:59,716 READ THE LABEL. STARS THAT KNOW GOOD FOOD DO. 656 00:31:59,718 --> 00:32:02,585 I LOVE NEW YORK, BUT Y'ALL DON'T KNOW NOTHIN' ABOUT SPICIN' UP NO FOOD. 657 00:32:02,587 --> 00:32:07,724 I HAVE TO TAKE A LITTLE BIT OF SOUTHERN WITH ME EVERYWHERE I GO. 658 00:32:07,726 --> 00:32:10,660 WELL, AQUA, I HAVE A PROBLEM WITH YOUR TABLE MANNERS. 659 00:32:10,662 --> 00:32:14,764 YOU BETTER STASH THE SAUCE NEXT TIME WE SEE JACKAL. 660 00:32:14,766 --> 00:32:17,934 SHE TOOK MY... SHE... BUT SHE TOOK MY HOT SAUCE. 661 00:32:17,936 --> 00:32:20,603 YOU GUYS, SHE'S RIGHT. 662 00:32:20,605 --> 00:32:22,539 LOOKS DO COUNT. 663 00:32:22,541 --> 00:32:25,708 I GOT SOMETHING ON MY FACE? WHERE? OH, SHOOT. A LITTLE. 664 00:32:33,885 --> 00:32:35,552 "CLOSED ON SATURDAY"? 665 00:32:35,554 --> 00:32:38,387 WE RENTED THE SPACE TO THE GOLD MEDAL CREW VIDEO PEOPLE 666 00:32:38,389 --> 00:32:39,722 FOR THEIR AUDITIONS. 667 00:32:39,724 --> 00:32:41,958 BUT I NEED CREDIT FOR THOSE HOURS. 668 00:32:41,960 --> 00:32:44,527 HOW AM I SUPPOSED TO PAY FOR MY LESSONS? 669 00:32:44,529 --> 00:32:47,630 HELP ME RUN THE AUDITIONS. I'LL CREDIT YOU FOR TWO WEEKS OF LESSONS. 670 00:32:47,632 --> 00:32:49,466 REALLY? YEAH. 671 00:32:49,468 --> 00:32:52,569 GREAT! ♪ HANDS UP IF YOU KNOW THAT YOU'RE A STAR 672 00:32:52,571 --> 00:32:55,304 ♪ YOU BETTER STAND UP IF YOU KNOW JUST WHO YOU ARE 673 00:32:55,306 --> 00:32:58,207 ♪ NEVER GIVE UP, NEVER, COME TOO FAR 674 00:32:58,209 --> 00:33:01,243 ♪ GIRL POWER, GIRL POWER 675 00:33:01,245 --> 00:33:02,345 HOW DO YOU LIKE THAT, TOTO? 676 00:33:02,347 --> 00:33:05,081 (BARKS) 677 00:33:05,083 --> 00:33:07,684 I LIKE IT, TOO. 678 00:33:07,686 --> 00:33:09,786 IT'S GOING TO BE OUR DEMO. 679 00:33:09,788 --> 00:33:13,590 I'M READY FOR JACKAL. HOPE EVERYBODY ELSE IS. 680 00:33:13,592 --> 00:33:17,326 (PHONE RINGS) HELLO, DEF DUCK RECORDS. MAY I HELP YOU? 681 00:33:17,328 --> 00:33:19,428 YO, WHAT TIME IS IT? 682 00:33:19,430 --> 00:33:21,430 A QUARTER PAST TIME TO BE ON TIME. 683 00:33:21,432 --> 00:33:23,633 WHERE IS SHE? 684 00:33:26,838 --> 00:33:29,606 YOU KNOW, IF DORINDA IS SITTING THERE 685 00:33:29,608 --> 00:33:31,941 IN THEM SAME CLOTHES SHE WEARS EVERY DAY, 686 00:33:31,943 --> 00:33:33,910 I THINK I'M GONNA SCREAM. 687 00:33:36,748 --> 00:33:38,715 DO YOU WANT TO WALK? 688 00:33:40,685 --> 00:33:43,686 ALWAYS WEAR COMFORTABLE SHOES AND PUT THE HEELS IN A BAG. 689 00:33:43,688 --> 00:33:46,389 SLIP 'EM ON RIGHT BEFORE. I'VE ALWAYS TOLD YOU THAT. 690 00:33:46,391 --> 00:33:47,724 RIGHT, MOM, RIGHT. 691 00:33:47,726 --> 00:33:50,593 THERE THEY ARE! MY CHEETAH GIRLS. 692 00:33:50,595 --> 00:33:52,729 HI! 693 00:33:52,731 --> 00:33:55,932 UM, GALLERIA'S RUNNING A LITTLE LATE, MR. JOHNSON. 694 00:33:55,934 --> 00:33:57,934 UH, NUMBER ONE, 695 00:33:57,936 --> 00:34:00,770 MR. JOHNSON'S MY FATHER. 696 00:34:00,772 --> 00:34:02,739 CALL ME JACKAL. 697 00:34:02,741 --> 00:34:04,574 SWEETHEART, IF THIS JACKAL GUY 698 00:34:04,576 --> 00:34:07,577 WANTS JUST ONE PENNY OF YOU GUYS' MONEY, HE'S NOT THE REAL THING. 699 00:34:07,579 --> 00:34:09,579 MOM, WE... I KNOW THESE IMPRESARIO TYPES. 700 00:34:09,581 --> 00:34:11,581 THE HEAD OF MY MODELING AGENCY WAS... 701 00:34:11,583 --> 00:34:14,483 WE ARE JUST LUCKY TO BE IN THE SAME ROOM WITH JACKAL, MOM. 702 00:34:14,485 --> 00:34:16,419 PLEASE DON'T MAMA TO DEATH. PLEASE. 703 00:34:19,824 --> 00:34:21,658 SWEETHEART... 704 00:34:21,660 --> 00:34:24,661 ...LET ME GIVE YOU ONE MORE PIECE OF ADVICE. 705 00:34:24,663 --> 00:34:28,064 MAKE THE MEETING. SOAK YOUR FEET LATER. 706 00:34:28,066 --> 00:34:30,033 (HORNS BLARING) 707 00:34:32,037 --> 00:34:33,469 MOM, WAIT UP! 708 00:34:33,471 --> 00:34:35,471 GIRLS, WHAT DO YOU SAY 709 00:34:35,473 --> 00:34:37,473 WE TAKE A TOUR OF YOUR NEW HOME 710 00:34:37,475 --> 00:34:40,009 WHILE WE WAIT FOR THE OTHER DIVETTE TO MAKE HER ENTRANCE? 711 00:34:40,011 --> 00:34:41,778 (GIGGLING) 712 00:34:41,780 --> 00:34:43,780 MOM! COULD YOU PLEASE SLOW DOWN? 713 00:34:43,782 --> 00:34:45,648 I DON'T WANT TO HAVE SWEAT. 714 00:34:45,650 --> 00:34:48,150 THAT'S A VERY BAD FIRST IMPRESSION FOR JACKAL. 715 00:34:48,152 --> 00:34:50,954 IT'S BUSINESS, DARLING. I KNOW IT'S BUSINESS, MOM. 716 00:34:50,956 --> 00:34:53,990 COULD YOU PLEASE SLOW DOWN? I DON'T WANT TO GET MY... EXCUSE ME, SIR. 717 00:34:53,992 --> 00:34:55,992 PLEASE, MOM. (MAN) EW! 718 00:34:55,994 --> 00:34:57,660 PLEASE? OHH... 719 00:34:57,662 --> 00:34:59,228 I AM ALL ABOUT THE SOUTH. (AQUA) MM-HMM. 720 00:34:59,230 --> 00:35:01,764 SPENT EVERY SUMMER ON MY GRANDFATHER'S PLACE IN DALLAS. 721 00:35:01,766 --> 00:35:03,199 (DOROTHEA) OOH, THERE HE IS. 722 00:35:03,201 --> 00:35:05,201 (BOTH) DON'T MESS WITH TEXAS! 723 00:35:05,203 --> 00:35:09,138 JACKAL JOHNSON, I AM SO SORRY THAT I'M LATE. 724 00:35:09,140 --> 00:35:11,107 YOU SHOULD'VE SEEN THE TRAFFIC. YES. 725 00:35:11,109 --> 00:35:13,442 CAN I TALK TO YOU FOR A SECOND? 726 00:35:13,444 --> 00:35:15,778 I'M SURE THIS CAN WAIT. THIS IS JACKAL JOHNSON. 727 00:35:15,780 --> 00:35:18,014 I'M SURE HE'S A VERY BUSY MAN. 728 00:35:18,016 --> 00:35:20,016 I JUST HOPE I HAVEN'T MISSED ANYTHING. 729 00:35:20,018 --> 00:35:22,685 NOPE. SMELLS LIKE YOU BROUGHT IT WITH YOU. 730 00:35:22,687 --> 00:35:24,186 (DORINDA AND AQUA GIGGLING) 731 00:35:24,188 --> 00:35:27,223 (AQUA) OH, MY G... 732 00:35:27,225 --> 00:35:28,591 THAT'S A GOOD ONE. 733 00:35:33,698 --> 00:35:35,264 BABY. OOH. 734 00:35:39,570 --> 00:35:42,939 IT'S OK NOW, BUBBLES. IT'S NOT OK, CHUCHIE. 735 00:35:42,941 --> 00:35:46,075 THIS IS THE MOST SPECTACULAR MEETING OF OUR ENTIRE CAREER, 736 00:35:46,077 --> 00:35:49,311 AND I WALK IN THIS ROOM, AND I MAKE FUDGY FEET ALL OVER THE FLOOR? 737 00:35:49,313 --> 00:35:51,648 HE'S NEVER GONNA WORK WITH US NOW. 738 00:35:51,650 --> 00:35:54,216 GALLERIA, CHEETAH GIRLS ARE FOUR PEOPLE. 739 00:35:54,218 --> 00:35:55,718 I KNOW, I KNOW, 740 00:35:55,720 --> 00:35:57,720 BUT I GOTTA PULL IT TOGETHER. 741 00:35:57,722 --> 00:36:00,723 ENOUGH WITH THIS PUFF 'N' STUFF. IT'S SHOWTIME, BABY. 742 00:36:00,725 --> 00:36:03,660 WHEN IT BOILS DOWN, THAT'S WHAT BEING A LEADER IS ALL ABOUT. 743 00:36:03,662 --> 00:36:05,662 THANKS FOR HAVING MY BACK, CHUCHIE. 744 00:36:05,664 --> 00:36:07,296 YOU'RE THE ONE. 745 00:36:10,401 --> 00:36:12,035 (LAUGHING) 746 00:36:15,073 --> 00:36:19,075 HEY, COME ON OVER HERE, MY LITTLE POOP TRACKER. 747 00:36:19,077 --> 00:36:22,511 YOU ALL GOOD AGAIN? 748 00:36:22,513 --> 00:36:24,881 YEAH, I'M FINE. 749 00:36:24,883 --> 00:36:28,184 UM, SO I GUESS NOW WE NEED TO GET DOWN TO BUSINESS. 750 00:36:28,186 --> 00:36:31,587 BUSINESS? WELL, THE DEAL'S DONE. 751 00:36:31,589 --> 00:36:34,957 AQUA HERE PULLED OUT A BOTTLE OF HOT PAPA HOT SAUCE, 752 00:36:34,959 --> 00:36:36,793 AND I WAS SOLD. 753 00:36:36,795 --> 00:36:42,031 UM, REALLY? AQUA, WHAT CAN I SAY? 754 00:36:42,033 --> 00:36:43,966 NOTHING. 755 00:36:43,968 --> 00:36:47,770 WELL, UM, I BROUGHT A CD OF OUR SONG, 756 00:36:47,772 --> 00:36:49,572 AND I JUST WANT YOU TO LISTEN TO IT. 757 00:36:49,574 --> 00:36:51,307 MY DOG TOTO SAYS IT'S A HIT. 758 00:36:51,309 --> 00:36:55,544 REALLY? UH... OH, THAT'S NICE. 759 00:36:55,546 --> 00:36:59,481 UM, AND I'VE GOT SOME CONTRACTS HERE FOR THE MAMA CHEETAH. 760 00:36:59,483 --> 00:37:00,750 (DOROTHEA) AH. STANDARD AGREEMENT. 761 00:37:04,622 --> 00:37:06,355 MNH-MNH. MM. 762 00:37:11,229 --> 00:37:14,831 STANDARD REVISIONS. AND THEN WHEN I GET MY LAWYER IN ON THIS... 763 00:37:14,833 --> 00:37:16,099 MOM. MOM. MOM... 764 00:37:16,101 --> 00:37:19,635 WELL... WHAT? SORRY. 765 00:37:19,637 --> 00:37:22,905 OKEY-DOKEY. WELL, HERE'S MY CHECKLIST. 766 00:37:22,907 --> 00:37:25,975 NUMBER ONE, RECORD A BUMPING DEMO. 767 00:37:25,977 --> 00:37:28,878 NUMBER TWO, HAVE THE RECORD PEOPLE FALL IN LOVE WITH IT. 768 00:37:28,880 --> 00:37:31,347 AND THREE, MAKE MILLIONS. 769 00:37:31,349 --> 00:37:33,515 (AQUA AND DORINDA SQUEAL) 770 00:37:33,517 --> 00:37:35,618 SO, WHO'S DOWN WITH THAT, HUH? 771 00:37:35,620 --> 00:37:37,754 OH, YEAH! 772 00:37:37,756 --> 00:37:41,523 AND HOW LONG WILL IT TAKE TO MAKE THIS BUMPING DEMO? 773 00:37:41,525 --> 00:37:43,793 WE DON'T WANNA PULL THE GIRLS OUT OF SCHOOL, RIGHT? 774 00:37:43,795 --> 00:37:45,361 YOU'RE RIGHT. SO, UH... SCHEDULE! 775 00:37:45,363 --> 00:37:47,797 SCHEDULE. 776 00:37:47,799 --> 00:37:49,465 LET ME SEE, UH... 777 00:37:49,467 --> 00:37:51,300 OK, HERE'S WHAT I'M THINKING. 778 00:37:51,302 --> 00:37:53,136 LEARN THE SONG TUESDAY, 779 00:37:53,138 --> 00:37:55,504 RUN IT WEDNESDAY, THURSDAY, FRIDAY NIGHT. 780 00:37:55,506 --> 00:37:59,541 REST UP, COME BACK IN ON SATURDAY, LAY DOWN SOME TRACKS. 781 00:37:59,543 --> 00:38:01,978 LESS THAN A WEEK? THESE GIRLS NEED MORE THAN ONE WEEK... 782 00:38:01,980 --> 00:38:05,614 MAMA, NO, WE DON'T. AND THEN THEY HAVE TO... 783 00:38:05,616 --> 00:38:08,050 THEY HAVE TO TWEAK IT... MOM, NO. MOM. 784 00:38:08,052 --> 00:38:10,619 WELL, YOU'VE GOT TO GRAB EACH VOICE 785 00:38:10,621 --> 00:38:13,656 AND THEN DIGITIZE IT IN REAL TIME. IT'S A LOT TO DO. 786 00:38:13,658 --> 00:38:15,825 WHOA, WHOA, WHOA. DOWN, DOWN, MAMA CHEETAH. 787 00:38:15,827 --> 00:38:20,396 THIS IS JUST ONE TEENSY-WEENSY LITTLE DEMO. IT'S NOT A SOUNDTRACK ALBUM. 788 00:38:20,398 --> 00:38:21,563 (GIGGLING) 789 00:38:21,565 --> 00:38:23,565 ALL I NEED IS ONE CLEAN TAKE, 790 00:38:23,567 --> 00:38:25,902 AND THEN THE BELLS AND WHISTLES HAPPEN RIGHT HERE. 791 00:38:25,904 --> 00:38:27,670 SO, UH... SATURDAY? 792 00:38:27,672 --> 00:38:30,973 OH! OUR SCHOOL TALENT SHOW! 793 00:38:30,975 --> 00:38:33,075 OH, DON'T EVEN WORRY ABOUT THAT. 794 00:38:33,077 --> 00:38:35,377 WE'LL BE HERE. 795 00:38:35,379 --> 00:38:38,147 THAT'S WHAT I LIKE TO HEAR. 796 00:38:38,149 --> 00:38:41,050 (GALLERIA) FRESH! BAM! OFF THE CHEETAH-METER! 797 00:38:41,052 --> 00:38:43,552 YEAH, AND NOW THE TALENT SHOW'S DOWN THE DRAIN. 798 00:38:43,554 --> 00:38:46,055 HEY, DON'T WORRY ABOUT IT. DRINKA WILL UNDERSTAND. 799 00:38:46,057 --> 00:38:48,524 I HOPE YOU ALL KNOW YOU'RE NOT SINGING A NOTE 800 00:38:48,526 --> 00:38:50,526 UNTIL MY LAWYER LOOKS OVER THIS THIS. 801 00:38:50,528 --> 00:38:52,695 MOM, THINGS WERE DIFFERENT BACK IN YOUR DAY, OK? 802 00:38:52,697 --> 00:38:55,531 IF JACKAL SAYS WE'RE READY, THEN WE MUST BE READY. 803 00:38:55,533 --> 00:38:58,801 MY DAY, YOUR DAY... A SNAKE IS STILL A SNAKE. 804 00:39:00,104 --> 00:39:02,138 WHERE SHE GETTIN' THEM GLASSES FROM? 805 00:39:05,810 --> 00:39:07,410 THIS WEEK HAS BEEN CRAZY, JULIA, 806 00:39:07,412 --> 00:39:10,312 BUT I PROMISE, YOU WILL GET YOUR TIME WITH THE CHEETAH GIRLS. 807 00:39:10,314 --> 00:39:12,982 OH, WE TRUST YOU'LL GET OUR STORY RIGHT, 808 00:39:12,984 --> 00:39:15,951 BUT I WILL NEED PHOTO SIGN-OFF, YOU UNDERSTAND. 809 00:39:15,953 --> 00:39:17,953 AND I PROMISE, YOU WILL BE SHORT-LISTED 810 00:39:17,955 --> 00:39:22,157 AS SOON AS THE MOVIE DEAL COMES ALONG. 811 00:39:22,159 --> 00:39:24,326 MOVIE? AND IT WILL. 812 00:39:24,328 --> 00:39:26,462 I'LL SIGN THIS FOR YOU LATER. 813 00:39:31,235 --> 00:39:34,370 THAT'S WHAT HE SAID. JACKAL IS... 814 00:39:34,372 --> 00:39:36,572 (BOY) WOULD YOU SIGN THIS? YEAH! 815 00:39:36,574 --> 00:39:38,974 (LAUGHTER) 816 00:39:38,976 --> 00:39:41,210 HE JUST CRACKED ME UP! I KNOW! 817 00:39:41,212 --> 00:39:44,447 JACKAL DOES THAT ALL THE TIME! IT'S SO ANNOYING! 818 00:39:46,250 --> 00:39:48,718 AND THE CALLER ID BEEPED, AND GUESS... 819 00:39:48,720 --> 00:39:51,320 WHERE YOU GOING? SIT BACK DOWN. SIT BACK DOWN. SIT BACK DOWN. 820 00:39:51,322 --> 00:39:52,988 AND THE CALLER ID BEEPED, AND GUESS WHO IT WAS? 821 00:39:52,990 --> 00:39:54,724 IT WAS JACKAL! IT WAS JACKAL! 822 00:39:54,726 --> 00:39:57,627 (LAUGHING LOUDLY) 823 00:39:57,629 --> 00:40:00,763 WAIT! COME BACK! I WAS TELLING YOU... IS IT OVER? 824 00:40:02,400 --> 00:40:05,301 YO, WHAT'S THE STORY? OH, IT'S NOT OUR STORY. 825 00:40:05,303 --> 00:40:09,539 IT'S GALLERIA'S, AND IT'S WRITTEN ALL OVER THE WALLS. 826 00:40:12,544 --> 00:40:16,011 "SICK OF CHEETAH? CLICK ON CHOMPCHEETAH.COM"! 827 00:40:16,013 --> 00:40:18,815 WE HAVE A BASHING SITE? MM-HMM. 828 00:40:18,817 --> 00:40:21,651 YO, IT'S REALLY KIND OF FUNNY HOW PEOPLE ARE SO JEALOUS. 829 00:40:21,653 --> 00:40:23,653 JEALOUS? YOU DON'T EVEN GET IT! 830 00:40:23,655 --> 00:40:25,621 GALLERIA'S OVER THE TOP. 831 00:40:25,623 --> 00:40:28,491 LOOK... I KNOW SHE'S TOUGH, 832 00:40:28,493 --> 00:40:30,493 BUT SHE BELIEVES IN WHAT WE'RE DOING, 833 00:40:30,495 --> 00:40:33,596 AND YOU GOTTA BELIEVE... SAVE IT FOR YOUR BOOK, CHANEL. 834 00:40:33,598 --> 00:40:35,698 WE LIVE HERE AND WE GO TO SCHOOL HERE. 835 00:40:35,700 --> 00:40:38,768 SHE'S MAKING IT REALLY HARD TO WEAR CHEETAH SPOTS. 836 00:40:38,770 --> 00:40:40,436 LOOK... ALL I'M SAYING 837 00:40:40,438 --> 00:40:42,772 IS SOMEONE NEEDS TO TALK TO HER. 838 00:40:42,774 --> 00:40:46,509 AND WHEN I SAY SOMEBODY, I MEAN YOU. 839 00:40:47,779 --> 00:40:51,146 I WILL. YEAH, I'M GONNA TALK TO HER. 840 00:40:54,486 --> 00:40:56,519 WHEN THE TIME IS RIGHT, 841 00:40:56,521 --> 00:40:58,488 I'LL TALK TO HER. 842 00:41:00,725 --> 00:41:02,324 (LAUGHTER AND APPLAUSE) 843 00:41:02,326 --> 00:41:05,160 ...AND THEN I WAS LIKE, "DUDE, RELAX," AND HE'S ALL... 844 00:41:05,162 --> 00:41:08,598 (SQUAWKS) 845 00:41:08,600 --> 00:41:11,767 I FED HIM SOME WORMS, IS ALL. WE DON'T REALLY HANG OUT MUCH ANYMORE. 846 00:41:11,769 --> 00:41:14,871 ANYWAY, UH... AND BEFORE I GO, I JUST WANT TO SAY, MY MOTHER... 847 00:41:14,873 --> 00:41:17,172 RICK... YOU ONLY GET THREE MINUTES. 848 00:41:17,174 --> 00:41:19,274 ALWAYS LEAVE 'EM LAUGHING. 849 00:41:19,276 --> 00:41:22,411 ALL RIGHT GIRLS, LET'S GET THIS REHEARSAL STARTED. 850 00:41:24,115 --> 00:41:27,249 ACTUALLY, DRINKA, I WOULD LIKE TO REHEARSE OUR NEW SONG FIRST. 851 00:41:27,251 --> 00:41:30,352 NO! HONEY, YOU GOT TO BOOGIE-OOGIE-OOGIE 852 00:41:30,354 --> 00:41:32,955 THROUGH THE NUMBER FOR YOUR TALENT SHOW. 853 00:41:32,957 --> 00:41:36,058 OH! DRINKA, YOU KNOW WE MET WITH JACKAL ON MONDAY, RIGHT? 854 00:41:36,060 --> 00:41:38,895 MM-HMM. I HEARD IT THROUGH THE GRAPEVINE. 855 00:41:38,897 --> 00:41:44,901 WELL, HE WANTS US TO RECORD OUR NEW SONG... ON SATURDAY. 856 00:41:44,903 --> 00:41:47,469 YOU'RE NOT DOING THE TALENT SHOW? 857 00:41:47,471 --> 00:41:51,306 WELL, YOU KNOW, I'M GONNA TRY MY BEST TO BE THERE, 858 00:41:51,308 --> 00:41:54,243 BUT, HEY, YOU KNOW HOW THESE THINGS GO, DRINKA. 859 00:41:54,245 --> 00:41:55,578 NO, I DON'T KNOW. 860 00:41:55,580 --> 00:41:57,580 WHY DON'T YOU TELL ME HOW THEY GO? 861 00:41:57,582 --> 00:41:59,081 WAIT A SECOND. 862 00:41:59,083 --> 00:42:01,817 DRINKA, I THOUGHT YOU WOULD BE HAPPY FOR US. 863 00:42:01,819 --> 00:42:05,287 I MEAN, YOU'RE THE ONE WHO HOOKED US UP IN THE FIRST PLACE. 864 00:42:05,289 --> 00:42:08,457 JACKAL IS JUST HERE, YOU KNOW, TO GET OUR STUFF OUT. 865 00:42:08,459 --> 00:42:12,595 IT'S KIND OF LIKE WE ALREADY WON THE TALENT SHOW, ISN'T IT? RIGHT? 866 00:42:12,597 --> 00:42:16,766 NO, NOT REALLY, 867 00:42:16,768 --> 00:42:18,834 BUT YOU DON'T KNOW THAT. 868 00:42:18,836 --> 00:42:20,836 OPPORTUNITY'S KNOCKING, DRINKA, 869 00:42:20,838 --> 00:42:23,372 AND I THINK YOU KNOW BETTER THAN I 870 00:42:23,374 --> 00:42:26,308 THAT ONCE IT'S GONE, YOU JUST CAN'T GET IT BACK. 871 00:42:27,478 --> 00:42:28,811 OHH. 872 00:42:31,482 --> 00:42:34,016 RIGHT, RIGHT. 873 00:42:34,018 --> 00:42:35,517 YOU KNOW WHAT? 874 00:42:35,519 --> 00:42:40,222 ALL I HAVE IS THIS SCHOOL, 875 00:42:40,224 --> 00:42:43,993 YOU KIDS, AND MY WORD... 876 00:42:43,995 --> 00:42:45,995 AND, SWEETIE, 877 00:42:45,997 --> 00:42:48,030 I ALWAYS KEEP MY WORD. 878 00:42:49,701 --> 00:42:52,568 COME ON, BOYS, YOU'RE UP. 879 00:42:58,710 --> 00:43:01,877 YO, GALLERIA, THAT WAS REALLY HARSH. 880 00:43:01,879 --> 00:43:03,713 FINE. THEN YOU CALL JACKAL. 881 00:43:03,715 --> 00:43:06,482 "JACKAL, WE CAN'T DO THE TOUR BECAUSE WE'VE GOT A TALENT SHOW." 882 00:43:06,484 --> 00:43:08,484 WELL, ARE WE GONNA DO IT OR NOT? 883 00:43:08,486 --> 00:43:10,686 BECAUSE I'VE GOT SOMEWHERE TO BE. 884 00:43:10,688 --> 00:43:13,689 THEN GO ON, DORINDA. WE'RE GONNA BE DOING MUSIC ANYWAY, 885 00:43:13,691 --> 00:43:16,692 SO, SINCE YOU MOSTLY DANCE... 886 00:43:16,694 --> 00:43:19,895 HMM? HMM? MM-HMM. 887 00:43:19,897 --> 00:43:22,732 YOU KNOW WHAT? YOU'RE RIGHT. 888 00:43:22,734 --> 00:43:26,135 THAT IS WHAT I MOSTLY DO. 889 00:43:26,137 --> 00:43:28,904 (WHISPERS) WHATEVER. 890 00:43:28,906 --> 00:43:31,406 OH, GIRL, WAIT! I GOT YOU SOMETHING. 891 00:43:31,408 --> 00:43:34,076 WAIT A SECOND, DORINDA. LOOK AT THIS. 892 00:43:34,078 --> 00:43:37,246 I GOT YOU THESE CUTE LITTLE CLIPPINGS OF OUTFITS 893 00:43:37,248 --> 00:43:39,381 WHICH YOU COULD PROBABLY PUT TOGETHER 894 00:43:39,383 --> 00:43:42,084 AND HOOK IT UP FOR THE NEXT TIME WE SEE JACKAL. 895 00:43:44,856 --> 00:43:47,389 HEY, DO... 896 00:43:47,391 --> 00:43:50,459 TAKE IT, 'CAUSE IT'S NOT OPTIONAL. 897 00:43:53,831 --> 00:43:58,701 AND, UH... WHERE EXACTLY ARE YOU GONNA GO GET YOUR PERSONALITY MAKEOVER? 898 00:43:58,703 --> 00:44:00,670 BECAUSE I FORGOT. 899 00:44:00,672 --> 00:44:03,605 OOH! HOLD IT DOWN WITH THE WHACK ATTACK, DO. 900 00:44:03,607 --> 00:44:06,676 WE LOVE YOU, OK? WE JUST... 901 00:44:06,678 --> 00:44:09,178 "WE"? ...DON'T WANT YOU TO LOOK TO' UP AND CHANKY 902 00:44:09,180 --> 00:44:11,047 NEXT TIME YOU SEE JACKAL. 903 00:44:11,049 --> 00:44:12,915 TORN UP? YEAH. 904 00:44:12,917 --> 00:44:17,753 HOW ABOUT THIS... FOR TORN UP? 905 00:44:20,158 --> 00:44:22,825 WHOA. SOME PEOPLE JUST DON'T KNOW 906 00:44:22,827 --> 00:44:25,360 HOW THEY'RE COMING OFF TO OTHERS. 907 00:44:25,362 --> 00:44:28,564 SHE'LL THANK ME IN THE LONG RUN. 908 00:44:28,566 --> 00:44:29,899 YEAH. 909 00:44:34,105 --> 00:44:36,538 MISS CHANEL... 910 00:44:36,540 --> 00:44:39,608 THE TIME... IS NOW. 911 00:44:41,579 --> 00:44:43,913 (MAN) ALL RIGHT, LET'S TAKE IT FROM THE TOP. 912 00:44:43,915 --> 00:44:46,816 REMEMBER, IT'S SUPPOSED TO BE FUN, LIKE A DAY AT THE PARK. 913 00:44:46,818 --> 00:44:48,650 LOTS OF SMILES, LOTS OF ENERGY. 914 00:44:48,652 --> 00:44:50,920 LET ME GET THE FIRST GROUP. COME ON, HERE WE GO. 915 00:44:50,922 --> 00:44:53,255 (WOMAN) ALL RIGHT, PICK IT UP. 916 00:44:53,257 --> 00:44:56,225 (MAN) DON'T LOSE YOUR SPOT. 917 00:44:56,227 --> 00:45:00,329 BACK IT UP. (DORINDA) COME ON. 918 00:45:00,331 --> 00:45:03,265 DON'T GET LOST. DON'T GET LOST. 919 00:45:03,267 --> 00:45:04,767 KEEP UP WITH IT. HA! 920 00:45:04,769 --> 00:45:07,136 YES! THAT'S WHAT I'M TALKING ABOUT. 921 00:45:07,138 --> 00:45:09,471 KEEP IT CLEAN, KEEP IT SHORT. HAVE SOME FUN. 922 00:45:09,473 --> 00:45:10,973 (WOMAN) HIT IT! THAT'S NICE. 923 00:45:10,975 --> 00:45:15,677 HARDER. HARDER. HIT IT! HIT IT! HIT IT! 924 00:45:15,679 --> 00:45:17,512 ALL RIGHT. YEAH! THERE WE GO! 925 00:45:17,514 --> 00:45:20,015 WATCH HER. WATCH HER. SHE'S GOT IT! 926 00:45:20,017 --> 00:45:24,253 1, 2, 3, 4, 5, 6, 7, 8, JUMP! 927 00:45:24,255 --> 00:45:26,122 GET UP! SHA-NA-TA! 928 00:45:26,124 --> 00:45:27,623 YEAH, OK! NEXT GROUP. 929 00:45:27,625 --> 00:45:29,959 NEXT GROUP, COME ON. 930 00:45:29,961 --> 00:45:31,727 LOTS OF ENERGY! 931 00:45:31,729 --> 00:45:35,664 WATCH THOSE ELBOWS. 932 00:45:35,666 --> 00:45:37,800 PICK IT UP. COME ON, YOU GUYS! COME ON! 933 00:45:37,802 --> 00:45:40,502 WHAT'S THE NAME OF THAT DANCER? THAT'S DORINDA. YEAH. 934 00:45:40,504 --> 00:45:43,472 SHE'S PRETTY GOOD. I LIKE WHAT I'M SEEING. OK. 935 00:45:43,474 --> 00:45:46,008 PICK IT UP. KEEP UP. 936 00:45:46,010 --> 00:45:49,278 GOOD... AND GO! THAT'S GOOD. 937 00:45:49,280 --> 00:45:52,181 LET'S STOP, PLEASE. CUT THE MUSIC. ALL RIGHT. EVERYONE STOP. 938 00:45:52,183 --> 00:45:54,950 VERY NICE. VERY NICE. THAT'S GOOD ENOUGH FOR TODAY. 939 00:45:54,952 --> 00:45:56,786 GUYS, JUST HANG OUT FOR A SECOND. 940 00:45:56,788 --> 00:45:58,788 I'M GOING TO LET YOU GO SHORTLY. 941 00:45:58,790 --> 00:46:00,823 ALL RIGHT, ALL RIGHT. 942 00:46:00,825 --> 00:46:03,592 GIVE ME A MINUTE. I GOTTA TALK TO SOMEONE. 943 00:46:03,594 --> 00:46:05,327 HEY, DORINDA. HEY... 944 00:46:05,329 --> 00:46:07,663 YOU WERE WORKING HARD OUT THERE, YOU KNOW? 945 00:46:07,665 --> 00:46:09,665 GOOD JOB, GOOD JOB. YOU LOOK GREAT. 946 00:46:09,667 --> 00:46:11,667 I'M GLAD I COULD HELP. 947 00:46:11,669 --> 00:46:15,037 LISTEN, THERE ARE A FEW PARTS IN THIS SHOW YOU'D BE PERFECT FOR. 948 00:46:15,039 --> 00:46:17,907 THINK ABOUT COMING ON TOUR WITH US THIS SUMMER. 949 00:46:17,909 --> 00:46:20,276 ME, ON TOUR WITH THE GOLD MEDAL CREW? 950 00:46:20,278 --> 00:46:22,044 THAT'S RIGHT. TEN WEEKS. 951 00:46:22,046 --> 00:46:24,046 THERE ARE OTHER KIDS IN THIS SHOW. 952 00:46:24,048 --> 00:46:27,049 IT'S LIKE SUMMER CAMP, BUT YOU GET PAID. WAIT. YOU GET PAID? 953 00:46:27,051 --> 00:46:29,919 GIRL, YOU DANCE LIKE A PRO, YOU GET PAID LIKE A PRO. 954 00:46:29,921 --> 00:46:31,921 HAVE YOUR PARENTS TAKE A LOOK AT THIS. 955 00:46:31,923 --> 00:46:34,256 IF THEY SAY YES, RETURN IT TO ME. 956 00:46:34,258 --> 00:46:36,725 UM, MY PARENTS. OK, ALL RIGHT. 957 00:46:36,727 --> 00:46:38,427 GOOD. I'LL GET BACK TO YOU. 958 00:46:38,429 --> 00:46:40,896 THE FOLLOWING PEOPLE, THANK YOU VERY MUCH. 959 00:46:40,898 --> 00:46:43,598 YOU'RE GONNA COME BACK TO THIS, OK? OH, MAN! 960 00:46:43,600 --> 00:46:46,702 MA! MA. 961 00:46:46,704 --> 00:46:49,438 I'M FEELING SHOE SHOPPY! 962 00:46:51,843 --> 00:46:54,844 I KNEW IT WAS TOO GOOD TO BE TRUE. 963 00:46:56,981 --> 00:46:59,815 "LUC SURPRISED ME WITH TICKETS TO A BROADWAY SHOW, 964 00:46:59,817 --> 00:47:02,551 "SO I COULDN'T SAY NO. 965 00:47:02,553 --> 00:47:05,520 "BUT TAKE MY CARD AND HAVE A GOOD TIME. 966 00:47:05,522 --> 00:47:09,024 "GET SOMETHING WE BOTH CAN WEAR AND LOOK 'TIGHT'. 967 00:47:09,026 --> 00:47:10,092 LOVE, MOMMIE." 968 00:47:13,231 --> 00:47:16,398 (PUERTO RICAN ACCENT) "WE NEED TO SPEND MORE TIME TOGETHER." 969 00:47:16,400 --> 00:47:18,067 (NORMAL VOICE) YEAH, RIGHT. (PHONE RINGING) 970 00:47:18,069 --> 00:47:21,103 NOBODY'S HOME! NOBODY'S EVER HOME! 971 00:47:22,539 --> 00:47:24,373 (JUANITA'S VOICE) HEY, WE'RE NOT HERE. 972 00:47:24,375 --> 00:47:26,808 LEAVE YOUR NAME AND NUMBER AFTER THE BEEP. (BEEP) 973 00:47:26,810 --> 00:47:28,978 (WOMAN'S VOICE) NITA, GAIL FROM MOVING ON REALTORS. 974 00:47:28,980 --> 00:47:31,780 IF YOU STILL WANT TO PUT YOUR APARTMENT UP FOR SALE, GIVE A SHOUT. 975 00:47:31,782 --> 00:47:33,782 WE'LL DO AN OPEN HOUSE. 976 00:47:33,784 --> 00:47:35,284 HERE'S A SHOUT. 977 00:47:35,286 --> 00:47:38,087 YOU CAN SEND THAT ONE RIGHT BACK, SPECIAL DELIVERY! 978 00:47:38,089 --> 00:47:40,455 NO ONE'S MOVING OUT. 979 00:47:40,457 --> 00:47:41,991 CLARO? GRACIAS. 980 00:47:44,962 --> 00:47:49,464 OH, YEAH. I'LL HAVE A GOOD TIME. 981 00:47:49,466 --> 00:47:51,934 ♪ WHOA-OH, WHOA-OH I'M GONNA BREAK THROUGH 982 00:47:51,936 --> 00:47:54,937 ♪ I'M GONNA HAVE SOME FUN, THAT'S WHAT I'M GONNA DO 983 00:47:54,939 --> 00:47:57,773 ♪ WHOA-OH, WHOA-OH, I'LL GO WITHOUT YOU 984 00:47:57,775 --> 00:48:01,744 ♪ I'M GONNA HAVE SOME FUN, THAT'S WHAT I'M GONNA DO 985 00:48:01,746 --> 00:48:04,479 ♪ LA LA LA LA LA, LA LA LA LA LA 986 00:48:04,481 --> 00:48:08,016 ♪ DON'T BOTHER ME, I'M TOO BUSY HAVING FUN 987 00:48:08,018 --> 00:48:10,953 ♪ LA LA LA LA LA, LA LA LA LA LA 988 00:48:10,955 --> 00:48:14,957 ♪ DON'T BOTHER ME, I'M TOO BUSY 989 00:48:14,959 --> 00:48:18,160 ♪ WHOA-OH, WHOA-OH, I'M GONNA BREAK THROUGH 990 00:48:18,162 --> 00:48:21,663 ♪ I'M GONNA HAVE SOME FUN, THAT'S WHAT I'M GONNA DO 991 00:48:21,665 --> 00:48:24,800 ♪ WHOA-OH, WHOA-OH, I'LL GO WITHOUT YOU 992 00:48:24,802 --> 00:48:27,136 ♪ I'M GONNA HAVE SOME FUN, THAT'S WHAT I'M GONNA DO ♪ 993 00:48:27,138 --> 00:48:29,138 HI. THE THOMASES, PLEASE. 994 00:48:29,140 --> 00:48:31,774 THERE'S NO THOMASES HERE. 995 00:48:31,776 --> 00:48:35,710 REALLY? DORINDA THOMAS, ABOUT THIS TALL, 996 00:48:35,712 --> 00:48:37,379 ALWAYS HAS, LIKE, A DANCE BAG WITH HER? 997 00:48:37,381 --> 00:48:39,848 OH, HER. TAKE THE ALLEY AROUND. 998 00:48:39,850 --> 00:48:41,984 SUPERINTENDENT'S APARTMENT. 999 00:48:44,789 --> 00:48:46,488 ALLEY? 1000 00:49:06,811 --> 00:49:08,610 (BUZZES) 1001 00:49:12,482 --> 00:49:13,748 HELLO? 1002 00:49:16,353 --> 00:49:18,486 I TOLD Y'ALL TO STOP RUNNING IN THE HOUSE! 1003 00:49:18,488 --> 00:49:22,057 I'M LOOKING FOR DORINDA THOMAS, BUT I MUST HAVE THE WRONG... 1004 00:49:22,059 --> 00:49:25,294 NO, NO. SHE'S HERE. DORINDA? 1005 00:49:25,296 --> 00:49:27,996 YOU GOT A VISITOR, HONEY. 1006 00:49:27,998 --> 00:49:31,399 HEY, CHANEL. HEY. 1007 00:49:31,401 --> 00:49:33,235 MOM, THIS IS MY FRIEND CHANEL. 1008 00:49:33,237 --> 00:49:35,237 REMEMBER, I TOLD YOU ABOUT THE CHEETAH GIRLS? 1009 00:49:35,239 --> 00:49:36,738 OH, YEAH. HI, HONEY. 1010 00:49:36,740 --> 00:49:39,174 HI. 1011 00:49:39,176 --> 00:49:40,642 (GLASS BREAKING) 1012 00:49:40,644 --> 00:49:42,811 WHAT DID Y'ALL BREAK THIS TIME? 1013 00:49:42,813 --> 00:49:45,314 NICE TO MEET YOU, HONEY. 1014 00:49:45,316 --> 00:49:48,516 DORINDA, LET'S GO SEE SOMEBODY GET IN TROUBLE. 1015 00:49:48,518 --> 00:49:51,653 YOU GO AHEAD. I'LL BE RIGHT THERE, OK? 1016 00:49:56,426 --> 00:50:00,062 IF I KNEW YOU WERE COMING, I'D HAVE BEEN REALLY RICH AND LIVE SOMEWHERE ELSE. 1017 00:50:00,064 --> 00:50:01,629 WHAT? 1018 00:50:01,631 --> 00:50:06,235 NOW YOU KNOW WHY I NEVER INVITE YOU GUYS OVER OR TALK ABOUT MY FAMILY. 1019 00:50:06,237 --> 00:50:08,570 I'M REALLY SURPRISED AT YOU, DORINDA. 1020 00:50:08,572 --> 00:50:10,705 WHY'D YOU TRY TO HIDE IT? 1021 00:50:10,707 --> 00:50:13,041 YOU GUYS ARE ALL... I DON'T KNOW. 1022 00:50:13,043 --> 00:50:15,844 I GUESS I JUST DIDN'T THINK ABOUT IT. 1023 00:50:15,846 --> 00:50:17,645 WAIT TILL I TELL GALLERIA. 1024 00:50:17,647 --> 00:50:20,648 I MEAN, THE WAY YOU DANCE, YOU HAD TO HAVE SOME FLAVOR IN YOU SOMEWHERE. 1025 00:50:20,650 --> 00:50:22,650 BUT SHE WAS ALL, "NO..." 1026 00:50:22,652 --> 00:50:26,154 WE'RE NOT TALKING ABOUT THE SAME THING, CHANEL. SO YOU'RE HALF BLACK! 1027 00:50:26,156 --> 00:50:28,357 YOU'VE SEEN GALLERIA'S MOM AND DAD. 1028 00:50:28,359 --> 00:50:30,825 AND I'M A LITTLE BIT OF EVERY KIND OF SPANISH PEPPER. 1029 00:50:30,827 --> 00:50:33,495 SHOOT! MISS AMERICA HAS TEN BLOOD LINES. 1030 00:50:33,497 --> 00:50:35,630 NO. NO! 1031 00:50:35,632 --> 00:50:38,633 YO, WE'RE ALL MIXED UP IN THIS JIGGY JUNGLE TOGETHER. 1032 00:50:38,635 --> 00:50:39,634 JOIN THE CLUB, GIRLIE. 1033 00:50:39,636 --> 00:50:41,803 CAN YOU JUST WAIT FOR A SECOND? 1034 00:50:41,805 --> 00:50:44,139 I'M NOT BLACK, AND I'M NOT HALF BLACK. 1035 00:50:44,141 --> 00:50:47,142 I'M NOT EVEN WHITE. I DON'T EVEN KNOW WHAT I AM. 1036 00:50:47,144 --> 00:50:50,812 I DO KNOW THAT MRS. BOSCO ISN'T MY MOM. 1037 00:50:50,814 --> 00:50:55,417 SHE'S THE CLOSEST THING I'VE EVER HAD. 1038 00:50:55,419 --> 00:50:59,321 MY MOM... MY REAL MOM, SHE DIDN'T WANT ME, 1039 00:50:59,323 --> 00:51:01,323 AND I'M A FOSTER CHILD, 1040 00:51:01,325 --> 00:51:04,592 AND I LIVE HERE WITH TEN OTHER KIDS. 1041 00:51:04,594 --> 00:51:06,094 (SOBBING) 1042 00:51:06,096 --> 00:51:08,596 THE ONLY REASON WHY WE EVEN GET TO LIVE HERE 1043 00:51:08,598 --> 00:51:11,433 IS BECAUSE MR. BOSCO'S THE SUPER. 1044 00:51:11,435 --> 00:51:13,435 BUT I WANT TO STAY HERE, 1045 00:51:13,437 --> 00:51:16,104 AND I WANT TO STAY HERE WITH MY FRIENDS 1046 00:51:16,106 --> 00:51:18,941 AND IN SCHOOL AND WITH THE CHEETAH GIRLS, 1047 00:51:18,943 --> 00:51:21,376 BECAUSE IT'S THE BEST I'VE EVER HAD, CHANEL. 1048 00:51:21,378 --> 00:51:23,211 AND PLEASE DON'T... 1049 00:51:23,213 --> 00:51:26,081 DON'T TAKE IT FROM ME! 1050 00:51:26,083 --> 00:51:28,216 GIRL, YOU THOUGHT WE'D PULL YOUR CARD 1051 00:51:28,218 --> 00:51:29,952 FOR LACK OF PARENTS? 1052 00:51:32,456 --> 00:51:35,023 GIRL, SOMETIMES THAT CAN BE A GOOD THING. 1053 00:51:35,025 --> 00:51:37,892 TRUST ME, IT'S NOT ALL IT'S CRACKED UP TO BE. 1054 00:51:39,129 --> 00:51:42,764 YOU SHOULD BE GRATEFUL THAT YOU HAVE A MOM. 1055 00:51:45,202 --> 00:51:47,202 DO, YOU'RE A CHEETAH GIRL 1056 00:51:47,204 --> 00:51:50,105 BECAUSE OF WHO YOU ARE AND WHAT'S IN YOUR HEART. 1057 00:51:50,107 --> 00:51:53,041 AND YOU'RE PURE CHEETAH GIRL. 1058 00:51:53,043 --> 00:51:55,643 PURA VIDA. 1059 00:51:59,149 --> 00:52:00,415 LOOK AT US. 1060 00:52:00,417 --> 00:52:04,886 (LAUGHING) 1061 00:52:04,888 --> 00:52:08,256 YOU DIDN'T COME HERE TO HEAR MY SECRET. NAH. 1062 00:52:08,258 --> 00:52:10,658 SO, WHY ARE YOU HERE? 1063 00:52:10,660 --> 00:52:12,660 I FELT REALLY BAD 1064 00:52:12,662 --> 00:52:14,796 ABOUT WHAT HAPPENED WITH GALLERIA. 1065 00:52:14,798 --> 00:52:17,299 SHE GETS ALL TESTY AND TOUCHY 1066 00:52:17,301 --> 00:52:20,668 'CAUSE SHE WANTS EVERYTHING TO BE PERFECT. 1067 00:52:20,670 --> 00:52:23,238 I JUST WANTED TO MAKE SURE YOU WERE OK. 1068 00:52:23,240 --> 00:52:25,073 (DOOR OPENS) 1069 00:52:25,075 --> 00:52:27,709 DO! COME AND EAT! I'LL BE THERE IN A SECOND. 1070 00:52:30,147 --> 00:52:32,247 I'M ALL RIGHT. I JUST... 1071 00:52:32,249 --> 00:52:35,250 I CAN'T LOOK THE WAY SHE WANTS ME TO. 1072 00:52:35,252 --> 00:52:38,020 I DON'T HAVE MONEY TO BUY A NEW OUTFIT. 1073 00:52:39,356 --> 00:52:42,524 OR YOU COULD WEAR THIS. 1074 00:52:42,526 --> 00:52:45,260 I SAW IT AND I THOUGHT ONE OF US HAD TO HAVE IT. 1075 00:52:45,262 --> 00:52:47,162 CHECK IT OUT. 1076 00:52:50,167 --> 00:52:51,766 WOW! 1077 00:52:51,768 --> 00:52:54,002 GROWL POWER! 1078 00:52:54,004 --> 00:52:56,271 IT'S HOT! 1079 00:52:56,273 --> 00:52:59,774 JUST THINK OF IT AS A LOAN FROM THE JUANITA-CHANEL COLLECTION. 1080 00:52:59,776 --> 00:53:01,476 THANKS, GIRL. 1081 00:53:06,517 --> 00:53:08,917 LOOK, THERE'S SOMETHING I NEED TO TELL YOU. 1082 00:53:10,120 --> 00:53:12,354 WHAT'S WRONG? YOU OK? YEAH. 1083 00:53:12,356 --> 00:53:15,723 I'M GREAT, ACTUALLY. I MEAN... 1084 00:53:15,725 --> 00:53:18,293 I GOT AN OFFER FROM THE GOLD MEDAL CREW. 1085 00:53:18,295 --> 00:53:22,030 THEY WANT ME TO DANCE FOR THEM. THEY WANNA HIRE ME, CHANEL! 1086 00:53:22,032 --> 00:53:24,066 OH, MY GOSH! GET OUT, GIRL! 1087 00:53:24,068 --> 00:53:26,468 I KNOW! BUT... 1088 00:53:30,574 --> 00:53:32,840 WHAT ABOUT THE CHEETAH GIRLS? 1089 00:53:32,842 --> 00:53:35,477 I DON'T KNOW. 1090 00:53:35,479 --> 00:53:38,680 CHANEL, I REALLY NEED THAT MONEY. 1091 00:53:38,682 --> 00:53:41,083 I JUST... I DON'T KNOW WHAT TO DO. 1092 00:53:44,921 --> 00:53:47,089 COME ON NOW, STAY STILL. 1093 00:53:47,091 --> 00:53:50,092 OOH! OW! SORRY. OK, WAIT. ONE MORE. 1094 00:53:50,094 --> 00:53:52,994 OK. SORRY ABOUT THAT. NOT SO MUCH ARCH, GIRL. 1095 00:53:52,996 --> 00:53:58,032 I DON'T WANT TO LOOK LIKE, "THE MARY J. BLIGE CONCERT TICKETS ARE SOLD OUT?" 1096 00:53:58,034 --> 00:54:00,668 I KNOW, RIGHT? WAIT, WATCH OUT! LET ME DO THIS ONE. 1097 00:54:00,670 --> 00:54:02,937 FROM FURRY TO FIERCE. 1098 00:54:02,939 --> 00:54:05,707 GIRL, THEY ARE CHEETAH-LICIOUS. AREN'T THEY, TOTO? 1099 00:54:05,709 --> 00:54:07,576 (KNOCK ON DOOR) COME IN! 1100 00:54:07,578 --> 00:54:09,578 HEY, MOM. (CHANEL) HEY. 1101 00:54:09,580 --> 00:54:11,079 GALLERIA'S DAY SPA. 1102 00:54:11,081 --> 00:54:13,181 NOW, LISTEN, I DO NOT WANT YOU ALL 1103 00:54:13,183 --> 00:54:15,250 TO STAY UP ALL NIGHT GABBING. 1104 00:54:15,252 --> 00:54:17,885 (BOTH) OK. AND, UH... I MADE A DECISION 1105 00:54:17,887 --> 00:54:21,756 THAT YOU ALL CAN... GO TO THIS REHEARSAL ALONE. 1106 00:54:21,758 --> 00:54:25,127 OH, MOM! THANK YOU SO MUCH! 1107 00:54:25,129 --> 00:54:27,496 I JUST WANT TO SEE HOW YOU HANDLE YOURSELVES. 1108 00:54:27,498 --> 00:54:29,297 OK. I'M TRUSTING YOU. 1109 00:54:29,299 --> 00:54:31,899 THANKS, MADRINA. YOU'RE WELCOME. 1110 00:54:31,901 --> 00:54:34,969 TOTO... GET TO BED AND BE AN EXAMPLE 1111 00:54:34,971 --> 00:54:36,438 FOR THESE GIRLS. 1112 00:54:36,440 --> 00:54:38,173 GOOD NIGHT. GO TO SLEEP. 1113 00:54:38,175 --> 00:54:40,609 OK, OK, OK. ALL RIGHT. LOVE YOU. 1114 00:54:40,611 --> 00:54:41,943 LOVE YA. LOVE YOU, TOO. 1115 00:54:41,945 --> 00:54:44,712 OH, CHANEL, I WANTED TO SHOW YOU SOMETHING. 1116 00:54:44,714 --> 00:54:45,913 WHAT? 1117 00:54:45,915 --> 00:54:50,118 WHAT DO YOU THINK ABOUT THIS? 1118 00:54:53,823 --> 00:54:56,791 DON'T YOU THINK THERE'S SOMETHING WRONG WITH THE PICTURE? 1119 00:54:56,793 --> 00:54:59,794 WHAT? WHY IS THERE ONE PERSON IN THE MIDDLE, 1120 00:54:59,796 --> 00:55:03,731 AND WHY IS THAT ONE PERSON YOU? 1121 00:55:03,733 --> 00:55:07,235 OK, YEAH. MY PICTURE IS BIGGER THAN EVERYBODY ELSE'S, 1122 00:55:07,237 --> 00:55:09,571 BUT, HEY, I DID WRITE THE SONGS. 1123 00:55:09,573 --> 00:55:11,573 HOLD UP. THOSE WERE MY IDEAS, TOO, 1124 00:55:11,575 --> 00:55:14,142 AND AQUA FREESTYLED A LOT OF THE HOOKS YOU USED. 1125 00:55:14,144 --> 00:55:16,144 THOSE WERE OUR SONGS. 1126 00:55:16,146 --> 00:55:19,147 CHANEL, I TAKE BITS AND PIECES AND PUT THEM TOGETHER, OK? 1127 00:55:19,149 --> 00:55:20,815 I'M AN ARTIST. 1128 00:55:20,817 --> 00:55:22,817 AND WHILE YOU'RE BEING AN ARTIST 1129 00:55:22,819 --> 00:55:25,753 AND TAKING YOUR BOWS, WHAT AM I... YOUR SIDEKICK? YOUR FLUNKY? 1130 00:55:25,755 --> 00:55:29,424 HEY, CALM DOWN, CHANEL. OK? CAN WE JUST STAY FOCUSED ON THE DREAM, PLEASE? 1131 00:55:29,426 --> 00:55:31,759 BUBBLES, STOP TRYING TO HANDLE ME, ALL RIGHT? 1132 00:55:31,761 --> 00:55:33,828 I WASN'T BORN TO BE WIPING YOUR SHOES, 1133 00:55:33,830 --> 00:55:36,431 TO GO ALONG WITH YOUR OKEY-DOKE, OK? 1134 00:55:36,433 --> 00:55:38,433 I'M NOT THE ONLY ONE FEELING IT. 1135 00:55:38,435 --> 00:55:40,868 AQUA AND DO ARE FEELING IT, TOO. 1136 00:55:40,870 --> 00:55:43,638 WHAT? THE CHEETAH GIRLS ARE OPENING THE BOX BEHIND MY BACK? 1137 00:55:43,640 --> 00:55:47,309 NO, YOU JUST DON'T SEE IT WHEN IT'S ALL UP IN YOUR FACE, GIRL. 1138 00:55:47,311 --> 00:55:49,010 LOOK, BUBBLES... 1139 00:55:49,012 --> 00:55:51,413 YOU'RE NOT THAT MUCH FUN TO BE AROUND ANYMORE. 1140 00:55:53,450 --> 00:55:55,250 I KNOW, OK? 1141 00:55:55,252 --> 00:55:58,253 BUT I PROMISE, GIRL, EVERYBODY WILL BE SO HAPPY 1142 00:55:58,255 --> 00:56:00,255 ONCE WE GET THIS DEAL TOMORROW. 1143 00:56:00,257 --> 00:56:02,257 TRUST ME. 1144 00:56:02,259 --> 00:56:03,825 YO, BUBBLES, 1145 00:56:03,827 --> 00:56:07,395 I FOUND OUT WHY DO KEEPS HER LIFE ON THE D.L. 1146 00:56:07,397 --> 00:56:12,066 SHE'S A FOSTER CHILD. HER MOM GAVE HER AWAY WHEN SHE WAS JUST A BABY. 1147 00:56:12,068 --> 00:56:13,401 WHAT? 1148 00:56:13,403 --> 00:56:16,871 YEAH. THIS IS NO DREAM, ALL RIGHT? 1149 00:56:16,873 --> 00:56:19,407 THIS IS THE REAL DEAL FOR HER. 1150 00:56:19,409 --> 00:56:21,743 I GUESS SHE NEEDS THIS MORE THAN ANYBODY, HUH? 1151 00:56:21,745 --> 00:56:23,911 NO, BUBBLES. WHAT SHE NEEDS IS FRIENDS. 1152 00:56:23,913 --> 00:56:26,180 WE ALL DO. 1153 00:56:29,085 --> 00:56:31,753 CHUCHIE... FRIENDS HELP FRIENDS 1154 00:56:31,755 --> 00:56:34,656 MAKE THEIR DREAM COME TRUE, RIGHT? 1155 00:56:34,658 --> 00:56:35,890 I GUESS. 1156 00:56:35,892 --> 00:56:39,193 WELL, THEN DON'T WORRY ABOUT IT, GIRL. OK? 1157 00:56:39,195 --> 00:56:42,397 I'M SURE JACKAL WILL HAVE SOME IDEAS ABOUT THE COVER TOMORROW. 1158 00:56:42,399 --> 00:56:43,931 SO DON'T TRIP. 1159 00:56:52,442 --> 00:56:54,609 (JACKAL) CHEETAH GIRLS! 1160 00:56:54,611 --> 00:56:58,546 I HAVE SOME IDEAS, AND... 1161 00:56:58,548 --> 00:57:02,150 ...SO DOES MY MARKETING TEAM. GIVE A LISTEN. 1162 00:57:02,152 --> 00:57:07,021 OUR RESEARCH SHOWS YOUR DEMOGRAPHIC RESPONDS TO THE ANIMAL THEME 1163 00:57:07,023 --> 00:57:11,225 AND YOUR BOUNCY, UP-TEMPO, POP/URBAN SENSIBILITY. 1164 00:57:11,227 --> 00:57:14,996 KIDS LOVE ENDANGERED SPECIES. KIDS WANT TO PARTY. 1165 00:57:14,998 --> 00:57:17,465 KIDS WANT A BAND LIKE... 1166 00:57:17,467 --> 00:57:20,535 (BOTH) GLOBAL GETDOWN! 1167 00:57:20,537 --> 00:57:23,638 THE LETTER "G" IS BIG THIS YEAR. 1168 00:57:23,640 --> 00:57:29,043 GALLERIA STAYS A CHEETAH NOW AND FOREVER. 1169 00:57:29,045 --> 00:57:33,381 DORINDA IS A SWEET PANDA. 1170 00:57:33,383 --> 00:57:35,817 COME ON, TAKE IT. 1171 00:57:35,819 --> 00:57:42,524 HERE WE HAVE A BABY SEAL FOR... 1172 00:57:42,526 --> 00:57:44,759 ...AQUA, OF COURSE. 1173 00:57:44,761 --> 00:57:52,534 AND CHANEL IS A SNOW LEOPARD FROM THE FRIGID NORTH. 1174 00:57:52,536 --> 00:57:53,702 BRR. HA HA HA! 1175 00:57:53,704 --> 00:57:55,970 (GALLERIA) MASKS? 1176 00:57:55,972 --> 00:57:57,739 OUR ENGINEERING DEPARTMENT 1177 00:57:57,741 --> 00:58:00,274 WANTS TO CREATE WHOLE NEW IDENTITIES. 1178 00:58:00,276 --> 00:58:02,109 SO, YOU GUYS WANT US TO BE, 1179 00:58:02,111 --> 00:58:04,312 LIKE, SOMETHING OTHER THAN THE CHEETAH GIRLS? 1180 00:58:04,314 --> 00:58:08,717 GLOBAL GETDOWN IS A WORLDWIDE MARKETING MIRACLE! 1181 00:58:08,719 --> 00:58:10,218 I'M SEEING DOLLS, 1182 00:58:10,220 --> 00:58:13,355 MOVIE TIE-INS WITH EVERY KIND OF BURGER, TACO, 1183 00:58:13,357 --> 00:58:15,490 AND ANYTHING YOU CAN EAT WITH CHOPSTICKS. 1184 00:58:15,492 --> 00:58:20,094 WELL... HOW DOES IT LOOK? 1185 00:58:20,096 --> 00:58:22,096 SWEET. PRECIOUS. 1186 00:58:22,098 --> 00:58:23,765 DORINDA, TAKE THAT THING OFF. 1187 00:58:23,767 --> 00:58:26,601 JACKAL, UM... MM-HMM? 1188 00:58:26,603 --> 00:58:30,472 WE CAN'T... WE CAN'T SING IN THESE THINGS. 1189 00:58:30,474 --> 00:58:31,873 WELL, YOU'LL BE MIKED INSIDE. 1190 00:58:31,875 --> 00:58:34,476 AND THE MUSIC'S ON TAPE ANYWAY. 1191 00:58:34,478 --> 00:58:36,978 OH, I'M SORRY. WE... WE DON'T LIP SYNC. 1192 00:58:36,980 --> 00:58:38,380 (JACKAL) DON'T WORRY. 1193 00:58:38,382 --> 00:58:40,782 WE'LL TEACH YOU. 1194 00:58:40,784 --> 00:58:44,151 NOW... LET'S TALK MUSIC. 1195 00:58:44,153 --> 00:58:47,955 HA, NOW YOU'RE TALKING. CHEETAHS, "GIRL POWER." 1196 00:58:47,957 --> 00:58:49,957 EXCUSE ME. 1197 00:58:49,959 --> 00:58:52,059 BUMP THIS. 1198 00:58:52,061 --> 00:58:54,028 LET'S DO THIS, GIRLS. 1199 00:58:56,332 --> 00:58:58,500 CHUCK THOSE MASKS RIGHT THERE, PLEASE. 1200 00:58:58,502 --> 00:59:00,101 (♪ "GIRL POWER") 1201 00:59:06,410 --> 00:59:08,710 ♪ THROW YOUR HANDS UP IF YOU KNOW THAT YOU'RE A STAR 1202 00:59:08,712 --> 00:59:11,713 ♪ YOU'D BETTER STAND UP IF YOU KNOW JUST WHO YOU ARE 1203 00:59:11,715 --> 00:59:14,081 ♪ NEVER GIVE UP, NEVER SAY DIE 1204 00:59:14,083 --> 00:59:17,318 ♪ GIRL POWER, GIRL POWER 1205 00:59:17,320 --> 00:59:19,554 ♪ THROW YOUR HANDS UP IF YOU KNOW THAT YOU'RE A STAR 1206 00:59:19,556 --> 00:59:21,890 ♪ YOU BETTER STAND UP IF YOU KNOW JUST WHO YOU ARE 1207 00:59:21,892 --> 00:59:24,759 ♪ NEVER GIVE UP 'CAUSE YOU'VE COME TOO FAR 1208 00:59:24,761 --> 00:59:27,729 ♪ GIRL POWER, GIRL POWER 1209 00:59:27,731 --> 00:59:31,433 ♪ I MADE MISTAKES BEFORE 1210 00:59:31,435 --> 00:59:34,769 ♪ BUT I KNOW I'M NOT PERFECT 1211 00:59:34,771 --> 00:59:39,841 ♪ IT'S OK 'CAUSE WHO COULD EVER BE? 1212 00:59:39,843 --> 00:59:42,577 ♪ AS LONG AS I GIVE MY BEST 1213 00:59:42,579 --> 00:59:44,345 ♪ IT WON'T MATTER WHAT NO ONE SAYS 1214 00:59:44,347 --> 00:59:46,714 ♪ 'CAUSE DEEP DOWN IN MY HEART 1215 00:59:46,716 --> 00:59:49,183 ♪ I GOT THE POWER TO MAKE IT ALL HAPPEN, YEAH 1216 00:59:49,185 --> 00:59:52,520 ♪ THROW YOUR HANDS UP IF YOU KNOW THAT YOU'RE A STAR... 1217 00:59:52,522 --> 00:59:54,355 (SINGING IN SPANISH) 1218 00:59:54,357 --> 00:59:57,124 ♪ NEVER GIVE UP, NEVER SAY DIE 1219 00:59:57,126 --> 01:00:00,795 ♪ GIRL POWER, GIRL POWER 1220 01:00:00,797 --> 01:00:03,898 ♪ AT TIMES I MAY JUST FEEL LIKE 1221 01:00:03,900 --> 01:00:06,468 ♪ MY BACK IS TO THE WALL 1222 01:00:06,470 --> 01:00:08,736 ♪ I HOLD MY HEAD UP HIGH 1223 01:00:08,738 --> 01:00:11,372 ♪ AND KEEP STANDING TALL 1224 01:00:11,374 --> 01:00:14,676 ♪ I KNOW THAT MY BACK IS COVERED 1225 01:00:14,678 --> 01:00:17,378 ♪ BECAUSE WE HAVE EACH OTHER 1226 01:00:17,380 --> 01:00:20,682 ♪ AND WE'RE DOWN FOR WHATEVER IF YOU HEAR ME 1227 01:00:20,684 --> 01:00:23,618 ♪ THROW YOUR HANDS UP IF YOU KNOW THAT YOU'RE A STAR 1228 01:00:23,620 --> 01:00:26,153 ♪ YOU'D BETTER STAND UP IF YOU KNOW JUST WHO YOU ARE 1229 01:00:26,155 --> 01:00:29,323 ♪ NEVER GIVE UP, NEVER SAY DIE 1230 01:00:29,325 --> 01:00:31,793 ♪ GIRL POWER, GIRL POWER 1231 01:00:31,795 --> 01:00:35,830 ♪ SOMETIMES LIFE MAY GET YOU DOWN 1232 01:00:35,832 --> 01:00:38,833 ♪ BUT YOU BETTER HOLD YOUR GROUND 1233 01:00:38,835 --> 01:00:43,337 ♪ CAN'T NOBODY LIVE YOUR LIFE BUT YOU 1234 01:00:43,339 --> 01:00:46,541 ♪ STAY TRUE TO WHO YOU ARE 1235 01:00:46,543 --> 01:00:49,076 ♪ AND ALWAYS FOLLOW YOUR HEART 1236 01:00:49,078 --> 01:00:51,078 ♪ YOUR HEART 1237 01:00:51,080 --> 01:00:55,483 ♪ YOUR HEART 1238 01:00:55,485 --> 01:00:58,152 ♪ THROW YOUR HANDS UP IF YOU KNOW THAT YOU'RE A STAR 1239 01:00:58,154 --> 01:01:00,655 ♪ YOU BETTER STAND UP IF YOU KNOW JUST WHO YOU ARE 1240 01:01:00,657 --> 01:01:03,591 ♪ NEVER GIVE UP 'CAUSE YOU'VE COME TOO FAR 1241 01:01:03,593 --> 01:01:06,828 ♪ GIRL POWER, GIRL POWER ♪ 1242 01:01:11,200 --> 01:01:13,635 EXCELLENT. EXCELLENT. 1243 01:01:13,637 --> 01:01:15,236 I LOVED IT. 1244 01:01:15,238 --> 01:01:18,339 THAT'S EXACTLY THE FLAVOR WE'RE LOOKING FOR. 1245 01:01:21,677 --> 01:01:23,177 NOW, HERE'S THE SONG WE'RE LOOKING AT. 1246 01:01:24,881 --> 01:01:26,947 HIT IT. ♪ WE GO ALL AROUND THE WORLD 1247 01:01:26,949 --> 01:01:29,017 ♪ WE GO ALL AROUND THE WORLD 1248 01:01:29,019 --> 01:01:30,818 ♪ WHERE WE STOP NOBODY KNOWS... 1249 01:01:30,820 --> 01:01:34,022 ALL RIGHT. CHECK THIS OUT. 1250 01:01:34,024 --> 01:01:38,393 DEF DUCK RECORDS PRESENTS GLOBAL GETDOWN, "ALL AROUND THE WORLD." 1251 01:01:38,395 --> 01:01:40,428 THIS IS GOING TO GO PLATINUM, TITANIUM, URANIUM. 1252 01:01:40,430 --> 01:01:43,797 IT IS ANIMAL FRIENDLY, VEGETABLE FRIENDLY, MINERAL FRIENDLY. 1253 01:01:43,799 --> 01:01:46,034 THIS IS BRILLIANT. I CAN SMELL MILLIONS. 1254 01:01:46,036 --> 01:01:49,904 OH, YEAH. THAT'S IT. OW. FEEL IT. FEEL IT. COME ON. 1255 01:01:49,906 --> 01:01:53,508 ♪ WE GO ALL AROUND THE WORLD, ALL AROUND THE WORLD 1256 01:01:53,510 --> 01:01:54,808 ♪ WHERE WE STOP NOBODY KNOWS 1257 01:01:54,810 --> 01:01:56,977 ♪ 'CAUSE WE DON'T CARE JUST WHERE WE GO 1258 01:01:56,979 --> 01:01:58,413 PUMP IT! 1259 01:01:58,415 --> 01:01:59,547 ♪ ALL AROUND THE WORLD 1260 01:01:59,549 --> 01:02:02,116 ♪ WE GO ALL AROUND THE WORLD 1261 01:02:02,118 --> 01:02:05,653 ♪ WHERE WE STOP, NOBODY KNOWS, BUT I CAN'T WAIT TO GO HOME 1262 01:02:05,655 --> 01:02:06,720 SING IT WITH ME. 1263 01:02:06,722 --> 01:02:07,988 ♪ ALL AROUND THE WORLD 1264 01:02:07,990 --> 01:02:09,390 ♪ WE GO ALL AROUND THE WORLD 1265 01:02:09,392 --> 01:02:12,093 ♪ WHERE WE STOP NOBODY KNOWS 1266 01:02:12,095 --> 01:02:13,761 ♪ 'CAUSE WE DON'T CARE WHERE WE GO 1267 01:02:13,763 --> 01:02:16,097 ♪ ALL AROUND THE WORLD 1268 01:02:16,099 --> 01:02:18,266 ♪ WE GO ALL AROUND THE WORLD... ♪ 1269 01:02:22,572 --> 01:02:24,272 NO! NO, NO, NO! 1270 01:02:24,274 --> 01:02:27,542 DIDN'T YOU LIKE WHAT WE JUST DID? 1271 01:02:27,544 --> 01:02:29,444 I LOVED IT. IT WAS GREAT. 1272 01:02:29,446 --> 01:02:31,112 BUT, UH... 1273 01:02:31,114 --> 01:02:33,247 THAT'S NOT WHAT WE SOLD THE RECORD COMPANY. 1274 01:02:33,249 --> 01:02:34,748 WELL, I'M SORRY. 1275 01:02:34,750 --> 01:02:37,218 WE CAN'T CHANGE THE CHEETAH GIRLS. 1276 01:02:37,220 --> 01:02:40,955 WELL... THIS IS WHAT THEY'RE INTERESTED IN, 1277 01:02:40,957 --> 01:02:43,624 AND THIS IS WHAT THEY'RE PAYING FOR. 1278 01:02:43,626 --> 01:02:47,628 WELL, FINE. THEN WE BOUNCE. 1279 01:02:55,638 --> 01:02:57,605 COULD YOU EXCUSE US FOR A SECOND? 1280 01:02:57,607 --> 01:03:00,874 SURE. ABSOLUTELY. 1281 01:03:00,876 --> 01:03:03,711 LET'S, UH... LET'S GIVE THESE GIRLS 1282 01:03:03,713 --> 01:03:06,614 A CHANCE TO THINK ABOUT THAT WORLD TOUR. 1283 01:03:06,616 --> 01:03:08,249 HMM? ALL RIGHT. 1284 01:03:15,291 --> 01:03:17,091 WHY DIDN'T YOU GUYS BACK ME UP? 1285 01:03:17,093 --> 01:03:18,593 YOU MEAN RUBBER-STAMP YOU. 1286 01:03:18,595 --> 01:03:21,462 GALLERIA, YOU DIDN'T EVEN GIVE US A CHANCE TO THINK. 1287 01:03:21,464 --> 01:03:24,165 THINK ABOUT WHAT, DO? THEY'RE PUPPETS. 1288 01:03:24,167 --> 01:03:26,834 I MEAN, NOW AT LEAST WE COULD BE DOWN FOR THE TALENT SHOW, 1289 01:03:26,836 --> 01:03:28,802 AND IF WE WIN, WE CAN STILL HAVE OUR DEMO. 1290 01:03:28,804 --> 01:03:33,174 DON'T FRONT, BUBBLES. NOW YOU'RE ALL GUNG-HO FOR THE TALENT SHOW? 1291 01:03:33,176 --> 01:03:36,744 MAYBE WE NEED TO DO IT THIS WAY FIRST SO WE CAN GET OUR SHOT. 1292 01:03:36,746 --> 01:03:39,580 HE KNOWS THE BUSINESS. I REALLY THINK WE SHOULD CONSIDER IT. 1293 01:03:39,582 --> 01:03:42,550 IT'S A JOB SINGING, DANCING, AND MAKING PEOPLE HAPPY. 1294 01:03:42,552 --> 01:03:44,619 WHAT'S WRONG WITH THAT? 1295 01:03:44,621 --> 01:03:47,555 IT'S NOT OUR MUSIC. IT'S NOT YOUR SONG, SO YOU WANNA WALK. 1296 01:03:48,924 --> 01:03:53,027 YOU DIDN'T HANDLE THIS. NOW I WILL. 1297 01:03:53,029 --> 01:03:57,465 YOU'RE JUST MAD BECAUSE HE WON'T DO YOUR MATERIAL, RIGHT? 1298 01:03:57,467 --> 01:03:59,033 OUR MATERIAL, 1299 01:03:59,035 --> 01:04:03,103 NOT THAT "EVERYWHERE, ALL AROUND THE WORLD" NONSENSE HE WAS PLAYING. 1300 01:04:03,105 --> 01:04:05,105 YOU MIGHT BE RIGHT, BABE, BUT... 1301 01:04:05,107 --> 01:04:06,307 YOU CAN'T MAKE DECISIONS FOR THE WHOLE GROUP. 1302 01:04:06,309 --> 01:04:09,777 WE MAKE OUR DECISIONS TOGETHER. 1303 01:04:09,779 --> 01:04:12,680 YOU'RE JUST ONE PERSON, AND YOU'RE NOT THE BOSS OF EVERYTHING. 1304 01:04:12,682 --> 01:04:14,682 WELL, SOMEBODY HAS TO BE THE BOSS. 1305 01:04:14,684 --> 01:04:16,350 SOMEBODY HAS TO REMIND YOU 1306 01:04:16,352 --> 01:04:17,385 WHY WE STARTED THE CHEETAH GIRLS... 1307 01:04:17,387 --> 01:04:19,453 TO MAKE OUR DREAMS COME TRUE. 1308 01:04:19,455 --> 01:04:21,889 OUR WAY, NOT HIS! 1309 01:04:21,891 --> 01:04:25,025 WHY DON'T YOU GUYS BELIEVE IN WHAT WE HAVE? 1310 01:04:25,027 --> 01:04:27,995 I WISH I COULD BELIEVE IN YOU, GALLERIA, I REALLY DO, 1311 01:04:27,997 --> 01:04:30,898 BUT LATELY YOU'VE BEEN ALL ABOUT YOU. 1312 01:04:34,170 --> 01:04:35,836 I CAN'T... 1313 01:04:38,408 --> 01:04:40,508 WE CAN'T TRUST YOU ANYMORE. 1314 01:04:48,984 --> 01:04:51,619 OH. OK, WELL... 1315 01:04:51,621 --> 01:04:54,589 UM... 1316 01:04:54,591 --> 01:04:56,757 PROBLEM SOLVED. 1317 01:04:56,759 --> 01:04:59,159 I'M TAKING MYSELF OUT OF THE EQUATION. 1318 01:04:59,161 --> 01:05:01,362 OH, COME ON, GALLERIA. WILL YOU SQUASH THE DRAMA? 1319 01:05:01,364 --> 01:05:03,364 NO! REALLY, DO. 1320 01:05:03,366 --> 01:05:06,367 THIS IS YOUR SHOT, AND YOU NEED THIS, 1321 01:05:06,369 --> 01:05:11,205 SO I DEFINITELY DO NOT WANT TO STAND IN YOUR WAY. 1322 01:05:11,207 --> 01:05:13,874 SO, UM, YOU GUYS ARE ON YOUR OWN, 1323 01:05:13,876 --> 01:05:17,712 AND... YOU TAKE THE DEAL. 1324 01:05:32,395 --> 01:05:34,094 DID WE LOSE A CHEETAH? 1325 01:05:34,096 --> 01:05:36,864 AFRAID SO. 1326 01:05:36,866 --> 01:05:39,967 HAPPENS ALL THE TIME. DON'T WORRY. 1327 01:05:39,969 --> 01:05:41,969 THERE'S MORE WHERE SHE CAME FROM. 1328 01:05:41,971 --> 01:05:44,071 HUH? SURE! 1329 01:05:44,073 --> 01:05:47,441 WE CAN ALWAYS FIND ANOTHER SINGER, AND THEN, UH... 1330 01:05:47,443 --> 01:05:50,878 MOVE OUR OTHER LEAD SINGER TO CENTER MIKE. 1331 01:05:50,880 --> 01:05:55,949 HOW ABOUT CHANEL AND THE GLOBAL GETDOWN? 1332 01:05:58,154 --> 01:06:01,722 WHAT? 1333 01:06:01,724 --> 01:06:05,693 LOOK, THIS IS TOO MUCH FOR ONE DAY. 1334 01:06:05,695 --> 01:06:07,995 I REALLY THINK WE SHOULD ALL THINK ABOUT THIS. 1335 01:06:09,131 --> 01:06:10,931 ALL RIGHT. 1336 01:06:10,933 --> 01:06:12,566 WELL, COME BACK 1337 01:06:12,568 --> 01:06:15,035 WHEN YOU'RE READY FOR PRIMETIME. 1338 01:06:29,519 --> 01:06:31,552 (CHATTERING) 1339 01:06:54,410 --> 01:06:56,977 MOM... 1340 01:06:56,979 --> 01:07:02,082 COULD YOU PLEASE NOT SAY, "I TOLD YOU SO"? 1341 01:07:02,084 --> 01:07:03,851 PLEASE. WHAT? 1342 01:07:03,853 --> 01:07:06,153 (♪ "END OF THE LINE" BY CHRISTINE MAC) 1343 01:07:06,155 --> 01:07:08,589 ♪ WILL WE BE FRIENDS 1344 01:07:08,591 --> 01:07:11,158 ♪ WHEN WE GROW OLD 1345 01:07:11,160 --> 01:07:14,595 ♪ OR IS THIS THE END OF THE LINE? 1346 01:07:14,597 --> 01:07:16,196 HEY, DANA. 1347 01:07:16,198 --> 01:07:18,799 LOOKS LIKE I'LL BE GOING ON THAT TOUR. 1348 01:07:18,801 --> 01:07:21,369 HEY, GREAT. THEY PICKED ME, TOO. 1349 01:07:21,371 --> 01:07:23,704 AND I GOT FORMS FOR YOU TO FILL OUT. 1350 01:07:23,706 --> 01:07:26,306 YOU JUST GOTTA GET YOUR FOSTER MOM TO SIGN THEM. 1351 01:07:26,308 --> 01:07:28,876 ♪ I HURT WITH YOU 1352 01:07:28,878 --> 01:07:31,812 ♪ I LOVE WITH YOU 1353 01:07:31,814 --> 01:07:33,647 ♪ THE WORLD JUST SEEMS TO GET... 1354 01:07:33,649 --> 01:07:35,983 (WHISTLES) 1355 01:07:35,985 --> 01:07:37,551 OH, OH, OH! OH, OH... 1356 01:07:37,553 --> 01:07:39,720 HEY! 1357 01:07:39,722 --> 01:07:40,954 OW! 1358 01:07:40,956 --> 01:07:43,290 ♪ ...YOUR HEART LET GO 1359 01:07:43,292 --> 01:07:46,894 ♪ WE'LL FIND A WAY 1360 01:07:46,896 --> 01:07:50,798 ♪ THE JOURNEY HAS ONLY BEGUN 1361 01:07:50,800 --> 01:07:54,101 ♪ IS THIS THE END OF THE LINE? 1362 01:07:54,103 --> 01:07:56,604 ♪ AHH 1363 01:07:56,606 --> 01:07:59,306 ♪ AHH 1364 01:07:59,308 --> 01:08:04,144 ♪ AHH ♪ AHH 1365 01:08:04,146 --> 01:08:06,447 ♪ OH, YEAH, OH 1366 01:08:06,449 --> 01:08:09,450 ♪ IS THIS THE END OF THE LINE? 1367 01:08:09,452 --> 01:08:14,488 ♪ YOU LEAD, I'LL FOLLOW, DON'T LET YOUR HEART LET GO 1368 01:08:14,490 --> 01:08:18,926 ♪ WE'LL FIND A WAY 1369 01:08:18,928 --> 01:08:22,696 ♪ THE JOURNEY HAS ONLY BEGUN 1370 01:08:22,698 --> 01:08:27,435 ♪ IS THIS THE END OF THE LINE? 1371 01:08:27,437 --> 01:08:31,338 ♪ IS THIS THE END OF THE LINE? ♪ 1372 01:08:34,744 --> 01:08:36,477 MA, WHAT'S UP? 1373 01:08:39,716 --> 01:08:41,215 WHAT'S UP? 1374 01:08:44,053 --> 01:08:46,386 MY CREDIT CARD BALANCE IS UP, THAT'S WHAT'S UP. 1375 01:08:46,388 --> 01:08:48,789 I GOT DECLINED. 1376 01:08:48,791 --> 01:08:51,492 I BOUGHT SOME SANDALS. I WANTED TO WEAR THEM OUT OF THE STORE. 1377 01:08:51,494 --> 01:08:54,595 THE WOMAN SNATCHED THEM BACK SO FAST, SHE TOOK THE PAINT OFF MY TOES! 1378 01:08:54,597 --> 01:08:56,797 WHY... WHY WOULD YOU DO THIS, HUH? WHY? 1379 01:08:56,799 --> 01:08:59,100 MA... I'M SORRY. 1380 01:09:00,970 --> 01:09:03,804 LOOK, I'LL GIVE IT ALL BACK. 1381 01:09:03,806 --> 01:09:07,608 BUT I THOUGHT WE WERE GONNA BE RICH AFTER THIS DEMO. 1382 01:09:07,610 --> 01:09:09,777 I'LL WORK. I'LL PAY YOU BACK. 1383 01:09:09,779 --> 01:09:11,478 I TRUSTED YOU. 1384 01:09:11,480 --> 01:09:14,448 I TRUSTED YOU, AND YOU TOOK ADVANTAGE OF ME. 1385 01:09:14,450 --> 01:09:16,951 I TRUSTED YOU! 1386 01:09:16,953 --> 01:09:19,687 I TRUSTED YOU TO PAY ATTENTION, MA. 1387 01:09:19,689 --> 01:09:22,456 YOU DID THIS... BECAUSE I BROKE A SHOPPING DATE? 1388 01:09:22,458 --> 01:09:25,860 NO, MA! NO. 1389 01:09:25,862 --> 01:09:28,529 I DID IT 'CAUSE LUC CAME IN THE PICTURE, 1390 01:09:28,531 --> 01:09:31,699 AND IT SEEMED LIKE MY DREAMS DIDN'T MATTER! 1391 01:09:31,701 --> 01:09:34,468 IT SEEMED LIKE THEY DIDN'T MATTER. 1392 01:09:37,506 --> 01:09:41,008 BUT I'VE SEEN WHAT IT'S LIKE NOT TO HAVE A MOM. 1393 01:09:44,013 --> 01:09:45,612 WHAT? 1394 01:09:45,614 --> 01:09:47,715 MI CIELO, NO, NO, NO. 1395 01:09:47,717 --> 01:09:49,717 CALM DOWN, CALM DOWN, CALM DOWN. HEY... 1396 01:09:52,321 --> 01:09:53,988 WHO DOESN'T HAVE A MOM? 1397 01:09:53,990 --> 01:09:57,124 I'LL TELL YOU LATER. 1398 01:09:57,126 --> 01:09:59,827 I JUST WANTED TO THANK YOU 1399 01:09:59,829 --> 01:10:03,230 FOR ALWAYS KEEPING ME IN YOUR DREAMS... 1400 01:10:03,232 --> 01:10:06,167 OH. OH, BABY. 1401 01:10:06,169 --> 01:10:09,303 ...NO MATTER WHERE THEY TAKE US. 1402 01:10:09,305 --> 01:10:12,439 PARIS, BUENOS AIRES... 1403 01:10:12,441 --> 01:10:15,409 IT DOESN'T MATTER ANYMORE. 1404 01:10:15,411 --> 01:10:17,812 THE CHEETAH GIRLS ARE OVER. 1405 01:10:17,814 --> 01:10:21,749 OH, BABY, NO, NO, NO, NO, NO, NO, NO, NO. 1406 01:10:24,553 --> 01:10:26,754 I WORKED ON ALL THE SONGS. 1407 01:10:26,756 --> 01:10:28,756 I WORKED ON OUR LOOK. 1408 01:10:28,758 --> 01:10:30,624 I BUCKLED EVERYTHING DOWN. 1409 01:10:30,626 --> 01:10:33,493 I THOUGHT THAT WE WERE ALL ON THE SAME PAGE. 1410 01:10:33,495 --> 01:10:35,830 I AM SURE YOU DID WHAT WAS RIGHT, 1411 01:10:35,832 --> 01:10:38,899 BUT WHAT'S RIGHT FOR YOU MAY NOT BE RIGHT FOR SOMEONE ELSE. 1412 01:10:38,901 --> 01:10:41,501 AND IT'S NOT WORTH LOSING A FRIENDSHIP OVER. 1413 01:10:41,503 --> 01:10:44,271 HOW COULD WE BE FRIENDS AGAIN? OHH. 1414 01:10:44,273 --> 01:10:46,406 I MEAN, THEY WANT FAME, 1415 01:10:46,408 --> 01:10:50,711 AND THERE ARE WAYS... AND THEN THERE ARE WAYS, 1416 01:10:50,713 --> 01:10:53,380 AND I WANT FAME THE CHEETAH GIRLS WAY. 1417 01:10:53,382 --> 01:10:56,851 THE CHEETAH GIRLS WAY OR YOUR WAY? 1418 01:10:56,853 --> 01:10:58,853 WE WORKED TOO HARD TO GIVE IT UP. 1419 01:10:58,855 --> 01:11:01,388 I HAVE TO STAND UP FOR WHAT'S RIGHT. 1420 01:11:01,390 --> 01:11:04,058 OH, SWEETHEART, I TRIED SO HARD TO PROTECT YOU 1421 01:11:04,060 --> 01:11:06,060 FROM GETTING YOUR DREAMS CRUSHED, 1422 01:11:06,062 --> 01:11:08,062 BUT THERE'S NO WAY 1423 01:11:08,064 --> 01:11:11,565 I COULD SAVE YOU FROM THIS HEARTACHE. 1424 01:11:11,567 --> 01:11:15,903 YOU SEE, SOMETIMES YOU JUST HAVE TO... LET GO 1425 01:11:15,905 --> 01:11:17,872 AND LET THE PEOPLE YOU LOVE 1426 01:11:17,874 --> 01:11:20,507 MAKE THEIR OWN CHOICES, 1427 01:11:20,509 --> 01:11:22,743 EVEN IF YOU DON'T AGREE WITH THEM. 1428 01:11:22,745 --> 01:11:26,781 YOU SEE, I'M LEARNING TO DO THAT WITH YOU, 1429 01:11:26,783 --> 01:11:29,516 AND YOU'VE GOTTA LEARN WITH YOUR FRIENDS. 1430 01:11:32,789 --> 01:11:35,322 WHAT DIFFERENCE DOES IT MAKE? 1431 01:11:35,324 --> 01:11:38,859 YOU EITHER WALK WITH THE DEVIL, OR YOU DON'T. 1432 01:11:38,861 --> 01:11:41,929 AND I SAID NO. 1433 01:11:41,931 --> 01:11:43,898 AND I WAS RIGHT. 1434 01:11:46,402 --> 01:11:49,937 I WAS... I WAS RIGHT, WASN'T I? 1435 01:12:32,315 --> 01:12:36,150 ♪ SOMEONE'S ALWAYS 1436 01:12:36,152 --> 01:12:40,154 ♪ THERE BEHIND 1437 01:12:40,156 --> 01:12:46,293 ♪ TO CATCH US IF WE FALL 1438 01:12:46,295 --> 01:12:48,462 (DOOR OPENING) 1439 01:12:48,464 --> 01:12:53,234 ♪ I MIGHT BE LONELY 1440 01:12:53,236 --> 01:12:59,940 ♪ BUT I'M NOT... ♪ 1441 01:13:09,151 --> 01:13:10,817 NO, KEEP GOING. 1442 01:13:10,819 --> 01:13:13,720 IT WASN'T ENTIRELY ALL THAT BAD. 1443 01:13:13,722 --> 01:13:16,257 IT ACTUALLY SOUNDED LIKE SOMETHING, 1444 01:13:16,259 --> 01:13:18,525 NOT THAT POP FLUFF YOU'RE USUALLY WORKING. 1445 01:13:18,527 --> 01:13:21,262 YOU LIKED IT? YEAH. 1446 01:13:21,264 --> 01:13:24,131 YOU HAD SOMEBODY WRITE YOU A CHEETAH JAM? 1447 01:13:24,133 --> 01:13:27,268 UH, NO. I WROTE IT, AND ALL BY MYSELF. 1448 01:13:29,305 --> 01:13:31,305 SEE, THIS IS THE KIND OF MUSIC 1449 01:13:31,307 --> 01:13:33,407 JACKAL JOHNSON DIDN'T WANT US TO RECORD. 1450 01:13:33,409 --> 01:13:35,575 HE HAD OTHER IDEAS FOR US. 1451 01:13:35,577 --> 01:13:37,577 LIKE THIS. LISTEN TO THIS. 1452 01:13:37,579 --> 01:13:41,282 ♪ WE GO ALL AROUND THE WORLD, WE GO ALL AROUND THE WORLD 1453 01:13:41,284 --> 01:13:43,784 ♪ WHERE WE STOP NOBODY KNOWS 1454 01:13:43,786 --> 01:13:45,719 ♪ WE DON'T CARE... ♪ OK. 1455 01:13:50,393 --> 01:13:54,795 IT WAS DRAMA AND KAFLAMMA. 1456 01:13:54,797 --> 01:13:56,997 THERE WERE MASKS INVOLVED. 1457 01:13:58,667 --> 01:14:01,902 WHEN HE ASKED US TO LIP SYNC... 1458 01:14:01,904 --> 01:14:04,204 ...I WALKED. 1459 01:14:04,206 --> 01:14:06,740 SO IT'S TRUE, HUH? 1460 01:14:06,742 --> 01:14:08,909 NO MORE CHEETAHS IN THE JUNGLE? 1461 01:14:11,314 --> 01:14:13,380 THE CHEETAHS ARE EXTINCT. 1462 01:14:13,382 --> 01:14:15,082 (LAUGHS) 1463 01:14:15,084 --> 01:14:17,952 OH, I SHOULD NOT BE LAUGHING RIGHT NOW. 1464 01:14:17,954 --> 01:14:20,787 WELL, WELCOME TO THE WORLD OF A TRUE ARTIST. 1465 01:14:20,789 --> 01:14:24,224 YOU REALLY DO HAVE TO WALK ALONE SOMETIMES. 1466 01:14:24,226 --> 01:14:27,394 BUT YOU GOT THE TALENT, AND YOU CAN WALK IT. 1467 01:14:29,165 --> 01:14:31,765 WAIT A SECOND. 1468 01:14:31,767 --> 01:14:34,768 YOU AREN'T JUST SAYING THAT 'CAUSE NOW YOU CAN WIN THE TALENT SHOW? 1469 01:14:34,770 --> 01:14:36,971 YES, I AM. 1470 01:14:36,973 --> 01:14:41,408 WELL... NOT COMPLETELY. 1471 01:14:55,791 --> 01:14:57,992 (BARKS) 1472 01:14:57,994 --> 01:15:00,660 COME ON, HONEY. 1473 01:15:00,662 --> 01:15:05,399 SO, I THOUGHT WE'D SPEND THIS EVENING CUDDLED UP FAMILY-STYLE. 1474 01:15:05,401 --> 01:15:08,635 PAPA WILL MAKE A DELICIOUS SUPPER. 1475 01:15:08,637 --> 01:15:11,972 MAYBE WE COULD POP IN YOUR FAVORITE MOVIE. 1476 01:15:11,974 --> 01:15:13,974 "THERE'S NO PLACE LIKE HOME." 1477 01:15:13,976 --> 01:15:16,477 THERE'S NO PLACE LIKE HOME, BOOBY. 1478 01:15:16,479 --> 01:15:20,214 WELL... I DON'T EVEN THINK THE WIZARD OF OZ CAN FIX THIS, MOM. 1479 01:15:20,216 --> 01:15:23,217 I WAS THINKING TOTO AND I CAN GO TO THE TALENT SHOW 1480 01:15:23,219 --> 01:15:26,086 AND SHOW DRINKA SOME SUPPORT. 1481 01:15:26,088 --> 01:15:28,088 THAT'S WONDERFUL, HONEY. 1482 01:15:28,090 --> 01:15:30,057 OK. 1483 01:15:30,059 --> 01:15:32,259 I'M SO PROUD OF YOU. 1484 01:15:32,261 --> 01:15:35,829 THANKS. SEE YA. 1485 01:15:35,831 --> 01:15:37,498 COME ON. 1486 01:15:40,969 --> 01:15:45,005 ♪ WE GO ALL AROUND THE WORLD, WE GO ALL AROUND THE WORLD 1487 01:15:45,007 --> 01:15:47,007 ♪ WHERE WE STOP NOBODY KNOWS 1488 01:15:47,009 --> 01:15:50,577 ♪ SINCE WE DON'T CARE JUST WHERE WE GO... 1489 01:15:50,579 --> 01:15:53,313 (TOTO WHIMPERING) 1490 01:15:53,315 --> 01:15:57,551 (JUNGLE ANIMALS GROWLING) 1491 01:15:57,553 --> 01:16:01,055 ♪ ...THE WORLD, IT'S SO MUCH FUN ♪ 1492 01:16:03,659 --> 01:16:05,459 (BARKING) 1493 01:16:06,795 --> 01:16:08,862 THEY... THEY WENT AHEAD WITHOUT ME. 1494 01:16:08,864 --> 01:16:11,598 (ELEPHANT TRUMPETS) TOTO, CAN YOU BELIEVE THAT? 1495 01:16:11,600 --> 01:16:13,100 THE CHEETAH GIR... 1496 01:16:13,102 --> 01:16:14,234 TOTO! 1497 01:16:14,236 --> 01:16:17,037 TOTO, COME HERE! TOTO! 1498 01:16:17,039 --> 01:16:20,441 TOTO, STOP! 1499 01:16:20,443 --> 01:16:22,876 TOTO! 1500 01:16:22,878 --> 01:16:24,578 WAIT! EXCUSE ME. 1501 01:16:24,580 --> 01:16:26,447 TOTO! TOTO! 1502 01:16:26,449 --> 01:16:29,649 (WHIMPERING) 1503 01:16:29,651 --> 01:16:31,685 TOTO... 1504 01:16:31,687 --> 01:16:35,622 TOTO! OH, TOTO! 1505 01:16:35,624 --> 01:16:38,325 (APPLAUSE) 1506 01:16:38,327 --> 01:16:40,760 WHAT'S GOING ON, MANHATTAN MAGNET? 1507 01:16:40,762 --> 01:16:43,263 YEAH! COME ON! WHOO! 1508 01:16:43,265 --> 01:16:44,431 HEY! 1509 01:16:44,433 --> 01:16:46,433 GIVE YOURSELF A HAND. HELLO! 1510 01:16:46,435 --> 01:16:48,602 IS EVERYBODY READY TO HAVE A GOOD TIME? 1511 01:16:51,440 --> 01:16:55,609 PICK UP THE PHONE! IT'LL BE OK... HEY! MOM, DAD! 1512 01:16:55,611 --> 01:17:00,046 DAD, LISTEN TO ME, PLEASE! TOTO IS IN A HOLE. 1513 01:17:00,048 --> 01:17:01,648 OH, MR. POLICE OFFICER! 1514 01:17:01,650 --> 01:17:03,484 PLEASE! MY DOG IS IN A HOLE! 1515 01:17:03,486 --> 01:17:05,319 WILL YOU PLEASE GO AND GET HIM? 1516 01:17:05,321 --> 01:17:08,255 DOG IN A HOLE? THAT'S BAD. 1517 01:17:08,257 --> 01:17:10,657 (BARKING) 1518 01:17:10,659 --> 01:17:12,659 I'M GONNA HAVE TO CALL FOR BACKUP. OK. 1519 01:17:12,661 --> 01:17:16,896 UH, UNIT 15. I GOT A DOG IN A HOLE BY MANHATTAN MAGNET. 1520 01:17:16,898 --> 01:17:19,233 (RICK) ...WHO CALLS HIMSELF A BIRD PERSON. 1521 01:17:19,235 --> 01:17:21,635 HE FLIPS OUT AND HE STARTS FLAPPING HIS WINGS. 1522 01:17:21,637 --> 01:17:23,970 I'M LIKE, "DUDE, RELAX," YOU KNOW? AND HE'S ALL... 1523 01:17:23,972 --> 01:17:27,474 (SIRENS BLARING) 1524 01:17:29,745 --> 01:17:31,745 THAT'S IT. THAT'S IT. COME ON. COME ON. 1525 01:17:31,747 --> 01:17:33,947 A LITTLE TO THE LEFT. KEEP GOING. 1526 01:17:33,949 --> 01:17:37,351 TO THE LEFT! TO THE LEFT. OK, OK, THERE HE IS! 1527 01:17:37,353 --> 01:17:40,187 HE'S GOT HIMSELF WEDGED IN THERE GOOD. 1528 01:17:40,189 --> 01:17:42,956 IT'S OK, TOTO. THEY'RE COMING TO GET YOU, OK? DON'T WORRY. 1529 01:17:42,958 --> 01:17:45,459 WHY ISN'T HE BARKING ANYMORE? WE GOT SOME OXYGEN TO HIM. 1530 01:17:45,461 --> 01:17:47,761 HE'S GONNA BE OK UNTIL WE FIGURE THIS OUT. 1531 01:17:47,763 --> 01:17:49,929 (SPEAKS ITALIAN) ...GALLERIA! 1532 01:17:49,931 --> 01:17:52,199 MOM, DAD! 1533 01:17:52,201 --> 01:17:55,735 EXCUSE ME, SIR, THOSE ARE MY PARENTS. EXCUSE ME, THEY CAN COME IN. 1534 01:17:58,274 --> 01:18:01,007 3...2...1. 1535 01:18:01,009 --> 01:18:02,776 HAL HARTMAN HERE IN DOWNTOWN, 1536 01:18:02,778 --> 01:18:05,379 WHERE WE'RE GETTING TO THE BOTTOM OF THE TRAFFIC JAM 1537 01:18:05,381 --> 01:18:07,814 THAT'S PARALYZING MIDTOWN. 1538 01:18:07,816 --> 01:18:12,686 APPARENTLY, TOTO IS NOT IN KANSAS ANYMORE. 1539 01:18:12,688 --> 01:18:14,754 MA! LOOK! 1540 01:18:16,124 --> 01:18:19,059 WAIT! YOU LOOK LIKE... 1541 01:18:19,061 --> 01:18:21,795 DON'T TELL ANYBODY WHERE YOU GET YOUR HAIR DONE! 1542 01:18:21,797 --> 01:18:23,330 LADIES AND GENTLEMEN, BOYS AND GIRLS, 1543 01:18:23,332 --> 01:18:26,533 SONIC CHAOS! 1544 01:18:26,535 --> 01:18:27,668 (CHEERS AND APPLAUSE) 1545 01:18:29,171 --> 01:18:30,704 (♪ HIP-HOP) 1546 01:18:30,706 --> 01:18:31,905 ♪ UNH 1547 01:18:31,907 --> 01:18:33,473 ♪ YEAH 1548 01:18:33,475 --> 01:18:35,509 HEY, YO, MACK! YEAH? 1549 01:18:35,511 --> 01:18:38,111 I DON'T THINK THEY READY FOR THIS. NAH, NAH. 1550 01:18:38,113 --> 01:18:40,080 ♪ C'MON, HEY, YO, ALL I WANT IS ONE BEAT 1551 01:18:40,082 --> 01:18:41,548 ♪ FOR ONE SONG, ONE RHYME 1552 01:18:41,550 --> 01:18:44,017 ♪ JUST ONE VERSE WITH ONE LINE, ONE TIME 1553 01:18:44,019 --> 01:18:45,485 ♪ 'CAUSE I'M HERE TO SPREAD THE WORD 1554 01:18:45,487 --> 01:18:47,554 ♪ IT AIN'T WHAT YOU SEE, YO! 1555 01:18:47,556 --> 01:18:50,224 ♪ IT'S WHAT YOU HEARD, SO C'MON ♪ C'MON 1556 01:18:50,226 --> 01:18:53,159 ♪ C'MON, IT DON'T MATTER WHO YOU ARE, JUST C'MON 1557 01:18:53,161 --> 01:18:54,928 ♪ WHITE, BLACK, BROWN, PUERTO RICAN, OR HAITIAN 1558 01:18:54,930 --> 01:18:57,097 ♪ IT DON'T MATTER WHO YOU ARE, WE ONE HIP-HOP NATION 1559 01:18:57,099 --> 01:18:59,666 ♪ SO C'MON ♪ C'MON 1560 01:18:59,668 --> 01:19:01,702 ♪ IF YOU'RE LIKIN' WHAT WE'RE SAYIN' THEN C'MON 1561 01:19:01,704 --> 01:19:04,003 ♪ WE CAN TURN THE PARTY OUT, MAKE THE PEOPLE SCREAM AND SHOUT 1562 01:19:04,005 --> 01:19:05,905 ♪ MY DJ'S GONNA DO HIS THANG... 1563 01:19:05,907 --> 01:19:08,508 (HORNS HONKING) 1564 01:19:15,551 --> 01:19:17,851 EXCUSE ME! 1565 01:19:17,853 --> 01:19:20,621 MR. AND MRS. GARIBALDI, HOW'S TOTO? 1566 01:19:20,623 --> 01:19:22,922 HOW'D YOU KNOW? WELL, YOU'RE ALL OVER THE NEWS! 1567 01:19:22,924 --> 01:19:24,924 WELL, HOW DID YOU GET DOWN HERE? 1568 01:19:24,926 --> 01:19:27,261 I MEAN, THE STREETS ARE TOTALLY BLOCKED. 1569 01:19:33,135 --> 01:19:37,704 AQUA... DID YOU TAKE THE SUBWAY FOR ME? 1570 01:19:37,706 --> 01:19:39,973 I TOOK THE SUBWAY FOR TOTO. 1571 01:19:39,975 --> 01:19:42,309 I'M FROM TEXAS. WE LEARN FROM THE RANGERS. 1572 01:19:42,311 --> 01:19:45,279 WE NEVER LEAVE A MAN OR A DOG BEHIND. 1573 01:19:45,281 --> 01:19:46,780 HANG IN THERE, BABY BOY! 1574 01:19:51,553 --> 01:19:52,552 DO! 1575 01:19:52,554 --> 01:19:54,454 HEY, IS HE OK? 1576 01:19:56,792 --> 01:19:59,826 OH, NO, HE DOESN'T LOOK GOOD. 1577 01:19:59,828 --> 01:20:01,495 GO, GO, GO! 1578 01:20:01,497 --> 01:20:03,830 EXCUSE ME! COMING THROUGH! 1579 01:20:03,832 --> 01:20:05,265 WE NEED TO GET THROUGH. OVER THERE! 1580 01:20:05,267 --> 01:20:07,301 CHUCHIE! 1581 01:20:07,303 --> 01:20:08,769 THANK YOU. HONEY, GO. 1582 01:20:08,771 --> 01:20:11,237 OH, THANKS FOR COMING! 1583 01:20:11,239 --> 01:20:14,974 HOW DID THIS HAPPEN? DID YOU LET HIM OFF THE LEASH? 1584 01:20:14,976 --> 01:20:18,345 HOLD UP. WE'VE GOT ONE DISASTER HERE. WE DON'T NEED ANOTHER ONE. 1585 01:20:18,347 --> 01:20:21,448 THANK YOU! FINALLY, SOMEONE WHO STICKS UP FOR ME! 1586 01:20:21,450 --> 01:20:23,016 I MEANT HER HAIR. 1587 01:20:23,018 --> 01:20:26,653 LOSING TRACK OF TOTO, I BLAME YOU. 1588 01:20:26,655 --> 01:20:29,790 GUYS, THIS ISN'T MY FAULT! NOTHING EVER IS. 1589 01:20:29,792 --> 01:20:32,326 (DORINDA) YOU GUYS, HIS HEAD IS DROOPING. SOMEBODY DO SOMETHING! 1590 01:20:32,328 --> 01:20:34,294 WE MIGHT HAVE TO CUT INTO THE STREET. 1591 01:20:34,296 --> 01:20:36,029 WE GOT THE NEIGHBORHOOD GAS TURNED OFF, 1592 01:20:36,031 --> 01:20:38,064 AND WE'RE CUTTING THE POWER OFF RIGHT NOW. 1593 01:20:42,771 --> 01:20:45,439 ♪ C'MON ♪ C'MON 1594 01:20:45,441 --> 01:20:47,708 ♪ IF YOU'RE LIKIN' WHAT WE'RE DOIN' THEN C'MON 1595 01:20:47,710 --> 01:20:49,676 ♪ WE CAN TURN THE PARTY OUT, MAKE THE PEOPLE SCREAM AND SHOUT 1596 01:20:49,678 --> 01:20:52,145 ♪ AND THEN MY DJ'S GONNA DO HIS THANG 1597 01:20:52,147 --> 01:20:54,147 ♪ C'MON ♪ C'MON 1598 01:20:54,149 --> 01:20:56,282 ♪ IF YOU'RE LIKIN' WHAT WE'RE SAYIN' THEN C'MON 1599 01:20:56,284 --> 01:20:58,284 ♪ WE CAN TURN THE PARTY OUT, MAKE THE PEOPLE SCREAM AND SHOUT 1600 01:20:58,286 --> 01:21:00,554 ♪ AND THEN MY DJ'S GONNA DO HIS THANG... ♪ 1601 01:21:00,556 --> 01:21:03,690 (MUSIC STOPS) 1602 01:21:03,692 --> 01:21:05,892 YO, HELLO? (DRINKA) LADIES AND GENTLEMEN, 1603 01:21:05,894 --> 01:21:09,095 THE GENERATORS WILL BE BACK ON MOMENTARILY. 1604 01:21:09,097 --> 01:21:11,097 YOU KNOW WHAT? THIS REMINDS ME 1605 01:21:11,099 --> 01:21:15,469 OF THE GREAT MANHATTAN BLACKOUT IN 1977. 1606 01:21:15,471 --> 01:21:19,573 I WAS GOING TO THE MOVIES WITH MY FRIENDS THE CAPTAIN AND TENNILLE, AND... 1607 01:21:21,309 --> 01:21:24,077 OH, THE LIGHTS ARE BACK ON. ANYWAY, WE WERE SO EXCITED... 1608 01:21:24,079 --> 01:21:26,380 LISTEN, EVERYBODY. 1609 01:21:26,382 --> 01:21:28,715 HE'S A BICHON FRISE, OK? HE'S MY DOG. 1610 01:21:28,717 --> 01:21:31,918 IT'S NOT A SALAD DRESSING. PEOPLE GET THAT MIXED UP. 1611 01:21:31,920 --> 01:21:34,187 BUT, LISTEN, HE'S STUCK IN THE HOLE AND I REALLY WANT HIM OUT. 1612 01:21:34,189 --> 01:21:37,991 PLEASE? THAT'S ALL I'M ASKING FOR. THANKS. THANKS. 1613 01:21:37,993 --> 01:21:39,760 FOLLOWING OUR STORY 1614 01:21:39,762 --> 01:21:43,597 ON THE CRAZY GRIDLOCK SURROUNDING MANHATTAN MAGNET SCHOOL. 1615 01:21:43,599 --> 01:21:45,399 TOTO WATCH CONTINUES... 1616 01:21:45,401 --> 01:21:48,468 WE GOTTA HELP. LET'S GO! 1617 01:21:51,540 --> 01:21:54,408 (DEREK) COME ON, COME ON! 1618 01:21:54,410 --> 01:21:56,042 LET'S GO! 1619 01:21:59,415 --> 01:22:02,783 (CHANEL) YO, THEY'VE GOTTA MOVE FAST. THEY'VE GOTTA HURRY! 1620 01:22:05,754 --> 01:22:07,287 GALLERIA... 1621 01:22:07,289 --> 01:22:09,289 DRINKA, WHY IS EVERYONE HERE? 1622 01:22:09,291 --> 01:22:11,057 WHAT HAPPENED TO THE TALENT SHOW? 1623 01:22:11,059 --> 01:22:14,193 THE LIGHTS WENT OUT. IT'S OK. SOMEBODY SHUT DOWN THE POWER. 1624 01:22:14,195 --> 01:22:15,729 OH. 1625 01:22:17,232 --> 01:22:19,232 I JUST WANTED TO SAY I'M SORRY. 1626 01:22:19,234 --> 01:22:21,902 EVERYTHING IS MY FAULT. I MEAN, I RUINED EVERYTHING. 1627 01:22:21,904 --> 01:22:24,404 AND I'M SO SORRY I GOT SUCH A BIG HEAD. 1628 01:22:24,406 --> 01:22:26,072 IT'S OK. 1629 01:22:26,074 --> 01:22:28,241 YEAH, YOU GOT A BIG HEAD, 1630 01:22:28,243 --> 01:22:31,177 BUT IT'S FILLED WITH BIG DREAMS, 1631 01:22:31,179 --> 01:22:33,613 AND YOU GOT A BIG HEART TO MATCH IT. 1632 01:22:33,615 --> 01:22:35,949 BUT YOU KNOW WHAT? 1633 01:22:35,951 --> 01:22:38,384 YOU NEED TO WATCH OUT ABOUT THAT BIG MOUTH. 1634 01:22:38,386 --> 01:22:40,119 OH! 1635 01:22:40,121 --> 01:22:42,856 IT'S GONNA BE ALL RIGHT. 1636 01:22:42,858 --> 01:22:45,625 LOOK, WE CREATED A LITTLE SPACE FOR HIM, BUT HE'S NOT MOVING. 1637 01:22:45,627 --> 01:22:47,627 YOU'RE GONNA HAVE TO GET IN HERE 1638 01:22:47,629 --> 01:22:49,496 AND CALL TO HIM. 1639 01:22:49,498 --> 01:22:52,298 BABY! OK, YOU GUYS, COME HELP ME! 1640 01:22:52,300 --> 01:22:55,802 PLEASE, COME HELP ME! 1641 01:22:55,804 --> 01:22:58,271 (ALL) TOTO! TOTO! 1642 01:22:58,273 --> 01:22:59,673 COME ON, TOTO! TOTO! 1643 01:22:59,675 --> 01:23:01,407 HE CAN'T HEAR YOU. 1644 01:23:01,409 --> 01:23:03,076 OK, NOW, COME ON! LET HIM HEAR YOU! 1645 01:23:03,078 --> 01:23:05,311 (DORINDA) "TOGETHER WE CAN." OK. 1646 01:23:05,313 --> 01:23:07,781 ♪ HOLD ON AND SIT TIGHT... 1647 01:23:07,783 --> 01:23:09,282 (FIREMAN) LET HIM HEAR YOU! 1648 01:23:09,284 --> 01:23:13,186 ♪ ARE YOU READY FOR A CRAZY RIDE? 1649 01:23:13,188 --> 01:23:18,658 THAT'S IT! THAT'S IT! ♪ YOU'RE ON YOUR OWN, IT AIN'T RIGHT 1650 01:23:18,660 --> 01:23:20,660 ♪ SOMETHING'S GOTTA GIVE... 1651 01:23:20,662 --> 01:23:22,095 THAT'S IT! HE'S MOVING! HE'S MOVING! 1652 01:23:22,097 --> 01:23:23,429 COME ON, FASTER! 1653 01:23:23,431 --> 01:23:24,430 OK. COME ON. 1654 01:23:24,432 --> 01:23:26,099 ♪ TOGETHER WE CAN 1655 01:23:26,101 --> 01:23:28,101 ♪ SHOOT THE MOON, STOP THE RAIN 1656 01:23:28,103 --> 01:23:30,637 ♪ EVEN RIDE A HURRICANE... 1657 01:23:30,639 --> 01:23:32,305 (TOTO BARKING) 1658 01:23:32,307 --> 01:23:34,608 ♪ TOGETHER WE CAN WALK INTO SPACE 1659 01:23:34,610 --> 01:23:37,878 ♪ SAVE THE HUMAN RACE, YOU THINK WE OUGHTA? 1660 01:23:37,880 --> 01:23:39,345 (CHANEL) COME ON, YOU GUYS! 1661 01:23:39,347 --> 01:23:40,947 (FIREMAN) THAT'S IT! FASTER! 1662 01:23:40,949 --> 01:23:43,116 ♪ SHOOT THE MOON, STOP THE RAIN 1663 01:23:43,118 --> 01:23:45,318 ♪ EVEN RIDE A HURRICANE... ♪ 1664 01:23:45,320 --> 01:23:47,320 (FIREMAN) HE'S WIGGLING! HE'S WIGGLING! 1665 01:23:47,322 --> 01:23:50,690 COME ON, FASTER, FASTER! HE'S WIGGLING. HE'S WIGGLING. 1666 01:23:50,692 --> 01:23:52,893 COME ON! COME ON! OH, OH! 1667 01:23:52,895 --> 01:23:54,861 OH, MY GOODNESS! 1668 01:23:54,863 --> 01:23:56,930 (CHEERS AND APPLAUSE) 1669 01:24:00,201 --> 01:24:02,468 (TOTO BARKS) 1670 01:24:13,114 --> 01:24:14,981 BABY! 1671 01:24:14,983 --> 01:24:17,417 WE'RE SO GLAD YOU'RE OK! 1672 01:24:17,419 --> 01:24:18,585 BABY. 1673 01:24:18,587 --> 01:24:20,720 WE'RE GLAD HE'S OK. 1674 01:24:27,328 --> 01:24:31,565 VIENI QUI, TOTO. 1675 01:24:38,339 --> 01:24:40,006 THEY ALL CAME RUNNING 1676 01:24:40,008 --> 01:24:42,275 WHEN YOU SENT UP THE CHEETAH DISTRESS SIGNAL. 1677 01:24:43,579 --> 01:24:46,746 NO. THEY CAME RUNNING FOR TOTO. 1678 01:24:49,250 --> 01:24:51,718 THE CHEETAH GIRLS, THEY'RE ACTUALLY OVER. 1679 01:24:53,722 --> 01:24:55,956 YOU KNOW WHAT? YOU WERE RIGHT. 1680 01:24:55,958 --> 01:25:00,126 I JUST... I JUST NEED TO WALK ALONE. 1681 01:25:00,128 --> 01:25:03,830 YOU KNOW, YOU WERE RIGHT TO WALK AWAY FROM JACKAL'S OFFER. 1682 01:25:03,832 --> 01:25:06,800 I KNOW I WAS. I KNOW. 1683 01:25:06,802 --> 01:25:10,169 BUT NOW THERE'S ONLY ONE QUESTION. 1684 01:25:10,171 --> 01:25:14,040 ARE YOU RIGHT TO WALK AWAY FROM YOUR FRIENDS? 1685 01:25:14,042 --> 01:25:15,875 IT'S YOUR CALL. 1686 01:25:22,017 --> 01:25:24,484 (CHEETAHS' VOICES) CHEETAH! 1687 01:25:29,091 --> 01:25:31,658 (WHISPERS) 1688 01:25:41,369 --> 01:25:44,303 (♪ "CHEETAH SISTERS") 1689 01:26:04,592 --> 01:26:08,494 ♪ THERE'S A TIME 1690 01:26:08,496 --> 01:26:11,931 ♪ WHEN WE ALL CHOOSE 1691 01:26:11,933 --> 01:26:13,199 ♪ TO EITHER QUIT 1692 01:26:13,201 --> 01:26:18,471 ♪ OR FOLLOW THROUGH 1693 01:26:18,473 --> 01:26:22,142 ♪ TO JUST LOSE FAITH 1694 01:26:22,144 --> 01:26:25,444 ♪ OR TRUST YOUR HEART 1695 01:26:25,446 --> 01:26:32,686 ♪ TO SOMEHOW LEAD YOU THROUGH THE DARK 1696 01:26:32,688 --> 01:26:36,022 ♪ YOU'RE NOT THE ONLY ONE 1697 01:26:36,024 --> 01:26:39,492 ♪ WHO'S DREAMIN' 1698 01:26:39,494 --> 01:26:45,464 ♪ WHO NEEDS HELP TO CARRY ON 1699 01:26:45,466 --> 01:26:49,335 ♪ WE MIGHT GET LONELY 1700 01:26:49,337 --> 01:26:55,875 ♪ BUT WE'RE NOT ALONE 1701 01:26:55,877 --> 01:26:57,610 (APPLAUSE) 1702 01:27:11,359 --> 01:27:12,926 ♪ 'CAUSE WE ARE SISTERS 1703 01:27:12,928 --> 01:27:16,562 ♪ WE STAND TOGETHER 1704 01:27:16,564 --> 01:27:20,566 ♪ WE MAKE UP ONE BIG FAMILY THOUGH WE DON'T LOOK THE SAME 1705 01:27:20,568 --> 01:27:23,103 ♪ OUR SPOTS ARE DIFFERENT 1706 01:27:23,105 --> 01:27:25,571 ♪ DIFFERENT COLORS 1707 01:27:25,573 --> 01:27:29,308 ♪ WE MAKE EACH OTHER STRONGER, THAT AIN'T EVER GONNA CHANGE 1708 01:27:32,280 --> 01:27:35,248 ♪ WE'RE CHEETAH GIRLS, CHEETAH SISTERS 1709 01:27:35,250 --> 01:27:36,750 ♪ GOTTA DO WHAT WE GOTTA DO 1710 01:27:36,752 --> 01:27:39,119 ♪ GOT THE BRAINS, GOT THE POWER AND WE SPEAK THE TRUTH 1711 01:27:39,121 --> 01:27:40,954 ♪ WE'RE FROM EVERYWHERE ALL AROUND THE WORLD 1712 01:27:40,956 --> 01:27:43,757 ♪ SO YOU BEST RESPECT THE CHEETAH GIRLS 1713 01:27:43,759 --> 01:27:46,159 ♪ DANCING, SINGING FROM OUR BIRTH, 1714 01:27:46,161 --> 01:27:47,794 ♪ WORKING HARD FOR WHAT WE DESERVE 1715 01:27:47,796 --> 01:27:49,896 ♪ TRYING NOT TO BREAK THE RULES 1716 01:27:49,898 --> 01:27:52,431 ♪ 'CAUSE MAMA DIDN'T RAISE NO FOOLS 1717 01:27:52,433 --> 01:27:56,236 ♪ IT MAY SEEM WE'RE ONLY DREAMING 1718 01:27:56,238 --> 01:28:01,474 ♪ AND WE NEED HELP TO CARRY ON 1719 01:28:01,476 --> 01:28:05,411 ♪ IT'S GOOD TO KNOW WE'RE NOT ALONE 1720 01:28:05,413 --> 01:28:07,580 ♪ 'CAUSE WE ARE SISTERS 1721 01:28:07,582 --> 01:28:10,716 ♪ WE STAND TOGETHER 1722 01:28:10,718 --> 01:28:13,619 ♪ WE MAKE UP ONE BIG FAMILY THOUGH WE DON'T LOOK THE SAME 1723 01:28:13,621 --> 01:28:16,956 ♪ OUR SPOTS ARE DIFFERENT 1724 01:28:16,958 --> 01:28:19,558 ♪ DIFFERENT COLORS 1725 01:28:19,560 --> 01:28:23,396 ♪ WE MAKE EACH OTHER STRONGER, THAT AIN'T EVER GONNA CHANGE 1726 01:28:23,398 --> 01:28:26,599 ♪ BELIEVE IT, MISTER 1727 01:28:26,601 --> 01:28:28,634 ♪ WE'RE CHEETAH GIRLS, CHEETAH SISTERS 1728 01:28:28,636 --> 01:28:33,339 ♪ SOMEONE'S ALWAYS THERE BEHIND 1729 01:28:33,341 --> 01:28:38,311 ♪ TO CATCH US IF WE FALL 1730 01:28:40,849 --> 01:28:43,516 ♪ COME ON AND DANCE 1731 01:28:49,991 --> 01:28:51,891 ♪ COME ON AND BOUNCE 1732 01:29:02,003 --> 01:29:03,937 (TOTO BARKS) 1733 01:29:03,939 --> 01:29:05,238 ♪ ALL MY GIRLS, BOUNCE 1734 01:29:09,544 --> 01:29:12,645 YOU REALLY BLEW THIS ONE, JACKAL. 1735 01:29:14,282 --> 01:29:16,115 ♪ 'CAUSE WE ARE SISTERS 1736 01:29:16,117 --> 01:29:18,952 ♪ WE STAND TOGETHER 1737 01:29:18,954 --> 01:29:22,555 ♪ WE MAKE UP ONE BIG FAMILY THOUGH WE DON'T LOOK THE SAME 1738 01:29:22,557 --> 01:29:25,391 ♪ OUR SPOTS ARE DIFFERENT 1739 01:29:25,393 --> 01:29:27,961 ♪ DIFFERENT COLORS 1740 01:29:27,963 --> 01:29:32,232 ♪ WE MAKE EACH OTHER STRONGER, THAT AIN'T NEVER GONNA CHANGE 1741 01:29:32,234 --> 01:29:34,968 ♪ BELIEVE IT, MISTER 1742 01:29:34,970 --> 01:29:39,739 ♪ WE'RE CHEETAH GIRLS, CHEETAH SISTERS ♪ 1743 01:29:39,741 --> 01:29:42,441 (CHEERS AND APPLAUSE) 1744 01:29:59,127 --> 01:30:00,793 SO, WE'RE STILL FRIENDS 1745 01:30:00,795 --> 01:30:02,795 EVEN THOUGH THE CHEETAH GIRLS ARE OVER? 1746 01:30:02,797 --> 01:30:04,230 (ALL) THE CHEETAH GIRLS ARE OVER? 1747 01:30:04,232 --> 01:30:06,832 GIRL, I CAN'T TAKE NO MORE NEWS FLASHES. COME ON, NOW. 1748 01:30:06,834 --> 01:30:09,402 I SAW THE GLOBAL GETDOWN SIGN. YOU GUYS TOOK JACKAL'S DEAL. 1749 01:30:09,404 --> 01:30:10,904 WE DIDN'T TAKE THAT DEAL! 1750 01:30:10,906 --> 01:30:13,873 WE LET SOME OTHER PUPPET HEADS DO THAT ONE. BELIEVE THAT. 1751 01:30:13,875 --> 01:30:16,376 BUT, DO, ARE YOU ALL RIGHT WITH MONEY? 1752 01:30:16,378 --> 01:30:17,710 WHAT ABOUT THE GOLD MEDAL CREW? 1753 01:30:17,712 --> 01:30:19,512 I ACTUALLY TOOK THE BEGINNER CLASS 1754 01:30:19,514 --> 01:30:21,314 WHILE MY INSTRUCTOR WENT ON TOUR. 1755 01:30:21,316 --> 01:30:25,184 I'M WAITING FOR THE REAL CHEETAH CHEDDAR WITH MY GIRLS. 1756 01:30:25,186 --> 01:30:28,021 CHEETAH! POR LA VIDA, MAMA. 1757 01:30:28,023 --> 01:30:30,223 (ALL) POR LA VIDA! 1758 01:30:30,225 --> 01:30:31,690 DORINDA? DORINDA! 1759 01:30:31,692 --> 01:30:33,692 OH, HEY! HONEY, YOU WERE SO GOOD! 1760 01:30:33,694 --> 01:30:35,929 OH, THANK YOU! HOW ARE YOU? 1761 01:30:35,931 --> 01:30:40,099 DORINDA, CAN I BE A CHEETAH GIRL THIS TIME, TOO? 1762 01:30:40,101 --> 01:30:41,901 (GIGGLE) 1763 01:30:41,903 --> 01:30:45,972 THIS IS MRS. BOSCO. SHE'S MY FOSTER MOM. AND THIS IS MY FAMILY. 1764 01:30:45,974 --> 01:30:47,540 OH, WELCOME! 1765 01:30:47,542 --> 01:30:51,777 WE NEED ANOTHER MAMA CHEETAH IN THIS JIGGY JUNGLE, HUH? 1766 01:30:51,779 --> 01:30:54,981 ANNOUNCEMENT! WHOO-HOO! ANNOUNCEMENT! 1767 01:30:54,983 --> 01:30:58,584 BY AN OVERWHELMING AND UNANIMOUS DECISION, 1768 01:30:58,586 --> 01:31:01,287 THE MANHATTAN MAGNET HIGH SCHOOL TALENT SHOW'S 1769 01:31:01,289 --> 01:31:03,156 FIRST PRIZE GOES TO... 1770 01:31:03,158 --> 01:31:07,927 (ALL) THE CHEETAH GIRLS! 1771 01:31:07,929 --> 01:31:10,629 (CHEERS AND APPLAUSE) 1772 01:31:12,000 --> 01:31:14,667 (CELL PHONE RINGING) 1773 01:31:17,072 --> 01:31:19,005 HEY, CHEETAH WORLD, GALLERIA SPEAKING. 1774 01:31:19,007 --> 01:31:22,075 JACKAL JOHNSON IS CALLING? (DOROTHEA) OH, NO. 1775 01:31:22,077 --> 01:31:26,980 HELLO? THE CHEETAH GIRLS DO NOT RUN WITH WOLVES OR HANG WITH HYENAS. 1776 01:31:26,982 --> 01:31:29,349 MM-HMM. YOU TELL HIM THAT THE CHEETAH GIRLS 1777 01:31:29,351 --> 01:31:31,851 FOLLOW THEIR OWN DREAMS AND NOBODY ELSE'S, HONEY. 1778 01:31:31,853 --> 01:31:33,186 YOU KNOW WHAT? 1779 01:31:33,188 --> 01:31:35,188 TELL JACKAL JOHNSON THAT WE DEPEND 1780 01:31:35,190 --> 01:31:38,091 ON OUR FAMILY AND OUR FRIENDS AND THE GROWL POWER 1781 01:31:38,093 --> 01:31:41,594 OF THE CHEETAH-LICIOUS DIVAS WHO CAME BEFORE US TO SEE US HOME. 1782 01:31:41,596 --> 01:31:45,031 AND YOU TELL HIM WE'RE GONNA BE STARS OUR DAY, OUR WAY. 1783 01:31:45,033 --> 01:31:48,601 TELL JACKAL JOHNSON THAT THE CHEETAH GIRLS ARE UNAVAILABLE. 1784 01:31:48,603 --> 01:31:51,670 (SCREAMING) 1785 01:31:56,744 --> 01:31:59,345 (ALL) CHEETAH! 157494