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1
00:00:34,370 --> 00:00:36,780
SO, MAIA, WHAT DO YOU
THINK OF THE SCENERY?
2
00:00:36,780 --> 00:00:40,490
THE LANDSCAPE, I MEAN.
NOT THE WOMAN PISSING
IN A FIELD.
3
00:00:40,490 --> 00:00:43,240
IT’S LOVELY.
4
00:00:43,240 --> 00:00:47,070
IT’S ALL RIGHT. A BIT OF
SUNSHINE WOULDN’T GO AMISS.
5
00:00:54,950 --> 00:00:57,120
[MUSIC PLAYS]
6
00:01:57,620 --> 00:01:58,700
YOU KNOW, MISS ALLMAN--
7
00:01:58,700 --> 00:02:00,530
OH, CALL ME FRANKIE.
8
00:02:00,530 --> 00:02:04,070
FRANCESCA AND MISS ALLMAN
MAKES ME FEEL REALLY OLD.
9
00:02:04,070 --> 00:02:05,620
FRANKIE. I JUST WANTED
TO SAY THANK YOU
10
00:02:05,620 --> 00:02:08,370
FOR AGREEING TO THIS
AT SUCH SHORT NOTICE.
11
00:02:08,370 --> 00:02:11,070
IT’S NOT A PROBLEM.
IT’S AN ABSOLUTE PLEASURE.
12
00:02:11,070 --> 00:02:15,660
BARBARA SHOWED ME
THE PHOTOS OF THE SHOOT
YOU DID IN 2009.
13
00:02:15,660 --> 00:02:17,280
I WAS THOROUGHLY IMPRESSED.
14
00:02:17,280 --> 00:02:18,820
THANK YOU.
15
00:02:18,820 --> 00:02:23,700
SHE SAID THAT WAS
THE LAST TIME YOU MODELED.
16
00:02:26,820 --> 00:02:29,530
THIS LAKE. IT’S BEAUTIFUL.
17
00:02:31,780 --> 00:02:34,120
INDEED.
18
00:04:02,410 --> 00:04:03,490
LET ME TAKE THAT.
19
00:04:03,490 --> 00:04:04,870
DON’T BE SILLY!
20
00:04:04,870 --> 00:04:08,160
YOU’RE MY GUEST.
RELAX. ENJOY.
21
00:04:08,160 --> 00:04:10,950
I DON’T THINK THERE’LL
BE ANY TROUBLE THERE.
22
00:04:16,950 --> 00:04:18,870
SO, DO YOU
LIVE HERE ALONE?
23
00:04:18,870 --> 00:04:20,410
MMM-HMM.
24
00:04:25,240 --> 00:04:28,370
AND DO YOU DO ALL OF
YOUR WORK FROM HERE?
25
00:04:28,370 --> 00:04:30,990
MOST OF THE TIME.
26
00:04:49,700 --> 00:04:53,410
SO, DO YOU HAVE
A PARTNER?
27
00:04:53,410 --> 00:04:56,700
PARTNER? HOW
POLITICALLY
CORRECT OF YOU.
28
00:04:56,700 --> 00:04:58,070
SORRY, I--
29
00:04:58,070 --> 00:05:00,870
DON’T WORRY.
I’M ONLY TEASING.
30
00:05:00,870 --> 00:05:02,570
TO BE HONEST,
31
00:05:02,570 --> 00:05:05,950
IT’S A LITTLE
BIT COMPLICATED
AT THE MOMENT.
32
00:05:05,950 --> 00:05:08,280
BUT WHEN ISN’T IT?
33
00:05:32,700 --> 00:05:35,530
I HEAR YOU’RE MARRIED.
34
00:05:58,820 --> 00:06:01,120
MAIA?
35
00:06:01,120 --> 00:06:02,990
HMM?
36
00:06:04,410 --> 00:06:06,820
MARRIED?
37
00:06:07,820 --> 00:06:11,450
OH. YEAH.
38
00:06:13,570 --> 00:06:15,820
YOU HAVE TO CHECK?
39
00:06:17,660 --> 00:06:19,990
IT’S AN AMAZING HOUSE.
40
00:06:22,530 --> 00:06:24,120
LET’S GO INTO THE DRAWING ROOM.
41
00:06:53,950 --> 00:06:56,620
YOUR PHOTOS PAY FOR ALL OF THIS?
42
00:06:56,620 --> 00:06:59,410
HA HA. WOULDN’T THAT BE NICE?
43
00:06:59,410 --> 00:07:02,280
NO. THE HOUSE
KIND OF PAYS FOR ITSELF.
44
00:07:02,280 --> 00:07:04,620
WHAT DO YOU MEAN?
45
00:07:04,620 --> 00:07:08,620
WELL, I LIVE HERE ALONE
OUT OF SEASON,
46
00:07:08,620 --> 00:07:10,530
AND THE REST OF THE
YEAR I HAVE COMPANY.
47
00:07:10,530 --> 00:07:12,570
I RENT IT AS A HOLIDAY HOME.
48
00:07:12,570 --> 00:07:15,160
I’VE HAD A FEW NAMES.
49
00:07:15,160 --> 00:07:17,410
EVEN ROYALTY.
50
00:07:17,410 --> 00:07:18,570
REALLY?
51
00:07:18,570 --> 00:07:22,570
MM-HMM. I WON’T NAME NAMES,
52
00:07:22,570 --> 00:07:27,160
BUT LET’S JUST SAY
THIS HOUSE HAS SEEN
A FEW THINGS.
53
00:07:27,160 --> 00:07:29,410
IT GIVES THEM THE PRIVACY
THEY NEED,
54
00:07:29,410 --> 00:07:32,700
WHICH GIVES ME AN EXCUSE TO
KEEP THE HOUSE LOOKING GREAT.
55
00:07:59,700 --> 00:08:04,570
IT’S SO QUIET.
THERE’S SO MUCH SPACE.
56
00:08:04,570 --> 00:08:09,450
[FRANCESCA]
NOBODY AROUND FOR MILES.
57
00:08:23,700 --> 00:08:25,530
[FRANCESCA]
YOU LIKE READING?
58
00:08:25,530 --> 00:08:28,280
WELL, I TRY. THERE’S
JUST SO MUCH OUT THERE.
59
00:08:28,280 --> 00:08:29,620
[FRANCESCA]
HMM.
60
00:09:04,030 --> 00:09:06,200
ALL OF THESE
YOUR PHOTOS?
61
00:09:09,280 --> 00:09:10,910
MMM-HMM.
62
00:09:19,030 --> 00:09:21,450
LOTS OF PEOPLE
ARE DRAWN TO THAT ONE.
63
00:09:21,450 --> 00:09:26,490
IT’S FUNNY HOW IT HAPPENED.
SHE WAS A FRIEND OF MINE.
64
00:09:26,490 --> 00:09:30,490
CAME TO ME STRAIGHT AFTER
HER BROTHER’S FUNERAL.
65
00:09:30,490 --> 00:09:32,570
SHE WAS ABSOLUTELY
DISTRAUGHT.
66
00:09:32,570 --> 00:09:38,320
SHE WAS SO VULNERABLE,
AND YET SO ELEGANT,
67
00:09:38,320 --> 00:09:41,490
SO I ASKED IF I COULD
TAKE A PHOTO.
68
00:09:41,490 --> 00:09:43,160
WHAT DID SHE SAY?
69
00:09:43,160 --> 00:09:46,740
SHE STARED AT ME
FOR A FEW MOMENTS
70
00:09:46,740 --> 00:09:48,570
AND THEN SAID,
71
00:09:48,570 --> 00:09:53,320
"I DON’T GIVE A FUCK."
72
00:09:55,450 --> 00:09:56,740
SO RAW.
73
00:10:00,410 --> 00:10:03,450
IT’S BEAUTIFUL.
74
00:10:03,450 --> 00:10:05,910
I COULDN’T AGREE MORE.
75
00:10:07,990 --> 00:10:10,160
USE THIS AS
YOUR DRESSING ROOM.
76
00:10:14,320 --> 00:10:16,160
STUNNING.
77
00:10:20,570 --> 00:10:22,070
AND IF YOU WANT
TO FRESHEN UP--
78
00:10:22,070 --> 00:10:23,780
THANK YOU.
79
00:10:27,160 --> 00:10:29,200
I’LL MAKE US SOME LUNCH
80
00:10:29,200 --> 00:10:30,780
AND THEN WE CAN TAKE
SOME PHOTOS AFTERWARDS.
81
00:10:30,780 --> 00:10:31,910
DO YOU NEED A HAND?
82
00:10:31,910 --> 00:10:35,070
NO. YOU’VE HAD A LONG JOURNEY.
83
00:10:35,070 --> 00:10:38,410
RELAX, UNPACK YOUR OUTFITS.
84
00:10:40,700 --> 00:10:42,280
THANK YOU.
85
00:10:42,280 --> 00:10:45,160
TREAT THIS PLACE LIKE YOUR OWN.
86
00:10:48,200 --> 00:10:51,030
I’LL CALL YOU WHEN IT’S READY.
87
00:12:25,740 --> 00:12:27,910
ARE YOU HAPPY WITH
YOUR TIMELINE, ADRIAN?
88
00:12:29,370 --> 00:12:31,450
YES.
89
00:12:33,490 --> 00:12:36,200
DO YOU REALIZE
THAT THIS TIMELINE IS
COMPLETELY DIFFERENT
90
00:12:36,200 --> 00:12:37,660
FROM THE ONE YOU DID
THE FIRST TIME?
91
00:12:37,660 --> 00:12:39,030
WHAT DO YOU MEAN?
92
00:12:39,030 --> 00:12:41,660
WHEN YOU CAME IN
FOR YOUR FIRST SESSION
93
00:12:41,660 --> 00:12:45,450
I ASKED YOU FOR YOUR
FIRST HAPPY MEMORY.
94
00:12:45,450 --> 00:12:48,780
TODAY, YOU WROTE
YOUR FIRST HAPPY MEMORY
95
00:12:48,780 --> 00:12:51,490
WAS THE DAY YOU PASSED
YOUR DRIVING TEST,
96
00:12:51,490 --> 00:12:54,490
WHICH OCCURRED
AT THE AGE OF 18.
97
00:12:54,490 --> 00:12:56,870
YES.
98
00:12:58,740 --> 00:13:01,740
DO YOU REMEMBER WHAT
YOU WROTE LAST TIME?
99
00:13:01,740 --> 00:13:04,200
IT’S DIFFERENT?
100
00:13:04,200 --> 00:13:05,490
YES.
101
00:13:05,490 --> 00:13:08,740
UH--
102
00:13:12,200 --> 00:13:14,370
I DON’T UNDERSTAND.
103
00:13:17,030 --> 00:13:22,950
SO, HOW DO YOU FEEL
ABOUT BEING HERE?
104
00:13:22,950 --> 00:13:26,030
STUPID.
105
00:13:28,620 --> 00:13:32,370
EMBARRASSED. ASHAMED.
106
00:13:32,370 --> 00:13:33,910
YOU FEEL
ALL THOSE THINGS?
107
00:13:33,910 --> 00:13:35,910
YES.
108
00:13:35,910 --> 00:13:38,320
WHY?
109
00:13:38,320 --> 00:13:40,780
BECAUSE NOW I CAN SEE
WHAT I DID WRONG.
110
00:13:42,780 --> 00:13:47,490
I CAN SEE THINGS SO CLEARLY
WHEN I’M IN THE RIGHT
FRAME OF MIND,
111
00:13:47,490 --> 00:13:50,740
BUT WHEN I’M WOUND UP, I--
112
00:13:54,200 --> 00:13:56,490
WHAT DO YOU STRUGGLE WITH?
113
00:13:59,030 --> 00:14:03,320
WHAT DOES ANYBODY
STRUGGLE WITH WHEN
THEY’RE WOUND UP?
114
00:14:09,450 --> 00:14:12,780
WHAT DO YOU WANT FROM ME?
115
00:14:12,780 --> 00:14:15,870
WHY DO YOU HAVE TO QUESTION
EVERYTHING?
116
00:14:18,450 --> 00:14:23,070
I SEE RED. I FEEL
PISSED OFF. ANGRY.
117
00:14:24,160 --> 00:14:25,950
AND YOU’RE ANGRY NOW?
118
00:14:25,950 --> 00:14:29,740
OF COURSE I’M FUCKING ANGRY.
YOU CAN SEE I’M FUCKING ANGRY.
119
00:14:32,910 --> 00:14:36,780
AND WHAT DID WE SAY TO DO
WHEN YOU’RE ANGRY?
120
00:14:36,780 --> 00:14:40,780
DON’T TELL ME.
121
00:14:40,780 --> 00:14:43,820
RELAX.
122
00:14:43,820 --> 00:14:48,910
STAY CALM.
123
00:14:48,910 --> 00:14:51,370
DEEP BREATHS.
124
00:15:02,950 --> 00:15:05,160
IT MIGHT WORK WHEN
I’M IN THE OFFICE,
125
00:15:05,160 --> 00:15:07,530
BUT WHAT ABOUT OUTSIDE?
WHAT ABOUT IN THE REAL WORLD?
126
00:15:07,530 --> 00:15:10,320
I’M NOT IN HERE FOR
PUNCHING A PSYCHIATRIST.
127
00:15:17,620 --> 00:15:19,910
THAT’S GOOD, ADRIAN.
128
00:15:19,910 --> 00:15:22,780
WHAT IS?
129
00:15:22,780 --> 00:15:28,320
THIS IS THE FIRST TIME
YOU HAVE BEEN SO HONEST
ABOUT YOUR VULNERABILITY.
130
00:15:33,780 --> 00:15:38,200
OF COURSE, IT DOES MEAN
THAT I WON’T BE ABLE TO
SIGN YOU OFF TODAY.
131
00:16:07,820 --> 00:16:11,030
OKAY. WHAT’S THE MAIN PURPOSE
OF THE VISIT?
132
00:16:12,240 --> 00:16:13,370
WHAT DO YOU MEAN?
133
00:16:13,370 --> 00:16:14,660
WHAT DO YOU WANT ME TO DO?
134
00:16:14,660 --> 00:16:17,070
WELL, YOU KNOW,
135
00:16:17,070 --> 00:16:19,320
IT’S JUST IT’S BEEN
A LONG TIME, YOU KNOW?
136
00:16:22,660 --> 00:16:26,410
MAIA,
137
00:16:26,410 --> 00:16:29,950
IF YOU WANT ME TO DO
SOMETHING SPECIFIC FOR YOU,
138
00:16:29,950 --> 00:16:33,950
THEN YOU HAVE TO LET ME KNOW
WHAT WE’RE AIMING FOR.
139
00:16:36,370 --> 00:16:39,240
OTHERWISE, YOU WILL
LEAVE UNHAPPY,
140
00:16:39,240 --> 00:16:43,370
AND NONE OF MY CLIENTS
EVER LEAVE UNHAPPY.
141
00:16:45,660 --> 00:16:47,910
THAT’S QUITE A STATEMENT.
142
00:16:47,910 --> 00:16:49,370
I NEED AN ANSWER.
143
00:16:54,910 --> 00:16:59,240
WHEN I SEE THOSE PHOTOS,
I DON’T RECOGNIZE MYSELF.
144
00:16:59,240 --> 00:17:01,120
THAT WAS A DIFFERENT TIME.
145
00:17:01,120 --> 00:17:04,070
THAT WOMAN IS NOT
ME ANYMORE.
146
00:17:07,030 --> 00:17:10,530
SO, WHAT WE’RE TALKING ABOUT
147
00:17:10,530 --> 00:17:13,660
IS REINVENTING YOURSELF.
148
00:17:13,660 --> 00:17:16,320
I GUESS SO, YEAH.
149
00:17:17,950 --> 00:17:20,620
WELL IN THAT CASE,
150
00:17:20,620 --> 00:17:23,530
IT WAS FATE
THAT BROUGHT YOU HERE.
151
00:17:48,700 --> 00:17:51,240
THE THINNESS OF THIS MATERIAL
152
00:17:51,240 --> 00:17:56,370
WILL REALLY PICK UP
YOUR BEAUTIFUL CONTOURS,
153
00:17:56,370 --> 00:18:00,820
MAKE REALLY BEAUTIFUL
SILHOUETTES.
154
00:18:00,820 --> 00:18:04,370
DO YOU THINK MY HIPS
LOOK TOO BIG IN THIS?
155
00:18:12,240 --> 00:18:14,530
IT’S PERFECT.
156
00:18:22,240 --> 00:18:24,820
DO YOU WANT ME
TO GET CHANGED NOW?
157
00:18:24,820 --> 00:18:26,660
YEAH.
158
00:19:23,070 --> 00:19:24,820
OKAY.
159
00:20:03,700 --> 00:20:05,160
OKAY.
160
00:20:05,160 --> 00:20:09,410
UM, LET’S
CHANGE POSITION.
161
00:20:10,950 --> 00:20:12,410
LOOK AT ME.
162
00:20:15,120 --> 00:20:16,950
HEAD DOWN SLIGHTLY.
163
00:20:20,700 --> 00:20:22,780
MORE.
164
00:20:30,780 --> 00:20:31,820
LOOK INTO THE MIRROR.
165
00:20:39,160 --> 00:20:42,240
LOOK AT YOURSELF.
166
00:20:42,240 --> 00:20:45,990
WHAT ARE YOU
THINKING ABOUT, MAIA?
167
00:20:47,070 --> 00:20:49,370
DO YOU LIKE WHAT YOU SEE?
168
00:20:50,990 --> 00:20:52,700
[CAMERA CLICKS]
169
00:20:56,820 --> 00:20:58,990
WHAT ABOUT YOUR HUSBAND?
170
00:20:58,990 --> 00:21:00,280
WHAT?
171
00:21:02,410 --> 00:21:06,120
WHEN’S THE LAST TIME
HE HELD YOU? MADE LOVE
TO YOU?
172
00:21:06,120 --> 00:21:08,370
WHAT DOES THAT HAVE
TO DO WITH ANYTHING?
173
00:21:08,370 --> 00:21:12,990
NOTHING. YOU’RE NOT ANSWERING
THESE QUESTIONS, REMEMBER.
174
00:21:12,990 --> 00:21:15,120
STILL, I’D RATHER NOT
TALK ABOUT IT.
175
00:21:16,120 --> 00:21:17,870
THAT BAD, HUH?
176
00:21:17,870 --> 00:21:19,780
PLEASE CHANGE THE SUBJECT.
177
00:21:22,660 --> 00:21:23,990
WHAT HAPPENED?
178
00:21:23,990 --> 00:21:25,660
I SAID STOP.
179
00:21:25,660 --> 00:21:27,870
WHOSE FAULT WAS IT?
YOURS OR HIS?
180
00:21:27,870 --> 00:21:29,240
FRANKIE, PLEASE!
181
00:21:32,700 --> 00:21:34,700
EXCELLENT.
182
00:21:34,700 --> 00:21:38,120
YOU’RE GONNA
LOVE THOSE.
183
00:21:38,120 --> 00:21:40,160
GET CHANGED INTO
YOUR NEXT OUTFIT
184
00:21:40,160 --> 00:21:42,120
AND I’LL GET US
SOME WATER.
185
00:21:43,530 --> 00:21:45,120
NICE.
186
00:21:45,120 --> 00:21:47,410
CARRY ON.
187
00:21:52,280 --> 00:21:54,120
WHERE DID YOU DO IT?
188
00:21:56,570 --> 00:21:59,120
THAT’S IT. DON’T LAUGH.
BE SERIOUS.
189
00:21:59,120 --> 00:22:01,530
SCARY.
190
00:22:01,530 --> 00:22:03,070
NO!
191
00:22:04,990 --> 00:22:06,700
CARRY ON.
192
00:22:10,240 --> 00:22:12,570
NICE.
193
00:22:14,410 --> 00:22:16,030
BIT MORE OF THE VIXEN.
194
00:22:16,030 --> 00:22:17,450
VIXEN?
VIXEN.
195
00:22:17,450 --> 00:22:19,120
LOVELY.
196
00:22:37,700 --> 00:22:40,370
DON’T YOU THINK
THEY’RE BEAUTIFUL?
197
00:22:40,370 --> 00:22:41,740
THE DAFFODILS.
198
00:22:42,990 --> 00:22:44,570
NEW LIFE.
199
00:22:55,030 --> 00:22:57,120
NICE. CARRY ON.
200
00:23:01,990 --> 00:23:04,950
AS IF YOU WISH
SOMEONE WERE KISSING YOU.
201
00:23:22,870 --> 00:23:24,700
IS EVERYTHING ALL RIGHT?
202
00:23:28,030 --> 00:23:29,530
ON THE BED.
203
00:23:31,160 --> 00:23:33,570
GOOD.
204
00:23:36,410 --> 00:23:41,240
AND-- TAKE YOUR SHIRT OFF.
205
00:23:42,950 --> 00:23:43,990
WHAT?
206
00:23:43,990 --> 00:23:46,410
TAKE YOUR SHIRT OFF.
207
00:23:49,160 --> 00:23:50,990
WHAT’S THE BIG DEAL?
208
00:23:50,990 --> 00:23:53,570
IT’S JUST-- I’VE NEVER
DONE TOPLESS BEFORE.
209
00:23:53,570 --> 00:23:57,620
IT’S NOT REALLY
GOING TO BE TOPLESS.
210
00:23:59,820 --> 00:24:01,700
TRUST ME.
211
00:24:05,740 --> 00:24:08,280
MMM-HMM. RIGHT.
212
00:24:08,280 --> 00:24:09,870
WHAT ARE YOU DOING?
213
00:24:09,870 --> 00:24:12,410
IF THIS IS THE ONLY WAY
214
00:24:12,410 --> 00:24:13,990
TO MAKE YOU FEEL COMFORTABLE,
215
00:24:13,990 --> 00:24:16,240
THEN SO BE IT.
216
00:24:16,240 --> 00:24:18,870
[MAIA] I’M NOT ENTIRELY
SURE THAT IT WILL.
217
00:24:19,740 --> 00:24:24,450
THIS IS THE HUMAN BODY!
218
00:24:24,450 --> 00:24:25,910
THIS IS MY HUMAN BODY.
219
00:24:25,910 --> 00:24:27,450
YOU MAY NOT FIND IT
ON A MAGAZINE,
220
00:24:27,450 --> 00:24:33,450
BUT IT’S MINE,
AND IT’S ALL I HAVE.
221
00:24:33,450 --> 00:24:38,160
AND IN THIS WORLD,
IF SOMEBODY LIKE ME ISN’T SHY,
222
00:24:38,160 --> 00:24:41,120
THEN SOMEBODY LIKE YOU
REALLY SHOULDN’T BE.
223
00:24:49,570 --> 00:24:51,870
[FRANCESCA] I SEE VULNERABLE.
224
00:24:57,740 --> 00:24:59,530
I SEE A REAL WOMAN.
225
00:25:03,450 --> 00:25:06,530
I SEE YOU.
226
00:25:16,450 --> 00:25:18,990
ARE YOU ALL RIGHT NOW?
227
00:25:23,570 --> 00:25:26,450
ADRIAN, WHEN YOU
FIRST CAME HERE,
228
00:25:26,450 --> 00:25:28,740
I ASKED YOU FOR YOUR
EARLIEST HAPPY MEMORY.
229
00:25:28,740 --> 00:25:31,120
YOU SAID IT WAS WHEN
YOU MET YOUR PARTNER.
230
00:25:32,820 --> 00:25:35,120
TODAY, YOUR HAPPY MEMORY
IS YEARS EARLIER,
231
00:25:35,120 --> 00:25:37,320
WHEN YOU PASSED
YOUR DRIVING TEST.
232
00:25:39,410 --> 00:25:44,570
ALREADY, YOUR MIND HAS
CHANGED. YOU’VE CHANGED.
233
00:25:47,200 --> 00:25:49,740
NOTHING IS PRE-DESTINED.
234
00:25:49,740 --> 00:25:54,450
YOU CAN CHOOSE TO BE
WHATEVER YOU WANT TO BE.
235
00:26:00,870 --> 00:26:04,030
NOW, IF YOU HAD TO CHOOSE
A WORD TO DESCRIBE HOW YOU FEEL,
236
00:26:04,030 --> 00:26:06,160
NOT NECESSARILY RIGHT NOW,
237
00:26:06,160 --> 00:26:10,280
BUT GENERALLY, RECENTLY,
238
00:26:10,280 --> 00:26:12,740
WHAT WOULD IT BE?
239
00:26:14,620 --> 00:26:17,570
ISOLATION.
240
00:26:25,450 --> 00:26:27,030
GO ON.
241
00:26:31,620 --> 00:26:37,120
QUITE OFTEN. VERY OFTEN,
242
00:26:38,990 --> 00:26:43,870
I DON’T WANT IT TO BE, BUT--
243
00:26:43,870 --> 00:26:49,990
AT TIMES I FEEL THAT
SECLUSION IS THE BEST
THING FOR ME, YOU KNOW?
244
00:26:49,990 --> 00:26:55,910
I TRY SO HARD WITH
THE THE DAY-TO-DAY THINGS.
245
00:26:57,570 --> 00:27:01,070
I GO TO WORK.
I COMMUNICATE WITH PEOPLE,
246
00:27:01,070 --> 00:27:04,570
I EVEN FORCE A SMILE
IF I HAVE TO.
247
00:27:06,160 --> 00:27:09,160
BUT EVEN THEN,
248
00:27:09,160 --> 00:27:12,030
I’M NOT THERE. NOT REALLY.
249
00:27:15,700 --> 00:27:19,320
SO WHY DO YOU DO IT?
250
00:27:19,320 --> 00:27:22,870
GO THROUGH
THE MOTIONS, I MEAN.
251
00:27:22,870 --> 00:27:25,740
WELL, WHAT ELSE IS THERE?
252
00:27:32,030 --> 00:27:35,200
ADRIAN, WHAT IS IT THAT YOU
FEEL THAT YOU’RE MISSING?
253
00:27:40,700 --> 00:27:43,450
LOVE.
254
00:27:43,450 --> 00:27:45,200
LOVE?
255
00:27:47,200 --> 00:27:50,570
WHAT DOES LOVE
MEAN TO YOU?
256
00:27:51,620 --> 00:27:54,370
I THINK ABOUT THE WOMAN
I LOVE.
257
00:28:21,910 --> 00:28:23,450
TA-DA.
258
00:28:23,450 --> 00:28:26,320
OOH. THANKS.
259
00:28:27,910 --> 00:28:29,780
YOU KNOW, I CAN’T
BELIEVE THAT IN A DAY
260
00:28:29,780 --> 00:28:31,370
I FEEL SO MUCH BETTER.
261
00:28:31,370 --> 00:28:35,030
IT’S LIKE I CAN REALLY
BREATHE HERE.
262
00:28:35,030 --> 00:28:37,320
CHEERS. CHEERS.
263
00:28:40,660 --> 00:28:44,490
LISTEN. I’M NOT DOING
ANYTHING THIS WEEKEND.
264
00:28:44,490 --> 00:28:47,870
WHY DON’T YOU STAY AND
I CAN SHOW YOU THE COASTLINE?
265
00:28:47,870 --> 00:28:50,570
IT’S REALLY STUNNING.
266
00:28:52,070 --> 00:28:53,370
SORRY.
267
00:28:53,370 --> 00:28:55,200
NO. IT’S NOT THAT.
I’D LOVE TO STAY.
268
00:28:55,200 --> 00:28:58,160
IT’S JUST, MY HUSBAND
AND I HAVE PLANS THIS--
269
00:28:58,160 --> 00:29:00,280
WELL, LOOK,
THE OFFER’S THERE.
270
00:29:00,280 --> 00:29:02,200
I’M JUST GOING TO
RELAX,
271
00:29:02,200 --> 00:29:04,490
GET SOME FRESH AIR,
272
00:29:04,490 --> 00:29:07,200
AND IT WOULD BE
REALLY LOVELY HAVING
YOU YOU.
273
00:29:07,200 --> 00:29:08,950
THAT’S ALL.
274
00:29:35,320 --> 00:29:39,740
HI, HONEY. UM, NO.
275
00:29:39,740 --> 00:29:41,780
UMM, NO, ACTUALLY.
276
00:29:41,780 --> 00:29:43,570
I-- THAT’S WHAT
I WAS CALLING FOR.
277
00:29:43,570 --> 00:29:45,240
I JUST WANTED TO
SPEAK TO YOU.
278
00:29:45,240 --> 00:29:47,030
UM--
279
00:29:47,030 --> 00:29:48,910
IT’S ABSOLUTELY
BEAUTIFUL HERE
280
00:29:48,910 --> 00:29:52,030
AND THE PHOTOGRAPHER THAT
I’VE BEEN WORKING WITH
281
00:29:52,030 --> 00:29:55,490
ASKED IF I WANTED TO STAY
FOR THE WEEKEND, AND I SAID--
282
00:29:58,490 --> 00:30:03,240
NO. I SAID YES, BECAUSE--
283
00:30:07,030 --> 00:30:09,570
IF YOU COULD
JUST SEE IT HERE,
284
00:30:09,570 --> 00:30:12,240
IT IS SO BEAUTIFUL, AND--
285
00:30:16,370 --> 00:30:19,030
OH, MY GOD. I’M NOT--
286
00:30:19,030 --> 00:30:21,240
I’M NOT COMING HOME TONIGHT.
287
00:30:21,240 --> 00:30:23,070
I’M STAYING FOR THE WEEKEND.
288
00:30:26,910 --> 00:30:28,200
IT’S NOT ABOUT
THE SHOOT ANYMORE.
289
00:30:28,200 --> 00:30:30,370
I JUST WANT TO STAY
FOR THE WEEKEND.
290
00:30:30,370 --> 00:30:32,490
I’M GOING TO STAY.
291
00:30:32,490 --> 00:30:36,070
IT’S ABOUT ME
NEEDING THE SPACE!
292
00:30:42,320 --> 00:30:44,910
I’M STAYING AND
I’LL SEE YOU ON SUNDAY.
293
00:30:58,200 --> 00:31:00,450
[LAUGHING]
294
00:31:00,450 --> 00:31:02,660
IS THERE SOMETHING
WRONG WITH YOUR FOOD?
295
00:31:02,660 --> 00:31:05,910
NO, IT’S LOVELY,
THERE WAS JUST SO MUCH!
296
00:31:05,910 --> 00:31:09,370
I THOUGHT YOU MIGHT HAVE
WORKED UP AN APPETITE.
297
00:31:10,450 --> 00:31:13,370
OH, TREAT YOURSELF.
298
00:31:13,370 --> 00:31:16,200
I SUPPOSE YOU’RE RIGHT.
299
00:31:16,200 --> 00:31:19,160
YOU KNOW, I’VE HAD SUCH
A GOOD DAY. THANK YOU,
FRANKIE.
300
00:31:19,160 --> 00:31:23,910
DON’T BE SILLY.
YOU WERE FANTASTIC.
301
00:31:23,910 --> 00:31:25,370
THAT WASN’T ME.
302
00:31:25,370 --> 00:31:27,620
I’VE NEVER BEEN DIRECTED
LIKE THAT BEFORE.
303
00:31:27,620 --> 00:31:30,620
BARBARA DIDN’T WARN ME
YOU WERE QUITE SO--
304
00:31:30,620 --> 00:31:31,740
DIRECT.
305
00:31:31,740 --> 00:31:34,030
THAT’S AS GOOD A WORD
AS ANY.
306
00:31:34,030 --> 00:31:36,620
I ALWAYS TELL HER NOT TO.
307
00:31:36,620 --> 00:31:39,740
THE ELEMENT OF SURPRISE
IS CRUCIAL TO MY WORK.
308
00:31:39,740 --> 00:31:41,450
I WAS DEFINITELY SURPRISED.
309
00:31:41,450 --> 00:31:43,450
ESPECIALLY WHEN WE BOTH
ENDED UP HALF NAKED.
310
00:31:43,450 --> 00:31:44,910
I DID NOT SEE THAT COMING.
311
00:31:44,910 --> 00:31:47,490
[BOTH LAUGHING]
312
00:31:47,490 --> 00:31:48,620
I DID.
313
00:31:50,950 --> 00:31:53,070
LET ME SEE THE PHOTOS?
314
00:31:54,450 --> 00:31:56,740
I NEVER SHOW MY WORK
UNTIL IT’S READY.
315
00:32:03,070 --> 00:32:05,490
I’M GOING TO GET ANOTHER
BOTTLE OF WINE,
316
00:32:05,490 --> 00:32:10,240
AND YOU GO INTO
THE DRAWING ROOM AND
MAKE YOURSELF COZY.
317
00:32:18,070 --> 00:32:20,120
DRAWING ROOM?
318
00:33:10,700 --> 00:33:12,660
WHAT?
319
00:33:14,660 --> 00:33:17,240
I THOUGHT I JUST
SAW SOMETHING OUTSIDE.
320
00:33:21,070 --> 00:33:25,780
MAYBE IT WAS A CRAZED FARMER.
321
00:33:25,780 --> 00:33:28,200
WHAT CRAZED FARMER?
322
00:33:28,200 --> 00:33:33,120
YOU KNOW PERCY BYSSHE SHELLEY
USED TO LIVE HERE?
323
00:33:33,120 --> 00:33:35,370
THE POET?
324
00:33:35,370 --> 00:33:36,950
YOU KNOW HIM?
325
00:33:36,950 --> 00:33:39,200
BY NAME.
326
00:33:39,200 --> 00:33:44,950
WELL, YOU KNOW HE WAS
THE HUSBAND OF MARY SHELLEY?
327
00:33:44,950 --> 00:33:48,950
AS IN, THE CREATOR
OF "FRANKENSTEIN"?
328
00:33:48,950 --> 00:33:52,370
THE VERY SAME.
329
00:33:52,370 --> 00:33:54,530
AND THIS IS THE VERY SAME HOUSE
330
00:33:54,530 --> 00:33:59,200
WHERE THE STORY OF
"FRANKENSTEIN"
WAS CONCEIVED.
331
00:34:00,780 --> 00:34:03,990
AND YOU DECIDE TO TELL ME
THIS STORY NOW?
332
00:34:05,530 --> 00:34:08,950
ONE NIGHT, A CRAZED FARMER
WITH A SHOTGUN
333
00:34:08,950 --> 00:34:13,780
CAME TO THE HOUSE AND
SHOT AT PERCY THREE TIMES.
334
00:34:13,780 --> 00:34:15,950
REALLY?
335
00:34:15,950 --> 00:34:17,990
WHY?
336
00:34:17,990 --> 00:34:21,070
NOBODY KNOWS,
337
00:34:21,070 --> 00:34:24,370
AND THAT’S PRECISELY
WHAT LED MARY SHELLEY
338
00:34:24,370 --> 00:34:26,950
TO WONDER THE SAME THING.
339
00:34:26,950 --> 00:34:32,070
WHAT MOTIVATES A MONSTER
TO DO SUCH THINGS?
340
00:34:33,370 --> 00:34:39,070
ALAS, THE IDEA
OF FRANKENSTEIN WAS BORN.
341
00:34:41,490 --> 00:34:43,070
HERE?
342
00:34:43,070 --> 00:34:47,200
RIGHT THROUGH THAT WINDOW.
343
00:34:55,240 --> 00:34:57,990
SO, DID IT KILL HIM?
344
00:34:58,990 --> 00:35:04,120
NO. HE DROWNED IN ITALY.
345
00:35:09,950 --> 00:35:12,950
NOT THE LUCKIEST MAN
TO HAVE LIVED, WAS HE?
346
00:35:19,700 --> 00:35:22,370
DESCRIBE HER TO ME.
347
00:35:22,370 --> 00:35:24,660
WHAT DO YOU MEAN?
348
00:35:24,660 --> 00:35:27,370
WELL, DO YOU FIND HER
ATTRACTIVE?
349
00:35:27,370 --> 00:35:31,490
OF COURSE. IF ANYTHING,
SHE’S TOO ATTRACTIVE.
350
00:35:31,490 --> 00:35:33,910
TOO ATTRACTIVE?
351
00:35:33,910 --> 00:35:35,700
YEAH.
352
00:35:35,700 --> 00:35:36,780
HOW SO?
353
00:35:43,240 --> 00:35:45,530
SOMETIMES SHE GETS LOOKS
354
00:35:45,530 --> 00:35:48,700
AND REMARKS OFF SCUMBAG
STRANGERS.
355
00:35:50,120 --> 00:35:53,530
PEOPLE HAVE EVEN COME ON
TO HER IN FRONT OF ME.
356
00:35:53,530 --> 00:35:54,870
AND DOES THAT
MAKE YOU ANGRY?
357
00:35:54,870 --> 00:35:57,370
WELL WHAT DO YOU THINK?
358
00:35:57,370 --> 00:36:00,240
IT’S JUST SO GODDAMN
FUCKING RUDE
359
00:36:00,240 --> 00:36:02,780
AND PEOPLE SHOULD
HAVE MORE RESPECT!
360
00:36:02,780 --> 00:36:04,280
CALM DOWN.
361
00:36:50,240 --> 00:36:52,410
DO YOU TRUST HER?
362
00:36:56,410 --> 00:36:58,530
I DON’T TRUST ANYONE.
363
00:37:00,530 --> 00:37:01,870
[KNOCK ON DOOR]
364
00:37:01,870 --> 00:37:03,370
JUST A MINUTE.
365
00:37:07,410 --> 00:37:08,530
COME IN.
366
00:37:09,950 --> 00:37:11,950
JUST CHECKING
EVERYTHING’S ALL RIGHT.
367
00:37:11,950 --> 00:37:15,370
EVERYTHING’S
PERFECT, FRANKIE.
THANK YOU.
368
00:37:16,700 --> 00:37:18,120
RIGHT.
369
00:37:18,120 --> 00:37:21,410
WELL, I’M JUST DOWN
THE HALL IF YOU WANT
ANYTHING.
370
00:37:21,410 --> 00:37:22,990
OKAY.
371
00:37:22,990 --> 00:37:26,570
GIVE ME A SHOUT
IF YOU NEED ME.
372
00:37:26,570 --> 00:37:28,070
WILL DO.
373
00:37:41,530 --> 00:37:45,700
SHE’S SO INDEPENDENT,
374
00:37:47,450 --> 00:37:50,870
AND ALTHOUGH THAT’S
ONE OF THE THINGS
I LOVE ABOUT HER,
375
00:37:50,870 --> 00:37:53,240
I ALSO HATE IT.
376
00:37:56,660 --> 00:38:00,120
THERE ARE MOMENTS
377
00:38:00,120 --> 00:38:03,950
WHEN I WANT HER TO NEED ME.
378
00:38:05,450 --> 00:38:08,280
WHAT, YOU NEED TO FEEL VALUED?
379
00:38:08,280 --> 00:38:11,280
YOU WANT ATTENTION
AND AFFECTION?
380
00:38:11,280 --> 00:38:12,990
YES.
381
00:38:12,990 --> 00:38:16,370
WELL, THAT’S LIKE ANYBODY.
THAT’S NOT UNCOMMON.
382
00:38:16,370 --> 00:38:17,530
IT’S NOT?
383
00:38:17,530 --> 00:38:19,070
ABSOLUTELY NOT.
384
00:38:19,070 --> 00:38:20,990
IT’S PERFECTLY NATURAL.
385
00:38:26,370 --> 00:38:32,070
SOMETIMES I JUST WATCH HER.
386
00:38:32,070 --> 00:38:35,700
AND TO LOOK AT HER
WHEN SHE DOESN’T KNOW,
387
00:38:39,410 --> 00:38:42,990
I CAN REALLY SEE
HER VULNERABILITY.
388
00:38:52,990 --> 00:38:54,820
[KNOCK ON DOOR]
389
00:39:13,820 --> 00:39:16,410
FRANKIE?
390
00:39:16,410 --> 00:39:19,990
FRANKIE, IS THAT YOU?
391
00:39:42,410 --> 00:39:44,700
THEY’RE THE MOMENTS
I ENJOY THE MOST.
392
00:39:44,700 --> 00:39:48,410
I’M NOT SURE
OF YOUR MEANING.
393
00:39:48,410 --> 00:39:51,410
WHAT MEANING?
394
00:39:51,410 --> 00:39:55,030
ARE YOU TELLING ME
THAT YOU’VE NEVER
LOOKED OR WATCHED
395
00:39:55,030 --> 00:39:58,990
A LOVED ONE
WHEN THEY’RE BUSY
396
00:39:58,990 --> 00:40:02,120
OR WHEN THEY’RE ASLEEP?
397
00:40:04,030 --> 00:40:08,240
IT’S SO PEACEFUL.
398
00:40:08,240 --> 00:40:10,280
AND IN THESE MOMENTS,
399
00:40:10,280 --> 00:40:14,410
THEY DON’T EVEN KNOW
400
00:40:14,410 --> 00:40:17,700
THEY’RE YOUR WHOLE WORLD.
401
00:41:50,620 --> 00:41:52,990
I’M GOING TO BREAK
ONE OF MY RULES.
402
00:41:52,990 --> 00:41:54,910
OKAY.
403
00:41:55,870 --> 00:41:57,740
SERIOUSLY?
404
00:41:57,740 --> 00:41:59,280
I THINK YOU NEED
TO SEE SOME OF THESE.
405
00:41:59,280 --> 00:42:00,160
OOH!
406
00:42:00,160 --> 00:42:01,910
ONLY A FEW, MIND.
407
00:42:01,910 --> 00:42:03,280
OKAY.
408
00:42:04,820 --> 00:42:05,990
CLICK LEFT TO SCROLL.
409
00:42:05,990 --> 00:42:07,320
MMM-HMM.
410
00:42:12,450 --> 00:42:15,030
WHAT IS THIS?
411
00:42:15,030 --> 00:42:18,700
IT’S YOU AND A LITTLE GIRL
CALLED CHLOE.
412
00:42:18,700 --> 00:42:21,200
DON’T SAY THAT NAME.
413
00:42:25,160 --> 00:42:26,700
WHO’S CHLOE?
414
00:42:26,700 --> 00:42:28,320
I SAID DON’T!
415
00:42:28,320 --> 00:42:30,740
YOU DON’T HAVE THE RIGHT
TO DO THIS!
416
00:42:31,990 --> 00:42:35,490
I’M SORRY, MAIA.
417
00:42:35,490 --> 00:42:39,030
IT’S JUST I’VE NEVER
SEEN ANYTHING LIKE THAT.
418
00:42:39,030 --> 00:42:41,030
I DIDN’T MEAN TO HURT YOU.
419
00:42:41,030 --> 00:42:45,160
I JUST SAW SUCH BEAUTY
IN THAT MOMENT.
420
00:42:48,450 --> 00:42:51,780
ANYWAY, IT’S YOUR
PRIVATE BUSINESS,
421
00:42:51,780 --> 00:42:53,160
SO YOU SHOULDN’T HAVE
TO TALK ABOUT IT
422
00:42:53,160 --> 00:42:54,740
IF YOU DON’T WANT TO.
423
00:42:56,320 --> 00:42:59,740
I PROMISED TO
SHOW YOU AROUND.
424
00:42:59,740 --> 00:43:02,410
IT’S REALLY PEACEFUL HERE.
425
00:43:02,410 --> 00:43:04,570
IT COULD BE JUST WHAT YOU NEED.
426
00:43:25,780 --> 00:43:28,450
I REMEMBER THE FIRST TIME
I CAME OUT HERE.
427
00:43:28,450 --> 00:43:32,320
I WAS ABSOLUTELY PETRIFIED.
428
00:43:32,320 --> 00:43:35,160
THE BOAT ROCKS SO BLOODY MUCH,
DOESN’T IT?
429
00:43:39,450 --> 00:43:42,990
I’M TAKING YOU TO
A REALLY SECLUDED BEACH.
430
00:43:42,990 --> 00:43:46,030
IT’S SO QUIET.
431
00:43:46,030 --> 00:43:49,780
I COULD GO AND COME BACK
WITHOUT SEEING ANYBODY.
432
00:43:49,780 --> 00:43:53,870
ONE OR TWO PEOPLE--
THAT IS A BUSY DAY.
433
00:43:55,870 --> 00:43:59,160
IT’S THE CLOSEST THING WE’VE
GOT ROUND HERE TO PARADISE.
434
00:44:01,870 --> 00:44:04,740
FREEZING, ISN’T IT?
435
00:44:12,450 --> 00:44:17,030
[MAIA] ISN’T IT STRANGE
HOW SOMETIMES YOU
CAN FORGET TO FEEL?
436
00:44:19,200 --> 00:44:22,870
WE TRIED SO HARD,
MY HUSBAND AND I.
437
00:44:24,910 --> 00:44:29,160
FOR YEARS WE DID
EVERYTHING BY THE BOOK.
438
00:44:31,620 --> 00:44:33,780
WE WERE DESPERATE
TO START A FAMILY,
439
00:44:33,780 --> 00:44:39,160
AND THE DAY I FELT PREGNANT,
I KNEW. I JUST KNEW.
440
00:44:42,200 --> 00:44:45,070
AND THE TEST
CAME BACK POSITIVE,
441
00:44:45,070 --> 00:44:48,780
OH, YOU SHOULD HAVE SEEN
THE LOOK ON HIS FACE.
442
00:44:48,780 --> 00:44:53,740
HE PICKED ME UP IN HIS ARMS
AND WE MADE LOVE FOR HOURS.
443
00:44:53,740 --> 00:44:57,200
I’D NEVER KNOWN HIM
TO BE SO TENDER.
444
00:44:58,780 --> 00:45:01,910
HE INSISTED WE GO OUT
FOR DINNER TO CELEBRATE
445
00:45:01,910 --> 00:45:06,320
AND ANNOUNCED THE PREGNANCY
TO THE WHOLE RESTAURANT,
446
00:45:06,320 --> 00:45:10,200
AND THEY CHEERED
AND CONGRATULATED US.
447
00:45:11,660 --> 00:45:14,620
IT WAS SURREAL,
448
00:45:14,620 --> 00:45:15,910
TO FEEL SO IMPORTANT,
449
00:45:15,910 --> 00:45:20,620
LIKE SOMETHING
OUT OF A MOVIE.
450
00:45:22,740 --> 00:45:25,490
IT WAS THE BEST
NIGHT OF MY LIFE.
451
00:45:30,370 --> 00:45:33,200
HOW DO YOU FEEL RIGHT NOW?
452
00:45:34,620 --> 00:45:36,200
IF YOU HAD TO CHOOSE
ONE WORD,
453
00:45:36,200 --> 00:45:39,070
ONE OVERRIDING EMOTION,
WHAT WOULD IT BE?
454
00:45:40,620 --> 00:45:43,070
LOSS.
455
00:45:43,070 --> 00:45:45,570
UNBEARABLE LOSS.
456
00:45:50,740 --> 00:45:52,620
WE’VE LOST QUITE A LOT.
457
00:45:55,870 --> 00:45:58,370
WE’VE LOST OUR WORLD,
458
00:45:58,370 --> 00:46:02,200
AND I’M SO DESPERATELY
TRYING TO GET IT BACK.
459
00:46:04,200 --> 00:46:06,950
I’VE JUST NO IDEA WHAT TO DO,
460
00:46:06,950 --> 00:46:08,910
AND EVERYTHING I DO DO
461
00:46:08,910 --> 00:46:11,450
JUST PUSHES HER FURTHER AWAY,
462
00:46:15,200 --> 00:46:17,490
AND I DON’T KNOW WHAT TO DO.
463
00:46:19,490 --> 00:46:23,660
WHEN I ASKED YOU ABOUT YOUR
HAPPIEST MEMORY TOGETHER,
464
00:46:23,660 --> 00:46:26,910
DO YOU REMEMBER
WHAT YOU SAID?
465
00:46:28,370 --> 00:46:30,660
YES.
466
00:46:30,660 --> 00:46:34,370
I SPOKE ABOUT
WHEN WE FIRST MET.
467
00:46:34,370 --> 00:46:38,620
IT WAS SO NATURAL,
SO EXCITING.
468
00:46:38,620 --> 00:46:41,660
THE FIRST TOUCH.
OUR FIRST KISS.
469
00:46:46,570 --> 00:46:50,370
MY STOMACH WAS IN KNOTS,
470
00:46:50,370 --> 00:46:55,200
BUT THEN WHEN I FELT
HER HEART BEAT SO WILDLY,
471
00:46:55,200 --> 00:46:58,620
I KNEW SHE FELT THE SAME AND--
472
00:46:58,620 --> 00:47:01,490
I KNEW EVERYTHING
WOULD BE OKAY.
473
00:47:05,070 --> 00:47:10,240
EVERYTHING WAS FINE UNTIL
MY BODY STARTED TO CHANGE.
474
00:47:10,240 --> 00:47:12,910
I PANICKED.
475
00:47:12,910 --> 00:47:16,450
ALL THOSE YEARS OF
DIETING AND EXERCISE,
476
00:47:16,450 --> 00:47:18,160
AND THEN SUDDENLY
I HAD NO REGIME.
477
00:47:21,030 --> 00:47:23,240
EVEN WHEN I TRIED,
478
00:47:23,240 --> 00:47:26,910
I COULDN’T
KEEP THE WEIGHT OFF.
479
00:47:26,910 --> 00:47:31,200
I WORRIED THAT MY BODY WOULD
NEVER BE THE SAME AGAIN.
480
00:47:33,620 --> 00:47:37,950
I STARTED TO IGNORE ALL THE
ADVICE THAT OUR DOCTOR GAVE ME
481
00:47:37,950 --> 00:47:43,370
AND SUDDENLY,
I JUST HATED THE PREGNANCY
482
00:47:43,370 --> 00:47:46,370
AND I WISHED THAT THE BABY
WOULD COME OUT OF ME.
483
00:47:48,370 --> 00:47:50,910
IN THE END, SHE DID.
484
00:47:53,070 --> 00:47:55,160
IT WAS ME THAT KILLED HER,
485
00:47:55,160 --> 00:47:59,490
AND MY HUSBAND KNOWS IT,
AND NOW I HAVE NOTHING.
486
00:47:59,490 --> 00:48:04,910
HEY, HEY, HEY.
487
00:48:04,910 --> 00:48:08,490
ME AND MY HUSBAND,
WE’RE GOOD PEOPLE.
488
00:48:08,490 --> 00:48:11,240
WE WANTED NOTHING MORE
THAN TO HAVE THAT BABY.
489
00:48:11,240 --> 00:48:16,780
AND YOU’RE ANGRY
BECAUSE YOU FEEL CHEATED?
490
00:48:16,780 --> 00:48:18,910
CHEATED?
491
00:48:18,910 --> 00:48:24,320
NO. THAT DOESN’T EVEN
BEGIN TO COVER IT.
492
00:48:26,370 --> 00:48:27,660
TO LOSE A BABY IS ONE THING,
493
00:48:27,660 --> 00:48:30,370
BUT TO COMPLETE A PREGNANCY,
494
00:48:30,370 --> 00:48:33,320
AND THEY TELL YOU THAT THERE’S
NOTHING THEY CAN DO--
495
00:48:35,240 --> 00:48:38,530
WHEN YOU HAVE TO
GIVE BIRTH TO YOUR BABY
496
00:48:38,530 --> 00:48:40,950
AND THERE’S
NOTHING BUT SILENCE,
497
00:48:43,660 --> 00:48:47,070
AND YOUR CHILD’S THERE
TO LOOK AT,
498
00:48:47,070 --> 00:48:50,950
AND SHE’S THERE
FOR YOU TO HOLD
499
00:48:50,950 --> 00:48:52,370
BUT YOU KNOW YOU
CAN’T TAKE HER HOME.
500
00:48:52,370 --> 00:48:56,370
TO KNOW THAT YOU’VE
GONE THAT FAR,
501
00:48:56,370 --> 00:48:59,410
AND YOU’LL NEVER GET TO
KNOW HER, IS JUST--
502
00:48:59,410 --> 00:49:03,320
HEY.
503
00:49:10,240 --> 00:49:14,780
WHAT YOU HAD
TO GO THROUGH,
IT’S NOT FAIR,
504
00:49:16,780 --> 00:49:19,740
BUT COME ON.
505
00:49:19,740 --> 00:49:21,370
YOU THINK YOU’RE
THE ONLY WOMAN
506
00:49:21,370 --> 00:49:25,320
THAT TRIES TO KEEP IN SHAPE
WHILE SHE’S PREGNANT?
507
00:49:25,320 --> 00:49:28,070
I’VE BEEN AROUND MODELS
ALL MY LIFE,
508
00:49:28,070 --> 00:49:32,780
AND BELIEVE ME MAIA, YOU’RE
NOT THE ONE WITH PROBLEMS.
509
00:49:32,780 --> 00:49:35,120
IT WASN’T YOU FAULT.
510
00:49:35,120 --> 00:49:37,740
MY HUSBAND DOESN’T
EVEN LOOK AT ME IN
THE SAME WAY ANYMORE.
511
00:49:37,740 --> 00:49:42,120
I THINK WE’RE OVER.
512
00:49:42,120 --> 00:49:47,370
WELL, SHAME ON HIM.
513
00:49:47,370 --> 00:49:51,950
AND IF WHAT YOU SAY IS TRUE
THEN DARE I SAY IT,
514
00:49:51,950 --> 00:49:53,490
MAYBE IT WASN’T
SUCH A BAD THING.
515
00:49:53,490 --> 00:49:57,530
NO, HE’S A GOOD MAN.
516
00:49:57,530 --> 00:50:00,070
NO MEN ARE GOOD, MAIA.
517
00:50:00,070 --> 00:50:03,200
WHY DO YOU THINK
I’M THE WAY I AM?
518
00:50:05,660 --> 00:50:07,410
TRUST ME,
519
00:50:07,410 --> 00:50:12,490
YOU HAVE ABSOLUTELY
NOTHING TO WORRY ABOUT.
520
00:50:12,490 --> 00:50:17,490
EVERYTHING WILL FALL
INTO PLACE, YOU’LL SEE.
521
00:50:20,370 --> 00:50:22,950
I WISH I COULD--
522
00:50:22,950 --> 00:50:23,990
WHAT?
523
00:50:23,990 --> 00:50:27,530
I DON’T KNOW, BE MORE FREE,
524
00:50:27,530 --> 00:50:32,490
SELF-ASSURED, COMFORTABLE
WITH WHO I AM, LIKE YOU.
525
00:50:34,700 --> 00:50:36,660
LIKE ME?
526
00:50:36,660 --> 00:50:37,950
YEAH.
527
00:50:37,950 --> 00:50:42,490
YOU’RE SO TOGETHER
AND HAPPY.
528
00:50:42,490 --> 00:50:45,070
YOU KNOW WHAT YOU WANT
AND DON’T CARE WHAT YOU SAY,
529
00:50:45,070 --> 00:50:46,820
YOU JUST DO IT ANYWAY.
530
00:50:46,820 --> 00:50:50,780
YOU’RE IN COMPLETE CONTROL
OF YOU LIFE AND IT’S ADMIRABLE.
531
00:50:53,070 --> 00:50:55,240
IS THAT WHAT
YOU THINK OF ME?
532
00:50:55,240 --> 00:50:57,370
OF COURSE.
533
00:51:04,660 --> 00:51:06,950
THE BEACH IS
JUST OVER THERE.
534
00:51:08,820 --> 00:51:10,660
LET’S BRING HER IN.
535
00:51:41,700 --> 00:51:44,070
DO YOU HAVE ANY FAMILY?
536
00:51:44,070 --> 00:51:46,780
UMM, JUST
MY PARENTS.
537
00:51:46,780 --> 00:51:48,530
NO BROTHERS
OR SISTERS.
538
00:51:48,530 --> 00:51:50,370
ONE AUNT.
539
00:51:50,370 --> 00:51:52,820
MY LAST REMAINING
GRANDPARENT DIED
LAST YEAR.
540
00:51:52,820 --> 00:51:55,530
MY GRANDMA WAS ONE
OF THE FEW PEOPLE
I COULD TALK TO,
541
00:51:55,530 --> 00:52:00,240
SO LAST YEAR WAS
DEFINITELY ONE
TO FORGET.
542
00:52:00,240 --> 00:52:01,780
WHAT ABOUT HOBBIES?
543
00:52:01,780 --> 00:52:03,370
WHAT ABOUT THEM?
544
00:52:03,370 --> 00:52:05,200
DO YOU HAVE ANY?
545
00:52:05,200 --> 00:52:07,530
UMM, NO.
546
00:52:07,530 --> 00:52:09,200
THERE MUST BE SOMETHING.
547
00:52:09,200 --> 00:52:11,950
DOES WALLOWING
IN SELF-PITY COUNT?
548
00:52:11,950 --> 00:52:14,490
[LAUGHS]
549
00:52:14,490 --> 00:52:16,780
I’M GLAD
THAT AMUSES YOU.
550
00:52:33,820 --> 00:52:38,200
I NEVER REALIZED
THIS PLACE WAS SO VAST.
551
00:52:38,200 --> 00:52:40,240
I WISH I LIVED HERE.
552
00:52:40,240 --> 00:52:41,870
WHAT’S WRONG
WITH LONDON?
553
00:52:41,870 --> 00:52:45,780
IT’S TOO CROWDED.
TOO CLAUSTROPHOBIC.
554
00:52:45,780 --> 00:52:49,530
SOMETIMES IT GETS SO MUCH
I FEEL LIKE I CAN’T BREATHE.
555
00:53:09,410 --> 00:53:14,410
[FRANCESCA] NAME
YOUR FAVORITE ANIMAL
AND THREE REASONS WHY.
556
00:53:14,410 --> 00:53:16,070
[MAIA] WHAT IS THIS?
557
00:53:16,070 --> 00:53:17,820
[FRANCESCA]
I’M ANALYZING YOU.
558
00:53:17,820 --> 00:53:19,160
[MAIA] OH.
559
00:53:19,160 --> 00:53:20,660
[FRANCESCA] AND,
ONLY ONE-WORD ANSWERS.
560
00:53:20,660 --> 00:53:21,700
[MAIA] REALLY?
561
00:53:21,700 --> 00:53:23,160
[FRANCESCA] REALLY.
562
00:53:23,160 --> 00:53:24,530
[MAIA] UM, A CAT,
563
00:53:24,530 --> 00:53:28,120
BECAUSE THEY ARE LOVING,
LOYAL AND PRETTY.
564
00:53:28,120 --> 00:53:29,990
MMM, OKAY.
565
00:53:29,990 --> 00:53:34,160
NOW YOUR FAVORITE
WILD ANIMAL, AND
THREE REASONS WHY.
566
00:53:34,160 --> 00:53:35,870
OOH. WILD ANIMAL?
567
00:53:35,870 --> 00:53:39,530
UM, A TIGER, BECAUSE
THEY ARE DANGEROUS,
568
00:53:39,530 --> 00:53:42,950
POWERFUL AND
FEROCIOUSLY STUNNING.
569
00:53:42,950 --> 00:53:46,570
OKAY.
THAT MAKES SENSE.
570
00:53:46,570 --> 00:53:49,370
OH GOD, IS THIS WHERE
YOU TELL ME I’M IN DENIAL
571
00:53:49,370 --> 00:53:51,950
BECAUSE ON
BOTH OCCASIONS
I CHOSE A PUSSY?
572
00:53:51,950 --> 00:53:54,120
[LAUGHS]
573
00:53:54,120 --> 00:53:56,660
NO!
574
00:53:56,660 --> 00:54:00,700
THE DOMESTIC ANIMAL
IS HOW PEOPLE SEE YOU.
575
00:54:00,700 --> 00:54:04,700
THE WILD ANIMAL IS HOW
YOU WISH TO BE SEEN.
576
00:54:04,700 --> 00:54:07,160
AH.
577
00:54:26,570 --> 00:54:31,820
SO, DOES NOTHING ELSE
EXCITE YOU
578
00:54:31,820 --> 00:54:34,450
OTHER THAN MODELING?
579
00:54:34,450 --> 00:54:38,240
HONESTLY? NO.
580
00:54:38,240 --> 00:54:40,070
IT SOUNDS SO DESPERATE
WHEN I SAY IT,
581
00:54:40,070 --> 00:54:42,700
BUT IT’S TRULY THE
ONLY THING I’M GOOD AT.
582
00:54:44,450 --> 00:54:47,370
THERE’S REALLY
NOTHING ELSE TO ME.
583
00:54:50,660 --> 00:54:52,990
I WOULDN’T SAY THAT.
584
00:55:07,370 --> 00:55:09,370
[GURGLING]
585
00:55:11,370 --> 00:55:14,120
IT’S OKAY. YOU’RE OKAY.
586
00:55:36,700 --> 00:55:38,820
[BAR PATRONS LAUGHING]
587
00:55:42,740 --> 00:55:46,530
♪ ...I’M TOUCHED
BY AN ANGEL ♪
588
00:56:00,870 --> 00:56:05,280
♪ SO BE IT, I’M HERE ♪
589
00:56:05,280 --> 00:56:08,240
♪ I’M YOURS NOW ♪
590
00:56:08,240 --> 00:56:10,120
♪ TO KEEP ♪
591
00:56:11,660 --> 00:56:15,870
♪ ’CAUSE WITHOUT YOU
I STUMBLE, I FALL ♪
592
00:56:15,870 --> 00:56:21,120
♪ AND TONIGHT
YOU’RE IN MY DREAMS ♪
593
00:56:21,120 --> 00:56:26,120
♪ WHEN I SLEEP ♪
594
00:56:28,450 --> 00:56:32,570
♪ WITHOUT YOU I AM WEAK ♪
595
00:56:32,570 --> 00:56:37,570
♪ I AM WEAK ♪
596
00:56:39,700 --> 00:56:43,240
♪ WITHOUT YOU I AM WEAK ♪
597
00:56:44,740 --> 00:56:49,990
♪ SO COME BACK TO ME
TODAY ♪
598
00:56:51,410 --> 00:56:56,570
♪ I’M WITH YOU, MY DEAR. ♪
599
00:57:07,530 --> 00:57:09,570
[APPLAUSE]
600
00:57:16,910 --> 00:57:18,700
WHAT?
601
00:57:18,700 --> 00:57:21,030
YOU’VE ONLY
BEEN HERE ONE DAY
602
00:57:21,030 --> 00:57:25,280
AND ALREADY PROVIDED ME
WITH THE MOST INCREDIBLE
STORY.
603
00:57:26,990 --> 00:57:29,160
YOU SAVED A LIFE TODAY.
604
00:57:29,160 --> 00:57:31,990
OH, MY GOD. I HADN’T
THOUGHT ABOUT IT
LIKE THAT.
605
00:57:31,990 --> 00:57:34,870
[LAUGHS]
WHAT OTHER WAY IS THERE
TO THINK ABOUT IT?
606
00:57:34,870 --> 00:57:37,240
I DON’T KNOW. I JUST
PULLED A MAN OUT OF
THE WATER, I GUESS.
607
00:57:37,240 --> 00:57:38,450
BOLLOCKS.
608
00:57:38,450 --> 00:57:39,700
OH, DON’T BE SILLY.
609
00:57:39,700 --> 00:57:42,570
ANYONE WOULD HAVE
DONE THE SAME THING.
610
00:57:42,570 --> 00:57:43,820
CHEERS.
611
00:57:48,570 --> 00:57:50,450
[LAUGHING]
612
00:57:59,410 --> 00:58:02,570
HEY, LOVE? LOVE?
KNOW ANY K.D. LANG?
613
00:58:11,870 --> 00:58:13,450
I NEED A PISS.
614
00:58:13,450 --> 00:58:15,700
THANKS FOR THAT.
615
00:58:15,700 --> 00:58:17,570
GET THEM IN, BOYS.
616
00:58:17,570 --> 00:58:22,320
♪ SHE ONLY GOT
AWAY FROM IT ALL ♪
617
00:58:22,320 --> 00:58:27,450
♪ FOR JUST ONE DAY
TO FEEL FREE ♪
618
00:58:27,450 --> 00:58:29,570
♪ TO OPEN UP
AND MOVE ♪
619
00:58:29,570 --> 00:58:32,820
♪ IN HER OWN WAY... ♪
620
00:58:46,320 --> 00:58:48,280
YOU ALL RIGHT, SEXY?
621
00:58:49,870 --> 00:58:53,160
GONNA PUT ON A BIT
OF A SHOW FOR US LATER?
622
00:58:53,160 --> 00:58:55,820
KEEP YOUR
KNICKERS ON, LOVE.
623
00:59:20,740 --> 00:59:25,740
ONE MORE COMMENT AND I WILL
SLICE YOUR FUCKING BALLS.
624
00:59:45,280 --> 00:59:47,160
WE’RE GOING HOME.
625
00:59:57,120 --> 00:59:58,910
FRANKIE. FRANKIE,
HANG ON A SECOND.
626
00:59:58,910 --> 01:00:00,160
ARE YOU ALL RIGHT?
627
01:00:00,160 --> 01:00:02,910
WHAT HAPPENED IN THERE?
628
01:00:02,910 --> 01:00:05,870
FRANKIE--
629
01:00:12,200 --> 01:00:15,450
I CAN’T STAND
OBNOXIOUS PEOPLE.
630
01:00:15,450 --> 01:00:17,910
I JUST TOLD HIM TO STOP
BEING SUCH A PIG.
631
01:00:17,910 --> 01:00:20,450
OH, YEAH, AND I’M SURE
HE LISTENED TO THAT.
632
01:00:20,450 --> 01:00:24,160
COME ON, TELL ME.
WHAT HAPPENED IN THERE?
633
01:00:24,160 --> 01:00:28,200
LET’S JUST SAY HE WON’T HAVE
THE BALLS TO SAY ANYTHING
LIKE THAT TO YOU AGAIN.
634
01:00:28,200 --> 01:00:32,160
REALLY? YOU STOOD UP FOR ME.
635
01:00:34,030 --> 01:00:37,490
I NEVER LET ANYBODY
SHAKE UP MY GIRL.
636
01:00:37,490 --> 01:00:38,910
LET’S GO HOME.
637
01:00:58,450 --> 01:01:00,740
[SIGHING]
638
01:01:07,870 --> 01:01:09,320
MM-HMM.
639
01:04:15,450 --> 01:04:17,240
COME IN.
640
01:04:21,320 --> 01:04:24,820
I BROUGHT YOU
SOME FRESH TOWELS.
641
01:04:24,820 --> 01:04:26,620
WHICH I’VE ALREADY DONE.
642
01:04:28,160 --> 01:04:31,160
I COMPLETELY FORGOT. SORRY.
643
01:04:31,160 --> 01:04:34,490
FRANKIE, WAIT.
644
01:04:34,490 --> 01:04:38,950
THANK YOU. YOU KNOW,
FOR WHAT YOU DID
FOR ME TONIGHT.
645
01:04:40,490 --> 01:04:42,070
THAT’S ALL RIGHT.
646
01:04:47,490 --> 01:04:52,450
I JUST FEEL
THE NEED TO PROTECT
YOU, THAT’S ALL.
647
01:06:03,200 --> 01:06:06,320
AND WHEN YOU PICTURE HER
WITH SOMEONE ELSE?
648
01:06:09,490 --> 01:06:11,820
WHY WOULD YOU SAY THAT?
649
01:06:13,490 --> 01:06:15,620
WHY WOULD YOU PUT THAT VIVID,
650
01:06:15,620 --> 01:06:18,240
SICK IMAGE IN MY HEAD?
651
01:06:18,240 --> 01:06:20,490
STAY CALM.
652
01:06:20,490 --> 01:06:23,530
I AM CALM.
653
01:06:25,620 --> 01:06:27,490
I’M SIMPLY ASKING.
654
01:06:27,490 --> 01:06:31,780
YOU SAID YOU
DIDN’T TRUST ANYONE,
655
01:06:31,780 --> 01:06:35,780
SO PRESUMABLY YOU’VE
PICTURED HER WITH OTHER PEOPLE.
656
01:06:39,200 --> 01:06:41,070
YES.
657
01:06:41,070 --> 01:06:44,200
AND HOW DOES IT
MAKE YOU FEEL?
658
01:06:44,200 --> 01:06:46,200
JEALOUS.
659
01:06:48,120 --> 01:06:53,070
I SEE RED. I HAVE THOUGHTS
OF HURTING THAT PERSON.
660
01:06:53,070 --> 01:06:55,950
YOU HAVE VIOLENT THOUGHTS?
661
01:06:55,950 --> 01:06:57,530
YES.
662
01:06:57,530 --> 01:06:59,780
WOULD YOU SAY THAT YOU’RE
A VIOLENT PERSON?
663
01:06:59,780 --> 01:07:01,700
COME ON! YOU’VE SEEN
WHAT I’VE DONE.
664
01:07:01,700 --> 01:07:04,240
YES, BUT I’M NOT HERE
TO JUDGE YOU.
665
01:07:04,240 --> 01:07:07,990
THIS IS JUST A PIECE
OF PAPER, WHEREAS YOU
ARE A PERSON.
666
01:07:10,120 --> 01:07:13,410
I WANT TO KNOW IF YOU
SEE YOURSELF AS VIOLENT.
667
01:07:25,240 --> 01:07:27,200
NO.
668
01:08:21,820 --> 01:08:24,240
[GASPS]
669
01:08:24,240 --> 01:08:25,660
WHAT IS IT?
670
01:08:25,660 --> 01:08:27,280
THERE’S SOMEONE THERE.
671
01:08:27,280 --> 01:08:29,410
THERE’S NO ONE
AROUND FOR MILES.
672
01:08:29,410 --> 01:08:31,120
NO. THERE’S
SOMEONE THERE
673
01:08:31,120 --> 01:08:32,200
AND I SAW THE SAME
THING LAST NIGHT
674
01:08:32,200 --> 01:08:33,660
OUTSIDE MY ROOM.
675
01:08:33,660 --> 01:08:35,120
LAST NIGHT?
YOU DIDN’T
SAY ANYTHING.
676
01:08:35,120 --> 01:08:36,370
I THOUGHT IT WAS YOU,
677
01:08:36,370 --> 01:08:37,660
AND THEN I WOKE UP
AND I FORGOT.
678
01:08:37,660 --> 01:08:39,820
LOOK, THERE’S SOMEONE
OUT THERE.
679
01:08:39,820 --> 01:08:43,660
HELLO? IS THERE
ANYBODY ANYBODY THERE?
680
01:08:43,660 --> 01:08:45,370
THEY MUST HAVE MOVED.
681
01:09:02,950 --> 01:09:05,530
I JUST WANT
TO CHECK OUTSIDE.
682
01:09:25,660 --> 01:09:30,410
SO, THERE’S NOBODY
INSIDE THE HOUSE,
683
01:09:30,410 --> 01:09:33,490
AND--
684
01:09:33,490 --> 01:09:36,530
THERE’S NOBODY
OUTSIDE THE HOUSE.
685
01:09:36,530 --> 01:09:38,120
I SAW SOMEONE.
686
01:09:38,120 --> 01:09:39,870
I DON’T KNOW WHAT
TO TELL YA, BABE.
687
01:09:39,870 --> 01:09:42,410
I’VE LIVED HERE
EIGHT YEARS AND NEVER
HAD ANY PROBLEMS.
688
01:09:42,410 --> 01:09:44,700
BUT THAT’S
THE SECOND TIME NOW.
689
01:09:44,700 --> 01:09:47,870
SO YOU SAY--
690
01:09:47,870 --> 01:09:52,240
BUT THE ONLY PERSON I FOUND
WALKING AROUND THE HOUSE
LAST NIGHT WAS YOU.
691
01:09:52,240 --> 01:09:54,070
WHAT ARE YOU SAYING?
692
01:09:54,070 --> 01:09:58,780
NOTHING. IT’S JUST
BEEN A LONG WEEKEND.
YOU’RE TIRED--
693
01:09:58,780 --> 01:10:00,870
ARE YOU SAYING
I’M MAKING THIS UP?
694
01:10:00,870 --> 01:10:02,950
NOT ON PURPOSE.
BUT, THAT’S TWICE--
695
01:10:02,950 --> 01:10:06,820
MAIA, WHERE IS
THE EVIDENCE
696
01:10:06,820 --> 01:10:10,780
THAT THERE’S BEEN
ANYBODY ELSE IN THIS
HOUSE OTHER THAN US?
697
01:10:22,990 --> 01:10:26,990
WHY DON’T WE GO
AND LOCK UP
698
01:10:26,990 --> 01:10:30,410
EVERY SINGLE DOOR
AND WINDOW
699
01:10:30,410 --> 01:10:32,700
AND CARRY ON FROM
WHERE WE LEFT OFF?
700
01:10:32,700 --> 01:10:34,530
NO. IT JUST DOESN’T
FEEL RIGHT.
701
01:10:34,530 --> 01:10:37,950
ALL RIGHT. THEN I’LL
COME AND TUCK YOU UP
702
01:10:37,950 --> 01:10:39,870
AND MAKE SURE
THE BOOGEYMAN DOESN’T
COME AND GET YOU.
703
01:10:39,870 --> 01:10:43,160
NO. NOT ABOUT THAT.
ABOUT US.
704
01:10:47,530 --> 01:10:49,160
OH.
705
01:10:57,660 --> 01:10:59,240
NOT TO WORRY.
706
01:11:06,160 --> 01:11:08,700
YOU GO UP AND--
707
01:11:08,700 --> 01:11:12,950
I’LL LOCK UP DOWN HERE
AND I WILL CALL YOU
IN THE MORNING.
708
01:11:14,570 --> 01:11:17,120
I’M REALLY S-
GO TO BED, MAIA.
709
01:12:54,570 --> 01:12:56,950
ARE YOU THINKING OF HER?
710
01:12:59,410 --> 01:13:01,530
ALWAYS.
711
01:13:02,950 --> 01:13:05,030
I ADORE HER.
712
01:13:06,870 --> 01:13:09,160
AND WHAT IS IT YOU MOST MISS?
713
01:13:10,990 --> 01:13:13,700
I MISS--
714
01:13:14,700 --> 01:13:16,450
LAYING NEXT TO HER.
715
01:13:23,570 --> 01:13:27,160
[ADRIAN]
I MISS THE TOUCH OF HER SKIN.
716
01:13:31,160 --> 01:13:33,620
THE SMELL OF HER HAIR.
717
01:13:40,320 --> 01:13:42,120
SHE KEEPS ME WARM.
718
01:13:42,120 --> 01:13:44,870
SHE MAKES ME FEEL WARM.
719
01:13:50,820 --> 01:13:54,280
THAT’S WHAT ALLOWS ME
TO REMEMBER.
720
01:14:02,820 --> 01:14:04,820
NO, STOP IT!
GET OFF!
721
01:14:04,820 --> 01:14:07,240
WHAT’S WRONG?
722
01:14:08,870 --> 01:14:11,120
MAIA, WHAT THE FUCK
IS WRONG?
723
01:14:11,120 --> 01:14:13,570
WHAT ARE YOU DOING?
724
01:14:13,570 --> 01:14:15,700
I THOUGHT THAT’D BE
PRETTY OBVIOUS.
725
01:14:15,700 --> 01:14:17,320
I WAS ASLEEP!
726
01:14:18,870 --> 01:14:24,160
MAIA, YOU’RE THE ONE
THAT CAME IN HERE.
727
01:14:26,570 --> 01:14:29,740
YOU KNOW WHAT?
728
01:14:29,740 --> 01:14:31,410
JUST GO BACK TO YOUR ROOM.
729
01:14:31,410 --> 01:14:32,990
BUT FRANKIE, I--
730
01:14:32,990 --> 01:14:35,160
SHHH. I HONESTLY THOUGHT
731
01:14:35,160 --> 01:14:39,870
THAT I’D HAD MY FAIR SHARE
OF WHACK JOBS RECENTLY,
BUT YOU--
732
01:14:42,120 --> 01:14:43,530
FRANKIE, LET ME EXPLAIN.
733
01:14:43,530 --> 01:14:47,820
NO! I’VE HAD ENOUGH OF THIS!
734
01:14:49,870 --> 01:14:54,030
I GUESS WE CAN RULE OUT
AN INTRUDER IN THE HOUSE
735
01:14:54,030 --> 01:14:58,280
BECAUSE YOU ARE FUCKING CRAZY!
736
01:14:59,570 --> 01:15:01,450
JUST GET OUT!
737
01:15:16,570 --> 01:15:19,160
AND WHAT DO YOU REMEMBER?
738
01:15:21,280 --> 01:15:23,490
THAT WE’LL SURVIVE.
739
01:15:26,120 --> 01:15:28,820
THAT WE’LL BE OKAY.
740
01:15:35,870 --> 01:15:38,700
BUT THERE’S JUST ONE PROBLEM.
741
01:15:42,700 --> 01:15:44,200
WHICH IS?
742
01:15:45,570 --> 01:15:49,200
I THINK SHE’S
HAVING AN AFFAIR.
743
01:17:49,450 --> 01:17:51,740
[CLANGING]
744
01:18:05,370 --> 01:18:07,870
[CLANGING]
745
01:18:07,870 --> 01:18:10,160
[CLANGING]
746
01:18:53,910 --> 01:18:56,160
OH, FOR GOD’S SAKE, MAIA.
PUT SOME CLOTHES ON.
747
01:18:57,320 --> 01:18:58,910
I’M SORRY.
I JUST LITERALLY--
748
01:18:58,910 --> 01:19:00,200
WHAT DO YOU WANT
FOR BREAKFAST?
749
01:19:00,200 --> 01:19:01,910
UM--
750
01:19:03,070 --> 01:19:05,320
ARE YOU REALLY NOT
GOING BACK TO BED?
751
01:19:07,660 --> 01:19:09,160
I CAN’T SLEEP.
752
01:19:09,160 --> 01:19:11,620
BUT IT’S SO EARLY.
753
01:19:13,620 --> 01:19:16,240
WELL, I THOUGHT
IF WE GOT UP EARLY
754
01:19:16,240 --> 01:19:17,660
THEN WE COULD DO
WHAT WE PLANNED
755
01:19:17,660 --> 01:19:20,160
AND YOU CAN GET
AN EARLY TRAIN BACK.
756
01:19:20,160 --> 01:19:24,950
MAYBE I SHOULD
JUST GO STRAIGHT
TO THE STATION NOW.
757
01:19:27,780 --> 01:19:32,780
NO, NO. WE MADE PLANS.
758
01:19:32,780 --> 01:19:34,950
IT WON’T TAKE US LONG
TO DO THEM.
759
01:19:36,490 --> 01:19:38,620
EGGS, BACON AND TOAST.
760
01:19:40,780 --> 01:19:42,620
YEAH. THAT SOUNDS GREAT.
THANKS.
761
01:19:44,320 --> 01:19:46,370
GET YOURSELF WASHED.
762
01:19:46,370 --> 01:19:48,320
BE READY IN 20 MINUTES.
763
01:21:51,950 --> 01:21:53,620
I WANT TO
SHOW YOU SOMETHING.
764
01:22:28,240 --> 01:22:29,740
FRANKIE.
765
01:22:29,740 --> 01:22:33,240
FRANKIE.
OH, WHAT IS IT NOW?
766
01:22:36,740 --> 01:22:38,370
ARE YOU STUCK?
767
01:22:38,370 --> 01:22:41,370
SOMEHOW, YES I AM.
768
01:22:45,820 --> 01:22:48,950
FRANKIE, WHAT ARE YOU
DOING? HELP ME UP.
769
01:22:48,950 --> 01:22:52,530
YOU KNOW, I WAS ABOUT TO,
770
01:22:52,530 --> 01:22:54,030
BUT MAYBE THIS
IS THE PERFECT TIME
771
01:22:54,030 --> 01:22:55,240
TO GET A FEW THINGS
OFF MY CHEST.
772
01:22:55,240 --> 01:22:57,370
YOU’RE KIDDING ME, RIGHT?
773
01:22:57,370 --> 01:23:02,370
NO, MAIA. NO, I’M NOT.
774
01:23:04,530 --> 01:23:10,120
WHAT DOES IT FEEL LIKE, MAIA,
TO KNOW WHAT YOU WANT?
775
01:23:10,120 --> 01:23:12,410
TO BE SO CLOSE
TO ACHIEVING IT,
776
01:23:12,410 --> 01:23:15,530
TO PHYSICALLY SEE
WHAT IT IS THAT YOU WANT,
777
01:23:15,530 --> 01:23:20,240
AND THEN TO BE TOLD NO
RIGHT AT THE LAST SECOND?
778
01:23:20,240 --> 01:23:23,030
PRETTY FRUSTRATING, HUH?
779
01:23:24,780 --> 01:23:28,370
WELL, I GUESS
THIS IS WHAT HAPPENS
780
01:23:28,370 --> 01:23:31,780
WHEN YOU START
LETTING YOURSELF GO.
781
01:23:31,780 --> 01:23:35,660
THE LAST COUPLE OF DAYS
EATING LIKE A LITTLE FAT PIG
782
01:23:35,660 --> 01:23:37,780
SEEM TO HAVE CAUGHT UP
WITH YOU.
783
01:23:37,780 --> 01:23:40,370
STOP IT, FRANKIE!
784
01:23:40,370 --> 01:23:44,910
IT’S A SHAME YOU DIDN’T EAT
LIKE THAT WHEN YOU WERE
CARRYING CHLOE.
785
01:23:46,990 --> 01:23:49,780
HOW COULD YOU BE SO SPITEFUL?
786
01:23:49,780 --> 01:23:51,070
HELP ME UP!
787
01:23:51,070 --> 01:23:54,990
DID YOU JUST TELL ME
WHAT TO DO?
788
01:23:57,240 --> 01:23:59,780
HAVE YOU EVEN GRASPED
THE SITUATION?
789
01:23:59,780 --> 01:24:03,370
I MEAN, I KNOW YOU ARE NOT
THE SHARPEST TOOL IN THE SHED,
790
01:24:03,370 --> 01:24:06,240
BUT YOU DO REALIZE THAT
YOU ARE IN NO POSITION
791
01:24:06,240 --> 01:24:07,780
TO BE MAKING DEMANDS
RIGHT NOW?
792
01:24:07,780 --> 01:24:09,820
I’M NOT KIDDING. I--
793
01:24:09,820 --> 01:24:12,820
I DON’T THINK I CAN BREATHE.
794
01:24:14,990 --> 01:24:20,660
OH, BUT YOU CAN, YOU SEE?
795
01:24:20,660 --> 01:24:22,370
THAT’S THE BEAUTY OF IT.
796
01:24:22,370 --> 01:24:24,780
THERE’S ABSOLUTELY
NOTHING WRONG WITH YOU.
797
01:24:24,780 --> 01:24:27,370
IT’S JUST THAT YOU’VE
LOST CONTROL, A LITTLE BIT,
798
01:24:27,370 --> 01:24:32,240
LIKE LAST NIGHT. MAYBE IT’S
A MENTAL, PSYCHOTIC TICK
THAT YOU HAVE.
799
01:24:32,240 --> 01:24:36,240
[SOBBING]
800
01:24:42,410 --> 01:24:44,070
SHHH!
801
01:24:45,070 --> 01:24:47,660
CAN YOU HEAR THAT?
802
01:24:47,660 --> 01:24:51,200
MAIA, CAN YOU HEAR THAT?
803
01:24:51,200 --> 01:24:55,280
THAT IS THE SOUND
OF NOBODY CARING.
804
01:24:55,280 --> 01:24:58,700
SOUND FAMILIAR? BITCH!
805
01:24:58,700 --> 01:25:02,910
YOUR FUCKING HUSBAND
HAD A LUCKY ESCAPE.
806
01:25:02,910 --> 01:25:04,990
HE’S BEEN DISCOVERING
ALL WEEKEND
807
01:25:04,990 --> 01:25:07,820
HOW FUCKING BETTER
HIS LIFE IS WITHOUT YOU.
808
01:25:07,820 --> 01:25:11,780
HE’S PROBABLY BEEN FUCKING
SOME LITTLE WHORE EVERY NIGHT,
809
01:25:11,780 --> 01:25:15,280
WHILE YOU’VE BEEN HERE
TRYING TO FUCK WITH MY HEAD!
810
01:25:15,280 --> 01:25:19,120
[SCREAMING, SOBBING]
811
01:25:31,780 --> 01:25:34,530
[MAIA SOBBING]
812
01:25:38,240 --> 01:25:40,820
OH, ARE YOU SAD, PRINCESS?
813
01:25:40,820 --> 01:25:43,530
HAS SOMETHING HAPPENED
TO UPSET YOU?
814
01:25:43,530 --> 01:25:45,780
WELL, GOOD.
815
01:25:45,780 --> 01:25:48,820
MAYBE NOW YOU’LL UNDERSTAND.
816
01:25:48,820 --> 01:25:53,570
COMING HERE, TREATING ME
LIKE AN EXPERIMENT
817
01:25:53,570 --> 01:25:55,240
FOR A CONFIDENCE BOOST.
818
01:25:55,240 --> 01:25:57,950
AND DID YOU EVER
THINK ABOUT ME?
819
01:25:57,950 --> 01:26:01,780
ASK ABOUT MY LIFE?
MY PROBLEMS? NO!
820
01:26:01,780 --> 01:26:05,120
BECAUSE YOUR LIFE IS
SO FUCKING IMPORTANT!
821
01:26:05,120 --> 01:26:07,530
WELL, NEVER MIND.
822
01:26:07,530 --> 01:26:10,410
LOOKS AS THOUGH YOU’RE
GETTING YOUR COMEUPPANCE
NOW, DOESN’T IT?
823
01:26:10,410 --> 01:26:13,700
YOU SELF-OBSESSED,
824
01:26:13,700 --> 01:26:15,240
MIND-GAME PLAYING,
825
01:26:15,240 --> 01:26:18,820
ATTENTION-SEEKING
LITTLE CUNT!
826
01:26:37,240 --> 01:26:38,950
STOP IT!
827
01:26:41,410 --> 01:26:43,950
STOP IT, FRANKIE!
828
01:26:46,660 --> 01:26:49,070
STOP IT, FRANKIE!
829
01:26:50,410 --> 01:26:51,450
STOP IT!
830
01:26:51,450 --> 01:26:53,990
OOP.
831
01:26:53,990 --> 01:26:56,280
STOP IT! STOP IT!
832
01:26:56,280 --> 01:26:58,660
OOH.
833
01:27:04,820 --> 01:27:10,120
OOH. THAT IS NOT
A GOOD LOOK.
834
01:27:10,120 --> 01:27:14,120
I SEE UGLY.
835
01:27:21,410 --> 01:27:23,700
JUST SAY PLEASE, MAIA.
836
01:27:23,700 --> 01:27:29,160
PLEASE. PLEASE.
837
01:27:30,700 --> 01:27:32,280
I COULDN’T HEAR THAT.
838
01:27:33,410 --> 01:27:35,410
PLEASE!
839
01:27:36,740 --> 01:27:39,070
JUST A LITTLE LOUDER.
840
01:27:39,070 --> 01:27:41,370
PLEASE!
841
01:27:43,950 --> 01:27:45,820
ALL RIGHT.
842
01:27:45,820 --> 01:27:48,570
SEEING AS YOU
ASKED SO NICELY.
843
01:28:20,870 --> 01:28:24,240
[FRANCESCA] I’M SORRY. MAIA.
844
01:28:24,240 --> 01:28:26,950
I JUST WANT TO GO HOME!
845
01:28:26,950 --> 01:28:28,570
NO, NOT LIKE THIS.
846
01:28:28,570 --> 01:28:31,160
YOU CAN STAY ANOTHER NIGHT,
AND I’LL TAKE YOU HOME TOMORROW.
847
01:28:31,160 --> 01:28:33,990
I WANT TO GO HOME.
848
01:28:33,990 --> 01:28:36,450
WELL, YOU CAN’T,
SO WHY DON’T YOU STOP
BEING SO SELFISH
849
01:28:36,450 --> 01:28:38,990
AND TRY AND REPAIR
SOME OF THE DAMAGE
THAT YOU’VE JUST DONE?
850
01:28:38,990 --> 01:28:41,990
THE DAMAGE THAT I’VE DONE?
851
01:28:41,990 --> 01:28:44,410
WHAT THE FUCK
IS WRONG WITH YOU?
852
01:28:44,410 --> 01:28:46,450
WHAT DO YOU MEAN?
853
01:28:46,450 --> 01:28:51,030
YOU CAN’T MAKE SOMEONE
LOVE YOU.
854
01:28:51,030 --> 01:28:52,530
YOU’RE FUCKING CRAZY.
855
01:28:52,530 --> 01:28:54,740
LIKE, WHY WOULD I WANT
TO SPEND ANY MORE TIME
856
01:28:54,740 --> 01:28:57,120
WITH YOU EVER AGAIN?
HOW COULD I?
857
01:28:57,120 --> 01:28:58,990
WE HAVE SOMETHING SPECIAL.
858
01:28:58,990 --> 01:29:00,570
SPECIAL? I HATE YOU!
859
01:29:00,570 --> 01:29:02,700
THE WAY YOU MADE ME FEEL
LAST NIGHT.
860
01:29:02,700 --> 01:29:04,740
YOU SAID THAT YOU LOVED IT.
861
01:29:04,740 --> 01:29:06,570
THE WAY YOU MADE ME
FEEL IN THERE?
862
01:29:06,570 --> 01:29:08,820
WHEN I WAS TRAPPED AND SCARED,
863
01:29:08,820 --> 01:29:10,570
AND THE THINGS THAT YOU SAID,
864
01:29:10,570 --> 01:29:13,700
THAT’S THE WORST
THAT I’VE EVER FELT!
865
01:29:13,700 --> 01:29:16,240
DO YOU UNDERSTAND?
866
01:29:22,700 --> 01:29:25,120
FINE.
867
01:29:37,410 --> 01:29:40,990
NOW TRY GETTING HOME,
YOU LITTLE FUCKING TEASE.
868
01:29:40,990 --> 01:29:44,530
PLEASE MAIA. PLEASE DON’T.
PLEASE STAY STAY STAY, PLEASE!
869
01:29:44,530 --> 01:29:47,820
GET OFF ME!
I’M SO SORRY! PLEASE STAY!
870
01:29:47,820 --> 01:29:48,990
NO!!!
871
01:30:01,870 --> 01:30:03,620
[SCREAMS]
872
01:30:57,280 --> 01:30:59,530
[END MUSIC PLAYING]
873
01:34:03,030 --> 01:34:05,320
[MUSIC FADES]
60211
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