All language subtitles for Do You Know Me (2009) BR

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:01,480 --> 00:00:04,210 [♪♪] 2 00:00:08,620 --> 00:00:12,250 [CAMERA SHUTTER CLICKING REPEATEDLY] 3 00:01:23,260 --> 00:01:24,760 ARE YOU PROUD? 4 00:01:24,790 --> 00:01:26,030 I COULDN'T BE PROUDER. 5 00:01:26,060 --> 00:01:28,600 I JUST WISH WE DIDN'T HAVE TO CELEBRATE WITH WHAT'S HIS NAME-- 6 00:01:28,630 --> 00:01:29,930 CHRIS-- ...CHRIS. 7 00:01:29,960 --> 00:01:32,200 ...IS A VERY NICE BOY, DAVID. "...IS A VERY NICE BOY, DAVID." 8 00:01:32,230 --> 00:01:34,300 PLUS... HE'S HOT. 9 00:01:38,340 --> 00:01:40,610 SO, I GUESS WE'RE ADULTS NOW. 10 00:01:40,640 --> 00:01:41,940 I'M AFRAID SO. 11 00:01:41,980 --> 00:01:44,280 [BOTH CHUCKLING] 12 00:01:45,310 --> 00:01:46,750 YOU READY TO START OUR LIVES? 13 00:01:46,780 --> 00:01:48,620 YES... [SIGHS] 14 00:01:48,650 --> 00:01:52,320 ...EXCEPT FOR THE "MOVING BACK HOME" BIT. 15 00:01:52,350 --> 00:01:55,220 WHY DON'T YOU MOVE IN WITH ME? 16 00:01:57,530 --> 00:01:59,490 IT'S TOO SOON. 17 00:01:59,530 --> 00:02:00,900 BUT THANKS. 18 00:02:03,330 --> 00:02:05,900 [SHUTTER CLICKING] 19 00:02:11,910 --> 00:02:14,540 "TO HAVE HER HOME, GRADUATED, EDUCATED, 20 00:02:14,580 --> 00:02:15,540 "SO ELATED, 21 00:02:15,580 --> 00:02:16,410 "IT DOES A FATHER PROUD, 22 00:02:16,440 --> 00:02:19,610 AND MAKES THE SACRIFICES ALL WORTHWHILE." 23 00:02:19,650 --> 00:02:20,550 THAT'S AWESOME, DAD. 24 00:02:20,580 --> 00:02:21,850 THE GAZETTE IS LUCKY TO HAVE YOU, 25 00:02:21,880 --> 00:02:23,350 AND SO AM I. 26 00:02:23,380 --> 00:02:24,350 MM-HMM. 27 00:02:24,390 --> 00:02:25,520 I SPOKE TO THE PHOTO EDITOR, 28 00:02:25,550 --> 00:02:27,620 AND HE SAYS YOU CAN HAVE AN INTERNSHIP, IF YOU WANT ONE. 29 00:02:27,660 --> 00:02:29,320 YES, AND YOU CAN GET SOME SHIFTS BACK 30 00:02:29,360 --> 00:02:30,560 AT THE CLINIC, FOR THE MONEY, 31 00:02:30,590 --> 00:02:31,590 UNTIL THE GAZETTE'S READY TO PAY. 32 00:02:31,630 --> 00:02:34,860 DR. PATEL WOULD BE HAPPY TO SEE YOU THERE AGAIN. 33 00:02:34,900 --> 00:02:35,960 THANKS, I APPRECIATE IT... 34 00:02:36,000 --> 00:02:37,730 I'LL TAKE THE SHIFTS AT THE CLINIC 35 00:02:37,770 --> 00:02:38,930 UNTIL I GET A JOB AT A PAPER... 36 00:02:38,970 --> 00:02:41,500 BUT, UH, NO GAZETTE , DAD. 37 00:02:41,540 --> 00:02:43,940 I THINK I WANT TO TRY FOR A BIGGER PUBLICATION. 38 00:02:43,970 --> 00:02:44,970 EL DOESN'T NEED THE CLINIC. 39 00:02:45,010 --> 00:02:46,810 A WEEK OF POUNDING THE PAVEMENT-- 40 00:02:46,840 --> 00:02:47,740 WE KNOW HOW GOOD SHE IS, CHRIS. 41 00:02:47,780 --> 00:02:49,480 SOMETIMES A JOB IN THE HAND MEANS SOMETHING 42 00:02:49,510 --> 00:02:53,480 TO PEOPLE WHO DON'T HAVE A LOT OF MONEY. 43 00:02:54,650 --> 00:02:56,350 GIFT TIME! 44 00:02:56,380 --> 00:02:57,950 [WHISPERING]: THANK YOU. 45 00:03:00,790 --> 00:03:01,790 AWW! 46 00:03:01,820 --> 00:03:02,920 IT'S A SISTER BRACELET. 47 00:03:02,960 --> 00:03:04,060 IZ, IT'S BEAUTIFUL. 48 00:03:04,090 --> 00:03:05,990 ONE FOR YOU AND ONE FOR ME. 49 00:03:06,030 --> 00:03:08,400 WE CAN WEAR THEM TOMORROW AT THE BEACH. 50 00:03:08,430 --> 00:03:11,430 DAD MADE A RESERVATION AT THE DUSK MOTEL, 51 00:03:11,470 --> 00:03:12,370 SO WE CAN SPEND THE NIGHT. 52 00:03:12,400 --> 00:03:15,670 OH, GOD, SWEETIE, I'M SO SORRY, I FORGOT. 53 00:03:15,700 --> 00:03:19,570 UH, I CAN'T GO, I HAVE JOB INTERVIEWS TOMORROW. 54 00:03:19,610 --> 00:03:21,740 CAN'T YOU JUST SPEND ONE DAY WITH YOUR SISTER? 55 00:03:21,780 --> 00:03:23,080 DAD, I WILL, I PROMISE. 56 00:03:23,110 --> 00:03:24,710 JUST AS SOON AS I GET A JOB. OKAY? 57 00:03:27,880 --> 00:03:29,920 [CHRIS]: YEAH, YOU KNOW, THAT REALLY WAS 58 00:03:29,950 --> 00:03:31,050 AN AWESOME ARTICLE YOU WROTE, MR. CARTER. 59 00:03:31,090 --> 00:03:34,360 YOU COULD WRITE AT ANY PAPER. 60 00:03:34,390 --> 00:03:36,790 I ALWAYS TELL HIM THAT. 61 00:03:36,820 --> 00:03:37,760 WELL, HEY, SIR, 62 00:03:37,790 --> 00:03:39,060 MY FATHER'S ON THE BOARD OF HEARST PUBLISHING-- 63 00:03:39,090 --> 00:03:40,690 YOU KNOW, CHRIS, IT MIGHT SURPRISE YOU, 64 00:03:40,730 --> 00:03:42,030 BUT I ACTUALLY LIKE WRITING FOR THAT PAPER. 65 00:03:42,060 --> 00:03:44,730 I GET TO WRITE WHAT I WANT 66 00:03:44,770 --> 00:03:47,070 WHEN I WANT. 67 00:03:47,100 --> 00:03:48,740 YOU'RE SO RUDE. 68 00:03:48,770 --> 00:03:49,870 IT'S LIKE YOU HATE HIM. 69 00:03:49,900 --> 00:03:50,940 I DON'T HATE CHRIS. 70 00:03:50,970 --> 00:03:53,910 I'D JUST WISH HE'D GET HIS HEAD OUT OF HIS BUTT 71 00:03:53,940 --> 00:03:55,940 EVERY ONCE IN A WHILE, THAT'S ALL. 72 00:03:56,940 --> 00:03:59,010 I'M SORRY, EL. 73 00:03:59,050 --> 00:04:01,620 HE'S JUST SO OBSESSED WITH YOU MAKING IT BIG. 74 00:04:01,650 --> 00:04:02,650 YOU KNOW, THERE'S MORE TO LIFE THAN 75 00:04:02,680 --> 00:04:04,750 JUST GETTING YOUR NAME PLASTERED IN EVERY PAPER 76 00:04:04,790 --> 00:04:06,350 ACROSS THE COUNTRY. 77 00:04:06,390 --> 00:04:07,550 WELL, MAYBE I DON'T UNDERSTAND 78 00:04:07,590 --> 00:04:08,860 YOUR OBSESSION WITH THE STATUS QUO. 79 00:04:08,890 --> 00:04:10,620 MEANING WHAT? 80 00:04:10,660 --> 00:04:12,830 [SIGHS]: MEANING... 81 00:04:12,860 --> 00:04:14,800 YOU COULD WORK AT ANY TOP PAPER, 82 00:04:14,830 --> 00:04:17,030 AND YET YOU CHOOSE TO SLAVE AT A LOCAL RAG. 83 00:04:17,060 --> 00:04:19,430 IT'S NOT A RAG, EL. 84 00:04:19,470 --> 00:04:21,370 AND I HAPPEN TO LIKE LIVING HERE. 85 00:04:21,400 --> 00:04:22,540 PEOPLE ARE NORMAL. 86 00:04:22,570 --> 00:04:24,570 THEY REMEMBER WHAT'S IMPORTANT IN LIFE-- 87 00:04:24,610 --> 00:04:25,410 LIKE REMEMBERING 88 00:04:25,440 --> 00:04:27,010 THE PLANS THEY MAKE WITH THEIR SISTER. 89 00:04:27,040 --> 00:04:29,380 DAD, I'M SORRY, I DON'T MEAN TO SOUND... 90 00:04:29,410 --> 00:04:30,440 [SIGHS]: IT'S JUST... 91 00:04:30,480 --> 00:04:31,750 I WANT SOMETHING BIGGER 92 00:04:31,780 --> 00:04:33,850 THAN ALL THIS. 93 00:04:33,880 --> 00:04:35,750 [SIGHS]: BUT ALL MY FRIENDS ARE-- 94 00:04:35,780 --> 00:04:37,720 HEY... 95 00:04:37,750 --> 00:04:39,620 YOU'RE NOT YOUR FRIENDS, EL. 96 00:04:39,650 --> 00:04:40,890 LOOK. 97 00:04:40,920 --> 00:04:42,790 THIS IS WHERE YOU GREW UP. 98 00:04:42,820 --> 00:04:43,860 IT'S WHERE YOUR FAMILY IS, 99 00:04:43,890 --> 00:04:44,960 AND IT'S GOOD. 100 00:04:44,990 --> 00:04:46,630 IF YOU'D JUST LOOK A LITTLE CLOSER, 101 00:04:46,660 --> 00:04:49,430 YOU COULD SEE THAT, OKAY? 102 00:04:51,130 --> 00:04:54,400 I'M GLAD YOU'RE HOME. 103 00:04:55,800 --> 00:04:58,410 [♪♪] 104 00:05:09,550 --> 00:05:11,390 [DOOR CREAKS] 105 00:05:25,930 --> 00:05:27,070 [CHILD SHRIEKS] 106 00:05:27,100 --> 00:05:29,040 [MAN]: QUIET. HURRY! 107 00:05:29,070 --> 00:05:31,510 [CHILD'S SHRIEKS ECHOING] 108 00:05:31,540 --> 00:05:33,770 [CHILD PROTESTING, MUFFLED] 109 00:05:33,810 --> 00:05:36,910 [GASPS AND PANTS] 110 00:05:36,940 --> 00:05:40,180 [SIGHS SOFTLY, THEN HEAVILY] 111 00:05:41,150 --> 00:05:43,950 YOU LEFT THE DOOR OPEN. 112 00:05:43,980 --> 00:05:46,090 SORRY, EL. 113 00:05:46,120 --> 00:05:48,690 IT'S BEEN SO LONG SINCE YOU SLEPT HERE, 114 00:05:48,720 --> 00:05:50,460 I FORGOT. 115 00:06:00,800 --> 00:06:02,500 EL? 116 00:06:04,100 --> 00:06:07,880 I KNOW YOU MIGHT NOT BE, BUT I'M GLAD YOU'RE HOME. 117 00:06:07,910 --> 00:06:10,810 [LETS OUT A BREATH] 118 00:06:10,840 --> 00:06:12,750 COME HERE. 119 00:06:14,010 --> 00:06:15,780 I LOVE YOU, IZ. 120 00:06:15,820 --> 00:06:18,690 I LOVE YOU TOO. 121 00:06:32,900 --> 00:06:34,800 [CELL PHONE RINGS] 122 00:06:34,840 --> 00:06:35,840 [EL]: HEY, DAD. 123 00:06:35,870 --> 00:06:37,070 GOT A JOB YET, KIDDO? 124 00:06:37,100 --> 00:06:39,040 UH... ASK ME AGAIN IN A COUPLE OF MINUTES. 125 00:06:39,070 --> 00:06:40,210 ALL RIGHT, I WILL. 126 00:06:40,240 --> 00:06:41,710 DAD, I'M SORRY ABOUT-- 127 00:06:41,740 --> 00:06:42,840 YEAH. ME TOO, EL. 128 00:06:42,880 --> 00:06:45,150 COMING HOME? 129 00:06:45,180 --> 00:06:47,580 UH, NO, I'M GOING TO KEEP POUNDING THE PAVEMENT, 130 00:06:47,610 --> 00:06:49,680 AND THEN CHRIS AND I ARE HAVING A FRIEND OVER, 131 00:06:49,720 --> 00:06:50,780 SO I'LL PROBABLY STAY THERE. 132 00:06:50,820 --> 00:06:52,620 YOU'RE SLEEPING OVER WITH HIM? 133 00:06:52,650 --> 00:06:53,990 DAD, WHO DO YOU THINK I'VE BEEN WITH 134 00:06:54,020 --> 00:06:55,690 FOR THE LAST YEAR? 135 00:06:55,720 --> 00:06:56,820 [CHUCKLES]: LOOK. 136 00:06:56,860 --> 00:06:58,060 I'LL BE HOME BY 10. 137 00:06:58,090 --> 00:06:59,190 WE'LL HAVE BRUNCH, OKAY? 138 00:06:59,230 --> 00:07:02,700 EL, YOU BE CAREFUL IN THE CITY. 139 00:07:02,730 --> 00:07:03,860 UH, GOTTA GO! 140 00:07:03,900 --> 00:07:05,570 EXCUSE ME? 141 00:07:06,900 --> 00:07:08,070 WHAT'S THIS? 142 00:07:08,100 --> 00:07:09,600 I SAW YOU INTERVIEWED. 143 00:07:09,640 --> 00:07:11,810 YOU SAID CAFE ELENE'S CREPES WERE YOUR FAVORITE. 144 00:07:11,840 --> 00:07:12,910 [CHUCKLES NERVOUSLY] 145 00:07:12,940 --> 00:07:16,710 I JUST GRADUATED, AND, UH... 146 00:07:19,010 --> 00:07:21,780 YOUTHFUL EXUBERANCE... 147 00:07:21,820 --> 00:07:24,750 NO DEPTH. 148 00:07:24,790 --> 00:07:27,960 THANKS FOR THE CREPE. 149 00:07:46,710 --> 00:07:48,910 [CHRIS]: IS THAT YOU, BABE? HOW'D IT GO? 150 00:07:48,940 --> 00:07:51,910 NOT ONE BITE. 151 00:07:51,950 --> 00:07:53,780 [DOOR BUZZES OPEN] 152 00:07:57,620 --> 00:07:58,790 WHAT CAN I SAY? 153 00:07:58,820 --> 00:08:01,820 I'M ATTRACTED TO OLDER MEN. 154 00:08:01,860 --> 00:08:02,760 AND IT'S A TWO-WAY STREET. 155 00:08:02,790 --> 00:08:06,690 I GIVE THEM SEX, THEY PAY ME WITH APPROVAL. 156 00:08:06,730 --> 00:08:07,900 [LAUGHTER] 157 00:08:07,930 --> 00:08:10,800 OKAY... HELLO, DR. FREUD. 158 00:08:10,830 --> 00:08:11,830 OKAY. 159 00:08:11,870 --> 00:08:13,230 [GLASSES CLINKING] 160 00:08:15,770 --> 00:08:16,900 MM! 161 00:08:16,940 --> 00:08:19,640 AW, HEY, STATISTICS SAY YOU DATE ALL DIFFERENT TYPES, 162 00:08:19,670 --> 00:08:21,610 AND NO MATTER HOW HARD YOU FIGHT IT, 163 00:08:21,640 --> 00:08:22,980 YOU END UP MARRYING YOUR FATHER. 164 00:08:23,010 --> 00:08:25,710 OH, GOD. OH, THAT IS NOT GOING TO BE ME. 165 00:08:25,750 --> 00:08:26,780 I LOVE MY DAD, 166 00:08:26,810 --> 00:08:27,850 BUT I LIKE EXCITING, 167 00:08:27,880 --> 00:08:28,950 DRIVEN... 168 00:08:28,980 --> 00:08:30,680 AND GREAT BODS, RIGHT? 169 00:08:30,720 --> 00:08:31,920 [GIGGLING] 170 00:08:31,950 --> 00:08:32,790 HOW ABOUT 171 00:08:32,820 --> 00:08:35,360 SOME 3:00 A.M. JAVA TO SOBER US UP? 172 00:08:35,390 --> 00:08:36,960 YES, MA'AM. 173 00:08:36,990 --> 00:08:39,130 SWEETIE... 174 00:08:39,160 --> 00:08:41,030 WANT TO POUR ME ANOTHER ONE? 175 00:08:41,060 --> 00:08:42,830 MM-HMM. 176 00:08:42,860 --> 00:08:44,800 OOPS! 177 00:08:44,830 --> 00:08:47,670 OKAY, NO, POUR. THAT'S YOUR MISSION. 178 00:08:47,700 --> 00:08:51,340 [LAUGHING]: NO, POUR ME ANOTHER SHOT! 179 00:08:51,370 --> 00:08:55,940 AM I DRUNK, OR IS ELSA ON THIS MILK CARTON? 180 00:08:55,980 --> 00:08:56,940 HAH! YOU'RE DRUNK. 181 00:08:56,980 --> 00:08:58,250 EL'S ON MY LAP. 182 00:08:58,280 --> 00:08:59,750 [LAUGHS] 183 00:09:02,180 --> 00:09:03,350 [STARTS LAUGHING] 184 00:09:03,380 --> 00:09:05,920 OKAY, EL, NEVER GET A PERM. 185 00:09:05,950 --> 00:09:07,090 [LAUGHS]: YEAH. 186 00:09:07,120 --> 00:09:08,990 WHAT ARE YOU GUYS TALKING ABOUT? 187 00:09:10,990 --> 00:09:13,960 OH, MY GOD... THAT'S ME. 188 00:09:13,990 --> 00:09:16,400 CREEPY... IT'S YOUR TWIN! 189 00:09:16,430 --> 00:09:18,400 OR... IT'S YOU! 190 00:09:20,300 --> 00:09:21,900 THAT WHAT YOU LOOKED LIKE AT THREE? 191 00:09:21,940 --> 00:09:23,900 I DON'T KNOW. 192 00:09:23,940 --> 00:09:24,710 HAVEN'T YOU SEEN PICTURES? 193 00:09:24,740 --> 00:09:25,910 NO, NO, WE LOST ALL OF OUR THINGS 194 00:09:25,940 --> 00:09:27,340 IN A FIRE WHEN I WAS LITTLE. 195 00:09:27,370 --> 00:09:29,910 [CHRIS AND LISA, PLAY-SPOOKED]: WOO-OOH-OOH-OOH... 196 00:09:29,940 --> 00:09:32,910 [LAUGHTER] 197 00:09:32,950 --> 00:09:34,150 [♪♪] 198 00:09:34,180 --> 00:09:36,920 LOOK, SAME EYE COLOR. 199 00:09:36,950 --> 00:09:38,690 SAME HAIR! 200 00:09:38,720 --> 00:09:41,790 PLEASE... FRIZZIER, TACKIER HAIR. 201 00:09:41,820 --> 00:09:43,690 [SNICKERING] 202 00:09:43,720 --> 00:09:45,890 BORN... CALIFORNIA. 203 00:09:45,930 --> 00:09:47,830 1987. SAME YEAR. 204 00:09:47,860 --> 00:09:50,030 YEAH, BUT I WAS BORN IN JULY. 205 00:09:50,060 --> 00:09:51,700 OR SO MY KIDNAPPERS TELL ME. 206 00:09:51,730 --> 00:09:53,070 YEAH. 207 00:09:53,100 --> 00:09:54,740 [GIGGLES] 208 00:09:54,770 --> 00:09:56,040 UH, WHAT'S THAT? 209 00:09:56,070 --> 00:09:57,970 LAST SEEN-- 1990. 210 00:09:58,010 --> 00:09:59,910 AGE THREE. 211 00:09:59,940 --> 00:10:02,840 I THINK WE NEED TO REPORT THIS. 212 00:10:02,880 --> 00:10:04,240 WHAT? NO, NO! DON'T! 213 00:10:04,280 --> 00:10:06,850 [LISA]: WHY NOT? IT'S A 24-HOUR HOTLINE. 214 00:10:06,880 --> 00:10:08,720 WHAT IS SHE DOING?! 215 00:10:08,750 --> 00:10:10,850 [QUIET CHUCKLING] 216 00:10:10,880 --> 00:10:11,820 WHAT ARE YOU DOING? 217 00:10:11,850 --> 00:10:14,320 OH, MY GOD, IS SHE CALLING? 218 00:10:14,350 --> 00:10:16,360 [OPERATOR]: "DO YOU KNOW ME?" HOTLINE. 219 00:10:16,390 --> 00:10:19,830 CAN I TALK TO SOMEONE ABOUT A... 220 00:10:19,860 --> 00:10:21,500 A SOPHIE MARSARETTI? 221 00:10:21,530 --> 00:10:22,760 ONE MOMENT, PLEASE. 222 00:10:22,800 --> 00:10:23,530 WHAT ARE YOU DOING? 223 00:10:23,560 --> 00:10:25,300 COME ON, JUST FOR THE FUN OF IT. 224 00:10:25,330 --> 00:10:26,870 HELLO? 225 00:10:26,900 --> 00:10:28,200 [GASPS]: YOU DO IT! 226 00:10:28,240 --> 00:10:30,040 WHAT? UM... HELLO? 227 00:10:30,070 --> 00:10:31,940 [OPERATOR]: YES, HELLO? 228 00:10:31,970 --> 00:10:34,980 UM, I THINK I FOUND ME. 229 00:10:35,010 --> 00:10:36,810 MA'AM, CAN I HELP YOU? 230 00:10:36,840 --> 00:10:39,510 UM, YES, I LOOK LIKE THE, UM... 231 00:10:39,550 --> 00:10:40,980 THE "OLDER"-- 232 00:10:41,010 --> 00:10:42,380 [SPEAKERPHONE BEEPS ON] 233 00:10:42,420 --> 00:10:46,250 ...I LOOK LIKE THE "OLDER" PICTURE ON THE MILK CARTON. 234 00:10:46,290 --> 00:10:48,420 ARE YOU SAYING YOU THINK YOU'VE BEEN KIDNAPPED? 235 00:10:48,460 --> 00:10:49,820 UH... NO. 236 00:10:49,860 --> 00:10:51,190 I... I DON'T KNOW. 237 00:10:51,220 --> 00:10:54,290 ARE YOU FROM THE SAME AREA AS THE CHILD IN THE PICTURE? 238 00:10:54,330 --> 00:10:56,030 WELL, I'VE ALWAYS WANTED TO GO TO CALIFORNIA, 239 00:10:56,060 --> 00:10:57,260 DOES THAT COUNT? 240 00:10:57,300 --> 00:10:58,900 MA'AM, IS THIS A SERIOUS INQUIRY, 241 00:10:58,930 --> 00:11:00,830 OR ARE YOU WASTING MY TIME? 242 00:11:00,870 --> 00:11:02,900 NO, YES, I... AHEM. 243 00:11:02,940 --> 00:11:04,140 I'M SORRY. 244 00:11:04,170 --> 00:11:05,240 KEEP GOING. 245 00:11:05,270 --> 00:11:07,470 HAVE YOU EVER SEEN YOUR BIRTH CERTIFICATE? 246 00:11:07,510 --> 00:11:08,540 NO. 247 00:11:08,580 --> 00:11:10,840 HAVE YOU EVER MET YOUR GRANDPARENTS? 248 00:11:10,880 --> 00:11:12,810 NO. 249 00:11:12,850 --> 00:11:13,810 WHY NOT? 250 00:11:13,850 --> 00:11:17,880 UM, BECAUSE THEY ALL DIED WHEN I WAS YOUNG. 251 00:11:17,920 --> 00:11:19,890 ALL OF THEM? 252 00:11:19,920 --> 00:11:21,490 YES. 253 00:11:21,520 --> 00:11:23,160 DO YOU KNOW HOW OLD YOU WERE 254 00:11:23,190 --> 00:11:25,130 BY THE TIME THEY'D DIED? 255 00:11:25,160 --> 00:11:27,560 UH, ALMOST FOUR, I THINK? 256 00:11:27,590 --> 00:11:30,000 HAVE YOU VISITED THEIR GRAVES? 257 00:11:30,030 --> 00:11:31,470 [BECOMING DISCONCERTED]: NO... 258 00:11:31,500 --> 00:11:33,500 HAS IT EVER OCCURRED TO YOU 259 00:11:33,530 --> 00:11:35,270 HOW UNUSUAL IT IS 260 00:11:35,300 --> 00:11:37,440 TO HAVE LOST ALL OF YOUR GRANDPARENTS 261 00:11:37,470 --> 00:11:39,040 BY THAT AGE? 262 00:11:39,070 --> 00:11:42,040 UM... NOT REALLY. NO. 263 00:11:42,080 --> 00:11:44,080 MA'AM... 264 00:11:44,110 --> 00:11:45,250 IS THERE ANY WAY 265 00:11:45,280 --> 00:11:47,550 YOU CAN VERIFY THEIR DEATHS? 266 00:11:49,850 --> 00:11:51,120 [SPEAKERPHONE BEEPS OFF] 267 00:11:51,150 --> 00:11:53,820 [STAMMERING, CONFUSED] 268 00:11:53,850 --> 00:11:55,090 I... I... I COULD ASK. 269 00:11:55,120 --> 00:11:56,490 I'LL ASK MY PARENTS. 270 00:11:56,520 --> 00:11:59,590 I'D LIKE TO TAKE DOWN YOUR NAME. 271 00:11:59,630 --> 00:12:01,530 WELL-- WELL, WHY? 272 00:12:01,560 --> 00:12:04,970 IF I COULD HAVE YOUR NAME, ADDRESS, AND PHONE NUMBER, 273 00:12:05,000 --> 00:12:06,530 PLEASE? 274 00:12:06,570 --> 00:12:07,570 [PHONE BEEPS OFF] 275 00:12:07,600 --> 00:12:10,140 [♪♪] 276 00:12:10,170 --> 00:12:11,940 YOU FREAKED OUT! 277 00:12:11,970 --> 00:12:13,140 IT'S NOT FUNNY. 278 00:12:13,170 --> 00:12:16,540 WE WASTED THAT POOR LADY'S TIME. 279 00:12:16,580 --> 00:12:17,610 HEY, EL... 280 00:12:17,640 --> 00:12:18,910 I'M GOING TO BED. 281 00:12:18,950 --> 00:12:21,110 WHAT A BUZZ-KILL. 282 00:12:21,150 --> 00:12:22,120 [DISHES CLATTERING] 283 00:12:22,150 --> 00:12:24,580 COME ON, EL. IT WAS A JOKE. 284 00:12:40,430 --> 00:12:41,870 [ELSA GROANS SOFTLY] 285 00:12:41,900 --> 00:12:44,910 I HAVE TO GO, BABY. 286 00:12:44,940 --> 00:12:47,170 I'M LATE FOR BRUNCH. 287 00:13:17,270 --> 00:13:19,040 LOOK AT THIS-- CHEAP GOLF BALLS. 288 00:13:19,070 --> 00:13:20,140 OF COURSE THEY'RE CHEAP. 289 00:13:20,170 --> 00:13:22,380 THE GUYS WHO PLAY WITH GOOD ONES NEVER LOSE THEM. 290 00:13:22,410 --> 00:13:24,010 [CHUCKLING] 291 00:13:24,040 --> 00:13:25,580 HOW DID MY GRANDPARENTS DIE? 292 00:13:25,610 --> 00:13:27,510 WHAT KIND OF A QUESTION'S THAT FOR A WEEKEND MORNING? 293 00:13:27,550 --> 00:13:28,380 I WAS JUST CURIOUS. 294 00:13:28,420 --> 00:13:31,020 YOU KNOW, BECAUSE I NEVER MET THEM... 295 00:13:31,050 --> 00:13:32,490 ANY OF THEM. 296 00:13:32,520 --> 00:13:33,920 ALL RIGHT. WELL, IF YOU MUST KNOW, 297 00:13:33,950 --> 00:13:36,160 IT WAS A STROKE, HEART ATTACK... 298 00:13:36,190 --> 00:13:38,090 HEART ATTACK, AND EMPHYSEMA. 299 00:13:38,120 --> 00:13:39,530 NANA SMOKED TWO PACKS A DAY 300 00:13:39,560 --> 00:13:40,660 UNTIL SHE DIED. 301 00:13:40,690 --> 00:13:42,060 WHERE DID THEY DIE? 302 00:13:42,100 --> 00:13:44,430 IN A HOSPITAL. 303 00:13:44,460 --> 00:13:46,970 [LAUGHS]: I MEAN WHAT STATE, CITY? 304 00:13:47,000 --> 00:13:48,070 WHAT, YOU THINK 305 00:13:48,100 --> 00:13:49,440 WE MURDERED THEM OR SOMETHING? 306 00:13:49,470 --> 00:13:50,570 I MEAN, GRANTED, THERE HAVE BEEN MOMENTS 307 00:13:50,600 --> 00:13:52,640 I WANTED TO DRIVE AN ICE-PICK INTO YOUR NANA'S BRAIN-- 308 00:13:52,670 --> 00:13:53,970 OKAY, THAT'S ENOUGH. 309 00:13:54,010 --> 00:13:54,910 [LAUGHTER] 310 00:13:54,940 --> 00:13:57,610 OKAY, COULD YOU SLICE THE BAGELS FOR ME? 311 00:13:57,640 --> 00:13:59,050 THANK YOU SO MUCH. 312 00:13:59,080 --> 00:14:01,310 SORRY. 313 00:14:03,450 --> 00:14:05,720 CAN I SEE MY BIRTH CERTIFICATE? 314 00:14:05,750 --> 00:14:06,520 WHAT? 315 00:14:06,550 --> 00:14:08,020 I WAS JUST WONDERING IF YOU HAD IT... 316 00:14:08,050 --> 00:14:09,660 IF I COULD SEE IT. 317 00:14:09,690 --> 00:14:12,490 ELSA, WHAT'S GOING ON HERE? 318 00:14:14,360 --> 00:14:16,160 OKAY. 319 00:14:16,200 --> 00:14:19,470 I KNOW THIS IS TOTALLY SILLY... 320 00:14:27,440 --> 00:14:29,110 LET'S SEE. 321 00:14:31,680 --> 00:14:34,050 OH, BOY. 322 00:14:35,320 --> 00:14:36,680 [TAKES A SHAKY BREATH] 323 00:14:36,720 --> 00:14:38,520 WE HAVE TO HAVE A TALK, ELSA. 324 00:14:38,550 --> 00:14:39,250 DAVID... 325 00:14:39,290 --> 00:14:40,550 [DAVID]: NO, LET ME HANDLE THIS. 326 00:14:40,590 --> 00:14:42,660 WE'VE KNOWN THIS MOMENT WAS COMING 327 00:14:42,690 --> 00:14:46,060 FOR A LONG TIME NOW. 328 00:14:46,090 --> 00:14:48,260 ELSA... 329 00:14:48,300 --> 00:14:50,130 YOU WERE KIDNAPPED. 330 00:14:51,060 --> 00:14:52,100 [STARTS TO LAUGH] 331 00:14:52,130 --> 00:14:54,230 DAD! THAT'S NOT EVEN FUNNY! 332 00:14:54,270 --> 00:14:56,400 YOU ARE A CRUEL MAN, DAVID CARTER! 333 00:14:56,440 --> 00:14:57,340 CRUEL? 334 00:14:57,370 --> 00:14:59,270 COME ON, WE LOVE THIS GIRL FOR 22 YEARS, 335 00:14:59,310 --> 00:15:01,440 AND SHE GIVES US THE THIRD-DEGREE 336 00:15:01,470 --> 00:15:02,780 LIKE WE'RE A BUNCH OF CRIMINALS. 337 00:15:02,810 --> 00:15:04,410 I KNOW, OKAY? I-I-I JUST... 338 00:15:04,440 --> 00:15:06,550 IT WAS WEIRD, BECAUSE WHEN WE CALLED IN... 339 00:15:06,580 --> 00:15:07,780 CALLED IN? 340 00:15:07,810 --> 00:15:10,520 WE CALLED IN. THE... 341 00:15:10,550 --> 00:15:11,720 ...MILK CARTON PEOPLE. 342 00:15:11,750 --> 00:15:13,020 ELSA, W-- 343 00:15:13,050 --> 00:15:14,290 I KNOW, I KNOW IT WAS STUPID, 344 00:15:14,320 --> 00:15:15,420 BUT WE CALLED IT IN AS A JOKE AND... 345 00:15:15,460 --> 00:15:17,490 WHAT ON EARTH WERE YOU THINKING? 346 00:15:17,520 --> 00:15:19,360 THESE PEOPLE HAVE A HARD ENOUGH JOB TO-- 347 00:15:19,390 --> 00:15:21,660 DID YOU TELL THEM ANYTHING? 348 00:15:21,700 --> 00:15:22,700 NO! NOTHING. 349 00:15:22,730 --> 00:15:26,600 I MEAN, I DIDN'T GIVE THEM MY NAME OR ANYTHING. 350 00:15:26,630 --> 00:15:28,770 JUST PROMISE ME 351 00:15:28,800 --> 00:15:30,700 YOU'RE NOT GOING TO CALL THEM AGAIN. 352 00:15:30,740 --> 00:15:32,770 I PROMISE. 353 00:15:32,810 --> 00:15:35,710 DAD... I DO. 354 00:15:35,740 --> 00:15:38,110 OKAY. 355 00:15:39,210 --> 00:15:41,610 THIS POOR GIRL. 356 00:15:41,650 --> 00:15:43,480 CAN WE AT LEAST CHECK IT OUT? 357 00:15:43,520 --> 00:15:46,120 [PAPERS RUSTLING] 358 00:15:47,720 --> 00:15:49,520 DAD... 359 00:15:49,560 --> 00:15:51,690 DO WE HAVE TO? 360 00:15:51,730 --> 00:15:54,460 PLEASE? 361 00:15:54,490 --> 00:15:56,630 [♪♪] 362 00:16:00,200 --> 00:16:01,770 [ELSA]: "FROM WHITE ROCK, CALIFORNIA. 363 00:16:01,800 --> 00:16:06,170 LAST SEEN OUTSIDE HER HOME WEARING A SUNDRESS." 364 00:16:06,210 --> 00:16:07,670 HUH. "SOPHIE HAS 365 00:16:07,710 --> 00:16:09,610 "A STRAWBERRY-SHAPED BIRTHMARK 366 00:16:09,640 --> 00:16:11,580 ON HER RIGHT SHOULDER." 367 00:16:11,610 --> 00:16:14,380 MY BABY DOESN'T HAVE A BIRTHMARK AT ALL, 368 00:16:14,410 --> 00:16:15,550 DOES SHE? HMM? 369 00:16:15,580 --> 00:16:16,780 NOPE. 370 00:16:16,820 --> 00:16:18,120 LOOK... 371 00:16:18,150 --> 00:16:20,450 [PULLS OPEN DRAWER] 372 00:16:25,690 --> 00:16:28,800 YOUR BIRTH CERTIFICATE. 373 00:16:28,830 --> 00:16:31,660 AND ALL OF OUR NAMES ARE ON IT. 374 00:16:31,700 --> 00:16:32,800 OKAY? 375 00:16:32,830 --> 00:16:35,800 PRETTY STUPID, HUH? 376 00:16:35,840 --> 00:16:38,540 YES... AHEM. 377 00:16:38,570 --> 00:16:40,670 AND NO. 378 00:16:42,580 --> 00:16:43,780 THANKS, DAD. 379 00:16:43,810 --> 00:16:45,150 SURE. 380 00:16:45,180 --> 00:16:47,680 [♪♪] 381 00:17:04,830 --> 00:17:08,400 [VOICES RISING, INDISTINCT] 382 00:17:08,440 --> 00:17:09,400 [DAVID]: JUST A COUPLE OF MONTHS-- 383 00:17:09,440 --> 00:17:10,440 [ANNA]: YOU SAID WE WERE NOT-- 384 00:17:10,470 --> 00:17:11,640 NO! WE'RE NOT GOING TO-- 385 00:17:11,670 --> 00:17:12,710 YES! 386 00:17:12,740 --> 00:17:14,340 CHRIS? WHAT ARE YOU TALKING ABOUT? 387 00:17:14,370 --> 00:17:15,910 I KNOW YOU THINK I'M PARANOID-- 388 00:17:15,940 --> 00:17:18,310 NO, YOU KNOW WHAT? I HAVE TO GO TO WORK. 389 00:17:18,340 --> 00:17:20,280 NO! 390 00:17:23,650 --> 00:17:26,290 [♪♪] 391 00:17:28,620 --> 00:17:30,590 OKAY. THE DOCTOR WILL BE WITH YOU IN A MINUTE. 392 00:17:30,620 --> 00:17:32,690 HAVE A SEAT. 393 00:17:32,730 --> 00:17:34,230 UH, DR. PATEL? 394 00:17:35,560 --> 00:17:36,600 CAN I ASK YOU SOMETHING? 395 00:17:36,630 --> 00:17:39,800 FOR YOU? ANYTHING, MISS NEW GRADUATE. 396 00:17:39,830 --> 00:17:41,230 UM... 397 00:17:41,270 --> 00:17:43,540 THIS KIND OF THING... 398 00:17:43,570 --> 00:17:46,170 THAT'S, LIKE, FROM A VACCINE OR SOMETHING, RIGHT? 399 00:17:46,210 --> 00:17:50,240 WELL, VACCINES ARE USUALLY DONE LOWER ON THE SHOULDER, BUT... 400 00:17:50,280 --> 00:17:52,480 I MEAN, DID YOU EVER HAVE STITCHES, OR... 401 00:17:52,510 --> 00:17:55,350 IT COULD BE A BUG BITE, OR AN ACNE SCAR. 402 00:17:55,380 --> 00:17:57,420 COULD BE ANYTHING, REALLY. 403 00:17:57,450 --> 00:17:59,250 NICE SHOULDER, BY THE WAY. 404 00:18:02,760 --> 00:18:04,960 WHAT IF EVERYTHING YOU'VE ALWAYS KNOWN TO BE TRUE 405 00:18:04,990 --> 00:18:06,790 MIGHT NOT BE? 406 00:18:06,830 --> 00:18:08,860 I'D PROBABLY WIG OUT. 407 00:18:08,900 --> 00:18:10,600 EXACTLY. 408 00:18:10,630 --> 00:18:12,900 OH, CLOSE THE DOOR ALL THE WAY, OKAY? 409 00:18:14,230 --> 00:18:15,600 YOU WITH THE DOOR. 410 00:18:15,640 --> 00:18:19,270 HEY, DO NOT GET ME STARTED ON ALL YOUR QUIRKS, OKAY, 411 00:18:19,310 --> 00:18:21,210 MR. SALT-AND-PEPPER-SHAKERS ALL-LINED-UP. 412 00:18:21,240 --> 00:18:23,810 YEAH, BUT THAT MAKES SENSE. 413 00:18:23,840 --> 00:18:25,580 THIS IS NOTHING. 414 00:18:25,610 --> 00:18:26,680 RIGHT? 415 00:18:26,710 --> 00:18:28,550 IT'S A LITTLE FREAKY. 416 00:18:28,580 --> 00:18:30,350 SOMEBODY CALLED YESTERDAY, FROM THE MISSING KIDS' PLACE. 417 00:18:30,380 --> 00:18:31,990 WHAT? 418 00:18:32,020 --> 00:18:34,420 YEAH, THEY WERE ASKING QUESTIONS. 419 00:18:34,450 --> 00:18:36,720 WANTED TO KNOW YOUR NAME, YOUR PHONE NUMBER. 420 00:18:36,760 --> 00:18:38,760 THEY'RE GOING TO CALL AGAIN. 421 00:18:38,790 --> 00:18:39,930 YOU GOT TO DEAL WITH THIS. 422 00:18:39,960 --> 00:18:41,260 OH, GOD... 423 00:18:41,290 --> 00:18:42,760 WHY DON'T YOU JUST HAVE YOUR PARENTS 424 00:18:42,800 --> 00:18:44,700 TALK TO THESE PEOPLE? 425 00:18:44,730 --> 00:18:45,570 NO, I COULDN'T. 426 00:18:45,600 --> 00:18:48,370 WELL, THEN FIND OUT FOR SURE YOURSELF. 427 00:18:48,400 --> 00:18:49,740 DO A DNA TEST OR SOMETHING. 428 00:18:49,770 --> 00:18:51,670 CHRIS, THEY'RE MY PARENTS! 429 00:18:51,700 --> 00:18:52,910 THIS IS RIDICULOUS. 430 00:18:52,940 --> 00:18:54,770 RIGHT? 431 00:18:54,810 --> 00:18:55,810 LOOK ME IN THE EYE. 432 00:18:55,840 --> 00:18:58,240 DO YOU HAVE ANY DOUBT? 433 00:18:58,280 --> 00:19:00,880 JUST TALK TO YOUR DAD. 434 00:19:00,910 --> 00:19:02,250 AND, BESIDES... 435 00:19:02,280 --> 00:19:03,950 I'M GOING TO NEED TO KNOW YOUR LINEAGE 436 00:19:03,980 --> 00:19:05,620 IF YOU'RE GOING TO BE MY WIFE SOMEDAY. 437 00:19:05,650 --> 00:19:07,920 OH, HO! DID SOMEBODY JUST SAY "WIFE SOMEDAY"? 438 00:19:07,950 --> 00:19:09,490 YEAH, MAYBE SOMEBODY DID. 439 00:19:09,520 --> 00:19:10,520 MM... 440 00:19:10,560 --> 00:19:12,830 MAYBE SOMEBODY LIKED HEARING IT. 441 00:19:12,860 --> 00:19:14,430 YEAH? 442 00:19:14,460 --> 00:19:17,230 [CHUCKLES]: COME HERE, YOU. 443 00:19:20,630 --> 00:19:23,000 I CANNOT BELIEVE WHAT YOU ARE GETTING US INTO. 444 00:19:23,040 --> 00:19:24,700 CHRIS SAID ALL I HAVE TO DO 445 00:19:24,740 --> 00:19:26,340 IS SHOW THEM MY BIRTH CERTIFICATE, AND-- 446 00:19:26,370 --> 00:19:27,470 YOUR BIRTH CERTIFICATE? 447 00:19:27,510 --> 00:19:29,010 YEAH, IT'LL ONLY TAKE A SECOND, 448 00:19:29,040 --> 00:19:29,910 AND CHRIS SAYS-- 449 00:19:29,940 --> 00:19:31,810 CHRIS! CHRIS DOES NOT TELL ME WHAT I DO 450 00:19:31,840 --> 00:19:32,950 AND WHAT I DO NOT DO! 451 00:19:32,980 --> 00:19:35,320 WELL, ARE YOU GOING TO GIVE IT TO ME? 452 00:19:36,350 --> 00:19:37,850 ARE YOU KIDDING ME? 453 00:19:37,880 --> 00:19:39,990 NO. 454 00:19:40,020 --> 00:19:40,890 NOW, YOU CAN GO. 455 00:19:40,920 --> 00:19:42,760 CHRIS MAY HAVE TIME FOR THIS NONSENSE, 456 00:19:42,790 --> 00:19:43,890 BUT I DON'T. 457 00:19:43,920 --> 00:19:46,590 I HAVE WORK TO DO. 458 00:19:46,630 --> 00:19:49,500 [SCOFFS] 459 00:19:49,530 --> 00:19:51,930 [♪♪] 460 00:20:07,650 --> 00:20:08,410 [CRACKING] 461 00:20:08,450 --> 00:20:09,920 IZ, ONE MORE TIME WITH MY CDs-- 462 00:20:09,950 --> 00:20:11,450 SORRY, EL. 463 00:20:11,480 --> 00:20:13,890 [SIGHS] 464 00:20:13,920 --> 00:20:17,490 I HATE IT WHEN YOU AND DAD FIGHT. 465 00:20:17,520 --> 00:20:19,890 MAKES ME THINK YOU'LL MOVE AWAY. 466 00:20:19,930 --> 00:20:22,300 HEY... 467 00:20:24,400 --> 00:20:27,100 YOU CAN'T GET RID OF ME THAT EASILY. 468 00:20:27,130 --> 00:20:28,640 CROSS YOUR HEART? 469 00:20:28,670 --> 00:20:29,670 ...HOPE TO CROAK-- 470 00:20:29,700 --> 00:20:30,700 AND MAY MY iPOD... 471 00:20:30,740 --> 00:20:31,770 ...NEVER BE BROKE. 472 00:20:31,800 --> 00:20:33,840 NOW, PICK UP MY CDs! 473 00:20:33,870 --> 00:20:36,940 [♪♪] 474 00:21:08,940 --> 00:21:11,140 HEY. WHATCHA DOING? 475 00:21:11,180 --> 00:21:13,110 UH, JUST BORROWING A SCRUNCHIE? 476 00:21:13,150 --> 00:21:15,650 OKAY. OH, AND YOU FOUND ONE. GOOD. 477 00:21:15,680 --> 00:21:16,920 I GOT TO GO. 478 00:21:16,950 --> 00:21:18,950 GOT TO GO TO WORK. 479 00:21:23,920 --> 00:21:26,590 [PEOPLE CHATTING NEARBY, INDISTINCT] 480 00:21:33,470 --> 00:21:35,100 [VOICE OVER P.A.]: DR. DOBSON TO RADIOLOGY. 481 00:21:35,130 --> 00:21:38,140 DR. DOBSON TO RADIOLOGY. 482 00:21:39,840 --> 00:21:41,610 [KNOCKING] 483 00:21:41,640 --> 00:21:44,040 ANYONE WANT TO DO ME A FAVOR? 484 00:21:44,080 --> 00:21:46,580 I THOUGHT YOU'D NEVER ASK! 485 00:21:46,610 --> 00:21:49,450 DO YOU KNOW ANYONE WHO COULD TELL ME 486 00:21:49,480 --> 00:21:53,050 IF THIS PERSON IS RELATED TO THESE TWO PEOPLE? 487 00:21:53,090 --> 00:21:56,820 THE LAB WE USE COULD DO A DNA TEST. 488 00:21:56,860 --> 00:21:57,790 WHAT IS THIS? 489 00:21:57,820 --> 00:21:58,890 PATERNITY SUIT? 490 00:21:58,930 --> 00:22:00,630 [LAUGHS]: NO. NO BABY. 491 00:22:00,660 --> 00:22:03,000 JUST A FRIEND'S BIOLOGY PROJECT. 492 00:22:03,030 --> 00:22:05,830 FRIEND, HUH? 493 00:22:05,870 --> 00:22:08,030 HOW ACCURATE IS THE TEST? 494 00:22:08,070 --> 00:22:09,770 THE ONE-DAY TEST WILL PROVE 495 00:22:09,800 --> 00:22:10,770 WITH 100% EXCLUSION 496 00:22:10,800 --> 00:22:12,870 IF THE PEOPLE ARE NOT RELATED, 497 00:22:12,910 --> 00:22:15,880 AND 99% IF THEY ARE. 498 00:22:15,910 --> 00:22:16,910 UH, GREAT! 499 00:22:16,940 --> 00:22:18,640 AND WHEN CAN I GET THE RESULTS? 500 00:22:18,680 --> 00:22:21,110 WELL, USUALLY IT WOULD TAKE 24 HOURS, 501 00:22:21,150 --> 00:22:23,180 BUT I COULD PUT IT IN WITH TONIGHT'S LAB RUN, 502 00:22:23,220 --> 00:22:24,520 SO, IF YOU CHECK WITH ME 503 00:22:24,550 --> 00:22:25,790 BEFORE YOU LEAVE IN THE MORNING... 504 00:22:25,820 --> 00:22:27,620 MAYBE IT'LL BE READY. 505 00:22:27,650 --> 00:22:29,860 THANK YOU. 506 00:22:29,890 --> 00:22:31,890 YOU OWE ME ONE! 507 00:22:31,920 --> 00:22:33,890 ABSOLUTELY. 508 00:22:33,930 --> 00:22:35,130 [SIGHS] 509 00:22:35,160 --> 00:22:37,660 "YOU OWE ME ONE"? 510 00:22:37,700 --> 00:22:39,600 [TICKING] 511 00:22:39,630 --> 00:22:42,030 [SIGHS] 512 00:22:46,970 --> 00:22:49,140 [SIGHS WEARILY] 513 00:23:05,730 --> 00:23:06,730 [KNOCKING] 514 00:23:06,760 --> 00:23:07,760 HEY. 515 00:23:07,790 --> 00:23:09,760 DID YOU GET THOSE RESULTS? 516 00:23:09,800 --> 00:23:12,670 WELL, THAT DEPENDS. 517 00:23:12,700 --> 00:23:15,030 ON WHAT? 518 00:23:15,070 --> 00:23:17,800 ON WHETHER YOU GO OUT FOR COFFEE WITH ME. 519 00:23:17,840 --> 00:23:18,810 [CHUCKLES NERVOUSLY] 520 00:23:18,840 --> 00:23:20,840 [EXHALES UNCOMFORTABLY] 521 00:23:20,870 --> 00:23:22,180 DR. PATEL... 522 00:23:22,210 --> 00:23:23,880 RIGHT. 523 00:23:23,910 --> 00:23:26,780 I'M REALLY BUSY THIS WEEK, TOO. 524 00:23:26,810 --> 00:23:27,880 UM... 525 00:23:27,910 --> 00:23:29,020 [PAPERS RUSTLING] 526 00:23:29,050 --> 00:23:31,820 THESE TWO... UH, THEY ARE NOT THE BIOLOGICAL PARENTS 527 00:23:31,850 --> 00:23:32,750 OF THIS INDIVIDUAL. 528 00:23:32,790 --> 00:23:35,190 WHAT? 529 00:23:35,220 --> 00:23:38,660 YEAH, THEY'RE NOT RELATED IN ANY WAY. 530 00:23:38,690 --> 00:23:41,060 [EXHALES]: UH... 531 00:23:41,090 --> 00:23:43,760 AND YOU'RE ABSOLUTELY SURE? 532 00:23:45,930 --> 00:23:47,630 YEAH. 100%. 533 00:23:48,800 --> 00:23:49,800 [GASPS] 534 00:23:49,840 --> 00:23:51,000 ARE YOU OKAY? 535 00:23:52,710 --> 00:23:55,540 [♪♪] 536 00:24:08,860 --> 00:24:12,090 [BUTTONS BEEPING] 537 00:24:12,120 --> 00:24:15,730 [BUSY SIGNAL] 538 00:24:17,700 --> 00:24:20,100 HEY! SORRY, BUT YOU'RE NOT A RESIDENT. 539 00:24:20,130 --> 00:24:21,830 MY BOYFRIEND, CHRIS MAYFIELD, HE'S IN 203. 540 00:24:21,870 --> 00:24:23,070 I JUST NEED TO-- 541 00:24:23,100 --> 00:24:24,800 OHH... YOU'RE THE ONES MAKING ALL THAT RACKET 542 00:24:24,840 --> 00:24:25,970 THE OTHER NIGHT. 543 00:24:26,010 --> 00:24:27,670 YEAH. SORRY ABOUT THAT. 544 00:24:27,710 --> 00:24:29,680 LOOK, I KNOW HE'S HOME, HE'S PROBABLY JUST 545 00:24:29,710 --> 00:24:31,310 IN THE SHOWER OR SOMETHING, AND CAN'T HEAR THE BUZZER. 546 00:24:31,340 --> 00:24:33,080 OKAY, BUT JUST THIS ONCE. 547 00:24:33,110 --> 00:24:34,550 THANKS. 548 00:24:38,150 --> 00:24:39,950 [MAN GRUNTS] 549 00:24:39,990 --> 00:24:41,790 CHRIS? 550 00:24:42,860 --> 00:24:44,890 YOU LEFT THE DOOR OPEN. 551 00:24:44,920 --> 00:24:45,860 CHRIS, WAKE UP. 552 00:24:45,890 --> 00:24:48,790 [FAUCET RUNNING] 553 00:24:48,830 --> 00:24:50,260 CHRIS? MY DAD LIED. 554 00:24:50,300 --> 00:24:51,830 THEY'RE NOT REALLY MY-- [SHRIEKS] 555 00:24:51,860 --> 00:24:54,000 [BEGINS SOBBING]: OH, MY GOD! OH... 556 00:24:54,030 --> 00:24:57,670 [GASPING AND SOBBING]: OH, OH... 557 00:24:57,700 --> 00:24:58,800 [QUIET GRUNT] 558 00:24:58,840 --> 00:25:01,370 OH... I'M HERE. 559 00:25:01,410 --> 00:25:02,940 OH, MY GOD. 560 00:25:02,980 --> 00:25:05,210 YOUR FATHER... 561 00:25:05,240 --> 00:25:06,810 WHAT? 562 00:25:06,850 --> 00:25:08,680 [STAMMERING, GASPING] 563 00:25:08,710 --> 00:25:10,820 WHAT? 564 00:25:10,850 --> 00:25:14,050 YOUR FATHER... WANTS... 565 00:25:16,720 --> 00:25:18,390 [GASPING] 566 00:25:18,420 --> 00:25:22,030 WHAT? 567 00:25:23,930 --> 00:25:25,800 [CRYING] 568 00:25:27,830 --> 00:25:30,670 [GLASS SHATTERING] 569 00:25:32,140 --> 00:25:34,140 [KNIFE BLADE SCRAPING] 570 00:25:34,170 --> 00:25:37,740 [FOOTSTEPS APPROACHING] 571 00:25:43,220 --> 00:25:45,890 [ELSA GASPING AND SOBBING] 572 00:25:45,920 --> 00:25:46,920 HEY! 573 00:25:46,950 --> 00:25:48,220 I'M SORRY, I'M SO SORRY! 574 00:26:01,970 --> 00:26:04,800 [CELL PHONE RINGING] 575 00:26:08,910 --> 00:26:09,980 HELLO? 576 00:26:10,010 --> 00:26:12,080 [DAVID]: MORNING, KIDDO. HOW WAS WORK? 577 00:26:12,110 --> 00:26:13,810 [CONCERNED]: ELSA? 578 00:26:13,850 --> 00:26:17,950 [WEEPING UNCONTROLLABLY]: OH, MY GOD... OH, MY GOD... 579 00:26:17,980 --> 00:26:19,690 ELSA, WHAT'S WRONG? 580 00:26:19,720 --> 00:26:21,150 EL, WHAT IS IT? 581 00:26:21,190 --> 00:26:23,360 CHRIS IS DEAD! 582 00:26:23,390 --> 00:26:25,360 WHAT? 583 00:26:25,390 --> 00:26:28,690 WHAT HAPPENED? WHERE ARE YOU? 584 00:26:28,730 --> 00:26:29,860 YOU LIED TO ME! 585 00:26:29,900 --> 00:26:31,460 YOU'RE NOT MY FATHER! 586 00:26:31,500 --> 00:26:34,800 ELSA? EL, WE HAVE TO TALK. 587 00:26:34,830 --> 00:26:37,270 I'M CALLING 911. 588 00:26:37,300 --> 00:26:39,110 NO, DON'T. DON'T TALK TO THE POLICE. 589 00:26:39,140 --> 00:26:40,140 IF YOU DO, YOU'LL END UP DEAD. 590 00:26:40,170 --> 00:26:42,240 ISABEL WILL END UP DEAD, I PROMISE. 591 00:26:42,270 --> 00:26:43,940 WHAT? 592 00:26:43,980 --> 00:26:45,980 LOOK, YOU WILL BOTH BE KILLED. 593 00:26:46,010 --> 00:26:47,910 NOW, MEET ME AT THE DUSK MOTEL IN TWO HOURS. 594 00:26:47,950 --> 00:26:50,180 11:00, EL. IF YOU DON'T DO IT-- [ENDS CALL] 595 00:26:50,220 --> 00:26:51,720 LOOKS LIKE YOU'RE HAVING A BAD DAY. 596 00:26:51,750 --> 00:26:52,920 [GASPS] 597 00:26:52,950 --> 00:26:54,350 WOW... 598 00:26:54,390 --> 00:26:55,350 REALLY BAD. 599 00:26:55,390 --> 00:26:57,860 I DIDN'T DO ANYTHING, I SWEAR! 600 00:26:57,890 --> 00:26:59,730 HEY! I BELIEVE YOU. 601 00:26:59,760 --> 00:27:02,730 I DO... SOPHIE. 602 00:27:02,760 --> 00:27:05,030 WHO ARE YOU? 603 00:27:05,060 --> 00:27:07,430 I'M AGENT JAKE FARBER, 604 00:27:07,470 --> 00:27:09,270 D.E.A. 605 00:27:10,970 --> 00:27:13,340 ALL RIGHT? 606 00:27:13,370 --> 00:27:15,510 ALL RIGHT, I GOT CHRIS'S NUMBER OFF THE HOTLINE. 607 00:27:15,540 --> 00:27:17,180 I'VE BEEN WAITING FOR YOU ALL MORNING. 608 00:27:17,210 --> 00:27:18,780 WHAT DO YOU WANT FROM ME? 609 00:27:18,810 --> 00:27:19,810 [SIRENS WAILING ON APPROACH] 610 00:27:19,850 --> 00:27:21,480 YOUR FATHER... 611 00:27:21,510 --> 00:27:23,950 JERRY FONTAINE. 612 00:27:23,980 --> 00:27:26,420 THAT'S HIS REAL NAME. ALL RIGHT? 613 00:27:26,450 --> 00:27:28,450 YOU DIDN'T TOUCH ANYTHING IN THERE, DID YOU? 614 00:27:28,490 --> 00:27:30,120 I-- I ONLY-- 615 00:27:30,160 --> 00:27:31,320 LOOK, I'M NOT ASKING WHAT HAPPENED, ALL RIGHT? 616 00:27:31,360 --> 00:27:32,320 BUT YOU GOT BLOOD ALL OVER YOUR HANDS, 617 00:27:32,360 --> 00:27:35,090 YOU GOT FINGERPRINTS ALL OVER THE APARTMENT-- 618 00:27:35,130 --> 00:27:36,300 YOUR ONLY CHOICE IS GOING TO BE 619 00:27:36,330 --> 00:27:38,930 EITHER GOING TO JAIL, OR COMING WITH ME. 620 00:27:38,960 --> 00:27:39,930 ALL RIGHT? LET'S GO. 621 00:27:39,970 --> 00:27:41,070 [SIRENS DRAWING NEARER] 622 00:27:41,100 --> 00:27:43,500 GET IN. 623 00:27:43,540 --> 00:27:45,740 KEEP YOUR HEAD DOWN. 624 00:27:47,140 --> 00:27:50,280 [DINERS CHATTING QUIETLY] 625 00:27:52,910 --> 00:27:54,910 AFTER EVERYTHING I'VE TOLD YOU, 626 00:27:54,950 --> 00:27:56,780 WHY NOT JUST TAKE ME IN NOW? 627 00:27:56,820 --> 00:27:58,050 LET THE POLICE DECIDE? 628 00:27:58,080 --> 00:27:59,890 BECAUSE I KNOW YOU DIDN'T KILL HIM. 629 00:27:59,920 --> 00:28:01,290 HOW DO YOU KNOW? 630 00:28:01,320 --> 00:28:03,120 COME ON, DO YOU REALLY THINK 631 00:28:03,160 --> 00:28:04,260 I'D BE SITTING HERE WITH YOU 632 00:28:04,290 --> 00:28:06,190 IF I THOUGHT YOU HAD? 633 00:28:06,230 --> 00:28:08,890 YOU FORCED DAVID CARTER'S HAND 634 00:28:08,930 --> 00:28:09,930 WHEN YOU RESPONDED 635 00:28:09,960 --> 00:28:10,930 TO OUR "DO YOU KNOW ME?" AD. 636 00:28:10,960 --> 00:28:12,030 YOUR AD? 637 00:28:12,060 --> 00:28:13,930 YEAH, THE D.E.A. PUT IT OUT THERE. 638 00:28:13,970 --> 00:28:15,870 BUT WHY WOULD MY DAD KILL CHRIS? 639 00:28:15,900 --> 00:28:17,040 WAS HE CURIOUS? 640 00:28:17,070 --> 00:28:19,370 WAS HE ASKING A LOT OF QUESTIONS? 641 00:28:20,610 --> 00:28:21,940 THAT'S ALL IT TAKES. 642 00:28:21,970 --> 00:28:25,410 COULD'VE BLOWN HIS COVER. 643 00:28:25,440 --> 00:28:29,380 I WANT YOU TO TAKE ME TO JERRY FONTAINE-- 644 00:28:29,420 --> 00:28:31,880 "DAVID CARTER." 645 00:28:31,920 --> 00:28:32,820 BUT HE'S THE PRIME SUSPECT 646 00:28:32,850 --> 00:28:34,220 IN A CASE THAT WE'VE BEEN TRYING TO CRACK 647 00:28:34,250 --> 00:28:35,860 FOR ALMOST 20 YEARS. 648 00:28:35,890 --> 00:28:37,460 A CASE THAT INVOLVES 649 00:28:37,490 --> 00:28:39,830 A LOT OF MONEY THAT DOESN'T BELONG TO HIM. 650 00:28:39,860 --> 00:28:41,430 I CAN'T GO TO THE POLICE. 651 00:28:41,460 --> 00:28:44,860 HE SAID THAT IF I DO, I'LL END UP DEAD, 652 00:28:44,900 --> 00:28:46,070 ISABEL WILL END UP DEAD. 653 00:28:46,100 --> 00:28:49,470 WELL, THAT'S ASSUMING SHE'S STILL ALIVE. 654 00:28:51,900 --> 00:28:54,910 OR WE CAN JUST CUT STRAIGHT TO THE EMOTIONAL BLACKMAIL. 655 00:28:54,940 --> 00:28:55,770 WHO DO YOU CARE MOST ABOUT? 656 00:28:55,810 --> 00:28:58,080 YOUR SO-CALLED "DAD", DAVID CARTER, 657 00:28:58,110 --> 00:29:00,950 OR LITTLE ISABEL IN THE HANDS OF A GUY 658 00:29:00,980 --> 00:29:02,580 THAT YOU AND I ARE BOTH PRETTY SURE 659 00:29:02,620 --> 00:29:04,120 MURDERED YOUR BOYFRIEND? 660 00:29:04,150 --> 00:29:05,850 SHIFT THAT PRETTY LITTLE BRAIN OF YOURS 661 00:29:05,890 --> 00:29:06,920 INTO GEAR 662 00:29:06,950 --> 00:29:09,020 AND GIVE IT SOME THOUGHT. 663 00:29:15,360 --> 00:29:18,500 I'M SUPPOSED TO MEET HIM AT 11:00... 664 00:29:18,530 --> 00:29:22,300 AT A MOTEL WE ALWAYS GO TO, THE DUSK MOTEL. 665 00:29:25,910 --> 00:29:27,540 [POLICE RADIO CHATTER]: ROGER, DISPATCH. 666 00:29:27,570 --> 00:29:29,540 THE OTHER DRIVER IS IN CRITICAL CONDITION. 667 00:29:29,580 --> 00:29:33,880 WHAT'S THE STATUS ON THE EMERGENCY PERSONNEL? OVER. 668 00:29:33,910 --> 00:29:35,880 [POLICE EXCHANGE CONTINUES] 669 00:29:35,920 --> 00:29:39,050 WHAT KIND OF PLACE IS THIS? 670 00:29:41,350 --> 00:29:43,520 [ELSA]: WE USED TO CALL IT OUR "SUMMER SECRET." 671 00:29:43,560 --> 00:29:46,060 ALWAYS A VACANCY. 672 00:29:46,090 --> 00:29:47,590 CALL HIM. SEE IF HE'S STILL THERE. 673 00:29:59,310 --> 00:30:00,540 WENT STRAIGHT TO VOICEMAIL. 674 00:30:02,010 --> 00:30:03,440 CALL HIS MOTEL. 675 00:30:12,450 --> 00:30:13,550 HERE. 676 00:30:13,590 --> 00:30:14,590 [SIGHS] 677 00:30:14,620 --> 00:30:15,690 DUSK MOTEL. 678 00:30:15,720 --> 00:30:16,920 YEAH. HI. 679 00:30:16,960 --> 00:30:19,060 THIS IS AGENT JAKE FARBER. 680 00:30:19,090 --> 00:30:21,530 HAS A DAVID CARTER CHECKED IN? 681 00:30:23,560 --> 00:30:25,530 [SIGHS] 682 00:30:25,560 --> 00:30:27,470 YOUR OLD MAN ALREADY CHECKED OUT. 683 00:30:27,500 --> 00:30:30,200 SHE SAID HE SEEMED REALLY NERVOUS. 684 00:30:31,170 --> 00:30:34,140 HE DIDN'T WAIT FOR ME? 685 00:30:34,170 --> 00:30:36,440 WHERE ELSE WOULD HE HAVE GONE? 686 00:30:36,480 --> 00:30:38,310 THINK! 687 00:30:38,340 --> 00:30:39,710 I DON'T KNOW, I DON'T KNOW! 688 00:30:39,750 --> 00:30:40,980 BULL. COME ON, THINK! 689 00:30:41,010 --> 00:30:41,850 I DON'T KNOW. 690 00:30:41,880 --> 00:30:43,250 I DON'T KNOW WHERE THEY COULD HAVE GONE. 691 00:30:43,280 --> 00:30:44,550 MAYBE I SHOULD JUST 692 00:30:44,580 --> 00:30:47,250 TURN YOU OVER TO THE COPS UP THERE, HUH? 693 00:30:47,290 --> 00:30:49,420 DO YOU REMEMBER WHAT DAVID CARTER SAID 694 00:30:49,460 --> 00:30:50,190 HE'D DO TO ISABEL 695 00:30:50,220 --> 00:30:51,720 IF YOU GOT A HOLD OF THE POLICE? 696 00:30:51,760 --> 00:30:54,530 YOU SHOULD BELIEVE HIM. 697 00:30:56,200 --> 00:30:58,660 [SNIFFLES] 698 00:31:03,670 --> 00:31:05,270 OCEAN SHORE. 699 00:31:05,300 --> 00:31:07,470 WHAT'S IN OCEAN SHORE? 700 00:31:07,510 --> 00:31:11,280 FRIEND OF MY DAD'S HAS A SORT OF CABIN THERE. 701 00:31:12,580 --> 00:31:14,010 FIND IT. 702 00:31:14,050 --> 00:31:15,650 [STARTS TO OPEN DOOR] 703 00:31:15,680 --> 00:31:17,050 PUT YOUR SEATBELT ON. 704 00:31:17,080 --> 00:31:18,450 [SHUTS DOOR] 705 00:31:26,430 --> 00:31:27,730 I HAVE TO PEE. 706 00:31:27,760 --> 00:31:28,660 HOLD IT. 707 00:31:28,690 --> 00:31:32,000 NICE. 708 00:31:32,030 --> 00:31:33,030 LOOK, WE EITHER STOP, 709 00:31:33,070 --> 00:31:34,530 OR I'M PISSING IN YOUR CAR. 710 00:31:34,570 --> 00:31:35,700 IT'S YOUR CHOICE. 711 00:31:35,730 --> 00:31:37,540 OKAY, OKAY, OKAY. 712 00:31:50,580 --> 00:31:52,020 I'M COMING WITH YOU. 713 00:31:52,050 --> 00:31:54,790 SUIT YOURSELF. 714 00:31:54,820 --> 00:31:56,420 BATHROOM? 715 00:31:58,190 --> 00:32:00,360 [SNAPS]: WHAT, ARE YOU GOING TO WATCH? 716 00:32:00,390 --> 00:32:02,800 OKAY, OKAY. 717 00:32:02,830 --> 00:32:04,660 MAKE IT QUICK. 718 00:32:04,700 --> 00:32:07,200 [SIGHS ANXIOUSLY] 719 00:32:22,410 --> 00:32:24,180 HEY! HURRY UP IN THERE. 720 00:32:24,220 --> 00:32:27,620 I'M GOING AS FAST AS I CAN! 721 00:32:31,720 --> 00:32:34,060 WHAT? 722 00:32:38,100 --> 00:32:40,370 ELSA? 723 00:32:43,670 --> 00:32:45,670 ELSA! 724 00:32:49,210 --> 00:32:50,480 [CRASHING] 725 00:32:54,650 --> 00:32:55,710 DAMMIT. 726 00:32:55,750 --> 00:32:58,080 DAMMIT! 727 00:33:01,820 --> 00:33:03,690 [RUSTLING] 728 00:33:18,740 --> 00:33:20,470 [groans] 729 00:33:22,710 --> 00:33:25,180 [TV METEOROLOGIST]: FORECAST-- SHOWERS, HEAVY AT TIMES, 730 00:33:25,210 --> 00:33:26,710 WITH OCCASIONAL THUNDER STORMSTODAY, 731 00:33:26,750 --> 00:33:29,210 AND A HIGH OF 89 DEGREES... 732 00:33:32,220 --> 00:33:34,490 CALIFORNIA IT IS. 733 00:33:36,320 --> 00:33:37,660 [NEWS REPORTER]: ... IN A DOWNTOWN LOFT, 734 00:33:37,690 --> 00:33:39,320 WHERE ELSA CARTER WAS LAST SPOTTED 735 00:33:39,360 --> 00:33:40,460 FLEEING THE SCENE, 736 00:33:40,490 --> 00:33:42,190 HER HANDS COVERED IN BLOOD. 737 00:33:42,230 --> 00:33:43,760 NOW, THE VICTIM HERE WAS CHRIS MAYFIELD, 738 00:33:43,800 --> 00:33:46,600 SON OF PUBLISHING MAGNATE FRANZ MAYFIELD. 739 00:33:46,630 --> 00:33:48,700 THE POLICE SUSPECT THAT DAVID CARTER, 740 00:33:48,730 --> 00:33:50,000 ELSA'S FATHER, 741 00:33:50,040 --> 00:33:51,840 MIGHT BE MEETING UP WITH HIS DAUGHTER TO HELP HER. 742 00:33:51,870 --> 00:33:53,110 THE NEIGHBORS CONFIRMED THAT, 743 00:33:53,140 --> 00:33:55,570 BEFORE THE POLICE ARRIVED, THEY SAW DAVID CARTER 744 00:33:55,610 --> 00:33:57,310 PULL THE YOUNGER SISTER INTO THE CAR 745 00:33:57,340 --> 00:33:59,040 AND SPEED AWAY. OH, MY GOD, IZ... 746 00:33:59,080 --> 00:34:02,710 THE POLICE ALSO SAID THAT DAVID CARTER ACCESSED A SAFETY DEPOSIT BOX 747 00:34:02,750 --> 00:34:03,720 AT A TUKWILA BANK 748 00:34:03,750 --> 00:34:05,180 BEFORE HE FLED. 749 00:34:05,220 --> 00:34:06,720 WELL, THE ASSUMPTION HERE IS THAT, 750 00:34:06,750 --> 00:34:08,190 HE'S GETTING THE MONEY 751 00:34:08,220 --> 00:34:09,720 TO HELP HIS DAUGHTER ELUDE JUSTICE. 752 00:34:09,760 --> 00:34:12,260 ELSA CARTER AND HER RICH BOYFRIEND... 753 00:34:12,290 --> 00:34:14,190 A PRINCE-AND-THE-PAUPER FAIRY-TALE 754 00:34:14,230 --> 00:34:18,430 THAT ENDED IN A BRUTAL MURDER. 755 00:34:29,810 --> 00:34:32,380 [♪♪] 756 00:34:38,280 --> 00:34:39,590 [P.A. ANNOUNCEMENT]: THE 11:00 P.M. BUS 757 00:34:39,620 --> 00:34:41,220 TO WHITE ROCK, CARLSBAD, 758 00:34:41,250 --> 00:34:45,660 ENCINITAS, AND SAN DIEGO IS NOW BOARDING. 759 00:34:46,890 --> 00:34:49,900 [♪♪] 760 00:35:15,720 --> 00:35:18,490 [FLIPS PHONE SHUT] 761 00:35:19,660 --> 00:35:21,860 SCREW THE OTHER CASE. YOU'RE DOWN THERE. 762 00:35:21,890 --> 00:35:23,630 I'M NOT GOING AFTER HER ALONE. 763 00:35:23,660 --> 00:35:24,700 WE HAD AN AGREEMENT. 764 00:35:24,730 --> 00:35:26,330 LASHLEY... LASHLEY! 765 00:35:26,370 --> 00:35:28,830 THIS IS THE BREAK WE'VE BEEN WAITING FOR, MAN, 766 00:35:28,870 --> 00:35:29,870 SINCE TIJUANA. 767 00:35:29,900 --> 00:35:31,640 MEET ME IN SAN DIEGO. 768 00:35:31,670 --> 00:35:32,870 CALL ME WHEN YOU'RE CLOSE. 769 00:35:32,910 --> 00:35:36,740 [DIAL TONE] 770 00:35:36,780 --> 00:35:38,380 THE LITTLE SNOT. 771 00:35:59,770 --> 00:36:02,400 [♪♪] 772 00:36:22,720 --> 00:36:23,760 ELSA? 773 00:36:23,790 --> 00:36:25,060 I'M ALEC ROOKER. 774 00:36:25,090 --> 00:36:27,560 DAVID CARTER SENT ME. 775 00:36:27,590 --> 00:36:29,460 [HORN HONKS] 776 00:36:29,490 --> 00:36:30,530 [♪♪] 777 00:37:46,870 --> 00:37:48,710 [TRAIN BELL DINGS] 778 00:37:55,850 --> 00:37:58,980 [♪♪] 779 00:38:04,860 --> 00:38:07,590 IZ, WHERE ARE YOU? 780 00:38:10,530 --> 00:38:12,800 CHRIS... 781 00:38:12,830 --> 00:38:14,970 [SNIFFLES] 782 00:38:47,200 --> 00:38:49,630 [CRYING] 783 00:38:49,670 --> 00:38:52,400 [♪♪] 784 00:38:58,240 --> 00:39:00,580 LOOK, ROOKER, WHAT ARE YOU SAYING? 785 00:39:00,610 --> 00:39:03,880 YOU GOT THERE TOO LATE? 786 00:39:03,920 --> 00:39:05,920 YEAH, I MISSED HER. 787 00:39:05,950 --> 00:39:08,050 DAMMIT. THEN YOU GOTTA GO TO SAN FRANCISCO. 788 00:39:08,090 --> 00:39:11,620 I GOT THE ADDRESS AND THE ARTICLE YOU FAXED ME. 789 00:39:11,660 --> 00:39:13,590 SHE'S GOING TO TRY TO FIND JOE. 790 00:39:13,630 --> 00:39:15,630 YOU'D BETTER GET TO HER FIRST. 791 00:39:15,660 --> 00:39:17,060 UH-HUH. 792 00:39:17,100 --> 00:39:18,960 GOING THERE NEXT. 793 00:39:33,850 --> 00:39:36,720 [WAVES LAPPING SHORE] 794 00:40:09,650 --> 00:40:11,980 OH, MY GOD. 795 00:40:49,790 --> 00:40:52,120 IS THAT A ROSETTA? 796 00:40:59,100 --> 00:41:02,100 [♪♪] 797 00:41:10,710 --> 00:41:11,580 [PHONE LINE RINGING] 798 00:41:11,610 --> 00:41:12,480 [RECEPTIONIST]: WELCOME TO ROSETTA. 799 00:41:12,510 --> 00:41:14,110 MAY THE LIGHT ENGULF YOU. 800 00:41:14,150 --> 00:41:17,320 HI, UH, SAME TO YOU. 801 00:41:17,350 --> 00:41:19,350 UM, I WAS WONDERING IF YOU, UM, KNEW, 802 00:41:19,380 --> 00:41:21,820 OR IF YOU KNEW ANYONE NAMED MARSARETTI? 803 00:41:21,850 --> 00:41:23,690 MARSARETTI? 804 00:41:23,720 --> 00:41:24,920 DO YOU MEAN TINA? 805 00:41:24,960 --> 00:41:28,190 YES! UH, TINA MARSARETTI. 806 00:41:28,230 --> 00:41:30,330 SHE'S TINA BASILE NOW. 807 00:41:30,360 --> 00:41:31,900 SHE TOOK BACK HER MAIDEN NAME 808 00:41:31,930 --> 00:41:33,100 AFTER THE DIVORCE. 809 00:41:33,130 --> 00:41:36,200 TINA WAS ONE WE COULDN'T HEAL. 810 00:41:38,940 --> 00:41:40,340 D-DID SHE DIE? 811 00:41:40,370 --> 00:41:41,310 NO, NO, NO. 812 00:41:41,340 --> 00:41:43,010 SHE JUST NEVER FOUND THE LIGHT. 813 00:41:43,040 --> 00:41:44,110 AH... THANKS. 814 00:41:44,140 --> 00:41:46,310 ANY IDEA WHERE I COULD FIND HER? 815 00:41:46,340 --> 00:41:48,850 LAST I HEARD, SHE MOVED NORTH OF HERE, 816 00:41:48,880 --> 00:41:49,880 TO GILROY. 817 00:41:49,920 --> 00:41:51,580 THANKS. 818 00:41:54,850 --> 00:41:55,890 [DIALS] 819 00:41:55,920 --> 00:41:57,860 [OPERATOR]: CITY AND STATE, PLEASE. 820 00:41:57,890 --> 00:41:58,990 GILROY, CALIFORNIA. 821 00:41:59,020 --> 00:42:00,860 TINA BASILE. 822 00:42:00,890 --> 00:42:05,000 THE NUMBER IS... 932-555-6217. 823 00:42:05,030 --> 00:42:07,030 [HANGS UP] 824 00:42:14,110 --> 00:42:16,370 [EXHALES NERVOUSLY] 825 00:42:16,410 --> 00:42:19,180 [DIALING] 826 00:42:21,950 --> 00:42:24,680 [LINE RINGING] 827 00:42:31,190 --> 00:42:32,790 [ANSWERING MACHINE]: HI. IT'S TINA. 828 00:42:32,820 --> 00:42:33,860 I'M NOT HOME, 829 00:42:33,890 --> 00:42:36,060 BUT YOU CAN LEAVE A MESSAGE AND I'LL CALL YOU BACK. 830 00:42:36,090 --> 00:42:38,260 [SLAMS RECEIVER DOWN] 831 00:42:40,230 --> 00:42:41,670 SO WHAT'S HER NEXT MOVE? 832 00:42:41,700 --> 00:42:42,800 MOMMY OR DADDY? 833 00:42:42,830 --> 00:42:43,970 WHAT DO YOU GOT? 834 00:42:44,000 --> 00:42:45,970 JOE MARSARETTI'S INFO. 835 00:42:46,000 --> 00:42:49,310 THIS IS A MAN THAT DID NOT WANT TO BE FOUND. 836 00:42:49,340 --> 00:42:51,810 HIDDEN UNDER A SLEW OF ALIASES. 837 00:42:51,840 --> 00:42:53,780 HE'S JOE DRESCOTT NOW. 838 00:42:53,810 --> 00:42:56,010 CHIEF OF STAFF FOR THE KENTOR-SENATOR CAMPAIGN 839 00:42:56,050 --> 00:42:57,780 IN SAN FRAN. 840 00:42:57,820 --> 00:43:00,020 [SCOFFS IN DISBELIEF] 841 00:43:00,050 --> 00:43:02,750 JOE MARSARETTI. 842 00:43:02,790 --> 00:43:05,990 FROM DRUG TRAFFICKING TO POLITICS, HUH? 843 00:43:06,020 --> 00:43:07,290 [CHUCKLES] 844 00:43:07,330 --> 00:43:08,930 I BET THE FUTURE SENATOR WOULDN'T BE TOO HAPPY 845 00:43:08,960 --> 00:43:11,800 IF HE FOUND OUT ABOUT HIS CHIEF OF STAFF'S PAST. 846 00:43:11,830 --> 00:43:14,700 WHY DON'T WE TIP OFF THE PRESS? 847 00:43:14,730 --> 00:43:17,240 CONSIDER IT DONE. 848 00:43:17,270 --> 00:43:21,840 THAT'LL MAKE HIM SWEAT. SO WE CAN GO AFTER JOE, EVEN WITH ALL OF THE ALIASES? 849 00:43:21,870 --> 00:43:24,710 DADDY IT IS. 850 00:43:24,740 --> 00:43:27,150 [♪♪] 851 00:44:04,320 --> 00:44:07,020 [TINA, SLURRING]: THE DOOR'S OPEN. 852 00:44:18,860 --> 00:44:22,230 I'M SO TIRED, FRANK... 853 00:44:25,840 --> 00:44:29,370 UH... IT'S NOT FRANK. 854 00:44:40,820 --> 00:44:42,950 UM... 855 00:44:42,990 --> 00:44:47,890 [TREMBLING] 856 00:44:47,930 --> 00:44:50,230 I'M SOPHIE. 857 00:44:51,930 --> 00:44:54,430 [GASPS AND GRUNTS] 858 00:44:58,370 --> 00:45:01,010 SOPHIE... 859 00:45:01,040 --> 00:45:02,870 [TINA SOBBING] 860 00:45:02,910 --> 00:45:05,980 [STARTS SOBBING] 861 00:45:06,010 --> 00:45:08,280 [SNIFFLES] 862 00:45:09,580 --> 00:45:14,020 I DON'T HAVE MUCH IN THE WAY OF BREAKFAST. 863 00:45:14,050 --> 00:45:15,020 [LAUGHS] 864 00:45:15,050 --> 00:45:16,290 [LIGHTLY SOBBING] 865 00:45:16,320 --> 00:45:18,390 [TAKES A DEEP BREATH] 866 00:45:19,890 --> 00:45:22,330 HERE... 867 00:45:27,970 --> 00:45:30,300 [TINA RIFLES THROUGH CUPBOARDS] 868 00:45:38,410 --> 00:45:39,580 SORRY... 869 00:45:39,610 --> 00:45:41,150 UH, NO, NO. 870 00:45:41,180 --> 00:45:42,880 NO, IT'S GREAT. 871 00:45:42,910 --> 00:45:46,020 I DON'T EAT MUCH MYSELF. 872 00:45:53,560 --> 00:45:55,330 DO YOU MIND IF I... 873 00:45:56,560 --> 00:45:59,060 I JUST... 874 00:46:05,170 --> 00:46:08,070 [LIGHTER CLICKING] 875 00:46:24,090 --> 00:46:27,090 [SETS PARAPHERNALIA DOWN] 876 00:46:29,330 --> 00:46:34,970 [LETS OUT A BREATH] YOU WERE RAISED NICE. 877 00:46:35,000 --> 00:46:36,570 HMM? 878 00:46:36,600 --> 00:46:38,040 HMM? 879 00:46:38,070 --> 00:46:39,400 YEAH. 880 00:46:39,440 --> 00:46:41,040 YEAH, I WAS. 881 00:46:41,070 --> 00:46:43,310 YOU WOULD'VE BEEN ALL I HAD... 882 00:46:43,340 --> 00:46:45,140 AFTER YOUR BROTHERS WERE GONE. 883 00:46:45,180 --> 00:46:48,050 MY BROTHERS? 884 00:46:49,510 --> 00:46:51,550 NICK... 885 00:46:51,580 --> 00:46:53,020 NICK-- 886 00:46:53,050 --> 00:46:54,920 [VOICE BREAKS]: ...AND... 887 00:46:54,950 --> 00:46:57,420 ...LUKE. 888 00:46:57,460 --> 00:46:58,690 [STARTS SOBBING] 889 00:46:58,720 --> 00:47:01,960 WHAT HAPPENED? 890 00:47:01,990 --> 00:47:03,490 JOE HAPPENED... 891 00:47:03,530 --> 00:47:05,130 THIS HAPPENED... 892 00:47:05,160 --> 00:47:07,970 TOOK 'EM BOTH. 893 00:47:08,000 --> 00:47:09,030 DEAD AND IN JAIL. 894 00:47:09,070 --> 00:47:11,370 BOTH GONE. 895 00:47:13,440 --> 00:47:16,010 [SNIFFLES] 896 00:47:16,040 --> 00:47:18,510 THIS... THIS IS, UM... 897 00:47:21,310 --> 00:47:23,350 THIS IS... [SNIFFLING] 898 00:47:24,650 --> 00:47:26,120 UM... 899 00:47:26,150 --> 00:47:27,690 THIS IS JOE. 900 00:47:27,720 --> 00:47:29,720 YOUR FATHER. 901 00:47:29,750 --> 00:47:31,020 SEE? 902 00:47:31,060 --> 00:47:32,960 AND OUR CREW, 903 00:47:32,990 --> 00:47:34,960 JERRY AND ANGELA FONTAINE. 904 00:47:34,990 --> 00:47:36,160 JERRY WAS JOE'S PARTNER. 905 00:47:36,190 --> 00:47:37,700 SOME DAMN PARTNER... 906 00:47:37,730 --> 00:47:39,060 [LAUGHS BITTERLY] 907 00:47:41,330 --> 00:47:43,170 DID THEY RAISE YOU? 908 00:47:45,670 --> 00:47:48,510 YEAH. 909 00:47:51,310 --> 00:47:53,080 WHY DID THEY TAKE ME? 910 00:47:57,420 --> 00:47:58,750 PLEASE? 911 00:47:58,780 --> 00:48:01,550 I NEED TO KNOW WHAT HAPPENED ALL THOSE YEARS AGO. 912 00:48:01,590 --> 00:48:04,090 OH, GOD, I NEED TO KNOW WHAT HAPPENED 913 00:48:04,120 --> 00:48:05,660 ALL THOSE YEARS AGO. 914 00:48:05,690 --> 00:48:07,030 YOU WERE THERE. 915 00:48:07,060 --> 00:48:08,660 YOUR FATHER WAS THERE. 916 00:48:08,690 --> 00:48:09,760 [SNIFFLING] 917 00:48:09,790 --> 00:48:11,660 WHY DID THE FONTAINES TAKE ME? 918 00:48:11,700 --> 00:48:14,630 YOUR FATHER KNOWS. 919 00:48:17,770 --> 00:48:19,440 WHICH FATHER? 920 00:48:19,470 --> 00:48:22,310 YEAH, THAT'S A GOOD QUESTION. 921 00:48:22,340 --> 00:48:24,740 WHICH ONE OF THOSE... 922 00:48:24,780 --> 00:48:27,480 HAS THE RIGHT TO CALL HIMSELF-- 923 00:48:27,510 --> 00:48:30,750 YOU KNOW, HE TRIES... HE TRIES TO BUY ME. 924 00:48:30,780 --> 00:48:34,690 HE THINKS HE'S GOD BECAUSE HE HAS ALL THIS MONEY... 925 00:48:34,720 --> 00:48:37,290 THAT YOU'RE LOOKING AT. 926 00:48:37,320 --> 00:48:40,020 I KNOW IT'S BLOOD MONEY, SO I DON'T TAKE IT. 927 00:48:40,060 --> 00:48:42,590 I WON'T... TAKE IT. 928 00:48:42,630 --> 00:48:44,560 WHO? 929 00:48:44,600 --> 00:48:45,800 SHH! 930 00:48:45,830 --> 00:48:47,300 SHH. 931 00:48:47,330 --> 00:48:49,670 EVERYONE'S LISTENING TO EVERYTHING WE SAY, 932 00:48:49,700 --> 00:48:51,800 WATCHING US... 933 00:48:51,840 --> 00:48:55,070 DAY AND NIGHT. 934 00:48:56,140 --> 00:48:57,540 MM-MM. 935 00:48:57,580 --> 00:48:58,580 I WON'T. 936 00:48:58,610 --> 00:49:00,710 [GIGGLES DELIRIOUSLY] 937 00:49:00,750 --> 00:49:04,420 SOMEBODY THAT I LOVE... 938 00:49:04,450 --> 00:49:06,050 IS IN TROUBLE. 939 00:49:06,080 --> 00:49:07,820 AND, TO FIND HER, 940 00:49:07,850 --> 00:49:10,120 YOU HAVE TO TELL ME WHAT HAPPENED-- 941 00:49:10,150 --> 00:49:11,390 [RECOILS AND GASPS] 942 00:49:11,420 --> 00:49:13,290 TELL ME ABOUT THE FONTAINES. 943 00:49:13,320 --> 00:49:15,790 [CRIES OUT HYSTERICALLY]: THE EGGS ARE CRACKING! LOOK! 944 00:49:15,830 --> 00:49:17,460 LOOK OVER THERE. 945 00:49:17,500 --> 00:49:18,600 THERE, THERE! 946 00:49:18,630 --> 00:49:20,470 THERE, AND OVER THERE! 947 00:49:20,500 --> 00:49:23,200 RIGHT OVER THERE. 948 00:49:24,840 --> 00:49:27,710 IS THIS THE SAME JOE? 949 00:49:27,740 --> 00:49:29,570 IS HE MY FATHER? 950 00:49:31,210 --> 00:49:32,180 DON'T-- DON'T TOUCH THAT! 951 00:49:32,210 --> 00:49:33,850 DON'T TOUCH THAT! 952 00:49:33,880 --> 00:49:35,350 THAT IS BLOOD MONEY! 953 00:49:35,380 --> 00:49:37,120 THAT IS THE DEVIL'S MONEY! 954 00:49:37,150 --> 00:49:38,450 [GASPS IN HORROR] 955 00:49:38,480 --> 00:49:40,080 HE'S LISTENING! 956 00:49:40,120 --> 00:49:41,720 OH, MY GOD! 957 00:49:41,750 --> 00:49:43,860 OH... 958 00:49:43,890 --> 00:49:45,220 OH, MY GOD! 959 00:49:46,560 --> 00:49:48,530 HE'S HERE... 960 00:49:48,560 --> 00:49:51,860 [PANICKED]: HE'S HERE... 961 00:49:51,900 --> 00:49:53,800 [SOBS SOFTLY] 962 00:49:53,830 --> 00:49:56,170 [♪♪] 963 00:49:56,200 --> 00:49:58,700 [TERRIFIED]: GET OUT. GET OUT. 964 00:49:58,740 --> 00:50:01,470 GET OUT! 965 00:50:01,510 --> 00:50:03,710 [CRYING]: GET OUT! 966 00:50:03,740 --> 00:50:05,340 [KEYS JINGLING] 967 00:50:05,380 --> 00:50:07,210 GET OUT! 968 00:50:08,780 --> 00:50:09,850 [SHRIEKING] 969 00:50:09,880 --> 00:50:12,880 [WAILING]: STOP! 970 00:50:12,920 --> 00:50:13,890 STOP! 971 00:50:13,920 --> 00:50:15,750 IF YOU TOUCH ANYTHING, 972 00:50:15,790 --> 00:50:17,590 HE'LL GET YOU! 973 00:50:17,620 --> 00:50:19,720 [SHRIEKS]: HE'LL GET YOU! 974 00:50:19,760 --> 00:50:22,330 HE'LL KILL YOU! 975 00:50:22,360 --> 00:50:24,330 STOP! HE'LL KILL YOU! 976 00:50:24,360 --> 00:50:26,200 [TINA SHRIEKING WILDLY] 977 00:50:26,230 --> 00:50:29,230 [TIRES SQUEALING] 978 00:50:43,310 --> 00:50:45,250 [SIGHS WEARILY] 979 00:50:45,280 --> 00:50:46,920 I'M LOOKING FOR JOE DRESCOTT. 980 00:50:46,950 --> 00:50:48,590 MR. DRESCOTT ISN'T HERE TODAY. 981 00:50:48,620 --> 00:50:51,660 CAN YOU TELL ME WHERE I CAN FIND HIM? 982 00:50:51,690 --> 00:50:54,890 [KEYS CLACKING] 983 00:50:54,930 --> 00:50:56,330 BEFORE YOU BLOW ME OFF, 984 00:50:56,360 --> 00:50:57,800 I THINK IT'S ONLY FAIR I TELL YOU 985 00:50:57,830 --> 00:50:59,300 THAT I'M FAMILY, 986 00:50:59,330 --> 00:51:00,470 THAT I'VE RECENTLY GRADUATED, 987 00:51:00,500 --> 00:51:04,500 AND THAT AN ENTRY-LEVEL POSITION AT A COMPANY LIKE THIS... 988 00:51:04,540 --> 00:51:07,170 ...SAY AS A RECEPTIONIST LIKE YOURSELF... 989 00:51:07,210 --> 00:51:09,340 MIGHT BE IDEAL. 990 00:51:09,370 --> 00:51:10,680 UH, VACANCIES PERMITTING, 991 00:51:10,710 --> 00:51:12,280 OF COURSE. 992 00:51:19,950 --> 00:51:23,450 [♪♪] 993 00:51:36,300 --> 00:51:38,870 [YELPS] DON'T RUN AWAY. 994 00:51:38,900 --> 00:51:41,870 I'M HERE TO HELP, BUT I'LL HURT YOU IF I HAVE TO. 995 00:51:41,910 --> 00:51:42,870 GET OFF OF ME! 996 00:51:42,910 --> 00:51:44,540 HEY, MAN! 997 00:51:47,710 --> 00:51:50,920 [♪♪] 998 00:52:12,700 --> 00:52:13,740 [REPORTER]: MR. KENTOR! 999 00:52:13,770 --> 00:52:16,570 A COUPLE OF QUICK QUESTIONS-- 1000 00:52:16,610 --> 00:52:18,680 [REPORTERS CLAMORING] 1001 00:52:18,710 --> 00:52:22,510 [♪♪] 1002 00:52:22,550 --> 00:52:25,250 [REPORTER #2]: WILL YOU STAY ON IN LIGHT OF THESE CHARGES? 1003 00:52:26,020 --> 00:52:27,990 [CLAMORING CONTINUES] 1004 00:52:31,020 --> 00:52:32,690 [REPORTER #3]: THESE ALLEGATIONS... 1005 00:52:34,330 --> 00:52:35,660 [REPORTER #4]: A COUPLE OF QUESTIONS, SIR. 1006 00:52:35,690 --> 00:52:38,000 MR. KENTOR-- A COUPLE OF QUESTIONS, PLEASE? 1007 00:52:38,030 --> 00:52:39,500 ABOUT A MEMBER OF YOUR STAFF. 1008 00:52:39,530 --> 00:52:40,900 SIR? 1009 00:52:40,930 --> 00:52:42,730 ARE YOU AWARE THAT MR. DRESCOTT BOUGHT FAVORS 1010 00:52:42,770 --> 00:52:45,800 FROM LAW ENFORCEMENT OFFICIALS IN MEXICO 1011 00:52:45,840 --> 00:52:46,770 TO GET OFF DRUG CHARGES? 1012 00:52:46,800 --> 00:52:48,340 THOSE ACCUSATIONS ARE COMPLETELY GROUNDLESS, 1013 00:52:48,370 --> 00:52:50,040 AND I'LL HAVE A STATEMENT TOMORROW. 1014 00:52:50,070 --> 00:52:52,540 SIR! [SENATOR]: COME NOVEMBER, I'LL BE STEERING 1015 00:52:52,580 --> 00:52:54,910 THIS GREAT STATE OF OURS INTO A NEW ERA OF PROSPERITY. 1016 00:52:54,950 --> 00:52:56,050 IN THE MEANTIME, 1017 00:52:56,080 --> 00:52:59,020 I'VE GOT TO GET UPSTAIRS TO THE BANQUET 1018 00:52:59,050 --> 00:53:01,750 TO BORE THE PEOPLE WHO FORKED OVER $2,000 A PLATE 1019 00:53:01,790 --> 00:53:02,850 FOR A PIECE OF FISH. 1020 00:53:02,890 --> 00:53:04,720 NOW, THAT'S A GENUINE SCANDAL. 1021 00:53:04,760 --> 00:53:05,860 THANK YOU. 1022 00:53:05,890 --> 00:53:06,820 [ELSA]: JOE! 1023 00:53:06,860 --> 00:53:08,260 JOE! 1024 00:53:09,490 --> 00:53:10,560 JOE! 1025 00:53:10,600 --> 00:53:13,260 IT'S ME... SOPHIE. 1026 00:53:16,630 --> 00:53:18,340 SOPHIE. 1027 00:53:18,370 --> 00:53:20,370 I NEED TO TALK TO YOU. 1028 00:53:21,510 --> 00:53:23,070 COME UP TO THE BANQUET WITH US. 1029 00:53:23,110 --> 00:53:24,640 IT'S ALL RIGHT. 1030 00:53:24,680 --> 00:53:26,410 MR. DRESCOTT! 1031 00:53:26,440 --> 00:53:27,780 SORRY, GUYS, SHE'S PART OF THE CAMPAIGN. 1032 00:53:27,810 --> 00:53:28,850 I'LL BE UP 1033 00:53:28,880 --> 00:53:30,620 IN ONE SECOND. 1034 00:53:31,880 --> 00:53:33,750 YOU CAN'T BE HERE. WHAT? 1035 00:53:33,780 --> 00:53:34,720 YOU HAVE TO GO NOW. 1036 00:53:34,750 --> 00:53:36,350 NICE TO MEET YOU TOO, DAD. 1037 00:53:36,390 --> 00:53:37,720 HOW DID YOU FIND ME? DID JERRY SEND YOU? 1038 00:53:37,760 --> 00:53:38,760 NO. 1039 00:53:38,790 --> 00:53:39,920 THEN HOW DID YOU FIND ME? 1040 00:53:39,960 --> 00:53:41,590 LOOK, I FOUND YOU, OKAY? 1041 00:53:41,630 --> 00:53:45,030 MY DAD... HE TOOK MY SISTER, ISABEL. 1042 00:53:45,060 --> 00:53:46,630 SHE'S IN TROUBLE. I NEED YOUR HELP. 1043 00:53:46,660 --> 00:53:48,800 I CAN'T HELP YOU. 1044 00:53:48,830 --> 00:53:50,840 I'M SURE YOU KNOW MORE THAN I DO. 1045 00:53:50,870 --> 00:53:53,370 THE D.E.A. PUT IT OUT. 1046 00:53:55,910 --> 00:53:57,710 THE D.E.A.? 1047 00:53:57,740 --> 00:53:59,010 A GUY CALLED FARBER. 1048 00:53:59,040 --> 00:54:01,710 AGENT JAKE FARBER? 1049 00:54:06,650 --> 00:54:08,720 I'M WANTED FOR A MURDER IN SEATTLE. 1050 00:54:08,750 --> 00:54:09,750 MY BOYFRIEND. 1051 00:54:09,790 --> 00:54:11,960 CHRIS MAYFIELD. 1052 00:54:15,830 --> 00:54:17,430 WHAT DO YOU WANT FROM ME? 1053 00:54:17,460 --> 00:54:19,030 I NEED YOUR HELP TO FIND MY SISTER. 1054 00:54:19,060 --> 00:54:20,060 I CAN'T GO TO THE POLICE. 1055 00:54:20,100 --> 00:54:21,500 I HAVE NOWHERE ELSE TO TURN. 1056 00:54:21,530 --> 00:54:22,530 I CAN'T GET INVOLVED IN THIS. 1057 00:54:22,570 --> 00:54:23,470 I AM IN THE MIDDLE OF THE BIGGEST THING THAT-- 1058 00:54:23,500 --> 00:54:25,740 I'VE BEEN OUT OF YOUR LIFE FOR 19 YEARS, 1059 00:54:25,770 --> 00:54:26,800 AND AS FAR AS I KNOW, 1060 00:54:26,840 --> 00:54:28,640 YOU NEVER CAME LOOKING. 1061 00:54:28,670 --> 00:54:30,610 IF THAT'S HOW YOU WANT IT, FINE. 1062 00:54:30,640 --> 00:54:33,380 I'VE MET SOME GREAT REPORTERS WHO WOULD TAKE ME IN. 1063 00:54:33,410 --> 00:54:34,380 MAYBE WHILE I'M WITH THEM, 1064 00:54:34,410 --> 00:54:36,850 I COULD TELL THEM ALL ABOUT MY AMAZING DAD. 1065 00:54:36,880 --> 00:54:38,650 OKAY. 1066 00:54:38,680 --> 00:54:40,450 BUT ONLY ONE NIGHT. 1067 00:54:40,480 --> 00:54:42,790 AND YOU HAVE TO LAY LOW, STAY OFF THE PRESS'S RADAR. 1068 00:54:42,820 --> 00:54:44,620 HERE'S MY ADDRESS. 1069 00:54:44,660 --> 00:54:46,020 I'LL BE THERE IN A COUPLE OF HOURS. 1070 00:54:46,060 --> 00:54:48,160 I CAN'T GO OUTSIDE. 1071 00:54:48,190 --> 00:54:50,730 THERE'S A GUY FOLLOWING ME. 1072 00:54:54,000 --> 00:54:56,170 I'LL CALL DOWN TO OUR DRIVER. 1073 00:54:56,200 --> 00:54:59,600 MEET HIM IN THE VIP GARAGE. 1074 00:54:59,640 --> 00:55:03,410 REMEMBER... ONE NIGHT. 1075 00:55:04,080 --> 00:55:07,010 [♪♪] 1076 00:55:15,690 --> 00:55:19,690 "I'D LIKE TO THANK ALL OF YOU FOR COMING THIS EVENING..." 1077 00:55:21,030 --> 00:55:23,730 WHY NOW? 1078 00:55:23,760 --> 00:55:24,530 WHO'S PUTTING THEM UP TO THIS? 1079 00:55:24,560 --> 00:55:26,530 IT'S OKAY, DONALD. IT'S NOTHING. 1080 00:55:26,560 --> 00:55:28,930 NOTHING IS "NOTHING" TO THEM RIGHT NOW. 1081 00:55:28,970 --> 00:55:30,070 LET ME TELL YOU SOMETHING. 1082 00:55:30,100 --> 00:55:31,640 THEY'RE GOING TO LOOK UNDER EVERY ROCK 1083 00:55:31,670 --> 00:55:34,640 AND TRY TO FIND A WAY TO SCREW ME. 1084 00:55:34,670 --> 00:55:36,440 DONALD, THEY WON'T FIND ANYTHING. 1085 00:55:36,470 --> 00:55:38,780 YOU GOING TO TELL ME WHO THAT WAS? 1086 00:55:38,810 --> 00:55:40,480 SHE AND I, WE, UM-- 1087 00:55:40,510 --> 00:55:41,480 LAST YEAR, 1088 00:55:41,510 --> 00:55:42,850 SHE WAS THE "DISTRACTION" I TOLD YOU ABOUT. 1089 00:55:42,880 --> 00:55:43,980 SHE DIDN'T EVEN LOOK OLD ENOUGH 1090 00:55:44,010 --> 00:55:45,750 TO VOTE THIS YEAR. 1091 00:55:45,780 --> 00:55:47,950 [EMCEE]: AND NOW, THE MAN WHO THIS GREAT STATE HAS BEEN WAITING FOR... 1092 00:55:47,990 --> 00:55:49,120 ANYTHING THAT ATTRACTS ATTENTION TO US 1093 00:55:49,150 --> 00:55:50,760 IS A PROBLEM. 1094 00:55:50,790 --> 00:55:51,820 I DON'T CARE WHO SHE IS. 1095 00:55:51,860 --> 00:55:53,190 I WANT HER GONE BY TONIGHT. 1096 00:55:53,220 --> 00:55:55,930 [EMCEE]: ...DONALD KENTOR! 1097 00:55:55,960 --> 00:55:58,760 [CROWD APPLAUDING] 1098 00:56:07,610 --> 00:56:09,570 AHH, VERY SEXY! 1099 00:56:09,610 --> 00:56:11,240 NICE HAIR. 1100 00:56:11,280 --> 00:56:12,110 THANKS. 1101 00:56:12,140 --> 00:56:15,610 IT'S ALL, UH, VERY IMPRESSIVE, HUH? 1102 00:56:16,910 --> 00:56:19,250 BUT, UH, LIKE MY MOM USED TO SAY, 1103 00:56:19,280 --> 00:56:23,590 WHERE THERE'S MONEY, THERE'S BLOOD. 1104 00:56:23,620 --> 00:56:26,620 WHAT DO YOU MEAN? 1105 00:56:26,660 --> 00:56:28,630 LOOK, JOE STARTED HIS CAREER OFF 1106 00:56:28,660 --> 00:56:31,200 BY SMUGGLING DOPE IN FROM MEXICO. 1107 00:56:31,230 --> 00:56:33,000 THE PUBLIC'S JUST NOW FINDING OUT ABOUT IT. 1108 00:56:33,030 --> 00:56:34,330 ALL RIGHT? SO YOU NEED TO COME WITH ME. 1109 00:56:34,370 --> 00:56:37,740 BECAUSE NOTHING GOOD'S GOING TO COME OUT OF HANGING WITH DADDY. 1110 00:56:37,770 --> 00:56:38,800 IT'S YOU OR DADDY, 1111 00:56:38,840 --> 00:56:39,700 AND THE LAST I SAW YOU, 1112 00:56:39,740 --> 00:56:41,670 YOU WERE GOING TO DUMP ME WITH THE COPS 1113 00:56:41,710 --> 00:56:43,810 AND I WAS GOING TO SPEND ABOUT A LIFETIME IN JAIL. 1114 00:56:43,840 --> 00:56:45,510 SO, NO OFFENSE, 1115 00:56:45,540 --> 00:56:46,680 BUT I THINK JOE 1116 00:56:46,710 --> 00:56:47,480 IS MY BEST SHOT 1117 00:56:47,510 --> 00:56:49,580 FOR FINDING ISABEL AT THE MOMENT. 1118 00:56:49,610 --> 00:56:50,680 DON'T BE STUPID! 1119 00:56:50,710 --> 00:56:52,550 ALL RIGHT? 1120 00:56:52,580 --> 00:56:53,820 NOW, HE'S NOT GOING TO HELP YOU. 1121 00:56:53,850 --> 00:56:55,290 ONLY I CAN DO THAT, 1122 00:56:55,320 --> 00:56:57,760 BUT I NEED YOU TO WORK WITH ME. 1123 00:56:57,790 --> 00:56:59,860 I ALREADY TOLD YOU, 1124 00:56:59,890 --> 00:57:01,860 I DON'T KNOW WHERE THEY ARE. 1125 00:57:01,890 --> 00:57:04,860 AND YOU'RE HURTING ME! 1126 00:57:04,900 --> 00:57:06,230 WELL. 1127 00:57:06,260 --> 00:57:09,730 [DRIVER]: ARE YOU SOPHIE? 1128 00:57:11,340 --> 00:57:14,540 EVERYTHING OKAY? 1129 00:57:14,570 --> 00:57:16,210 JUST... DANDY. 1130 00:57:16,240 --> 00:57:17,780 YOU'VE GOT TILL TOMORROW. 1131 00:57:17,810 --> 00:57:19,010 ALL RIGHT? 1132 00:57:19,040 --> 00:57:21,750 SO PUT YOUR THINKING CAP ON. 1133 00:57:21,780 --> 00:57:23,680 I'M DOING YOU A FAVOR. 1134 00:57:23,710 --> 00:57:25,280 ALL RIGHT? 1135 00:57:27,650 --> 00:57:29,650 CALL ME. 1136 00:57:41,700 --> 00:57:43,970 [♪♪] 1137 00:58:38,120 --> 00:58:40,760 [♪♪] 1138 00:58:57,980 --> 00:58:59,610 LEAVE ME ALONE! STOP IT! NO! 1139 00:59:21,970 --> 00:59:24,100 SOPHIE? 1140 00:59:27,910 --> 00:59:30,170 SOPHIE? 1141 01:00:14,950 --> 01:00:16,450 HIS PROTECTION? 1142 01:00:16,490 --> 01:00:18,190 YEAH, RIGHT. 1143 01:00:19,860 --> 01:00:21,730 [SIGHS] 1144 01:00:21,760 --> 01:00:24,760 [♪♪] 1145 01:00:33,800 --> 01:00:35,440 [LOUD BANG] 1146 01:00:48,950 --> 01:00:50,020 YOU'VE GOT TO-- 1147 01:00:50,050 --> 01:00:51,060 LEAVE. 1148 01:00:51,090 --> 01:00:52,890 YEAH, I KNOW, YOU MADE THAT 1149 01:00:52,920 --> 01:00:55,060 PERFECTLY CLEAR YESTERDAY. 1150 01:00:55,960 --> 01:00:57,030 YOU SHOULD GET DRESSED. 1151 01:00:57,060 --> 01:00:58,060 [CELL PHONE RINGS] 1152 01:00:58,100 --> 01:01:00,460 I'LL BE RIGHT BACK. 1153 01:01:00,500 --> 01:01:03,830 [EXHALES HEAVILY] 1154 01:01:03,870 --> 01:01:05,040 [SIGHS] 1155 01:01:07,940 --> 01:01:09,840 [KENTOR]: YOU IDIOT! 1156 01:01:09,870 --> 01:01:10,840 THE FEDS WANT THIS GIRL 1157 01:01:10,870 --> 01:01:12,280 FOR KILLING HER DAMN BOYFRIEND. 1158 01:01:12,310 --> 01:01:13,210 WHO IS SHE? 1159 01:01:13,240 --> 01:01:15,380 WHY DID SHE SHOW UP AT ONE OF MY FUNDRAISERS 1160 01:01:15,410 --> 01:01:16,910 ON THE DAY ALL THIS COMES DOWN? 1161 01:01:16,950 --> 01:01:18,450 I KNOW, DONALD... I-- 1162 01:01:18,480 --> 01:01:20,350 SHE'S MY DAUGHTER. 1163 01:01:23,050 --> 01:01:24,790 WHAT ARE YOU THINKING? 1164 01:01:24,820 --> 01:01:26,120 ARE YOU NUTS? 1165 01:01:26,160 --> 01:01:27,390 DONALD, PLEASE. 1166 01:01:27,420 --> 01:01:29,790 WHO ARE YOU, JOE? ALL THESE RUMORS. 1167 01:01:29,830 --> 01:01:32,160 SOMEBODY WANTS TO DRIVE A STAKE THROUGH YOUR HEART 1168 01:01:32,200 --> 01:01:34,130 AND I AM NOT GOING TO BE BROUGHT DOWN WITH YOU! 1169 01:01:34,160 --> 01:01:35,200 SHE'S MY DAUGHTER, DONALD. 1170 01:01:35,230 --> 01:01:36,530 WHAT DO YOU EXPECT ME TO DO? 1171 01:01:36,570 --> 01:01:38,470 YOU MAKE HER GO WAY. 1172 01:01:38,500 --> 01:01:39,940 YOU UNDERSTAND ME? 1173 01:01:39,970 --> 01:01:42,040 OR I WILL. 1174 01:01:42,070 --> 01:01:45,010 I'LL TAKE CARE OF IT. 1175 01:01:52,980 --> 01:01:54,590 OKAY... 1176 01:01:54,620 --> 01:01:56,090 LOOK. 1177 01:01:56,120 --> 01:01:57,320 I'M GOING TO HAVE A QUICK BITE. 1178 01:01:57,350 --> 01:02:00,020 WHY DON'T YOU FILL UP BEFORE YOU LEAVE? 1179 01:02:00,960 --> 01:02:02,590 REALLY? 1180 01:02:02,630 --> 01:02:07,400 I MAKE THE BEST EGGS THIS SIDE OF SAN FRANCISCO. 1181 01:02:13,540 --> 01:02:15,610 YOU MUST BE STARVING AFTER ALL YOU'VE BEEN THROUGH. 1182 01:02:15,640 --> 01:02:17,570 YEAH, I AM KIND OF HUNGRY. 1183 01:02:21,980 --> 01:02:24,050 YOU WANT TO GRAB A COUPLE OF PLATES? 1184 01:02:24,080 --> 01:02:25,420 THEY'RE UP TOP HERE. 1185 01:02:25,450 --> 01:02:27,320 SURE. 1186 01:02:32,890 --> 01:02:35,890 "STRAWBERRY SHORTCAKE..." 1187 01:02:35,930 --> 01:02:39,560 WHAT? 1188 01:02:39,600 --> 01:02:43,400 I USED TO CALL YOU MY LITTLE STRAWBERRY SHORTCAKE 1189 01:02:43,430 --> 01:02:44,330 BECAUSE... 1190 01:02:44,370 --> 01:02:47,400 YOUR BIRTHMARK LOOKED LIKE A STRAWBERRY. 1191 01:02:52,910 --> 01:02:55,210 SOPHIE... 1192 01:02:58,250 --> 01:03:00,150 GET OUT, GET AS FAR AWAY FROM HERE 1193 01:03:00,180 --> 01:03:01,320 AS POSSIBLE. 1194 01:03:01,350 --> 01:03:02,090 WHAT? 1195 01:03:02,120 --> 01:03:02,950 YOU HEARD ME. I'M SORRY, BUT-- 1196 01:03:02,990 --> 01:03:06,890 BUT I THOUGHT YOU WERE GOING TO HELP ME. 1197 01:03:06,920 --> 01:03:07,690 YOU HAVE TO LEAVE NOW. 1198 01:03:07,720 --> 01:03:09,990 THERE ARE A LOT OF PEOPLE AFTER YOU. 1199 01:03:10,030 --> 01:03:11,130 IT'S TOO RISKY. 1200 01:03:11,160 --> 01:03:12,500 BUT YOU HAVEN'T TOLD ME ANYTHING! 1201 01:03:12,530 --> 01:03:14,900 THERE ARE WOODS BEYOND THE VINEYARDS. 1202 01:03:14,930 --> 01:03:16,400 JUST GO, DON'T COME BACK. 1203 01:03:16,430 --> 01:03:18,500 I'M HELPING YOU, I PROMISE. 1204 01:03:20,140 --> 01:03:21,410 I NEED TO MAKE A CALL. 1205 01:03:21,440 --> 01:03:22,970 TAKE MY CELL. 1206 01:03:23,010 --> 01:03:24,640 DESTROY IT WHEN YOU'RE FINISHED. 1207 01:03:24,680 --> 01:03:25,610 TOO MANY NUMBERS. NOW GO! 1208 01:03:30,410 --> 01:03:32,650 [DOOR SHUTS] 1209 01:03:32,680 --> 01:03:34,650 [♪♪] 1210 01:03:43,730 --> 01:03:45,960 I NEED YOUR HELP. 1211 01:03:46,000 --> 01:03:48,270 [♪♪] 1212 01:04:33,580 --> 01:04:35,080 [STARTS ENGINE] 1213 01:04:42,220 --> 01:04:45,560 UH, FRED LASHLEY, SAN DIEGO D.E.A. 1214 01:04:45,590 --> 01:04:48,660 SORRY ABOUT ALL THE DRAMA IN YOUR LIFE. 1215 01:04:48,690 --> 01:04:49,690 I GUESS IT'S GOING TO GET WORSE 1216 01:04:49,730 --> 01:04:51,630 BEFORE IT GETS BETTER, HUH? 1217 01:04:51,660 --> 01:04:52,730 CHIP? NO? 1218 01:04:52,760 --> 01:04:54,730 WELL, MISERY LOVES COMPANY. 1219 01:04:54,770 --> 01:04:56,030 I MEAN, MY WIFE IS TOTALLY TAKING ME 1220 01:04:56,070 --> 01:04:57,530 TO THE CLEANERS RIGHT NOW. 1221 01:04:57,570 --> 01:04:59,040 SHUT THE HELL UP. 1222 01:04:59,070 --> 01:05:01,410 [SIGHS] 1223 01:05:06,810 --> 01:05:08,150 SOMEBODY YOU KNOW BACK THERE? 1224 01:05:08,180 --> 01:05:09,250 YEAH, IT'S ROOKER. 1225 01:05:09,280 --> 01:05:10,750 SAID DAVID CARTER SENT HIM. 1226 01:05:10,780 --> 01:05:12,580 WELL, ISN'T THAT PERFECT. 1227 01:05:33,200 --> 01:05:35,070 YOU'RE SURE IT'S ONE OF CARTER'S GUYS? 1228 01:05:35,110 --> 01:05:37,070 THAT'S WHAT HE SAID. 1229 01:05:38,810 --> 01:05:40,310 COME ON. 1230 01:05:40,340 --> 01:05:41,710 HOW ELSE AM I GOING TO FIND ISABEL? 1231 01:05:41,750 --> 01:05:42,710 GOT IT. 1232 01:05:42,750 --> 01:05:43,710 ALEC ROOKER. 1233 01:05:43,750 --> 01:05:45,420 HE'S GOT A SHEET A MILE LONG. 1234 01:05:45,450 --> 01:05:46,680 IF ROOKER TAKES THE BAIT, 1235 01:05:46,720 --> 01:05:50,820 THEN-- THEN HE CAN LEAD US STRAIGHT TO CARTER. 1236 01:05:50,850 --> 01:05:53,120 ARE YOU REALLY UP FOR THIS? 1237 01:05:53,160 --> 01:05:54,690 [SIGHS HEAVILY] 1238 01:05:54,730 --> 01:05:56,660 I WANT MY SISTER. 1239 01:05:56,690 --> 01:06:00,260 AND WE WANT CARTER. 1240 01:06:02,430 --> 01:06:05,140 TRANSMITTER. 1241 01:06:05,170 --> 01:06:06,440 EMITS A GPS SIGNAL. 1242 01:06:06,470 --> 01:06:08,710 NOT GOING TO LOSE YOU, SO DON'T WORRY. 1243 01:06:08,740 --> 01:06:10,810 I'M GOING TO TURN IN. 1244 01:06:10,840 --> 01:06:15,310 YOU LOOK OUT FOR HER ON THE NIGHT SHIFT. 1245 01:06:15,350 --> 01:06:18,220 I WILL TAKE OVER IN THE A.M. 1246 01:06:19,680 --> 01:06:21,180 [EXHALES CONTENTEDLY] 1247 01:06:21,220 --> 01:06:22,820 THEN IT'S ALL SYSTEMS GO. 1248 01:06:22,850 --> 01:06:25,660 SLEEP WELL, KITTENS. 1249 01:06:25,690 --> 01:06:27,290 DADDY'S IN THE NEXT ROOM. 1250 01:06:27,320 --> 01:06:30,590 [DOOR OPENS AND SHUTS] 1251 01:06:30,630 --> 01:06:32,330 WHERE AM I SLEEPING? 1252 01:06:40,600 --> 01:06:43,640 HE REALLY DIDN'T FIGHT TO BE WITH ME, DID HE? 1253 01:06:43,670 --> 01:06:45,680 WHO? 1254 01:06:45,710 --> 01:06:47,440 JOE. 1255 01:06:48,610 --> 01:06:49,680 I THOUGHT 1256 01:06:49,710 --> 01:06:51,350 THAT WHEN I FOUND HIM 1257 01:06:51,380 --> 01:06:54,150 THAT IT WOULD FIX EVERYTHING. 1258 01:06:55,190 --> 01:06:57,250 ME AND MY LONG-LOST FATHER 1259 01:06:57,290 --> 01:07:00,190 WOULD WALK OFF HAPPILY INTO THE SUNSET. 1260 01:07:00,220 --> 01:07:02,890 YEAH, WELL, FROM MY EXPERIENCE... 1261 01:07:02,930 --> 01:07:06,330 FAMILY NEVER HAS A HAPPY ENDING. 1262 01:07:07,730 --> 01:07:10,800 I MEAN, MY STEP-DAD... 1263 01:07:10,830 --> 01:07:13,540 HE'S THE SAME AS YOUR DAD. 1264 01:07:13,570 --> 01:07:17,740 HE WOULDN'T FIGHT FOR ME IF HIS LIFE DEPENDED ON IT. 1265 01:07:17,770 --> 01:07:20,180 JERK. 1266 01:07:24,350 --> 01:07:27,180 BUT YOU TURNED OUT OKAY. 1267 01:07:28,490 --> 01:07:30,450 YOU THINK? 1268 01:07:30,490 --> 01:07:32,460 [CHUCKLES] 1269 01:07:32,490 --> 01:07:34,890 YEAH. 1270 01:07:36,560 --> 01:07:38,460 THANKS. 1271 01:07:39,600 --> 01:07:42,370 I'M GOING TO GO HAVE THE FIRST SHOWER. 1272 01:07:49,910 --> 01:07:51,540 [TURNS WATER ON] 1273 01:07:51,580 --> 01:07:54,480 [SHOUTING AND SPLASHING IN POOL] 1274 01:08:16,730 --> 01:08:19,170 [♪♪] 1275 01:08:35,790 --> 01:08:37,190 [STUN GUN ZAPPING] 1276 01:08:38,820 --> 01:08:40,320 WE STILL GOT HER. 1277 01:08:40,360 --> 01:08:42,230 WE'RE LUCKY HE DIDN'T ZAP OUR GPS, MAN. 1278 01:08:42,260 --> 01:08:44,900 [♪♪] 1279 01:08:48,770 --> 01:08:50,600 [ROOKER]: IT'LL BE OVER SOON. 1280 01:08:50,630 --> 01:08:51,640 [ELSA GRUNTING WEAKLY] 1281 01:09:01,310 --> 01:09:03,680 HOLD ON. [TIRES SQUEALING] 1282 01:09:08,820 --> 01:09:10,990 [TRUCK BACKUP SIGNAL BEEPING] 1283 01:09:12,660 --> 01:09:13,720 [BRAKES SCREECHING] 1284 01:09:13,760 --> 01:09:14,760 [BOTH GRUNTING] 1285 01:09:14,790 --> 01:09:15,990 DAMN! 1286 01:09:16,030 --> 01:09:17,660 WE STILL GOT HER. GO AROUND. 1287 01:09:17,690 --> 01:09:20,530 [♪♪] 1288 01:09:27,000 --> 01:09:28,840 [ROOKER GRUNTING] 1289 01:09:28,870 --> 01:09:30,610 COME ON, LET'S GO. 1290 01:09:30,640 --> 01:09:31,880 LET'S GO. COME ON. 1291 01:09:31,910 --> 01:09:34,310 [ELSA GROANING WEAKLY] 1292 01:09:55,530 --> 01:09:56,670 [GRUNTS] 1293 01:09:59,000 --> 01:10:02,370 [GROANING] 1294 01:10:02,410 --> 01:10:04,540 [ROOKER]: NOW, YOU JUST LIE STILL. 1295 01:10:04,570 --> 01:10:06,310 I'M GOING TO MAKE A PHONE CALL, 1296 01:10:06,340 --> 01:10:08,610 AND IT'S ALL GOING TO BE WORKED OUT, OKAY? 1297 01:10:08,650 --> 01:10:11,820 THERE'S NOTHING TO WORRY ABOUT, I SWEAR. 1298 01:10:11,850 --> 01:10:16,050 [TOUCH-TONE PHONE DIALING] 1299 01:10:16,090 --> 01:10:17,790 [DAVID]: HELLO? 1300 01:10:17,820 --> 01:10:19,860 CARTER, I HAVE HER. 1301 01:10:19,890 --> 01:10:20,720 GOOD. 1302 01:10:20,760 --> 01:10:21,760 SHE'S NOT COMING EASILY. 1303 01:10:21,790 --> 01:10:22,730 WHY NOT? 1304 01:10:22,760 --> 01:10:23,890 I HAD TO SEDATE HER A LITTLE. 1305 01:10:23,930 --> 01:10:25,000 WHY ON EARTH-- 1306 01:10:25,030 --> 01:10:26,230 SHE'S AFRAID OF YOU, OKAY? 1307 01:10:26,260 --> 01:10:28,030 YOU'VE GOT TO TALK TO HER, CALM HER DOWN, MAN. 1308 01:10:28,060 --> 01:10:28,830 MAKE HER TRUST ME. 1309 01:10:28,870 --> 01:10:31,870 [LASHLEY CHUCKLES AS LOCATOR BEEPS] 1310 01:10:31,900 --> 01:10:32,870 YEAH! ALL RIGHT. 1311 01:10:32,900 --> 01:10:34,870 CALL THE D.E.A. AND GET THE ADDRESS, ALL RIGHT. 1312 01:10:34,900 --> 01:10:35,810 [MEN CHUCKLING] 1313 01:10:35,840 --> 01:10:37,770 [ROOKER]: YOUR SISTER'S GETTING ON. 1314 01:10:37,810 --> 01:10:39,880 [ALARMED]: WHAT? HEY! 1315 01:10:39,910 --> 01:10:41,980 [IZZIE]: EL! [ELSA]: IZ! 1316 01:10:42,010 --> 01:10:43,750 EL, I KNOW YOU DIDN'T KILL CHRIS. 1317 01:10:43,780 --> 01:10:44,680 YOU COULDN'T. 1318 01:10:44,710 --> 01:10:46,750 YOU'VE GOT TO COME WITH THIS MAN. 1319 01:10:46,780 --> 01:10:47,820 [DAVID]:ROOKER. 1320 01:10:47,850 --> 01:10:49,720 ROOKER. HE'S TRYING TO BRING YOU TO US. 1321 01:10:49,750 --> 01:10:50,720 [GASPS WITH EFFORT] 1322 01:10:50,750 --> 01:10:53,090 SWEETIE, HOW DO I KNOW... 1323 01:10:53,120 --> 01:10:55,030 HE'S NOT MAKING YOU SAY THAT? 1324 01:10:55,060 --> 01:10:57,590 [POUNDING AT DOOR] 1325 01:10:58,930 --> 01:11:00,530 WHO IS IT? 1326 01:11:00,560 --> 01:11:02,030 MOTEL MANAGEMENT! 1327 01:11:02,070 --> 01:11:04,630 I SAW YOU BRING SOMEBODY IN. 1328 01:11:04,670 --> 01:11:06,900 NOW THIS IS A SINGLE OCCUPATION THERE, FELLA. 1329 01:11:06,940 --> 01:11:09,010 [GRUNTS] 1330 01:11:09,040 --> 01:11:12,640 HOW ABOUT I MAKE IT UP TO YOU? 1331 01:11:12,680 --> 01:11:14,910 SAY, 50 BUCKS? 1332 01:11:14,940 --> 01:11:16,050 ["MANAGER"]: 50? 1333 01:11:16,080 --> 01:11:19,820 IT'S GOT TO BE RIGHT NOW, THOUGH. 1334 01:11:19,850 --> 01:11:21,720 YEAH, HOLD ON. 1335 01:11:25,920 --> 01:11:28,630 JEEZ! 1336 01:11:28,660 --> 01:11:29,930 [FARBER]: EL, ARE YOU OKAY? 1337 01:11:29,960 --> 01:11:32,500 [ELSA]: WHY DID YOU DO THAT? 1338 01:11:32,530 --> 01:11:36,030 HE WAS GOING TO TAKE ME TO ISABEL. 1339 01:11:36,070 --> 01:11:37,530 HE WAS LYING TO YOU. 1340 01:11:37,570 --> 01:11:39,070 CARTER'S GOING TO HAVE YOU KILLED. 1341 01:11:39,100 --> 01:11:40,740 COME ON, YOU'VE GOT TO COME WITH ME. 1342 01:11:40,770 --> 01:11:42,610 COME ON. 1343 01:11:42,640 --> 01:11:44,670 [DOOR SHUTS] 1344 01:11:53,220 --> 01:11:55,590 LOOK, WE, UH, WE TRACKED CARTER'S NUMBER. 1345 01:11:55,620 --> 01:11:57,950 WE'RE JUST WAITING FOR HIS ADDRESS, ALL RIGHT. 1346 01:11:57,990 --> 01:12:00,490 SO WE CAN FIND ISABEL? 1347 01:12:00,520 --> 01:12:03,960 THAT'S THE PLAN, SENORITA. 1348 01:12:03,990 --> 01:12:06,060 WHY DON'T YOU JUST LIE BACK THERE AND GET YOURSELF SOME SLEEP? 1349 01:12:06,100 --> 01:12:09,430 YOU LOOK LIKE YOU COULD USE SOME. 1350 01:12:15,670 --> 01:12:19,110 I GOT TO STOP AND MAKE ANOTHER CALL. 1351 01:12:21,110 --> 01:12:23,710 [♪♪] 1352 01:12:30,820 --> 01:12:32,720 WHY ARE WE STOPPING? 1353 01:12:32,760 --> 01:12:34,190 THIS IS WHERE WE'RE MEETING JERRY-- 1354 01:12:34,220 --> 01:12:37,960 I MEAN, UH, DAVID CARTER. 1355 01:12:37,990 --> 01:12:39,200 HERE? 1356 01:12:39,230 --> 01:12:40,560 YEAH, WE'LL GO CHECK IT OUT. 1357 01:12:40,600 --> 01:12:41,600 YOU STAY PUT. 1358 01:12:41,630 --> 01:12:42,800 COME ON. LET'S GO. 1359 01:12:42,830 --> 01:12:45,100 [DOOR-AJAR ALERTS DINGING] 1360 01:12:51,940 --> 01:12:54,710 [♪♪] 1361 01:13:17,530 --> 01:13:18,600 SOPHIE! 1362 01:13:18,640 --> 01:13:19,800 SOPHIE! 1363 01:13:19,840 --> 01:13:21,670 OH, THANK GOD. 1364 01:13:21,700 --> 01:13:23,710 THANK GOD. 1365 01:13:24,910 --> 01:13:26,010 WHAT ARE YOU DOING HERE? 1366 01:13:26,040 --> 01:13:27,110 AGENT FARBER CALLED, 1367 01:13:27,140 --> 01:13:28,180 SAID YOU NEEDED MY HELP. 1368 01:13:28,210 --> 01:13:31,180 I'M NOT GOING TO LET YOU DOWN AGAIN. 1369 01:13:31,210 --> 01:13:33,720 GOD, I AM SO SORRY. 1370 01:13:38,820 --> 01:13:41,930 I WOULDN'T HAVE PUT MONEY ON YOU ACTUALLY SHOWING UP. 1371 01:13:41,960 --> 01:13:43,030 ARE YOU ACTUALLY DOING SOMETHING 1372 01:13:43,060 --> 01:13:44,930 FOR ONE OF YOUR KIDS FOR ONCE? 1373 01:13:44,960 --> 01:13:46,660 WHO IS THAT? 1374 01:13:46,700 --> 01:13:49,830 YEAH, A MAN'S VOICE CHANGES A LOT AFTER 19 YEARS. 1375 01:13:49,870 --> 01:13:50,930 19 YEARS AS A GRINGO 1376 01:13:50,970 --> 01:13:53,170 IN A MEXICAN LOCK-UP. 1377 01:13:53,200 --> 01:13:55,170 A HOLE THAT YOUR OWN STEP-DAD PUT YOU INTO! 1378 01:13:55,210 --> 01:13:57,670 WHOA, WHOA, WHOA... 1379 01:13:57,710 --> 01:13:58,840 YOU DON'T HAVE TO DO THIS. 1380 01:13:58,880 --> 01:14:00,240 HI, SIS. 1381 01:14:02,310 --> 01:14:04,210 THEY RAPED ME THE FIRST DAY I WAS IN THERE. 1382 01:14:04,250 --> 01:14:06,650 BUT YOU KNEW THAT WOULD HAPPEN, DIDN'T YOU, DAD? 1383 01:14:06,680 --> 01:14:09,620 WHEN YOU MADE YOUR DEAL WITH THE FEDERALES! 1384 01:14:09,650 --> 01:14:11,290 I WAS 18 YEARS OLD, AND YOU SOLD ME OUT! 1385 01:14:11,320 --> 01:14:14,090 I WAS A KID! I WAS YOUR KID, YOU SCUM! 1386 01:14:14,120 --> 01:14:15,260 LUKE, I-I-I KNOW-- 1387 01:14:15,290 --> 01:14:16,890 NO! NO. 1388 01:14:16,930 --> 01:14:18,800 YOU DON'T GET TO EXPLAIN! 1389 01:14:18,830 --> 01:14:19,960 [SHOT FIRED, ELSA SHRIEKS]: NO! 1390 01:14:21,360 --> 01:14:22,770 IT WAS YOUR FAULT THAT NICK DIED! 1391 01:14:22,800 --> 01:14:23,800 [JOE]: FONTAINE-- 1392 01:14:23,830 --> 01:14:25,340 SHUT UP, YOU LIAR! 1393 01:14:25,370 --> 01:14:26,700 NO! 1394 01:14:26,740 --> 01:14:27,800 [RAGES]: NO! 1395 01:14:27,840 --> 01:14:29,640 NO! NO! 1396 01:14:29,670 --> 01:14:31,010 WHAT THE HELL ARE YOU DOING? 1397 01:14:31,040 --> 01:14:32,280 THIS WAS ABOUT THE MONEY! 1398 01:14:32,310 --> 01:14:35,710 NO ONE WAS SUPPOSED TO GET HURT. 1399 01:14:35,750 --> 01:14:37,910 GIVE ME THE DAMN GUN, OKAY? 1400 01:14:37,950 --> 01:14:40,680 I'M GOD NOW. 1401 01:14:40,720 --> 01:14:41,820 [FIRES] 1402 01:14:41,850 --> 01:14:43,020 [ELSA SCREAMING]: NO! 1403 01:14:44,750 --> 01:14:45,890 ARE YOU CRAZY? 1404 01:14:45,920 --> 01:14:47,760 COME ON! 1405 01:14:49,890 --> 01:14:53,000 [ELSA WEEPING] 1406 01:14:53,030 --> 01:14:55,870 DID YOU GET CARTER'S ADDRESS? 1407 01:14:55,900 --> 01:14:58,670 YEAH... MAN. UH-- UH... 1408 01:14:58,700 --> 01:15:01,800 20 BAY... BAY CREEK ROAD. 1409 01:15:01,840 --> 01:15:03,970 HAILEY, IDAHO. 1410 01:15:04,010 --> 01:15:06,940 JEEZ, GIVE ME THE DAMN GUN, MAN. 1411 01:15:06,980 --> 01:15:08,340 I DON'T NEED YOU ANYMORE. 1412 01:15:08,380 --> 01:15:09,110 WHAT? 1413 01:15:09,150 --> 01:15:11,920 LOOK, I APPRECIATE THE D.E.A. I.D. 1414 01:15:11,950 --> 01:15:13,150 BUT THERE'S NO WAY 1415 01:15:13,180 --> 01:15:15,750 I'M SPLITTING MY MONEY WITH ANYBODY 50-50. 1416 01:15:16,850 --> 01:15:18,860 [ELSA YELPS AS GUN FIRES] 1417 01:15:18,890 --> 01:15:20,620 [ELSA CRYING] 1418 01:15:23,860 --> 01:15:24,990 [SOBBING]: NO! 1419 01:15:27,960 --> 01:15:29,800 [CRIES OUT] 1420 01:15:32,070 --> 01:15:33,770 [SHRIEKS] 1421 01:15:33,800 --> 01:15:35,070 [GROANS] 1422 01:15:35,100 --> 01:15:38,070 [PROTESTING AND SOBBING]: NO! 1423 01:15:38,110 --> 01:15:40,280 [ELSA SHRIEKING] 1424 01:15:41,840 --> 01:15:44,280 [♪♪] 1425 01:15:49,750 --> 01:15:52,820 DOING ALL RIGHT BACK THERE, MUCHACHA ? 1426 01:15:52,860 --> 01:15:55,990 YOU LOOK KIND OF HOT ALL TIED UP LIKE THAT. 1427 01:15:56,030 --> 01:15:58,230 [CHUCKLES] 1428 01:15:58,260 --> 01:16:00,830 OH, COME ON. YOU'LL LEARN TO LIKE ME, I SWEAR. 1429 01:16:00,860 --> 01:16:02,030 ESPECIALLY AFTER TOMORROW, 1430 01:16:02,070 --> 01:16:04,830 WHEN I'VE GOT ALL THAT DISPOSABLE INCOME. 1431 01:16:04,870 --> 01:16:06,400 [GRUNTS] 1432 01:16:06,440 --> 01:16:08,670 YEAH, I KNEW YOUR SO-CALLED FATHER CARTER 1433 01:16:08,710 --> 01:16:09,540 WOULDN'T TOUCH A PENNY OF THAT MONEY 1434 01:16:09,570 --> 01:16:12,680 UNLESS HE THOUGHT IT WAS AN EMERGENCY. 1435 01:16:12,710 --> 01:16:14,740 I GUESS HIS LITTLE TRIP TO THE BANK PROVED THAT, HUH? 1436 01:16:14,780 --> 01:16:18,050 [CHUCKLES]: WELL, THAT'S PAYDAY FOR ME, 1437 01:16:18,080 --> 01:16:20,450 AND PAYBACK TIME FOR EVERYBODY ELSE. 1438 01:16:20,480 --> 01:16:24,790 THE SECOND I WAS RELEASED, I HAD LASHLEY PUT OUT THAT AD. 1439 01:16:24,820 --> 01:16:28,960 BEEN THINKING ABOUT THIS DAY FOR THE LAST 20 YEARS, 1440 01:16:28,990 --> 01:16:30,760 AND SO FAR... 1441 01:16:30,790 --> 01:16:32,460 IT'S TURNED OUT A LITTLE BIT BETTER 1442 01:16:32,500 --> 01:16:33,900 THAN I EXPECTED IT TO. 1443 01:16:33,930 --> 01:16:35,330 DO YOU KNOW, 1444 01:16:35,370 --> 01:16:38,770 I THINK THAT'S BECAUSE OF YOU, SWEET LITTLE THING. 1445 01:16:39,970 --> 01:16:41,970 OH, COME ON, DON'T BE CREEPED OUT. 1446 01:16:42,010 --> 01:16:43,970 PROBABLY NOT YOUR TYPE ANYWAY. 1447 01:16:44,010 --> 01:16:46,940 PROBABLY LIKE THOSE PREPPY BOYS, HUH? 1448 01:16:46,980 --> 01:16:49,110 WELL... 1449 01:16:49,150 --> 01:16:52,080 YOU'RE GOING TO HAVE TO START OVER NOW, 1450 01:16:52,120 --> 01:16:55,250 NOW THAT CHRIS IS HISTORY, HUH? 1451 01:16:55,280 --> 01:16:56,720 YEAH. 1452 01:16:56,750 --> 01:16:57,820 CHRISSY, CHRISSY, CHRISSY. 1453 01:16:57,850 --> 01:17:00,090 BUT I HAD TO KILL HIM. 1454 01:17:01,020 --> 01:17:03,390 HELP DRAW YOU TO ME. 1455 01:17:03,430 --> 01:17:05,460 [ELSA GRUNTS] 1456 01:17:22,110 --> 01:17:24,280 [KILLS ENGINE] 1457 01:17:26,280 --> 01:17:27,750 TOO MUCH CAFFEINE. 1458 01:17:27,780 --> 01:17:29,290 I'LL BE BACK IN ABOUT THREE MINUTES. 1459 01:17:31,420 --> 01:17:32,790 BE A GOOD GIRL. 1460 01:17:48,870 --> 01:17:51,740 [GRUNTING AND STRAINING] 1461 01:18:22,870 --> 01:18:25,040 [GASPS] 1462 01:18:29,410 --> 01:18:32,080 [♪♪] 1463 01:18:55,000 --> 01:18:56,810 [SCREAMS] 1464 01:18:58,440 --> 01:18:59,810 HELP! 1465 01:19:00,940 --> 01:19:02,380 SOMEBODY HELP ME! 1466 01:19:02,410 --> 01:19:04,150 [GROANING] 1467 01:19:04,180 --> 01:19:05,520 SOMEBODY HELP ME! 1468 01:19:05,550 --> 01:19:07,120 GET OUT OF THE CAR! 1469 01:19:07,150 --> 01:19:08,350 D.E.A. SHE'S A FELON. 1470 01:19:10,020 --> 01:19:12,260 [TIRES SQUEALING] 1471 01:19:23,670 --> 01:19:26,040 [♪♪] 1472 01:19:47,990 --> 01:19:50,430 [TOOTING HORN] 1473 01:19:52,430 --> 01:19:54,160 [BRAKES SCREECH] 1474 01:19:54,200 --> 01:19:55,500 STOP THE CAR, DAVID! GET HER! 1475 01:19:55,530 --> 01:19:58,030 ELSA! ELSA! 1476 01:19:58,940 --> 01:20:00,000 DAD! 1477 01:20:00,040 --> 01:20:01,600 OH! 1478 01:20:01,640 --> 01:20:02,670 OH... OH, GOD. 1479 01:20:02,710 --> 01:20:04,010 OH... 1480 01:20:04,040 --> 01:20:05,680 HOW'S IZZIE? SHE'S FINE. 1481 01:20:05,710 --> 01:20:08,340 SWEETHEART! MOM! 1482 01:20:08,380 --> 01:20:10,550 WE HAVE TO GET OUT OF HERE NOW. ALL OF US. 1483 01:20:10,580 --> 01:20:12,550 HE'S HERE, MY BROTHER. 1484 01:20:12,580 --> 01:20:13,750 HE KILLED CHRIS! 1485 01:20:13,780 --> 01:20:16,490 LUKE? WHAT HAPPENED TO ROOKER, THE GUY I SENT TO GET YOU? 1486 01:20:16,520 --> 01:20:18,320 HE KILLED HIM TOO, DAD. I'M SO SORRY. 1487 01:20:18,350 --> 01:20:21,060 IT'S OKAY, IT'S OKAY. GET IN THE CAR. LET'S GO! 1488 01:20:24,190 --> 01:20:26,330 I WAS YOUNG AND STUPID. 1489 01:20:26,360 --> 01:20:27,560 IT WAS JUST SUPPOSED TO BE 1490 01:20:27,600 --> 01:20:28,460 A MONEY-LAUNDERING THING IN MEXICO. 1491 01:20:28,500 --> 01:20:30,400 I HAD NO IDEA ABOUT THE DRUG SIDELINE 1492 01:20:30,430 --> 01:20:31,600 THAT JOE AND LUKE HAD GOING... 1493 01:20:31,630 --> 01:20:34,670 UNTIL THAT DAY AT THE BORDER, ANYWAY. 1494 01:20:34,700 --> 01:20:37,040 THERE WERE MORE COPS AND DOGS THAN USUAL. 1495 01:20:37,070 --> 01:20:38,240 JOE PANICKED, 1496 01:20:38,270 --> 01:20:40,380 HE WANTED LUKE TO FORCE YOU AND YOUR BROTHER 1497 01:20:40,410 --> 01:20:41,540 TO CARRY IT, 1498 01:20:41,580 --> 01:20:44,410 SWALLOW THE BAGS... COCAINE. 1499 01:20:44,450 --> 01:20:45,950 [PROTESTING AND CRYING OUT] 1500 01:20:45,980 --> 01:20:47,580 NICK... 1501 01:20:47,620 --> 01:20:50,490 ...ONE OF THE BAGS BURST INSIDE HIM-- 1502 01:20:50,520 --> 01:20:52,120 [COUGHING AND SPUTTERING] HE ODed. 1503 01:20:52,150 --> 01:20:58,060 I GOT YOU OUT OF THERE BEFORE LUKE COULD DO THE SAME THING TO YOU. 1504 01:20:59,060 --> 01:21:00,330 WHEN CHRIS WAS KILLED, 1505 01:21:00,360 --> 01:21:02,570 WE PANICKED, WE JUST ASSUMED IT WAS LUKE. 1506 01:21:02,600 --> 01:21:05,070 WE JUST DID WHAT WE HAD TO DO 1507 01:21:05,100 --> 01:21:07,470 TO MAKE US ALL SAFE. 1508 01:21:19,780 --> 01:21:22,490 WE'VE GOT TO GET IZZIE AND NANA 1509 01:21:22,520 --> 01:21:24,020 AND THEN WE'RE GOING TO GO TO CHICAGO. 1510 01:21:24,050 --> 01:21:25,020 I KNOW SOME PEOPLE-- 1511 01:21:25,050 --> 01:21:26,020 NANA? 1512 01:21:26,060 --> 01:21:27,190 MY MOTHER. YOUR GRANDMOTHER. 1513 01:21:27,220 --> 01:21:28,290 THEY WOULD HAVE FOUND US THROUGH HER, 1514 01:21:28,320 --> 01:21:29,460 SO WE HAD TO LEAVE. 1515 01:21:29,490 --> 01:21:31,030 OH, MY GOD. 1516 01:21:31,060 --> 01:21:32,300 YOU BOTH GAVE UP SO MUCH FOR ME. 1517 01:21:32,330 --> 01:21:34,430 WELL, YOU'RE OUR DAUGHTER, SO... 1518 01:21:34,460 --> 01:21:36,670 OH... 1519 01:21:36,700 --> 01:21:38,570 I LOVE YOU, BABY. 1520 01:21:38,600 --> 01:21:39,470 IZ! 1521 01:21:39,500 --> 01:21:44,140 UP THE STAIRS, FIRST DOOR ON THE LEFT. 1522 01:21:45,710 --> 01:21:47,140 MOM? 1523 01:21:47,180 --> 01:21:48,140 [ELSA]: IZ? 1524 01:21:48,180 --> 01:21:49,180 [DOOR SHUTS] 1525 01:21:49,210 --> 01:21:51,350 WE'RE HERE! 1526 01:21:52,550 --> 01:21:55,150 [♪♪] 1527 01:22:00,460 --> 01:22:02,730 [ELSA GASPS] 1528 01:22:02,760 --> 01:22:05,660 DON'T SAY A WORD. 1529 01:22:05,700 --> 01:22:07,030 PLEASE DON'T HURT US. 1530 01:22:07,060 --> 01:22:08,130 [STRAINING] 1531 01:22:08,160 --> 01:22:10,600 DAVID? SHE'S NOT HERE... 1532 01:22:13,770 --> 01:22:16,540 EL? 1533 01:22:16,570 --> 01:22:18,370 [PUTS RECEIVER DOWN] 1534 01:22:21,740 --> 01:22:23,650 DAVID, BE CAREFUL. 1535 01:22:28,780 --> 01:22:30,650 [SHOT FIRED, DAVID CRIES OUT] 1536 01:22:30,690 --> 01:22:32,050 DAVID! 1537 01:22:32,090 --> 01:22:33,390 OH, MY GOD! 1538 01:22:33,420 --> 01:22:34,460 OH, MY GOD. 1539 01:22:35,730 --> 01:22:37,560 LONG TIME NO SEE, ANGIE. 1540 01:22:37,590 --> 01:22:40,260 HI, JERRY. 1541 01:22:41,330 --> 01:22:42,800 YOU KNOW, WE WOULD'VE BEEN PERFECTLY FINE 1542 01:22:42,830 --> 01:22:43,830 AT THE MEXICAN BORDER 1543 01:22:43,870 --> 01:22:45,100 IF YOU'D JUST LEFT ME ALONE. 1544 01:22:45,130 --> 01:22:46,240 SCREW YOU! 1545 01:22:46,270 --> 01:22:47,470 WHERE IS IT, JERRY? 1546 01:22:47,500 --> 01:22:49,570 WHERE IS ISABEL? WHERE'S ANNA'S MOM? 1547 01:22:49,610 --> 01:22:50,740 YOU'RE LUCKY. 1548 01:22:50,770 --> 01:22:51,470 I DIDN'T HAVE THE HEART 1549 01:22:51,510 --> 01:22:53,080 TO KILL A DEFENSELESS OLD LADY. 1550 01:22:53,110 --> 01:22:55,080 AND THE GIRL? 1551 01:22:55,110 --> 01:22:56,080 SHE'S OKAY... 1552 01:22:56,110 --> 01:22:57,210 FOR NOW. 1553 01:22:57,250 --> 01:22:59,680 SHE'S MY INSURANCE FOR YOUR GOOD BEHAVIOR. 1554 01:22:59,720 --> 01:23:01,450 BUT IF YOU DON'T TELL ME WHERE IT IS-- 1555 01:23:01,480 --> 01:23:02,590 [GASPS] 1556 01:23:02,620 --> 01:23:03,720 I SWEAR TO GOD, 1557 01:23:03,750 --> 01:23:04,790 I'M GOING TO LET HER HAVE IT NOW. 1558 01:23:04,820 --> 01:23:06,420 FOR GOD'S SAKE, TELL HIM! 1559 01:23:06,460 --> 01:23:07,790 IT'S IN THE KITCHEN, UNDER THE SINK. 1560 01:23:07,820 --> 01:23:09,090 NEAR THE PANTRY. 1561 01:23:09,130 --> 01:23:11,530 PROGRESS. 1562 01:23:12,600 --> 01:23:14,600 [PANTING AND GASPING] 1563 01:23:14,630 --> 01:23:17,130 OH, SHUT UP. 1564 01:23:17,170 --> 01:23:19,600 [LUKE]: YOU GUYS STAY RIGHT THERE. 1565 01:23:19,640 --> 01:23:21,500 I'VE KILLED A KID BEFORE. 1566 01:23:21,540 --> 01:23:23,570 I'LL DO IT AGAIN. 1567 01:23:23,610 --> 01:23:25,470 [WHEEZING] 1568 01:23:26,710 --> 01:23:29,810 [PHONE CRASHES ON FLOOR] 1569 01:23:29,850 --> 01:23:31,080 NOW, GET IT! 1570 01:23:32,850 --> 01:23:34,880 GET-- OW! OW! OHH! 1571 01:23:34,920 --> 01:23:36,590 [ELSA HITS, LUKE GROANS] 1572 01:23:36,620 --> 01:23:38,490 COME ON. 1573 01:23:38,520 --> 01:23:40,790 I'VE GOT TO GET THE GUN. NO, DON'T. HE'LL SHOOT HER. 1574 01:23:40,820 --> 01:23:42,660 DO IT! 1575 01:23:44,830 --> 01:23:45,900 OPEN IT. 1576 01:23:45,930 --> 01:23:47,560 [UNZIPS BAG] 1577 01:23:47,600 --> 01:23:49,330 OPEN IT! 1578 01:23:49,370 --> 01:23:51,730 [CHUCKLES]: GIVE IT TO ME. 1579 01:23:51,770 --> 01:23:53,570 GIVE IT TO ME! 1580 01:23:56,570 --> 01:23:58,670 [IZZIE CRIES OUT]: GO! 1581 01:23:58,710 --> 01:23:59,880 [GRUNTS] 1582 01:24:01,480 --> 01:24:02,310 [GROANING] 1583 01:24:02,340 --> 01:24:03,480 [ANNA]: RUN, BABY! RUN! 1584 01:24:10,850 --> 01:24:13,390 [GRUNTING] 1585 01:24:14,790 --> 01:24:17,160 [♪♪] 1586 01:24:18,860 --> 01:24:20,160 [SHOT FIRED] 1587 01:24:22,830 --> 01:24:24,900 [YELPS AS GUN IS FIRED] 1588 01:24:26,670 --> 01:24:29,240 [SHOT FIRED] 1589 01:24:44,750 --> 01:24:45,820 NO! 1590 01:24:45,860 --> 01:24:48,290 NO! NO, GOD, NO! 1591 01:24:48,320 --> 01:24:49,730 OH... OH... NO! 1592 01:24:49,760 --> 01:24:51,830 THAT'S MY MONEY. NO, NO, NO! 1593 01:24:51,860 --> 01:24:53,660 YOU CRAZY BITCH! 1594 01:24:53,700 --> 01:24:55,360 NO! 1595 01:25:27,000 --> 01:25:29,600 [IZZIE]: HELP! 1596 01:25:29,630 --> 01:25:30,700 IZ! 1597 01:25:30,730 --> 01:25:33,240 IZZIE! 1598 01:25:35,970 --> 01:25:38,440 IZ, I'M COMING! 1599 01:25:38,470 --> 01:25:39,540 EL! 1600 01:25:43,650 --> 01:25:45,680 [NICK COUGHING AND SPUTTERING] 1601 01:25:49,650 --> 01:25:50,750 SWALLOW IT! 1602 01:25:50,790 --> 01:25:51,950 [YOUNG SOPHIE SHRIEKING] 1603 01:25:52,860 --> 01:25:54,920 GET YOUR HANDS OFF HER! 1604 01:25:57,730 --> 01:25:59,630 IZ, I GOT YOU. 1605 01:25:59,660 --> 01:26:01,760 EL... 1606 01:26:01,800 --> 01:26:03,600 [GIRLS GRUNTING] 1607 01:26:03,630 --> 01:26:05,500 [LUKE ROARS] 1608 01:26:09,740 --> 01:26:13,380 [BOTH GRUNTING] 1609 01:26:23,790 --> 01:26:24,890 [SPRAYING CAN] 1610 01:26:24,920 --> 01:26:26,920 [SCREAMING] 1611 01:26:28,060 --> 01:26:30,360 [IZZIE CHOKING]: EL... 1612 01:26:30,390 --> 01:26:32,630 [GROANING] 1613 01:26:32,660 --> 01:26:35,000 [GROWLS] 1614 01:26:38,070 --> 01:26:39,600 I'M YOUR BROTHER! 1615 01:26:40,870 --> 01:26:42,740 [CRIES OUT] 1616 01:26:42,770 --> 01:26:45,710 IZ! IZ... 1617 01:26:46,810 --> 01:26:49,780 I GOT YOU, BABY. I GOT YOU. 1618 01:26:49,810 --> 01:26:51,450 COME ON, IZ. 1619 01:26:51,480 --> 01:26:53,580 COME ON, STAY WITH ME. I'VE GOT YOU. 1620 01:26:54,780 --> 01:26:56,750 OH, GOD. OH, IZ. 1621 01:26:56,790 --> 01:26:57,820 COME ON. 1622 01:26:57,850 --> 01:26:59,020 COME ON, SWEETIE. 1623 01:26:59,050 --> 01:27:00,760 [IZZIE GASPS, COUGHS] 1624 01:27:00,790 --> 01:27:02,490 OH, MY GOD, SWEETIE. 1625 01:27:02,520 --> 01:27:03,830 BABY?! 1626 01:27:03,860 --> 01:27:06,360 OH, MY GOD. IS SHE OKAY? 1627 01:27:06,400 --> 01:27:08,330 BREATHE, SWEETIE. COME ON, BREATHE. MOMMY'S HERE. 1628 01:27:08,360 --> 01:27:09,030 OKAY. 1629 01:27:09,060 --> 01:27:11,530 THE THOUGHT OF LOSING YOU... 1630 01:27:11,570 --> 01:27:13,470 YOU'RE NEVER GOING TO LOSE ME, DAD. 1631 01:27:14,670 --> 01:27:16,740 YOU'RE MY FAMILY. 1632 01:27:23,010 --> 01:27:26,050 [♪♪] 1633 01:27:27,650 --> 01:27:31,490 [CAMERA SHUTTER CLICKING] 1634 01:27:46,600 --> 01:27:49,610 [♪♪] 104102

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