All language subtitles for Beautiful Ones (2017) WEB Eng

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♪ NO SUCH THING
AS LOVING YOU TOO MUCH ♪

♪ YOU SEE

♪ NO SUCH THING
AS LOVING YOU TOO MUCH ♪

♪ YOU SEE

♪ WHEN YOU THINK
YOU GOT IT ALL ♪

♪ GOTTA GIVE IN
AND MAKE THE FALL ♪

♪ GRASS IS ALWAYS GREENER

♪ ON THE OTHER SIDE

♪ YOU HAVEN'T FOUND
YOUR MAGIC YET ♪

♪ BUT YOU KNOW IT'S NOT
TOO FAR TO FALL ♪

♪ TILL YOU HEAR
THAT DEVIL'S CALL ♪

♪ OPEN YOUR HEART TO
THE SOUND OF ITS CHARMS ♪

♪ AND TAKE WHAT YOU WANT

[GABE]
I SPENT MY LIFE TRAVELLING
IN ONE DIRECTION,

DRIVEN BY GREED,
NARCISSISM, ARROGANCE.

A SLIGHT OBSESSION
WITH STEVE MCQUEEN.

YOU SEE I'M WHAT I'D CALL
A PROFESSIONAL CRIMINAL.

BUT BACK IN THE DAY YOU'D HAVE
CALLED ME A GANGSTER.

I WAS BLOOD TIED
TO THE SECOND

MOST POWERFUL CRIME FAMILY
IN LOS ANGELES.

THEN IN ONE MOMENT,
ONE DECISION CHANGED IT ALL.

SEE THAT GIRL?

THAT GIRL HAPPENS TO BE
THE DAUGHTER OF THE BOSS

OF OUR BITTER ENEMY,
THE ROMANOS,

THE FIRST MOST POWERFUL
CRIME FAMILY IN CALIFORNIA.

TALK ABOUT
STAR-CROSSED LOVERS.

SEE RIGHT NOW, HERE?

WE'RE ABOUT TO CROSS
THAT WONDERFUL LINE

IN THE SAND,
THAT GLORIOUS MARK

OF NO RETURN,

'CAUSE AS STEVE MCQUEEN SAID,
"I LIVE FOR MYSELF

AND I ANSWER TO NOBODY."

IN 1972 MCQUEEN FELL IN LOVE

WITH HIS CO-STAR
IN THE "GETAWAY."

AT THAT POINT SHE WAS MARRIED
TO STUDIO CHIEF ROBERT EVANS.

AND WHEN A DIVORCE
WAS MENTIONED,

EVANS FOUND INCRIMINATING
INFORMATION ON MCQUEEN,

THE DIVORCE
WAS SETTLED QUICKLY.

BUT TO THIS DAY, THE NATURE
OF THAT EVIDENCE IS UNKNOWN.

I MEAN, WHAT DID
THOSE PRIVATE INVESTIGATORS

DIG UP ON MCQUEEN
THAT WAS SO VOLATILE?

I WANT YOU
TO THINK ABOUT THAT,

BECAUSE WHAT'S HAPPENING HERE
IS PRIVATE,

AND I DON'T WANT YOU IMAGINING
ANYTHING THAT'S GOING ON.

IT'S THE MOMENTS OF CALM
THAT YOU REMEMBER,

NOT THE ACTUAL STORM ITSELF.

HOW QUIET, HOW SOULFUL,

HOW WITHOUT PRETENSE SHE IS.

YOU THINK OF ALL
THE MAGICAL THINGS THAT
YOU WANT TO SAY TO HER,

AND YOU GO TO SPEAK
AND NOTHING COMES OUT,

SO YOU JUST SMILE.

SHE SMILES BACK,
AND ITS ALL FINE.

[GROANING]

[EARS RINGING]

[MUTED]
FUCK.

[MUTED]
FUCK YOU!

[NO AUDIBLE DIALOGUE]

[URINATING]

THE GIRL'S IN THE TRUCK,
LET'S GO.

I'VE KNOWN YOU SINCE--
HOW LONG NOW?

SINCE BEFORE YOU
WAS IN THE ARMY, RIGHT?

SINCE YOU WAS A KID.

I'M YOUR FRIEND CARL.

I'M YOUR GOOMBAH, GABE.

GABE, BUDDY, IT SHOULDN'T
BE LIKE THIS, MAN.

IT'S UNDIGNIFIED.

MAN, I KNOW WHAT
YOU'RE CAPABLE OF.

NO NEED TO LABOR THE POINT.

I HEARD ABOUT SEBASTIAN.

YOU'RE FAMOUS, MAN.

YEAH, BIG MAN ON CAMPUS,
HUH, GABE?

JUST TELL HIM
WHAT YOU HEARD, CARL.

WHAT I HEARD.

OH, UH, I HEARD
THAT SEBASTIAN

WAS IN TO CATERINA FOR,
LIKE, 10 LARGE.

WHAT YOU DID
TO THAT POOR MAN,

AND HOW YOU LEFT HIM?

IT'S THE STUFF A LEGEND,
GABRIEL. IT REALLY IS.

BUT I THINK
YOU GOT A HEART,

AND I WAS HOPING I COULD
REACH YOU WITH MY OBSERVATION.

AND I NOW FULLY APPRECIATE
MY POSITION HERE,

SO I AM HAPPY TO PAY, GABE,

BUT I NEED IT TO BE KNOWN THAT
IT WASN'T WITHOUT RESISTANCE,

THAT YOU BROKE ME, OKAY?

IT'S ALL HERE.
EVERY BIT OF IT.

HE'S GOOD.

I'M GOOD.

I DON'T THINK YOU'RE AS BAD
AS YOUR REPUTATION, GABE.

BUT I'M HAPPY
TO LET THAT BE.

DRESSES LIKE THIS
WERE MADE TO HIDE
SOME AWFUL PAIN.

THEY WERE DESIGNED TO DISGUISE
SOME DEEP PSYCHOLOGICAL TRAUMA.

I FEEL LIKE PEGGY CUMMINS
IN "GUN CRAZY,"

ABOUT TO EMBARK
ON AN INTERSTATE
ROBBERY SPREE.

YOU WANT SOME OF ME, COPPER?
YOU'LL NEVER TAKE ME ALIVE.

THAT'S 15 FOR THE WING TIPS
AND 650 FOR THE PERSOLS.

650 FOR A PAIR
OF SECONDHAND SHADES, GABE?

650 AND TAX.

WORTH EVERY PENNY.

714 PERSOL
FOLDING SUNGLASSES,

BLUE GLASS ANTI-GLARE LENS,

AND THE HANDMADE ITALIAN
LEATHER CASE.

STEVE MCQUEEN OWNED A PAIR.

YES, HE DID.

-KEEP THE CHANGE.
-THANK YOU.

HE ALSO WORE M43 ROUGHOUTS
IN "THE GREAT ESCAPE."

FASHIONABLY TAPERED
IN WHITE CHINOS,

A BUTTON-UP WOOLEN CARDIGAN
OVER A SPORT SHIRT.

IT'S NOT THAT I DON'T HAVE
MY OWN SENSE OF STYLE.

IT'S JUST MY LIFE SEEMS
THAT MUCH EASIER

DRESSED LIKE THE MAN.

-YOU READY BLONDIE?
-MM-HMM.

-REMEMBER, YOU CAN'T SMILE
WEARING THESE GLASSES.
-NO, OF COURSE NOT.

AND IT'S ABSOLUTELY ESSENTIAL
THAT WE WEAR THEM INSIDE,

IN THE DARKENED
HALLWAYS OF A SHADY
APARTMENT BUILDING SOMEWHERE.

BUT THAT WILL ALL CHANGE
WHEN WE GET THE PACKET.

-IS THAT RIGHT?
-MM-HMM.

FROM WHOM?
THE BIG BAD SCARY MEN?

YOU BOUGHT THOSE SHADES
BECAUSE STEVE MCQUEEN

WORE THE SAME MAKE,
DIDN'T YOU?

WHY DOES IT ALWAYS
HAVE TO BE STEVE MCQUEEN?

DON'T YOU THINK IT'S A LITTLE--
A LITTLE WEIRD?

-WHAT IS?
-HOW OBSESSED YOU ARE
OVER SOME ACTOR?

I MEAN, I COULD ONLY NAME
MAYBE ONE OF HIS MOVIES.

-HAVE YOU SEEN "PAPILLON?"
-SOUNDS RIVETING.

SEE THAT COMMENT RIGHT THERE
JUST KILLED ANY CHANCE

OF A LONG-TERM
COMMITMENT FROM ME.

SO WHEN I TAKE HER HOME
AND I TELL HER

I'M GONNA CALL HER,
I WON'T,

AND THAT'LL BE
THE END OF THAT.

-YOU READY?
-[GIGGLES]

[CASH REGISTER DINGS]

[WHISPERING]

[SIGHS]

THANK YOU FOR THE DRIVE,
THE GLASSES.

GABRIEL, I'LL CALL YOU.

SHE USED TO WALK
AROUND MY APARTMENT

IN THESE BLACK STOCKINGS.

THIS WAS ALWAYS IN A T-SHIRT.

UH, MY GOD, THOSE LEGS.

I'D WATCH HER MAKE COFFEE
JUST PRETENDING TO BE ASLEEP,

JUST WATCH 'EM MARCH,

DOING THAT TIPTOE WALK
THAT GIRLS DO IN THEIR SOCKS.

YOU SEE HOW WHITE HER SKIN IS?

THE JUXTAPOSITION OF WHITE
AGAINST BLACK ON HER THIGH.

YOU WANNA PUT
YOUR MOUTH THERE.

LIKE A BABY
ON A MILK BOTTLE.

DO I RESPECT HER?
YEAH, OF COURSE.

BUT IF IT CAME DOWN
TO KEEPING OR DISCARDING HER,

WOULD THAT WONDERFUL
THIGH SWING THE BALANCE?

FAREWELL, MY LOVE.

FAREWELL.

THERE SHE IS,

WHEN MCQUEEN MET MACGRAW
ON "THE GETAWAY,"

HE SAID SHE WAS THE KIND
OF WOMAN YOU WOULD CHEAT
AND THEN KILL FOR.

I ASK MYSELF THAT QUESTION
EVERY TIME I SEE A WOMAN I LIKE.

AH, THIS KILLS ME. I SHOULD
STAY,

BUT IN MY FAMILY,
YOU DON'T WANT TO BE EARLY,

AND YOU SURE AS HELL
DON'T WANT TO BE LATE.

SEE, MY FAMILY,
THEY'RE DANGEROUS PEOPLE.

AND THEY EXPECT PUNCTUALITY
FROM THEIR EMPLOYEES.

AND, AS SUCH, THEY DEMAND
THE FAMILY SHOULD SET
A RIGID EXAMPLE.

SO I WORK
FOR MY AUNT CATERINA,

AND PRESENTLY THAT MEANS
I RUN WITH THE ENFORCERS.

SEE, SHE PUT ME ON THIS DETAIL
'CAUSE SHE FIGURED

IT WAS A GOOD WAY TO GET ME
BACK INTO THE GAME,

KNOCK AWAY ANY ASPIRATIONS
I MAY HAVE PICKED UP

WHILE IN THE MIDDLE EAST.

MY DELIGHTFUL COMPANIONS
FOR THE AFTERNOON.

LISTEN, IF YOU'RE LOOKING
TO CORRECT THE IMBALANCE

OF JUSTICE IN THE WORLD,

THEN THIS IS NOT
YOUR LINE OF WORK.

IT'S LIKE THE MAN SAID,
JUSTICE IS FOR ONE AND ALL,

THE SAME WAY
THE RITZ HOTEL IS.

[GRUNTING]

-[WOMAN SHOUTS]
-SHUT UP!

WE DON'T WANNA BE HERE
JUST AS MUCH AS YOU
DON'T WANT US HERE,

BUT CATERINA HAS GOT
A REPUTATION TO UPHOLD.

AND IF YOU FAIL
TO ACKNOWLEDGE THAT,

THEN WHERE DOES
THAT LEAVE US EITHER? HUH?

SO LISTEN TO ME, BROTHER,

BEFORE THIS GOES
ANY FURTHER, TELL ME,

ARE YOU WILLING
TO PAY OR NOT?

'CAUSE I GOT
SOME DECISIONS TO MAKE.

-[GASPS]
-ARE YOU SURE?

IT'S IN THE DRESSER.
TOP DRAWER.

GROCERY BAG.

YOU ALL RIGHT?
YOU ALL RIGHT?

THAT WASN'T SO HARD
NOW, WAS IT?

LOOKING A LITTLE
PALE THERE, GABRIEL.

ITS BEEN A WHILE, CASPER.

I HEARD YOU WERE PLAYING
CASTRATI IN A QUARTET
FOR THE ARYAN BROTHERHOOD.

HOW'S YOUR
SINGING VOICE, CHAMP?

THAT'S VERY FUNNY.

NOW DON'T
TRIP OVER YOURSELF

WHEN YOU SEE
WHAT I GOT FOR YOU.

A PRESENT FROM UP NORTH.

LIKE THEM APPLES,
TWINKLE TOES?

REAL ELEPHANT IVORY GRIPS.

HAD THEM FASHION ME
A TIE PIN TO MATCH.

PRETTY TOUGH WITH THE STEEL
FOR A MEALYMOUTHED FAGGOT.

WANT TO SEE WHAT YOU ARE
WITHOUT THEM, HUH?

BIG MAN THINKS HIS WAR RECORD
IS SOMETHING SPECIAL,

BUT WHAT DOES IT MEAN?

I'LL TELL YOU WHAT.

SOME PHONY MEDALS

AND A HILLBILLY HEROIN HABIT.

I KNOW YOU BETTER
THAN YOU THINK.

DON'T YOU FORGET THAT.

YOU KNOW, WHILE YOU WERE AWAY
LEARNING TO POLISH YOUR BOOTS,

I WAS LEARNING THE ROPES.

TONY'S BEEN GROOMING ME.

WHICH MEANS ONE DAY,
YOU AND I,

WE'LL GO HEAD TO HEAD,
OR...

OR WHAT?

OR YOU LEARN TO PLAY NICE
AND SHARE YOUR TOYS.

YOU CAN COME OVER, MAN.
BE LIKE OLD TIMES.

YOU JUST GOTTA SAY IT.

JUST SAY, "I'M SORRY."

YOU KNOW WHAT THE PROBLEM IS?

YOU LET YOUR AMBITION
OUTWEIGH YOUR ABILITY, CASPER.

YOU'LL ONLY EVER BE
THE ODD MAN OUT.

YOU WON'T MEAN SHIT
AS A CHIEF.

YOU MAY WISH YOU'D TAKEN
MY ADVICE THERE, SUNSHINE.

[GABE]
MY AUNT CATERINA
RUNS A CLUB DOWNTOWN.

IT'S AN UGLY LITTLE PLACE.

FROM THERE, SHE MANAGES
AT LEAST A DOZEN MORE
QUESTIONABLE VENUES.

HER MINIATURE
EMPIRE OF SLEAZE

COVERS EVERYTHING
FROM DANCE CLUBS

TO STRIP CLUBS,
A TAXI DANCING SLUM,

SEVERAL SECTION EIGHT
HOUSING FACILITIES,

AND A LAUNDRY MAT.

SHE TAKES HER PERCENTAGE
FROM ANY PIMPS, PROSTITUTES,

OR DRUG DEALERS
THAT PEDDLE THEIR WARES

IN THESE HIGH-CLASS VENUES.

SHE INHERITED
THE FAMILY BUSINESS
FROM HER PA, GRAMPS.

IF I PLAY MY CARDS RIGHT,
I'M NEXT IN LINE TO REIGN
OVER THIS ROTTEN REGENCY.

GRAMPS WAS ONE
OF THE ORIGINAL
L.A. BAG MEN,

AN OAKLAND BIKER WHO BEAT,
STOLE, AND INTIMIDATED
HIS WAY INTO MONEY,

CARVING HIMSELF
A NICE LITTLE NICHE.

AND THAT'S WHERE HE SAT
AS RULER AND GRAND INQUISITOR,

UNCHALLENGED
FOR ALMOST 30 YEARS.

NOW AGE AND BOOZE
MAY HAVE BROKEN HIM,

BUT MARK MY WORDS, HE'S STILL
A FORMIDABLE PRESENCE.

AND HE'S SURE AS HELL
THE ONLY PERSON

MY AUNT CATERINA IS AFRAID OF.

I'M BEGGING YOU.

HE'S BEGGING YOU.

[WOMAN]
PAULIE COLLECTS TOMORROW.

THE PAYMENT OR YOUR LIVER?
YOUR CHOICE.

[GABE]
THERE SHE IS, QUEEN,
MY AUNT CATERINA.

GABE, GABRIEL.

THEY DON'T EVEN BREATHE
WITHOUT HER PERMISSION.

[CATERINA]
JUST FINISHING UP HERE.
YOU'LL DRIVE, OKAY?

YOU EVER THINK ABOUT
JUST GETTING AWAY?

LEAVING IT ALL BEHIND?

HAPPY BIRTHDAY, DAD.

HOW ARE THEY TREATING YOU?

I SAW A DOCUMENTARY
ON STURGIS LAST WEEK.

I THOUGHT OF YOU.

WHAT DO YOU WANT?

IT'S YOUR BIRTHDAY.

GODDAMN IT, I DON'T KNOW
WHY YOU BOTHER.

[CHUCKLES]

I'M DEALING
WITH THIS HELL HOLE
ON MY OWN,

AND I DON'T NEED YOU
TO REMIND ME

OF MY OWN MORTALITY.

WELL, YOU'RE HERE
BECAUSE WE WANT YOU
TO BE HAPPY.

AND LOOK AT THE PRETTY GIRL
WHO TAKES CARE OF YOU.

YOU WOULDN'T WANT ME
WIPING YOUR ASS, WOULD YOU?

ARE YOU TRYING TO MAKE
LIGHT OF MY SITUATION?

YOU UNGRATEFUL SHIT HOLE.

DAD.

LOOK AT ME, CATERINA.

I FEEL LIKE SHIT.

I'M ANGRY ALL THE TIME.

I MISS MY LEGS,

I MISS MY FISTS.

I MISS MY COCK. OKAY?

YEAH, YOU KNOW,

I'M THINKING, UH,
I'M GOING TO GO AWAY.

I WON'T GO QUIETLY.

THIS IS A PLACE FOR YOU
TO REFLECT ON YOUR PAST, PA.

THE PRESENT.

THAT'S ALL MAN HAS, ANYWAY.

SEE THAT TOWN OUT THERE?

THAT WAS MY TOWN.

YEAH, IT WAS LIKE
A BIG RIPE WHORE

THAT WAS MINE
FOR THE TAKING.

AND I TOOK IT.

I DEMANDED UTTER RESPECT.

I'D JUST NOD MY HEAD

AND I COULD CHANGE
A MAN'S LIFE.

THE WOMEN WANTED ME.

YOUR MOTHER.

YOU GOT NO IDEA OF ALL
THE THINGS I'VE DONE.

SO DON'T YOU TALK
DOWN TO ME.

WHY DO YOU COME
AROUND HERE ANYWAYS?

JUST, I DON'T KNOW,

TRYING TO APPEASE
YOUR GUILTY CONSCIENCES?

MAKE YOU FEEL BETTER
ABOUT YOURSELVES?

'CAUSE I DON'T WANT
YOU HERE, YOU SEE?

I DON'T NEED YOU
DREDGING UP THE PAST.

I DON'T WANNA
SHARE IT WITH YOU.

NOW FUCK OFF.

WHO THE FUCK ARE YOU?

WHAT THE FUCK
ARE YOU DOING HERE?

NURSE! NURSE, I WANNA GO
BACK TO MY ROOM NOW!

"THE MAGNIFICENT SEVEN"
WAS SUPPOSED TO BE
YUL BRYNNER'S MOVIE.

I MEAN, HE BOUGHT THE RIGHTS,
HE PRODUCED, HE STARRED IN IT.

AT ONE POINT,
HE EVEN CONSIDERED
DIRECTING IT.

YOU WANNA SEE
SOME CLASS ACT,

AND I MEAN UNADULTERATED
SCENE STEALING?

THEN WATCH ANY FRAME THAT
MCQUEEN AND BRYNNER SHARE.

I DEFY YOU TO TAKE
YOUR EYES OFF OF HIM.

[GABE]
SOMETHING I LEARNED FROM THAT...

LIKE, I WANTED A BOOKCASE,

AND WE BUILT A BOOKCASE,
AND COFFEE TABLE,

AND ALL THAT KIND OF STUFF.

AND I JUST JOKINGLY SAID,

"WE SHOULD START A COMPANY,

DOLENZ AND DAUGHTER'S
FINE FURNITURE."

AND SHE RAN WITH IT.

ONE OF THE MOST
DANGEROUS WOMEN I KNOW.

AND THAT SHOW
IS THE CLOSEST THING

SHE'S HAD TO A RELATIONSHIP
SINCE HER MARRIAGE.

YOU SAW TYLER
AND GAVE HIM MY MESSAGE?

YEAH.

[CLUB MUSIC PLAYING
IN BACKGROUND]

TAKE OFF YOUR GLASSES.
I WANNA SEE YOUR EYES.

YOU KNOW THE SITUATION
BETWEEN ME AND THE SHARK.

YOU KNOW WE'RE IN A WAR.

AT SOME POINT WE MAY NEED
TO ADDRESS CASPER, THOUGH.

UGH, CASPER.

WATCH YOURSELF AROUND HIM.

HE'LL DO ANYTHING
TO TEAR US APART.

I HAVE SOMETHING FOR YOU.

TONY THE SHARK
HAS A DAUGHTER, EVA.

I WANT YOU TO GET
TO KNOW HER.

YOU KNOW, GENTLY
GET COMFORTABLE WITH HER.

YEAH, WHY ME?

PAULIE KNOWS WHERE
SHE EATS AND HANGS OUT.

JUST BE YOURSELF.
SHE'LL LIKE YOU.

DO IT FOR ME.

DON'T FORGET
TO TURN OFF THE LIGHTS.

[MUSIC PLAYING]

♪ TODAY...

[SONG CONTINUES FAINTLY]

HI. HI. SORRY TO, UH,
SORRY TO BOTHER YOU ALL.

UM, I CAN'T QUITE BELIEVE
I'M ABOUT TO SAY THIS,

BUT I'VE SEEN YOU
SOMEWHERE BEFORE.

-AM I RIGHT?
-UH-HUH?

NO, I KNOW. LOOK AT THEM.
STRAIGHTAWAY.

I KNOW IT SOUNDS
LIKE A HIT-UP, RIGHT?

IT'S NOT.
IT'S COMPLETE SINCERITY.

I'M SORRY,
I DIDN'T MEAN TO BE RUDE.

IT'S JUST,
WE WERE TALKING.

WITH YOUR FRIENDS.
I INTERRUPTED.

ABSOLUTELY. I GET IT.

LADIES, I APOLOGIZE, BUT,
UM, GIVE ME SOME SLACK.

I CAN TELL THIS IS GONNA
BE A TOUGH CROWD.

GABRIEL TANCREDI.
JUST GIVE ME TWO MINUTES.

LET ME BUY YOU
A CUP OF COFFEE,

'CAUSE THERE'S MORE TO YOU
THAN MEETS THE EYE.

PROVE ME WRONG.

EVA.

EVA ROMANO.

MISS ROMANO,
IT'S A PLEASURE TO MEET YOU.

LADIES, DO YOU MIND
IF I BORROW HER

FOR A COUPLE OF MINUTES?

I PROMISE
I'LL BRING HER BACK.

THANK YOU FOR LETTING ME
TRY MY LUCK, HUH?

BE RIGHT BACK.

YOU SEEM SWEET.
VERY NICE.

PRETTY SURE OF YOURSELF,
AREN'T YOU?

COME ON, IT'S A LITTLE
ENDEARING, RIGHT?

I PREFER MY FRIENDS TO INVEST
IN A LITTLE HUMILITY.

AS YOU SHOULD.
AS YOU SHOULD.

WHAT DO YOU WANT TO DRINK?

ICE BLENDED GREEN TEA.

HEY, GEORGE,
GET AN ICE BLENDED--

-GREEN TEA
-GREEN TEA.

AND YOU KNOW WHAT? TAKE CARE
OF THE GIRLS' TAB FOR ME.

THANK YOU VERY MUCH.

THAT WAS A 50.

YEAH.

YEAH, THERE'S
A SAYING IN THE QURAN

THAT WHEN YOU MEET
A NEW FRIEND

ON THE ROAD OF LIFE,
IT'S A BLESSING FROM GOD.

SO, I DON'T KNOW, I GUESS

I'M JUST DOING MY PART
IN SOME WAY.

WHEN DID YOU READ THE QURAN?

A LONG TIME AGO, YOU KNOW.

FOR A BRIEF MOMENT, I WAS IN
A MIDDLE EASTERN COUNTRY,

AND, UH, WELL,
I DID NOTHING TO BE PROUD OF.

ANYWAY,
I WAS RAISED HERE
BY MY AUNT.

A STRONG WOMAN,

WITH A DEEP AND PROFOUND
HATRED OF THE ARMY

OR ANY GOVERNMENT
ORGANIZATION, IN FACT.

SO, SURE ENOUGH, AT 17,

FULL OF REBELLIOUS
TEEN SPIRIT,

I DEFECTED,
AND I JOINED UP.

AND THAT'S WHEN YOU
DISCOVERED THE QURAN?

MM-HMM. WELL, THERE ARE
NO ATHEISTS IN WAR, RIGHT?

RIGHT.

SO I READ THE BIBLE FIRST.

ALSO LOOKED DOWN UPON

WITH DISTINCT DISDAIN
IN OUR HOUSEHOLD.

AND THEN THE QURAN,
AND ANYTHING ELSE I COULD
GET MY HANDS ON.

-WERE YOU INJURED?
-MM-HMM.

I GOT A HEADACHE
FROM READING BY FLASHLIGHT.

SO WHAT ARE YOU GIRLS
UP TO TONIGHT, HUH?

YOU DESTROYING THE TOWN?
PAINTING IT RED?

WE ARE GOING TO CATCH
A FOREIGN FILM.

A FOREIGN FILM, HUH?

WOW, YOU GIRLS GOT CULTURE.

VISCONTI'S "IL GATTOPARDO."

"THE LEOPARD," I KNOW IT WELL.
IT'S A BEAUTIFUL ONE.

-YEAH, YEAH.
-I LIKE THE CLASSICS,

BUT I HAVE A REAL LOVE,
AND I MEAN AN ACHING FONDNESS

FOR THE JAPANESE FILMS
OF THE '60S AND '70S.

I DON'T KNOW
IF YOU KNOW THEM.

AKIRA KUROSAWA?

WOW. THAT WAS A NICE PULL.

BUT, NO. NO, MY UH,

MY GO-TO DESERT ISLAND MOVIES
ARE THE YAKUZA PICTURES

OF KINJI FUKASAKU.

-YOU KNOW HIM?
-NO.

AH, MAYBE YOU'RE SMARTER
THAN I THOUGHT.

I HAVE SAID NOTHING FOR YOU
TO BASE THAT CONCLUSION ON.

YOU KNOW, YOU'RE RIGHT.
I TAKE IT ALL BACK.

SO, LISTEN, YOU'VE MANAGED
TO MAKE ME TALK ABOUT MYSELF

WITHOUT DIVULGING A SINGLE
PERSONAL DETAIL ABOUT YOU.

YOU KNOW HOW
IMPRESSIVE THAT IS? HMM?

SO IS IT WORTH ME ASKING

TO EXTEND OUR
TWO MINUTES TOGETHER?

WE HAVE CLASS.

OH, YOU'VE GOT A THING, HUH?

-WE HAVE TO GO.
-YEAH.

YEAH.

WELL, EVA ROMANO,
IT WAS A PLEASURE.

I DON'T NORMALLY DO THIS.

-BUT, UH...
-UH-OH.

I'M GETTING THE DIGITS, HUH?

HERE'S MY NUMBER.

-CALL ME, OKAY?
-YOU GOT IT.

HEY.

YOU UPSET ME WITH
THAT ODD MAN OUT CRAP.

THEN I APOLOGIZE.

HOW'S YOUR MOTHER?

GETTING OLD.

SHE WORRIES.

HOW'S THE OLD MAN?

HE'S FROM A DIFFERENT ERA,
YOU KNOW?

I MEAN, THEY HIT FIRST,
CARRIED A GUN,

PAID OFF THE COPS.

IT'S EASY TO REMEMBER
HOW YOUR LIFE WAS

WHEN ALL YOUR FRIENDS
ARE DEAD OR IN PRISON.

HIS TIME'S OVER.
HE KNOWS IT.

YOU THINK THE GAME
HAS REALLY CHANGED THAT MUCH?

IF YOU'RE LOOKING TO MAKE
A CAREER OUT OF IT, YEAH.

I HEARD HIS MIND WAS
STARTING TO SHUT DOWN.

NOT AT ALL.
SHARP AS A TACK.

I HOPE I HAVE HIS SPARK
WHEN I'M THAT AGE.

HMM.

SO DID YOU THINK ABOUT IT?
ABOUT COMING OVER?

WE'LL LET CATERINA
RUN HER CLUB.

SHE JUST HAS TO BACK AWAY
FROM THE VICE.

IT'S NOT THE TIME, BUDDY.

I KNOW WHY
YOU'RE STALLING, GABRIEL.

BUT TONY?

TONY MIGHT SEE
YOUR INDECISION AS A DECISION.

YOU'RE AN OUTCAST, CASPER.

A LITTLE KOREAN BOY WHO TRIED
TO IMPRESS THE YAKUZA.

BUT WHEN YOUR FIRST HIT
WENT OFF WRONG,

REMEMBER WHAT HAPPENED?

I DO.

YOU RAN, RIGHT?

AND WHETHER IT WAS THE FBI
OR THE 893 WHO WERE AFTER YOU,
WE'LL NEVER KNOW.

BUT WHAT WE DO KNOW
IS THAT YOU RAN,

AND YOU HAVEN'T
STOPPED RUNNING.

YOU'RE TRYING TO PROVOKE ME.

I'M NOT JUDGING YOU, BROTHER.
I'VE SEEN WHAT WAR DOES.

EVERY FIBER
OF YOUR SOUL SCREAMING

THAT YOU'RE
IN THE WRONG PLACE,

TO GET OUT, GET DOWN,

JUST GET THE FUCK AWAY.

JUST STRIPPED TO THE MOST BASIC
OF HUMAN REACTIONS.

BUT YOU KNOW WHAT THE DIFFERENCE
BETWEEN YOU AND I IS, THOUGH?

I DIDN'T RUN.

YOU'RE TALKING ABOUT THINGS
YOU DON'T UNDERSTAND.

THE YAKUZA ARE A FORMIDABLY

CULTURALLY ORIENTED
SOCIETY, RIGHT?

I MEAN,
THEY MUST HAVE MADE IT
PAINFULLY CLEAR

THAT YOU WERE BENEATH THEM,
NOT BEING JAPANESE.

AND NOW YOU GOT TONY.

I MEAN,
HE GETS MORE TALENT
AS HE AGES,

AND HE'S NEVER GONNA
LOOK AT YOU

AS ANYTHING OTHER THAN
A CURIOSITY

WITHIN THAT FIRM.

-I SEE.
-HMM. DO YOU?

SEE, YOU'VE DEVOTED YOUR LIFE

TO ADVANCING
IN TWO SUBCULTURES

THAT REALLY HAVE
NO INTEREST IN SEEING YOU

AS ANYTHING OTHER
THAN A GLORIFIED ERRAND BOY.

A PROFESSIONAL BITCH.

RIGHT.

HE WANTS YOU ON BOARD.
HE WON'T ASK AGAIN.

AND IF YOU'RE NOT WITH US,
WELL, THEN...

ANOTHER TIME.

[GABE]
I TAKE HER OUT
A COUPLE MORE TIMES.

IT ALWAYS COMES BACK
TO THE CAR.

I LIKE THIS CAR.

IT HAS A STATELY
ELEGANCE TO IT.

A CARRYOVER FROM
AN AGE OF BEAUTY,

THE SOCIAL UPHEAVAL
OF THE '60S,

THE RIGHT MOVIES,
THE BEST MUSIC.

THE BEST MUSIC, HUH?

AN ERA OF POLITICAL
FIRE AT WAR.

NO ONE WILL EVER LOOK BACK
ON OUR GENERATION

AND SAY THIS IS WHEN AMERICA
LOST HER INNOCENCE.

EH, WHO'S TO JUDGE
WHEN ALL THE JUDGES

HAVE BEEN DRAGGED
BEFORE THE BAR?

I DON'T UNDERSTAND.

WELL, WITH NO CONVENTIONAL WAY
OF THINKING TO REBEL AGAINST,

I MEAN, WHAT DO YOU--
WHAT DO YOU REBEL AGAINST?

YOU'RE SIMPLIFYING IT,
BUT I UNDERSTAND WHAT YOU MEAN.

IT'S FUNNY, NORMALLY
I'D ARGUE, BUT...

BUT?

FOR SOME REASON, I FIND MYSELF
AGREEING WITH YOU.

-THAT'S NO FUN.
-[CHUCKLES] NO.

I MEAN,
I CAN STOP SPEAKING,
IF YOU WANT.

NO, THAT'S OKAY.
I THINK THAT'S THE ANSWER.

YOU'RE NOT GONNA
DISAPPOINT ME,
ARE YOU, GABE?

ONCE I'M PAST
THIS COLORFUL EXTERIOR?

I'M NOTHING SPECIAL.

THAT'S THE ONLY THING
I BELIEVE.

[MUSIC PLAYING]

♪ GIVE ME A LION ROAR

♪ GIVE ME SOME CLAWS

♪ SO I CAN SCRATCH YOU
OUT MY LIFE ♪

♪ RIP YOU TO SHREDS,
THEN EAT YOU ALIVE ♪

♪ DIGEST YOU,
FEEL YOU INSIDE ♪

I JUST WISH SOMEONE
WOULD TRY AND HURT YOU,

JUST SO THAT I COULD
KILL THEM FOR YOU.

THAT IS THE NICEST THING
ANYONE HAS EVER SAID TO ME.

[MUSIC CONTINUES]

♪ NO, I'M NOT GONNA
REGURGITATE ♪

♪ OR ALLEVIATE MYSELF AGAIN

♪ JUST KNOW

♪ YOU CAN'T COME BACK

♪ TO TICKLE MY THROAT
WITH YOUR DELICIOUS HAIR ♪

♪ I'M NOT GONNA CHOKE,
YOU'RE OVER ♪

I CAN'T EXPLAIN IT,
BUT IT FEELS DIFFERENT.

UNFORTUNATELY,
I THINK I MAY LOOSE
MY COOL WITH THIS ONE.

[MUSIC CONTINUES]

♪ GIVE ME A LION ROAR

♪ I SAID,
GIVE ME A LION ROAR ♪

♪ EAT YOU ALIVE

♪ AS YOU WIGGLE ON DOWN

♪ EAT YOU ALIVE

♪ AS YOU TICKLE ME NOW

TEMPUS FUGIT.

TIME FLIES.

I'M HUNGRY.

ME, TOO.

YOU KNOW, PEOPLE LOOK AT YOU
LIKE THEY SHOULD KNOW YOU.

-THEY DO, HUH?
-MM-HMM.

MAYBE IT'S 'CAUSE
I'M WITH YOU.

WHAT DO YOU DO
FOR A LIVING, GABE?

LEGAL AND ACCOUNTING.

SUPERVISION MOSTLY.

THE ONLY PEOPLE I KNOW
THAT KEEP CASH

AROUND LIKE YOURS ARE
GANGSTERS AND DRUG DEALERS.

WELL, I'LL KEEP THAT IN MIND.

I'D HATE TO BE CONFUSED
FOR A DRUG DEALER.

DON'T DANCE
AROUND ME, GABE.

I HAVE GANGSTERS IN MY FAMILY.
I KNOW WHO THEY ARE.

I WATCHED THEM DESTROY
MY MOTHER'S LOOKS,

HER SANITY,
HER SELF WORTH.

I'M NOT GOING DOWN THAT ROAD.

YOU SHOULDN'T.

WOULD IT HELP IF I TOLD YOU

THAT THE DANCING
WAS AN EFFECT

OF ME BEING SLIGHTLY
NERVOUS AROUND YOU?

NERVOUS OF THE FACT
THAT I DON'T THINK

I'VE FELT THIS WAY

ABOUT ANYONE
IN A LONG TIME.

[GABE]
STEVE DID TWO FILMS
WITH SAM PECKINPAH,

THE WALTER HILL
SCRIPTED "THE GETAWAY"

AND THE CHARACTER STUDY
"JUNIOR BONNER."

ON ITS RELEASE,
IT DISAPPOINTED FANS

OF BOTH MCQUEEN
AND PECKINPAH.

BUT IF YOU WATCH IT,

YOU SEE STEVE AT HIS MOST
NATURAL, HUMANISTIC.

BLOODY SAM GOT HIS START

WORKING FOR B-MOVIE DIRECTOR
DON SIEGEL.

SIEGEL AND MCQUEEN HAD WORKED
TOGETHER YEARS BEFORE,

THEN HE WENT ON
TO DIRECT SUCH CLASSICS

AS "DIRTY HARRY"
AND "ESCAPE FROM ALCATRAZ,"

DEFYING THAT OLD
HOLLYWOOD RULE

THAT A DIRECTOR'S PICTURES
DETERIORATE AS HE AGES.

HE BECAME A LEGEND
AFTER SHOOTING
"THE WILD BUNCH."

OH, HE ALREADY HAD
A REPUTATION FOR BAD BEHAVIOR.

ONCE HE SHOWED
HIS APPRECIATION FOR A MOVIE

BY PISSING
ON A THEATER SCREEN
DURING A PREVIEW.

[WOMAN]
SHE'S BEEN ASKING
FOR YOU, GABE.

OKAY, SWEETHEART.

SO JOHN WAYNE MAY HAVE
HAD HAWKS AND FORD

AS HIS TWIN FATHERS,

BUT I THINK MCQUEEN MORE
THAN MADE UP FOR IT

WITH THE INFLUENCE PECKINPAH
HAD ON HIS WORK.

POOR WILLIE.

HE'S BEEN WITH US
SINCE HE WAS UNDERAGE.

THE TWO OF THEM GO DOWN
TO MARCELO'S TACOS ON 6TH.

THEY GET FOLLOWED.
THEY GET SHOT.

TONY THE FUCKING SHARK.
HE'S LAUGHING AT ME, GABE.

WELL, HOW DO YOU
KNOW IT'S HIM?

ONE OF THE BOYS SAW CASPER
HERE LAST NIGHT.

HE ASKED HIM TO LEAVE, HE DID,

BUT HE POINTED
HIS FINGER LIKE A GUN--
A THREAT.

ALL RIGHT, I'LL HAVE DAVID
CALL MICHAEL AT THE FOUNDRY.

WE'LL GET RID OF THE BODIES.

RIGHT NOW
I GOTTA GET SOME AIR.

I NEED TO THINK.

YOU KNOW, CASPER COULD BE
WORKING ON HIS OWN.

HE BENEFITS FROM A WAR.
ROMANO DOESN'T.

REMEMBER THAT.

AND THE GIRL?

I'M WORKING ON IT.

THIS IS WHERE HE WENT DOWN.

YOUR OTHER BOY WAS HIT
A LITTLE FURTHER AWAY.

STILL STRONG ENOUGH
TO COME BACK FOR HIS BROTHER.

MIDDLE OF THE DAY, HUH?

EVERYONE VANISHED
WHEN THE SHOOTING STARTED.

YOUR MAN'S BLEEDING OUT
AS HE WALKS,

CARRYING HIS FRIEND
OVER HIS SHOULDER.

HAD THEY STAYED PUT,

PROBABLY WOULD HAVE SURVIVED.

ANY IDEAS?

HE CAME AND WENT.
HABEAS CORPUS.

YOU SEE THE SHOOTER?

I DON'T LIKE BEING
SHOT AT, GABE.

I DON'T LIKE IT AT ALL.

I COULD HAVE HAD THAT LIFE.

COULD HAVE ROLLED WITH IT

AND MADE A LOT MORE MONEY
THAN FRYING TACOS.

DON'T THINK I DON'T
DREAM ABOUT IT.

THE PATH CHOOSES YOU,
MARCELO.

I'LL SAY THIS, GABE.
THERE WAS ONLY ONE GUN.

HOW DO YOU KNOW THAT?

NO CAR. NO YELLING.

HE RUNS AFTERWARDS.

IT WAS A BIG GUN.
A MAGNUM.

YOU COULD TELL BY THE SOUND.

YOU SAW HIM, DIDN'T YOU?

I SEEN HIM RUN,
THAT'S ALL.

YOU SAW HIM.

GO AHEAD, TAKE IT.

SON OF A--

OH!

WHOA. WHOA.
WHOA! WHOA! WHOA!

SHE'S FINISHED, GABRIEL.
CAN'T YOU SEE THAT?

YOU GONNA USE IT
OR JUST KEEP FLASHING IT?

'CAUSE I'M RIGHT HERE.

[GABE]
WHY DID HE RUN?

THE SAME REASON
I RAN AFTER HIM.

WE BOTH KNEW HE COULDN'T
LOOK ME IN THE EYE

AND LIE ABOUT KILLING
CATERINA'S TWO BOYS.

A DRIVE-BY?

A FUCKING DRIVE-BY SHOOTING?

WE LOST TWO
OF OUR OWN LAST NIGHT.

NOW I'VE CARRIED YOU FOR
THE LAST DOZEN YEARS OR SO.

YOU'VE MADE MONEY.

NOW WE ARE IN A SITUATION
THAT HAS TO BE HANDLED

OR WE ARE GOING TO BE
IN A LONG

PROTRACTED WAR
ON ALL FRONTS.

IT'S CASPER, NOT ROMANO.

HE'S TRYING TO PROVOKE YOU.

JUST LET ME DEAL WITH HIM.

IT'S TOO LATE FOR THAT, GABE.

TONY THE SHARK. PAULIE?

TONY THE SHARK'S EX-WIFE

LIVES IN BARBADOS
OR SOMETHING.

HIS KID IS IN TOWN.
FILM SCHOOL.

WE HAVE AT HER
TOMORROW AFTER CLASS.

KIDNAPPING HIS DAUGHTER?
THAT'S HITTING HIM
BELOW THE BELT.

GABE'S BEEN KEEPING
HIS EYE ON THE GIRL,

SO HE CAN LEAD US
RIGHT TO HER.

TOMORROW NIGHT, GABE.

[CATERINA SIGHS]

WAIT UP. WAIT.

NOTHING IN LIFE
IS RANDOM, GABE.

TONY AND I
WERE RAISED TOGETHER

TO SLOWLY DESTROY
EACH OTHER'S LIVES AS ADULTS.

THERE'S A PROFOUND
POETRY TO IT.

ANOTHER STEP 20 YEARS AGO?
WE MIGHT HAVE BEEN LOVERS.

THAT'S GREAT,
BUT WILL YOU JUST--

JUST TAKE A BREATH
FOR A SECOND, HUH?

LISTEN TO ME, AS YOUR NEPHEW
AND TRUSTED COUNSEL,

IF YOU'RE GONNA LET
PAULIE DO THIS,

THEN YOU HAVE TO
GET OUT OF TOWN.

GO SOMEWHERE.

ANYWHERE BUT HERE.
IT'S NOT SAFE.

THERE'S AN OLD ISLAND PROVERB.

"THE CORAL WAXES,

THE PALM GROWS,

BUT MAN DEPARTS."

JESUS CHRIST.

THEY'VE DRAWN FIRST BLOOD.

WE HAVE TO RETALIATE.

AND WHEN THE SMOKE CLEARS,

THEY WILL SEE
THAT THEY WANT NO PART

OF A CONFLICT WITH ME.

YOU'RE NUTS.

I CAN'T TALK TO YOU.
YOU'RE NUTS.

I'LL-- I'LL GO TALK
WITH GRAMPS.

GRAMPS DIED.

HE PASSED LAST NIGHT.

WAS IT PEACEFUL?

HE PASSED IN HIS SLEEP.

THE NURSE FOUND HIM
THIS MORNING.

YEAH.

HEY, IT'S ME.
WHERE ARE YOU?

[BREATHING HEAVILY]

ALL RIGHT, STAY THERE.
I'M ON MY WAY.

SO, LISTEN, UM--

EVA, I KNOW
WHO YOUR FATHER IS.

I'VE ALWAYS KNOWN WHO HE IS.

-WHAT DO YOU MEAN?
-YOU KNOW WHAT I MEAN.

WHAT ARE THE CHANCES
OF THIS HAPPENING, HMM?

THE ONE WOMAN
IN THE ENTIRE WORLD

WHO I CANNOT, SHOULD NOT,

EVER GET INVOLVED WITH.

SO WHEN THE TIME COMES TO MAKE
A LIFE-CHANGING DECISION,

WE PAUSE,
WEIGH THE OPTIONS.

WALKING AWAY
FROM MY LINE OF WORK
IS NOT ONE, SO--

LIKE ANYTHING PAINFUL,
IT NEEDS TO BE DONE QUICKLY
AND WITHOUT HESITATION.

I KNOW THE GUYS
WHO CAME AFTER YOU TODAY.

THEY'RE NOT GONNA STOP.

MY POINT IS,
WE CAN'T STAY HERE, OKAY?

SO I NEED YOU TO PACK A BAG,
JUST FOR A COUPLE OF DAYS

AND LET'S GO SOMEWHERE ELSE.

-GIVE US TIME TO THINK.
-WHERE ARE WE GONNA GO?

DOESN'T MATTER.

I'M ASKING YOU TO TRUST ME.
WE DON'T HAVE TIME.

PLEASE.

I'LL BE RIGHT BACK.

HOW YOU DOIN', GABE?

I'M BRINGING HER IN.

WE'RE DOING THIS
THE CIVILIZED WAY.

-IS THAT SO?
-YEAH, IT IS.

OUT OF MUTUAL RESPECT FOR TONY,
WE'RE DOING THIS GENTLE.

I KNEW THE BOYS
THAT GOT SHOT, GABE.

GOOD GUYS.

REAL SLICK, COURTING
THE SHARK'S DAUGHTER.

MIGHT MOVE YOU UP
IN THIS WORLD.

YOU HAVE SOME IMAGINATION,
PAULIE, YOU KNOW THAT?

I COULD GIVE A SHIT
ABOUT CATERINA.

THOSE BOYS,
THEY WERE MY FRIENDS.

ARE WE DONE?

WE'RE DONE.

I'LL TELL YOU
WHEN WE'RE DONE.

PAULIE, WHAT?

COULDN'T LEAVE IT ALONE,
COULD YOU? HUH?

IT'S ALL RIGHT.

HE NEVER FUCKING LEARNS.

YOU OKAY?

I HAVE A DELAYED
REACTION TO STRESS.

IT PASSES.

[MUSIC PLAYING]

[NO AUDIBLE DIALOGUE]

[MUSIC CONTINUES]

[EARS RINGING]

[MUSIC CONTINUES]

[MUSIC FADES]

-LET HER GO.
-ARE YOU DICTATING
TERMS TO ME?

I'M ASKING YOU NICELY.

FUCK YOU.

FIVE MILLION IN HARD CASH.

YOU GET IT TO ME
OR YOU NEVER SEE HER AGAIN.

YOU TRY ANYTHING AT ALL,
I WILL KILL HER.

WATCH THE GIRL.

IF THEY TRY ANYTHING,
YOU KNOW WHAT TO DO.

WE KNOW WHAT TO DO, BOSS.

YOU LISTEN TO ME,
YOU DO NOTHING,

ABSOLUTELY NOTHING,
YOU UNDERSTAND?

I DON'T LIKE GUNS.

SPENT TOO MUCH
OF MY YOUTH CLEANING THEM.

THE PROBLEM IS,
OWNING ONE IS NEVER
THE END OF THE STORY.

YOU HAVE TO BE
PREPARED TO USE IT.

THERE'S A SAYING,

YOU KILL A MAN,
AND YOU'RE A MURDERER.

YOU KILL THOUSANDS,
YOU'RE A CONQUEROR.

I CAN NO LONGER DENY
WHO'S BLOOD IS RUNNING
THROUGH MY VEINS.

-[SIGHS]
-HE'S HERE.

[CLEARS THROAT]

[SIGHS]

SHE REALLY
THAT SPECIAL, GABE?

YOU'RE REALLY GONNA
THROW IT ALL AWAY FOR HER?

I DON'T THINK
THERE WAS EVER A MAN

WHO WAS WILLING TO
THROW IT ALL AWAY FOR ME.

MAKES ME STRANGELY JEALOUS.

IT'S FUNNY, ISN'T IT?

IT'S SAD, ACTUALLY.

FEELING SORRY FOR ME, GABE?

DON'T THINK OUR DNA
HAS A CAPACITY FOR SYMPATHY.

WE NEED A MORAL
COMPASS FOR THAT.

MY EARLIEST MEMORIES,

SINCE I WAS A KID,
THEY'RE ALL--

ALL VARIATIONS OF WANTING
TO BE LIKE YOU.

JUST DO WHAT DO YOU DO.

AND WHEN DID THAT CHANGE?

I DON'T REMEMBER.

HOW DID I GO SO WRONG
WITH YOU, GABRIEL?

THAT'S AS CLOSE AS YOU'LL
EVER GET TO HER.

KEEP IT AS A SOUVENIR.

YOU SHOULDN'T HAVE DONE IT.

WHAT DO YOU WANT?

YOU KNEW I COULDN'T
LET HER LIVE.

[SIGHS]
I'LL TELL YOU WHAT.

YOU GO HOME, THINK ABOUT
WHAT YOU'RE DOING
WITH YOUR LIFE.

CALL ME IN THE MORNING
AND APOLOGIZE.

WE'RE FAMILY.

I'LL LET YOU DO THAT.

YOU SHOULDN'T
HAVE DONE IT, C.

YOU DON'T KNOW ME.

YOU NEVER DID.

BUT I ALWAYS
LOOKED OUT FOR YOU.

YOU WANT HER?

HMM?

SHE'S IN THERE.

HEY! WHERE THE FUCK YOU GOING?
GET THE FUCK IN THERE.

YOU BETTER TALK TO HIM,
OR I'M GONNA TALK TO HIM.

[CONTINUES SHOUTING]

CALM DOWN! CALM DOWN!
YOU BETTER TALK TO HIM.

[CONTINUES SHOUTING]

[CASH REGISTER DINGS]

NON-SLIP LAMBSKIN GLOVES.

AMBER TINT
TARGET DEFINING GLASSES.

FOAM EARPLUGS.

PREPARATION IN ANY ENCOUNTER
IS HALF THE BATTLE.

SHE DID THE ONLY THING
SHE UNDERSTOOD.

PAULIE!

GABE, PAULIE SENT ME
OUT HERE TO TALK TO YOU.

I WANT YOU TO PUT THAT GUN DOWN
AND WE'LL TALK THIS OUT.

GABE! GABE, COME ON!

WE'RE ON THE SAME TEAM HERE.
WHAT ARE YOU DOING?

THIS IS FAMILY.

[MOANS]

COME OUT, GABE!
TOLD YOU I'D BEAT YOUR ASS!

DID I HURT YOUR FEELINGS?

WE'RE COOL, ALL RIGHT?

-[GRUNTS]
-HOLD ON. HOLD ON.

COME ON.

[SCREAMS]

[GROANING]

[MAN]
DO YOU KNOW WHO I AM?

I'M TONY ROMANO.

SOMETIMES KNOWN
AS "THE SHARK."

I REALLY DON'T LIKE
THAT NICKNAME.

I'M ITALIAN,
NOT A SPIC.

YOU KNOW, I CARRIED
A TORCH FOR HER ONCE.

YOU'RE GABE TANCREDI.

SHE'S YOUR AUNT, RIGHT?

YOU KNOW, YOU'RE MORE FUCKED UP
THAN I IMAGINED YOU WERE.

SHE WAS MORE MAN THAN YOU
COULD EVER HOPE TO BE.

TELL ME, GABE,
HOW DID YOU SEE THIS
PLAYING OUT IN YOUR HEAD?

DID YOU SEE YOURSELF
JUST WALKING AWAY FROM THIS?

I SAW MY CHANCES JUST
SLIGHTLY BETTER THAN YOURS.

YOU KNOW, THEY SAY THE WORD
"MAFIA" WAS COINED IN A REVOLT

THAT HAPPENED
WHEN A FRENCH SOLDIER

RAPED A YOUNG PALERMO WOMAN
ON HER WEDDING DAY

ON EASTER MONDAY, 1282.

A GROUP OF SICILIAN MEN
RETALIATED BY KILLING
THE FRENCH SOLDIER.

AS THE NEWS SPREAD
OF THE RETALIATION,

THE WORD "MAFIA" BECAME
THE SICILIAN BATTLE CRY,

COINED FROM THE RAPED
GIRL'S MOTHER

WHO RAN THROUGH THE STREETS
YELLING AND SHOUTING,

"MA-FI-A! MA-FI-A!"

WHICH IN ITALIAN MEANS

"MY DAUGHTER, MY DAUGHTER."

SO I CAME HERE
FOR MY DAUGHTER, MY EVA.

AND I REALLY DON'T CARE
ABOUT ANYTHING ELSE,

BUT LEAVING HERE WITH HER.

DO YOU UNDERSTAND?

SHE'S GONE.

I DON'T KNOW HOW THEY DID IT,

AND I DON'T KNOW
WHY THEY DID IT...

BUT I BLAME EVERY
MOTHERFUCKER

IN THIS ROOM.

SHIT.

[MAN MOANING]

[MUSIC PLAYING]

♪ THE TIME WILL COME

♪ WHEN ALL THE QUESTIONS
WILL BE UNDONE ♪

♪ AND YOU STAND
AS THE ANSWER BEFORE ME ♪

♪ YOU QUESTION WILL I

♪ EVER RETURN,
AND I PROMISE ♪

♪ IT'S ONLY YOU IN MY ARMS

♪ I WILL EVER BE HOLDING

♪ THERE'S A PLACE
WE CAN MEET EACH NIGHT ♪

♪ WE FALL UNDER
THE SAME STARLIGHT ♪

♪ THOUGH I AM FAR AWAY

♪ LOVER, BELIEVE ME
WHEN I SAY ♪

♪ LET'S NEVER
SAY GOOD-BYE ♪

♪ OH, LET'S NEVER
SAY GOOD-BYE ♪

MR. ROMANO WAS MY EMPLOYER
FOR 10 YEARS.

HE MAY NOT
HAVE BEEN PERFECT,
BUT WAS FAIR.

HE WAS RETIRING THIS YEAR.

DO YOU KNOW WHO HE CHOSE
TO TAKE OVER AFTER HIM?

WE BOTH LOSE TODAY, CASPER.

YOU WANT IT?

IT'S YOURS. TAKE IT ALL.

I DON'T NEED--

DOES SHE MEAN
THAT MUCH TO YOU?

THEY KILLED HER JUST LIKE
THEY KILL EVERYTHING ELSE.

THIS PLACE MAKES ME SICK.
JUST, UH, TAKE WHAT YOU WANT.

WAKE UP AND GO TO BED

KNOWING THAT I TURNED MY BACK
ON THE ONE PERSON,

ON THE ONE PERSON WHO KEPT ME
FROM FULFILLING MY DESTINY,

A POSITION I GROOMED
AND NURTURED FOR YEARS.

DIGESTING ABUSE,

SLAVING LIKE A DOG,
FOR WHAT?

YOU TURN INTO A SAD STORY
I'LL TELL OVER A DRINK.

I WON'T BE
THAT MAN TODAY, GABRIEL.

YOU'RE NOT ABOUT
TO JUST WALK AWAY.

THE PRESENT IS ALL
A MAN HAS ANYWAYS.

CAN'T DWELL ON THE PAST
TO SURVIVE IN THE FUTURE.

IN OUR GAME WE LIVE
FOR THE MOMENT, RIGHT?

OR NOT AT ALL.

IT'S ONLY LIFE THAT HURTS.

DEATH CARRIES WITH IT
NO PAIN AT ALL.

[GRUNTS]

THIS IS BARBARIC, MAN.

LET'S NOT DO THIS.

JUST, CASPER, JUST--
JUST, JUST TAKE THE CUP.

ALL RIGHT?

I WAS PLANNING
ON LEAVING THIS MORNING.

MY PLANS HAVEN'T CHANGED.

LISTEN TO ME,
I'M GIVING IT TO YOU.

I'LL JUST DISAPPEAR.

-JUST--
-THAT'S THE THING.

WHEN IT COMES DOWN TO IT,

I DIDN'T REALLY CARE
ABOUT ANY OF IT EITHER.

NOT LIKE THEY DID.

GUESS I'M NOT
THE DESIGNATING TYPE.

I DO MY OWN DIRTY WORK.
YOU READY?

ARE YOU READY?

WE'LL SEE.

-[FABRIC RIPS]
-[GRUNTING]

[GRUNTING]

[GASPING]

JUST LOOK AT YOUR FACE, MAN.
JUST--

CASPER, THIS IS A NO-WIN
SITUATION, ALL RIGHT?

JUST WALK AWAY.
YOU GOT NOTHIN' TO PROVE.

WRONG AGAIN.

[GRUNTING]

[SCREAMING]

[GRUNTING]

-SHE'S ALIVE.
-WHAT?

YOU THOUGHT SHE WAS DEAD,
BUT SHE'S ALIVE.

SHE'S IN THE BACK.

I COULD HAVE BEAT YOU,

BUT I HAVE NOT.

HEY, HEY, YOU DONE?

YOU DONE? YOU'RE DONE.

YOU DID IT ALL FOR LOVE, MAN.

THAT'S BEAUTIFUL.

[SOBBING]

SHH, SHH, SHH.

WHAT SHOULD WE DO?
WHAT SHOULD WE DO?

I NEED YOU TO TRUST ME.

BUT YOU GOTTA PROMISE ME...

YOU GOTTA KEEP
YOUR EYES CLOSED.

DO YOU UNDERSTAND?

-SAY IT.
-MMM.

OKAY.

HI.

ALL RIGHT,
KEEP 'EM CLOSED.

[GABE]
10 HOURS IN A MEXICAN HOSPITAL
COULDN'T SAVE MY ARM,

BUT I'LL LIVE,
AND EVA WILL FORGIVE ME.

AND ALTHOUGH
WE LAUGH AND LOVE,

ULTIMATELY WE LOST.

WE LOST ALL THE REASONS
WE COULDN'T BE TOGETHER.

DO I FEEL BAD ABOUT IT?

NO.

I DIDN'T THROW UP,
IF THAT'S WHAT YOU MEAN.

-[ENGINE ROARS]
-[MUSIC PLAYING]

♪ THE CORKS ARE CAPPED

♪ THE FLOORS ARE BEING WAXED

♪ I KNOW THE MOMENT'S PASSED

♪ AND EVERYONE HAS LEFT
AND I'M ABOUT TO BE RUN OVER ♪

♪ BUT I CAN'T QUITE SEEM
TO WAKE MYSELF ♪

♪ BOTH WORLDS COLLIDE

♪ I'M DANCING IN MY SLEEP
WITH ALL MY CLOTHES ALIGHT ♪

♪ I THINK
I SHOULD BE ROLLING ♪

♪ BUT I DON'T
QUITE SEEM TO NOTICE ♪

♪ AND THERE'S NO BREATH
LEFT TO WAKE MYSELF ♪

♪ AT LAST

♪ I'M ABOUT TO GET
MY SECOND CHANCE ♪

♪ BUT I CAN'T GET IN

♪ TO TELL MYSELF THE ANSWER

♪ I'M LOST AND TRAPPED

♪ SWIRLING DOWN A FOUNTAIN
THROUGH MY PAST ♪

♪ BUT I'M OUT OF CONTROL

♪ SO I CAN'T GIVE MYSELF
THE ANSWER ♪

♪ THE ANSWER

♪ CLOSE YOUR BLINDS

♪ IT'S SAFER HERE INSIDE
THE MYSTERY ♪

♪ MY MIND, OH, PLEASE,
LET ME REWIND ♪

♪ AND GET THE FORMER ME
UNFROZEN ♪

♪ A STATUE PAINTED
WHITE WITH FRIGHT ♪

♪ MY HEART BEATS LOUD

♪ ALONE INSIDE A CROWD
I SEE RELIEF ♪

♪ A SHROUD, GO HOME
AND SHAKE IT OUT ♪

♪ BUT YOU CAN NEVER STOP
THE TRAIN THAT'S COMING ♪

♪ REGRETS EXPRESS
THE WHISTLE'S BLOWING ♪

♪ AT LAST

♪ I'M ABOUT TO GET
MY SECOND CHANCE ♪

♪ BUT I CAN'T GET IN

♪ TO TELL MYSELF THE ANSWER

♪ I'M LOST AND TRAPPED

♪ SWIRLING DOWN A FOUNTAIN
THROUGH MY PAST ♪

♪ BUT I'M OUT OF CONTROL

♪ SO I CAN'T GIVE MYSELF
THE ANSWER ♪

♪ THE ANSWER, THE ANSWER

♪ THE ANSWER

♪ THE ANSWER

♪ THE ANSWER

♪ YEAH

♪ THE CORKS ARE CAPPED,
THE FLOORS ARE BEING WAXED ♪

♪ I KNOW THE MOMENT'S PASSED
AND EVERYONE HAS LEFT ♪

♪ AND I'M ABOUT TO BE
RUN OVER ♪

♪ BUT I CAN'T QUITE SEEM
TO WAKE MYSELF ♪

♪ BOTH WORLDS COLLIDE

♪ I'M DANCING IN MY SLEEP
WITH ALL MY CLOTHES ALIGHT ♪

♪ I THINK I SHOULD
BE ROLLING ♪

♪ BUT I DON'T QUITE SEEM
TO NOTICE ♪

♪ AND THERE'S NO BREATH LEFT
TO WAKE MYSELF ♪

♪ AT LAST

♪ I'M ABOUT TO GET
MY SECOND CHANCE ♪

♪ BUT I CAN'T GET IN

♪ TO TELL MYSELF THE ANSWER

♪ I'M LOST AND TRAPPED

♪ SWIRLING DOWN A FOUNTAIN
THROUGH MY PAST ♪

♪ I'M OUT OF CONTROL

♪ SO I CAN'T GIVE MYSELF
THE ANSWER ♪
=
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