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[jazz music]
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[cheers and applause]
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- From the Penn & Teller Theater
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at the Rio Hotel in Las Vegas,
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here's our host,
Alyson Hannigan!
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[cheers and applause]
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- Welcome to
"Penn & Teller: Fool Us."
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I've been hosting
this show long enough
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that I already know
I am gonna be fooled
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by every magician tonight.
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So, I'm gonna just
sit back and relax.
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I might even replace
my little black chair
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over there
with a bubble bath.
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And all of you, just please
join me in relaxing,
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because the only two people
who are under pressure
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to figure out how
each trick is done,
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are our main men in magic:
Penn and Teller!
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[cheers and applause]
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Each successful fooler gets
to perform with Penn and Teller
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in the shiny city
of Las Vegas,
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and get the even shinier
"Fool Us" trophy.
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Let's meet our first
bright magician of the night.
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[fireworks explode]
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- So, I'm Dan Sperry,
and I just do magic tricks
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with different props--
razorblades and broken glass.
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I was influenced by
horror moves in general.
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You know,
instead of pulling a rabbit
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out of a hat, you know,
the rabbit would come out dead
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or something like that.
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Then you eat it...
or whatever.
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Most people think
I sleep in a coffin
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and I live in a cemetery.
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I don't.
I just live in a suburb area.
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Just a normal-esque,
suburban-type person.
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My neighbors hate me,
which is fine.
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And I get up every morning,
and I make coffee,
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like most people.
And I have animals,
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and I water my plants.
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But being an adult is, like,
the worst thing ever.
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Like, growing up is the worst.
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So, I try and surround myself
with things
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that make me feel like
I'm still not in the real world.
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[cheers and applause]
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- He's tatted up
and ready to roll.
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Here is Dan Sperry!
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- Yay!
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Magic show!
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Well, my name's Dan Sperry,
and I do magic tricks.
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And, right now,
I just need to borrow
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00:02:39,530 --> 00:02:41,530
Alyson for a moment,
if you don't mind coming over.
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So, everybody, it's Alyson!
[applause]
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Alyson, it's everybody,
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but I don't know their names.
It doesn't matter.
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Alyson, here's the deal.
Right now,
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we're gonna use
something simple for this,
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that everybody's familiar with.
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It's just--it's just a quarter.
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And, in a moment, you're gonna
have the opportunity
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to win a prize.
- [chuckling] Oh.
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- I know.
Get excited!
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It's gonna be great.
- Okay! [laughs forcibly]
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- So get excited.
- [whimpers]
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- So, here's how this works.
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I need to demonstrate
what you need to do--
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have you ever played
"Heads or Tails" before?
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- Yes.
- You have?
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But, like, with a coin though,
right?
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- Yeah.
- Okay, good,
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'cause we're in Vegas.
People get confused
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about what that means.
- Sure.
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00:03:09,970 --> 00:03:11,200
- Right, okay.
- All right.
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- Use the quarter,
but don't flick it
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until I tell you to,
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'cause we need to
build up the suspense.
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- Okay.
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Okay.
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- Tickle fight...
all right, 'cause over here...
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over here, I have two cards.
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One card...[gasps]
Says "heads,"
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And the other card...[gasps]
Says "tails."
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- Ooh.
- And on the back of each card
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is a prize,
but I'm gonna be honest--
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one prize is a little bit better
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than the other one.
But only by, like, that,
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so it's like
"win-win-win," okay?
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So, get in your
quarter-flicking-ready position.
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It's gonna be great.
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Okay, ready?
One-two-three, go for it!
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You flick it in the air.
Go for it.
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Flick it in the air--right.
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And you catch it--nice--
and then go, go, go.
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And what'd you get?
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- Heads.
- Heads! So you...
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[gasps, squeals]
Get excited, Alyson,
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'cause you just won a hug!
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[cheers and applause]
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Come here, big winner.
See, this is the prizes.
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It's not just--"Fool Us" prizes
for everybody that helps.
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That was fun, right?
It was fun.
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Um, I gotta be honest.
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That actually had nothing
to do with anything.
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- Oh.
- It was just so you and I
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could hug it out,
to get to know each other.
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- Aww.
- Sometimes people get nervous.
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I don't want you to be nervous.
- Aww. Okay.
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- Okay.
- Yeah, okay.
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- But here's the other--
you know,
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there's more than one quarter
in circulation, right?
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- Sure.
- So, we need to make
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this one unique
and special to you.
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In order to do that,
you're gonna use the marker.
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I'm gonna
take the cap off for you.
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And here's how this works.
Now, on both sides,
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heads and tails,
you're gonna write
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whatever you want, okay?
Sometimes people write
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their name, sometimes
people draw little pictures...
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[inhaling marker fumes]
Sometimes people put
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their initials, some--
- I don't think that's...
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- Mm-hmm.
You're not my mom, okay?
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- Oh--
- Go ahead and go for it.
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You can do the same thing
on both sides.
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It can be two different things.
I don't care.
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- Okay.
- Just make it unique, special,
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one-of-a-kind, just like you.
- Okay.
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[audience laughing]
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- Can I have some of this?
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Can I have some?
Okay.
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And when you're done,
you let me know.
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- Yeah, done.
- We're good.
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All right,
I'll take the marker back.
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- Okay.
- [sniffs] Good.
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And let's see
what you put on there.
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- You wanna see?
- Yeah, no, I can see.
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It's totally fine.
It's not like that.
138
00:05:00,730 --> 00:05:02,600
- Okay.
- All right, so you put, um...
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"help" on one side.
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[laughing] Like, for real.
- Yeah.
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- All right--burned me
the first time,
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so it's all good.
And then she wrote "me"
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on the other side.
"Help me."
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That's actually really great.
- Yeah, yeah.
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- I like that.
- Okay.
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- But now it's identifiable,
because right now,
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with your help, I'm about
to make the coin disappear.
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- Okay.
- It's gonna reappear
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someplace impossible.
That's how we're gonna know
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that it's, in fact, yours.
- Yeah, okay.
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- 'Cause it's matched.
See, this is how it works.
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Now, in order to make it
disappear, though,
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I do need to put it somewhere...
- Okay.
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- Wet.
- [whimpers]
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- No, no, no, no, no.
Somewhere...
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mm, mm...somewhere where,
when you were a little girl--
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when you guys were
little boys and girls,
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when I was a little...kid--
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our parents always told us
never to put money there.
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Because it's dirty.
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Not into my mouth.
Instead, it's actually going
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inside my eye socket.
And that's why you're up here.
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It's to be sort of
a normal community member
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for everybody out there
and everybody at home,
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that what I'm doing
is what I say it is.
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And first and foremost,
it's important
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that everybody knows
that this is,
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in fact, a real eyeball.
- [groans]
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- Sometimes people think
it's fake, and it's not.
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So I need you
to check out my eye.
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- I don't know.
- Make sure--now, look at me!
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- Okay!
- Make sure it's the real deal.
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- Yeah.
- No hidden pockets.
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- Uh, no.
- No little gadgets.
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00:06:00,970 --> 00:06:02,030
- It's fine, that's--
- You sure?
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Do you wanna dig around in there
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to make sure? No?
- Yeah, no.
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- You wanna lick it?
We already hugged.
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- No.
- We could have a party.
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Get some NyQuil and nutmeg
and throw down in Vegas.
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- No, nope, nope.
- No? Okay.
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Have you ever
worn contact lenses before?
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- What? N--yeah.
- No?
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- Yes, I--
- Yeah, yeah, okay, yeah.
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Well, as I'm sure we all have.
So, that's perfect, then.
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'Cause then you'll be familiar
with the procedure
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that I'm about to do.
[sniffs]
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It's the same thing.
- [groans]
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- It goes in just like this.
- No.
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00:06:20,400 --> 00:06:21,870
- Now, Alyson.
- Uh-uh.
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- I'm gonna roll my sleeves back
because it's a magic show,
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that's how it works.
- No.
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- Now...[sniffs]
I need you to take a look.
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- No.
- Still your quarter, right?
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- Oh, God, yeah.
- Now, look at it.
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I can't see--it's in my eye.
It's still yours?
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00:06:29,500 --> 00:06:30,700
- Yes--yeah!
- Okay.
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00:06:30,700 --> 00:06:32,330
Now, Alyson,
take your right index finger,
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00:06:32,330 --> 00:06:33,630
point it at me.
- [groaning]
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00:06:33,630 --> 00:06:34,970
- Good.
Now, I'm just gonna
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00:06:34,970 --> 00:06:36,070
roll your sleeve back.
- Oh, God, please--
202
00:06:36,070 --> 00:06:37,130
- It's a magic show,
it's what we do.
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00:06:37,130 --> 00:06:38,200
- Oh, okay.
- Now, again,
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00:06:38,200 --> 00:06:39,500
you're here
to verify everything.
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00:06:39,500 --> 00:06:40,670
So, what you're gonna do now,
is your gonna keep
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00:06:40,670 --> 00:06:41,900
this finger rigid.
- Oh, please--
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00:06:41,900 --> 00:06:43,000
- Don't be Danny Torrance.
- Oh, God.
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00:06:43,000 --> 00:06:44,370
- Just keep it
rigid and firm, okay?
209
00:06:44,370 --> 00:06:45,870
And you're gonna take
the tip of that finger, now...
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- No.
- And help shove that coin
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further into my face.
- Oh, God, no, no, no.
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00:06:48,500 --> 00:06:49,730
- Now, hold still.
Hold still.
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Just the tip
of your finger, now.
214
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- [yelps]
- Do you feel the coin?
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00:06:52,500 --> 00:06:53,900
- [wails] I do.
- Do you feel it?
216
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I'm talking to you!
All right, now,
217
00:06:55,130 --> 00:06:56,630
do you feel it going in?
- Oh, my God.
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00:06:56,630 --> 00:06:58,100
Just the tip, though.
Not the whole thing.
219
00:06:58,100 --> 00:06:59,400
Just the tip--okay,
I know what it sounds like.
220
00:06:59,400 --> 00:07:00,500
I can hear you back there.
- Oh, my God.
221
00:07:00,500 --> 00:07:01,570
- Ugh.
- Keep your hand flat
222
00:07:01,570 --> 00:07:02,830
like a table.
- Okay.
223
00:07:02,830 --> 00:07:04,030
- 'Cause sometimes
the pressure causes the coin
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00:07:04,030 --> 00:07:05,270
to pop back out.
- Oh, my God.
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00:07:05,270 --> 00:07:06,530
- And if that happens,
you need to catch it,
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00:07:06,530 --> 00:07:08,000
'cause I don't want anybody
to think
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00:07:08,000 --> 00:07:09,300
I'm touching it, all right?
- No, I'm not doing that.
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00:07:09,300 --> 00:07:10,630
No, no, no.
- I'm hoping
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00:07:10,630 --> 00:07:11,870
it doesn't come to that.
- I'm gonna throw up.
230
00:07:11,870 --> 00:07:13,270
- [chuckles] Please don't.
- Oh, God.
231
00:07:13,270 --> 00:07:14,370
- Just hold it.
- Ew...
232
00:07:14,370 --> 00:07:15,500
- But I need you
to look, though.
233
00:07:15,500 --> 00:07:16,870
- That's totally fine.
I trust you.
234
00:07:16,870 --> 00:07:18,300
- The coin should be...
- No, that's fine.
235
00:07:18,300 --> 00:07:19,400
I--I don't--
- No, look, it should be...
236
00:07:19,400 --> 00:07:20,930
- Oh, God.
- Gone.
237
00:07:20,930 --> 00:07:22,300
- Oh, God, it's--
- No, look, look, look,
238
00:07:22,300 --> 00:07:23,370
for real.
- No, it's--yeah--
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00:07:23,370 --> 00:07:24,570
- Not down there.
- It's gone.
240
00:07:24,570 --> 00:07:25,600
- No, not up there.
- That's fine.
241
00:07:25,600 --> 00:07:26,770
- Disappeared.
- [groans]
242
00:07:26,770 --> 00:07:27,830
- [gasps]
Magic show
243
00:07:27,830 --> 00:07:29,270
- Oh, God.
244
00:07:29,270 --> 00:07:32,300
[cheers and applause]
245
00:07:32,300 --> 00:07:34,330
- [sniffing]
That was the hard part.
246
00:07:34,330 --> 00:07:38,070
The harder part
is making it come back--
247
00:07:38,070 --> 00:07:41,300
reappear from someplace
impossible.
248
00:07:41,300 --> 00:07:43,200
- Ugh.
249
00:07:43,200 --> 00:07:45,430
[laughter]
250
00:07:45,430 --> 00:07:48,030
- Get your hand out.
- [groans]
251
00:07:48,030 --> 00:07:51,130
- Now...[sniffs]
Here's how this works.
252
00:07:51,130 --> 00:07:52,930
- Ew--why are you
sniffing so much?
253
00:07:52,930 --> 00:07:55,670
- Don't worry about it.
Stay out of my personal life.
254
00:07:55,670 --> 00:07:57,330
Keep your hand flat
like a table.
255
00:07:57,330 --> 00:07:58,700
Since it's flat like a table,
we need a tablecloth
256
00:07:58,700 --> 00:08:00,070
to make it look nice.
We're on TV,
257
00:08:00,070 --> 00:08:01,530
we gotta make it look nice,
right?
258
00:08:01,530 --> 00:08:03,170
Hold your hand flat
like a table,
259
00:08:03,170 --> 00:08:04,700
so we need a tablecloth, okay?
- It's far from looking nice.
260
00:08:04,700 --> 00:08:05,930
It's gonna be strange,
but this is the tablecloth
261
00:08:05,930 --> 00:08:08,030
that we're gonna use.
So, what's gonna--
262
00:08:08,030 --> 00:08:09,200
oh, no, sorry.
Clean side.
263
00:08:09,200 --> 00:08:11,270
Clean side down.
That's more appropriate.
264
00:08:11,270 --> 00:08:13,000
Clean side.
[sniffs]
265
00:08:13,000 --> 00:08:14,300
You're gonna need to lower that,
just a little bit.
266
00:08:14,300 --> 00:08:16,470
- I don't really want to.
- Yeah, now...
267
00:08:16,470 --> 00:08:18,930
'cause here's the thing:
now we need the magic wand.
268
00:08:18,930 --> 00:08:22,170
And not a typical magic wand.
This is the magic wand
269
00:08:22,170 --> 00:08:23,970
that we're gonna use.
[audience gasping]
270
00:08:23,970 --> 00:08:25,270
'Cause the weird thing
about this,
271
00:08:25,270 --> 00:08:26,600
is that, if the coin disappears
from here,
272
00:08:26,600 --> 00:08:28,730
it always reappears
in the most unexpected place.
273
00:08:28,730 --> 00:08:30,300
So, I just need you to relax.
It's gonna be fine.
274
00:08:30,300 --> 00:08:31,800
It's gonna be fine.
- Shouldn't we have,
275
00:08:31,800 --> 00:08:33,130
like, security, or something?
- 'Cause this is where
276
00:08:33,130 --> 00:08:34,270
it gets weird, okay?
This is where it's gonna
277
00:08:34,270 --> 00:08:35,930
get weird, and...
278
00:08:35,930 --> 00:08:38,970
[laughter]
279
00:08:38,970 --> 00:08:41,500
It's perfectly normal.
280
00:08:41,500 --> 00:08:44,870
So, a little wave of the wand,
now, and a small incision.
281
00:08:44,870 --> 00:08:46,430
You should be able to see--
no, lower, right, lower.
282
00:08:46,430 --> 00:08:47,930
- No--oh, my--
- Like a Brazilian...
283
00:08:47,930 --> 00:08:49,370
- No, I really--I just--
- Sort of thing,
284
00:08:49,370 --> 00:08:50,930
from South America.
You know, when you see it on TV.
285
00:08:50,930 --> 00:08:52,300
- I just...I thought...
- I need you to look close,
286
00:08:52,300 --> 00:08:53,670
Alyson, right there...
- I thought it was, like,
287
00:08:53,670 --> 00:08:54,970
a family show...
- No, I need you to look close.
288
00:08:54,970 --> 00:08:56,400
Get it over here.
That's why you have the cloth.
289
00:08:56,400 --> 00:08:57,630
- I just really don't...
- I need you to look close.
290
00:08:57,630 --> 00:08:58,630
Do see something coming out?
291
00:08:58,630 --> 00:08:59,900
- I don't really wanna look.
292
00:08:59,900 --> 00:09:01,070
- [laughs] Just look at it.
- [groans]
293
00:09:01,070 --> 00:09:02,430
- Do you see it coming out
of my skin?
294
00:09:02,430 --> 00:09:03,570
- Yes, I do.
- Do you see it coming out?
295
00:09:03,570 --> 00:09:05,030
- Yeah.
- What does it look like?
296
00:09:05,030 --> 00:09:07,030
- It looks like my next
five years of nightmares.
297
00:09:07,030 --> 00:09:08,530
- Now, touch the coin.
- I don't...
298
00:09:08,530 --> 00:09:09,930
- Make sure it's in there.
- That's so gross.
299
00:09:09,930 --> 00:09:11,030
- It's in there, isn't it?
- Yeah.
300
00:09:11,030 --> 00:09:13,530
- It's disgusting,
but it's there.
301
00:09:13,530 --> 00:09:16,100
Now, you signed
"help" on one side,
302
00:09:16,100 --> 00:09:17,870
and "me" on the other...
- Yeah.
303
00:09:17,870 --> 00:09:19,670
- Of the coin.
Nobody asked you to sign it.
304
00:09:19,670 --> 00:09:21,470
This was not set up
beforehand, yeah?
305
00:09:21,470 --> 00:09:22,900
- No!
- No. Good.
306
00:09:22,900 --> 00:09:24,200
So this should be
the only coin--
307
00:09:24,200 --> 00:09:26,230
- Do you think
I would have agreed to this?
308
00:09:26,230 --> 00:09:29,730
- Mm...probably not.
- No.
309
00:09:29,730 --> 00:09:31,970
All right, just do it.
Just get it over with.
310
00:09:31,970 --> 00:09:33,170
- What--oh, right, okay.
So, this should be--
311
00:09:33,170 --> 00:09:34,600
I'm gonna take it out.
- [groans]
312
00:09:34,600 --> 00:09:35,970
- You need to verify
and look close.
313
00:09:35,970 --> 00:09:37,230
- Oh, God.
- It's stuck.
314
00:09:37,230 --> 00:09:38,570
- Okay--ugh.
- And look close...
315
00:09:38,570 --> 00:09:39,730
- No.
- Because you should be able
316
00:09:39,730 --> 00:09:41,030
to see, in your hand-writing--
317
00:09:41,030 --> 00:09:42,170
it might be a little smudged
from the blood--
318
00:09:42,170 --> 00:09:43,300
but, in your handwriting.
Yes or no?
319
00:09:43,300 --> 00:09:44,470
- Yeah.
- Does that look like
320
00:09:44,470 --> 00:09:45,600
your "me" on that side?
- Yes.
321
00:09:45,600 --> 00:09:46,830
- Does that look
like your "help"...
322
00:09:46,830 --> 00:09:48,100
- Yes.
- On that side?
323
00:09:48,100 --> 00:09:49,770
It is.
Alyson confirms.
324
00:09:49,770 --> 00:09:53,030
You guys, have a peek as well.
That's her "help" on that side.
325
00:09:53,030 --> 00:09:54,370
that's her "me" on that side.
326
00:09:54,370 --> 00:09:56,200
That's impossible.
That's disgusting.
327
00:09:56,200 --> 00:09:58,300
But, more importantly,
all of this applause
328
00:09:58,300 --> 00:10:00,470
doesn't go to me.
It goes to Alyson,
329
00:10:00,470 --> 00:10:02,430
for putting up with a lot.
You were a great sport.
330
00:10:02,430 --> 00:10:04,130
Your prize is not a hug.
331
00:10:04,130 --> 00:10:06,030
It's the coin that you get
to keep as a memory
332
00:10:06,030 --> 00:10:07,900
of our time together.
Thanks for being cool.
333
00:10:07,900 --> 00:10:10,100
[laughter]
334
00:10:10,100 --> 00:10:11,870
Okay, bye...
- Dan Sperry,
335
00:10:11,870 --> 00:10:13,370
ladies and gentlemen.
336
00:10:13,370 --> 00:10:16,370
[cheers and applause]
337
00:10:16,370 --> 00:10:19,200
- Thanks.
- Okay, so...
338
00:10:19,200 --> 00:10:20,800
now we have to talk.
- Okay.
339
00:10:20,800 --> 00:10:23,430
What do you wanna talk about?
340
00:10:23,430 --> 00:10:25,200
- Well, I thought
we were gonna cut me.
341
00:10:25,200 --> 00:10:27,200
- No, why--why would I do that?
That sounds awful.
342
00:10:27,200 --> 00:10:28,430
- Well, yeah.
- I'd never do that.
343
00:10:28,430 --> 00:10:30,330
You have a very
over-active imagination.
344
00:10:30,330 --> 00:10:31,500
- Yeah!
- You should talk to somebody
345
00:10:31,500 --> 00:10:33,500
about that.
- Oh, but you don't?
346
00:10:33,500 --> 00:10:36,000
- Yeah, no, no.
- You came up with this idea.
347
00:10:36,000 --> 00:10:37,530
- Well, my mom makes me
dress like this.
348
00:10:37,530 --> 00:10:39,400
I don't even really like it.
- [laughing] Really?
349
00:10:39,400 --> 00:10:40,930
- Yeah.
- [laughing]
350
00:10:40,930 --> 00:10:42,800
Uh...
[both laugh]
351
00:10:42,800 --> 00:10:44,800
Okay. [laughs]
- Yeah.
352
00:10:44,800 --> 00:10:45,930
- Who does your makeup?
353
00:10:45,930 --> 00:10:48,900
- Makeup?
- Oh.
354
00:10:48,900 --> 00:10:51,430
- Do people ever come back
to your magic shows?
355
00:10:51,430 --> 00:10:52,770
- I don't know.
- No?
356
00:10:52,770 --> 00:10:54,400
- I'm usually never invited back
to the same place,
357
00:10:54,400 --> 00:10:56,100
so I wouldn't know.
- [laughs]
358
00:10:56,100 --> 00:10:57,100
Yeah.
- I wouldn't know.
359
00:10:57,100 --> 00:10:58,470
- [laughs]
360
00:10:58,470 --> 00:11:00,230
Okay, I'm done with you.
361
00:11:00,230 --> 00:11:02,370
Penn, Teller.
362
00:11:02,370 --> 00:11:04,470
- Well, I gotta tell you--
that this is one of
363
00:11:04,470 --> 00:11:06,170
the greatest teams
I've ever seen.
364
00:11:06,170 --> 00:11:07,570
[both laugh]
365
00:11:07,570 --> 00:11:09,270
You two together.
- Oh, God.
366
00:11:09,270 --> 00:11:11,700
- I think this is
a match made in hell.
367
00:11:11,700 --> 00:11:13,600
[Alyson and Dan laugh]
- You know,
368
00:11:13,600 --> 00:11:17,470
I can't tell you
how much I love this act, Dan.
369
00:11:17,470 --> 00:11:19,370
I just love everything about it,
370
00:11:19,370 --> 00:11:22,670
and that's probably the thing
that hurts you the most.
371
00:11:22,670 --> 00:11:24,030
Because this is
the kind of stuff
372
00:11:24,030 --> 00:11:25,330
we look into a lot.
373
00:11:25,330 --> 00:11:27,130
And we've done a lot
of this bloody stuff.
374
00:11:27,130 --> 00:11:28,870
- Yeah.
- I love the whole presentation.
375
00:11:28,870 --> 00:11:30,170
I love all of this, you know.
376
00:11:30,170 --> 00:11:32,670
And I loved the relationship
with Alyson.
377
00:11:32,670 --> 00:11:34,730
It was just great,
the way you dealt with her.
378
00:11:34,730 --> 00:11:36,530
And we loved how you went
from your eye--
379
00:11:36,530 --> 00:11:38,770
and, you know, it's hard
to get to your stomach
380
00:11:38,770 --> 00:11:40,170
without going through
your mouth.
381
00:11:40,170 --> 00:11:42,030
But you went from the eye,
right to the--
382
00:11:42,030 --> 00:11:44,100
right to the stomach,
and it was fabulous.
383
00:11:44,100 --> 00:11:46,130
And, as you did the whole thing,
384
00:11:46,130 --> 00:11:49,230
it seemed like you were trying
to cement your relationship
385
00:11:49,230 --> 00:11:51,530
with Alyson, but you kind of
rub her the wrong way.
386
00:11:51,530 --> 00:11:52,800
- Yeah.
- But I still think
387
00:11:52,800 --> 00:11:54,030
it's a match made, all the way.
388
00:11:54,030 --> 00:11:55,200
And I'll tell you,
389
00:11:55,200 --> 00:11:56,670
we think we have
a pretty good idea
390
00:11:56,670 --> 00:11:57,830
how you've done,
391
00:11:57,830 --> 00:11:59,500
but for the people
watching it at home,
392
00:11:59,500 --> 00:12:00,570
I think you do voodoo.
393
00:12:00,570 --> 00:12:02,470
It was just fabulous
in every way.
394
00:12:02,470 --> 00:12:04,230
- Thanks. [laughs]
- Just fab.
395
00:12:04,230 --> 00:12:06,270
[applause]
396
00:12:06,270 --> 00:12:10,370
- So, did they figure out
how you did that?
397
00:12:10,370 --> 00:12:12,270
'Cause I don't understand
their code words.
398
00:12:12,270 --> 00:12:13,900
- Yeah, no, that was
the coolest code
399
00:12:13,900 --> 00:12:15,430
that I probably could've gotten,
actually.
400
00:12:15,430 --> 00:12:17,370
- [laughs]
- That was great.
401
00:12:17,370 --> 00:12:18,630
- [laughs] Okay.
- Yeah, so--no, they got it.
402
00:12:18,630 --> 00:12:19,970
-Well, they were
certainly complimentary.
403
00:12:19,970 --> 00:12:21,870
- Yeah.
- And...Dan Sperry,
404
00:12:21,870 --> 00:12:24,200
ladies and gentlemen.
[cheers and applause]
405
00:12:24,200 --> 00:12:25,870
All right.
- Thanks.
406
00:12:25,870 --> 00:12:27,330
- Whoo.
- I go this way?
407
00:12:27,330 --> 00:12:28,500
- Yes.
- Bye, Alyson.
408
00:12:28,500 --> 00:12:30,500
- Bye.
Thanks for the nightmares.
409
00:12:30,500 --> 00:12:31,500
- All right.
410
00:12:33,700 --> 00:12:35,200
- Okay.
411
00:12:35,200 --> 00:12:36,270
We'll be back
412
00:12:36,270 --> 00:12:37,270
with more "Fool Us"
413
00:12:37,270 --> 00:12:38,370
sooner than you think.
414
00:12:38,370 --> 00:12:39,370
Stick around.
415
00:12:39,370 --> 00:12:42,470
416
00:12:44,000 --> 00:12:50,074
Advertise your product or brand here
contact www.OpenSubtitles.org today
417
00:12:51,070 --> 00:12:53,670
[jazz music]
418
00:12:53,670 --> 00:12:56,670
[cheers and applause]
419
00:12:56,670 --> 00:12:58,500
- Welcome back to "Fool Us."
420
00:12:58,500 --> 00:13:01,100
Our next performer
is French-Canadian.
421
00:13:01,100 --> 00:13:03,400
I'm not sure how to say
"crepe" in French,
422
00:13:03,400 --> 00:13:06,030
but I bet he does.
Let's meet him.
423
00:13:06,030 --> 00:13:08,600
[fireworks explode]
424
00:13:08,600 --> 00:13:10,930
- When I was 20 years old,
an agent came to me,
425
00:13:10,930 --> 00:13:12,330
and he said, "Do you wanna
go on a cruise ship
426
00:13:12,330 --> 00:13:14,370
for the winter?"
I'm from Montreal, Canada,
427
00:13:14,370 --> 00:13:16,500
and the winter is very cold.
So, I said, "Yes, let's go."
428
00:13:16,500 --> 00:13:18,730
That was supposed to be
a four-month contract,
429
00:13:18,730 --> 00:13:21,600
and it ended up
being 19 years now.
430
00:13:21,600 --> 00:13:23,530
When I started on ships,
I started as an illusionist.
431
00:13:23,530 --> 00:13:26,630
I'm French-Canadian,
so I spoke English a little bit,
432
00:13:26,630 --> 00:13:29,100
but not enough to, you know,
do a show in English.
433
00:13:29,100 --> 00:13:30,970
So, I did illusions,
which was perfect,
434
00:13:30,970 --> 00:13:32,370
because I didn't have to speak.
435
00:13:32,370 --> 00:13:33,870
But then,
the cruise director said,
436
00:13:33,870 --> 00:13:35,500
"No, you should
start being funny,"
437
00:13:35,500 --> 00:13:37,400
which was terrorizing,
because it's hard enough
438
00:13:37,400 --> 00:13:38,870
to be funny
in your own language.
439
00:13:38,870 --> 00:13:40,930
Imagine in a foreign language.
One time I said,
440
00:13:40,930 --> 00:13:42,830
"It was so funny,
I cried my balls out."
441
00:13:42,830 --> 00:13:44,330
[laughing]
And what I meant to say was,
442
00:13:44,330 --> 00:13:45,870
"I bawled my eyes out."
443
00:13:45,870 --> 00:13:47,030
[laughing]
But you see how you switch
444
00:13:47,030 --> 00:13:50,430
two words--it offends everybody.
[laughs]
445
00:13:50,430 --> 00:13:53,430
[cheers and applause]
446
00:13:54,670 --> 00:13:57,970
- Put your hands together
for JP Parent.
447
00:14:00,800 --> 00:14:02,830
- Good evening.
I'm an illusionist,
448
00:14:02,830 --> 00:14:05,530
so I have to use big props.
And because I use big props,
449
00:14:05,530 --> 00:14:07,670
I have to travel
with an assistant all the time.
450
00:14:07,670 --> 00:14:09,030
Now, traveling
with the assistant
451
00:14:09,030 --> 00:14:11,430
means I have to buy
a second plane ticket--
452
00:14:11,430 --> 00:14:13,000
which is killing me.
453
00:14:13,000 --> 00:14:16,570
So, I found the solution:
this device right here.
454
00:14:16,570 --> 00:14:18,670
Now, I didn't bring
my assistant tonight,
455
00:14:18,670 --> 00:14:20,630
in the theater,
but this is so easy,
456
00:14:20,630 --> 00:14:22,400
anybody could do it.
So, I was wondering if, maybe,
457
00:14:22,400 --> 00:14:25,400
Miss Alyson, you could
help me out with this one?
458
00:14:25,400 --> 00:14:26,670
- Okay.
- Nice round of applause
459
00:14:26,670 --> 00:14:28,930
for her, yes?
[cheers and applause]
460
00:14:28,930 --> 00:14:30,970
It's very easy.
461
00:14:30,970 --> 00:14:33,470
You're just gonna
step in, but backwards, okay?
462
00:14:33,470 --> 00:14:35,430
- Back--backwards?
- [laughing] Yeah, backwards.
463
00:14:35,430 --> 00:14:37,270
- Okay.
- All right, trust me.
464
00:14:37,270 --> 00:14:38,600
[ballet music]
465
00:14:38,600 --> 00:14:40,700
Like this...
I'm gonna put this here.
466
00:14:40,700 --> 00:14:42,170
- Okay.
- Are you comfortable?
467
00:14:42,170 --> 00:14:44,170
As much as you can be.
We're gonna put this down.
468
00:14:44,170 --> 00:14:45,800
Okay?
- Okay.
469
00:14:45,800 --> 00:14:48,670
All right, now,
this is the thing, okay?
470
00:14:48,670 --> 00:14:50,770
Right now, Alyson is
as full size,
471
00:14:50,770 --> 00:14:54,670
meaning that I would have to pay
a full-price ticket for her.
472
00:14:54,670 --> 00:14:56,770
But I found a solution.
473
00:14:56,770 --> 00:15:00,670
Now, if we just pull
a little bit down...
474
00:15:00,670 --> 00:15:02,470
- [grunts]
- Like so.
475
00:15:02,470 --> 00:15:05,570
- Yeah?
Um, well, okay.
476
00:15:05,570 --> 00:15:08,370
- Like that,
and a little bit up...
477
00:15:08,370 --> 00:15:10,630
from over here.
478
00:15:10,630 --> 00:15:13,830
- Um...
What--ah!
479
00:15:13,830 --> 00:15:15,900
This--
- And now, I can check her in
480
00:15:15,900 --> 00:15:18,100
as oversize luggage.
481
00:15:18,100 --> 00:15:20,970
[laughter and applause]
482
00:15:20,970 --> 00:15:24,230
483
00:15:24,230 --> 00:15:28,000
But, wait, I think we can even
go a little bit more down.
484
00:15:28,000 --> 00:15:29,700
- Can we, though?
- Just--
485
00:15:29,700 --> 00:15:31,770
- Really?
- Just--just a little bit.
486
00:15:31,770 --> 00:15:33,730
Trust me.
A little bit down, like so.
487
00:15:33,730 --> 00:15:35,000
- You know...
488
00:15:35,000 --> 00:15:37,130
- And over here...
489
00:15:37,130 --> 00:15:38,800
thank you
for your patience, Alyson.
490
00:15:38,800 --> 00:15:40,200
- Uh-huh.
- I'm just gonna
491
00:15:40,200 --> 00:15:41,930
pull a bit here.
492
00:15:41,930 --> 00:15:43,430
- Nobody wants
to be this short.
493
00:15:43,430 --> 00:15:46,030
You know that, right?
- [laughing] It's okay.
494
00:15:46,030 --> 00:15:48,370
And now, carry-on luggage.
495
00:15:48,370 --> 00:15:51,400
[cheers and applause]
496
00:15:51,400 --> 00:15:55,500
497
00:15:55,500 --> 00:15:59,330
But, finally,
I'm gonna go all the way down.
498
00:15:59,330 --> 00:16:01,430
- This is not
what I signed up for.
499
00:16:01,430 --> 00:16:02,630
- [laughs]
500
00:16:02,630 --> 00:16:03,870
And now...
501
00:16:03,870 --> 00:16:05,300
you're the size
of a personal item,
502
00:16:05,300 --> 00:16:07,130
so you can make the whole trip
sitting on my lap.
503
00:16:07,130 --> 00:16:10,130
[cheers and applause]
504
00:16:11,730 --> 00:16:14,270
Now, this is important to see.
505
00:16:14,270 --> 00:16:16,570
Right, we can see
all the way under...
506
00:16:16,570 --> 00:16:18,970
- Ew.
- All the way over.
507
00:16:18,970 --> 00:16:21,270
Ladies and gentlemen,
Alyson Hannigan.
508
00:16:21,270 --> 00:16:24,270
[cheers and applause]
509
00:16:25,070 --> 00:16:28,070
- JP Parent!
510
00:16:28,070 --> 00:16:31,370
So, my daughter's really excited
about being taller than me.
511
00:16:31,370 --> 00:16:33,430
I just didn't think
it would happen tonight.
512
00:16:33,430 --> 00:16:35,070
- [laughing]
She's gonna love it.
513
00:16:35,070 --> 00:16:37,530
- And I didn't think
it would be the four-year-old.
514
00:16:37,530 --> 00:16:39,530
- [laughing]
Sorry.
515
00:16:39,530 --> 00:16:41,730
- So, do you do this
to a lot of people?
516
00:16:41,730 --> 00:16:43,400
- No, actually.
You're the first one.
517
00:16:43,400 --> 00:16:45,830
[giggling]
518
00:16:45,830 --> 00:16:48,100
- I feel like I'm gonna
be the last one too.
519
00:16:48,100 --> 00:16:50,000
- [laughing] No.
- Hmm.
520
00:16:50,000 --> 00:16:52,370
Do you have a good lawyer?
- [stammering] Nuh...no.
521
00:16:52,370 --> 00:16:53,900
- Hmm.
I do.
522
00:16:53,900 --> 00:16:56,700
[laughter]
523
00:16:56,700 --> 00:16:58,800
Come on.
You've gotta know
524
00:16:58,800 --> 00:17:01,070
what this is by now, right?
- [laughing]
525
00:17:01,070 --> 00:17:02,800
Can you Google it?
526
00:17:06,770 --> 00:17:08,400
You know what?
Don't even tell us
527
00:17:08,400 --> 00:17:10,530
how he did it.
How is he going to undo it?
528
00:17:10,530 --> 00:17:11,770
[laughter]
529
00:17:11,770 --> 00:17:14,270
Tell him that.
- Um...
530
00:17:14,270 --> 00:17:16,730
this is something
that's usually done closed up.
531
00:17:16,730 --> 00:17:19,500
Normally, we would say
that this is a trick
532
00:17:19,500 --> 00:17:22,300
that's done with mirrors.
533
00:17:22,300 --> 00:17:25,300
But it's not done with mirrors.
And then we saw you pulling out
534
00:17:25,300 --> 00:17:27,570
this monitor, here.
535
00:17:27,570 --> 00:17:29,200
That monitor, there,
has not been there
536
00:17:29,200 --> 00:17:30,730
for any other trick
we've ever done.
537
00:17:30,730 --> 00:17:32,970
That monitor, there,
is there for you.
538
00:17:32,970 --> 00:17:35,800
That monitor there is so
you can see something--we think.
539
00:17:35,800 --> 00:17:37,600
So, we think you're using
that monitor
540
00:17:37,600 --> 00:17:38,830
to line up something.
541
00:17:38,830 --> 00:17:42,370
So, we think you've got--
and as I say this,
542
00:17:42,370 --> 00:17:44,630
it starts to sound
more and more ludicrous,
543
00:17:44,630 --> 00:17:46,200
but I'm going with it.
544
00:17:46,200 --> 00:17:47,630
We think you've got--
545
00:17:47,630 --> 00:17:50,870
it's probably USSR technology.
546
00:17:50,870 --> 00:17:53,870
[laughter]
547
00:17:55,630 --> 00:17:58,670
We think you've got technology
that is giving us--
548
00:17:58,670 --> 00:18:02,370
probably with mirrors
and some sort of camera--
549
00:18:02,370 --> 00:18:04,370
some sort of illusion
underneath there,
550
00:18:04,370 --> 00:18:09,100
and actually there is
some Alyson Hannigan...
551
00:18:09,100 --> 00:18:13,200
where we think we're seeing
the backdrop through there,
552
00:18:13,200 --> 00:18:15,070
because there's a video,
553
00:18:15,070 --> 00:18:19,170
and a camera.
- JP, are you using technology?
554
00:18:19,170 --> 00:18:22,270
- There is no electronic
technologies needed
555
00:18:22,270 --> 00:18:23,270
for that, no.
556
00:18:23,270 --> 00:18:24,770
[cheers and applause]
557
00:18:24,770 --> 00:18:26,300
- Okay.
558
00:18:29,330 --> 00:18:33,100
It bothers me more this way
than anything else, but--
559
00:18:33,100 --> 00:18:35,300
I hate to say this
to a French-Canadian--
560
00:18:35,300 --> 00:18:37,400
but you fooled us.
- [laughs]
561
00:18:37,400 --> 00:18:39,330
[cheers and applause]
562
00:18:39,330 --> 00:18:41,330
Ah!
563
00:18:41,330 --> 00:18:43,530
[laughing]
564
00:18:46,000 --> 00:18:47,370
[cheers and applause]
565
00:18:47,370 --> 00:18:49,170
- JP Parent!
566
00:18:49,170 --> 00:18:50,970
- Beautifully done, man.
567
00:18:50,970 --> 00:18:53,800
- Thank you, thank you.
568
00:18:58,870 --> 00:19:00,830
- What a fantastic fooler.
569
00:19:00,830 --> 00:19:03,930
One "FU" trophy
just literally fell
570
00:19:03,930 --> 00:19:06,270
from the sky.
Will we see another?
571
00:19:06,270 --> 00:19:08,300
We'll find out after this.
572
00:19:08,300 --> 00:19:12,270
[jazz music]
573
00:19:12,270 --> 00:19:13,430
Help, help!
574
00:19:20,300 --> 00:19:22,500
[jazz music]
575
00:19:22,500 --> 00:19:25,470
[cheers and applause]
576
00:19:25,470 --> 00:19:28,830
- Welcome back to "Fool Us."
It takes a real clever mind
577
00:19:28,830 --> 00:19:30,830
to get one over
on Penn and Teller.
578
00:19:30,830 --> 00:19:33,770
Let's meet our next
Mr. Smarty-Pants.
579
00:19:33,770 --> 00:19:36,300
[fireworks explode]
580
00:19:36,300 --> 00:19:37,730
- [Scottish accent]
Hi, I'm Naathan Phan,
581
00:19:37,730 --> 00:19:40,330
and I still live
with my parents.
582
00:19:40,330 --> 00:19:42,330
My grandfather
took me to see magic shows,
583
00:19:42,330 --> 00:19:44,830
and he also, at one point,
said, "This is my credit card,
584
00:19:44,830 --> 00:19:46,300
"and you get $50 a month,
585
00:19:46,300 --> 00:19:48,970
to spend online,
at any magic shop you want."
586
00:19:48,970 --> 00:19:50,570
My parents encouraged me
to go to college,
587
00:19:50,570 --> 00:19:52,030
but no one really says,
588
00:19:52,030 --> 00:19:53,400
"Let's see--well,
we got these two magicians.
589
00:19:53,400 --> 00:19:56,400
"This one has a degree
in communications,
590
00:19:56,400 --> 00:19:57,900
so we're gonna go with him."
591
00:19:57,900 --> 00:19:59,570
I've been referred to
as a neo-vaudevillian--
592
00:19:59,570 --> 00:20:02,770
kind of old-school sensibilities
when it comes to entertainment.
593
00:20:02,770 --> 00:20:04,100
[psychedelic music]
594
00:20:04,100 --> 00:20:05,870
There's so much you can do
with magic.
595
00:20:05,870 --> 00:20:07,570
Magic is art.
Magic is entertainment.
596
00:20:07,570 --> 00:20:08,800
Magic can be life.
597
00:20:08,800 --> 00:20:10,400
That's what I wanna show people.
598
00:20:10,400 --> 00:20:13,400
[cheers and applause]
599
00:20:14,700 --> 00:20:18,000
- Please welcome
Magic Asian Man, Naathan Phan.
600
00:20:18,000 --> 00:20:21,000
[cheers and applause]
601
00:20:23,830 --> 00:20:26,200
- Good evening, everyone.
My name is Naathan Phan,
602
00:20:26,200 --> 00:20:27,770
and I am the magic Asian man.
[audience laughing]
603
00:20:27,770 --> 00:20:29,600
It's lovely to be here.
604
00:20:29,600 --> 00:20:31,070
Just--I don't know why
everyone always laughs
605
00:20:31,070 --> 00:20:32,470
when I say
I'm the magic Asian man.
606
00:20:32,470 --> 00:20:34,800
All three of those words
accurately describe me.
607
00:20:34,800 --> 00:20:38,370
I do magic, I am Asian,
and I am indeed a man.
608
00:20:38,370 --> 00:20:39,970
After watching that introduction
609
00:20:39,970 --> 00:20:41,530
and hearing me speak
a couple of sentences,
610
00:20:41,530 --> 00:20:43,570
there's a few of you
that have probably noticed
611
00:20:43,570 --> 00:20:45,570
the discrepancy
between the way that I look
612
00:20:45,570 --> 00:20:47,370
and the way that I sound.
So, I'd like to answer
613
00:20:47,370 --> 00:20:48,700
to burning question
in your minds.
614
00:20:48,700 --> 00:20:51,330
The answer is yes,
I really am Vietnamese.
615
00:20:51,330 --> 00:20:52,400
Good,
moving along with the rest
616
00:20:52,400 --> 00:20:53,700
of my...
617
00:20:53,700 --> 00:20:55,100
Are you guys not used to hearing
618
00:20:55,100 --> 00:20:56,570
thick Vietnamese accents
in this part of Las Vegas?
619
00:20:56,570 --> 00:20:58,530
Well, this is what
we sound like!
620
00:20:58,530 --> 00:20:59,800
At least,
this is what we sounded like
621
00:20:59,800 --> 00:21:01,270
where I grew up,
in the northwestern part
622
00:21:01,270 --> 00:21:04,200
of Vietnam, called Glasgow,
which is where I grew up.
623
00:21:04,200 --> 00:21:06,870
Glasgow is in Scotland,
not Vietnam,
624
00:21:06,870 --> 00:21:08,730
hence the unique contradiction
of an individual
625
00:21:08,730 --> 00:21:11,730
that you see before you now.
626
00:21:11,730 --> 00:21:12,970
And here I am,
ladies and gentlemen,
627
00:21:12,970 --> 00:21:14,600
to do some magic for you.
And I'm going
628
00:21:14,600 --> 00:21:16,400
to perform something
with a balloon,
629
00:21:16,400 --> 00:21:18,330
which I think is
kind of cheating,
630
00:21:18,330 --> 00:21:20,470
because balloons are real magic.
631
00:21:20,470 --> 00:21:23,300
And if you don't believe me,
next time you see a wee child,
632
00:21:23,300 --> 00:21:25,900
give them a floating,
shiny balloon,
633
00:21:25,900 --> 00:21:27,300
and see the way
their face lights up.
634
00:21:27,300 --> 00:21:29,030
And that's real magic,
right there.
635
00:21:29,030 --> 00:21:31,630
So, tonight I hope
to give you all
636
00:21:31,630 --> 00:21:33,730
that feeling of magic
we all had as a child,
637
00:21:33,730 --> 00:21:36,430
with nothing more
than a simple balloon.
638
00:21:36,430 --> 00:21:39,430
[tranquil music]
639
00:21:39,430 --> 00:21:46,430
640
00:21:53,570 --> 00:21:54,970
[mouthing words]
641
00:21:54,970 --> 00:21:56,770
[laughter]
642
00:21:59,400 --> 00:22:06,470
643
00:22:35,200 --> 00:22:37,300
[laughter]
644
00:22:41,000 --> 00:22:48,000
645
00:23:04,630 --> 00:23:07,630
[audience gasps]
646
00:23:13,270 --> 00:23:15,470
[audience gasps]
647
00:23:15,470 --> 00:23:22,130
648
00:23:22,130 --> 00:23:23,930
[laughter]
649
00:23:23,930 --> 00:23:26,930
[mouthing words]
650
00:23:40,070 --> 00:23:42,730
[audience gasps]
651
00:23:42,730 --> 00:23:45,730
[cheers and applause]
652
00:23:49,370 --> 00:23:51,630
- Naathan Phan.
653
00:23:54,900 --> 00:23:56,870
So, tell me about this.
Where did you come up
654
00:23:56,870 --> 00:24:00,070
with the idea for this?
- It kind of started--
655
00:24:00,070 --> 00:24:01,400
so, I used to work
at Disneyland.
656
00:24:01,400 --> 00:24:02,930
I used to work
in the magic shop at Disneyland.
657
00:24:02,930 --> 00:24:04,170
and they have vendors...
658
00:24:04,170 --> 00:24:05,330
[cheers and applause]
Oh, all right.
659
00:24:05,330 --> 00:24:06,630
A few Disney-philes
out in the audience.
660
00:24:06,630 --> 00:24:07,730
[as Mickey Mouse]
Oh, boy!
661
00:24:07,730 --> 00:24:08,800
[laughter]
662
00:24:08,800 --> 00:24:11,030
And, so,
while I was working there,
663
00:24:11,030 --> 00:24:12,800
I would see how badly
664
00:24:12,800 --> 00:24:14,000
kids wanted balloons.
- Mm-hmm.
665
00:24:14,000 --> 00:24:15,230
- You know, and--
- Yes.
666
00:24:15,230 --> 00:24:16,630
- And, so, I just wanted
to create something
667
00:24:16,630 --> 00:24:19,830
that would kind of give
everyone that magical moment.
668
00:24:19,830 --> 00:24:21,530
- Yes.
So, do you do impersonations?
669
00:24:21,530 --> 00:24:23,600
More than just Mickey?
- I do, yes.
670
00:24:23,600 --> 00:24:25,600
So, growing up in Glasgow--
so, I grew up, actually,
671
00:24:25,600 --> 00:24:26,930
speaking Vietnamese,
my first language,
672
00:24:26,930 --> 00:24:28,700
which is a very tonal language.
673
00:24:28,700 --> 00:24:30,330
And then I grew up around
all these new people...
674
00:24:30,330 --> 00:24:31,670
[thickening Scottish accent]
Who talked like this.
675
00:24:31,670 --> 00:24:32,800
And, you know,
there's a lot of bouncing
676
00:24:32,800 --> 00:24:34,170
in the cadence
and that sort of thing.
677
00:24:34,170 --> 00:24:35,530
And so, I think that kind of
gave me this ear
678
00:24:35,530 --> 00:24:37,270
to pick up on sounds
that not everyone else knows
679
00:24:37,270 --> 00:24:39,400
how to replicate.
- What do you think
680
00:24:39,400 --> 00:24:41,630
Teller's voice sounds like?
- What do I think
681
00:24:41,630 --> 00:24:43,030
Teller's voice sounds like?
- Yeah.
682
00:24:43,030 --> 00:24:45,030
- I think his voice
sounds like Gilbert Gottfried.
683
00:24:45,030 --> 00:24:48,170
I think that Gilbert Gottfried
got the idea of his voice
684
00:24:48,170 --> 00:24:49,600
from him.
- Yeah.
685
00:24:49,600 --> 00:24:50,770
- I think one day,
686
00:24:50,770 --> 00:24:52,070
Teller's gonna come up,
and he'll say...
687
00:24:52,070 --> 00:24:53,300
[imitating Gottfried]
You know, that trick
688
00:24:53,300 --> 00:24:54,800
with the balloon--
that was really something.
689
00:24:54,800 --> 00:24:56,730
I think that that--
- You know what--
690
00:24:56,730 --> 00:24:58,870
- [imitating Gottfried]
That was a surprise.
691
00:24:58,870 --> 00:25:00,130
- All right.
- All right.
692
00:25:00,130 --> 00:25:02,630
- We should go to the boys.
693
00:25:02,630 --> 00:25:04,830
Penn, Teller.
694
00:25:04,830 --> 00:25:06,070
- Wow.
Well, that's something
695
00:25:06,070 --> 00:25:07,370
we don't see too often.
696
00:25:07,370 --> 00:25:09,870
I mean by that,
Asian-Scottish guys.
697
00:25:09,870 --> 00:25:11,570
- [laughing] Yeah.
- Haven't had a lot of them
698
00:25:11,570 --> 00:25:13,630
on the show.
No, it's not a card trick.
699
00:25:13,630 --> 00:25:14,830
- Yes!
- You know, it's not
700
00:25:14,830 --> 00:25:16,470
an audience volunteer.
It's not mentalism.
701
00:25:16,470 --> 00:25:18,670
It's really new.
It's really wonderful.
702
00:25:18,670 --> 00:25:20,430
We thought we were
gonna tank on it.
703
00:25:20,430 --> 00:25:21,970
You threw us for a loop
for a moment,
704
00:25:21,970 --> 00:25:23,600
but we got our bearings
for a moment,
705
00:25:23,600 --> 00:25:26,670
and got a few ideas
here and there.
706
00:25:26,670 --> 00:25:29,100
I don't wanna give away
too much--it's so nice.
707
00:25:29,100 --> 00:25:31,070
It'll be a great routine
for you.
708
00:25:31,070 --> 00:25:34,530
But I do wanna say
that what we found so amusing
709
00:25:34,530 --> 00:25:37,100
is that,
for much of the routine,
710
00:25:37,100 --> 00:25:38,670
you're actually
trying to accomplish
711
00:25:38,670 --> 00:25:40,400
the opposite of what
the audience thinks
712
00:25:40,400 --> 00:25:42,200
you're trying to accomplish.
And that's what
713
00:25:42,200 --> 00:25:43,930
we really,
really liked about it--
714
00:25:43,930 --> 00:25:46,930
is that the whole thing--
the whole thing is backwards.
715
00:25:46,930 --> 00:25:49,100
And we really,
really enjoyed that.
716
00:25:49,100 --> 00:25:51,400
I hope I snuck a few things
in there,
717
00:25:51,400 --> 00:25:54,400
but we do not think
you fooled us.
718
00:25:54,400 --> 00:25:56,500
- What do you think?
719
00:25:56,500 --> 00:25:58,370
- Alas, I did not fool them.
720
00:25:58,370 --> 00:26:00,000
- [laughing]
- Aw.
721
00:26:00,000 --> 00:26:01,870
But you entertained us all.
- I did!
722
00:26:01,870 --> 00:26:04,030
- So great, Naathan.
So great.
723
00:26:04,030 --> 00:26:05,030
- Thank you.
724
00:26:05,030 --> 00:26:08,030
[cheers and applause]
725
00:26:10,230 --> 00:26:11,830
I'll have the rest
of the show
726
00:26:11,830 --> 00:26:13,330
hidden behind my ear,
727
00:26:13,330 --> 00:26:14,470
and I'll pull it back out
728
00:26:14,470 --> 00:26:16,330
after these commercials.
729
00:26:16,330 --> 00:26:19,330
[jazz music]
730
00:26:19,330 --> 00:26:20,870
731
00:26:27,630 --> 00:26:29,800
[jazz music]
732
00:26:29,800 --> 00:26:33,130
[cheers and applause]
733
00:26:33,130 --> 00:26:34,730
- Welcome back to "Fool Us."
734
00:26:34,730 --> 00:26:36,870
We've had
one successful fooler tonight.
735
00:26:36,870 --> 00:26:40,470
Let's see if this next magician
will make number two.
736
00:26:40,470 --> 00:26:43,000
[fireworks explode]
737
00:26:43,000 --> 00:26:45,970
- My name is Richard Forget.
I'm from Toronto, Canada.
738
00:26:45,970 --> 00:26:47,770
It could be pronounced
"For-jet" also,
739
00:26:47,770 --> 00:26:49,370
but I prefer
the more pretentious version.
740
00:26:49,370 --> 00:26:50,400
[laughing]
So, I...
741
00:26:50,400 --> 00:26:51,870
When I was a young magician,
742
00:26:51,870 --> 00:26:53,830
I created an act
based around producing birds,
743
00:26:53,830 --> 00:26:56,830
when I developed an allergy
to the birds.
744
00:26:56,830 --> 00:26:59,200
So, at that point, I had
to start from ground zero.
745
00:26:59,200 --> 00:27:02,200
I had no act, and I had to go
to my little black book,
746
00:27:02,200 --> 00:27:04,400
and start finding ideas
that I had jotted down
747
00:27:04,400 --> 00:27:07,630
that were "maybe, someday,"
and make them happen.
748
00:27:07,630 --> 00:27:10,830
And I created an act
that's taken me around the world
749
00:27:10,830 --> 00:27:12,730
just because--
I really believe this.
750
00:27:12,730 --> 00:27:14,830
If I didn't get sick,
maybe I wouldn't even be
751
00:27:14,830 --> 00:27:16,530
in the business anymore.
'Cause it forced me
752
00:27:16,530 --> 00:27:18,170
to be creative.
753
00:27:18,170 --> 00:27:21,170
[cheers and applause]
754
00:27:22,770 --> 00:27:26,470
- This next act
is truly un-"for-jay"-able.
755
00:27:26,470 --> 00:27:29,400
Here is Richard Forget!
756
00:27:29,400 --> 00:27:32,000
[cheers and applause]
757
00:27:32,000 --> 00:27:35,000
[dramatic orchestral music]
758
00:27:35,000 --> 00:27:42,000
759
00:27:45,730 --> 00:27:48,730
[soccer fans cheering]
760
00:27:57,700 --> 00:28:01,000
- Goal!
761
00:28:04,600 --> 00:28:07,930
[police sirens wailing]
762
00:28:07,930 --> 00:28:09,530
[music stops]
763
00:28:09,530 --> 00:28:11,300
[news reporters
speaking at once]
764
00:28:11,300 --> 00:28:13,400
- A devastating earthquake
measuring 7.4
765
00:28:13,400 --> 00:28:14,600
on the Richter scale...
766
00:28:16,300 --> 00:28:18,200
[airplane engines buzzing,
indistinct voices]
767
00:28:18,200 --> 00:28:21,170
[sirens blaring]
768
00:28:21,170 --> 00:28:23,130
[people marching,
shouting indistinctly]
769
00:28:23,130 --> 00:28:26,130
[panting]
770
00:28:32,070 --> 00:28:35,070
[serene music]
771
00:28:35,070 --> 00:28:42,070
772
00:29:05,730 --> 00:29:08,200
[deep exhale]
773
00:29:08,200 --> 00:29:09,930
[bird chirping]
774
00:29:09,930 --> 00:29:12,930
[applause]
775
00:29:17,570 --> 00:29:20,570
[bird chirping]
776
00:29:22,670 --> 00:29:29,670
777
00:29:35,970 --> 00:29:38,570
- One, two, three,
one, two three.
778
00:29:40,070 --> 00:29:43,100
[bird chirping]
779
00:29:43,100 --> 00:29:46,100
[gentle piano melody]
780
00:29:46,100 --> 00:29:48,270
781
00:29:48,270 --> 00:29:50,200
[applause]
782
00:29:50,200 --> 00:29:55,030
783
00:29:55,030 --> 00:29:57,330
[bird chirping]
784
00:30:07,500 --> 00:30:14,500
785
00:30:20,130 --> 00:30:23,030
[low tones]
786
00:30:23,030 --> 00:30:26,030
[dramatic electronic music]
787
00:30:26,030 --> 00:30:28,600
[applause]
788
00:30:28,600 --> 00:30:35,600
789
00:30:52,100 --> 00:30:55,100
[dramatic string music]
790
00:30:55,100 --> 00:31:02,170
791
00:31:12,030 --> 00:31:15,030
[snare drum roll]
792
00:31:15,030 --> 00:31:22,030
793
00:31:26,070 --> 00:31:29,070
[cheers and applause]
794
00:31:32,900 --> 00:31:37,070
- Whoo!
Richard Forget.
795
00:31:39,100 --> 00:31:40,970
- Hello, good to meet you.
- Hi, nice to meet you.
796
00:31:40,970 --> 00:31:42,900
- You too, yes.
- That was so cool.
797
00:31:42,900 --> 00:31:45,200
How do you even begin
to come up with something
798
00:31:45,200 --> 00:31:46,700
like that?
- Oh, my gosh, well--
799
00:31:46,700 --> 00:31:48,600
so, you see something, you know.
You could be doing something
800
00:31:48,600 --> 00:31:51,130
really mundane in your life,
and you look at something,
801
00:31:51,130 --> 00:31:53,070
and you say, "Huh.
What if that--"
802
00:31:53,070 --> 00:31:55,570
you know, I'm reading a paper--
"what if I were to fold this up
803
00:31:55,570 --> 00:31:57,270
and actually make it
float around?"
804
00:31:57,270 --> 00:31:58,800
That's what would happen
with that.
805
00:31:58,800 --> 00:32:02,230
- And, so, from the idea
to this--
806
00:32:02,230 --> 00:32:04,170
how long is that journey?
807
00:32:04,170 --> 00:32:06,400
- From the beginning
of when I thought of the idea
808
00:32:06,400 --> 00:32:08,500
to when it actually happened
was about three years.
809
00:32:08,500 --> 00:32:10,130
So, I'm just thinking of
what could happen,
810
00:32:10,130 --> 00:32:12,570
and then, once it kind of
goes through that process,
811
00:32:12,570 --> 00:32:13,930
you start building it.
- Yeah.
812
00:32:13,930 --> 00:32:15,570
- Yeah.
- And then--and then,
813
00:32:15,570 --> 00:32:18,630
the first time you sort of
successfully performed it.
814
00:32:18,630 --> 00:32:19,870
- Oh, my gosh,
what a rush.
815
00:32:19,870 --> 00:32:21,370
- All right, cool.
Well, I'm excited
816
00:32:21,370 --> 00:32:24,000
to hear what these guys
have to say about this.
817
00:32:24,000 --> 00:32:27,400
- So am I.
- Well, this act is one of
818
00:32:27,400 --> 00:32:31,000
those acts that takes
a really, really long time.
819
00:32:31,000 --> 00:32:33,700
I mean, people come out here
and try to do a trick or two
820
00:32:33,700 --> 00:32:34,970
to try to fool us.
821
00:32:34,970 --> 00:32:36,870
That's a whole
different category
822
00:32:36,870 --> 00:32:39,700
than what you're doing.
This is a full routine
823
00:32:39,700 --> 00:32:41,200
that would go on anywhere
824
00:32:41,200 --> 00:32:43,500
and please any audience,
anytime.
825
00:32:43,500 --> 00:32:46,370
Every move goes
into the next move.
826
00:32:46,370 --> 00:32:49,370
And I'm gonna just detail
a few things here.
827
00:32:49,370 --> 00:32:50,930
To the audience at home,
it'll sound like
828
00:32:50,930 --> 00:32:52,830
I'm just talking
about monster movies,
829
00:32:52,830 --> 00:32:55,530
but there was daylight seance,
there was zombie,
830
00:32:55,530 --> 00:32:57,430
and you did this thing
that I love,
831
00:32:57,430 --> 00:32:59,270
which is
you used multiple methods.
832
00:32:59,270 --> 00:33:01,400
Which is the best way...
- Ah, yeah.
833
00:33:01,400 --> 00:33:03,370
- To fool people,
in that you try to say,
834
00:33:03,370 --> 00:33:06,070
"How did he make
that bird fly?"
835
00:33:06,070 --> 00:33:08,300
And you can't answer
that question,
836
00:33:08,300 --> 00:33:10,300
because the way
you made that bird fly
837
00:33:10,300 --> 00:33:12,330
was different
every time you looked at it.
838
00:33:12,330 --> 00:33:16,630
Your handling of the star ring,
or the key ring,
839
00:33:16,630 --> 00:33:19,730
was just beautiful.
The couple of little feints
840
00:33:19,730 --> 00:33:21,630
that went first
to make us think
841
00:33:21,630 --> 00:33:23,100
you were gonna
do the full thing,
842
00:33:23,100 --> 00:33:25,130
and then doing it.
And then, ending with something
843
00:33:25,130 --> 00:33:27,000
that's very reminiscent
844
00:33:27,000 --> 00:33:29,470
of Robert-Houdin's
butterfly trick.
845
00:33:29,470 --> 00:33:32,100
And just keeping those birds
flapping the whole time.
846
00:33:32,100 --> 00:33:33,330
- [laughs]
They're not tired yet.
847
00:33:33,330 --> 00:33:34,330
- I know.
They just have
848
00:33:34,330 --> 00:33:36,130
a great deal of power.
849
00:33:36,130 --> 00:33:38,130
It was a wonderful,
wonderful routine,
850
00:33:38,130 --> 00:33:41,170
but we think we figured out--
we figured out
851
00:33:41,170 --> 00:33:42,630
how you did it...
- So do I.
852
00:33:42,630 --> 00:33:43,770
- And a few of those words
should've told you.
853
00:33:43,770 --> 00:33:45,300
- So, are you
convinced they know?
854
00:33:45,300 --> 00:33:47,400
- Oh, yeah.
- Okay, well...
855
00:33:47,400 --> 00:33:51,270
thank you so much.
Richard Forget!
856
00:33:51,270 --> 00:33:54,270
[cheers and applause]
857
00:33:54,270 --> 00:33:57,330
Not enough magic for you?
Not a problem.
858
00:33:57,330 --> 00:34:01,030
Penn and Teller perform next.
You don't wanna miss it.
859
00:34:01,030 --> 00:34:04,100
[jazz music]
860
00:34:04,100 --> 00:34:05,430
861
00:34:12,700 --> 00:34:14,900
[jazz music]
862
00:34:14,900 --> 00:34:16,470
[cheers and applause]
863
00:34:16,470 --> 00:34:18,830
- Piff the Magic Dragon
got his big break
864
00:34:18,830 --> 00:34:20,670
on season one of "Fool Us,"
865
00:34:20,670 --> 00:34:22,800
and has gone on
to tremendous success
866
00:34:22,800 --> 00:34:25,430
on television,
as well as a national tour
867
00:34:25,430 --> 00:34:28,130
and his own Vegas show
at the Flamingo.
868
00:34:28,130 --> 00:34:30,300
Not bad
for a mythical creature--
869
00:34:30,300 --> 00:34:33,370
and by that,
I mean a successful magician.
870
00:34:33,370 --> 00:34:36,000
Here to close the show
along with two other guys,
871
00:34:36,000 --> 00:34:39,130
give it up for Piff
and Penn and Teller.
872
00:34:39,130 --> 00:34:42,130
[cheers and applause]
873
00:34:50,500 --> 00:34:52,470
- Good evening.
874
00:34:52,470 --> 00:34:54,170
Good evening.
875
00:34:54,170 --> 00:34:55,730
audience: Good evening.
- Thank you.
876
00:34:55,730 --> 00:34:58,270
It's great to be back
on "Penn & Teller: Fool Us,"
877
00:34:58,270 --> 00:34:59,800
where I had one of
my big breaks,
878
00:34:59,800 --> 00:35:01,500
failing to fool Penn and Teller.
879
00:35:01,500 --> 00:35:03,600
Since then,
I've gone on to fail
880
00:35:03,600 --> 00:35:06,130
in much, much,
much bigger shows.
881
00:35:06,130 --> 00:35:09,100
So, I'm not here to fool
Penn and Teller tonight.
882
00:35:09,100 --> 00:35:11,600
No.
Besides, as the old saying goes,
883
00:35:11,600 --> 00:35:14,370
"Don't fool them once,
shame on me.
884
00:35:14,370 --> 00:35:17,800
Don't fool them twice,
still shame on me."
885
00:35:17,800 --> 00:35:19,270
It's the same shame.
886
00:35:19,270 --> 00:35:21,670
[laughter]
887
00:35:21,670 --> 00:35:23,630
So, moving on,
tonight I brought along
888
00:35:23,630 --> 00:35:25,670
two of my very,
very special friends.
889
00:35:25,670 --> 00:35:29,870
Please welcome to the stage
Finn and Teller.
890
00:35:29,870 --> 00:35:32,870
[big band music]
891
00:35:32,870 --> 00:35:38,100
892
00:35:38,100 --> 00:35:42,130
- [gurgling unintelligibly]
893
00:35:42,130 --> 00:35:44,430
- Can you just
put that in there?
894
00:35:44,430 --> 00:35:45,870
- Good evening!
My name is Finn,
895
00:35:45,870 --> 00:35:47,100
this is my partner, Teller.
896
00:35:47,100 --> 00:35:49,500
We are Finn and Teller.
897
00:35:49,500 --> 00:35:50,870
Finn and Teller
898
00:35:50,870 --> 00:35:52,800
Doing tricks
899
00:35:52,800 --> 00:35:55,970
With blood and guts
900
00:35:55,970 --> 00:35:58,170
Finn and Teller
901
00:35:58,170 --> 00:35:59,730
They will drive
902
00:35:59,730 --> 00:36:03,630
You nuts
903
00:36:03,630 --> 00:36:06,470
- I know, I can't believe
they're here, either.
904
00:36:06,470 --> 00:36:09,170
Finn is the world's only
mind-reading goldfish.
905
00:36:09,170 --> 00:36:10,670
We're gonna do
some mind reading tonight.
906
00:36:10,670 --> 00:36:12,600
All we need is a mind to read.
Let's see.
907
00:36:12,600 --> 00:36:14,030
How about you, sir?
908
00:36:14,030 --> 00:36:15,470
That's it.
Front of that row--
909
00:36:15,470 --> 00:36:17,300
perfect--third in, yeah.
Round of applause for this guy
910
00:36:17,300 --> 00:36:18,900
as he joins us onstage.
911
00:36:18,900 --> 00:36:20,000
Come on up here, buddy.
912
00:36:20,000 --> 00:36:22,330
Come and say hi
to the fish, please.
913
00:36:22,330 --> 00:36:23,470
That's it.
- Hello, sir!
914
00:36:23,470 --> 00:36:24,470
What is your name?
- Hi, fish.
915
00:36:24,470 --> 00:36:25,530
- Abe.
- Abe.
916
00:36:25,530 --> 00:36:26,930
- Absolutely correct!
917
00:36:26,930 --> 00:36:28,830
Penn and Teller
918
00:36:28,830 --> 00:36:30,600
Doing tricks
919
00:36:30,600 --> 00:36:34,130
He got the name
Nailed it!
920
00:36:34,130 --> 00:36:35,630
I nailed it.
Knew it was Abe.
921
00:36:35,630 --> 00:36:37,870
Knew it was Abe.
- Moving on.
922
00:36:37,870 --> 00:36:39,400
Abe, to my right
there are three books.
923
00:36:39,400 --> 00:36:40,830
You're gonna go over there, Abe.
You're gonna choose
924
00:36:40,830 --> 00:36:41,930
any one of the three books.
925
00:36:41,930 --> 00:36:43,870
It's very important
Finn doesn't see
926
00:36:43,870 --> 00:36:45,500
the books.
We're gonna blindfold Finn,
927
00:36:45,500 --> 00:36:47,230
please.
Let's cover up the fish.
928
00:36:47,230 --> 00:36:49,130
Lovely work.
Choose a book, there, Abe.
929
00:36:49,130 --> 00:36:50,230
Any one of the books.
930
00:36:50,230 --> 00:36:51,700
Do you have a book, Abe?
- I do.
931
00:36:51,700 --> 00:36:53,030
- Abe, you're gonna
open that book.
932
00:36:53,030 --> 00:36:54,300
You're gonna choose
any word in that book,
933
00:36:54,300 --> 00:36:56,070
but we want you
to challenge the fish.
934
00:36:56,070 --> 00:36:58,270
Choose a word at least
eight letters long.
935
00:36:58,270 --> 00:36:59,600
You got a big, long word,
there, Abe?
936
00:36:59,600 --> 00:37:01,300
At least eight letters?
937
00:37:01,300 --> 00:37:02,400
- Got it.
- You got it?
938
00:37:02,400 --> 00:37:04,370
You can remember what it is?
939
00:37:04,370 --> 00:37:05,470
- Yup.
- Right, great.
940
00:37:05,470 --> 00:37:06,670
Put the book back.
941
00:37:06,670 --> 00:37:08,370
Come over here,
talk to the fish.
942
00:37:08,370 --> 00:37:10,430
Finn, Abe is thinking of a word.
943
00:37:10,430 --> 00:37:12,370
- I need to make
a psychic connection
944
00:37:12,370 --> 00:37:14,130
with you, Abe.
So, if you wouldn't mind,
945
00:37:14,130 --> 00:37:18,330
just place your tongue
in my glass.
946
00:37:18,330 --> 00:37:21,170
- Yeah, just...just the tip.
- Slide it in here.
947
00:37:21,170 --> 00:37:22,370
- Come on, right in here.
Right in here.
948
00:37:22,370 --> 00:37:23,830
- Actually in.
Actually make--
949
00:37:23,830 --> 00:37:25,170
how else are you gonna do it?
- Slide it right in.
950
00:37:25,170 --> 00:37:26,270
- Actually make contact.
- Slide it in.
951
00:37:26,270 --> 00:37:29,070
- Oh!
- Ah!
952
00:37:29,070 --> 00:37:31,770
- Nobody's ever
done that before, madam.
953
00:37:31,770 --> 00:37:33,770
You are a very lucky lady.
954
00:37:33,770 --> 00:37:36,070
[laughter]
Finn is now going to attempt
955
00:37:36,070 --> 00:37:38,000
to guess the very first letter
of the word
956
00:37:38,000 --> 00:37:39,900
that Abe is merely thinking of.
Abe?
957
00:37:39,900 --> 00:37:42,870
Focus on the first letter.
Just the first letter.
958
00:37:42,870 --> 00:37:44,200
Do you have the first letter,
Abe?
959
00:37:44,200 --> 00:37:46,400
- I do.
- He's ready, Finn.
960
00:37:46,400 --> 00:37:49,330
- The first letter is A!
961
00:37:49,330 --> 00:37:52,370
- Finn, your first letter was A.
962
00:37:52,370 --> 00:37:53,670
What?
- No.
963
00:37:53,670 --> 00:37:56,270
- What do you mean, "no"?
- No.
964
00:37:56,270 --> 00:37:57,270
- B?
965
00:37:57,270 --> 00:37:59,270
[laughter]
966
00:37:59,270 --> 00:38:00,830
- Is it B?
967
00:38:00,830 --> 00:38:03,130
- C?
- Buckle up.
968
00:38:03,130 --> 00:38:04,230
- D?
- Just stop him
969
00:38:04,230 --> 00:38:06,830
when he gets there.
- E?
970
00:38:06,830 --> 00:38:09,670
- F?
A, B, C, D, E, F...
971
00:38:09,670 --> 00:38:11,900
G?
972
00:38:11,900 --> 00:38:13,770
H?
973
00:38:13,770 --> 00:38:18,270
Okay, was it--
was it before or after R?
974
00:38:18,270 --> 00:38:19,770
- After.
- It was after.
975
00:38:19,770 --> 00:38:21,000
- [groans]
- That'll save us some time.
976
00:38:21,000 --> 00:38:22,300
- Why don't you just
tell me the letter?
977
00:38:22,300 --> 00:38:23,570
- You're supposed to be
a mind-reading goldfish.
978
00:38:23,570 --> 00:38:25,430
Guess the letter.
979
00:38:25,430 --> 00:38:26,500
- S?
980
00:38:28,500 --> 00:38:30,000
T!
981
00:38:30,000 --> 00:38:31,170
- Yeah!
- You got it.
982
00:38:31,170 --> 00:38:34,000
Finn and Teller,
to the letter
983
00:38:34,000 --> 00:38:37,030
Almost first time
984
00:38:37,030 --> 00:38:40,500
Finn and Teller
985
00:38:40,500 --> 00:38:42,330
And now,
for the second letter.
986
00:38:42,330 --> 00:38:44,100
[laughter]
987
00:38:44,100 --> 00:38:46,500
Was it A?
- Okay, I think--
988
00:38:46,500 --> 00:38:49,070
I think Finn is finding it
difficult to concentrate
989
00:38:49,070 --> 00:38:51,730
in such a tiny space.
So, we're gonna re-home Finn.
990
00:38:51,730 --> 00:38:54,430
We got a lovely new home.
Look what we got for you, buddy.
991
00:38:54,430 --> 00:38:56,630
- Very nice.
- It's a brand-new home.
992
00:38:56,630 --> 00:38:58,270
- Oh, a mobile home.
Very nice.
993
00:38:58,270 --> 00:39:00,270
- Lovely mobile home.
994
00:39:00,270 --> 00:39:02,530
Come on, buddy.
Aww.
995
00:39:02,530 --> 00:39:03,970
- Oh, ow, ow, ow.
- One, two, three--
996
00:39:03,970 --> 00:39:05,100
happy fish.
- Ow!
997
00:39:05,100 --> 00:39:06,600
Whoa, this is nice.
998
00:39:06,600 --> 00:39:08,300
I like what you've done
with the place.
999
00:39:08,300 --> 00:39:10,200
Very spacious.
Very pleasant--
1000
00:39:10,200 --> 00:39:12,870
wait.
Piff, Piff, Piff, Piff!
1001
00:39:12,870 --> 00:39:14,330
Am I in a blender?
1002
00:39:14,330 --> 00:39:16,870
Am I in a blender?!
- Finn will now find the word
1003
00:39:16,870 --> 00:39:18,670
or he will die.
1004
00:39:18,670 --> 00:39:20,570
[laughter]
1005
00:39:20,570 --> 00:39:22,230
- Let's see--okay, okay.
I have the word.
1006
00:39:22,230 --> 00:39:23,230
- Okay.
- I have the word.
1007
00:39:23,230 --> 00:39:24,300
- You're gonna write it down
1008
00:39:24,300 --> 00:39:25,470
on that little sign over there.
1009
00:39:25,470 --> 00:39:27,200
Go on, write the word down.
Come on.
1010
00:39:27,200 --> 00:39:28,970
- Okay, okay. I've written it.
Done, done, done, done!
1011
00:39:28,970 --> 00:39:31,570
- Where's the pen?
- Mother was an octopus.
1012
00:39:31,570 --> 00:39:33,370
[laughter]
1013
00:39:33,370 --> 00:39:35,770
- Fair enough.
Abe, in a loud voice,
1014
00:39:35,770 --> 00:39:38,170
name your word.
- Thunderstorm.
1015
00:39:38,170 --> 00:39:39,430
- Uh-oh.
- What?
1016
00:39:39,430 --> 00:39:40,530
- Thunderstorm.
- Thunderstorm?
1017
00:39:40,530 --> 00:39:42,870
- Yeah.
- Uh-oh, oh...
1018
00:39:42,870 --> 00:39:45,130
- Ladies and gentlemen,
thunderstorm!
1019
00:39:45,130 --> 00:39:47,130
- Finn and Teller,
get the words
1020
00:39:47,130 --> 00:39:50,500
- [imitates explosion]
- That guy just heard
1021
00:39:50,500 --> 00:39:52,470
Finn and Teller
- And Abe, ladies and gentlemen.
1022
00:39:52,470 --> 00:39:54,970
Abe! Let's go.
Good for you, Abe.
1023
00:39:54,970 --> 00:39:58,530
Go back to your seat.
Ladies and gentlemen, Finn!
1024
00:39:58,530 --> 00:40:00,630
- Teller, Teller--Teller, I--
- Oh, wait, wait.
1025
00:40:00,630 --> 00:40:02,970
Sorry, what?
- Teller, I forgot my glasses.
1026
00:40:02,970 --> 00:40:04,330
My glasses are in the blender.
- Oh, oh, his glasses.
1027
00:40:04,330 --> 00:40:05,330
Yeah.
- Get my glasses.
1028
00:40:05,330 --> 00:40:10,130
- [screaming]
1029
00:40:10,130 --> 00:40:12,370
- Finn and Teller,
ladies and gentlemen!
1030
00:40:12,370 --> 00:40:13,930
Finn and Teller!
[cheers and applause]
1031
00:40:13,930 --> 00:40:16,300
- And Piff the Magic Dragon.
- And Piff the Magic Dragon.
1032
00:40:16,300 --> 00:40:19,230
- Yeah.
- And Finn and Teller.
1033
00:40:19,230 --> 00:40:20,370
- Whoo.
1034
00:40:20,370 --> 00:40:21,870
I've gotta hand it to all
1035
00:40:21,870 --> 00:40:23,900
of tonight's
outstanding performers.
1036
00:40:23,900 --> 00:40:25,200
Join us next week
1037
00:40:25,200 --> 00:40:28,270
for another fistful
of fantastic magic.
1038
00:40:28,270 --> 00:40:30,970
Good night from Las Vegas.
1039
00:40:30,970 --> 00:40:33,970
[cheers and applause]
1040
00:40:34,305 --> 00:40:40,417
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