1 00:00:00,080 --> 00:00:06,840 Music 2 00:00:07,080 --> 00:00:11,840 ... 3 00:00:12,080 --> 00:00:14,800 Runoff 4 00:00:15,040 --> 00:00:35,840 ... 5 00:00:36,040 --> 00:00:38,080 - Can I use your charger? 6 00:00:39,360 --> 00:00:46,200 ... 7 00:00:46,400 --> 00:00:49,480 If it bothers you, I can do without it. 8 00:00:49,720 --> 00:00:52,760 ... 9 00:00:52,960 --> 00:00:54,040 - Go for it. 10 00:00:54,280 --> 00:00:57,520 ... 11 00:00:57,720 --> 00:00:58,800 - THANKS. 12 00:01:00,080 --> 00:01:02,400 Larsan hums. 13 00:01:02,640 --> 00:01:16,600 ... 14 00:01:20,240 --> 00:01:23,040 Enigmatic music 15 00:01:23,240 --> 00:01:32,000 ... 16 00:01:32,240 --> 00:01:34,840 - It's crazy, what you're saying, Jo. 17 00:01:35,440 --> 00:01:37,880 Larsan is on the investigation from the beginning. 18 00:01:38,080 --> 00:01:39,240 And Roussel is dead. 19 00:01:39,480 --> 00:01:42,080 - Exactly, his body was found by Larsan. 20 00:01:42,320 --> 00:01:44,800 He made sure that his hunt stops. 21 00:01:45,720 --> 00:01:48,360 It made progress Larsan's career. 22 00:01:48,600 --> 00:01:51,520 He pulls the strings from the beginning. 23 00:01:51,720 --> 00:01:53,600 Now it can disappear. 24 00:01:57,160 --> 00:01:59,040 - Michel and Mathilde would have recognized him. 25 00:01:59,280 --> 00:02:01,360 - Not if he changed his face. 26 00:02:02,000 --> 00:02:04,040 Roussel was known like the chameleon killer. 27 00:02:04,280 --> 00:02:06,280 Heavy music 28 00:02:06,480 --> 00:02:09,479 ... 29 00:02:09,680 --> 00:02:13,480 His specialty was changing identity after each murder. 30 00:02:13,680 --> 00:02:23,560 ... 31 00:02:23,760 --> 00:02:25,440 To return to France, 32 00:02:25,640 --> 00:02:28,440 his transformation had to be drastic. 33 00:02:31,960 --> 00:02:35,680 He had hired a crooked surgeon in Los Angeles. 34 00:02:35,880 --> 00:02:39,240 Surgeon the FBI found murdered by Roussel, 35 00:02:39,440 --> 00:02:42,320 which means that no one doesn't know his true face. 36 00:02:42,560 --> 00:02:45,280 It's like this that he became Larsan. 37 00:02:45,520 --> 00:02:48,960 His stroke of genius, it was becoming a cop 38 00:02:49,160 --> 00:02:50,400 to end himself 39 00:02:50,640 --> 00:02:52,240 tracking Roussel. 40 00:02:53,040 --> 00:02:56,160 In the police, he could find Mathilde. 41 00:02:56,400 --> 00:02:59,760 ... 42 00:02:59,960 --> 00:03:01,360 - You know Roussel well. 43 00:03:01,600 --> 00:03:03,920 - You are the number one expert. 44 00:03:04,120 --> 00:03:05,000 - No. 45 00:03:06,320 --> 00:03:08,320 I am a Roussel expert. 46 00:03:12,440 --> 00:03:16,800 Do you think that Darzac is his disciple or a copycat. 47 00:03:17,040 --> 00:03:18,560 - How do you know that? 48 00:03:20,560 --> 00:03:24,040 - You would have information that you would not have shared? 49 00:03:26,320 --> 00:03:27,840 - No. No, no. 50 00:03:28,080 --> 00:03:30,800 - I know you stopped by above my head. 51 00:03:31,760 --> 00:03:34,000 I saw you running away from Darzac. 52 00:03:36,120 --> 00:03:39,040 - You know what? I'm not even sorry. 53 00:03:39,280 --> 00:03:41,840 You treated Joséphine unacceptable way. 54 00:03:42,080 --> 00:03:44,640 Without her, you wouldn't have gone this far. 55 00:03:44,840 --> 00:03:46,480 You change your mind like a weather vane. 56 00:03:48,120 --> 00:03:49,760 One day, she's your assistant. 57 00:03:49,960 --> 00:03:52,080 There she is responsible of your mistakes. 58 00:03:52,320 --> 00:03:55,800 ... 59 00:03:57,040 --> 00:03:58,520 - It's science fiction. 60 00:03:58,760 --> 00:04:01,600 - Mom, Larsan joined the police in 99, 61 00:04:01,800 --> 00:04:05,640 at the moment when Michel and Mathilde arrived at L'Artuby. 62 00:04:05,880 --> 00:04:08,520 You think that I'm talking nonsense? 63 00:04:08,720 --> 00:04:09,960 - I hope so, yes. 64 00:04:13,400 --> 00:04:15,360 I don't know, but I hope so. 65 00:04:15,600 --> 00:04:19,040 - You're right. I have to be sure of my move. 66 00:04:19,240 --> 00:04:20,240 I'm calling Sainclair. 67 00:04:20,480 --> 00:04:23,600 Intriguing music 68 00:04:23,840 --> 00:04:34,560 ... 69 00:04:34,760 --> 00:04:35,840 Sainclair exclaims. 70 00:04:36,080 --> 00:04:41,720 ... 71 00:04:41,920 --> 00:04:43,720 - I have to show you something. 72 00:04:43,960 --> 00:04:45,640 - Yes, but that is to say... 73 00:04:45,840 --> 00:04:48,640 Joséphine is waiting for me at L'Artuby. 74 00:04:49,720 --> 00:04:51,440 It's over there. 75 00:04:51,680 --> 00:04:52,920 - Are you coming? 76 00:04:53,120 --> 00:04:54,600 - Well... 77 00:04:54,840 --> 00:04:56,480 Okay, yes. 78 00:05:03,400 --> 00:05:05,840 Ringtone 79 00:05:07,200 --> 00:05:10,120 Vibrate 80 00:05:11,120 --> 00:05:14,480 ... 81 00:05:14,680 --> 00:05:17,360 *You are on voicemail by Théodore Sainclair. 82 00:05:17,560 --> 00:05:19,520 *I'll remind you. Beep 83 00:05:21,440 --> 00:05:22,600 (-Fuck!) 84 00:05:22,800 --> 00:05:24,760 Calm music 85 00:05:25,000 --> 00:05:38,160 ... 86 00:05:38,360 --> 00:05:41,000 - This place is truly magnificent. 87 00:05:42,240 --> 00:05:43,520 I understand better. 88 00:05:45,120 --> 00:05:46,200 - Oh yeah? 89 00:05:48,240 --> 00:05:50,280 Better understand what? 90 00:05:50,480 --> 00:05:52,640 - Why would we come? take refuge here. 91 00:05:53,440 --> 00:05:57,280 What would be the link? between Victor Roussel and Mlle Fabre? 92 00:05:57,480 --> 00:05:59,680 - I ask myself the same question. 93 00:05:59,920 --> 00:06:02,680 If I had understood sooner that he was involved... 94 00:06:03,760 --> 00:06:06,280 I need to learn more on Mathilde. 95 00:06:06,520 --> 00:06:08,040 I come back to the same idea. 96 00:06:08,240 --> 00:06:11,080 Only one victim escaped Roussel. The last one. 97 00:06:11,280 --> 00:06:14,960 Nobody knows what he did after this failure. 98 00:06:15,200 --> 00:06:16,880 - The victim placed it in the United States, 99 00:06:17,080 --> 00:06:19,440 but he returned to France. 100 00:06:21,080 --> 00:06:23,320 - If Mathilde is this victim, 101 00:06:24,320 --> 00:06:28,080 that means that Roussel stalked Mathilde for 28 years. 102 00:06:28,320 --> 00:06:32,720 ... 103 00:06:32,920 --> 00:06:36,160 28 years of living in fear. 104 00:06:37,200 --> 00:06:38,960 28 years haunted by this psychopath. 105 00:06:40,920 --> 00:06:44,200 - I found your show on Roussel incomplete. 106 00:06:45,400 --> 00:06:48,200 Your reading prism is limited. 107 00:06:48,440 --> 00:06:50,720 Precisely, around this term. 108 00:06:50,920 --> 00:06:52,320 "Psychopath". 109 00:06:54,400 --> 00:06:57,400 A psychopath is someone devoid of feelings. 110 00:06:57,640 --> 00:07:00,080 I'm not sure that it applies to Roussel. 111 00:07:01,440 --> 00:07:04,200 For my part, I think that he is a great romantic, 112 00:07:04,400 --> 00:07:06,280 a distraught lover. - Absolutely not. 113 00:07:06,520 --> 00:07:08,440 Roussel is a psychopath. 114 00:07:08,640 --> 00:07:10,840 He is incapable of emotions like love. 115 00:07:11,080 --> 00:07:12,760 He's a monomaniac. 116 00:07:12,960 --> 00:07:15,640 He wants to own every woman which fascinates him. 117 00:07:15,880 --> 00:07:20,040 He is terrified of the idea that she leaves him, like her mother. 118 00:07:20,280 --> 00:07:22,560 That's why he kills them. 119 00:07:22,800 --> 00:07:25,840 He kills them when they escape him. 120 00:07:26,720 --> 00:07:27,560 (-Yeah.) 121 00:07:27,800 --> 00:07:33,040 ... 122 00:07:33,280 --> 00:07:38,800 28 years of wondering what she does, what she thinks about. 123 00:07:43,040 --> 00:07:44,920 If she thinks of you. 124 00:07:46,880 --> 00:07:49,320 28 years of sacrifices. 125 00:07:49,560 --> 00:07:51,920 Stage your own death. 126 00:07:52,120 --> 00:07:55,560 For a woman who doesn't recognize the beauty of the gesture. 127 00:07:58,040 --> 00:08:01,240 A woman who didn't deserve it. 128 00:08:03,680 --> 00:08:04,760 So many wasted years. 129 00:08:08,640 --> 00:08:12,920 You really thought you were tall to put you in my way? 130 00:08:13,160 --> 00:08:15,440 Oppressive music 131 00:08:16,560 --> 00:08:18,000 Moans 132 00:08:19,680 --> 00:08:20,760 - No! 133 00:08:20,960 --> 00:08:25,240 *-You are in the mailbox of the venerable Judge Marquet. 134 00:08:25,440 --> 00:08:27,920 - What the hell are they all doing? 135 00:08:30,840 --> 00:08:33,320 Telephone It's Theo. 136 00:08:34,039 --> 00:08:37,440 Listen to me. You're going to take me for a crazy woman, but... 137 00:08:37,640 --> 00:08:40,200 Roussel is Larsan. 138 00:08:40,760 --> 00:08:42,559 *-Well done, Joséphine. 139 00:08:43,000 --> 00:08:47,200 *To see your sidekick again, go to the Chanier observatory. 140 00:08:47,440 --> 00:08:51,600 If you tell anyone about it, he will suffer the same fate as Mathilde. 141 00:08:51,840 --> 00:08:53,440 *Don't delay. 142 00:08:53,640 --> 00:08:55,680 Dramatic music 143 00:08:55,880 --> 00:08:58,640 ... 144 00:08:58,840 --> 00:09:00,080 - Jo? 145 00:09:01,560 --> 00:09:03,400 Is everything okay, Joe? 146 00:09:04,280 --> 00:09:05,440 (-I...) 147 00:09:07,000 --> 00:09:08,920 I need to get some fresh air. 148 00:09:09,120 --> 00:09:10,400 - I'm coming with you. - No. 149 00:09:11,720 --> 00:09:12,960 I need to be alone. 150 00:09:14,360 --> 00:09:16,240 - Jo! - Leave me. 151 00:09:16,960 --> 00:09:19,400 - Don't get ahead of yourself to avenge Mathilde. 152 00:09:21,520 --> 00:09:22,760 Please. 153 00:09:22,960 --> 00:09:30,720 ... 154 00:09:30,960 --> 00:09:31,920 Jo! 155 00:09:34,560 --> 00:09:35,600 Jo! 156 00:09:36,440 --> 00:09:44,120 ... 157 00:09:44,360 --> 00:09:48,320 Jo! Jo, please don't do that. 158 00:09:48,520 --> 00:09:49,640 - I'm sorry. 159 00:09:49,880 --> 00:10:01,960 ... 160 00:10:02,160 --> 00:10:03,000 - Yes, Isabelle. 161 00:10:03,240 --> 00:10:05,120 - Jo knows everything about Roussel. 162 00:10:05,360 --> 00:10:07,880 *She says he's alive and that it's Larsan. 163 00:10:08,080 --> 00:10:10,400 *She wants revenge the death of Mathilde. 164 00:10:10,640 --> 00:10:12,640 She went to find him. 165 00:10:12,840 --> 00:10:14,920 If it's him, he'll kill her. 166 00:10:16,000 --> 00:10:19,000 - You stay at home. I'll take care of it, okay? 167 00:10:20,880 --> 00:10:23,560 It's a disaster. - What's going on? 168 00:10:23,760 --> 00:10:26,680 Is it Jo? - She knows about Roussel. 169 00:10:26,880 --> 00:10:29,800 She will confront him. You have to tell him the truth. 170 00:10:30,440 --> 00:10:31,720 - We must warn Marquet. 171 00:10:31,960 --> 00:10:47,440 ... 172 00:10:49,640 --> 00:10:53,800 - Everything that will be said here must remain confidential. 173 00:10:55,600 --> 00:10:57,920 Soft music 174 00:10:58,160 --> 00:11:06,680 ... 175 00:11:06,880 --> 00:11:08,760 - You trusted me. 176 00:11:10,760 --> 00:11:12,120 It helps me become a... 177 00:11:14,040 --> 00:11:15,320 a better person 178 00:11:16,280 --> 00:11:17,800 and to understand that in life, 179 00:11:18,040 --> 00:11:19,080 all alone, we... 180 00:11:20,240 --> 00:11:21,320 we are nothing. 181 00:11:21,560 --> 00:11:34,200 ... 182 00:11:34,440 --> 00:11:37,360 Suspense music 183 00:11:37,600 --> 00:11:46,320 ... 184 00:11:46,520 --> 00:11:48,200 - The mystery of the yellow room 185 00:11:48,440 --> 00:11:50,680 is about to be resolved. 186 00:11:51,920 --> 00:11:54,560 The culprit is none other than Victor Roussel. 187 00:11:54,800 --> 00:11:57,280 Hubbub I know, 188 00:11:57,520 --> 00:11:59,960 Victor Roussel is supposed to be dead 10 years ago. 189 00:12:00,920 --> 00:12:03,400 But Victor Roussel is none other than... 190 00:12:04,720 --> 00:12:05,920 Inspector Larsan. 191 00:12:06,160 --> 00:12:10,200 ... 192 00:12:10,440 --> 00:12:11,760 We have to stop it 193 00:12:12,000 --> 00:12:14,920 before he changes his identity and it disappears. 194 00:12:15,120 --> 00:12:16,520 Chief Warrant Officer? 195 00:12:16,720 --> 00:12:18,800 - He is going to escape by helicopter. 196 00:12:19,040 --> 00:12:22,920 We have men at the port, at train stations and the airport. 197 00:12:23,120 --> 00:12:24,240 We follow 198 00:12:24,480 --> 00:12:26,080 its geolocation. 199 00:12:26,320 --> 00:12:29,560 You will be in different places. We need 200 00:12:29,800 --> 00:12:32,520 constant communication. Is that understood correctly? 201 00:12:32,760 --> 00:12:33,960 THANKS. 202 00:12:35,560 --> 00:12:38,080 - In 10 minutes, situation point. 203 00:12:38,320 --> 00:12:40,720 - We don't have tracking. - Madam Judge. 204 00:12:40,920 --> 00:12:43,280 - Now is not the time. - It's Miss Fabre. 205 00:12:43,480 --> 00:12:46,240 - What ? - An emergency at the hospital. 206 00:12:46,440 --> 00:12:58,200 ... 207 00:12:59,200 --> 00:13:00,880 Horn blasts 208 00:13:02,120 --> 00:13:04,000 ... 209 00:13:04,240 --> 00:13:17,440 ... 210 00:13:17,680 --> 00:13:19,960 - It doesn't change our plans. 211 00:13:20,160 --> 00:13:22,440 - Yes, that changes everything. 212 00:13:22,680 --> 00:13:26,200 - I know that Miss Belisaire tends to put himself in danger, 213 00:13:26,440 --> 00:13:29,920 but we're tracking his phone. - I took a risk by speaking. 214 00:13:30,160 --> 00:13:32,280 I pretended to be dead. 215 00:13:32,480 --> 00:13:34,840 You assured me that this nightmare would end. 216 00:13:35,040 --> 00:13:36,240 Jo is in danger. 217 00:13:36,480 --> 00:13:37,840 What if she finds Roussel? 218 00:13:38,080 --> 00:13:39,880 - We are ahead of Roussel. 219 00:13:40,080 --> 00:13:42,760 The GIGN is on its way. He has no way out. 220 00:13:43,000 --> 00:13:45,360 - He's a serial killer who staged his death 221 00:13:45,600 --> 00:13:47,240 and who infiltrated the police. 222 00:13:47,480 --> 00:13:49,160 Are you sure you're ahead? 223 00:13:49,400 --> 00:13:50,920 - Everything is under control. 224 00:13:51,160 --> 00:13:53,440 I'll prove it to you. 225 00:13:53,680 --> 00:13:56,520 *-Hello ? - Chief Warrant Officer, 226 00:13:56,760 --> 00:13:58,160 *locate Miss Belisaire. 227 00:13:58,360 --> 00:13:59,720 - Yes, she is on the D952 228 00:13:59,960 --> 00:14:03,240 towards... What's going on? 229 00:14:04,440 --> 00:14:05,360 *We no longer have a signal. 230 00:14:07,520 --> 00:14:09,600 What's going on? - Signal lost. 231 00:14:09,840 --> 00:14:12,560 *-Isn't there another satellite? - What's going on? 232 00:14:12,800 --> 00:14:15,080 - She must be in a white area. 233 00:14:15,960 --> 00:14:17,440 *She is next to... 234 00:14:17,680 --> 00:14:21,680 What is this? The Sublime Point. 235 00:14:21,920 --> 00:14:23,920 - Trace Sainclair's phone. 236 00:14:24,160 --> 00:14:26,560 - We have permission for geolocation 237 00:14:26,800 --> 00:14:29,640 from Sainclair's phone. We hurry. 238 00:14:31,240 --> 00:14:32,520 Where is she? 239 00:14:32,760 --> 00:14:35,680 Tension music 240 00:14:35,920 --> 00:14:56,640 ... 241 00:14:56,880 --> 00:15:00,400 - You don't know where she is! - I have to join my teams. 242 00:15:00,640 --> 00:15:03,360 No one should know that you are still alive. 243 00:15:03,560 --> 00:15:05,840 Your disappearance was essential 244 00:15:06,080 --> 00:15:08,720 to push Larsan to make a mistake. 245 00:15:08,960 --> 00:15:10,440 We are reaching our goal. 246 00:15:11,560 --> 00:15:13,160 You don't move from here. 247 00:15:13,360 --> 00:15:17,400 ... 248 00:15:17,600 --> 00:15:18,480 You watch her. 249 00:15:18,720 --> 00:15:21,160 She's not coming out of here. - Heard. 250 00:15:21,360 --> 00:15:25,640 ... 251 00:15:25,840 --> 00:15:27,680 - You have to think like him. 252 00:15:28,240 --> 00:15:30,600 Where could he make an appointment with him? 253 00:15:30,840 --> 00:15:34,600 - They lost track of Jo at Point Sublime. 254 00:15:41,840 --> 00:15:43,080 - There. 255 00:15:43,320 --> 00:15:44,920 I know where they are. 256 00:15:46,480 --> 00:15:47,480 - What are you doing? 257 00:15:48,400 --> 00:15:50,040 - I can't stay here. 258 00:15:50,280 --> 00:15:52,800 - The room is guarded by the police. 259 00:15:53,000 --> 00:15:54,760 - I have to find Jo. 260 00:15:58,840 --> 00:16:00,000 Call Isabelle. 261 00:16:00,240 --> 00:16:01,560 - For what ? 262 00:16:01,800 --> 00:16:04,360 - She'll help me get out. 263 00:16:05,240 --> 00:16:08,240 Gloomy music 264 00:16:08,480 --> 00:16:35,960 ... 265 00:16:36,200 --> 00:16:38,240 - It's no use. 266 00:16:39,960 --> 00:16:42,120 - You got what you wanted. 267 00:16:44,240 --> 00:16:46,440 Why aren't you on the run? 268 00:16:47,920 --> 00:16:51,200 - Before disappearing, I need to talk to Joséphine. 269 00:16:51,440 --> 00:16:53,080 - No ! 270 00:16:56,200 --> 00:16:59,400 - With this floor going up, in a few moments, 271 00:16:59,640 --> 00:17:01,440 this counterweight will crush you. 272 00:17:01,680 --> 00:17:10,760 ... 273 00:17:11,560 --> 00:17:13,920 We'll wait for Joséphine for that. 274 00:17:14,800 --> 00:17:17,160 Sainclair groaned. 275 00:17:17,400 --> 00:17:20,040 - Okay, then? - We're waiting. 276 00:17:21,960 --> 00:17:25,599 - Is this Larsan's tracking? - Yeah. He didn't move. 277 00:17:26,839 --> 00:17:27,520 - Where is he? 278 00:17:27,720 --> 00:17:31,440 - In an observatory with helipad. The GIGN is going there. 279 00:17:31,680 --> 00:17:33,640 Scary music 280 00:17:33,880 --> 00:18:14,280 ... 281 00:18:14,480 --> 00:18:17,120 - Where are you going? - To the toilet. 282 00:18:17,320 --> 00:18:19,480 Isn't that forbidden by the judge? 283 00:18:22,120 --> 00:18:23,840 - It's good. You can go there. 284 00:18:24,040 --> 00:18:40,560 ... 285 00:18:40,760 --> 00:18:43,320 *-We are in visual of the observatory. 286 00:18:45,920 --> 00:18:49,200 - We have the videos GIGN bodycams. 287 00:18:49,440 --> 00:18:52,960 *-Okay, guys. Teams 1 and 2 in position. 288 00:18:53,200 --> 00:18:55,040 - We have eye contact with you. 289 00:18:55,280 --> 00:18:57,320 *-Well received. 290 00:19:04,400 --> 00:19:06,840 Quiet music 291 00:19:07,040 --> 00:20:22,480 ... 292 00:20:23,480 --> 00:20:24,640 - Thank you. 293 00:20:25,600 --> 00:20:27,800 - She's at the end. - Saves time. 294 00:20:28,000 --> 00:20:29,480 - Yes, of course. 295 00:20:32,360 --> 00:20:33,920 *-Alpha separation. 296 00:20:35,160 --> 00:20:39,080 On location in two minutes. Delta, go, go! 297 00:20:39,320 --> 00:20:41,200 *-Delta, received. 298 00:20:42,000 --> 00:20:43,640 - Roussel! 299 00:20:46,040 --> 00:20:48,560 Roussel! I'm alone. 300 00:20:48,800 --> 00:20:50,800 Breathtaking music 301 00:20:51,000 --> 00:20:53,480 ... 302 00:20:53,720 --> 00:20:55,440 - Josephine! 303 00:20:55,680 --> 00:20:57,800 Don't stay there! 304 00:20:58,560 --> 00:20:59,760 Leave her alone. 305 00:21:01,760 --> 00:21:03,000 Indistinct remarks 306 00:21:03,240 --> 00:21:13,640 ... 307 00:21:13,840 --> 00:21:15,240 Sainclair groaned. 308 00:21:15,440 --> 00:21:18,280 ... 309 00:21:18,520 --> 00:21:20,840 *-Main entrance in sight. 310 00:21:21,080 --> 00:21:23,920 *No movement. *-We arrive at position. 311 00:21:24,160 --> 00:21:26,160 *-We get into position at the back. 312 00:21:26,960 --> 00:21:28,440 *-We are going to intervene. 313 00:21:30,880 --> 00:21:33,840 - I don't believe in God, but I'm not against a miracle. 314 00:21:34,080 --> 00:21:35,560 Scream 315 00:21:36,400 --> 00:21:37,720 ... 316 00:21:39,160 --> 00:21:42,480 - Don't stay there! Go away, damn it! 317 00:21:42,680 --> 00:21:44,160 It's a trap! 318 00:21:44,400 --> 00:21:45,640 *-Great intervention! 319 00:21:45,880 --> 00:21:47,200 *Great intervention! 320 00:21:49,960 --> 00:21:51,600 *-Delta 2 inside. 321 00:21:52,440 --> 00:21:53,600 *We are making progress. 322 00:21:54,840 --> 00:21:58,160 - Leave her alone. Don't do that. 323 00:21:59,400 --> 00:22:00,640 Josephine! 324 00:22:00,880 --> 00:22:02,200 Josephine. 325 00:22:02,400 --> 00:22:07,320 ... 326 00:22:07,560 --> 00:22:09,480 *-We set up in the area. 327 00:22:09,720 --> 00:22:10,840 *We're looking. 328 00:22:14,400 --> 00:22:16,520 - Delta, we have a door. 329 00:22:16,760 --> 00:22:18,840 *-Great intervention! 330 00:22:19,080 --> 00:22:19,960 - Intervention! 331 00:22:21,000 --> 00:22:22,400 *-Go, go, go! 332 00:22:22,600 --> 00:22:27,080 ... 333 00:22:27,320 --> 00:22:28,920 - Theo! 334 00:22:29,160 --> 00:22:36,960 ... 335 00:22:37,200 --> 00:22:38,920 Theo, where are you? Theo! 336 00:22:39,160 --> 00:22:40,520 - Josephine! 337 00:22:40,760 --> 00:22:42,560 Don't stay there. 338 00:22:42,800 --> 00:22:44,640 Indistinct radio call 339 00:22:44,880 --> 00:22:47,640 - Delta, we're entering the room. 340 00:22:47,840 --> 00:22:49,520 *-Alpha, ready. 341 00:22:50,280 --> 00:22:51,560 - Look for the suspect. 342 00:22:54,240 --> 00:22:55,640 - SO ? *-I have a phone. 343 00:22:57,320 --> 00:22:59,880 The “target” is not there. There's his phone. 344 00:23:00,120 --> 00:23:01,960 - Shit ! That's not true. 345 00:23:02,840 --> 00:23:06,320 It was a trap to send us in the wrong place. 346 00:23:07,680 --> 00:23:09,360 - He got us. 347 00:23:09,600 --> 00:23:12,640 And now, Joséphine is alone with Roussel. 348 00:23:13,600 --> 00:23:16,440 Tragic music 349 00:23:16,640 --> 00:23:17,880 - It took you a long time. 350 00:23:20,320 --> 00:23:22,400 - Josephine! - To save your fiancé, 351 00:23:22,640 --> 00:23:24,320 we'll have to move quickly. 352 00:23:24,560 --> 00:23:26,200 Stressful music 353 00:23:26,440 --> 00:23:49,000 ... 354 00:23:49,200 --> 00:23:50,080 - Where does it stop? 355 00:23:50,320 --> 00:23:52,080 - Over there ! Come on ! 356 00:23:52,320 --> 00:23:52,920 Over there. 357 00:23:53,160 --> 00:23:58,360 ... 358 00:23:59,400 --> 00:24:00,560 - How do I do it? 359 00:24:00,800 --> 00:24:33,040 ... 360 00:24:33,280 --> 00:24:34,000 - Roussel! 361 00:24:35,280 --> 00:24:36,560 Jo screams. 362 00:24:36,800 --> 00:24:42,240 ... 363 00:24:42,480 --> 00:24:43,280 - I'm coming. 364 00:24:49,880 --> 00:24:51,160 - Well done, Josephine. 365 00:24:53,040 --> 00:24:54,800 She hums “On My Way.” 366 00:24:56,360 --> 00:24:57,960 ... 367 00:24:59,320 --> 00:25:02,680 - This air that you love to hum so much, 368 00:25:03,440 --> 00:25:05,560 That was your mistake. 369 00:25:07,680 --> 00:25:09,680 - Me too, I was looking for the culprit. 370 00:25:10,520 --> 00:25:12,240 - Eh ? - At the start of the investigation, 371 00:25:12,480 --> 00:25:15,120 I thought someone had tried to kill her. 372 00:25:15,360 --> 00:25:17,400 - You were right. 373 00:25:19,080 --> 00:25:23,200 If it is impossible, It's because it never happened. 374 00:25:24,920 --> 00:25:29,400 You attacked Mathilde in the afternoon, not at night. 375 00:25:29,600 --> 00:25:30,760 But why? 376 00:25:31,000 --> 00:25:32,840 - Because Mathilde is mine. 377 00:25:33,760 --> 00:25:36,920 No one else can touch her. 378 00:25:38,120 --> 00:25:39,640 Cris 379 00:25:41,200 --> 00:25:42,000 Jo moans. 380 00:25:42,240 --> 00:25:44,320 ... 381 00:25:44,560 --> 00:25:46,720 Heavy breathing Tension music 382 00:25:46,960 --> 00:25:51,280 ... ... 383 00:25:51,520 --> 00:25:57,000 ... 384 00:25:57,240 --> 00:25:58,880 - Farewell, Sainclair. 385 00:26:01,680 --> 00:26:02,680 - Go away! 386 00:26:02,920 --> 00:26:03,640 - No ! 387 00:26:03,880 --> 00:26:04,920 - Go away! 388 00:26:06,480 --> 00:26:07,560 - No ! 389 00:26:10,560 --> 00:26:11,880 Terrifying music 390 00:26:12,120 --> 00:26:31,520 ... 391 00:26:31,760 --> 00:26:32,760 She screams. 392 00:26:33,000 --> 00:26:35,280 ... 393 00:26:35,480 --> 00:26:37,160 - Do you think you are innocent? 394 00:26:37,400 --> 00:26:38,520 - Let me go! 395 00:26:38,760 --> 00:26:40,640 - Without you, Max Bret would be alive. 396 00:26:40,880 --> 00:26:43,280 Fabien Laugier would not be a murderer. 397 00:26:44,040 --> 00:26:47,200 You weren't even able to to save Mathilde. 398 00:26:47,440 --> 00:26:49,480 - You are a psychopath! 399 00:26:49,720 --> 00:26:50,920 - Stop with this word, 400 00:26:51,160 --> 00:26:52,760 “psychopath”. 401 00:26:53,000 --> 00:26:54,160 I'm not the only bad guy 402 00:26:54,400 --> 00:26:55,720 of your story. 403 00:26:59,280 --> 00:27:01,000 You who love to carry out investigations, 404 00:27:02,640 --> 00:27:03,720 you have never tried 405 00:27:03,960 --> 00:27:05,360 to discover 406 00:27:05,600 --> 00:27:08,200 the identity of your father? 407 00:27:09,400 --> 00:27:11,600 Dramatic music 408 00:27:13,800 --> 00:27:17,040 Or is it because deep down, 409 00:27:17,240 --> 00:27:19,080 did you know the truth? 410 00:27:19,320 --> 00:27:26,840 ... 411 00:27:27,920 --> 00:27:29,800 It's this blood that runs through your veins. 412 00:27:32,520 --> 00:27:34,520 - No. No. 413 00:27:34,760 --> 00:27:36,480 It's impossible. 414 00:27:37,400 --> 00:27:40,600 - What did that give? Sainclair tracking? 415 00:27:41,520 --> 00:27:42,840 - Give me the card. 416 00:27:44,520 --> 00:27:45,520 Okay. 417 00:27:47,400 --> 00:27:48,600 Miss Belisaire is still 418 00:27:48,840 --> 00:27:49,920 in a white area. 419 00:27:50,120 --> 00:27:53,440 Mr. Sainclair disappears at the same place an hour earlier. 420 00:27:54,360 --> 00:27:56,200 - They have to play the heroes... 421 00:27:57,240 --> 00:27:58,640 - No. 422 00:27:58,880 --> 00:28:01,360 I think they are part of the Larsan plan. 423 00:28:01,560 --> 00:28:03,120 It's a diversion. 424 00:28:03,360 --> 00:28:05,520 He needs from a high point to escape 425 00:28:05,760 --> 00:28:07,960 by helicopter and see us arrive. 426 00:28:09,200 --> 00:28:13,840 - Sainclair and Belisaire have disappeared on the D952. 427 00:28:14,080 --> 00:28:15,000 - That's it. 428 00:28:16,320 --> 00:28:17,960 - Can we enlarge? 429 00:28:21,080 --> 00:28:23,320 The Chanier observatory. 430 00:28:24,800 --> 00:28:28,440 - To all units, you must go at the Chanier observatory. 431 00:28:28,680 --> 00:28:37,160 ... 432 00:28:37,400 --> 00:28:39,400 - You were born on August 23, 1999 433 00:28:39,640 --> 00:28:41,360 in Digne-les-Bains. 434 00:28:41,600 --> 00:28:46,160 Daughter of Isabelle Belisaire and unknown father. 435 00:28:47,720 --> 00:28:51,680 In Isabelle's medical file, no trace of pregnancy. 436 00:28:51,920 --> 00:28:55,440 Nothing. No ultrasound, no blood test. 437 00:28:56,840 --> 00:28:58,760 - It doesn't mean anything. - Yes. 438 00:29:01,280 --> 00:29:02,920 Isabelle is not your mother. 439 00:29:05,120 --> 00:29:07,800 I found another medical record. 440 00:29:08,640 --> 00:29:11,920 A woman gave birth of a stillborn daughter 441 00:29:12,120 --> 00:29:14,040 the day you were born. 442 00:29:16,480 --> 00:29:19,240 You want me to tell you the name of this woman? 443 00:29:20,280 --> 00:29:22,560 - No. - Mathilde Fabre. 444 00:29:24,880 --> 00:29:28,480 Mathilde is not the victim that she claims to be. 445 00:29:28,720 --> 00:29:33,600 ... 446 00:29:33,840 --> 00:29:37,880 It was Isabelle who signed this stillborn child document. 447 00:29:41,280 --> 00:29:44,160 They lie to you since you were born. 448 00:29:46,680 --> 00:29:49,360 - Mathilde is my mother? - Yeah. 449 00:29:49,600 --> 00:29:51,680 And she abandoned you. 450 00:29:55,080 --> 00:29:59,560 She didn't allow you to go far. She wanted to control you. 451 00:30:00,320 --> 00:30:01,800 And above all, 452 00:30:02,040 --> 00:30:04,080 she wanted to deprive you of me. 453 00:30:06,720 --> 00:30:07,800 From your father. 454 00:30:09,640 --> 00:30:10,720 - You're lying. 455 00:30:12,640 --> 00:30:13,800 - Don't listen to him. 456 00:30:14,040 --> 00:30:15,520 Don't listen to him. 457 00:30:15,760 --> 00:30:21,720 ... 458 00:30:22,720 --> 00:30:23,840 (Leaves.) - No. 459 00:30:24,040 --> 00:30:25,440 (-Please.) - No. 460 00:30:26,440 --> 00:30:27,800 - Don't touch her. Let her go. 461 00:30:28,040 --> 00:30:29,880 Let her go! 462 00:30:32,320 --> 00:30:33,360 Josephine, 463 00:30:34,240 --> 00:30:35,960 you have a choice. 464 00:30:36,200 --> 00:30:39,840 You can stay with these people who lied to you or leave with me. 465 00:30:45,000 --> 00:30:46,920 You see how much do we look alike? 466 00:30:48,320 --> 00:30:51,040 You are intelligent, obsessive, 467 00:30:51,280 --> 00:30:53,560 often selfish. 468 00:30:53,800 --> 00:30:56,920 And then, your superpower, hypermnesia... 469 00:30:58,520 --> 00:30:59,800 Come with me. 470 00:31:00,360 --> 00:31:02,000 We're going to make up for lost time. 471 00:31:02,240 --> 00:31:04,640 Epic music 472 00:31:04,840 --> 00:31:08,800 ... 473 00:31:09,000 --> 00:31:10,520 - I will never be like you. 474 00:31:12,080 --> 00:31:13,240 - Jo! 475 00:31:15,480 --> 00:31:16,360 (-Mathilde.) 476 00:31:18,160 --> 00:31:19,640 Mathilde! 477 00:31:19,880 --> 00:31:25,960 ... 478 00:31:26,160 --> 00:31:27,080 (-I am here.) 479 00:31:27,320 --> 00:31:29,840 - Are you alive? (-I'm here.) 480 00:31:30,880 --> 00:31:32,960 - What a beautiful moment of emotion. 481 00:31:35,720 --> 00:31:36,920 Here is the family reunited. 482 00:31:37,920 --> 00:31:39,520 It took you a long time. 483 00:31:41,640 --> 00:31:44,120 - Did you know she was alive? 484 00:31:44,360 --> 00:31:45,400 Jo questions him. 485 00:31:46,080 --> 00:31:47,640 - Make you pass for dead... 486 00:31:48,840 --> 00:31:49,800 Little laugh 487 00:31:50,920 --> 00:31:52,680 Tetrodoxin injection? 488 00:31:54,720 --> 00:31:56,480 - I knew you wouldn't give up. 489 00:31:56,720 --> 00:31:59,040 Dark music 490 00:31:59,880 --> 00:32:01,000 Course. 491 00:32:03,120 --> 00:32:04,520 - No. 492 00:32:04,760 --> 00:32:07,360 - Jo, run! - No. 493 00:32:10,400 --> 00:32:11,040 No ! 494 00:32:12,400 --> 00:32:13,680 Moans 495 00:32:13,920 --> 00:32:14,960 Suspense music 496 00:32:15,200 --> 00:32:18,000 ... 497 00:32:18,240 --> 00:32:18,840 Theo! 498 00:32:19,040 --> 00:32:24,160 ... 499 00:32:24,400 --> 00:32:25,720 - Leave! - Come on! 500 00:32:25,960 --> 00:32:29,840 ... ... 501 00:32:30,600 --> 00:32:31,520 - Go for it ! 502 00:32:32,520 --> 00:32:34,640 - No ! Theo groaned. 503 00:32:34,880 --> 00:32:35,960 - Joe! 504 00:32:36,200 --> 00:32:36,960 Joe! 505 00:32:37,200 --> 00:32:38,400 Come, please. 506 00:32:38,640 --> 00:32:40,640 Come on. Please. 507 00:32:40,880 --> 00:32:42,000 Come on. 508 00:32:42,240 --> 00:32:43,280 Come on ! 509 00:32:43,520 --> 00:32:44,880 Come! 510 00:32:47,400 --> 00:32:48,840 - Stop! 511 00:32:51,880 --> 00:32:53,360 If you leave them, I'll come. 512 00:32:55,040 --> 00:32:56,320 - What ? 513 00:32:57,400 --> 00:32:58,880 - Do you want to know your daughter? 514 00:33:00,640 --> 00:33:02,720 - Do you still want to save her? 515 00:33:06,240 --> 00:33:07,600 - You were right. 516 00:33:07,840 --> 00:33:10,560 Max died because of me. 517 00:33:10,800 --> 00:33:13,440 I don't want to have more deaths on consciousness. 518 00:33:14,960 --> 00:33:15,920 You won. 519 00:33:17,840 --> 00:33:20,440 - No, Jo. I forbid you from doing that. 520 00:33:20,680 --> 00:33:24,520 Poignant music 521 00:33:24,760 --> 00:33:25,840 - Josephine! 522 00:33:26,040 --> 00:33:47,560 ... 523 00:33:48,480 --> 00:33:49,640 - Jo, don't go! 524 00:33:49,880 --> 00:33:54,040 ... 525 00:33:55,200 --> 00:33:56,360 - You shouldn't lie to me. 526 00:33:56,600 --> 00:33:58,000 - It was to protect you. 527 00:33:58,240 --> 00:33:59,520 - It's too late. 528 00:34:07,800 --> 00:34:09,120 - Jo, no! 529 00:34:12,040 --> 00:34:13,840 Exclamations 530 00:34:14,080 --> 00:34:16,280 Heavy music 531 00:34:16,520 --> 00:34:20,840 ... 532 00:34:21,679 --> 00:34:23,320 - I will never leave with you. 533 00:34:23,560 --> 00:34:29,080 ... 534 00:34:29,280 --> 00:34:31,400 You are incapable of a sacrifice like his. 535 00:34:31,639 --> 00:34:32,719 - Me ? 536 00:34:32,960 --> 00:34:35,280 I sacrificed my life to find her. 537 00:34:35,520 --> 00:34:36,560 - To track her down. 538 00:34:37,400 --> 00:34:39,000 Look at you. 539 00:34:39,239 --> 00:34:40,600 You're pathetic. 540 00:34:41,760 --> 00:34:43,400 You never loved her. 541 00:34:44,679 --> 00:34:46,440 And no one will ever love you. 542 00:34:50,600 --> 00:34:52,400 You will always be alone. 543 00:34:52,639 --> 00:35:01,080 ... 544 00:35:01,280 --> 00:35:02,520 It's over, Roussel. 545 00:35:04,120 --> 00:35:06,160 *-The "target" is on the ground, to the right. 546 00:35:10,160 --> 00:35:12,120 *I confirm. It's Victor Roussel. 547 00:35:12,320 --> 00:35:15,760 *The suspect is apprehended. I repeat. He is apprehended. 548 00:35:15,960 --> 00:35:18,360 *Théodore Sainclair, injured in the leg. 549 00:35:18,600 --> 00:35:20,560 Send the medical team. 550 00:35:21,560 --> 00:35:24,760 Mr. Victor Roussel, it’s 6 p.m., you are in police custody. 551 00:35:25,000 --> 00:35:26,400 - It'll be OK ? 552 00:35:26,600 --> 00:35:28,920 I'm going to make a tourniquet. We call the ambulance. 553 00:35:29,120 --> 00:35:30,200 - It's okay for me. 554 00:35:30,440 --> 00:35:32,360 Roussel groaned. 555 00:35:32,600 --> 00:35:34,120 *-We evacuate. 556 00:35:35,920 --> 00:35:37,200 - See you soon. 557 00:35:37,440 --> 00:35:40,200 Calm music 558 00:35:40,440 --> 00:35:51,240 ... 559 00:35:56,080 --> 00:35:58,680 - I wasn't going to miss the climax of our show. 560 00:36:01,440 --> 00:36:02,840 We make a good team. 561 00:36:04,160 --> 00:36:06,440 I find it. - Yeah. 562 00:36:16,800 --> 00:36:18,040 - Jo! 563 00:36:24,080 --> 00:36:25,800 You have to believe me. 564 00:36:27,680 --> 00:36:32,400 That was the decision the most difficult of my entire life. 565 00:36:34,200 --> 00:36:36,080 - You could have told me the truth. 566 00:36:36,760 --> 00:36:39,960 - So that you discover that your father is a monster? 567 00:36:40,160 --> 00:36:42,040 - It wasn't up to you to decide. 568 00:36:42,240 --> 00:36:43,760 - I'm sorry. 569 00:36:44,360 --> 00:36:46,320 I'm really sorry. 570 00:36:46,520 --> 00:36:48,960 Tragic music 571 00:36:49,160 --> 00:37:24,200 ... 572 00:37:25,560 --> 00:37:26,680 She exclaims. 573 00:37:28,600 --> 00:37:32,760 - I was so scared. I didn't sleep a wink all night. 574 00:37:33,920 --> 00:37:34,840 My darling. 575 00:37:35,760 --> 00:37:36,600 ... 576 00:37:44,360 --> 00:37:45,800 - I know everything, mom. 577 00:37:51,080 --> 00:37:54,920 - Mathilde and I, we did this for your own good. 578 00:37:55,160 --> 00:37:56,560 For love. 579 00:37:57,400 --> 00:37:58,960 I... 580 00:37:59,320 --> 00:38:01,480 I... - I love you. 581 00:38:05,600 --> 00:38:07,240 You have been an incredible mother. 582 00:38:07,480 --> 00:38:09,600 - And you, the girl I dreamed of. 583 00:38:13,760 --> 00:38:15,920 - I just need some time. 584 00:38:16,160 --> 00:38:17,560 All right ? 585 00:38:18,880 --> 00:38:19,800 She nods. 586 00:38:23,760 --> 00:38:26,120 I'm going to get my things. 587 00:38:26,360 --> 00:38:29,720 Sad music 588 00:38:29,960 --> 00:38:43,240 ... 589 00:38:44,560 --> 00:38:47,400 Sobbing 590 00:38:47,640 --> 00:38:52,800 ... ... 591 00:38:53,040 --> 00:39:18,960 ... 592 00:39:19,160 --> 00:39:22,600 - Are you sure you don't want to say goodbye to them? 593 00:39:22,800 --> 00:39:37,240 ... 594 00:39:37,480 --> 00:39:41,160 - That's how we stopped the biggest psychopath in France. 595 00:39:41,400 --> 00:39:44,720 Finishing an illustrious career on such success, 596 00:39:44,960 --> 00:39:46,160 I'm not a little proud. 597 00:39:47,920 --> 00:39:49,880 - You did not hesitate to be accused. 598 00:39:50,120 --> 00:39:51,720 To make me believe that she was dead. 599 00:39:51,960 --> 00:39:54,560 - I didn't do it of cheerfulness of heart. 600 00:39:56,600 --> 00:40:00,120 Larsan's behavior started to look suspicious to me 601 00:40:00,360 --> 00:40:03,920 the day he took over as assistant an unknown journalist. 602 00:40:04,160 --> 00:40:06,360 - You're not from here, you need me. 603 00:40:07,760 --> 00:40:09,240 - It's okay. 604 00:40:09,480 --> 00:40:11,320 - So, when Mathilde Fabre 605 00:40:11,560 --> 00:40:13,840 declared to me that Larsan was Roussel 606 00:40:14,080 --> 00:40:18,000 and that Joséphine was their daughter, everything became clearer. 607 00:40:18,920 --> 00:40:21,040 - What does that mean? “it’s more Roussel”? 608 00:40:24,640 --> 00:40:26,400 - It's Inspector Larsan. 609 00:40:29,200 --> 00:40:32,680 - Mathilde Fabre had given meet in Roussel at the abbey. 610 00:40:32,920 --> 00:40:36,640 That's when she understood that Roussel was Larsan. 611 00:40:37,480 --> 00:40:40,080 Darzac had followed her to protect her, 612 00:40:40,320 --> 00:40:42,120 but he arrived too late. 613 00:40:42,360 --> 00:40:44,240 - What are you doing here? 614 00:40:46,760 --> 00:40:49,360 - The attachment that the inspector wore to Joséphine... 615 00:40:49,600 --> 00:40:51,280 - At your orders, inspector. 616 00:40:51,520 --> 00:40:53,640 - ...and the fake Darzac video 617 00:40:53,880 --> 00:40:55,760 the evening of the attack 618 00:40:56,600 --> 00:40:59,000 finally gave me a logical explanation. 619 00:40:59,200 --> 00:41:00,560 I took the risk 620 00:41:00,800 --> 00:41:04,040 to pass Mathilde for dead. 621 00:41:13,840 --> 00:41:15,480 - I'm sorry. 622 00:41:16,680 --> 00:41:19,360 - You are safe and sound, that's all that matters. 623 00:41:24,560 --> 00:41:25,560 - It's beautiful, 624 00:41:25,800 --> 00:41:26,680 romantic comedy, 625 00:41:26,880 --> 00:41:29,520 but that doesn't solve the mystery of the yellow room. 626 00:41:29,760 --> 00:41:33,080 How he vanished, Roussel? 627 00:41:33,320 --> 00:41:35,920 Where is Rouletabille? 628 00:41:36,160 --> 00:41:39,200 - She's gone, Jo. She left. 629 00:41:39,440 --> 00:41:41,160 - Without saying goodbye. 630 00:41:41,400 --> 00:41:44,080 I told you so. Paris, 631 00:41:44,320 --> 00:41:46,520 it changed her. - Anything. 632 00:41:46,760 --> 00:41:51,560 Best placed to tell the story is Mathilde. 633 00:41:51,800 --> 00:41:54,200 - You don't have to. - Yes, yes. 634 00:41:56,920 --> 00:41:59,040 I met Antoine in Los Angeles. 635 00:41:59,800 --> 00:42:02,880 It was before we knew that his real name, 636 00:42:03,120 --> 00:42:05,800 it was Victor Roussel. - He tried to kill me. 637 00:42:06,040 --> 00:42:09,600 We came to take refuge here. - I didn't feel safe. 638 00:42:09,840 --> 00:42:14,120 After being told that he was dead, I felt... 639 00:42:14,320 --> 00:42:15,280 a threat. 640 00:42:15,520 --> 00:42:17,560 I felt watched. 641 00:42:17,800 --> 00:42:20,160 Particularly when the video engagement leaked. 642 00:42:21,680 --> 00:42:24,720 I said to myself that it was the Fabre curse 643 00:42:24,960 --> 00:42:26,760 which drove me crazy. 644 00:42:27,760 --> 00:42:30,160 Until the day... 645 00:42:31,160 --> 00:42:32,920 He was there, 646 00:42:33,160 --> 00:42:34,680 in my room, 647 00:42:34,920 --> 00:42:36,040 behind me. 648 00:42:37,760 --> 00:42:39,800 I felt his hands around my neck. 649 00:42:41,640 --> 00:42:43,520 His hands were red. 650 00:42:43,720 --> 00:42:45,320 - You are mine. 651 00:42:46,360 --> 00:42:47,840 - I was paralyzed. 652 00:42:48,080 --> 00:42:50,480 He squeezed stronger and stronger and... 653 00:42:50,720 --> 00:42:51,960 Broken glass 654 00:42:52,840 --> 00:42:56,040 - Mathilde? - If you speak, I'll kill her. 655 00:42:56,840 --> 00:43:00,200 - Mathilde, is everything okay? 656 00:43:00,440 --> 00:43:01,440 I heard a... 657 00:43:01,680 --> 00:43:03,640 Oh my! - Isabelle, you have arrived. 658 00:43:03,880 --> 00:43:05,760 And he disappeared. 659 00:43:08,200 --> 00:43:09,640 - Why didn't you say anything? 660 00:43:09,880 --> 00:43:11,320 - But I... 661 00:43:13,920 --> 00:43:16,840 I was in such a state of astonishment... 662 00:43:17,840 --> 00:43:21,120 It was as if it hadn't existed. 663 00:43:22,360 --> 00:43:25,720 I returned to the party, as if nothing had happened. 664 00:43:25,960 --> 00:43:28,560 Until I see... 665 00:43:30,160 --> 00:43:31,560 - Jo! 666 00:43:31,800 --> 00:43:34,600 Exclamations - Have you come back? 667 00:43:37,320 --> 00:43:39,560 - Until you see Maya. 668 00:43:39,800 --> 00:43:42,120 - What does she have to do with it? in this story? 669 00:43:42,320 --> 00:43:44,880 - I told you, It’s the gentleman with the flowers. 670 00:43:45,120 --> 00:43:46,400 - We should have listened to you. 671 00:43:51,600 --> 00:43:52,800 She laughs. 672 00:43:53,680 --> 00:43:54,920 - Look, Mathilde. 673 00:43:56,800 --> 00:43:58,520 - Where did you find this? 674 00:43:58,760 --> 00:44:01,040 - It's the gentleman with the flowers who gave it to me. 675 00:44:01,280 --> 00:44:03,720 - Antoine offered me chrysanthemums. 676 00:44:03,920 --> 00:44:06,560 Where is he? - He left. 677 00:44:06,800 --> 00:44:10,360 - When I saw the flower in the hands of Maya, 678 00:44:10,600 --> 00:44:11,720 I panicked. 679 00:44:12,800 --> 00:44:14,440 It's only then 680 00:44:14,680 --> 00:44:19,520 that I understood that he was alive and that he was going to come back. 681 00:44:19,760 --> 00:44:22,840 - You passed to a state of hypervigilance. 682 00:44:23,080 --> 00:44:25,840 - I was terrified, I ran. 683 00:44:26,080 --> 00:44:29,520 - Victims speak of a confusion between the feeling 684 00:44:29,760 --> 00:44:31,240 and reality. 685 00:44:31,480 --> 00:44:33,440 - But I was... I don't know anymore. 686 00:44:33,680 --> 00:44:35,400 I was like an automaton. 687 00:44:35,640 --> 00:44:37,800 I came back up in the yellow room. 688 00:44:38,600 --> 00:44:40,160 - He was there. 689 00:44:40,400 --> 00:44:41,720 He had come back to attack you. 690 00:44:41,960 --> 00:44:45,480 - No. In fact, he didn't come back. 691 00:44:45,720 --> 00:44:48,120 Heavy breathing Intriguing music 692 00:44:48,320 --> 00:45:12,000 ... ... 693 00:45:12,240 --> 00:45:29,280 ... 694 00:45:29,520 --> 00:45:30,480 Howl 695 00:45:30,720 --> 00:45:33,840 ... 696 00:45:34,080 --> 00:45:35,680 No! 697 00:45:37,680 --> 00:45:39,440 - Mathilde! Knocks on the door 698 00:45:39,680 --> 00:45:40,880 Open up for me. 699 00:45:43,080 --> 00:45:44,160 Who is there? 700 00:45:45,240 --> 00:45:47,120 Mathilde! ... 701 00:45:48,280 --> 00:45:49,200 Open! - Leave me! 702 00:45:49,440 --> 00:45:51,600 Leave me! 703 00:45:53,880 --> 00:45:55,160 She screams. 704 00:45:55,400 --> 00:45:58,520 ... 705 00:45:58,720 --> 00:45:59,960 Smash 706 00:46:00,200 --> 00:46:08,800 ... 707 00:46:11,640 --> 00:46:14,520 - Are you okay? - Yes, now it's okay. 708 00:46:15,760 --> 00:46:16,800 - And the big village 709 00:46:17,040 --> 00:46:19,920 of L'Artuby comes out stronger of this ordeal. 710 00:46:20,440 --> 00:46:22,440 - Madam Judge? - THANKS. 711 00:46:22,680 --> 00:46:24,960 - You didn't say that we were crazy people? 712 00:46:25,960 --> 00:46:27,280 - No. - Yes. 713 00:46:27,520 --> 00:46:29,360 I am a witness to it. 714 00:46:29,600 --> 00:46:30,720 We can't blame him. 715 00:46:30,960 --> 00:46:33,400 We are a village of enlightened people. 716 00:46:36,200 --> 00:46:37,800 I wouldn't change it for anything. 717 00:46:41,240 --> 00:46:42,640 Door beep 718 00:46:42,840 --> 00:46:45,040 Radio call 719 00:46:48,040 --> 00:46:49,680 ... 720 00:46:49,880 --> 00:46:52,160 Door beep 721 00:46:53,280 --> 00:46:55,720 He hums. 722 00:46:55,920 --> 00:47:02,360 ... 723 00:47:02,560 --> 00:47:06,240 - Stop! Stop, I said! 724 00:47:07,360 --> 00:47:10,920 ... 725 00:47:11,680 --> 00:47:14,080 Soft music 726 00:47:14,280 --> 00:47:35,760 ... 727 00:47:36,000 --> 00:47:40,080 - I said things under the influence of emotion. 728 00:47:42,400 --> 00:47:46,480 It actually changes that you have always been there for me. 729 00:47:48,240 --> 00:47:50,520 Especially in moments the most difficult. 730 00:47:52,960 --> 00:47:54,800 I'm stubborn. 731 00:47:55,960 --> 00:47:57,160 I want to forgive you. 732 00:47:57,400 --> 00:48:00,200 Peaceful music 733 00:48:00,400 --> 00:48:03,960 ... 734 00:48:04,160 --> 00:48:05,240 Here. 735 00:48:05,440 --> 00:48:18,080 ... 736 00:48:18,280 --> 00:48:19,720 Come on. 737 00:48:19,960 --> 00:48:28,600 ... 738 00:48:28,840 --> 00:48:30,200 I love you. 739 00:48:30,400 --> 00:48:46,720 ... 740 00:48:46,960 --> 00:48:49,120 When we experience trauma, 741 00:48:49,320 --> 00:48:51,960 there are three kinds possible reactions. 742 00:48:52,160 --> 00:48:53,560 First, the attack, 743 00:48:53,800 --> 00:48:56,600 where the victim tries to combat danger. 744 00:48:56,840 --> 00:48:59,240 Either physically or verbally. 745 00:49:01,240 --> 00:49:02,760 Then there is the escape, 746 00:49:03,800 --> 00:49:08,160 where the victim tries to escape as far away from danger as possible. 747 00:49:09,960 --> 00:49:13,120 In these moments, its survival depends on allies 748 00:49:14,360 --> 00:49:16,040 or threats that she will meet. 749 00:49:18,960 --> 00:49:22,000 - I don't know what to do anymore. I'm afraid to go home. 750 00:49:22,200 --> 00:49:25,600 - Don't worry. He won't do anything to you anymore. 751 00:49:25,840 --> 00:49:28,520 Quiet music 752 00:49:28,760 --> 00:49:36,560 ... 753 00:49:36,800 --> 00:49:40,000 - And finally, there is astonishment. 754 00:49:40,240 --> 00:49:43,200 Like Mathilde Fabre, in the evening of the yellow room. 755 00:49:45,880 --> 00:49:47,720 When attacking or fleeing, 756 00:49:47,960 --> 00:49:50,720 it's easier to recover from the trauma, 757 00:49:50,920 --> 00:49:53,440 because at least we acted. 758 00:49:53,680 --> 00:49:54,720 - Hold. - THANKS. 759 00:49:55,640 --> 00:49:57,640 - While with astonishment, 760 00:49:57,880 --> 00:50:02,080 in addition to the trauma Added to this is guilt. 761 00:50:02,280 --> 00:50:03,640 That of having let it happen. 762 00:50:05,880 --> 00:50:08,240 She sings "On My Way". 763 00:50:09,160 --> 00:50:16,720 ... 764 00:50:16,920 --> 00:50:18,320 Laughter 765 00:50:18,560 --> 00:50:20,200 ... 766 00:50:20,440 --> 00:50:23,040 Disturbing music 767 00:50:23,240 --> 00:50:28,720 ... 768 00:50:28,960 --> 00:50:31,240 Until the day when everything comes back, 769 00:50:31,440 --> 00:50:33,800 like the evening of the mystery of the yellow room. 770 00:50:34,040 --> 00:50:37,360 ... 771 00:50:37,600 --> 00:50:40,320 So we can begin the reconstruction work. 772 00:50:41,960 --> 00:50:43,000 - It was great. 773 00:50:43,240 --> 00:50:44,480 - Oh yes ? - Yeah ! 774 00:50:46,040 --> 00:50:47,400 It was great. 775 00:50:48,480 --> 00:50:51,040 It was clear, just, 776 00:50:51,280 --> 00:50:52,560 sincere. 777 00:50:54,200 --> 00:50:55,240 Like you. 778 00:50:55,480 --> 00:50:58,520 Romantic music 779 00:50:58,760 --> 00:51:13,800 ... 780 00:51:14,000 --> 00:51:17,440 Calm music 781 00:51:17,680 --> 00:51:39,760 ... 782 00:51:40,000 --> 00:51:42,240 Subtitles: TransPerfect Media France