1 00:00:00,040 --> 00:00:07,880 {\an1}... 2 00:00:08,040 --> 00:00:09,240 Flash explosion 3 00:00:09,400 --> 00:00:11,280 - The husband is dead. - Knocked out, strangled. 4 00:00:11,440 --> 00:00:13,680 - The woman, gagged and tied up. 5 00:00:13,840 --> 00:00:14,960 Her mother, 6 00:00:15,120 --> 00:00:17,360 strangled, in their robbed hotel. 7 00:00:17,520 --> 00:00:19,240 - A beautiful crime! Double homicide 8 00:00:19,400 --> 00:00:20,360 {\an1}at Pompe Funèbre! 9 00:00:20,520 --> 00:00:21,720 - I present to you 10 00:00:21,880 --> 00:00:23,280 Commissioner Cochefert, 11 00:00:23,440 --> 00:00:24,720 who is leading the investigation. 12 00:00:24,880 --> 00:00:26,000 - My condolences. 13 00:00:26,160 --> 00:00:27,920 {\an1}- Are you? - Inspector Jouin. 14 00:00:28,080 --> 00:00:29,080 - The Pantheon, p. 2. 15 00:00:29,240 --> 00:00:30,520 {\an1}Crime, p. 1, 16 00:00:30,680 --> 00:00:31,760 on three columns. 17 00:00:31,920 --> 00:00:32,880 - Zola at the Pantheon, 18 00:00:33,040 --> 00:00:34,040 {\an1}it's historic. 19 00:00:34,200 --> 00:00:35,680 - Zola has no breasts. 20 00:00:35,840 --> 00:00:37,400 {\an1}Mrs. Steinheil has some beautiful ones, 21 00:00:37,560 --> 00:00:38,480 apparently. 22 00:00:38,640 --> 00:00:40,520 - “Spit, bitch. Where are the jewels?” 23 00:00:40,680 --> 00:00:42,000 They had black blouses, 24 00:00:42,160 --> 00:00:43,160 like the Jews. 25 00:00:43,320 --> 00:00:44,520 {\an3}- Disguised as rabbis? 26 00:00:44,680 --> 00:00:45,720 - A red-haired woman. 27 00:00:47,000 --> 00:00:47,800 - What did you do? 28 00:00:47,960 --> 00:00:50,640 - It's her. With an accomplice. Maybe two. 29 00:00:51,480 --> 00:00:52,800 - Seeing the corpses, 30 00:00:52,960 --> 00:00:53,880 {\an3}are you thinking of me? 31 00:00:54,040 --> 00:00:55,440 - You know Pompe Funèbre. 32 00:00:55,600 --> 00:00:57,280 - You won't stop him? 33 00:00:57,440 --> 00:00:58,600 - What if she is innocent? 34 00:00:58,760 --> 00:00:59,920 Laugh 35 00:01:00,080 --> 00:01:01,080 - I need someone to blame. 36 00:01:01,240 --> 00:01:02,440 Thunder 37 00:01:02,600 --> 00:01:04,080 I need someone to blame. 38 00:01:06,960 --> 00:01:08,960 - “Night of terror, of crime and mystery!” 39 00:01:09,120 --> 00:01:10,560 - Ask for “Le Matin”! 40 00:01:10,720 --> 00:01:12,720 Newsboys shout. 41 00:01:12,880 --> 00:01:18,760 ... 42 00:01:18,920 --> 00:01:21,000 - “The widow: survivor or accomplice? 43 00:01:21,160 --> 00:01:23,040 “Night of terror, of crime and mystery. 44 00:01:23,200 --> 00:01:25,720 "The widow: survivor or accomplice? 45 00:01:25,880 --> 00:01:29,320 “Night of terror, of crime and mystery." 46 00:01:40,480 --> 00:01:41,720 {\an1}(- Antoine.) 47 00:01:48,280 --> 00:01:50,160 {\an1}(I need to change.) 48 00:01:51,760 --> 00:01:53,400 {\an1}You will close behind you. 49 00:01:58,520 --> 00:01:59,920 {\an3}- Weidmann will come? 50 00:02:00,080 --> 00:02:01,920 - Master Weidmann is at the Pantheon. 51 00:02:03,160 --> 00:02:05,760 And I have an appointment. A customer. 52 00:02:07,320 --> 00:02:08,760 Marguerite Steinheil. 53 00:02:12,240 --> 00:02:14,200 It seems that she is looking for a lawyer. 54 00:02:17,480 --> 00:02:20,240 - Did she call you? When ? 55 00:02:20,400 --> 00:02:21,520 - Last night. 56 00:02:21,680 --> 00:02:24,400 - And you don't tell me! - Should I have? 57 00:02:25,000 --> 00:02:27,360 - I'm on the Steinheil case. - I know. 58 00:02:27,520 --> 00:02:30,240 I imagine you are in no hurry to resolve it. 59 00:02:30,400 --> 00:02:34,040 You shouldn't arrest your friend Fiersi or embarrass the prefect. 60 00:02:34,200 --> 00:02:36,720 {\an1}- Jeanne, I'm serious. You can't represent 61 00:02:36,880 --> 00:02:38,280 {\an1}this... - This what? 62 00:02:39,080 --> 00:02:40,560 {\an1}Do we suspect her? 63 00:02:41,200 --> 00:02:43,600 {\an1}You have concrete clues, inspector? 64 00:02:43,760 --> 00:02:46,440 {\an1}- What I told you is private. - You talk too much. 65 00:02:47,160 --> 00:02:49,800 Especially in bed. But rest assured... 66 00:02:51,360 --> 00:02:53,880 it's very... common in men. 67 00:02:54,760 --> 00:02:55,760 - Joan! 68 00:02:55,920 --> 00:02:56,920 Please ! 69 00:03:00,200 --> 00:03:02,760 {\an3}- You plan to follow me like that in the street? 70 00:03:04,960 --> 00:03:06,440 - Joan! - Go see your wife. 71 00:03:07,000 --> 00:03:08,160 She will console you. 72 00:03:10,160 --> 00:03:12,840 Serious music 73 00:03:13,000 --> 00:03:18,840 {\an1}... 74 00:03:21,480 --> 00:03:25,960 Serious music 75 00:03:29,840 --> 00:03:31,200 - “The friends of Emile Zola, 76 00:03:32,560 --> 00:03:35,640 "who had watched over his body before his funeral, 77 00:03:35,800 --> 00:03:37,680 "kept keeping watch again, alone, 78 00:03:38,280 --> 00:03:42,120 "around the catafalque where, yesterday, the coffin was placed. 79 00:03:42,840 --> 00:03:45,280 "And in the august silence of the night, 80 00:03:45,440 --> 00:03:46,840 "they remained assembled. 81 00:03:47,880 --> 00:03:50,680 "Then dawn came and the sun rose. 82 00:03:51,520 --> 00:03:56,160 "So it was a dazzling throughout the Pantheon 83 00:03:56,800 --> 00:03:59,320 "and pious friends said to each other, 84 00:03:59,480 --> 00:04:01,240 "almost joyfully: 85 00:04:02,160 --> 00:04:03,960 “The night is over. 86 00:04:05,240 --> 00:04:07,760 "'It's the eternal day which begins. '" 87 00:04:11,800 --> 00:04:12,800 It's distressing. 88 00:04:14,000 --> 00:04:15,000 {\an3}- A little poetry, 89 00:04:15,160 --> 00:04:17,760 it doesn't hurt, when we have nothing to say. 90 00:04:18,520 --> 00:04:19,920 - Poor Zola. 91 00:04:21,160 --> 00:04:23,640 Even after his death, you have to dig it up 92 00:04:23,800 --> 00:04:27,040 to inflict a speech on him of the Minister of Education. 93 00:04:30,080 --> 00:04:31,720 The endless sentences, 94 00:04:33,200 --> 00:04:36,000 mediocrity, self-contentment. 95 00:04:37,400 --> 00:04:39,920 {\an1}- The dead have no ears. - Fortunately. 96 00:04:45,040 --> 00:04:46,960 {\an3}- Basically, Zola is doing us a favor. 97 00:04:47,680 --> 00:04:50,960 {\an3}From Funeral Home to “L’Assommoir”, It’s a busy week. 98 00:04:52,600 --> 00:04:54,000 {\an1}- You are right. 99 00:04:55,120 --> 00:04:56,760 {\an1}Let us be grateful. 100 00:04:57,640 --> 00:04:59,800 {\an1}Let's go say hello to the author. 101 00:04:59,960 --> 00:05:00,960 - “At 11 a.m., 102 00:05:02,480 --> 00:05:05,880 "bells announce the arrival of the President, of the president 103 00:05:06,040 --> 00:05:07,640 "of the Council and Ministers." 104 00:05:07,800 --> 00:05:09,280 Bell 105 00:05:09,440 --> 00:05:11,680 “They are received by Prefect Lépine..." 106 00:05:11,840 --> 00:05:14,040 {\an1}- Master Weidmann. - Mr. Prefect. 107 00:05:14,200 --> 00:05:17,080 - "... who did not skimp on security measures." 108 00:05:21,640 --> 00:05:24,800 "Since yesterday, more than 300 demonstrators were arrested. 109 00:05:24,960 --> 00:05:28,200 “All protest against the controversial presence 110 00:05:29,240 --> 00:05:32,200 "by Commander Alfred Dreyfus at the ceremony. 111 00:05:32,840 --> 00:05:34,040 "The Republican Guard 112 00:05:34,200 --> 00:05:37,160 "and plainclothes inspectors monitor guests, 113 00:05:37,320 --> 00:05:39,120 “yet handpicked.” 114 00:05:43,760 --> 00:05:46,720 {\an1}- Please. - I have my press card. 115 00:05:46,880 --> 00:05:49,040 I am here to do my duty. 116 00:05:52,040 --> 00:05:53,360 - I insist on the police 117 00:05:53,520 --> 00:05:55,560 to raise a little the tension. 118 00:05:56,760 --> 00:05:57,920 - That's good. 119 00:05:58,800 --> 00:06:00,800 {\an1}At 9 a.m., you write what happens at 11. 120 00:06:01,880 --> 00:06:04,640 - With the ceremonies, everything is settled in advance. 121 00:06:06,320 --> 00:06:08,840 {\an1}- So go check there. Go. 122 00:06:17,680 --> 00:06:18,680 Cut 123 00:06:18,840 --> 00:06:21,880 {\an1}"controversial" and send this rubbish composition. 124 00:06:22,840 --> 00:06:24,880 And bring me Hutin, as soon as he comes home. 125 00:06:28,240 --> 00:06:32,360 Serious music 126 00:06:32,520 --> 00:06:36,040 {\an1}... 127 00:06:36,200 --> 00:06:38,200 Street hubbub 128 00:06:38,360 --> 00:06:53,120 {\an1}... ... 129 00:06:53,280 --> 00:06:55,840 {\an1}- Inspector. - No time. Cochefert is waiting for me. 130 00:06:56,000 --> 00:06:58,480 - Judge Leydet would be a close friend of Pompe Funèbre. 131 00:06:58,640 --> 00:07:00,360 It's a problem, if she is suspected. 132 00:07:00,520 --> 00:07:03,080 {\an1}- It's a burglary. - Oh yes ! 133 00:07:03,240 --> 00:07:06,080 {\an1}Three rabbis and a redhead? - Ask Cochefert. 134 00:07:08,000 --> 00:07:09,560 {\an1}- Elegance and Tradition. 135 00:07:10,560 --> 00:07:13,000 {\an1}The day after the crime, three inspectors 136 00:07:13,160 --> 00:07:15,880 {\an1}go to a store hats for ladies. 137 00:07:16,440 --> 00:07:18,600 {\an1}The store is owned of a certain... 138 00:07:18,760 --> 00:07:20,040 {\an1}Joseph Fiersi. 139 00:07:20,200 --> 00:07:22,920 {\an1}Former police officer dismissed for brutality. 140 00:07:23,080 --> 00:07:26,480 {\an1}He would have served as a big arm at Funeral Home. Comments? 141 00:07:27,000 --> 00:07:29,640 {\an3}- You leave Fiersi alone. He has an alibi. 142 00:07:29,800 --> 00:07:31,960 {\an1}- So you confirm that we suspected him. 143 00:07:34,960 --> 00:07:37,520 {\an1}Jouin, I'm doing my job, like you. 144 00:07:37,680 --> 00:07:40,400 {\an1}You can't answer me. I can ask someone else. 145 00:07:42,680 --> 00:07:44,000 {\an3}- Fiersi is a snitch. 146 00:07:44,960 --> 00:07:47,560 {\an1}- Mmh! Does he have a nickname? 147 00:07:47,720 --> 00:07:48,960 {\an1}- Nightingale. - Pretty. 148 00:07:49,120 --> 00:07:51,520 {\an3}- If you mention his name, you obstruct justice. 149 00:07:51,680 --> 00:07:53,920 {\an3}And there, no more little tips. 150 00:07:54,080 --> 00:07:55,560 {\an3}You will have difficulty writing, 151 00:07:55,720 --> 00:07:59,280 {\an1}if you are a tricard from the prefecture. (- Give me something.) 152 00:08:02,240 --> 00:08:04,080 {\an3}- Mrs. Steinheil has nothing to do with it. 153 00:08:04,240 --> 00:08:07,080 {\an3}Her husband was on the cover. 154 00:08:07,240 --> 00:08:09,480 {\an3}Lots of his models are registered with the Morals. 155 00:08:09,640 --> 00:08:11,560 {\an3}One was able to go on a date real bandits. 156 00:08:11,720 --> 00:08:14,680 {\an1}- Stop. You're trying to smoke me out. - I swear no. 157 00:08:14,840 --> 00:08:17,040 {\an3}You leave Fiersi alone. You leave me alone. 158 00:08:17,200 --> 00:08:19,080 There, yes, you will be the first to know. 159 00:08:20,080 --> 00:08:21,920 {\an1}- I need something concrete, Jouin. 160 00:08:22,080 --> 00:08:25,440 {\an1}My editor is very hard for Funeral Home. 161 00:08:26,120 --> 00:08:27,280 {\an1}And it's not the only one. 162 00:08:29,520 --> 00:08:31,440 {\an3}- The autopsy report Are you interested? 163 00:08:33,280 --> 00:08:34,680 {\an1}- Mmh. 164 00:08:34,840 --> 00:08:38,840 Hubbub 165 00:08:39,000 --> 00:08:40,000 - No. 166 00:08:40,160 --> 00:08:41,880 I wasn't posing for Steinheil. 167 00:08:42,040 --> 00:08:43,800 He took portraits and landscapes. 168 00:08:45,120 --> 00:08:47,080 I only pose for one role. 169 00:08:48,480 --> 00:08:49,480 - Which ? 170 00:08:49,640 --> 00:08:56,040 ... 171 00:08:58,600 --> 00:08:59,600 Ah! 172 00:08:59,760 --> 00:09:04,760 Serious music 173 00:09:04,920 --> 00:09:06,320 - Is Cochefert there? 174 00:09:06,480 --> 00:09:07,480 {\an1}- At Bertillon’s. 175 00:09:07,640 --> 00:09:10,000 - We have the autopsy report from Steinheil? 176 00:09:10,160 --> 00:09:11,760 {\an1}- On my desk. Following ! 177 00:09:11,920 --> 00:09:22,040 {\an1}... ... 178 00:09:26,880 --> 00:09:28,440 {\an3}- A charge of revenge. 179 00:09:32,560 --> 00:09:35,120 - Are you a model? - Oh no. Controller. 180 00:09:35,280 --> 00:09:36,360 Metropolitan. 181 00:09:36,520 --> 00:09:39,520 The Villiers-Gambetta line. Always the same wagon. 182 00:09:40,600 --> 00:09:42,800 - And ? - Last night, under a bench, 183 00:09:42,960 --> 00:09:46,720 I found a box, Bristol type. Rather chic. 184 00:09:48,120 --> 00:09:49,120 So. 185 00:09:50,320 --> 00:09:51,600 So obviously, me, 186 00:09:51,760 --> 00:09:54,320 I recognized the name. And right next to it... 187 00:09:55,400 --> 00:09:56,520 I found this. 188 00:10:00,800 --> 00:10:02,800 Suspense music 189 00:10:02,960 --> 00:10:19,080 {\an1}... 190 00:10:19,240 --> 00:10:20,400 - Good! 191 00:10:20,560 --> 00:10:23,720 {\an1}The Ronsin Impasse, the prints, we forget. 192 00:10:23,880 --> 00:10:24,880 {\an1}Too many people. 193 00:10:27,240 --> 00:10:29,520 {\an1}Wadded, on the other hand, interests me. 194 00:10:29,680 --> 00:10:30,680 {\an1}See the buffer 195 00:10:30,840 --> 00:10:33,040 {\an1}which was used to suffocate Ms. Japy. 196 00:10:33,600 --> 00:10:35,880 {\an1}Heavy, soggy, runny. 197 00:10:37,800 --> 00:10:40,520 But the cotton wool that would have gagged Ms. Steinheil... 198 00:10:41,680 --> 00:10:42,960 {\an1}Dry! 199 00:10:45,800 --> 00:10:49,000 {\an1}- She wasn't gagged? - Not with this stamp. 200 00:10:51,200 --> 00:10:53,920 Between us, it's her. Funeral Home. That's for sure. 201 00:10:55,080 --> 00:10:56,560 {\an1}These stories of the Levites, 202 00:10:56,720 --> 00:10:57,920 This is rubbish! 203 00:11:05,720 --> 00:11:06,760 - Fiersi has an alibi. 204 00:11:06,920 --> 00:11:08,680 {\an1}I checked. - What else? 205 00:11:08,840 --> 00:11:11,000 - The judge is used to deadlock. 206 00:11:11,160 --> 00:11:12,560 - Like a lot of people. 207 00:11:16,280 --> 00:11:17,960 {\an3}- Pompe Funèbre is a snitch. 208 00:11:19,120 --> 00:11:20,840 She is meeting Prefect Lépine. 209 00:11:24,120 --> 00:11:25,120 {\an1}- This matter... 210 00:11:26,120 --> 00:11:27,720 piss me off! 211 00:11:28,880 --> 00:11:32,120 {\an1}Corpses attract flies. There, it’s a feast! 212 00:11:32,920 --> 00:11:35,000 {\an1}The public wants more. 213 00:11:35,160 --> 00:11:36,720 {\an1}30 men are on this crime, 214 00:11:36,880 --> 00:11:38,800 to question the entire neighborhood, 215 00:11:38,960 --> 00:11:40,760 looking for men in black, 216 00:11:40,920 --> 00:11:41,920 {\an1}including Jews. 217 00:11:42,080 --> 00:11:46,120 {\an1}18 redheads denounced since yesterday, and all to be questioned, 218 00:11:46,280 --> 00:11:48,480 {\an1}not including models from Steinheil, 219 00:11:48,640 --> 00:11:50,440 {\an1}all registered with the Morals. 220 00:11:52,040 --> 00:11:53,520 There is an echo. 221 00:11:53,680 --> 00:11:56,000 - "Mr. President of the Republic, 222 00:11:57,080 --> 00:11:58,560 {\an1}"ladies and gentlemen, 223 00:12:00,200 --> 00:12:02,960 {\an1}"by granting to the ashes of Emile Zola 224 00:12:03,120 --> 00:12:05,040 {\an1}"the honors of the Pantheon, 225 00:12:05,920 --> 00:12:08,480 {\an1}"it's in memory of a great citizen 226 00:12:08,640 --> 00:12:11,040 {\an1}"that Parliament wanted to pay tribute. 227 00:12:12,240 --> 00:12:16,400 "This tribute is neither premature nor excessive. 228 00:12:17,480 --> 00:12:21,720 "No doubt, they date from yesterday, the events during which 229 00:12:21,880 --> 00:12:25,480 “Zola deserved the recognition of the nation. 230 00:12:25,640 --> 00:12:29,720 "No doubt this one is still quivering 231 00:12:29,880 --> 00:12:32,600 "passions whose events agitated her. 232 00:12:34,280 --> 00:12:36,720 {\an1}"But should we that national recognition 233 00:12:36,880 --> 00:12:38,000 "be late 234 00:12:38,160 --> 00:12:40,360 “so that we believe it to be justified?” Sigh 235 00:12:41,280 --> 00:12:42,280 {\an1}- I know. 236 00:12:43,480 --> 00:12:46,440 - Yes, Mr. Guibert, costume designer, boulevard Saint-Martin? 237 00:12:46,600 --> 00:12:49,200 Inspector Chandrot, of the police headquarters. 238 00:12:49,360 --> 00:12:51,120 *- Is this about my complaint? 239 00:12:52,520 --> 00:12:53,920 - Sorry? 240 00:12:54,360 --> 00:12:55,600 - Three rabbis. 241 00:12:56,920 --> 00:12:58,400 A redhead. 242 00:12:59,720 --> 00:13:00,840 What if it was true? 243 00:13:02,400 --> 00:13:03,400 A burglary, 244 00:13:04,080 --> 00:13:06,840 an organized gang, fan of disguise. 245 00:13:07,520 --> 00:13:10,160 - It's not very credible. - Exactly. 246 00:13:12,000 --> 00:13:15,720 Why make up a lie 247 00:13:15,880 --> 00:13:17,880 so stupid? 248 00:13:18,040 --> 00:13:19,680 {\an1}We knock. Yes ! 249 00:13:20,840 --> 00:13:23,440 - Sir, I may have a lead. 250 00:13:27,240 --> 00:13:30,960 This Mr. Guibert claims that he was stole costumes on May 30. 251 00:13:31,120 --> 00:13:33,520 He had rented them at the Hebrew Theater, 252 00:13:33,680 --> 00:13:35,000 rue Saint-Denis. 253 00:13:35,160 --> 00:13:37,560 He says that the Jews did not return them to him. 254 00:13:38,440 --> 00:13:41,120 {\an1}- Theater costumes? - Black dresses. 255 00:13:41,280 --> 00:13:43,800 {\an3}Three. He said “Levites.” 256 00:13:46,800 --> 00:13:47,800 - Mmh... 257 00:13:51,280 --> 00:13:52,720 Echo - “Emile Zola 258 00:13:53,880 --> 00:13:55,400 "did not have the joy of seeing 259 00:13:55,560 --> 00:13:59,640 "the hope to which no one disappointment could not do it 260 00:13:59,800 --> 00:14:02,760 “to give up, to become a reality.” Lépine snores. 261 00:14:03,360 --> 00:14:04,360 "But he had 262 00:14:04,520 --> 00:14:06,080 "however glimpsed 263 00:14:06,240 --> 00:14:09,560 "the first light of the triumphant dawn, 264 00:14:09,720 --> 00:14:10,720 "before the stop 265 00:14:10,880 --> 00:14:13,000 "of definitive justice 266 00:14:13,160 --> 00:14:16,000 "to whom they bowed all good French people. 267 00:14:17,040 --> 00:14:19,840 "A sudden death came to take it away, 268 00:14:20,800 --> 00:14:22,520 "which touched at the same time 269 00:14:22,680 --> 00:14:25,800 "the companion with the lofty soul, courageous 270 00:14:25,960 --> 00:14:27,720 {\an1}"and discreet, 271 00:14:27,880 --> 00:14:30,760 {\an1}"on whom he had relied with confidence 272 00:14:30,920 --> 00:14:32,280 {\an3}"all his life, 273 00:14:32,440 --> 00:14:35,920 {\an3}"who had been his best support during days of trial, 274 00:14:36,480 --> 00:14:39,160 "whose dignity and the noble pain 275 00:14:39,840 --> 00:14:43,440 "had imposed respect to the violent and silences..." 276 00:14:43,600 --> 00:14:46,080 {\an3}- This sentence began a quarter of an hour ago. 277 00:14:46,240 --> 00:14:49,000 - "... his pious affection beyond the tomb, 278 00:14:49,160 --> 00:14:53,000 "in a touching worship which honors the memory of the dead, 279 00:14:53,160 --> 00:14:57,000 "equal to honor that the grateful nation 280 00:14:57,440 --> 00:14:59,880 “wanted to give it back today.” 281 00:15:14,440 --> 00:15:19,000 - VICTORY BY SINGING 282 00:15:19,480 --> 00:15:23,920 WE OPEN THE BARRIER 283 00:15:24,080 --> 00:15:28,120 FREEDOM GUIDES OUR STEPS 284 00:15:28,680 --> 00:15:32,880 AND FROM NORTH TO SOUTH 285 00:15:33,040 --> 00:15:37,480 THE WARRIOR TRUMPET 286 00:15:37,640 --> 00:15:42,240 IT’S TIME TO FIGHT 287 00:15:42,400 --> 00:15:46,640 TREMBER, ENEMIES OF FRANCE 288 00:15:46,800 --> 00:15:50,880 KINGS DRUNK WITH BLOOD AND PRIDE 289 00:15:51,440 --> 00:15:55,360 THE SOVEREIGN PEOPLE ADVANCE 290 00:15:55,520 --> 00:16:00,200 TYRANS, GO DOWN TO THE COFFIN 291 00:16:00,800 --> 00:16:05,920 THE REPUBLIC CALLS US 292 00:16:06,080 --> 00:16:10,640 LET’S KNOW OVERCOME OR LET’S KNOW PERY 293 00:16:10,800 --> 00:16:12,200 A FRENCH 294 00:16:12,360 --> 00:16:14,560 MUST LIVE FOR HER 295 00:16:15,880 --> 00:16:18,360 FOR HER A FRENCH 296 00:16:18,520 --> 00:16:19,960 MUST DIE 297 00:16:20,120 --> 00:16:21,760 - He has a gun. 298 00:16:21,920 --> 00:16:24,480 He has a gun! Attention ! He has a gun! 299 00:16:25,560 --> 00:16:26,840 -Dreyfus! 300 00:16:27,600 --> 00:16:29,040 Gunshot and screams 301 00:16:29,200 --> 00:16:30,840 Cris 302 00:16:31,000 --> 00:16:32,640 Gunshot and screams 303 00:16:32,800 --> 00:16:35,080 Hubbub 304 00:16:35,240 --> 00:16:37,520 {\an3}- Hey! Guys! Guys! 305 00:16:38,160 --> 00:16:40,960 Dreyfus was shot! In the middle of the ceremony! 306 00:16:41,120 --> 00:16:42,600 {\an3}Two bullets in the skin. 307 00:16:46,840 --> 00:16:47,880 Laugh 308 00:16:48,040 --> 00:16:52,600 Laughter and cries of joy 309 00:16:52,760 --> 00:16:57,640 ... 310 00:16:58,640 --> 00:16:59,680 - Is he dead? 311 00:16:59,840 --> 00:17:00,840 Hubbub 312 00:17:01,000 --> 00:17:02,840 Is Dreyfus dead? 313 00:17:03,000 --> 00:17:05,840 {\an1}- If he is dead, we explode sales. 314 00:17:06,000 --> 00:17:08,520 {\an1}My God, let him be dead! - Good ! 315 00:17:08,680 --> 00:17:11,640 So, who do we have there? - Goulet, 316 00:17:11,800 --> 00:17:13,440 with a photographer. - Only one? 317 00:17:13,600 --> 00:17:14,840 Serious music 318 00:17:15,000 --> 00:17:16,840 {\an1}... Hubbub 319 00:17:17,000 --> 00:17:19,160 A phone rings. 320 00:17:22,360 --> 00:17:23,360 {\an1}- I have Goulet 321 00:17:23,520 --> 00:17:24,560 online. 322 00:17:24,720 --> 00:17:25,720 Hubbub 323 00:17:25,880 --> 00:17:33,160 {\an1}... ... 324 00:17:33,560 --> 00:17:34,680 {\an3}- Dreyfus is alive. 325 00:17:35,160 --> 00:17:36,440 {\an1}- And shit! 326 00:17:36,600 --> 00:17:41,960 {\an1}... ... 327 00:17:44,280 --> 00:17:48,320 {\an3}- Who cares. Who is the shooter? Have we identified the shooter? 328 00:17:48,480 --> 00:17:50,480 - Louis Gregori. Age: 60 years old. 329 00:17:50,640 --> 00:17:54,280 Military columnist for “Armed France” and “The Gaul”. 330 00:17:54,440 --> 00:17:56,560 They took him to the prefecture. 331 00:17:56,720 --> 00:18:01,360 Screams from the crowd 332 00:18:01,520 --> 00:18:02,840 {\an1}- Move around! 333 00:18:03,000 --> 00:18:05,280 {\an1}- Let it pass! - Move around! 334 00:18:05,440 --> 00:18:08,360 - Listen to me! Listen to me! I am not 335 00:18:08,520 --> 00:18:09,520 a murderer! 336 00:18:09,680 --> 00:18:11,680 {\an1}I am a patriot! - Let it pass! 337 00:18:11,840 --> 00:18:13,520 - I acted alone! 338 00:18:13,680 --> 00:18:16,880 I didn't want to kill Dreyfus, but Dreyfusism! 339 00:18:17,040 --> 00:18:19,520 It wasn't... an attack, 340 00:18:19,680 --> 00:18:21,840 but a demonstration! I'm not afraid! 341 00:18:22,000 --> 00:18:23,920 ... No ! I'm not afraid! 342 00:18:24,080 --> 00:18:26,400 I know well that no French jury 343 00:18:26,560 --> 00:18:27,720 will not condemn me! 344 00:18:27,880 --> 00:18:30,280 - He had his press card, yes, but... 345 00:18:30,440 --> 00:18:32,640 I immediately since he was shady. 346 00:18:33,320 --> 00:18:37,320 In the police, we are developing a flair for this sort of thing. 347 00:18:38,320 --> 00:18:39,480 You know, 348 00:18:40,080 --> 00:18:41,840 I didn't think about the danger. 349 00:18:42,560 --> 00:18:44,160 I only did my duty. 350 00:18:45,040 --> 00:18:46,680 Inspector Quemener. 351 00:18:47,280 --> 00:18:50,600 Q, u, e, m, e, n, e, r. 352 00:18:51,400 --> 00:18:54,400 N, e, r. 353 00:18:56,840 --> 00:19:00,920 {\an1}- We can predict everything, except a deranged one, a loner. 354 00:19:01,080 --> 00:19:03,840 {\an1}He didn't do too much damage: Dreyfus is alive 355 00:19:04,000 --> 00:19:06,360 and the ceremony went as planned. 356 00:19:08,000 --> 00:19:10,760 A hundred arrests, at most. 357 00:19:10,920 --> 00:19:12,240 Paris is quiet. 358 00:19:14,280 --> 00:19:15,640 Naturally. 359 00:19:15,800 --> 00:19:17,720 Good day, Mr. Minister. 360 00:19:23,800 --> 00:19:24,800 {\an1}Yes? 361 00:19:25,480 --> 00:19:28,880 {\an3}- Commissioner Cochefert and Judge Leydet is here, sir. 362 00:19:30,680 --> 00:19:32,960 It's about of the Steinheil affair. 363 00:19:33,120 --> 00:19:35,240 Suspense music 364 00:19:35,400 --> 00:19:39,760 {\an1}... 365 00:19:40,320 --> 00:19:42,360 - My husband was a very simple man. 366 00:19:43,400 --> 00:19:46,000 He always said: "For the artist, 367 00:19:46,160 --> 00:19:48,880 "the only posterity resides... 368 00:19:49,680 --> 00:19:50,800 “in the work.” 369 00:19:52,160 --> 00:19:55,640 He would have refused to let me squander our daughter's legacy 370 00:19:55,800 --> 00:19:57,400 in trivialities. No. 371 00:19:57,560 --> 00:20:00,880 The grandiose ceremonies, he leaves them to others. 372 00:20:01,560 --> 00:20:04,800 Footsteps are approaching. 373 00:20:09,600 --> 00:20:11,040 {\an1}- Madame's mail. 374 00:20:12,120 --> 00:20:14,440 {\an1}Master Chauvin is in the workshop. - THANKS. 375 00:20:15,560 --> 00:20:16,560 Remy! 376 00:20:18,080 --> 00:20:22,040 {\an3}I read the interviews that you gave to the press. 377 00:20:22,200 --> 00:20:24,560 It's good. Keep going: you will become... 378 00:20:24,720 --> 00:20:26,600 a real celebrity. 379 00:20:27,400 --> 00:20:31,040 However, I would like that you limit your outpourings, 380 00:20:31,720 --> 00:20:34,280 to the extent where they concern my life 381 00:20:34,960 --> 00:20:36,360 and my family. 382 00:20:37,280 --> 00:20:40,600 - Sorry, I didn't think... - You are nice, but... 383 00:20:41,320 --> 00:20:43,320 you are not done for light. 384 00:20:45,160 --> 00:20:47,160 {\an1}Where was I? - At grandiose ceremonies. 385 00:20:47,320 --> 00:20:49,680 {\an3}- Oh no. No. Really... 386 00:20:49,840 --> 00:20:53,360 {\an3}A simple funeral, in the strictest privacy. 387 00:20:56,400 --> 00:20:58,240 {\an3}- And for Madam your mother? 388 00:20:59,280 --> 00:21:00,520 - Separate burials. 389 00:21:00,680 --> 00:21:03,120 Adolphe was Catholic. She, Protestant. 390 00:21:04,440 --> 00:21:05,480 Mysterious music 391 00:21:05,640 --> 00:21:39,280 {\an1}... 392 00:21:39,440 --> 00:21:40,840 {\an3}- "The World of Crime." 393 00:21:44,360 --> 00:21:47,160 {\an3}It was for his next series. The opening 394 00:21:47,320 --> 00:21:48,920 was scheduled for September. 395 00:21:50,680 --> 00:21:52,520 My father read soap operas. 396 00:21:52,680 --> 00:21:54,320 Criminal cases pleased, 397 00:21:54,480 --> 00:21:56,480 so he sought to please. 398 00:21:59,080 --> 00:22:01,720 {\an1}- It's very beautiful. - No. It's laborious. 399 00:22:05,120 --> 00:22:06,520 {\an3}My mother told him: 400 00:22:07,200 --> 00:22:09,760 “You have no talent. Only technique." 401 00:22:14,400 --> 00:22:15,680 - I'm sorry. 402 00:22:16,720 --> 00:22:20,720 Mysterious music 403 00:22:20,880 --> 00:22:29,800 {\an1}... 404 00:22:32,960 --> 00:22:35,560 - Alone in his cell from Devil's Island, 405 00:22:35,720 --> 00:22:37,880 the prisoner has lost all hope. 406 00:22:38,040 --> 00:22:40,040 Rattle 407 00:22:40,200 --> 00:22:42,800 ... 408 00:22:42,960 --> 00:22:46,720 He receives a visit in a dream of three friendly figures. 409 00:22:48,400 --> 00:22:50,280 He regains faith in the future. 410 00:22:50,440 --> 00:22:53,040 ... 411 00:22:57,600 --> 00:22:59,680 - A bit like the Three Wise Men. - Yes. 412 00:22:59,840 --> 00:23:02,680 {\an3}Or the witches from Macbeth. More optimistic. 413 00:23:07,040 --> 00:23:09,600 {\an3}For this scene, we needed Levites. 414 00:23:09,760 --> 00:23:13,040 {\an3}The order has been made to the usual costumer on Thursday. 415 00:23:13,200 --> 00:23:16,320 {\an3}He sent it all to us on Saturday by an errand boy. 416 00:23:16,480 --> 00:23:19,040 {\an3}When it's time to enter the stage, the Levites were missing. 417 00:23:20,240 --> 00:23:23,400 We had to improvise. We thought it was an oversight on the part of the costume designer, 418 00:23:23,560 --> 00:23:25,480 {\an3}but now he's charging us for them. 419 00:23:26,320 --> 00:23:27,880 {\an3}We will pay, of course. 420 00:23:32,360 --> 00:23:33,560 - According to the costume designer, 421 00:23:33,720 --> 00:23:36,880 he sent the Levites to you in the afternoon of the 29th. 422 00:23:37,480 --> 00:23:40,360 {\an3}- This does not prove that they arrived at our house. 423 00:23:40,520 --> 00:23:42,480 We could have stolen them during the journey. 424 00:23:44,240 --> 00:23:45,280 Please excuse me. 425 00:23:45,440 --> 00:23:47,520 {\an3}We have to rewrite the end of the piece. 426 00:23:47,680 --> 00:23:52,160 Suspense music 427 00:23:52,520 --> 00:23:55,080 - So, the Levites exist. 428 00:23:56,320 --> 00:23:58,040 {\an3}- It remains to be proven. 429 00:23:58,200 --> 00:24:00,880 {\an3}I loaded Jouin to check this track. 430 00:24:01,040 --> 00:24:02,600 {\an1}- That's what I thought. 431 00:24:02,760 --> 00:24:05,360 {\an1}It's a burglary. Ms. Steinheil 432 00:24:05,520 --> 00:24:06,520 is innocent. 433 00:24:06,680 --> 00:24:09,120 The way newspapers treatment is scandalous. 434 00:24:09,280 --> 00:24:12,160 {\an1}A press conference... - Out of the question! 435 00:24:12,320 --> 00:24:14,560 {\an1}- I agree with the commissioner. 436 00:24:15,400 --> 00:24:17,320 We will not talk about the Levites. 437 00:24:17,960 --> 00:24:21,200 {\an1}- But anyway... - Given the circumstances, it seems to me 438 00:24:21,360 --> 00:24:23,280 inappropriate to shout from the rooftops 439 00:24:23,440 --> 00:24:26,200 that this crime is still a blow from the Jews. 440 00:24:26,360 --> 00:24:27,680 Muffled conversation 441 00:24:27,840 --> 00:24:29,840 Serious music 442 00:24:30,000 --> 00:24:45,640 {\an1}... 443 00:24:45,800 --> 00:24:48,200 - "The Morning", 6, boulevard Poissonnière. 444 00:24:50,400 --> 00:24:51,840 Pass me the essay, 445 00:24:52,000 --> 00:24:54,160 Mr. Labruyère, from Louise Lépine. 446 00:24:59,720 --> 00:25:01,720 {\an3}- One last question, sir. 447 00:25:12,280 --> 00:25:15,720 Is Marguerite Steinheil a police informant? 448 00:25:18,480 --> 00:25:19,480 - Yes. 449 00:25:21,440 --> 00:25:23,360 Whatever one thinks of his morality, 450 00:25:23,520 --> 00:25:26,120 she has rendered great services at the prefecture. 451 00:25:29,800 --> 00:25:32,320 - And to you personally. 452 00:25:36,480 --> 00:25:38,680 - Be careful to what you say. 453 00:25:40,520 --> 00:25:42,080 - Take this matter off me. 454 00:25:42,760 --> 00:25:47,040 {\an1}... 455 00:25:47,200 --> 00:25:49,200 Soft music 456 00:25:49,360 --> 00:26:01,600 {\an1}... 457 00:26:03,960 --> 00:26:05,600 - My mother is not a saint, 458 00:26:05,760 --> 00:26:07,440 but what is written about her! 459 00:26:11,680 --> 00:26:13,720 - I'm sorry, madam. For unpleasant 460 00:26:13,880 --> 00:26:15,320 whether they are, 461 00:26:15,480 --> 00:26:17,840 none of these items does not seem defamatory to me. 462 00:26:18,480 --> 00:26:22,200 As for filing a civil suit, there should be accused, 463 00:26:22,360 --> 00:26:23,360 a solid case. 464 00:26:24,280 --> 00:26:26,960 - You refuse to represent me? - I say 465 00:26:27,120 --> 00:26:30,160 that you don't need lawyer. You are a victim. 466 00:26:31,120 --> 00:26:32,280 {\an1}- For now. 467 00:26:33,760 --> 00:26:35,080 I am a woman. 468 00:26:36,080 --> 00:26:38,920 They judge my life as a woman, 469 00:26:39,080 --> 00:26:40,920 instead of looking for the murderer. 470 00:26:43,120 --> 00:26:45,320 They will soon make me a murderer. 471 00:26:46,400 --> 00:26:48,600 They will come after you, my darling. 472 00:26:50,280 --> 00:26:51,720 - Miss is a minor. 473 00:26:51,880 --> 00:26:54,560 She cannot be questioned without your consent. 474 00:26:54,720 --> 00:26:57,560 - I won't give it. - I have nothing to say, 475 00:26:57,720 --> 00:26:58,720 anyway. 476 00:27:03,360 --> 00:27:06,040 - I don't need a lawyer. Either. 477 00:27:07,440 --> 00:27:08,440 {\an3}But... 478 00:27:09,080 --> 00:27:11,040 {\an3}it is not forbidden to have one. 479 00:27:11,680 --> 00:27:14,720 {\an3}I still have to manage the legacy of Adolphe and that 480 00:27:14,880 --> 00:27:16,000 {\an1}of my poor mother. 481 00:27:17,240 --> 00:27:18,240 - I see. 482 00:27:18,400 --> 00:27:20,280 {\an1}- If I had some documents, 483 00:27:20,440 --> 00:27:23,880 {\an3}a few letters to keep by someone you trust... 484 00:27:25,320 --> 00:27:27,200 - A notary could take care of it. 485 00:27:29,160 --> 00:27:32,320 {\an3}- Tell me what is your problem. Eh ? 486 00:27:34,120 --> 00:27:36,480 {\an3}I don't deserve who represents me? 487 00:27:36,640 --> 00:27:38,080 {\an3}My daughter either? 488 00:27:38,240 --> 00:27:44,280 {\an1}... 489 00:27:44,440 --> 00:27:45,440 - Yes. 490 00:27:46,680 --> 00:27:47,680 Of course. 491 00:27:53,320 --> 00:27:55,560 Sewing machine 492 00:27:55,720 --> 00:27:57,040 - The Levites went out 493 00:27:57,200 --> 00:27:59,600 {\an1}May 29. Of that, I am sure. 494 00:28:00,720 --> 00:28:03,160 {\an1}And I'm sure that they never came back. 495 00:28:03,920 --> 00:28:04,920 {\an1}That's for sure. 496 00:28:05,080 --> 00:28:07,640 I would have found them in my store. 497 00:28:07,800 --> 00:28:09,600 {\an3}- Who had to wear them to the theater? 498 00:28:10,440 --> 00:28:11,640 {\an1}- An errand clerk. 499 00:28:13,160 --> 00:28:14,480 {\an3}- What was his name? 500 00:28:16,160 --> 00:28:20,120 {\an1}- Oh... That, I don't know. We take them for the day. 501 00:28:20,280 --> 00:28:23,520 {\an1}They change all the time. - Could you recognize him? 502 00:28:28,080 --> 00:28:29,080 {\an1}- Maybe. 503 00:28:29,840 --> 00:28:35,120 ... 504 00:28:36,760 --> 00:28:38,560 {\an1}These young people all look the same. 505 00:28:39,320 --> 00:28:40,320 {\an3}- Mmh. 506 00:28:44,920 --> 00:28:45,920 {\an1}- Julien. 507 00:28:48,480 --> 00:28:50,080 I think it was Julien. 508 00:28:50,240 --> 00:28:52,880 Suspense music 509 00:28:53,040 --> 00:29:05,400 {\an1}... 510 00:29:05,560 --> 00:29:07,200 - The more the investigation progresses, 511 00:29:07,360 --> 00:29:11,600 the more I find it abominable that we could have suspected for a moment 512 00:29:11,760 --> 00:29:13,600 Ms. Steinheil. 513 00:29:13,760 --> 00:29:15,240 Flash explosion 514 00:29:15,400 --> 00:29:19,440 {\an3}There has never been any conflict between Mr. Cochefert and me. 515 00:29:19,600 --> 00:29:22,480 {\an3}We studied together all the hypotheses 516 00:29:23,320 --> 00:29:25,760 and we shoot the same conclusions: 517 00:29:25,920 --> 00:29:28,000 This is a heinous crime. 518 00:29:30,280 --> 00:29:31,680 - What name did you say? 519 00:29:32,240 --> 00:29:33,800 - Fiersi Julien. 520 00:29:33,960 --> 00:29:35,240 - What charge? 521 00:29:35,400 --> 00:29:39,160 - Robbery with violence, 1907. So minor, arrested, not charged. 522 00:29:39,320 --> 00:29:40,320 The victim 523 00:29:40,480 --> 00:29:41,720 {\an3}withdrew his complaint. 524 00:29:42,800 --> 00:29:44,800 The archivist whistles. 525 00:29:44,960 --> 00:29:48,800 ... 526 00:29:48,960 --> 00:29:51,240 {\an3}- It's a shame he missed it. - Yes. 527 00:29:51,400 --> 00:30:00,240 ... 528 00:30:00,400 --> 00:30:01,600 - Fiersi Julien. 529 00:30:02,240 --> 00:30:03,360 {\an1}You bring it back to me. 530 00:30:03,520 --> 00:30:04,920 This is the only copy. 531 00:30:05,080 --> 00:30:07,080 Serious music 532 00:30:07,240 --> 00:30:17,480 {\an1}... 533 00:30:26,600 --> 00:30:27,680 - Joseph? 534 00:30:39,160 --> 00:30:40,800 {\an3}You have visitors. 535 00:30:48,120 --> 00:30:49,120 {\an1}- Yes? 536 00:30:50,080 --> 00:30:52,000 {\an3}- Marcel Hutin, reporter at “Matin”. 537 00:30:54,320 --> 00:30:55,320 - It rhymes. 538 00:30:58,560 --> 00:30:59,960 {\an1}- I have a few questions. 539 00:31:01,640 --> 00:31:03,760 {\an1}- I have nothing to tell you. - Yes. Of course. 540 00:31:04,440 --> 00:31:06,240 {\an1}You are free to refuse. 541 00:31:08,360 --> 00:31:09,360 {\an1}If you do, 542 00:31:09,520 --> 00:31:12,040 {\an3}your name will be in the newspaper tomorrow. 543 00:31:12,200 --> 00:31:15,280 {\an3}I will write that you are suspected to have been, if not the author, 544 00:31:15,440 --> 00:31:17,040 {\an3}at least the accomplice to the crime 545 00:31:17,200 --> 00:31:19,080 {\an1}from Impasse Ronsin. And then... 546 00:31:19,240 --> 00:31:22,440 {\an1}I'll let you manage with my competitors. 547 00:31:24,480 --> 00:31:25,680 - Come with me. 548 00:31:30,400 --> 00:31:31,800 Fiersi clears his throat. 549 00:31:32,920 --> 00:31:35,440 He spits, then coughs. 550 00:31:40,080 --> 00:31:41,640 {\an1}You are a former police officer 551 00:31:41,800 --> 00:31:45,640 {\an1}and now a known informant under the nickname of Rossignol. 552 00:31:46,720 --> 00:31:48,400 - I can't answer you. 553 00:31:49,840 --> 00:31:51,880 - You have been in contact with Mrs. Steinheil, 554 00:31:52,040 --> 00:31:56,400 {\an1}nine years ago, at the Sûreté, under the orders of Mr. Puybaraud. 555 00:31:56,560 --> 00:31:57,840 - Ancient history. 556 00:31:58,000 --> 00:32:01,200 - You stayed in contact with her since then? 557 00:32:01,360 --> 00:32:04,640 - I just told you: of ancient history. 558 00:32:04,800 --> 00:32:06,680 - However, the inspectors 559 00:32:06,840 --> 00:32:08,800 {\an1}interrogated you after the crime. 560 00:32:08,960 --> 00:32:09,960 - Former colleagues 561 00:32:10,120 --> 00:32:13,120 {\an1}came to ask me for help on a friendly basis. 562 00:32:14,640 --> 00:32:18,040 {\an1}I would have liked to help them, but I'm not going to dead end Ronsin anymore. 563 00:32:20,000 --> 00:32:23,560 I know about this matter what the newspapers said about it. 564 00:32:29,000 --> 00:32:31,600 - You are an informant. You know people 565 00:32:31,760 --> 00:32:34,920 shady: Apaches, burglars. 566 00:32:35,080 --> 00:32:38,480 One of your acquaintances could have participated in the crime. 567 00:32:39,680 --> 00:32:41,120 - I am a father. 568 00:32:41,800 --> 00:32:43,720 I don't hang out with Apaches. 569 00:32:44,960 --> 00:32:46,960 When I was a policeman, my functions 570 00:32:47,120 --> 00:32:49,480 brought me to frequent this special world. 571 00:32:51,000 --> 00:32:52,440 It was a long time ago. 572 00:32:53,200 --> 00:32:54,400 I am retired. 573 00:32:59,120 --> 00:33:02,160 - Mrs. Steinheil would have lovers. Do you know any? 574 00:33:03,280 --> 00:33:04,280 - None. 575 00:33:07,000 --> 00:33:08,000 - GOOD. 576 00:33:09,480 --> 00:33:10,480 If you have 577 00:33:10,640 --> 00:33:11,640 {\an1}information... 578 00:33:11,800 --> 00:33:14,040 {\an3}- I will go to the police, like any good citizen. 579 00:33:15,040 --> 00:33:16,840 {\an3}But, in my opinion... 580 00:33:19,480 --> 00:33:21,320 we will not find the assassins. 581 00:33:24,760 --> 00:33:25,760 Are we finished? 582 00:33:26,600 --> 00:33:28,000 - Listen, yes... - Good. 583 00:33:29,720 --> 00:33:30,960 I have a question. 584 00:33:37,400 --> 00:33:38,880 How do you plan to get out? 585 00:33:39,920 --> 00:33:41,920 {\an3}Report to “Matin”. And you believe 586 00:33:42,080 --> 00:33:44,040 that gives you the right to annoy me? 587 00:33:44,200 --> 00:33:45,640 With your little notebook, 588 00:33:45,800 --> 00:33:47,160 {\an3}your little blackmails! 589 00:33:47,960 --> 00:33:50,320 {\an3}If I stuff you your notebook in your ass, 590 00:33:50,480 --> 00:33:53,480 {\an3}you'll make a new one or just a news item? 591 00:33:53,640 --> 00:33:56,360 Smash 592 00:33:56,520 --> 00:33:58,120 ... 593 00:33:58,280 --> 00:34:01,240 {\an1}- This one suits you very well. - THANKS. 594 00:34:04,240 --> 00:34:05,560 {\an3}- Who sent you here? 595 00:34:07,000 --> 00:34:09,400 {\an1}- Inspector... Jouin. 596 00:34:10,280 --> 00:34:12,360 {\an3}- Was it Jouin who told you to come? 597 00:34:13,440 --> 00:34:15,120 {\an1}- I followed him and made him talk. 598 00:34:15,280 --> 00:34:17,880 {\an3}- Jouin told you that I was suspected? 599 00:34:18,040 --> 00:34:19,880 Suspense music 600 00:34:20,040 --> 00:34:25,480 {\an1}... 601 00:34:25,640 --> 00:34:26,720 {\an3}Get up. 602 00:34:36,720 --> 00:34:38,880 {\an3}Get it sorted. You're all wrinkled. 603 00:34:42,240 --> 00:34:45,080 {\an3}We return to the store. You will smile at the ladies 604 00:34:45,240 --> 00:34:48,080 {\an3}before telling me goodbye and thank you. 605 00:34:48,240 --> 00:34:49,280 Hmm? 606 00:34:49,440 --> 00:34:51,240 {\an1}- Goodbye and thank you. 607 00:34:53,640 --> 00:34:55,800 {\an1}Goodbye and thank you. - But you're welcome! 608 00:34:55,960 --> 00:34:57,840 {\an3}It's natural. I am a reader 609 00:34:58,000 --> 00:35:00,080 {\an1}faithful of “Matin” for years. 610 00:35:00,800 --> 00:35:02,160 {\an1}I don't read anything else. 611 00:35:03,920 --> 00:35:05,920 And... for advertising... 612 00:35:07,320 --> 00:35:08,560 I'm calling you. 613 00:35:27,760 --> 00:35:29,160 - Mr. Labruyère. 614 00:35:30,160 --> 00:35:32,720 {\an1}Thank you for coming. - It's natural, 615 00:35:32,880 --> 00:35:35,560 {\an3}Ms. Lépine. I won't be able to stay long. 616 00:35:35,720 --> 00:35:38,560 {\an1}Alas, busy news. Little laugh from Labruyère 617 00:35:39,000 --> 00:35:40,280 {\an3}It's about... 618 00:35:40,680 --> 00:35:41,920 {\an1}- The competition. 619 00:35:45,680 --> 00:35:47,080 {\an3}- Yes? 620 00:35:47,480 --> 00:35:50,080 {\an1}- The artist submitted his project for the poster. 621 00:35:50,240 --> 00:35:53,480 {\an1}It's good, it's elegant, but I have a doubt. 622 00:35:53,640 --> 00:35:57,160 {\an1}"Le Matin" and the prefecture are partners of the event. 623 00:35:57,320 --> 00:35:59,400 {\an1}I would like to have your opinion. 624 00:35:59,560 --> 00:36:01,600 {\an3}- The Lépine competition takes place in October. 625 00:36:02,680 --> 00:36:05,480 Other more urgent matters concern me. 626 00:36:05,640 --> 00:36:06,640 - Yes of course. 627 00:36:07,200 --> 00:36:09,640 The Pantheon, the Steinheil affair, of course. 628 00:36:11,560 --> 00:36:14,400 It appears that the investigation is progressing. Several Levites 629 00:36:14,560 --> 00:36:17,720 {\an1}would have been stolen the day before crime at the Hebrew Theater. 630 00:36:19,440 --> 00:36:21,000 {\an1}Don't you know? 631 00:36:23,880 --> 00:36:25,040 I didn't say anything. 632 00:36:29,320 --> 00:36:30,720 {\an3}- Can I see the poster? 633 00:36:35,520 --> 00:36:36,520 - So. 634 00:36:39,720 --> 00:36:41,040 {\an3}- Ah, that's good. 635 00:36:41,200 --> 00:36:42,200 Labruyère laughs. 636 00:36:42,360 --> 00:36:44,720 {\an1}That's very good. They laugh. 637 00:36:44,880 --> 00:36:48,360 {\an1}- Shouldn't we need an airplane? A door opens. 638 00:36:52,240 --> 00:36:53,240 - Sir ? 639 00:36:53,400 --> 00:36:54,640 {\an3}- Mr. Prefect. 640 00:36:55,320 --> 00:36:58,720 {\an1}- He was kind to come and tell me about the competition. 641 00:37:00,000 --> 00:37:01,920 - That's kind of him. 642 00:37:05,640 --> 00:37:08,400 In case you are interested, Dreyfus is alive. 643 00:37:10,080 --> 00:37:12,200 He is at home, safe. 644 00:37:12,360 --> 00:37:13,600 {\an3}- I'm delighted. 645 00:37:14,600 --> 00:37:17,720 - Don't forget to mention the courage of Quemener 646 00:37:17,880 --> 00:37:19,680 during the incident. 647 00:37:19,840 --> 00:37:22,600 An exemplary police officer. - Of course. 648 00:37:22,760 --> 00:37:23,840 {\an3}It will be done. 649 00:37:24,840 --> 00:37:26,840 Suspense music 650 00:37:27,000 --> 00:37:32,200 {\an1}... 651 00:37:32,360 --> 00:37:34,520 {\an3}About the Steinheil affair... 652 00:37:35,480 --> 00:37:37,520 - A burglary, I think. 653 00:37:37,680 --> 00:37:39,280 But I don't know the details. 654 00:37:40,720 --> 00:37:42,000 See Cochefert. 655 00:37:42,160 --> 00:37:54,000 {\an1}... 656 00:37:54,160 --> 00:37:56,360 Sizzle - Labruyère made a mistake. 657 00:37:56,520 --> 00:37:59,400 He completely neglected the event. Zola! 658 00:37:59,560 --> 00:38:03,040 No, it's... It was necessary to send three editors at the Panthéon, 659 00:38:03,200 --> 00:38:04,600 in addition to photographers. 660 00:38:04,760 --> 00:38:05,800 - Are we talking about me? 661 00:38:06,560 --> 00:38:08,560 This is Labruyère, sir. 662 00:38:08,720 --> 00:38:11,360 I just read the editorial from my colleague Bichon. 663 00:38:12,840 --> 00:38:15,240 The word “attack” stuck to that of Dreyfus 664 00:38:15,400 --> 00:38:16,960 {\an1}is a political provocation. 665 00:38:17,120 --> 00:38:19,120 {\an1}Half of our readers are anti-Dreyfusards. 666 00:38:19,280 --> 00:38:22,360 {\an1}- “East.” “Half is.” - Do you want to insult them? 667 00:38:23,760 --> 00:38:25,440 ... 668 00:38:25,600 --> 00:38:27,440 *- We condemn violence, 669 00:38:27,600 --> 00:38:30,560 but let's share the frustration of some of the readers. 670 00:38:31,440 --> 00:38:34,680 {\an3}Republicans but patriots. Do you have anything better to offer? 671 00:38:34,840 --> 00:38:36,320 *- Yes. Funeral Home. 672 00:38:36,480 --> 00:38:38,160 - Oh! Again ? 673 00:38:38,800 --> 00:38:42,960 {\an1}- A source at the prefecture informs me that the Levites exist. 674 00:38:43,120 --> 00:38:45,600 {\an1}They were stolen the day before the crime 675 00:38:45,760 --> 00:38:47,400 {\an1}at the Hebrew Theater, rue Saint-Denis. 676 00:38:47,560 --> 00:38:49,240 {\an1}It's exclusive! 677 00:38:49,400 --> 00:38:50,520 - Oh, but... 678 00:38:51,360 --> 00:38:54,040 It would tend to exonerate Mrs. Steinheil. 679 00:38:55,560 --> 00:38:57,400 {\an1}- Unless she hired them. 680 00:38:58,600 --> 00:39:01,080 *- Steinheil, the Jews, 681 00:39:01,240 --> 00:39:03,440 a little plot: it's a seller. 682 00:39:03,600 --> 00:39:06,440 Serious music 683 00:39:06,600 --> 00:39:11,920 {\an1}... 684 00:39:12,080 --> 00:39:14,160 Groan of frustration 685 00:39:16,920 --> 00:39:21,080 {\an1}... 686 00:39:21,960 --> 00:39:23,160 - It's him. 687 00:39:24,160 --> 00:39:25,880 At the same time... 688 00:39:26,480 --> 00:39:28,160 I can't swear to it either. 689 00:39:29,520 --> 00:39:31,000 It could, yes. 690 00:39:32,160 --> 00:39:33,480 But it's not sure. 691 00:39:35,000 --> 00:39:36,720 Shouldn't I testify? 692 00:39:36,880 --> 00:39:42,080 {\an1}... 693 00:39:42,240 --> 00:39:44,880 - Come in, Mr. Guibert. You helped us a lot. 694 00:39:45,040 --> 00:39:54,040 {\an1}... 695 00:39:55,520 --> 00:39:56,840 Theater actors 696 00:39:57,000 --> 00:39:59,800 are foreigners. They all know each other. 697 00:39:59,960 --> 00:40:02,080 A theft on site is unlikely. - Mmh. 698 00:40:04,280 --> 00:40:06,920 And aside... costume designer, 699 00:40:07,760 --> 00:40:09,400 can we identify the clerk? 700 00:40:10,240 --> 00:40:11,240 - No. 701 00:40:14,480 --> 00:40:17,840 Well, I don't see how: the description is too vague. 702 00:40:18,000 --> 00:40:22,280 {\an1}... 703 00:40:22,440 --> 00:40:25,760 The Levites, it's a coincidence. I believe in the jewelry trail. 704 00:40:25,920 --> 00:40:28,760 They are recognizable. Difficult to sell. 705 00:40:28,920 --> 00:40:30,840 Crackling of the pipe 706 00:40:31,000 --> 00:40:35,200 {\an1}... ... 707 00:40:35,360 --> 00:40:41,480 {\an1}... 708 00:40:41,640 --> 00:40:43,000 - Burglary. 709 00:40:43,840 --> 00:40:45,120 The Levites. 710 00:40:45,880 --> 00:40:47,160 It doesn't hold up. 711 00:40:48,960 --> 00:40:50,920 The only thing sincere 712 00:40:51,080 --> 00:40:53,880 in this woman, it's because she's afraid. 713 00:40:55,400 --> 00:40:56,600 But from whom? 714 00:40:58,200 --> 00:41:02,280 {\an1}... 715 00:41:02,440 --> 00:41:04,800 Crackling of the pipe 716 00:41:04,960 --> 00:41:11,680 {\an1}... ... 717 00:41:11,840 --> 00:41:13,840 Barking 718 00:41:14,000 --> 00:41:49,880 {\an1}... ... 719 00:41:50,040 --> 00:41:55,760 {\an1}... 720 00:41:55,920 --> 00:41:57,520 {\an1}- Are you throwing me to the press? 721 00:42:02,720 --> 00:42:04,080 - Stop. 722 00:42:04,240 --> 00:42:10,000 {\an1}... ... 723 00:42:10,160 --> 00:42:12,640 {\an1}- You show up at my house with two inspectors, 724 00:42:13,480 --> 00:42:16,960 {\an1}and now, are you sending me reporters? - I didn't send you anyone. 725 00:42:17,120 --> 00:42:18,240 {\an1}- Oh yes? 726 00:42:19,400 --> 00:42:22,000 {\an1}And the little shit from “Matin”, with his notebook, 727 00:42:22,520 --> 00:42:23,520 {\an1}Who do I owe it to? 728 00:42:23,680 --> 00:42:26,880 {\an1}- I told him to leave you. - He told me the opposite. 729 00:42:27,040 --> 00:42:29,120 {\an3}- Who are you going to believe? Him or me? 730 00:42:29,280 --> 00:42:32,520 {\an3}You have an alibi. You were at home. I told Cochefert. 731 00:42:34,520 --> 00:42:35,800 {\an3}But where was Julien? 732 00:42:37,960 --> 00:42:39,640 A gun is cocked. 733 00:42:40,800 --> 00:42:42,120 - Don't play that. 734 00:42:42,800 --> 00:42:43,800 Not with me. 735 00:42:45,840 --> 00:42:48,760 {\an3}- Your son stole three Levites. At best, 736 00:42:48,920 --> 00:42:51,360 {\an3}he's an accomplice. At worst, a murderer. 737 00:42:51,520 --> 00:42:54,120 {\an1}- When I think of the number of times 738 00:42:54,280 --> 00:42:55,680 {\an1}where I saved your loaves. 739 00:42:55,840 --> 00:42:59,200 {\an3}- The costume designer can identify him. He can identify the killers. 740 00:43:00,480 --> 00:43:02,200 {\an3}In your opinion, how long 741 00:43:02,360 --> 00:43:05,040 {\an1}before we silence him... - God is my witness. 742 00:43:05,880 --> 00:43:08,120 I will kill you, if you come near my son. 743 00:43:10,000 --> 00:43:11,600 I will kill you. 744 00:43:13,160 --> 00:43:16,000 Suspense music 745 00:43:17,240 --> 00:43:18,720 {\an3}- Do you think that will help him? 746 00:43:18,880 --> 00:43:28,760 {\an1}... 747 00:43:31,120 --> 00:43:34,760 {\an1}- "I will go to the police, like any good citizen." 748 00:43:38,600 --> 00:43:41,720 {\an1}Is that all he told you? - Mmh. 749 00:43:42,640 --> 00:43:45,240 {\an1}- And he has an alibi? - Mmh. 750 00:43:46,080 --> 00:43:47,120 {\an3}- This is bullshit. 751 00:43:47,560 --> 00:43:49,080 10 lines on page two. 752 00:43:49,240 --> 00:43:52,640 "There is mention of a mysterious informant nicknamed Rossignol." 753 00:43:52,800 --> 00:43:54,840 Etc., etc. - And the autopsy report? 754 00:43:55,000 --> 00:43:57,760 - The denture is interesting for the time of the crime. 755 00:43:57,920 --> 00:43:59,640 That's all. We throw away the rest. 756 00:44:00,280 --> 00:44:01,440 Priority to the Levites. 757 00:44:02,520 --> 00:44:05,240 {\an3}We are going to connect Pompe Funèbre to Dreyfus and the Jews. 758 00:44:07,880 --> 00:44:09,360 16, impasse Ronsin. 759 00:44:13,080 --> 00:44:16,000 Men in black come to steal who knows what. 760 00:44:16,160 --> 00:44:18,680 Secret documents? Love letters? 761 00:44:19,280 --> 00:44:20,440 - It's fiction. 762 00:44:21,000 --> 00:44:22,280 - Are you sure? 763 00:44:23,360 --> 00:44:26,400 You have talent, Marcel, but you lack the profession. 764 00:44:27,160 --> 00:44:29,920 Ms. Steinheil, here Labruyère, from “Matin”. 765 00:44:31,120 --> 00:44:33,720 I wanted to inform you only three Levites 766 00:44:33,880 --> 00:44:37,160 *were stolen from the Hebrew Theater the day before the crime. 767 00:44:37,320 --> 00:44:39,760 It will be on the front page of our next edition. 768 00:44:41,120 --> 00:44:44,440 - It's great. The police were informed, of course. 769 00:44:44,600 --> 00:44:45,680 *- Of course. 770 00:44:45,840 --> 00:44:49,920 This news gives a lot credit to your testimony. 771 00:44:50,640 --> 00:44:51,640 But... 772 00:44:52,880 --> 00:44:53,880 - “But…” 773 00:44:54,920 --> 00:44:56,880 {\an3}- Madam, I prefer to warn you. 774 00:44:58,040 --> 00:45:00,320 “The Morning” has sources at the prefecture 775 00:45:00,480 --> 00:45:03,160 *and I take it for granted 776 00:45:03,320 --> 00:45:06,040 that the commissioner does not believe in the Levites. 777 00:45:06,200 --> 00:45:07,800 - Why would he doubt it? 778 00:45:08,520 --> 00:45:10,680 - For him, it's an inside shot. 779 00:45:11,520 --> 00:45:13,160 *You know, madam, deep down, 780 00:45:13,320 --> 00:45:16,040 there are only two survivors, so two suspects. 781 00:45:16,200 --> 00:45:18,200 You or Couillard. 782 00:45:19,320 --> 00:45:21,320 Soft music 783 00:45:21,480 --> 00:45:26,360 {\an1}... 784 00:45:27,960 --> 00:45:29,080 *Madam, 785 00:45:29,240 --> 00:45:31,080 “Le Matin” puts at your disposal 786 00:45:31,240 --> 00:45:32,960 its resources human and financial 787 00:45:33,120 --> 00:45:35,800 to follow all the leads that you suggest. 788 00:45:36,840 --> 00:45:39,600 But the public must hear your voice. 789 00:45:41,600 --> 00:45:44,400 - Yes, I... I understand. 790 00:45:46,080 --> 00:45:47,160 - Good, ma'am. 791 00:45:49,160 --> 00:45:50,280 Bye. 792 00:45:50,960 --> 00:45:52,040 - Bye. 793 00:45:52,200 --> 00:45:54,200 Serious music 794 00:45:54,360 --> 00:46:04,040 {\an1}... 795 00:46:04,200 --> 00:46:06,080 {\an3}- Exclusive interview tomorrow morning. 796 00:46:06,240 --> 00:46:07,680 Sharpen your pencils, Marcel. 797 00:46:07,840 --> 00:46:10,080 - You provoke the news, sir. 798 00:46:10,920 --> 00:46:14,040 - Exactly. It's no longer enough to inform people. 799 00:46:14,200 --> 00:46:16,760 Our readers want drawings, competitions, 800 00:46:16,920 --> 00:46:19,000 recipes, tips for making friends, 801 00:46:19,160 --> 00:46:22,240 stock market prices, the prediction of the races. 802 00:46:22,400 --> 00:46:23,560 But above all, 803 00:46:24,880 --> 00:46:25,880 they want 804 00:46:26,040 --> 00:46:27,040 stories. 805 00:46:40,160 --> 00:46:42,160 Mysterious music 806 00:46:42,320 --> 00:46:45,600 {\an1}... 807 00:46:46,960 --> 00:46:49,880 - Look, it's dad which is in the newspaper, 808 00:46:51,040 --> 00:46:53,200 because it is an excellent police officer. 809 00:46:53,920 --> 00:46:56,360 He is always on important investigations. 810 00:46:58,320 --> 00:47:02,600 And with a little luck, one day he will become a commissioner. 811 00:47:05,480 --> 00:47:06,480 - Dad ? 812 00:47:12,040 --> 00:47:13,840 {\an1}Are you going to be a commissioner? 813 00:47:16,240 --> 00:47:18,040 - Not right away, my darling. 814 00:47:18,200 --> 00:47:19,280 Good night. 815 00:47:34,800 --> 00:47:37,560 {\an1}Do you have to show him this? - She's proud. 816 00:47:37,720 --> 00:47:39,120 {\an3}- She is very wrong. 817 00:47:39,600 --> 00:47:43,320 - Failing to see his father, she sees photos of her father. 818 00:47:43,480 --> 00:47:44,640 It's better than nothing. 819 00:47:44,800 --> 00:47:46,560 - You're also stupid that those who believe 820 00:47:46,720 --> 00:47:48,600 in “Morning”. You are an idiot 821 00:47:48,760 --> 00:47:50,760 and you do of my daughter a fool. 822 00:47:58,360 --> 00:47:59,360 - Dad ? 823 00:47:59,520 --> 00:48:01,280 Serious music 824 00:48:01,440 --> 00:48:13,760 {\an1}... 825 00:48:13,920 --> 00:48:15,680 {\an3}- Everything is fine, my darling. 826 00:48:18,920 --> 00:48:20,360 Shall we go back to bed? 827 00:48:20,520 --> 00:48:26,400 {\an1}... 828 00:48:36,000 --> 00:48:37,720 {\an3}- There is only one for you. 829 00:48:38,600 --> 00:48:41,480 {\an3}Always. All the time. 830 00:48:42,760 --> 00:48:46,400 {\an3}With your priority surveys and your nights at the prefecture. 831 00:48:50,480 --> 00:48:53,400 When you come home, I smell it on you. 832 00:48:56,000 --> 00:48:57,720 {\an3}You lie to everyone. 833 00:48:58,840 --> 00:48:59,880 To me. 834 00:49:00,600 --> 00:49:03,080 {\an3}To your daughter. To yourself. 835 00:49:07,080 --> 00:49:08,960 {\an3}I no longer expect anything from you. 836 00:49:09,120 --> 00:49:15,560 {\an1}... 837 00:49:15,720 --> 00:49:18,000 - In this house, I feel all alone. 838 00:49:21,800 --> 00:49:23,720 I prefer to talk to this wall 839 00:49:23,880 --> 00:49:24,880 than with you. 840 00:49:25,040 --> 00:49:31,760 {\an1}... 841 00:49:31,920 --> 00:49:33,480 - I want a divorce. 842 00:49:33,640 --> 00:49:40,400 {\an1}... 843 00:49:40,560 --> 00:49:41,720 - So much the better. 844 00:49:55,760 --> 00:49:57,760 Serious music 845 00:49:57,920 --> 00:50:39,200 {\an1}... 846 00:50:39,360 --> 00:50:40,880 TELETEXT SUBTITLE LYSI MEDIA