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[RING] [RING]

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[RING] [BEEP]

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>> HELLO.

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>> HEY, IT'S ME--YOUR BUDDY.

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HOW ARE YOU?

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>> I COULDN'T BE BUSIER.

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>> DOING WHAT?

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>> I'M...

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I'M ON THIS PHONE.

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>> THAT'S FAIR.

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I'LL CALL YOU BACK WHEN YOU'RE NOT ON THE PHONE.

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UM, WHEN WILL YOU BE NOT ON THE PHONE?

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>> NOT ON THE PHONE TALKING...

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TO THE PHONE.

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>> THAT WORKS.

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[HANGS UP] [RING]

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[BEEP] >> HEY, IT'S ME AGAIN.

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ARE YOU NOT ON THE PHONE...

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STILL?

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>> NO.

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>> IS THAT A YES?

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>> IT IS?

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THEN, YES.

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>> IF I WERE YOU, I WOULD NOT CHECK MY ICEBOX.

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WOULDN'T CHECK YOURS EITHER.

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[CLATTERED RINGING] WHAT'S IN THERE IN THE ICEBOX?

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GET ON YOUR LITTLE, TINY MOUSY TIPTOES.

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[CLATTERED RINGING] TELL ME WHAT'S IN THE ICEBOX.

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HELLO?

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MOUSE?

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[BUZZING] [CAPTIONING MADE POSSIBLE BY

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TURNER ENTERTAINMENT GROUP] ♪ OUT OF MY WAY

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I'M DRUNK AS HELL!

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I'M LONG ENOUGH TO WIN AND I'M RINGIN' THE BELL

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PUT IT TO THE FLOOR IN THE WHISKEY FLOOR

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WHEN I GOT A POOR TUNE I GOTTA GET IT GOIN'

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YOU DON'T UNDERSTAND YOU DON'T GIVE A DAMN

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12-OUNCE MOUSE 12-OUNCE MOUSE

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12-OUNCE MOUSE 12-OUNCE MOUSE

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DEAR GOD, ROLLIN' ALL ALONG I GET...SINGIN' ALONG

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CAR FULL OF RICHES AND I'M READY TO BLOW ♪

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>> YOU KNOW WHERE IT IS, AND I'M NOT SAYING THIS IS WHAT

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I THINK, KNOW, OR HAVE HEARD TO BE TRUE.

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SERIOUSLY, BUT LIQUOR SAID THAT MOUSE IS UP TO HIS CANS.

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>> WEIRD.

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>> YEAH, NOT ONLY THAT, THE NEW GUY, I HEARD HE GOT OUT, RIGHT,

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LIKE SOMEONE GOT HIM OUT, AND HE GOT A THING FOR SQUIRRELS.

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I'M NOT TALKING AS THOUGH HE'S CHEESY GREEN UP ON 'EM.

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I'M SAYING MORE LIKE EQUADORIAN SLEEP, IF YOU GET THE PICTURE.

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>> SURE.

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>> OH, AND ANOTHER THING, ROOSTER--YOU KNOW ROOSTER?

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UP ON THE FARM GUY?

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ALL RIGHT, WELL, LIQUOR ALSO SAYS THAT A LETTER ACCIDENTALLY

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GOT DELIVERED TO HIM, BUT BEFORE HE COULD OPEN IT, BOOM!

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JUST LIKE THAT, CLOCK SHOWS UP.

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NEXT THING HE REMEMBERS, IT'S DAY 97.

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[EXPLOSION] >> WHAT'S UP, G.A.'s?

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>> NOTHIN'.

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>> I SAW YOU CRASH.

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>> I'M SURE THAT YOU DID, 'CAUSE YOU SEEM TO SEE EVERYTHING.

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>> AFFIRMATIVE.

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>> I SEE YOU SEE YOU MEAN WE.

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COME WITH ME AND FLY AWAY.

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BUT FIRST...

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>> SET UP THE CAMERAS.

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NO, THE 50 MILLIMETER.

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YES, THE ONLY ONES WE HAVE, THE HIDDEN ONES.

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DUH!

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I'M STILL LOOKIN' AT YOU NOT SETTING UP THE CAMERAS.

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I'M, YOU KNOW, JUST PLANNING MY DAY.

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HOW LONG DO YOU THINK I'LL BE WATCHING YOU NOT DO WHAT I TOLD

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YOU TO DO?

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>> YOU KILL TREES?

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>> SHUT UP.

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>> TREES MAKE OXYGEN.

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>> UP YOURS.

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>> I BREATHE IT, YOU BREATHE IT.

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>> I SHUT UP, YOU SHUT UP.

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SEE IT?

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>> I SEE...NOT.

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>> IT WAS RIGHT F-ING HERE.

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WHERE THE "F" IS IT?

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IT WAS A-- IT WAS AN F-ING ARROW,

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AND IT WAS RIGHT THE "F" HERE.

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>> UH-HUH.

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I HUNGRY.

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>> GOOD.

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THAT MEANS YOU'RE LEAVING.

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>> THAT WILL HAPPEN.

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NOW.

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[CRASH] >> NOW, LITTLE GUY'S

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CAMERAPHOBIC.

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SHOULD HAVE KNOWN.

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>> WHAT ARE THESE, THESE FORMULAS AND PAPERS?

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PAPERS ARE DRIVING ME CRAZY.

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CRAZY INTO THE NIGHT.

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[KNOCK ON DOOR] SKILLET, YOU'RE BACK.

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[SKILLET SQUEALING] WHERE HAVE YOU BEEN?

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[SQUEALING] WELL, TELL ME ABOUT THE

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NIGHTMARE.

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[SQUEALING] >> HOLY SHEE!

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>> GO DAMN!

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SHARK!

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>> WHAT'S NEW, RHODA?

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>> UH, NOTHING, UM, SIR.

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>> DRINK.

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>> YOU KNOW, UH, I'M A SHARK.

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>> YEAH, THANK YOU.

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>> I ATTACK WHEN I'M HUNGRY.

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IT'S INSTINCTUAL, YOU KNOW?

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>> MM-HMM, THANK YOU.

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>> IT'S LIKE ONE MINUTE I'M JUST HANGING OUT WATCHING

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LEMMINGS GO BY, LEMMINGS WHO MIGHT NEED MONEY--PROBABLY NOT,

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BUT YOU NEVER KNOW.

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PART OF ME JUST SAYS HEY, WHATEVER.

116
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AND THEN SOMETHING GOES OFF IN MY BRAIN AND SENDS AN IMPULSE TO

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MY JAW AND BAM!

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1,000 POUNDS OF PRESSURE LOCK IN LIKE A PRESS, YOU KNOW WHAT I

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MEAN?

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>> I KNOW WHAT YOU MEAN, AND THANK YOU.

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>> I MEAN, A HEAD YOUR SIZE WOULD BURST LIKE AN INFECTED

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KIDNEY.

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AND ALL I'D REMEMBER WAS HOW WARM THE JUICES WERE THAT LAPPED

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THE BACK OF MY UVULA ON THEIR TRIP DOWN TO STOMACHLAND.

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>> YES, SIR.

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>> BUT WE'RE FRIENDS, RIGHT?

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WE KNOW EACH OTHER.

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WE KNOW WHAT WE DO AND WHO WE TALK TO AND WHAT WE SAY TO THEM.

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>> WE DO.

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>> I KNEW WE DID.

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>> CHEETAH, MAMA.

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SLAP ME A SIS.

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>> NOW LET'S TALK ABOUT THE LETTER THAT LIQUOR GOT.

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[SQUEALING] >> THAT SOUNDS LIKE HE WAS A

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GOOD DANCER, BUT YET...

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[SQUEALING] THESE PAPERS ARE SUDDENLY

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USELESS, AND NOW I MUST BURN THEM...FOR A REASON I DON'T

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KNOW.

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[SQUEALING] I'M GETTING AN IDEA FROM YOUR

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YELLING MOUTH, YOUR SO YELLING MOUTH.

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[CRASH] WE'RE GONNA BE ROCK STARS.

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[SQUEALING] BUT FIRST, WE MUST BURGLE.

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[CRASH AND ALARM SOUNDS] OH, THERE'S A PRETTY AMP.

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[PLAYING ROCK MUSIC] >> WHAT SONG WAS THAT?

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[PLAYING ROCK MUSIC] >> WHAT SONG WAS THAT?

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BECAUSE IT TOTALLY ROCKS!

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[HUMMING] ROCK AND ROLL!

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>> IT'S CALLED "F" OFF.

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TO YOU.

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SO, TAKE A HINT.

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NO WAY!

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THIS IS...

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A GREAT SONG.

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[ALARM CONTINUES] BUT I'M HERE BECAUSE I'M...

155
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DID SOMEBODY BREAK IN HERE?

156
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>> WELL, IT WASN'T US.

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[PLAYING ROCK MUSIC] [ALARM CONTINUES]

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[PLAYING ROCK MUSIC] [ALARM CONTINUES]

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>> HEY! FELLAS!

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STOP! STOP IT!

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WHY, THAT THERE IS A MEAN BEAT, I'M TELLIN' YA.

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>> IT IS?

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>> YEAH, IT IS.

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IT WOULD SOUND GREAT ON MY RECORD LABEL.

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IN FACT, IT SHOULD ALREADY BE ON IT.

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WHERE ARE WE OUT ON THAT?

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>> YOU HAVE A RECORD LABEL?

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OR RECORD?

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>> YEAH, I DO.

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UP TOP.

171
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COME ON, LET'S TOUR.

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>> OH, HOLD IT, DUDE.

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>> HOLD IT YOURSELF, POPS.

174
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>> MAHA! ZINGER!

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>> ARE YOU THE ONE WHO BROKE IN HERE NOW?

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>> KID, I NEVER HAVE TO BREAK IN WHEN I AM IN THE NIM,

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YOU KNOW WHAT I'M SAYING?

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>> UM, NO.

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>> MY HEAD!

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[GURGLING] >> WHOA!

181
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IS THAT ICE CREAM?

182
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AWESOME.

183
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>> "YOUR DAD AND I SPENT OVER 10 YEARS AND $94,000 PUTTING

184
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TOGETHER MY MOSQUITO COSTUME, AND NOW I AM PLEASED TO ANNOUNCE

185
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THAT I HAVE BECOME A MOSQUITO.

186
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THE COSTUME IS QUITE REALISTIC, AND I HAVE EVEN ATTACHED

187
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BLADDERS TO THE NOSE THING, SO I CAN SUCK UP LIQUIDS WHEN I

188
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PUNCTURE THEM WITH MY NOSE THING.

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I COULD BE BUZZING ALL AROUND YOU ON A HOT SUMMER DAY, AND YOU

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WOULDN'T EVEN RECOGNIZE ME AS YOUR SON CHILD.

191
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YOU WOULD JUST THINK, "GET AWAY, MOSQUITO."

192
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FROM MY POINT OF VIEW, YOU WOULD BE 3,000 DADS BECAUSE OF THE WAY

193
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I'VE DESIGNED THE EYEBALLS.

194
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I MIGHT BE SAYING, "DAD, IT'S ME; DAD, IT'S ME," BUT YOU

195
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WOULDN'T BE ABLE TO UNDERSTAND MY LANGUAGE BECAUSE OF ITS

196
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BUZZING.

197
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I'M ALSO INTO PLASTICS NOW.

198
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I AM MAKING PLASTIC TUBES THAT YOU CAN SUCK LIQUIDS THROUGH,

199
00:09:39,000 --> 00:09:42,000
KIND OF LIKE MY MOSQUITO NOSE, BUT USED FOR DIFFERENT REASONS.

200
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HOPE YOU'RE DOING WELL AT CAMP.

201
00:09:43,000 --> 00:09:45,000
SEE YOU SOON."

202
00:09:45,000 --> 00:09:48,000
MOS--MOSQUITO--MOSQUITOR?

203
00:09:48,000 --> 00:09:50,000
MOSQUITING.

204
00:09:50,000 --> 00:09:52,000
I DON'T KNOW WHO THAT IS.

205
00:09:52,000 --> 00:09:53,000
>> WHAT'S THIS?

206
00:09:54,000 --> 00:09:55,000
>> MY NEW RECORD.

207
00:09:55,000 --> 00:09:57,000
IT'S CALLED, UM..."F-OFF."

208
00:09:57,000 --> 00:09:58,000
>> IS IT GOOD?

209
00:09:58,000 --> 00:09:59,000
>> MM-HMM.

210
00:09:59,000 --> 00:10:02,000
>> SO YOU'VE BEEN MAKING RECORDS?

211
00:10:02,000 --> 00:10:03,000
>> NO.

212
00:10:03,000 --> 00:10:06,000
>> 'CAUSE, UH, I'VE ALWAYS KIND OF WANTED TO BE IN A BAND.

213
00:10:06,000 --> 00:10:07,000
>> NO WAY.

214
00:10:07,000 --> 00:10:08,000
WHAT DO YOU PLAY?

215
00:10:08,000 --> 00:10:11,000
>> I PLAY, UH, WITH MINDS.

216
00:10:11,000 --> 00:10:13,000
SHH!

217
00:10:13,000 --> 00:10:15,000
GO HOME AND THINK ABOUT THAT.

218
00:10:15,000 --> 00:10:18,000
AND DON'T LOOK UNDER YOUR BED.

219
00:10:18,000 --> 00:10:28,000
[JAMMING ON DRUMS] [WATER RUNNING]

220
00:10:28,000 --> 00:10:46,000
[JAMMING ON DRUMS] [WATER RUNNING]

221
00:10:46,000 --> 00:10:52,000
[TELEPHONE RINGS] [RING]

222
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[RING] [BEEP]

223
00:10:54,000 --> 00:10:56,000
>> HELLO.

224
00:10:56,000 --> 00:10:58,000
>> DID YOU FIND MY RECORD?

225
00:10:58,000 --> 00:11:02,000
YOU FOUND IT, DIDN'T YOU?

226
00:11:03,000 --> 00:11:06,000
NOW, SPIN IT.

227
00:11:06,000 --> 00:11:08,000
I THINK, KNOW, OR HAVE HEARD TO BE TRUE.

228
00:11:08,000 --> 00:11:11,000
SERIOUSLY, BUT LIQUOR SAID THAT MOUSE IS UP TO HIS CANS.

229
00:11:11,000 --> 00:11:13,000
>> WEIRD.

230
00:11:13,000 --> 00:11:16,000
>> YEAH, NOT ONLY THAT, THE NEW GUY, I HEARD HE GOT OUT, RIGHT,

231
00:11:16,000 --> 00:11:20,000
LIKE SOMEONE GOT HIM OUT, AND HE GOT A THING FOR SQUIRRELS.

232
00:11:20,000 --> 00:11:22,000
I'M NOT TALKING AS THOUGH HE'S CHEESY GREEN UP ON 'EM.

233
00:11:22,000 --> 00:11:25,000
I'M SAYING MORE LIKE EQUADORIAN SLEEP, IF YOU GET THE PICTURE.

234
00:11:25,000 --> 00:11:28,000
>> SURE.

235
00:11:28,000 --> 00:11:31,000
>> OH, AND ANOTHER THING, ROOSTER--YOU KNOW ROOSTER?

236
00:11:31,000 --> 00:11:32,000
UP ON THE FARM GUY?

237
00:11:32,000 --> 00:11:35,000
ALL RIGHT, WELL, LIQUOR ALSO SAYS THAT A LETTER ACCIDENTALLY

238
00:11:35,000 --> 00:11:39,000
GOT DELIVERED TO HIM, BUT BEFORE HE COULD OPEN IT, BOOM!

239
00:11:39,000 --> 00:11:41,000
JUST LIKE THAT, CLOCK SHOWS UP.

240
00:11:41,000 --> 00:11:44,000
NEXT THING HE REMEMBERS, IT'S DAY 97.

241
00:11:44,000 --> 00:11:47,000
[EXPLOSION] >> WHAT'S UP, G.A.'s?

242
00:11:48,000 --> 00:11:48,000
>> NOTHIN'.

243
00:11:49,000 --> 00:11:52,000
>> I SAW YOU CRASH.

244
00:11:52,000 --> 00:11:55,000
>> I'M SURE THAT YOU DID, 'CAUSE YOU SEEM TO SEE EVERYTHING.

245
00:11:55,000 --> 00:11:57,000
>> AFFIRMATIVE.

246
00:11:57,000 --> 00:12:00,000
>> I SEE YOU SEE YOU MEAN WE.

247
00:12:00,000 --> 00:12:04,000
COME WITH ME AND FLY AWAY.

248
00:12:04,000 --> 00:12:06,000
BUT FIRST...

249
00:12:06,000 --> 00:12:09,000
>> SET UP THE CAMERAS.

250
00:12:10,000 --> 00:12:11,000
NO, THE 50 MILLIMETER.

251
00:12:11,000 --> 00:12:15,000
YES, THE ONLY ONES WE HAVE, THE HIDDEN ONES.

252
00:12:15,000 --> 00:12:17,000
DUH!

253
00:12:17,000 --> 00:12:21,000
I'M STILL LOOKIN' AT YOU NOT SETTING UP THE CAMERAS.

254
00:12:21,000 --> 00:12:25,000
I'M, YOU KNOW, JUST PLANNING MY DAY.

255
00:12:25,000 --> 00:12:27,000
HOW LONG DO YOU THINK I'LL BE WATCHING YOU NOT DO WHAT I TOLD

256
00:12:28,000 --> 00:12:33,000
YOU TO DO?

257
00:12:33,000 --> 00:12:35,000
>> YOU KILL TREES?

258
00:12:36,000 --> 00:12:37,000
>> SHUT UP.

259
00:12:37,000 --> 00:12:39,000
>> TREES MAKE OXYGEN.

260
00:12:39,000 --> 00:12:41,000
>> UP YOURS.

261
00:12:41,000 --> 00:12:44,000
>> I BREATHE IT, YOU BREATHE IT.

262
00:12:44,000 --> 00:12:52,000
>> I SHUT UP, YOU SHUT UP.

263
00:12:52,000 --> 00:12:53,000
SEE IT?

264
00:12:53,000 --> 00:12:57,000
>> I SEE...NOT.

265
00:12:57,000 --> 00:12:59,000
>> IT WAS RIGHT F-ING HERE.

266
00:12:59,000 --> 00:13:01,000
WHERE THE "F" IS IT?

267
00:13:01,000 --> 00:13:04,000
IT WAS A-- IT WAS AN F-ING ARROW,

268
00:13:04,000 --> 00:13:06,000
AND IT WAS RIGHT THE "F" HERE.

269
00:13:06,000 --> 00:13:07,000
>> UH-HUH.

270
00:13:07,000 --> 00:13:09,000
I HUNGRY.

271
00:13:09,000 --> 00:13:10,000
>> GOOD.

272
00:13:10,000 --> 00:13:11,000
THAT MEANS YOU'RE LEAVING.

273
00:13:11,000 --> 00:13:13,000
>> THAT WILL HAPPEN.

274
00:13:13,000 --> 00:13:14,000
NOW.

275
00:13:14,000 --> 00:13:28,000
[CRASH] >> NOW, LITTLE GUY'S

276
00:13:28,000 --> 00:13:30,000
CAMERAPHOBIC.

277
00:13:30,000 --> 00:13:32,000
SHOULD HAVE KNOWN.

278
00:13:32,000 --> 00:13:37,000
>> WHAT ARE THESE, THESE FORMULAS AND PAPERS?

279
00:13:37,000 --> 00:13:40,000
PAPERS ARE DRIVING ME CRAZY.

280
00:13:40,000 --> 00:13:42,000
CRAZY INTO THE NIGHT.

281
00:13:42,000 --> 00:13:47,000
[KNOCK ON DOOR] SKILLET, YOU'RE BACK.

282
00:13:47,000 --> 00:13:50,000
[SKILLET SQUEALING] WHERE HAVE YOU BEEN?

283
00:13:50,000 --> 00:13:53,000
[SQUEALING] WELL, TELL ME ABOUT THE

284
00:13:54,000 --> 00:13:55,000
NIGHTMARE.

285
00:13:55,000 --> 00:13:57,000
[SQUEALING] >> HOLY SHEE!

286
00:13:57,000 --> 00:13:59,000
>> GO DAMN!

287
00:13:59,000 --> 00:14:01,000
SHARK!

288
00:14:01,000 --> 00:14:02,000
>> WHAT'S NEW, RHODA?

289
00:14:02,000 --> 00:14:06,000
>> UH, NOTHING, UM, SIR.

290
00:14:06,000 --> 00:14:08,000
>> DRINK.

291
00:14:08,000 --> 00:14:11,000
>> YOU KNOW, UH, I'M A SHARK.

292
00:14:11,000 --> 00:14:12,000
>> YEAH, THANK YOU.

293
00:14:12,000 --> 00:14:14,000
>> I ATTACK WHEN I'M HUNGRY.

294
00:14:14,000 --> 00:14:17,000
IT'S INSTINCTUAL, YOU KNOW?

295
00:14:17,000 --> 00:14:19,000
>> MM-HMM, THANK YOU.

296
00:14:19,000 --> 00:14:22,000
>> IT'S LIKE ONE MINUTE I'M JUST HANGING OUT WATCHING

297
00:14:22,000 --> 00:14:27,000
LEMMINGS GO BY, LEMMINGS WHO MIGHT NEED MONEY--PROBABLY NOT,

298
00:14:27,000 --> 00:14:28,000
BUT YOU NEVER KNOW.

299
00:14:28,000 --> 00:14:31,000
PART OF ME JUST SAYS HEY, WHATEVER.

300
00:14:31,000 --> 00:14:34,000
AND THEN SOMETHING GOES OFF IN MY BRAIN AND SENDS AN IMPULSE TO

301
00:14:34,000 --> 00:14:36,000
MY JAW AND BAM!

302
00:14:36,000 --> 00:14:41,000
1,000 POUNDS OF PRESSURE LOCK IN LIKE A PRESS, YOU KNOW WHAT I

303
00:14:41,000 --> 00:14:43,000
MEAN?

304
00:14:43,000 --> 00:14:46,000
>> I KNOW WHAT YOU MEAN, AND THANK YOU.

305
00:14:46,000 --> 00:14:50,000
>> I MEAN, A HEAD YOUR SIZE WOULD BURST LIKE AN INFECTED

306
00:14:51,000 --> 00:14:52,000
KIDNEY.

307
00:14:52,000 --> 00:14:55,000
AND ALL I'D REMEMBER WAS HOW WARM THE JUICES WERE THAT LAPPED

308
00:14:55,000 --> 00:14:59,000
THE BACK OF MY UVULA ON THEIR TRIP DOWN TO STOMACHLAND.

309
00:14:59,000 --> 00:15:00,000
>> YES, SIR.

310
00:15:00,000 --> 00:15:01,000
>> BUT WE'RE FRIENDS, RIGHT?

311
00:15:01,000 --> 00:15:02,000
WE KNOW EACH OTHER.

312
00:15:03,000 --> 00:15:07,000
WE KNOW WHAT WE DO AND WHO WE TALK TO AND WHAT WE SAY TO THEM.

313
00:15:07,000 --> 00:15:09,000
>> WE DO.

314
00:15:09,000 --> 00:15:11,000
>> I KNEW WE DID.

315
00:15:11,000 --> 00:15:13,000
>> CHEETAH, MAMA.

316
00:15:13,000 --> 00:15:16,000
SLAP ME A SIS.

317
00:15:16,000 --> 00:15:19,000
>> NOW LET'S TALK ABOUT THE LETTER THAT LIQUOR GOT.

318
00:15:19,000 --> 00:15:21,000
[SQUEALING] >> THAT SOUNDS LIKE HE WAS A

319
00:15:21,000 --> 00:15:24,000
GOOD DANCER, BUT YET...

320
00:15:24,000 --> 00:15:30,000
[SQUEALING] THESE PAPERS ARE SUDDENLY

321
00:15:30,000 --> 00:15:35,000
USELESS, AND NOW I MUST BURN THEM...FOR A REASON I DON'T

322
00:15:35,000 --> 00:15:36,000
KNOW.

323
00:15:36,000 --> 00:15:40,000
[SQUEALING] I'M GETTING AN IDEA FROM YOUR

324
00:15:40,000 --> 00:15:46,000
YELLING MOUTH, YOUR SO YELLING MOUTH.

325
00:15:46,000 --> 00:15:51,000
[CRASH] WE'RE GONNA BE ROCK STARS.

326
00:15:51,000 --> 00:15:55,000
[SQUEALING] BUT FIRST, WE MUST BURGLE.

327
00:15:55,000 --> 00:16:02,000
[CRASH AND ALARM SOUNDS] OH, THERE'S A PRETTY AMP.

328
00:16:02,000 --> 00:16:12,000
[PLAYING ROCK MUSIC] >> WHAT SONG WAS THAT?

329
00:16:12,000 --> 00:16:19,000
[PLAYING ROCK MUSIC] >> WHAT SONG WAS THAT?

330
00:16:19,000 --> 00:16:23,000
BECAUSE IT TOTALLY ROCKS!

331
00:16:23,000 --> 00:16:29,000
[HUMMING] ROCK AND ROLL!

332
00:16:29,000 --> 00:16:31,000
>> IT'S CALLED "F" OFF.

333
00:16:31,000 --> 00:16:33,000
TO YOU.

334
00:16:33,000 --> 00:16:34,000
SO, TAKE A HINT.

335
00:16:34,000 --> 00:16:36,000
NO WAY!

336
00:16:36,000 --> 00:16:38,000
THIS IS...

337
00:16:38,000 --> 00:16:42,000
A GREAT SONG.

338
00:16:42,000 --> 00:16:49,000
[ALARM CONTINUES] BUT I'M HERE BECAUSE I'M...

339
00:16:49,000 --> 00:16:51,000
DID SOMEBODY BREAK IN HERE?

340
00:16:51,000 --> 00:16:54,000
>> WELL, IT WASN'T US.

341
00:16:54,000 --> 00:17:04,000
[PLAYING ROCK MUSIC] [ALARM CONTINUES]

342
00:17:04,000 --> 00:17:23,000
[PLAYING ROCK MUSIC] [ALARM CONTINUES]

343
00:17:23,000 --> 00:17:24,000
>> HEY! FELLAS!

344
00:17:24,000 --> 00:17:26,000
STOP! STOP IT!

345
00:17:26,000 --> 00:17:29,000
WHY, THAT THERE IS A MEAN BEAT, I'M TELLIN' YA.

346
00:17:29,000 --> 00:17:30,000
>> IT IS?

347
00:17:30,000 --> 00:17:31,000
>> YEAH, IT IS.

348
00:17:31,000 --> 00:17:33,000
IT WOULD SOUND GREAT ON MY RECORD LABEL.

349
00:17:33,000 --> 00:17:36,000
IN FACT, IT SHOULD ALREADY BE ON IT.

350
00:17:36,000 --> 00:17:37,000
WHERE ARE WE OUT ON THAT?

351
00:17:37,000 --> 00:17:39,000
>> YOU HAVE A RECORD LABEL?

352
00:17:39,000 --> 00:17:40,000
OR RECORD?

353
00:17:40,000 --> 00:17:42,000
>> YEAH, I DO.

354
00:17:42,000 --> 00:17:43,000
UP TOP.

355
00:17:43,000 --> 00:17:44,000
COME ON, LET'S TOUR.

356
00:17:44,000 --> 00:17:46,000
>> OH, HOLD IT, DUDE.

357
00:17:46,000 --> 00:17:47,000
>> HOLD IT YOURSELF, POPS.

358
00:17:47,000 --> 00:17:49,000
>> MAHA! ZINGER!

359
00:17:49,000 --> 00:17:52,000
>> ARE YOU THE ONE WHO BROKE IN HERE NOW?

360
00:17:52,000 --> 00:17:57,000
>> KID, I NEVER HAVE TO BREAK IN WHEN I AM IN THE NIM,

361
00:17:57,000 --> 00:17:58,000
YOU KNOW WHAT I'M SAYING?

362
00:17:58,000 --> 00:17:59,000
>> UM, NO.

363
00:17:59,000 --> 00:18:01,000
>> MY HEAD!

364
00:18:01,000 --> 00:18:05,000
[GURGLING] >> WHOA!

365
00:18:05,000 --> 00:18:08,000
IS THAT ICE CREAM?

366
00:18:08,000 --> 00:18:09,000
AWESOME.

367
00:18:09,000 --> 00:18:12,000
>> "YOUR DAD AND I SPENT OVER 10 YEARS AND $94,000 PUTTING

368
00:18:12,000 --> 00:18:15,000
TOGETHER MY MOSQUITO COSTUME, AND NOW I AM PLEASED TO ANNOUNCE

369
00:18:16,000 --> 00:18:18,000
THAT I HAVE BECOME A MOSQUITO.

370
00:18:18,000 --> 00:18:21,000
THE COSTUME IS QUITE REALISTIC, AND I HAVE EVEN ATTACHED

371
00:18:21,000 --> 00:18:24,000
BLADDERS TO THE NOSE THING, SO I CAN SUCK UP LIQUIDS WHEN I

372
00:18:24,000 --> 00:18:26,000
PUNCTURE THEM WITH MY NOSE THING.

373
00:18:27,000 --> 00:18:29,000
I COULD BE BUZZING ALL AROUND YOU ON A HOT SUMMER DAY, AND YOU

374
00:18:29,000 --> 00:18:31,000
WOULDN'T EVEN RECOGNIZE ME AS YOUR SON CHILD.

375
00:18:31,000 --> 00:18:34,000
YOU WOULD JUST THINK, "GET AWAY, MOSQUITO."

376
00:18:34,000 --> 00:18:37,000
FROM MY POINT OF VIEW, YOU WOULD BE 3,000 DADS BECAUSE OF THE WAY

377
00:18:37,000 --> 00:18:38,000
I'VE DESIGNED THE EYEBALLS.

378
00:18:38,000 --> 00:18:41,000
I MIGHT BE SAYING, "DAD, IT'S ME; DAD, IT'S ME," BUT YOU

379
00:18:41,000 --> 00:18:43,000
WOULDN'T BE ABLE TO UNDERSTAND MY LANGUAGE BECAUSE OF ITS

380
00:18:44,000 --> 00:18:45,000
BUZZING.

381
00:18:45,000 --> 00:18:46,000
I'M ALSO INTO PLASTICS NOW.

382
00:18:46,000 --> 00:18:50,000
I AM MAKING PLASTIC TUBES THAT YOU CAN SUCK LIQUIDS THROUGH,

383
00:18:50,000 --> 00:18:53,000
KIND OF LIKE MY MOSQUITO NOSE, BUT USED FOR DIFFERENT REASONS.

384
00:18:53,000 --> 00:18:55,000
HOPE YOU'RE DOING WELL AT CAMP.

385
00:18:55,000 --> 00:18:56,000
SEE YOU SOON."

386
00:18:56,000 --> 00:18:59,000
MOS--MOSQUITO--MOSQUITOR?

387
00:18:59,000 --> 00:19:01,000
MOSQUITING.

388
00:19:01,000 --> 00:19:03,000
I DON'T KNOW WHO THAT IS.

389
00:19:04,000 --> 00:19:05,000
>> WHAT'S THIS?

390
00:19:05,000 --> 00:19:06,000
>> MY NEW RECORD.

391
00:19:06,000 --> 00:19:08,000
IT'S CALLED, UM..."F-OFF."

392
00:19:08,000 --> 00:19:09,000
>> IS IT GOOD?

393
00:19:09,000 --> 00:19:10,000
>> MM-HMM.

394
00:19:10,000 --> 00:19:13,000
>> SO YOU'VE BEEN MAKING RECORDS?

395
00:19:13,000 --> 00:19:14,000
>> NO.

396
00:19:14,000 --> 00:19:17,000
>> 'CAUSE, UH, I'VE ALWAYS KIND OF WANTED TO BE IN A BAND.

397
00:19:17,000 --> 00:19:18,000
>> NO WAY.

398
00:19:18,000 --> 00:19:19,000
WHAT DO YOU PLAY?

399
00:19:19,000 --> 00:19:22,000
>> I PLAY, UH, WITH MINDS.

400
00:19:22,000 --> 00:19:24,000
SHH!

401
00:19:24,000 --> 00:19:26,000
GO HOME AND THINK ABOUT THAT.

402
00:19:26,000 --> 00:19:29,000
AND DON'T LOOK UNDER YOUR BED.

403
00:19:30,000 --> 00:19:40,000
[JAMMING ON DRUMS] [WATER RUNNING]

404
00:19:40,000 --> 00:19:57,000
[JAMMING ON DRUMS] [WATER RUNNING]

405
00:19:57,000 --> 00:20:03,000
[TELEPHONE RINGS] [RING]

406
00:20:03,000 --> 00:20:05,000
[RING] [BEEP]

407
00:20:06,000 --> 00:20:07,000
>> HELLO.

408
00:20:07,000 --> 00:20:09,000
>> DID YOU FIND MY RECORD?

409
00:20:09,000 --> 00:20:12,000
YOU FOUND IT, DIDN'T YOU?

410
00:20:12,000 --> 00:20:13,000
NOW, SPIN IT.

411
00:20:14,000 --> 00:20:18,000
>> ♪ 12-OUNCE MOUSE 12-OUNCE MOUSE

412
00:20:18,000 --> 00:20:22,000
12-OUNCE MOUSE 12-OUNCE MOUSE

413
00:20:22,000 --> 00:20:27,000
12-OUNCE MOUSE 12-OUNCE MOUSE

414
00:20:27,000 --> 00:20:30,000
12-OUNCE MOUSE 12-OUNCE MOUSE

415
00:20:30,000 --> 00:20:32,000
[CAPTIONING MADE POSSIBLE BY TURNER ENTERTAINMENT GROUP]

416
00:20:32,000 --> 00:20:35,000
[CAPTIONED BY THE NATIONAL CAPTIONING INSTITUTE

417
00:20:35,000 --> 00:20:42,000
--www.ncicap.org--] [CLATTERED RINGING]