1 00:00:05,390 --> 00:00:08,250 My name is Thomas Vail, or at least it was. 2 00:00:08,790 --> 00:00:09,790 I'm a photographer. 3 00:00:10,470 --> 00:00:14,090 I had it all. A wife, a husband, a friend, a career. 4 00:00:15,030 --> 00:00:17,710 And in one moment, it was taken away. 5 00:00:18,350 --> 00:00:20,070 All because of a single photograph. 6 00:00:20,290 --> 00:00:21,290 I have it. 7 00:00:21,330 --> 00:00:22,330 They want it. 8 00:00:22,710 --> 00:00:25,210 And they will do anything to get the negative. 9 00:00:28,290 --> 00:00:32,009 I am keeping this diary as proof that these events are real. 10 00:00:32,590 --> 00:00:33,590 I know they are. 11 00:00:34,040 --> 00:00:35,040 They have to be. 12 00:00:36,480 --> 00:00:41,440 When my life was taken, I was incarcerated at Callaway Psychiatric 13 00:00:41,580 --> 00:00:44,800 There was one person who seemed to know something about the nightmare that 14 00:00:44,800 --> 00:00:46,340 awaited me. His name was Dave Powers. 15 00:00:46,860 --> 00:00:47,860 Called himself Eddie. 16 00:00:48,200 --> 00:00:51,440 For the last two months, I've been trying to find some connection to him, 17 00:00:51,440 --> 00:00:53,380 is, where he came from, family and friends. 18 00:00:53,660 --> 00:00:57,760 And what I've come up with is an old military record and phone book listings 19 00:00:57,760 --> 00:01:00,960 more than 100 Dave Powers in two dozen cities. 20 00:01:02,000 --> 00:01:04,060 The first 14 have been dead ends. 21 00:01:04,519 --> 00:01:06,860 This is the fifth city in the 15th name. 22 00:01:07,380 --> 00:01:11,960 I'm hoping, I'm always hoping, that my luck's about to change. 23 00:01:42,030 --> 00:01:43,030 Excuse me. 24 00:01:44,030 --> 00:01:45,030 Excuse me. 25 00:01:51,970 --> 00:01:56,150 20 bucks for an overnighter. 10 if you can finish your business in under an 26 00:01:56,150 --> 00:01:57,150 hour. 27 00:01:58,430 --> 00:01:59,430 Yeah? 28 00:01:59,910 --> 00:02:00,910 What about it? 29 00:02:01,410 --> 00:02:02,510 Do you know this man? 30 00:02:03,230 --> 00:02:04,810 I know a lot of people. 31 00:02:05,410 --> 00:02:07,390 Don't know that I know what I know, though. 32 00:02:12,680 --> 00:02:14,840 Well, maybe this will help. 33 00:02:15,700 --> 00:02:17,720 I know him. He's a head case. 34 00:02:18,440 --> 00:02:23,360 Always walking around with two eyes behind his head and looking over his 35 00:02:23,360 --> 00:02:25,560 shoulders as if maybe somebody's about to jump on him. 36 00:02:26,840 --> 00:02:27,840 Were they? 37 00:02:28,940 --> 00:02:30,620 You ever see anybody following him? 38 00:02:30,900 --> 00:02:32,400 I mean, anyone asking questions? 39 00:02:33,080 --> 00:02:34,560 Not until you showed up. 40 00:02:35,540 --> 00:02:39,240 This is almost getting to be more of a problem to keep him than to throw him 41 00:02:39,240 --> 00:02:40,240 on his ear. 42 00:02:40,740 --> 00:02:41,780 So why didn't you? 43 00:02:42,360 --> 00:02:46,120 How many people you know pay a year's tab in advance? 44 00:02:47,460 --> 00:02:49,120 And he paid you a year in advance? 45 00:02:49,460 --> 00:02:52,360 Only thing kept him out of the hatch, as far as I'm concerned. 46 00:02:55,600 --> 00:02:56,840 How long ago was this? 47 00:02:57,780 --> 00:02:58,780 About nine months. 48 00:03:03,860 --> 00:03:05,220 I want the key to his room. 49 00:04:04,239 --> 00:04:05,960 Raul, did Nancy change tables? 50 00:04:06,840 --> 00:04:07,840 Excuse me? 51 00:04:08,560 --> 00:04:09,700 Nancy, as in my wife? 52 00:04:10,060 --> 00:04:12,620 Good smile, great legs, lousy tipper. 53 00:04:13,100 --> 00:04:14,100 She's not at our table. 54 00:04:14,480 --> 00:04:15,480 I'm sorry, sir. 55 00:04:15,780 --> 00:04:17,220 I don't know who you're talking about. 56 00:04:17,500 --> 00:04:19,120 Sir? What, are you kidding? 57 00:04:19,700 --> 00:04:21,160 We were at that table over there. 58 00:04:21,620 --> 00:04:22,620 Two of the people there. 59 00:04:23,920 --> 00:04:26,100 Mr. and Mrs. Charney have said that booth's reserved. 60 00:04:26,580 --> 00:04:27,580 Every Thursday. 61 00:04:27,800 --> 00:04:29,440 For the last ten years. 62 00:04:34,620 --> 00:04:37,720 So where is she? Sir, perhaps if you'd come to the front desk? 63 00:04:38,140 --> 00:04:39,140 The joke's over. 64 00:04:39,360 --> 00:04:42,740 So where is she? The joke's over, Raoul. Where is she? 65 00:04:43,460 --> 00:04:47,540 I'm afraid I'm going to have to ask you to leave the restaurant. 66 00:04:47,920 --> 00:04:51,740 I'm not leaving the restaurant, Raoul, until I find my wife, Nancy. 67 00:04:52,720 --> 00:04:53,659 Nancy, it's me. 68 00:04:53,660 --> 00:04:54,660 Open up. 69 00:04:59,330 --> 00:05:04,390 Conversation's over, friend. You either turn and leave, or we'll carry you out 70 00:05:04,390 --> 00:05:05,390 of here. 71 00:08:02,330 --> 00:08:03,510 We have speed. 72 00:08:04,070 --> 00:08:05,070 Rolling. 73 00:08:06,670 --> 00:08:07,970 Take two. Marker. 74 00:08:08,990 --> 00:08:09,990 B mark. 75 00:08:17,870 --> 00:08:19,270 And action. 76 00:08:20,510 --> 00:08:21,510 All right. 77 00:08:21,770 --> 00:08:22,770 Talk to me. 78 00:08:23,570 --> 00:08:25,010 I don't know what you want me to say. 79 00:08:25,330 --> 00:08:26,330 Come on, Nancy. 80 00:08:26,450 --> 00:08:27,890 What are the rules of the game here? 81 00:08:28,250 --> 00:08:29,650 Who put you up to this? 82 00:08:30,510 --> 00:08:32,970 I don't know what you're talking about. Cut the crap, okay? 83 00:08:34,070 --> 00:08:35,750 It's about the photograph, isn't it? 84 00:08:36,090 --> 00:08:39,610 There's no way you could have gotten into my bank account and changed the 85 00:08:39,610 --> 00:08:40,610 all by yourself. 86 00:08:40,929 --> 00:08:42,110 Who are they, Allison? 87 00:08:43,730 --> 00:08:44,730 All right. 88 00:08:46,730 --> 00:08:48,910 They told me that if I said anything, they'd kill you. 89 00:08:49,170 --> 00:08:49,929 But who? 90 00:08:49,930 --> 00:08:50,930 Who are they? 91 00:08:52,450 --> 00:08:53,630 I don't know. Some men. 92 00:08:54,070 --> 00:08:54,829 But who? 93 00:08:54,830 --> 00:08:57,750 Government? Military? What did they say? I didn't want to put you in this 94 00:08:57,750 --> 00:08:58,750 situation. Them. 95 00:08:59,850 --> 00:09:03,510 I'm sorry. Did he have to grab me like that? Because I spent a long time on my 96 00:09:03,510 --> 00:09:05,350 hair, and that just totally ruins it. 97 00:09:06,530 --> 00:09:10,990 Angie, this scene is crucial to the plot, okay? 98 00:09:11,290 --> 00:09:12,790 No, no, no, no. Just think about it. 99 00:09:13,090 --> 00:09:17,170 The night before, Lenny's just seen you with another man posing as your husband. 100 00:09:17,530 --> 00:09:21,330 He's got to get you alone to try to get some answers. He's desperate. 101 00:09:22,050 --> 00:09:23,810 I don't think he's worrying about your hair. 102 00:09:24,670 --> 00:09:27,150 Okay, fine. I will just look like crap for the rest of the show. 103 00:09:27,450 --> 00:09:29,010 And look, forget about her hair. 104 00:09:30,600 --> 00:09:32,340 I got a problem with this whole damn scene. 105 00:09:33,100 --> 00:09:34,780 Popping up out of the backseat of a car. 106 00:09:35,060 --> 00:09:36,620 How predictable can you get? 107 00:09:38,260 --> 00:09:41,720 You got a problem with predictable, is that it? Yeah. Yeah, I do. 108 00:09:42,240 --> 00:09:44,180 Oh, to hell with you, Robert. You're fired. 109 00:09:44,420 --> 00:09:46,360 Get off of my set. Get out of the building. 110 00:09:48,440 --> 00:09:51,140 Hey, you don't have the power to fire me. 111 00:09:51,960 --> 00:09:53,200 This isn't even your show. 112 00:09:53,540 --> 00:09:54,640 You get this straight, Phil. 113 00:09:55,160 --> 00:09:56,220 I am Lenny Little. 114 00:09:56,980 --> 00:09:59,560 You toss me, you toss the whole series. Okay, okay, that's it. 115 00:09:59,980 --> 00:10:01,300 That's it. That's predictable. 116 00:10:01,700 --> 00:10:03,540 You know why? Because it's real. 117 00:10:04,100 --> 00:10:09,000 Because when something somebody wants very much is suddenly taken away, 118 00:10:09,000 --> 00:10:10,400 going to fight like hell to get it back. 119 00:10:10,920 --> 00:10:14,280 Even to the point of popping up in the backseat of a car. 120 00:10:14,900 --> 00:10:15,900 You got it? 121 00:10:20,240 --> 00:10:21,520 Yeah. Yeah, okay. 122 00:10:22,480 --> 00:10:23,480 Maybe you have a point. 123 00:10:23,640 --> 00:10:24,640 Thank you. 124 00:10:25,080 --> 00:10:26,800 Now, you think we can do this scene? 125 00:10:27,120 --> 00:10:28,380 Maybe make our air date? 126 00:10:29,260 --> 00:10:30,260 Actors. 127 00:10:31,000 --> 00:10:32,700 All right, take five, everybody. 128 00:10:34,180 --> 00:10:35,180 Back to one. 129 00:10:36,000 --> 00:10:39,920 Was that a line Lee Strasberg had in The Godfather? This is a profession we have 130 00:10:39,920 --> 00:10:40,920 chosen. 131 00:10:44,200 --> 00:10:46,040 You're one of Angie's guys, right? 132 00:10:47,200 --> 00:10:50,340 How do you know all this? You all look alike. You're about that tall, good 133 00:10:50,340 --> 00:10:52,180 -looking. No, no, I mean about the show. 134 00:10:54,260 --> 00:10:55,440 How do you know about all this? 135 00:10:55,740 --> 00:10:56,740 Who are you people? 136 00:10:58,750 --> 00:11:02,650 Look, buddy, this is a closed set. If you're not with... Listen, I asked you a 137 00:11:02,650 --> 00:11:06,410 question. What the hell are you people doing here? How do you know all this? 138 00:11:06,770 --> 00:11:09,930 I mean, Allison in the car, the scene in the restaurant. 139 00:11:10,910 --> 00:11:11,950 It's called a script. 140 00:11:13,310 --> 00:11:17,670 Lots of pages full of little words to tell the actors what to say. Look, pal, 141 00:11:17,790 --> 00:11:19,970 I'm just a director. I just interpret. 142 00:11:20,250 --> 00:11:23,010 You got a problem with the script, you take it up with Max Webb. 143 00:11:23,370 --> 00:11:24,370 Who's Max Webb? 144 00:11:24,650 --> 00:11:26,950 He's the writer -producer of this extravaganza. 145 00:11:28,140 --> 00:11:32,080 Are we through with the emotion here? I got a future to dream about again. 146 00:11:45,480 --> 00:11:47,460 Hey, that's my script. 147 00:12:40,569 --> 00:12:43,290 So, Lenny is sitting there in a straightjacket opposite Dr. 148 00:12:43,690 --> 00:12:47,410 Landers. Now, Landers is one of those friendly, benign types. 149 00:12:53,510 --> 00:12:54,590 I've got a buzzer. 150 00:12:55,890 --> 00:12:56,890 I used it. 151 00:12:57,030 --> 00:13:00,630 Look, this is a really bad time. If this is about my ex... Who do you work for? 152 00:13:02,450 --> 00:13:04,870 Who the hell are you? I said, who do you work for? 153 00:13:05,670 --> 00:13:06,830 I work for the government. 154 00:13:09,290 --> 00:13:12,310 Two ex -wives and the bank. It's the American dream. 155 00:13:12,530 --> 00:13:13,530 What are you, a fan? 156 00:13:13,810 --> 00:13:15,650 You know damn well who I am. 157 00:13:16,970 --> 00:13:21,230 Just what point do you think you're trying to make? I don't know. 158 00:13:21,450 --> 00:13:25,270 Okay, I think it has something to do with identity. 159 00:13:25,790 --> 00:13:31,610 You know, the individual against the oppressive, faceless society. But I 160 00:13:31,610 --> 00:13:33,730 know whether I'm making my point very well. 161 00:13:34,870 --> 00:13:36,210 Cut the crap, Webb. 162 00:13:37,629 --> 00:13:40,370 You're replaying scenes from my life. I want to know why. 163 00:13:40,970 --> 00:13:43,070 I suppose I'll take that as a compliment. 164 00:13:44,490 --> 00:13:45,490 Wasn't that his one? 165 00:13:45,650 --> 00:13:48,330 Well, I've obviously struck a nerve somewhere. 166 00:13:48,870 --> 00:13:51,530 I mean, if you identify with Lenny, I've done a good job. 167 00:13:52,050 --> 00:13:55,590 If you identify with Lenny enough to find out where I live, break into my 168 00:13:55,690 --> 00:13:59,110 well, hell, I'm a writer. Sue me, I'm flattered. 169 00:13:59,410 --> 00:14:01,890 I just want to know what you think you're trying to prove. 170 00:14:02,750 --> 00:14:04,770 See, I don't know. 171 00:14:05,370 --> 00:14:06,710 I don't know. Okay. 172 00:14:07,530 --> 00:14:13,310 I think that what I'm trying to prove is that Lenny doesn't have a choice. 173 00:14:14,730 --> 00:14:16,130 You sure about that? 174 00:14:17,930 --> 00:14:20,090 Hey, I'm the writer. 175 00:14:20,730 --> 00:14:21,730 Okay, okay. 176 00:14:22,050 --> 00:14:23,910 Take this week's episode, for example. 177 00:14:24,490 --> 00:14:28,150 Lenny actually thinks that he's going to find all of the answers to all of his 178 00:14:28,150 --> 00:14:32,410 questions. You know, I mean, he's traveled 1 ,200 miles actually believing 179 00:14:32,410 --> 00:14:35,670 he's going to get to the bottom of things. And then, by the time that he 180 00:14:35,670 --> 00:14:36,670 there, whammo! 181 00:14:37,740 --> 00:14:39,720 You know, they're already one step ahead of him. 182 00:14:42,980 --> 00:14:46,400 I'm telling you, he's becoming predictable. 183 00:14:48,740 --> 00:14:50,040 Maybe he's doing it on purpose. 184 00:14:54,520 --> 00:14:57,000 To give the opposition a false sense of confidence. 185 00:14:59,300 --> 00:15:02,780 Hey, hey, ooh, ooh, ooh, that's a good idea. Ooh, that's good. 186 00:15:03,060 --> 00:15:04,620 Ooh, that's good. Okay, note. 187 00:15:05,349 --> 00:15:07,470 Idea for a way around Lenny's predictability. 188 00:15:07,950 --> 00:15:09,730 Maybe he's doing this on purpose. 189 00:15:13,530 --> 00:15:14,530 No. 190 00:15:15,270 --> 00:15:19,330 No, because, you see, okay, the thing is, you see, I've made the heavies too 191 00:15:19,330 --> 00:15:20,330 good. 192 00:15:22,210 --> 00:15:23,530 Downright brilliant, actually. 193 00:15:25,990 --> 00:15:27,670 They're just not that easily fooled. 194 00:15:29,910 --> 00:15:30,910 Neither is he. 195 00:15:31,400 --> 00:15:35,780 Yeah, but Lenny is Lenny's one guy. He's one guy. The opposition, they've got 196 00:15:35,780 --> 00:15:37,480 the means, they've got the money. 197 00:15:38,860 --> 00:15:41,100 Well, maybe you underestimate your leading man. 198 00:15:43,440 --> 00:15:48,960 No, I know exactly who Lenny is and what he's capable of. 199 00:15:52,620 --> 00:15:55,300 Lenny's in hell until he gives them what they want. 200 00:15:56,900 --> 00:15:59,180 And there's nothing he can do about it. 201 00:16:13,150 --> 00:16:14,150 Yeah, okay, sure. 202 00:16:15,670 --> 00:16:16,690 Yeah, okay, yeah, I will. 203 00:16:19,730 --> 00:16:20,730 Mmm. 204 00:16:20,850 --> 00:16:22,870 Oh, this stuff's got legs. 205 00:16:23,090 --> 00:16:24,250 I'm gonna go get a fresh batch. 206 00:16:59,340 --> 00:17:00,259 with a thousand questions. 207 00:17:00,260 --> 00:17:01,400 Who are you? What do you want? 208 00:17:01,620 --> 00:17:04,960 You know, he gets answers, but none of them are satisfying. 209 00:17:06,200 --> 00:17:11,500 So the writer gets up, he walks into the kitchen, and he takes a beat, thinks 210 00:17:11,500 --> 00:17:14,800 over his alternatives, but he can't resist. 211 00:17:16,160 --> 00:17:20,579 He's got to know what the guy is up to, so he crosses to the dictaphone, and he 212 00:17:20,579 --> 00:17:22,500 plays back a section of the tape. 213 00:17:31,530 --> 00:17:32,530 This is over. 214 00:17:36,190 --> 00:17:41,370 Not that I don't appreciate the occasional interruption, but I've got 215 00:17:41,370 --> 00:17:42,370 do. 216 00:17:42,870 --> 00:17:45,570 I wrote the scene, my friend. I know how it ends. 217 00:17:48,450 --> 00:17:52,210 Oh, and don't overestimate your value. I will use this. 218 00:17:55,570 --> 00:17:58,510 Now, get up. 219 00:18:06,570 --> 00:18:08,610 Hey, enjoy the show. 220 00:18:09,710 --> 00:18:11,390 You might learn something. 221 00:18:45,160 --> 00:18:46,160 Simmons? 222 00:18:46,220 --> 00:18:47,220 It's Max. 223 00:18:47,860 --> 00:18:48,860 Yeah, he was just here. 224 00:18:49,840 --> 00:18:51,740 No, no, no, no. Everything went according to plan. 225 00:18:52,940 --> 00:18:53,940 Yeah. 226 00:19:28,200 --> 00:19:32,600 All Springwood residents, there's been an unauthorized entry in building one. 227 00:19:32,940 --> 00:19:35,240 Lock the door. Stay inside. 228 00:19:35,700 --> 00:19:37,420 Security has been dispatched. 229 00:19:45,580 --> 00:19:46,940 Come on, come on. 230 00:19:47,360 --> 00:19:51,060 Allegra International. Good morning. Can I help you? Where are you located? 231 00:19:51,600 --> 00:19:52,800 Who's calling, please? 232 00:19:53,580 --> 00:19:54,580 Max Webb. 233 00:19:55,160 --> 00:19:56,340 Please hold, sir. 234 00:19:58,320 --> 00:20:00,460 Attention all Springwood residents. 235 00:20:00,840 --> 00:20:03,900 There's been an unauthorized movement in building one. 236 00:20:04,140 --> 00:20:06,620 Lock your doors and stay silent. 237 00:20:49,600 --> 00:20:51,000 Yes. 238 00:21:04,740 --> 00:21:06,500 Okay, I can have him return your call. 239 00:21:07,500 --> 00:21:08,500 Can I help you? 240 00:21:09,420 --> 00:21:11,320 Yeah, I'm here to see Mr. Simmons. 241 00:21:11,520 --> 00:21:12,520 Do you have an appointment? 242 00:21:13,120 --> 00:21:16,480 No. It's going to take a minute. I'm sorry, but Mr. Simmons can only be seen 243 00:21:16,480 --> 00:21:17,480 appointment. 244 00:21:17,500 --> 00:21:19,840 Right there. Mr. Simmons. All right, well, how do I make it? 245 00:21:21,140 --> 00:21:22,140 Mr. Simmons? Yeah. 246 00:21:22,380 --> 00:21:25,000 If you'd like to leave your name and number, I can have someone get back to 247 00:21:25,060 --> 00:21:25,859 All right, okay. 248 00:21:25,860 --> 00:21:26,860 Thank you. 249 00:21:27,060 --> 00:21:28,660 You're at 3 o 'clock tomorrow. You have to be moving. 250 00:21:36,610 --> 00:21:41,190 I want to get this all ramped up. I want every project on my desk by six. I 251 00:21:41,190 --> 00:21:42,510 won't be back, but I want it back. 252 00:21:42,830 --> 00:21:49,070 Got a four o 'clock haircut. 253 00:21:49,390 --> 00:21:51,290 Somebody tell Sally to confirm with Oscar. 254 00:21:51,510 --> 00:21:52,750 I'll take care of it, Mr. Simmons. 255 00:22:09,420 --> 00:22:10,420 Oh, my God. 256 00:22:11,780 --> 00:22:12,780 Hey, 257 00:22:13,140 --> 00:22:15,660 mister, are you... Are you okay, man? I didn't even... 258 00:22:15,660 --> 00:22:23,000 Frank! 259 00:22:26,420 --> 00:22:33,420 What the... Who are you? What do you 260 00:22:33,420 --> 00:22:37,020 want? Who are you, what is Allegra, and what is your connection to Max Webb? 261 00:22:37,689 --> 00:22:38,730 That's a lot of questions. 262 00:22:38,970 --> 00:22:39,970 Talk to me, Simmons. 263 00:22:40,270 --> 00:22:41,290 Or watch you kill me. 264 00:22:41,570 --> 00:22:42,670 You don't have it in you. 265 00:22:43,770 --> 00:22:46,610 I didn't have it in me. Things happen. People change. 266 00:22:47,590 --> 00:22:48,590 Who are you? 267 00:22:49,090 --> 00:22:50,390 You know I can't tell you that. 268 00:22:51,990 --> 00:22:52,990 We'll see. 269 00:23:12,590 --> 00:23:14,390 You think if you kill me, it'll stop? 270 00:23:14,690 --> 00:23:15,690 I don't know. 271 00:23:15,930 --> 00:23:16,930 Maybe not. 272 00:23:17,010 --> 00:23:19,970 Maybe it'll just give me some pleasure knowing I've taken one of you bastards 273 00:23:19,970 --> 00:23:20,970 out. 274 00:23:23,230 --> 00:23:24,230 Isn't that funny? 275 00:23:24,610 --> 00:23:28,190 How do you know that killing me isn't exactly the move they want you to make? 276 00:23:33,290 --> 00:23:34,590 You're in over your head. 277 00:23:48,560 --> 00:23:49,560 Not for you, Pally. 278 00:24:49,260 --> 00:24:50,219 What can I get you? 279 00:24:50,220 --> 00:24:52,780 Oh, uh, some cold would be great. 280 00:24:53,260 --> 00:24:54,560 Beer, iced tea, lemonade? 281 00:24:55,160 --> 00:24:56,160 Lemonade's fine. 282 00:24:58,100 --> 00:24:59,100 You okay, buddy? 283 00:25:02,020 --> 00:25:03,020 Yeah, I'm fine. 284 00:25:11,360 --> 00:25:14,120 What do you work for? What's your connection to Max Webb? 285 00:25:15,080 --> 00:25:16,080 That's a lot of questions. 286 00:25:16,260 --> 00:25:17,980 Talk to me, Reichardt. For what? 287 00:25:18,400 --> 00:25:19,400 You gonna kill me? 288 00:25:19,580 --> 00:25:20,660 You don't have it in you. 289 00:25:21,040 --> 00:25:22,240 Yeah, I didn't have it in me. 290 00:25:22,440 --> 00:25:24,060 Things happen. People change. 291 00:25:24,340 --> 00:25:25,340 This thing again? 292 00:25:25,460 --> 00:25:28,380 Where the hell did it come from? Some kind of a pirate broadcast. 293 00:25:29,060 --> 00:25:30,860 I heard a rumor they do it down in Mexico. 294 00:25:31,400 --> 00:25:32,400 Hey, leave it. 295 00:25:32,780 --> 00:25:33,780 It's good. 296 00:25:35,680 --> 00:25:36,680 Who are you? 297 00:25:37,000 --> 00:25:38,160 You know I can't tell you that. 298 00:25:39,100 --> 00:25:40,780 You think if you kill me it'll stop? 299 00:25:41,580 --> 00:25:43,520 You're in over here. Just what they'd expect you to do. 300 00:25:45,000 --> 00:25:48,860 I just don't get why he does what they expect him to do all the time. You ask 301 00:25:48,860 --> 00:25:53,240 me, when he keeps up like this, he's one dead puppy. 302 00:26:17,800 --> 00:26:22,020 I don't know what I expected to find when I came looking for pieces of 303 00:26:22,020 --> 00:26:23,020 life. 304 00:26:23,280 --> 00:26:26,080 What I found was as mysterious as the man himself. 305 00:26:47,710 --> 00:26:49,430 I know those heartfelt lips. 306 00:26:49,930 --> 00:26:53,870 I've been misdeaf -caught by these psychic groups. 307 00:26:57,910 --> 00:27:04,810 Running from myself and the race is nipping tough. If love's a lady and love 308 00:27:04,810 --> 00:27:07,690 is blind, for argument, what's blind love? 309 00:27:07,890 --> 00:27:10,230 Can't wait for a plan to align. 310 00:27:10,430 --> 00:27:12,230 Can't wait for me to reign. 311 00:27:12,710 --> 00:27:15,150 I need someone to tell me. 312 00:27:16,110 --> 00:27:18,270 Luck's about to change. 313 00:28:51,980 --> 00:28:54,140 What the hell is this place, Eddie? 314 00:29:04,580 --> 00:29:06,260 Sort of a shame, don't you think? 315 00:29:10,700 --> 00:29:13,200 At one time or another, all this seemed really important. 316 00:29:14,280 --> 00:29:18,180 Everyone here meant enough to someone to justify all this paperwork. 317 00:29:20,110 --> 00:29:21,590 You take Dave Powers, for instance. 318 00:29:22,850 --> 00:29:24,050 He put up a good fight. 319 00:29:25,710 --> 00:29:26,710 He lost. 320 00:29:27,110 --> 00:29:31,030 And now, he's done so much useless paper. 321 00:29:34,290 --> 00:29:35,670 What do you want from me? 322 00:29:36,750 --> 00:29:38,210 I thought we'd already been over that. 323 00:29:38,690 --> 00:29:40,150 Well, I'm a slow learner. 324 00:29:40,890 --> 00:29:42,290 I doubt that. 325 00:29:43,530 --> 00:29:44,530 Where are the negatives? 326 00:29:46,810 --> 00:29:48,250 Why are they so important? 327 00:29:49,050 --> 00:29:50,050 They're not. 328 00:29:50,830 --> 00:29:51,830 You are. 329 00:29:59,250 --> 00:30:01,010 Maybe you can refresh my memory. 330 00:30:01,490 --> 00:30:04,270 You see, it's an attitude like that that keeps getting you into trouble. 331 00:30:05,490 --> 00:30:07,610 Don't you realize there's no future in running? 332 00:30:07,870 --> 00:30:09,310 Well, I've done okay so far. 333 00:30:09,630 --> 00:30:10,630 Oh, is that so? 334 00:30:11,570 --> 00:30:12,990 What makes you so sure of that? 335 00:30:15,070 --> 00:30:16,070 Well, uh... 336 00:30:17,420 --> 00:30:21,480 I'm here where I want to be, not back in Calloway where you want me to be. 337 00:30:21,760 --> 00:30:22,860 Then what am I doing here? 338 00:30:23,780 --> 00:30:26,000 Did you really think we didn't know about Mr. Powers? 339 00:30:26,720 --> 00:30:28,740 That we didn't know you'd come looking for him? 340 00:30:30,360 --> 00:30:32,980 Like I said, predictable. 341 00:30:37,320 --> 00:30:38,580 Unless I just walk away. 342 00:30:40,220 --> 00:30:41,380 It doesn't matter now. 343 00:30:45,260 --> 00:30:46,260 You've seen to that. 344 00:30:47,720 --> 00:30:48,980 Yeah, but you can't walk away. 345 00:30:50,440 --> 00:30:51,440 You never could. 346 00:30:52,120 --> 00:30:54,940 You just gotta dig till you get all the answers, don't you? 347 00:30:56,000 --> 00:30:57,000 No, sir. 348 00:30:58,560 --> 00:31:01,980 No. I'm afraid what I said before was the truth. 349 00:31:03,600 --> 00:31:09,240 When a person is driven, when something is so desperately important to him, 350 00:31:09,700 --> 00:31:12,360 he becomes predictable. 351 00:31:13,540 --> 00:31:14,960 And that's your basic problem. 352 00:31:17,800 --> 00:31:24,320 And your basic problem is thinking you can get everybody to play your game. 353 00:31:25,160 --> 00:31:27,800 Well, most people. 354 00:31:32,260 --> 00:31:33,860 Well, we all make our choices. 355 00:31:49,930 --> 00:31:54,090 So if I were to tell you that right now, right at your feet, was the last 356 00:31:54,090 --> 00:31:59,750 episode of The Lenny Little Show, you're telling me you could just walk away, 357 00:31:59,870 --> 00:32:00,789 huh? 358 00:32:00,790 --> 00:32:02,330 What difference does it make to me? 359 00:32:04,570 --> 00:32:07,410 You're my biggest fan. 360 00:32:09,290 --> 00:32:11,450 No one else watches with your enthusiasm. 361 00:32:13,170 --> 00:32:17,310 See, this is the episode where Lenny finds out all the answers to all of his 362 00:32:17,310 --> 00:32:18,310 questions. 363 00:32:19,400 --> 00:32:20,400 The where. 364 00:32:21,140 --> 00:32:22,140 The why. 365 00:32:23,400 --> 00:32:24,400 The who. 366 00:32:26,600 --> 00:32:27,700 It's the moment of truth. 367 00:33:28,699 --> 00:33:29,699 Hey! 368 00:33:32,160 --> 00:33:33,160 Hey, hi! 369 00:33:34,000 --> 00:33:35,000 Come here. 370 00:33:35,060 --> 00:33:37,320 You're the guy I saw the other day on the set. Come on over. 371 00:33:37,560 --> 00:33:38,560 Come on, sit down. 372 00:33:38,900 --> 00:33:39,900 Hi. 373 00:33:42,160 --> 00:33:43,160 Hey, 374 00:33:44,880 --> 00:33:45,789 have you read this? 375 00:33:45,790 --> 00:33:47,230 Uh, no, no, not yet. 376 00:33:47,450 --> 00:33:52,070 It's a total bummer, trust me. They got Lenny with this gas that, like, makes 377 00:33:52,070 --> 00:33:53,370 him docile and helpless. 378 00:33:53,750 --> 00:33:57,790 It's like a chemical lobotomy. I mean, just read the end. I just can't believe 379 00:33:57,790 --> 00:33:58,790 that Lenny fell for it. 380 00:34:02,770 --> 00:34:09,570 What happened? 381 00:34:09,810 --> 00:34:13,830 Okay, he breaks into this big corporate place, a leg or electric something. 382 00:34:14,150 --> 00:34:15,150 Allegra? Yes. 383 00:34:15,600 --> 00:34:16,600 That's it. That's it. 384 00:34:16,840 --> 00:34:18,300 Wait, I thought you said you didn't read it. 385 00:34:19,920 --> 00:34:23,580 Okay. Well, anyway. Okay, so there's Lenny with all these ropes, and he's, 386 00:34:23,580 --> 00:34:26,540 scaling up the outside of this building, which is totally out of character 387 00:34:26,540 --> 00:34:27,840 because he's a photographer. 388 00:34:29,600 --> 00:34:33,320 He's a photojournalist. He's seen a lot of military action, and it's completely 389 00:34:33,320 --> 00:34:34,320 out of character. 390 00:34:35,060 --> 00:34:37,420 Wow, you totally, like, know this show. 391 00:34:37,880 --> 00:34:41,080 I don't know. I just thought Lenny was a little smarter than that. I mean, he 392 00:34:41,080 --> 00:34:42,719 just walked right into their trap. 393 00:34:44,049 --> 00:34:45,270 Maybe he had no choice. 394 00:34:45,670 --> 00:34:46,690 Everyone has a choice. 395 00:34:46,969 --> 00:34:49,350 Maybe what's in that building is too important to him. 396 00:34:51,370 --> 00:34:52,929 Yeah, maybe. Would you like something? 397 00:34:53,489 --> 00:34:54,830 No, thank you. 398 00:34:55,530 --> 00:34:59,190 You know what? I'm kind of glad it's over because that Nancy character is a 399 00:34:59,190 --> 00:35:00,190 backbuster. 400 00:35:01,890 --> 00:35:02,890 Yeah, she's complex. 401 00:35:04,070 --> 00:35:06,290 Her emotions are never very easy to understand. 402 00:35:06,830 --> 00:35:07,830 Yes, exactly. 403 00:35:08,130 --> 00:35:11,230 I mean, I could never figure out whether or not she was on Lenny's side. 404 00:35:11,600 --> 00:35:14,620 One day I'm convinced that she's doing it just to protect him, and then the 405 00:35:14,620 --> 00:35:16,080 I'm, like, convinced that she's in on it. 406 00:35:16,660 --> 00:35:20,580 It's so hard to play a scene, you know, when you don't know where you're coming 407 00:35:20,580 --> 00:35:21,640 from. Does that make sense? 408 00:35:22,520 --> 00:35:23,520 Yeah. 409 00:35:24,060 --> 00:35:25,340 Maybe she just loves him. 410 00:35:27,200 --> 00:35:32,660 I mean, maybe you just have to assume that from the beginning, and then things 411 00:35:32,660 --> 00:35:33,760 fall into place from there. 412 00:35:35,460 --> 00:35:36,460 Yeah, maybe. 413 00:35:37,860 --> 00:35:38,860 Do you work for Mac? 414 00:35:43,050 --> 00:35:44,050 In a way, yeah. 415 00:35:45,670 --> 00:35:48,770 Don't tell him what I said about, like, the rope and climbing the building and 416 00:35:48,770 --> 00:35:52,290 everything because Max has a fit if we don't just bow down to everything that 417 00:35:52,290 --> 00:35:53,490 writes. I won't say a word. 418 00:35:55,190 --> 00:35:57,610 I still don't buy it, though. I mean, I never would have gone into that 419 00:35:57,610 --> 00:35:59,170 building. It was just such an obvious setup. 420 00:36:16,040 --> 00:36:17,420 That's good, Robert. Keep looking. 421 00:36:18,880 --> 00:36:20,360 Robert, anybody could be coming. 422 00:36:21,220 --> 00:36:22,380 Can't afford to get caught now. 423 00:37:02,800 --> 00:37:03,558 That's good. 424 00:37:03,560 --> 00:37:05,460 That's good. A little more. 425 00:37:05,960 --> 00:37:08,600 Keep going. 426 00:37:18,160 --> 00:37:19,760 So much for being predictable. 427 00:37:39,180 --> 00:37:40,180 I made it up the rope. 428 00:37:40,600 --> 00:37:41,680 Hey, I was doing fine. 429 00:37:41,960 --> 00:37:42,799 Sorry, Phil. 430 00:37:42,800 --> 00:37:43,800 Last minute changes. 431 00:37:43,860 --> 00:37:45,620 Oh, by the way, we're going live. 432 00:37:46,000 --> 00:37:47,000 You're in it, guys. 433 00:37:47,200 --> 00:37:48,200 Max, you gotta be kidding. 434 00:37:48,760 --> 00:37:49,840 The name of the game, Phil. 435 00:37:50,660 --> 00:37:54,120 I had a better idea at the last minute. Even if it gives me apoplexy. Hey, I 436 00:37:54,120 --> 00:37:56,020 don't want to spend any more time on that rope than I have to. 437 00:37:56,260 --> 00:37:57,480 I look like a clod. 438 00:37:57,740 --> 00:37:58,740 Rope's gone, kiddo. 439 00:37:59,020 --> 00:38:00,240 I like the rope. 440 00:38:00,460 --> 00:38:02,880 With Lenny's background, he can do this kind of stuff. 441 00:38:03,460 --> 00:38:06,840 Where can the man upstairs go? No more rope. How the hell does he get inside, 442 00:38:06,900 --> 00:38:10,260 then? He uses the card key he got from the Allegra executive. Walks right 443 00:38:10,260 --> 00:38:11,260 through the front door. 444 00:38:11,280 --> 00:38:14,020 And right up to room 302. 445 00:38:14,420 --> 00:38:16,180 The rope is so much better. 446 00:38:17,260 --> 00:38:18,380 I think she's right, Max. 447 00:38:19,180 --> 00:38:20,180 Trust me. 448 00:38:20,800 --> 00:38:21,960 It needed a new ending. 449 00:38:49,740 --> 00:38:51,800 Come on, Lenny, it's a trap. What are you doing? 450 00:38:52,240 --> 00:38:54,260 That's a bonehead. He shouldn't even be up there. 451 00:38:54,560 --> 00:38:55,620 Well, he's got to get the file. 452 00:38:55,840 --> 00:38:57,740 Ten bucks says the file's not even in there. Yeah? 453 00:38:58,680 --> 00:38:59,680 You're on. 454 00:39:48,590 --> 00:39:49,590 I can't see a thing. 455 00:39:50,730 --> 00:39:52,350 Turn on the damned light, Bale. 456 00:39:53,050 --> 00:39:54,510 Switch to the infrared channel. 457 00:39:55,370 --> 00:39:56,370 Check his body. 458 00:41:07,379 --> 00:41:10,800 Be sure the gas will be clear. After 60 seconds, the exhaust fans will pull out 459 00:41:10,800 --> 00:41:12,200 the residual gas, no problem. 460 00:41:13,620 --> 00:41:14,620 All clear. 461 00:41:30,580 --> 00:41:31,580 Where the hell is he? 462 00:41:34,160 --> 00:41:35,680 He got out. What about the file? 463 00:41:36,880 --> 00:41:37,960 Son of a bitch, it's Tokyo. 464 00:41:38,980 --> 00:41:39,980 Ah, no! 465 00:42:29,190 --> 00:42:30,510 Move it or lose it.