1 00:00:06,307 --> 00:00:06,474 . 2 00:00:06,507 --> 00:00:07,408 - Previously on "Falling Water"... 3 00:00:09,277 --> 00:00:10,478 - Imagine you're the man in the picture...flying. 4 00:00:10,511 --> 00:00:12,413 - You have the rare ability 5 00:00:12,446 --> 00:00:15,349 to spill your waking into your dreaming. 6 00:00:15,383 --> 00:00:16,517 - I think the Firm's getting played. 7 00:00:16,550 --> 00:00:18,052 - If it was fraud, 8 00:00:18,086 --> 00:00:19,453 we never would have made the floor price. 9 00:00:19,487 --> 00:00:21,289 - Who's the buyer? - Isla and Mr. Song. 10 00:00:21,322 --> 00:00:23,091 - You bought that boy, didn't you? 11 00:00:23,124 --> 00:00:24,258 - Of course not. That would be immoral. 12 00:00:24,292 --> 00:00:26,127 - Find The Boy and save us both. 13 00:00:26,160 --> 00:00:28,396 - Who is he? - The key to everything. 14 00:00:28,429 --> 00:00:30,264 - You said your mother never talks to you. 15 00:00:30,298 --> 00:00:32,066 What if you could hear her voice? 16 00:00:32,100 --> 00:00:34,135 both: It was dreams or death. 17 00:00:34,168 --> 00:00:35,169 - How're you doing this? 18 00:00:35,203 --> 00:00:37,138 - She's not. You are. 19 00:00:37,171 --> 00:00:38,406 - Ever since we saw him at that window, 20 00:00:38,439 --> 00:00:40,541 I feel so close. 21 00:00:40,574 --> 00:00:42,510 There's an old friend of mine who works at the Firm. 22 00:00:42,543 --> 00:00:44,378 He saw me with you this morning, 23 00:00:44,412 --> 00:00:46,414 and he passed me a note. 24 00:00:46,447 --> 00:00:49,217 Says I shouldn't trust you. He wants me to meet with him. 25 00:00:51,419 --> 00:00:55,156 [edgy music] 26 00:00:55,189 --> 00:00:57,258 ancient voice: Reaching through the waterfall 27 00:00:57,291 --> 00:01:00,394 is not a task for the timid. 28 00:01:00,428 --> 00:01:03,364 The things you touch are as likely to harm 29 00:01:03,397 --> 00:01:05,299 as to heal. 30 00:01:05,333 --> 00:01:07,601 Lies that seem like truths, 31 00:01:07,635 --> 00:01:11,605 truth that seems like a lie. 32 00:01:11,639 --> 00:01:14,575 It's easy for the ignorant to be brave. 33 00:01:14,608 --> 00:01:16,610 On the other hand, 34 00:01:16,644 --> 00:01:19,880 to straddle that line beneath the falling water, 35 00:01:19,913 --> 00:01:22,483 knowing you have no way of knowing 36 00:01:22,516 --> 00:01:28,722 whether you're the hero or the villain... 37 00:01:28,756 --> 00:01:32,593 that takes a special kind of courage. 38 00:01:32,626 --> 00:01:35,263 Rare. 39 00:01:35,296 --> 00:01:38,699 In the end, none of us write our own epitaph. 40 00:01:38,732 --> 00:01:40,601 [chuckles] 41 00:01:40,634 --> 00:01:42,903 Except maybe Bob Dylan. 42 00:01:42,936 --> 00:01:46,540 [edgy music] 43 00:01:49,243 --> 00:01:52,213 [dark music] 44 00:01:52,246 --> 00:01:57,451 * 45 00:02:02,256 --> 00:02:04,725 - So why is Bill not my friend? 46 00:02:04,758 --> 00:02:07,728 - [sighs] Look, I wanna protect you, okay? 47 00:02:07,761 --> 00:02:10,764 I...I care about you. 48 00:02:10,798 --> 00:02:13,367 - Everyone always says they care about me 49 00:02:13,401 --> 00:02:15,536 right before they start to lie. 50 00:02:16,970 --> 00:02:20,174 What are you not telling me? 51 00:02:22,443 --> 00:02:24,712 - I did an under-the-table gig for Bill. 52 00:02:24,745 --> 00:02:27,381 Part of the same one that you're working on. 53 00:02:27,415 --> 00:02:28,582 - Exploring dreams. 54 00:02:28,616 --> 00:02:31,619 - Controlling access. 55 00:02:31,652 --> 00:02:34,388 Have you had a dream recently where you were trapped in a room 56 00:02:34,422 --> 00:02:36,557 and you couldn't get out? 57 00:02:37,825 --> 00:02:40,294 - There was a spinning device on the table. 58 00:02:40,328 --> 00:02:41,695 - That's Bill's tech. 59 00:02:41,729 --> 00:02:45,266 With it he can make the walls of our dreams absolute 60 00:02:45,299 --> 00:02:47,401 or dissolve them entirely. 61 00:02:47,435 --> 00:02:50,704 His plan is to provide a tiered user experience. 62 00:02:50,738 --> 00:02:52,473 Son of a bitch wants to take the most free 63 00:02:52,506 --> 00:02:56,610 and human experience there is and own it outright. 64 00:02:56,644 --> 00:02:59,513 Bill's a monster. 65 00:02:59,547 --> 00:03:07,388 * 66 00:03:07,421 --> 00:03:09,223 [camera humming] 67 00:03:09,257 --> 00:03:11,325 - Eat your lunch, dear. 68 00:03:11,359 --> 00:03:13,327 - It's perfect. 69 00:03:13,361 --> 00:03:15,296 - May I film your handsome face? 70 00:03:15,329 --> 00:03:17,298 - Mom. - [laughs] 71 00:03:17,331 --> 00:03:18,732 All right. 72 00:03:20,834 --> 00:03:22,703 [sighs] 73 00:03:28,476 --> 00:03:30,811 [subtle musical sting] 74 00:03:30,844 --> 00:03:33,347 You can wave. 75 00:03:33,381 --> 00:03:35,349 They're our friends. 76 00:03:35,383 --> 00:03:38,619 - They scare me. - [scoffs] 77 00:03:38,652 --> 00:03:41,389 They admire you. 78 00:03:41,422 --> 00:03:43,691 They want us to be together 79 00:03:43,724 --> 00:03:45,593 and not just in dreams. 80 00:03:45,626 --> 00:03:46,860 - How? 81 00:03:46,894 --> 00:03:49,263 - The boy in the flyer. 82 00:03:49,297 --> 00:03:52,466 He can bring me back. 83 00:03:52,500 --> 00:03:56,737 You just have to find him and then tell them where he is. 84 00:03:56,770 --> 00:03:58,306 - What will they do to him? 85 00:03:58,339 --> 00:03:59,673 - Adul, they love him. 86 00:03:59,707 --> 00:04:01,475 - Yeah, but they took him away from his mother. 87 00:04:01,509 --> 00:04:04,545 - And they realize their mistake. 88 00:04:04,578 --> 00:04:07,881 They want her to come with him this time. 89 00:04:07,915 --> 00:04:10,418 - What if she says no? 90 00:04:10,451 --> 00:04:12,820 - You'll convince her. 91 00:04:15,389 --> 00:04:17,491 You know. 92 00:04:17,525 --> 00:04:20,561 Mothers and sons belong together. 93 00:04:20,594 --> 00:04:24,432 Now, eat your sandwich. 94 00:04:24,465 --> 00:04:27,435 [edgy music] 95 00:04:27,468 --> 00:04:33,307 * 96 00:04:33,341 --> 00:04:35,743 I need you to promise me. 97 00:04:35,776 --> 00:04:37,511 You'll find The Boy. 98 00:04:37,545 --> 00:04:40,414 - I promise. 99 00:04:40,448 --> 00:04:43,283 - You've been so patient. 100 00:04:44,785 --> 00:04:47,488 And I've missed you so much. 101 00:04:47,521 --> 00:04:50,491 [dramatic music] 102 00:04:50,524 --> 00:04:57,498 * 103 00:05:03,704 --> 00:05:06,907 [distant traffic sounds] 104 00:05:13,447 --> 00:05:16,417 [dark music] 105 00:05:16,450 --> 00:05:18,686 * 106 00:05:18,719 --> 00:05:21,422 [background chatter] 107 00:05:21,455 --> 00:05:24,124 [mellow pop music in background] 108 00:05:24,157 --> 00:05:30,798 * 109 00:05:33,967 --> 00:05:37,638 - You look suspiciously well. 110 00:05:37,671 --> 00:05:40,841 - I ordered you a Negroni. My dime. 111 00:05:40,874 --> 00:05:43,744 - Well, I certainly wasn't gonna pay for it. 112 00:05:43,777 --> 00:05:46,447 - Would it help if I apologized? 113 00:05:46,480 --> 00:05:50,484 - Only if you're sorry. - For quitting? No. 114 00:05:50,518 --> 00:05:52,753 For not talking to you first. 115 00:05:54,755 --> 00:05:56,790 - I'll think about it. 116 00:05:56,824 --> 00:05:58,692 - How's the family? 117 00:06:00,193 --> 00:06:03,531 - Good God, even I don't want to talk about them. 118 00:06:03,564 --> 00:06:05,733 What do you really want? 119 00:06:05,766 --> 00:06:07,968 - I have a new client. 120 00:06:08,001 --> 00:06:10,571 - Working freelance. 121 00:06:10,604 --> 00:06:12,840 - My client wants to meet Mr. Song. 122 00:06:12,873 --> 00:06:16,410 I told him the Firm would be willing to make an introduction 123 00:06:16,444 --> 00:06:18,612 for a fee. 124 00:06:18,646 --> 00:06:21,482 - And why does he want to meet Mr. Song? 125 00:06:21,515 --> 00:06:22,916 - A large fee. 126 00:06:22,950 --> 00:06:27,020 We'll have to smooth over your frustrated curiosity. 127 00:06:27,054 --> 00:06:29,423 - What's your cut? 128 00:06:29,457 --> 00:06:31,625 - Less than you think. 129 00:06:31,659 --> 00:06:33,427 - It's not H. Robert? 130 00:06:33,461 --> 00:06:34,628 - No. 131 00:06:38,799 --> 00:06:41,602 - You hurt my feelings. 132 00:06:41,635 --> 00:06:45,539 Not that I have... feelings. 133 00:06:45,573 --> 00:06:48,408 - No. Never feelings. 134 00:06:55,683 --> 00:06:58,418 - Call me tomorrow. 135 00:07:09,930 --> 00:07:13,601 - How was your picnic? 136 00:07:13,634 --> 00:07:15,869 - Doors have locks for a reason. 137 00:07:15,903 --> 00:07:19,039 - Is it all that different from me waiting in the hall? 138 00:07:19,072 --> 00:07:20,974 - Yes. 139 00:07:21,008 --> 00:07:23,544 - Your mother says you're ready to help us. 140 00:07:23,577 --> 00:07:25,045 - I'm ready to help my mother. 141 00:07:25,078 --> 00:07:26,947 - If the distinction makes a difference... 142 00:07:26,980 --> 00:07:29,850 - Yeah. It's like you waiting in the hall. 143 00:07:29,883 --> 00:07:31,585 - Time is short on this. 144 00:07:31,619 --> 00:07:32,720 [book slaps softly down] 145 00:07:33,887 --> 00:07:35,856 - Where will you take The Boy? 146 00:07:35,889 --> 00:07:38,692 - To a safe place. Where he'll want for nothing. 147 00:07:38,726 --> 00:07:41,061 - And Tess? 148 00:07:41,094 --> 00:07:44,698 - She'll be with him. If she chooses. 149 00:07:45,866 --> 00:07:48,969 - I won't let you hurt him. 150 00:07:49,002 --> 00:07:50,771 - Lie down. 151 00:07:50,804 --> 00:07:52,906 - I mean it. 152 00:07:55,042 --> 00:07:57,711 - I'd die before hurting that boy. 153 00:07:59,847 --> 00:08:02,816 [edgy music] 154 00:08:02,850 --> 00:08:07,020 * 155 00:08:07,054 --> 00:08:09,523 Close your eyes. 156 00:08:09,557 --> 00:08:11,959 Hear my voice. 157 00:08:11,992 --> 00:08:14,762 Breathe... 158 00:08:14,795 --> 00:08:17,631 slowly. 159 00:08:17,665 --> 00:08:20,634 I'll meet you on the other side... 160 00:08:20,668 --> 00:08:22,703 in Topeka. 161 00:08:22,736 --> 00:08:25,906 [intense musical buildup] 162 00:08:41,088 --> 00:08:42,823 This way. 163 00:08:42,856 --> 00:08:46,860 [suspenseful music] 164 00:08:46,894 --> 00:08:53,834 * 165 00:09:07,147 --> 00:09:10,117 [metal clanging, hinges creaking] 166 00:09:10,150 --> 00:09:16,056 * 167 00:09:16,089 --> 00:09:18,592 [hinges squealing] 168 00:09:18,626 --> 00:09:19,793 [clang] 169 00:09:35,709 --> 00:09:38,078 [dark, suspenseful music] 170 00:09:38,111 --> 00:09:39,713 - How'd you build this? 171 00:09:39,747 --> 00:09:42,049 - Your mother built it for us. 172 00:09:42,082 --> 00:09:44,084 The room is designed to see into Tess's dreams. 173 00:09:44,117 --> 00:09:47,821 When she sleeps, you'll see her through the peephole. 174 00:09:47,855 --> 00:09:49,757 She and The Boy have a close bond, 175 00:09:49,790 --> 00:09:51,959 so with luck, she'll lead you to him. 176 00:09:51,992 --> 00:09:55,162 - Why can't your people follow her to The Boy? 177 00:09:55,195 --> 00:09:57,798 - They've been trying, but our initial approach 178 00:09:57,831 --> 00:09:59,800 was overly confrontational. 179 00:09:59,833 --> 00:10:02,870 So now we need a face she trusts. 180 00:10:05,673 --> 00:10:08,075 When you find The Boy, push the button. 181 00:10:09,910 --> 00:10:13,814 We'll hear it. We'll come. 182 00:10:17,150 --> 00:10:18,852 We're all very grateful. 183 00:10:18,886 --> 00:10:21,922 [edgy music] 184 00:10:21,955 --> 00:10:26,894 * 185 00:10:26,927 --> 00:10:28,161 [clang] 186 00:10:40,708 --> 00:10:40,874 . 187 00:10:40,908 --> 00:10:43,777 [background noise] 188 00:10:45,278 --> 00:10:48,048 [subtle musical sting] 189 00:10:52,019 --> 00:10:54,654 [running footsteps] 190 00:11:02,195 --> 00:11:05,132 [eerie music] 191 00:11:05,165 --> 00:11:10,971 * 192 00:11:11,004 --> 00:11:14,107 - What kind of stupid games are you playing at? 193 00:11:14,141 --> 00:11:16,744 Telling the Firm you wanna meet Mr. Song? 194 00:11:16,777 --> 00:11:20,147 - I have a client who's interested in rare-earth metals. 195 00:11:20,180 --> 00:11:21,815 - No, you don't. 196 00:11:21,849 --> 00:11:23,951 This is about The Boy. 197 00:11:31,358 --> 00:11:33,794 - Where is he? 198 00:11:33,827 --> 00:11:35,829 - Why? 199 00:11:35,863 --> 00:11:37,064 Her? 200 00:11:37,097 --> 00:11:39,199 - She told me to find him. 201 00:11:39,232 --> 00:11:42,269 - I should feed you to Mr. Song's tigers. 202 00:11:45,138 --> 00:11:47,941 - If that's what it takes. 203 00:11:47,975 --> 00:11:51,779 - To feel love that deeply... 204 00:11:51,812 --> 00:11:54,948 Now, that's a dream I'd like to share. 205 00:11:54,982 --> 00:11:57,084 Are you willing to share? 206 00:11:57,117 --> 00:12:02,089 Are you going to be greedy with your love? 207 00:12:02,122 --> 00:12:05,025 [dramatic chords] 208 00:12:05,058 --> 00:12:09,229 * 209 00:12:09,262 --> 00:12:12,165 - What are you doing? - Defining my price. 210 00:12:12,199 --> 00:12:15,903 You want The Boy. I want your dreams. 211 00:12:15,936 --> 00:12:18,371 I have no dreams of my own, so... 212 00:12:18,405 --> 00:12:20,307 I'm covetous. 213 00:12:20,340 --> 00:12:27,180 * 214 00:12:31,351 --> 00:12:34,154 I believe you sit there. 215 00:12:47,367 --> 00:12:49,236 Luster. 216 00:12:59,179 --> 00:13:01,348 [sounds echoing] 217 00:13:01,381 --> 00:13:03,183 [pipe bubbling] 218 00:13:11,624 --> 00:13:13,226 Now you. 219 00:13:15,362 --> 00:13:18,398 It's not a dream if you're not dreaming. 220 00:13:18,431 --> 00:13:21,401 [dark, edgy music] 221 00:13:21,434 --> 00:13:26,073 * 222 00:13:26,106 --> 00:13:27,207 [click] 223 00:13:27,240 --> 00:13:29,276 [Burton inhales, pipe bubbling] 224 00:13:37,951 --> 00:13:40,888 [intense music] 225 00:13:40,921 --> 00:13:43,857 * 226 00:13:43,891 --> 00:13:46,826 - [softly] Don't fight it. 227 00:13:48,661 --> 00:13:51,298 Look at me. 228 00:13:54,501 --> 00:13:58,105 Tell me what you say to me. 229 00:13:58,138 --> 00:14:01,074 - I say you almost didn't come. 230 00:14:01,108 --> 00:14:03,443 - Now what do I say? 231 00:14:06,479 --> 00:14:10,017 - You say you couldn't catch a cab. 232 00:14:10,050 --> 00:14:11,451 - Say it. 233 00:14:11,484 --> 00:14:13,286 - [breathing hard] 234 00:14:13,320 --> 00:14:15,255 You almost didn't come. 235 00:14:15,288 --> 00:14:16,890 - And then? 236 00:14:16,924 --> 00:14:19,993 - Tell me you're staying at the Pierre. 237 00:14:22,963 --> 00:14:24,998 - Always the Pierre. 238 00:14:25,032 --> 00:14:28,001 [eerie music] 239 00:14:28,035 --> 00:14:32,940 * 240 00:14:32,973 --> 00:14:36,243 [intense musical buildup] 241 00:14:50,257 --> 00:14:53,927 Tell me. What do we do now? 242 00:14:53,961 --> 00:14:56,429 - We fight. 243 00:15:01,468 --> 00:15:04,004 - Because we love each other. 244 00:15:05,472 --> 00:15:07,340 - Very much. 245 00:15:10,243 --> 00:15:13,013 - And then? 246 00:15:18,551 --> 00:15:20,954 - You asked me about the pub. 247 00:15:20,988 --> 00:15:22,722 - [small laugh] 248 00:15:22,755 --> 00:15:26,026 Blond wood, brass fixtures. 249 00:15:26,059 --> 00:15:28,996 - You were wearing a green skirt. 250 00:15:29,029 --> 00:15:32,432 - You were on your second pint. 251 00:15:32,465 --> 00:15:35,135 - You asked me my favorite book. 252 00:15:35,168 --> 00:15:38,105 - I wrote my number on your business card. 253 00:15:38,138 --> 00:15:40,507 - [exhales] 254 00:15:40,540 --> 00:15:42,509 Take me to Mr. Song. 255 00:15:42,542 --> 00:15:46,213 - I swore I wasn't going to kiss you. 256 00:15:46,246 --> 00:15:49,349 - Please. 257 00:15:49,382 --> 00:15:52,986 - You have to make me feel it. 258 00:15:53,020 --> 00:15:56,423 - [breathing hard] 259 00:15:59,326 --> 00:16:02,195 I have to find The Boy. 260 00:16:02,229 --> 00:16:04,331 - The Boy's not with Mr. Song. 261 00:16:04,364 --> 00:16:06,199 He never was. 262 00:16:06,233 --> 00:16:08,435 - I don't understand. - Mr. Song was a front 263 00:16:08,468 --> 00:16:12,439 for another buyer. - Then who has The Boy? 264 00:16:14,107 --> 00:16:16,476 - I swore I wasn't going to kiss you. 265 00:16:16,509 --> 00:16:20,347 [tense music] 266 00:16:20,380 --> 00:16:24,051 - [whispers] Then you did. 267 00:16:24,084 --> 00:16:27,054 [intense musical buildup] 268 00:16:27,087 --> 00:16:31,491 * 269 00:16:31,524 --> 00:16:35,362 [phone rings] 270 00:16:35,395 --> 00:16:37,497 [ringing] 271 00:16:39,166 --> 00:16:41,101 [ringing] 272 00:16:43,303 --> 00:16:46,606 - The name of the buyer is Bill Boerg. 273 00:16:51,711 --> 00:16:52,079 . 274 00:16:52,112 --> 00:16:52,545 [somber music] 275 00:16:55,082 --> 00:17:02,089 * 276 00:17:43,530 --> 00:17:46,199 - You're not supposed to be here now. 277 00:17:46,233 --> 00:17:47,767 - I'm looking for Bill. 278 00:17:47,800 --> 00:17:50,537 - You're going to upset the purity of the data. 279 00:17:51,804 --> 00:17:54,674 - Wouldn't want to upset the data. 280 00:17:54,707 --> 00:17:57,744 - Mr. Boerg's on his way to the airport. 281 00:17:57,777 --> 00:18:01,848 - Well, when he checks in, tell him I know who has my son. 282 00:18:01,881 --> 00:18:03,616 - Is that so? 283 00:18:03,650 --> 00:18:05,752 - I'm pretty damn sure I am. 284 00:18:05,785 --> 00:18:07,654 Enjoy your data. 285 00:18:11,691 --> 00:18:14,661 [suspenseful music] 286 00:18:14,694 --> 00:18:21,701 * 287 00:19:26,966 --> 00:19:30,169 [dripping sound] 288 00:19:38,745 --> 00:19:42,615 [dripping] 289 00:19:42,649 --> 00:19:45,818 [eerie music] 290 00:19:45,852 --> 00:19:49,922 [distant clanking] 291 00:19:49,956 --> 00:19:53,626 * 292 00:19:53,660 --> 00:19:56,629 [tinny old-fashioned music playing] 293 00:19:56,663 --> 00:20:03,603 * 294 00:20:08,675 --> 00:20:11,644 [tinny music grows louder] 295 00:20:11,678 --> 00:20:15,648 [clanking continues] 296 00:20:15,682 --> 00:20:20,687 * 297 00:20:20,720 --> 00:20:25,825 [rapid clicking] 298 00:20:25,858 --> 00:20:28,961 [hammering] 299 00:20:28,995 --> 00:20:32,332 [tinny music continues] 300 00:20:32,365 --> 00:20:38,838 * 301 00:20:49,916 --> 00:20:51,618 [clanking, power-up thrum] 302 00:20:51,651 --> 00:20:54,721 [sounds become muffled] 303 00:20:54,754 --> 00:21:01,328 [distant] * 304 00:21:01,361 --> 00:21:03,996 [power-down thrum] 305 00:21:04,030 --> 00:21:06,966 [tinny music continues normally] 306 00:21:06,999 --> 00:21:14,006 * 307 00:21:56,416 --> 00:21:59,386 [edgy music] 308 00:21:59,419 --> 00:22:06,426 * 309 00:22:14,401 --> 00:22:16,002 [clank, squeak] 310 00:22:32,785 --> 00:22:35,722 [edgy music continues] 311 00:22:35,755 --> 00:22:42,462 * 312 00:22:46,999 --> 00:22:48,034 [door clangs shut] 313 00:23:11,824 --> 00:23:14,994 [suspenseful music] 314 00:23:15,027 --> 00:23:22,034 * 315 00:23:37,950 --> 00:23:39,018 [clattering] 316 00:23:46,158 --> 00:23:49,462 [static thrumming] 317 00:23:51,531 --> 00:23:55,434 [static thrumming continues] 318 00:23:57,136 --> 00:23:59,205 [thrumming gets closer] 319 00:24:00,573 --> 00:24:03,876 [baby's cry echoes] 320 00:24:03,910 --> 00:24:08,615 [echoing] 321 00:24:08,648 --> 00:24:11,818 [suspenseful music] 322 00:24:11,851 --> 00:24:16,923 * 323 00:24:16,956 --> 00:24:22,629 [baby's cry echoing] 324 00:24:22,662 --> 00:24:29,802 * 325 00:24:35,207 --> 00:24:39,812 [baby crying insistently] 326 00:24:45,952 --> 00:24:46,986 [loud cry] 327 00:24:47,019 --> 00:24:48,921 [clank] [cries stop] 328 00:24:58,297 --> 00:25:00,066 - No! 329 00:25:00,099 --> 00:25:03,002 [echoing] 330 00:25:04,336 --> 00:25:07,273 No! [echoing] 331 00:25:07,306 --> 00:25:10,042 Where are you? 332 00:25:10,076 --> 00:25:12,945 Where are you?! 333 00:25:12,979 --> 00:25:15,948 [eerie, dark music] 334 00:25:15,982 --> 00:25:18,618 * 335 00:25:35,768 --> 00:25:35,935 . 336 00:25:35,968 --> 00:25:36,569 - She was calling out to him. 337 00:25:37,904 --> 00:25:40,206 - That means The Boy was close. 338 00:25:40,239 --> 00:25:42,074 - She saw me standing there. 339 00:25:42,108 --> 00:25:43,776 - And? 340 00:25:45,211 --> 00:25:47,246 - Stop putting all that away. 341 00:25:47,279 --> 00:25:49,115 - Just trying to be helpful. 342 00:25:49,148 --> 00:25:50,883 - Yeah. Maybe I like the mess. 343 00:25:50,917 --> 00:25:53,853 - I wasn't born into this either. 344 00:25:53,886 --> 00:25:55,855 I had to find my way. 345 00:25:55,888 --> 00:25:59,992 Letting some charlatan dunk you in the river, that's easy. 346 00:26:00,026 --> 00:26:02,261 Commitment is hard. 347 00:26:02,294 --> 00:26:04,897 - I don't wanna lie to her. 348 00:26:04,931 --> 00:26:07,366 - So, tell her as much of the truth as you can. 349 00:26:07,399 --> 00:26:09,168 - Yeah, and the rest is lying. 350 00:26:12,038 --> 00:26:13,372 - You don't have to do anything. 351 00:26:13,405 --> 00:26:16,175 I can let you off the hook. 352 00:26:16,208 --> 00:26:18,811 But then you will be on your own. 353 00:26:22,014 --> 00:26:24,183 Does she still trust you? 354 00:26:28,254 --> 00:26:30,589 Don't you think you should find out? 355 00:26:36,128 --> 00:26:38,898 - [exhales] So... 356 00:26:38,931 --> 00:26:41,033 Dazzle me. 357 00:26:45,204 --> 00:26:48,808 - I have dreams that tell me things. 358 00:26:48,841 --> 00:26:51,310 A-and not like it sounds. 359 00:26:53,279 --> 00:26:55,915 It was always just hunches. 360 00:26:55,948 --> 00:26:59,051 But lately, it's changed like... 361 00:26:59,085 --> 00:27:02,188 like my dreams are almost part of my waking life. 362 00:27:02,221 --> 00:27:04,256 - Try a therapist. 363 00:27:04,290 --> 00:27:06,125 - Yeah, I need to talk to your sister. 364 00:27:06,158 --> 00:27:09,061 I need you to call her. - Right. 365 00:27:09,095 --> 00:27:11,964 So is there any part of this that has to do with me, 366 00:27:11,998 --> 00:27:15,434 or is it just people around me? 367 00:27:15,467 --> 00:27:18,004 - Your sister's not crazy. 368 00:27:20,006 --> 00:27:22,041 I see her in my dreams. 369 00:27:22,074 --> 00:27:24,376 I've met her son. 370 00:27:26,178 --> 00:27:28,314 - [whispers] Why? 371 00:27:28,347 --> 00:27:30,316 Why are you doing this? 372 00:27:30,349 --> 00:27:33,019 - I've seen you too. 373 00:27:33,052 --> 00:27:35,354 The night before I ran into you at the market, 374 00:27:35,387 --> 00:27:37,356 you were in a hotel room. 375 00:27:37,389 --> 00:27:40,226 I was watching you through the glass. 376 00:27:40,259 --> 00:27:43,329 You asked if I could see you. 377 00:27:43,362 --> 00:27:46,132 [whispers] I saw you. 378 00:27:46,165 --> 00:27:50,102 I think you were in my dream and I was in yours. 379 00:27:50,136 --> 00:27:52,371 I think you knew we'd work 380 00:27:52,404 --> 00:27:56,008 because we'd already found each other... 381 00:27:56,042 --> 00:27:58,978 in our dreams. 382 00:27:59,011 --> 00:28:02,048 [somber music] 383 00:28:02,081 --> 00:28:06,085 * 384 00:28:08,487 --> 00:28:10,890 - Is it really that painful? 385 00:28:10,923 --> 00:28:13,292 She'll never know. 386 00:28:13,325 --> 00:28:15,728 It's not like you were unfaithful. 387 00:28:15,762 --> 00:28:19,131 In a literal, biblical sense. 388 00:28:19,165 --> 00:28:21,500 We're all exploiting each other. 389 00:28:21,533 --> 00:28:23,235 Or am I wrong, 390 00:28:23,269 --> 00:28:25,938 and you're the one honest man in the world? 391 00:28:25,972 --> 00:28:28,040 - Please... 392 00:28:28,074 --> 00:28:30,009 stop talking. 393 00:28:36,348 --> 00:28:38,250 - What is he doing here? 394 00:28:38,284 --> 00:28:40,086 - He's here to see you. 395 00:28:40,119 --> 00:28:42,989 - You said Mr. Song had new business. 396 00:28:43,022 --> 00:28:44,323 - I lied. 397 00:28:46,125 --> 00:28:47,359 - How much did Bill Boerg pay you 398 00:28:47,393 --> 00:28:49,295 to scuttle the deal with White Sand? 399 00:28:49,328 --> 00:28:52,364 [tense music] 400 00:28:52,398 --> 00:28:55,034 - I don't think I need to be here any longer. 401 00:28:55,067 --> 00:28:58,504 * 402 00:28:58,537 --> 00:29:01,473 - H. Robert and White Sand wanted The Boy. 403 00:29:01,507 --> 00:29:03,442 For you to go against H. Robert, 404 00:29:03,475 --> 00:29:07,146 Bill Boerg must have offered quite a lot. 405 00:29:09,548 --> 00:29:12,018 I don't care which side you're on... 406 00:29:12,051 --> 00:29:13,385 or why you did it. 407 00:29:13,419 --> 00:29:15,154 - Look... 408 00:29:15,187 --> 00:29:17,123 I was only the delivery man. 409 00:29:17,156 --> 00:29:18,457 I brought The Boy from here to there. 410 00:29:18,490 --> 00:29:21,160 After that, it was out of my hands. 411 00:29:21,193 --> 00:29:24,196 - Take me to The Boy... 412 00:29:24,230 --> 00:29:27,499 or I'll tell H. Robert you double-crossed him. 413 00:29:32,071 --> 00:29:34,440 - Why did you even let him in? 414 00:29:34,473 --> 00:29:36,508 - Because I'm a masochist. 415 00:29:36,542 --> 00:29:39,245 He says you have a son. 416 00:29:39,278 --> 00:29:43,249 - You don't believe that. - He said other things too. 417 00:29:43,282 --> 00:29:45,317 He asked me to call you. 418 00:29:45,351 --> 00:29:47,319 - What kind of things? 419 00:29:47,353 --> 00:29:50,556 - Nothing that I can bring myself to believe, but... 420 00:29:50,589 --> 00:29:53,092 enough to call. 421 00:29:53,125 --> 00:29:56,262 [whispers] Just go talk to him. 422 00:30:07,273 --> 00:30:08,574 - I saw you last night. 423 00:30:08,607 --> 00:30:10,409 - And I saw you. 424 00:30:10,442 --> 00:30:13,412 - So I guess...we both remember our dreams. 425 00:30:14,646 --> 00:30:16,582 - Were you following me? 426 00:30:16,615 --> 00:30:19,418 - I was looking for your son. 427 00:30:19,451 --> 00:30:22,621 [somber music] 428 00:30:22,654 --> 00:30:26,525 My mother...has been catatonic for seven years. 429 00:30:26,558 --> 00:30:29,128 She doesn't speak. 430 00:30:29,161 --> 00:30:32,064 But one night, in a dream, 431 00:30:32,098 --> 00:30:36,302 she told me...your boy has the power to wake her up. 432 00:30:36,335 --> 00:30:39,371 She said he's a very special boy. 433 00:30:43,675 --> 00:30:46,612 - Why did you need to talk to Bill Boerg that day? 434 00:30:46,645 --> 00:30:48,447 - He was linked to a case. 435 00:30:48,480 --> 00:30:52,384 A man who'd been part of some experiment turned up dead. 436 00:30:52,418 --> 00:30:54,286 And in his luggage, 437 00:30:54,320 --> 00:30:57,323 I found a stack of those blue flyers. 438 00:30:57,356 --> 00:30:59,558 - Was his name Andy? 439 00:31:01,327 --> 00:31:03,395 - You knew him? 440 00:31:03,429 --> 00:31:05,631 - I was part of the same experiment. 441 00:31:07,433 --> 00:31:09,435 How did he die? 442 00:31:11,103 --> 00:31:13,105 - Fell off a roof. 443 00:31:16,542 --> 00:31:21,413 I think...we were very close to finding your son. 444 00:31:21,447 --> 00:31:24,383 I think if we can find each other again, 445 00:31:24,416 --> 00:31:26,585 I can get us to that courtyard. 446 00:31:28,687 --> 00:31:32,458 - What do we tell my sister? 447 00:31:32,491 --> 00:31:34,493 - The truth. 448 00:31:41,200 --> 00:31:42,468 - Sabine. 449 00:31:51,710 --> 00:31:51,843 . 450 00:31:51,877 --> 00:31:52,311 [somber music] 451 00:31:54,981 --> 00:31:58,150 * 452 00:31:58,184 --> 00:32:01,220 - I can't believe you let that succubus twist you around. 453 00:32:01,253 --> 00:32:03,055 You know if you're not careful, 454 00:32:03,089 --> 00:32:06,158 you lose your soul to people like her. 455 00:32:06,192 --> 00:32:07,559 - As opposed to you, 456 00:32:07,593 --> 00:32:09,561 who has nothing but kindness in his heart? 457 00:32:09,595 --> 00:32:11,630 - So I like to have a good time. 458 00:32:11,663 --> 00:32:13,565 Life's a swamp. 459 00:32:13,599 --> 00:32:16,602 All these grand people and their plans-- 460 00:32:16,635 --> 00:32:19,671 Bill Boerg, H. Robert. 461 00:32:19,705 --> 00:32:23,709 You know, one day all of their houses will burn to the ground. 462 00:32:23,742 --> 00:32:26,045 - With you lighting the match. 463 00:32:26,078 --> 00:32:28,580 - Do I look suicidal? 464 00:32:28,614 --> 00:32:32,751 - What did you say to Jones the night he killed himself? 465 00:32:32,784 --> 00:32:35,087 I saw you. 466 00:32:35,121 --> 00:32:38,190 You called him into the conference room. 467 00:32:38,224 --> 00:32:41,493 Nothing much. This and that. 468 00:32:41,527 --> 00:32:44,163 - This and that made him go home and put a gun in his mouth? 469 00:32:44,196 --> 00:32:46,598 - You really wanna know? 470 00:32:46,632 --> 00:32:49,968 Because if you really wanna know... 471 00:32:54,540 --> 00:32:55,741 Peas-and-carrots, peas-and-carrots, 472 00:32:55,774 --> 00:32:57,143 peas-and-carrots, peas-and-carrots. 473 00:32:57,176 --> 00:33:00,012 Rutabaga-rutabaga-rutabaga. 474 00:33:02,248 --> 00:33:03,649 [chuckles] 475 00:33:04,650 --> 00:33:08,154 [inhales, exhales] 476 00:33:13,725 --> 00:33:16,662 [soft music] 477 00:33:16,695 --> 00:33:23,669 * 478 00:33:52,164 --> 00:33:55,134 [suspenseful music] 479 00:33:55,167 --> 00:34:02,074 * 480 00:34:15,187 --> 00:34:16,255 [knocks echo] 481 00:34:16,288 --> 00:34:18,390 Taka? 482 00:34:24,196 --> 00:34:26,365 Taka, you there? 483 00:34:26,398 --> 00:34:28,234 [clank, squeak] 484 00:34:30,436 --> 00:34:32,338 - You found me quick. 485 00:34:32,371 --> 00:34:35,141 - I've had some practice. 486 00:34:35,174 --> 00:34:37,243 - Come on, this way. 487 00:34:47,353 --> 00:34:50,322 [tense music] 488 00:34:50,356 --> 00:34:57,229 * 489 00:35:03,735 --> 00:35:05,471 - You know if you're any kind of smart, 490 00:35:05,504 --> 00:35:09,308 you'd bail on this nonsense, catch a flight to Cancun. 491 00:35:09,341 --> 00:35:11,743 - So which apartment is it? - You wanna guess? 492 00:35:11,777 --> 00:35:14,880 - I don't have to guess. I have you. 493 00:35:24,790 --> 00:35:27,359 - Where is he? - This is where I brought him. 494 00:35:27,393 --> 00:35:29,928 Look, there is more at stake here than just you, okay? 495 00:35:29,961 --> 00:35:33,665 There are actual innocent people involved. 496 00:35:33,699 --> 00:35:34,866 The Boy has a mother. 497 00:35:34,900 --> 00:35:36,868 - He's not here. 498 00:35:38,304 --> 00:35:39,505 - They must have moved him. 499 00:35:39,538 --> 00:35:42,274 - Where would they move him? 500 00:35:42,308 --> 00:35:44,376 - Cancun? 501 00:35:44,410 --> 00:35:47,379 [light suspenseful music] 502 00:35:47,413 --> 00:35:50,282 * 503 00:35:50,316 --> 00:35:52,684 - Topeka? 504 00:35:52,718 --> 00:35:56,888 * 505 00:35:56,922 --> 00:35:58,890 Like an ant... 506 00:35:58,924 --> 00:36:00,792 on the rim of a glass. 507 00:36:00,826 --> 00:36:02,494 - You know, when you finally understand 508 00:36:02,528 --> 00:36:05,497 what the hell you're doing, you are gonna terrify people. 509 00:36:05,531 --> 00:36:07,399 - Get in the icebox. 510 00:36:07,433 --> 00:36:10,402 [tense music] 511 00:36:10,436 --> 00:36:17,343 * 512 00:36:27,453 --> 00:36:27,586 . 513 00:36:27,619 --> 00:36:28,019 [dark music] 514 00:36:31,423 --> 00:36:33,325 - I can't hear him. 515 00:36:33,359 --> 00:36:34,860 - Had you heard him here before? 516 00:36:34,893 --> 00:36:37,829 - Yeah, but then it dropped out. 517 00:36:40,566 --> 00:36:42,801 Why can't I hear him? 518 00:36:42,834 --> 00:36:45,804 [dark music] 519 00:36:45,837 --> 00:36:49,308 * 520 00:36:58,850 --> 00:37:01,387 - I think I found something. 521 00:37:07,593 --> 00:37:09,861 - He's on 8. 522 00:38:11,623 --> 00:38:12,591 What's that? 523 00:38:12,624 --> 00:38:14,393 [clatter, clank] 524 00:38:17,896 --> 00:38:19,665 [static thrumming] 525 00:38:19,698 --> 00:38:20,932 Uhh! 526 00:38:23,669 --> 00:38:24,836 - Run! 527 00:38:26,805 --> 00:38:27,906 Aah! 528 00:39:09,915 --> 00:39:11,717 [static thrumming] 529 00:39:13,752 --> 00:39:15,554 [sounds muffled] 530 00:39:15,587 --> 00:39:16,655 [muffled] - Uhh! 531 00:39:18,657 --> 00:39:21,560 [muffled grunting] 532 00:39:41,880 --> 00:39:43,582 [power-down thrum] 533 00:39:43,615 --> 00:39:46,852 - Mom! 534 00:40:06,972 --> 00:40:10,075 [mysterious music] 535 00:40:10,108 --> 00:40:17,115 * 536 00:40:28,760 --> 00:40:30,662 - Put The Boy down. 537 00:40:30,696 --> 00:40:34,666 [suspenseful music] 538 00:40:34,700 --> 00:40:39,905 * 539 00:40:39,938 --> 00:40:43,141 [Tess continues pounding on door] 540 00:40:43,174 --> 00:40:44,910 - You ready to fly? 541 00:40:44,943 --> 00:40:47,613 Let's fly. 542 00:41:05,597 --> 00:41:08,600 [somber music] 543 00:41:08,634 --> 00:41:15,641 * 544 00:41:32,791 --> 00:41:37,629 ancient voice: The true hero can't know that they did right. 545 00:41:37,663 --> 00:41:40,832 Only that they did. 546 00:41:40,866 --> 00:41:45,070 So beware those convinced of their own rectitude. 547 00:41:45,103 --> 00:41:48,607 It's only with the distance of generations 548 00:41:48,640 --> 00:41:51,943 that we can know the truly righteous. 549 00:41:51,977 --> 00:41:53,979 And, really... 550 00:41:54,012 --> 00:41:57,115 who's got time for that bullshit? 551 00:41:57,148 --> 00:41:59,785 [dramatic musical flourish]