2 00:00:57,680 --> 00:00:59,000 - I remember, a long time ago, 3 00:00:59,280 --> 00:01:02,159 my friend Fred took me at my first trad ball. 4 00:01:02,680 --> 00:01:06,310 It was in Auvergne, at my place, in the heart of winter. 5 00:01:06,960 --> 00:01:08,997 I must have been 25 years old. 6 00:01:09,200 --> 00:01:11,669 That evening I discovered a world 7 00:01:12,400 --> 00:01:15,552 which looked a little to the one I had imagined as a child, 8 00:01:15,800 --> 00:01:17,677 listening to my grandmother. 9 00:01:17,880 --> 00:01:21,157 A world that just talking about it made his eyes shine. 10 00:01:21,320 --> 00:01:23,391 But a world that he missed, 11 00:01:24,240 --> 00:01:25,913 that of vigils between neighbors, 12 00:01:26,120 --> 00:01:28,475 songs while working in the field, 13 00:01:28,800 --> 00:01:30,871 stuffed, mazurkas.... 14 00:01:31,080 --> 00:01:32,753 But especially waltzes, 15 00:01:32,960 --> 00:01:36,669 that she danced with the whole village after the harvest, the grape harvest, 16 00:01:36,880 --> 00:01:39,190 or during weddings, baptisms. 17 00:01:39,560 --> 00:01:42,393 I remember she told me that she danced all night, 18 00:01:42,760 --> 00:01:46,037 that she couldn't leave the parquet floor, which it touched more to the ground. 19 00:01:46,240 --> 00:01:48,390 And that night I danced like her, 20 00:01:48,640 --> 00:01:51,393 to the sound of the hurdy-gurdy, of an accordion, 21 00:01:51,920 --> 00:01:54,514 on a beautiful parquet floor in a packed barn. 22 00:01:54,760 --> 00:01:57,718 And everyone dances, it spins, it hits the ground, 23 00:01:57,920 --> 00:02:00,992 it looks, it laughs, or it's very serious. 24 00:02:01,520 --> 00:02:03,193 And time no longer exists. 25 00:02:04,640 --> 00:02:06,631 The world of the ball, I loved it straight away. 26 00:02:06,840 --> 00:02:08,877 I felt so good there. 27 00:02:09,080 --> 00:02:11,276 Since then, balls have punctuated my life. 28 00:02:11,880 --> 00:02:14,349 And in the summer, I go to the Grand Bal. 29 00:02:17,480 --> 00:02:20,313 Traditional music, sunny, vibrant and rhythmic melody 30 00:04:17,280 --> 00:04:21,319 At the Grand Bal, for 27 years, we dance for 7 days and 8 nights. 31 00:04:21,800 --> 00:04:24,360 All day long, we learn dances in workshops 32 00:04:24,560 --> 00:04:26,437 and in the evenings, there are balls. 33 00:04:26,800 --> 00:04:28,393 We can dance until the early morning, 34 00:04:28,640 --> 00:04:32,270 and we start again, trying to fly a few hours to sleep. 35 00:04:33,920 --> 00:04:37,311 There are more than 2,000 of us to lose together the notion of time, 36 00:04:37,520 --> 00:04:41,115 to brave our fatigue, our bodies for a week. 37 00:04:42,120 --> 00:04:43,952 I tell myself that inevitably, at the Grand Ball, 38 00:04:44,320 --> 00:04:46,755 to be able to physically hold like we all do, 39 00:04:46,960 --> 00:04:49,031 it's that we're fueled by something else, 40 00:04:49,320 --> 00:04:51,789 that something is happening between us 41 00:04:52,000 --> 00:04:53,149 without common measure. 42 00:04:55,280 --> 00:04:57,954 The rhythmic music returns to the foreground of sound. 44 00:05:29,680 --> 00:05:32,991 - Dani Detammaecker! - Wow! 45 00:05:34,320 --> 00:05:37,438 - We get set up for the wolf mazurka. 46 00:05:37,800 --> 00:05:40,679 Various musical atmospheres mix. 48 00:05:47,360 --> 00:05:50,193 It's very good music. 49 00:05:50,800 --> 00:05:53,633 who comes from all over France. 50 00:05:55,400 --> 00:05:59,234 If you like traditional music in general, 51 00:05:59,440 --> 00:06:03,035 and not from a particular region, then you have a big problem! 52 00:06:04,800 --> 00:06:08,634 Happy and energetic music on accordion and clarinet 54 00:06:48,880 --> 00:06:50,917 - One, two, three, four. The music disappears. 55 00:06:52,080 --> 00:06:54,959 Their footsteps echo on the floor. 56 00:06:55,960 --> 00:06:58,270 They hum. 57 00:06:58,440 --> 00:07:00,875 They clap their hands. 58 00:07:02,400 --> 00:07:04,311 She hums. 59 00:07:04,680 --> 00:07:08,469 Cries of enthusiasm The music resumes cheerfully. 60 00:07:23,440 --> 00:07:26,159 They clap their hands in rhythm. 61 00:07:31,280 --> 00:07:34,477 Intriguing clarinet crescendo 62 00:07:39,440 --> 00:07:40,760 Cries of enthusiasm 63 00:07:43,000 --> 00:07:45,879 Lively tune on the clarinet Cheers 64 00:07:49,280 --> 00:07:51,920 They clap their hands in rhythm. 65 00:09:00,240 --> 00:09:03,198 The music fades. 66 00:09:08,760 --> 00:09:11,354 Cheers 67 00:09:14,440 --> 00:09:16,636 -Another, another, another! 68 00:09:20,440 --> 00:09:22,272 - Oh, worst case scenario, we'll do it again. 69 00:09:22,640 --> 00:09:24,039 - At worst, we'll do it again. 70 00:09:24,240 --> 00:09:27,198 2016 edition. - We can do it with 5 voices. 71 00:09:27,480 --> 00:09:29,756 (In Greek) - Cheers! - To our health! 72 00:09:35,280 --> 00:09:38,875 They sing a traditional Greek song. 73 00:09:54,000 --> 00:09:56,958 - Wait, I would like call you to order. 74 00:09:57,200 --> 00:10:01,080 Workshop tomorrow at 10:30 a.m. It seems to me that you forget. 75 00:10:02,240 --> 00:10:04,117 They boo him. 76 00:10:05,960 --> 00:10:08,110 - The workshop will go like this. 77 00:10:08,760 --> 00:10:10,273 Everyone is going to teach. 78 00:10:10,520 --> 00:10:13,114 Tania will cover all of Crete. 79 00:10:13,320 --> 00:10:15,755 You will give away all of Crete. - With Pierre. 80 00:10:15,960 --> 00:10:17,030 - Rock ! 81 00:10:17,400 --> 00:10:18,959 Are you going to Crete? 82 00:10:19,160 --> 00:10:20,719 - We'll see tomorrow. 83 00:10:22,960 --> 00:10:25,839 Traditional groove music, at a swaying rhythm 84 00:10:27,520 --> 00:10:28,510 - Peter! 85 00:10:29,000 --> 00:10:31,560 Oh, Jean-Pierre! 86 00:10:53,640 --> 00:10:55,551 Applause 87 00:10:57,240 --> 00:11:00,278 - It's the teacher this morning, he was dancing on the same floor as us. 88 00:11:00,640 --> 00:11:01,391 - Who? 89 00:11:01,640 --> 00:11:05,270 - The teacher this morning who hosted the folk ball for dummies. 90 00:11:05,480 --> 00:11:06,276 -Where is he? 91 00:11:06,480 --> 00:11:08,551 - He passed there, a young man. 92 00:11:10,040 --> 00:11:10,950 - Oh. 93 00:11:11,480 --> 00:11:14,552 - That's it, you've put it back your shoes to go dancing. 94 00:11:14,800 --> 00:11:15,710 Come on, shall we go? 95 00:11:15,920 --> 00:11:16,671 -Here we go. 96 00:11:18,040 --> 00:11:20,919 Sounds of tent zippers 97 00:11:24,880 --> 00:11:28,236 Morning birdsong 98 00:11:53,840 --> 00:11:55,751 Buzz of conversations 99 00:11:56,080 --> 00:11:59,357 - Hello. In two words, we are happy to welcome you, 100 00:11:59,720 --> 00:12:01,313 It makes us very happy. 101 00:12:01,760 --> 00:12:02,955 There are a few rules here. 102 00:12:03,280 --> 00:12:05,954 - We don't make any noise in the campsite. 103 00:12:06,160 --> 00:12:09,869 People who go camping, it’s for resting and sleeping. 104 00:12:10,760 --> 00:12:15,118 - Know that 9 p.m., 9 a.m. is always sooner or later for someone. 105 00:12:15,280 --> 00:12:17,669 There are always people sleeping, all the time. 106 00:12:18,520 --> 00:12:20,397 - Do you want meal tickets or drink? 107 00:12:20,640 --> 00:12:21,960 - Can we only take them here? 108 00:12:22,160 --> 00:12:24,720 - Yes, there is no exchange of money about the festival. 109 00:12:24,920 --> 00:12:26,035 - 10 drink tickets. 110 00:12:26,320 --> 00:12:29,676 - You didn't come home yesterday, you come back today, tomorrow. 111 00:12:30,240 --> 00:12:32,390 - SUNDAY, MONDAY. - Not Tuesday. 112 00:12:32,760 --> 00:12:36,196 - Tomorrow, you come back with, it should not be cut. 113 00:12:36,360 --> 00:12:40,149 This means that you have registered, that you did the administration, 114 00:12:40,320 --> 00:12:41,913 otherwise, we can't know. 115 00:12:42,240 --> 00:12:45,153 - Last year, we all had blue in Saint-Gervais. 116 00:12:45,320 --> 00:12:47,118 So this year. 117 00:12:47,280 --> 00:12:49,874 Last year, no girl asked for pink, 118 00:12:50,080 --> 00:12:51,912 so let's calm down, gentlemen. 119 00:12:52,120 --> 00:12:53,269 So. - That's enough. 120 00:12:53,640 --> 00:12:56,029 - It matches my toenails. 121 00:12:56,240 --> 00:12:57,310 - Do you want a program? 122 00:12:57,680 --> 00:12:59,478 - Yes, thank you. 123 00:12:59,920 --> 00:13:02,116 -There are people waiting. 124 00:13:02,280 --> 00:13:03,759 And this until 9 p.m. 125 00:13:03,960 --> 00:13:08,796 Then the dances begin on all the marquees at the same time. 126 00:13:09,160 --> 00:13:12,437 So you will choose which dance, what music. 127 00:13:12,680 --> 00:13:14,717 It changes every hour and a half. 128 00:13:14,920 --> 00:13:17,116 You stop at 5am. 129 00:13:17,280 --> 00:13:20,318 Breakfast is served at 8 a.m. and you start again at 10am. 130 00:13:20,520 --> 00:13:23,160 - That's it, until exhaustion. 131 00:13:24,640 --> 00:13:25,630 - Welcome. 132 00:13:25,840 --> 00:13:29,310 Welcome to the festival. - “Welcome” to the festival. 133 00:13:29,520 --> 00:13:30,954 - The acoustic festival. 134 00:13:38,120 --> 00:13:39,793 - Hello, how are you? 135 00:13:42,800 --> 00:13:44,677 - Shall we not bring this back to floor 8? 136 00:13:44,880 --> 00:13:45,676 - No. 137 00:13:45,880 --> 00:13:46,915 - Ah there. 138 00:13:47,120 --> 00:13:48,474 - We can do it. 139 00:13:48,720 --> 00:13:52,076 Then take back what we need to put it elsewhere. 140 00:13:52,640 --> 00:13:53,994 - It might be pretty good. 141 00:13:54,280 --> 00:13:56,430 Excuse us, sorry. 142 00:13:56,680 --> 00:13:57,636 - What a bastard. 143 00:13:57,960 --> 00:13:59,917 - Attention. Pardon. 144 00:14:01,480 --> 00:14:03,232 - It's the momentum, it's the momentum I 145 00:14:04,160 --> 00:14:06,913 - When the mind don't look for the tempo. 146 00:14:07,280 --> 00:14:08,429 - We have to look for it. 147 00:14:08,680 --> 00:14:10,830 - If we don't look for him. -You have to. 148 00:14:11,040 --> 00:14:12,758 - Let me finish. 149 00:14:13,080 --> 00:14:16,789 When we're not looking for it, we can be all gestures, 150 00:14:17,000 --> 00:14:18,559 when we're not looking for it. 151 00:14:19,040 --> 00:14:20,519 When we look for the tempo, 152 00:14:20,760 --> 00:14:24,071 part of the mind is busy with research. 153 00:14:24,400 --> 00:14:28,155 So that when the tempo is clearly audible, 154 00:14:28,320 --> 00:14:30,470 we can let go in gestures, 155 00:14:30,720 --> 00:14:31,949 we can free the body. 156 00:14:32,520 --> 00:14:35,876 - As there are two of us, if we don't have the same tempo, it won't work. 157 00:14:37,880 --> 00:14:38,870 You see clearly. 158 00:14:40,880 --> 00:14:42,996 The tempo, These are the first highlights. 159 00:14:43,200 --> 00:14:44,520 -Yes. - So exactly. 160 00:14:44,760 --> 00:14:46,194 - If it is well marked. 161 00:14:46,480 --> 00:14:49,472 -I! they have to mark it, but then, it would almost be necessary. 162 00:14:49,720 --> 00:14:52,234 When they do “tchuk ta da, tchuk ta da”. 163 00:14:53,480 --> 00:14:54,914 Groups do that. 164 00:14:55,280 --> 00:14:57,032 “Tchuk ta da, tchuk ta da.” 165 00:14:57,760 --> 00:15:00,673 It's to make us internalize music. 166 00:15:01,360 --> 00:15:03,033 And stay on the. 167 00:15:06,320 --> 00:15:08,357 - I! It's already hot in the morning. 168 00:15:11,680 --> 00:15:14,513 Accordion music in the distance 169 00:15:16,480 --> 00:15:19,359 Shoes on. There, we are ready. 170 00:15:21,440 --> 00:15:24,319 He hums a maraichine. 171 00:15:26,760 --> 00:15:27,750 -Okay? 172 00:15:29,160 --> 00:15:31,470 What I'm doing here, It’s the 70s. 173 00:15:32,040 --> 00:15:33,314 Dancers from the 70s. 174 00:15:33,520 --> 00:15:35,955 If we go back in time, it's much worse than that. 175 00:15:36,160 --> 00:15:40,313 The market garden, we are lucky to have the oldest dance films 176 00:15:40,520 --> 00:15:43,160 that we have in Vendée, it's for the market garden. 177 00:15:43,320 --> 00:15:46,233 Maraîchine and Grand’danse. First film, 1935. 178 00:15:47,080 --> 00:15:49,230 It takes a long time to explain to you. I won't explain it to you. 179 00:15:49,400 --> 00:15:53,473 What we see in the films of 1935, the grandpas in particular. 180 00:15:54,240 --> 00:15:56,959 I am a boy so I have a masculine aesthetic. 181 00:15:57,160 --> 00:15:59,549 But in 1935, people did that. 182 00:15:59,800 --> 00:16:02,394 I take a dancer that I can reach, 183 00:16:02,640 --> 00:16:03,914 otherwise, it's complicated. 184 00:16:04,120 --> 00:16:05,076 They do that. 185 00:16:05,280 --> 00:16:06,714 He hums. 186 00:16:06,920 --> 00:16:09,230 An accordion and a guitar join him. 187 00:16:21,720 --> 00:16:22,676 Yeah. 188 00:16:25,080 --> 00:16:26,036 It's not one. 189 00:16:26,440 --> 00:16:28,033 It's not just one, 190 00:16:28,400 --> 00:16:29,674 we have a small collection. 191 00:16:31,040 --> 00:16:33,873 This is not an isolated case. That's it, the market garden, 192 00:16:34,520 --> 00:16:36,352 as soon as we go up a little in time. 193 00:16:36,560 --> 00:16:37,994 Without getting there, 194 00:16:38,200 --> 00:16:41,511 we will try to put back a little height in this matter. 195 00:16:42,840 --> 00:16:45,434 Soft, nostalgic music - We get up, we change feet, 196 00:16:45,680 --> 00:16:49,514 we lift, we put down, we put down, spread behind. 197 00:16:49,960 --> 00:16:52,270 Be careful not to go backwards, that's it. 198 00:16:52,440 --> 00:16:55,671 We lift, we change feet, we lift. 199 00:16:55,880 --> 00:16:57,996 We pose, we pose. On the shoulders I 200 00:17:01,360 --> 00:17:04,113 Try to move forward a little, the middle circle. 201 00:17:06,640 --> 00:17:09,393 There you go, aim inward, concentrate. 202 00:17:15,960 --> 00:17:17,155 And at the beginning. 203 00:17:20,280 --> 00:17:21,270 We get up. 204 00:17:22,440 --> 00:17:23,555 We get up. 205 00:17:29,160 --> 00:17:30,230 We get up. 206 00:17:30,400 --> 00:17:33,279 We change feet, we lift. Put down, put down. 207 00:17:35,440 --> 00:17:37,272 - What are you doing this year? 208 00:17:37,440 --> 00:17:38,669 - Plumbing. 209 00:17:40,520 --> 00:17:41,840 - That's good, do you like it? 210 00:17:42,040 --> 00:17:44,031 - Yeah, it helps pass the time. 211 00:17:47,920 --> 00:17:50,275 It makes time pass with festivals. 212 00:17:50,760 --> 00:17:52,273 - Quite a bit of time. 213 00:17:53,040 --> 00:17:54,678 - There are some all year round. 214 00:17:54,880 --> 00:17:56,314 - Do you also do it throughout the year? 215 00:17:56,520 --> 00:17:57,476 -Yes. 216 00:17:58,880 --> 00:18:00,359 Otherwise it would be too hard. 217 00:18:00,720 --> 00:18:01,357 - Oh yeah? 218 00:18:01,560 --> 00:18:04,393 - You wouldn't dance for a year. - What I do. 219 00:18:04,640 --> 00:18:07,200 - You, it's not the same. - Oh yeah? 220 00:18:10,760 --> 00:18:12,114 - I couldn't. 221 00:18:12,800 --> 00:18:16,156 - Ah if my aunt wants it, for me I'm happy with it 222 00:18:16,320 --> 00:18:19,631 - Ah if my aunt wants it, for me I'm happy with it 223 00:18:19,840 --> 00:18:23,549 - And if my aunt doesn't want to, ‘then I enter a convent 224 00:18:23,800 --> 00:18:27,350 Ah how I complain about love, that love torments me 225 00:18:27,560 --> 00:18:31,269 - Ah how I complain about love, that love torments me 226 00:18:31,480 --> 00:18:34,996 - And if my aunt doesn't want to, ‘then I enter a convent 227 00:18:35,200 --> 00:18:38,511 - And if my aunt doesn't want to, ‘then I enter a convent 228 00:18:38,760 --> 00:18:42,515 Got up early in the morning, more morning than my aunt 229 00:18:42,760 --> 00:18:46,230 Ah how I complain about love, that love torments me 230 00:18:46,400 --> 00:18:49,916 - Ah how I complain about love, that love torments me 231 00:18:50,120 --> 00:18:53,750 - Ah how I complain about love, that love torments me 232 00:18:54,280 --> 00:18:59,878 Ah how I complain about love, that love torments me 233 00:19:03,160 --> 00:19:05,834 Soft melody on the accordion 234 00:19:09,440 --> 00:19:12,831 She hums a sweet, high-pitched tune. 235 00:19:22,480 --> 00:19:25,757 Another woman's voice joins her. 236 00:19:49,920 --> 00:19:52,275 The tempo slows down. 237 00:19:57,160 --> 00:20:00,118 Final score 238 00:20:01,480 --> 00:20:02,675 The accordionist laughs. 239 00:20:02,880 --> 00:20:06,839 - When I started learning to dance, it's the mazurka 240 00:20:07,160 --> 00:20:08,878 which took me the most time. 241 00:20:09,080 --> 00:20:11,469 It took me a while to dance it well. 242 00:20:11,720 --> 00:20:13,233 Yeah. - At first it's hard 243 00:20:13,520 --> 00:20:16,273 when you're not used to it to let go. 244 00:20:16,440 --> 00:20:19,273 It makes things even more complicated. 245 00:20:19,760 --> 00:20:23,549 - The mazurka, you really have to let yourself go, otherwise, it blocks you. 246 00:20:23,880 --> 00:20:26,554 It's more of a mazurka, it's a dance. 247 00:20:27,520 --> 00:20:28,396 - Very stiff. 248 00:20:28,640 --> 00:20:29,869 - I don't really like it. 249 00:20:30,080 --> 00:20:31,718 - Don't you like it? - No. 250 00:20:32,040 --> 00:20:36,398 I like the dance itself. But I don't like being invited. 251 00:20:36,640 --> 00:20:39,519 I think it's dancing the most ambiguous. 252 00:20:39,760 --> 00:20:41,671 I don't like ambiguity in dance. 253 00:20:41,880 --> 00:20:45,510 Even if sometimes, it only belongs to dancing. 254 00:20:45,760 --> 00:20:49,640 The person just wants to play during the dance. 255 00:20:49,840 --> 00:20:53,879 But it bothers me, I have a tendency to straight up lash out. 256 00:20:55,280 --> 00:20:58,272 - Normally I dance than with people I know. 257 00:20:59,160 --> 00:20:59,956 - Yes ? 258 00:21:00,160 --> 00:21:01,639 (Foreign accent) - Normally, yes. 259 00:21:01,840 --> 00:21:05,629 Because it's this cocoon that we like to dance. 260 00:21:05,960 --> 00:21:09,032 - I like surprises, with dancers, 261 00:21:09,320 --> 00:21:12,836 how they make their variations, it's super nice. 262 00:21:13,200 --> 00:21:15,919 Because if you dance always with the same, 263 00:21:16,440 --> 00:21:19,000 It bothers me, I need it. 264 00:21:20,120 --> 00:21:22,031 of variants, variations. 265 00:21:22,480 --> 00:21:23,356 - It's a journey. 266 00:21:23,720 --> 00:21:24,710 - Yeah. 267 00:21:24,920 --> 00:21:28,675 - Feel the person inside. - Go together. 268 00:21:28,880 --> 00:21:29,950 - Yeah. 269 00:21:30,360 --> 00:21:33,512 - Normally, these are movements that we cannot see. 270 00:21:33,760 --> 00:21:34,750 It's interesting. 271 00:21:35,560 --> 00:21:39,633 - I danced with men who have none. 272 00:21:39,840 --> 00:21:42,878 They have no contact, really, they are not there. 273 00:21:43,080 --> 00:21:45,993 Still, a mazurka, we need to be present 274 00:21:46,200 --> 00:21:47,520 in the dance. 275 00:21:47,760 --> 00:21:50,229 Otherwise, dancing, it's more of a mazurka, 276 00:21:50,400 --> 00:21:52,755 it's just moving air. 277 00:21:52,960 --> 00:21:55,270 I even want to stop. 278 00:21:55,480 --> 00:21:58,836 When the person is not present, when she's not there, 279 00:21:59,040 --> 00:22:01,156 it's unpleasant, a mazurka, 280 00:22:01,320 --> 00:22:04,153 when the person I don't really want to be there. 281 00:22:05,720 --> 00:22:09,315 Tender and intimate mazurka on accordion and clarinet 282 00:22:48,840 --> 00:22:51,354 - When I showed my first prom images 283 00:22:51,560 --> 00:22:52,709 to a choreographer friend, 284 00:22:53,040 --> 00:22:55,759 he told me that he didn't see only one thing: 285 00:22:56,040 --> 00:22:59,715 the compelling need, essential of human beings 286 00:23:00,040 --> 00:23:01,394 to be affected. 287 00:23:02,360 --> 00:23:04,192 It's true that the ball is one of the rare spaces 288 00:23:04,360 --> 00:23:06,670 where we touch, even without knowing each other, 289 00:23:06,960 --> 00:23:08,837 where bodies meet. 290 00:23:10,720 --> 00:23:13,234 To dance is to fight against everything that holds back, 291 00:23:13,400 --> 00:23:16,279 everything that pushes, weighs and weighs down, 292 00:23:16,680 --> 00:23:19,274 it's listening what the body whispers to us. 293 00:23:20,040 --> 00:23:22,350 It's making the world go round around you. 294 00:23:24,640 --> 00:23:27,154 But in dance, for me, there is above all the other. 295 00:23:27,480 --> 00:23:29,551 I don't like dancing alone. 296 00:23:29,960 --> 00:23:32,190 Sometimes it's going out of yourself. 297 00:23:33,080 --> 00:23:35,549 Feel the other until almost becoming one, 298 00:23:36,080 --> 00:23:38,230 as if the heart jumped from the chest 299 00:23:38,400 --> 00:23:40,835 for accommodation in the other's chest. 300 00:23:41,800 --> 00:23:43,359 And feel like I'm dissolving 301 00:23:43,840 --> 00:23:46,719 while being more densely present than ever. 302 00:23:47,360 --> 00:23:50,955 Feeling that the world is not just something external to myself, 303 00:23:51,240 --> 00:23:53,151 but it is offered to me, 304 00:23:53,480 --> 00:23:55,232 that I am in life. 305 00:23:57,320 --> 00:23:58,674 Swaying mazurka 306 00:23:58,880 --> 00:24:01,759 on brass, banjo, accordion and vibraphone 307 00:24:07,560 --> 00:24:10,279 Applause 308 00:24:14,640 --> 00:24:16,313 - I think it's more. 309 00:24:16,680 --> 00:24:19,115 There are dancers with whom I would like to dance, 310 00:24:19,280 --> 00:24:21,396 that I've been seeing for years. 311 00:24:21,640 --> 00:24:26,271 In fact, if so, They absolutely didn't get me. 312 00:24:26,520 --> 00:24:31,037 But it's been so many times let us meet at a ball, I tell myself. 313 00:24:31,240 --> 00:24:34,278 I know their faces by heart, They must have caught me. 314 00:24:34,480 --> 00:24:37,916 And I wonder why don't they come and invite me? 315 00:24:38,120 --> 00:24:39,918 - Why don't you invite them? 316 00:24:40,120 --> 00:24:42,760 - I don't dare, because if they don't come and invite me, 317 00:24:42,960 --> 00:24:44,394 it’s because they don’t want to. 318 00:24:44,640 --> 00:24:45,630 So. 319 00:24:45,840 --> 00:24:48,958 Benoît tells me that I intimidate them, 320 00:24:49,280 --> 00:24:52,477 that I put pressure on them or I don't know what. 321 00:24:52,960 --> 00:24:55,076 Piss off, what. So, I don't dance. 322 00:24:55,280 --> 00:24:56,395 No, that's not true. 323 00:24:56,640 --> 00:25:00,076 But it bites its tail, this story, you see? 324 00:25:01,320 --> 00:25:03,914 Suspended Waltz on diatonic accordion 325 00:25:25,640 --> 00:25:28,234 The tempo slows down. 326 00:25:30,720 --> 00:25:32,677 The music stops. 327 00:25:34,760 --> 00:25:36,956 It takes up the theme at the initial tempo. 328 00:26:39,760 --> 00:26:43,879 The music slowly stops. 329 00:26:48,400 --> 00:26:51,279 She leaves slowly. 330 00:26:57,440 --> 00:26:58,839 - Me, last night, 331 00:26:59,160 --> 00:27:01,834 I was waiting, like at a Saturday night ball, 332 00:27:02,040 --> 00:27:04,031 I was doing my stretches. 333 00:27:04,240 --> 00:27:08,438 Then there is a gentleman, 45, 50 years old, a British, 334 00:27:08,680 --> 00:27:10,830 he said to me: “It’s okay, are you ready?” 335 00:27:11,040 --> 00:27:12,269 “Yes, I’m ready.” 336 00:27:12,440 --> 00:27:15,080 So, we started, 337 00:27:15,280 --> 00:27:17,271 it was a waltz for the opening. 338 00:27:17,480 --> 00:27:21,713 And he asked me the question: “Do you want to lead or do I lead?” 339 00:27:21,920 --> 00:27:22,910 - Too good. 340 00:27:23,120 --> 00:27:24,519 - No one had ever asked me that. 341 00:27:24,760 --> 00:27:27,673 - It's great. - It's also consent, in fact. 342 00:27:27,880 --> 00:27:30,076 - Yeah. I said, “No, go ahead.” 343 00:27:30,520 --> 00:27:31,840 I'm not comfortable enough. 344 00:27:32,160 --> 00:27:35,039 - Compared to a few years ago when I started, 345 00:27:35,280 --> 00:27:37,510 the number of guys who want to be guided, 346 00:27:37,760 --> 00:27:39,114 It wasn't like that before. 347 00:27:39,320 --> 00:27:41,880 Before, there might have been one or two, 348 00:27:42,080 --> 00:27:43,354 They were beating my back. 349 00:27:43,880 --> 00:27:46,759 Because I'm very fine. 350 00:27:47,200 --> 00:27:48,520 Then it's heavy, a guy. 351 00:27:48,760 --> 00:27:50,751 Then now, 352 00:27:50,960 --> 00:27:53,520 that's good, there are plenty of them which are light, 353 00:27:53,760 --> 00:27:56,559 It’s great to guide them. 354 00:27:56,800 --> 00:27:58,950 - It's really something else. 355 00:27:59,160 --> 00:27:59,911 - Yeah. 356 00:28:00,120 --> 00:28:03,750 - We are used to it, as we also dance between girls, 357 00:28:03,960 --> 00:28:05,553 to move from one role to another. 358 00:28:05,800 --> 00:28:08,360 Lots of boys were never guided. 359 00:28:08,560 --> 00:28:11,120 - Lots of girls have ever guided 360 00:28:11,280 --> 00:28:14,318 and they have absolutely no interest in that. 361 00:28:14,520 --> 00:28:17,478 Because I think, from what they tell me, 362 00:28:17,720 --> 00:28:20,439 is to arrive in couple dance. 363 00:28:20,680 --> 00:28:23,718 Maybe it's women who held on to their lives, 364 00:28:23,920 --> 00:28:27,356 who had, for some reason or another, to trace their path, 365 00:28:27,560 --> 00:28:30,393 to carry, to make decisions, to manage. 366 00:28:30,640 --> 00:28:34,076 And there they need to learn or relearn 367 00:28:34,280 --> 00:28:36,317 to let go and let yourself be guided. 368 00:28:36,520 --> 00:28:39,114 You offer them to learn to guide, 369 00:28:39,280 --> 00:28:42,511 They say: “Ah no, it’s good, I've been doing this all my life! 370 00:28:42,760 --> 00:28:44,512 I'm coming for something else." 371 00:28:44,760 --> 00:28:46,797 Yes, well okay, ok. 372 00:28:47,080 --> 00:28:51,551 We don't come for the same things, to dance, nor at the same age. 373 00:28:51,800 --> 00:28:55,919 There are lots of ways to experience this festival, too. 374 00:28:56,800 --> 00:28:59,189 A man sings in Occitan. 375 00:29:05,960 --> 00:29:07,030 - Excuse me. 376 00:29:07,240 --> 00:29:09,754 - The lamp is a very good idea. 377 00:29:09,960 --> 00:29:11,189 - Can you read me? 378 00:29:12,280 --> 00:29:14,635 - "England - Wales, parquet 1. 379 00:29:14,840 --> 00:29:17,673 Three Times of the Willows, Nivernais/Morvan." 380 00:29:18,200 --> 00:29:20,077 Below, “Shillelagh”. 381 00:29:20,280 --> 00:29:22,271 - It's from Flanders, that's good. 382 00:29:22,480 --> 00:29:23,311 - Certainly. 383 00:29:23,520 --> 00:29:25,193 - I tell you, it's good. 384 00:29:25,360 --> 00:29:26,191 - We'll go see. 385 00:29:29,360 --> 00:29:33,069 Men sing a three-stroke drunk from Auvergne 386 00:31:15,640 --> 00:31:17,870 Applause and cheers 387 00:31:22,640 --> 00:31:24,711 - We are the Quaus group from Lanla, 388 00:31:25,040 --> 00:31:29,352 we draw from the Auvergne repertoire to create an Auvergne ball 389 00:31:29,720 --> 00:31:30,710 to the voice. 390 00:31:30,920 --> 00:31:34,879 We continue with the rest of pique polka. 391 00:31:35,200 --> 00:31:36,235 Laughter 392 00:31:36,400 --> 00:31:38,869 - That's it, to go through sleepless nights. 393 00:31:40,240 --> 00:31:43,392 - It's not because we're sleeping only two, three hours a night 394 00:31:43,640 --> 00:31:45,392 for three or four days 395 00:31:45,640 --> 00:31:47,039 that we must be tired. 396 00:31:48,160 --> 00:31:50,276 Two, three hours a night... 397 00:31:50,800 --> 00:31:52,791 Three, six, seven... 398 00:31:54,720 --> 00:31:57,109 12 hours for four days, it's not bad. 399 00:31:57,360 --> 00:31:59,510 - I did more than normal nights, 400 00:31:59,760 --> 00:32:01,831 I did nine, eight hours. 401 00:32:02,040 --> 00:32:04,236 but it was day, not night. 402 00:32:05,560 --> 00:32:07,790 - The refreshment bar is closed! 403 00:32:11,560 --> 00:32:14,074 The refreshment bar is closed! 404 00:32:15,960 --> 00:32:17,758 Triumphant music 405 00:32:17,960 --> 00:32:19,917 (Collective cry in the distance) - Olé I 406 00:32:22,520 --> 00:32:24,431 (Collective cry) - Olé I 407 00:32:26,640 --> 00:32:28,950 They speak German. 408 00:32:29,160 --> 00:32:30,275 - The oxen, at the beginning, 409 00:32:30,480 --> 00:32:32,676 I didn't even know that they existed. 410 00:32:33,040 --> 00:32:34,360 I danced all day, 411 00:32:34,560 --> 00:32:37,313 I did all the workshops to learn everything. 412 00:32:37,520 --> 00:32:39,318 And at 3 a.m., at the end of the dances, 413 00:32:39,520 --> 00:32:42,034 I was so exhausted that I was going to bed. 414 00:32:42,880 --> 00:32:45,554 Then during the day, you start to hear about the oxen, 415 00:32:45,800 --> 00:32:47,677 you feel that something is happening there. 416 00:32:48,280 --> 00:32:51,193 So one night, you overcome your fatigue 417 00:32:51,480 --> 00:32:54,233 and you stay after the closing of the prosecution. 418 00:32:55,120 --> 00:32:57,873 And then there, you discover another great ball. 419 00:32:58,080 --> 00:33:01,277 People you don't even have sometimes never crossed paths during the day. 420 00:33:01,440 --> 00:33:05,070 Full of young people, who often sleep all day 421 00:33:05,280 --> 00:33:07,635 and only wake up for the balls. 422 00:33:09,080 --> 00:33:11,959 Lively accordion music 423 00:33:14,880 --> 00:33:17,759 Upbeat music on flute, clarinet, accordion 424 00:33:18,920 --> 00:33:19,990 - Stop! 425 00:33:20,200 --> 00:33:23,079 Joyful cries and laughter 426 00:33:31,400 --> 00:33:34,279 The tempo accelerates. 427 00:34:10,360 --> 00:34:13,273 Early morning birdsong 428 00:34:13,960 --> 00:34:16,190 In the distance, notes of a languorous accordion 429 00:36:15,760 --> 00:36:21,278 Long final chord 430 00:36:25,880 --> 00:36:28,394 Applause 431 00:36:34,440 --> 00:36:38,274 Buzz of conversations in the background Noise of showers 432 00:37:02,480 --> 00:37:04,835 Energetic and warm music 433 00:37:30,160 --> 00:37:33,039 Applause and cheers 434 00:37:35,080 --> 00:37:36,070 (Italian accent) - Hello everyone. 435 00:37:36,360 --> 00:37:37,475 THANKS. 436 00:37:38,560 --> 00:37:39,630 Laughter 437 00:37:40,240 --> 00:37:41,674 It's not difficult at all. 438 00:37:43,720 --> 00:37:45,472 It's a dance. 439 00:37:45,840 --> 00:37:48,195 where the rhythm is tight, always the same, 440 00:37:48,360 --> 00:37:51,273 so the body must go a little in “ecstasy”. 441 00:37:52,000 --> 00:37:55,231 So "Pizzica", the dance name, means “dive”. 442 00:37:56,080 --> 00:37:59,232 The origin of the name Tarantelle, it comes from tarantula, 443 00:37:59,400 --> 00:38:01,118 and we believed, 444 00:38:01,440 --> 00:38:03,795 when we were in the countryside, 445 00:38:04,000 --> 00:38:07,356 imagine the southern countryside of Italy in the 19... 446 00:38:08,200 --> 00:38:11,272 “seat 19”. 19th, thank you. 447 00:38:13,680 --> 00:38:18,038 There were phenomena, people who were going a little crazy. 448 00:38:18,400 --> 00:38:22,189 And so, to heal these people, we called musicians 449 00:38:22,480 --> 00:38:26,155 to play this music, this Pizzica, 450 00:38:26,320 --> 00:38:29,312 like a real rite of exorcism. 451 00:38:29,680 --> 00:38:32,433 Syncopated rhythm on the tambourine 452 00:38:32,680 --> 00:38:34,990 You can try to do tricks, 453 00:38:35,480 --> 00:38:39,235 if you want, like one, two, three, for example. 454 00:38:41,120 --> 00:38:43,999 You can turn in the side you prefer. 455 00:38:44,800 --> 00:38:46,711 Start with just one round. 456 00:38:47,640 --> 00:38:50,393 One, two, three, for example. 457 00:38:51,680 --> 00:38:54,035 It can be slower or faster. 458 00:38:54,840 --> 00:38:56,877 Listen to the tambourine. 459 00:38:58,560 --> 00:39:01,313 Warm and very energetic melody 460 00:39:01,520 --> 00:39:03,909 A woman sings a Pizzica in Italian. 461 00:39:18,560 --> 00:39:20,358 Change couples again. 462 00:39:20,560 --> 00:39:21,675 Change. 463 00:39:21,880 --> 00:39:24,554 If you are tired, take small steps. 464 00:39:25,320 --> 00:39:26,833 Don't stop dancing. 465 00:39:39,000 --> 00:39:40,479 - Today, what I really prefer 466 00:39:40,720 --> 00:39:42,438 these are the rooted dances. 467 00:39:43,360 --> 00:39:45,510 The more I feel that the person who transmits his dances to me 468 00:39:45,760 --> 00:39:47,671 is anchored in its own culture, 469 00:39:48,040 --> 00:39:49,553 as close as possible to its singularity, 470 00:39:49,880 --> 00:39:51,678 of what makes her vibrate, 471 00:39:51,880 --> 00:39:53,200 and the greater the gift. 472 00:39:55,400 --> 00:39:56,754 I didn't dance as a child 473 00:39:56,960 --> 00:39:58,394 on music from my region. 474 00:39:59,000 --> 00:40:00,399 But I am still imbued with it, 475 00:40:00,640 --> 00:40:02,278 I feel at home there. 476 00:40:02,760 --> 00:40:05,115 As if I had inherited of a common memory, 477 00:40:05,280 --> 00:40:07,669 that of the country where I come from. 478 00:40:10,280 --> 00:40:12,669 And above all I love collective dances. 479 00:40:13,080 --> 00:40:16,471 I find there a warmth, an osmosis, a more intense connection. 480 00:40:17,160 --> 00:40:18,878 As with Greek dances, 481 00:40:19,080 --> 00:40:20,912 It upsets me every time. 482 00:40:21,120 --> 00:40:23,760 It's like suddenly I was crossed by the story, 483 00:40:23,960 --> 00:40:26,520 the lives of this human community. 484 00:40:27,440 --> 00:40:31,035 Well, maybe I'll never dance these dances like a Greek, 485 00:40:31,520 --> 00:40:33,716 but the pleasure I have in discovering them 486 00:40:33,920 --> 00:40:37,390 and slip away in these foreign shoes is infinite. 487 00:40:37,640 --> 00:40:39,358 - There you go, thank you very much. 488 00:40:39,920 --> 00:40:41,558 This song is close to my heart. 489 00:40:41,920 --> 00:40:45,072 The song says: “All Epirus sings and dances.” 490 00:40:45,280 --> 00:40:46,759 We sing to express, 491 00:40:47,080 --> 00:40:51,790 take out his. "your pono", evil or sorrow, 492 00:40:52,000 --> 00:40:56,949 and we also sing, we dance to welcome immigrants. 493 00:40:57,320 --> 00:41:00,676 I will take you in a completely different region. 494 00:41:00,880 --> 00:41:03,030 I'll take you to the islands. 495 00:41:10,280 --> 00:41:13,193 Ensemble music, cheerful melody 496 00:42:04,360 --> 00:42:11,153 Long final chord Applause and laughter 497 00:42:14,000 --> 00:42:14,990 - Two peaches. 498 00:42:16,640 --> 00:42:18,199 - You told me about brugnons. 499 00:42:18,480 --> 00:42:20,153 - Two brugnons, yes, if possible, a ripe one. 500 00:42:20,320 --> 00:42:21,515 - They're not ripe. 501 00:42:22,200 --> 00:42:23,873 - Two peaches, if they are ripe. 502 00:42:24,080 --> 00:42:25,878 - They are more ripe. 503 00:42:26,080 --> 00:42:27,639 -“More ripe”, it’s not French. 504 00:42:27,840 --> 00:42:30,070 - They are not quite ripe neither. 505 00:42:31,280 --> 00:42:33,510 - You tried anyway, you accepted. 506 00:42:33,760 --> 00:42:35,114 - I don't like refusing. 507 00:42:35,280 --> 00:42:36,270 - Me neither. 508 00:42:36,440 --> 00:42:40,274 - I'm never not up for it at all, I’m never “Ah no, no”. 509 00:42:40,720 --> 00:42:41,994 - Yes, there you go. There are some. 510 00:42:42,200 --> 00:42:45,272 - I never refuse. I haven't refused once here. 511 00:42:45,480 --> 00:42:47,232 - We often have surprises. 512 00:42:47,400 --> 00:42:48,799 - I refused anyone. 513 00:42:49,000 --> 00:42:50,229 Including a beginner. 514 00:42:50,400 --> 00:42:53,358 - Especially when you say you are a beginner and they say to you: “Ah.” 515 00:42:53,840 --> 00:42:54,557 - Fuck. 516 00:42:54,800 --> 00:42:55,551 - It happens. 517 00:42:55,800 --> 00:42:58,474 - In the same evening, in the space of five minutes, 518 00:42:58,720 --> 00:43:00,040 three times I had this. 519 00:43:00,240 --> 00:43:02,436 It was a polka, right? 520 00:43:02,680 --> 00:43:04,034 - A polka. -Yes. 521 00:43:04,240 --> 00:43:06,470 In five minutes, three refusals. 522 00:43:06,720 --> 00:43:07,710 - Three rakes? 523 00:43:07,920 --> 00:43:11,993 - Someone invites me, I tell him when I start, he says: “Ah.” 524 00:43:12,320 --> 00:43:14,311 - I! leaves like that. 525 00:43:14,520 --> 00:43:17,273 -"I'm just warning you that my steps will not be. 526 00:43:17,440 --> 00:43:18,555 - It's crazy. 527 00:43:19,040 --> 00:43:20,713 - It touches the ego a little. 528 00:43:28,000 --> 00:43:30,389 - How many days in advance to have a tent here? 529 00:43:30,640 --> 00:43:32,711 - Like three days, I think. 530 00:43:32,920 --> 00:43:35,116 Did you arrive on Tuesday? - No, Thursday. 531 00:43:35,280 --> 00:43:36,998 - Did Eli arrive on Tuesday? 532 00:43:37,200 --> 00:43:38,759 Eli arrived on Tuesday. 533 00:43:40,040 --> 00:43:43,317 It's not just a place, it's all the place of shadow. 534 00:43:43,520 --> 00:43:46,273 It's the neighborhood in the shade, it's great. 535 00:43:48,840 --> 00:43:51,195 They laugh. 536 00:43:57,200 --> 00:43:58,759 - Dancing, it took a long time. 537 00:43:59,680 --> 00:44:00,909 - What about pleasure? 538 00:44:01,120 --> 00:44:04,636 There is a difference between dancing and the moment when you find pleasure. 539 00:44:04,960 --> 00:44:06,553 - It takes at least 3, 4 years. 540 00:44:06,800 --> 00:44:10,156 A first year, all the dances. 541 00:44:10,320 --> 00:44:14,109 English quadrilles, tap dances, 542 00:44:14,280 --> 00:44:16,715 the things you do with lots of people. 543 00:44:17,120 --> 00:44:19,270 All the Cajun stuff, all that stuff. 544 00:44:19,480 --> 00:44:22,233 Then, the phase where you do the initiations, 545 00:44:22,400 --> 00:44:24,516 scottish, polka, mazurka, you start. 546 00:44:24,760 --> 00:44:26,717 Then. - Circassian circles. 547 00:44:27,800 --> 00:44:31,395 - 3rd year, all that is variants, mix on asymmetrical waltzes. 548 00:44:31,640 --> 00:44:33,916 Four, five years later, you finally start to have fun. 549 00:44:34,320 --> 00:44:36,709 - Oh, stop, you're having fun first. 550 00:44:37,040 --> 00:44:38,917 - Yes, but you dance badly. 551 00:44:39,400 --> 00:44:40,390 - That's it. 552 00:44:40,640 --> 00:44:43,029 - Because I still have trouble 553 00:44:43,320 --> 00:44:44,833 to invite people. 554 00:44:45,040 --> 00:44:47,953 So, it's true that it's a bit complicated. 555 00:44:49,520 --> 00:44:54,276 So I dance more often with slightly older people. 556 00:44:54,960 --> 00:44:58,271 Because young people, They invite themselves directly very quickly. 557 00:44:58,680 --> 00:45:02,275 And there you have it. But afterwards, as the evening progresses, 558 00:45:02,440 --> 00:45:06,115 given that older people often go to bed earlier. 559 00:45:06,280 --> 00:45:09,033 During the beef, only young people remain. 560 00:45:09,760 --> 00:45:11,319 - I danced with people, 561 00:45:11,680 --> 00:45:13,751 you don't know where to start. 562 00:45:13,960 --> 00:45:16,918 No, but without being super mean, it's unpleasant. 563 00:45:17,120 --> 00:45:21,239 - You have to be careful today, I chatted with someone, 564 00:45:21,520 --> 00:45:24,080 rather beginner who told me that he was leaving tomorrow. 565 00:45:24,280 --> 00:45:26,954 I said: “Why don’t you stay the week?” 566 00:45:27,160 --> 00:45:29,276 He told me - "I want to leave 567 00:45:29,480 --> 00:45:33,235 “because people dance a little with me then they leave. 568 00:45:33,400 --> 00:45:35,960 They don't want because I dance badly." 569 00:45:36,160 --> 00:45:40,757 I found it super sad let him be like that. 570 00:45:40,960 --> 00:45:44,191 Then suddenly, he felt Gennetines 571 00:45:44,360 --> 00:45:46,829 like something a little closed. 572 00:45:47,040 --> 00:45:49,077 - You have to announce it, if you find out. 573 00:45:49,280 --> 00:45:52,989 If I know it, it almost makes me happy to help him find his way. 574 00:45:53,200 --> 00:45:55,953 So what if you don't know. 575 00:45:58,440 --> 00:46:01,637 - Anyone, who doesn't know, who is there, who asks, 576 00:46:01,840 --> 00:46:05,037 he finds people who explain to him, who show him. 577 00:46:05,240 --> 00:46:08,949 There are a few people who try to dance too well, 578 00:46:09,160 --> 00:46:11,834 who think they know, and force the girls 579 00:46:12,040 --> 00:46:15,078 to make things and who don't get there at all... 580 00:46:15,280 --> 00:46:19,069 - The other day I got blocked the back by a brute, really. 581 00:46:20,160 --> 00:46:22,356 It was. - It was the last day. 582 00:46:22,840 --> 00:46:23,796 - The day before yesterday, 583 00:46:24,440 --> 00:46:26,556 I got fucked by a girl. 584 00:46:26,800 --> 00:46:27,915 They laugh. 585 00:46:28,120 --> 00:46:30,236 She was pulling me... 586 00:46:30,960 --> 00:46:32,519 - What dance? - Eh ? 587 00:46:32,760 --> 00:46:35,673 - What dance? - It doesn't matter, I don't know. 588 00:46:35,880 --> 00:46:39,316 On the posture, she leaned in my hand and on the shoulder. 589 00:46:39,520 --> 00:46:42,194 I had a broken wrist, she leaned. 590 00:46:42,360 --> 00:46:44,271 It must have been comfortable for her. 591 00:46:45,520 --> 00:46:48,399 Mixture of several musics in the distance 592 00:46:50,160 --> 00:46:53,994 - I have a very specific memory of my first couple dance. 593 00:46:54,200 --> 00:46:57,238 It was in summer, under the cherry trees, with my parents' friends. 594 00:46:57,560 --> 00:46:59,551 I must have been 7 or 8 years old. 595 00:47:02,120 --> 00:47:04,953 Old musette tubes came out of an old hi-fi system 596 00:47:05,480 --> 00:47:08,233 and an old gentleman invited me to dance a waltz. 597 00:47:08,400 --> 00:47:12,280 A harp plays hesitant notes. 598 00:47:13,160 --> 00:47:14,719 He must have felt that I liked it 599 00:47:14,920 --> 00:47:17,560 because he spent the afternoon to teach me the paso doble, 600 00:47:17,800 --> 00:47:20,997 walking, java and waltz. 601 00:47:23,400 --> 00:47:25,118 I liked his patience. 602 00:47:25,760 --> 00:47:27,671 And the time he gave me. 603 00:47:31,240 --> 00:47:32,389 I never saw him again. 604 00:47:36,320 --> 00:47:37,719 Today, I love it too 605 00:47:37,920 --> 00:47:40,070 make people dance who have never danced, 606 00:47:40,400 --> 00:47:43,438 take them to the ball, it’s one of my great pleasures. 607 00:47:43,880 --> 00:47:46,793 Feel their body stiff, hesitant, stammering, 608 00:47:47,000 --> 00:47:49,958 then who little by little relaxes, search, 609 00:47:50,920 --> 00:47:53,275 and find the rhythm gradually. 610 00:47:54,160 --> 00:47:57,551 I love passing this pleasure on to them and make them addicted in turn. 611 00:47:57,800 --> 00:48:00,189 - We start on C 7. Pam pam pam 612 00:48:00,360 --> 00:48:03,273 Rhythmic and swaying song with Brazilian accents 613 00:48:09,880 --> 00:48:12,440 Long before I was born, my grandmother said 614 00:48:12,680 --> 00:48:15,194 During his youth Everyone was dancing 615 00:48:15,360 --> 00:48:18,034 Love as an amulet An accordion tune 616 00:48:18,240 --> 00:48:20,959 Long live the bag And let's dance in the living rooms 617 00:48:21,160 --> 00:48:23,720 Were they not only budding dancers? 618 00:48:23,920 --> 00:48:26,480 What about popular balls? 619 00:48:26,720 --> 00:48:29,280 Should this culture be lost? 620 00:48:29,480 --> 00:48:32,040 In Brazil, I rediscovered it 621 00:48:32,240 --> 00:48:34,709 Acorda Säo Joäo, acorda Säo Joäo 622 00:48:34,920 --> 00:48:37,514 It's no longer time to sleep The whole crowd is dancing 623 00:48:37,760 --> 00:48:40,115 Acorda Säo Joäo, acorda Säo Joäo 624 00:48:40,280 --> 00:48:43,113 Look at these smiles Your love is a chance 625 00:48:43,280 --> 00:48:45,840 Acorda Säo Joäo, acorda Säo Joäo 626 00:48:46,040 --> 00:48:48,759 It's no longer time to sleep The whole crowd is dancing 627 00:48:48,960 --> 00:48:51,349 Acorda Säo Joäo, acorda Säo Joäo 628 00:48:51,560 --> 00:48:54,279 Look at these smiles Your love is a chance 629 00:48:54,480 --> 00:48:56,835 Acorda Säo Joäo, acorda Säo Joäo 630 00:48:57,040 --> 00:48:59,759 It's no longer time to sleep The whole crowd is dancing 631 00:48:59,960 --> 00:49:02,156 Acorda Säo Joäo, acorda Säo Joäo 632 00:49:02,320 --> 00:49:05,233 Come bless these smiles Your love is a chance 633 00:49:05,400 --> 00:49:07,755 Acorda Säo Joäo, acorda Säo Joäo 634 00:49:07,960 --> 00:49:10,713 It's no longer time to sleep The whole crowd is dancing 635 00:49:10,920 --> 00:49:12,991 Acorda Säo Joäo, acorda Säo Joäo 636 00:49:13,200 --> 00:49:15,919 Come bless these smiles Your love is a chance 637 00:49:16,120 --> 00:49:17,190 Thank you! - Well done ! 638 00:49:17,360 --> 00:49:18,350 - Yes. 639 00:49:20,000 --> 00:49:21,434 Cheers 640 00:49:21,680 --> 00:49:23,193 - Acorda Säo Joäo 641 00:49:23,360 --> 00:49:24,634 - Long live Midsummer! 642 00:49:26,120 --> 00:49:29,238 Covered conversation by the hubbub of the dishes 643 00:49:29,400 --> 00:49:30,879 - ... On the floor 1. 644 00:49:31,080 --> 00:49:32,639 - On floor 1? 645 00:49:34,720 --> 00:49:35,676 - Under the Bridge. 646 00:49:36,320 --> 00:49:37,640 - What is dancing? 647 00:49:37,840 --> 00:49:39,717 - Exactly, it's waltzes. 648 00:49:39,920 --> 00:49:41,513 Odd waltzes. 649 00:49:41,760 --> 00:49:42,875 - Oh, great! 650 00:49:43,200 --> 00:49:44,156 - We're coming. 651 00:49:44,320 --> 00:49:45,355 -Here we go. 652 00:49:45,560 --> 00:49:47,392 - What are you going to get? 653 00:49:47,640 --> 00:49:49,039 - Potato pâté. 654 00:49:49,240 --> 00:49:50,355 - It's not fair! 655 00:49:50,560 --> 00:49:51,311 - Oh yeah! 656 00:49:51,520 --> 00:49:52,794 - We didn't have any. 657 00:49:53,760 --> 00:49:55,831 - You have arranged with the cook or what? 658 00:49:56,040 --> 00:49:58,475 - No, they are our friends, we have great relationships. 659 00:50:00,440 --> 00:50:03,034 - Chanj'tu, Madeline Madeleine 660 00:50:03,240 --> 00:50:04,992 Chanj'tu, Madeline are you sleeping 661 00:50:05,400 --> 00:50:07,676 I have five to four sheep in my village above 662 00:50:07,880 --> 00:50:09,996 I have five to four sheep in my village downstairs 663 00:50:10,200 --> 00:50:12,555 - I have five to four sheep in my village above 664 00:50:12,800 --> 00:50:14,393 I have five to four sheep in my village downstairs 665 00:50:14,640 --> 00:50:17,280 In my village above My village below 666 00:50:17,480 --> 00:50:19,630 Chanj'tu, Madeline Madeleine 667 00:50:19,840 --> 00:50:22,116 Chanj'tu, Madeline are you sleeping 668 00:50:22,280 --> 00:50:24,271 Chanj'tu, Madeline Madeleine 669 00:50:24,440 --> 00:50:26,670 Chanj'tu, Madeline are you sleeping 670 00:50:26,880 --> 00:50:29,520 - I have four to three sheep in my village above 671 00:50:29,760 --> 00:50:31,273 - I have four to three sheep in my village downstairs 672 00:50:31,440 --> 00:50:34,000 - I have four to three sheep in my village above 673 00:50:34,200 --> 00:50:35,838 - I have four to three sheep in my village downstairs 674 00:50:36,040 --> 00:50:37,269 In my village above 675 00:50:37,480 --> 00:50:38,709 My village below 676 00:50:38,920 --> 00:50:40,831 Chanj'tu, Madeline Madeleine 677 00:50:41,040 --> 00:50:43,270 Chanj'tu, Madeline are you sleeping 678 00:50:43,440 --> 00:50:45,556 Chanj'tu, Madeline Madeleine 679 00:50:45,800 --> 00:50:47,996 Chanj'tu, Madeline are you sleeping 680 00:50:48,200 --> 00:50:50,840 - I have three or two sheep in my village above 681 00:50:51,040 --> 00:50:52,633 - I have three or two sheep in my village downstairs 682 00:50:52,840 --> 00:50:55,434 - I have three or two sheep in my village above 683 00:50:55,680 --> 00:50:57,273 - I have three or two sheep in my village downstairs 684 00:50:57,440 --> 00:50:58,760 In my village above 685 00:50:58,960 --> 00:51:00,155 My village below 686 00:51:00,320 --> 00:51:02,152 Chanj'tu, Madeline Madeleine 687 00:51:02,320 --> 00:51:04,470 Chanj'tu, Madeline are you sleeping 688 00:51:04,720 --> 00:51:06,950 Chanj'tu, Madeline Madeleine 689 00:51:07,160 --> 00:51:08,912 Chanj'tu, Madeline are you sleeping 690 00:51:09,120 --> 00:51:11,270 - I have two to one sheep in my village above 691 00:51:11,480 --> 00:51:13,676 - I have two to one sheep in my village downstairs 692 00:51:13,880 --> 00:51:16,235 - I have two to one sheep in my village above 693 00:51:16,400 --> 00:51:18,232 - I have two to one sheep in my village downstairs 694 00:51:20,920 --> 00:51:23,958 A few piano notes in the distance 695 00:51:30,160 --> 00:51:31,150 - Thank you. 696 00:51:32,760 --> 00:51:33,716 Good evening. 697 00:51:38,160 --> 00:51:39,116 THANKS. 698 00:51:42,040 --> 00:51:43,997 But should this be opened or not? 699 00:51:51,800 --> 00:51:52,551 It's pretty. 700 00:51:52,960 --> 00:51:54,030 - A Congo! 701 00:51:56,160 --> 00:52:00,119 A harmonica sings a joyful melody, bouncy and engaging. 702 00:52:01,640 --> 00:52:04,473 A Gascony bagpipe, hot and vibrant joins him. 703 00:52:47,760 --> 00:52:50,639 Entrance of the tun-tun, string percussion 704 00:54:39,720 --> 00:54:42,439 Applause 705 00:54:43,520 --> 00:54:45,909 - Thank you, well done! What an atmosphere! 706 00:54:48,080 --> 00:54:50,959 A chromatic accordion plays a waltz. 707 00:55:14,000 --> 00:55:16,560 The violins accompany the accordion. 708 00:56:01,040 --> 00:56:03,919 Final agreement 709 00:56:06,040 --> 00:56:08,919 Applause 710 00:56:09,280 --> 00:56:11,271 - Thank you, friends. See you tomorrow. 711 00:56:15,920 --> 00:56:18,799 Fragments of indistinct conversations 712 00:56:35,240 --> 00:56:37,277 Music in the distance 713 00:56:37,440 --> 00:56:39,636 Loud snoring 714 00:56:44,920 --> 00:56:47,799 Scattered flute and clarinet notes 715 00:56:50,520 --> 00:56:52,716 - Do you think Fabien slept? 716 00:56:53,480 --> 00:56:54,356 - No idea. 717 00:56:54,560 --> 00:56:56,153 - Was he at beef this morning? 718 00:56:56,320 --> 00:56:57,469 -Yes. 719 00:56:59,160 --> 00:57:02,118 - If necessary, he didn't go to bed. 720 00:57:04,040 --> 00:57:06,350 It plays a bouncy melody. 721 00:57:09,720 --> 00:57:12,189 - It's great to be invited to dance. 722 00:57:12,360 --> 00:57:15,830 - Someone you don't know, that perhaps you will not see again, 723 00:57:16,040 --> 00:57:17,189 and you had a good time. 724 00:57:17,360 --> 00:57:19,033 This ephemeral side, in fact, 725 00:57:19,320 --> 00:57:20,913 it creates human poetry. 726 00:57:21,240 --> 00:57:24,949 I find it beautiful, the person you dance with, 727 00:57:25,280 --> 00:57:27,749 that you don't see afterwards, or that you see again but... 728 00:57:28,400 --> 00:57:29,799 - When I feel good, 729 00:57:30,000 --> 00:57:32,435 I ask, usually to a woman, with whom I dance, 730 00:57:32,680 --> 00:57:33,476 if she wants to guide. 731 00:57:33,840 --> 00:57:37,037 And I pass through the seaweed which follows the direction of the current. 732 00:57:37,240 --> 00:57:39,151 How good is it! 733 00:57:39,680 --> 00:57:42,115 - So after your trauma. 734 00:57:42,560 --> 00:57:44,278 - Yes, the first year here, 735 00:57:44,480 --> 00:57:46,915 it was a form trauma for me. 736 00:57:47,120 --> 00:57:50,112 But I still held on and at one point, 737 00:57:50,640 --> 00:57:53,758 I felt the pleasure of dancing, the first time in my life. 738 00:57:53,960 --> 00:57:57,271 I called my ex-wife, I said - “Anne, 739 00:57:57,480 --> 00:57:59,915 I just felt the pleasure of dancing." 740 00:58:00,960 --> 00:58:02,871 It was a revelation, for me, 741 00:58:03,400 --> 00:58:06,518 to say "Damn, there's something in there, I just felt that.” 742 00:58:07,280 --> 00:58:08,236 - Since then, you have been dancing. 743 00:58:08,400 --> 00:58:09,834 - Yeah, I've enjoyed it ever since. 744 00:58:10,160 --> 00:58:14,074 Then at one point I wanted to dance to make it beautiful. 745 00:58:14,360 --> 00:58:16,397 Then so that people look at me. 746 00:58:16,640 --> 00:58:18,677 - No. - Yes, I saw that. 747 00:58:18,880 --> 00:58:22,760 At one point, I was dancing and I had a circular eye. 748 00:58:23,920 --> 00:58:26,878 Then slowly, I remove layers. 749 00:58:27,080 --> 00:58:29,549 And now I'm dancing, that's it. 750 00:58:29,800 --> 00:58:31,950 There are dance meetings. 751 00:58:32,160 --> 00:58:33,150 - That's beautiful. 752 00:58:33,320 --> 00:58:37,279 - Sometimes things happen in dance, there is desire. 753 00:58:37,640 --> 00:58:39,677 But it's not sexual desire. 754 00:58:39,880 --> 00:58:43,111 You feel the connection with the person... 755 00:58:44,440 --> 00:58:48,434 There you go, there is the desire that is there, that we feel, that fills us, 756 00:58:48,680 --> 00:58:52,355 and a connection that is linked to the desire to live, it's the same. 757 00:58:52,560 --> 00:58:54,517 Desire and desire are the same. 758 00:58:54,760 --> 00:58:57,878 Desire is life, and we feel that, here, in the dance. 759 00:59:02,400 --> 00:59:04,960 Oriental music with mandolin and derbouka 760 00:59:05,160 --> 00:59:06,355 - In the other direction. 761 00:59:22,280 --> 00:59:24,317 And come back, we're going to push the pelvis. 762 00:59:24,680 --> 00:59:25,636 Side. 763 00:59:25,840 --> 00:59:26,750 Side. 764 00:59:27,000 --> 00:59:29,469 A percussion rhythm enters. 765 00:59:33,560 --> 00:59:35,949 A violin joins the percussion. 766 01:00:07,320 --> 01:00:09,630 - In Strasbourg, I saw a dancer on a circus circle, 767 01:00:09,920 --> 01:00:12,355 the walking part, suddenly he had his hand on one buttock, 768 01:00:12,560 --> 01:00:16,155 suddenly he had his hand on a breast and he didn't get slapped. 769 01:00:16,320 --> 01:00:19,756 It's absurd that he finishes the dance without getting slapped. 770 01:00:20,560 --> 01:00:22,312 - But you have to dare to do it. 771 01:00:22,520 --> 01:00:23,396 - Yes, but. 772 01:00:23,640 --> 01:00:24,960 - Let's do a poll. 773 01:00:25,280 --> 01:00:27,840 How many women had an unpleasant dance 774 01:00:28,040 --> 01:00:30,475 where they didn't know what to do, without stopping it? 775 01:00:33,560 --> 01:00:34,391 So. 776 01:00:34,640 --> 01:00:36,313 - I add a little note of humor. 777 01:00:36,520 --> 01:00:40,400 At my age, you don't have to say no anymore because they don't invite us. 778 01:00:40,640 --> 01:00:42,039 Laughter 779 01:00:42,240 --> 01:00:44,470 I wish I could say no. 780 01:00:45,280 --> 01:00:47,840 - I noticed something, 781 01:00:48,160 --> 01:00:50,629 It's the age difference. 782 01:00:50,840 --> 01:00:54,834 Indeed, there are men quite ripe, we will say 783 01:00:55,040 --> 01:00:57,873 who like to dance with young girls, 784 01:00:58,080 --> 01:00:59,479 sometimes very young girls. 785 01:00:59,720 --> 01:01:03,190 It is important that they allow themselves not to say yes. 786 01:01:03,360 --> 01:01:04,953 - To leave them to us. 787 01:01:05,160 --> 01:01:05,991 - Quite. 788 01:01:06,200 --> 01:01:08,999 Because we're fed up. Group laughter 789 01:01:09,560 --> 01:01:13,713 And I don't allow myself to go and invite a young man of 20 years old 790 01:01:13,920 --> 01:01:16,514 because it shouldn't be very pleasant. 791 01:01:16,880 --> 01:01:19,872 He prefers to dance with a younger woman. Boos 792 01:01:20,080 --> 01:01:22,913 And there you have it. - I want to testify to one thing. 793 01:01:23,240 --> 01:01:25,754 I experienced magnificent dances even initiators 794 01:01:25,960 --> 01:01:28,349 with women who were 40, 50, 60 years old. 795 01:01:28,720 --> 01:01:31,234 My first reaction was: “Maybe not.” 796 01:01:31,400 --> 01:01:33,232 In fact, it was magnificent. 797 01:01:33,400 --> 01:01:36,552 - Wonderful waltzes with older people 798 01:01:36,800 --> 01:01:40,430 who master this for a long time, it was great. 799 01:01:41,480 --> 01:01:42,754 - Ooh there. 800 01:01:43,560 --> 01:01:44,755 - Come on ! 801 01:01:48,520 --> 01:01:50,113 - What time is it, please? 802 01:01:50,280 --> 01:01:51,395 - Uh. 803 01:01:51,920 --> 01:01:54,275 It doesn't work. And sir? 804 01:01:57,120 --> 01:01:58,394 Wait, wait. 805 01:01:58,800 --> 01:01:59,631 So. 806 01:01:59,840 --> 01:02:00,796 - Oh, good. 807 01:02:01,120 --> 01:02:03,430 - A quarter to ten. minus twenty. 808 01:02:03,800 --> 01:02:07,270 - Are the rental hours over? 809 01:02:07,440 --> 01:02:08,919 - I am satisfied. 810 01:02:10,640 --> 01:02:11,914 - There you go, goodbye. 811 01:02:12,320 --> 01:02:13,390 Thanks for coming. 812 01:02:14,800 --> 01:02:15,676 Following ! 813 01:02:16,080 --> 01:02:16,990 Following. 814 01:02:17,360 --> 01:02:18,430 There is a place. 815 01:02:20,760 --> 01:02:23,036 Syncopated melody with two diatonic accordions 816 01:03:27,400 --> 01:03:31,280 - Some evenings, at a ball, you go through areas of turbulence. 817 01:03:31,520 --> 01:03:33,670 This moment where you wish you were somewhere else, 818 01:03:34,040 --> 01:03:35,951 where the feeling not finding your place 819 01:03:36,440 --> 01:03:38,351 replaces the pleasure of being there. 820 01:03:42,440 --> 01:03:44,829 So you sink slowly 821 01:03:45,160 --> 01:03:47,390 in frustration not to be chosen, 822 01:03:47,800 --> 01:03:51,270 jealousy of other dancers more gifted, more graceful. 823 01:03:52,360 --> 01:03:56,274 They don't want me, I'm too awkward, too dull, 824 01:03:56,760 --> 01:03:59,274 I am an outcast of the dance floor. 825 01:04:02,800 --> 01:04:05,155 We also cry a lot, at the big ball. 826 01:04:05,520 --> 01:04:08,831 Because dancing, it’s also taking this risk. 827 01:04:09,200 --> 01:04:12,113 The music disappears. The risk of chaos, discomfort, 828 01:04:12,440 --> 01:04:14,954 missed appointments, annoyance, 829 01:04:15,280 --> 01:04:17,510 of confrontation to its own limits. 830 01:04:17,880 --> 01:04:19,712 Silence 831 01:04:20,080 --> 01:04:22,515 But also the one from addiction to ecstasy. 832 01:04:24,400 --> 01:04:28,314 Because there is also every evening where grace falls on you. 833 01:04:32,240 --> 01:04:35,198 Because a heavenly mazurka is worth all the tears of big balls. 834 01:04:37,480 --> 01:04:40,233 Because in the middle of a jerk from Noirmoutier, 835 01:04:40,680 --> 01:04:43,433 a sob invades me, because it overflows with joy, with pleasure, 836 01:04:43,680 --> 01:04:45,876 of exhaustion and memories. 837 01:04:46,280 --> 01:04:47,634 And this violin that cracks my soul 838 01:04:47,840 --> 01:04:51,037 because it is more beauty that she can't take. 839 01:04:51,240 --> 01:04:52,435 The music returns. Because the drunk 840 01:04:52,680 --> 01:04:55,718 free me from gravity and makes my feet laugh. 841 01:04:56,560 --> 01:04:59,951 Because I don't know any games funnier and inexhaustible 842 01:05:00,160 --> 01:05:01,480 than a circus circle. 843 01:05:04,800 --> 01:05:08,395 Because in the chapel, I can look at you and smile at you, 844 01:05:08,760 --> 01:05:12,230 even when you're so focused or as shy as me, 845 01:05:12,520 --> 01:05:15,478 and our eyes meet at the heart of the whirlwind. 846 01:05:16,760 --> 01:05:19,274 Because with round dances or in chain, 847 01:05:19,520 --> 01:05:21,272 the hope of We comes back to me 848 01:05:21,720 --> 01:05:23,313 and the peaceful city, 849 01:05:23,840 --> 01:05:26,753 where I find us more alive and together than ever. 850 01:05:27,560 --> 01:05:30,154 Soft melody on the accordion 851 01:05:30,520 --> 01:05:32,557 Because suddenly, awakens in my heart 852 01:05:32,800 --> 01:05:36,270 the majestic feminine, voluptuous and free. 853 01:05:38,440 --> 01:05:41,751 Because dancing in pairs, four or a hundred, 854 01:05:42,520 --> 01:05:44,909 it's touching inside me the ageless incarnation 855 01:05:45,280 --> 01:05:46,554 and pure joy. 856 01:05:49,280 --> 01:05:53,114 Melody suspended from the soaring rhythm 857 01:06:19,640 --> 01:06:21,711 A man's voice sings in Wolof. 858 01:06:52,680 --> 01:06:55,320 Drums enter. 859 01:06:55,520 --> 01:06:58,399 Deep and captivating song in Wolof 860 01:07:29,400 --> 01:07:32,358 The accordion theme slowly resumes. 861 01:07:38,160 --> 01:07:41,039 People are humming the theme. 862 01:07:51,440 --> 01:07:55,229 Musical decrescendo, the dancers begin to sing. 863 01:07:55,400 --> 01:07:59,280 The dancers hum softly. 864 01:08:04,000 --> 01:08:07,118 Crescendo of the song 865 01:08:26,160 --> 01:08:28,834 A voice is raised. 866 01:08:47,000 --> 01:08:48,399 - Are you okay, Gennetines? 867 01:08:48,640 --> 01:08:50,517 Cheers 868 01:09:25,400 --> 01:09:28,472 The instruments diminish, people hum. 869 01:09:54,960 --> 01:09:56,917 The music stops. 870 01:09:57,120 --> 01:09:59,919 Applause and cheers 871 01:10:00,280 --> 01:10:01,350 Thank you! 872 01:10:02,240 --> 01:10:05,119 This is a lovely gift, thank you very much. 873 01:10:09,080 --> 01:10:10,991 Thank you very much, really. 874 01:10:17,840 --> 01:10:20,480 Mixture of music in the distance 875 01:10:24,200 --> 01:10:28,990 Crystal clear and luminous lullaby with senza and guitar 876 01:11:45,320 --> 01:11:48,631 The music disappears. 877 01:11:52,560 --> 01:11:55,439 Silence 878 01:12:12,040 --> 01:12:16,477 The music returns slowly. 879 01:12:20,480 --> 01:12:24,314 Two accordions play a joyful and meticulous melody. 880 01:13:55,800 --> 01:13:58,269 Applause 881 01:13:58,480 --> 01:14:00,994 - Thank you very much, good end of the festival. 882 01:14:03,960 --> 01:14:06,520 Thank you very much, that’s very kind. 883 01:14:06,760 --> 01:14:10,037 We stop, it's 2:15 a.m., we must respect the schedules. 884 01:14:10,240 --> 01:14:13,631 The technicians really work all day. 885 01:14:13,840 --> 01:14:15,717 We'll stop on time. 886 01:14:15,920 --> 01:14:19,356 - If someone else danced like you, That would tire me out too much. 887 01:14:20,840 --> 01:14:21,750 See? 888 01:14:21,960 --> 01:14:24,918 Like, after a minute, I would say: 889 01:14:25,120 --> 01:14:27,350 “Relax, man, do something." 890 01:14:27,560 --> 01:14:30,871 But I have the impression that I know everything you do. 891 01:14:31,080 --> 01:14:32,514 - You don't force it. 892 01:14:32,760 --> 01:14:35,070 - I don't force it, it's normal. 893 01:14:35,280 --> 01:14:37,396 The end was “Thank you, good evening”. 894 01:14:37,640 --> 01:14:41,315 - I don't know what happened, I wouldn't be able to guide that. 895 01:14:43,080 --> 01:14:47,472 - But in fact, I realize that we... 896 01:14:47,720 --> 01:14:49,791 You guide, but in function. 897 01:14:50,000 --> 01:14:51,638 - I listen to what you do. 898 01:14:51,840 --> 01:14:55,151 As in addition, we have genomes in common... 899 01:14:55,320 --> 01:14:57,072 - Yeah, it's crazy. 900 01:14:57,280 --> 01:15:01,478 It goes well with other people, but this is obvious. 901 01:15:03,000 --> 01:15:05,913 - I think that if you weren't my sister, 902 01:15:06,280 --> 01:15:09,113 I could fall in love with you. 903 01:15:10,520 --> 01:15:12,909 Pop music, rhythmic cellos 904 01:15:13,120 --> 01:15:15,475 - How much time spent on the surface 905 01:15:15,840 --> 01:15:18,912 So much time not to be cluttered 906 01:15:20,000 --> 01:15:23,311 Of time and fallen stars 907 01:15:23,520 --> 01:15:26,876 How much time spent on the surface 908 01:15:27,080 --> 01:15:29,276 I wanted myself to be light, light 909 01:15:29,480 --> 01:15:33,189 Pleasure without looking back 910 01:15:34,280 --> 01:15:36,635 This pleasure did not lighten me 911 01:15:37,760 --> 01:15:40,229 Beauty had no arms 912 01:15:41,280 --> 01:15:43,669 I dreamed of a life as a pen 913 01:15:43,880 --> 01:15:47,236 I didn't know the stele and the anvil 914 01:15:48,280 --> 01:15:50,954 I was sweeping away my own tracks 915 01:15:51,920 --> 01:15:54,560 So much time wasted on the surface 916 01:15:55,480 --> 01:15:57,676 How much time spent on the surface 917 01:15:57,880 --> 01:16:01,635 So much time not to succumb 918 01:16:02,480 --> 01:16:05,154 To spleen and leaden stars 919 01:16:06,040 --> 01:16:09,351 How much time spent on the surface 920 01:16:09,680 --> 01:16:11,990 How much time spent on the surface 921 01:16:12,200 --> 01:16:15,670 So much time not to be cluttered 922 01:16:16,760 --> 01:16:19,639 Of time and fallen stars 923 01:16:20,320 --> 01:16:23,676 How much time spent on the surface 924 01:16:34,040 --> 01:16:37,874 Soft metallic percussion on steel drum 925 01:16:48,560 --> 01:16:52,394 An accordion supports the steel drum. 926 01:16:59,280 --> 01:17:01,840 Celebrating and inner melody 927 01:17:10,000 --> 01:17:12,037 - Go to the Grand Ball, for me, today, 928 01:17:12,240 --> 01:17:14,914 it's nothing else than repair the world within us. 929 01:17:16,280 --> 01:17:20,114 Why do we talk so little about love? The one that connects us all. 930 01:17:20,800 --> 01:17:23,872 It's this intensity who we miss the most today. 931 01:17:24,080 --> 01:17:27,914 The revival at depth, to what is beyond. 932 01:17:29,520 --> 01:17:32,717 We are not there to rock each other, 933 01:17:33,040 --> 01:17:34,838 but to wake up together, 934 01:17:35,280 --> 01:17:37,874 to awaken in us sleeping memory. 935 01:17:38,280 --> 01:17:41,272 And the miracle, is to be up in the night, 936 01:17:42,120 --> 01:17:44,714 full of silence in the noise of the world, 937 01:17:44,920 --> 01:17:46,319 of insignificance. 938 01:17:47,760 --> 01:17:49,956 Full of praise in the midst of hatred. 939 01:17:51,560 --> 01:17:53,551 We are not isolated from each other, 940 01:17:53,800 --> 01:17:55,154 in truth we are only one 941 01:17:55,320 --> 01:17:57,994 in this core of immortality who lives in us. 942 01:17:58,520 --> 01:18:02,275 And the certainty that there is another world 943 01:18:03,000 --> 01:18:05,355 and he's already in that one. 944 01:18:47,400 --> 01:18:50,279 The musicians play more and more gently. 945 01:19:01,040 --> 01:19:03,793 The music stopped. 946 01:19:04,000 --> 01:19:06,879 The floor creaks underfoot dancers in silence. 947 01:19:36,120 --> 01:19:37,997 - Don't touch anything. 948 01:19:38,640 --> 01:19:40,233 We continue with a Kost Ar C'Hoat. 949 01:19:40,400 --> 01:19:42,755 The dancers laugh. 950 01:19:45,280 --> 01:19:47,840 Applause 951 01:19:57,520 --> 01:19:59,750 Two violins and an accordion play a tonic and tribal melody. 952 01:20:00,280 --> 01:20:01,918 Screams of joy 953 01:20:54,640 --> 01:20:58,235 Crescendo of violins 954 01:20:58,560 --> 01:21:00,870 Dissonant passage 955 01:21:35,520 --> 01:21:37,830 Explosion of screams 956 01:22:41,680 --> 01:22:43,990 (Camille) - Our hands loved so much 957 01:22:44,200 --> 01:22:46,237 And again and again 958 01:22:46,400 --> 01:22:50,951 Our bodies danced so much Let gold flow 959 01:22:51,440 --> 01:22:55,035 Time has turned so much 960 01:22:55,360 --> 01:22:59,638 Everything can start again 961 01:23:00,120 --> 01:23:02,191 Our hands loved so much 962 01:23:02,360 --> 01:23:04,431 And again and again 963 01:23:04,680 --> 01:23:06,830 Our bodies danced so much 964 01:23:07,040 --> 01:23:09,111 Let gold flow 965 01:23:09,280 --> 01:23:13,478 Time has turned so much 966 01:23:14,000 --> 01:23:18,073 Everything can start again 967 01:23:24,080 --> 01:23:25,639 Song in canon 968 01:23:42,920 --> 01:23:47,551 A chorus joins the song. 969 01:25:24,800 --> 01:25:27,269 Subtitles: Le Joli Mai