1
00:00:05,048 --> 00:00:09,357
CAPTIONING MADE POSSIBLE BY
LIONS GATE ENTERTAINMENT

2
00:02:47,515 --> 00:02:49,169
Marjorie:
MY JOURNEY TO MATURITY

3
00:02:49,212 --> 00:02:52,650
BEGAN IN NEW YORK
IN 1928.

4
00:02:52,694 --> 00:02:54,478
I WAS MARRIED
TO CHARLES RAWLINGS,

5
00:02:54,522 --> 00:02:58,352
A NEWSPAPER MAN
AND YACHTING ENTHUSIAST.

6
00:02:58,395 --> 00:03:00,005
I HAD BEEN TRYING
TO WRITE STORIES

7
00:03:00,049 --> 00:03:03,661
THAT I THOUGHT WOULD BE
MOST LIKELY TO SELL.

8
00:03:03,705 --> 00:03:07,099
GOTHIC ROMANCES
WERE EXTREMELY POPULAR,

9
00:03:07,143 --> 00:03:10,364
AND I HAD WRITTEN DOZENS.

10
00:03:10,407 --> 00:03:13,671
I WAS DESPERATE
TO EXPRESS MYSELF.

11
00:03:13,715 --> 00:03:15,847
EVEN AS A CHILD,
I HAD BEEN CONSUMED

12
00:03:15,891 --> 00:03:18,937
WITH A DESIRE
TO BE A WRITER.

13
00:03:18,981 --> 00:03:21,723
[RAGTIME MUSIC PLAYING]

14
00:03:27,598 --> 00:03:30,253
Man: CAR,
PLEASE, NORRIS.

15
00:03:32,255 --> 00:03:34,953
[PEOPLE CHATTERING]

16
00:03:54,582 --> 00:03:56,584
MARJORIE.

17
00:04:01,502 --> 00:04:04,548
MAX REJECTED
MY SHORT STORY.

18
00:04:04,592 --> 00:04:07,377
MAX PERKINS ISN'T
THE ONLY EDITOR

19
00:04:07,421 --> 00:04:08,987
IN THE WORLD.

20
00:04:11,120 --> 00:04:12,295
I KNOW.

21
00:04:12,339 --> 00:04:16,212
I THOUGHT YOUR STORY
WAS DAMN GOOD.

22
00:04:17,344 --> 00:04:21,348
EXCEPT FOR
THE PRETENTIOUS PARTS.

23
00:04:24,351 --> 00:04:27,615
LET'S TAKE A RIDE
UPSTATE TOMORROW.

24
00:04:27,658 --> 00:04:30,008
WE'LL MAKE A DAY
OF IT?

25
00:04:32,228 --> 00:04:35,623
IT LOOKS LIKE I'M GONNA HAVE
A HANGOVER TOMORROW.

26
00:04:35,666 --> 00:04:37,799
[SIGHS]

27
00:04:37,842 --> 00:04:41,629
I HAVE ARRANGEMENTS
TO MAKE, CHARLES.

28
00:04:42,369 --> 00:04:43,457
WHAT KIND
OF ARRANGEMENTS?

29
00:04:43,500 --> 00:04:46,416
I DON'T THINK
WE SHOULD DISCUSS IT HERE.

30
00:04:46,460 --> 00:04:47,591
WHY NOT?

31
00:04:47,635 --> 00:04:50,638
WELL, PUBLIC SCENES
EMBARRASS YOU.

32
00:04:50,681 --> 00:04:52,292
YOU BOUGHT THAT
DAMN ORANGE GROVE.

33
00:04:52,335 --> 00:04:56,470
WHAT IN HELL POSSESSED YOU
TO BUY A PLACE SIGHT UNSEEN?

34
00:04:56,513 --> 00:04:58,950
I WASN'T CONSULTED.

35
00:04:58,994 --> 00:05:00,996
YOU DIDN'T FOR ONE MINUTE
THINK ABOUT ME

36
00:05:01,039 --> 00:05:02,214
OH, THAT'S NOT TRUE.

37
00:05:02,258 --> 00:05:03,477
ALL YOU CARED ABOUT
WAS YOU AND YOUR DESIRE

38
00:05:03,520 --> 00:05:05,130
TO WRITE
THE GREAT AMERICAN NOVEL.

39
00:05:05,174 --> 00:05:07,655
DO YOU SERIOUSLY
EXPECT ME TO MOVE

40
00:05:07,698 --> 00:05:10,179
TO SOME HICK TOWN
AND GROW ORANGES?

41
00:05:10,222 --> 00:05:12,355
IS THIS YOUR VISION
OF AN ARTIST?

42
00:05:12,399 --> 00:05:13,313
I--I'M NOT A KID.

43
00:05:13,356 --> 00:05:14,836
I CAN'T JUST PICK UP
AND LEAVE.

44
00:05:14,879 --> 00:05:16,403
WHY NOT?

45
00:05:18,535 --> 00:05:19,667
FINE.

46
00:05:19,710 --> 00:05:22,757
TAKE YOUR TYPEWRITER
AND GO TO CROSS CREEK.

47
00:05:23,671 --> 00:05:27,327
JUST DON'T EXPECT ME
TO SHARE IN YOUR SIMPLE LIFE.

48
00:05:28,371 --> 00:05:31,635
CHARLES...

49
00:05:31,679 --> 00:05:34,421
YOU'RE MY HUSBAND.

50
00:05:37,380 --> 00:05:39,600
AND I LOVE YOU, MARJORIE.

51
00:05:42,211 --> 00:05:44,561
COULDN'T YOU
COME WITH ME?

52
00:05:44,605 --> 00:05:47,521
NO.

53
00:06:07,889 --> 00:06:10,544
[RADIATOR HISSING]

54
00:06:27,082 --> 00:06:29,737
[ENGINE SPUTTERING]

55
00:06:40,748 --> 00:06:41,879
[TURNS ENGINE OFF]

56
00:06:41,923 --> 00:06:44,404
[HISSING]

57
00:07:06,948 --> 00:07:09,254
Marjorie: AFTER 30 YEARS
OF URBAN LIFE,

58
00:07:09,298 --> 00:07:14,999
I WAS TOTALLY UNPREPARED
FOR THIS SMALL FLORIDA TOWN.

59
00:07:16,348 --> 00:07:18,916
[DOG BARKING IN DISTANCE]

60
00:07:18,960 --> 00:07:21,310
[BIRDS CHIRPING]

61
00:07:26,837 --> 00:07:27,925
EXCUSE ME,

62
00:07:27,969 --> 00:07:30,624
UH, IS THERE
A TAXI AVAILABLE?

63
00:07:30,667 --> 00:07:33,322
YOU WANT THE HOTEL.

64
00:07:33,670 --> 00:07:35,672
OH, THANK YOU.

65
00:07:35,716 --> 00:07:37,152
YOU WANT NORTON BASKIN.

66
00:07:37,195 --> 00:07:40,111
JUST ASK FOR NORTON,
HE'LL HELP YOU OUT.

67
00:07:40,155 --> 00:07:42,636
THANK YOU.

68
00:07:50,513 --> 00:07:53,342
[SWING MUSIC PLAYING ON RADIO]

69
00:08:08,531 --> 00:08:11,099
[RINGS BELL]

70
00:08:16,452 --> 00:08:18,323
MR. BASKIN?

71
00:08:18,367 --> 00:08:19,324
MM-HMM.

72
00:08:19,368 --> 00:08:21,979
I--I'M LOOKING
FOR A TAXICAB.

73
00:08:22,023 --> 00:08:23,677
[LAUGHS]

74
00:08:23,720 --> 00:08:26,331
I'M GOING TO CROSS CREEK
AND I NEED A RIDE THERE.

75
00:08:26,375 --> 00:08:27,507
IF YOU JUST COULD TELL ME

76
00:08:27,550 --> 00:08:29,857
WHERE I MIGHT FIND A TAXI.

77
00:08:30,858 --> 00:08:32,207
THERE'S NOT MUCH
BUSINESS HERE.

78
00:08:32,250 --> 00:08:33,338
IF YOU CAN WAIT
A MINUTE,

79
00:08:33,382 --> 00:08:35,645
I'LL RUN YOU DOWN.

80
00:08:35,689 --> 00:08:37,517
NO.

81
00:08:37,560 --> 00:08:40,171
IT'S TOO BAD
ABOUT YOUR CAR.

82
00:08:40,215 --> 00:08:43,174
YOU AIN'T GONNA GET HER
RUNNING AGAIN.

83
00:08:43,218 --> 00:08:44,349
NO, SIR.

84
00:08:44,393 --> 00:08:45,829
YOU GONNA HAVE
TO GET YOURSELF

85
00:08:45,873 --> 00:08:48,049
ANOTHER ONE.

86
00:08:48,615 --> 00:08:52,401
SOMETHING IN A <i>CLEAN</i>BLUE
MIGHT BE NICE.

87
00:08:52,444 --> 00:08:53,663
I DON'T NEED A CAR.

88
00:08:53,707 --> 00:08:57,058
WELL, IF YOU'RE PARTIAL
TO DIRTY BLUE--

89
00:08:57,101 --> 00:08:59,364
NO, I DON'T HAVE ANY
USE FOR A CAR.

90
00:08:59,408 --> 00:09:01,758
OH, I SEE.
I LIKE WALKING.

91
00:09:01,802 --> 00:09:03,543
HA. THAT'S NICE.

92
00:09:03,586 --> 00:09:05,240
I INTEND TO WALK
A LOT.

93
00:09:05,283 --> 00:09:08,417
THOSE YOUR HIKING SHOES?

94
00:09:10,593 --> 00:09:11,594
HEH.

95
00:09:11,638 --> 00:09:14,249
YOU AIN'T GONNA GET
TOO FAR IN THEM.

96
00:09:14,292 --> 00:09:17,078
I'LL MANAGE.

97
00:09:25,913 --> 00:09:30,047
Baskin: UP THERE IS SIMMONS'
TURPENTINE STILL.

98
00:09:30,091 --> 00:09:32,702
AND OVER THAT WAY
IS ORANGE LAKE.

99
00:09:32,746 --> 00:09:34,225
IT'S GOOD FISHING.

100
00:09:34,269 --> 00:09:36,140
IF YOU DON'T MIND
THE GATORS.

101
00:09:36,184 --> 00:09:39,622
SO YOU SAY
YOU'RE A WRITER?

102
00:09:39,666 --> 00:09:41,581
WHAT DO YOU WRITE?

103
00:09:41,624 --> 00:09:44,409
I'M WORKING
ON A NOVEL.

104
00:09:44,453 --> 00:09:46,586
MM. MM-HMM.

105
00:09:46,629 --> 00:09:49,501
HOLD ON, NOW.

106
00:09:49,545 --> 00:09:50,590
YOU ALL RIGHT?

107
00:09:50,633 --> 00:09:52,243
I'M JUST FINE.

108
00:09:52,287 --> 00:09:53,723
HMM.

109
00:09:53,767 --> 00:09:56,639
SO YOU WRITE
LOVE STORIES?

110
00:09:56,683 --> 00:09:58,902
I'M WRITING A GOTHIC.

111
00:09:58,946 --> 00:10:00,904
YOU DO SAY.
I DON'T BELIEVE

112
00:10:00,948 --> 00:10:03,080
I KNOW WHAT
THAT IS.

113
00:10:03,124 --> 00:10:04,429
IT'S A TYPE OF WRITING.

114
00:10:04,473 --> 00:10:07,084
A CLASSIC GOTHIC NOVEL HAS
A CASTLE AS ITS SETTING,

115
00:10:07,128 --> 00:10:10,435
AND A GOVERNESS
OR A GENTLEWOMAN IN DISTRESS.

116
00:10:10,479 --> 00:10:12,699
LIKE YOU.

117
00:10:14,135 --> 00:10:15,353
YOU WON'T BE MEETING

118
00:10:15,397 --> 00:10:17,617
TOO MANY INTELLECTUALS
OUT HERE.

119
00:10:17,660 --> 00:10:19,140
IT MIGHT GET
A LITTLE LONESOME.

120
00:10:19,183 --> 00:10:23,623
I'VE COME HERE TO WORK,
NOT SOCIALIZE.

121
00:10:27,148 --> 00:10:31,326
WELL, THIS IS
CROSS CREEK.

122
00:10:44,208 --> 00:10:47,211
HOW MANY PEOPLE LIVE
IN CROSS CREEK?

123
00:10:47,255 --> 00:10:49,170
NOW, LET'S SEE...

124
00:10:49,213 --> 00:10:51,955
THERE'S NEVER BEEN
MORE THAN...

125
00:10:51,999 --> 00:10:53,522
SAY, UH...

126
00:10:53,565 --> 00:10:55,306
A DOZEN FAMILIES.

127
00:10:55,350 --> 00:10:56,786
YOU GOT TO BE
A LITTLE CRAZY

128
00:10:56,830 --> 00:10:59,571
TO LIVE OUT
AT THE CREEK.

129
00:10:59,615 --> 00:11:02,226
AH, NO OFFENSE,
MA'AM.

130
00:11:02,270 --> 00:11:03,880
THE WAY I LOOK AT IT
IS,

131
00:11:03,924 --> 00:11:06,230
IF AN ATTRACTIVE
WOMAN WANTS TO HIKE

132
00:11:06,274 --> 00:11:09,320
HERSELF OUT INTO
THE MIDDLE OF NOWHERE,

133
00:11:09,364 --> 00:11:12,280
IT IS HER BUSINESS.

134
00:11:22,769 --> 00:11:24,553
[ANIMALS CHIRPING AND CALLING]

135
00:11:24,596 --> 00:11:26,990
THERE SHE IS.

136
00:11:27,034 --> 00:11:29,689
YOUR NEW HOME.

137
00:11:39,437 --> 00:11:42,832
PLACE HERE LOOKS
SLIGHTLY RUN DOWN.

138
00:11:42,876 --> 00:11:44,225
I GUESS YOU'LL BE
WANTING ME

139
00:11:44,268 --> 00:11:45,574
TO TAKE YOU BACK
INTO TOWN.

140
00:11:45,617 --> 00:11:47,750
THAT WON'T BE NECESSARY,
THANK YOU.

141
00:11:47,794 --> 00:11:49,752
HERE, LET ME.

142
00:11:54,452 --> 00:11:56,890
HOW MUCH DO I OWE YOU?

143
00:11:56,933 --> 00:11:59,196
NOT A THING.

144
00:11:59,240 --> 00:12:00,067
THAT'S RIDICULOUS.

145
00:12:00,110 --> 00:12:01,546
I'D LIKE TO PAY
FOR MY RIDE.

146
00:12:01,590 --> 00:12:03,853
HA. THE WAY I LOOK AT IT,

147
00:12:03,897 --> 00:12:06,203
YOU'RE A POTENTIAL
CUSTOMER.

148
00:12:06,247 --> 00:12:09,032
AFTER A NIGHT OUT HERE,

149
00:12:09,076 --> 00:12:11,208
YOU'LL MOVE
TO THE HOTEL

150
00:12:11,252 --> 00:12:12,775
GLADLY.

151
00:12:12,819 --> 00:12:14,385
I'LL, UH...

152
00:12:14,429 --> 00:12:15,647
GET A ROOM READY
FOR YOU.

153
00:12:15,691 --> 00:12:18,520
I WON'T BE NEEDING IT.

154
00:12:20,914 --> 00:12:21,828
CAREFUL, NOW.

155
00:12:21,871 --> 00:12:24,569
THAT THING IS LIABLE
TO GIVE OUT

156
00:12:24,613 --> 00:12:26,528
ANY MINUTE.

157
00:13:01,650 --> 00:13:03,913
I'LL LOOK IN
ON YOU TOMORROW.

158
00:13:03,957 --> 00:13:06,350
I'LL BE PERFECTLY FINE,
MR. BASKIN.

159
00:13:06,394 --> 00:13:07,917
OF COURSE YOU WILL.

160
00:13:07,961 --> 00:13:09,440
I'LL COME
AROUND NOON.

161
00:13:09,484 --> 00:13:11,529
I'LL BE WORKING.

162
00:13:11,573 --> 00:13:14,315
IT'S NO TROUBLE
AT ALL.

163
00:13:15,185 --> 00:13:16,143
MR. BASKIN--

164
00:13:16,186 --> 00:13:18,798
I'LL GET THE REST
OF THE LUGGAGE.

165
00:13:20,147 --> 00:13:23,367
IT'S NICE TO MEET
YOU, MISS RAWLINGS.

166
00:13:54,442 --> 00:13:58,141
Marjorie: MY PLAN HAD BEEN
TO LIVE OFF MY ORANGE CROPS,

167
00:13:58,185 --> 00:14:01,753
BUT THE GROVE HAD BEEN
LONG UNTENDED.

168
00:14:01,797 --> 00:14:03,973
AND AS I HAD FILED
FOR DIVORCE,

169
00:14:04,017 --> 00:14:08,935
I WAS TOO PROUD TO ACCEPT
ANY MONEY FROM CHARLES.

170
00:14:15,942 --> 00:14:19,162
[FROGS CROAKING]

171
00:14:19,206 --> 00:14:21,556
[OWL HOOTING]

172
00:14:21,599 --> 00:14:24,211
[CLOCK TICKING]

173
00:14:45,754 --> 00:14:47,408
[GENERATOR STARTS]

174
00:16:23,025 --> 00:16:25,854
[TYPEWRITER KEYS CLACKING]

175
00:16:37,213 --> 00:16:40,434
I HEAR TELL YOU LOOKIN'
FOR A GIRL.

176
00:16:41,522 --> 00:16:43,350
TAKE ME.

177
00:16:46,179 --> 00:16:49,095
WELL, I COME
FOR THE JOB.

178
00:16:52,185 --> 00:16:54,665
I CAN'T PAY
VERY HIGH WAGES.

179
00:16:54,709 --> 00:16:57,842
ANY WAGES IS BETTER
THAN NOTHIN'.

180
00:16:57,886 --> 00:16:59,409
I GOT TO GET WORK.

181
00:16:59,453 --> 00:17:02,021
I GOT USE
FOR MY PAY.

182
00:17:04,110 --> 00:17:06,155
I DON'T THINK
THAT YOU'D BE SATISFIED

183
00:17:06,199 --> 00:17:07,156
SO FAR FROM TOWN.

184
00:17:07,200 --> 00:17:09,898
OH, TOWN AIN'T NOTHIN'
TO ME!

185
00:17:09,941 --> 00:17:11,204
OH, YOU DON'T KNOW.

186
00:17:11,247 --> 00:17:13,032
I DON'T DO NO COURTIN'.

187
00:17:13,075 --> 00:17:16,296
I DON'T WANT NO MAN
AROUND ME.

188
00:17:19,951 --> 00:17:22,519
I'M SURE THAT IT
WOULDN'T SUIT YOU.

189
00:17:22,563 --> 00:17:26,393
IF I DON'T SUIT YOU,
YOU CAN CUT MY THROAT.

190
00:17:38,796 --> 00:17:42,278
THIS PORCH FLOOR
AIN'T BEEN SCRUBBED.

191
00:17:45,412 --> 00:17:48,763
YOU GOT TO HAVE
CLEAN THINGS.

192
00:17:51,461 --> 00:17:55,074
I'LL BE HERE TOMORROW.
I GOTTA GO FETCH MY THINGS!

193
00:17:55,117 --> 00:17:56,945
WAIT, I DON'T KNOW
ANYTHING ABOUT YOU.

194
00:17:56,988 --> 00:18:00,079
I DON'T KNOW YOUR NAME,
OR WHERE YOU CAME FROM.

195
00:18:00,122 --> 00:18:01,210
I BE GEECHEE.

196
00:18:01,254 --> 00:18:04,083
YOU DON'T NEED TO KNOW
NO MORE THAN THAT.

197
00:18:32,154 --> 00:18:35,853
Man: HELLO?
HELLO?

198
00:18:41,294 --> 00:18:43,687
HELLO!

199
00:18:51,304 --> 00:18:53,132
HELLO?

200
00:19:02,315 --> 00:19:05,274
I'M MARSH TURNER CALLED.

201
00:19:05,318 --> 00:19:07,972
THIS IS MY DAUGHTER
ELLIE.

202
00:19:08,016 --> 00:19:09,278
MORNIN'.

203
00:19:09,322 --> 00:19:12,107
YOU CAN DO BETTER
THAN THAT, YOUNG'UN.

204
00:19:13,891 --> 00:19:15,458
PLEASED TO MEET
YOU, MA'AM.

205
00:19:15,502 --> 00:19:18,200
I'M MARJORIE RAWLINGS.

206
00:19:18,244 --> 00:19:20,724
YES, MA'AM.

207
00:19:20,768 --> 00:19:23,640
WE'RE JUST WONDERIN'
WHETHER YOU HAD--

208
00:19:23,684 --> 00:19:26,208
HAD A COMFORTABLE NIGHT.

209
00:19:26,252 --> 00:19:29,168
YES, I DID.
THANK YOU.

210
00:19:29,211 --> 00:19:30,865
NO TROUBLES?

211
00:19:30,908 --> 00:19:32,823
NO. NONE AT ALL.

212
00:19:32,867 --> 00:19:36,000
SOMETIMES, CITY FOLKS
THINK THEY HEAR THINGS

213
00:19:36,044 --> 00:19:37,480
AT NIGHT...

214
00:19:37,524 --> 00:19:40,440
BEARS OR GATORS.

215
00:19:42,703 --> 00:19:46,054
I SLEPT VERY WELL,
THANK YOU.

216
00:19:48,056 --> 00:19:50,711
LOOKS WASHED OUT.

217
00:19:51,712 --> 00:19:53,844
SURE COULD USE
SOME PAINT.

218
00:19:53,888 --> 00:19:57,370
THAT'S EXACTLY WHAT
I INTEND TO DO.

219
00:19:58,980 --> 00:20:01,548
YOU GONNA FIX IT
YOURSELF?

220
00:20:01,591 --> 00:20:03,898
YES.

221
00:20:03,941 --> 00:20:08,294
WELL, THAT ROOF
LEAKS REAL BAD, NOW.

222
00:20:09,469 --> 00:20:11,035
WELL...

223
00:20:11,079 --> 00:20:13,255
I'LL JUST HAVE
TO FIX THAT, TOO.

224
00:20:13,299 --> 00:20:14,256
[DUCK QUACKS]

225
00:20:14,300 --> 00:20:17,651
THAT'S A REAL
ENTERPRISING WOMAN.

226
00:20:19,130 --> 00:20:20,349
YOU GET TO PATCHING
THAT ROOF,

227
00:20:20,393 --> 00:20:22,046
AND YOU FALL OFF AND BREAK
A LEG OR SOMETHING,

228
00:20:22,090 --> 00:20:24,527
YOU GIVE US A HOLLER.
WE'LL COME FETCH YOU.

229
00:20:24,571 --> 00:20:26,529
THAT'S WHAT NEIGHBORS
ARE FOR.

230
00:20:26,573 --> 00:20:28,966
GOOD DAY TO YOU, MA'AM.

231
00:20:29,010 --> 00:20:30,054
SOME SAGE AND LILY ROOT

232
00:20:30,098 --> 00:20:32,927
WILL EASE UP
ON THAT RASH.

233
00:20:35,321 --> 00:20:36,757
HEY...

234
00:20:44,155 --> 00:20:46,723
DIDN'T MEAN
TO SCARE YOU.

235
00:20:46,767 --> 00:20:49,422
THERE'S
A COTTONMOUTH.

236
00:20:49,465 --> 00:20:51,598
DEADLY.

237
00:20:56,298 --> 00:20:59,170
[READING ALOUD,
INDISTINCTLY]

238
00:21:05,829 --> 00:21:08,789
WHERE I BE PUTTIN'
MY THINGS?

239
00:21:09,442 --> 00:21:12,445
IN THE ROOM
BACK OF THE KITCHEN.

240
00:21:13,359 --> 00:21:17,014
NOBODY BEEN CARIN'
FOR THINGS AROUND HERE.

241
00:21:17,058 --> 00:21:17,754
GEECHEE--

242
00:21:17,798 --> 00:21:18,929
WE'LL SET THAT RIGHT.

243
00:21:18,973 --> 00:21:20,453
I'M NOT SURE THAT
THIS IS GONNA WORK OUT.

244
00:21:20,496 --> 00:21:21,671
YOU SEE, I'M A WRITER.

245
00:21:21,715 --> 00:21:23,151
AND MY PRIVACY
IS ESSENTIAL TO ME.

246
00:21:23,194 --> 00:21:26,197
NOBODY BE BOTHERIN' YOU,
DON'T YOU WORRY.

247
00:21:26,241 --> 00:21:28,025
I'M WORKING,
AND IT'S DIFFICULT

248
00:21:28,069 --> 00:21:29,810
TO CONCENTRATE
WHEN THERE ARE PEOPLE AROUND.

249
00:21:29,853 --> 00:21:32,943
YOU JUST WRITE,
I'LL CLEAN UP THE HOUSE.

250
00:21:32,987 --> 00:21:34,510
YES, WELL...

251
00:21:34,554 --> 00:21:36,164
WE'LL TRY THAT.

252
00:21:36,207 --> 00:21:37,426
LISTEN.

253
00:21:37,470 --> 00:21:38,949
I DON'T CARE
IF THE ROOF FALLS IN.

254
00:21:38,993 --> 00:21:40,037
I DON'T WANT
TO BE DISTURBED

255
00:21:40,081 --> 00:21:42,170
UNLESS IT'S A LIFE OR DEATH
EMERGENCY.

256
00:21:42,213 --> 00:21:45,347
IS THAT CLEAR?
YES'M.

257
00:22:06,020 --> 00:22:07,238
MISS RAWLINGS,

258
00:22:07,282 --> 00:22:08,849
YOU BE WANTIN' BEATEN BISCUITS
WITH YOUR LUNCH,

259
00:22:08,892 --> 00:22:10,677
OR SPOON BREAD?

260
00:22:15,769 --> 00:22:17,336
BEATEN.

261
00:22:17,379 --> 00:22:20,034
[WATER PUMP SQUEAKING]

262
00:22:24,386 --> 00:22:27,563
OH, MY.

263
00:22:35,223 --> 00:22:36,267
GOOD MORNING.

264
00:22:36,311 --> 00:22:38,705
MORNIN'.

265
00:22:44,232 --> 00:22:46,365
HE'S BEAUTIFUL, ELLIE.

266
00:22:47,583 --> 00:22:50,194
MY PA SAYS TO PUT
THIS ON YOUR RASH

267
00:22:50,238 --> 00:22:51,892
3 TIMES A DAY.

268
00:22:52,545 --> 00:22:55,374
OH, THANK YOU.

269
00:22:55,417 --> 00:22:56,418
MY MA SAYS WE'RE
GONNA HAVE

270
00:22:56,462 --> 00:22:58,681
A POUND PARTY
NEXT SATURDAY.

271
00:22:58,725 --> 00:23:01,510
SHE'D BE MOST PROUD
IF YOU'D COME.

272
00:23:01,554 --> 00:23:03,207
I'D BE DELIGHTED TO.

273
00:23:03,251 --> 00:23:05,209
WHAT IS A POUND PARTY?

274
00:23:05,253 --> 00:23:07,864
EVERYBODY BRINGS
A POUND OF SOMETHING...

275
00:23:07,908 --> 00:23:11,041
SUGAR OR BUTTER
OR CAKE.

276
00:23:11,085 --> 00:23:12,869
CAKE WOULD BE FINE.

277
00:23:12,913 --> 00:23:14,393
DO YOU KNOW HOW
TO BAKE A CAKE?

278
00:23:14,436 --> 00:23:16,046
I CERTAINLY DO.

279
00:23:16,090 --> 00:23:18,135
WHAT'S HIS NAME?

280
00:23:18,179 --> 00:23:20,050
OH, I CALL HIM FLAG.

281
00:23:20,094 --> 00:23:22,052
ON ACCOUNT
OF HIS TAIL.

282
00:23:22,096 --> 00:23:23,271
KINDA LOOKS
LIKE A FLAG.

283
00:23:23,314 --> 00:23:27,275
WELL, THAT'S A GOOD NAME
FOR HIM.

284
00:23:28,102 --> 00:23:30,887
MY PA DON'T BELIEVE
IN KEEPING PETS.

285
00:23:30,931 --> 00:23:32,149
BUT FLAG'S SPECIAL.

286
00:23:32,193 --> 00:23:35,501
HE'S REAL SMART
AND KNOWS HIS NAME.

287
00:23:36,284 --> 00:23:37,938
HE LIKES YOU.

288
00:23:37,981 --> 00:23:41,594
WHY DOES YOUR FATHER
NOT BELIEVE IN KEEPING PETS?

289
00:23:42,943 --> 00:23:45,249
MILK'S SOMETIMES SCARCE.

290
00:23:45,293 --> 00:23:46,773
BUT I DON'T NEED MILK
NOW.

291
00:23:46,816 --> 00:23:49,950
SO FLAG GETS MY SHARE.

292
00:24:00,047 --> 00:24:01,788
DO YOU GO TO SCHOOL?

293
00:24:01,831 --> 00:24:03,572
MY MA TAUGHT US
HOW TO READ,

294
00:24:03,616 --> 00:24:05,792
AND I'M
A PRETTY FAIR SHOT.

295
00:24:07,315 --> 00:24:09,926
IT MUST GET LONELY
OUT HERE.

296
00:24:09,970 --> 00:24:11,275
USED TO BE.

297
00:24:11,319 --> 00:24:12,842
BUT NOT SINCE FLAG.

298
00:24:12,886 --> 00:24:15,584
I'LL COME SHOW YOU
THE WAY SATURDAY.

299
00:24:15,628 --> 00:24:17,804
ALL RIGHT.

300
00:24:25,333 --> 00:24:28,728
[KNOCKING]
MORNIN'.

301
00:24:33,994 --> 00:24:35,691
MORNIN'?

302
00:24:45,179 --> 00:24:47,529
MISS RAWLINGS
IS BUSY WORKIN'.

303
00:24:47,573 --> 00:24:49,183
MORNIN'.

304
00:24:57,713 --> 00:25:00,542
LIKE TO GO
FOR A LITTLE SPIN?

305
00:25:00,586 --> 00:25:01,717
I HAVE WORK TO DO.

306
00:25:01,761 --> 00:25:04,851
I THOUGHT YOU'D LIKE
TO TRY HER OUT.

307
00:25:05,199 --> 00:25:07,897
MR. BASKIN, I DON'T REALLY
HAVE TIME FOR GAMES.

308
00:25:07,941 --> 00:25:11,640
WELL, I FIGURED THAT YOU
MIGHT BE NEEDING A CAR.

309
00:25:11,684 --> 00:25:13,381
IT IS A LONG WALK
INTO TOWN.

310
00:25:13,424 --> 00:25:16,863
SO, I BROUGHT ONE OUT
FOR YOU TO TRY.

311
00:25:17,690 --> 00:25:18,995
I CAN'T AFFORD A CAR.

312
00:25:19,039 --> 00:25:21,171
YOU CAN AFFORD THIS ONE,
MISS RAWLINGS.

313
00:25:21,215 --> 00:25:23,173
PUT YOUR SHOES ON,
I'LL SHOW IT TO YOU.

314
00:25:23,217 --> 00:25:25,654
'COURSE, IT'S NOT WHAT
YOU'D CALL A FORMAL CAR.

315
00:25:25,698 --> 00:25:27,351
SO IF YOU'D LIKE
TO COME AS YOU ARE,

316
00:25:27,395 --> 00:25:28,352
THAT'D BE FINE.

317
00:25:28,396 --> 00:25:30,180
IT'S ALL RIGHT IF
I CLEAN UP NOW?

318
00:25:30,224 --> 00:25:32,182
YES. THANK YOU.

319
00:25:32,226 --> 00:25:34,533
AND IF YOU WANT
TO PUT ON A SUMMER DRESS

320
00:25:34,576 --> 00:25:36,186
AND PACK A NICE
PICNIC LUNCH,

321
00:25:36,230 --> 00:25:37,448
THAT'D BE FINE, TOO.

322
00:25:37,492 --> 00:25:38,711
YOU DON'T WANT
TO TURN IT DOWN

323
00:25:38,754 --> 00:25:40,190
BEFORE YOU LOOK
IT OVER.

324
00:25:40,234 --> 00:25:43,672
MR. BASKIN--
NORTON.

325
00:25:43,716 --> 00:25:44,673
I APPRECIATE YOUR CONCERN,

326
00:25:44,717 --> 00:25:46,849
BUT I CAN'T POSSIBLY
AFFORD A CAR.

327
00:25:46,893 --> 00:25:47,981
SO IF YOU'LL JUST
EXCUSE ME--

328
00:25:48,024 --> 00:25:49,722
NO MA'AM, I CERTAINLY
DO NOT EXCUSE YOU.

329
00:25:49,765 --> 00:25:52,289
NOW, I'VE CONSIDERED
THAT YOU'RE NEW HERE,

330
00:25:52,333 --> 00:25:55,075
AND THAT YOU'RE NERVOUS
ABOUT STARTING OUT.

331
00:25:55,118 --> 00:25:56,206
BUT YOU'RE BEING
PIG-HEADED.

332
00:25:56,250 --> 00:25:58,121
I DIDN'T COME TO SELL
YOU A CAR.

333
00:25:58,165 --> 00:26:00,602
I PUT 2 AND 2 TOGETHER,
AND AS FAR AS I CAN TELL,

334
00:26:00,646 --> 00:26:03,039
YOU DON'T HAVE ANYBODY
TO DEPEND ON.

335
00:26:03,083 --> 00:26:04,563
I'M PERFECTLY CAPABLE
OF TAKING--

336
00:26:04,606 --> 00:26:06,390
I DON'T CARE HOW
PERFECTLY CAPABLE

337
00:26:06,434 --> 00:26:07,870
YOU MAY <i>THINK</i>YOU ARE,

338
00:26:07,914 --> 00:26:09,568
THE FACT IS THAT
YOU DON'T HAVE

339
00:26:09,611 --> 00:26:10,743
A MEANS OF TRANSPORTATION.

340
00:26:10,786 --> 00:26:12,875
NOW, MAYBE I'M OUT OF LINE,

341
00:26:12,919 --> 00:26:13,876
BUT I TOOK IT UPON MYSELF

342
00:26:13,920 --> 00:26:16,487
TO FETCH THAT OLD JALOPY
OF YOURS.

343
00:26:16,531 --> 00:26:18,794
IT DOESN'T RUN.

344
00:26:18,838 --> 00:26:21,928
IT DOES NOW.

345
00:26:23,494 --> 00:26:25,322
OH.

346
00:26:27,107 --> 00:26:29,588
SO HOW MUCH
DO I OWE YOU?

347
00:26:30,110 --> 00:26:31,938
I BROUGHT IT OUT HERE
AS A GIFT.

348
00:26:31,981 --> 00:26:35,768
IF THAT OFFENDS YOU,
I'M SORRY.

349
00:26:35,811 --> 00:26:37,291
BUT I SURE AS HELL
DIDN'T COME HERE

350
00:26:37,334 --> 00:26:40,120
TO TAKE NOTHIN' FROM YOU.

351
00:26:45,299 --> 00:26:47,301
MR. BASKIN?

352
00:26:50,696 --> 00:26:54,047
WOULD YOU LIKE
A CUP OF COFFEE?

353
00:26:56,484 --> 00:26:59,792
[SCREEN DOOR CREAKS]

354
00:27:02,882 --> 00:27:05,798
OH, MY GOODNESS.

355
00:27:10,977 --> 00:27:12,979
IT LOOKS BRAND-NEW.

356
00:27:13,022 --> 00:27:16,983
ALL IT NEEDED WAS
A LITTLE LOVE AND AFFECTION.

357
00:27:19,507 --> 00:27:21,117
I'D LIKE TO PAY YOU
FOR WHATEVER

358
00:27:21,161 --> 00:27:22,989
IT COST YOU
TO DO THAT.

359
00:27:23,032 --> 00:27:24,207
[LAUGHS]

360
00:27:24,251 --> 00:27:27,341
ARE ALL WRITERS STUBBORN,
OR IS IT JUST YOU?

361
00:27:27,384 --> 00:27:29,691
IS IT A DEAL?

362
00:27:32,868 --> 00:27:35,131
WELL, SEEING AS HOW
WE'RE IN BUSINESS TOGETHER,

363
00:27:35,175 --> 00:27:37,656
YOU COULD DO ME A FAVOR.

364
00:27:38,352 --> 00:27:41,703
I'M GONNA NEED A LIFT
BACK TO TOWN.

365
00:27:43,836 --> 00:27:46,752
[BOTH LAUGHING]

366
00:27:50,843 --> 00:27:53,323
Marjorie: THE PARTY WAS
A WELCOME RESPITE

367
00:27:53,367 --> 00:27:54,585
FROM MY WORK.

368
00:27:54,629 --> 00:27:57,588
I LOOKED FORWARD
TO SEEING ELLIE AGAIN.

369
00:27:57,632 --> 00:28:00,853
SHE STOOD ON THE THRESHOLD
OF WOMANHOOD.

370
00:28:00,896 --> 00:28:03,986
CLINGING TO HER FAWN
AS IF HE WERE THE LAST

371
00:28:04,030 --> 00:28:06,510
OF HER YOUTHFUL DREAMS.

372
00:28:06,554 --> 00:28:09,296
[PIANO MUSIC PLAYING]

373
00:28:15,868 --> 00:28:17,086
MAMA...

374
00:28:17,130 --> 00:28:19,654
MISS RAWLINGS HERE.

375
00:28:26,226 --> 00:28:29,272
HOW LOVELY
OF YOU TO COME.

376
00:28:29,316 --> 00:28:30,534
I EXPECT
THE OTHER GUESTS

377
00:28:30,578 --> 00:28:32,841
WILL BE HERE
MOMENTARILY.

378
00:28:32,885 --> 00:28:34,713
AND THIS IS FOR YOU.

379
00:28:34,756 --> 00:28:36,105
OH, THANK YOU.

380
00:28:36,149 --> 00:28:38,760
HOW SWEET OF YOU.

381
00:28:38,804 --> 00:28:41,284
PLEASE, SIT DOWN.

382
00:28:41,328 --> 00:28:44,070
[CHICKENS CLUCKING]

383
00:28:56,430 --> 00:29:00,521
IT'LL HELP KEEP
THE MOSQUITOES OFF YOU.

384
00:29:05,787 --> 00:29:08,747
FEELS LIKE RAIN.

385
00:29:09,269 --> 00:29:12,881
THE CHILDREN PICKED
BLACKBERRIES ALL AFTERNOON.

386
00:29:12,925 --> 00:29:15,405
WE HAD A BLACKBERRY PATCH,
BUT MY HUSBAND'S HOGS

387
00:29:15,449 --> 00:29:17,581
JUST HELPED THEIRSELVES
TILL THERE WASN'T

388
00:29:17,625 --> 00:29:18,757
ANYTHING LEFT.

389
00:29:18,800 --> 00:29:23,239
I ENJOY PICKING BERRIES.

390
00:29:23,283 --> 00:29:28,462
FLOYD, BLOW SOME
FOR OUR COMPANY.

391
00:29:29,637 --> 00:29:31,813
MARY.

392
00:29:31,857 --> 00:29:34,250
FLOYD TALKS
TO THE ANIMALS.

393
00:29:34,294 --> 00:29:38,951
THEY COME CALLIN' FOR HIM
EVERY MORNIN'.

394
00:29:38,994 --> 00:29:42,171
[PLAYS <i>CAMPTOWN RACES</i>ON
HARMONICA]

395
00:30:00,537 --> 00:30:02,452
DID MARY DANCE?

396
00:30:02,496 --> 00:30:04,106
NO, MA'AM.

397
00:30:04,150 --> 00:30:06,326
MARY.

398
00:30:19,426 --> 00:30:22,646
I BELIEVE THE OTHERS
HAVE BEEN HELD UP.

399
00:30:22,690 --> 00:30:24,953
BILLY, PRESTON?

400
00:30:24,997 --> 00:30:27,173
YOU MAY BRING OUT
THE REFRESHMENTS.

401
00:30:27,216 --> 00:30:29,828
YES, MA'AM.

402
00:30:47,628 --> 00:30:49,543
[WATER POURING]

403
00:31:23,316 --> 00:31:26,275
THANK YOU.

404
00:32:22,984 --> 00:32:26,466
[CHILDREN TALKING]

405
00:32:28,555 --> 00:32:29,773
NO, I GET HER.
I GET FLAG.

406
00:32:29,817 --> 00:32:31,079
Ellie: TASTE GOOD,
DOESN'T IT, FLAG?

407
00:32:31,123 --> 00:32:34,517
MA, ELLIE SAID
I COULD PLAY WITH FLAG.

408
00:32:35,475 --> 00:32:36,780
Ellie: TASTES GOOD,
HUH?

409
00:32:36,824 --> 00:32:38,826
Y'ALL HAVIN'
A GOOD TIME?

410
00:32:38,869 --> 00:32:40,523
[ALL TALKING AT ONCE]

411
00:32:40,567 --> 00:32:41,655
HELLO, MISS RAWLINGS.

412
00:32:41,698 --> 00:32:42,917
HEY, BUBBA!
HELLO.

413
00:32:42,961 --> 00:32:47,313
I BROUGHT YOU A NICE
SOFT-TAILED CRITTER, HERE.

414
00:33:04,678 --> 00:33:08,160
HE SHOULD BE TIED
BEHIND THE HOUSE.

415
00:33:08,682 --> 00:33:10,336
BUT HE'S SO SMALL,
BUBBA.

416
00:33:10,379 --> 00:33:13,121
I'M SCARED A WILDCAT
MIGHT GET HIM.

417
00:33:13,165 --> 00:33:15,384
CAKE'S AS LIGHT
AS A FEATHER.

418
00:33:15,428 --> 00:33:17,996
GO ON, NOW.

419
00:33:19,084 --> 00:33:21,303
I SAVED YOU
A PIECE, BUBBA.

420
00:33:21,347 --> 00:33:24,089
GO ON, NOW.

421
00:33:28,963 --> 00:33:32,619
COULD FLAG STAY IN?
JUST FOR TONIGHT?

422
00:33:33,620 --> 00:33:36,144
HE BELONGS IN THE WOODS,
YOU KNOW THAT.

423
00:33:36,188 --> 00:33:38,364
YES, SIR.

424
00:33:42,716 --> 00:33:44,500
BUT SEEING IT'S
A SPECIAL DAY,

425
00:33:44,544 --> 00:33:45,893
YOU CAN LEAVE HIM BE.

426
00:33:45,936 --> 00:33:49,766
OH, THANK YOU,
BUBBA.

427
00:33:55,076 --> 00:33:57,513
WE'RE HAVING
A WONDERFUL PARTY.

428
00:33:57,557 --> 00:34:01,735
THREAT OF BAD WEATHER
KEPT THE OTHER GUESTS AWAY.

429
00:34:02,388 --> 00:34:06,305
WE HAD A LOVELY
CONVERSATION, DIDN'T WE?

430
00:34:07,480 --> 00:34:08,611
YES.

431
00:34:08,655 --> 00:34:12,398
I'M GONNA SEND MARY OVER
WITH SOME DRESSES.

432
00:34:22,234 --> 00:34:26,238
I'LL BE TAKIN'
MISS RAWLINGS HOME NOW.

433
00:34:37,336 --> 00:34:40,078
I HAD A LOVELY AFTERNOON,
THANK YOU.

434
00:34:40,121 --> 00:34:42,080
IT WAS A PLEASURE.

435
00:34:42,123 --> 00:34:45,126
GOOD-BYE.

436
00:34:49,826 --> 00:34:53,961
ELLIE, NOW YOU COME
HELP ME WITH THE DISHES.

437
00:34:54,004 --> 00:34:54,918
ALL YOU CHILDREN--

438
00:34:54,962 --> 00:34:57,660
[CONTINUES INDISTINCTLY]

439
00:34:58,835 --> 00:35:01,099
[CHILDREN TALKING]

440
00:35:01,142 --> 00:35:04,014
I WANT LACE TRIM
ON THE SLEEVE.

441
00:35:04,058 --> 00:35:05,277
STITCH IT NICE
AND SMALL,

442
00:35:05,320 --> 00:35:09,019
SO THE THREAD
DOESN'T SHOW THROUGH.

443
00:35:17,289 --> 00:35:19,987
[PIANO PLAYING]

444
00:35:56,850 --> 00:35:59,374
SHE WAS A VISITOR.

445
00:36:00,332 --> 00:36:02,203
SHE CAME TO A LOCAL
SQUARE DANCE.

446
00:36:02,247 --> 00:36:05,859
I COULDN'T KEEP
MY EYES OFF HER.

447
00:36:07,034 --> 00:36:09,167
SHOULDA LET HER BE.

448
00:36:09,210 --> 00:36:10,255
HEH.

449
00:36:10,298 --> 00:36:12,170
SHE'LL BE SENDING
YOU CLOTHES TO MEND,

450
00:36:12,213 --> 00:36:15,042
DRESSES TO SEW.

451
00:36:15,521 --> 00:36:18,828
WELL, I'M AFRAID THAT...

452
00:36:18,872 --> 00:36:19,829
I HAVEN'T ANY NEED TO--

453
00:36:19,873 --> 00:36:21,483
AW, SHE'S
GOOD-HEARTED.

454
00:36:21,527 --> 00:36:23,311
DON'T PAY HER
NO MIND.

455
00:36:23,355 --> 00:36:25,748
SHE'S SLIPPING AWAY
FROM US.

456
00:36:25,792 --> 00:36:29,230
SHE'S FOUND HERSELF
A MORE PEACEFUL WORLD.

457
00:36:29,274 --> 00:36:32,015
THIS CREEK'S HARD
ON FOLKS.

458
00:36:32,059 --> 00:36:34,235
PARTICULARLY WOMEN.

459
00:36:34,279 --> 00:36:38,108
I'M NOT AFRAID
OF LIVING HAND-TO-MOUTH.

460
00:36:38,152 --> 00:36:39,022
[LAUGHS]

461
00:36:39,066 --> 00:36:41,677
WELL, THAT'S WHAT
IT'LL BE.

462
00:36:41,721 --> 00:36:44,245
I GUESS
YOU'LL MAKE OUT.

463
00:36:44,289 --> 00:36:47,770
FOLKS AROUND HERE HAVE
TO SCRATCH AND SCRAMBLE.

464
00:36:47,814 --> 00:36:49,250
THE PEOPLE
THAT LOVE IT,

465
00:36:49,294 --> 00:36:50,730
THEY STAY HERE
TILL THEY DIE,

466
00:36:50,773 --> 00:36:54,212
AND IF THEY DON'T,
THEY MOVE ON.

467
00:37:29,290 --> 00:37:30,291
ARE WE LOST?

468
00:37:30,335 --> 00:37:32,815
THIS HERE'S THE RIVER STYX.

469
00:37:32,859 --> 00:37:35,253
BUT I LIVE
AT CROSS CREEK.

470
00:37:35,296 --> 00:37:37,907
DON'T WORRY, I'LL GET YOU
THERE, MISS RAWLINGS.

471
00:37:37,951 --> 00:37:40,606
SOMEBODY I WANT YOU TO MEET.

472
00:37:41,955 --> 00:37:43,957
GOT A GATOR HOLE
RIGHT HERE.

473
00:37:44,000 --> 00:37:47,569
YOU DON'T WANT
TO STEP IN IT. HEH.

474
00:37:47,613 --> 00:37:50,137
YOU'RE NOT EVEN AFRAID
OF GATORS, ARE YOU?

475
00:37:50,180 --> 00:37:53,749
EVER BEEN BIT BY ONE?

476
00:37:53,793 --> 00:37:57,797
NOT RECENTLY.
HA!

477
00:38:09,156 --> 00:38:10,505
WATCH YOUR STEP,
NOW.

478
00:38:10,549 --> 00:38:13,900
WOULDN'T WANT
TO FISH YOU OUT.

479
00:38:38,838 --> 00:38:40,361
THIS HERE'S
YOUNG PAUL.

480
00:38:40,405 --> 00:38:43,146
WE CALL HIM "P".

481
00:38:43,190 --> 00:38:44,060
THIS IS MISS RAWLINGS.

482
00:38:44,104 --> 00:38:47,325
SHE'S LOOKING
FOR A HIRED MAN.

483
00:38:47,368 --> 00:38:49,892
I COULD START
ON MONDAY.

484
00:38:49,936 --> 00:38:51,329
WELL, I'M NOT SURE
THAT I CAN AFFORD--

485
00:38:51,372 --> 00:38:52,982
OH, HE'LL WORK OUT.
HE'S A GOOD 'UN.

486
00:38:53,026 --> 00:38:56,856
GIVE YOU MORE TIME
WITH YOUR WRITIN'.

487
00:38:59,032 --> 00:39:02,340
OH, I LIKE THIS
BATCH, "P".

488
00:39:04,559 --> 00:39:07,345
WELL--
GOOD!

489
00:39:08,215 --> 00:39:10,913
IT'S SETTLED, THEN?

490
00:39:13,786 --> 00:39:16,397
WOULD YOU LIKE
A LITTLE TASTE OF THIS?

491
00:39:17,442 --> 00:39:18,486
OH, THANK YOU.

492
00:39:18,530 --> 00:39:21,141
HERE'S TO YOU.

493
00:39:22,925 --> 00:39:24,884
AH, THAT'S GOOD.

494
00:39:25,537 --> 00:39:27,365
[SLURPS]

495
00:39:31,151 --> 00:39:35,329
HOW'D YOU--HOW DID YOU KNOW
I WAS A WRITER?

496
00:39:38,245 --> 00:39:39,551
WILDCAT'S NOT
THE ONLY THING

497
00:39:39,594 --> 00:39:42,205
THAT PROWLS AROUND
IN THE DARK.

498
00:39:42,249 --> 00:39:43,729
[SPITS]

499
00:39:45,948 --> 00:39:47,210
I SEEM TO HAVE
VERY LITTLE SAY

500
00:39:47,254 --> 00:39:50,475
ABOUT WHO I WILL
AND WILL NOT HIRE.

501
00:39:51,171 --> 00:39:54,914
THAT'S THE WAY IT IS
AT THE CREEK, MA'AM.

502
00:39:57,786 --> 00:39:59,484
'SCUSE ME.

503
00:40:02,922 --> 00:40:06,882
I DO INTEND TO WRITE
AT LEAST 8 HOURS A DAY.

504
00:40:06,926 --> 00:40:10,712
ALL RIGHT, I'VE DECIDED
TO HIRE YOUR FRIEND PAUL.

505
00:40:10,756 --> 00:40:12,627
HA! YOU YANKEE WOMEN
LIKE TO MAKE

506
00:40:12,671 --> 00:40:14,412
ALL THE DECISIONS,
DON'T YOU?

507
00:40:14,455 --> 00:40:16,718
WELL, IF YOU STAY,
I'LL TAKE YOU

508
00:40:16,762 --> 00:40:18,416
ON A GATOR HUNT.

509
00:40:18,459 --> 00:40:22,245
I'LL BE STAYING,
MR. TURNER.

510
00:40:22,289 --> 00:40:24,944
[HORSE NICKERS]

511
00:40:27,599 --> 00:40:29,427
ELLIE!

512
00:40:33,474 --> 00:40:37,086
THIS OLD BED MAY SEEM
LIKE PURE "D" TRASH TO YOU,

513
00:40:37,130 --> 00:40:40,481
BUT IF YOU WANT IT,
IT'S YOURS.

514
00:40:40,525 --> 00:40:42,265
IT'S BEAUTIFUL, MARSH.

515
00:40:42,309 --> 00:40:46,574
WELL, IT'S BEEN LAYIN' UP
IN MY BARN ABOUT 50 YEARS.

516
00:40:46,618 --> 00:40:49,185
YOU WANT IT?

517
00:40:49,229 --> 00:40:54,277
WAY I FIGURE, A THING
DESERVES TO BE USED.

518
00:40:54,321 --> 00:40:56,105
USED RIGHT.

519
00:40:56,149 --> 00:40:57,498
YOU LIVIN' NICE.

520
00:40:57,542 --> 00:40:59,761
YOU'RE TAKIN' CARE
OF THIS OLD GROVE.

521
00:40:59,805 --> 00:41:01,459
YOU'RE THE ONE
TO HAVE IT.

522
00:41:01,502 --> 00:41:03,286
BEEN SITTIN' UP
ALL THESE YEARS

523
00:41:03,330 --> 00:41:05,027
WAITIN'
FOR THE RIGHT PERSON.

524
00:41:05,071 --> 00:41:07,160
[HORSE NICKERS]

525
00:41:10,337 --> 00:41:13,383
YOU GOT BUGS
IN THEM COLLARDS.

526
00:41:15,821 --> 00:41:18,476
YOU BETTER DUST 'EM.

527
00:41:18,519 --> 00:41:19,999
YOU'RE GONNA STAY BEHIND
AND SHOW HER HOW,

528
00:41:20,042 --> 00:41:23,176
WON'T YOU, ELLIE,
SWEETHEART?

529
00:41:23,524 --> 00:41:25,178
WHAT'S THAT
FINE, HANDSOME CAR

530
00:41:25,221 --> 00:41:26,440
YOU GOT
SITTIN' OUT FRONT?

531
00:41:26,484 --> 00:41:30,792
MR. NORTON, MR. BASKIN
BROUGHT THAT OUT TO ME.

532
00:41:30,836 --> 00:41:32,664
IT'S MY CAR.
HE JUST FIXED IT.

533
00:41:32,707 --> 00:41:34,796
THAT'S ALL RIGHT,
MARJORIE.

534
00:41:34,840 --> 00:41:38,496
THERE'S NO NEED
TO EXPLAIN ANYTHING.

535
00:41:39,540 --> 00:41:41,063
WELL, NOW,

536
00:41:41,107 --> 00:41:42,543
PAINTED YOUR HOUSE,

537
00:41:42,587 --> 00:41:44,893
PLANTED SOME COLLARDS,

538
00:41:44,937 --> 00:41:48,157
BOUGHT YOURSELF A MULE...

539
00:41:48,201 --> 00:41:49,507
FIXED YOUR CAR.

540
00:41:49,550 --> 00:41:52,858
I THINK
YOU'RE SETTLIN' IN.

541
00:41:52,901 --> 00:41:56,992
WE GONNA TAKE YOU
ON A GATOR HUNT REAL SOON.

542
00:41:57,036 --> 00:41:58,341
THANK YOU.

543
00:41:58,385 --> 00:42:01,170
FIRST WE GONNA START OUT
WITH SOMETHIN' EASY--

544
00:42:01,214 --> 00:42:03,042
SAY A BEAR HUNT.

545
00:42:08,700 --> 00:42:10,049
MARSH...

546
00:42:10,092 --> 00:42:12,660
YOU WANT IT, MARJORIE?

547
00:42:12,704 --> 00:42:15,533
IT'S YOURS. COME ON.

548
00:42:25,891 --> 00:42:27,588
[TYPEWRITER CLICKING]

549
00:42:27,632 --> 00:42:29,372
Marjorie: MARSH TURNER
AND HIS FAMILY

550
00:42:29,416 --> 00:42:31,200
WERE UNLIKE ANY
OF THE FRIENDS

551
00:42:31,244 --> 00:42:32,680
I HAD KNOWN BEFORE.

552
00:42:32,724 --> 00:42:34,464
I WAS DRAWN TO THEM.

553
00:42:34,508 --> 00:42:37,598
THE RUSTIC COTTAGE,
THE CHILDREN.

554
00:42:37,642 --> 00:42:38,904
I WONDERED IF,
LIKE THEM,

555
00:42:38,947 --> 00:42:42,734
I'D FIND PEACE
IN MY NEW WORLD.

556
00:42:43,343 --> 00:42:45,563
PAUL WAS
CARING FOR MY GROVE,

557
00:42:45,606 --> 00:42:49,349
AND GEECHEE WATCHED
OVER THE HOUSE.

558
00:42:51,612 --> 00:42:54,702
SOMETIMES IN THE DISTANCE
IN THE HAMMOCK SWAMP,

559
00:42:54,746 --> 00:42:57,705
I COULD HEAR THE FELLING
OF CYPRUS TREES.

560
00:42:57,749 --> 00:43:00,621
I WAS LEARNING THAT
THE GROVE WAS HARD FOUGHT,

561
00:43:00,665 --> 00:43:04,059
AND HARD MAINTAINED,
AND MUST ALWAYS AS A CHILD

562
00:43:04,103 --> 00:43:07,628
BE KEPT SAFE
FROM A SUDDEN FROST.

563
00:43:07,672 --> 00:43:10,065
I COULD NOW CONCENTRATE
ON MY WRITING,

564
00:43:10,109 --> 00:43:13,155
BUT EACH WORD
WAS A STRUGGLE.

565
00:43:13,199 --> 00:43:16,637
PHRASES, LINES,
PARAGRAPHS ELUDED ME.

566
00:43:16,681 --> 00:43:18,334
I HAD BEEN HERE
FOR SOME TIME.

567
00:43:18,378 --> 00:43:20,075
A STORY WASN'T
HALF-FINISHED,

568
00:43:20,119 --> 00:43:23,905
AND MY FUNDS
WERE TRICKLING SLOWLY AWAY.

569
00:43:23,949 --> 00:43:26,081
WHOO-HO!

570
00:43:26,125 --> 00:43:28,257
WHOO-WHOO, SOOIE!

571
00:43:28,301 --> 00:43:29,955
[PIGS SNORTING]

572
00:43:29,998 --> 00:43:31,913
HOG! HOG! HYAH! HYAH!

573
00:43:31,957 --> 00:43:34,786
OH, FOR HEAVEN'S SAKE.
GEECHEE!

574
00:43:34,829 --> 00:43:35,917
HYAH!

575
00:43:35,961 --> 00:43:38,137
Marjorie: FOR PETE'S SAKE!

576
00:43:38,180 --> 00:43:39,312
GET OUT OF THERE!

577
00:43:39,355 --> 00:43:42,097
GET, GET!
GET OUT OF HERE!

578
00:43:42,141 --> 00:43:43,011
GET ON! AAH!

579
00:43:43,055 --> 00:43:44,534
MISS RAWLINGS
THEY GOT YOUR--

580
00:43:44,578 --> 00:43:45,623
Marjorie:
MR. TURNER.

581
00:43:45,666 --> 00:43:47,668
GOOD AFTERNOON,
MA'AM.

582
00:43:47,712 --> 00:43:50,105
GO ON,
GET OUTTA HERE!

583
00:43:50,149 --> 00:43:51,106
GET, GET!
LOOK AT THIS.

584
00:43:51,150 --> 00:43:53,631
YAH! YAH!
DAMN IT, GO ON!

585
00:43:53,674 --> 00:43:55,676
[PIGS SNORTING]

586
00:43:55,720 --> 00:44:00,333
MR. TURNER, YOUR PIGS
ATE MY FLOWERS.

587
00:44:00,899 --> 00:44:05,599
I SEE MY HOGS
BEEN BOTHERING YOU.

588
00:44:06,339 --> 00:44:10,212
IF THEM HOGS EVER COME
BACK HERE TO BOTHER YOU,

589
00:44:10,256 --> 00:44:12,475
THEM'S YOUR HOGS!

590
00:44:12,519 --> 00:44:14,477
HAA! SOO!

591
00:44:14,521 --> 00:44:16,001
YA-YO!

592
00:44:16,044 --> 00:44:17,524
YO-HO!

593
00:44:17,567 --> 00:44:19,961
YO, HOG! DAMN YOU!

594
00:44:20,005 --> 00:44:21,528
HYAH! HYAH!

595
00:44:21,571 --> 00:44:22,877
HYAH!

596
00:44:22,921 --> 00:44:24,139
WHOA!

597
00:44:24,183 --> 00:44:26,272
[GIGGLING]

598
00:44:41,722 --> 00:44:44,377
I'M DONE TO SUIT YOU?

599
00:44:44,420 --> 00:44:45,683
YES.

600
00:44:45,726 --> 00:44:48,337
YOU TRUST ME?

601
00:44:48,381 --> 00:44:49,991
YES.

602
00:44:50,035 --> 00:44:52,690
I GOT A THING
TO TELL YOU.

603
00:44:52,733 --> 00:44:55,344
I GOTTA HAVE HELP.

604
00:44:55,388 --> 00:44:58,521
THESE HERE
IS FROM MY MAN.

605
00:44:58,565 --> 00:45:01,220
READ 'EM.

606
00:45:10,490 --> 00:45:12,448
"MY SWEET BEATRICE..."

607
00:45:12,492 --> 00:45:15,582
THAT'S WHAT
HE CALLS ME BY.

608
00:45:17,410 --> 00:45:19,891
"I GOTTA GET OUT,
I CAN'T STAND IT.

609
00:45:19,934 --> 00:45:21,370
"YOU GOTTA GET ME A JOB,

610
00:45:21,414 --> 00:45:22,720
SO THEY LET ME OUT."

611
00:45:22,763 --> 00:45:24,460
HE IN THE STATE PRISON.

612
00:45:24,504 --> 00:45:26,549
YOU CAN GET HIM OUT.

613
00:45:26,593 --> 00:45:27,725
YOU CAN WRITE 'EM
A LETTER

614
00:45:27,768 --> 00:45:30,771
AND SAY YOU GOT
WORK FOR HIM.

615
00:45:32,599 --> 00:45:33,600
BUT IT SAYS HERE,

616
00:45:33,643 --> 00:45:35,863
"20 YEARS
FOR MANSLAUGHTER."

617
00:45:35,907 --> 00:45:37,125
HE DIDN'T DO NOTHIN'.

618
00:45:37,169 --> 00:45:39,214
THE OTHER NIGGER
WAS LAYIN' FOR HIM.

619
00:45:39,258 --> 00:45:41,303
AND HE COME AT LEROY
AND HE BOPPED HIM ONE,

620
00:45:41,347 --> 00:45:43,392
AND LEROY, SEE,
HE'S STRONG,

621
00:45:43,436 --> 00:45:44,872
AND HE MADE A PASS AT HIM,

622
00:45:44,916 --> 00:45:46,874
AND IT DONE KILLED HIM.

623
00:45:46,918 --> 00:45:50,835
YOU NEED ANOTHER MAN
OUT HERE TO HELP OUT.

624
00:45:53,446 --> 00:45:56,405
GEECHEE, I'M NOT SURE

625
00:45:56,449 --> 00:45:58,233
I CAN AFFORD
TO HIRE ANYONE ELSE.

626
00:45:58,277 --> 00:45:59,452
MONEY DON'T MATTER.

627
00:45:59,495 --> 00:46:01,236
YOU WRITE
THE SUPERINTENDENT A LETTER.

628
00:46:01,280 --> 00:46:03,412
HE'D LISTEN TO YOU...

629
00:46:03,456 --> 00:46:06,633
'CAUSE YOU THE WRITER.

630
00:46:09,201 --> 00:46:14,293
WELL, FINE,
DON'T EXPECT TO--

631
00:46:28,568 --> 00:46:31,136
[GRUNTING]

632
00:46:39,492 --> 00:46:40,928
THIS IS MY COUSIN, TIM.

633
00:46:40,972 --> 00:46:43,452
HIM AND HIS WIFE
COME OUT TO HELP.

634
00:46:43,496 --> 00:46:45,324
Marjorie: THANK YOU.
IF YOU LIKE,

635
00:46:45,367 --> 00:46:49,981
YOU CAN STAY IN THE SHACK
AT THE END OF THE GROVE.

636
00:46:50,329 --> 00:46:53,201
HOW MUCH LONGER CAN MY GROVE
LAST WITHOUT WATER?

637
00:46:53,245 --> 00:46:56,639
WELL...LEAVES WILL BE
COMIN' UP.

638
00:46:56,683 --> 00:46:59,991
I DON'T KNOW
WHAT THAT MEANS.

639
00:47:00,687 --> 00:47:03,690
IT MEANS YOU MIGHT
LOSE YOUR CROP.

640
00:47:07,563 --> 00:47:09,870
WELL, I JUST CAN'T
SIT HERE AND WATCH

641
00:47:09,914 --> 00:47:12,525
WHILE MY ORANGE GROVE DIES.

642
00:47:13,004 --> 00:47:14,962
MA'AM, TIM AND I
CAN'T HAUL ALL THIS

643
00:47:15,006 --> 00:47:17,704
OUT OF HERE
BY OURSELVES.

644
00:47:34,025 --> 00:47:35,156
WHAT DO I DO?

645
00:47:35,200 --> 00:47:37,419
A WOMAN CAN'T
DO THIS KIND OF WORK.

646
00:47:37,463 --> 00:47:38,420
IT AIN'T RIGHT.

647
00:47:38,464 --> 00:47:39,508
DON'T YOU TELL ME

648
00:47:39,552 --> 00:47:42,120
WHAT A WOMAN
CAN AND CANNOT DO.

649
00:47:55,568 --> 00:47:57,918
UHH.

650
00:48:08,581 --> 00:48:10,409
WELL?

651
00:48:23,291 --> 00:48:25,424
TIM?

652
00:48:25,772 --> 00:48:28,775
THAT WAS A GOOD
DAY'S WORK, THANK YOU.

653
00:48:32,083 --> 00:48:32,910
MA'AM,

654
00:48:32,953 --> 00:48:35,042
[STAMMERING]
THE W-WIFE NEEDS

655
00:48:35,086 --> 00:48:36,914
TO USE THE W-WATER PUMP
ONCE A DAY.

656
00:48:36,957 --> 00:48:38,089
I W-WOULDN'T ASK,

657
00:48:38,132 --> 00:48:41,048
BUT SHE'LL BE HAVIN'
A CHILD SHORTLY.

658
00:48:41,092 --> 00:48:42,571
SHE'S WELCOME
TO USE MINE.

659
00:48:42,615 --> 00:48:43,572
IF SHE NEEDS
ANYTHING AT ALL--

660
00:48:43,616 --> 00:48:45,226
W-WATER'S ALL
SHE'LL BE WANTIN'.

661
00:48:45,270 --> 00:48:48,273
THAT'S A-ALL
I'LL BE ASKIN'.

662
00:48:52,973 --> 00:48:55,584
HE'S USED TO LIVIN'
IN THE WOODS,

663
00:48:55,628 --> 00:48:56,498
MORE THAN ME.

664
00:48:56,542 --> 00:49:00,111
CAN'T SEEM
TO ABIDE BY PEOPLE.

665
00:49:01,808 --> 00:49:07,422
♪ WE ARE CLIMBIN'
JACOB'S LADDER ♪

666
00:49:07,466 --> 00:49:14,821
♪ WE ARE CLIMBIN'
JACOB'S LADDER ♪

667
00:49:15,126 --> 00:49:21,610
♪ WE ARE CLIMBIN'
JACOB'S LADDER ♪

668
00:49:21,654 --> 00:49:26,964
♪ SOLDIERS
OF THE CROSS ♪

669
00:49:33,492 --> 00:49:36,147
[DOOR HINGE SQUEAKS]

670
00:49:45,025 --> 00:49:46,896
TIM SAID
IT'D BE ALL RIGHT.

671
00:49:46,940 --> 00:49:49,769
OF COURSE
IT'S ALL RIGHT.

672
00:49:53,599 --> 00:49:54,687
WOULD YOU LIKE
TO SIT DOWN

673
00:49:54,730 --> 00:49:57,168
AND REST FOR A MINUTE?

674
00:49:59,344 --> 00:50:02,390
[PUMP SQUEAKS
AND WATER RUNS]

675
00:50:22,715 --> 00:50:24,891
IT'S HEAVY.

676
00:50:24,934 --> 00:50:27,198
THANK YOU, MA'AM.

677
00:51:07,107 --> 00:51:09,109
Marjorie: DEAR MAX,

678
00:51:09,153 --> 00:51:11,111
HERE IT IS, FINALLY,

679
00:51:11,155 --> 00:51:13,940
MY GOTHIC STORY
ABOUT AN ENGLISH TUTOR

680
00:51:13,983 --> 00:51:14,897
AND HER MISADVENTURES

681
00:51:14,941 --> 00:51:18,205
IN A NOBLEMAN'S
ANCIENT CASTLE.

682
00:51:18,249 --> 00:51:21,904
I THINK IT'S THE BEST STORY
I'VE EVER WRITTEN,

683
00:51:21,948 --> 00:51:23,732
AND I'M SENDING IT
OFF TO YOU,

684
00:51:23,776 --> 00:51:28,128
POSITIVE THAT I WILL
FINALLY BE PUBLISHED.

685
00:51:28,172 --> 00:51:31,479
SO MUCH HAPPENS HERE
AT CROSS CREEK.

686
00:51:31,523 --> 00:51:34,830
MAX, I'M ATTEMPTING
TO GET GEECHEE'S BOYFRIEND

687
00:51:34,874 --> 00:51:37,616
OUT OF JAIL
AND BUILD A DAM.

688
00:51:37,659 --> 00:51:40,227
YOUNG ELLIE
FOLLOWS THE FORTUNES

689
00:51:40,271 --> 00:51:43,926
OF MY GROVE AS CLOSELY
AS IF IT HAD BEEN HER OWN.

690
00:51:43,970 --> 00:51:45,798
SHE AND HER FAWN
ARE MY COWORKERS

691
00:51:45,841 --> 00:51:48,801
OVER THE HAZARDOUS
FORTUNES OF MY CROP.

692
00:51:48,844 --> 00:51:53,501
IF THERE CAN BE SUCH A THING
AS INSTINCTUAL MEMORY,

693
00:51:53,545 --> 00:51:57,288
THE CONSCIOUSNESS
OF LAND AND WATER

694
00:51:57,331 --> 00:51:58,941
MUST LIE DEEPER
IN THE CORE OF US

695
00:51:58,985 --> 00:52:02,989
THAN ANY KNOWLEDGE
OF OUR FELLOW BEINGS.

696
00:52:03,642 --> 00:52:04,643
WE WERE BRED OF THE EARTH

697
00:52:04,686 --> 00:52:07,124
BEFORE WE WERE BORN
OF OUR MOTHERS.

698
00:52:07,167 --> 00:52:11,954
ONCE BORN, WE CAN
LIVE WITHOUT OUR MOTHERS

699
00:52:11,998 --> 00:52:13,260
OR...FATHERS,

700
00:52:13,304 --> 00:52:17,264
OR ANY OTHER KIN,
OR ANY FRIEND,

701
00:52:17,308 --> 00:52:19,788
OR HUMAN LOVE.

702
00:52:19,832 --> 00:52:22,443
WE CANNOT LIVE
WITHOUT THE EARTH,

703
00:52:22,487 --> 00:52:24,967
OR APART FROM IT.

704
00:52:25,011 --> 00:52:27,796
AND SOMETHING IS SHRIVELED
IN MAN'S HEART

705
00:52:27,840 --> 00:52:29,450
WHEN HE TURNS AWAY FROM IT,

706
00:52:29,494 --> 00:52:33,976
AND CONCERNS HIMSELF ONLY
WITH THE AFFAIRS OF MEN.

707
00:52:34,020 --> 00:52:36,849
COME ON, MULE,
COME ON!

708
00:53:55,493 --> 00:53:57,756
MISS RAWLINGS!

709
00:53:59,279 --> 00:54:01,803
WE DID GOOD!

710
00:54:02,151 --> 00:54:05,938
WE DID MAGNIFICENTLY!

711
00:54:13,119 --> 00:54:15,774
[CRICKETS CHIRPING]

712
00:54:24,217 --> 00:54:26,611
MY, MY, MY.

713
00:54:27,351 --> 00:54:29,309
THIS IS
MY UTTERLY DEADLY

714
00:54:29,353 --> 00:54:31,442
SOUTHERN PECAN PIE.

715
00:54:31,485 --> 00:54:32,747
MY, MY.

716
00:54:32,791 --> 00:54:36,447
I NEVER ATE BETTER
IN MY LIFE.

717
00:54:38,187 --> 00:54:39,276
DO YOU WANT MORE COFFEE?

718
00:54:39,319 --> 00:54:41,843
I DON'T MIND IF I DO.

719
00:54:46,979 --> 00:54:48,763
DELICIOUS.

720
00:54:48,807 --> 00:54:51,244
MY OWN RECIPE.

721
00:54:53,246 --> 00:54:56,031
CANDLES, FLOWERS,

722
00:54:56,075 --> 00:54:58,730
DELICIOUS
HOME-COOKED MEAL...

723
00:54:58,991 --> 00:55:00,993
I MUST HAVE DONE
AN AWFULLY GOOD JOB

724
00:55:01,036 --> 00:55:02,299
ON THAT CAR.

725
00:55:02,342 --> 00:55:05,824
I TAKE IT IT'S STILL
RUNNING SMOOTHLY?

726
00:55:06,215 --> 00:55:08,653
PERFECTLY SMOOTHLY.

727
00:55:13,832 --> 00:55:16,313
TO MY FIRST
DINNER GUEST.

728
00:55:32,851 --> 00:55:35,375
THERE'S STILL
PLENTY OF PIE.

729
00:55:35,419 --> 00:55:37,769
HMM.

730
00:55:39,553 --> 00:55:43,122
WE COULD EAT IT
IN THE MORNIN'.

731
00:55:47,866 --> 00:55:51,783
DON'T YOU THINK THAT'D
BE A GOOD IDEA, MARJORIE?

732
00:55:53,437 --> 00:55:57,049
IS YOUR GOVERNESS
STILL LOST ON THE MOORS?

733
00:56:00,226 --> 00:56:02,924
NOW YOU KNOW
WHAT I WOULD DO?

734
00:56:03,708 --> 00:56:05,840
I WOULD GIVE HER
A FULL MOON--

735
00:56:05,884 --> 00:56:08,843
SOMETHIN' LIKE
WHAT WE HAVE TONIGHT--

736
00:56:08,887 --> 00:56:12,891
AND A HANDSOME LORD.

737
00:56:13,152 --> 00:56:17,112
WELL, HE COULD LOOK,
JUST A LITTLE BIT LIKE ME.

738
00:56:17,156 --> 00:56:20,246
AND HE'LL LEAD HER
SAFELY HOME.

739
00:56:20,289 --> 00:56:22,814
I'M SURE OF IT.

740
00:56:41,789 --> 00:56:43,574
NORTON...

741
00:56:43,617 --> 00:56:45,706
YOU'RE A BIT
OF A POET.

742
00:56:45,750 --> 00:56:48,274
YES'M.

743
00:56:48,796 --> 00:56:53,758
WITH YOU...I THINK
I'M EVERYTHING.

744
00:57:30,882 --> 00:57:33,450
[BABY GURGLES]

745
00:57:37,062 --> 00:57:39,586
[HUMMING]

746
00:57:59,040 --> 00:58:02,304
I THOUGHT
YOU MIGHT LIKE THAT.

747
00:58:04,219 --> 00:58:06,308
HOW ARE YOU GETTING ON?

748
00:58:06,352 --> 00:58:09,529
NOTHIN' EXTRA.

749
00:58:09,573 --> 00:58:12,837
THERE AIN'T NO SCREENS
TO THE HOUSE, AND...

750
00:58:12,880 --> 00:58:14,926
THE SKEETERS
LIKE TO EAT US ALIVE.

751
00:58:14,969 --> 00:58:18,799
CAN'T KEEP THE ANTSES
OUT OF TIM'S BREAKFAST.

752
00:58:18,843 --> 00:58:20,932
WHY DIDN'T ANYONE
SAY ANYTHING TO ME?

753
00:58:20,975 --> 00:58:23,282
I HAD NO IDEA.
I'LL SEE TO IT.

754
00:58:23,325 --> 00:58:25,197
DON'T MATTER.

755
00:58:25,240 --> 00:58:28,853
WE'LL MAKE OUT.

756
00:58:29,462 --> 00:58:31,638
THAT'S A NICE BABY.

757
00:58:32,683 --> 00:58:36,251
THE OTHER DIDN'T
LAST TILL SPRING.

758
00:58:36,295 --> 00:58:38,427
THIS ONE MIGHT FARE BETTER.

759
00:58:38,471 --> 00:58:41,387
TILL WINTER, MAYBE.

760
00:58:50,483 --> 00:58:52,485
I WAS WONDERING
IF YOUR WIFE

761
00:58:52,529 --> 00:58:54,095
MIGHT HELP ME
AT THE HOUSE.

762
00:58:54,139 --> 00:58:57,142
JUST A BIT
OF LIGHT WASHING.

763
00:58:57,185 --> 00:58:58,099
[STAMMERING]
W-WHITE WOMAN

764
00:58:58,143 --> 00:58:59,579
DON'T ASK ANOTHER
W-WHITE WOMAN

765
00:58:59,623 --> 00:59:01,189
TO DO HER WASHIN'.

766
00:59:01,233 --> 00:59:05,063
CARRY HER SLOPS,
NEITHER.

767
00:59:08,370 --> 00:59:11,025
US'LL BE
LEAVIN' HERE NOW.

768
00:59:13,375 --> 00:59:17,075
I DIDN'T MEAN
TO OFFEND YOU.

769
00:59:18,729 --> 00:59:21,601
I WAS TRYING
TO BE NEIGHBORLY.

770
00:59:24,430 --> 00:59:27,085
[HARMONICA PLAYING]

771
00:59:32,786 --> 00:59:35,441
[BIRDS CAWING]

772
00:59:51,892 --> 00:59:54,460
[THUNDER]

773
01:00:07,691 --> 01:00:10,607
MAIL FOR YOU,
MISS RAWLINGS.

774
01:00:13,000 --> 01:00:15,612
THANK YOU.

775
01:00:32,846 --> 01:00:34,979
Max: "MY DEAR MARJORIE,

776
01:00:35,022 --> 01:00:36,545
"PLEASE, BELIEVE ME
WHEN I SAY

777
01:00:36,589 --> 01:00:38,243
"IT DISAPPOINTS ME
AS MUCH AS YOU

778
01:00:38,286 --> 01:00:41,115
"TO HAVE TO RETURN
YOUR MANUSCRIPT.

779
01:00:41,159 --> 01:00:44,336
"MARJORIE, YOUR WRITING
IS TECHNICALLY PERFECT,

780
01:00:44,379 --> 01:00:46,294
"YET IT IS STILL
AN IMITATION

781
01:00:46,338 --> 01:00:47,905
"OF OTHER AUTHORS' WORK.

782
01:00:47,948 --> 01:00:51,256
"YOUR LETTERS TO ME ABOUT
YOUR LIFE IN CROSS CREEK

783
01:00:51,299 --> 01:00:52,779
"ARE ALIVE WITH EMOTION,

784
01:00:52,823 --> 01:00:55,260
"AND I READ THEM
WITH SUCH PLEASURE.

785
01:00:55,303 --> 01:00:58,567
"THEY ARE THE MOST
REVEALING BITS OF LIFE

786
01:00:58,611 --> 01:01:00,352
"THAT TELLS
NOT TRIVIAL FACTS,

787
01:01:00,395 --> 01:01:01,962
"BUT HUMAN MOTIVES

788
01:01:02,006 --> 01:01:05,270
"AND THE SECRETS
OF HUMAN HEARTS.

789
01:01:05,313 --> 01:01:07,228
"THAT CHILD
WHO WANTS A DEAR,

790
01:01:07,272 --> 01:01:09,927
"THE YOUNG COUPLE WHO CHOSE
TO LIVE IN THE WOODS

791
01:01:09,970 --> 01:01:13,408
"RATHER THAN CONFORM
TO CIVILIZATION.

792
01:01:13,452 --> 01:01:15,367
"WRITE ME THOSE STORIES,

793
01:01:15,410 --> 01:01:18,022
"NOT THESE
ENGLISH TEA PARTIES

794
01:01:18,065 --> 01:01:22,026
AND GOTHIC TALES
YOU KNOW NOTHING ABOUT."

795
01:01:28,815 --> 01:01:30,730
[THUNDER]

796
01:01:30,774 --> 01:01:33,472
[CAR HORN HONKS]

797
01:01:34,342 --> 01:01:36,257
AFTERNOON.

798
01:01:36,301 --> 01:01:37,694
GOOD AFTERNOON.

799
01:01:37,737 --> 01:01:40,087
STICKY, ISN'T IT?

800
01:01:41,567 --> 01:01:43,830
YOU KNOW, I ALWAYS DID
ADMIRE A WOMAN

801
01:01:43,874 --> 01:01:45,397
WITHOUT CURIOSITY.

802
01:01:45,440 --> 01:01:47,486
MOST WOMEN'D
RIP THEIR MAIL OPEN

803
01:01:47,529 --> 01:01:49,967
AS SOON AS THEY
GOT THEIR HANDS ON IT.

804
01:01:50,010 --> 01:01:51,055
BUT YOU--

805
01:01:51,098 --> 01:01:53,187
THERE'S NO NEED
FOR ME TO BE CURIOUS.

806
01:01:53,231 --> 01:01:54,101
THIS IS FOR GEECHEE,

807
01:01:54,145 --> 01:01:56,016
AND THIS IS
A REJECTED STORY,

808
01:01:56,060 --> 01:01:58,366
AND I DON'T WANT
TO TALK ABOUT IT ANYMORE.

809
01:01:58,410 --> 01:02:02,370
WELL, I GOT A FEELING
IT'S A MIGHTY FINE STORY.

810
01:02:02,414 --> 01:02:03,676
I DOUBT THAT.

811
01:02:03,720 --> 01:02:05,634
GOOD STORIES
GET PUBLISHED.

812
01:02:05,678 --> 01:02:06,897
[ENGINE STARTS]

813
01:02:06,940 --> 01:02:09,900
MARJORIE, I DON'T
KNOW ANYTHING ABOUT WRITING,

814
01:02:09,943 --> 01:02:11,728
BUT I DO KNOW THAT
YOU'RE THE KIND OF WOMAN

815
01:02:11,771 --> 01:02:13,991
THAT'S GONNA BE GOOD
AT WHATEVER IT IS

816
01:02:14,034 --> 01:02:16,080
SHE DECIDES TO DO.

817
01:02:16,645 --> 01:02:18,778
NOW YOU BEEN THROUGH SO MUCH
SINCE YOU CAME HERE,

818
01:02:18,822 --> 01:02:21,215
MAYBE YOU JUST NEED
A LITTLE TIME

819
01:02:21,259 --> 01:02:24,566
FOR THINGS TO SETTLE OUT.

820
01:02:24,610 --> 01:02:26,307
THANK YOU.

821
01:02:26,351 --> 01:02:30,268
SUPPOSE I DROP BY
LATER ON?

822
01:06:27,984 --> 01:06:30,595
[PIGS SNORTING]

823
01:06:57,230 --> 01:06:58,318
WHAT YOU DOIN'?

824
01:06:58,362 --> 01:06:59,841
PUT THAT THING DOWN!

825
01:06:59,885 --> 01:07:00,712
LEAVE ME ALONE!

826
01:07:00,755 --> 01:07:02,453
IT'S JUST
MR. TURNER'S PIGS!

827
01:07:02,496 --> 01:07:04,585
I INTEND
TO SHOOT THEM.

828
01:07:04,629 --> 01:07:05,934
AAH!
[THUNDER]

829
01:07:05,978 --> 01:07:07,327
[PIGS SQUEALING]

830
01:07:07,371 --> 01:07:09,416
AAH!
GET ON UP!

831
01:07:09,460 --> 01:07:11,679
COME IN THE HOUSE!

832
01:07:11,723 --> 01:07:15,944
[BOTH TALKING AT ONCE]

833
01:07:15,988 --> 01:07:17,076
WHERE'S MY GUN?

834
01:07:17,120 --> 01:07:17,990
COME ON IN.

835
01:07:18,034 --> 01:07:19,948
HERE IT IS.
WHERE'S MY GUN?

836
01:07:19,992 --> 01:07:21,689
MISS,
COME IN THE HOUSE!

837
01:07:21,733 --> 01:07:23,865
YOU'RE GONNA BE SICK!

838
01:07:23,909 --> 01:07:26,042
[SOBBING]

839
01:07:26,085 --> 01:07:28,044
WHOA!
AAH!

840
01:07:28,087 --> 01:07:30,916
MISS RAWLINGS!

841
01:07:30,959 --> 01:07:33,223
I THINK I GOT ONE!

842
01:07:33,266 --> 01:07:35,660
GET ON IN THE HOUSE!

843
01:07:37,879 --> 01:07:39,577
[CAR ENGINE REVVING]

844
01:07:39,620 --> 01:07:42,232
[BRAKES SQUEAL]

845
01:07:43,363 --> 01:07:46,192
[ENGINE STOPS]

846
01:07:46,236 --> 01:07:47,367
MISS RAWLINGS
NOT HOME.

847
01:07:47,411 --> 01:07:48,368
WOULD YOU TELL HER
I'D LIKE TO TALK TO HER

848
01:07:48,412 --> 01:07:49,195
FOR A MINUTE, PLEASE.

849
01:07:49,239 --> 01:07:50,370
I MEAN,
SHE BUSY WORKIN'.

850
01:07:50,414 --> 01:07:51,197
YOU CAN'T SEE HER.

851
01:07:51,241 --> 01:07:52,416
BETTER TELL HER
I'M HERE.

852
01:07:52,459 --> 01:07:56,420
THOUGHT JUST FOR A MINUTE,
I'D SPEAK TO HER.

853
01:07:56,463 --> 01:07:57,899
GEECHEE?

854
01:07:57,943 --> 01:07:59,771
WHO IS IT?

855
01:07:59,814 --> 01:08:00,859
IT'S MR. TURNER,

856
01:08:00,902 --> 01:08:03,340
AND HE GOT THAT
FRESH FELLOW WITH HIM.

857
01:08:03,383 --> 01:08:04,384
SEND THEM IN.

858
01:08:04,428 --> 01:08:06,386
NO, MA'AM, YOU CAN'T
BE ENTERTAININ'

859
01:08:06,430 --> 01:08:08,040
IN YOUR BEDROOM!

860
01:08:08,084 --> 01:08:10,564
[KNOCKS]

861
01:08:20,922 --> 01:08:23,708
YOU MAY COME IN,
MR. TURNER.

862
01:08:27,973 --> 01:08:29,235
DEBT TO YOU, MA'AM.

863
01:08:29,279 --> 01:08:30,628
GOOD MORNING.

864
01:08:30,671 --> 01:08:33,848
I'D LIKE A CUP
OF COFFEE, PLEASE.

865
01:08:37,025 --> 01:08:40,986
IT WAS STORMIN' LAST NIGHT,
MISS RAWLINGS.

866
01:08:41,029 --> 01:08:41,987
REMEMBER?

867
01:08:42,030 --> 01:08:45,469
WHAT CAN I DO FOR YOU,
MR. TURNER?

868
01:08:47,384 --> 01:08:50,126
SOMEBODY SHOT MY PIG.

869
01:08:53,607 --> 01:08:55,783
THIS IS SERIOUS,
MARJORIE.

870
01:08:55,827 --> 01:08:57,437
I'D JUST
LIKE TO KNOW WHO.

871
01:08:57,481 --> 01:08:59,309
I SHOT YOUR PIG.

872
01:08:59,352 --> 01:09:03,313
IT TORMENTED ME,
AND I SHOT IT.

873
01:09:03,356 --> 01:09:05,967
THAT WAS MY PIG,
MISS RAWLINGS.

874
01:09:06,011 --> 01:09:07,795
NO, THAT WAS MY PIG.

875
01:09:07,839 --> 01:09:08,883
YOU GAVE THAT PIG TO ME

876
01:09:08,927 --> 01:09:10,668
WHEN YOU SAID THAT
IF THEY TRESPASSED,

877
01:09:10,711 --> 01:09:13,279
THEY WERE MINE.

878
01:09:13,323 --> 01:09:15,368
WHAT KIND OF WOMAN
SHOOT A HOG

879
01:09:15,412 --> 01:09:16,630
IN THE MIDDLE
OF A STORM?

880
01:09:16,674 --> 01:09:18,154
WAS IT A GOOD SHOT?

881
01:09:18,197 --> 01:09:19,285
NO, MA'AM, IT WAS NOT,

882
01:09:19,329 --> 01:09:20,591
I HAD TO FINISH IT OFF
MYSELF.

883
01:09:20,634 --> 01:09:24,029
MR. TURNER, WOULD YOU
LOWER YOUR VOICE, PLEASE.

884
01:09:26,858 --> 01:09:29,121
WON'T YOU JOIN ME?

885
01:09:31,210 --> 01:09:32,690
THANK YOU, MA'AM.

886
01:09:32,733 --> 01:09:33,995
WON'T GET
NO WRITIN' DONE

887
01:09:34,039 --> 01:09:37,782
IF YOU'RE ENTERTAININ'
ALL MORNIN'.

888
01:09:37,825 --> 01:09:39,610
WELL, THANK YOU,
KINDLY.

889
01:09:39,653 --> 01:09:42,613
YOU'RE CERTAINLY
WELCOME.

890
01:09:51,883 --> 01:09:54,015
I'LL PAY FOR YOUR PIG.

891
01:09:54,059 --> 01:09:56,801
BUT IT WAS AN OUTLAW.

892
01:09:56,844 --> 01:09:58,803
IT WAS PRACTICALLY
A PET.

893
01:09:58,846 --> 01:10:01,022
YOU COULD CATCH IT
WITH YOUR BARE HANDS.

894
01:10:01,066 --> 01:10:02,850
WELL, I WOULDN'T
HAVE HAD THE PLEASURE

895
01:10:02,894 --> 01:10:04,548
OF SHOOTING IT.

896
01:10:11,903 --> 01:10:12,904
MISS RAWLINGS,

897
01:10:12,947 --> 01:10:14,384
I DIDN'T WANT
TO DISTURB YOU, MA'AM.

898
01:10:14,427 --> 01:10:15,472
I WENT AROUND
AND TALKED

899
01:10:15,515 --> 01:10:16,386
TO A LOT
OF YOUR FRIENDS.

900
01:10:16,429 --> 01:10:17,474
EVEN NORTON,
HERE, ASSURED ME

901
01:10:17,517 --> 01:10:18,562
YOU'RE NOT
THE KIND OF WOMAN

902
01:10:18,605 --> 01:10:21,217
THAT WOULD HAVE
SHOT MY HOG.

903
01:10:21,478 --> 01:10:23,697
THAT IS JUST
THE WAY I AM.

904
01:10:23,741 --> 01:10:25,612
I GO ALONG QUIETLY
FOR A WHILE,

905
01:10:25,656 --> 01:10:27,005
AND THEN OUT
OF THE CLEAR BLUE SKY,

906
01:10:27,048 --> 01:10:28,528
I DON'T KNOW
WHAT HAPPENS TO ME,

907
01:10:28,572 --> 01:10:29,486
I JUST PICK UP A GUN,

908
01:10:29,529 --> 01:10:30,878
I SHOOT WHATEVER
MAKES ME ANGRY.

909
01:10:30,922 --> 01:10:35,187
I'M SO AFRAID ONE DAY
IT JUST MIGHT BE A PERSON.

910
01:10:37,798 --> 01:10:40,627
I'M AFRAID WHATEVER
IT IS I OWE YOU

911
01:10:40,671 --> 01:10:43,717
WILL HAVE TO WAIT
UNTIL I'M...

912
01:10:43,761 --> 01:10:45,980
SOLVENT.
I'M FLAT BROKE.

913
01:10:46,024 --> 01:10:49,549
MY LAST STORY
WAS REJECTED.

914
01:10:59,385 --> 01:11:00,473
MISS RAWLINGS,

915
01:11:00,517 --> 01:11:04,085
SEEM IF I DO REMEMBER
THAT WAS YOUR HOG.

916
01:11:04,129 --> 01:11:06,697
GOOD DAY TO YOU NOW,
MA'AM.

917
01:11:06,740 --> 01:11:07,654
GOOD DAY.

918
01:11:07,698 --> 01:11:08,829
SEE YOU NOW.

919
01:11:08,873 --> 01:11:13,878
MR. TURNER, I'D LIKE
TO HAVE THAT HOG BACK.

920
01:11:13,921 --> 01:11:14,661
SAY WHAT?

921
01:11:14,705 --> 01:11:16,402
I'D LIKE
TO HAVE THAT HOG

922
01:11:16,446 --> 01:11:17,751
AND IT EAT IT,
TOO, FOR DINNER.

923
01:11:17,795 --> 01:11:20,319
PERHAPS YOU AND
MR. BASKIN WOULD JOIN ME?

924
01:11:20,363 --> 01:11:23,366
BE A SHAME
TO WASTE ALL THEM RIBS.

925
01:11:23,409 --> 01:11:24,323
MISS RAWLINGS,

926
01:11:24,367 --> 01:11:25,455
YOU'RE GONNA
HAVE THAT HOG

927
01:11:25,498 --> 01:11:28,762
BEFORE SUNDOWN,
RIBS AND ALL.

928
01:11:29,197 --> 01:11:31,765
WON'T WE HAVE
A LOVELY BARBECUE?

929
01:11:31,809 --> 01:11:33,376
DO IT PROUD.

930
01:11:34,551 --> 01:11:37,423
THIS MISS MARJORIE'S
WORK TIME.

931
01:11:37,467 --> 01:11:40,165
YOU HAVE TO BE GOIN'.

932
01:11:42,515 --> 01:11:43,995
MARJORIE,
I WOULD LIKE TO READ

933
01:11:44,038 --> 01:11:46,127
WHAT YOU WRITE TODAY.

934
01:11:50,001 --> 01:11:52,046
YOU WON'T READ
WHAT I WRITE TODAY

935
01:11:52,090 --> 01:11:53,221
OR ANY OTHER DAY.

936
01:11:53,265 --> 01:11:54,745
WHAT I WRITE IS NONE
OF YOUR DAMN BUSINESS.

937
01:11:54,788 --> 01:11:58,052
NOW WHY DON'T YOU
JUST GET OUT OF HERE?

938
01:12:00,359 --> 01:12:02,927
I THINK I'LL
DO JUST THAT.

939
01:12:18,508 --> 01:12:19,900
NORTON!

940
01:12:19,944 --> 01:12:21,815
I'M SORRY.

941
01:12:21,859 --> 01:12:23,817
[SIGHS]

942
01:12:23,861 --> 01:12:26,211
YOU GOT QUITE A TEMPER,
MARJORIE.

943
01:12:26,254 --> 01:12:28,605
SHOOTIN' PIGS AND
CHOPPIN' MY HEAD OFF.

944
01:12:28,648 --> 01:12:30,346
I KNOW...

945
01:12:30,389 --> 01:12:32,391
[SIGHS]

946
01:12:34,350 --> 01:12:37,178
I'M SCARED STIFF.

947
01:12:38,354 --> 01:12:41,357
I CAN'T IMAGINE YOU
SCARED OF ANYTHING.

948
01:12:45,839 --> 01:12:50,888
I'M WRITING A STORY
ABOUT TIM AND HIS WIFE.

949
01:12:50,931 --> 01:12:53,369
IT'S CALLED <i>JACOB'S LADDER.</i>

950
01:12:53,412 --> 01:12:56,981
IT'S SOMETHIN'
I CARE VERY MUCH ABOUT.

951
01:12:57,024 --> 01:12:59,200
IT WOULDN'T BE
LIKE ANYBODY ELSE'S WORK.

952
01:12:59,244 --> 01:13:01,028
IT'LL COME
STRAIGHT OUTTA ME.

953
01:13:01,072 --> 01:13:03,901
DO YOU UNDERSTAND THAT?

954
01:13:06,294 --> 01:13:09,341
IF THIS GETS TURNED DOWN,
I HAVE TO FACE THE FACT

955
01:13:09,385 --> 01:13:11,517
THAT I WASN'T
MEANT TO BE A WRITER.

956
01:13:11,561 --> 01:13:14,651
THAT SOUNDS A LITTLE
DRASTIC, MARJORIE.

957
01:13:14,694 --> 01:13:16,740
NO...

958
01:13:16,783 --> 01:13:21,179
THIS IS MY WORLD--
CROSS CREEK.

959
01:13:22,267 --> 01:13:24,443
THE PEOPLE HERE...

960
01:13:24,487 --> 01:13:29,927
ARE RICHER THAN
MY IMAGINARY GOVERNESSES.

961
01:13:30,971 --> 01:13:32,408
IF I CAN'T WRITE

962
01:13:32,451 --> 01:13:35,280
MY OWN HONEST THOUGHTS
AND FEELINGS,

963
01:13:35,323 --> 01:13:37,413
THEN I'M NO AUTHOR

964
01:13:41,329 --> 01:13:45,769
YOU'RE GONNA
DO JUST FINE, MARJORIE.

965
01:13:52,428 --> 01:13:54,081
BELIEVE YOU'RE
HOLDING MY HAND AGAIN,

966
01:13:54,125 --> 01:13:56,257
MR. BASKIN.

967
01:13:58,477 --> 01:14:01,045
SEEMS I AM.

968
01:14:01,088 --> 01:14:04,440
I SUPPOSE YOU'LL BE INSISTING
ON STAYING FOR SUPPER.

969
01:14:04,483 --> 01:14:08,444
MY THOUGHTS EXACTLY.

970
01:14:11,708 --> 01:14:15,451
NOTHING'S GONNA HAPPEN
BETWEEN US.

971
01:14:29,421 --> 01:14:33,338
Marjorie: THE YEARLING
WAS GROWING UP.

972
01:14:33,381 --> 01:14:36,341
AND SO WAS ELLIE.

973
01:14:42,086 --> 01:14:46,786
THE LAND WE TOILED OVER
RESPONDED TO OUR CARE.

974
01:14:46,830 --> 01:14:51,269
MY GROVE WAS THRIVING.

975
01:16:09,869 --> 01:16:12,089
THANK YOU, PAUL.

976
01:16:25,624 --> 01:16:27,539
[CHICKENS CLUCKING]

977
01:16:27,583 --> 01:16:30,281
[TYPEWRITER CLACKING]

978
01:16:31,587 --> 01:16:34,198
[BIRDS CHIRPING]

979
01:16:39,420 --> 01:16:41,292
LEROY!

980
01:16:41,335 --> 01:16:43,860
[LAUGHING]

981
01:16:48,821 --> 01:16:51,432
THIS IS HIM!
THIS IS HIM!

982
01:16:51,476 --> 01:16:53,826
[LAUGHING]

983
01:16:53,870 --> 01:16:55,785
LEROY!

984
01:16:55,828 --> 01:16:58,744
Marjorie: IT SEEMED
NOTHING COULD GO WRONG.

985
01:16:58,788 --> 01:17:01,312
GEECHEE HAD HER LEROY HOME,

986
01:17:01,355 --> 01:17:03,880
AND I HAD
SETTLED INTO WRITING

987
01:17:03,923 --> 01:17:05,751
10 TO 12 HOURS A DAY.

988
01:17:05,795 --> 01:17:08,145
BUT AS TIME WENT ON,
I SAW THAT LEROY

989
01:17:08,188 --> 01:17:10,713
MADE NO EFFORT
TO LEND THE GROVE WORK.

990
01:17:10,756 --> 01:17:13,890
HE WAS CONTENT
TO LANGUISH COMFORTABLY

991
01:17:13,933 --> 01:17:15,152
INTO GEECHEE'S CARE.

992
01:17:15,195 --> 01:17:19,243
AS FOR ME, MY DIVORCE
HAD BECOME FINAL,

993
01:17:19,286 --> 01:17:22,638
AND I WAS BUSY
WORKING ON <i>JACOB'S LADDER.</i>

994
01:17:22,681 --> 01:17:25,641
I SENSED IT WAS MORE
HONEST AND ALIVE

995
01:17:25,684 --> 01:17:27,730
THAN ANYTHING
I'D EVER WRITTEN.

996
01:17:27,773 --> 01:17:29,253
BUT I COULDN'T BRING MYSELF

997
01:17:29,296 --> 01:17:31,168
TO SEND IT
TO MAXWELL PERKINS.

998
01:17:31,211 --> 01:17:33,953
I COULDN'T FACE REJECTION...

999
01:17:33,997 --> 01:17:37,653
NOT WITH <i>JACOB'S LADDER.</i>

1000
01:17:49,534 --> 01:17:52,189
PUT THAT BACK.

1001
01:17:53,625 --> 01:17:57,194
THAT BELONG
TO MISS MARJORIE.

1002
01:17:58,586 --> 01:18:00,458
DID YOU HEAR ME?

1003
01:18:00,501 --> 01:18:02,895
I HEAR YOU.

1004
01:18:02,939 --> 01:18:06,420
YOU WANT MARMALADE
OR MOLASSES?

1005
01:18:07,030 --> 01:18:09,641
I SAID, YOU WANT
MARMALADE OR MOLASSES

1006
01:18:09,685 --> 01:18:11,208
WITH YOUR PANCAKE?

1007
01:18:11,251 --> 01:18:12,296
Marjorie:
GEECHEE...

1008
01:18:12,339 --> 01:18:16,692
I'D LIKE TO SPEAK
TO LEROY ALONE.

1009
01:18:19,999 --> 01:18:22,436
Marjorie: WE'VE HAD
FROST WARNINGS.

1010
01:18:22,480 --> 01:18:24,656
PAUL COULD USE
YOUR HELP IN THE GROVE.

1011
01:18:24,700 --> 01:18:26,876
I'LL CHOP ENOUGH WOOD
FOR YOU TOMORROW.

1012
01:18:26,919 --> 01:18:30,749
I HAVE BETTER THINGS IN MIND
THAN WORKING IN THE GROVE.

1013
01:18:30,793 --> 01:18:34,057
LEROY, YOU HAVE
TO LEAVE.

1014
01:18:34,100 --> 01:18:35,798
I SUPPOSE GEECHEE WILL
WANT TO GO WITH YOU,

1015
01:18:35,841 --> 01:18:37,277
AND I'LL BE SORRY
TO SEE HER GO,

1016
01:18:37,321 --> 01:18:40,454
BUT THIS IS NOT
GOING TO WORK OUT.

1017
01:18:44,415 --> 01:18:46,460
[DOOR OPENS]

1018
01:18:46,504 --> 01:18:49,115
[BIRDS CHIRPING]

1019
01:19:10,615 --> 01:19:13,226
I PACKED.

1020
01:19:17,317 --> 01:19:20,364
I'LL BE GOING AFTER
LEROY NOW.

1021
01:19:23,280 --> 01:19:26,587
SO, GUESS
I'LL BE GOING.

1022
01:19:33,986 --> 01:19:36,641
I GOT SOMETHING
TO ASK YOU.

1023
01:19:36,684 --> 01:19:37,816
CERTAINLY.

1024
01:19:37,860 --> 01:19:41,602
YOU SATISFIED
WITH MY WORK AROUND HERE?

1025
01:19:41,646 --> 01:19:42,821
OF COURSE I AM.

1026
01:19:42,865 --> 01:19:45,781
THEN HOW COME YOU LET ME GO
JUST LIKE THAT?

1027
01:19:45,824 --> 01:19:48,435
I ASSUMED
YOU WANTED TO GO.

1028
01:19:48,479 --> 01:19:50,089
SO WHAT IF I DID
WANTED TO?

1029
01:19:50,133 --> 01:19:51,569
WHAT KIND OF PERSON
LET ANOTHER PERSON

1030
01:19:51,612 --> 01:19:54,528
DO SOMETHING THEY KNOW
WILL HURT HER?

1031
01:19:56,052 --> 01:19:57,836
GEECHEE...

1032
01:19:57,880 --> 01:19:59,316
I DON'T UNDERSTAND YOU,

1033
01:19:59,359 --> 01:20:01,535
I DON'T HAVE
ANY RIGHT TO STOP YOU.

1034
01:20:01,579 --> 01:20:03,102
YOU DO IF YOU CARE
ABOUT ME.

1035
01:20:03,146 --> 01:20:05,278
YOU KNOW WHAT LEROY
GONNA DO TO ME.

1036
01:20:05,322 --> 01:20:08,804
USE ME UP AND SPEND
ALL HIS TIME IN JUKE JOINTS

1037
01:20:08,847 --> 01:20:13,112
DRINKING UP MY PAYCHECK
JUST LIKE BEFORE.

1038
01:20:13,156 --> 01:20:15,462
I GOT A GOOD LIFE HERE.

1039
01:20:15,506 --> 01:20:17,290
I GOT A BETTER LIFE
AT THE CREEK--

1040
01:20:17,334 --> 01:20:18,901
I DON'T WANT YOU TO GO.

1041
01:20:18,944 --> 01:20:20,598
I THOUGHT
THAT YOU KNEW THAT.

1042
01:20:20,641 --> 01:20:23,427
HOW AM I SUPPOSED
TO KNOW THAT?

1043
01:20:23,470 --> 01:20:28,084
IT'S EASY GET SOMEBODY
FOR COOKIN' AND SWEEPIN'.

1044
01:20:28,127 --> 01:20:31,565
I THINK OF YOU
AS A FRIEND.

1045
01:20:36,527 --> 01:20:41,575
YOU CARE ABOUT ME AND YOU WAS
GONNA LET ME GO AWAY?

1046
01:20:41,619 --> 01:20:43,708
IT'S VERY DIFFICULT
TO LEAVE SOMEONE

1047
01:20:43,751 --> 01:20:45,536
YOU'VE BEEN WITH.

1048
01:20:45,579 --> 01:20:48,669
AFTERWARDS,
THE LONELINESS--

1049
01:20:48,713 --> 01:20:50,846
I UNDERSTAND LONESOME.

1050
01:20:50,889 --> 01:20:53,892
MY LIFE WITH LEROY
WAS LONESOME.

1051
01:20:53,936 --> 01:20:57,156
PROBABLY WILL BE AGAIN.

1052
01:20:57,591 --> 01:21:00,420
BUT YOU'RE A WOMAN,
AND YOU LIVE BY YOURSELF

1053
01:21:00,464 --> 01:21:03,859
AND DON'T LET NOBODY
TAKE ADVANTAGE OF YOU.

1054
01:21:03,902 --> 01:21:07,645
I'VE BEEN WATCHIN'
HOW YOU DO IT.

1055
01:21:08,037 --> 01:21:11,214
THAT'S WHAT I WANT
TO BE LIKE.

1056
01:21:14,130 --> 01:21:18,134
THAT'S SOMETHING
I LEARNED OFF OF YOU.

1057
01:21:19,483 --> 01:21:22,921
I AIN'T GOIN' ON NO TRAIN
WITH LEROY AND THAT'S FINAL.

1058
01:21:22,965 --> 01:21:26,229
HE AIN'T NEVER DONE
NOTHIN' BUT WRONG TO ME.

1059
01:21:26,272 --> 01:21:29,188
AIN'T NOBODY--
NOBODY EVER

1060
01:21:29,232 --> 01:21:30,581
DONE FOR ME
WHAT YOU DONE.

1061
01:21:30,624 --> 01:21:36,413
GIVING ME DECENT WAGES
AND LENDING ME YOUR CAR.

1062
01:21:36,935 --> 01:21:41,635
WELL, US WILL DO FINE.
US WILL DO BETTER.

1063
01:21:41,679 --> 01:21:46,466
I'M GLAD YOU'RE STAYING,
GEECHEE, I REALLY AM.

1064
01:22:03,005 --> 01:22:04,180
NOW THAT WE'RE FRIENDS,

1065
01:22:04,223 --> 01:22:06,312
I GOT SOMETHIN' TO TELL YOU
YOU DON'T KNOW.

1066
01:22:06,356 --> 01:22:07,923
[SIGHS]
WHAT IS IT?

1067
01:22:07,966 --> 01:22:10,360
ON PAPER, YOU MIGHT BE
REAL SMART,

1068
01:22:10,403 --> 01:22:13,972
BUT IN REAL LIFE,
YOU GOT A LOT TO LEARN,

1069
01:22:14,016 --> 01:22:15,626
A WHOLE LOT.

1070
01:22:16,061 --> 01:22:17,062
WELL, IS THAT SO?

1071
01:22:17,106 --> 01:22:19,369
YOU CAN'T GO LETTIN'
PEOPLE YOU LIKE

1072
01:22:19,412 --> 01:22:20,936
WALK OUT ON YOU.

1073
01:22:20,979 --> 01:22:23,895
YOU ALMOST LOST ME.

1074
01:22:23,939 --> 01:22:27,638
YOU'RE GONNA LOSE
MR. NORTON, TOO.

1075
01:22:31,816 --> 01:22:32,904
[TYPING]

1076
01:22:32,948 --> 01:22:35,689
I DON'T WISH
TO DISCUSS IT.

1077
01:22:35,733 --> 01:22:38,127
I DON'T KNOW WHY
I STAY HERE WITH YOU FOR,

1078
01:22:38,170 --> 01:22:40,172
YOU OLD BAD-TEMPERED WOMAN!

1079
01:22:40,216 --> 01:22:42,087
JUST CRAZY, I GUESS.

1080
01:22:42,131 --> 01:22:44,089
I GUESS SO.

1081
01:22:44,133 --> 01:22:46,657
[TYPING]

1082
01:22:49,181 --> 01:22:51,967
[BLUEGRASS MUSIC PLAYING]

1083
01:23:09,549 --> 01:23:11,290
BUBBA!

1084
01:23:11,334 --> 01:23:13,031
HEY, HEY!

1085
01:23:31,180 --> 01:23:33,921
♪ SOMEBODY STOLE
MY OLD COON DOG AWAY ♪

1086
01:23:33,965 --> 01:23:35,184
♪ SHOULD BRING HIM BACK

1087
01:23:35,227 --> 01:23:36,750
♪ HE'LL THROW THEM
BIG HOGS OVER THE FENCE ♪

1088
01:23:36,794 --> 01:23:39,927
♪ LITTLE ONES
THROUGH THE CRACKS ♪

1089
01:23:45,542 --> 01:23:47,239
♪ WHOA, TROUBLE,
TROUBLE, TROUBLE ♪

1090
01:23:47,283 --> 01:23:49,502
♪ ALL I'VE HAD IT
ALL MY DAYS ♪

1091
01:23:49,546 --> 01:23:51,113
♪ JUST LOOKS LIKE
OLD TROUBLE ♪

1092
01:23:51,156 --> 01:23:54,507
♪ GONNA FOLLOW ME
TO MY GRAVE ♪

1093
01:24:00,209 --> 01:24:01,514
ALL RIGHT!

1094
01:24:01,558 --> 01:24:02,863
[APPLAUSE]

1095
01:24:02,907 --> 01:24:04,256
[GIGGLING]

1096
01:24:04,300 --> 01:24:06,302
THANK YOU
FOR COMIN', NOW.

1097
01:24:06,345 --> 01:24:08,565
Marjorie:
I BROUGHT YOU A CAKE.

1098
01:24:08,608 --> 01:24:09,740
THANKS! BUBBA!

1099
01:24:09,783 --> 01:24:12,656
SHE BAKED ME A CAKE!

1100
01:24:12,917 --> 01:24:15,702
YOU KNOW, SHE WAS HOPIN'
THAT YOU WERE GONNA

1101
01:24:15,746 --> 01:24:16,877
BAKE HER A BIRTHDAY CAKE.

1102
01:24:16,921 --> 01:24:20,011
I WAS HOPIN' YOU'D MAKE IT
A BOURBON CAKE.

1103
01:24:20,055 --> 01:24:22,666
IT'S A CHOCOLATE
LAYER CAKE.

1104
01:24:22,709 --> 01:24:27,062
I GUESS WE'LL HAVE TO SAMPLE
MY HOME BREW, THEN.

1105
01:24:28,411 --> 01:24:32,502
WOULD YOU LIKE A TASTE?
HERE WE GO.

1106
01:24:32,806 --> 01:24:34,504
THERE'S ONE
FOR MISS RAWLINS.

1107
01:24:34,547 --> 01:24:35,809
I KNOW YOU HAVE
TO SAVE YOURSELF

1108
01:24:35,853 --> 01:24:37,333
FOR YOUR WRITIN',
MARJORIE,

1109
01:24:37,376 --> 01:24:39,726
SO WE, UH, WE GOT YOU
A PITCHER

1110
01:24:39,770 --> 01:24:41,598
OF SASSAFRAS
AND TEA OVER THERE.

1111
01:24:41,641 --> 01:24:44,470
WELL, THIS WILL
DO ME FINE, THANK YOU.

1112
01:24:44,514 --> 01:24:46,211
HOLD IT, LILLY.

1113
01:24:46,255 --> 01:24:47,125
THANK YOU, LILLY.

1114
01:24:47,169 --> 01:24:48,909
NORTON,
THIS ONE'S FOR YOU.

1115
01:24:48,953 --> 01:24:50,737
EASY, MARSH.

1116
01:24:50,781 --> 01:24:53,088
I'D LIKE TO PROPOSE
THIS TOAST

1117
01:24:53,131 --> 01:24:54,698
TO MY DARLING
DAUGHTER ELLIE

1118
01:24:54,741 --> 01:24:56,047
ON HER 14th BIRTHDAY.

1119
01:24:56,091 --> 01:24:57,918
HERE'S TO YOU,
SUGAR.

1120
01:24:57,962 --> 01:24:59,833
Mary:
HAPPY BIRTHDAY, ELLIE.

1121
01:24:59,877 --> 01:25:01,139
All: HAPPY BIRTHDAY.

1122
01:25:01,183 --> 01:25:02,967
Ellie: BUBBA?

1123
01:25:03,010 --> 01:25:04,055
HMM?

1124
01:25:04,099 --> 01:25:07,798
COULD I CUT THE FIRST
PIECE FOR FLAG?

1125
01:25:11,802 --> 01:25:14,152
IT'S YOUR BIRTHDAY,
SWEETHEART.

1126
01:25:14,196 --> 01:25:16,459
YOU GO RIGHT AHEAD.

1127
01:25:19,288 --> 01:25:23,509
PAUL! PAUL, PLAY SOMETHIN'
FOR US, WILL YOU?

1128
01:25:53,496 --> 01:25:55,802
YOU WERE GIVEN
THE PERFECT DAY

1129
01:25:55,846 --> 01:25:57,195
TO CELEBRATE ON.

1130
01:25:57,239 --> 01:25:59,154
THANKS.

1131
01:26:20,914 --> 01:26:23,178
FLAG!

1132
01:26:23,743 --> 01:26:27,007
FLAG! FLAG!

1133
01:26:30,272 --> 01:26:33,971
FLAG! PLEASE!

1134
01:26:43,807 --> 01:26:46,723
FLAG!

1135
01:26:51,423 --> 01:26:53,904
PRESTON, HELP ME!

1136
01:26:54,992 --> 01:26:56,559
FLAG!

1137
01:26:56,602 --> 01:27:00,215
FLAG, STOP! FLAG!

1138
01:27:01,868 --> 01:27:04,219
PLEASE, FLAG, STOP!

1139
01:27:07,178 --> 01:27:09,311
FLAG, NO!

1140
01:27:23,716 --> 01:27:26,937
[GLASS BREAKING]

1141
01:27:43,649 --> 01:27:45,085
MY HUSBAND IS A GENTLEMAN.

1142
01:27:45,129 --> 01:27:49,612
WHATEVER HE DOES WRONG,
HE'LL SET RIGHT.

1143
01:27:52,919 --> 01:27:55,400
YOU YEARNED TO HAVE
A PET OF YOUR OWN.

1144
01:27:55,444 --> 01:27:58,838
I DIDN'T HAVE THE HEART
TO DENY YOU.

1145
01:27:59,404 --> 01:28:02,146
YOU'VE DONE AN INJUSTICE
TO FLAG.

1146
01:28:02,189 --> 01:28:04,061
HE'S NOT HUMAN.

1147
01:28:04,104 --> 01:28:07,194
HE'S NOT A CRITTER.

1148
01:28:09,109 --> 01:28:10,894
HE BELONGS IN THE WOODS.

1149
01:28:10,937 --> 01:28:13,723
COULD HAVE CRIPPLED HIM,
DARLIN'.

1150
01:28:13,984 --> 01:28:16,639
HE WOULDN'T KNOW
HOW TO SURVIVE.

1151
01:28:17,117 --> 01:28:20,295
I PROMISE
HE WON'T GET OUT AGAIN.

1152
01:28:21,034 --> 01:28:24,647
YOU CAN'T CHAIN HIM UP
FOREVER.

1153
01:28:24,690 --> 01:28:27,954
WELL, I'LL WALK HIM
AFTER MY CHORES ARE DONE.

1154
01:28:27,998 --> 01:28:30,609
LOOK, BUBBA, HE'S BEING
REAL GOOD NOW.

1155
01:28:30,653 --> 01:28:33,308
HE DIDN'T MEAN
ANY HARM.

1156
01:28:34,265 --> 01:28:36,136
MARJORIE.

1157
01:28:36,180 --> 01:28:39,705
PLEASE, BUBBA, DON'T
MAKE ME GIVE HIM UP.

1158
01:28:41,228 --> 01:28:44,362
I DON'T THINK
HE'S GIVING ME ANY CHOICE.

1159
01:28:44,406 --> 01:28:45,755
MARSH...

1160
01:28:45,798 --> 01:28:48,235
MAYBE IF THE PEN
WAS A LITTLE STRONGER.

1161
01:28:48,279 --> 01:28:52,675
HE'D GO RIGHT THROUGH IT
OR HE'D GO RIGHT OVER IT.

1162
01:28:54,154 --> 01:28:56,156
MARSH, PLEASE.

1163
01:28:56,200 --> 01:28:58,768
CAN'T WE TRY?

1164
01:29:06,210 --> 01:29:09,474
I'LL THINK ABOUT IT.

1165
01:29:09,518 --> 01:29:11,258
BUT I'M NOT MAKING YOU
A PROMISE,

1166
01:29:11,302 --> 01:29:13,652
DO YOU UNDERSTAND ME?

1167
01:29:13,696 --> 01:29:16,525
YES, SIR.

1168
01:29:18,744 --> 01:29:21,530
I'LL THINK ABOUT IT.

1169
01:29:46,729 --> 01:29:48,861
COME ON, ELLIE.

1170
01:29:48,905 --> 01:29:49,906
[ELLIE CRYING]

1171
01:29:49,949 --> 01:29:52,256
IT'S GONNA BE ALL RIGHT.

1172
01:29:54,954 --> 01:29:56,695
OUT HERE, YOU JUST
CAN'T AFFORD

1173
01:29:56,739 --> 01:29:58,175
TO HAVE NO SOFTNESS
IN YOU.

1174
01:29:58,218 --> 01:30:01,091
DAILY LIFE
DON'T ALLOW IT.

1175
01:30:04,573 --> 01:30:07,227
YOU KNOW ELLIE'S
SPECIAL TO ME,

1176
01:30:07,271 --> 01:30:09,839
DON'T YOU?

1177
01:30:09,882 --> 01:30:11,188
SHE ALWAYS HAS BEEN.

1178
01:30:11,231 --> 01:30:13,799
SHE'S THE ONE THAT
STAYS UP AT NIGHT

1179
01:30:13,843 --> 01:30:15,322
WAITIN' FOR ME.

1180
01:30:15,366 --> 01:30:16,628
SHE CALLS ME BUBBA.

1181
01:30:16,672 --> 01:30:18,282
IF ANYTHING HAPPENED
TO THAT GIRL,

1182
01:30:18,325 --> 01:30:19,762
I DON'T THINK
I COULD LIVE.

1183
01:30:19,805 --> 01:30:20,937
THAT'S JUST
THE WAY IT IS.

1184
01:30:20,980 --> 01:30:22,242
THAT'S HOW MUCH
I CARE.

1185
01:30:22,286 --> 01:30:23,853
MAY NOT MAKE
MUCH SENSE,

1186
01:30:23,896 --> 01:30:25,071
THAT'S THE WAY
IT IS.

1187
01:30:25,115 --> 01:30:28,031
I UNDERSTAND THAT.
DO YOU?

1188
01:30:31,513 --> 01:30:34,603
WHY DO YOU INSIST ON...

1189
01:30:34,646 --> 01:30:38,171
PROLONGING
THE PROBLEM?

1190
01:30:39,303 --> 01:30:40,652
SHE LOVES THAT ANIMAL.

1191
01:30:40,696 --> 01:30:42,567
IT'S GONNA HAVE
TO BE SHOT.

1192
01:30:42,611 --> 01:30:43,525
WHY?

1193
01:30:43,568 --> 01:30:44,613
YOU SEE, IT'S ALMOST
FULL GROWN.

1194
01:30:44,656 --> 01:30:46,441
IT'S NOT ONLY GOING
TO DESTROY MY CROPS,

1195
01:30:46,484 --> 01:30:47,790
IT'S GONNA
GET YOURS,

1196
01:30:47,833 --> 01:30:49,269
IT'S GONNA GET
EVERYBODY'S

1197
01:30:49,313 --> 01:30:50,749
UP AND DOWN
THIS CREEK.

1198
01:30:50,793 --> 01:30:54,100
NOT IF THAT NEW FENCE HOLDS.

1199
01:30:54,710 --> 01:30:55,624
[CHUCKLES]

1200
01:30:55,667 --> 01:30:58,714
WHAT IF IT DON'T,
MISS MARJORIE?

1201
01:31:00,977 --> 01:31:04,633
IT'S ELLIE'S LAST DAYS
OF CHILDHOOD, MARSH.

1202
01:31:04,676 --> 01:31:05,938
[CHUCKLES]

1203
01:31:05,982 --> 01:31:09,507
IT'LL BE
A STRONGER FENCE.

1204
01:31:09,551 --> 01:31:13,163
[CHUCKLES] I HOPE SO.

1205
01:31:14,251 --> 01:31:16,819
OH, LORDY.

1206
01:31:17,210 --> 01:31:18,777
Marjorie: WE HELD
OUR BREATHS,

1207
01:31:18,821 --> 01:31:21,867
PRAYING THAT THE FENCE
WOULD BE STRONG ENOUGH.

1208
01:31:21,911 --> 01:31:24,130
DAYS PASSED,
AND ELLIE'S DEER

1209
01:31:24,174 --> 01:31:27,438
STAYED WITHIN
THE CONFINES OF THE PEN.

1210
01:31:27,482 --> 01:31:29,962
<i>JACOB'S LADDER
WAS FINISHED,</i>

1211
01:31:30,006 --> 01:31:33,531
BUT I WAS AFRAID TO LET
MAX PERKINS SEE IT

1212
01:31:33,575 --> 01:31:36,969
UNTIL I FELT
IT WAS PERFECT.

1213
01:31:59,818 --> 01:32:01,733
MARJORIE?

1214
01:32:03,866 --> 01:32:06,651
THIS IS
A GOOD STORY.

1215
01:32:16,052 --> 01:32:19,534
MAX WILL LIKE IT,
MARJORIE.

1216
01:32:23,059 --> 01:32:25,757
I MIGHT AS WELL BRING
A SUITCASE OVER,

1217
01:32:25,801 --> 01:32:29,369
I SPEND SO MUCH TIME
OUT HERE.

1218
01:32:32,068 --> 01:32:34,940
THAT'S UNNECESSARY.

1219
01:32:35,811 --> 01:32:37,726
MARJORIE...

1220
01:32:38,901 --> 01:32:41,860
AHEM, MARJORIE.

1221
01:32:44,167 --> 01:32:47,866
I'M TRYIN' TO PROPOSE.

1222
01:32:55,570 --> 01:32:57,833
I DON'T WANT
TO GET MARRIED.

1223
01:32:57,876 --> 01:32:59,748
[SCOFFS]
I EAT WITH YOU,

1224
01:32:59,791 --> 01:33:01,184
I SLEEP WITH YOU,

1225
01:33:01,227 --> 01:33:03,055
I WORRY OVER
YOUR WRITING WITH YOU.

1226
01:33:03,099 --> 01:33:04,709
IF THAT'S NOT
BEING MARRIED,

1227
01:33:04,753 --> 01:33:06,232
I DON'T KNOW
WHAT IS.

1228
01:33:06,276 --> 01:33:09,627
I JUST HAVEN'T TIME
FOR MARRIAGE.

1229
01:33:09,671 --> 01:33:11,716
YOU HAVE TIME
FOR PAUL

1230
01:33:11,760 --> 01:33:14,110
AND ELLIE
AND GEECHEE.

1231
01:33:14,153 --> 01:33:17,809
WELL, THAT'S DIFFERENT.
THEY'RE FRIENDS.

1232
01:33:18,680 --> 01:33:20,377
YOU'D WANT MORE OF ME,

1233
01:33:20,420 --> 01:33:22,292
AND I WOULDN'T BE ABLE
TO GIVE IT TO YOU.

1234
01:33:22,335 --> 01:33:26,122
THAT'S A DAMN LOUSY EXCUSE.

1235
01:33:29,647 --> 01:33:31,606
WHY ISN'T
WHAT WE HAVE

1236
01:33:31,649 --> 01:33:33,999
GOOD ENOUGH FOR YOU?

1237
01:33:34,521 --> 01:33:36,959
IT'S NOT.

1238
01:33:39,135 --> 01:33:41,790
IT'LL HAVE TO BE.

1239
01:33:43,095 --> 01:33:45,054
MARJORIE,
YOU'RE SO BUSY WRITING

1240
01:33:45,097 --> 01:33:46,490
AND LIVING
OTHER PEOPLE'S LIVES,

1241
01:33:46,533 --> 01:33:48,623
THAT YOU'RE CUTTING
YOUR OWN OUT.

1242
01:33:48,666 --> 01:33:52,148
AND YOU CAN'T HIDE
FROM FEELINGS.

1243
01:33:55,194 --> 01:33:58,328
I'M NOT IN LOVE
WITH YOU.

1244
01:34:04,595 --> 01:34:07,424
I DON'T BELIEVE THAT.

1245
01:34:29,707 --> 01:34:32,579
Marjorie: I DELIBERATELY
TURNED AWAY FROM NORTON,

1246
01:34:32,623 --> 01:34:34,843
FOR I BELIEVED
THAT I COULDN'T BE

1247
01:34:34,886 --> 01:34:36,235
A WIFE AND A WRITER.

1248
01:34:36,279 --> 01:34:40,718
MY RELATIONSHIP WITH CHARLES
HAD PROVED THAT TO ME.

1249
01:34:40,762 --> 01:34:43,503
I CHOSE TO ISOLATE MYSELF,

1250
01:34:43,547 --> 01:34:46,985
AND I USED MY WORK
AS A REFUGE.

1251
01:34:47,029 --> 01:34:49,553
[TYPING]

1252
01:34:55,385 --> 01:34:58,040
[CAR APPROACHING]

1253
01:35:07,571 --> 01:35:10,052
[TYPING]

1254
01:35:13,229 --> 01:35:15,405
MAX?

1255
01:35:16,319 --> 01:35:18,713
MAX PERKINS?

1256
01:35:19,104 --> 01:35:23,718
WHAT IN THE WORLD
ARE YOU DOING HERE?

1257
01:35:23,761 --> 01:35:25,371
OH! HA!

1258
01:35:25,415 --> 01:35:29,071
OH, UH, SOMETHING
TO PROD THE MUSES WITH.

1259
01:35:29,114 --> 01:35:30,159
THANK YOU.

1260
01:35:30,202 --> 01:35:32,291
WELL, MR. BASKIN HERE
WAS KIND ENOUGH

1261
01:35:32,335 --> 01:35:33,423
TO OFFER ME A LIFT.

1262
01:35:33,466 --> 01:35:35,817
HE SUGGESTED THAT
I COME OUT RIGHT AWAY.

1263
01:35:35,860 --> 01:35:38,471
I'M SURE HE DID.

1264
01:35:38,515 --> 01:35:40,212
I HOPE
I'M NOT INTRUDING.

1265
01:35:40,256 --> 01:35:41,213
NO.

1266
01:35:41,257 --> 01:35:43,868
I'M JUST...
SURPRISED TO SEE YOU.

1267
01:35:43,912 --> 01:35:46,915
I'VE JUST BEEN ON A VISIT
WITH ERNEST IN KEY WEST,

1268
01:35:46,958 --> 01:35:49,265
AND I JUST DROPPED BY
TO SEE HOW YOU WERE.

1269
01:35:49,308 --> 01:35:50,396
WELL,
YOU COULDN'T CALL

1270
01:35:50,440 --> 01:35:52,877
BECAUSE SHE DOESN'T
HAVE A PHONE.

1271
01:35:54,444 --> 01:35:57,577
YOU ALREADY HAVE
AN OPEN BOTTLE, MARJORIE.

1272
01:35:57,621 --> 01:35:59,754
MAX DRINKS
ONLY THE BEST.

1273
01:35:59,797 --> 01:36:01,059
WELL, WE CAN START
ON THAT ONE

1274
01:36:01,103 --> 01:36:03,758
AND THEN FINISH YOURS UP
LATER ON.

1275
01:36:03,801 --> 01:36:05,411
AH.

1276
01:36:05,455 --> 01:36:06,630
MMM.

1277
01:36:06,673 --> 01:36:09,589
YOU HAVEN'T WRITTEN
TO ME LATELY, MARJORIE.

1278
01:36:11,809 --> 01:36:16,292
I DON'T THINK MY WRITING
INTERESTS YOU.

1279
01:36:18,816 --> 01:36:22,472
I-I'LL GET
SOME GLASSES.

1280
01:36:23,647 --> 01:36:26,432
[DOOR OPENS AND CLOSES]

1281
01:36:27,259 --> 01:36:28,391
BIT CHILLY.

1282
01:36:28,434 --> 01:36:33,265
YOUR LAST LETTER
DIDN'T GO DOWN SO WELL.

1283
01:36:33,309 --> 01:36:37,008
OH, DEAR,
NOT ANOTHER GOTHIC, HMM?

1284
01:36:37,487 --> 01:36:39,576
SO WHAT IS IT
THIS TIME, MARJORIE?

1285
01:36:39,619 --> 01:36:41,621
ANOTHER GOVERNESS
PACKED OFF TO WALES,

1286
01:36:41,665 --> 01:36:44,363
DESTITUTE
AND FILLED WITH FOREBODING?

1287
01:36:44,407 --> 01:36:45,451
YOU'VE MADE IT CLEAR

1288
01:36:45,495 --> 01:36:48,411
THAT YOU DON'T LIKE
MY GOTHICS, MAX.

1289
01:36:48,454 --> 01:36:50,674
CORRECT.

1290
01:36:52,284 --> 01:36:54,199
I'VE OFTEN WONDERED
WHY YOU BOTHER

1291
01:36:54,243 --> 01:36:55,722
WASTING YOUR
PRECIOUS TIME

1292
01:36:55,766 --> 01:36:57,420
ON SUCH
AN UNTALENTED NOVELIST.

1293
01:36:57,463 --> 01:36:59,639
I HAD HOPED
THAT ANYONE WHO IS

1294
01:36:59,683 --> 01:37:00,858
AS DESPERATE
TO WRITE AS YOU WERE--

1295
01:37:00,902 --> 01:37:04,079
DAMN IT, MAX PERKINS,
YOU'RE A COWARD!

1296
01:37:04,122 --> 01:37:08,083
YOU DIDN'T DARE
TELL ME THE TRUTH.

1297
01:37:09,867 --> 01:37:11,956
WELL, I MUST ADMIT,

1298
01:37:12,000 --> 01:37:13,740
I DID STOP.

1299
01:37:13,784 --> 01:37:16,874
YOU CAN BE MOST FORMIDABLE,
MARJORIE.

1300
01:37:16,918 --> 01:37:19,485
YOU LET ME BELIEVE
I HAD TALENT.

1301
01:37:19,529 --> 01:37:23,402
YOU MAY BE ONE OF THE MOST
TALENTED WRITERS

1302
01:37:23,446 --> 01:37:26,971
I'VE HAD THE PLEASURE
OF WORKING WITH.

1303
01:37:27,015 --> 01:37:30,627
I HAVE HERE SOME
OF YOUR FINEST WORK--

1304
01:37:30,670 --> 01:37:32,020
YOUR LETTERS.

1305
01:37:32,063 --> 01:37:35,153
THE LETTERS I KEPT
LOOKING FORWARD TO.

1306
01:37:35,197 --> 01:37:38,200
AND NOT BECAUSE
I MISSED YOUR GOOD COMPANY,

1307
01:37:38,243 --> 01:37:42,900
BUT BECAUSE WHEN YOU WRITE
ABOUT YOUR LIFE HERE...

1308
01:37:42,944 --> 01:37:47,296
THAT'S WHEN YOUR WRITING'S
AT ITS BEST, MARJORIE.

1309
01:37:47,905 --> 01:37:52,257
MY SENSE TOLD THAT
SOME TIME AGO.

1310
01:37:59,830 --> 01:38:02,006
THANK YOU.

1311
01:38:03,051 --> 01:38:05,749
[DISHES CLANGING]

1312
01:38:11,973 --> 01:38:14,410
MARJORIE, HE'LL LIKE IT.

1313
01:38:14,453 --> 01:38:17,152
IT'S A GOOD STORY.

1314
01:38:20,068 --> 01:38:23,201
YOU NEVER DID
EVEN GET TO THE END.

1315
01:38:23,245 --> 01:38:25,203
YOU NEVER GAVE ME
THE CHANCE.

1316
01:38:25,247 --> 01:38:27,162
[DOOR OPENS]

1317
01:38:27,205 --> 01:38:29,860
[FOOTSTEPS]

1318
01:38:33,255 --> 01:38:34,909
SMELLS GOOD.

1319
01:38:34,952 --> 01:38:38,390
COOKING IS MARJORIE'S
ONE VANITY.

1320
01:38:38,434 --> 01:38:39,826
MAX.

1321
01:38:39,870 --> 01:38:42,090
THANK YOU,
MARJORIE.

1322
01:39:02,414 --> 01:39:03,807
I KNOW THAT--

1323
01:39:03,850 --> 01:39:05,591
I GAVE IT TO YOU
TOO SOON.

1324
01:39:05,635 --> 01:39:08,943
IT WASN'T READY
FOR YOU TO READ YET.

1325
01:39:11,858 --> 01:39:14,078
WELL, DEAR,

1326
01:39:14,122 --> 01:39:15,079
I LIKED IT,

1327
01:39:15,123 --> 01:39:17,821
AND I'M GONNA
PUBLISH IT.

1328
01:39:30,573 --> 01:39:33,706
DOES $700
SEEM FAIR TO YOU?

1329
01:39:39,190 --> 01:39:41,671
YES.

1330
01:39:42,324 --> 01:39:46,981
YES, MR. PERKINS,
THAT SOUNDS FINE TO ME.

1331
01:39:54,031 --> 01:39:56,686
MISS RAWLINGS!

1332
01:39:57,469 --> 01:40:00,037
MISS RA--
MISS RAWLINGS!

1333
01:40:00,081 --> 01:40:03,823
YOU HAVE TO HELP ME!
FLAG ESCAPED.

1334
01:40:03,867 --> 01:40:06,783
[PANTING]

1335
01:40:08,698 --> 01:40:11,222
[SQUEALING]

1336
01:40:17,098 --> 01:40:18,838
JUST GO HOME,
MARJORIE.

1337
01:40:18,882 --> 01:40:21,015
MARSH...
GO HOME, PLEASE.

1338
01:40:21,058 --> 01:40:23,626
I FEEL RESPONSIBLE FOR THIS.

1339
01:40:23,669 --> 01:40:25,019
NO, IT'S THIS GIRL

1340
01:40:25,062 --> 01:40:26,846
THAT HAS TO BE
RESPONSIBLE NOW,

1341
01:40:26,890 --> 01:40:28,544
NOT YOU.

1342
01:40:29,458 --> 01:40:31,068
DARLIN'...

1343
01:40:31,112 --> 01:40:33,331
WE HAD OURSELVES
A BARGAIN.

1344
01:40:33,375 --> 01:40:36,639
NOW, YOU GOTTA DO
WHAT'S RIGHT.

1345
01:40:37,814 --> 01:40:39,511
DARLIN',
LISTEN TO ME.

1346
01:40:39,555 --> 01:40:41,035
A FAMILY
CAN'T STARVE

1347
01:40:41,078 --> 01:40:43,167
OVER THE LOVE
OF AN ANIMAL.

1348
01:40:43,211 --> 01:40:45,082
NOW TAKE IT.

1349
01:40:45,126 --> 01:40:48,868
I AIN'T DOIN' IT, BUBBA.
YOU CAN'T MAKE ME.

1350
01:40:48,912 --> 01:40:50,348
TAKE IT.

1351
01:40:50,392 --> 01:40:52,176
[GASPS] BUBBA,
PLEASE, NO!

1352
01:40:52,220 --> 01:40:54,831
BUBBA, NO!
STOP IT, BUBBA!

1353
01:40:54,874 --> 01:40:56,354
NO, PLEASE,
I PROMISE!

1354
01:40:56,398 --> 01:41:00,402
I'LL MEND THE FENCE,
AND I'LL GROW SOME NEW CROPS.

1355
01:41:00,445 --> 01:41:01,490
PLEASE, BUBBA!

1356
01:41:01,533 --> 01:41:03,579
I'LL MAKE IT UP TO YOU.
BUBBA, PLEASE!

1357
01:41:03,622 --> 01:41:04,841
LISTEN TO ME!

1358
01:41:04,884 --> 01:41:06,103
PLEASE, BUBBA!

1359
01:41:06,147 --> 01:41:08,236
BUBBA, PLEASE! PLEASE!

1360
01:41:08,279 --> 01:41:11,326
BUBBA! [SOBS]

1361
01:41:11,369 --> 01:41:13,415
STOP HIM!

1362
01:41:13,458 --> 01:41:14,633
ELLIE...

1363
01:41:14,677 --> 01:41:16,331
HE'LL LISTEN TO YOU!

1364
01:41:16,374 --> 01:41:17,462
I CAN'T STOP HIM.

1365
01:41:17,506 --> 01:41:19,551
HE HATES FLAG,
HE ALWAYS HAS.

1366
01:41:19,595 --> 01:41:22,511
THAT'S MY DEER
AND THERE AIN'T NOTHING--

1367
01:41:22,554 --> 01:41:24,687
[GUNSHOT]

1368
01:41:24,730 --> 01:41:26,950
BUBBA, NO!

1369
01:41:28,517 --> 01:41:30,301
[ELLIE PANTING]

1370
01:41:30,345 --> 01:41:34,131
GO BACK TO THE HOUSE NOW!

1371
01:41:35,437 --> 01:41:36,568
GO BACK TO THE HOUSE!

1372
01:41:36,612 --> 01:41:40,877
I HATE YOU!
I HATE YOU SO MUCH!

1373
01:41:40,920 --> 01:41:43,184
SAVE ME, I HATE YOU!
FIGHT ME!

1374
01:41:43,227 --> 01:41:47,318
I HATE YOU SO MUCH!
FIGHT ME! FIGHT ME!

1375
01:41:47,362 --> 01:41:49,755
AAH! SAVE ME!
I HATE YOU!

1376
01:41:49,799 --> 01:41:51,714
I'LL ALWAYS HATE YOU!

1377
01:41:51,757 --> 01:41:54,282
[SOBBING]

1378
01:43:05,266 --> 01:43:08,007
[INDISTINCT CHATTER]

1379
01:43:08,704 --> 01:43:11,010
Man: NOT BAD.

1380
01:43:12,055 --> 01:43:14,666
[HORSE NICKERS]

1381
01:43:15,058 --> 01:43:17,887
[BALL ON POOL TABLE CLACKING]

1382
01:43:18,453 --> 01:43:21,195
[INDISTINCT CHATTER]

1383
01:43:28,376 --> 01:43:29,855
AHH.

1384
01:43:29,899 --> 01:43:32,206
[INDISTINCT CHATTER]

1385
01:43:32,249 --> 01:43:33,990
[HORSE NICKERS]

1386
01:43:34,033 --> 01:43:35,687
Man: UH-OH!

1387
01:43:35,731 --> 01:43:38,212
[LAUGHTER]

1388
01:43:40,910 --> 01:43:43,652
[ALL YELLING]
[HORSE NEIGHS]

1389
01:43:45,654 --> 01:43:48,178
[YELLING CONTINUES]

1390
01:43:48,222 --> 01:43:49,832
Man: MARSH!

1391
01:43:49,875 --> 01:43:52,226
MARSH!

1392
01:43:53,270 --> 01:43:55,925
Marsh: ELLIE!

1393
01:44:01,539 --> 01:44:04,150
[HORSE NEIGHS]

1394
01:44:06,022 --> 01:44:08,981
ELLIE!

1395
01:44:12,376 --> 01:44:15,249
HEY, ELLIE!

1396
01:44:25,868 --> 01:44:28,436
[HORSE NEIGHS]

1397
01:44:55,027 --> 01:44:56,899
HEY, ELLIE?

1398
01:45:13,611 --> 01:45:16,266
SHE'LL COME HOME.

1399
01:45:16,571 --> 01:45:19,313
DON'T MAKE NO
DIFFERENCE.

1400
01:45:19,704 --> 01:45:22,968
IT'LL NEVER BE
THE SAME AGAIN.

1401
01:45:26,145 --> 01:45:28,452
AH.

1402
01:45:38,767 --> 01:45:39,985
MARSH?

1403
01:45:40,029 --> 01:45:42,161
IT'S ME,
THE SHERIFF.

1404
01:45:42,205 --> 01:45:44,642
HOW YOU DOIN', JAKE?

1405
01:45:44,686 --> 01:45:47,036
PUT DOWN THAT GUN.

1406
01:45:47,863 --> 01:45:50,822
YOU WANT IT? IT'S YOURS.

1407
01:45:50,866 --> 01:45:53,347
[GUNSHOT]

1408
01:45:56,741 --> 01:45:59,614
Marjorie:
THE SHERIFF SHOT...

1409
01:45:59,657 --> 01:46:01,006
AND MARSH FELL.

1410
01:46:01,050 --> 01:46:05,924
AND IT WAS THE END
OF GLAMOUR AT CROSS CREEK.

1411
01:46:08,274 --> 01:46:10,364
AND THE ONLY PERSON
WHO KNOWS,

1412
01:46:10,407 --> 01:46:13,279
WHO UNDERSTANDS
THAT WHEN MARSH TURNER

1413
01:46:13,323 --> 01:46:15,064
SPOKE TO THE SHERIFF,

1414
01:46:15,107 --> 01:46:16,935
IT WAS WITHOUT MENACE.

1415
01:46:16,979 --> 01:46:19,111
I'M SURE HE WAS
OFFERING THE SHERIFF

1416
01:46:19,155 --> 01:46:20,852
THE OFFENDING GUN,

1417
01:46:20,896 --> 01:46:23,377
EXACTLY AS HE ONCE
OFFERED ME

1418
01:46:23,420 --> 01:46:26,467
HIS TRESPASSING HOGS.

1419
01:47:05,593 --> 01:47:07,290
ELLIE...

1420
01:47:07,333 --> 01:47:09,727
YOU DON'T BELONG HERE.

1421
01:47:09,771 --> 01:47:13,339
I WISH YOU NEVER CAME
TO CROSS CREEK.

1422
01:47:13,383 --> 01:47:16,081
YOU'RE NOT ONE OF US.

1423
01:47:16,125 --> 01:47:17,866
WHY DON'T YOU TAKE
YOUR STORIES

1424
01:47:17,909 --> 01:47:19,563
AND LEAVE US BE?

1425
01:47:19,607 --> 01:47:22,958
CROSS CREEK
AIN'T FOR YOU.

1426
01:47:32,402 --> 01:47:35,144
[BOAT ENGINE HUMMING]

1427
01:48:05,609 --> 01:48:09,395
Marjorie:
I LEFT THE CREEK.

1428
01:48:12,137 --> 01:48:13,965
I LEFT THE GROVE--

1429
01:48:14,009 --> 01:48:16,490
SUDDENLY...

1430
01:48:16,533 --> 01:48:19,231
AND WITH NOTHING.

1431
01:51:03,047 --> 01:51:05,659
[ENGINE STARTS]

1432
01:51:25,635 --> 01:51:28,377
Geechee: MISS!

1433
01:51:28,420 --> 01:51:30,248
MISS RAWLINGS!

1434
01:51:30,292 --> 01:51:32,250
[LAUGHING]

1435
01:51:32,294 --> 01:51:34,818
[SOBBING]

1436
01:52:04,935 --> 01:52:07,633
[WHISTLE BLOWING]

1437
01:52:31,657 --> 01:52:32,833
WE'LL BEAT IT.

1438
01:52:32,876 --> 01:52:34,269
I WORKED ALL YEAR
ON NURSING THOSE ORANGES.

1439
01:52:34,312 --> 01:52:36,184
I AIN'T GONNA
LET A FREEZE HAVE THEM.

1440
01:52:36,227 --> 01:52:38,621
DON'T YOU WORRY.

1441
01:53:02,210 --> 01:53:04,081
HANG IN THERE.

1442
01:53:04,125 --> 01:53:05,430
ASK HIM
WHAT'S TO BE DONE.

1443
01:53:05,474 --> 01:53:07,041
COME ON UP IN HERE.

1444
01:53:07,084 --> 01:53:07,911
COME HERE.

1445
01:53:07,955 --> 01:53:10,261
COME ON, Y'ALL.

1446
01:53:14,309 --> 01:53:16,746
TAKE ON OFF.

1447
01:53:34,416 --> 01:53:37,332
I SHOULD HAVE
COME SOONER.

1448
01:53:37,898 --> 01:53:40,683
GOOD FRIENDS
SHOULDN'T KEEP APART.

1449
01:54:00,007 --> 01:54:02,705
[BRAKES SQUEALING]

1450
01:54:07,623 --> 01:54:10,365
[SIGHS]

1451
01:54:32,039 --> 01:54:32,909
AND THAT LITTLE MARY

1452
01:54:32,953 --> 01:54:33,823
WAS KEEPING UP
WITH US,

1453
01:54:33,867 --> 01:54:35,999
JUST SLOSHING
THROUGH THE MUD.

1454
01:54:36,043 --> 01:54:37,871
ONE TIME,
SHE WAS RIGHT HERE

1455
01:54:37,914 --> 01:54:38,959
AND THERE WAS
HER SHOES

1456
01:54:39,002 --> 01:54:40,917
ABOUT 10 FEET BACK,
STUCK IN THE MUD.

1457
01:54:40,961 --> 01:54:43,615
[KNOCKING ON DOOR]

1458
01:54:50,840 --> 01:54:52,450
WOULD YOU LIKE
A CUP OF COFFEE?

1459
01:54:52,494 --> 01:54:56,890
THAT'D HIT THE SPOT,
THANK YOU.

1460
01:54:57,412 --> 01:54:59,588
I WANT TO THANK YOU
FOR YOUR HELP.

1461
01:54:59,631 --> 01:55:01,198
I JUST HAPPENED TO BE

1462
01:55:01,242 --> 01:55:03,026
PASSIN' THROUGH
THE NEIGHBORHOOD.

1463
01:55:03,070 --> 01:55:05,550
AT 5:30 IN THE MORNING?

1464
01:55:05,594 --> 01:55:07,378
AT 5:30 IN THE MORNING.

1465
01:55:07,422 --> 01:55:11,339
I HEARD YOU WAS
DOIN' POORLY.

1466
01:55:11,382 --> 01:55:12,296
YEAH?

1467
01:55:12,340 --> 01:55:16,126
HMM. PININ' AWAY
FOR AN OLD BEAU.

1468
01:55:17,867 --> 01:55:21,610
I'M DOING EXTREMELY WELL.

1469
01:55:25,092 --> 01:55:28,138
SO I SEE.

1470
01:55:33,013 --> 01:55:35,189
LISTEN,
WOULD YOU LIKE--

1471
01:55:35,232 --> 01:55:37,669
YES.

1472
01:55:42,109 --> 01:55:44,938
GET MARRIED?

1473
01:55:51,770 --> 01:55:53,250
JUST LIKE I FIGURED.

1474
01:55:53,294 --> 01:55:56,340
YOU CERTAINLY ARE
SURE OF YOURSELF.

1475
01:55:58,603 --> 01:56:01,215
YOU DIDN'T MISS ME AT ALL?

1476
01:56:01,258 --> 01:56:03,565
NOT A BIT,
MR. BASKIN.

1477
01:56:03,608 --> 01:56:05,741
NOT A BIT.

1478
01:56:07,786 --> 01:56:11,703
Marjorie: I HAD BECOME
A PART OF CROSS CREEK.

1479
01:56:11,747 --> 01:56:14,097
I WAS MORE THAN A WRITER--

1480
01:56:14,141 --> 01:56:17,318
I WAS A WIFE,
A FRIEND,

1481
01:56:17,361 --> 01:56:20,147
A PART OF THE EARTH.

1482
01:56:20,190 --> 01:56:23,585
WHO OWNS CROSS CREEK?

1483
01:56:23,933 --> 01:56:27,893
THE EARTH MAY BE FARMED,
NOT BOUGHT.

1484
01:56:27,937 --> 01:56:30,287
MAY BE USED, NOT OWNED.

1485
01:56:30,331 --> 01:56:35,075
IT GIVES ITSELF IN RESPONSE
TO LOVE AND TENDERNESS,

1486
01:56:35,118 --> 01:56:38,730
OFFERS ITS SEASONAL
FLOWERING AND FRUITING.

1487
01:56:38,774 --> 01:56:43,648
CROSS CREEK BELONGS
TO THE WIND AND THE RAIN,

1488
01:56:43,692 --> 01:56:46,086
TO THE SUN AND SEASONS,

1489
01:56:46,129 --> 01:56:49,654
TO THE COSMIC SECRECY
OF SEED...

1490
01:56:49,698 --> 01:56:54,485
AND BEYOND ALL, TO TIME.

1491
01:58:38,154 --> 01:58:40,765
CAPTIONING MADE POSSIBLE BY
LIONS GATE ENTERTAINMENT

1492
01:58:40,809 --> 01:58:45,466
CAPTIONED BY THE NATIONAL
CAPTIONING INSTITUTE
--www.ncicap.org--