1 00:00:01,640 --> 00:00:08,960 See the world's cinema with us Telegram, Instagram and Twitter: @Bamabinofficial 2 00:01:03,120 --> 00:01:08,530 : Follow the latest subtitles of world cinema with us @Bamabinsub 3 00:01:21,420 --> 00:01:25,130 Translators: Ramtin and Amin Jafari 4 00:01:48,770 --> 00:01:50,690 He has a very mysterious personality [Gino Paoli, songwriter] 5 00:01:50,720 --> 00:01:52,420 Even if he doesn't like it 6 00:01:57,170 --> 00:02:00,240 I feel like a lifetime I knew him and loved him [Quincy Jones, composer, producer] 7 00:02:03,980 --> 00:02:06,180 It was serious. It was very serious 8 00:02:06,530 --> 00:02:08,570 ...always a lot [Miranda Martino, singer] 9 00:02:09,280 --> 00:02:10,770 He was very much himself 10 00:02:14,190 --> 00:02:18,280 It had an extraordinary feature , who was always himself 11 00:02:18,360 --> 00:02:19,690 But at the same time 12 00:02:19,710 --> 00:02:22,180 There was always someone else [Alessandro de Rosa, composer] 13 00:02:26,850 --> 00:02:29,410 We are talking about a genius [Johnny Morandi, songwriter] 14 00:02:32,570 --> 00:02:36,730 Ennio Morricone is the great exception to all the rules [Nicola Piovani, composer] 15 00:02:44,440 --> 00:02:47,890 The biggest model that I could have in life [Pat Matney, guitarist and composer] 16 00:02:51,540 --> 00:02:53,530 He had a lot of talent 17 00:02:53,560 --> 00:02:55,270 It was well hidden [Giuliano Montaldo, director] 18 00:02:55,290 --> 00:02:58,210 And every time he writes, he erupts 19 00:03:01,430 --> 00:03:04,720 He decided what the music was going to be [Bruce Springsteen, songwriter] 20 00:03:09,140 --> 00:03:12,390 I have never seen a phenomenon like Ennio Morricone in my life [Bernardo Bertolucci, director] 21 00:03:13,940 --> 00:03:16,980 ...If I want to pay attention, I must say that we are witnesses 22 00:03:17,010 --> 00:03:19,740 The draft is a guaranteed masterpiece [Silvano Agosti, director] 23 00:03:22,400 --> 00:03:24,240 Watching Enyo while working 24 00:03:24,260 --> 00:03:26,180 It was like watching an athlete [Roland Jaffe, director] 25 00:03:28,850 --> 00:03:30,480 ...well, he's a legend 26 00:03:30,500 --> 00:03:33,750 Working with Ennio Morricone was like getting a medal [Dario Argento, director] 27 00:03:35,810 --> 00:03:38,620 His music was very creative 28 00:03:38,640 --> 00:03:42,780 It was very innovative at that time and it still is [Clint Eastwood, actor and director] 29 00:03:46,600 --> 00:03:48,850 He was a very special man [Lina Wertmuller, director] 30 00:03:49,820 --> 00:03:51,210 It was crazy 31 00:03:52,090 --> 00:03:53,350 I am sure of it 32 00:04:00,430 --> 00:04:04,930 The world of Enyo has not been fully discovered yet [Katerina Caselli, music producer] 33 00:05:58,640 --> 00:06:02,180 I never thought Let music be my destiny 34 00:06:02,770 --> 00:06:06,370 I wanted to be a doctor 35 00:06:06,390 --> 00:06:09,640 My father said: "No, he is going to learn the trumpet." 36 00:06:09,850 --> 00:06:12,390 to learn I sent the trumpet instrument to the conservatory 37 00:06:12,410 --> 00:06:13,700 The situation was like this 38 00:06:13,730 --> 00:06:16,730 It was my father who decided I have to become a trumpet player 39 00:06:16,750 --> 00:06:18,670 The decision was not mine 40 00:06:22,470 --> 00:06:25,520 And well, I was just a kid 41 00:06:27,550 --> 00:06:30,940 My solfege was very weak I got 3 out of 10 in the first semester 42 00:06:30,970 --> 00:06:33,840 My father was very hard on me 43 00:06:33,870 --> 00:06:37,160 I was not allowed during the holidays ...play bingo or cards 44 00:06:38,890 --> 00:06:41,350 And then I improved 45 00:06:53,290 --> 00:06:56,610 I was six years old My father taught me the treble clef 46 00:06:56,640 --> 00:07:00,280 And he explained to me the position of the notes in the carrier line 47 00:07:00,310 --> 00:07:03,950 His father played trumpet in the military band [Walter Branchi, composer] 48 00:07:04,230 --> 00:07:07,060 In the cinemas where there are different performances, he played the instrument [Alessandro Alessandroni, musician] 49 00:07:07,900 --> 00:07:10,480 There was a gramophone in our house 50 00:07:10,770 --> 00:07:14,640 And because of opera I was listening to Il Franco Rachatore. 51 00:07:14,660 --> 00:07:17,630 I wrote a hunting music ...for two horn instruments 52 00:07:24,110 --> 00:07:26,070 Don't use those things 53 00:07:26,100 --> 00:07:29,100 When I was ten years old, I tore it all 54 00:07:29,350 --> 00:07:32,060 He was eleven years old I started learning the trumpet 55 00:07:32,150 --> 00:07:33,930 I got my diploma when I was sixteen 56 00:07:33,990 --> 00:07:36,390 My father told me that there is a boy [Bruno Battisti Damario, guitarist] 57 00:07:36,410 --> 00:07:38,540 The son of a trumpeter 58 00:07:38,570 --> 00:07:42,650 With his music manuscript He goes to the orchestra pit 59 00:07:42,680 --> 00:07:43,810 And he sleeps 60 00:07:43,920 --> 00:07:45,480 He played the trumpet [Eduardo Vianello, singer] 61 00:07:45,500 --> 00:07:50,150 And he often fell asleep when he wasn't playing 62 00:07:50,190 --> 00:07:53,650 Mario Riva was the performer of "Casina Delle Roze". 63 00:07:53,670 --> 00:07:56,850 Ennio Morricone's father too He was there and performed together 64 00:07:56,880 --> 00:07:59,000 He was an extraordinary trumpeter 65 00:07:59,020 --> 00:08:00,700 But my father was very strict 66 00:08:00,730 --> 00:08:02,730 He was very careful about his income and expenses 67 00:08:02,750 --> 00:08:04,670 All his life he had only one trumpet 68 00:08:04,800 --> 00:08:07,730 : When his father gives him the trumpet and says [Alessandro de Rosa, composer] 69 00:08:07,750 --> 00:08:12,840 This instrument makes me fill your stomach" Do the same for your family 70 00:08:13,270 --> 00:08:14,640 The work was over 71 00:08:14,660 --> 00:08:15,980 He bought me a second-hand trumpet 72 00:08:16,060 --> 00:08:20,140 It was cheaper and with savings who had bought it for me 73 00:08:21,020 --> 00:08:24,070 He is a musician And it couldn't be anything else 74 00:08:25,330 --> 00:08:28,680 I remember the time when the Germans were here 75 00:08:28,930 --> 00:08:30,350 And then the Americans 76 00:08:30,370 --> 00:08:33,930 I used to go from hotel to hotel with a small orchestra 77 00:08:34,000 --> 00:08:36,630 They only gave us food for the performance We didn't get paid at all 78 00:08:36,660 --> 00:08:42,200 Some of my colleagues They put small dishes on the drum 79 00:08:42,230 --> 00:08:44,020 for the soldiers to tip them 80 00:08:44,480 --> 00:08:47,480 The family made a living only with the father's job 81 00:08:47,840 --> 00:08:52,950 Once his father got sick ...and Enyo, who was a child, had to 82 00:08:52,980 --> 00:08:56,550 in night clubs And entertainment orchestras will take their place [Sergio Micelli, music researcher] 83 00:08:56,580 --> 00:09:00,950 ...to play the trumpet just to fill your stomach 84 00:09:01,640 --> 00:09:04,640 It was a terrible humiliation 85 00:09:04,660 --> 00:09:05,740 ...and this 86 00:09:07,620 --> 00:09:09,700 I felt this humiliation 87 00:09:11,430 --> 00:09:13,560 So I lost my interest in the trumpet 88 00:09:18,060 --> 00:09:22,180 I stood in my father's place And I used to play until 2 or 3 in the morning 89 00:09:22,480 --> 00:09:25,730 I used to wake up early in the morning to go to the conservatory 90 00:09:25,810 --> 00:09:27,550 And then I had to do my homework 91 00:09:27,580 --> 00:09:31,180 I went to the trumpet exam with a torn lip 92 00:09:31,270 --> 00:09:33,390 And.. I was tired 93 00:09:33,410 --> 00:09:35,120 ...my exam 94 00:09:36,480 --> 00:09:37,480 It was nothing special 95 00:09:37,980 --> 00:09:39,480 I got a score of 7.5 96 00:09:41,580 --> 00:09:44,660 I also participated in the combined harmony class 97 00:09:44,950 --> 00:09:49,740 I did not follow the rules I enriched them, I made them flourish 98 00:09:49,760 --> 00:09:53,630 , and my teacher Roberto Caggiano He told me at the end of the course 99 00:09:53,680 --> 00:09:55,910 "Now you have to study composition" 100 00:09:56,180 --> 00:09:58,590 I also listened to Caggiano 101 00:10:10,020 --> 00:10:11,100 ...this 102 00:10:11,580 --> 00:10:16,700 Goffredo Petrasi is one of the greatest The composers of classical music were 1900 103 00:10:16,730 --> 00:10:19,680 And he was a wonderful teacher for me 104 00:10:21,080 --> 00:10:23,200 I was in the seventh year 105 00:10:23,230 --> 00:10:26,350 I should have taken an advanced composition class 106 00:10:26,370 --> 00:10:28,870 We had two famous teachers for them 107 00:10:28,900 --> 00:10:31,070 Petras was one of them 108 00:10:31,240 --> 00:10:34,700 Music is a thoughtful issue [Goffredo Petrasi, composer] 109 00:10:34,980 --> 00:10:40,140 I studied his scores And I liked their writing style 110 00:10:40,160 --> 00:10:42,820 That's his handwriting How beautiful his handwriting was 111 00:10:43,140 --> 00:10:45,850 None of its onisons It was not unison 112 00:10:45,940 --> 00:10:48,230 Because he had added something to it 113 00:10:48,320 --> 00:10:50,420 .Those scores themselves were a piece of school 114 00:10:50,450 --> 00:10:53,980 I chose her, I chose Petrasi 115 00:10:54,110 --> 00:10:56,920 Morricone always ...he was clearly saying that it was him 116 00:10:56,950 --> 00:11:00,140 who chose Petrasi as his teacher [Daniele Forlatti, composer] 117 00:11:00,420 --> 00:11:02,510 : The teacher told me 118 00:11:02,780 --> 00:11:06,450 "Master, it's not possible. The capacity of Petrasi class is complete 119 00:11:06,480 --> 00:11:11,020 "If you don't send me to Petrasi's class, I'm leaving the conservatory." 120 00:11:11,430 --> 00:11:15,600 The goal you should have is that Look for songwriting techniques 121 00:11:15,680 --> 00:11:16,960 And make them yours 122 00:11:17,080 --> 00:11:18,950 I was very shy at first 123 00:11:18,980 --> 00:11:21,980 Because everyone in the class was doing well 124 00:11:22,060 --> 00:11:24,560 Being extraordinary composers 125 00:11:24,910 --> 00:11:29,690 Ancestry of Ennio Morricone compared to His classmates were much more humble 126 00:11:29,710 --> 00:11:31,750 The conservatory was for the upper class 127 00:11:31,780 --> 00:11:34,870 I was very small in front of those giants 128 00:11:35,140 --> 00:11:38,010 I almost felt humiliated 129 00:11:38,040 --> 00:11:41,830 He felt a little small [Boris Pourna, composer] 130 00:11:42,290 --> 00:11:45,830 For a trumpet player It was unusual for him to study composition 131 00:11:45,860 --> 00:11:49,310 So in my opinion, compared to Ennio Morricone Discrimination 132 00:11:49,560 --> 00:11:54,430 For a few months, the first job What Petrasi wanted from me was dance music 133 00:11:54,740 --> 00:11:55,990 .Tarantella 134 00:11:56,980 --> 00:11:58,190 Bure dance 135 00:11:59,130 --> 00:12:00,210 Jig 136 00:12:00,650 --> 00:12:01,900 Boogie Woogie 137 00:12:02,210 --> 00:12:03,500 Samba 138 00:12:03,710 --> 00:12:05,250 I was not satisfied 139 00:12:05,270 --> 00:12:08,810 He did not show any satisfaction 140 00:12:09,160 --> 00:12:11,630 ...I always felt it in the beginning 141 00:12:11,710 --> 00:12:15,720 that even Petrasi He had underestimated Enyo a little 142 00:12:15,910 --> 00:12:20,930 who was not interested enough in this person 143 00:12:21,100 --> 00:12:23,770 Finally, when I was done with the dances 144 00:12:23,850 --> 00:12:25,770 Bham explained "Recherkare". 145 00:12:25,790 --> 00:12:28,790 And he told me to make a research car 146 00:12:30,710 --> 00:12:37,380 That was the moment when I didn't make mistakes anymore 147 00:12:38,500 --> 00:12:42,540 It gave me great satisfaction as my teacher 148 00:12:44,480 --> 00:12:47,570 There were four or five counterpoints 149 00:12:47,600 --> 00:12:50,730 It was very interesting Its form was older than "Fogue". 150 00:12:50,750 --> 00:12:53,390 Frescobaldi preceded him 151 00:12:54,160 --> 00:12:56,160 A century before Bach 152 00:12:56,260 --> 00:13:00,930 He made hints of counterpoint that two melodies were played together 153 00:13:03,710 --> 00:13:06,060 ...those famous ten years with Petrasi 154 00:13:06,080 --> 00:13:09,450 It was those years .which was Ennio's "palestrina" food 155 00:13:09,490 --> 00:13:11,200 His food was Monteverdi [Enrico Piranozzi, composer and pianist] 156 00:13:11,220 --> 00:13:15,060 That's why no one Like him, he doesn't know about counterpoint 157 00:13:16,740 --> 00:13:19,910 Petracy was so influenced by Stravinsky 158 00:13:19,950 --> 00:13:24,220 .which transferred this passion to Morricone 159 00:13:31,020 --> 00:13:35,100 I listened to one of Stravinsky's wonderful pieces 160 00:13:35,370 --> 00:13:37,040 "Symphony of Psalms" 161 00:13:39,660 --> 00:13:42,250 each of them ...type the same thing as written 162 00:13:45,730 --> 00:13:49,650 Performance when I was very young I heard it conducted by Stravinsky 163 00:13:49,670 --> 00:13:52,380 In Santa Cecilia. It was practice 164 00:13:53,270 --> 00:13:55,830 It was the size of an open crack 165 00:13:55,850 --> 00:13:57,890 The orchestra was performing 166 00:13:59,630 --> 00:14:00,630 ...and me 167 00:14:06,680 --> 00:14:09,270 I have always been affected by that piece 168 00:14:17,660 --> 00:14:21,600 When I was studying composition I did not reveal anything to my father 169 00:14:21,660 --> 00:14:24,550 I stayed in my room and wrote 170 00:14:24,600 --> 00:14:26,270 I wrote and wrote 171 00:14:26,300 --> 00:14:29,520 He was a very diligent and intelligent student 172 00:14:29,550 --> 00:14:33,930 I was satisfied and had high hopes for his future 173 00:14:33,950 --> 00:14:36,040 But I was working and studying at the same time 174 00:14:36,070 --> 00:14:38,510 He played the trumpet at the Sistina Hotel 175 00:14:38,560 --> 00:14:42,270 I was the first trumpeter to be added I performed in all the shows 176 00:14:42,540 --> 00:14:45,180 Walter Chiari, Tonyasi Rachel, all these comedians 177 00:14:45,210 --> 00:14:48,730 ...Daporto, Wanda Osiris, Macario, Toto 178 00:14:49,280 --> 00:14:54,350 The last parade of dancers was really a beautiful scene 179 00:14:54,880 --> 00:14:57,610 I admired them with my eyes when they passed 180 00:14:58,640 --> 00:15:04,290 I was looking at them and the names of all the American songs In the past, I used to leave them on 181 00:15:05,020 --> 00:15:06,020 "My wish" 182 00:15:07,550 --> 00:15:09,620 And they smile at me 183 00:15:09,770 --> 00:15:12,060 But when the show was over I must have reached the trolley bus 184 00:15:12,080 --> 00:15:15,160 So I closed my trumpet And I was running madly towards the house 185 00:15:15,250 --> 00:15:16,580 Music, maestro 186 00:15:18,490 --> 00:15:21,340 I was secretly composing music 187 00:15:21,370 --> 00:15:22,790 Petrasi was unaware 188 00:15:22,890 --> 00:15:24,230 He understood later 189 00:15:24,270 --> 00:15:26,810 The first person who called me was Carlo Savina 190 00:15:27,160 --> 00:15:32,570 Savina once with a mood Tasher-like protested the arrangement of work 191 00:15:32,600 --> 00:15:35,330 He threw the music sheets [Bruno Battisti Damario, guitarist] 192 00:15:35,350 --> 00:15:38,100 Sometimes, I made some test works 193 00:15:38,130 --> 00:15:40,770 Savina used to call me angrily and say 194 00:15:40,810 --> 00:15:43,200 "Why is there no Dez here?" Why didn't you put Bumble there?" 195 00:15:43,230 --> 00:15:45,310 "It is not clear what the result is." 196 00:15:45,330 --> 00:15:49,780 Savina was attached to a relatively old idea 197 00:15:49,810 --> 00:15:53,350 If Morricone's settings Being very modern 198 00:15:53,370 --> 00:15:54,580 .go 199 00:15:54,610 --> 00:15:56,260 One, two, three 200 00:15:58,640 --> 00:16:04,270 My first movie experience He played trumpet in film orchestras 201 00:16:06,340 --> 00:16:08,450 [Othello, 1951, Orson Welles] 202 00:16:12,600 --> 00:16:16,980 In beautiful performances with Lavanino 203 00:16:17,000 --> 00:16:20,270 Franco Dacciardi, Entso Masti, I played the instrument 204 00:16:21,180 --> 00:16:22,860 [Fabiola, 1945, Alessandro Blazetti] 205 00:16:22,900 --> 00:16:28,780 One of the soundtracks The one I played was "Fabiola" by Alessandro Blazetti 206 00:16:36,510 --> 00:16:40,760 For the final composition exam We had to write an opera scene 207 00:16:40,790 --> 00:16:43,020 I made a double figure 208 00:16:43,040 --> 00:16:45,330 It had two institutions and two foundations 209 00:16:45,370 --> 00:16:48,950 It was about Glaucus in the stormy sea It is stuck and is going towards the land 210 00:16:48,980 --> 00:16:51,990 And Circe is waiting to seduce him 211 00:16:52,010 --> 00:16:58,860 , and I wanted to create something complex , which is tender at the same time 212 00:16:58,890 --> 00:17:02,140 Be full of ups and downs and emotional 213 00:17:02,160 --> 00:17:05,820 ...I wanted to create all of these But I didn't get over it 214 00:17:08,260 --> 00:17:11,660 Composed committee members From Guido Gurini, director of the conservatory 215 00:17:11,710 --> 00:17:13,990 Guido Turchi, Fernando Priitali 216 00:17:14,030 --> 00:17:16,610 Goffredo Petrasi and Virgilio Mortari 217 00:17:16,860 --> 00:17:18,570 Having very different personalities 218 00:17:18,640 --> 00:17:21,350 Guarini could not understand Petrassi's music 219 00:17:21,380 --> 00:17:23,340 There was a special competition between them 220 00:17:23,530 --> 00:17:25,870 : Then he asked me a deviant question 221 00:17:25,910 --> 00:17:29,950 "Why the double bass pizzicato?" 222 00:17:29,980 --> 00:17:34,620 Where with the upper octave "Did you leave the carrier open, did you disconnect it? 223 00:17:35,270 --> 00:17:38,520 "Why did you do that?" Petrasi did not let me answer 224 00:17:38,990 --> 00:17:40,820 : He attacked the manager 225 00:17:40,990 --> 00:17:42,890 "What is this question?" 226 00:17:42,990 --> 00:17:44,620 .Petrasi got angry, yes 227 00:17:44,900 --> 00:17:46,270 I got nine and a half 228 00:17:47,360 --> 00:17:50,730 I remember well because I got 9 229 00:17:50,760 --> 00:17:53,720 And we were jealous that he got 9.5 230 00:17:54,040 --> 00:17:55,870 I left the conservatory 231 00:17:55,900 --> 00:17:59,240 ...and as always with Petrasi 232 00:17:59,530 --> 00:18:02,110 We went to number 181 Germanio street, which was his house 233 00:18:02,440 --> 00:18:04,640 ...that time 234 00:18:12,960 --> 00:18:15,000 We became emotional 235 00:18:21,120 --> 00:18:23,240 He was crying, so was I 236 00:18:25,590 --> 00:18:31,090 He promised me that he would find me a job 237 00:18:31,110 --> 00:18:33,780 He meant as a professor at the conservatory 238 00:18:33,960 --> 00:18:35,420 But there was no news 239 00:18:38,660 --> 00:18:42,410 When I went to military service Immediately put me in the band 240 00:18:42,640 --> 00:18:46,850 He left my colonel In the orchestra of the music group 241 00:18:47,310 --> 00:18:49,920 We used to play instruments in the streets 242 00:18:52,470 --> 00:18:56,180 My girlfriend Maria is following me 243 00:18:56,260 --> 00:18:57,970 you run 244 00:18:58,430 --> 00:19:00,230 It was very funny 245 00:19:04,900 --> 00:19:09,740 He married Maria, who was an example among us [Ettore Zepgno, director of RCA] 246 00:19:09,810 --> 00:19:11,990 Because he was just like her husband 247 00:19:12,020 --> 00:19:14,020 She was a gentle woman 248 00:19:14,040 --> 00:19:18,000 He always had a smile on his face We used to call her Madonna (Maryam's nickname). 249 00:19:18,640 --> 00:19:20,430 When the conservatory is over 250 00:19:20,450 --> 00:19:26,070 I was like a naked composer who faced the world around him 251 00:19:26,410 --> 00:19:30,290 I wanted to protect myself from this loneliness 252 00:19:30,600 --> 00:19:33,270 So I wrote my first concert piece for the orchestra 253 00:19:34,320 --> 00:19:38,900 When I was going to decide about music : My mother used to tell me 254 00:19:39,270 --> 00:19:42,850 "Please Enyo, write me a beautiful melody" 255 00:19:43,290 --> 00:19:45,040 Make a beautiful song 256 00:19:45,070 --> 00:19:48,530 He kept insisting, "Write a beautiful song." 257 00:19:48,690 --> 00:19:51,020 "...you always make me good melodies" 258 00:19:51,370 --> 00:19:53,100 "...that's how you get famous" 259 00:20:03,600 --> 00:20:07,230 I could from morning to night Listen to his playing [Iva Fischer, artist] 260 00:20:07,510 --> 00:20:11,320 Then, still He did not compose music for movies 261 00:20:11,350 --> 00:20:12,770 He was very poor 262 00:20:12,800 --> 00:20:16,800 Maria worked for the Christian Democratic Party 263 00:20:17,120 --> 00:20:21,620 And without telling me He hired me in Italian radio and television 264 00:20:22,020 --> 00:20:25,730 On the first day of work, the director of the Via Tiolada department struck 265 00:20:26,040 --> 00:20:32,250 He said to me: "Master, I must warn you." "You're not going anywhere here 266 00:20:32,300 --> 00:20:36,420 And also as a composer. "You can't work in radio and television 267 00:20:36,970 --> 00:20:39,680 "So what am I doing here?" I had just taken the job on the spot 268 00:20:43,850 --> 00:20:46,770 Thanks to Petrasi, I went to Darmstadt 269 00:20:46,790 --> 00:20:48,830 to a contemporary music festival 270 00:20:48,880 --> 00:20:52,420 It was a confusing time for contemporary music 271 00:20:58,020 --> 00:21:02,480 John Cage came to Darmstadt to review it 272 00:21:02,500 --> 00:21:05,790 He gave a concert where the piano played only two notes 273 00:21:05,820 --> 00:21:08,150 He turned the radio on and off 274 00:21:08,180 --> 00:21:10,390 ...He made a banging sound, he shook the pages 275 00:21:21,230 --> 00:21:24,820 when in front of my colleagues An idea struck me 276 00:21:24,850 --> 00:21:26,390 Of course, all of them Being graduates of composition 277 00:21:26,520 --> 00:21:31,540 Franco Evangelisti, Boris Pourna Aldo Clementi, Egisto Maki, and others 278 00:21:31,670 --> 00:21:34,460 I told them in one voice 279 00:21:34,480 --> 00:21:39,140 Take off the collar Make a noise from your throat 280 00:21:39,160 --> 00:21:41,160 ...and then I made this 281 00:21:48,220 --> 00:21:51,620 At that moment, the new consonance improvisation group was born 282 00:21:55,620 --> 00:21:57,830 It was an avant-garde group 283 00:21:57,860 --> 00:22:02,570 From traditional techniques .Do not use sound 284 00:22:02,630 --> 00:22:06,710 These techniques are always exaggerated [Walter Branchi, composer] 285 00:22:06,730 --> 00:22:12,080 We wanted to make traumatic sounds We named it this 286 00:22:14,890 --> 00:22:17,310 You were not supposed to recognize the sound of the trumpet 287 00:22:17,470 --> 00:22:19,140 I played in different ways 288 00:22:19,170 --> 00:22:23,320 I put my hand in front of his mouth I was pressing its pistons halfway 289 00:22:23,350 --> 00:22:26,180 That's why it sounds like a cat It produced something strange 290 00:22:26,200 --> 00:22:27,330 It was very awkward 291 00:22:29,770 --> 00:22:32,870 It was actually a different way to make music 292 00:22:44,170 --> 00:22:49,130 They mostly work with the sound itself instead of the melody 293 00:22:49,160 --> 00:22:51,460 In fact, it was almost the melody of Ghadhgan 294 00:22:51,480 --> 00:22:54,480 Enyo worked with Melody every day [Giuseppe Tornatore, director] 295 00:22:54,750 --> 00:22:59,960 It was like a confrontation Like a cinematic stunt 296 00:23:04,610 --> 00:23:07,610 I finished the settings I was doing the Sitra Quartet group 297 00:23:07,640 --> 00:23:09,640 They used to choose the songs 298 00:23:09,660 --> 00:23:11,950 They gave me something like a notebook 299 00:23:11,980 --> 00:23:14,780 And it should be from that office I used it for orchestra 300 00:23:19,540 --> 00:23:23,210 The songs that people heard They chose the familiar one 301 00:23:23,410 --> 00:23:26,240 But they used different words 302 00:23:37,370 --> 00:23:39,700 In each episode, there was a whole song 303 00:23:39,730 --> 00:23:42,650 But they gave me the book the day before the broadcast 304 00:23:42,680 --> 00:23:44,770 And we were recording the next morning 305 00:23:44,850 --> 00:23:47,780 So I used to spend my nights writing 306 00:23:56,940 --> 00:24:01,100 He was the one who spoke In music slang, they call it "slave". 307 00:24:01,380 --> 00:24:03,670 which means to compose music for others 308 00:24:03,690 --> 00:24:05,910 But they never showed his name 309 00:24:05,940 --> 00:24:08,810 Both for television and film music [Ettore Zepgno, director of RCA] 310 00:24:08,840 --> 00:24:12,200 One of the first ones was Chikunini 311 00:24:12,230 --> 00:24:16,100 A great composer who had for He composed music for a film directed by Desika 312 00:24:18,180 --> 00:24:20,270 [The Last Judgment, 1961, Vittorio Desica] 313 00:24:23,610 --> 00:24:27,810 I arranged this song And I led the performance of Kirsh 314 00:24:30,030 --> 00:24:31,560 Maestro, Ennio Morricone 315 00:24:31,650 --> 00:24:35,690 One day, a baritone singer came to Arsi 316 00:24:35,730 --> 00:24:38,410 And he sings the songs of the 30s 317 00:24:38,500 --> 00:24:40,710 And I heard some extraordinary arrangements from him 318 00:24:40,740 --> 00:24:43,730 Maestro Morricone, the famous arranger 319 00:24:44,080 --> 00:24:46,430 And then the name of Ennio Morricone was mentioned 320 00:24:46,750 --> 00:24:50,680 Let me know that the RC company I will save the one who was going bankrupt 321 00:24:51,000 --> 00:24:53,480 He was saved by the song "Il Baratolo". 322 00:24:57,640 --> 00:25:00,760 There was a sound in it that was the sound of a can 323 00:25:02,100 --> 00:25:04,580 [Il Baratolo, 1960, Gianni Micha] 324 00:25:05,160 --> 00:25:06,990 Everything had the mood of the 60s 325 00:25:07,010 --> 00:25:10,890 But the sound of the can is a foreign element which has nothing to do with the field of work 326 00:25:10,920 --> 00:25:14,410 This information is for Music listeners are shocked 327 00:25:23,390 --> 00:25:25,280 Micha, the singer, had a fear 328 00:25:25,300 --> 00:25:28,070 But Enyo was someone , which did not arrive, he went to the can 329 00:25:28,100 --> 00:25:30,420 And he shook them [Franco Miliacci, music producer] 330 00:25:32,610 --> 00:25:34,930 People are used to melodic music [Eduardo Vianello, singer] 331 00:25:34,950 --> 00:25:37,570 Until then, Italian music was very melodic 332 00:25:37,600 --> 00:25:39,730 So these sounds were an innovation 333 00:25:45,480 --> 00:25:50,430 You typewriter You used it as a musical instrument 334 00:25:50,450 --> 00:25:55,120 yes exactly A piece has been written for him A real musician played it 335 00:25:57,150 --> 00:25:59,540 [Fins, Spear and Glasses, Eduardo Vianello] 336 00:25:59,780 --> 00:26:01,770 For "Fins, Glasses, and Spears" 337 00:26:01,790 --> 00:26:06,700 We used a tube to make the sound of water splashing 338 00:26:06,730 --> 00:26:09,070 .which did not look like what Enyo wanted 339 00:26:09,100 --> 00:26:12,770 We tried to apply detergent to it Let's kill something 340 00:26:12,790 --> 00:26:14,870 ... because he wanted to dive 341 00:26:14,900 --> 00:26:16,020 Make a noise 342 00:26:20,360 --> 00:26:22,870 Each song had a trace of genius [Eda, Del Orso, singer] 343 00:26:24,770 --> 00:26:30,270 Trumpet with women's voices And he combined trombones with men's voices 344 00:26:30,290 --> 00:26:32,860 It created a whole new sound 345 00:26:34,070 --> 00:26:35,950 He turned Arcee [Miranda Martino, singer] 346 00:26:35,980 --> 00:26:40,160 The settings at that time were very boring 347 00:26:41,940 --> 00:26:46,440 Being Morricone and Bakaloff's ARC regulators [Gino Paoli, songwriter] 348 00:26:46,470 --> 00:26:51,340 I am Morricone I wanted it because I think his genius was more 349 00:26:51,370 --> 00:26:53,010 I did not make a mistake 350 00:26:55,380 --> 00:26:58,290 [Sapore De Saleh, Gino Paoli] 351 00:27:11,420 --> 00:27:13,300 These things are very simple 352 00:27:13,400 --> 00:27:15,530 Being very successful 353 00:27:16,940 --> 00:27:18,730 Then I added a little piano 354 00:27:27,780 --> 00:27:30,070 Composer dignity 355 00:27:30,090 --> 00:27:32,630 , which my teacher had taught me 356 00:27:32,660 --> 00:27:35,580 ...I felt that I should 357 00:27:35,600 --> 00:27:39,140 I use it in the simplest tasks Even the most trivial ones 358 00:27:39,270 --> 00:27:45,560 Reviving it with the principles of dodecaphonic music (twelve-tone) turned it into tonal music) 359 00:27:51,630 --> 00:27:54,060 [At 100 Speed, Johnny Morandi] 360 00:27:56,060 --> 00:27:59,480 You add color to these songs 361 00:27:59,560 --> 00:28:00,850 He would light them up and down [Johnny Morandi, songwriter] 362 00:28:00,870 --> 00:28:02,620 I am not at your level 363 00:28:03,920 --> 00:28:05,850 I don't deserve you anymore [Bruno Zambrini, composer] 364 00:28:09,360 --> 00:28:12,000 [I Don't Deserve You, 1966, Johnny Morandi] 365 00:28:13,400 --> 00:28:15,230 It had a counterpoint [Tonino Pucci, composer] 366 00:28:15,370 --> 00:28:18,740 There was no reason for its existence An accompanying chord was enough 367 00:28:18,780 --> 00:28:20,400 It was always counterpoint 368 00:28:29,460 --> 00:28:31,970 I think he basically invented tuning 369 00:28:32,070 --> 00:28:34,530 Until then, the songs were only accompanied 370 00:28:34,620 --> 00:28:37,290 Before Morricone There was only our company 371 00:28:37,500 --> 00:28:40,910 The orchestra followed the chords 372 00:28:40,930 --> 00:28:42,390 It was all in the background 373 00:28:42,420 --> 00:28:45,740 He started to personalize the songs 374 00:28:49,010 --> 00:28:54,420 I was trying to give the song itself a higher element 375 00:28:54,440 --> 00:28:56,750 But I don't think I was an original person 376 00:28:57,890 --> 00:28:59,580 [Il Mundo or the World, 1976, Jimmy Fontana] 377 00:29:02,460 --> 00:29:05,370 I saw him when he was talking He is writing on the phone 378 00:29:05,390 --> 00:29:08,760 He wrote the setting .Violon part, Trumpet part 379 00:29:08,790 --> 00:29:11,200 And all these things on time He was talking on the phone 380 00:29:11,230 --> 00:29:15,920 He comes and stands in front of the piano 381 00:29:16,770 --> 00:29:19,940 He looks at the keyboard and writes Writes the whole score 382 00:29:20,200 --> 00:29:21,950 He could imagine the sounds 383 00:29:21,990 --> 00:29:23,790 He looks at the keyboard and writes 384 00:29:23,820 --> 00:29:25,810 Without playing You can easily hear his voice 385 00:29:25,830 --> 00:29:27,500 He had music in his head 386 00:29:27,530 --> 00:29:30,620 Orchestra conducted by Ennio Morricone 387 00:29:43,180 --> 00:29:45,640 do you hear There is a point in it 388 00:29:47,360 --> 00:29:48,780 ...lots of settings 389 00:29:49,080 --> 00:29:52,540 They have an interesting start They attract people from the beginning 390 00:29:52,940 --> 00:29:55,230 Conducted by Ennio Morricone 391 00:29:55,560 --> 00:29:59,770 Fantastic setup for Pavel Anka had done The start was amazing 392 00:30:09,530 --> 00:30:13,110 You were attracted to the song in the first ten seconds - The song started and he sang - 393 00:30:14,440 --> 00:30:15,780 [Each time, Pavel Anka] 394 00:30:19,890 --> 00:30:23,020 ...Enyo made musical sentences 395 00:30:23,040 --> 00:30:25,590 .which could be brought back to back all the time 396 00:30:25,620 --> 00:30:29,390 Turning into the indicator of that song [Ettore Zepgno, director of RCA] 397 00:30:37,750 --> 00:30:39,790 [The Tanned Girl, Eduardo Vianello] 398 00:30:39,820 --> 00:30:43,400 This device quickly recognized the song 399 00:30:44,990 --> 00:30:48,880 The greatest artists They wanted Morricone at that time 400 00:30:51,930 --> 00:30:54,100 I also worked with Chat Baker 401 00:30:54,320 --> 00:30:56,640 He played the trumpet in an extraordinary way 402 00:30:56,660 --> 00:30:59,540 It sounded so dark that it sounded like a flugelhorn 403 00:31:04,270 --> 00:31:08,980 My father is 55 years old He was losing his ability to play the trumpet 404 00:31:09,390 --> 00:31:12,260 I did not use trumpet in my work 405 00:31:12,960 --> 00:31:14,340 not to offend him 406 00:31:14,630 --> 00:31:18,540 This was a sad moment in our relationship 407 00:31:18,870 --> 00:31:22,200 : And my mother always said "Why don't you ask your father to come to you?" 408 00:31:22,720 --> 00:31:27,720 And I never told him that dad is no longer a great trumpeter 409 00:31:27,790 --> 00:31:31,500 And I didn't call his colleagues either 410 00:31:31,660 --> 00:31:33,240 I felt that it was right 411 00:31:33,640 --> 00:31:37,270 when he passed away I informed the trumpeters again 412 00:31:42,250 --> 00:31:44,170 He only cared about music [Alessandro Alessandroni, musician] 413 00:31:44,200 --> 00:31:47,200 He was so attracted to music that nothing else mattered 414 00:31:47,220 --> 00:31:50,960 And you were yourself He was always himself 415 00:31:53,830 --> 00:31:55,310 He created a miracle for me 416 00:31:55,330 --> 00:31:58,120 "I don't deserve you" "I kneel before you" 417 00:31:58,140 --> 00:32:00,740 "I didn't have you anymore" "Accordion" 418 00:32:00,860 --> 00:32:04,190 His singles were made for commercial purposes 419 00:32:04,560 --> 00:32:08,520 So I had to work on the rhythm 420 00:32:08,660 --> 00:32:11,630 Albums sell very little 421 00:32:11,700 --> 00:32:15,430 So I could use my ideas there 422 00:32:19,350 --> 00:32:22,530 He could use cultural quotes 423 00:32:22,550 --> 00:32:24,000 In the song "Sada and Shab" 424 00:32:24,030 --> 00:32:26,940 It starts with Beethoven's "Moonlight Sonata". 425 00:32:29,430 --> 00:32:32,130 [Sound and Night, 1963, Miranda Martino] 426 00:32:36,600 --> 00:32:39,980 It was a nocturne by Beethoven 427 00:32:40,010 --> 00:32:43,770 I think with a song called "Sada and Night" had harmony. 428 00:32:45,230 --> 00:32:46,830 [Chiribirin, 1964, Miranda Martino] 429 00:32:48,600 --> 00:32:53,140 He arranged the song "Chiribirin" for four pianos 430 00:32:57,270 --> 00:32:59,030 ...from the introduction 431 00:33:03,030 --> 00:33:04,520 I used the beginning of the melody 432 00:33:04,540 --> 00:33:07,250 I used to take cues from him to arrange the whole song 433 00:33:07,380 --> 00:33:10,270 That arrangement was a complete innovation 434 00:33:10,450 --> 00:33:12,080 : I remember he said once [Eduardo Vianello, singer] 435 00:33:12,110 --> 00:33:14,420 It's just an arrangement for the song. 436 00:33:14,460 --> 00:33:15,920 "The one I made 437 00:33:16,340 --> 00:33:17,980 But he also told us the reason 438 00:33:18,190 --> 00:33:20,480 And 99% of the time you would be convinced [Franco Miliacci, music producer] 439 00:33:21,350 --> 00:33:23,230 One percent, we would not be convinced 440 00:33:23,480 --> 00:33:25,990 Zambrini wrote the song "I kneel before you". 441 00:33:26,020 --> 00:33:29,350 He did the first arrangement of my song [Bruno Zambrini, composer] 442 00:33:29,370 --> 00:33:31,450 We went to the recording studio 443 00:33:31,480 --> 00:33:35,140 Enyo goes to the platform And he starts to lead the musicians 444 00:33:35,580 --> 00:33:36,960 And we listened to him 445 00:33:36,990 --> 00:33:39,870 And I saw that the songwriter ...and Miliachi, the producer in the recording studio 446 00:33:40,020 --> 00:33:41,600 They were shaking their heads like this 447 00:33:42,140 --> 00:33:43,600 It was very sweet 448 00:33:44,020 --> 00:33:47,400 "It's not good, I want rhythm" 449 00:33:47,430 --> 00:33:51,030 ".must have a part with continuity" 450 00:33:51,060 --> 00:33:53,520 "So what do we do?" - "We have to reset it" - 451 00:33:53,540 --> 00:33:54,980 He didn't even raise his eyebrows 452 00:33:55,020 --> 00:33:56,820 He went home and wrote it again 453 00:33:56,850 --> 00:33:58,470 Friday of the following week 454 00:33:59,640 --> 00:34:02,430 It didn't start, he was a little anxious 455 00:34:02,470 --> 00:34:05,300 He asked me to sing live 456 00:34:05,590 --> 00:34:06,710 So I started 457 00:34:09,790 --> 00:34:11,960 ...and Miliachi on the other side 458 00:34:13,260 --> 00:34:14,590 He was not satisfied 459 00:34:14,670 --> 00:34:17,750 "Enyo, this is not good either. I'm still very calm" 460 00:34:17,770 --> 00:34:20,080 : I told him "...you have to reset it again" 461 00:34:20,850 --> 00:34:22,520 "But this is a melodious song" 462 00:34:22,540 --> 00:34:24,570 We said: "You can dance with him like this forever." 463 00:34:24,600 --> 00:34:27,310 "I'm not setting it up again. find someone else" 464 00:34:27,330 --> 00:34:28,670 And saying "compulsory". 465 00:34:28,750 --> 00:34:32,290 "...make it rough, make it a little rough" 466 00:34:34,620 --> 00:34:36,700 In short, he informed everyone again 467 00:34:37,150 --> 00:34:39,190 ...a group of 40-50 people 468 00:34:39,220 --> 00:34:41,050 with eight singers 469 00:34:41,070 --> 00:34:43,820 Guitarist, keyboard player , pianist, and harpist 470 00:34:43,850 --> 00:34:47,080 ...as well as trombone, Shibpur 471 00:34:47,750 --> 00:34:50,390 He goes home angrily He started writing again 472 00:34:50,410 --> 00:34:52,160 ...the next day - It was found - 473 00:34:52,190 --> 00:34:54,320 "This is the last time, I won't adjust anymore" 474 00:34:54,770 --> 00:34:56,980 "This is the garbage you asked for." 475 00:34:57,270 --> 00:34:59,020 He threw it on the table 476 00:34:59,040 --> 00:35:01,700 "This is the shit you wanted." 477 00:35:02,070 --> 00:35:04,780 He goes to the platform and starts 478 00:35:04,810 --> 00:35:06,560 I remember very well 479 00:35:06,580 --> 00:35:07,580 Pianush 480 00:35:24,270 --> 00:35:25,770 ... Miliachi had become like this 481 00:35:27,890 --> 00:35:29,560 "Enyo, that's okay" 482 00:35:29,850 --> 00:35:32,310 "No rubbish, I don't like it" 483 00:35:32,330 --> 00:35:33,380 But it was great 484 00:35:33,410 --> 00:35:36,190 Then he used the answer tools 485 00:35:36,520 --> 00:35:38,270 ...I'll be back 486 00:35:39,880 --> 00:35:41,430 ...on my knees 487 00:35:43,130 --> 00:35:45,040 [I kneel before you, 1964, Johnny Morandi] 488 00:35:46,980 --> 00:35:48,520 And of course, make a movie about it 489 00:35:48,540 --> 00:35:50,470 And Enyo worked on his music 490 00:35:54,680 --> 00:35:57,680 You would understand easily .that I am a strange adjuster 491 00:35:57,890 --> 00:35:59,140 I'm a little confused 492 00:35:59,960 --> 00:36:04,080 I realized that it is less and less He works in an office 493 00:36:08,700 --> 00:36:10,490 Luciano knew my age 494 00:36:10,510 --> 00:36:12,670 And he asked me to compose for "Fascist". 495 00:36:12,700 --> 00:36:16,410 It was the first time that my name was written in the movie 496 00:36:18,100 --> 00:36:20,060 [Fascist, Luciano Salce, 1961] 497 00:36:21,080 --> 00:36:22,830 It could be said that it was my introduction 498 00:36:28,640 --> 00:36:31,730 "Seven Shooting in the Red Desert" and "bullets don't argue" 499 00:36:31,750 --> 00:36:33,960 The first two Western movies are by Ennio Morricone [Giuseppe Tornatore, director] 500 00:36:33,990 --> 00:36:36,480 Both of them were from 1963 501 00:36:39,560 --> 00:36:41,850 At first he used a pseudonym 502 00:36:41,870 --> 00:36:46,290 No one knew Ennio Morican He is working on those westerns 503 00:36:46,750 --> 00:36:49,870 Don Savio was my wife's friend 504 00:36:49,890 --> 00:36:51,480 So I used his name 505 00:36:51,480 --> 00:36:53,220 [Shooting in the Red Desert, 1963] 506 00:36:53,250 --> 00:36:59,230 He does not tell Petracy and his colleagues who is doing western work 507 00:37:04,680 --> 00:37:07,770 I remember the sound of the guitar I put it on the horse riding scene 508 00:37:10,270 --> 00:37:12,510 [Bullets Don't Talk, 1964, Mario Caiano] 509 00:37:17,020 --> 00:37:18,970 [Shooting in the Red Desert, 1963] 510 00:37:19,730 --> 00:37:21,310 Serjo Leone called me 511 00:37:21,330 --> 00:37:23,880 Because he had heard the music of those two westerns 512 00:37:23,910 --> 00:37:25,240 He came to my house 513 00:37:25,260 --> 00:37:27,630 And he asked me to do the work for his film 514 00:37:27,760 --> 00:37:29,670 ...but me 515 00:37:29,750 --> 00:37:31,670 I knew that face 516 00:37:31,710 --> 00:37:36,460 I said to him: "Weren't you in the school of John the Baptist?" 517 00:37:37,040 --> 00:37:38,430 "Why, why, myself" 518 00:37:38,450 --> 00:37:40,200 "I am Ennio Morricone" 519 00:37:40,940 --> 00:37:42,480 Being in school together 520 00:37:43,090 --> 00:37:44,660 It is a beautiful picture [Carlo Verdone, director and actor] 521 00:37:44,680 --> 00:37:47,140 that school children Sitting together in uniform 522 00:37:47,170 --> 00:37:50,590 You can see Sergio Leone and Ennio Morricone 523 00:37:50,610 --> 00:37:53,440 Two former schoolmates To see each other again at work 524 00:37:53,790 --> 00:37:55,430 .and becoming inseparable 525 00:37:55,460 --> 00:37:56,650 [Yojimbo, Akira Kurosawa, 1961] 526 00:37:56,680 --> 00:38:00,430 In the same afternoon I went to see a Japanese movie 527 00:38:00,450 --> 00:38:03,410 He explained to me that "for a handful of dollars" 528 00:38:03,440 --> 00:38:05,190 It has something in common with him 529 00:38:09,270 --> 00:38:15,450 Years ago Enyo for An American singer had written a western arrangement 530 00:38:15,480 --> 00:38:18,150 I said, "Play me one of your works." [Sergio Leone, director] 531 00:38:18,170 --> 00:38:21,960 And it was a page whose singer had a baritone voice 532 00:38:27,560 --> 00:38:31,680 It was a very original setting for a western song [Bruno Battisti Damario, guitarist] 533 00:38:31,710 --> 00:38:34,750 I said: "Can you arrange the backing track for me?" 534 00:38:34,800 --> 00:38:38,140 The whole setting is the same I used what I had written 535 00:38:38,160 --> 00:38:40,580 invented a new melody 536 00:38:40,610 --> 00:38:42,350 which was whistled 537 00:38:50,640 --> 00:38:52,640 : Anyu calls me and says 538 00:38:52,660 --> 00:38:55,660 "Whistle for me, I have to do something" 539 00:38:56,180 --> 00:38:59,230 : Then I told him "No matter how small it was" 540 00:39:02,480 --> 00:39:04,600 This is how "because of a handful of dollars" started 541 00:39:04,850 --> 00:39:09,560 [for a handful of dollars] 542 00:39:14,610 --> 00:39:16,700 I saw the movie 543 00:39:16,900 --> 00:39:20,250 And I was very surprised Because his music was unique 544 00:39:25,240 --> 00:39:27,160 It was a big turning point 545 00:39:27,180 --> 00:39:31,090 It was not what you thought Listen to a western movie 546 00:39:31,120 --> 00:39:36,780 At that time, no one played music He had never used such an opera in a western movie 547 00:39:40,560 --> 00:39:43,890 The music was an unusual composer [Roberto Faenza, director] 548 00:39:43,920 --> 00:39:45,460 It had an unprecedented tone [Sergio Basti, essay writer and CSC lecturer] 549 00:39:45,480 --> 00:39:47,490 We have never heard anything like this 550 00:39:47,600 --> 00:39:50,110 Electric guitar The sound of a whip 551 00:39:50,150 --> 00:39:51,330 .Ni Pifro 552 00:39:51,350 --> 00:39:53,500 The sound of blacksmithing, whistle 553 00:39:53,530 --> 00:39:56,340 the sound of the bell - He introduced a new language - 554 00:39:58,320 --> 00:40:02,410 During that period, it shook the culture 555 00:40:04,670 --> 00:40:06,820 [For A Fistful of Dollars, 1963, Sergio Leone] 556 00:40:19,570 --> 00:40:22,370 When I took Sargo to the editing room to watch it 557 00:40:22,390 --> 00:40:27,540 For the duel between Volonte and Eastwood He had used the song "Deglio". 558 00:40:27,620 --> 00:40:31,280 The trumpet piece was from the movie "Rio Bravo". 559 00:40:31,550 --> 00:40:32,860 It was beautifully placed 560 00:40:48,760 --> 00:40:51,890 "That's what we use," Leone told me. 561 00:40:52,180 --> 00:40:54,800 "I said, "I'm sorry, Serjo, I can't accept it 562 00:40:54,830 --> 00:40:58,430 Do you want to be on the main stage? Use a pre-made song 563 00:40:58,450 --> 00:41:00,950 "Then I just make the background music 564 00:41:01,000 --> 00:41:02,320 Do you hear that music? 565 00:41:02,430 --> 00:41:03,880 He said hit him 566 00:41:05,540 --> 00:41:06,810 what is 567 00:41:07,000 --> 00:41:08,290 We call him Deglio 568 00:41:08,640 --> 00:41:09,810 The song of destruction 569 00:41:10,230 --> 00:41:12,520 "And I said: "I am resigning 570 00:41:12,890 --> 00:41:14,930 Sergio was indifferent to Deglio 571 00:41:15,270 --> 00:41:16,480 But he said 572 00:41:16,730 --> 00:41:19,520 Please make a copy for me. It suits him a lot." 573 00:41:19,790 --> 00:41:22,040 I remembered a song 574 00:41:22,140 --> 00:41:25,370 which I had made for a series many years ago 575 00:41:25,390 --> 00:41:27,570 Peter's elder sisters 576 00:41:27,600 --> 00:41:30,890 Having a bass and extraordinary contralto voice 577 00:41:41,470 --> 00:41:43,910 I said, "Now I will show it to Sergio 578 00:42:01,640 --> 00:42:06,370 This music even me He also felt that it is a difficult job 579 00:42:12,820 --> 00:42:15,610 [For A Fistful of Dollars, 1963, Sergio Leone] 580 00:42:19,270 --> 00:42:22,680 Of course, I told the trumpeter Michel Lacrenz 581 00:42:22,700 --> 00:42:25,530 With the trumpet, make those vibrations 582 00:42:32,140 --> 00:42:33,480 like deglio 583 00:42:40,270 --> 00:42:45,200 : Winner of Best Soundtrack .Ennio Morricone, for a handful of dollars 584 00:42:51,930 --> 00:42:53,680 Morricone, please give a speech 585 00:42:53,700 --> 00:42:55,530 Mr. Morricone speaks a few words 586 00:42:55,560 --> 00:42:59,430 You did not expect this award - no - 587 00:42:59,450 --> 00:43:01,530 Your first prize? - yes - 588 00:43:01,560 --> 00:43:04,860 Do you often work on film scores? 589 00:43:04,880 --> 00:43:07,090 I think he was very young 590 00:43:07,120 --> 00:43:11,790 A round face with those glasses [Bernardo Bertolucci, director] 591 00:43:11,820 --> 00:43:14,150 It was like the character of peanuts 592 00:43:14,170 --> 00:43:17,180 Like Charlie the Clown or Linus the Great 593 00:43:18,180 --> 00:43:22,110 Ennio was involved in many Italian films 594 00:43:22,140 --> 00:43:25,060 ...and I listen a lot and imagine that 595 00:43:25,080 --> 00:43:27,100 I enjoyed working with the director 596 00:43:27,120 --> 00:43:29,580 [fists in pockets] 597 00:43:29,910 --> 00:43:33,360 with directors whose first film was I was taking big risks 598 00:43:33,380 --> 00:43:35,580 I was trying to make different music 599 00:43:37,160 --> 00:43:39,410 [Fists in Pocket, 1966, Marco Bellocchio] 600 00:43:40,020 --> 00:43:43,640 Anyu is a strong and believing person 601 00:43:43,660 --> 00:43:44,980 ...I was impressed that 602 00:43:45,000 --> 00:43:49,630 How much he was involved in an anti-religious film [Marco Bellocchio, director] 603 00:43:50,350 --> 00:43:54,390 I wrote a lullaby , which is sung by a woman's voice 604 00:43:54,450 --> 00:44:01,130 Drowning in the uneven metallic sounds and trembling of its surface 605 00:44:17,090 --> 00:44:19,380 I am happy to have worked on such films 606 00:44:19,560 --> 00:44:21,940 It was not as commercial as the others 607 00:44:26,010 --> 00:44:29,610 Later, Sergio Leone and I We went to see a handful of dollars 608 00:44:29,810 --> 00:44:33,890 And we confessed to each other .which we don't like 609 00:44:33,910 --> 00:44:36,490 I never liked the music of this movie 610 00:44:36,820 --> 00:44:40,990 Always in the next movies I warned Sergio to forget it 611 00:44:41,020 --> 00:44:44,300 But he insisted to play the trumpet, play the whistle 612 00:44:45,690 --> 00:44:47,600 [for a few more dollars] 613 00:44:52,630 --> 00:44:55,350 There was a friendship between them [Rafaela Leone, producer] 614 00:44:55,740 --> 00:44:57,820 It was complicated 615 00:44:57,850 --> 00:44:59,310 But they were arguing a lot 616 00:44:59,340 --> 00:45:02,020 And let's say their arguments were violent 617 00:45:02,040 --> 00:45:03,420 .enough 618 00:45:05,110 --> 00:45:07,690 [For A Few Dollars More, Sergio Leone, 1965] 619 00:45:27,120 --> 00:45:30,160 In the scene where Sergio wanted a trumpet 620 00:45:30,560 --> 00:45:36,440 I had an idea in my mind ...to quote Bach's "Toccata and Fugue in D Minor". 621 00:45:44,020 --> 00:45:47,390 Western music , who saw them as a base 622 00:45:47,420 --> 00:45:49,270 It had a structure 623 00:45:49,780 --> 00:45:53,430 He had a knowledge, a conscious architecture .which was admirable 624 00:46:07,170 --> 00:46:10,050 Sergio Leone with "For a Few Dollars More" 625 00:46:10,090 --> 00:46:16,200 Little by little, he understood that the soundtrack How important is Ennio Morricone in his films? 626 00:46:16,560 --> 00:46:20,730 And he realized that it was Morricone Little by little, it is finding an audience 627 00:46:31,600 --> 00:46:35,430 After a long time, I saw Petrasi and she told me 628 00:46:35,450 --> 00:46:38,330 He likes my movie music very much 629 00:46:38,360 --> 00:46:42,240 And the name of the movie that I did not expect 630 00:46:42,850 --> 00:46:44,800 "For a few more dollars" 631 00:46:44,890 --> 00:46:46,520 And I was shocked 632 00:46:46,620 --> 00:46:49,460 Because I thought I also wrote better music than that 633 00:46:50,180 --> 00:46:54,640 And he said: "But I know that you will make up for it." 634 00:46:55,150 --> 00:46:57,730 ".I know you'll make up for it." 635 00:47:01,480 --> 00:47:05,390 I think Petrasi did not know the value of her work 636 00:47:05,850 --> 00:47:08,810 .as I did not understand it very much [Boris Pourna, composer] 637 00:47:08,990 --> 00:47:11,950 We really kind of 638 00:47:13,430 --> 00:47:14,480 We were deserted 639 00:47:14,500 --> 00:47:20,660 Your opinion about the collaboration of the composer And what is a director in film music? 640 00:47:20,890 --> 00:47:26,980 If you want my opinion, it is completely against art [Goffredo Petrasi, composer] 641 00:47:27,680 --> 00:47:30,930 Composers ...that Petrasi school gave out 642 00:47:31,680 --> 00:47:35,430 Never had a good opinion about my career 643 00:47:35,640 --> 00:47:37,730 I say my work with cinema 644 00:47:38,020 --> 00:47:41,180 And this somehow isolated me 645 00:47:42,270 --> 00:47:45,730 He called me once when he was very young 646 00:47:45,850 --> 00:47:48,520 .and it was very shocking 647 00:47:48,680 --> 00:47:52,600 He told me that I am a noble, but he is a traitor 648 00:47:53,400 --> 00:47:56,980 He fell apart because Joe had forced him at that time 649 00:47:57,000 --> 00:47:59,750 who are you With us or with them? 650 00:48:00,730 --> 00:48:04,730 Enyo had some sort of inferiority complex 651 00:48:04,790 --> 00:48:08,330 Because he had given up the purity of being a composer 652 00:48:08,710 --> 00:48:10,550 From that Petrasi inspiration 653 00:48:10,580 --> 00:48:14,710 But Petrasi too He had betrayed that thinking, more than once 654 00:48:15,630 --> 00:48:17,870 [Bitter Rice, 1949, Giuseppe DeSantis] 655 00:48:21,760 --> 00:48:24,010 Petrasi also composed the soundtrack 656 00:48:24,040 --> 00:48:29,580 But I don't like that movie music at all It doesn't count as real music 657 00:48:30,020 --> 00:48:32,510 But Enyo thought it was real music 658 00:48:33,450 --> 00:48:36,350 [Before the Revolution, Bernardo Bertolci, 1964] 659 00:48:37,390 --> 00:48:40,850 ...Petrasi could not understand 660 00:48:40,980 --> 00:48:43,860 What special features does Enyo have? 661 00:48:43,890 --> 00:48:49,020 He was capable of this to associate with a situation, with a scene 662 00:48:49,070 --> 00:48:52,890 Petrasi probably couldn't Just like I couldn't 663 00:48:52,910 --> 00:48:59,530 And I think even Petras He was not completely free from inferiority complex 664 00:48:59,720 --> 00:49:02,580 I also worked on the song for the movie "The Holy Book". 665 00:49:02,610 --> 00:49:06,400 I think the director There was a person named Houston 666 00:49:06,430 --> 00:49:09,230 He had worked hard to write that music 667 00:49:09,530 --> 00:49:12,950 But Houston did not accept it 668 00:49:12,980 --> 00:49:15,020 Because, as he said, it was very difficult 669 00:49:15,040 --> 00:49:20,240 So I think this is the end of my work with cinema 670 00:49:20,940 --> 00:49:24,400 It was more like fate An unfair fate 671 00:49:25,020 --> 00:49:29,100 Dino De Laurentiis called me 672 00:49:31,940 --> 00:49:35,430 To put me in the place of my teacher Petrasi 673 00:49:36,270 --> 00:49:40,040 Test score composed by Ennio Morricone] [On the image of the Bible film by John Huston 674 00:49:40,300 --> 00:49:43,380 ...music production is a joint collaboration between 675 00:49:43,810 --> 00:49:46,560 It was Arcee and Dino de Laurentiis 676 00:49:47,060 --> 00:49:50,350 : And Dino told me "Make a piece for this." 677 00:49:50,370 --> 00:49:53,450 We will give it to Houston. If he likes it, you will work on the whole film 678 00:49:56,430 --> 00:49:59,230 I compared it to light 679 00:49:59,250 --> 00:50:02,790 That drop of water , which then became waves and floods came 680 00:50:02,820 --> 00:50:04,860 And then it was set on fire once 681 00:50:05,150 --> 00:50:07,140 ... then animals, birds 682 00:50:07,270 --> 00:50:10,260 I compared all these movements Then it started again 683 00:50:11,570 --> 00:50:14,180 Test score composed by Ennio Morricone] [On the image of the Bible film by John Huston 684 00:50:14,300 --> 00:50:16,640 Maria went to a synagogue 685 00:50:16,660 --> 00:50:20,410 and brought some ancient Hebrew texts that Enyo made the music based on them 686 00:50:23,390 --> 00:50:26,810 Houston visited me several times De Laurentiis visited me several times 687 00:50:27,060 --> 00:50:29,020 They all seem very satisfied 688 00:50:29,730 --> 00:50:30,890 I got the job 689 00:50:31,180 --> 00:50:35,480 : It was then that De Laurentiis told me "What are you doing?" 690 00:50:35,680 --> 00:50:37,640 "Come and work on the film with me." 691 00:50:37,660 --> 00:50:40,870 And I said "I have an exclusive contract with Arcee" 692 00:50:41,340 --> 00:50:43,670 "I can't do this disrespect to them" 693 00:50:43,700 --> 00:50:46,950 I went to Arcee and talked to its manager 694 00:50:46,980 --> 00:50:51,050 I told him this is a great opportunity For me, it is special, rare 695 00:50:51,620 --> 00:50:53,410 Let me work on the movie "Bible". 696 00:50:53,980 --> 00:50:58,450 "No, you can't. You have a contract with us" 697 00:50:58,480 --> 00:51:01,400 And I didn't do that. Naturally, I did not 698 00:51:01,850 --> 00:51:04,140 Despite everything, Petrasi's words are clear 699 00:51:04,160 --> 00:51:08,780 He says that writing for the cinema For commercial music 700 00:51:08,810 --> 00:51:12,560 For an academic musician It looks like prostitution 701 00:51:13,230 --> 00:51:15,270 So morally condemned 702 00:51:15,410 --> 00:51:16,540 .sin 703 00:51:17,800 --> 00:51:18,930 .sin 704 00:51:19,180 --> 00:51:21,630 At first I felt guilty 705 00:51:21,650 --> 00:51:24,400 But little by little I got rid of this feeling 706 00:51:24,430 --> 00:51:28,060 As much as I write I wanted to take revenge 707 00:51:30,560 --> 00:51:31,850 ...I wanted this 708 00:51:34,200 --> 00:51:35,660 ...the feeling of guilt 709 00:51:38,470 --> 00:51:39,920 to conquer 710 00:51:47,880 --> 00:51:50,430 [Battle of Al-Jazizeh, 1966, Jillo Pontecorvo] 711 00:52:15,570 --> 00:52:18,770 The first movie I saw from Enyo was Battle of Al Jazeera 712 00:52:19,000 --> 00:52:26,820 And I was very impressed how Music created a world that was not on the picture 713 00:52:28,860 --> 00:52:31,320 Gillo Pontecorvo wanted to see me 714 00:52:31,930 --> 00:52:35,240 I did not expect such an important director 715 00:52:35,750 --> 00:52:40,330 I was scared because it was different from the others [Gilo Pontecorvo, director] 716 00:52:41,370 --> 00:52:42,620 He was a great person 717 00:52:43,640 --> 00:52:46,770 [Battle of Al Jazeera] 718 00:52:48,540 --> 00:52:50,210 ...and I even wrote this piece 719 00:52:54,060 --> 00:52:57,480 One of my ideas was Frescobaldi's theme 720 00:53:07,160 --> 00:53:10,560 It had three notes: Note A, note B Bumble and B Musumet. 721 00:53:10,580 --> 00:53:13,920 And then in its reverse motion: F Sharp, F Musumet, and E 722 00:53:14,330 --> 00:53:16,080 I had used what I had learned 723 00:53:16,190 --> 00:53:20,300 I was made of that music 724 00:53:20,330 --> 00:53:21,720 The music I had learned 725 00:53:22,030 --> 00:53:23,570 A little to the left 726 00:53:26,050 --> 00:53:30,350 Pasolini already a list of songs It was his hand that I should have used in the movie 727 00:53:31,440 --> 00:53:33,400 He said to Enyo: "Well, Master 728 00:53:33,530 --> 00:53:37,200 "I want this Bach piece to be used here 729 00:53:37,530 --> 00:53:41,610 I said, "Excuse me, but I am a composer And I write music 730 00:53:42,360 --> 00:53:46,120 I don't take other people's music" To use in the movie 731 00:53:46,160 --> 00:53:47,540 It is not possible 732 00:53:47,570 --> 00:53:48,940 "I have to disagree" 733 00:53:49,900 --> 00:53:53,570 : He said "Then do whatever you want." 734 00:53:55,520 --> 00:53:58,130 [The Falcon and the Sparrows, 1966, Peter Paolo Pasolini] 735 00:54:04,690 --> 00:54:06,550 That rhyme 736 00:54:07,080 --> 00:54:09,280 I wrote something between serious and happy 737 00:54:18,380 --> 00:54:23,110 And there was a section that said "Ennio Morricone's music" for which I... 738 00:54:23,140 --> 00:54:26,010 I recorded him laughing 739 00:54:35,290 --> 00:54:39,160 Until then, Pasolini He only used Bach's music 740 00:54:39,560 --> 00:54:41,560 Later, his taste became Morricone 741 00:54:46,120 --> 00:54:49,470 I went to the cinema as a child And I saw "good, bad, ugly". 742 00:54:49,510 --> 00:54:50,430 [Bruce Springsteen, songwriter] 743 00:54:50,450 --> 00:54:54,380 That was when you understood There is another trend at work 744 00:54:54,610 --> 00:54:56,340 .something you haven't heard before 745 00:54:58,730 --> 00:55:02,520 It was the first time I was asked Who is the man who made that music? [Barry Levinson, actor] 746 00:55:07,270 --> 00:55:12,200 I felt the music of the first movies Sarjo Leone is below my level of ability 747 00:55:12,230 --> 00:55:15,060 Because I was bound by Sarjo's demands 748 00:55:15,080 --> 00:55:20,830 Then a trace I chose that it was the coyote's howl 749 00:55:25,980 --> 00:55:27,270 ...and then this happened 750 00:55:29,400 --> 00:55:33,190 Emotional but funny And he liked it very much 751 00:55:35,680 --> 00:55:36,930 good 752 00:55:39,680 --> 00:55:40,850 bad 753 00:55:55,600 --> 00:55:56,600 ugly 754 00:56:00,130 --> 00:56:02,370 He understands the side of the guitar [Pat Matney, guitarist and composer] 755 00:56:02,450 --> 00:56:05,860 He uses the guitar in the best way 756 00:56:18,510 --> 00:56:21,750 It was the most creative music .which I had heard in the cinema 757 00:56:21,790 --> 00:56:26,750 The only movie music was after the movie I quickly went to buy the music of his film 758 00:56:32,490 --> 00:56:35,810 I grew up hearing about this gold fever [Quentin Tarantino, director] 759 00:56:35,910 --> 00:56:39,600 You run in the cemetery And I was looking for Arch Stanton 760 00:56:45,980 --> 00:56:48,880 Ennio Moricne gives us a speech 761 00:56:48,900 --> 00:56:54,300 Enyo, you understand what your story is Is it unique in the history of Italian music? 762 00:56:54,340 --> 00:56:57,690 In two years, you made two best-selling movie scores 763 00:56:57,730 --> 00:57:02,440 Two music albums .that being amazing and popular 764 00:57:02,470 --> 00:57:03,760 I was lucky 765 00:57:03,910 --> 00:57:05,450 I don't think so. The card is correct 766 00:57:05,480 --> 00:57:06,810 I went to snoop 767 00:57:06,840 --> 00:57:08,830 I bribed Aparatchi 768 00:57:08,850 --> 00:57:12,710 I went to the copier Let me take a look at the score 769 00:57:12,730 --> 00:57:19,880 By following his works I understood that he is an artist who never sought fame 770 00:57:20,270 --> 00:57:21,980 He is Morricone's master 771 00:57:22,000 --> 00:57:24,750 Maybe their faces You don't know them, but you know their names 772 00:57:24,830 --> 00:57:27,370 Morricone, a specialist in the music of western films 773 00:57:27,720 --> 00:57:31,890 Of course, every western movie Send that course to me 774 00:57:31,930 --> 00:57:35,390 And I had to work on them Because that time was my destiny 775 00:57:38,770 --> 00:57:42,110 [Angel Face, Rango's Gun, Mortisio Graff, 1965] 776 00:57:42,320 --> 00:57:44,120 Let me tell you an interesting story about Enyo 777 00:57:44,150 --> 00:57:46,080 For example, you make a movie and show it 778 00:57:46,110 --> 00:57:49,900 The first time he sees the movie, he falls asleep [Sergio Solima, director] 779 00:57:53,600 --> 00:57:56,560 He sleeps like western revolvers 780 00:57:56,580 --> 00:57:59,550 They seem to be sleeping, but they shoot the first shot 781 00:57:59,840 --> 00:58:02,410 [The Big Seven, Sergio Solima, 1966] 782 00:58:05,100 --> 00:58:07,430 As if he had seen it before, he already knew it 783 00:58:07,520 --> 00:58:10,600 What he said was accurate 784 00:58:12,950 --> 00:58:15,580 [The Great Silence, Sergio Corbucci, 1968] 785 00:58:18,530 --> 00:58:22,530 The film "The Great Silence" by Sergio Corbucci It was filmed entirely in the snow 786 00:58:22,550 --> 00:58:23,630 It was all covered with snow 787 00:58:23,660 --> 00:58:26,160 The horses trotted without a sound 788 00:58:26,410 --> 00:58:28,410 The main character was mute 789 00:58:31,230 --> 00:58:32,650 Corbucci told me 790 00:58:32,680 --> 00:58:35,070 ". This is the best music you made for me" 791 00:58:35,130 --> 00:58:37,830 I said, "Thank you Sergio "Because you can hear it like this 792 00:58:42,740 --> 00:58:46,620 ...in movies, mixing sound without balance 793 00:58:46,640 --> 00:58:48,810 It can damage the movie and music 794 00:58:49,330 --> 00:58:53,600 which is an abstract element In the movie, there is no need for it 795 00:58:53,620 --> 00:58:59,250 But when we want to hear it We must let him be free 796 00:59:01,840 --> 00:59:03,610 [Come Play With Me, Salvatore Samperi, 1968] 797 00:59:06,720 --> 00:59:11,750 ...I tried to reduce the notes for a while [Galileo, Liliana Cavani, 1968] 798 00:59:11,820 --> 00:59:15,110 to present something that the audience will remember 799 00:59:31,750 --> 00:59:34,030 [Mina, If You Call, 1966] 800 00:59:35,330 --> 00:59:39,790 One of my first ideas It came to my mind while paying the gas bill 801 00:59:39,880 --> 00:59:42,440 The song was "If you call". 802 00:59:42,460 --> 00:59:43,860 which Mina asked me to make 803 00:59:43,910 --> 00:59:47,570 And there for the first time I tried three notes 804 00:59:47,760 --> 00:59:51,680 Three notes with 4/4 beat 805 00:59:51,780 --> 00:59:55,910 Never rely on a repeated note 806 00:59:56,440 --> 01:00:00,820 It was a great discovery for tonal music 807 01:00:00,840 --> 01:00:04,800 Because it attracted more attention 808 01:00:32,130 --> 01:00:33,260 You see, it's another note 809 01:00:38,920 --> 01:00:39,920 ... three notes 810 01:00:41,800 --> 01:00:44,010 It always is But it is different every time 811 01:00:54,210 --> 01:00:59,380 It could be done without being bad Repeat the same several times 812 01:01:02,420 --> 01:01:05,800 Never experience lower notes ...I didn't put it aside 813 01:01:05,960 --> 01:01:08,920 Because I always loved Let me have a little fun 814 01:01:20,590 --> 01:01:23,090 : Enyo was behind the piano and told me 815 01:01:23,170 --> 01:01:28,300 Now I will perform two styles for you" ".which pass each other 816 01:01:28,670 --> 01:01:32,010 I often write in two styles ...which intersect with each other 817 01:01:32,170 --> 01:01:37,090 A style within another style To give them more agility 818 01:01:38,170 --> 01:01:40,780 "Circle of Love" (From Giuseppe Patroni Griffi (1969 819 01:01:40,800 --> 01:01:43,550 And he performed two styles for me .that intersect with each other 820 01:01:54,760 --> 01:01:58,380 I am not ashamed to say I didn't like that style 821 01:01:58,670 --> 01:02:01,010 To the director I said: Pepino Patroni Griffi 822 01:02:01,130 --> 01:02:03,800 "If I were you, I wouldn't care." Be patient and listen to me 823 01:02:03,960 --> 01:02:05,260 And he told me I'm crazy 824 01:02:07,760 --> 01:02:09,840 "Circle of Love" I think it's great 825 01:02:10,440 --> 01:02:11,630 ...this 826 01:02:16,460 --> 01:02:20,630 Because it is minimalistic It is something that is fashionable in music now 827 01:02:21,010 --> 01:02:22,800 Peppino was right 828 01:02:23,880 --> 01:02:27,630 Because I can't even my own style to be judged 829 01:02:27,800 --> 01:02:29,420 That's why ...from that moment on 830 01:02:29,670 --> 01:02:33,510 I forced my wife Listen to all the songs I write 831 01:02:33,670 --> 01:02:36,460 If he likes it I used to play it for the director 832 01:02:36,630 --> 01:02:40,010 The director only hears parts .which my wife liked 833 01:02:40,090 --> 01:02:42,840 I remember that Enyo was never alone 834 01:02:43,460 --> 01:02:44,920 Maria was always with Enio 835 01:02:45,170 --> 01:02:50,130 This woman is a mother ... was his wife and companion 836 01:02:50,380 --> 01:02:55,880 And also someone who is beautiful He took care of this great talent 837 01:02:56,170 --> 01:03:02,010 Because this is a sacrifice For love, he was her first incentive 838 01:03:02,260 --> 01:03:07,630 that my wife did not know anything about music He gave me an honest opinion 839 01:03:07,760 --> 01:03:10,630 This was what I did for years 840 01:03:26,380 --> 01:03:30,300 ...he had made a defensive posture 841 01:03:30,550 --> 01:03:34,210 So that Ennio Morricone's genius can be free 842 01:03:38,510 --> 01:03:44,550 It was always a question for me How can Enyo? 843 01:03:44,840 --> 01:03:48,760 Also the music of the film and Be an experimental musician 844 01:03:53,050 --> 01:03:55,460 When I write for movies I am a composer 845 01:03:55,550 --> 01:03:58,670 When I write for myself I am another one 846 01:03:59,050 --> 01:04:03,550 That's why the composition is diverse ...and I'm contradictory 847 01:04:03,710 --> 01:04:06,710 One feels that I have two faces 848 01:04:07,050 --> 01:04:09,760 "Swani Full of Dino" Written by Ennio Morricone 849 01:04:09,840 --> 01:04:11,760 , for Dino Achiola and the sound recorder 850 01:04:11,960 --> 01:04:14,630 In terms of the speaker's music ...the thoughts of the author 851 01:04:14,800 --> 01:04:18,300 There are problems that Today's society is facing it 852 01:04:21,260 --> 01:04:27,420 The interviewer said to him: How is it? ...composer of spaghetti western music 853 01:04:27,590 --> 01:04:30,710 "Can it have its own experimental nature? 854 01:04:31,010 --> 01:04:34,460 He is never careless The music was not tested 855 01:04:34,550 --> 01:04:37,380 He even tried in his films Use it 856 01:04:40,170 --> 01:04:43,760 When for the first time, Olive Petri : I saw him, he told me 857 01:04:43,840 --> 01:04:46,800 "I work with each composer only once." 858 01:04:47,040 --> 01:04:50,430 So remember that this is the first and the last "There is a film that we are making together 859 01:04:58,260 --> 01:05:00,090 I made very difficult music 860 01:05:00,260 --> 01:05:04,670 But the main character was a painter ...He was existentially very confused 861 01:05:04,920 --> 01:05:08,210 That's why I felt it was a good position ...to bring Noa Consonza group 862 01:05:08,460 --> 01:05:09,630 ...that I used to perform in them 863 01:05:11,710 --> 01:05:15,920 And from the old songs that for I had written eleven violins to use 864 01:05:16,090 --> 01:05:19,260 to them and I added a woman's voice 865 01:05:34,170 --> 01:05:37,490 We improvised in front of the film 866 01:05:37,560 --> 01:05:41,080 in a way that is compatible with ...he had dreams of a painter 867 01:05:41,170 --> 01:05:45,210 That is, paint was poured Canvases are falling 868 01:05:45,340 --> 01:05:48,090 And some kind of music place He had heard the noise 869 01:06:06,670 --> 01:06:10,010 Movies and music in terms ... was praised by critics 870 01:06:10,130 --> 01:06:12,760 But the sale went bad 871 01:06:13,300 --> 01:06:17,260 I considered myself responsible for his failure 872 01:06:25,510 --> 01:06:31,590 In a concert in Florence, one of The stage assistants came on stage 873 01:06:32,010 --> 01:06:34,920 He took a step and started .to shake it 874 01:06:35,050 --> 01:06:38,420 The old wood made a sound 875 01:06:48,510 --> 01:06:54,210 After ten minutes, the man got up and And he left, the concert was over 876 01:06:57,780 --> 01:06:59,210 ...I told Sarjo 877 01:07:01,590 --> 01:07:03,820 And he understood 878 01:07:13,590 --> 01:07:17,050 "The first twenty minutes of "Once Upon a Time in the West All pure music 879 01:07:24,690 --> 01:07:27,820 ...it was all the result of what happened in you 880 01:07:27,910 --> 01:07:31,300 Florence fell down the stairs 881 01:07:40,760 --> 01:07:43,600 In a way, the noises became music 882 01:08:02,290 --> 01:08:05,650 Character more than talk He was playing the harmonica 883 01:08:06,440 --> 01:08:08,180 It means a sound 884 01:08:12,060 --> 01:08:16,720 To leave so much to Enyo means ...put yourself in his hands 885 01:08:17,090 --> 01:08:20,630 And it is no wonder that my father never He did not work with any other musicians 886 01:08:29,522 --> 01:08:36,772 Morricone is in production The character works very well with the voice 887 01:08:49,130 --> 01:08:53,340 This music is very stimulating 888 01:08:53,920 --> 01:08:59,260 , provokes a person, closes the door 889 01:09:00,050 --> 01:09:02,420 It stays in your mind 890 01:09:23,630 --> 01:09:26,630 They gave me the music and I sang it And I executed it 891 01:09:26,800 --> 01:09:28,460 I didn't practice at first 892 01:09:28,880 --> 01:09:30,710 I heard its beautiful melody 893 01:09:31,300 --> 01:09:35,630 Music that our whole life We were listening to him 894 01:09:36,460 --> 01:09:39,670 It became a part of our days 895 01:10:01,630 --> 01:10:07,590 Voices, sounds, noises ...tones, feelings 896 01:10:07,710 --> 01:10:09,420 Short sentences 897 01:10:09,550 --> 01:10:11,210 Anyu from the way they were He used them 898 01:10:11,460 --> 01:10:15,090 Notes are like building materials 899 01:10:15,800 --> 01:10:20,550 Bricks are the same in all buildings But the buildings are not the same 900 01:10:21,210 --> 01:10:25,170 They were bricks He built a church with them 901 01:10:41,300 --> 01:10:46,260 Do not like as someone who just for Western music works make me known 902 01:10:48,420 --> 01:10:53,130 Latvada encouraged me to make symphonic music 903 01:10:53,380 --> 01:10:57,670 All of them are violins that are played in the Diuzi style Then all the stringed instruments, especially the violin 904 01:10:58,010 --> 01:11:00,630 , and I tried to make it a good symphonic music 905 01:11:13,800 --> 01:11:17,630 Honestly, the hardest piece I've ever written It is different from that 906 01:11:33,590 --> 01:11:37,300 The effect of "The Sicilian Bunch" required a lot of effort 907 01:11:47,689 --> 01:11:49,897 Good evening, Mr. Malenze 908 01:11:50,647 --> 01:11:53,189 I hope to see you Don't be stuck 909 01:11:53,700 --> 01:11:56,390 I told you to come whenever you want 910 01:12:01,210 --> 01:12:03,960 ...this interpretation of the main theme 911 01:12:14,130 --> 01:12:18,630 And then next to him I added a bit of Bach 912 01:12:19,210 --> 01:12:27,300 "B" means "B" and "E" means "E". C means thirty, and H means useless 913 01:12:27,920 --> 01:12:29,350 ...which means Bach 914 01:12:29,800 --> 01:12:33,170 He made a counter copy ...that you could take every piece 915 01:12:33,380 --> 01:12:35,920 to combine with his own voice ...with drums, double bass 916 01:12:36,090 --> 01:12:38,260 And then musical instruments entering 917 01:12:41,340 --> 01:12:43,960 These are good things I changed the order 918 01:12:48,880 --> 01:12:49,880 ...and his post 919 01:13:02,210 --> 01:13:03,630 ...the interesting thing was that 920 01:13:03,800 --> 01:13:07,510 , in the style that had the name of Bach It was also a Sicilian style 921 01:13:27,590 --> 01:13:29,590 At first, you feel it It's a piece 922 01:13:29,710 --> 01:13:32,710 But no, there is a lot behind it From hidden knowledge 923 01:13:32,840 --> 01:13:38,920 The entire composition of the instruments is affected ...BACH exposure 924 01:13:39,840 --> 01:13:41,550 But it doesn't matter 925 01:13:43,130 --> 01:13:45,420 Notes are not important anymore 926 01:13:45,550 --> 01:13:49,050 It is important that the composer What does he make of them? 927 01:14:05,800 --> 01:14:07,460 ♪ !Names, names ♪ 928 01:14:08,380 --> 01:14:13,010 I am the music of the movie "Man Cannibal" by I used to edit Lelina Cavani 929 01:14:13,300 --> 01:14:16,510 In the same building as Gilo ...he was editing "Koemada". 930 01:14:16,670 --> 01:14:20,760 And that from a distance He heard the band 931 01:14:24,380 --> 01:14:29,130 When Leilana Cavani was not there He went to the editing room 932 01:14:29,210 --> 01:14:32,630 , and took the tape with that piece from him 933 01:14:32,760 --> 01:14:37,920 Put it on the beach scene And it fit perfectly with him 934 01:14:53,550 --> 01:14:59,460 The music in my movie is like It became a spiritual anthem for freedom 935 01:14:59,590 --> 01:15:01,460 We had a fight 936 01:15:01,550 --> 01:15:06,300 He wanted to get the piece from Leilana Cavani and use it for "Koimada". 937 01:15:06,710 --> 01:15:09,670 Gilo, who was tired, told me "Okay, so write me something like that." 938 01:15:26,170 --> 01:15:29,380 I realized when I saw the movie Ponekoro 939 01:15:29,460 --> 01:15:31,880 This song is from "Man Cannibal". 940 01:15:32,050 --> 01:15:35,300 It was clear that they are similar It was different, but similar 941 01:15:46,840 --> 01:15:48,550 I got into trouble 942 01:16:11,100 --> 01:16:15,897 I remember he told me "Do you want to read Abolition?" 943 01:16:16,064 --> 01:16:18,981 Then I realized I'm going to go on stage 944 01:16:21,189 --> 01:16:22,314 Yes! 945 01:16:31,189 --> 01:16:35,856 I think in every orchestra A woman's voice should be important 946 01:16:35,981 --> 01:16:41,606 And that a woman is in front I think it was a very radical thing 947 01:16:48,260 --> 01:16:53,960 The human voice is very magical Because it comes from inside the body 948 01:16:54,090 --> 01:16:56,260 without the need for any equipment 949 01:17:21,340 --> 01:17:23,090 ...late 60s 950 01:17:23,210 --> 01:17:27,460 Erino Morricone for every producer Or directing was a guarantee 951 01:17:27,670 --> 01:17:33,710 Only in 1969, 21 films spread with his works 952 01:17:38,960 --> 01:17:43,420 Erino's great success It made people jealous 953 01:17:43,630 --> 01:17:47,550 Just don't be jealous They also copied it 954 01:17:48,010 --> 01:17:50,260 Jealousy became to slander 955 01:17:50,460 --> 01:17:53,670 "You made 18 films in one year? How is that possible? 956 01:17:53,800 --> 01:17:55,420 "It wasn't all your doing, was it?" 957 01:17:57,050 --> 01:17:58,380 He was sitting like this 958 01:17:58,510 --> 01:18:02,210 Writing in music was so fast As if he is writing a letter 959 01:18:02,630 --> 01:18:06,760 When he imagined music He had clarity of ideas 960 01:18:06,920 --> 01:18:09,130 It was clear, it was simple 961 01:18:11,590 --> 01:18:13,260 How many works did you make for movies? 962 01:18:14,090 --> 01:18:16,050 ...no.... I didn't count 963 01:18:18,275 --> 01:18:23,140 In making every bit of the song ...a different season from 964 01:18:23,272 --> 01:18:27,814 More knowledge, more research and More adventure in music 965 01:18:28,010 --> 01:18:31,840 I was sure that me and Olive Petri ...we don't work together anymore 966 01:18:32,260 --> 01:18:35,010 But then for all his movies He called me 967 01:18:42,010 --> 01:18:45,170 I wrote an arpeggio for "Investigations of Citizenship Beyond Zen". 968 01:18:56,170 --> 01:19:01,630 During his mixing, Elio called me And he showed me the first part 969 01:19:09,630 --> 01:19:13,840 "And I said, 'Olive, what's that?' 970 01:19:19,710 --> 01:19:22,090 He had changed the music 971 01:19:22,300 --> 01:19:26,460 From the music that years ago for I had made a stupid movie and he had used it 972 01:19:33,380 --> 01:19:35,760 : Olive told me great" 973 01:19:36,420 --> 01:19:38,920 Look, Bulgan is going to be killed 974 01:19:39,010 --> 01:19:40,630 "See how well Kor is doing 975 01:19:45,510 --> 01:19:48,920 Roger Mastroinai, the editor, was standing on my left 976 01:19:49,420 --> 01:19:53,460 "He said: "Enio, don't you see how extraordinary it is? 977 01:19:53,710 --> 01:19:57,590 And I replied: "How can you for this scene Do you like this music? 978 01:19:57,670 --> 01:19:58,710 "It doesn't fit" 979 01:20:02,260 --> 01:20:04,920 Little by little I became careless 980 01:20:05,130 --> 01:20:06,630 I told him: "Do whatever you like." 981 01:20:10,050 --> 01:20:11,420 ...the lights turned on 982 01:20:12,210 --> 01:20:16,260 And Elio told me something It still affects me when I think about it 983 01:20:17,300 --> 01:20:21,170 You made the best music I could imagine. 984 01:20:23,010 --> 01:20:25,260 "You have to punch me in the face 985 01:20:49,960 --> 01:20:52,590 An extraordinary idea 986 01:20:52,880 --> 01:20:55,340 All the work that Enyo ...combines what he had done until then 987 01:20:55,880 --> 01:21:01,760 And he threw it towards his future It was the "citizen survey". 988 01:21:09,210 --> 01:21:12,050 Review "It fixed my mental problems" 989 01:21:12,130 --> 01:21:16,010 It made me realize that it is possible ...man of very different music 990 01:21:16,090 --> 01:21:18,920 From what Moricone did to that day It was made, make it 991 01:21:23,460 --> 01:21:26,340 I remember the music more than the movie 992 01:21:26,420 --> 01:21:28,880 In fact, the music drives the film 993 01:21:38,010 --> 01:21:42,210 He created a format of music .which was the music of the film 994 01:21:42,460 --> 01:21:44,460 Maybe it can be said that he Inventor of film music 995 01:21:49,880 --> 01:21:51,840 How do we kill this time? 996 01:21:53,460 --> 01:21:55,670 I cut my throat 997 01:22:00,070 --> 01:22:04,790 Corbic liked the music and And he asked me to go for "orange cookie". 998 01:22:05,550 --> 01:22:10,300 He liked that music so much that He asked me to do something similar to him 999 01:22:14,130 --> 01:22:19,460 We accepted But Kubrick called Leone 1000 01:22:19,760 --> 01:22:22,300 , which he told him that I can't do it Because I am working 1001 01:22:22,400 --> 01:22:26,272 ...composition, Ennio Morricone is on 1002 01:22:26,481 --> 01:22:29,397 My new movie, "A Fistful of Dynamite" is working 1003 01:22:29,840 --> 01:22:33,420 But it wasn't like that .I was working on A Fistful of Dynamite 1004 01:22:33,510 --> 01:22:35,130 The music work was finished 1005 01:22:35,210 --> 01:22:38,510 That's why Kubrick didn't call me I didn't care 1006 01:22:38,630 --> 01:22:41,760 The only regret is about working That's all I have on a film 1007 01:22:41,960 --> 01:22:45,590 One, two, one, two, three, four 1008 01:22:49,210 --> 01:22:52,340 I dream of being in a work I had Morricone's 1009 01:22:52,420 --> 01:22:53,920 .great, wow 1010 01:22:54,590 --> 01:22:58,420 But instead I saw only four people They are in the recording studio 1011 01:23:00,710 --> 01:23:03,260 ...he also rejected a scene and said 1012 01:23:04,760 --> 01:23:07,670 He gave me the instructions ...and then recorded it 1013 01:23:13,710 --> 01:23:16,380 A few ... great job 1014 01:23:16,590 --> 01:23:20,500 And in a specific style of thrillers He tested them 1015 01:23:24,920 --> 01:23:28,050 He looked at me with a little anger 1016 01:23:28,260 --> 01:23:30,170 And he asked: "What are they?" 1017 01:23:30,260 --> 01:23:34,550 I told him: "There are songs "...maybe we wanted to be inspired at some point 1018 01:23:34,670 --> 01:23:36,010 "Put them away" 1019 01:23:40,170 --> 01:23:43,800 I experimented with a style of writing that I had not tried it before 1020 01:23:44,300 --> 01:23:47,880 He wrote music linearly 1021 01:23:53,050 --> 01:23:57,800 Musicians in the studio with ...Enyo's works were improvised 1022 01:23:57,920 --> 01:23:59,510 ...he played the trumpet 1023 01:24:04,450 --> 01:24:08,260 Based on what happened ...the scene was falling 1024 01:24:08,400 --> 01:24:11,880 ...he pointed to the line that should be delayed 1025 01:24:11,910 --> 01:24:14,230 which was from a certain musician 1026 01:24:14,330 --> 01:24:17,210 That's why I told someone to start ...then the next person 1027 01:24:17,240 --> 01:24:19,560 And everyone should have their things ready 1028 01:24:19,640 --> 01:24:22,850 , to start at any moment Because it is not written 1029 01:24:23,110 --> 01:24:26,070 That's why when a director says "Okay" 1030 01:24:26,840 --> 01:24:29,300 I couldn't do it like that anymore 1031 01:24:29,720 --> 01:24:34,510 That's why you Movies do unexpected things 1032 01:24:49,800 --> 01:24:52,550 After the third movie ...Salvatore, Dario's father 1033 01:24:52,630 --> 01:24:55,260 He said to me: "What are you doing?" "It's all music 1034 01:24:55,460 --> 01:24:57,710 "For three films," he told me You made a music 1035 01:24:57,880 --> 01:24:58,920 It wasn't like that 1036 01:24:59,130 --> 01:25:02,170 : Enyo said to defend himself "I didn't make a music" 1037 01:25:02,380 --> 01:25:03,800 But it looks similar 1038 01:25:04,050 --> 01:25:10,590 Because bad music It destroys the stability of the scene 1039 01:25:11,800 --> 01:25:15,090 But I have this idea I downloaded other movies 1040 01:25:15,210 --> 01:25:18,550 And I reached 23 points 1041 01:25:18,760 --> 01:25:22,630 .Maybe sometimes he has gone too far 1042 01:25:22,920 --> 01:25:26,460 Little by little, the first answers of rejection and warning came to him ...telling him 1043 01:25:26,670 --> 01:25:30,340 This, if you want to write like this" "You can't do anything anymore 1044 01:25:30,880 --> 01:25:33,210 Obviously, I changed my writing style 1045 01:25:46,840 --> 01:25:49,090 Morricone was a legend 1046 01:25:49,420 --> 01:25:54,630 Jon Baez is one of the greatest He was a symbol of American youth 1047 01:25:54,960 --> 01:25:57,300 Enyo spoke some English 1048 01:25:57,510 --> 01:25:59,960 , and Baez spoke some Italian 1049 01:26:00,800 --> 01:26:04,340 But music is a universal language 1050 01:26:11,522 --> 01:26:15,022 I remember the things that were recorded All of them were without musical instruments 1051 01:26:16,022 --> 01:26:18,272 It was just his notes 1052 01:26:18,314 --> 01:26:20,856 and add all the items afterwards 1053 01:26:21,010 --> 01:26:24,590 He sings with a simple piano and drums 1054 01:26:24,760 --> 01:26:28,630 That's why I'm on his voice I put an orchestra 1055 01:26:28,660 --> 01:26:30,150 : And he told me 1056 01:26:30,430 --> 01:26:33,330 No one who personally He doesn't know me 1057 01:26:33,460 --> 01:26:37,480 ...couldn't be so accurate 1058 01:26:37,510 --> 01:26:40,040 "Let my voice write 1059 01:26:40,070 --> 01:26:41,750 : He said "This is a miracle." 1060 01:26:59,231 --> 01:27:05,856 I had finished everything and the last moment came ...he said there is a small thing like this 1061 01:27:09,189 --> 01:27:10,981 Can you write a poem for him? 1062 01:27:11,439 --> 01:27:12,731 I said ok 1063 01:27:34,210 --> 01:27:37,630 That song is very early ... became known 1064 01:27:37,710 --> 01:27:41,880 : And we asked ourselves "Why? How is that possible? 1065 01:27:41,981 --> 01:27:47,147 That song is not only popular, but also an anthem 1066 01:28:09,300 --> 01:28:11,710 that my songs ...to be very successful 1067 01:28:11,920 --> 01:28:17,800 It is not a reason that I disagree with I was wrong about traditional melodies 1068 01:28:18,210 --> 01:28:21,840 I think we are at the end We arrive at musical compositions 1069 01:28:22,170 --> 01:28:26,010 Like Ennio Morricone He doesn't like the melody 1070 01:28:26,090 --> 01:28:27,090 He said this himself 1071 01:28:27,300 --> 01:28:32,090 But he is a musician It has a strong sense of melody 1072 01:28:32,510 --> 01:28:36,210 The more he wants to suppress it He shows himself more 1073 01:28:39,420 --> 01:28:44,630 Melody? Someone who is so good at making it Can't hate him 1074 01:28:45,090 --> 01:28:46,090 He lies 1075 01:28:50,550 --> 01:28:56,920 But maybe this is something we can do "With a bit of humor, let's call it "composer's schizophrenia 1076 01:28:57,260 --> 01:29:02,260 A lie that has a different form 1077 01:29:20,210 --> 01:29:24,260 One of its rules ...strictness is what makes it 1078 01:29:24,380 --> 01:29:27,760 And he is playing chess It proves this 1079 01:29:28,130 --> 01:29:31,050 I mean, it's in the math world and lives geometrically 1080 01:29:31,106 --> 01:29:35,106 Mostly algebraic and spiritual methods 1081 01:29:35,231 --> 01:29:38,272 Few composers They have what Ennio Morricone has 1082 01:29:38,356 --> 01:29:43,064 What is instinct? It is useful for the stage 1083 01:29:43,189 --> 01:29:46,231 And when you hear his music You understand what it's like 1084 01:29:54,856 --> 01:30:00,189 How can one understand with the first note? Is this work by Ennio Mariconi? 1085 01:30:02,731 --> 01:30:09,897 He put so much of himself into music ...that even the method of starting to move on the wire 1086 01:30:10,022 --> 01:30:13,731 You understand that Enue's work is not possible It's someone else's job 1087 01:30:17,170 --> 01:30:23,340 Although his works have a great impact ...but they are executed under pressure 1088 01:30:24,050 --> 01:30:28,170 which size they are for The audience is very fascinating 1089 01:30:28,460 --> 01:30:33,920 I don't care anymore I became analytical listening to it 1090 01:30:34,460 --> 01:30:37,130 And I let go 1091 01:30:51,840 --> 01:30:56,590 His music makes us all feel .secretly made just for us 1092 01:30:56,680 --> 01:31:00,150 Why do people remember Morricone's music? 1093 01:31:00,272 --> 01:31:07,064 Because when you listen to it, you won't forget it 1094 01:31:21,170 --> 01:31:24,550 My mind is full of music Something I have to write 1095 01:31:24,630 --> 01:31:27,210 Then an interesting and important idea It comes to my mind 1096 01:31:27,340 --> 01:31:31,130 That's why it always seems to be in me Like someone who doesn't want to talk 1097 01:31:31,340 --> 01:31:34,380 He was very shy 1098 01:31:34,670 --> 01:31:37,590 .and was deeply determined 1099 01:31:37,760 --> 01:31:43,630 So talk to him about it Music is like talking to the depths of the soul 1100 01:31:48,060 --> 01:31:50,060 "Arabian Nights" (Made by Pier Paolo Pasolini (1974)) 1101 01:31:50,090 --> 01:31:52,340 He believes in his music 1102 01:31:52,460 --> 01:31:55,090 which should never be taken The picture is fine 1103 01:31:55,210 --> 01:31:58,010 :Actually, Enyo says I'm like a chameleon 1104 01:31:58,260 --> 01:32:01,090 Based on the director I work with I change the color 1105 01:32:01,260 --> 01:32:04,090 But I am always myself 1106 01:32:04,340 --> 01:32:07,420 I think he always does ...the director was trying to 1107 01:32:07,510 --> 01:32:11,170 He works with him to get to know him and then work with their souls 1108 01:32:11,420 --> 01:32:15,510 In this sense, Enyo He was a good psychologist 1109 01:32:15,840 --> 01:32:19,300 Because to deal with the characters who ... being too complicated 1110 01:32:19,460 --> 01:32:22,920 And someone who had so much trouble A person must be a good psychologist 1111 01:32:25,647 --> 01:32:28,856 with Pasolini and others ...the directors he worked with 1112 01:32:28,981 --> 01:32:32,189 Always a way to show yourself found 1113 01:32:32,231 --> 01:32:34,231 It is really a dictionary for itself 1114 01:32:34,420 --> 01:32:38,380 If ten composers with one ...the director was working 1115 01:32:39,210 --> 01:32:41,800 ...and writing for a movie 1116 01:32:42,170 --> 01:32:44,710 Everyone writes different music 1117 01:32:45,050 --> 01:32:47,710 ...this shows dramatic logic 1118 01:32:48,090 --> 01:32:50,550 How hard is it to write for a movie? 1119 01:32:50,960 --> 01:32:53,050 Because there are so many solutions 1120 01:32:53,670 --> 01:32:56,050 The most difficult job of a composer is that 1121 01:32:56,170 --> 01:32:58,670 See what music is right? Which one fits better? 1122 01:32:59,260 --> 01:33:03,090 This is the composer's grief 1123 01:33:09,800 --> 01:33:13,630 : We said for "Alonsanfan". ...Enyo, there is a dance at the end" 1124 01:33:13,760 --> 01:33:16,050 We want a song to record it 1125 01:33:16,210 --> 01:33:19,010 He wrote his song for us 1126 01:33:24,210 --> 01:33:25,960 And we liked it very much 1127 01:33:30,050 --> 01:33:33,170 That's why we thought of that song It was for dancing 1128 01:33:34,260 --> 01:33:36,510 And filming with the same rhythm 1129 01:33:36,670 --> 01:33:38,010 But when editing the film 1130 01:33:38,090 --> 01:33:40,130 We couldn't go on without music 1131 01:33:40,300 --> 01:33:42,590 That's why it's the most forbidden music We fixed it 1132 01:33:42,710 --> 01:33:45,260 One of the most diverse musicians 1133 01:33:45,590 --> 01:33:51,880 : Then Enyo came to see the editing and said "Okay, but what am I doing here?" 1134 01:33:52,210 --> 01:33:53,210 And he left 1135 01:33:53,340 --> 01:33:55,880 ...to imitate other people's music 1136 01:33:56,170 --> 01:33:59,670 I didn't like myself I don't have freedom of thought 1137 01:33:59,760 --> 01:34:01,010 I never like it 1138 01:34:01,170 --> 01:34:03,670 We ran down the stairs 1139 01:34:04,010 --> 01:34:05,840 "No, it must be your job" 1140 01:34:06,130 --> 01:34:07,630 "I won't do it" 1141 01:34:07,710 --> 01:34:10,920 In the end, I accepted it, but I said I do the music myself 1142 01:34:21,010 --> 01:34:24,340 When to record the final dance ...we were in the recording studio 1143 01:34:24,420 --> 01:34:27,070 Enyo said: "I have prepared a melody for you 1144 01:34:27,090 --> 01:34:28,090 No! 1145 01:34:29,470 --> 01:34:32,700 We don't want a melody "That's fine, Enyo 1146 01:34:33,920 --> 01:34:34,960 ".just listen" 1147 01:34:39,630 --> 01:34:42,510 We jumped on his head Because this was better 1148 01:34:49,300 --> 01:34:50,710 : The director oversees everything 1149 01:34:50,800 --> 01:34:53,840 Screenplay ...stage design, costumes 1150 01:34:53,920 --> 01:34:57,170 Acting, light, camera frame 1151 01:34:57,300 --> 01:34:58,670 But not music 1152 01:35:10,510 --> 01:35:15,800 He sat behind the piano and He used to make music with his voice 1153 01:35:26,670 --> 01:35:30,380 I have a bad voice .definitely not good 1154 01:35:30,590 --> 01:35:34,010 He played music for me behind the piano But I didn't understand anything 1155 01:35:34,260 --> 01:35:38,300 The director did not know what I want to play an orchestra 1156 01:35:38,460 --> 01:35:43,590 I didn't have the courage to do anything I doubt that Morricone was improvising at the piano 1157 01:35:43,760 --> 01:35:47,880 I knew that voice It turns into wind 1158 01:35:48,090 --> 01:35:54,010 The director cannot explain understand the final result 1159 01:35:54,130 --> 01:35:57,090 Music cannot be described You have to listen to him 1160 01:36:13,840 --> 01:36:17,840 Some movies ...quickly inspire me 1161 01:36:17,960 --> 01:36:20,460 Some of the music To make for some scenes 1162 01:36:38,420 --> 01:36:42,550 "In the first broadcast of the movie "1900 1163 01:36:43,130 --> 01:36:45,630 Enyo started quickly .to write songs 1164 01:36:45,800 --> 01:36:50,340 It was dark and I happened to be there I had a piece of paper and started writing 1165 01:36:56,010 --> 01:36:57,380 I wrote it 1166 01:37:36,380 --> 01:37:41,630 It's like with music He made the parallel film 1167 01:37:53,380 --> 01:37:57,380 Enyo moves in the music 1168 01:37:57,590 --> 01:38:00,300 There is nothing he cannot give you 1169 01:38:01,050 --> 01:38:03,630 , if when it records : Tell him 1170 01:38:03,710 --> 01:38:08,300 Why don't you make a piece of it that "Similar to "Verdi"? 1171 01:38:08,590 --> 01:38:11,800 His talent was emerging quickly 1172 01:38:14,050 --> 01:38:19,670 He would quickly give you a job like "Verdi". And you were wondering where this opera came from 1173 01:38:19,800 --> 01:38:20,800 But it's not opera 1174 01:38:22,340 --> 01:38:23,340 .Eniue's work 1175 01:38:34,510 --> 01:38:37,590 The movie "1900" reviews It was too much for him 1176 01:38:38,210 --> 01:38:41,460 And one is to blame Played music 1177 01:38:41,670 --> 01:38:43,800 Zolini called me and said 1178 01:38:43,880 --> 01:38:45,920 "I will write an article in your defense" 1179 01:38:46,010 --> 01:38:47,920 It was really kind of him 1180 01:39:06,050 --> 01:39:09,710 Tartars are the dream of young people .which is gone 1181 01:39:09,800 --> 01:39:15,880 And Zolini wanted to hear the pieces ...and I performed it for him on the piano 1182 01:39:24,170 --> 01:39:26,960 : And he said it "Enough, fine." 1183 01:39:28,880 --> 01:39:32,050 That you don't know how the song is ... It's done, it's great 1184 01:39:32,130 --> 01:39:35,170 You can't even tell how his orchestra was He didn't know anything 1185 01:39:35,340 --> 01:39:38,130 But when a director trusts you It means he trusts you 1186 01:40:01,010 --> 01:40:02,050 Goodbye, Drogo 1187 01:40:02,170 --> 01:40:04,630 That piece with I made five war trumpets 1188 01:40:04,840 --> 01:40:08,130 ...who said an army is on its way 1189 01:40:08,630 --> 01:40:09,880 But it wasn't like that 1190 01:40:21,800 --> 01:40:24,340 ...the last time I played the trumpet 1191 01:40:24,510 --> 01:40:27,590 There was a time when Gilo Ponkoro He got married in the Capitol 1192 01:40:27,840 --> 01:40:30,670 He asked me to I will play the wedding parade song for him 1193 01:40:30,880 --> 01:40:35,630 I picked up the trumpet and even though it was a long time ago ...I hadn't, and I started to 1194 01:40:39,260 --> 01:40:41,630 Blowing it on the trumpet He was very happy 1195 01:40:58,310 --> 01:41:00,310 "Days of Heaven" "From Terence Malick - 1978 1196 01:41:00,340 --> 01:41:03,550 Terence Malik was an important director for me 1197 01:41:03,710 --> 01:41:05,630 I went to see his movie 1198 01:41:05,800 --> 01:41:09,800 And when I returned to Italy, 18 I wrote an idea 1199 01:41:16,731 --> 01:41:21,814 Enyo told me to play chess with him ...I remember we were on the recording stage 1200 01:41:21,981 --> 01:41:24,981 And when he was leading the army He was telling me his movements 1201 01:41:25,106 --> 01:41:32,897 I was not in front of the screen in the control room I wondered how a mind could be better than me 1202 01:41:38,710 --> 01:41:40,710 ...when we reviewed the film 1203 01:41:41,010 --> 01:41:44,210 He forced me to make a piece which was very important to him 1204 01:41:44,710 --> 01:41:46,760 It was like a symphony of fire 1205 01:42:03,550 --> 01:42:08,300 You will never be in a relationship with someone like that I didn't have it by mail 1206 01:42:18,606 --> 01:42:25,814 I really thought in the 20th century Without Enyo's work, the films would be completely different 1207 01:42:26,189 --> 01:42:29,772 Traditional songs from movies or just being an orchestra 1208 01:42:29,814 --> 01:42:31,814 Or for second rate movies 1209 01:42:31,856 --> 01:42:37,420 He was the one who took all these and Combine them and combine them all 1210 01:42:37,420 --> 01:42:37,439 A film musician ... should be able to do anything He was the one who took all these and Combine them and combine them all 1211 01:42:37,439 --> 01:42:40,300 A film musician ... should be able to do anything 1212 01:42:40,760 --> 01:42:42,590 Taken from the symphony to popular songs 1213 01:42:48,840 --> 01:42:52,130 Listen, honey, you all have to do the same thing did you do this 1214 01:42:52,210 --> 01:42:54,430 Sergio Leone made my first film 1215 01:42:54,610 --> 01:42:57,110 Luene told me during the production of "Happiness is beautiful". 1216 01:42:57,140 --> 01:42:59,650 You should do something similar to Titina. 1217 01:42:59,670 --> 01:43:02,710 But be sweeter Like Chaplin 1218 01:43:04,340 --> 01:43:08,130 Morricone said, "You better screw up the script." 1219 01:43:08,260 --> 01:43:10,300 I will read it and give you the feeling 1220 01:43:10,510 --> 01:43:12,590 Lord, what do you want me to do for you? 1221 01:43:12,670 --> 01:43:14,340 And he answered "Love, love, love" 1222 01:43:14,710 --> 01:43:16,210 We returned two days later 1223 01:43:16,550 --> 01:43:18,800 Morricone hit five or six notes 1224 01:43:25,670 --> 01:43:27,090 : Luene said to Morricone 1225 01:43:27,460 --> 01:43:29,420 "Did you see? I gave you the clue" 1226 01:43:29,510 --> 01:43:32,630 But this is Titina. "What does Titina have to do with this?" 1227 01:43:32,760 --> 01:43:34,300 "No, but it's around here." 1228 01:43:37,340 --> 01:43:39,550 I remember when Morricone came And Leone said 1229 01:43:40,460 --> 01:43:46,670 "I want that musician to be on the whole film" 1230 01:43:54,960 --> 01:43:58,260 "Anywhere," Morricone replied If it's convenient, we'll use it, Sarjo 1231 01:43:58,760 --> 01:44:00,960 It can't be on everything Use music 1232 01:44:01,090 --> 01:44:02,460 "... but the musician" 1233 01:44:02,550 --> 01:44:04,880 Let me think about that" How to use music 1234 01:44:17,510 --> 01:44:20,420 Enyo and Serjo in their lives Being friends 1235 01:44:20,510 --> 01:44:24,710 Sarjo wrote for the films he wanted He was going to him 1236 01:44:35,960 --> 01:44:41,260 The collaboration with Sarjo started once who described the movie to me 1237 01:44:48,856 --> 01:44:54,272 Damn, I slipped 1238 01:45:02,340 --> 01:45:07,760 He explained to me in great detail He even explained the framework 1239 01:45:12,380 --> 01:45:15,090 I think my father ...He relied a lot on Enyo's music 1240 01:45:15,300 --> 01:45:19,340 And he wanted his movies It depends on the music 1241 01:45:32,606 --> 01:45:35,856 "...in "Once upon a time in America 1242 01:45:35,856 --> 01:45:40,897 Each piece is full of original thoughts and Original instruments 1243 01:45:48,380 --> 01:45:54,170 The music of my father's films .Being something more than a song 1244 01:45:54,260 --> 01:45:56,510 In fact, it could be said There are movie dialogues 1245 01:46:04,300 --> 01:46:08,510 Usually Sarjo forced me ...before the start of filming 1246 01:46:08,800 --> 01:46:10,460 I write the music 1247 01:46:10,760 --> 01:46:15,010 I remember the song "Rozi Rozgari". in America 1248 01:46:15,170 --> 01:46:18,880 It was several years before the film was made 1249 01:46:19,260 --> 01:46:23,550 In those years Sarjo had many doubts 1250 01:46:23,840 --> 01:46:27,010 : And sometimes you ask "Let me hear other songs" 1251 01:46:54,880 --> 01:46:57,880 It was a song about silence and ...the stop was made 1252 01:46:58,010 --> 01:46:59,840 Things I like 1253 01:47:04,170 --> 01:47:07,460 It was a song I had written in America 1254 01:47:07,710 --> 01:47:10,920 For the movie "Endless Love" by Ziffrelli 1255 01:47:11,170 --> 01:47:12,960 : He told me to be honest 1256 01:47:13,050 --> 01:47:16,130 These are songs that Another composer wrote it 1257 01:47:16,340 --> 01:47:19,960 I did not agree to make that film Because he had someone else's songs 1258 01:47:20,130 --> 01:47:22,920 And I have a problem with this - ...Dad always asks this - 1259 01:47:23,090 --> 01:47:26,880 Bring him the things he threw away Things that are not used 1260 01:47:27,050 --> 01:47:31,510 I played Ziffrelli's song for him .which later became Deborah's song 1261 01:47:31,670 --> 01:47:33,300 He fell in love with her 1262 01:47:33,460 --> 01:47:35,710 And I have to say, I still like it 1263 01:47:52,772 --> 01:47:56,397 It starts with a move The movements below do not shake 1264 01:47:56,522 --> 01:48:00,106 And then at his own will Goes to the next note 1265 01:48:10,272 --> 01:48:15,022 Enyo by staying on the same note for a long time He tells the story 1266 01:48:15,106 --> 01:48:18,064 Staying on that note for so long It takes a lot of courage 1267 01:48:28,260 --> 01:48:29,590 ...without that music 1268 01:48:30,050 --> 01:48:31,490 I couldn't imagine it any other way 1269 01:48:31,710 --> 01:48:35,380 If you watch the movie without listening I had seen his music 1270 01:48:39,590 --> 01:48:44,760 Leone wanted Enyo's songs Be echoed in filming 1271 01:48:45,010 --> 01:48:49,260 And even the speakers They were playing Enyo's music 1272 01:48:49,460 --> 01:48:51,800 Actors their scenes Playing with background music 1273 01:48:51,920 --> 01:48:55,760 Morricone's music was on stage It was unbelievable 1274 01:48:56,300 --> 01:48:57,300 Camera 1275 01:48:57,420 --> 01:49:00,670 .ready, harvest 144, 18, harvest one 1276 01:49:07,800 --> 01:49:08,840 Action 1277 01:49:10,420 --> 01:49:12,840 Listening to music on stage It affected everyone 1278 01:49:13,050 --> 01:49:15,260 On the actors and influencing factors 1279 01:49:21,210 --> 01:49:23,880 You feel ready 1280 01:49:24,260 --> 01:49:26,880 I'm not saying I saw the movie I felt it 1281 01:49:30,340 --> 01:49:35,300 An actor like De Niro ...he is very interested in live recording 1282 01:49:35,690 --> 01:49:39,620 ...that you need a special scene 1283 01:49:39,760 --> 01:49:44,550 He said: He was playing with music "It's better to keep the music on, it helps me" 1284 01:49:59,670 --> 01:50:03,710 In the field of high level music ... Ennio Morricone 1285 01:50:03,880 --> 01:50:08,170 It was a well-known name But it didn't attract anyone's attention 1286 01:50:08,420 --> 01:50:10,460 But there was my world 1287 01:50:11,100 --> 01:50:14,730 Academic musicians ...the previous generation 1288 01:50:14,900 --> 01:50:18,460 To accept talent Ennio Morricone has a problem 1289 01:50:18,710 --> 01:50:23,300 "Once upon a time in America" had the final word in this case 1290 01:50:23,590 --> 01:50:28,880 No one can write this music .who is not deeply a musician 1291 01:50:39,300 --> 01:50:42,760 There, the music It affected me greatly 1292 01:50:42,880 --> 01:50:47,130 There is music that comes from nothing ...doesn't pass without a deep opinion 1293 01:50:47,510 --> 01:50:49,670 But he enters it He makes it 1294 01:50:50,090 --> 01:50:53,800 And when I realized this I also understood Morricone 1295 01:50:54,130 --> 01:50:55,260 I didn't understand it before 1296 01:50:56,010 --> 01:50:59,130 Boris Poorna for Enyo He wrote an apology letter 1297 01:50:59,510 --> 01:51:03,170 But there was no apology from Morricone ...apology was from the historical period 1298 01:51:03,460 --> 01:51:05,090 ...from himself, from 1299 01:51:05,880 --> 01:51:08,170 ... because he couldn't get it 1300 01:51:08,420 --> 01:51:12,210 To prevent the power of ideology He has been so blind and deaf 1301 01:51:12,340 --> 01:51:15,880 He belonged to another world Finally, he humiliated him 1302 01:51:16,260 --> 01:51:20,760 ...and it took some time until, many of them 1303 01:51:22,630 --> 01:51:25,670 ...in front of his genius Bow your head 1304 01:51:26,170 --> 01:51:28,960 ... when I read this letter to Enyo 1305 01:51:29,260 --> 01:51:30,670 ...got up 1306 01:51:31,170 --> 01:51:34,010 And he cried Somehow he was released 1307 01:51:34,260 --> 01:51:39,010 I remember when I saw the movie ...I said: "Damn 1308 01:51:40,210 --> 01:51:41,880 ...there is something here 1309 01:51:42,420 --> 01:51:47,880 Which is the day after what we usually do "We are thinking about the film 1310 01:52:04,314 --> 01:52:10,272 I remember I was in the cinema and I couldn't see it Then I realized that I was only seeing Enyo's back 1311 01:52:10,397 --> 01:52:12,397 Because he had gone down on the chair 1312 01:52:27,814 --> 01:52:31,064 And when he turned to me, he was crying 1313 01:52:39,170 --> 01:52:43,840 I mourn the massacre I was rednecks and Jesuits 1314 01:52:43,960 --> 01:52:46,630 But the movie was beautiful even without music 1315 01:52:47,170 --> 01:52:48,460 My work was ruining it 1316 01:52:48,647 --> 01:52:51,689 And he said, "You don't need music for this movie." 1317 01:52:51,800 --> 01:52:55,100 No, it's not possible! "I can't write music for this 1318 01:53:01,300 --> 01:53:04,170 "Mission" in Enyo's life A special time has come 1319 01:53:04,300 --> 01:53:07,170 who had decided from The music of the film should come out 1320 01:53:07,510 --> 01:53:09,420 ...and this movie suddenly came to him 1321 01:53:09,590 --> 01:53:11,800 to make his decision 1322 01:53:19,106 --> 01:53:21,689 And one day I was at home and The phone rang 1323 01:53:21,856 --> 01:53:23,856 ...and a voice said, “Hey, Lunal 1324 01:53:24,106 --> 01:53:26,522 I said yes and he said I am Enyo 1325 01:53:26,606 --> 01:53:30,106 I said, "Ah, Enyo," and he said it "...I thought" 1326 01:53:30,522 --> 01:53:33,814 I have a small idea 1327 01:53:49,856 --> 01:53:53,814 ...I saw this in my mind, like the movie 1328 01:53:54,397 --> 01:53:56,439 I saw the movie in its music 1329 01:54:00,960 --> 01:54:04,590 My behavior in writing "Mission" was very strange 1330 01:54:04,760 --> 01:54:06,130 It's like I can't control it 1331 01:54:06,300 --> 01:54:08,710 Without controlling myself I wrote this music 1332 01:54:09,010 --> 01:54:11,050 ...for a unique piece of music 1333 01:54:11,170 --> 01:54:13,920 Enyo could write for a year 1334 01:54:14,010 --> 01:54:17,590 And good works like "mission" for him It takes two months 1335 01:54:17,800 --> 01:54:21,590 This is another one It was Enio's secret rooms 1336 01:54:21,670 --> 01:54:26,420 I mean, quite something here You could see the extraordinary 1337 01:54:27,170 --> 01:54:29,340 First, I wrote the song Qarani 1338 01:54:29,590 --> 01:54:32,670 ...but because the movie takes place in 1750 1339 01:54:32,840 --> 01:54:35,550 I was also influenced by the makeup of the film 1340 01:54:35,630 --> 01:54:38,550 Double mordant ... double propto 1341 01:54:38,670 --> 01:54:41,760 .achakatora, appoggiator ...all elements 1342 01:54:41,920 --> 01:54:43,760 that enrich the melody 1343 01:54:45,510 --> 01:54:46,590 ... your case 1344 01:54:57,920 --> 01:54:59,010 Achakatura 1345 01:55:00,670 --> 01:55:01,670 ... your case 1346 01:55:17,840 --> 01:55:23,130 And it seems logical that Let's give music to the movie 1347 01:55:23,380 --> 01:55:26,880 which is according to the rules of the Second Vatican Council 1348 01:56:02,420 --> 01:56:03,590 ...and then 1349 01:56:04,050 --> 01:56:08,460 ... the cultural style of Indian music It is early music 1350 01:56:08,630 --> 01:56:11,510 ...well, in tune 1351 01:56:11,800 --> 01:56:13,880 I wrote another song 1352 01:56:14,170 --> 01:56:15,170 A rhythmic song 1353 01:56:37,481 --> 01:56:40,647 He is like athletes He takes off his headphones 1354 01:56:40,731 --> 01:56:44,481 He went down and picked up the pen And then the finger moved 1355 01:56:44,731 --> 01:56:48,647 And it draws a line and you feel all the energy This is how it happens in the studio 1356 01:56:49,314 --> 01:56:51,314 God knows how he felt 1357 01:56:56,170 --> 01:56:57,920 ... the interesting thing is that 1358 01:56:58,210 --> 01:57:00,090 ...the song of Qaraney... 1359 01:57:00,380 --> 01:57:02,170 It was combined with consonance 1360 01:57:03,170 --> 01:57:06,460 Consonance was combined with the racial section 1361 01:57:06,800 --> 01:57:09,590 The racial part could To be combined with the Qareni section 1362 01:57:09,840 --> 01:57:12,380 That means they can do all three styles .combine together 1363 01:57:12,800 --> 01:57:14,630 All these things are not intentional 1364 01:57:14,840 --> 01:57:16,880 ...like something 1365 01:57:17,800 --> 01:57:21,530 He would show it to me .that this music... has logic 1366 01:59:38,522 --> 01:59:43,272 Enyo covered the whole movie ...I mean, music was everywhere in the movie 1367 01:59:43,439 --> 01:59:46,647 It was like seeing a corpse It was breathed into the soul 1368 01:59:46,981 --> 01:59:48,981 And now it was impossible to separate them 1369 01:59:49,231 --> 01:59:52,106 For Ennio Morricone's "The Mission". 1370 01:59:53,231 --> 01:59:58,147 I was sure more than anything in my life that he will win the Oscar 1371 01:59:58,231 --> 02:00:00,231 ...and the winner 1372 02:00:00,564 --> 02:00:02,564 .Herbie Hancock 1373 02:00:03,564 --> 02:00:07,356 I wanted on behalf of the entire academy And I apologize to the whole world 1374 02:00:07,522 --> 02:00:09,522 Too bad for this mistake 1375 02:00:09,670 --> 02:00:11,090 .Herbie Hancock 1376 02:00:11,420 --> 02:00:15,670 He is a good jazz musician, a good composer He's a good pianist, I don't deny that 1377 02:00:22,670 --> 02:00:25,630 But his character is pieces that It was happening 1378 02:00:25,880 --> 02:00:28,670 That's why his music ...was half built 1379 02:00:28,880 --> 02:00:31,920 And it should not have been placed in the original music section 1380 02:00:32,380 --> 02:00:35,670 ...in fact, when they introduced the Oscars 1381 02:00:35,920 --> 02:00:37,550 Viewers protested 1382 02:00:38,510 --> 02:00:40,760 I quickly left 1383 02:00:47,880 --> 02:00:51,460 He was the best Everyone knew he was the best 1384 02:00:51,590 --> 02:00:55,130 But as he deserved Not recognized 1385 02:00:55,380 --> 02:00:57,220 Because it was clear Not understanding 1386 02:00:57,420 --> 02:01:00,010 ...you are very much in between the music of the movie 1387 02:01:00,170 --> 02:01:02,340 And the music moves in the hall 1388 02:01:02,460 --> 02:01:05,960 It's been a long time I am improving this activity 1389 02:01:06,260 --> 02:01:08,670 I wanted to be indifferent to movies But I'm still doing it 1390 02:01:08,880 --> 02:01:11,630 It was also because I didn't want to I will die and the only thing I did was for cinema 1391 02:01:12,090 --> 02:01:14,050 ...for several years to date 1392 02:01:14,170 --> 02:01:17,920 He as a music producer It was known as culture 1393 02:01:18,170 --> 02:01:24,010 All by making valuable works, full of art And it was a high level of beauty 1394 02:01:24,920 --> 02:01:28,840 Petrasi in one of Enyo's concerts were in the first row 1395 02:01:29,090 --> 02:01:32,670 ...and as soon as you could see that Enyo is so for 1396 02:01:32,960 --> 02:01:37,800 His teacher shows respect It has never been separated from him 1397 02:01:48,090 --> 02:01:52,840 When the producer of Cristaldi called him and offered him "Cinema Paradiso". 1398 02:01:53,130 --> 02:01:54,840 Enyo disagreed at first 1399 02:01:54,920 --> 02:01:59,460 Franco called me a little later He said: "Read the script." 1400 02:02:00,300 --> 02:02:01,760 And then tell me your opinion 1401 02:02:02,260 --> 02:02:03,880 The home phone rang 1402 02:02:04,210 --> 02:02:06,510 I am Ennio Morricone "Can we see each other? 1403 02:02:08,300 --> 02:02:09,460 please 1404 02:02:12,210 --> 02:02:14,300 I went inside I was very excited 1405 02:02:19,760 --> 02:02:24,800 He asked me if I wanted a Sicilian song .or Folk 1406 02:02:25,050 --> 02:02:27,130 Such things were not in my mind 1407 02:02:27,340 --> 02:02:28,840 Then he looked at me 1408 02:02:29,340 --> 02:02:31,260 And he said "I'm working on your movie" 1409 02:02:37,880 --> 02:02:39,420 It was "Cinema Paradiso" 1410 02:02:40,210 --> 02:02:42,130 And I really enjoyed doing it 1411 02:02:56,300 --> 02:02:57,800 It was a life lesson 1412 02:02:58,050 --> 02:03:02,090 Because Enyo is with me like a person ...that his class met, and I was a newbie 1413 02:03:02,420 --> 02:03:06,460 While he has 350 of his 500 films had done 1414 02:03:08,670 --> 02:03:10,880 And the more he wanted ...stay away from the cinema 1415 02:03:12,960 --> 02:03:14,550 Cinema followed him more 1416 02:03:17,760 --> 02:03:19,210 "For "The Unconquerables 1417 02:03:19,290 --> 02:03:24,090 I wrote all the songs in New York .and DePalma was always excited 1418 02:03:24,200 --> 02:03:26,390 The last day we had to say goodbye 1419 02:03:26,460 --> 02:03:29,590 He surprised me and said: "A piece of victory for." "I want the police 1420 02:03:29,920 --> 02:03:32,720 I said, "Okay, I'll write it in Rome." And I will send it to you 1421 02:03:35,880 --> 02:03:38,880 I sent him eight demos : With a letter he had written 1422 02:03:39,050 --> 02:03:40,920 Please do not choose the bottle number. 1423 02:03:41,420 --> 02:03:43,510 Because I like him the least 1424 02:03:44,420 --> 02:03:46,380 Which one did you choose? Bottle number 1425 02:04:06,960 --> 02:04:09,050 Enyo's greatness does not come from this ...what a song for 1426 02:04:09,260 --> 02:04:12,210 What kind of scene is he writing? 1427 02:04:12,630 --> 02:04:15,840 But from his way to go towards ...the song comes on 1428 02:04:39,590 --> 02:04:43,380 When he talks about violence It doesn't match the picture 1429 02:04:43,460 --> 02:04:45,130 It is completely separate from it 1430 02:04:45,300 --> 02:04:49,630 His power to show Another point of view 1431 02:05:00,710 --> 02:05:05,300 , for the station scene I decided to waltz 1432 02:05:15,800 --> 02:05:19,090 Waltz and centaur together ... gave this opportunity 1433 02:05:19,260 --> 02:05:25,420 That is a little stiff structure Change the scene 1434 02:05:30,090 --> 02:05:32,050 DePalma did not agree 1435 02:05:32,340 --> 02:05:35,300 But like most directors He accepted it 1436 02:05:40,260 --> 02:05:44,010 A few months later, what you said I read the newspaper 1437 02:05:44,210 --> 02:05:47,050 He said that my choice was right ...and that 1438 02:05:48,380 --> 02:05:50,230 He had criticized her 1439 02:05:52,460 --> 02:05:55,840 This work gives me satisfaction and professional honesty It showed a lot 1440 02:06:07,630 --> 02:06:10,670 Ennio Morricone for ...the third time 1441 02:06:10,800 --> 02:06:12,920 Nominated for a DePalma film 1442 02:06:13,050 --> 02:06:17,210 Are you excited, Master? - I'm not excited about it anymore. 1443 02:06:17,380 --> 02:06:21,550 Third time, I got used to it Actually, I'm sure it won't reach me 1444 02:06:25,522 --> 02:06:30,731 The winners are Ryuichi Sakamoto, David Bourne, and Kang Soo ".for "The Last Emperor 1445 02:06:31,130 --> 02:06:32,880 Why do I like chess? 1446 02:06:33,010 --> 02:06:35,920 Because it teaches me the difficulties of life 1447 02:06:36,260 --> 02:06:38,300 A sense of resistance 1448 02:06:38,510 --> 02:06:40,300 Interest in improvement 1449 02:06:40,420 --> 02:06:43,960 Resistance to things It comes from a competitor 1450 02:06:44,170 --> 02:06:46,960 who wants to win and I want to win 1451 02:06:47,210 --> 02:06:48,760 The couple is on a path without bloodshed 1452 02:06:54,856 --> 02:07:02,564 When I got the song, the part was very good, but It was an element that he did not understand about my sensitivity 1453 02:07:05,325 --> 02:07:10,897 Something I wanted to look like His style is for Serjo Liue 1454 02:07:13,439 --> 02:07:15,939 I wanted more exaggerated sounds 1455 02:07:16,439 --> 02:07:18,439 .like bing bang 1456 02:07:24,960 --> 02:07:26,920 He wanted it again I will do the same 1457 02:07:27,022 --> 02:07:32,356 One day I showed him Tom and Jerry ...bang bang and hit each other 1458 02:07:32,439 --> 02:07:34,772 Falling on the ground and funny things 1459 02:07:35,314 --> 02:07:39,856 Yameme was shocked and said do you want me to make a cartoon song? 1460 02:07:59,050 --> 02:08:02,420 The problem is that Enyo ...compared to us directors and editors 1461 02:08:02,760 --> 02:08:06,670 It has more scope for analyzing cinema 1462 02:08:06,880 --> 02:08:08,300 ...to get an idea quickly 1463 02:08:08,760 --> 02:08:11,260 It means it must be connected to the movie 1464 02:08:11,460 --> 02:08:15,130 With pictures, there is a real picture Like love at first sight 1465 02:08:15,210 --> 02:08:16,550 Sometimes these things don't happen 1466 02:08:18,630 --> 02:08:20,210 And it was very difficult for me 1467 02:08:21,210 --> 02:08:24,920 In "About Sostina", he was not satisfied with the film 1468 02:08:28,130 --> 02:08:32,050 "I didn't know for the idea," Enyo said Where should I look? 1469 02:08:35,460 --> 02:08:38,210 ...one day, right in front of Enyo's house 1470 02:08:38,420 --> 02:08:41,880 There were protests that people died In the drum 1471 02:08:45,760 --> 02:08:49,380 protesting and I heard the sound of the famous percussion 1472 02:08:53,590 --> 02:08:57,380 I took a verse and I used it for the whole movie 1473 02:09:00,010 --> 02:09:02,590 ...Listen, boy, sit down 1474 02:09:05,010 --> 02:09:08,590 The Ten Commandments did not say this, but I will say it 1475 02:09:09,010 --> 02:09:10,460 ...the logic of the heart 1476 02:09:12,420 --> 02:09:13,800 More important than anything 1477 02:09:14,300 --> 02:09:17,670 He used the rhythmic formula 68 1478 02:09:17,920 --> 02:09:19,760 "Ce n'est qu'un Debut "Continuons le Combat" 1479 02:09:19,880 --> 02:09:23,180 The same to the framework ...turned from music 1480 02:09:24,380 --> 02:09:28,100 ". And it became "Pira's objection 1481 02:09:28,260 --> 02:09:32,230 Those rhythms to him ...he entered the music production 1482 02:09:32,300 --> 02:09:36,800 which have something inside them It was a transfer 1483 02:09:43,210 --> 02:09:47,460 "I said: "I want a song from that period The one we found. We had a discussion at the same time 1484 02:09:51,800 --> 02:09:54,670 But he was right He had made a unique song 1485 02:10:28,460 --> 02:10:32,260 In my opinion ...a unique work must be meaningful 1486 02:10:32,460 --> 02:10:36,050 Up to the film used in it Serve well 1487 02:10:46,810 --> 02:10:50,481 Enyo has something spiritual 1488 02:11:01,064 --> 02:11:03,939 ...can awaken energies in a person's soul 1489 02:11:04,225 --> 02:11:07,106 that you didn't know you had and sleeping 1490 02:11:14,760 --> 02:11:16,670 ...in the orchestra recording 1491 02:11:17,050 --> 02:11:20,550 He comes to the control room and He would throw himself on the bed 1492 02:11:20,880 --> 02:11:24,710 He could sleep for twenty seconds Like Napoleon 1493 02:11:26,260 --> 02:11:28,380 "Don't disturb the teacher" "Sleeping 1494 02:11:28,510 --> 02:11:30,920 Twenty seconds later, it was ready And he was back to work 1495 02:11:31,170 --> 02:11:33,800 He performed like a lion 1496 02:11:50,460 --> 02:11:52,010 "For "Legend 900 1497 02:11:52,210 --> 02:11:55,420 When I was writing the script He made the songs 1498 02:11:59,840 --> 02:12:03,170 We were going step by step And we gave each other advice 1499 02:12:03,510 --> 02:12:04,710 Even during filming 1500 02:12:08,090 --> 02:12:10,630 As if for some unknown reason 1501 02:12:10,800 --> 02:12:14,550 Enyo himself in the character He saw a pianist 1502 02:12:14,840 --> 02:12:18,300 that never ship His music was not coming out 1503 02:13:15,800 --> 02:13:19,760 In the wave of sadness in New York ... Ennio Morricone song 1504 02:13:19,920 --> 02:13:24,960 Ennio Morricone's Symphony ...dedicated to September 11, 2001 1505 02:13:32,760 --> 02:13:36,510 It was a song of a sad blow 1506 02:13:36,710 --> 02:13:40,010 had attacked the twin towers 1507 02:13:40,130 --> 02:13:43,510 In memory of all the massacres that Happening in the history of mankind 1508 02:13:43,606 --> 02:13:48,314 Where the rainbow ends There is a place, brother 1509 02:13:48,481 --> 02:13:51,772 ...that the world can make any song 1510 02:13:51,856 --> 02:13:54,106 ...he has this power 1511 02:13:54,189 --> 02:14:00,939 Up to sound, image, storytelling Connect unlimited shapes 1512 02:14:01,106 --> 02:14:03,564 Because we don't know that song 1513 02:14:03,856 --> 02:14:06,439 And it is a hard song to learn 1514 02:14:07,481 --> 02:14:09,439 But we can learn, bro 1515 02:14:15,460 --> 02:14:16,920 ... a big orchestra 1516 02:14:17,170 --> 02:14:19,730 ...with the deaf group, the one who speaks a little 1517 02:14:19,760 --> 02:14:22,810 .and tapes of ethnic music 1518 02:14:23,360 --> 02:14:25,460 Look how much order came together 1519 02:14:30,380 --> 02:14:33,670 ...when I was listening to that music 1520 02:14:33,960 --> 02:14:36,460 All the things we saw in the house 1521 02:14:36,760 --> 02:14:39,420 When that incident happened in you I felt at home 1522 02:14:47,420 --> 02:14:53,380 He knew how to feel ...He feels it inside 1523 02:14:53,430 --> 02:14:56,360 Music show that No one else could do this 1524 02:15:05,550 --> 02:15:08,260 I don't regret writing songs for cinema 1525 02:15:08,510 --> 02:15:12,010 ...Actually, little by little for me 1526 02:15:12,340 --> 02:15:15,840 It happened that turning point Find between absolute music and movie music 1527 02:15:17,630 --> 02:15:19,320 This one was drawn on top of that one 1528 02:15:22,670 --> 02:15:26,170 , the point between them ...even conceptually 1529 02:15:26,510 --> 02:15:28,710 The principles of my life are important to me 1530 02:15:36,880 --> 02:15:38,420 ...there was a time when 1531 02:15:39,800 --> 02:15:42,800 These two souls... coming together 1532 02:15:44,439 --> 02:15:48,314 Ladies and gentlemen, Ennio Morricone 1533 02:16:07,564 --> 02:16:10,856 ...One of the best moments was when he received his honorary Oscar 1534 02:16:11,731 --> 02:16:16,856 Because Hollywood was apologizing And I was happy, because it was like they were apologizing 1535 02:16:18,439 --> 02:16:20,189 Thank you very much 1536 02:16:21,880 --> 02:16:23,920 ...I want to thank the Oscar Academy 1537 02:16:25,130 --> 02:16:30,300 for giving me this honor and give me this big prize 1538 02:16:30,814 --> 02:16:34,397 Academy after many years ...He felt that he should have an Oscar 1539 02:16:34,481 --> 02:16:36,481 For the hard work he has done in his life 1540 02:16:36,522 --> 02:16:39,106 And giving him an Oscar, which was great 1541 02:16:39,670 --> 02:16:42,800 This Oscar goes to my wife Maria I love it so much, I present it to you 1542 02:16:42,920 --> 02:16:45,010 In all these years He was by my side 1543 02:16:45,630 --> 02:16:47,510 And I love it too 1544 02:16:47,710 --> 02:16:50,210 This Oscar belongs to him too 1545 02:16:55,106 --> 02:16:59,856 And I think they thought that at that age ...it doesn't work anymore 1546 02:17:00,022 --> 02:17:03,272 But he surprised them and .continued and continued to work 1547 02:17:14,710 --> 02:17:16,840 ...at the Royal Albert Hall in London 1548 02:17:17,130 --> 02:17:20,420 When he came on stage ...the entire audience stood up 1549 02:17:20,590 --> 02:17:25,090 And cheering him for a long time My hair stood on end 1550 02:17:37,090 --> 02:17:39,210 It is a source of pride for Italy in the world 1551 02:17:39,340 --> 02:17:42,340 He is really a great and extraordinary artist 1552 02:17:42,760 --> 02:17:43,880 ...master 1553 02:17:44,420 --> 02:17:46,420 Ennio Morricone 1554 02:18:01,900 --> 02:18:05,314 From the bottom of my heart, one of the My favorite composers 1555 02:18:05,606 --> 02:18:08,564 Grandmaster, Ennio Moricane 1556 02:18:08,814 --> 02:18:09,689 Anyo! 1557 02:18:10,147 --> 02:18:11,272 Anyo! 1558 02:18:25,590 --> 02:18:30,340 There is really no place in the world ...from South America to Asia 1559 02:18:30,510 --> 02:18:34,010 Even in Europe ...which is like a pop singer 1560 02:18:35,050 --> 02:18:36,670 Do not welcome him 1561 02:18:39,950 --> 02:18:44,350 For the 40th year of work ... Morricone to perform 1562 02:18:44,510 --> 02:18:48,710 One of his concerts in Tui I remember Paris 1563 02:18:48,920 --> 02:18:50,260 that the crowd had gone crazy 1564 02:18:50,420 --> 02:18:53,590 When I went to his room : I decided to tell him 1565 02:18:54,050 --> 02:18:56,630 Enio, you agree that this 1566 02:18:57,010 --> 02:18:59,840 ...the best music of the 20th century 1567 02:19:00,130 --> 02:19:01,210 "And the end of the word? 1568 02:19:02,590 --> 02:19:05,050 And he said: "I am thinking about it 1569 02:19:05,420 --> 02:19:09,550 At first, I thought it was music for the cinema Contempt mixed 1570 02:19:09,920 --> 02:19:11,550 After that, I said no 1571 02:19:12,170 --> 02:19:15,130 Actually, I think today ...the music of the film 1572 02:19:15,380 --> 02:19:18,550 Contemporary music in the real sense 1573 02:19:18,760 --> 02:19:21,260 It was a turning point in his maturity 1574 02:19:21,590 --> 02:19:25,630 He had found the young artist 1575 02:19:30,800 --> 02:19:33,930 First he said, why a song? You want the original 1576 02:19:34,180 --> 02:19:38,430 You use other people's songs And you have been doing this for a long time 1577 02:19:38,980 --> 02:19:40,560 So why do you want to change jobs? 1578 02:19:40,810 --> 02:19:43,430 Honestly, I didn't know I wanted it myself ...whether my job is different or not, but 1579 02:19:43,730 --> 02:19:46,680 If I want my work to be original I want it to be work 1580 02:19:46,930 --> 02:19:47,800 ...and convinced me 1581 02:19:51,420 --> 02:19:54,310 "The Hateful Eight" "From Quentin Tarantino - 2015" 1582 02:20:00,880 --> 02:20:03,170 He brought his love of music with him 1583 02:20:03,590 --> 02:20:06,590 ...the first piece of music, Stravinsky's "Song Symphony". 1584 02:20:21,710 --> 02:20:25,050 Tarantino is crazy about movies It was Leone's movies 1585 02:20:25,170 --> 02:20:27,930 He probably expected another music 1586 02:20:36,130 --> 02:20:40,840 To smooth the same path What could I write? 1587 02:20:41,420 --> 02:20:44,170 I wrote a symphony A true story 1588 02:20:47,670 --> 02:20:51,090 Morricone is a good chess player .and brought Tarantino to his own land 1589 02:20:51,356 --> 02:20:53,689 For me, Enyo opens the images 1590 02:20:58,840 --> 02:21:01,920 I felt like I was taking my revenge ...I will shoot with a western movie 1591 02:21:02,090 --> 02:21:04,880 To be carefree 1592 02:21:10,270 --> 02:21:14,189 Ennio Morricone is my favorite composer 1593 02:21:14,481 --> 02:21:18,147 I don't mean film composers 1594 02:21:18,231 --> 02:21:25,897 It is not the level of the lower ones, I mean between Mozart and Beethoven 1595 02:21:26,064 --> 02:21:28,064 I mean between the Schuberts 1596 02:21:28,630 --> 02:21:31,380 Tarantino exaggerates 1597 02:21:31,710 --> 02:21:33,960 : Anyu gave him the answer 1598 02:21:34,210 --> 02:21:39,130 In order to understand that one is Mozart and the other is "Beethoven must pass 200 years 1599 02:21:39,840 --> 02:21:43,800 ...when you open a page of Beethoven 1600 02:21:44,210 --> 02:21:45,380 You may not be able to run it 1601 02:21:46,590 --> 02:21:50,460 But the text is clear With Enyo, everything is clear 1602 02:21:50,606 --> 02:21:54,731 ...when I think about his work as a whole, it becomes difficult 1603 02:21:54,731 --> 02:21:58,272 Something in that case of music for ...found a movie 1604 02:21:58,356 --> 02:22:04,231 so that it can be compared with him and you have to go ...to the masters such as the Beatles and 1605 02:22:04,731 --> 02:22:06,731 You know, Bach and Charlie Parker 1606 02:22:07,050 --> 02:22:11,090 Chopin, Tchaikovsky, them ...to be very patient 1607 02:22:11,340 --> 02:22:14,380 Why is Ennio Morricone's music not better? 1608 02:22:14,630 --> 02:22:16,590 I agree with Tarantino 1609 02:22:16,731 --> 02:22:20,981 Two hundred years from now, people will be talking about Enyo ...and I prefer to say 1610 02:22:21,106 --> 02:22:26,897 Enyo is a great composer and a great man Because it belongs to its own period 1611 02:22:26,960 --> 02:22:30,170 I think he has reached an extraordinary place 1612 02:22:30,510 --> 02:22:34,420 Because it can go to the past and look to the future 1613 02:22:34,800 --> 02:22:37,710 To the music as it was And the way it is 1614 02:22:38,439 --> 02:22:41,064 ...and Oscar arrives 1615 02:22:42,439 --> 02:22:46,856 Ennio Morcone, for The Hateful Eight .Brother 1616 02:22:49,772 --> 02:22:54,439 This is his first Oscar and his sixth nomination It is for Oscar 1617 02:22:54,650 --> 02:22:57,522 They won an honorary award in 2006 1618 02:22:57,606 --> 02:23:02,189 For the great work they have done for the art of filmmaking 1619 02:23:14,772 --> 02:23:17,272 ...I think we both wanted to cry 1620 02:23:19,420 --> 02:23:22,510 Enyo taught us how Let's deal with the legend of a person 1621 02:23:22,670 --> 02:23:25,630 An extraordinary thing happened to him 1622 02:23:25,710 --> 02:23:29,960 Until he was known as "master" in the world 1623 02:23:30,130 --> 02:23:32,550 And he was at the peak of his creativity 1624 02:23:32,670 --> 02:23:34,710 And this made the composer happy 1625 02:23:38,510 --> 02:23:40,550 ...he deserves it 1626 02:23:40,670 --> 02:23:43,960 Because he is hardworking and He is a great musician 1627 02:23:44,520 --> 02:23:45,950 Without acting like an artist 1628 02:23:49,090 --> 02:23:51,130 He had several concerts 1629 02:23:51,380 --> 02:23:54,710 He was shocked ...which is in Israel 1630 02:23:54,920 --> 02:23:57,050 The person in charge of passports knew him 1631 02:23:57,420 --> 02:24:03,960 He is not a thinker But now it looks like a model 1632 02:24:15,210 --> 02:24:18,710 ...characteristic for people 1633 02:24:19,010 --> 02:24:20,800 For the people of the world 1634 02:24:32,130 --> 02:24:34,770 Many groups use my music 1635 02:24:35,250 --> 02:24:37,130 ...and a little of my style in you 1636 02:24:37,290 --> 02:24:40,920 They use the things they make 1637 02:24:50,260 --> 02:24:52,760 I believe that he always It was with the tongue in front 1638 02:24:52,880 --> 02:24:54,760 In fact, it defined the language of music 1639 02:24:55,590 --> 02:24:59,190 And that's why always It is seen as a leader 1640 02:25:07,340 --> 02:25:09,840 It is the advancement of different orders 1641 02:25:17,275 --> 02:25:21,606 These young singers say, Evil I have to bring this into my work 1642 02:25:21,689 --> 02:25:24,022 That's why they get inspiration from him 1643 02:25:31,510 --> 02:25:34,920 Enyo's music also attracts children 1644 02:25:41,500 --> 02:25:46,020 For a long time on people It affects. because he is himself 1645 02:25:46,380 --> 02:25:47,380 ...honest 1646 02:25:47,680 --> 02:25:49,680 ...and even though I don't know him 1647 02:25:49,810 --> 02:25:52,520 I feel it through his music I know him 1648 02:26:05,231 --> 02:26:10,939 ...Cinema Paradiso is one of the profound works, to Yadmondi, Henry 1649 02:26:11,106 --> 02:26:15,397 It was always for me I am talking about it 1650 02:26:29,689 --> 02:26:33,439 You always come out of it and We always go to him 1651 02:26:33,689 --> 02:26:36,689 Deep, deep, deep feelings 1652 02:26:43,730 --> 02:26:46,260 ...to make the color he wanted 1653 02:26:46,360 --> 02:26:48,340 ... certain sounds 1654 02:26:48,510 --> 02:26:50,590 , produced, sampled 1655 02:26:50,620 --> 02:26:54,090 And in many albums of singers Pop rock was used 1656 02:26:54,314 --> 02:26:57,939 Its effect can be seen now more than twenty years ago 1657 02:27:02,481 --> 02:27:08,356 Love the sound, dynamics, and layering .which Enyo does in his music 1658 02:27:08,397 --> 02:27:10,397 I get a lot of inspiration from him 1659 02:27:13,231 --> 02:27:16,772 He made many people read his poems 1660 02:27:18,814 --> 02:27:20,397 My heart beats with him 1661 02:27:27,522 --> 02:27:32,939 I can do all his guitar work I say to the others, go away, I want to do it 1662 02:27:37,880 --> 02:27:42,520 They do not deny their identity in this mysterious interest 1663 02:27:42,540 --> 02:27:44,190 They have to work hard for it 1664 02:27:48,106 --> 02:27:49,481 Did you like it? 1665 02:27:52,647 --> 02:27:57,731 I don't know anyone who works as much He must have knowledge 1666 02:27:58,272 --> 02:28:00,272 But can you teach this to someone? 1667 02:28:05,960 --> 02:28:07,510 ...without Ennio Morricone 1668 02:28:08,760 --> 02:28:10,630 Most of us were not here 1669 02:28:10,670 --> 02:28:14,710 Linguistically Now we were different and poorer 1670 02:28:27,260 --> 02:28:32,260 His classes have no say in them, because no one He never went to class with Enyo 1671 02:28:33,800 --> 02:28:37,800 If you listen to music a lot .you always find something similar to Enyo 1672 02:28:38,090 --> 02:28:41,130 One who used wires like that 1673 02:28:41,210 --> 02:28:44,210 He plays the piano like him, but he is not 1674 02:28:44,960 --> 02:28:46,920 It is the music itself 1675 02:28:47,130 --> 02:28:50,550 The music that comes from it It doesn't matter what he writes 1676 02:28:51,130 --> 02:28:54,340 It may even be separate from his own consciousness 1677 02:29:04,340 --> 02:29:07,340 When I composed the song of the first film It was 1961 1678 02:29:07,590 --> 02:29:11,510 : I told my wife "1970, I'm coming out of the cinema" 1679 02:29:12,420 --> 02:29:17,210 : Then I said in 1970 "I will come out in 1980" 1680 02:29:18,090 --> 02:29:21,590 : I said 1980 "I will come out in 1990" 1681 02:29:21,800 --> 02:29:24,300 : I said 1990 "I will come out in 2000" 1682 02:29:25,510 --> 02:29:26,920 I won't say anything now 1683 02:29:43,840 --> 02:29:46,800 ...You can't write prose 1684 02:29:47,050 --> 02:29:49,010 Combine with poetry 1685 02:29:54,600 --> 02:29:56,670 It completely changes the format 1686 02:29:56,770 --> 02:29:59,510 Normality that became special 1687 02:30:04,090 --> 02:30:08,630 Enyo almost always goes higher than before ...something that makes you think 1688 02:30:08,760 --> 02:30:10,010 You are walking on air 1689 02:30:14,525 --> 02:30:18,689 Oh boy, my god, I still have I learn from him 1690 02:30:23,314 --> 02:30:28,897 Enyo's music is very great It goes to other galaxies 1691 02:30:33,720 --> 02:30:37,850 The god of music speaks from within As if possessed 1692 02:30:40,356 --> 02:30:46,314 Even if you have a problem with God, music You hear Enyo and you feel that you are hearing something from him 1693 02:30:49,850 --> 02:30:50,970 ...his music 1694 02:30:52,210 --> 02:30:53,290 .forever 1695 02:30:56,900 --> 02:31:00,180 The side is like a hero with good notes 1696 02:31:00,606 --> 02:31:02,606 And good notes last forever 1697 02:31:05,660 --> 02:31:08,630 When you describe it ...you understand that 1698 02:31:08,780 --> 02:31:10,600 ...one lifetime is not enough 1699 02:31:13,300 --> 02:31:14,670 ...it will be recorded in history 1700 02:31:15,090 --> 02:31:17,760 And it always remains Enyo's style of music 1701 02:31:22,397 --> 02:31:25,022 Enyo has been the voice of people's lives 1702 02:31:25,106 --> 02:31:30,231 People work with his music, fall in love .and laughing 1703 02:31:30,350 --> 02:31:32,230 They are part of our family 1704 02:31:33,110 --> 02:31:34,450 It stays like relatives 1705 02:31:34,897 --> 02:31:37,897 That man will always stay 1706 02:31:38,439 --> 02:31:40,439 Must stay 1707 02:31:51,050 --> 02:31:53,670 Before writing music, you should think about it 1708 02:31:55,130 --> 02:31:56,460 This is a problem 1709 02:31:57,300 --> 02:32:02,260 It's a problem every time you start writing there is 1710 02:32:03,210 --> 02:32:06,340 And in front of the composers The page is empty 1711 02:32:07,460 --> 02:32:09,670 How to write? 1712 02:32:10,510 --> 02:32:11,800 on that sheet 1713 02:32:12,340 --> 02:32:14,170 What should we write on that paper? 1714 02:32:15,180 --> 02:32:17,130 ...there is a way of thinking 1715 02:32:17,430 --> 02:32:19,050 ...they must be paid 1716 02:32:20,170 --> 02:32:21,760 And it must go forward 1717 02:32:22,940 --> 02:32:24,330 ...in search 1718 02:32:25,080 --> 02:32:26,340 what 1719 02:32:26,710 --> 02:32:27,940 We don't know