1 00:01:19,913 --> 00:01:21,081 [GUNFIRE] 2 00:01:34,828 --> 00:01:36,764 [SPEAKING CHINESE] 3 00:01:40,100 --> 00:01:42,035 [CROWD CHEERING] 4 00:01:42,102 --> 00:01:44,238 [BAND PLAYING] 5 00:01:51,545 --> 00:01:54,014 ISN'T IT JUST TOO THRILLING? 6 00:01:54,081 --> 00:01:55,316 WHAT? THRILLING. 7 00:01:55,383 --> 00:01:56,550 YOU CERTAINLY ARE. 8 00:01:56,617 --> 00:01:57,818 OH. 9 00:01:57,885 --> 00:02:01,255 WELL, WHY DON'T YOU WAVE AT ALL THE NICE PEOPLE? 10 00:02:01,322 --> 00:02:02,590 YOU KNOW, I HEARD YOU CAME BACK 11 00:02:02,656 --> 00:02:04,892 FROM A BATTLE WITH THOSE SILLY OLD JAP PLANES 12 00:02:04,958 --> 00:02:06,494 JUST PRACTICALLY ON ONE WING. 13 00:02:06,560 --> 00:02:07,861 I DID? MY GOODNESS, 14 00:02:07,928 --> 00:02:09,663 I HADN'T HEARD THAT ONE. 15 00:02:15,436 --> 00:02:17,471 LOOK AT THAT MUG, WILL YOU? 16 00:02:17,538 --> 00:02:19,340 SAY, HE'S DOING ALL RIGHT. 17 00:02:19,407 --> 00:02:20,574 WHERE'D HE FIND THAT GIRL? 18 00:02:20,641 --> 00:02:22,243 WHY DO I HAVE TO RIDE WITH YOU? 19 00:02:22,310 --> 00:02:24,645 I WAS THINKING THE SAME THING. 20 00:02:27,281 --> 00:02:29,217 I'VE ALWAYS WANTED TO MEET A FLYING TIGER. 21 00:02:29,283 --> 00:02:30,851 OH, WE'VE BEEN OVERRATED. 22 00:02:30,918 --> 00:02:32,052 AT HEART, WE'RE JUST LIKE ANY ORDINARY WOLF-- 23 00:02:32,119 --> 00:02:33,987 TIGER. 24 00:02:34,054 --> 00:02:35,723 WHAT'S YOUR OBJECTIVE NOW? 25 00:02:35,789 --> 00:02:37,791 OH, I THOUGHT WE'D JUST RIDE AROUND A LITTLE WHILE. 26 00:02:37,858 --> 00:02:39,693 OH, SILLY, I MEAN THE WAR. 27 00:02:39,760 --> 00:02:40,694 OH, THE WAR. 28 00:02:40,761 --> 00:02:42,029 I'M IN BETWEEN, 29 00:02:42,095 --> 00:02:43,831 TRANSFERRING TO NAVAL AVIATION. 30 00:02:43,897 --> 00:02:45,366 OH. HOW MUCH TIME YOU GOT? 31 00:02:45,433 --> 00:02:46,867 10 DAYS. THAT TIME ENOUGH? 32 00:02:46,934 --> 00:02:49,470 ALL DEPENDS ON WHAT Y'ALL WANT TO DO, HONEY. 33 00:02:49,537 --> 00:02:51,339 HONEY, YOU-ALL CHART THE COURSE. 34 00:02:51,405 --> 00:02:52,640 WHAT WOULD YOU LIKE TO DO FIRST? 35 00:02:52,706 --> 00:02:53,741 LET ME SEE. 36 00:02:53,807 --> 00:02:56,043 I MEAN, WHERE WOULD YOU-ALL LIKE TO GO FIRST? 37 00:02:56,109 --> 00:02:57,378 WELL, I'LL-- 38 00:02:57,445 --> 00:02:59,247 YOU JUST SURPRISE ME. 39 00:02:59,313 --> 00:03:01,249 YOU'LL BE SURPRISED. 40 00:03:02,616 --> 00:03:04,552 YOU, UH, YOU HAVEN'T A ROOMMATE, HAVE YOU? 41 00:03:04,618 --> 00:03:07,054 WHAT? OH, NO. NO, INDEEDY. 42 00:03:07,120 --> 00:03:08,622 FINE. 43 00:03:08,689 --> 00:03:10,291 WE CAN HAVE SOMETHING SENT UP-- 44 00:03:10,358 --> 00:03:11,525 CHAMPAGNE, PHEASANT-- 45 00:03:11,592 --> 00:03:13,394 NOW, DON'T YOU WORRY YOURSELF, TIGER, 46 00:03:13,461 --> 00:03:15,563 BECAUSE EVERYTHING'S BEEN TAKEN CARE OF. 47 00:03:15,629 --> 00:03:18,699 WHAT? WELL, I JUST-- 48 00:03:18,766 --> 00:03:20,000 Woman: I'M MISS BARR. I'M MISS MAY. 49 00:03:20,067 --> 00:03:21,302 I'M SURPRISED. 50 00:03:21,369 --> 00:03:22,770 YOU'RE AT THE SPEAKER'S TABLE, 51 00:03:22,836 --> 00:03:24,738 WHERE YOU'RE GOING TO BE THE GUEST OF HONOR. 52 00:03:24,805 --> 00:03:26,740 [TRAIN WHISTLE BLOWING] 53 00:03:33,647 --> 00:03:36,550 SO I FOLLOWED THIS JAP RIGHT DOWN TO HIS OWN FIELD, 54 00:03:36,617 --> 00:03:37,818 AND HE INVITES ME TO DINNER. 55 00:03:37,885 --> 00:03:38,786 GO ON. 56 00:03:38,852 --> 00:03:39,787 Man: ATTENTION, MEN. 57 00:03:39,853 --> 00:03:41,289 HERE'S A LITTLE FURTHER DOPE 58 00:03:41,355 --> 00:03:42,990 ON YOUR ITINERARY. 59 00:03:43,056 --> 00:03:45,526 WE ARRIVE IN SALT LAKE TOMORROW MORNING, 60 00:03:45,593 --> 00:03:48,296 VISIT THE MORMON TABERNACLE. 61 00:03:48,362 --> 00:03:50,631 THE PARADE WILL SHOVE OFF AT 12 NOON. 62 00:03:50,698 --> 00:03:53,267 CHAMBER OF COMMERCE TOUR, 2:00 UNTIL 5:00. 63 00:03:53,334 --> 00:03:54,268 WHEN DO WE EAT? 64 00:03:54,335 --> 00:03:56,337 [WHISTLES] 65 00:03:56,404 --> 00:03:57,771 BANQUET AT 8:30. 66 00:03:57,838 --> 00:03:59,740 LOOKS LIKE YOU'LL HAVE A PRETTY FULL DAY. 67 00:03:59,807 --> 00:04:00,741 Fred: OUCH. 68 00:04:00,808 --> 00:04:02,276 YEAH, IT SURE DOES. 69 00:04:02,343 --> 00:04:04,077 SAY, HOW LONG DOES THIS GO ON? 70 00:04:04,144 --> 00:04:05,913 COAST TO COAST. 71 00:04:05,979 --> 00:04:07,348 LETS ME OUT. 72 00:04:12,886 --> 00:04:14,822 HMM, WE'VE STOPPED. 73 00:04:19,660 --> 00:04:21,529 I'LL SEE YOU IN TOKYO. 74 00:04:21,595 --> 00:04:22,963 WHAT DO YOU GUYS GOT? 75 00:04:23,030 --> 00:04:23,964 3 KINGS. 76 00:04:24,031 --> 00:04:24,998 OH, TAKE IT AWAY. 77 00:04:25,065 --> 00:04:27,000 [ALL TALKING AT ONCE] 78 00:04:29,002 --> 00:04:30,304 HA HA HA! 79 00:04:30,371 --> 00:04:31,705 THAT'S THE WAY WE USED TO PLAY IN CHINA. 80 00:04:31,772 --> 00:04:32,740 YEP. 81 00:04:32,806 --> 00:04:34,642 MEN, I'LL BE BACK IN A MINUTE. 82 00:04:46,654 --> 00:04:47,888 WHAT'S THE MATTER WITH YOU? 83 00:04:47,955 --> 00:04:49,156 GET BACK ON THIS TRAIN. 84 00:04:49,222 --> 00:04:50,724 OH, I'VE HAD ENOUGH. 85 00:04:50,791 --> 00:04:53,293 WE'VE ONLY GOT 10 DAYS TO HAVE SOME FUN, 86 00:04:53,361 --> 00:04:54,562 AND THAT BIG PERSONAL APPEARANCE TOUR 87 00:04:54,628 --> 00:04:55,796 THEY'VE GOT MAPPED OUT IN THERE 88 00:04:55,863 --> 00:04:57,565 DOESN'T SOUND LIKE FUN TO ME. 89 00:04:57,631 --> 00:04:59,333 YOU CAN HAVE IT, BROTHER. 90 00:04:59,400 --> 00:05:00,334 HEY, WE'RE MOVING. 91 00:05:00,401 --> 00:05:01,702 YOU WANT TO GET LEFT BEHIND? 92 00:05:01,769 --> 00:05:02,803 SURE. 93 00:05:02,870 --> 00:05:04,872 WHY DON'T YOU BE A MAN AND GET OFF? 94 00:05:04,938 --> 00:05:06,073 THIS IS GREAT! 95 00:05:06,139 --> 00:05:07,274 ARE YOU CRAZY? 96 00:05:07,341 --> 00:05:08,909 YEAH! I'M NUTS! 97 00:05:08,976 --> 00:05:10,644 HEY! 98 00:05:11,278 --> 00:05:12,446 AH! 99 00:05:43,444 --> 00:05:46,313 YEAH, ANY FOOL CAN SEE IT. 100 00:05:46,380 --> 00:05:48,382 THERE'S ONLY ONE WAY TO WIN THIS WAR 101 00:05:48,449 --> 00:05:50,017 OR ANY OTHER WAR, 102 00:05:50,083 --> 00:05:52,986 AND THAT'S WITH MEN AND BULLETS AND BAYONETS. 103 00:05:53,053 --> 00:05:55,856 WE GOT TO GIVE THEM A TASTE OF COLD AMERICAN STEEL. 104 00:05:55,923 --> 00:05:57,525 THAT'S WHAT WE'RE GONNA DO, 105 00:05:57,591 --> 00:05:59,059 WHETHER THOSE POLITICIANS IN WASHINGTON 106 00:05:59,126 --> 00:06:00,561 LIKE IT OR NOT. 107 00:06:00,628 --> 00:06:02,896 WE GOT TO FIGHT. 108 00:06:02,963 --> 00:06:04,932 BY THE WAY, HOW DO YOU STAND IN THE DRAFT? 109 00:06:04,998 --> 00:06:06,800 ME? 4-F. 110 00:06:14,007 --> 00:06:16,276 [SWING MUSIC PLAYING] 111 00:06:16,343 --> 00:06:17,310 GOOD EVENING. 112 00:06:17,377 --> 00:06:18,746 HELLO. 113 00:06:24,217 --> 00:06:25,453 SAY, WHAT KIND OF PLACE IS THIS? 114 00:06:25,519 --> 00:06:26,887 A NIGHTCLUB. OH. 115 00:06:26,954 --> 00:06:28,388 TAKE ALL THE BROADWAY COLUMNS 116 00:06:28,456 --> 00:06:29,423 AND SHAKE OUT THE NAMES, 117 00:06:29,490 --> 00:06:30,558 AND WHAT DO YOU GET? 118 00:06:30,624 --> 00:06:33,026 THE COLONIAL CLUB. SEE? 119 00:06:35,062 --> 00:06:35,996 GOT A LIGHT? 120 00:06:36,063 --> 00:06:37,064 YES, SIR. 121 00:06:40,901 --> 00:06:42,135 THANKS. 122 00:06:42,202 --> 00:06:43,971 HA HA! KIND OF GOT YOURSELF ALL DRESSED UP, 123 00:06:44,037 --> 00:06:45,506 AIN'T YOU? 124 00:06:48,408 --> 00:06:50,310 YOU AIN'T DOING SO BAD YOURSELF. 125 00:06:50,377 --> 00:06:52,045 HA HA HA! 126 00:06:59,987 --> 00:07:01,522 NOW YOU'RE HIP. 127 00:07:43,230 --> 00:07:44,732 YES, SIR? HI. 128 00:07:46,033 --> 00:07:47,501 CAN YOU LOOK DOWN THE LINE AND STOP 129 00:07:47,568 --> 00:07:50,003 WHEN YOU COME TO THE MOST BEAUTIFUL GIRL? 130 00:07:52,305 --> 00:07:54,107 I'M STOPPED. 131 00:07:54,174 --> 00:07:55,308 YOU KNOW HER NAME? 132 00:07:55,375 --> 00:07:57,878 SURE. JOAN MANION, PHOTOGRAPHER. 133 00:07:57,945 --> 00:08:00,013 GONNA TAKE PICTURES HERE TONIGHT. 134 00:08:01,549 --> 00:08:02,616 WHO'S THE CHARACTER WITH HER? 135 00:08:02,683 --> 00:08:03,784 THAT'S THE GUY SHE WORKS FOR-- 136 00:08:03,851 --> 00:08:06,086 PHIL HARRIMAN, PUBLISHER OF EYEFUL. 137 00:08:06,153 --> 00:08:07,788 EIFFEL? 138 00:08:07,855 --> 00:08:10,624 EYEFUL. YOU KNOW, THE HIGH-CLASS PEEP MAGAZINE. 139 00:08:10,691 --> 00:08:11,892 OH, YEAH, YEAH. 140 00:08:11,959 --> 00:08:13,527 BESIDE HER, WHAT WOULD YOU LIKE? 141 00:08:13,594 --> 00:08:15,095 OH, JUST A LITTLE, UH... 142 00:08:15,162 --> 00:08:16,597 AND PLAIN WATER... 143 00:08:16,664 --> 00:08:18,031 BESIDE HER. 144 00:08:22,102 --> 00:08:23,804 Man: THAT MUST BE OBVIOUS, MY DEAR. 145 00:08:23,871 --> 00:08:25,739 PHIL, THE WORLD IS BURNING DOWN, 146 00:08:25,806 --> 00:08:27,474 BUT I HAVE TO STAY HOME AND TAKE PICTURES 147 00:08:27,541 --> 00:08:29,242 OF CELEBRITIES IN A NIGHTCLUB. 148 00:08:29,309 --> 00:08:31,478 WHY DON'T I GET TO GO TO LONDON OR CHINA? 149 00:08:31,545 --> 00:08:32,479 WHY NOT? 150 00:08:32,546 --> 00:08:33,947 SURE, WHY NOT? 151 00:08:34,014 --> 00:08:35,382 I HAVE BRAINS. 152 00:08:35,448 --> 00:08:36,984 I HAVE, UH... 153 00:08:37,050 --> 00:08:38,051 UH, TALENT. 154 00:08:38,118 --> 00:08:39,987 AND BEAUTY. DON'T OVERLOOK THAT. 155 00:08:40,053 --> 00:08:42,189 OH, YOU CAN'T SIDETRACK THE ISSUE WITH THAT PALAVER. 156 00:08:42,255 --> 00:08:44,024 NOW, WHY DIDN'T I GET SENT OVER THERE? 157 00:08:44,091 --> 00:08:45,392 BECAUSE I LIKE YOU HERE. 158 00:08:45,458 --> 00:08:46,694 BESIDES, YOU'RE A GIRL. 159 00:08:46,760 --> 00:08:48,562 MARGARET BOURKE-WHITE WENT TO RUSSIA. 160 00:08:48,629 --> 00:08:52,432 WELL, I DON'T HAPPEN TO BE IN LOVE WITH MARGARET BOURKE-WHITE. 161 00:08:52,499 --> 00:08:55,435 FOR A MINUTE, I THOUGHT YOU WERE GOING TO BE ON THE LEVEL. 162 00:08:55,502 --> 00:08:57,037 I MUST BE SLIPPING. 163 00:08:57,104 --> 00:08:58,038 SLIPPERY TIMES. 164 00:08:58,105 --> 00:08:59,707 YOU SAID IT. 165 00:09:02,843 --> 00:09:05,445 OK. I'LL WORK FOR YOU TONIGHT. 166 00:09:05,512 --> 00:09:07,781 I'LL PHOTOGRAPH THIS MENAGERIE. 167 00:09:14,688 --> 00:09:15,956 CUTE GIRL. 168 00:09:16,023 --> 00:09:17,124 I LIKE HER. 169 00:09:17,190 --> 00:09:18,525 SHE LIKES ME, TOO. 170 00:09:18,592 --> 00:09:20,728 AS A MATTER OF FACT, MOST WOMEN SEEM TO LIKE ME. 171 00:09:20,794 --> 00:09:22,630 HOW DO YOU ACCOUNT FOR THAT? 172 00:09:22,696 --> 00:09:25,733 I SOMETIMES THINK IT'S BECAUSE I DON'T UNDERSTAND WOMEN. 173 00:09:27,134 --> 00:09:28,168 DO I KNOW YOU? 174 00:09:28,235 --> 00:09:29,469 NO. 175 00:09:29,536 --> 00:09:31,672 BUT DON'T APOLOGIZE. 176 00:09:39,046 --> 00:09:41,749 HI, FREDDIE. I WANT TO CATCH YOU IN ACTION. 177 00:09:45,252 --> 00:09:47,087 THANKS. THANK YOU. 178 00:09:54,695 --> 00:09:55,896 HELLO, PAMELA. 179 00:09:55,963 --> 00:09:57,130 I'D LIKE TO GET A COUPLE OF CANDID SHOTS. 180 00:09:57,197 --> 00:09:58,131 YES, CERTAINLY. YOU KNOW MR. REED? 181 00:09:58,198 --> 00:09:59,132 MISS MANION. 182 00:09:59,199 --> 00:10:00,634 HOW DO YOU DO? HOW DO YOU DO? 183 00:10:01,201 --> 00:10:02,369 LET'S SEE. 184 00:10:02,435 --> 00:10:03,637 THAT LOOKS PRETTY GOOD. 185 00:10:03,704 --> 00:10:04,872 Reed: I BEG YOUR PARDON. 186 00:10:04,938 --> 00:10:06,573 THIS YOUNG LADY IS TRYING TO-- 187 00:10:06,640 --> 00:10:08,108 WOULD YOU PLEASE? I'M SURE YOU DON'T MIND. 188 00:10:08,175 --> 00:10:10,177 I MIND VERY WELL. 189 00:10:16,016 --> 00:10:17,818 NOW LOOK WHAT YOU'VE DONE. 190 00:10:17,885 --> 00:10:19,853 I'M SORRY. WE'LL TAKE ANOTHER. 191 00:10:19,920 --> 00:10:21,388 THAT'S ALL RIGHT, JOAN. 192 00:10:22,790 --> 00:10:24,457 OH, SIR CHARLES, I THINK IT MIGHT BE BETTER 193 00:10:24,524 --> 00:10:25,625 WITHOUT THE CHAMPAGNE. 194 00:10:25,693 --> 00:10:28,428 OH, QUITE SO. WARTIME. 195 00:10:28,495 --> 00:10:30,463 MM-HMM. 196 00:10:30,530 --> 00:10:32,632 NOW...GREAT BIG SMILE. 197 00:10:32,700 --> 00:10:34,001 HOW'S THAT? 198 00:10:34,067 --> 00:10:36,804 ALL RIGHT. HOLD IT, SIR CHARLES. 199 00:10:39,639 --> 00:10:42,509 GEE, THAT WAS A PIP. 200 00:10:42,575 --> 00:10:43,744 PIP? 201 00:10:46,880 --> 00:10:48,448 I'M SORRY, SIR CHARLES. I'LL HAVE TO GET IT AGAIN. 202 00:10:48,515 --> 00:10:49,449 DO YOU MIND? 203 00:10:49,516 --> 00:10:51,184 OH, QUITE SO. 204 00:10:51,251 --> 00:10:53,754 Joan: MAC, I'D LIKE TO HAVE A NICE CANDID SHOT OF YOU. 205 00:10:53,821 --> 00:10:56,123 OK? LET'S SEE. 206 00:10:56,189 --> 00:10:58,892 UH-HUH. NICE, BIG SMILE NOW. 207 00:10:59,793 --> 00:11:01,661 Joan: HELLO. 208 00:11:02,495 --> 00:11:03,797 GOT IT. THANKS, MAC. 209 00:11:03,864 --> 00:11:05,365 I'LL SEND YOU A PRINT FOR THE FAMILY. 210 00:11:05,432 --> 00:11:06,700 THANK YOU. 211 00:11:06,767 --> 00:11:08,702 THAT'S ONE FOR YOU AND ONE FOR ME. 212 00:11:08,769 --> 00:11:10,603 SHALL WE PLAY OFF THE TIE? 213 00:11:10,670 --> 00:11:13,206 YOU KNOW, PURELY IN A SOCIOLOGICAL WAY, 214 00:11:13,273 --> 00:11:14,507 YOU INTEREST ME... 215 00:11:14,574 --> 00:11:16,009 A LITTLE. 216 00:11:16,076 --> 00:11:17,510 WELL, IT'S A BEGINNING, ISN'T IT? 217 00:11:17,577 --> 00:11:19,212 DON'T GET ME WRONG. 218 00:11:19,279 --> 00:11:21,414 WHAT INTERESTS ME IS THIS PASSION YOU SEEM TO HAVE 219 00:11:21,481 --> 00:11:22,415 FOR GETTING YOUR PICTURE TAKEN. 220 00:11:22,482 --> 00:11:23,616 LET'S TALK IT OVER. 221 00:11:23,683 --> 00:11:24,952 I'LL HAVE THE SAME, PLEASE. 222 00:11:25,018 --> 00:11:26,153 YOU KNOW, I'M SUPPOSED TO BE TAKING PICTURES 223 00:11:26,219 --> 00:11:27,788 OF CELEBRITIES. 224 00:11:27,855 --> 00:11:29,022 COULDN'T I BE THE FELLA 225 00:11:29,089 --> 00:11:30,190 WHO NEVER GETS HIS NAME MENTIONED, 226 00:11:30,257 --> 00:11:32,192 THE ONE THEY CALL "A FRIEND," 227 00:11:32,259 --> 00:11:34,661 YOU KNOW, "GINGER ROGERS AND FRIEND"? 228 00:11:34,728 --> 00:11:37,965 UH, IT'S POSSIBLE BUT EXTREMELY IMPROBABLE. 229 00:11:38,031 --> 00:11:39,833 WHY HAVE YOU INSISTED ON ANNOYING ME 230 00:11:39,900 --> 00:11:41,034 AND RUINING MY PICTURES? 231 00:11:41,101 --> 00:11:42,302 I USED TO KNOW A FELLA ONCE 232 00:11:42,369 --> 00:11:44,537 WHO LIKED TO FLY A PLANE UPSIDE DOWN. 233 00:11:44,604 --> 00:11:45,773 [WHISTLES] 234 00:11:47,775 --> 00:11:50,443 ME? I LIKE TO HAVE MY PICTURE TAKEN. 235 00:11:50,510 --> 00:11:51,678 WELL, LOOK AT YOU. 236 00:11:51,745 --> 00:11:52,780 YOU WANT TO GO OVER AND PHOTOGRAPH 237 00:11:52,846 --> 00:11:54,281 A LOT OF BURNING BUILDINGS 238 00:11:54,347 --> 00:11:55,883 AND BOMB PITS AND ALL THAT KIND OF THING. 239 00:11:55,949 --> 00:11:57,617 YOU'RE CRAZY, TOO. 240 00:11:57,684 --> 00:11:58,651 IT'S DEMOCRACY. 241 00:11:58,718 --> 00:12:01,254 IT'S WONDERFUL. 242 00:12:01,321 --> 00:12:04,124 THANKS. THAT'S ALL I WANTED TO KNOW. 243 00:12:08,295 --> 00:12:09,296 THAT'S THAT. 244 00:12:09,362 --> 00:12:10,263 I HEREBY INFORM YOU 245 00:12:10,330 --> 00:12:11,731 THAT I PHOTOGRAPHED MY LAST HIGHBALL. 246 00:12:11,799 --> 00:12:12,900 HAVE ONE? 247 00:12:12,966 --> 00:12:14,601 I SHOULD HAVE STUCK TO A STAGE CAREER. 248 00:12:14,667 --> 00:12:16,770 COULDN'T BE ANY TOUGHER THAN GETTING A BREAK IN THIS BUSINESS. 249 00:12:16,837 --> 00:12:18,338 WANT ME TO GET YOU A JOB IN THIS CLUB? 250 00:12:18,405 --> 00:12:20,140 YOU THINK I COULDN'T? 251 00:12:20,207 --> 00:12:22,242 AND I DON'T NEED ANY HELP FROM YOU EITHER. 252 00:12:22,309 --> 00:12:24,244 [MUSIC STOPS, FOLLOWED BY APPLAUSE] 253 00:12:24,311 --> 00:12:26,279 SHE CERTAINLY DOESN'T. 254 00:12:26,346 --> 00:12:27,347 OH. 255 00:12:27,414 --> 00:12:28,882 FREDDIE, DO ME A FAVOR. SURE, JOAN. 256 00:12:28,949 --> 00:12:30,083 I WANT TO DO SHINING HOUR. 257 00:12:30,150 --> 00:12:30,918 CERTAINLY. 258 00:12:30,984 --> 00:12:32,452 IS SHE KIDDING? 259 00:12:32,519 --> 00:12:33,486 JUST LISTEN. 260 00:12:41,128 --> 00:12:47,467 * THIS WILL BE MY SHINING HOUR * 261 00:12:47,534 --> 00:12:51,704 * CALM AND HAPPY AND BRIGHT * 262 00:12:51,771 --> 00:12:53,440 * OOH DO DO DO OOH * 263 00:12:53,506 --> 00:13:00,013 * IN MY DREAMS, YOUR FACE WILL FLOWER * 264 00:13:00,080 --> 00:13:03,851 * THROUGH THE DARKNESS OF THE NIGHT * 265 00:13:03,917 --> 00:13:06,353 * OOH DO DO DO DO DO DO DO DO * 266 00:13:06,419 --> 00:13:13,226 * LIKE THE LIGHTS OF HOME BEFORE ME * 267 00:13:13,293 --> 00:13:20,133 * OR AN ANGEL WATCHING O'ER ME * 268 00:13:20,200 --> 00:13:26,506 * THIS WILL BE MY SHINING HOUR * 269 00:13:27,740 --> 00:13:34,848 * TILL I'M WITH YOU AGAIN * 270 00:14:14,587 --> 00:14:20,894 * THIS WILL BE MY SHINING HOUR * 271 00:14:21,929 --> 00:14:29,036 * TILL I'M WITH YOU AGAIN * 272 00:14:30,537 --> 00:14:34,174 * LIKE THE LIGHTS OF HOME BEFORE ME * 273 00:14:34,241 --> 00:14:38,979 * LIKE AN ANGEL WATCHING O'ER ME * 274 00:14:39,046 --> 00:14:44,851 * THIS WILL BE MY SHINING HOUR * 275 00:14:44,918 --> 00:14:50,557 * WITH YOU * 276 00:14:57,497 --> 00:14:59,199 KIDDING, HUH? 277 00:15:05,905 --> 00:15:07,840 HERE'S YOUR CAMERA. I QUIT. 278 00:15:07,907 --> 00:15:08,808 Phil: OH, NOW, JOAN, JOAN. 279 00:15:08,875 --> 00:15:09,742 YOU TAKE ME TOO SERIOUSLY 280 00:15:09,809 --> 00:15:10,978 AT THE WRONG TIME. 281 00:15:11,044 --> 00:15:12,179 NOW, HERE'S YOUR RESIGNATION. 282 00:15:12,245 --> 00:15:13,646 NO. 283 00:15:13,713 --> 00:15:14,881 LOOK, I'M YOUR BOSS, AND YOU'LL DO AS I SAY. 284 00:15:14,948 --> 00:15:16,083 NOT ANYMORE. I'M FINISHED. 285 00:15:16,149 --> 00:15:18,185 WELL, WHAT DO YOU WANT TO DO? 286 00:15:18,251 --> 00:15:20,087 I WANT TO GET INTO THIS WAR. 287 00:15:20,153 --> 00:15:22,622 I WANT TO SHOW THE LITTLE GUY AT HIS WAR JOB. 288 00:15:22,689 --> 00:15:24,924 THAT MIGHT SHOW HUNDREDS OF OTHER LITTLE GUYS HOW THEY CAN HELP. 289 00:15:24,992 --> 00:15:26,126 WOMEN AND KIDS, TOO. 290 00:15:26,193 --> 00:15:27,394 FINE. GO AHEAD AND DO IT. 291 00:15:27,460 --> 00:15:29,062 THEN YOU MEAN I'M STILL WORKING FOR YOU? 292 00:15:29,129 --> 00:15:30,697 SURE. THAT'S RIGHT, ISN'T IT? 293 00:15:30,763 --> 00:15:31,698 IF YOU SAY SO. 294 00:15:31,764 --> 00:15:32,799 YOU KEEP OUT OF THIS. 295 00:15:32,865 --> 00:15:33,933 THANKS, PHIL, AND DON'T WORRY. 296 00:15:34,001 --> 00:15:34,834 I'LL PROVE YOU WRONG. 297 00:15:34,901 --> 00:15:36,069 EVERYBODY DOES. 298 00:15:36,136 --> 00:15:37,537 WELL, IF I'M GOING TO RUSSIA, 299 00:15:37,604 --> 00:15:38,972 I BETTER HURRY HOME AND START LEARNING RUSSIAN. 300 00:15:39,039 --> 00:15:40,173 I'LL TAKE YOU. 301 00:15:40,240 --> 00:15:41,541 NO THANKS. I'LL BE ALL RIGHT. 302 00:15:41,608 --> 00:15:42,575 GOOD NIGHT. 303 00:15:46,879 --> 00:15:49,349 SHE'LL NEVER LEARN RUSSIAN. 304 00:15:50,950 --> 00:15:51,985 THERE YOU ARE, MISS MANION, 305 00:15:52,052 --> 00:15:53,086 JUST LIKE YOU LIKE IT. 306 00:15:53,153 --> 00:15:54,321 GOOD. LIKE SOME COFFEE? 307 00:15:54,387 --> 00:15:56,056 NO THANKS, MR. KEIFER. 308 00:15:58,925 --> 00:16:01,061 [WHISTLING] 309 00:16:15,308 --> 00:16:16,976 I USED TO MAKE A LIVING OFF THOSE THINGS. 310 00:16:17,044 --> 00:16:18,345 YOU AGAIN? 311 00:16:18,411 --> 00:16:20,980 [PINBALL MACHINE RINGING] 312 00:16:21,048 --> 00:16:22,249 PRETTY GOOD LIVING, TOO. 313 00:16:23,450 --> 00:16:24,551 WHO ARE YOU TRYING TO IMPRESS 314 00:16:24,617 --> 00:16:28,088 WITH THAT DUDE RANCH OUTFIT? 315 00:16:28,155 --> 00:16:29,622 NOW YOU'VE HURT MY FEELINGS. 316 00:16:29,689 --> 00:16:31,158 Keifer: CARE FOR SOMETHING, SIR. 317 00:16:31,224 --> 00:16:32,425 JUST THIS YOUNG LADY'S CHECK, 318 00:16:32,492 --> 00:16:33,426 IF I MAY. 319 00:16:33,493 --> 00:16:34,561 TWO BITS. 320 00:16:35,462 --> 00:16:36,663 HERE YOU ARE. 321 00:16:36,729 --> 00:16:37,730 THANK YOU. 322 00:16:39,599 --> 00:16:42,269 DON'T TRY TO TELL ME YOU JUST HAPPENED TO WALK IN HERE. 323 00:16:42,335 --> 00:16:44,371 I WOULDN'T TRY TO TELL YOU ANYTHING. 324 00:16:44,437 --> 00:16:46,039 IN OTHER WORDS, YOU'RE DELIBERATELY FOLLOWING ME, HUH? 325 00:16:46,106 --> 00:16:47,640 DELIBERATELY. 326 00:16:47,707 --> 00:16:50,009 WELL, WHAT WERE YOU DOING AT THE COLONIAL CLUB? 327 00:16:50,077 --> 00:16:52,312 FOLLOWING YOU DELIBERATELY. 328 00:16:52,379 --> 00:16:54,081 HOW LONG HAS THIS BEEN GOING ON? 329 00:16:54,147 --> 00:16:56,183 SINCE THE FIRST TIME I SAW YOU. 330 00:16:56,249 --> 00:16:57,950 MAY I ASK WHY? 331 00:16:58,017 --> 00:17:00,520 YOU'RE ENTITLED TO THE QUESTION. 332 00:17:00,587 --> 00:17:01,521 WELL, WHY? 333 00:17:01,588 --> 00:17:02,389 WHY? 334 00:17:02,455 --> 00:17:03,956 THAT'S WHAT I'M ASKING. 335 00:17:04,023 --> 00:17:05,192 WELL, I DON'T KNOW. 336 00:17:05,258 --> 00:17:06,626 WHY DOES A KID GO AROUND 337 00:17:06,693 --> 00:17:08,328 KICKING A TIN CAN? 338 00:17:08,395 --> 00:17:10,397 WHY DO OWLS STAY UP SO LATE? 339 00:17:10,463 --> 00:17:12,365 HOW SHOULD I KNOW? IT'S JUST ONE OF THOSE THINGS. 340 00:17:12,432 --> 00:17:15,402 WELL, THANKS FOR THE HAMBURGER. 341 00:17:24,811 --> 00:17:26,179 HELLO. 342 00:17:26,246 --> 00:17:27,814 LOOK HERE, WHATEVER YOUR NAME IS. 343 00:17:27,880 --> 00:17:29,516 FRED, UH, FRED BURTON. 344 00:17:29,582 --> 00:17:31,151 THIS HAS GONE FAR ENOUGH, MR. BURTON. 345 00:17:31,218 --> 00:17:33,353 OH, NOW, YOU CAN DO BETTER THAN THAT. 346 00:17:33,420 --> 00:17:35,322 CAN'T A GIRL WALK ALONG THE-- 347 00:17:35,388 --> 00:17:36,923 DO I HAVE TO-- CALL A COP? 348 00:17:36,989 --> 00:17:38,591 A SOPHISTICATED GIRL LIKE YOU? 349 00:17:38,658 --> 00:17:40,527 YOU'RE NOT A SNOB. CAN'T I WALK WITH YOU? 350 00:17:44,664 --> 00:17:45,632 THANKS. 351 00:17:50,570 --> 00:17:53,273 THE WORLD FEELS PRETTY GOOD AROUND HERE. 352 00:17:53,340 --> 00:17:54,441 HALF THE WORLD IS DYING, 353 00:17:54,507 --> 00:17:55,842 AND YOU FEEL PRETTY GOOD. 354 00:17:55,908 --> 00:17:57,410 DON'T YOU READ THE PAPERS? 355 00:17:57,477 --> 00:17:58,211 NOPE. 356 00:17:58,278 --> 00:17:59,212 MAYBE YOU OUGHT TO TRY IT. 357 00:17:59,279 --> 00:18:01,013 DID YOU KNOW ABOUT THE WAR? 358 00:18:01,080 --> 00:18:02,149 A PIECE OF IT. 359 00:18:02,215 --> 00:18:03,816 JUST NOT VERY INTERESTED, HUH? 360 00:18:03,883 --> 00:18:05,518 NOT TONIGHT. 361 00:18:05,585 --> 00:18:08,087 NOT THAT I CARE, BUT WHAT DO YOU DO FOR A LIVING? 362 00:18:08,155 --> 00:18:09,156 NOTHING AT THE MOMENT. 363 00:18:09,222 --> 00:18:10,657 WELL, WHAT DID YOU DO? 364 00:18:10,723 --> 00:18:12,159 OH, VARIOUS THINGS. 365 00:18:12,225 --> 00:18:13,460 LEGITIMATE? 366 00:18:13,526 --> 00:18:15,128 NOW, WAIT A MINUTE. RELAX, WILL YOU? 367 00:18:15,195 --> 00:18:16,396 YOU'RE NOT AS TOUGH AS ALL THAT. 368 00:18:16,463 --> 00:18:17,997 YOU'RE JUST A LITTLE UNHAPPY 369 00:18:18,064 --> 00:18:20,633 BECAUSE YOU'RE NOT DOING WHAT YOU WANT TO DO. 370 00:18:20,700 --> 00:18:23,503 WHY DON'T YOU JUST GO AHEAD AND DO IT? 371 00:18:23,570 --> 00:18:24,837 DON'T TEMPT ME. 372 00:18:24,904 --> 00:18:26,105 AFTER ALL, YOU'RE THE ONLY ONE IN THE WAY 373 00:18:26,173 --> 00:18:27,240 OF WHAT YOU WANT TO DO. 374 00:18:27,307 --> 00:18:28,241 I THOUGHT THAT WAS SOMETHING. 375 00:18:28,308 --> 00:18:29,776 LOOK. IT'S A PENNY. 376 00:18:29,842 --> 00:18:31,178 PUT IT IN YOUR SHOE. IT WILL BRING YOU LUCK. 377 00:18:31,244 --> 00:18:32,879 MAYBE YOU NEED IT. 378 00:18:32,945 --> 00:18:35,748 OH, NO. I COULDN'T BE LUCKIER THAN I AM TONIGHT. 379 00:18:38,818 --> 00:18:42,389 [WHISTLING MY SHINING HOUR] 380 00:18:42,455 --> 00:18:44,657 SAY, THAT'S NOT A BAD SONG YOU SANG TONIGHT, 381 00:18:44,724 --> 00:18:45,892 BUT IT'S LIKE YOU. 382 00:18:45,958 --> 00:18:47,894 IT TAKES ITSELF A LITTLE TOO SERIOUSLY. 383 00:18:47,960 --> 00:18:49,796 OH, I SUPPOSE YOU COULD DO BETTER. 384 00:18:49,862 --> 00:18:51,298 WELL, MAYBE. 385 00:18:51,364 --> 00:18:52,865 THAT I'D LIKE TO HEAR. 386 00:18:52,932 --> 00:18:54,033 I USED TO WRITE SONGS. 387 00:18:54,100 --> 00:18:55,335 IF I HAD WRITTEN THAT ONE, 388 00:18:55,402 --> 00:18:56,836 I'D HAVE MADE IT A LITTLE LIGHTER, 389 00:18:56,903 --> 00:18:59,239 SOMETHING LIKE... 390 00:18:59,306 --> 00:19:05,178 * THIS WILL BE MY SHINING HOUR * 391 00:19:05,245 --> 00:19:08,948 * LONELY THOUGH IT MAY BE * 392 00:19:09,015 --> 00:19:11,284 AND THEN, UH... 393 00:19:11,351 --> 00:19:16,589 * LIKE THE FACE OF MISCHA AUER * 394 00:19:16,656 --> 00:19:19,892 * ON THE MUSIC HALL MARQUEE * 395 00:19:19,959 --> 00:19:22,529 OH. 396 00:19:22,595 --> 00:19:28,701 * WERE THEY STINGERS OR BACARDIS? * 397 00:19:28,768 --> 00:19:33,373 * WAS IT TONY'S? WAS IT SARDI'S? * 398 00:19:33,440 --> 00:19:35,174 THAT'S THE IDEA. 399 00:19:35,242 --> 00:19:36,476 * THIS WILL BE * 400 00:19:36,543 --> 00:19:40,613 * MY SHINING HOUR * 401 00:19:40,680 --> 00:19:46,018 * TILL I'M WITH YOU AGAIN * 402 00:19:46,085 --> 00:19:47,053 SEE WHAT I MEAN? 403 00:19:47,119 --> 00:19:49,256 GOOD NIGHT. 404 00:21:06,799 --> 00:21:08,535 [RINGS DOORBELL] 405 00:21:11,404 --> 00:21:12,639 GOOD EVENING. WELL. 406 00:21:12,705 --> 00:21:14,240 YOU HAVE A ROOM FOR RENT? 407 00:21:14,307 --> 00:21:15,575 THIS IS A FINE TIME OF NIGHT 408 00:21:15,642 --> 00:21:17,610 FOR YOU TO BE LOOKING FOR A ROOM, YOUNG MAN. 409 00:21:17,677 --> 00:21:19,278 WELL, I DON'T NEED A ROOM UNTIL I GO TO BED, 410 00:21:19,346 --> 00:21:20,413 AND I DON'T GO TO BED 411 00:21:20,480 --> 00:21:21,981 UNTIL A FINE TIME OF NIGHT. 412 00:21:22,048 --> 00:21:24,684 TRY PLANNING YOUR LIFE A DAY AHEAD SOMETIME. 413 00:21:24,751 --> 00:21:26,686 NO POINT IN IT. I MAY NOT BE HERE. 414 00:21:26,753 --> 00:21:28,921 YOU MAY NOT BE HERE. WHO KNOWS? 415 00:21:28,988 --> 00:21:31,558 WELL, I'M SURE I DON'T. 416 00:21:31,624 --> 00:21:36,429 WELL, WHILE WE'RE STILL HERE, COME IN. 417 00:21:43,636 --> 00:21:47,740 OH, THIS IS THE ROOM RIGHT HERE. 418 00:21:51,678 --> 00:21:55,482 I THINK YOU'LL FIND THIS VERY COMFORTABLE. 419 00:22:00,687 --> 00:22:04,156 IT IS A LITTLE STUFFY IN HERE. 420 00:22:04,223 --> 00:22:05,157 VERY NICE. 421 00:22:05,224 --> 00:22:08,461 17.50 A WEEK IN ADVANCE. 422 00:22:08,528 --> 00:22:10,763 THAT'S IN CASE YOU AIN'T HERE TOMORROW. 423 00:22:10,830 --> 00:22:12,298 I'LL BUY IT. 424 00:22:12,365 --> 00:22:14,467 WHAT MIGHT YOUR BUSINESS BE? 425 00:22:14,534 --> 00:22:17,336 IT MIGHT BE ANYTHING. 426 00:22:17,404 --> 00:22:18,871 ANY BAGGAGE? 427 00:22:18,938 --> 00:22:20,673 NO, MA'AM. 428 00:22:20,740 --> 00:22:21,674 OH. 429 00:22:21,741 --> 00:22:23,275 UH, 17.50? 430 00:22:23,342 --> 00:22:24,977 YOU CAN BRING ME THE CHANGE TOMORROW. 431 00:22:25,044 --> 00:22:26,413 THANK YOU. THANK YOU. 432 00:22:26,479 --> 00:22:27,580 GOOD NIGHT, MISS, UH-- 433 00:22:27,647 --> 00:22:29,782 FISHER, MRS. FISHER. 434 00:22:29,849 --> 00:22:31,551 OH, I'D LIKE TO MEET YOUR HUSBAND, 435 00:22:31,618 --> 00:22:32,552 THE LUCKY FELLOW. 436 00:22:32,619 --> 00:22:34,020 YES. SO WOULD I. 437 00:22:34,086 --> 00:22:37,857 HE HASN'T BEEN WITH ME FOR 15 YEARS. 438 00:22:38,558 --> 00:22:40,993 LUCKY FELLOW. 439 00:22:41,060 --> 00:22:42,161 DID YOU SAY SOMETHING? 440 00:22:42,228 --> 00:22:44,230 WHO, ME? NO, MA'AM. 441 00:22:44,296 --> 00:22:45,231 GOOD NIGHT. 442 00:22:45,297 --> 00:22:46,899 GOOD NIGHT. 443 00:22:46,966 --> 00:22:47,934 [WHISTLES] 444 00:22:49,869 --> 00:22:52,138 [WHISTLING MY SHINING HOUR] 445 00:23:20,967 --> 00:23:22,902 [POTS BANGING] 446 00:23:44,123 --> 00:23:46,058 [SIZZLING] 447 00:23:49,596 --> 00:23:50,530 GOOD MORNING. 448 00:23:50,597 --> 00:23:52,732 OH, COME HERE, WALDO. 449 00:23:52,799 --> 00:23:54,266 WHAT DO YOU THINK YOU'RE DOING? 450 00:23:54,333 --> 00:23:55,267 COOKING YOU BREAKFAST. 451 00:23:55,334 --> 00:23:56,202 I USED TO BE A CHEF. 452 00:23:56,268 --> 00:23:57,737 HOW DID YOU GET IN HERE? 453 00:23:57,804 --> 00:23:59,171 THE ROOF. LIKE TO LOOK YOUR EGG IN THE EYE? 454 00:23:59,238 --> 00:24:00,306 ISN'T THAT A BEAUT? 455 00:24:00,372 --> 00:24:02,108 ONCE OVER LIGHTLY-- NEVER MIND THAT. 456 00:24:02,174 --> 00:24:03,710 YOU DON'T THINK YOU'RE GONNA GET AWAY WITH THIS, DO YOU? 457 00:24:03,776 --> 00:24:05,144 I CERTAINLY DON'T. 458 00:24:05,211 --> 00:24:06,713 WELL, YOU CAN'T COME INTO MY KITCHEN LIKE THAT 459 00:24:06,779 --> 00:24:07,747 OVER THE ROOF THROUGH MY WINDOW. 460 00:24:07,814 --> 00:24:08,915 NOW, JUST LOOK AT YOU. 461 00:24:08,981 --> 00:24:10,583 HERE IT IS A BEAUTIFUL MORNING, 462 00:24:10,650 --> 00:24:12,619 A BEAUTIFUL LIFE, A BEAUTIFUL BREAKFAST, 463 00:24:12,685 --> 00:24:13,653 AND THERE YOU STAND. 464 00:24:13,720 --> 00:24:14,687 NOW, JUST LOOK AT YOU. 465 00:24:14,754 --> 00:24:15,855 WHAT'S THE MATTER WITH ME? 466 00:24:15,922 --> 00:24:17,557 WELL, FOR ONE THING, YOUR HAIR. 467 00:24:17,624 --> 00:24:19,892 I CAN'T TELL WHICH ONE OF YOU IS WALDO. 468 00:24:24,263 --> 00:24:25,765 THAT GOT HER, WALDO. 469 00:24:25,832 --> 00:24:28,167 ACHILLES HAD A HEEL, AND WOMEN HAVE THEIR HAIR. 470 00:24:36,075 --> 00:24:37,777 WHY, MISS JOAN, YOU'RE LOOKING 471 00:24:37,844 --> 00:24:39,078 PERFECTLY LOVELY THIS MORNING. 472 00:24:39,145 --> 00:24:40,146 GOOD MORNING. 473 00:24:40,212 --> 00:24:41,514 I SUPPOSE YOU KNOW I COULD HAVE YOU ARRESTED 474 00:24:41,581 --> 00:24:43,583 FOR ILLEGAL ENTRY INTO THIS BUILDING. 475 00:24:43,650 --> 00:24:45,317 OH, NO. I LIVE HERE. 476 00:24:45,384 --> 00:24:46,452 YOU WHAT? 477 00:24:46,519 --> 00:24:49,121 I'M JUST ACROSS THE HALL. 478 00:24:49,188 --> 00:24:51,123 UH, LATER, WALDO. 479 00:24:52,358 --> 00:24:54,126 THAT'S A GOOD BOY. 480 00:24:54,193 --> 00:24:55,494 COFFEE? 481 00:24:55,562 --> 00:24:57,363 THANKS. 482 00:24:57,429 --> 00:24:59,031 WALDO, YOU'RE A TRAITOR. 483 00:24:59,098 --> 00:24:59,832 [WHINES] 484 00:24:59,899 --> 00:25:01,267 WHAT YOU GOING TO DO TODAY? 485 00:25:01,333 --> 00:25:03,102 WORK, NATURALLY. 486 00:25:03,169 --> 00:25:04,136 ON A DAY LIKE THIS? 487 00:25:04,203 --> 00:25:06,172 I HAD IT ALL PLANNED FOR US TO DO THE TOWN. 488 00:25:06,238 --> 00:25:07,940 YOU'RE TOO THOUGHTFUL OF OTHERS. 489 00:25:08,007 --> 00:25:09,976 YOU SEE, YOU OUGHT TO LET ME MIND MY BUSINESS, 490 00:25:10,042 --> 00:25:12,511 AND I'D BE ONLY TOO GLAD TO LET YOU MIND YOURS. 491 00:25:12,579 --> 00:25:13,780 I TOLD YOU. I HAVEN'T ANY. 492 00:25:13,846 --> 00:25:15,514 OH, I SUGGEST YOU FIND ONE. 493 00:25:15,582 --> 00:25:17,016 WHY? 494 00:25:17,083 --> 00:25:18,618 WHY? 495 00:25:18,685 --> 00:25:20,720 BECAUSE IT'S AN ECONOMIC NECESSITY, 496 00:25:20,787 --> 00:25:22,789 THE LAW OF--THE LAW OF SURVIVAL. 497 00:25:22,855 --> 00:25:24,156 HAVEN'T YOU HEARD? 498 00:25:24,223 --> 00:25:25,758 IT'S, UH... 499 00:25:25,825 --> 00:25:27,960 OH, I DON'T KNOW WHAT I'M TALKING ABOUT. 500 00:25:28,027 --> 00:25:30,296 I DON'T CARE. 501 00:25:30,362 --> 00:25:32,364 SAY, DIDN'T YOU EVER WANT TO ACCOMPLISH ANYTHING? 502 00:25:32,431 --> 00:25:34,200 ISN'T THERE ANYTHING YOU'VE EVER WANTED ENOUGH 503 00:25:34,266 --> 00:25:36,468 TO GET OUT AND WORK AND FIGHT FOR? 504 00:25:36,535 --> 00:25:38,705 EAT YOUR EGG. 505 00:25:38,771 --> 00:25:40,406 WELL, YOU HAVE TO FIGHT TO GET ANYTHING. 506 00:25:40,472 --> 00:25:42,008 DON'T YOU BELIEVE THAT? 507 00:25:42,074 --> 00:25:43,375 NO. 508 00:25:43,442 --> 00:25:45,177 WELL, WHAT DO YOU BELIEVE? 509 00:25:45,244 --> 00:25:47,213 SOMETIMES YOU HAVE TO FIGHT TO KEEP SOMETHING. 510 00:25:47,279 --> 00:25:48,715 I BELIEVE THAT. 511 00:25:48,781 --> 00:25:50,149 WELL, DON'T YOU HAVE TO GET SOMETHING 512 00:25:50,216 --> 00:25:51,918 IN ORDER TO KEEP IT? 513 00:25:51,984 --> 00:25:54,486 NO MORE THAN YOU CAN BE BORN WITH. 514 00:25:54,553 --> 00:25:55,855 WHAT WERE YOU BORN WITH? 515 00:25:55,922 --> 00:25:57,990 NOTHING MUCH. FREEDOM MAYBE. 516 00:25:58,057 --> 00:25:59,258 FREEDOM? 517 00:25:59,325 --> 00:26:00,259 YES, LIKE YOU. 518 00:26:00,326 --> 00:26:01,460 FREEDOM FOR ANYTHING, 519 00:26:01,527 --> 00:26:02,561 TO BE ANYTHING YOU WANT TO BE, 520 00:26:02,629 --> 00:26:04,597 SOMEBODY OR NOBODY IF YOU WANT TO. 521 00:26:04,664 --> 00:26:07,466 ME, RIGHT NOW I WANT TO BE NOBODY. 522 00:26:07,533 --> 00:26:09,769 I GUESS I DON'T TELL IT VERY WELL. 523 00:26:09,836 --> 00:26:12,171 YOU'RE NOT DOING BAD. 524 00:26:12,238 --> 00:26:15,541 WHERE ARE YOU GONNA START THIS NEW JOB OF YOURS? 525 00:26:15,608 --> 00:26:17,243 DOWN ON THE DOCKS, EAST RIVER. 526 00:26:17,309 --> 00:26:18,510 GOOD. 527 00:26:18,577 --> 00:26:19,746 WHY? 528 00:26:19,812 --> 00:26:21,513 WELL, IT'S JUST GOOD, THAT'S ALL. 529 00:26:21,580 --> 00:26:22,949 ARE YOU GOING TO LOOK FOR WORK? 530 00:26:23,015 --> 00:26:24,416 FOR YOU, YES. 531 00:26:24,483 --> 00:26:26,085 FOR ME? 532 00:26:26,152 --> 00:26:27,987 WELL, FOR US. 533 00:26:29,355 --> 00:26:31,090 OH, I GIVE UP. 534 00:26:31,157 --> 00:26:32,258 I'VE GOT TO HURRY. 535 00:26:47,774 --> 00:26:49,141 [CLEARS THROAT] 536 00:26:49,208 --> 00:26:51,510 I'D LIKE TO MAKE A COUPLE OF SHOTS UP HERE. 537 00:26:51,577 --> 00:26:53,179 SURE, MA'AM. 538 00:26:53,245 --> 00:26:54,213 THANK YOU. 539 00:27:02,789 --> 00:27:04,290 YOU--WORKING? 540 00:27:04,356 --> 00:27:05,725 NO LESS. 541 00:27:05,792 --> 00:27:07,727 I TAKE IT ALL BACK. 542 00:27:07,794 --> 00:27:09,061 THEN YOU'LL HAVE DINNER WITH ME? 543 00:27:09,128 --> 00:27:10,730 WELL, THAT'S SOMETHING ELSE. 544 00:27:10,797 --> 00:27:11,864 IF YOU DON'T, I QUIT. 545 00:27:11,931 --> 00:27:13,632 I CAN'T WORK WITHOUT INSPIRATION. 546 00:27:13,700 --> 00:27:16,102 ALL RIGHT. CALL FOR ME AT 7:00. 547 00:27:16,168 --> 00:27:18,437 Man: HEY, BUDDY. 548 00:27:18,504 --> 00:27:19,706 YOU LOOKING FOR A JOB? 549 00:27:19,772 --> 00:27:21,674 Fred: WHY, UH, SURE. 550 00:27:21,741 --> 00:27:23,575 YOU GOT A CARD? A CARD? 551 00:27:23,642 --> 00:27:24,711 Joan: HEY, WAIT A MINUTE. 552 00:27:24,777 --> 00:27:25,778 IS THAT MAN WORKING FOR YOU? 553 00:27:25,845 --> 00:27:26,946 NOT FOR MY MONEY, HE AIN'T. 554 00:27:27,013 --> 00:27:28,147 YOU SAW ME WORKING. 555 00:27:28,214 --> 00:27:29,849 YOU FAKER, YOU. 556 00:27:29,916 --> 00:27:31,083 WELL, WHAT'S THE DIFFERENCE? I'M WORKING. 557 00:27:31,150 --> 00:27:32,384 DO I HAVE TO GET PAID FOR IT? 558 00:27:32,451 --> 00:27:33,786 YES, YOU DO. 559 00:27:33,853 --> 00:27:35,688 THAT YOUR WIFE? 560 00:27:35,755 --> 00:27:36,823 YEAH. I'M OUT OF WORK. 561 00:27:36,889 --> 00:27:37,990 SHE FOLLOWS ME AROUND. 562 00:27:38,057 --> 00:27:39,358 SHE'S DRIVING ME CRAZY. 563 00:27:39,425 --> 00:27:40,727 I TRIED TO MAKE HER THINK I'M WORKING 564 00:27:40,793 --> 00:27:41,994 SO SHE'LL LEAVE ME ALONE. 565 00:27:42,061 --> 00:27:43,896 LADY, YOU HADN'T OUGHT TO BE THAT WAY. 566 00:27:43,963 --> 00:27:45,898 I'M NOT ANY WAY. YOU KEEP OUT OF THIS. 567 00:27:45,965 --> 00:27:47,433 JUST TOO BAD IT ISN'T MY WIFE. 568 00:27:47,499 --> 00:27:50,737 SHE GOT THAT WAY, SHE'D GET A GOOD BUST IN THE NOSE. 569 00:27:50,803 --> 00:27:52,772 I CAN'T. SHE'S-- WELL, SHE'S-- 570 00:27:52,839 --> 00:27:55,441 WHAT'S HE SAYING ABOUT ME? 571 00:27:55,507 --> 00:27:57,176 [WHISPERING] You see, I've got to be 572 00:27:57,243 --> 00:27:58,811 particularly gentle and considerate with her 573 00:27:58,878 --> 00:28:00,079 when she's, uh... 574 00:28:00,146 --> 00:28:01,613 YEAH. AND SOMETIMES IT MAKES THEM 575 00:28:01,680 --> 00:28:03,549 KIND OF TEMPORARILY SCREWBALL. 576 00:28:03,615 --> 00:28:05,852 OH, I'M SCREWBALL, HUH? 577 00:28:05,918 --> 00:28:07,053 TAKE IT EASY, LADY. TAKE IT EASY. 578 00:28:07,119 --> 00:28:08,120 LISTEN, I CAN GET HIM A CARD 579 00:28:08,187 --> 00:28:09,555 AND PUT HIM TO WORK RIGHT AWAY. 580 00:28:09,621 --> 00:28:10,757 NOW, YOU TAKE THE ADVICE 581 00:28:10,823 --> 00:28:12,358 OF A DADDY OF 8 KIDS. 582 00:28:12,424 --> 00:28:14,493 DON'T LET IT GET YOU DOWN. 583 00:28:14,560 --> 00:28:15,728 OH! 584 00:28:17,529 --> 00:28:18,998 DON'T PAY NO ATTENTION, SON. 585 00:28:19,065 --> 00:28:20,032 SOMETIMES WHEN THEY'RE LIKE THAT, 586 00:28:20,099 --> 00:28:21,768 THEY GET KIND OF BUG-HEADED. 587 00:28:21,834 --> 00:28:22,769 JUST LEAVE HER BE. 588 00:28:22,835 --> 00:28:24,070 NOW, YOU BRING ME YOUR CARD 589 00:28:24,136 --> 00:28:25,704 AND A BIRTH CERTIFICATE AND YOUR DRAFT NUMBER 590 00:28:25,772 --> 00:28:28,074 AND A HEALTH CERTIFICATE AND AN F.B.I. OK 591 00:28:28,140 --> 00:28:29,708 AND A LETTER FROM YOUR HIGH-SCHOOL SUPERVISOR-- 592 00:28:29,776 --> 00:28:31,043 THANKS, PAL. 593 00:28:33,512 --> 00:28:34,580 THERE STILL AIN'T NOTHING LIKE 594 00:28:34,646 --> 00:28:36,883 A GOOD BUST IN THE NOSE. 595 00:28:44,356 --> 00:28:46,725 [WHISTLING] 596 00:28:46,793 --> 00:28:47,894 OH, I WANTED TO SEE MISS MANION. 597 00:28:47,960 --> 00:28:49,395 SHE'S IN THE DARKROOM. 598 00:28:49,461 --> 00:28:50,462 THANKS. 599 00:29:24,396 --> 00:29:25,531 IS THAT YOU, HELEN? 600 00:29:25,597 --> 00:29:26,999 TURNED OUT PRETTY WELL, DIDN'T IT? 601 00:29:27,066 --> 00:29:28,000 DO YOU THINK I SMILED TOO MUCH? 602 00:29:28,067 --> 00:29:29,235 WHAT? HELLO. 603 00:29:29,301 --> 00:29:30,736 WHAT ARE YOU DOING HERE? 604 00:29:30,803 --> 00:29:31,838 I THOUGHT THE DARKROOM WOULD BE A GREAT PLACE 605 00:29:31,904 --> 00:29:33,672 TO PITCH A LITTLE WOO. 606 00:29:33,739 --> 00:29:34,673 YOU'LL PITCH NO WOO AT ME. 607 00:29:34,740 --> 00:29:36,108 NOW, GET OUT OF HERE. 608 00:29:36,175 --> 00:29:37,776 I'LL PITCH WOO, OR I'LL... YELL FOR HELP. 609 00:29:37,844 --> 00:29:38,811 YOU WOULDN'T DARE. 610 00:29:38,878 --> 00:29:40,346 OH, WOULDN'T I? 611 00:29:40,412 --> 00:29:42,714 HELP! HELP! SHH! 612 00:29:42,781 --> 00:29:45,751 HELP! HELP! HELP! 613 00:29:45,818 --> 00:29:46,752 THEY'RE GONNA HEAR YOU. SHH! 614 00:29:46,819 --> 00:29:49,788 HELP! HELP! SAVE ME! 615 00:29:51,891 --> 00:29:53,492 Fred: I THOUGHT I HEARD SOMEBODY CALLING FOR HELP, 616 00:29:53,559 --> 00:29:54,493 DIDN'T YOU? 617 00:29:54,560 --> 00:29:55,761 Man: I THOUGHT I DID. 618 00:29:55,828 --> 00:29:56,762 Second man: I KNOW I DID. 619 00:29:56,829 --> 00:29:58,097 SO DID I. 620 00:30:01,834 --> 00:30:03,870 MAY I, UH... 621 00:30:03,936 --> 00:30:05,771 WHATEVER YOU'RE DOING, STOP IT! 622 00:30:05,838 --> 00:30:07,039 YOU REALLY ARE CRAZY, AREN'T YOU? 623 00:30:07,106 --> 00:30:08,240 YEAH, BUT IT'S ALL YOUR FAULT. 624 00:30:08,307 --> 00:30:09,708 MY FAULT? 625 00:30:09,775 --> 00:30:12,912 I'VE BEEN THIS WAY SINCE THE FIRST TIME I SAW YOU. 626 00:30:19,852 --> 00:30:21,320 [THUMP] 627 00:30:22,989 --> 00:30:24,623 WHO ARE YOU? 628 00:30:24,690 --> 00:30:25,691 NOBODY. 629 00:30:25,757 --> 00:30:26,692 WHAT'S THE MATTER WITH YOU? 630 00:30:26,758 --> 00:30:27,894 DON'T YOU HAVE TO WORK, 631 00:30:27,960 --> 00:30:29,695 OR ARE YOU JUST RICH? 632 00:30:29,761 --> 00:30:31,063 CHURCH MICE SNUBBED ME. 633 00:30:31,130 --> 00:30:33,499 NO. REALLY. WHAT DO YOU DO? 634 00:30:33,565 --> 00:30:34,666 NOTHING RIGHT NOW. 635 00:30:34,733 --> 00:30:35,868 I HAVE DONE A LOT OF THINGS. 636 00:30:35,935 --> 00:30:37,603 IS THERE ANYTHING YOU HAVEN'T DONE? 637 00:30:37,669 --> 00:30:39,771 OH, A COUPLE OF THINGS, BUT I'LL GET AROUND TO THEM. 638 00:30:39,838 --> 00:30:41,207 OH, YOU THINK SO? 639 00:30:44,176 --> 00:30:45,912 DID YOU EVER WORK FOR A PUBLISHING FIRM? 640 00:30:45,978 --> 00:30:48,047 SURE. I STUDIED JOURNALISM IN COLLEGE 641 00:30:48,114 --> 00:30:50,582 AND THEN SERVED TIME ON A CHICAGO PAPER. 642 00:30:50,649 --> 00:30:52,318 SAY, THAT'S WONDERFUL. 643 00:30:52,384 --> 00:30:54,286 WHAT'S WONDERFUL ABOUT IT? 644 00:30:54,353 --> 00:30:56,488 WOULD YOU MIND DOING YOURSELF A FAVOR? 645 00:30:56,555 --> 00:30:57,924 LIKE WHAT? 646 00:30:57,990 --> 00:31:00,893 I WANT YOU TO TALK TO THE MAN I WORK FOR-- MR. PHIL HARRIMAN-- 647 00:31:00,960 --> 00:31:02,361 ABOUT GETTING A JOB. 648 00:31:02,428 --> 00:31:03,562 WILL YOU DO IT? 649 00:31:03,629 --> 00:31:04,563 ON ONE CONDITION. 650 00:31:04,630 --> 00:31:05,831 WHAT'S THAT? 651 00:31:05,898 --> 00:31:06,999 WELL, IF I'VE GOT TO GO TO WORK, 652 00:31:07,066 --> 00:31:09,301 WE OUGHT TO CELEBRATE TONIGHT. 653 00:31:09,368 --> 00:31:11,537 PROMISE YOU WON'T SKIP OUT TOMORROW? 654 00:31:11,603 --> 00:31:12,771 NOT TOMORROW. 655 00:31:12,838 --> 00:31:15,007 I DON'T LIKE THE WAY YOU SAY THAT, 656 00:31:15,074 --> 00:31:16,575 BUT I'LL AGREE. 657 00:31:16,642 --> 00:31:18,310 FAIR EXCHANGE. 658 00:31:19,411 --> 00:31:20,579 IS MR. HARRIMAN IN? 659 00:31:20,646 --> 00:31:22,881 Woman: NO. HE WON'T BE IN UNTIL TOMORROW. 660 00:31:22,949 --> 00:31:24,016 I WANT YOU TO MAKE AN APPOINTMENT FOR HIM 661 00:31:24,083 --> 00:31:25,217 TO SEE MR., UH-- 662 00:31:25,284 --> 00:31:27,719 Fred: SCHMALTZ. SCHMAL-- SCHMALTZ? 663 00:31:27,786 --> 00:31:28,955 BURTON. 664 00:31:29,989 --> 00:31:31,857 MR. BURTON. I'LL CONFIRM IT LATER. 665 00:31:31,924 --> 00:31:34,026 Woman: YES, MISS MANION. 666 00:31:34,093 --> 00:31:36,462 [JAZZ MUSIC PLAYING] 667 00:31:42,935 --> 00:31:45,237 Fred: HEY. WHAT'S THIS? 668 00:31:45,304 --> 00:31:47,306 OH, THIS IS MY NIGHT AT THE CANTEEN, ALL RIGHT? 669 00:31:47,373 --> 00:31:48,707 BUT I WANTED TO BE ALONE WITH YOU. 670 00:31:48,774 --> 00:31:49,976 WHY? 671 00:31:50,042 --> 00:31:51,143 WHY? WHEN A FELLA TAKES A GIRL OUT, 672 00:31:51,210 --> 00:31:52,979 HE WANTS TO BE ALONE WITH HER. 673 00:31:53,045 --> 00:31:54,947 THAT'S WHY HE DOESN'T BRING THE WHOLE FAMILY ALONG. 674 00:31:55,014 --> 00:31:56,748 IT'S BEEN GOING ON FOR THOUSANDS OF YEARS, YOU KNOW. 675 00:31:56,815 --> 00:31:58,117 HAVEN'T YOU HEARD? 676 00:31:58,184 --> 00:32:00,619 LATER YOU CAN BE ALONE WITH ME. 677 00:32:00,686 --> 00:32:02,154 ALL RIGHT. 678 00:32:03,622 --> 00:32:05,992 HEY, LISTEN. I CAN'T GO IN THERE. 679 00:32:06,058 --> 00:32:07,393 IT'S FOR SOLDIERS AND SAILORS. 680 00:32:07,459 --> 00:32:08,694 THAT'S ALL RIGHT. I WORK HERE. 681 00:32:08,760 --> 00:32:10,562 COME ON. 682 00:32:10,629 --> 00:32:12,298 HELLO, SERGEANT. HELLO. 683 00:32:12,364 --> 00:32:13,732 UH, HAVE YOU GOT A CARD? 684 00:32:13,799 --> 00:32:14,766 NO. 685 00:32:14,833 --> 00:32:16,135 WELL, THIS IS FOR SERVICEMEN. 686 00:32:16,202 --> 00:32:17,869 OH, IT'LL BE ALL RIGHT. HE'S WITH ME. 687 00:32:17,936 --> 00:32:19,605 OK. 688 00:32:25,844 --> 00:32:26,845 SOLD OUT. 689 00:32:26,912 --> 00:32:28,147 OH, THERE'S ONE. 690 00:32:29,215 --> 00:32:31,483 HELLO, CAROL. HELLO, JOAN. 691 00:32:31,550 --> 00:32:33,052 HI, TOM. 692 00:32:38,524 --> 00:32:40,726 DO YOU HAVE TO DO THIS TONIGHT? 693 00:32:40,792 --> 00:32:42,694 AREN'T YOU ASHAMED OF YOURSELF? 694 00:32:42,761 --> 00:32:43,829 THESE MEN ARE LONELY. 695 00:32:43,895 --> 00:32:45,297 THEY ENJOY THE SHOWS WE PUT ON HERE. 696 00:32:45,364 --> 00:32:46,498 IS THAT TOO MUCH TO ASK-- 697 00:32:46,565 --> 00:32:48,600 MAKING A CUP OF COFFEE OR SINGING A SONG 698 00:32:48,667 --> 00:32:50,169 FOR THE MEN THAT ARE WINNING THE WAR FOR US? 699 00:32:50,236 --> 00:32:52,038 NO, IT ISN'T, BUT WHERE DO YOU COME IN? 700 00:32:52,104 --> 00:32:53,739 WELL, I SING IF THEY NEED ME, 701 00:32:53,805 --> 00:32:55,341 OR SERVE, WASH DISHES, ANYTHING. 702 00:32:55,407 --> 00:32:56,475 TONIGHT I'LL PROBABLY YODEL. 703 00:32:56,542 --> 00:32:57,743 YODEL? THAT'S MARVELOUS. 704 00:32:57,809 --> 00:32:58,977 I USED TO BE A YODELER-- 705 00:32:59,045 --> 00:32:59,811 Woman: ONE OF THE ACTS CAN'T GET HERE. 706 00:32:59,878 --> 00:33:01,147 CAN YOU FILL IN? 707 00:33:01,213 --> 00:33:02,414 OH, SURE. THAT'S WHY I'M HERE. 708 00:33:02,481 --> 00:33:03,582 I'D LIKE YOU TO MEET MR. BURTON. 709 00:33:03,649 --> 00:33:04,383 CAN HE DO ANYTHING? 710 00:33:04,450 --> 00:33:05,551 I CAN WASH DISHES. 711 00:33:05,617 --> 00:33:07,086 OH, MR. BURTON CAN DO ANYTHING. 712 00:33:07,153 --> 00:33:08,587 DIDN'T YOU SAY YOU COULD, DARLING? 713 00:33:08,654 --> 00:33:09,621 IN A WAY. 714 00:33:09,688 --> 00:33:13,392 COULD YOU--COULD YOU DO ANYTHING WITH HER? 715 00:33:13,459 --> 00:33:14,726 COULD I! 716 00:33:14,793 --> 00:33:16,028 OH, THAT'S PERFECTLY SPLENDID. 717 00:33:16,095 --> 00:33:17,396 OH, DARLING, THAT'S WONDERFUL. 718 00:33:17,463 --> 00:33:18,297 COME ALONG NOW. 719 00:33:18,364 --> 00:33:19,298 YOU'RE WONDERFUL CHILDREN. 720 00:33:19,365 --> 00:33:20,299 YES. YOU REALLY ARE. 721 00:33:20,366 --> 00:33:22,368 OH, YOU LOOK MARVELOUS! 722 00:33:22,434 --> 00:33:23,769 [APPLAUSE] 723 00:33:23,835 --> 00:33:25,104 GO ON BACK. I WAS ONLY KIDDING. 724 00:33:25,171 --> 00:33:27,206 TOO LATE. IT'S YOUR FAULT. 725 00:33:29,408 --> 00:33:31,177 HELLO, JOAN. THEY WANT ME TO DO A NUMBER. 726 00:33:31,243 --> 00:33:32,478 IS THIS GENTLEMAN GOING TO DO SOMETHING? 727 00:33:32,544 --> 00:33:34,046 NO. I'LL JUST MESS AROUND. 728 00:33:34,113 --> 00:33:35,414 NO, YOU WON'T. GO ON BACK TO THE TABLE. 729 00:33:35,481 --> 00:33:37,083 JUST IGNORE HIM. A VERSE AND TWO CHORUSES 730 00:33:37,149 --> 00:33:38,784 OF A LOT IN COMMON. 731 00:33:38,850 --> 00:33:41,687 HI, SOLDIER. HAVING FUN? 732 00:33:41,753 --> 00:33:42,788 NO. ARE YOU? 733 00:33:42,854 --> 00:33:44,123 WHAT'S THE MATTER? 734 00:33:44,190 --> 00:33:46,125 OH, THEY DON'T LIKE THE WAY I DANCE. 735 00:33:46,192 --> 00:33:48,960 WANT ME TO HOLD THEM WAY OUT HERE. 736 00:33:49,027 --> 00:33:51,597 NOT FOR ME. I GOT TO GO TO TOWN. 737 00:33:59,004 --> 00:33:59,971 HA HA HA! 738 00:34:00,038 --> 00:34:01,373 [DRUMROLL] 739 00:34:05,944 --> 00:34:08,147 [MUSIC PLAYING] 740 00:34:12,951 --> 00:34:14,420 GET OUT. 741 00:34:15,587 --> 00:34:17,656 * PSYCHIATRISTS HAVE SAID * 742 00:34:17,723 --> 00:34:19,325 * A MAN WHO'S SLIGHTLY CRACKED * 743 00:34:19,391 --> 00:34:22,761 * CAN LIKE A MAID WHO'S TETCHED IN THE HEAD * 744 00:34:24,263 --> 00:34:26,398 Fred: * AND SO IT GOES WITH ME * 745 00:34:26,465 --> 00:34:28,634 * MY ADDLED BRAIN CAN'T SEE * 746 00:34:28,700 --> 00:34:31,937 * WHY A LOVE SUCH AS OURS * 747 00:34:32,003 --> 00:34:34,072 * SHOULDN'T BE * 748 00:34:34,140 --> 00:34:35,541 * THINK IT OVER * 749 00:34:35,607 --> 00:34:38,310 * YOU'RE LONESOME, I'M STRANDED * 750 00:34:38,377 --> 00:34:41,079 * YOU'RE TRUTHFUL, I'M CANDID * 751 00:34:41,147 --> 00:34:43,782 * AND WE'RE BOTH LEFT-HANDED * 752 00:34:43,849 --> 00:34:46,418 * I SEEM TO HAVE A LOT IN COMMON WITH YOU * 753 00:34:46,485 --> 00:34:49,221 * YOU SLAY ME, I FLOOR YOU * 754 00:34:49,288 --> 00:34:52,124 * YOU VEX ME, I BORE YOU * 755 00:34:52,191 --> 00:34:54,626 * BUT I CAN'T IGNORE YOU * 756 00:34:54,693 --> 00:34:57,296 Both: * WE SEEM TO HAVE A LOT IN COMMON, WE TWO * 757 00:34:57,363 --> 00:35:00,799 * TWO NOBLE SOULS DESIGNED ABOVE * 758 00:35:00,866 --> 00:35:02,834 GET OUT OF HERE, WILL YOU? I WILL NOT. 759 00:35:02,901 --> 00:35:08,440 * TWO SILLY CHARACTERS IN LOVE * 760 00:35:08,507 --> 00:35:11,109 * YOU'RE WOOZY, YOU'RE WHACKED UP * 761 00:35:11,177 --> 00:35:13,912 * I SAW YOU, I CRACKED UP * 762 00:35:13,979 --> 00:35:16,014 * YOU'RE BREAKING MY ACT UP * 763 00:35:16,081 --> 00:35:17,283 * LONESOME, STRANDED * 764 00:35:17,349 --> 00:35:18,717 * TRUTHFUL, CANDID * 765 00:35:18,784 --> 00:35:21,587 * SILLY OR SAPPY, LONG AS I'M HAPPY * 766 00:35:21,653 --> 00:35:25,591 Both: * I'VE GOT A LOT IN COMMON WITH YOU * 767 00:35:26,892 --> 00:35:29,628 * THE STAGE WAS MY BORN FIELD * 768 00:35:29,695 --> 00:35:32,398 * I'VE MADE IT MY SWORN FIELD * 769 00:35:32,464 --> 00:35:35,501 * GET BACK IN THAT CORNFIELD * 770 00:35:37,703 --> 00:35:40,272 * I THINK THAT WE'RE SLIPPING * 771 00:35:40,339 --> 00:35:42,774 * YOU'D BETTER START STRIPPING * 772 00:35:42,841 --> 00:35:45,811 * MY ZIPPER AIN'T ZIPPING * 773 00:35:48,380 --> 00:35:53,519 Fred: * PERHAPS WE'D BETTER TELL A GAG * 774 00:35:53,585 --> 00:35:57,723 * PERHAPS WE'D BETTER WAVE THE FLAG * 775 00:35:59,258 --> 00:36:01,627 * WHAT'S ALL THIS HORSEPLAY WORTH? * 776 00:36:01,693 --> 00:36:04,530 * THESE EGGS THAT WE LAY WORTH? * 777 00:36:04,596 --> 00:36:05,831 * WHERE'S CAGNEY? * 778 00:36:05,897 --> 00:36:07,799 * WHERE'S HAYWORTH? * 779 00:36:14,740 --> 00:36:18,610 Both: * I'VE GOT A LOT IN COMMON WITH YOU * 780 00:37:15,401 --> 00:37:16,802 [APPLAUSE] 781 00:37:28,780 --> 00:37:30,616 WHERE DID YOU LEARN TO DANCE LIKE THAT? 782 00:37:30,682 --> 00:37:32,918 ARTHUR MURRAY. 783 00:37:38,023 --> 00:37:39,625 Man: THANKS, JOAN. OK, BUDDY. 784 00:37:39,691 --> 00:37:40,992 THANKS. 785 00:37:45,764 --> 00:37:47,533 Woman: JOAN, DARLING, YOU WERE LOVELY. 786 00:37:47,599 --> 00:37:50,235 OH, MR. WHAT'S-YOUR-NAME, YOU WERE WONDERFUL. 787 00:37:50,302 --> 00:37:51,503 YOU SAID YOU CAN WASH DISHES. 788 00:37:51,570 --> 00:37:52,738 THE KITCHEN'S RIGHT OVER THERE. 789 00:37:52,804 --> 00:37:54,306 PARDON, FRIEND. YOU GOT A MATCH? 790 00:37:54,373 --> 00:37:55,974 YOU GOT A CIGARETTE TO GO WITH IT? 791 00:37:56,041 --> 00:37:57,008 OH, NO. NO. NOT YOU GUYS. 792 00:37:57,075 --> 00:37:58,109 WHAT ARE YOU DOING HERE? 793 00:37:58,176 --> 00:37:59,144 WE CAME TO SEE YOU DANCE. 794 00:37:59,210 --> 00:38:00,278 IT WAS LOVELY. 795 00:38:00,346 --> 00:38:01,279 HOW DO YOU BILL YOURSELF THESE DAYS? 796 00:38:01,347 --> 00:38:02,213 THE DANCING TIGER? 797 00:38:02,280 --> 00:38:03,382 WHO'S THE HEP CHICK? 798 00:38:03,449 --> 00:38:04,683 NOW, DON'T CROWD MY ACT, FELLAS. 799 00:38:04,750 --> 00:38:06,051 SHE DOESN'T KNOW ANYTHING ABOUT ME. 800 00:38:06,117 --> 00:38:07,052 LET'S DO A LITTLE RECONNOITERING. 801 00:38:07,118 --> 00:38:08,520 VERY INTELLIGENT IDEA. 802 00:38:08,587 --> 00:38:10,389 NOTHING DOING. IF SHE FINDS OUT WHO I AM, 803 00:38:10,456 --> 00:38:12,157 I'LL SPEND THE REST OF MY LEAVE TELLING HER ALL ABOUT CHINA. 804 00:38:12,223 --> 00:38:12,958 BEAUTIFUL GIRL. 805 00:38:13,024 --> 00:38:14,259 NOT BAD. 806 00:38:14,326 --> 00:38:15,794 THERE'S LOTS OF OTHER BEAUTIFUL GIRLS. 807 00:38:15,861 --> 00:38:17,228 YEAH, BUT WE LIKE THIS ONE. CHANGED, HASN'T HE? 808 00:38:17,295 --> 00:38:18,397 YEAH. BECOME JITTERY AND EXCITABLE. 809 00:38:18,464 --> 00:38:19,898 NOTHING DOING, SEE? 810 00:38:19,965 --> 00:38:21,533 OH, YOU MEAN YOU DON'T WANT TO GO WITH US? 811 00:38:25,337 --> 00:38:26,472 UH, JOAN... 812 00:38:26,538 --> 00:38:27,806 THESE FELLAS WANTED TO MEET YOU. 813 00:38:27,873 --> 00:38:29,775 THIS IS, UH, REG, UH, FENTON, 814 00:38:29,841 --> 00:38:31,410 AND, UH, DICK-- WHAT, UH-- 815 00:38:31,477 --> 00:38:32,911 MERLIN. MERLIN. 816 00:38:32,978 --> 00:38:34,413 BY THE WAY, MY NAME IS BURTON. 817 00:38:34,480 --> 00:38:35,714 B-U-R-T-O-N. 818 00:38:35,781 --> 00:38:36,948 Joan: HOW DO YOU DO? SHALL WE SIT DOWN? 819 00:38:37,015 --> 00:38:38,183 UH, WELL, THEY WERE JUST LEAVING. 820 00:38:38,249 --> 00:38:40,318 THANK YOU. THANK YOU. 821 00:38:40,386 --> 00:38:41,620 Dick: NICE TO MEET YOU. 822 00:38:41,687 --> 00:38:43,121 YOU BOYS ARE FLYING TIGERS, AREN'T YOU? 823 00:38:43,188 --> 00:38:44,356 YES. 824 00:38:44,423 --> 00:38:45,256 Fred: TELL US ABOUT IT, WILL YOU? 825 00:38:45,323 --> 00:38:46,358 I'LL BE GLAD TO. 826 00:38:46,425 --> 00:38:47,659 WHAT DON'T YOU KNOW ABOUT IT? 827 00:38:47,726 --> 00:38:49,495 I DON'T KNOW EVERYTHING ABOUT IT. 828 00:38:49,561 --> 00:38:51,597 BY THE WAY, WE'VE GOT TO MAKE THAT MIDNIGHT SHOW 829 00:38:51,663 --> 00:38:53,231 AT THE, UH, AQUARIUM. 830 00:38:53,298 --> 00:38:54,466 WHAT SHOW? 831 00:38:54,533 --> 00:38:55,834 Reg: IT CERTAINLY IS SWELL OF YOU 832 00:38:55,901 --> 00:38:57,102 TO COME UP AND DANCE FOR US FELLAS, MISTER. 833 00:38:57,168 --> 00:38:58,604 MM-HMM. HELPS OUR MORALE. 834 00:38:58,670 --> 00:39:00,539 YOU KNOW, I FEEL BETTER ABOUT THE WHOLE WAR ALREADY-- 835 00:39:00,606 --> 00:39:02,541 JUST WATCHING OUR FRIEND HERE DANCE WITH YOU. 836 00:39:02,608 --> 00:39:04,510 THANKS. GLAD TO DO MY BIT. 837 00:39:04,576 --> 00:39:07,045 SAY, WHY DON'T YOU FELLAS TAKE A BUS RIDE? 838 00:39:07,112 --> 00:39:08,547 THERE'S A SPECIAL TRIP-- 839 00:39:08,614 --> 00:39:11,617 GRANT'S TOMB, CHINATOWN, THE SUBWAY--MARVELOUS. 840 00:39:11,683 --> 00:39:13,084 THIS IS A GREAT TOWN. YOU OUGHT TO SEE IT. 841 00:39:13,151 --> 00:39:14,520 YOU GO SEE IT. 842 00:39:14,586 --> 00:39:16,021 Dick: WOULD YOU CARE TO DANCE? 843 00:39:16,087 --> 00:39:17,055 SURELY. 844 00:39:21,092 --> 00:39:22,260 Dick: SORRY, REG. 845 00:39:22,327 --> 00:39:25,163 IT'S ALL RIGHT. I'LL WAIT MY TURN. 846 00:39:25,230 --> 00:39:28,199 ANYTHING I CAN DO TO AMUSE YOU IN THE MEANTIME? 847 00:39:28,266 --> 00:39:30,436 YES. YOU CAN HOP UP ON THE TABLE 848 00:39:30,502 --> 00:39:31,703 AND DO A SNAKE DANCE. 849 00:39:33,071 --> 00:39:34,606 I SAID, HOP UP ON THE TABLE 850 00:39:34,673 --> 00:39:36,742 AND DO A SNAKE DANCE. 851 00:39:38,910 --> 00:39:39,645 ARE YOU SERIOUS? 852 00:39:39,711 --> 00:39:43,782 COME ON. UP, UP, UP, UP. 853 00:39:43,849 --> 00:39:47,586 MAYBE YOU'D RATHER I TELL THE YOUNG LADY WHO YOU ARE. 854 00:39:47,653 --> 00:39:49,988 REG, NOW, COME ON. ALL KIDDING ASIDE. 855 00:39:50,055 --> 00:39:52,558 FUN IS FUN. UP, UP, UP. 856 00:39:54,359 --> 00:39:55,694 SAY, WHAT'S THE MATTER WITH YOU? 857 00:39:55,761 --> 00:39:57,162 UP, UP. 858 00:39:57,228 --> 00:39:59,498 WHAT? GET THROWN IN THE BRIG OR SOMETHING? 859 00:40:04,803 --> 00:40:06,304 IT'S DANGEROUS UP HERE. 860 00:40:06,371 --> 00:40:07,539 NOW WHAT DO YOU WANT? 861 00:40:21,820 --> 00:40:24,490 IS THAT ALL RIGHT? OK. 862 00:40:27,926 --> 00:40:28,894 WHAT'S THE MATTER? 863 00:41:04,830 --> 00:41:07,365 DO YOUR DANCING ON THE FLOOR, BUDDY. 864 00:41:07,432 --> 00:41:09,067 THANK YOU VERY MUCH. 865 00:41:09,801 --> 00:41:12,037 AND THANK YOU, YOU-- 866 00:41:12,103 --> 00:41:13,071 Reg: THANK YOU. 867 00:41:17,909 --> 00:41:19,010 REG. 868 00:41:20,111 --> 00:41:21,580 ALL RIGHT. 869 00:41:21,647 --> 00:41:22,681 HERE IT IS. 870 00:41:22,748 --> 00:41:24,082 IT'S ALL I'VE GOT. 871 00:41:24,149 --> 00:41:26,885 NOW, WILL YOU AND DICK TAKE IT AND PEEL OFF? 872 00:41:26,952 --> 00:41:29,054 OH, WHAT'S MONEY? JUST LETTUCE. 873 00:41:29,120 --> 00:41:30,556 WE GOT A DATE IN THE PACIFIC NEXT WEEK, 874 00:41:30,622 --> 00:41:32,558 AND THE JAPS DON'T EAT LETTUCE. 875 00:41:32,624 --> 00:41:34,425 IT HAS TAKEN ME ALL THIS TIME 876 00:41:34,492 --> 00:41:36,094 TO GET WHERE I AM WITH THIS GIRL. 877 00:41:36,161 --> 00:41:37,663 YEAH, BUT WHERE ARE YOU? 878 00:41:37,729 --> 00:41:39,297 THAT'S WHAT I'M TRYING TO FIND OUT. 879 00:41:39,364 --> 00:41:41,132 [NO AUDIO] 880 00:41:48,807 --> 00:41:51,242 WELL, THIS IS A FINE HOW-DO-YOU-DO. 881 00:41:51,309 --> 00:41:53,011 THOSE FELLAS CERTAINLY RUINED OUR EVENING. 882 00:41:53,078 --> 00:41:54,846 OH, THERE'LL BE OTHER NIGHTS FOR US. 883 00:41:54,913 --> 00:41:56,381 Joan: THE BOYS ONLY HAVE A FEW DAYS. 884 00:41:56,447 --> 00:41:57,849 I KNOW. 885 00:41:57,916 --> 00:41:58,917 YOU OUGHT TO BE GLAD OF A CHANCE 886 00:41:58,984 --> 00:42:00,586 TO DO SOMETHING FOR THEM. 887 00:42:00,652 --> 00:42:03,922 SOMEDAY MAYBE I'LL GET ANOTHER CHANCE. 888 00:42:03,989 --> 00:42:06,091 SAY, TELL ME SOMETHING, WILL YOU, PLEASE? 889 00:42:06,157 --> 00:42:07,325 HMM? 890 00:42:07,392 --> 00:42:10,428 HOW DOES IT HAPPEN THAT YOU NEVER MARRIED YOUR BOSS? 891 00:42:10,495 --> 00:42:12,330 WHATEVER MADE YOU THINK OF THAT? 892 00:42:12,397 --> 00:42:14,700 HE'S ASKED YOU, HASN'T HE? 893 00:42:14,766 --> 00:42:17,736 WELL, I SUPPOSE YOU'D CALL IT A PROPOSAL. 894 00:42:17,803 --> 00:42:20,338 HE DIGRESSES WHEN HE GET FLUSTERED. 895 00:42:20,405 --> 00:42:22,440 FUMBLES THE BALL, HUH? 896 00:42:22,507 --> 00:42:24,009 ONCE HE GOT OFF ON THE LOVE LIFE 897 00:42:24,075 --> 00:42:25,410 OF A POLYP. 898 00:42:25,476 --> 00:42:27,212 LONG AS IT'S LOVE, WHAT'S THE DIFFERENCE? 899 00:42:27,278 --> 00:42:29,047 POLYPS, PEOPLE. 900 00:42:29,114 --> 00:42:30,749 IT'S NOT PARTICULARLY FLATTERING 901 00:42:30,816 --> 00:42:32,584 TO BE COMPARED TO A FISH 902 00:42:32,651 --> 00:42:34,485 IN THE MIDDLE OF A PROPOSAL. 903 00:42:34,552 --> 00:42:35,754 [CHUCKLING] 904 00:42:35,821 --> 00:42:38,523 MAYBE YOU DON'T GIVE HIM THE RIGHT CUES. 905 00:42:38,590 --> 00:42:41,359 MAYBE. 906 00:42:41,426 --> 00:42:43,662 BUT I LIKE HIM, REALLY. 907 00:42:43,729 --> 00:42:46,364 WELL, HARRIMAN SEEMS LIKE A PERFECTLY SWELL FELLOW. 908 00:42:46,431 --> 00:42:47,799 HE IS. 909 00:42:49,434 --> 00:42:53,705 TELL ME. JUST WHAT ARE YOU LOOKING FOR IN A MAN? 910 00:42:53,772 --> 00:42:56,574 WELL, HE-- 911 00:42:57,709 --> 00:42:59,044 OH, I DON'T KNOW. 912 00:42:59,110 --> 00:43:01,379 WORDSWORTH PUT IT PRETTY WELL. 913 00:43:01,446 --> 00:43:02,714 HOW? 914 00:43:04,282 --> 00:43:06,752 "A CREATURE NOT TOO BRIGHT AND GOOD 915 00:43:06,818 --> 00:43:09,020 "FOR HUMAN NATURE'S DAILY FOOD, 916 00:43:09,087 --> 00:43:12,090 "FOR TRANSIENT SORROWS, SIMPLE WILES, 917 00:43:12,157 --> 00:43:14,459 "PRAISE, BLAME, LOVE, KISSES, TEARS, 918 00:43:14,525 --> 00:43:15,894 AND SMILES." 919 00:43:17,262 --> 00:43:20,065 Man: WHERE DO YOU THINK YOU ARE? IN THE PARLOR? 920 00:43:21,667 --> 00:43:23,268 POINT KILLER. 921 00:43:25,170 --> 00:43:27,272 I GUESS THIS JUST ISN'T MY NIGHT. 922 00:43:37,883 --> 00:43:38,984 YOU'RE NOT REALLY AS CRAZY 923 00:43:39,050 --> 00:43:40,285 AS YOU PRETEND TO BE, ARE YOU? 924 00:43:40,351 --> 00:43:42,353 I COULDN'T BE, COULD I? 925 00:43:42,420 --> 00:43:44,389 YOU HAVEN'T FORGOTTEN YOUR PROMISE ABOUT TOMORROW? 926 00:43:44,455 --> 00:43:47,258 OH, NO, NO. WHAT WAS IT? 927 00:43:47,325 --> 00:43:48,426 SEEING MR. HARRIMAN. 928 00:43:48,493 --> 00:43:50,929 THAT'S RIGHT. I WON'T FORGET. 929 00:43:50,996 --> 00:43:53,364 I'LL POUND ON YOUR DOOR, GET YOU UP. 930 00:43:53,431 --> 00:43:54,800 THANKS. 931 00:43:59,370 --> 00:44:00,605 GOOD NIGHT, BABY. 932 00:44:00,672 --> 00:44:02,273 GOOD NIGHT. 933 00:44:29,701 --> 00:44:31,169 [KNOCK ON DOOR] 934 00:44:31,236 --> 00:44:32,804 I'LL BE WITH YOU IN A MINUTE, DEAR. 935 00:44:32,871 --> 00:44:33,839 IT'S ALL RIGHT, HONEY. 936 00:44:33,905 --> 00:44:35,707 TAKE YOUR TIME. 937 00:44:35,774 --> 00:44:37,876 REG! 938 00:44:37,943 --> 00:44:39,044 WHAT ARE YOU DOING HERE? HOW'D YOU GET IN? 939 00:44:39,110 --> 00:44:40,078 I JUST SIDESLIPPED IN. 940 00:44:40,145 --> 00:44:41,346 WELL, SIDESLIP OUT, WILL YOU? 941 00:44:41,412 --> 00:44:43,014 LISTEN. I GOT SOMETHING TO TELL YOU. 942 00:44:43,081 --> 00:44:44,515 LOOK. [KNOCK ON DOOR] 943 00:44:44,582 --> 00:44:45,516 YES? 944 00:44:45,583 --> 00:44:46,918 Joan: ARE YOU READY, FRED? 945 00:44:46,985 --> 00:44:49,120 UH, WAIT FOR ME DOWNSTAIRS, DEAR, WILL YOU? 946 00:44:49,187 --> 00:44:51,790 IN THE NICE FRESH AIR AND BEAUTIFUL SUNSHINE. 947 00:44:51,857 --> 00:44:52,958 I'LL BE WITH YOU IN A MINUTE. 948 00:44:53,024 --> 00:44:54,159 ALL RIGHT, BUT HURRY. 949 00:44:54,225 --> 00:44:55,326 ALL RIGHT. 950 00:44:55,393 --> 00:44:57,228 [WHISPERS] Say, uh, how are things working out-- 951 00:44:57,295 --> 00:44:58,797 OH, FINE. JUST A FEW MORE DAYS, 952 00:44:58,864 --> 00:45:00,431 AND EVERYTHING IS-- 953 00:45:00,498 --> 00:45:01,466 WHAT'S THAT? 954 00:45:01,532 --> 00:45:02,467 READ IT. 955 00:45:02,533 --> 00:45:04,335 WHAT IS IT? 956 00:45:04,402 --> 00:45:07,405 "REPORT FOR DUTY--" 957 00:45:07,472 --> 00:45:09,174 SAY, THAT'S DAY AFTER TOMORROW. YEAH. 958 00:45:09,240 --> 00:45:10,375 DID YOU AND DICK GET YOURS? 959 00:45:10,441 --> 00:45:11,409 YEP. 960 00:45:12,911 --> 00:45:14,412 WELL, THERE IT IS. THAT'S IT. 961 00:45:14,479 --> 00:45:15,814 THAT'S IT. I DON'T SUPPOSE 962 00:45:15,881 --> 00:45:17,282 THIS'LL CHANGE YOUR PLANS ANY, 963 00:45:17,348 --> 00:45:19,217 MR. B-U-R-T-O-N? 964 00:45:19,284 --> 00:45:20,886 OH, NO. IT ONLY KNOCKS THEM 965 00:45:20,952 --> 00:45:23,088 INTO A COCKED H-A-T, THAT'S ALL. 966 00:45:25,023 --> 00:45:26,691 SAY, DO ME A FAVOR, WILL YOU? 967 00:45:26,758 --> 00:45:28,126 STICK AROUND HERE FOR 5 MINUTES 968 00:45:28,193 --> 00:45:30,028 UNTIL WE GET OUT OF SIGHT. 969 00:45:34,199 --> 00:45:35,834 WELL... 970 00:45:35,901 --> 00:45:37,803 LOT OF FUN WHILE IT LASTED. 971 00:45:45,110 --> 00:45:46,744 NOW, IF MR. HARRIMAN OFFERS YOU A JOB, 972 00:45:46,812 --> 00:45:47,979 TRY TO BE ENTHUSIASTIC, WILL YOU? 973 00:45:48,046 --> 00:45:49,580 DOES OLD PHILLY KNOW I'M COMING? 974 00:45:49,647 --> 00:45:52,217 YES. DON'T CALL HIM "OLD PHILLY" TO HIS FACE. 975 00:45:52,283 --> 00:45:54,085 OH, MUSTN'T CALL HIM "OLD PHILLY" TO HIS FACE. 976 00:45:54,152 --> 00:45:56,354 BE ENTHUSIASTIC. BOW AND SCRAPE-- 977 00:45:56,421 --> 00:45:57,989 OH, YOU DON'T HAVE TO OVERDO IT. 978 00:45:58,056 --> 00:45:59,190 OH, MUSTN'T OVERDO IT. 979 00:45:59,257 --> 00:46:00,358 IN HERE. 980 00:46:00,425 --> 00:46:04,796 GOOD LUCK AND PLEASE DON'T BE...FRESH. 981 00:46:04,863 --> 00:46:06,164 I'LL TRY. 982 00:46:21,612 --> 00:46:22,747 Woman: GOOD MORNING. 983 00:46:22,814 --> 00:46:24,282 GOOD MORNING. 984 00:46:27,752 --> 00:46:28,686 HAVE YOU AN APPOINTMENT 985 00:46:28,753 --> 00:46:29,888 WITH MR. HARRIMAN? 986 00:46:29,955 --> 00:46:30,889 YES, MA'AM. 987 00:46:30,956 --> 00:46:32,523 WHO SHALL I SAY? 988 00:46:32,590 --> 00:46:33,992 THE NAME IS BURTON, I THINK. 989 00:46:34,059 --> 00:46:36,427 YOU THINK IT'S BURTON? 990 00:46:36,494 --> 00:46:37,562 BURTON. 991 00:46:39,697 --> 00:46:40,832 THESE ARE GOOD. YOU WANT ONE? 992 00:46:40,899 --> 00:46:41,867 I'LL GET YOU ONE. 993 00:46:41,933 --> 00:46:43,634 NO, THANKS. 994 00:46:43,701 --> 00:46:44,836 Phil: YEAH? 995 00:46:44,903 --> 00:46:46,704 MR. BURTON TO SEE YOU, MR. HARRIMAN. 996 00:46:46,771 --> 00:46:48,206 I'LL SEE HIM IN JUST A MINUTE. 997 00:46:48,273 --> 00:46:50,508 JUST HAVE A CHAIR, MR. BURTON. 998 00:46:50,575 --> 00:46:52,243 OH, DARN IT! 999 00:46:52,310 --> 00:46:53,344 WHAT'S THE MATTER? 1000 00:46:53,411 --> 00:46:55,713 MY STOCKING CAUGHT ON THAT CHAIR AGAIN. 1001 00:46:55,780 --> 00:46:57,015 A BRAND-NEW PAIR, TOO. 1002 00:46:57,082 --> 00:46:59,217 HOLY SMOKES. THAT'S NOT SO GOOD. 1003 00:46:59,284 --> 00:47:00,718 THIS IS NO TIME FOR GIRLS 1004 00:47:00,785 --> 00:47:03,421 TO BE CATCHING THEIR STOCKINGS IN CHAIRS, I ALWAYS SAY. 1005 00:47:04,255 --> 00:47:06,357 OUCH! 1006 00:47:06,424 --> 00:47:08,593 MAYBE I CAN HELP YOU. I USED TO BE A HOSIERY SALESMAN. 1007 00:47:08,659 --> 00:47:10,428 THANKS, BUT I CAN MANAGE. 1008 00:47:10,495 --> 00:47:11,496 HAVE YOU, UH, 1009 00:47:11,562 --> 00:47:13,798 HAVE YOU GOT A LITTLE COLORLESS NAIL POLISH? 1010 00:47:13,865 --> 00:47:15,833 YEAH. HERE IT IS. THIS IS IT. 1011 00:47:15,901 --> 00:47:17,869 THAT'S AWFULLY NICE OF YOU, MR. BURTON, 1012 00:47:17,936 --> 00:47:19,070 BUT I'D RATHER DO IT MYSELF. 1013 00:47:19,137 --> 00:47:20,005 PUT YOUR FOOT UP HERE, HONEY. 1014 00:47:20,071 --> 00:47:21,339 I'LL FIX THIS THING. 1015 00:47:21,406 --> 00:47:23,875 BETTER LET ME DO IT BECAUSE IT TAKES AN EXPERT. 1016 00:47:23,942 --> 00:47:25,010 I USED TO BE A SILKWORM. 1017 00:47:25,076 --> 00:47:28,679 I USED TO, UM, UM... 1018 00:47:28,746 --> 00:47:30,281 HMM. 1019 00:47:31,682 --> 00:47:33,184 YEAH. 1020 00:47:33,251 --> 00:47:35,753 THIS IS A LITTLE LIKE SHOEING A HORSE, ISN'T IT? 1021 00:47:35,820 --> 00:47:38,456 UH...THERE. 1022 00:47:40,291 --> 00:47:41,292 BEAUTIFUL. 1023 00:47:41,359 --> 00:47:43,061 I--I MEAN, A BEAUTIFUL PAIR OF STOCKINGS. 1024 00:47:43,128 --> 00:47:44,462 PRESENT FROM YOUR BOSS, I GUESS. 1025 00:47:44,529 --> 00:47:45,696 [CHUCKLING] 1026 00:47:45,763 --> 00:47:46,697 [CLEARS THROAT] 1027 00:47:46,764 --> 00:47:47,933 OH, MR. HARRIMAN, 1028 00:47:47,999 --> 00:47:49,467 I CAUGHT MY STOCKING ON THE CHAIR-- 1029 00:47:49,534 --> 00:47:50,568 OH, HELLO, HARRIMAN. 1030 00:47:50,635 --> 00:47:51,903 BE WITH YOU IN JUST A SECOND. 1031 00:47:51,970 --> 00:47:53,104 HOLD STILL, HONEY. WOULD YOU JUST TURN AROUND? 1032 00:47:53,171 --> 00:47:54,239 TAKE YOUR TIME. TAKE YOUR TIME. 1033 00:47:54,305 --> 00:47:55,506 RIGHT HERE. JUST AROUND THERE. 1034 00:47:55,573 --> 00:47:56,841 NEED ANY HELP? 1035 00:47:56,908 --> 00:47:58,809 NO. I'M JUST DOING MY GOOD DEED FOR THE DAY. 1036 00:47:58,876 --> 00:48:00,345 WELL, I'M BUSY, 1037 00:48:00,411 --> 00:48:02,780 BUT I WOULDN'T WANT TO LEAVE YOU OUT ON A LIMB. 1038 00:48:02,847 --> 00:48:04,215 OH, MR. HARRIMAN. 1039 00:48:04,282 --> 00:48:05,616 WELL, I THINK THAT'LL DO IT, HONEY. 1040 00:48:05,683 --> 00:48:07,585 NOW, JUST LET THAT DRY, AND IT'LL STOP THE RUN. 1041 00:48:07,652 --> 00:48:08,886 OH, THANK YOU, MR. BURTON. 1042 00:48:08,954 --> 00:48:09,921 YOU'RE WONDERFUL. 1043 00:48:09,988 --> 00:48:11,356 THANK YOU. 1044 00:48:19,830 --> 00:48:21,967 MR. HARRIMAN, REMEMBER ME? 1045 00:48:22,033 --> 00:48:23,868 SURE. HEY, BY THE WAY, 1046 00:48:23,935 --> 00:48:25,203 HOW DID YOU KNOW, OR, UH, 1047 00:48:25,270 --> 00:48:26,804 WHAT MADE YOU THINK THAT THOSE STOCKINGS 1048 00:48:26,871 --> 00:48:28,239 WERE A GIFT FROM ME? 1049 00:48:28,306 --> 00:48:30,075 I JUST PUT ONE AND ONE TOGETHER. 1050 00:48:30,141 --> 00:48:32,277 BEAUTIFUL, AREN'T THEY? ISN'T SHE? 1051 00:48:32,343 --> 00:48:33,778 WELL, NOTHING SERIOUS. 1052 00:48:33,844 --> 00:48:35,546 I JUST LIKE TO BE IN PLEASANT SURROUNDING, 1053 00:48:35,613 --> 00:48:36,547 THAT'S ALL. 1054 00:48:36,614 --> 00:48:38,149 WHO DOESN'T? 1055 00:48:38,216 --> 00:48:39,985 FRANKLY, MR. BURTON, ARE YOU SERIOUS 1056 00:48:40,051 --> 00:48:42,887 ABOUT WANTING A JOB? 1057 00:48:42,954 --> 00:48:46,992 FRANKLY, MR. HARRIMAN, NO. 1058 00:48:47,058 --> 00:48:48,293 WELL, I'VE GOT LOTS OF DECKS 1059 00:48:48,359 --> 00:48:49,961 OF CARDS AROUND HERE. 1060 00:48:50,028 --> 00:48:52,630 PEOPLE SEEM TO GIVE ME GIN RUMMY SETS FOR CHRISTMAS. 1061 00:48:52,697 --> 00:48:54,932 YOU WOULDN'T WANT TO TRY A WHIRL, WOULD YOU? 1062 00:48:55,000 --> 00:48:56,567 SURE. I'LL PLAY YOU. 1063 00:48:56,634 --> 00:48:58,336 ONE GAME. 1064 00:48:58,403 --> 00:48:59,837 WHAT WILL WE PLAY FOR? 1065 00:48:59,904 --> 00:49:01,406 OH, I DON'T KNOW. 1066 00:49:01,472 --> 00:49:02,473 DOLLAR A POINT. 1067 00:49:02,540 --> 00:49:04,575 OOH. ALL RIGHT. 1068 00:49:07,545 --> 00:49:09,447 I'VE BEEN WANTING TO TALK TO YOU. 1069 00:49:09,514 --> 00:49:11,349 WHY? 1070 00:49:11,416 --> 00:49:13,985 WELL, I'VE HEARD A LOT ABOUT YOU LATELY. 1071 00:49:14,052 --> 00:49:16,121 FROM MISS MANION, I SUPPOSE. 1072 00:49:16,187 --> 00:49:17,522 YEAH. JOAN. 1073 00:49:17,588 --> 00:49:21,959 WELL, SINCE YOU'RE NOT HERE TO DISCUSS A JOB, 1074 00:49:22,027 --> 00:49:25,063 I SUPPOSE IT'S TO DISCUSS MISS MANION. 1075 00:49:25,130 --> 00:49:27,132 I DON'T MIND SAYING I-- 1076 00:49:27,198 --> 00:49:29,734 I THINK A LOT OF YOUR LITTLE PROTéGéE. 1077 00:49:29,800 --> 00:49:31,736 I WAS AFRAID OF THAT. 1078 00:49:31,802 --> 00:49:33,038 I DON'T WANT THAT. 1079 00:49:33,104 --> 00:49:34,405 I DON'T WANT IT, EITHER. 1080 00:49:34,472 --> 00:49:36,707 WELL, THERE'S NOTHING TO BE AFRAID OF. 1081 00:49:36,774 --> 00:49:38,076 AS FAR AS I CAN SEE, 1082 00:49:38,143 --> 00:49:40,745 SHE'S WAITING FOR A PROPOSAL FROM YOU. 1083 00:49:40,811 --> 00:49:43,248 WELL, THAT'S WHERE YOU'RE WRONG. 1084 00:49:43,314 --> 00:49:45,950 I'VE ALREADY PUT IN MY BID. 1085 00:49:46,017 --> 00:49:47,752 YOU PUT IN YOUR BID? 1086 00:49:47,818 --> 00:49:50,521 YOU MAKE HER SOUND LIKE SOME SORT OF PROJECT. 1087 00:49:50,588 --> 00:49:52,090 HAVE YOU EVER GIVEN HER TO UNDERSTAND 1088 00:49:52,157 --> 00:49:54,092 THAT YOUR LIFE IS INCOMPLETE WITHOUT HER? 1089 00:49:54,159 --> 00:49:55,960 OH, UH-- OF COURSE YOU HAVEN'T. 1090 00:49:56,027 --> 00:49:57,295 ASKED HER TO MARRY YOU THE SAME WAY 1091 00:49:57,362 --> 00:50:00,898 THAT YOU'D ASK SOMEBODY FOR A MATCH. 1092 00:50:00,965 --> 00:50:02,700 WELL... 1093 00:50:02,767 --> 00:50:05,103 YOU DON'T CARE HOW YOU THROW THOSE LITTLE CARDS, DO YOU? 1094 00:50:05,170 --> 00:50:06,804 I PLAY A DIFFERENT TYPE GAME 1095 00:50:06,871 --> 00:50:08,573 FROM THE AVERAGES. 1096 00:50:08,639 --> 00:50:09,674 YES, YOU DO. 1097 00:50:09,740 --> 00:50:10,941 SAY, WHAT'S THE NAME OF THIS GAME? 1098 00:50:11,008 --> 00:50:12,077 GIN. 1099 00:50:12,143 --> 00:50:14,145 THAT'S JUST WHAT I HAVE. 1100 00:50:17,082 --> 00:50:19,050 NOW I'LL DO THE TALKING. 1101 00:50:21,786 --> 00:50:24,189 BLITZZZZ. 1102 00:50:25,756 --> 00:50:30,061 WELL, YOU JUST BARELY MADE IT--101. 1103 00:50:30,128 --> 00:50:31,729 WELL, I GUESS I OWE YOU SOME MONEY. 1104 00:50:31,796 --> 00:50:33,131 OH, LET'S FORGET IT. 1105 00:50:33,198 --> 00:50:34,865 PLEASE GIVE IT TO YOUR PET CHARITY OR SOMETHING. 1106 00:50:34,932 --> 00:50:38,069 SHE'S OUT AT LUNCH. I'LL GIVE IT TO YOURS. 1107 00:50:38,136 --> 00:50:41,005 MR. HARRIMAN... JOAN IS FOR YOU. 1108 00:50:41,072 --> 00:50:42,107 I'VE BEEN IN LOVE BEFORE, 1109 00:50:42,173 --> 00:50:43,141 AND I PROBABLY WILL BE AGAIN-- 1110 00:50:43,208 --> 00:50:44,209 PLENTY OF TIMES. 1111 00:50:44,275 --> 00:50:45,910 I KNOW MYSELF BETTER THAN YOU DO. 1112 00:50:45,976 --> 00:50:48,045 IN OTHER WORDS, YOU DON'T WANT TO MARRY. 1113 00:50:48,113 --> 00:50:49,814 LIVE ALONE AND WOLF IT, HUH? 1114 00:50:49,880 --> 00:50:50,815 YEAH. 1115 00:50:50,881 --> 00:50:52,183 [BUZZER] 1116 00:50:53,118 --> 00:50:55,653 UH, I'M OUT, HUH? 1117 00:50:55,720 --> 00:50:59,557 IF I EVER GET MARRIED, IT'LL BE SOMEONE... 1118 00:50:59,624 --> 00:51:02,059 "A CREATURE NOT TOO BRIGHT AND GOOD 1119 00:51:02,127 --> 00:51:04,862 FOR HUMAN NATURE'S DAILY FOOD," 1120 00:51:04,929 --> 00:51:06,097 ET CETERA, ET CETERA. 1121 00:51:06,164 --> 00:51:07,598 HEY, THAT'S A GOOD LINE, THAT. 1122 00:51:07,665 --> 00:51:09,134 DO YOU MIND IF I JOT THAT DOWN? 1123 00:51:09,200 --> 00:51:10,568 NO. DON'T. 1124 00:51:10,635 --> 00:51:13,271 THAT BELONGS TO THE ONLY GIRL I'LL NEVER FORGET. 1125 00:51:15,540 --> 00:51:17,242 LISTEN, MR. HARRIMAN, I WANT TO DO SOMETHING FOR YOU. 1126 00:51:17,308 --> 00:51:18,443 DO YOU WANT TO MARRY JOAN? 1127 00:51:18,509 --> 00:51:19,444 I DO. 1128 00:51:19,510 --> 00:51:20,545 OK. 1129 00:51:20,611 --> 00:51:22,147 YOU HAVE HER UP TO YOUR APARTMENT FOR DINNER, 1130 00:51:22,213 --> 00:51:24,115 AND I GUARANTEE SHE'LL MARRY YOU IN 12 HOURS. 1131 00:51:24,182 --> 00:51:27,051 12 HOURS? WELL, I'VE BEEN AFTER HER FOR TWO YEARS. 1132 00:51:27,118 --> 00:51:28,619 YES, BUT HOW? 1133 00:51:28,686 --> 00:51:29,554 WHAT DO YOU DO? 1134 00:51:29,620 --> 00:51:31,856 WELL, I GATHER THAT YOU THINK 1135 00:51:31,922 --> 00:51:35,059 THAT MY TECHNIQUE LEAVES SOMETHING TO BE DESIRED? 1136 00:51:35,126 --> 00:51:36,461 I'LL SAY IT DOES. 1137 00:51:36,527 --> 00:51:38,263 ALL YOU DO IS JUST PUT IN YOUR BID. 1138 00:51:38,329 --> 00:51:39,697 THERE'S NO FINESSE. 1139 00:51:39,764 --> 00:51:43,100 YOU JUST BUCK THE LINE. NO LATERAL PASSES. 1140 00:51:43,168 --> 00:51:45,170 NO STRATEGY. WHERE DO YOU LIVE? 1141 00:51:45,236 --> 00:51:48,139 BEEKMAN PLACE. NO LATERAL PASSES? 1142 00:51:48,206 --> 00:51:49,907 WHAT KIND OF A LAYOUT HAVE YOU? 1143 00:51:49,974 --> 00:51:51,142 OH, THE USUAL PENTHOUSE. 1144 00:51:51,209 --> 00:51:52,943 CHROMIUM TRIMMINGS. 1145 00:51:53,010 --> 00:51:54,111 VIEW OF THE DEARMOUNT. 1146 00:51:54,179 --> 00:51:56,281 NOT EXACTLY SORDID. 1147 00:51:56,347 --> 00:51:58,115 I GOT A TERRACE. 1148 00:51:58,183 --> 00:51:59,617 HAVE YOU EVER HAD HER UP THERE FOR DINNER? 1149 00:51:59,684 --> 00:52:01,186 YES. MANY TIMES. 1150 00:52:01,252 --> 00:52:02,620 TO DINE OUT IN THE TERRACE? 1151 00:52:02,687 --> 00:52:04,355 NO, IN THE DINING ROOM, NATURALLY. 1152 00:52:04,422 --> 00:52:05,556 WELL, THERE YOU ARE. 1153 00:52:05,623 --> 00:52:07,024 WHERE AM I? 1154 00:52:07,091 --> 00:52:08,025 GIVE ME YOUR KEY. 1155 00:52:08,092 --> 00:52:09,026 MY WHAT? 1156 00:52:09,093 --> 00:52:10,328 THE KEY TO YOUR APARTMENT. 1157 00:52:10,395 --> 00:52:11,996 KEY TO MY APARTMENT? YEAH. COME ON. 1158 00:52:12,062 --> 00:52:13,664 WHOA. WHAT DO YOU PROPOSE DOING? 1159 00:52:13,731 --> 00:52:15,333 YOU'RE GONNA PROPOSE. I'M GOING TO ARRANGE. 1160 00:52:15,400 --> 00:52:17,001 WHAT DO YOU MEAN? ARRANGE WHAT? WHY? 1161 00:52:17,067 --> 00:52:18,436 LET'S CALL IT A MILITARY SECRET. 1162 00:52:18,503 --> 00:52:20,037 OH, BUT, HEY, WAIT JUST A MINUTE. 1163 00:52:20,104 --> 00:52:21,038 LEAVE IT TO ME, WILL YOU? 1164 00:52:21,105 --> 00:52:22,139 I'LL CALL YOU LATER. 1165 00:52:22,207 --> 00:52:24,409 YEAH, BUT MY DEAR MAN, I-- 1166 00:52:29,680 --> 00:52:34,519 "A CREATURE NOT TOO BRIGHT OR GOOD... 1167 00:52:34,585 --> 00:52:36,921 FOR HUMAN NATURE'S DAILY FOOD..." 1168 00:52:40,225 --> 00:52:41,125 [KNOCK ON DOOR] 1169 00:52:41,192 --> 00:52:42,693 COME IN. 1170 00:52:44,161 --> 00:52:45,763 REMEMBER ME? 1171 00:52:45,830 --> 00:52:46,764 WHAT? 1172 00:52:46,831 --> 00:52:48,132 OH. HELLO, PHIL. 1173 00:52:48,199 --> 00:52:49,267 HOW DID YOU COME OUT WITH HIM? 1174 00:52:49,334 --> 00:52:51,168 IT'S RATHER INDEFINITE. 1175 00:52:51,236 --> 00:52:53,003 WELL, IS HE WORKING FOR YOU OR ISN'T HE? 1176 00:52:53,070 --> 00:52:54,239 I THINK HE IS. 1177 00:52:54,305 --> 00:52:56,607 YOU THINK HE IS? 1178 00:52:56,674 --> 00:52:59,377 WELL, HE GAVE ME A COUPLE OF VERY GOOD IDEAS. 1179 00:52:59,444 --> 00:53:02,247 OH, YOU MEAN FOR THE MAGAZINE? 1180 00:53:02,313 --> 00:53:03,714 INDIRECTLY, YES. 1181 00:53:03,781 --> 00:53:06,016 AREN'T YOU BEING RATHER MYSTERIOUS? 1182 00:53:06,083 --> 00:53:08,319 I HOPE SO. 1183 00:53:08,386 --> 00:53:10,688 COME ON. WHAT ARE YOU TRYING TO BUILD UP TO? 1184 00:53:10,755 --> 00:53:13,324 A LATERAL PASS--UH, AN INVITATION TO DINNER. 1185 00:53:13,391 --> 00:53:15,393 OH, WELL, YOU DON'T HAVE TO BE SO SUBTLE 1186 00:53:15,460 --> 00:53:16,661 TO ASK ME TO DINNER. 1187 00:53:16,727 --> 00:53:17,695 I'D LOVE TO COME. 1188 00:53:17,762 --> 00:53:19,697 ON THE TERRACE? 1189 00:53:19,764 --> 00:53:20,698 WHY NOT? 1190 00:53:20,765 --> 00:53:23,834 I THINK IT'D BE NICE FOR A CHANGE. 1191 00:53:23,901 --> 00:53:25,169 GOSH DARN IT. 1192 00:53:25,236 --> 00:53:27,505 YOU'RE JUST THE KIND OF GIRL I LIKE. 1193 00:53:28,806 --> 00:53:30,808 "A CREATURE NOT TOO BRIGHT--" 1194 00:53:30,875 --> 00:53:32,277 WHAT? LET ME FINISH. 1195 00:53:32,343 --> 00:53:34,345 "A CREATURE NOT TOO BRIGHT OR GOOD 1196 00:53:34,412 --> 00:53:37,482 "FOR HUMAN NATURE'S DAILY FOOD, 1197 00:53:37,548 --> 00:53:41,686 FOR TRANSIENT SORROWS, SIMPLE WILES..." 1198 00:53:41,752 --> 00:53:43,053 UH, SOMETHING. 1199 00:53:43,120 --> 00:53:46,457 "PRAISE, BLAME, LOVE, KISSES, TEARS, AND SMILES." 1200 00:53:46,524 --> 00:53:48,192 THAT'S IT. WHO TOLD YOU? 1201 00:53:48,259 --> 00:53:49,627 I TOLD FRED. 1202 00:53:51,962 --> 00:53:53,264 SO YOU'RE THE GIRL. 1203 00:53:53,331 --> 00:53:55,099 YOU'RE THE ONE HE'LL NEVER FORGET. 1204 00:53:55,165 --> 00:53:56,567 DID HE SAY THAT? 1205 00:53:56,634 --> 00:54:00,505 DON'T TELL ME I'VE BUTCHED THIS ONE, TOO. 1206 00:54:04,675 --> 00:54:07,144 OH, BUT YOU HAVEN'T, PHIL. 1207 00:54:07,211 --> 00:54:08,379 THANKS A MILLION. 1208 00:54:08,446 --> 00:54:10,247 I, UH, I HAVE TO GO. 1209 00:54:10,315 --> 00:54:11,616 HE'S AT MY APARTMENT. 1210 00:54:11,682 --> 00:54:13,784 OH, HE IS? WHAT'S HE DOING THERE? 1211 00:54:13,851 --> 00:54:17,221 HE'S FIXING SOMETHING FOR ME...FOR US. 1212 00:54:17,288 --> 00:54:18,489 HE'S FIXING SOMETHING. 1213 00:54:18,556 --> 00:54:21,459 YOU'RE A DARLING. THANKS, PHIL. 1214 00:54:23,160 --> 00:54:25,330 [SIGH] 1215 00:54:25,396 --> 00:54:27,532 NOT TOO BRIGHT. 1216 00:54:37,442 --> 00:54:39,143 VERY FINE, JACKSON. VERY FINE. 1217 00:54:39,209 --> 00:54:40,277 THANK YOU, SIR. 1218 00:54:40,345 --> 00:54:41,879 IN FACT, IT'S EXCELLENT. 1219 00:54:41,946 --> 00:54:43,213 YOU'VE EVEN GOT THE MOON IN THE RIGHT PLACE. 1220 00:54:43,280 --> 00:54:44,214 YES, SIR. THANK YOU, SIR. 1221 00:54:44,281 --> 00:54:46,451 WE DO OUR BEST TO OBLIGE. 1222 00:54:56,226 --> 00:54:58,228 DON'T FORGET, JACKSON. WHEN THEY ARRIVE, YOU LEAVE. 1223 00:54:58,295 --> 00:54:59,229 VERY GOOD, SIR. 1224 00:54:59,296 --> 00:55:00,965 GOOD NIGHT. GOOD NIGHT. 1225 00:55:01,031 --> 00:55:03,368 [DOORBELL BUZZES] 1226 00:55:03,434 --> 00:55:05,403 [BUZZ] 1227 00:55:10,908 --> 00:55:12,710 [BUZZ] 1228 00:55:16,313 --> 00:55:17,214 GOOD EVENING, JACKSON. 1229 00:55:17,281 --> 00:55:18,215 GOOD EVENING, MISS. 1230 00:55:18,282 --> 00:55:19,650 HOW ARE YOU TONIGHT? 1231 00:55:19,717 --> 00:55:21,552 WELL, I'M FEELING A TRIFLE HAGGARD, MISS. 1232 00:55:21,619 --> 00:55:23,320 YOU DO LOOK A LITTLE WORRIED. 1233 00:55:23,388 --> 00:55:24,355 WHY DON'T YOU TAKE THE EVENING OFF? 1234 00:55:24,422 --> 00:55:25,823 GO TO A MOVIE. 1235 00:55:25,890 --> 00:55:28,258 OH, YES, MISS, BUT WHAT ABOUT THE DINNER? 1236 00:55:28,325 --> 00:55:29,494 I WANT TO BE ALONE WITH HIM. 1237 00:55:29,560 --> 00:55:31,161 WITH HIM, MISS? 1238 00:55:31,228 --> 00:55:32,897 OH, SO HE'S IN THERE. 1239 00:55:32,963 --> 00:55:33,698 GET GOING, JACKSON. 1240 00:55:33,764 --> 00:55:35,466 YES. VERY GOOD, MISS. 1241 00:55:35,533 --> 00:55:36,834 IF I WEREN'T A GENTLEMAN'S GENTLEMAN, 1242 00:55:36,901 --> 00:55:39,370 I COULD BE SUCH A CAD'S CAD. 1243 00:56:32,523 --> 00:56:35,292 [WHISPERS] Hey, Jackson? 1244 00:56:35,359 --> 00:56:36,561 Jackson? 1245 00:56:47,505 --> 00:56:49,507 [MUSIC PLAYING] 1246 00:56:49,574 --> 00:56:51,442 Joan: HOW IS IT IN THERE? STUFFY? 1247 00:56:51,509 --> 00:56:53,077 OH, ABOUT LIKE A NIGHTCLUB. 1248 00:56:57,281 --> 00:56:58,583 THANKS. 1249 00:57:02,286 --> 00:57:03,320 WHERE'S PHIL? 1250 00:57:03,387 --> 00:57:06,223 OH, HE SAID TO SAY HELLO. 1251 00:57:06,290 --> 00:57:07,357 HELLO. 1252 00:57:07,424 --> 00:57:10,528 SHALL WE GO INTO THE LIVING ROOM? 1253 00:57:10,595 --> 00:57:12,062 WELL, I THINK PHIL WOULD BE KIND OF SURPRISED 1254 00:57:12,129 --> 00:57:13,430 TO FIND ME HERE. 1255 00:57:13,498 --> 00:57:15,533 BUT HE ISN'T COMING. 1256 00:57:15,600 --> 00:57:16,834 DOES HE KNOW THAT? 1257 00:57:16,901 --> 00:57:20,705 OH, I THINK HE HAS A VAGUE IDEA, YES. 1258 00:57:30,748 --> 00:57:31,716 WHAT'S THE MATTER WITH PHIL? 1259 00:57:31,782 --> 00:57:32,817 WHAT HAPPENED TO HIM? 1260 00:57:32,883 --> 00:57:35,052 OH, LET'S NOT TALK ABOUT THAT. 1261 00:57:35,119 --> 00:57:37,287 LET'S TALK ABOUT US. 1262 00:57:37,354 --> 00:57:39,423 LET'S TALK ABOUT YOU. 1263 00:57:39,490 --> 00:57:40,958 ME? YES. 1264 00:57:41,025 --> 00:57:43,227 NO. LET'S NOT. 1265 00:57:43,293 --> 00:57:44,895 HAS ANYONE EVER TOLD YOU 1266 00:57:44,962 --> 00:57:48,866 HOW FASCINATING YOU ARE TO WOMEN? 1267 00:57:48,933 --> 00:57:51,435 NO. 1268 00:57:51,502 --> 00:57:52,937 DO YOU LIKE ETCHINGS? 1269 00:57:53,003 --> 00:57:54,071 NOT PARTICULARLY. 1270 00:57:54,138 --> 00:57:56,040 OH, THERE'S SOME BEAUTIFUL ONES HERE. 1271 00:57:56,106 --> 00:57:58,909 PHONE'S OFF THE HOOK. 1272 00:57:58,976 --> 00:58:01,111 ISN'T THIS EXQUISITE? 1273 00:58:01,178 --> 00:58:03,881 IT'S UPSIDE DOWN. 1274 00:58:03,948 --> 00:58:06,283 OH, SO IT IS. 1275 00:58:06,350 --> 00:58:08,619 OH, THERE'S THE BREAD LINE BY REGINALD MARSH. 1276 00:58:08,686 --> 00:58:09,954 DON'T YOU JUST LOVE IT? 1277 00:58:10,020 --> 00:58:13,257 MM-MM. I'VE BEEN IN IT. OH. 1278 00:58:13,323 --> 00:58:15,492 I WONDER WHERE JACKSON IS. 1279 00:58:17,094 --> 00:58:18,529 I'VE GOT TO BE LEAVING. IT'S LATE. 1280 00:58:18,596 --> 00:58:20,264 OH, NO! NOT YET. 1281 00:58:20,330 --> 00:58:21,799 I KNOW WHAT WE NEED-- 1282 00:58:21,866 --> 00:58:25,269 A LITTLE FRESH AIR, CHAMPAGNE. 1283 00:58:25,335 --> 00:58:28,138 I BELIEVE THERE'S SOME OUT HERE ON THE TERRACE. 1284 00:58:28,205 --> 00:58:30,641 OH, YES. 1285 00:58:37,314 --> 00:58:39,784 OHH, ISN'T IT PERFECT? 1286 00:58:39,850 --> 00:58:41,686 ISN'T IT BEAUTIFUL? 1287 00:58:41,752 --> 00:58:43,487 JUST LOOK AT THAT CITY. 1288 00:58:43,554 --> 00:58:47,224 LOOK AT THE SKY. LOOK AT THAT MOON. 1289 00:58:47,291 --> 00:58:48,358 [SIGH] 1290 00:58:48,425 --> 00:58:49,560 YOU KNOW, THIS IS THE KIND OF NIGHT 1291 00:58:49,627 --> 00:58:51,929 THAT DOESN'T BELONG TO YOUR LIFE. 1292 00:58:51,996 --> 00:58:53,230 YOU COULD JUST DO ANYTHING, 1293 00:58:53,297 --> 00:58:55,265 AND IT WOULDN'T COUNT. 1294 00:59:10,247 --> 00:59:12,983 I ALWAYS LIKE TO DRINK THE FIRST ONE FAST, 1295 00:59:13,050 --> 00:59:16,120 THEN SIP THE NEXT ONE, DON'T YOU? 1296 00:59:21,558 --> 00:59:24,428 COME ON, NOW. WHAT'S BACK OF ALL THIS? 1297 00:59:24,494 --> 00:59:26,296 WELL... 1298 00:59:26,363 --> 00:59:29,466 I JUST WANT TO MAKE SURE THAT YOU'LL NEVER FORGET, DARLING. 1299 00:59:29,533 --> 00:59:32,637 OH, SO PHIL SPILLED IT, DID HE? 1300 00:59:32,703 --> 00:59:34,705 YEP. PHIL SPILLED IT. 1301 00:59:37,341 --> 00:59:40,444 WHY DIDN'T YOU TAKE THAT JOB WITH HIM? 1302 00:59:40,510 --> 00:59:43,447 WHY? I MAY HAVE A BIGGER JOB COMING UP. 1303 00:59:43,513 --> 00:59:45,549 YOU HAVE? WHAT? 1304 00:59:45,616 --> 00:59:47,251 AIRPLANES. 1305 00:59:47,317 --> 00:59:49,954 YOU KNOW SOMETHING ABOUT AIRPLANES, TOO? 1306 00:59:50,020 --> 00:59:51,155 A LITTLE. 1307 00:59:51,221 --> 00:59:52,289 WHY, THAT'S PERFECT. 1308 00:59:52,356 --> 00:59:54,258 I CAN TAKE YOU WITH ME TOMORROW NIGHT. 1309 00:59:54,324 --> 00:59:56,193 ALL THE BIG, IMPORTANT PEOPLE WILL BE THERE. 1310 00:59:56,260 --> 00:59:58,595 I'M SURE I COULD ARRANGE A MEETING WITH MR. SLOAN. 1311 00:59:58,663 --> 01:00:00,130 SLOAN? WHO'S HE? 1312 01:00:00,197 --> 01:00:01,966 OH, YOU KNOW HIM. HE MAKES ALL THOSE PLANES-- 1313 01:00:02,032 --> 01:00:03,567 HEAD OF SLOAN AIRCRAFT. 1314 01:00:03,634 --> 01:00:05,202 OH, YES. I'VE HEARD OF HIM. 1315 01:00:05,269 --> 01:00:06,470 I COULD HAVE PHIL TALK TO HIM FIRST 1316 01:00:06,536 --> 01:00:08,405 AND BREAK THE ICE. 1317 01:00:08,472 --> 01:00:09,807 WHAT ICE? 1318 01:00:09,874 --> 01:00:12,442 [SLOW DANCE MUSIC PLAYING] 1319 01:00:12,509 --> 01:00:13,410 I LIKE THIS TUNE. 1320 01:00:13,477 --> 01:00:14,679 HMM? 1321 01:00:16,146 --> 01:00:18,816 WE DON'T MIND IF IT ISN'T A BIG JOB AT FIRST, DO WE? 1322 01:00:18,883 --> 01:00:20,350 NO. 1323 01:00:20,417 --> 01:00:21,585 OH, I FORGOT TO TELL YOU. 1324 01:00:21,652 --> 01:00:23,187 WE'RE GOING TO BE MARRIED. 1325 01:00:23,253 --> 01:00:24,521 WHO? YOU AND SLOAN? 1326 01:00:24,588 --> 01:00:25,756 WHAT HAPPENED TO HARRIMAN? 1327 01:00:25,823 --> 01:00:27,191 Joan: OH, NO! 1328 01:00:27,257 --> 01:00:30,127 YOU AND ME, DARLING. 1329 01:00:30,194 --> 01:00:31,628 OH. 1330 01:00:32,629 --> 01:00:34,999 OH. 1331 01:00:35,065 --> 01:00:36,967 OH, IS THAT ALL YOU'VE GOT TO SAY-- 1332 01:00:37,034 --> 01:00:38,435 "OH"? 1333 01:00:38,502 --> 01:00:40,104 NOW, WAIT A MINUTE. 1334 01:00:40,170 --> 01:00:41,405 I'VE BEEN IN SOME PRETTY TOUGH SPOTS IN MY LIFE, 1335 01:00:41,471 --> 01:00:42,606 BUT THIS IS THE FIRST TIME 1336 01:00:42,673 --> 01:00:44,174 A BEAUTIFUL GIRL HAS EVER PROPOSED TO ME, 1337 01:00:44,241 --> 01:00:47,377 AND I'M-- I'M ALL SWEPT OFF MY FEET. 1338 01:00:47,444 --> 01:00:48,779 WELL, NEVERTHELESS, THERE IT IS. 1339 01:00:48,846 --> 01:00:50,180 WHAT ARE YOU GOING TO DO ABOUT IT? 1340 01:00:50,247 --> 01:00:52,249 OH, DON'T RUSH ME. DON'T RUSH ME. I-- 1341 01:00:52,316 --> 01:00:53,350 I MUSTN'T BE TOO HASTY. 1342 01:00:53,417 --> 01:00:54,852 AFTER ALL, YOU KNOW, 1343 01:00:54,919 --> 01:00:58,588 HOW DO I KNOW MY PARENTS WILL GIVE THEIR CONSENT? 1344 01:00:58,655 --> 01:01:01,792 [MY SHINING HOUR PLAYING] 1345 01:03:53,163 --> 01:03:54,498 Man on radio: FATE HOLDS ITS BREATH TONIGHT 1346 01:03:54,564 --> 01:03:55,933 AS, FAR OVER THE DARK PACIFIC, 1347 01:03:56,000 --> 01:03:58,035 TWO GIANT FIGHTING FLEETS SPAR FOR AN OPENING. 1348 01:03:58,102 --> 01:04:01,638 POWERFUL JAP UNITS HAVE SWUNG TO MEET HEAVILY OUTNUMBERED AMERICAN FORCES, 1349 01:04:01,705 --> 01:04:02,940 BUT NAVY BOMBERS ARE SWIRLING OUT TO MEET THEM. 1350 01:04:03,007 --> 01:04:04,241 [TURNS OFF RADIO] 1351 01:04:04,308 --> 01:04:06,176 WHY ARE WE ALWAYS OUTNUMBERED ANYWAY? 1352 01:04:06,243 --> 01:04:09,313 TO MAKE IT EVEN, I GUESS. 1353 01:04:09,379 --> 01:04:10,480 [TURNS ON RADIO] 1354 01:04:10,547 --> 01:04:13,150 [BIG BAND MUSIC PLAYING] 1355 01:04:13,217 --> 01:04:14,451 [WHISTLES] 1356 01:04:14,518 --> 01:04:15,886 [CLICKS TONGUE] 1357 01:04:15,953 --> 01:04:18,555 HEY! NOT THAT. 1358 01:04:20,657 --> 01:04:24,061 TONIGHT, I THINK I SHALL GET SLIGHTLY INEBRIATED. 1359 01:04:24,128 --> 01:04:25,462 I THINK YOU WON'T. 1360 01:04:25,529 --> 01:04:26,463 NO STINKEROO? 1361 01:04:26,530 --> 01:04:27,464 NO STINKEROO. 1362 01:04:27,531 --> 01:04:28,732 OH, GEE. 1363 01:04:28,798 --> 01:04:29,934 YOU'VE GOT TO STAY SOBER TONIGHT. 1364 01:04:30,000 --> 01:04:30,935 ALL NIGHT? 1365 01:04:31,001 --> 01:04:32,336 WELL... 1366 01:04:32,402 --> 01:04:33,870 AFTER YOU'VE SOLD YOURSELF TO MR. SLOAN, 1367 01:04:33,938 --> 01:04:35,505 MAYBE YOU CAN HAVE A FEW... 1368 01:04:35,572 --> 01:04:36,540 LITTLE, BITTY ONES. 1369 01:04:36,606 --> 01:04:38,042 LOOK OUT! 1370 01:04:49,719 --> 01:04:51,388 I ALMOST FORGOT. 1371 01:04:51,455 --> 01:04:52,522 WHAT? 1372 01:04:54,424 --> 01:04:56,660 YOU'VE BEEN WALKING AROUND ON THAT PENNY EVER SINCE? 1373 01:04:56,726 --> 01:04:57,661 IT BROUGHT ME LUCK. 1374 01:04:57,727 --> 01:04:59,163 I'M LOANING IT TO YOU. 1375 01:04:59,229 --> 01:05:00,264 YOU KNOW, I'VE GOT A HUNCH ABOUT TONIGHT. 1376 01:05:00,330 --> 01:05:01,665 I THINK IT'S A GREAT CHANCE. 1377 01:05:01,731 --> 01:05:04,001 Joan: PROMISE ME YOU WON'T BUMBLE IT UP. 1378 01:05:04,068 --> 01:05:05,735 BUMBLE IT UP? ME? 1379 01:05:05,802 --> 01:05:07,671 JUST BEHAVE LIKE A GENTLEMAN. 1380 01:05:07,737 --> 01:05:08,638 DON'T OVERDO IT NOW. 1381 01:05:08,705 --> 01:05:10,140 OH, DON'T OVERDO IT. 1382 01:05:10,207 --> 01:05:11,875 BE PLEASANT AND DON'T INSULT THE MAN. 1383 01:05:11,942 --> 01:05:12,943 ALL RIGHT. IT'S A DEAL? 1384 01:05:13,010 --> 01:05:13,944 SURE. 1385 01:05:14,011 --> 01:05:15,579 GOOD. 1386 01:05:15,645 --> 01:05:17,614 MR. SLOAN, I'M VERY GLAD TO MAKE YOUR ACQUAINTANCE, SIR. 1387 01:05:17,681 --> 01:05:19,984 I'VE HEARD A LOT OF WONDERFUL THINGS ABOUT YOU. 1388 01:05:20,050 --> 01:05:21,952 PARDON ME. THERE'S SOMETHING ON YOUR COAT. 1389 01:05:22,019 --> 01:05:23,587 THAT'S ENOUGH. HAVE A STOGY? 1390 01:05:23,653 --> 01:05:25,689 [APPLAUSE] 1391 01:05:28,092 --> 01:05:29,593 OUR GUEST OF HONOR TONIGHT-- 1392 01:05:29,659 --> 01:05:30,627 [CLEARS THROAT] 1393 01:05:30,694 --> 01:05:33,430 NEEDS NO INTRODUCTION, 1394 01:05:33,497 --> 01:05:38,602 BUT I HAVE ONE OR TWO POINTS WHICH I WANTED TO MAKE 1395 01:05:38,668 --> 01:05:42,472 BY WAY OF...INTRODUCTION. 1396 01:05:42,539 --> 01:05:45,509 AH, I'M REMINDED OF A STORY 1397 01:05:45,575 --> 01:05:48,412 WHICH PROBABLY MOST OF YOU'VE HEARD. 1398 01:05:48,478 --> 01:05:50,814 I THINK IT'S QUITE PERMISSIBLE TO TELL IT HERE TONIGHT, 1399 01:05:50,880 --> 01:05:54,718 AS WE'RE ALL ONE BIG FAMILY. 1400 01:05:54,784 --> 01:05:57,154 UH, THERE WERE... 1401 01:06:01,258 --> 01:06:02,592 [CLEARS THROAT] 1402 01:06:02,659 --> 01:06:05,495 THE MAN THAT WE HAVE AS GUEST OF HONOR HERE TONIGHT 1403 01:06:05,562 --> 01:06:08,732 IS THE MAN, I FEEL FREE TO SAY, 1404 01:06:08,798 --> 01:06:10,667 WHO HAS MADE THIS COMPANY 1405 01:06:10,734 --> 01:06:13,537 WHAT IT IS TODAY. 1406 01:06:13,603 --> 01:06:17,641 THE QUESTION NOW ARISES, WHAT IS THIS COMPANY TODAY? 1407 01:06:17,707 --> 01:06:20,577 I DON'T WANT TO INJECT A SERIOUS NOTE 1408 01:06:20,644 --> 01:06:22,246 INTO THE OCCASION, 1409 01:06:22,312 --> 01:06:27,917 BUT, HEH HEH-- WHAT IS ANYTHING TODAY? 1410 01:06:27,984 --> 01:06:31,421 SO MUCH FOR THE PRODUCTION END. 1411 01:06:31,488 --> 01:06:34,458 WHEN THIS MAN ENTERED THE FIELD, 1412 01:06:34,524 --> 01:06:40,964 THERE WAS--LET US FACE IT-- A BOTTLENECK IN THE INDUSTRY. 1413 01:06:41,031 --> 01:06:44,234 YOU ALL KNOW WHAT A BOTTLENECK IS. 1414 01:06:44,301 --> 01:06:48,338 BUT, UH, IT'S NOT AS EASY AS THAT. 1415 01:06:48,405 --> 01:06:50,707 NOW, I HAVE PREPARED, OR HAD PREPARED, 1416 01:06:50,774 --> 01:06:52,442 SOME, UH, CHARTS 1417 01:06:52,509 --> 01:06:55,112 WHICH WILL SHOW YOU MORE GRAPHICALLY 1418 01:06:55,179 --> 01:06:57,881 JUST WHAT THIS BOTTLENECK WAS 1419 01:06:57,947 --> 01:07:02,352 AND HOW THIS ONE MAN-- 1420 01:07:02,419 --> 01:07:06,423 AIDED, OF COURSE, BY THOUSANDS OF YOU EMPLOYEES-- 1421 01:07:06,490 --> 01:07:08,925 UH, ELIMINATED THE BOTTLENECK 1422 01:07:08,992 --> 01:07:12,629 AND SUBSTITUTED FOR IT, UH... 1423 01:07:20,670 --> 01:07:24,508 NOW, UH, HERE IS A CHART SHOWING PLASTIC PRODUCTION 1424 01:07:24,574 --> 01:07:29,746 AS COMPARED WITH METAL PRODUCTION IN THE YEAR... 1425 01:07:32,282 --> 01:07:35,319 WELL, THE YEAR DOESN'T SEEM TO BE SHOWN ON HERE, 1426 01:07:35,385 --> 01:07:39,356 UH, SO WE'LL SAY 1936 FOR FUN, HUH? 1427 01:07:39,423 --> 01:07:42,992 UH, IN 1936, YOU'LL SEE-- 1428 01:07:43,059 --> 01:07:45,395 OR WHATEVER YEAR IT WAS-- 1429 01:07:45,462 --> 01:07:50,134 THAT THESE THINGS, UH, RAN INTO FANTASTIC FIGURES. 1430 01:07:50,200 --> 01:07:55,105 UH, FOR INSTANCE, IN 1936, 1431 01:07:55,172 --> 01:08:01,845 2,445,000 AS COMPARED WITH 3,350,000 IN... 1432 01:08:01,911 --> 01:08:03,613 SOME OTHER YEAR. 1433 01:08:03,680 --> 01:08:08,852 UH, OR 25% OF 1936, 1434 01:08:09,886 --> 01:08:13,990 AND BY 1936 IS MEANT 1934. 1435 01:08:14,057 --> 01:08:16,526 THIS IS ALL PER CAPITA, MIND YOU. 1436 01:08:16,593 --> 01:08:18,795 NOW, WE... 1437 01:08:21,865 --> 01:08:24,201 OH, THAT'S WHAT I WAS AFRAID OF. 1438 01:08:24,268 --> 01:08:26,936 THIS IS THE WRONG CHART. 1439 01:08:27,003 --> 01:08:31,341 UH, I THOUGHT-- YOU SEE, THIS HAS GOT ALUMINIUM 1440 01:08:31,408 --> 01:08:33,677 AND NICKEL AND TIN ON IT, 1441 01:08:33,743 --> 01:08:36,413 AND WE WERE GOING TO WORK ON, UH, 1442 01:08:36,480 --> 01:08:39,416 MAN-HOURS! HERE, HERE. 1443 01:08:39,483 --> 01:08:41,951 WELL, THAT'S MORE LIKE IT. 1444 01:08:42,018 --> 01:08:43,453 SEE, THIS HAS THE YEARS ON IT. 1445 01:08:43,520 --> 01:08:46,156 THAT MAKES IT MUCH EASIER TO UNDERSTAND. 1446 01:08:46,223 --> 01:08:49,726 NOW, UH, HERE WE HAVE THE MAXIMUM PEAK. 1447 01:08:49,793 --> 01:08:53,430 NOW, I PRESUME THAT MEANS IN MAN-HOURS, 1448 01:08:53,497 --> 01:08:57,634 PER HOUR, PER MAN-HOUR, 1449 01:08:57,701 --> 01:09:02,306 AND THE BOTTLENECK HERE CAME IN GETTING THESE MAN-HOURS, 1450 01:09:02,372 --> 01:09:06,310 UH, FROM 1940 TO 1939. 1451 01:09:06,376 --> 01:09:07,877 [CLEARS THROAT LOUDLY] 1452 01:09:07,944 --> 01:09:11,047 UH, LET'S LOOK AT IT FROM ANOTHER ANGLE. 1453 01:09:11,114 --> 01:09:14,784 IN 1942, 160 MILLION, YOU SEE. 1454 01:09:14,851 --> 01:09:21,791 1941, UNTIL WE REACH THE PROBABLE SATURATION POINT, 1455 01:09:22,526 --> 01:09:24,961 AND HIGH TIME, TOO. 1456 01:09:25,028 --> 01:09:26,363 [CLEARS THROAT] 1457 01:09:26,430 --> 01:09:29,599 BUT, UH, I DON'T KNOW. IT'S, UH-- 1458 01:09:29,666 --> 01:09:34,271 WHEN YOU CONSIDER THAT ALL OF THESE WERE MAN-HOURS 1459 01:09:34,338 --> 01:09:38,842 AND FOOT-POUNDS PER HOUR, 1460 01:09:38,908 --> 01:09:41,378 WELL, I JUST DON'T SEE 1461 01:09:41,445 --> 01:09:43,813 HOW THE MAN DID IT, FRANKLY. 1462 01:09:43,880 --> 01:09:48,385 NOW WE COME TO THE MOBILIZATION. 1463 01:09:48,452 --> 01:09:50,220 [CLEARS THROAT] 1464 01:09:57,594 --> 01:10:03,032 WELL, I SEE THAT MY TIME IS UP AND, UH-- 1465 01:10:03,099 --> 01:10:05,635 SOME OTHER TIME, PERHAPS. 1466 01:10:05,702 --> 01:10:07,371 [MAN WHISPERING] I don't understand that one. 1467 01:10:07,437 --> 01:10:11,375 UH, BUT THE POINT THAT I WANTED TO MAKE WAS 1468 01:10:11,441 --> 01:10:14,644 THAT WE'RE ALL HERE TONIGHT AND, UH-- 1469 01:10:16,780 --> 01:10:18,515 IT NOW GIVES ME GREAT PLEASURE 1470 01:10:18,582 --> 01:10:21,050 TO INTRODUCE OUR EMINENT GUEST OF HONOR, 1471 01:10:21,117 --> 01:10:24,754 THE MAN WHO, AS I SAID BEFORE, NEEDS NO INTRODUCTION-- 1472 01:10:24,821 --> 01:10:26,623 MR. HARVEY SLOAN. 1473 01:10:26,690 --> 01:10:36,533 [APPLAUSE] 1474 01:10:36,600 --> 01:10:40,370 LADIES AND GENTLEMEN, WE ARE HERE TO CELEBRATE 1475 01:10:40,437 --> 01:10:43,407 THE COMPLETION OF THE FIRST 10,000 1476 01:10:43,473 --> 01:10:45,342 OF THE MANY THOUSAND BOMBERS 1477 01:10:45,409 --> 01:10:48,144 THAT WILL COME FROM OUR ASSEMBLY LINE. 1478 01:10:48,211 --> 01:10:50,847 IN COMMEMORATION OF THIS EVENT, 1479 01:10:50,914 --> 01:10:52,582 WE HAVE ELECTED ONE OF OUR WORKERS 1480 01:10:52,649 --> 01:10:54,584 WHO HELPED BUILD THESE BOMBERS 1481 01:10:54,651 --> 01:10:56,553 TO DEDICATE THIS SHIP. 1482 01:10:56,620 --> 01:11:00,123 IT WILL BE CHRISTENED BY MRS. LEO ROSKOWSKI, 1483 01:11:00,189 --> 01:11:02,058 WHO HELPED RIVET IT TOGETHER. 1484 01:11:02,125 --> 01:11:07,631 I AM HONORED TO INTRODUCE MRS. LEO ROSKOWSKI. 1485 01:11:07,697 --> 01:11:09,466 [APPLAUSE] 1486 01:11:16,306 --> 01:11:18,174 WHO'S MRS. LEO ROSKOWSKI? 1487 01:11:18,241 --> 01:11:20,810 HER HUSBAND WAS KILLED ON BATAAN. 1488 01:11:34,824 --> 01:11:38,962 I DEDICATE THIS PLANE TO THE MEMORY OF LEO ROSKOWSKI. 1489 01:11:54,411 --> 01:11:56,079 AWFULLY CLOSE CALL. 1490 01:11:56,145 --> 01:11:58,482 I THINK THAT CALLS FOR A SHORT SNORT, DON'T YOU? 1491 01:11:58,548 --> 01:11:59,315 PARDON ME, GENERAL. 1492 01:11:59,383 --> 01:12:00,884 YES, SIR. 1493 01:12:00,950 --> 01:12:03,353 Joan: YOU'LL GET A CHANCE TO TALK TO SLOAN IN A MINUTE. 1494 01:12:03,420 --> 01:12:06,356 HMM? OH, YEAH. 1495 01:12:06,423 --> 01:12:07,691 WANT TO DANCE? 1496 01:12:07,757 --> 01:12:09,325 MM-HMM. 1497 01:12:17,734 --> 01:12:19,669 OH, HE'S GOING OVER TO THE BAR NOW WITH PHIL. 1498 01:12:19,736 --> 01:12:20,269 WHO? 1499 01:12:20,336 --> 01:12:21,438 SLOAN. 1500 01:12:21,505 --> 01:12:23,473 COME ON. NOW'S OUR CHANCE. 1501 01:12:24,808 --> 01:12:26,275 WELL, HE'S A MAN THAT YOU MIGHT HAVE 1502 01:12:26,342 --> 01:12:27,477 A LITTLE TROUBLE WITH 1503 01:12:27,544 --> 01:12:28,812 IF HE GOT HIS HEAD DOWN, 1504 01:12:28,878 --> 01:12:30,380 BUT I THINK IT'LL BE WORTH TAKING. 1505 01:12:30,447 --> 01:12:31,581 OH, HELLO. 1506 01:12:31,648 --> 01:12:32,882 THIS IS MR. BURTON, MR. SLOAN-- 1507 01:12:32,949 --> 01:12:34,451 THE YOUNG MAN I WAS TELLING YOU ABOUT. 1508 01:12:34,518 --> 01:12:35,452 OH, HOW DO YOU DO? 1509 01:12:35,519 --> 01:12:36,520 Joan: DANCE? 1510 01:12:36,586 --> 01:12:37,521 Phil: WELL, NO, BUT IT'D BE 1511 01:12:37,587 --> 01:12:39,122 A PLEASURE TO TRY. 1512 01:12:39,188 --> 01:12:41,124 IF YOU'LL EXCUSE US, PLEASE. 1513 01:12:41,190 --> 01:12:43,593 SIT DOWN, YOUNG MAN. 1514 01:12:45,395 --> 01:12:47,230 I HEARD SOME GOOD THINGS ABOUT YOU, SON. 1515 01:12:47,296 --> 01:12:49,132 MISS MANION PHONED ME THIS MORNING. 1516 01:12:49,198 --> 01:12:50,467 IS THAT SO? 1517 01:12:50,534 --> 01:12:52,769 I UNDERSTAND YOU'RE LOOKING FOR A POSITION. 1518 01:12:52,836 --> 01:12:54,103 I AM? 1519 01:12:54,170 --> 01:12:55,905 LOTS OF GOOD JOBS OPEN NOWADAYS. 1520 01:12:55,972 --> 01:12:59,342 I ASSUME YOU'RE UNQUALIFIED TO ENTER THE SERVICE. 1521 01:12:59,409 --> 01:13:01,611 EMOTIONALLY UNSTABLE. 1522 01:13:01,678 --> 01:13:04,614 EVER HAVE ANY EXPERIENCE IN THE AIRCRAFT INDUSTRY? 1523 01:13:04,681 --> 01:13:07,551 A LITTLE. HAVE YOU? 1524 01:13:07,617 --> 01:13:11,488 YOUNG MAN, I'M THE FOUNDER OF THE SLOAN AIRCRAFT COMPANY. 1525 01:13:11,555 --> 01:13:12,989 DID YOU EVER PILOT A PLANE? 1526 01:13:13,056 --> 01:13:14,691 NO. I GET AIRSICK. 1527 01:13:14,758 --> 01:13:17,126 DO YOU KNOW WHAT YOUR PURSUIT CAN DO IN A DOGFIGHT? 1528 01:13:17,193 --> 01:13:20,797 I HAVE TECHNICAL EXPERTS THAT KNOW THEIR JOB, SIR. I, UH-- 1529 01:13:20,864 --> 01:13:22,699 I SEE. YOU FURNISH THE MONEY, HUH? 1530 01:13:22,766 --> 01:13:24,167 YOUNG MAN, THERE ARE CERTAIN MATTERS THAT I NEVER-- 1531 01:13:24,233 --> 01:13:25,569 LET ME TELL YOU SOMETHING. 1532 01:13:25,635 --> 01:13:26,970 YOU OUGHT TO SEE WHAT HAPPENS TO THAT THING 1533 01:13:27,036 --> 01:13:28,638 WHEN YOU TRY TO PULL IT OUT OF A STEEP DIVE 1534 01:13:28,705 --> 01:13:30,674 WITHOUT LOSING MORE THAN 2,000 FEET OF ALTITUDE. 1535 01:13:30,740 --> 01:13:32,341 WELL, WHAT DOES HAPPEN? 1536 01:13:32,408 --> 01:13:33,409 IT'S MURDER. 1537 01:13:33,477 --> 01:13:34,478 Y-YOU SPIN IN. 1538 01:13:34,544 --> 01:13:36,179 YOU KNOW WHAT THAT MEANS? 1539 01:13:40,316 --> 01:13:41,250 AND THOSE AILERONS. 1540 01:13:41,317 --> 01:13:42,251 WHAT ABOUT THEM? 1541 01:13:42,318 --> 01:13:43,687 THEY'RE HORRIBLE. 1542 01:13:43,753 --> 01:13:45,354 WHY, IF YOU TRY TO BANK AT 350 MILES AN HOUR, 1543 01:13:45,421 --> 01:13:47,891 THE WINGS BEGIN TO FLUTTER LIKE A BUTTERFLY. 1544 01:13:47,957 --> 01:13:49,959 YOU NEED AN EXTRA PAIR OF HANDS TO KEEP THAT STICK 1545 01:13:50,026 --> 01:13:52,729 FROM JUMPING ABOUT IN THE PLACE LIKE A PNEUMATIC DRILL. 1546 01:13:52,796 --> 01:13:54,964 WHAT DO YOU THINK CAN BE DONE ABOUT THAT? 1547 01:13:55,031 --> 01:13:56,265 SIMPLE. 1548 01:13:56,332 --> 01:13:58,502 PUT AN EXTRA PAIR OF HANDS IN EVERY PLANE. 1549 01:13:58,568 --> 01:14:00,970 WELL, THAT'S EASY-- WHAT DID YOU SAY? 1550 01:14:01,037 --> 01:14:02,772 YOUR EXPERTS CAN EXPLAIN IT TO YOU. 1551 01:14:02,839 --> 01:14:05,108 LOOK HERE. DO YOU WANT A JOB-- A GOOD JOB? 1552 01:14:05,174 --> 01:14:06,109 NO. 1553 01:14:06,175 --> 01:14:07,143 YOU DON'T? WHY NOT? 1554 01:14:07,210 --> 01:14:08,344 I LIKE TO POKE MY NOSE 1555 01:14:08,411 --> 01:14:09,646 IN OTHER PEOPLE'S BUSINESS. 1556 01:14:09,713 --> 01:14:11,014 IF I WORKED FOR YOU, I'D GO STALE. 1557 01:14:11,080 --> 01:14:12,549 WELL, I THOUGHT YOU WANTED THE JOB. 1558 01:14:12,616 --> 01:14:14,383 YOU'VE BEEN MISINFORMED. 1559 01:14:14,450 --> 01:14:16,219 MISS MANION THOUGHT I WANTED A JOB. 1560 01:14:16,285 --> 01:14:18,354 OH. 1561 01:14:18,421 --> 01:14:19,856 TAKE MY ADVICE, MR. SLOAN. 1562 01:14:19,923 --> 01:14:22,258 GO ALL OUT WITH EVERYTHING YOU'VE GOT. 1563 01:14:22,325 --> 01:14:23,693 THIS IS NO PUSHOVER. 1564 01:14:23,760 --> 01:14:26,496 RATHER CURIOUS ADVICE, CONSIDERING THE SOURCE. 1565 01:14:26,563 --> 01:14:28,865 JUST WHEN ARE YOU COMING DOWN TO EARTH, YOUNG MAN? 1566 01:14:28,932 --> 01:14:31,067 WHEN IT'S ALL OVER, I HOPE. 1567 01:14:32,669 --> 01:14:35,238 YOU KNOW, SOMETIMES I DON'T UNDERSTAND MYSELF. 1568 01:14:35,304 --> 01:14:36,339 YOU, TOO? 1569 01:14:36,405 --> 01:14:38,207 WHY SHOULD I DO ANYTHING FOR HIM? 1570 01:14:38,274 --> 01:14:40,944 OH, I THOUGHT PERHAPS YOU WERE DOING IT FOR ME. 1571 01:14:41,010 --> 01:14:42,178 THAT'S DIFFERENT. 1572 01:14:49,653 --> 01:14:51,588 LOOKS AS THOUGH HE'S WORKING FOR SLOAN. 1573 01:14:51,655 --> 01:14:54,457 5 TO 3, SLOAN WILL BE WORKING FOR HIM IN 6 MONTHS. 1574 01:14:54,524 --> 01:14:56,192 OH, GIVE HIM A YEAR. 1575 01:14:56,259 --> 01:14:58,562 SAY, WAITER, WOULD YOU CLEAR THOSE GLASSES AWAY, PLEASE, 1576 01:14:58,628 --> 01:14:59,563 AND BRING ME A CUP OF COFFEE? 1577 01:14:59,629 --> 01:15:00,797 VERY GOOD, SIR. 1578 01:15:07,203 --> 01:15:08,538 HOW DID IT GO, MR. SLOAN? 1579 01:15:08,605 --> 01:15:10,373 I MEAN, FRED, UH, MR. BURTON? 1580 01:15:10,439 --> 01:15:12,008 VERY CLEVER YOUNG MAN. 1581 01:15:12,075 --> 01:15:14,477 TOLD ME HOW TO RUN MY BUSINESS IN ONE EASY LESSON. 1582 01:15:14,544 --> 01:15:16,412 YOU MEAN, HE DIDN'T-- 1583 01:15:16,479 --> 01:15:18,715 I'M AFRAID YOUR FRIEND, IN SPITE OF HIS TALENTS, 1584 01:15:18,782 --> 01:15:19,883 DOESN'T WANT TO WORK. 1585 01:15:19,949 --> 01:15:22,518 TOO BAD. VERY CLEVER YOUNG MAN. 1586 01:15:24,220 --> 01:15:25,822 EXCUSE ME, PHIL. 1587 01:15:35,865 --> 01:15:38,602 HELLO. WANT SOME COFFEE? 1588 01:15:38,668 --> 01:15:40,804 MR. SLOAN SAYS YOU DON'T WANT TO WORK. 1589 01:15:42,538 --> 01:15:43,607 HE'S A MIND READER. 1590 01:15:43,673 --> 01:15:45,141 WHY DID YOU DO THIS TO ME? 1591 01:15:45,208 --> 01:15:46,676 YOU PROMISED. 1592 01:15:47,944 --> 01:15:50,780 I TRIED. I THOUGHT IT MIGHT WORK OUT, 1593 01:15:50,847 --> 01:15:52,515 AND THEN I GOT TALKING TO HIM AND-- 1594 01:15:52,582 --> 01:15:55,084 AND ALL OF A SUDDEN, THE WHOLE THING CLOSED IN ON ME. 1595 01:15:55,151 --> 01:15:58,521 I-I JUST COULDN'T GO THROUGH WITH IT. 1596 01:15:58,588 --> 01:16:01,390 YOU DON'T REALLY CARE ABOUT ME AT ALL, DO YOU? 1597 01:16:01,457 --> 01:16:02,826 IT'S NOT THAT. 1598 01:16:02,892 --> 01:16:04,861 IT'S JUST THAT-- 1599 01:16:04,928 --> 01:16:06,095 I'M NOT CUT OUT FOR THAT KIND OF LIFE, 1600 01:16:06,162 --> 01:16:07,563 DON'T YOU SEE? 1601 01:16:07,631 --> 01:16:10,199 I'M USED TO WANDERING AROUND ALL OVER THE PLACE. 1602 01:16:10,266 --> 01:16:12,235 OH, I DON'T KNOW. 1603 01:16:12,301 --> 01:16:16,740 I GUESS IT'S JUST THAT I HAVEN'T GOT ANY CHARACTER OR SOMETHING. 1604 01:16:16,806 --> 01:16:19,275 THERE ARE A LOT OF THINGS YOU HAVEN'T GOT, 1605 01:16:19,342 --> 01:16:20,744 AND I'M ONE OF THEM. 1606 01:16:32,088 --> 01:16:36,726 NO STRATEGY. NO FINESSE. NO LATERAL PASSES, HUH? 1607 01:16:36,793 --> 01:16:38,494 OH, I HAVEN'T ANY CHARACTER. 1608 01:16:38,561 --> 01:16:39,595 NEITHER HAVE I. 1609 01:16:39,663 --> 01:16:40,596 COME ON. LET'S GET OUT OF HERE. 1610 01:16:40,664 --> 01:16:42,031 IT'S TOO RESPECTABLE. 1611 01:16:42,098 --> 01:16:44,768 I WANT TO ASK YOU SOME QUESTIONS, ANYWAY. COME ON. 1612 01:16:52,008 --> 01:16:53,509 I THINK YOU'RE GOING TO LIKE THIS. 1613 01:16:53,576 --> 01:16:55,344 SLIP A JIGGER OF THIS IN THERE, WILL YOU, JOE? 1614 01:16:55,411 --> 01:16:56,746 YES, SIR. 1615 01:16:56,813 --> 01:16:58,447 YOU KNOW, THIS DRINK DIDN'T JUST HAPPEN. 1616 01:16:58,514 --> 01:16:59,916 THIS IS THE CULMINATION 1617 01:16:59,983 --> 01:17:03,019 OF YEARS OF PATIENT RESEARCH 1618 01:17:03,086 --> 01:17:05,588 AND HAS A MILD BOUQUET, LIGHTER BODY, 1619 01:17:05,655 --> 01:17:08,424 BUT AN ENORMOUS AMOUNT OF ESTERS. 1620 01:17:08,491 --> 01:17:10,559 HOW ARE YOUR TASTE BUDS? 1621 01:17:10,626 --> 01:17:12,028 STILL GOT THEM, I GUESS. 1622 01:17:12,095 --> 01:17:15,364 POUR THEM OUT, JOE. POUR THEM OUT. 1623 01:17:18,201 --> 01:17:19,669 GOOD NIGHT. IT'S RAINING OUT. 1624 01:17:19,736 --> 01:17:20,603 DON'T YOU LIKE RAIN? 1625 01:17:20,670 --> 01:17:21,671 NO. 1626 01:17:21,738 --> 01:17:23,072 TURN THE RAIN OFF, JOE. 1627 01:17:23,139 --> 01:17:25,274 IT DEPRESSES MY FRIEND HERE. 1628 01:17:31,681 --> 01:17:32,916 HEY, HOW DO YOU DO THAT? 1629 01:17:32,982 --> 01:17:34,818 Phil: HERE, HERE. COME ON NOW. 1630 01:17:34,884 --> 01:17:36,585 THAT MAY LOOK A LITTLE STRONG, 1631 01:17:36,652 --> 01:17:40,389 BUT YOU WON'T BEGIN TO FEEL IT TILL THE SECOND DAY, I'M SURE. 1632 01:17:40,456 --> 01:17:43,860 I DON'T THINK ANYBODY EVER MADE A DRINK QUITE LIKE THIS BEFORE. 1633 01:17:43,927 --> 01:17:45,261 WHAT DO YOU CALL IT? 1634 01:17:45,328 --> 01:17:47,330 WELL, IT DIDN'T HAVE A NAME UP UNTIL NOW, 1635 01:17:47,396 --> 01:17:51,634 BUT, IN HONOR OF YOU, I'M CALLING IT THE FLYING TIGER... 1636 01:17:51,701 --> 01:17:52,668 LIEUTENANT ATWELL. 1637 01:17:52,736 --> 01:17:54,003 WHERE'D YOU GET THAT? 1638 01:17:54,070 --> 01:17:55,438 YOU DIDN'T HAVE A TWIN BROTHER 1639 01:17:55,504 --> 01:17:58,274 IN THE FLYING TIGERS, DID YOU? 1640 01:17:59,608 --> 01:18:00,810 OH, I SEE. 1641 01:18:00,877 --> 01:18:05,248 OUR SAN FRANCISCO OFFICE DUG THAT UP FOR ME. 1642 01:18:06,315 --> 01:18:09,452 OH! TOO SWEET. 1643 01:18:09,518 --> 01:18:12,789 YOU'LL HAVE TO BE SHOVING OFF PRETTY SOON, WON'T YOU? 1644 01:18:12,856 --> 01:18:13,990 DOES SHE KNOW? 1645 01:18:14,057 --> 01:18:15,458 NO. 1646 01:18:15,524 --> 01:18:17,894 WELL, DO ME A FAVOR AND FORGET IT, WILL YOU, PLEASE? 1647 01:18:17,961 --> 01:18:20,263 OH, I'LL BE DOING MYSELF A FAVOR. 1648 01:18:20,329 --> 01:18:22,165 YOU'VE GOT ONE COMING. 1649 01:18:22,231 --> 01:18:24,367 WHAT ABOUT HER? 1650 01:18:24,433 --> 01:18:25,735 SHE'LL FORGET. 1651 01:18:25,802 --> 01:18:27,170 WILL YOU? 1652 01:18:27,236 --> 01:18:28,237 ME? 1653 01:18:28,304 --> 01:18:29,773 OH, I'M JUST WALKING A TIGHTROPE 1654 01:18:29,839 --> 01:18:31,207 BETWEEN SOMEWHERE AND SOMEWHERE ELSE. 1655 01:18:31,274 --> 01:18:33,810 I-I GOT TO WALK IT ALONE, UNDERSTAND? 1656 01:18:33,877 --> 01:18:35,078 SO I GOT MYSELF IN OVER MY HEAD, 1657 01:18:35,144 --> 01:18:37,146 AND I HAD TO GET OUT, THAT'S ALL. 1658 01:18:37,213 --> 01:18:41,717 I SEE. WELL, KEEP THE CHANGE, JOE. 1659 01:18:41,785 --> 01:18:42,752 THANKS. 1660 01:18:42,819 --> 01:18:44,754 CAN I GIVE YOU A LIFT ANYWHERE? 1661 01:18:44,821 --> 01:18:47,323 NO, THANKS. I THINK I'LL JUST STICK AROUND HERE AWHILE, 1662 01:18:47,390 --> 01:18:49,926 THEN WALK HOME. 1663 01:18:49,993 --> 01:18:53,662 WELL, GOOD LUCK, ATWELL. 1664 01:18:53,729 --> 01:18:54,931 THANKS, PHIL. 1665 01:18:54,998 --> 01:18:57,000 SAME TO YOU...BOTH. 1666 01:18:57,066 --> 01:19:00,169 YOU'VE BEEN SWELL. 1667 01:19:27,797 --> 01:19:29,665 HEY, JOE. 1668 01:19:29,732 --> 01:19:31,200 YEAH? 1669 01:19:31,267 --> 01:19:33,569 * IT'S QUARTER TO 3:00 * 1670 01:19:33,636 --> 01:19:35,671 * THERE NO ONE IN THE PLACE * 1671 01:19:35,738 --> 01:19:38,474 * EXCEPT YOU AND ME * 1672 01:19:40,643 --> 01:19:43,079 * SO SET 'EM UP, JOE * 1673 01:19:43,146 --> 01:19:48,084 * I'VE GOT A LITTLE STORY YOU OUGHTA KNOW * 1674 01:19:49,819 --> 01:19:52,088 * WE'RE DRINKIN', MY FRIEND * 1675 01:19:52,155 --> 01:19:57,093 * TO THE END OF A BRIEF EPISODE * 1676 01:19:58,694 --> 01:20:01,697 * MAKE IT ONE FOR MY BABY * 1677 01:20:01,764 --> 01:20:05,969 * AND ONE MORE FOR THE ROAD * 1678 01:20:08,171 --> 01:20:10,173 * I GOT THE ROUTINE * 1679 01:20:10,239 --> 01:20:15,444 * SO DROP ANOTHER NICKEL IN THE MACHINE * 1680 01:20:17,146 --> 01:20:19,415 * I'M FEELIN' SO BAD * 1681 01:20:19,482 --> 01:20:24,854 * I WISH YOU'D MAKE THE MUSIC DREAMY AND SAD * 1682 01:20:26,022 --> 01:20:28,224 * COULD TELL YOU A LOT * 1683 01:20:28,291 --> 01:20:34,197 * BUT THAT'S NOT IN A GENTLEMAN'S CODE * 1684 01:20:34,263 --> 01:20:37,600 * MAKE IT ONE FOR MY BABY * 1685 01:20:37,666 --> 01:20:41,871 * AND ONE MORE FOR THE ROAD * 1686 01:20:43,806 --> 01:20:46,009 * YOU'D NEVER KNOW IT * 1687 01:20:46,075 --> 01:20:48,311 * BUT, BUDDY, I'M A KIND OF POET * 1688 01:20:48,377 --> 01:20:52,815 * AND I GOT A LOT OF THINGS TO SAY * 1689 01:20:52,882 --> 01:20:55,051 * AND WHEN I'M GLOOMY * 1690 01:20:55,118 --> 01:20:57,686 * YOU SIMPLY GOTTA LISTEN TO ME * 1691 01:20:57,753 --> 01:21:01,590 * UNTIL IT'S TALKED AWAY * 1692 01:23:27,836 --> 01:23:30,173 HEY, WHAT'S THE IDEA? 1693 01:23:32,675 --> 01:23:34,377 WELL, THAT'S HOW IT GOES. 1694 01:23:34,443 --> 01:23:39,682 * AND, JOE, I KNOW YOU'RE GETTING ANXIOUS TO CLOSE * 1695 01:23:41,917 --> 01:23:44,387 * SO THANKS FOR THE BEER * 1696 01:23:44,453 --> 01:23:49,225 * I HOPE YOU DIDN'T MIND MY BENDING YOUR EAR * 1697 01:23:51,994 --> 01:23:54,363 * DON'T LET IT BE SAID * 1698 01:23:54,430 --> 01:23:59,068 * LITTLE FREDDY CAN'T CARRY HIS LOAD * 1699 01:24:00,636 --> 01:24:04,340 * MAKE IT ONE FOR MY BABY * 1700 01:24:04,407 --> 01:24:08,777 * AND ONE MORE FOR THE ROAD * 1701 01:24:08,844 --> 01:24:15,784 * THAT LONG, LONG ROAD * 1702 01:24:36,872 --> 01:24:39,642 HEY, WHY DON'T YOU WIPE THAT SMILE OFF YOUR FACE? 1703 01:24:39,708 --> 01:24:41,310 THE FUN'S OVER. 1704 01:24:43,212 --> 01:24:44,713 SOME FUN. 1705 01:24:46,282 --> 01:24:47,483 SURE YOU WON'T HAVE ANY? 1706 01:24:47,550 --> 01:24:48,484 NO, THANKS. 1707 01:24:48,551 --> 01:24:49,852 NO APPETITE? 1708 01:24:49,918 --> 01:24:51,120 I HAD A LATE BREAKFAST. 1709 01:24:51,187 --> 01:24:52,655 MAYBE SOMETHING A LITTLE MORE DELICATE? 1710 01:24:52,721 --> 01:24:54,523 OH, NO, PHIL. THANKS. 1711 01:24:54,590 --> 01:24:57,025 WHY DON'T YOU TAKE THE DAY OFF? 1712 01:24:57,092 --> 01:24:59,895 PHILIP, PLEASE DON'T BABY ME. 1713 01:24:59,962 --> 01:25:02,365 WHY DON'T YOU SAY, "I TOLD YOU SO"? 1714 01:25:02,431 --> 01:25:04,099 WHY DON'T YOU TELL ME WHAT A SAP I'VE BEEN? 1715 01:25:04,167 --> 01:25:06,702 WELL, I COULD TELL YOU WHAT A SAP YOU MIGHT BE. 1716 01:25:06,769 --> 01:25:08,571 YOU MIGHT MARRY ME. 1717 01:25:08,637 --> 01:25:10,439 OH, I'M SORRY, PHIL. 1718 01:25:10,506 --> 01:25:12,875 PRETTY SMALL OF ME TAKING IT OUT ON YOU. 1719 01:25:12,941 --> 01:25:16,645 YOU'RE IGNORING A LITTLE SUGGESTION I JUST MADE. 1720 01:25:16,712 --> 01:25:19,848 NOT JUST NOW, PHIL. 1721 01:25:19,915 --> 01:25:22,618 IT'S NO USE PRETENDING THAT I DIDN'T GET HURT. 1722 01:25:22,685 --> 01:25:25,288 YOU KNOW I DID, 1723 01:25:25,354 --> 01:25:26,555 BUT I'LL GET OVER IT. 1724 01:25:26,622 --> 01:25:28,391 WELL, IF YOU WON'T MARRY ME, 1725 01:25:28,457 --> 01:25:30,359 I MIGHT AS WELL BE NOBLE ABOUT IT. 1726 01:25:30,426 --> 01:25:31,794 I HAVE AN ASSIGNMENT FOR YOU. 1727 01:25:31,860 --> 01:25:33,128 A GOOD ONE? 1728 01:25:33,196 --> 01:25:35,130 YOU COULDN'T ASK FOR A BETTER ONE. 1729 01:25:35,198 --> 01:25:36,499 YOU'VE ALWAYS WANTED TO SHOOT SOMETHING DIFFERENT. 1730 01:25:36,565 --> 01:25:38,334 HOW WOULD YOU LIKE TO COVER 1731 01:25:38,401 --> 01:25:40,536 A "BOMBERS FOR AUSTRALIA" STORY WE'RE RUNNING? 1732 01:25:40,603 --> 01:25:41,804 WHERE DO I GO? 1733 01:25:41,870 --> 01:25:43,572 WELL, THERE'S A SQUADRON OF AMERICAN BOMBERS 1734 01:25:43,639 --> 01:25:45,474 LEAVES THE WEST COAST PRETTY SOON. 1735 01:25:45,541 --> 01:25:47,176 AS A MATTER OF FACT, YOU'LL HAVE TO FLY TODAY 1736 01:25:47,243 --> 01:25:48,211 IF YOU WANT TO MAKE IT. 1737 01:25:48,277 --> 01:25:49,878 SO I GET MY BIG BREAK AT LAST? 1738 01:25:49,945 --> 01:25:51,547 AT LAST. 1739 01:25:51,614 --> 01:25:52,748 I WON'T LET YOU DOWN, PHIL. 1740 01:25:52,815 --> 01:25:53,816 YOU'RE A SWELL GUY. 1741 01:25:53,882 --> 01:25:55,017 YOU TELL ME THAT WHEN YOU COME BACK. 1742 01:25:55,083 --> 01:25:56,252 I WILL. 1743 01:25:56,319 --> 01:25:57,253 I THINK COFFEE JUST FOR ME, PLEASE. 1744 01:25:57,320 --> 01:25:58,554 YOU'VE GOT TO HURRY. 1745 01:25:58,621 --> 01:25:59,588 YOU GET PACKED, AND I'LL MEET YOU 1746 01:25:59,655 --> 01:26:00,756 AT LA GUARDIA AT 3:00. 1747 01:26:00,823 --> 01:26:02,191 ALL RIGHT. 1748 01:26:02,258 --> 01:26:04,560 I'LL BE THE FAT MAN WITH THE BROKEN HEART. 1749 01:26:04,627 --> 01:26:06,262 OH, PHIL. 1750 01:26:06,829 --> 01:26:08,264 SEE YOU THEN. 1751 01:26:14,903 --> 01:26:15,904 I GOT IT. 1752 01:26:15,971 --> 01:26:18,341 OK. YOU WIN THIS TIME. 1753 01:26:35,991 --> 01:26:38,761 UH, LIEUTENANT, MAY I TAKE A SHOT OF THE BOYS FROM OVER THERE? 1754 01:26:38,827 --> 01:26:39,762 SURE. GO AHEAD. 1755 01:26:39,828 --> 01:26:40,829 THANK YOU. 1756 01:26:44,333 --> 01:26:45,834 HELLO. Man: HELLO. 1757 01:26:45,901 --> 01:26:48,504 WHAT ABOUT THAT NICE SMILE I JUST SAW THERE? 1758 01:26:51,507 --> 01:26:52,875 Man over P.A.: ATTENTION, MEN WHO ARE LEAVING. 1759 01:26:52,941 --> 01:26:55,978 GO TO YOUR PLANES. PREPARE TO TAKE OFF IMMEDIATELY. 1760 01:26:56,044 --> 01:26:58,281 [MEN MURMURING] 1761 01:27:19,234 --> 01:27:21,304 IS IT ALL RIGHT TO PHOTOGRAPH THE BOYS GETTING ON THE PLANES? 1762 01:27:21,370 --> 01:27:22,605 OH, CERTAINLY. 1763 01:27:22,671 --> 01:27:23,906 GOOD. 1764 01:27:51,667 --> 01:27:54,002 FRED. 1765 01:27:54,069 --> 01:27:55,304 FRED! 1766 01:28:01,109 --> 01:28:02,378 IT'S ALL RIGHT. I-I'VE GOT TIME. 1767 01:28:02,445 --> 01:28:03,979 I'M IN THE LAST SHIP. 1768 01:28:04,046 --> 01:28:06,281 OH, DARLING. 1769 01:28:08,083 --> 01:28:09,352 WHY DIDN'T YOU TELL ME, FRED? 1770 01:28:09,418 --> 01:28:11,286 OH, I THOUGHT I'D BETTER JUST CLEAR OUT. 1771 01:28:11,354 --> 01:28:12,355 YOU ALWAYS WERE CRAZY. 1772 01:28:12,421 --> 01:28:13,822 I GUESS I AM. 1773 01:28:13,889 --> 01:28:14,990 IT'S ALL RIGHT NOW. 1774 01:28:15,057 --> 01:28:15,991 HEY! 1775 01:28:16,058 --> 01:28:17,626 ALL RIGHT. 1776 01:28:19,395 --> 01:28:21,997 OH, NOW, YOU MUSTN'T DO THAT. 1777 01:28:22,064 --> 01:28:24,199 I-IT'S ALL CLEAR NOW. 1778 01:28:24,266 --> 01:28:26,802 LOOK. HERE'S OUR LUCKY PENNY. 1779 01:28:26,869 --> 01:28:27,603 YOU KEEP IT. 1780 01:28:27,670 --> 01:28:29,037 OH, NO. YOU KEEP IT. 1781 01:28:29,104 --> 01:28:30,105 I'VE HAD ALL MY LUCK. 1782 01:28:30,172 --> 01:28:32,741 WE NEED JUST A BIT MORE. 1783 01:28:32,808 --> 01:28:34,677 YOU'VE GOT TO COME BACK TO ME. 1784 01:28:34,743 --> 01:28:35,711 I'LL BE BACK. 1785 01:28:35,778 --> 01:28:36,712 SURE, YOU WILL. 1786 01:28:36,779 --> 01:28:38,481 HEY, FRED! 1787 01:28:38,547 --> 01:28:41,049 YEAH. THAT'S US. 1788 01:28:43,919 --> 01:28:44,987 YOU KNOW SOMETHING? 1789 01:28:45,053 --> 01:28:46,455 I THINK YOU'RE JUST ABOUT THE SWEETEST THING 1790 01:28:46,522 --> 01:28:48,757 I EVER HOPE TO MEET ON THIS EARTH. 1791 01:28:51,394 --> 01:28:53,462 Man: SORRY, FRED. 1792 01:28:53,529 --> 01:28:55,297 SO LONG, BABY. 1793 01:28:55,364 --> 01:28:56,699 SO LONG, DARLING. 1794 01:28:58,667 --> 01:29:00,769 OH, I ALMOST FORGOT! I LOVE YOU! 1795 01:29:00,836 --> 01:29:03,105 THIS IS A FINE TIME TO TELL ME! 1796 01:29:07,342 --> 01:29:09,011 GOOD-BYE, DARLING!