1 00:00:07,300 --> 00:00:10,869 . >>> EASTER, THE CELEBRATION OF THE RESURRECTED CHRIST. 2 00:00:10,871 --> 00:00:13,605 >>> EASTER, THE CELEBRATION OF THE RESURRECTED CHRIST. THE BIBLE TELLS US JESUS 3 00:00:13,607 --> 00:00:16,541 THE RESURRECTED CHRIST. THE BIBLE TELLS US JESUS TRAVELED TO JERUSALEM FOR 4 00:00:16,543 --> 00:00:18,543 THE BIBLE TELLS US JESUS TRAVELED TO JERUSALEM FOR PASSOVER WHERE HIS MESSAGE OF 5 00:00:18,545 --> 00:00:21,546 TRAVELED TO JERUSALEM FOR PASSOVER WHERE HIS MESSAGE OF PEACE AND LOVE ENRAGED THE 6 00:00:21,548 --> 00:00:21,947 PASSOVER WHERE HIS MESSAGE OF PEACE AND LOVE ENRAGED THE AUTHORITIES. 7 00:00:21,949 --> 00:00:23,148 PEACE AND LOVE ENRAGED THE AUTHORITIES. IN THE COMING DAYS, HE WILL BE 8 00:00:23,150 --> 00:00:25,050 AUTHORITIES. IN THE COMING DAYS, HE WILL BE ARRESTED, TRIED, AND EXECUTED. 9 00:00:25,052 --> 00:00:27,786 IN THE COMING DAYS, HE WILL BE ARRESTED, TRIED, AND EXECUTED. THIS HE TELLS HIS DISCIPLES ON 10 00:00:27,788 --> 00:00:29,621 ARRESTED, TRIED, AND EXECUTED. THIS HE TELLS HIS DISCIPLES ON THEIR FINAL EVENING TOGETHER, A 11 00:00:29,623 --> 00:00:30,255 THIS HE TELLS HIS DISCIPLES ON THEIR FINAL EVENING TOGETHER, A MILLION WILL COME TO CALL. 12 00:00:30,257 --> 00:00:39,264 THEIR FINAL EVENING TOGETHER, A MILLION WILL COME TO CALL. THE LAST SUPPER. 13 00:00:39,266 --> 00:00:43,068 MILLION WILL COME TO CALL. THE LAST SUPPER. [ CHEERS AND APPLAUSE ] 14 00:00:43,070 --> 00:00:51,376 THE LAST SUPPER. [ CHEERS AND APPLAUSE ] >> MY FRIENDS, AND JUDAS. 15 00:00:51,378 --> 00:00:53,912 [ CHEERS AND APPLAUSE ] >> MY FRIENDS, AND JUDAS. HEAR ME NOW FOR SOON I WILL 16 00:00:53,914 --> 00:00:56,114 >> MY FRIENDS, AND JUDAS. HEAR ME NOW FOR SOON I WILL LEAVE YOU AND JOIN MY FATHER IN 17 00:00:56,116 --> 00:00:56,448 HEAR ME NOW FOR SOON I WILL LEAVE YOU AND JOIN MY FATHER IN HEAVEN. 18 00:00:56,450 --> 00:00:58,216 LEAVE YOU AND JOIN MY FATHER IN HEAVEN. >> WE CANNOT LOSE YOU, JESUS. 19 00:00:58,218 --> 00:00:59,451 HEAVEN. >> WE CANNOT LOSE YOU, JESUS. WE WILL PROTECT YOU. 20 00:00:59,453 --> 00:01:05,557 >> WE CANNOT LOSE YOU, JESUS. WE WILL PROTECT YOU. >> TLL NEVYO>> ALAS, ONE OF YOU 21 00:01:05,559 --> 00:01:05,824 WE WILL PROTECT YOU. >> TLL NEVYO>> ALAS, ONE OF YOU ME. 22 00:01:05,826 --> 00:01:06,158 >> TLL NEVYO>> ALAS, ONE OF YOU ME. >> NO. 23 00:01:06,160 --> 00:01:08,426 ME. >> NO. >> WHAT? 24 00:01:08,428 --> 00:01:10,262 >> NO. >> WHAT? >> IT IS FORETOLD, AND THOUGH I 25 00:01:10,264 --> 00:01:12,798 >> WHAT? >> IT IS FORETOLD, AND THOUGH I HAVE COMMITTED NO CRIME, I WILL 26 00:01:12,800 --> 00:01:15,667 >> IT IS FORETOLD, AND THOUGH I HAVE COMMITTED NO CRIME, I WILL BE ARRESTED, TRIED, AND FOUND 27 00:01:15,669 --> 00:01:17,969 HAVE COMMITTED NO CRIME, I WILL BE ARRESTED, TRIED, AND FOUND GUILTY. 28 00:01:17,971 --> 00:01:24,075 BE ARRESTED, TRIED, AND FOUND GUILTY. >> SOUND FAMILIAR? 29 00:01:24,077 --> 00:01:25,143 GUILTY. >> SOUND FAMILIAR? THANK YOU SO MUCH. 30 00:01:25,145 --> 00:01:27,345 >> SOUND FAMILIAR? THANK YOU SO MUCH. A FAMOUS, WONDERFUL MAN ARRESTED 31 00:01:27,347 --> 00:01:30,315 THANK YOU SO MUCH. A FAMOUS, WONDERFUL MAN ARRESTED FOR NO REASON AT ALL. 32 00:01:30,317 --> 00:01:33,018 A FAMOUS, WONDERFUL MAN ARRESTED FOR NO REASON AT ALL. IF YOU HAVEN'T PUT IT TOGETHER, 33 00:01:33,020 --> 00:01:34,986 FOR NO REASON AT ALL. IF YOU HAVEN'T PUT IT TOGETHER, FOLKS, I'M COMPARING MYSELF TO 34 00:01:34,988 --> 00:01:35,987 IF YOU HAVEN'T PUT IT TOGETHER, FOLKS, I'M COMPARING MYSELF TO JESUS AGAIN. 35 00:01:35,989 --> 00:01:38,390 FOLKS, I'M COMPARING MYSELF TO JESUS AGAIN. AND WHAT BETTER TIME THAN ON HIS 36 00:01:38,392 --> 00:01:41,026 JESUS AGAIN. AND WHAT BETTER TIME THAN ON HIS BIRTHDAY, EASTER? 37 00:01:41,028 --> 00:01:43,395 AND WHAT BETTER TIME THAN ON HIS BIRTHDAY, EASTER? AS WE SPEAK, I AM BEING 38 00:01:43,397 --> 00:01:45,063 BIRTHDAY, EASTER? AS WE SPEAK, I AM BEING PERSECUTED ON A LEVEL THE LIKES 39 00:01:45,065 --> 00:01:47,165 AS WE SPEAK, I AM BEING PERSECUTED ON A LEVEL THE LIKES OF WHICH THE WORLD HAS NEVER 40 00:01:47,167 --> 00:01:49,334 PERSECUTED ON A LEVEL THE LIKES OF WHICH THE WORLD HAS NEVER SEEN, EVEN WORSE THAN THE LATE, 41 00:01:49,336 --> 00:01:51,236 OF WHICH THE WORLD HAS NEVER SEEN, EVEN WORSE THAN THE LATE, GREAT JESUS. 42 00:01:51,238 --> 00:01:53,338 SEEN, EVEN WORSE THAN THE LATE, GREAT JESUS. YOU KNOW, MANY PEOPLE ARE SAYING 43 00:01:53,340 --> 00:01:54,973 GREAT JESUS. YOU KNOW, MANY PEOPLE ARE SAYING WE'RE VERY SIMILAR. 44 00:01:54,975 --> 00:01:58,743 YOU KNOW, MANY PEOPLE ARE SAYING WE'RE VERY SIMILAR. WE'RE BOTH VERY TALL, VERY 45 00:01:58,745 --> 00:01:59,477 WE'RE VERY SIMILAR. WE'RE BOTH VERY TALL, VERY POPULAR, AND BOTH FRANKLY WHITE 46 00:01:59,479 --> 00:02:02,714 WE'RE BOTH VERY TALL, VERY POPULAR, AND BOTH FRANKLY WHITE AMERICANS. 47 00:02:02,716 --> 00:02:04,516 POPULAR, AND BOTH FRANKLY WHITE AMERICANS. YOU KNOW, JESUS DID SOME 48 00:02:04,518 --> 00:02:07,018 AMERICANS. YOU KNOW, JESUS DID SOME INCREDIBLE THINGS. 49 00:02:07,020 --> 00:02:09,120 YOU KNOW, JESUS DID SOME INCREDIBLE THINGS. SOME WOULD CALL THEM MIRACLES. 50 00:02:09,122 --> 00:02:13,525 INCREDIBLE THINGS. SOME WOULD CALL THEM MIRACLES. IN TERMS OF FISH AND WITH REGARD 51 00:02:13,527 --> 00:02:13,992 SOME WOULD CALL THEM MIRACLES. IN TERMS OF FISH AND WITH REGARD TO BREAD. 52 00:02:13,994 --> 00:02:15,126 IN TERMS OF FISH AND WITH REGARD TO BREAD. FISH AND BREAD. 53 00:02:15,128 --> 00:02:16,361 TO BREAD. FISH AND BREAD. HE ROSE FROM THE DEAD ON THE 54 00:02:16,363 --> 00:02:17,062 FISH AND BREAD. HE ROSE FROM THE DEAD ON THE THIRD DAY. 55 00:02:17,064 --> 00:02:18,930 HE ROSE FROM THE DEAD ON THE THIRD DAY. I WOULD HAVE DONE IT FASTER, 56 00:02:18,932 --> 00:02:20,065 THIRD DAY. I WOULD HAVE DONE IT FASTER, POSSIBLY TWO DAYS. 57 00:02:20,067 --> 00:02:21,666 I WOULD HAVE DONE IT FASTER, POSSIBLY TWO DAYS. I THINK WE COULD HAVE DONE IT A 58 00:02:21,668 --> 00:02:22,634 POSSIBLY TWO DAYS. I THINK WE COULD HAVE DONE IT A LOT FASTER. 59 00:02:22,636 --> 00:02:24,703 I THINK WE COULD HAVE DONE IT A LOT FASTER. HE HAD A GOOD MIND FOR BUSINESS. 60 00:02:24,705 --> 00:02:25,170 LOT FASTER. HE HAD A GOOD MIND FOR BUSINESS. WATER INTO WINE. 61 00:02:25,172 --> 00:02:27,939 HE HAD A GOOD MIND FOR BUSINESS. WATER INTO WINE. PURE PROFIT. 62 00:02:27,941 --> 00:02:30,575 WATER INTO WINE. PURE PROFIT. AND HE HAD BIG, BIG RALLIES JUST 63 00:02:30,577 --> 00:02:32,510 PURE PROFIT. AND HE HAD BIG, BIG RALLIES JUST LIKE ME, AND A LOT OF HIS 64 00:02:32,512 --> 00:02:34,279 AND HE HAD BIG, BIG RALLIES JUST LIKE ME, AND A LOT OF HIS FOLLOWERS GOT IN BIG, BIG 65 00:02:34,281 --> 00:02:35,881 LIKE ME, AND A LOT OF HIS FOLLOWERS GOT IN BIG, BIG TROUBLE, JUST LIKE MINE. 66 00:02:35,883 --> 00:02:38,216 FOLLOWERS GOT IN BIG, BIG TROUBLE, JUST LIKE MINE. ALL BECAUSE I TOLD THEM EXACTLY 67 00:02:38,218 --> 00:02:39,851 TROUBLE, JUST LIKE MINE. ALL BECAUSE I TOLD THEM EXACTLY WHAT JESUS WOULD HAVE SAID, GET 68 00:02:39,853 --> 00:02:44,422 ALL BECAUSE I TOLD THEM EXACTLY WHAT JESUS WOULD HAVE SAID, GET VERY VIOLENT AND START A WAR. 69 00:02:44,424 --> 00:02:47,492 WHAT JESUS WOULD HAVE SAID, GET VERY VIOLENT AND START A WAR. AND I'VE EVEN GOT MY VERY OWN 70 00:02:47,494 --> 00:02:49,995 VERY VIOLENT AND START A WAR. AND I'VE EVEN GOT MY VERY OWN JUDAS, RAN DeSANTIS. 71 00:02:49,997 --> 00:02:52,130 AND I'VE EVEN GOT MY VERY OWN JUDAS, RAN DeSANTIS. RON DeSANTIS CAME TO ME, TEARS 72 00:02:52,132 --> 00:02:54,633 JUDAS, RAN DeSANTIS. RON DeSANTIS CAME TO ME, TEARS IN HIS EYES, HE SAID, HELP ME, 73 00:02:54,635 --> 00:02:55,333 RON DeSANTIS CAME TO ME, TEARS IN HIS EYES, HE SAID, HELP ME, MR. TRUMP. 74 00:02:55,335 --> 00:02:58,370 IN HIS EYES, HE SAID, HELP ME, MR. TRUMP. I'M GOING TO LOSE MY ELECTION. 75 00:02:58,372 --> 00:02:59,738 MR. TRUMP. I'M GOING TO LOSE MY ELECTION. SO I VERY GENEROUSLY PRETENDED 76 00:02:59,740 --> 00:03:02,807 I'M GOING TO LOSE MY ELECTION. SO I VERY GENEROUSLY PRETENDED TO LIKE HIM, AND THEN, HE DID A 77 00:03:02,809 --> 00:03:03,108 SO I VERY GENEROUSLY PRETENDED TO LIKE HIM, AND THEN, HE DID A JUDAS. 78 00:03:03,110 --> 00:03:05,076 TO LIKE HIM, AND THEN, HE DID A JUDAS. AND NOW HE CAN'T EVEN GET THE 79 00:03:05,078 --> 00:03:10,282 JUDAS. AND NOW HE CAN'T EVEN GET THE GAYS OUT OF DISNEY WORLD. 80 00:03:10,284 --> 00:03:12,584 AND NOW HE CAN'T EVEN GET THE GAYS OUT OF DISNEY WORLD. LOOK AT THESE GUYS BACK HERE, 81 00:03:12,586 --> 00:03:12,851 GAYS OUT OF DISNEY WORLD. LOOK AT THESE GUYS BACK HERE, HUH? 82 00:03:12,853 --> 00:03:14,953 LOOK AT THESE GUYS BACK HERE, HUH? THEY JUST HAVE TO SIT HERE 83 00:03:14,955 --> 00:03:17,122 HUH? THEY JUST HAVE TO SIT HERE FROZEN WHILE I TALK. 84 00:03:17,124 --> 00:03:17,989 THEY JUST HAVE TO SIT HERE FROZEN WHILE I TALK. CAN YOU BELIEVE THAT? 85 00:03:17,991 --> 00:03:19,925 FROZEN WHILE I TALK. CAN YOU BELIEVE THAT? MR. JESUS, QUITE A GUY. 86 00:03:19,927 --> 00:03:21,693 CAN YOU BELIEVE THAT? MR. JESUS, QUITE A GUY. BUT NOW PEOPLE ARE SAYING 87 00:03:21,695 --> 00:03:23,995 MR. JESUS, QUITE A GUY. BUT NOW PEOPLE ARE SAYING PERHAPS I'M EVEN BETTER THAN 88 00:03:23,997 --> 00:03:26,197 BUT NOW PEOPLE ARE SAYING PERHAPS I'M EVEN BETTER THAN JESUS BECAUSE I'M A SELF-MADE 89 00:03:26,199 --> 00:03:27,766 PERHAPS I'M EVEN BETTER THAN JESUS BECAUSE I'M A SELF-MADE BILLIONAIRE, AND CHRIST WAS -- 90 00:03:27,768 --> 00:03:30,869 JESUS BECAUSE I'M A SELF-MADE BILLIONAIRE, AND CHRIST WAS -- LET'S CALL IT WHAT IT IS -- A 91 00:03:30,871 --> 00:03:31,970 BILLIONAIRE, AND CHRIST WAS -- LET'S CALL IT WHAT IT IS -- A NEPO BABY. 92 00:03:31,972 --> 00:03:32,437 LET'S CALL IT WHAT IT IS -- A NEPO BABY. OKAY? 93 00:03:32,439 --> 00:03:34,306 NEPO BABY. OKAY? I MEAN, HIS DAD WAS GOD. 94 00:03:34,308 --> 00:03:37,442 OKAY? I MEAN, HIS DAD WAS GOD. IT'S PRETTY EASY TO START A 95 00:03:37,444 --> 00:03:39,311 I MEAN, HIS DAD WAS GOD. IT'S PRETTY EASY TO START A RELIGION WHEN YOUR DAD IS GOD. 96 00:03:39,313 --> 00:03:40,478 IT'S PRETTY EASY TO START A RELIGION WHEN YOUR DAD IS GOD. HE DID GOOD FRIDAY. 97 00:03:40,480 --> 00:03:42,881 RELIGION WHEN YOUR DAD IS GOD. HE DID GOOD FRIDAY. I SAID, WHY NOT MAKE IT GREAT? 98 00:03:42,883 --> 00:03:44,082 HE DID GOOD FRIDAY. I SAID, WHY NOT MAKE IT GREAT? WE CAN MAKE IT GREAT. 99 00:03:44,084 --> 00:03:46,818 I SAID, WHY NOT MAKE IT GREAT? WE CAN MAKE IT GREAT. WITH ME, WE'LL BE DOING GREAT 100 00:03:46,820 --> 00:03:52,223 WE CAN MAKE IT GREAT. WITH ME, WE'LL BE DOING GREAT FRIDAY, PERHAPS EVEN TGI-FRIDAYS 101 00:03:52,225 --> 00:03:52,991 WITH ME, WE'LL BE DOING GREAT FRIDAY, PERHAPS EVEN TGI-FRIDAYS WITH THE STUFF ON THE WALLS AND 102 00:03:52,993 --> 00:03:53,391 FRIDAY, PERHAPS EVEN TGI-FRIDAYS WITH THE STUFF ON THE WALLS AND EVERYTHING. 103 00:03:53,393 --> 00:03:55,460 WITH THE STUFF ON THE WALLS AND EVERYTHING. BUT WE LOVE EASTER, WE LOVE 104 00:03:55,462 --> 00:03:56,828 EVERYTHING. BUT WE LOVE EASTER, WE LOVE HIDING THE EGG. 105 00:03:56,830 --> 00:03:57,829 BUT WE LOVE EASTER, WE LOVE HIDING THE EGG. DON'T WE, FOLKS? 106 00:03:57,831 --> 00:04:00,065 HIDING THE EGG. DON'T WE, FOLKS? WE LOVE HIDING THE LITTLE EGGS. 107 00:04:00,067 --> 00:04:01,666 DON'T WE, FOLKS? WE LOVE HIDING THE LITTLE EGGS. YOU KNOW I HAVE MANY BEAUTIFUL 108 00:04:01,668 --> 00:04:02,901 WE LOVE HIDING THE LITTLE EGGS. YOU KNOW I HAVE MANY BEAUTIFUL EGGS FROM MY TIME AT THE WHITE 109 00:04:02,903 --> 00:04:05,270 YOU KNOW I HAVE MANY BEAUTIFUL EGGS FROM MY TIME AT THE WHITE HOUSE, AND NOW THE DEPARTMENT OF 110 00:04:05,272 --> 00:04:07,205 EGGS FROM MY TIME AT THE WHITE HOUSE, AND NOW THE DEPARTMENT OF JUSTICE ARE SAYING, WHERE ARE 111 00:04:07,207 --> 00:04:08,206 HOUSE, AND NOW THE DEPARTMENT OF JUSTICE ARE SAYING, WHERE ARE THE EGGS? 112 00:04:08,208 --> 00:04:09,674 JUSTICE ARE SAYING, WHERE ARE THE EGGS? WE NEED THE EGGS BACK. 113 00:04:09,676 --> 00:04:11,676 THE EGGS? WE NEED THE EGGS BACK. BUT I HID THEM. 114 00:04:11,678 --> 00:04:13,511 WE NEED THE EGGS BACK. BUT I HID THEM. THEY'RE MY EGGS TO TAKE, OKAY? 115 00:04:13,513 --> 00:04:15,580 BUT I HID THEM. THEY'RE MY EGGS TO TAKE, OKAY? SO TOMORROW, I WILL EAT MY 116 00:04:15,582 --> 00:04:17,882 THEY'RE MY EGGS TO TAKE, OKAY? SO TOMORROW, I WILL EAT MY EASTER HAMBURGER WITH MY FAMILY, 117 00:04:17,884 --> 00:04:20,218 SO TOMORROW, I WILL EAT MY EASTER HAMBURGER WITH MY FAMILY, OR HOPEFULLY NOT. 118 00:04:20,220 --> 00:04:21,886 EASTER HAMBURGER WITH MY FAMILY, OR HOPEFULLY NOT. AND THEN AFTER THAT, THEY WILL 119 00:04:21,888 --> 00:04:24,322 OR HOPEFULLY NOT. AND THEN AFTER THAT, THEY WILL COME FOR ME, LOCK ME AWAY. 120 00:04:24,324 --> 00:04:26,925 AND THEN AFTER THAT, THEY WILL COME FOR ME, LOCK ME AWAY. BECAUSE JUST LIKE JESUS, ALL I 121 00:04:26,927 --> 00:04:28,927 COME FOR ME, LOCK ME AWAY. BECAUSE JUST LIKE JESUS, ALL I DID WAS BE FRIENDLY TO A SEX 122 00:04:28,929 --> 00:04:30,628 BECAUSE JUST LIKE JESUS, ALL I DID WAS BE FRIENDLY TO A SEX WORKER, AND NOW THEY WANT TO PUT 123 00:04:30,630 --> 00:04:32,731 DID WAS BE FRIENDLY TO A SEX WORKER, AND NOW THEY WANT TO PUT ME IN JAIL. 124 00:04:32,733 --> 00:04:33,298 WORKER, AND NOW THEY WANT TO PUT ME IN JAIL. JUST AWFUL. 125 00:04:33,300 --> 00:04:35,700 ME IN JAIL. JUST AWFUL. BUT WHO KNOWS, FOLKS, MAYBE 126 00:04:35,702 --> 00:04:38,203 JUST AWFUL. BUT WHO KNOWS, FOLKS, MAYBE PRISON WILL MAKE ME EVEN MORE 127 00:04:38,205 --> 00:04:38,536 BUT WHO KNOWS, FOLKS, MAYBE PRISON WILL MAKE ME EVEN MORE POPULAR. 128 00:04:38,538 --> 00:04:41,239 PRISON WILL MAKE ME EVEN MORE POPULAR. LIKE THAT GUY BACK THERE, JESUS 129 00:04:41,241 --> 00:04:44,342 POPULAR. LIKE THAT GUY BACK THERE, JESUS OF ASKABAN, THAT GUY. 130 00:04:44,344 --> 00:04:47,178 LIKE THAT GUY BACK THERE, JESUS OF ASKABAN, THAT GUY. JESUS OF ASKABAN, HE'S CALLED. 131 00:04:47,180 --> 00:04:49,114 OF ASKABAN, THAT GUY. JESUS OF ASKABAN, HE'S CALLED. AND THAT IS THE STORY OF EASTER. 132 00:04:49,116 --> 00:04:50,582 JESUS OF ASKABAN, HE'S CALLED. AND THAT IS THE STORY OF EASTER. HAPPY BIRTHDAY, JESUS. 133 00:04:50,584 --> 00:04:55,520 AND THAT IS THE STORY OF EASTER. HAPPY BIRTHDAY, JESUS. LOOK AT THE FINGERS. 134 00:04:55,522 --> 00:04:56,921 HAPPY BIRTHDAY, JESUS. LOOK AT THE FINGERS. DIDN'T STOP DOING THE FINGERS 135 00:04:56,923 --> 00:04:58,056 LOOK AT THE FINGERS. DIDN'T STOP DOING THE FINGERS THE WHOLE TIME. 136 00:04:58,058 --> 00:05:02,794 DIDN'T STOP DOING THE FINGERS THE WHOLE TIME. WEIRD CHOICE WITH THE FINGERS. 137 00:05:02,796 --> 00:05:05,897 THE WHOLE TIME. WEIRD CHOICE WITH THE FINGERS. LOOK AT JESUS. 138 00:05:05,899 --> 00:05:10,869 WEIRD CHOICE WITH THE FINGERS. LOOK AT JESUS. SO HAPPY HANUKKAH TO ALL THE 139 00:05:10,871 --> 00:05:13,304 LOOK AT JESUS. SO HAPPY HANUKKAH TO ALL THE PASSOVERS, AND ALL THE RAMADANS 140 00:05:13,306 --> 00:05:13,638 SO HAPPY HANUKKAH TO ALL THE PASSOVERS, AND ALL THE RAMADANS DO. 141 00:05:13,640 --> 00:05:16,641 PASSOVERS, AND ALL THE RAMADANS DO. WE LOVE TO SAY RAMADAN. 142 00:05:16,643 --> 00:05:18,777 DO. WE LOVE TO SAY RAMADAN. BUT MOSTLY HAPPY EASTER BECAUSE 143 00:05:18,779 --> 00:05:21,312 WE LOVE TO SAY RAMADAN. BUT MOSTLY HAPPY EASTER BECAUSE WE LIKE JESUS, RIGHT? 144 00:05:21,314 --> 00:05:23,581 BUT MOSTLY HAPPY EASTER BECAUSE WE LIKE JESUS, RIGHT? STILL FROZEN WITH THE LITTLE 145 00:05:23,583 --> 00:05:23,882 WE LIKE JESUS, RIGHT? STILL FROZEN WITH THE LITTLE HANDS. 146 00:05:23,884 --> 00:05:25,583 STILL FROZEN WITH THE LITTLE HANDS. THEY'RE NOT EVEN GOING TO GET TO 147 00:05:25,585 --> 00:05:26,751 HANDS. THEY'RE NOT EVEN GOING TO GET TO SAY THE BIG LINE. 148 00:05:26,753 --> 00:05:28,553 THEY'RE NOT EVEN GOING TO GET TO SAY THE BIG LINE. MAYBE IF YOU BREAK A BIG 149 00:05:28,555 --> 00:05:29,721 SAY THE BIG LINE. MAYBE IF YOU BREAK A BIG POLITICAL CHARACTER, YOU CAN SAY 150 00:05:29,723 --> 00:05:30,922 MAYBE IF YOU BREAK A BIG POLITICAL CHARACTER, YOU CAN SAY THE BIG LINE. 151 00:05:30,924 --> 00:05:32,524 POLITICAL CHARACTER, YOU CAN SAY THE BIG LINE. I'M GOING TO DO IT BY MYSELF 152 00:05:32,526 --> 00:05:33,258 THE BIG LINE. I'M GOING TO DO IT BY MYSELF RIGHT NOW. 153 00:05:33,260 --> 00:05:35,060 I'M GOING TO DO IT BY MYSELF RIGHT NOW. SO HAPPY EASTER AND LIVE FROM 154 00:05:35,062 --> 00:05:43,368 RIGHT NOW. SO HAPPY EASTER AND LIVE FROM NEW YORK, IT'S SATURDAY NIGHT! 155 00:05:43,370 --> 00:05:44,069 SO HAPPY EASTER AND LIVE FROM NEW YORK, IT'S SATURDAY NIGHT! >> Announcer: IT'S "SATURDAY 156 00:05:44,071 --> 00:05:46,738 NEW YORK, IT'S SATURDAY NIGHT! >> Announcer: IT'S "SATURDAY NIGHT LIVE" WITH -- 157 00:06:50,002 --> 00:06:50,869 FEATURING -- 158 00:07:28,140 --> 00:07:41,986 MUSICAL GUEST, JONAS BROTHERS. AND YOUR HOST, MOLLY SHANNON. LADIES AND GENTLEMEN, MOLLY 159 00:07:41,988 --> 00:07:46,224 AND YOUR HOST, MOLLY SHANNON. LADIES AND GENTLEMEN, MOLLY SHANNON! 160 00:07:46,226 --> 00:08:13,618 LADIES AND GENTLEMEN, MOLLY SHANNON! [ CHEERS AND APPLAUSE ] 161 00:08:13,620 --> 00:08:16,788 SHANNON! [ CHEERS AND APPLAUSE ] >>> THANK YOU. 162 00:08:16,790 --> 00:08:19,457 [ CHEERS AND APPLAUSE ] >>> THANK YOU. THANK YOU, THANK YOU, THANK YOU, 163 00:08:19,459 --> 00:08:20,124 >>> THANK YOU. THANK YOU, THANK YOU, THANK YOU, THANK YOU SO MUCH. 164 00:08:20,126 --> 00:08:21,426 THANK YOU, THANK YOU, THANK YOU, THANK YOU SO MUCH. OH, MY GOD. 165 00:08:21,428 --> 00:08:28,299 THANK YOU SO MUCH. OH, MY GOD. IT'S SO GREAT TO BE BACK. 166 00:08:28,301 --> 00:08:30,468 OH, MY GOD. IT'S SO GREAT TO BE BACK. I'VE HAD SUCH A FUN YEAR. 167 00:08:30,470 --> 00:08:32,637 IT'S SO GREAT TO BE BACK. I'VE HAD SUCH A FUN YEAR. MY DAUGHTER STELLA STARTED 168 00:08:32,639 --> 00:08:32,971 I'VE HAD SUCH A FUN YEAR. MY DAUGHTER STELLA STARTED COLLEGE. 169 00:08:32,973 --> 00:08:35,440 MY DAUGHTER STELLA STARTED COLLEGE. MY SON NOLAN'S ABOUT TO GRADUATE 170 00:08:35,442 --> 00:08:35,907 COLLEGE. MY SON NOLAN'S ABOUT TO GRADUATE HIGH SCHOOL. 171 00:08:35,909 --> 00:08:38,943 MY SON NOLAN'S ABOUT TO GRADUATE HIGH SCHOOL. AND I WROTE A BOOK ABOUT MY LIFE 172 00:08:38,945 --> 00:08:42,313 HIGH SCHOOL. AND I WROTE A BOOK ABOUT MY LIFE CALLED "HELLO MOLLY." 173 00:08:42,315 --> 00:08:44,849 AND I WROTE A BOOK ABOUT MY LIFE CALLED "HELLO MOLLY." AND YOU KNOW, IT'S INTERESTING 174 00:08:44,851 --> 00:08:46,451 CALLED "HELLO MOLLY." AND YOU KNOW, IT'S INTERESTING BECAUSE A LOT OF PEOPLE WERE 175 00:08:46,453 --> 00:08:47,919 AND YOU KNOW, IT'S INTERESTING BECAUSE A LOT OF PEOPLE WERE SURPRISED BY HOW HONEST I WAS 176 00:08:47,921 --> 00:08:49,821 BECAUSE A LOT OF PEOPLE WERE SURPRISED BY HOW HONEST I WAS ABOUT SOME OF THE HARD TIMES MY 177 00:08:49,823 --> 00:08:50,321 SURPRISED BY HOW HONEST I WAS ABOUT SOME OF THE HARD TIMES MY FAMILY HAD. 178 00:08:50,323 --> 00:08:53,024 ABOUT SOME OF THE HARD TIMES MY FAMILY HAD. I MEAN, WE ALL HAVE PROBLEMS, 179 00:08:53,026 --> 00:08:53,491 FAMILY HAD. I MEAN, WE ALL HAVE PROBLEMS, RIGHT? 180 00:08:53,493 --> 00:08:55,193 I MEAN, WE ALL HAVE PROBLEMS, RIGHT? BUT MY DAD ALWAYS TAUGHT ME TO 181 00:08:55,195 --> 00:08:57,428 RIGHT? BUT MY DAD ALWAYS TAUGHT ME TO KEEP MY CHIN UP AND NEVER GIVE 182 00:08:57,430 --> 00:09:00,365 BUT MY DAD ALWAYS TAUGHT ME TO KEEP MY CHIN UP AND NEVER GIVE UP ON MY SHOW BIZ DREAMS. 183 00:09:00,367 --> 00:09:03,935 KEEP MY CHIN UP AND NEVER GIVE UP ON MY SHOW BIZ DREAMS. HE WOULD PLAY ME OLD CLASSIC 184 00:09:03,937 --> 00:09:05,003 UP ON MY SHOW BIZ DREAMS. HE WOULD PLAY ME OLD CLASSIC MUSICALS AND HE WOULD TELL ME, 185 00:09:05,005 --> 00:09:07,372 HE WOULD PLAY ME OLD CLASSIC MUSICALS AND HE WOULD TELL ME, YOU KNOW, MOLLY, NO MATTER WHAT 186 00:09:07,374 --> 00:09:09,807 MUSICALS AND HE WOULD TELL ME, YOU KNOW, MOLLY, NO MATTER WHAT PROBLEMS YOU FACE, IF YOU KEEP A 187 00:09:09,809 --> 00:09:10,508 YOU KNOW, MOLLY, NO MATTER WHAT PROBLEMS YOU FACE, IF YOU KEEP A POSITIVE ATTITUDE, EVERYTHING 188 00:09:10,510 --> 00:09:12,644 PROBLEMS YOU FACE, IF YOU KEEP A POSITIVE ATTITUDE, EVERYTHING WILL TURN OUT OKAY. 189 00:09:12,646 --> 00:09:15,113 POSITIVE ATTITUDE, EVERYTHING WILL TURN OUT OKAY. I CAN ALMOST HEAR HIM NOW 190 00:09:15,115 --> 00:09:15,647 WILL TURN OUT OKAY. I CAN ALMOST HEAR HIM NOW SAYING -- 191 00:09:15,649 --> 00:09:20,218 I CAN ALMOST HEAR HIM NOW SAYING -- ♪ YOU'LL BE SWELL, YOU'LL BE 192 00:09:20,220 --> 00:09:21,552 SAYING -- ♪ YOU'LL BE SWELL, YOU'LL BE GREAT, GONNA HAVE THE WHOLE 193 00:09:21,554 --> 00:09:23,121 ♪ YOU'LL BE SWELL, YOU'LL BE GREAT, GONNA HAVE THE WHOLE WORLD ON A PLATE ♪ 194 00:09:23,123 --> 00:09:27,825 GREAT, GONNA HAVE THE WHOLE WORLD ON A PLATE ♪ ♪ STARTING HERE, STARTING NOW, 195 00:09:27,827 --> 00:09:29,327 WORLD ON A PLATE ♪ ♪ STARTING HERE, STARTING NOW, HONEY, EVERYTHING'S COMING UP 196 00:09:29,329 --> 00:09:32,830 ♪ STARTING HERE, STARTING NOW, HONEY, EVERYTHING'S COMING UP ROSES ♪ 197 00:09:32,832 --> 00:09:36,134 HONEY, EVERYTHING'S COMING UP ROSES ♪ ♪ CURTAIN UP, LIGHT THE LIGHTS, 198 00:09:36,136 --> 00:09:40,438 ROSES ♪ ♪ CURTAIN UP, LIGHT THE LIGHTS, YOU GOT NOTHING TO HIT BUT THE 199 00:09:40,440 --> 00:09:40,838 ♪ CURTAIN UP, LIGHT THE LIGHTS, YOU GOT NOTHING TO HIT BUT THE HEIGHT ♪ 200 00:09:40,840 --> 00:09:44,442 YOU GOT NOTHING TO HIT BUT THE HEIGHT ♪ >> MOLLY, SORRY TO CRASH YOUR 201 00:09:44,444 --> 00:09:45,543 HEIGHT ♪ >> MOLLY, SORRY TO CRASH YOUR MONOLOGUE, BUT I KNOW EXACTLY 202 00:09:45,545 --> 00:09:47,378 >> MOLLY, SORRY TO CRASH YOUR MONOLOGUE, BUT I KNOW EXACTLY WHAT YOU MEAN. 203 00:09:47,380 --> 00:09:49,480 MONOLOGUE, BUT I KNOW EXACTLY WHAT YOU MEAN. I'VE GOT PROBLEMS TOO. 204 00:09:49,482 --> 00:09:50,648 WHAT YOU MEAN. I'VE GOT PROBLEMS TOO. >> WHAT'S YOUR PROBLEM? 205 00:09:50,650 --> 00:09:52,050 I'VE GOT PROBLEMS TOO. >> WHAT'S YOUR PROBLEM? >> WELL, I'M NOT REALLY IN THE 206 00:09:52,052 --> 00:09:54,552 >> WHAT'S YOUR PROBLEM? >> WELL, I'M NOT REALLY IN THE SHOW TONIGHT, SO I'M 207 00:09:54,554 --> 00:09:55,753 >> WELL, I'M NOT REALLY IN THE SHOW TONIGHT, SO I'M INTERRUPTING YOUR SONG TO GET 208 00:09:55,755 --> 00:10:00,958 SHOW TONIGHT, SO I'M INTERRUPTING YOUR SONG TO GET SOME MORE CAMERA TIME. 209 00:10:00,960 --> 00:10:02,126 INTERRUPTING YOUR SONG TO GET SOME MORE CAMERA TIME. CAN I STAY? 210 00:10:02,128 --> 00:10:02,794 SOME MORE CAMERA TIME. CAN I STAY? >> NO. 211 00:10:02,796 --> 00:10:07,265 CAN I STAY? >> NO. ♪ BLOW A KISS, TAKE A BOW, 212 00:10:07,267 --> 00:10:11,336 >> NO. ♪ BLOW A KISS, TAKE A BOW, HONEY, EVERYTHING'S COMING UP 213 00:10:11,338 --> 00:10:12,403 ♪ BLOW A KISS, TAKE A BOW, HONEY, EVERYTHING'S COMING UP ROSES ♪ 214 00:10:12,405 --> 00:10:13,838 HONEY, EVERYTHING'S COMING UP ROSES ♪ KENAN, WHAT ABOUT YOU? 215 00:10:13,840 --> 00:10:15,340 ROSES ♪ KENAN, WHAT ABOUT YOU? WHAT'S YOUR PROBLEM? 216 00:10:15,342 --> 00:10:19,444 KENAN, WHAT ABOUT YOU? WHAT'S YOUR PROBLEM? >> I CAN'T STOP BUYING FAKE 217 00:10:19,446 --> 00:10:19,811 WHAT'S YOUR PROBLEM? >> I CAN'T STOP BUYING FAKE ROLEXES. 218 00:10:19,813 --> 00:10:20,645 >> I CAN'T STOP BUYING FAKE ROLEXES. >> WHAT ABOUT YOU GUYS? 219 00:10:20,647 --> 00:10:21,846 ROLEXES. >> WHAT ABOUT YOU GUYS? WHAT'S YOUR PROBLEM? 220 00:10:21,848 --> 00:10:23,548 >> WHAT ABOUT YOU GUYS? WHAT'S YOUR PROBLEM? >> I STILL DRESS LIKE A LITTLE 221 00:10:23,550 --> 00:10:23,848 WHAT'S YOUR PROBLEM? >> I STILL DRESS LIKE A LITTLE BOY. 222 00:10:23,850 --> 00:10:26,050 >> I STILL DRESS LIKE A LITTLE BOY. >> I PRETEND TO HAVE A PEANUT 223 00:10:26,052 --> 00:10:26,918 BOY. >> I PRETEND TO HAVE A PEANUT ALLERGY FOR ATTENTION. 224 00:10:26,920 --> 00:10:28,653 >> I PRETEND TO HAVE A PEANUT ALLERGY FOR ATTENTION. >> I'M ATTRACTED TO MY 225 00:10:28,655 --> 00:10:29,187 ALLERGY FOR ATTENTION. >> I'M ATTRACTED TO MY THERAPIST. 226 00:10:29,189 --> 00:10:31,456 >> I'M ATTRACTED TO MY THERAPIST. >> I JUST TESTED POSITIVE FOR 227 00:10:31,458 --> 00:10:31,756 THERAPIST. >> I JUST TESTED POSITIVE FOR COVID. 228 00:10:31,758 --> 00:10:34,192 >> I JUST TESTED POSITIVE FOR COVID. >> WAIT, WHAT? 229 00:10:34,194 --> 00:10:39,564 COVID. >> WAIT, WHAT? ♪ HONEY, EVERYTHING'S COMING UP 230 00:10:39,566 --> 00:10:40,498 >> WAIT, WHAT? ♪ HONEY, EVERYTHING'S COMING UP ROSES ♪ 231 00:10:40,500 --> 00:10:43,935 ♪ HONEY, EVERYTHING'S COMING UP ROSES ♪ >> HOW ABOUT YOU, THE AUDIENCE? 232 00:10:43,937 --> 00:10:45,203 ROSES ♪ >> HOW ABOUT YOU, THE AUDIENCE? WHO HERE IS EMBARRASSED BY HOW 233 00:10:45,205 --> 00:10:47,472 >> HOW ABOUT YOU, THE AUDIENCE? WHO HERE IS EMBARRASSED BY HOW OFTEN THEY CHECK INSTAGRAM? 234 00:10:47,474 --> 00:10:49,807 WHO HERE IS EMBARRASSED BY HOW OFTEN THEY CHECK INSTAGRAM? WHO'S IN AN UNHEALTHY 235 00:10:49,809 --> 00:10:51,008 OFTEN THEY CHECK INSTAGRAM? WHO'S IN AN UNHEALTHY CODEPENDENT RELATIONSHIP? 236 00:10:51,010 --> 00:10:52,944 WHO'S IN AN UNHEALTHY CODEPENDENT RELATIONSHIP? OH, WE GOT A FEW. 237 00:10:52,946 --> 00:10:54,645 CODEPENDENT RELATIONSHIP? OH, WE GOT A FEW. WHO LOST THEIR JOB DURING THE 238 00:10:54,647 --> 00:10:56,147 OH, WE GOT A FEW. WHO LOST THEIR JOB DURING THE PANDEMIC AND SECRETLY HOPES THAT 239 00:10:56,149 --> 00:10:57,648 WHO LOST THEIR JOB DURING THE PANDEMIC AND SECRETLY HOPES THAT OTHER PEOPLE ARE SUFFERING TOO? 240 00:10:57,650 --> 00:10:59,117 PANDEMIC AND SECRETLY HOPES THAT OTHER PEOPLE ARE SUFFERING TOO? WHAT ABOUT YOU, LAUREN, WHAT'S 241 00:10:59,119 --> 00:11:00,017 OTHER PEOPLE ARE SUFFERING TOO? WHAT ABOUT YOU, LAUREN, WHAT'S YOUR PROBLEM? 242 00:11:00,019 --> 00:11:02,186 WHAT ABOUT YOU, LAUREN, WHAT'S YOUR PROBLEM? >> I DON'T HAVE ANY PROBLEMS. 243 00:11:02,188 --> 00:11:04,389 YOUR PROBLEM? >> I DON'T HAVE ANY PROBLEMS. >> WHAT ABOUT YOU, MARTIN SHORT? 244 00:11:04,391 --> 00:11:10,294 >> I DON'T HAVE ANY PROBLEMS. >> WHAT ABOUT YOU, MARTIN SHORT? >> I RAN OUT OF OZEMPIC! 245 00:11:10,296 --> 00:11:11,863 >> WHAT ABOUT YOU, MARTIN SHORT? >> I RAN OUT OF OZEMPIC! >> ERYONE, COME UP HERE. 246 00:11:11,865 --> 00:11:12,296 >> I RAN OUT OF OZEMPIC! >> ERYONE, COME UP HERE. COME ON. 247 00:11:12,298 --> 00:11:14,499 >> ERYONE, COME UP HERE. COME ON. PUT AWAY YOUR PROBLEMS AND STOP 248 00:11:14,501 --> 00:11:14,866 COME ON. PUT AWAY YOUR PROBLEMS AND STOP WORRYING. 249 00:11:14,868 --> 00:11:16,934 PUT AWAY YOUR PROBLEMS AND STOP WORRYING. YOU KNOW WHY? 250 00:11:16,936 --> 00:11:17,368 WORRYING. YOU KNOW WHY? BECAUSE -- 251 00:11:17,370 --> 00:11:20,171 YOU KNOW WHY? BECAUSE -- ♪ YOU'LL BE SWELL, YOU'LL BE 252 00:11:20,173 --> 00:11:23,708 BECAUSE -- ♪ YOU'LL BE SWELL, YOU'LL BE GREAT, I CAN TELL, JUST YOU 253 00:11:23,710 --> 00:11:24,075 ♪ YOU'LL BE SWELL, YOU'LL BE GREAT, I CAN TELL, JUST YOU WAIT ♪ 254 00:11:24,077 --> 00:11:29,514 GREAT, I CAN TELL, JUST YOU WAIT ♪ ♪ AND NOTHING'S GONNA STOP US 255 00:11:29,516 --> 00:11:30,982 WAIT ♪ ♪ AND NOTHING'S GONNA STOP US TILL WE'RE THROUGH ♪ 256 00:11:30,984 --> 00:11:35,853 ♪ AND NOTHING'S GONNA STOP US TILL WE'RE THROUGH ♪ ♪ HONEY, EVERYTHING'S COMING UP 257 00:11:35,855 --> 00:11:38,256 TILL WE'RE THROUGH ♪ ♪ HONEY, EVERYTHING'S COMING UP ROSES AND DAFFODILS ♪ 258 00:11:38,258 --> 00:11:42,293 ♪ HONEY, EVERYTHING'S COMING UP ROSES AND DAFFODILS ♪ ♪ EVERYTHING'S COMING UP 259 00:11:42,295 --> 00:11:46,197 ROSES AND DAFFODILS ♪ ♪ EVERYTHING'S COMING UP SUNSHINE AND SANTA CLAUS, 260 00:11:46,199 --> 00:11:48,566 ♪ EVERYTHING'S COMING UP SUNSHINE AND SANTA CLAUS, EVERYTHING'S COMING UP ROSES FOR 261 00:11:48,568 --> 00:11:57,642 SUNSHINE AND SANTA CLAUS, EVERYTHING'S COMING UP ROSES FOR ME AND FOR YOU ♪ 262 00:11:57,644 --> 00:11:59,010 EVERYTHING'S COMING UP ROSES FOR ME AND FOR YOU ♪ >> THANK YOU, DADDY. 263 00:11:59,012 --> 00:12:02,580 ME AND FOR YOU ♪ >> THANK YOU, DADDY. SUPERSTAR! 264 00:12:02,582 --> 00:12:05,583 >> THANK YOU, DADDY. SUPERSTAR! WE'VE GOT A GREAT SHOW FOR YOU 265 00:12:05,585 --> 00:12:05,917 SUPERSTAR! WE'VE GOT A GREAT SHOW FOR YOU TONIGHT. 266 00:12:05,919 --> 00:12:07,919 WE'VE GOT A GREAT SHOW FOR YOU TONIGHT. JONAS BROTHERS ARE HERE, SO 267 00:12:07,921 --> 00:12:29,690 TONIGHT. JONAS BROTHERS ARE HERE, SO 268 00:12:29,925 --> 00:12:37,064 >>> HELLO, EVERYONE, AND WELCOME TO YOUR FIRST DAY AT VINCENT'S VALETS. 269 00:12:37,066 --> 00:12:39,033 TO YOUR FIRST DAY AT VINCENT'S VALETS. NOW, BEING A VALET IS THE 270 00:12:39,035 --> 00:12:40,935 VALETS. NOW, BEING A VALET IS THE HARDEST JOB IN THE WORLD. 271 00:12:40,937 --> 00:12:42,303 NOW, BEING A VALET IS THE HARDEST JOB IN THE WORLD. FORGOT ABOUT BRAIN SURGERY. 272 00:12:42,305 --> 00:12:43,604 HARDEST JOB IN THE WORLD. FORGOT ABOUT BRAIN SURGERY. IT'S THE SECOND HARDEST JOB IN 273 00:12:43,606 --> 00:12:45,239 FORGOT ABOUT BRAIN SURGERY. IT'S THE SECOND HARDEST JOB IN THE WORLD. 274 00:12:45,241 --> 00:12:45,640 IT'S THE SECOND HARDEST JOB IN THE WORLD. >> GOT IT. 275 00:12:45,642 --> 00:12:45,973 THE WORLD. >> GOT IT. >> YES. 276 00:12:45,975 --> 00:12:46,374 >> GOT IT. >> YES. >> TOTALLY. 277 00:12:46,376 --> 00:12:47,775 >> YES. >> TOTALLY. >> OKAY. 278 00:12:47,777 --> 00:12:48,709 >> TOTALLY. >> OKAY. NOW, I BELIEVE THAT EVERYONE CAN 279 00:12:48,711 --> 00:12:51,479 >> OKAY. NOW, I BELIEVE THAT EVERYONE CAN BE A GREAT VALET, SO LONG AS YOU 280 00:12:51,481 --> 00:12:54,015 NOW, I BELIEVE THAT EVERYONE CAN BE A GREAT VALET, SO LONG AS YOU FOLLOW THESE THREE SIMPLE RULES. 281 00:12:54,017 --> 00:12:58,786 BE A GREAT VALET, SO LONG AS YOU FOLLOW THESE THREE SIMPLE RULES. LIL JOKE, LIL BOW, LIL JOG. 282 00:12:58,788 --> 00:13:00,621 FOLLOW THESE THREE SIMPLE RULES. LIL JOKE, LIL BOW, LIL JOG. THIS IS THE CORNER STONE OF 283 00:13:00,623 --> 00:13:02,490 LIL JOKE, LIL BOW, LIL JOG. THIS IS THE CORNER STONE OF QUALITY VALET. 284 00:13:02,492 --> 00:13:03,891 THIS IS THE CORNER STONE OF QUALITY VALET. ALLOW ME TO DEMONSTRATE. 285 00:13:03,893 --> 00:13:04,825 QUALITY VALET. ALLOW ME TO DEMONSTRATE. >> HERE YOU GO. 286 00:13:04,827 --> 00:13:06,627 ALLOW ME TO DEMONSTRATE. >> HERE YOU GO. >> OH, THANKS, LADIES. 287 00:13:06,629 --> 00:13:08,362 >> HERE YOU GO. >> OH, THANKS, LADIES. HEY, YOU KNOW, YOUR SISTER'S 288 00:13:08,364 --> 00:13:09,330 >> OH, THANKS, LADIES. HEY, YOU KNOW, YOUR SISTER'S QUITE THE LOOKER. 289 00:13:09,332 --> 00:13:10,464 HEY, YOU KNOW, YOUR SISTER'S QUITE THE LOOKER. >> OH, YOU'RE BAD. 290 00:13:10,466 --> 00:13:16,604 QUITE THE LOOKER. >> OH, YOU'RE BAD. >> Y'ALL ENJOY YOURSELF NOW. 291 00:13:16,606 --> 00:13:20,575 >> OH, YOU'RE BAD. >> Y'ALL ENJOY YOURSELF NOW. >> THAT WAS NEAT. 292 00:13:20,577 --> 00:13:22,510 >> Y'ALL ENJOY YOURSELF NOW. >> THAT WAS NEAT. >> THAT WAS THE LITTLEST JOG 293 00:13:22,512 --> 00:13:23,945 >> THAT WAS NEAT. >> THAT WAS THE LITTLEST JOG I'VE EVER SEEN I THINK. 294 00:13:23,947 --> 00:13:24,612 >> THAT WAS THE LITTLEST JOG I'VE EVER SEEN I THINK. >> THANK YOU. 295 00:13:24,614 --> 00:13:25,746 I'VE EVER SEEN I THINK. >> THANK YOU. STEVEN, YOUR TURN. 296 00:13:25,748 --> 00:13:29,116 >> THANK YOU. STEVEN, YOUR TURN. REMEMBER, LIL JOKE, LIL BOW, LIL 297 00:13:29,118 --> 00:13:29,417 STEVEN, YOUR TURN. REMEMBER, LIL JOKE, LIL BOW, LIL JOG. 298 00:13:29,419 --> 00:13:29,884 REMEMBER, LIL JOKE, LIL BOW, LIL JOG. >> YES, SIR. 299 00:13:29,886 --> 00:13:30,718 JOG. >> YES, SIR. HOWDY FOLKS. 300 00:13:30,720 --> 00:13:31,819 >> YES, SIR. HOWDY FOLKS. >> IT'S A PORSCHE. 301 00:13:31,821 --> 00:13:33,988 HOWDY FOLKS. >> IT'S A PORSCHE. >> OH, A PORSCHE. 302 00:13:33,990 --> 00:13:36,157 >> IT'S A PORSCHE. >> OH, A PORSCHE. COMPENSATING FOR SOMETHING? 303 00:13:36,159 --> 00:13:38,125 >> OH, A PORSCHE. COMPENSATING FOR SOMETHING? MY CONDOLENCES, MISS. 304 00:13:38,127 --> 00:13:40,094 COMPENSATING FOR SOMETHING? MY CONDOLENCES, MISS. SHE'S ALL, IS IT IN YET, AND 305 00:13:40,096 --> 00:13:41,596 MY CONDOLENCES, MISS. SHE'S ALL, IS IT IN YET, AND YOU'RE ALL, I'M GIVING IT ALL 306 00:13:41,598 --> 00:13:46,234 SHE'S ALL, IS IT IN YET, AND YOU'RE ALL, I'M GIVING IT ALL SHE'S GOT, CAPTAIN. 307 00:13:46,236 --> 00:13:50,671 YOU'RE ALL, I'M GIVING IT ALL SHE'S GOT, CAPTAIN. Y'ALL ENJOY YOURSELF NOW. 308 00:13:50,673 --> 00:13:51,172 SHE'S GOT, CAPTAIN. Y'ALL ENJOY YOURSELF NOW. >> NOPE. 309 00:13:51,174 --> 00:13:53,441 Y'ALL ENJOY YOURSELF NOW. >> NOPE. >> YOU KNOW WHAT? 310 00:13:53,443 --> 00:13:54,375 >> NOPE. >> YOU KNOW WHAT? DON'T EVEN SAY IT. 311 00:13:54,377 --> 00:13:58,112 >> YOU KNOW WHAT? DON'T EVEN SAY IT. I GAVE HIM BACK HIS KEYS. 312 00:13:58,114 --> 00:13:58,879 DON'T EVEN SAY IT. I GAVE HIM BACK HIS KEYS. I'M SO SORRY. 313 00:13:58,881 --> 00:14:00,648 I GAVE HIM BACK HIS KEYS. I'M SO SORRY. >> THAT AND YOUR JOKE WAS ABOUT 314 00:14:00,650 --> 00:14:03,317 I'M SO SORRY. >> THAT AND YOUR JOKE WAS ABOUT A CUSTOMER'S PENIS, AND YOU RAN 315 00:14:03,319 --> 00:14:04,218 >> THAT AND YOUR JOKE WAS ABOUT A CUSTOMER'S PENIS, AND YOU RAN AWAY AT TOP SPEED. 316 00:14:04,220 --> 00:14:06,721 A CUSTOMER'S PENIS, AND YOU RAN AWAY AT TOP SPEED. >> THAT WAS NOT CLOSE TO MY TOP 317 00:14:06,723 --> 00:14:07,221 AWAY AT TOP SPEED. >> THAT WAS NOT CLOSE TO MY TOP SPEED, BUTTOCK. 318 00:14:07,223 --> 00:14:09,624 >> THAT WAS NOT CLOSE TO MY TOP SPEED, BUTTOCK. >> JUST REMEMBER, KEEP IT LIL. 319 00:14:09,626 --> 00:14:12,560 SPEED, BUTTOCK. >> JUST REMEMBER, KEEP IT LIL. YOU SEE, SEE HOW LIL THIS IS, 320 00:14:12,562 --> 00:14:14,662 >> JUST REMEMBER, KEEP IT LIL. YOU SEE, SEE HOW LIL THIS IS, TOOK ME TEN YEARS TO GET THIS 321 00:14:14,664 --> 00:14:14,962 YOU SEE, SEE HOW LIL THIS IS, TOOK ME TEN YEARS TO GET THIS LIL. 322 00:14:14,964 --> 00:14:15,429 TOOK ME TEN YEARS TO GET THIS LIL. >> THAT IS LIL. 323 00:14:15,431 --> 00:14:17,765 LIL. >> THAT IS LIL. >> OKAY, JENNY, YOU WANT TO GO 324 00:14:17,767 --> 00:14:18,633 >> THAT IS LIL. >> OKAY, JENNY, YOU WANT TO GO GET THEIR KEYS. 325 00:14:18,635 --> 00:14:19,700 >> OKAY, JENNY, YOU WANT TO GO GET THEIR KEYS. >> SURE, OKAY. 326 00:14:19,702 --> 00:14:22,870 GET THEIR KEYS. >> SURE, OKAY. >> AGAIN, LIL JOKE, LIL BOW, LIL 327 00:14:22,872 --> 00:14:23,170 >> SURE, OKAY. >> AGAIN, LIL JOKE, LIL BOW, LIL JOG. 328 00:14:23,172 --> 00:14:24,305 >> AGAIN, LIL JOKE, LIL BOW, LIL JOG. >> GOT IT. 329 00:14:24,307 --> 00:14:25,573 JOG. >> GOT IT. HI, THERE, FOLKS. 330 00:14:25,575 --> 00:14:26,907 >> GOT IT. HI, THERE, FOLKS. DID I GET THE TICKET? 331 00:14:26,909 --> 00:14:28,576 HI, THERE, FOLKS. DID I GET THE TICKET? HERE YOU GO. 332 00:14:28,578 --> 00:14:28,843 DID I GET THE TICKET? HERE YOU GO. UM. 333 00:14:28,845 --> 00:14:30,111 HERE YOU GO. UM. >> OH, THANK YOU SO MUCH. 334 00:14:30,113 --> 00:14:32,980 UM. >> OH, THANK YOU SO MUCH. >> NICE CAR YOU GOT THERE. 335 00:14:32,982 --> 00:14:35,616 >> OH, THANK YOU SO MUCH. >> NICE CAR YOU GOT THERE. I MAY HAVE TO FEEL THAT BABY. 336 00:14:35,618 --> 00:14:36,651 >> NICE CAR YOU GOT THERE. I MAY HAVE TO FEEL THAT BABY. I'M JUST KIDDING. 337 00:14:36,653 --> 00:14:37,885 I MAY HAVE TO FEEL THAT BABY. I'M JUST KIDDING. I ACTUALLY COULD. 338 00:14:37,887 --> 00:14:38,786 I'M JUST KIDDING. I ACTUALLY COULD. JUST KIDDING. 339 00:14:38,788 --> 00:14:40,755 I ACTUALLY COULD. JUST KIDDING. I'M ACTUALLY IN LOVE WITH YOU. 340 00:14:40,757 --> 00:14:41,088 JUST KIDDING. I'M ACTUALLY IN LOVE WITH YOU. NO. 341 00:14:41,090 --> 00:14:41,989 I'M ACTUALLY IN LOVE WITH YOU. NO. I'M NOT. 342 00:14:41,991 --> 00:14:44,125 NO. I'M NOT. I'M REALLY MARRIED, WE BROKE UP, 343 00:14:44,127 --> 00:14:44,558 I'M NOT. I'M REALLY MARRIED, WE BROKE UP, THOUGH. 344 00:14:44,560 --> 00:14:47,295 I'M REALLY MARRIED, WE BROKE UP, THOUGH. I MET HIM ONLINE, AND TURNED OUT 345 00:14:47,297 --> 00:14:49,897 THOUGH. I MET HIM ONLINE, AND TURNED OUT HE WAS A SICK MIDDLE SCHOOLER 346 00:14:49,899 --> 00:14:51,032 I MET HIM ONLINE, AND TURNED OUT HE WAS A SICK MIDDLE SCHOOLER USING A HOSPITAL COMPUTER. 347 00:14:51,034 --> 00:14:52,066 HE WAS A SICK MIDDLE SCHOOLER USING A HOSPITAL COMPUTER. >> OKAY, NO. 348 00:14:52,068 --> 00:14:53,167 USING A HOSPITAL COMPUTER. >> OKAY, NO. BRING IT ON BACK. 349 00:14:53,169 --> 00:14:54,101 >> OKAY, NO. BRING IT ON BACK. OVER HERE. 350 00:14:54,103 --> 00:14:54,568 BRING IT ON BACK. OVER HERE. YEAH. 351 00:14:54,570 --> 00:14:55,303 OVER HERE. YEAH. GOOD TRY. 352 00:14:55,305 --> 00:14:57,471 YEAH. GOOD TRY. BUT I ALMOST WISH YOU STOPPED 353 00:14:57,473 --> 00:15:00,441 GOOD TRY. BUT I ALMOST WISH YOU STOPPED AFTER THE FIRST THING YOU SAID. 354 00:15:00,443 --> 00:15:00,741 BUT I ALMOST WISH YOU STOPPED AFTER THE FIRST THING YOU SAID. >> OH. 355 00:15:00,743 --> 00:15:01,809 AFTER THE FIRST THING YOU SAID. >> OH. WELL, HOW WAS THAT? 356 00:15:01,811 --> 00:15:02,443 >> OH. WELL, HOW WAS THAT? >> NOT VERY GOOD. 357 00:15:02,445 --> 00:15:03,944 WELL, HOW WAS THAT? >> NOT VERY GOOD. >> I'LL DO IT NEXT TIME. 358 00:15:03,946 --> 00:15:07,882 >> NOT VERY GOOD. >> I'LL DO IT NEXT TIME. >> STANLEY, YOU WANT TO GIVE IT 359 00:15:07,884 --> 00:15:08,182 >> I'LL DO IT NEXT TIME. >> STANLEY, YOU WANT TO GIVE IT A TRY? 360 00:15:08,184 --> 00:15:09,317 >> STANLEY, YOU WANT TO GIVE IT A TRY? >> OKEYDOKEY. 361 00:15:09,319 --> 00:15:10,151 A TRY? >> OKEYDOKEY. >> THANK YOU. 362 00:15:10,153 --> 00:15:13,220 >> OKEYDOKEY. >> THANK YOU. >> YOU EVER COME HERE BEFORE? 363 00:15:13,222 --> 00:15:13,688 >> THANK YOU. >> YOU EVER COME HERE BEFORE? >> WHAT? 364 00:15:13,690 --> 00:15:15,089 >> YOU EVER COME HERE BEFORE? >> WHAT? I'M SORRY. 365 00:15:15,091 --> 00:15:15,856 >> WHAT? I'M SORRY. I CAN'T REALLY HEAR WHAT YOU -- 366 00:15:15,858 --> 00:15:20,761 I'M SORRY. I CAN'T REALLY HEAR WHAT YOU -- >> PASS! 367 00:15:20,763 --> 00:15:21,128 I CAN'T REALLY HEAR WHAT YOU -- >> PASS! >> YIKES. 368 00:15:21,130 --> 00:15:21,796 >> PASS! >> YIKES. YOU WANT TO TELL US WHAT 369 00:15:21,798 --> 00:15:24,765 >> YIKES. YOU WANT TO TELL US WHAT HAPPENED THERE, STANLEY? 370 00:15:24,767 --> 00:15:25,099 YOU WANT TO TELL US WHAT HAPPENED THERE, STANLEY? >> YES. 371 00:15:25,101 --> 00:15:26,801 HAPPENED THERE, STANLEY? >> YES. I TALKED TOO QUIET, AND THEN I 372 00:15:26,803 --> 00:15:27,702 >> YES. I TALKED TOO QUIET, AND THEN I SAID PASS REAL LOUD. 373 00:15:27,704 --> 00:15:29,670 I TALKED TOO QUIET, AND THEN I SAID PASS REAL LOUD. >> THAT'S RIGHT, STANLEY. 374 00:15:29,672 --> 00:15:29,970 SAID PASS REAL LOUD. >> THAT'S RIGHT, STANLEY. GOOD. 375 00:15:29,972 --> 00:15:31,439 >> THAT'S RIGHT, STANLEY. GOOD. WE GOT ANOTHER CUSTOMER. 376 00:15:31,441 --> 00:15:33,007 GOOD. WE GOT ANOTHER CUSTOMER. >> CAN YOU LET ME TRY THE NEXT 377 00:15:33,009 --> 00:15:33,274 WE GOT ANOTHER CUSTOMER. >> CAN YOU LET ME TRY THE NEXT ONE? 378 00:15:33,276 --> 00:15:34,375 >> CAN YOU LET ME TRY THE NEXT ONE? >> OKAY. 379 00:15:34,377 --> 00:15:34,742 ONE? >> OKAY. FINE. 380 00:15:34,744 --> 00:15:37,511 >> OKAY. FINE. BUT TAKE IT SLOW, JENNY. 381 00:15:37,513 --> 00:15:38,179 FINE. BUT TAKE IT SLOW, JENNY. >> OKAY. 382 00:15:38,181 --> 00:15:39,046 BUT TAKE IT SLOW, JENNY. >> OKAY. >> CAREFUL. 383 00:15:39,048 --> 00:15:40,314 >> OKAY. >> CAREFUL. SHE'S GOT A TEMPER. 384 00:15:40,316 --> 00:15:41,082 >> CAREFUL. SHE'S GOT A TEMPER. >> OKAY. 385 00:15:41,084 --> 00:15:42,149 SHE'S GOT A TEMPER. >> OKAY. ACTUALLY, ME TOO. 386 00:15:42,151 --> 00:15:43,517 >> OKAY. ACTUALLY, ME TOO. I'M KIDDING. 387 00:15:43,519 --> 00:15:43,784 ACTUALLY, ME TOO. I'M KIDDING. NO. 388 00:15:43,786 --> 00:15:45,753 I'M KIDDING. NO. ACTUALLY, I'M IN LOVE WITH YOU. 389 00:15:45,755 --> 00:15:47,621 NO. ACTUALLY, I'M IN LOVE WITH YOU. HOW ABOUT YOU RIP OFF THIS 390 00:15:47,623 --> 00:15:50,091 ACTUALLY, I'M IN LOVE WITH YOU. HOW ABOUT YOU RIP OFF THIS TURQUOISE AND PUT A BABY INSIDE 391 00:15:50,093 --> 00:15:50,424 HOW ABOUT YOU RIP OFF THIS TURQUOISE AND PUT A BABY INSIDE OF ME. 392 00:15:50,426 --> 00:15:50,758 TURQUOISE AND PUT A BABY INSIDE OF ME. >> BAIL. 393 00:15:50,760 --> 00:15:52,760 OF ME. >> BAIL. BAIL. 394 00:15:52,762 --> 00:15:54,528 >> BAIL. BAIL. >> GUYS, THIS IS SO HARD THE. 395 00:15:54,530 --> 00:15:56,664 BAIL. >> GUYS, THIS IS SO HARD THE. >> I THINK I GOT IT NOW, SIR. 396 00:15:56,666 --> 00:15:57,264 >> GUYS, THIS IS SO HARD THE. >> I THINK I GOT IT NOW, SIR. >> OKAY. 397 00:15:57,266 --> 00:15:58,466 >> I THINK I GOT IT NOW, SIR. >> OKAY. ARE YOU SURE, STANLEY? 398 00:15:58,468 --> 00:15:59,166 >> OKAY. ARE YOU SURE, STANLEY? >> YEAH. 399 00:15:59,168 --> 00:16:02,036 ARE YOU SURE, STANLEY? >> YEAH. IT'S A LIL JOKE, LIL BOW, AND A 400 00:16:02,038 --> 00:16:03,104 >> YEAH. IT'S A LIL JOKE, LIL BOW, AND A LIL JOG. 401 00:16:03,106 --> 00:16:04,872 IT'S A LIL JOKE, LIL BOW, AND A LIL JOG. PRETTY SIMPLE. 402 00:16:04,874 --> 00:16:06,107 LIL JOG. PRETTY SIMPLE. >> THAT'S WHAT I LIKE TO HR. 403 00:16:06,109 --> 00:16:07,575 PRETTY SIMPLE. >> THAT'S WHAT I LIKE TO HR. GO GIVE IT A SHOT. 404 00:16:07,577 --> 00:16:08,542 >> THAT'S WHAT I LIKE TO HR. GO GIVE IT A SHOT. >> ALL RIGHT. 405 00:16:08,544 --> 00:16:12,513 GO GIVE IT A SHOT. >> ALL RIGHT. LET DO THIS. 406 00:16:12,515 --> 00:16:12,780 >> ALL RIGHT. LET DO THIS. AHH! 407 00:16:12,782 --> 00:16:15,983 LET DO THIS. AHH! I'M GONNA STEAL YOUR CAR, YOU 408 00:16:15,985 --> 00:16:17,952 AHH! I'M GONNA STEAL YOUR CAR, YOU BLACK BITCH! 409 00:16:17,954 --> 00:16:20,454 I'M GONNA STEAL YOUR CAR, YOU BLACK BITCH! BEFORE YOU SAY ANYTHING, I KNOW 410 00:16:20,456 --> 00:16:20,988 BLACK BITCH! BEFORE YOU SAY ANYTHING, I KNOW THAT WASN'T RIGHT. 411 00:16:20,990 --> 00:16:21,522 BEFORE YOU SAY ANYTHING, I KNOW THAT WASN'T RIGHT. >> JUST FORGET IT. 412 00:16:21,524 --> 00:16:24,325 THAT WASN'T RIGHT. >> JUST FORGET IT. I MEAN, IF WE CAN'T GET THIS 413 00:16:24,327 --> 00:16:25,359 >> JUST FORGET IT. I MEAN, IF WE CAN'T GET THIS RIGHT, WE MIGHT AS WELL SHUT 414 00:16:25,361 --> 00:16:25,726 I MEAN, IF WE CAN'T GET THIS RIGHT, WE MIGHT AS WELL SHUT DOWN. 415 00:16:25,728 --> 00:16:27,228 RIGHT, WE MIGHT AS WELL SHUT DOWN. I GUESS RICH PEOPLE CAN PARK 416 00:16:27,230 --> 00:16:28,028 DOWN. I GUESS RICH PEOPLE CAN PARK THEIR OWN CARS. 417 00:16:28,030 --> 00:16:29,029 I GUESS RICH PEOPLE CAN PARK THEIR OWN CARS. >> HEY. 418 00:16:29,031 --> 00:16:31,432 THEIR OWN CARS. >> HEY. HEY, DON'T SAY THAT. 419 00:16:31,434 --> 00:16:33,367 >> HEY. HEY, DON'T SAY THAT. I PROMISE I'LL MAKE YOU PROUD. 420 00:16:33,369 --> 00:16:35,236 HEY, DON'T SAY THAT. I PROMISE I'LL MAKE YOU PROUD. >> AND I'LL PRACTICE MY JOG 421 00:16:35,238 --> 00:16:35,736 I PROMISE I'LL MAKE YOU PROUD. >> AND I'LL PRACTICE MY JOG EVERY DAY. 422 00:16:35,738 --> 00:16:37,772 >> AND I'LL PRACTICE MY JOG EVERY DAY. >> YOU WILL? 423 00:16:37,774 --> 00:16:38,873 EVERY DAY. >> YOU WILL? AW, THANKS, GUYS. 424 00:16:38,875 --> 00:16:39,974 >> YOU WILL? AW, THANKS, GUYS. >> YEAH. 425 00:16:39,976 --> 00:16:42,209 AW, THANKS, GUYS. >> YEAH. ALSO, I ACCIDENTALLY SWALLOWED 426 00:16:42,211 --> 00:16:42,777 >> YEAH. ALSO, I ACCIDENTALLY SWALLOWED ALL THE KEYS. 427 00:16:42,779 --> 00:16:43,844 ALSO, I ACCIDENTALLY SWALLOWED ALL THE KEYS. >> ALL RIGHT, THEN. 428 00:16:43,846 --> 00:16:58,292 ALL THE KEYS. >> ALL RIGHT, THEN. LET'S GO TO THE HOSPITAL. 429 00:16:58,294 --> 00:17:03,297 >> ALL RIGHT, THEN. LET'S GO TO THE HOSPITAL. >>> THEY'RE READY FOR YOU. 430 00:17:03,299 --> 00:17:06,033 LET'S GO TO THE HOSPITAL. >>> THEY'RE READY FOR YOU. ♪ 431 00:17:06,035 --> 00:17:08,269 >>> THEY'RE READY FOR YOU. ♪ >> THREE, TWO, ONE. 432 00:17:08,271 --> 00:17:15,743 ♪ >> THREE, TWO, ONE. AND WE'RE LIVE. 433 00:17:15,745 --> 00:17:17,711 >> THREE, TWO, ONE. AND WE'RE LIVE. >> HAVE YOU GUYS HEARD OF THIS 434 00:17:17,713 --> 00:17:18,679 AND WE'RE LIVE. >> HAVE YOU GUYS HEARD OF THIS TIKTOK THING? 435 00:17:18,681 --> 00:17:22,383 >> HAVE YOU GUYS HEARD OF THIS TIKTOK THING? THE ONLY TIKTOK I HEAR IS MY 436 00:17:22,385 --> 00:17:23,117 TIKTOK THING? THE ONLY TIKTOK I HEAR IS MY BIOLOGICAL CLOCK. 437 00:17:23,119 --> 00:17:25,119 THE ONLY TIKTOK I HEAR IS MY BIOLOGICAL CLOCK. DON'T GET ME STARTED. 438 00:17:25,121 --> 00:17:29,290 BIOLOGICAL CLOCK. DON'T GET ME STARTED. DON'T EVEN GET ME STARTED. 439 00:17:29,292 --> 00:17:32,159 DON'T GET ME STARTED. DON'T EVEN GET ME STARTED. >> JEANNIE DARCY, SELECTIVE 440 00:17:32,161 --> 00:17:32,526 DON'T EVEN GET ME STARTED. >> JEANNIE DARCY, SELECTIVE STARTAGE. 441 00:17:32,528 --> 00:17:35,563 >> JEANNIE DARCY, SELECTIVE STARTAGE. >> NO ONE BRINGS IT LIKE JEANNIE 442 00:17:35,565 --> 00:17:37,698 STARTAGE. >> NO ONE BRINGS IT LIKE JEANNIE DARCY, AND THIS TIME THE 443 00:17:37,700 --> 00:17:39,366 >> NO ONE BRINGS IT LIKE JEANNIE DARCY, AND THIS TIME THE DARCINATOR IS LIVE, WHICH MEANS 444 00:17:39,368 --> 00:17:41,569 DARCY, AND THIS TIME THE DARCINATOR IS LIVE, WHICH MEANS YOU'RE HEARING HER JOKES AT THE 445 00:17:41,571 --> 00:17:44,238 DARCINATOR IS LIVE, WHICH MEANS YOU'RE HEARING HER JOKES AT THE SAME TIME SHE'S TELLING THEM, 446 00:17:44,240 --> 00:17:46,240 YOU'RE HEARING HER JOKES AT THE SAME TIME SHE'S TELLING THEM, INSTEAD OF STREAMING IT LATER, 447 00:17:46,242 --> 00:17:47,975 SAME TIME SHE'S TELLING THEM, INSTEAD OF STREAMING IT LATER, WHICH IS THE REASON MOST PEOPLE 448 00:17:47,977 --> 00:17:49,276 INSTEAD OF STREAMING IT LATER, WHICH IS THE REASON MOST PEOPLE GET NETFLIX. 449 00:17:49,278 --> 00:17:51,545 WHICH IS THE REASON MOST PEOPLE GET NETFLIX. >> I HAD A BRA FITTING THE OTHER 450 00:17:51,547 --> 00:17:51,812 GET NETFLIX. >> I HAD A BRA FITTING THE OTHER DAY. 451 00:17:51,814 --> 00:17:55,149 >> I HAD A BRA FITTING THE OTHER DAY. I TRIED ONE ON AND HAD A FIT. 452 00:17:55,151 --> 00:17:57,151 DAY. I TRIED ONE ON AND HAD A FIT. MEN MUST DESIGN THESE THINGS. 453 00:17:57,153 --> 00:17:58,786 I TRIED ONE ON AND HAD A FIT. MEN MUST DESIGN THESE THINGS. HAS ANYONE EVER SEEN A JOCK 454 00:17:58,788 --> 00:18:00,721 MEN MUST DESIGN THESE THINGS. HAS ANYONE EVER SEEN A JOCK STRAP WITH UNDERWIRE? 455 00:18:00,723 --> 00:18:02,990 HAS ANYONE EVER SEEN A JOCK STRAP WITH UNDERWIRE? AM I RIGHT, LADY FRIENDS? 456 00:18:02,992 --> 00:18:04,959 STRAP WITH UNDERWIRE? AM I RIGHT, LADY FRIENDS? YOU GET MY 411? 457 00:18:04,961 --> 00:18:05,693 AM I RIGHT, LADY FRIENDS? YOU GET MY 411? DO NOT EVEN THINK OF GETTING ME 458 00:18:05,695 --> 00:18:08,195 YOU GET MY 411? DO NOT EVEN THINK OF GETTING ME STARTED. 459 00:18:08,197 --> 00:18:11,565 DO NOT EVEN THINK OF GETTING ME STARTED. >> JEANNIE DARCY IS A LEGEND. 460 00:18:11,567 --> 00:18:13,767 STARTED. >> JEANNIE DARCY IS A LEGEND. THAT GIRL INSPIRED A WHOLE 461 00:18:13,769 --> 00:18:15,603 >> JEANNIE DARCY IS A LEGEND. THAT GIRL INSPIRED A WHOLE GENERATION OF LESBIAN COMEDIANS. 462 00:18:15,605 --> 00:18:18,138 THAT GIRL INSPIRED A WHOLE GENERATION OF LESBIAN COMEDIANS. >> SHE'S NOT A LESBIAN. 463 00:18:18,140 --> 00:18:19,473 GENERATION OF LESBIAN COMEDIANS. >> SHE'S NOT A LESBIAN. >> SAY WHAT NOW? 464 00:18:19,475 --> 00:18:22,142 >> SHE'S NOT A LESBIAN. >> SAY WHAT NOW? >> JEANNIE DARCY TAKES NO 465 00:18:22,144 --> 00:18:22,543 >> SAY WHAT NOW? >> JEANNIE DARCY TAKES NO PRISONERS. 466 00:18:22,545 --> 00:18:24,078 >> JEANNIE DARCY TAKES NO PRISONERS. >> MY FRIEND GOT A DOG AND 467 00:18:24,080 --> 00:18:25,813 PRISONERS. >> MY FRIEND GOT A DOG AND ALWAYS COMPLAINS HE MESSES UP 468 00:18:25,815 --> 00:18:29,116 >> MY FRIEND GOT A DOG AND ALWAYS COMPLAINS HE MESSES UP HER HOUSE AND JUMPS IN HER BED. 469 00:18:29,118 --> 00:18:30,818 ALWAYS COMPLAINS HE MESSES UP HER HOUSE AND JUMPS IN HER BED. I SAID, ARE YOU SURE IT'S A DOG, 470 00:18:30,820 --> 00:18:32,753 HER HOUSE AND JUMPS IN HER BED. I SAID, ARE YOU SURE IT'S A DOG, OR IS IT MY EX-HUSBAND? 471 00:18:32,755 --> 00:18:34,321 I SAID, ARE YOU SURE IT'S A DOG, OR IS IT MY EX-HUSBAND? WHO'S WITH ME? 472 00:18:34,323 --> 00:18:35,756 OR IS IT MY EX-HUSBAND? WHO'S WITH ME? DON'T GET ME STARTED. 473 00:18:35,758 --> 00:18:37,124 WHO'S WITH ME? DON'T GET ME STARTED. DON'T EVEN GET ME STARTED. 474 00:18:37,126 --> 00:18:39,827 DON'T GET ME STARTED. DON'T EVEN GET ME STARTED. >> OH, MY GOD. 475 00:18:39,829 --> 00:18:42,763 DON'T EVEN GET ME STARTED. >> OH, MY GOD. JEANNIE IS AWESOME. 476 00:18:42,765 --> 00:18:46,800 >> OH, MY GOD. JEANNIE IS AWESOME. SHE EVEN GAVE ME HER SET LIST. 477 00:18:46,802 --> 00:18:49,603 JEANNIE IS AWESOME. SHE EVEN GAVE ME HER SET LIST. >> I PICKED UP ONE OF THOSE NEW 478 00:18:49,605 --> 00:18:50,771 SHE EVEN GAVE ME HER SET LIST. >> I PICKED UP ONE OF THOSE NEW TESLA ELECTRIC CARS. 479 00:18:50,773 --> 00:18:52,606 >> I PICKED UP ONE OF THOSE NEW TESLA ELECTRIC CARS. I COULDN'T GET IT STARTED. 480 00:18:52,608 --> 00:18:55,109 TESLA ELECTRIC CARS. I COULDN'T GET IT STARTED. DON'T GET ME STARTED. 481 00:18:55,111 --> 00:18:57,645 I COULDN'T GET IT STARTED. DON'T GET ME STARTED. >> JEANNIE DARCY, SELECTIVE 482 00:18:57,647 --> 00:18:59,046 DON'T GET ME STARTED. >> JEANNIE DARCY, SELECTIVE STARTAGE, STREAMING LIVE 483 00:18:59,048 --> 00:18:59,413 >> JEANNIE DARCY, SELECTIVE STARTAGE, STREAMING LIVE TONIGHT. 484 00:18:59,415 --> 00:19:03,684 STARTAGE, STREAMING LIVE TONIGHT. >> DON'T EVEN GET ME STARTED. 485 00:19:29,127 --> 00:19:34,431 >>> OH, MY GOD. A WAFFLE MAKER. THAT IS SO NICE, JACKIE. 486 00:19:34,433 --> 00:19:36,700 A WAFFLE MAKER. THAT IS SO NICE, JACKIE. >> WELL, I JUST THOUGHT MAYBE 487 00:19:36,702 --> 00:19:37,968 THAT IS SO NICE, JACKIE. >> WELL, I JUST THOUGHT MAYBE YOU COULD DO SUNDAY MORNING 488 00:19:37,970 --> 00:19:39,570 >> WELL, I JUST THOUGHT MAYBE YOU COULD DO SUNDAY MORNING WAFFLES WITH YOUR LITTLE GIRL. 489 00:19:39,572 --> 00:19:41,538 YOU COULD DO SUNDAY MORNING WAFFLES WITH YOUR LITTLE GIRL. >> THAT'S SO SWEET I COULD CRY. 490 00:19:41,540 --> 00:19:43,807 WAFFLES WITH YOUR LITTLE GIRL. >> THAT'S SO SWEET I COULD CRY. >> WE'RE JUST SO HAPPY FOR YOU, 491 00:19:43,809 --> 00:19:44,141 >> THAT'S SO SWEET I COULD CRY. >> WE'RE JUST SO HAPPY FOR YOU, SUSIE. 492 00:19:44,143 --> 00:19:44,575 >> WE'RE JUST SO HAPPY FOR YOU, SUSIE. >> YEAH. 493 00:19:44,577 --> 00:19:46,443 SUSIE. >> YEAH. AND WE'RE REALLY GOING TO MISS 494 00:19:46,445 --> 00:19:46,744 >> YEAH. AND WE'RE REALLY GOING TO MISS YOU. 495 00:19:46,746 --> 00:19:50,247 AND WE'RE REALLY GOING TO MISS YOU. >> WELL, I'LL BE BACK IN A FEW 496 00:19:50,249 --> 00:19:51,015 YOU. >> WELL, I'LL BE BACK IN A FEW MONTHS, UNLESS JIM FIRES ME. 497 00:19:51,017 --> 00:19:54,018 >> WELL, I'LL BE BACK IN A FEW MONTHS, UNLESS JIM FIRES ME. >> OH, COME ON NOW. 498 00:19:54,020 --> 00:19:54,918 MONTHS, UNLESS JIM FIRES ME. >> OH, COME ON NOW. I WOULDN'T DO THAT. 499 00:19:54,920 --> 00:19:56,186 >> OH, COME ON NOW. I WOULDN'T DO THAT. THAT WOULD BE SUPER ILLEGAL. 500 00:19:56,188 --> 00:19:58,222 I WOULDN'T DO THAT. THAT WOULD BE SUPER ILLEGAL. >> AND HEY, EVEN THOUGH I'M 501 00:19:58,224 --> 00:20:00,958 THAT WOULD BE SUPER ILLEGAL. >> AND HEY, EVEN THOUGH I'M STARTING MATERNITY LEAVE, I'M 502 00:20:00,960 --> 00:20:02,860 >> AND HEY, EVEN THOUGH I'M STARTING MATERNITY LEAVE, I'M SURE YOU'LL ALL BE SEEING PLENTY 503 00:20:02,862 --> 00:20:03,193 STARTING MATERNITY LEAVE, I'M SURE YOU'LL ALL BE SEEING PLENTY OF ME. 504 00:20:03,195 --> 00:20:04,128 SURE YOU'LL ALL BE SEEING PLENTY OF ME. >> I HOPE SO. 505 00:20:04,130 --> 00:20:07,765 OF ME. >> I HOPE SO. AFTER ALL, I'M THE GOD FATHER. 506 00:20:07,767 --> 00:20:09,800 >> I HOPE SO. AFTER ALL, I'M THE GOD FATHER. YOU GAVE ME AN OFFER I COULDN'T 507 00:20:09,802 --> 00:20:10,134 AFTER ALL, I'M THE GOD FATHER. YOU GAVE ME AN OFFER I COULDN'T REFUSE. 508 00:20:10,136 --> 00:20:11,602 YOU GAVE ME AN OFFER I COULDN'T REFUSE. I'M STILL WORKING ON THE 509 00:20:11,604 --> 00:20:11,969 REFUSE. I'M STILL WORKING ON THE IMPRESS. 510 00:20:11,971 --> 00:20:14,204 I'M STILL WORKING ON THE IMPRESS. >> I JUST CAN'T GET OVER HOW 511 00:20:14,206 --> 00:20:14,738 IMPRESS. >> I JUST CAN'T GET OVER HOW BEAUTIFUL YOU LOOK. 512 00:20:14,740 --> 00:20:16,907 >> I JUST CAN'T GET OVER HOW BEAUTIFUL YOU LOOK. >> CAN YOU T YOU, KENNEDY. 513 00:20:16,909 --> 00:20:18,575 BEAUTIFUL YOU LOOK. >> CAN YOU T YOU, KENNEDY. HONESTLY, I'VE ACTUALLY NEVER 514 00:20:18,577 --> 00:20:19,009 >> CAN YOU T YOU, KENNEDY. HONESTLY, I'VE ACTUALLY NEVER FELTBETTER. 515 00:20:19,011 --> 00:20:22,212 HONESTLY, I'VE ACTUALLY NEVER FELTBETTER. MY NAILS ARE STRONG, MY SKIN 516 00:20:22,214 --> 00:20:22,613 FELTBETTER. MY NAILS ARE STRONG, MY SKIN LOOKS GREAT. 517 00:20:22,615 --> 00:20:23,580 MY NAILS ARE STRONG, MY SKIN LOOKS GREAT. I'M JUST GLOWING. 518 00:20:23,582 --> 00:20:25,015 LOOKS GREAT. I'M JUST GLOWING. THIS IS EVERYTHING I'VE EVER 519 00:20:25,017 --> 00:20:25,349 I'M JUST GLOWING. THIS IS EVERYTHING I'VE EVER WANTED. 520 00:20:25,351 --> 00:20:30,020 THIS IS EVERYTHING I'VE EVER WANTED. >> WELL, I'LL LEAVE YOU GUYS 521 00:20:30,022 --> 00:20:32,022 WANTED. >> WELL, I'LL LEAVE YOU GUYS WITH THIS SAYING I FOUND ON 522 00:20:32,024 --> 00:20:34,458 >> WELL, I'LL LEAVE YOU GUYS WITH THIS SAYING I FOUND ON BRAINY QUOTE.COM THAT REALLY 523 00:20:34,460 --> 00:20:35,993 WITH THIS SAYING I FOUND ON BRAINY QUOTE.COM THAT REALLY CAPTURES KIND OF THE WAY I'M 524 00:20:35,995 --> 00:20:37,194 BRAINY QUOTE.COM THAT REALLY CAPTURES KIND OF THE WAY I'M FEELING RIGHT NOW. 525 00:20:37,196 --> 00:20:38,462 CAPTURES KIND OF THE WAY I'M FEELING RIGHT NOW. IT'S SO BEAUTIFUL. 526 00:20:38,464 --> 00:20:40,464 FEELING RIGHT NOW. IT'S SO BEAUTIFUL. A MOTHER ALWAYS HAS TO THINK 527 00:20:40,466 --> 00:20:41,699 IT'S SO BEAUTIFUL. A MOTHER ALWAYS HAS TO THINK TWICE, ONCE FOR HERSELF, AND 528 00:20:41,701 --> 00:20:44,468 A MOTHER ALWAYS HAS TO THINK TWICE, ONCE FOR HERSELF, AND ONCE FOR HER CHILD. 529 00:20:44,470 --> 00:20:45,736 TWICE, ONCE FOR HERSELF, AND ONCE FOR HER CHILD. >> AWW. 530 00:20:45,738 --> 00:20:48,138 ONCE FOR HER CHILD. >> AWW. >> THAT JUST ABSOLUTELY NAILS 531 00:20:48,140 --> 00:20:49,907 >> AWW. >> THAT JUST ABSOLUTELY NAILS MATERNAL FEELINGS SURGING 532 00:20:49,909 --> 00:20:51,342 >> THAT JUST ABSOLUTELY NAILS MATERNAL FEELINGS SURGING THROUGH MY BODY. 533 00:20:51,344 --> 00:20:52,076 MATERNAL FEELINGS SURGING THROUGH MY BODY. ANYWAY, LET ME JUST GRAB THIS 534 00:20:52,078 --> 00:20:54,878 THROUGH MY BODY. ANYWAY, LET ME JUST GRAB THIS WAFFLE MAKER. 535 00:20:54,880 --> 00:21:07,191 ANYWAY, LET ME JUST GRAB THIS WAFFLE MAKER. [ FLATULENT NOISE ] 536 00:21:07,193 --> 00:21:09,326 WAFFLE MAKER. [ FLATULENT NOISE ] GODDAMNIT, NOT AGAIN! 537 00:21:09,328 --> 00:21:10,994 [ FLATULENT NOISE ] GODDAMNIT, NOT AGAIN! HOW MANY FREAKING TIMES IS THIS 538 00:21:10,996 --> 00:21:13,697 GODDAMNIT, NOT AGAIN! HOW MANY FREAKING TIMES IS THIS GOING TO HAPPEN TO ME? 539 00:21:13,699 --> 00:21:16,533 HOW MANY FREAKING TIMES IS THIS GOING TO HAPPEN TO ME? >> UM, I'M SORRY. 540 00:21:16,535 --> 00:21:16,967 GOING TO HAPPEN TO ME? >> UM, I'M SORRY. WAS THAT -- 541 00:21:16,969 --> 00:21:20,204 >> UM, I'M SORRY. WAS THAT -- >> A FART, YES, JIM, I RIPPED A 542 00:21:20,206 --> 00:21:20,971 WAS THAT -- >> A FART, YES, JIM, I RIPPED A BIG OLD FART. 543 00:21:20,973 --> 00:21:22,339 >> A FART, YES, JIM, I RIPPED A BIG OLD FART. ARE YOU HAPPY? 544 00:21:22,341 --> 00:21:22,973 BIG OLD FART. ARE YOU HAPPY? >> NO. 545 00:21:22,975 --> 00:21:25,876 ARE YOU HAPPY? >> NO. I DEFINITELY WOULDN'T SAY HAPPY. 546 00:21:25,878 --> 00:21:27,778 >> NO. I DEFINITELY WOULDN'T SAY HAPPY. >> SO IT WAS -- 547 00:21:27,780 --> 00:21:33,183 I DEFINITELY WOULDN'T SAY HAPPY. >> SO IT WAS -- >> NOT A BABY, JUST GAS, YEAH, 548 00:21:33,185 --> 00:21:34,151 >> SO IT WAS -- >> NOT A BABY, JUST GAS, YEAH, KENNEDY, OBVIOUSLY. 549 00:21:34,153 --> 00:21:35,586 >> NOT A BABY, JUST GAS, YEAH, KENNEDY, OBVIOUSLY. GUESS YOU CAN HAVE YOUR WAFFLE 550 00:21:35,588 --> 00:21:36,553 KENNEDY, OBVIOUSLY. GUESS YOU CAN HAVE YOUR WAFFLE MAKER BACK. 551 00:21:36,555 --> 00:21:37,221 GUESS YOU CAN HAVE YOUR WAFFLE MAKER BACK. I CAN'T MAKE SUNDAY MORNING 552 00:21:37,223 --> 00:21:39,556 MAKER BACK. I CAN'T MAKE SUNDAY MORNING WAFFLES FOR A FART. 553 00:21:39,558 --> 00:21:41,191 I CAN'T MAKE SUNDAY MORNING WAFFLES FOR A FART. >> JUST KEEP IT. 554 00:21:41,193 --> 00:21:42,192 WAFFLES FOR A FART. >> JUST KEEP IT. I'M TOO EMBARRASSED TO EXPLAIN 555 00:21:42,194 --> 00:21:44,595 >> JUST KEEP IT. I'M TOO EMBARRASSED TO EXPLAIN WHY I'M RETURNING IT. 556 00:21:44,597 --> 00:21:46,897 I'M TOO EMBARRASSED TO EXPLAIN WHY I'M RETURNING IT. >> DAMN IT. 557 00:21:46,899 --> 00:21:50,267 WHY I'M RETURNING IT. >> DAMN IT. I'VE BEEN PLAYING MOZART TO A 558 00:21:50,269 --> 00:21:52,903 >> DAMN IT. I'VE BEEN PLAYING MOZART TO A GAS BUBBLE FOR EIGHT FREAKING 559 00:21:52,905 --> 00:21:53,237 I'VE BEEN PLAYING MOZART TO A GAS BUBBLE FOR EIGHT FREAKING MONTHS. 560 00:21:53,239 --> 00:21:56,173 GAS BUBBLE FOR EIGHT FREAKING MONTHS. I'M SO STUPID. 561 00:21:56,175 --> 00:21:59,543 MONTHS. I'M SO STUPID. >> SMELLS LIKE MAYBE IT WAS 562 00:21:59,545 --> 00:22:00,010 I'M SO STUPID. >> SMELLS LIKE MAYBE IT WAS TWINS. 563 00:22:00,012 --> 00:22:01,945 >> SMELLS LIKE MAYBE IT WAS TWINS. >> DIDN'T YOU GO TO A DOCTOR? 564 00:22:01,947 --> 00:22:04,782 TWINS. >> DIDN'T YOU GO TO A DOCTOR? >> WHAT KIND OF A DOCTOR, 565 00:22:04,784 --> 00:22:07,684 >> DIDN'T YOU GO TO A DOCTOR? >> WHAT KIND OF A DOCTOR, JACKIE, A FART DOCTOR? 566 00:22:07,686 --> 00:22:09,520 >> WHAT KIND OF A DOCTOR, JACKIE, A FART DOCTOR? WELL, WHATEVER, AT LEAST I STILL 567 00:22:09,522 --> 00:22:11,522 JACKIE, A FART DOCTOR? WELL, WHATEVER, AT LEAST I STILL GET SIX MONTHS MATERNITY LEAVE. 568 00:22:11,524 --> 00:22:13,557 WELL, WHATEVER, AT LEAST I STILL GET SIX MONTHS MATERNITY LEAVE. >> YOU DEFINITELY DO NOT. 569 00:22:13,559 --> 00:22:15,526 GET SIX MONTHS MATERNITY LEAVE. >> YOU DEFINITELY DO NOT. YOU FORFEITED YOUR MATERNITY 570 00:22:15,528 --> 00:22:16,960 >> YOU DEFINITELY DO NOT. YOU FORFEITED YOUR MATERNITY LEAVE WHEN YOU STUNK UP THE 571 00:22:16,962 --> 00:22:17,294 YOU FORFEITED YOUR MATERNITY LEAVE WHEN YOU STUNK UP THE OFFICE. 572 00:22:17,296 --> 00:22:21,165 LEAVE WHEN YOU STUNK UP THE OFFICE. >> SO, SUSIE, THIS HAS HAPPENED 573 00:22:21,167 --> 00:22:22,633 OFFICE. >> SO, SUSIE, THIS HAS HAPPENED MORE THAN ONCE? 574 00:22:22,635 --> 00:22:23,767 >> SO, SUSIE, THIS HAS HAPPENED MORE THAN ONCE? FOUR TIMES? 575 00:22:23,769 --> 00:22:26,069 MORE THAN ONCE? FOUR TIMES? >> HOW IS THAT EVEN POSSIBLE, 576 00:22:26,071 --> 00:22:26,370 FOUR TIMES? >> HOW IS THAT EVEN POSSIBLE, SUSIE? 577 00:22:26,372 --> 00:22:27,504 >> HOW IS THAT EVEN POSSIBLE, SUSIE? >> OH, MY GOD. 578 00:22:27,506 --> 00:22:28,138 SUSIE? >> OH, MY GOD. >> WHAT? 579 00:22:28,140 --> 00:22:29,640 >> OH, MY GOD. >> WHAT? >> I JUST REMEMBERED SOMETHING. 580 00:22:29,642 --> 00:22:30,974 >> WHAT? >> I JUST REMEMBERED SOMETHING. I FEEL SO BAD BECAUSE I ARE EM 581 00:22:30,976 --> 00:22:33,310 >> I JUST REMEMBERED SOMETHING. I FEEL SO BAD BECAUSE I ARE EM THIS MORNING ON THE BUS, AN OLD 582 00:22:33,312 --> 00:22:35,245 I FEEL SO BAD BECAUSE I ARE EM THIS MORNING ON THE BUS, AN OLD MAN GAVE ME HIS SEAT, AND THEN 583 00:22:35,247 --> 00:22:37,714 THIS MORNING ON THE BUS, AN OLD MAN GAVE ME HIS SEAT, AND THEN THE BUS HIT A BUMP, AND HE FELL 584 00:22:37,716 --> 00:22:39,450 MAN GAVE ME HIS SEAT, AND THEN THE BUS HIT A BUMP, AND HE FELL DOWN IN THE AISLE, AND HE DIED. 585 00:22:39,452 --> 00:22:41,718 THE BUS HIT A BUMP, AND HE FELL DOWN IN THE AISLE, AND HE DIED. >> THAT WAS THIS MORNING? 586 00:22:41,720 --> 00:22:42,853 DOWN IN THE AISLE, AND HE DIED. >> THAT WAS THIS MORNING? >> WHATEVER. 587 00:22:42,855 --> 00:22:43,821 >> THAT WAS THIS MORNING? >> WHATEVER. WELL, THE GOOD NEWS IS I CAN 588 00:22:43,823 --> 00:22:46,690 >> WHATEVER. WELL, THE GOOD NEWS IS I CAN START DRINKING AGAIN. 589 00:22:46,692 --> 00:22:47,357 WELL, THE GOOD NEWS IS I CAN START DRINKING AGAIN. >> YOU DO KNOW YOU AT WORK, 590 00:22:47,359 --> 00:22:50,494 START DRINKING AGAIN. >> YOU DO KNOW YOU AT WORK, RIGHT? 591 00:22:50,496 --> 00:22:51,695 >> YOU DO KNOW YOU AT WORK, RIGHT? >> HEY, SUSIE. 592 00:22:51,697 --> 00:22:53,997 RIGHT? >> HEY, SUSIE. I GOT YOUR LUNCH ORDER FROM TH 593 00:22:53,999 --> 00:22:54,398 >> HEY, SUSIE. I GOT YOUR LUNCH ORDER FROM TH CAFETERIA. 594 00:22:54,400 --> 00:22:55,699 I GOT YOUR LUNCH ORDER FROM TH CAFETERIA. >> THANK YOU SO MUCH, EVAN. 595 00:22:55,701 --> 00:22:56,166 CAFETERIA. >> THANK YOU SO MUCH, EVAN. >> NO PROBLEM. 596 00:22:56,168 --> 00:22:56,967 >> THANK YOU SO MUCH, EVAN. >> NO PROBLEM. >> WHAT DID YOU GET? 597 00:22:56,969 --> 00:22:58,535 >> NO PROBLEM. >> WHAT DID YOU GET? >> OH, I GET THE SAME THING 598 00:22:58,537 --> 00:22:59,603 >> WHAT DID YOU GET? >> OH, I GET THE SAME THING EVERY DAY. 599 00:22:59,605 --> 00:23:00,237 >> OH, I GET THE SAME THING EVERY DAY. I GET CAT FISH SLIDERS. 600 00:23:00,239 --> 00:23:03,941 EVERY DAY. I GET CAT FISH SLIDERS. >> WOW. 601 00:23:03,943 --> 00:23:04,775 I GET CAT FISH SLIDERS. >> WOW. >> MM. 602 00:23:04,777 --> 00:23:06,210 >> WOW. >> MM. THIS IS REALLY HITTING THE SPOT 603 00:23:06,212 --> 00:23:07,277 >> MM. THIS IS REALLY HITTING THE SPOT IN A VERY UNBELIEVABLE WAY. 604 00:23:07,279 --> 00:23:13,450 THIS IS REALLY HITTING THE SPOT IN A VERY UNBELIEVABLE WAY. MM. 605 00:23:13,452 --> 00:23:15,986 IN A VERY UNBELIEVABLE WAY. MM. >> SUSIE, LOOK AT YOUR STOMACH. 606 00:23:15,988 --> 00:23:18,021 MM. >> SUSIE, LOOK AT YOUR STOMACH. >> OH, MY GOD. 607 00:23:18,023 --> 00:23:18,422 >> SUSIE, LOOK AT YOUR STOMACH. >> OH, MY GOD. OH, MY GOD. 608 00:23:18,424 --> 00:23:21,525 >> OH, MY GOD. OH, MY GOD. IT'S A MIRACLE. 609 00:23:21,527 --> 00:23:21,925 OH, MY GOD. IT'S A MIRACLE. >> NO. 610 00:23:21,927 --> 00:23:22,459 IT'S A MIRACLE. >> NO. >> IT'S A MIRACLE. 611 00:23:22,461 --> 00:23:24,461 >> NO. >> IT'S A MIRACLE. >> NO. 612 00:23:24,463 --> 00:23:26,597 >> IT'S A MIRACLE. >> NO. >> GUYS, I HAVE SOME REALLY 613 00:23:26,599 --> 00:23:29,333 >> NO. >> GUYS, I HAVE SOME REALLY EXCITING NEWS. 614 00:23:29,335 --> 00:23:32,102 >> GUYS, I HAVE SOME REALLY EXCITING NEWS. I WANTED TO TELL YOU THAT I'M 615 00:23:32,104 --> 00:23:32,970 EXCITING NEWS. I WANTED TO TELL YOU THAT I'M PREGNANT AGAIN. 616 00:23:32,972 --> 00:23:34,872 I WANTED TO TELL YOU THAT I'M PREGNANT AGAIN. WELL, THERE'S NO NEED TO TAKE A 617 00:23:34,874 --> 00:23:35,439 PREGNANT AGAIN. WELL, THERE'S NO NEED TO TAKE A PREGNANCY TEST. 618 00:23:35,441 --> 00:23:38,008 WELL, THERE'S NO NEED TO TAKE A PREGNANCY TEST. CALL IT A MOTHER'S INTUITION. 619 00:23:38,010 --> 00:23:40,010 PREGNANCY TEST. CALL IT A MOTHER'S INTUITION. I REALLY THINK IT WILL BE A NICE 620 00:23:40,012 --> 00:23:41,745 CALL IT A MOTHER'S INTUITION. I REALLY THINK IT WILL BE A NICE GESTURE FOR ALL OF YOU TO 621 00:23:41,747 --> 00:23:44,214 I REALLY THINK IT WILL BE A NICE GESTURE FOR ALL OF YOU TO ORGANIZE A BABY SHOWER FOR ME. 622 00:23:44,216 --> 00:23:46,517 GESTURE FOR ALL OF YOU TO ORGANIZE A BABY SHOWER FOR ME. >> YOU'RE NOT PREGNANT, SUSIE. 623 00:23:46,519 --> 00:23:49,319 ORGANIZE A BABY SHOWER FOR ME. >> YOU'RE NOT PREGNANT, SUSIE. IT'S JUST GAS FROM YOUR HUNGRY 624 00:23:49,321 --> 00:23:51,488 >> YOU'RE NOT PREGNANT, SUSIE. IT'S JUST GAS FROM YOUR HUNGRY ASS CAT FISH SLIDERS AT 11:00 625 00:23:51,490 --> 00:23:51,788 IT'S JUST GAS FROM YOUR HUNGRY ASS CAT FISH SLIDERS AT 11:00 A.M. 626 00:23:51,790 --> 00:23:54,024 ASS CAT FISH SLIDERS AT 11:00 A.M. >> LOOK, KENNEDY, I KNOW YOU'RE 627 00:23:54,026 --> 00:23:57,895 A.M. >> LOOK, KENNEDY, I KNOW YOU'RE A SINGLE GAL WHORING AROUND THE 628 00:23:57,897 --> 00:23:59,363 >> LOOK, KENNEDY, I KNOW YOU'RE A SINGLE GAL WHORING AROUND THE CITY, SO YOU COULDN'T POSSIBLY 629 00:23:59,365 --> 00:23:59,863 A SINGLE GAL WHORING AROUND THE CITY, SO YOU COULDN'T POSSIBLY UNDERSTAND HOW -- 630 00:23:59,865 --> 00:24:02,866 CITY, SO YOU COULDN'T POSSIBLY UNDERSTAND HOW -- [ FLATULENT NOISE ] 631 00:24:02,868 --> 00:24:11,708 UNDERSTAND HOW -- [ FLATULENT NOISE ] OH, MY GOD. 632 00:24:11,710 --> 00:24:12,009 [ FLATULENT NOISE ] OH, MY GOD. NO. 633 00:24:12,011 --> 00:24:15,746 OH, MY GOD. NO. HOW MUCH SUFFERING CAN ONE 634 00:24:15,748 --> 00:24:16,580 NO. HOW MUCH SUFFERING CAN ONE MOTHER BEAR? 635 00:24:16,582 --> 00:24:16,947 HOW MUCH SUFFERING CAN ONE MOTHER BEAR? WHATEVER. 636 00:24:16,949 --> 00:24:17,614 MOTHER BEAR? WHATEVER. WELL, AT LEAST I CAN SMOKE 637 00:24:17,616 --> 00:24:19,149 WHATEVER. WELL, AT LEAST I CAN SMOKE AGN. 638 00:24:19,151 --> 00:24:22,519 WELL, AT LEAST I CAN SMOKE AGN. >> WAIT, SUSIE -- DON'T LIGHT 639 00:24:22,521 --> 00:24:36,900 AGN. >> WAIT, SUSIE -- DON'T LIGHT THAT CIGAR! 640 00:24:36,902 --> 00:24:37,501 >> WAIT, SUSIE -- DON'T LIGHT THAT CIGAR! >>> HEY. 641 00:24:37,503 --> 00:24:39,536 THAT CIGAR! >>> HEY. ARE YOU GUYS FREE TO TALK? 642 00:24:39,538 --> 00:24:40,337 >>> HEY. ARE YOU GUYS FREE TO TALK? >> MOLLY! 643 00:24:40,339 --> 00:24:41,605 ARE YOU GUYS FREE TO TALK? >> MOLLY! >> HEY, MOLLY. 644 00:24:41,607 --> 00:24:43,240 >> MOLLY! >> HEY, MOLLY. >> COME ON IN. 645 00:24:43,242 --> 00:24:45,375 >> HEY, MOLLY. >> COME ON IN. WE'RE PLAGUE SOME VIDEO GAMES. 646 00:24:45,377 --> 00:24:51,782 >> COME ON IN. WE'RE PLAGUE SOME VIDEO GAMES. >> YOU WANT TO KNOW THE TRUTH -- 647 00:24:51,784 --> 00:24:52,449 WE'RE PLAGUE SOME VIDEO GAMES. >> YOU WANT TO KNOW THE TRUTH -- >> WAIT, WHAT GAME IS THIS. 648 00:24:52,451 --> 00:24:54,217 >> YOU WANT TO KNOW THE TRUTH -- >> WAIT, WHAT GAME IS THIS. >> MOLLY 2 K 23. 649 00:24:54,219 --> 00:24:54,751 >> WAIT, WHAT GAME IS THIS. >> MOLLY 2 K 23. >> IT'S REALLY FUN. 650 00:24:54,753 --> 00:24:57,321 >> MOLLY 2 K 23. >> IT'S REALLY FUN. YOU PLAY AS MOLLY SHANNON 651 00:24:57,323 --> 00:24:59,890 >> IT'S REALLY FUN. YOU PLAY AS MOLLY SHANNON BOUNCING YOUR CAREER AS AN ACTOR 652 00:24:59,892 --> 00:25:01,558 YOU PLAY AS MOLLY SHANNON BOUNCING YOUR CAREER AS AN ACTOR WITH RAISING A FAMILY. 653 00:25:01,560 --> 00:25:03,327 BOUNCING YOUR CAREER AS AN ACTOR WITH RAISING A FAMILY. >> AND THAT'S HOW I EMBARRASSED 654 00:25:03,329 --> 00:25:04,928 WITH RAISING A FAMILY. >> AND THAT'S HOW I EMBARRASSED MYSELF IN FRONT OF OBAMA. 655 00:25:04,930 --> 00:25:07,464 >> AND THAT'S HOW I EMBARRASSED MYSELF IN FRONT OF OBAMA. >> OH, YOU JUST CRACKED JIMMY 656 00:25:07,466 --> 00:25:07,731 MYSELF IN FRONT OF OBAMA. >> OH, YOU JUST CRACKED JIMMY UP. 657 00:25:07,733 --> 00:25:08,999 >> OH, YOU JUST CRACKED JIMMY UP. >> THERE'S A GAME ABOUT MY LIFE? 658 00:25:09,001 --> 00:25:14,071 UP. >> THERE'S A GAME ABOUT MY LIFE? >> OH, DUDE. 659 00:25:14,073 --> 00:25:14,905 >> THERE'S A GAME ABOUT MY LIFE? >> OH, DUDE. WE UNLOCKED AN NYU COMMENTMENT 660 00:25:14,907 --> 00:25:15,505 >> OH, DUDE. WE UNLOCKED AN NYU COMMENTMENT SPEECH. 661 00:25:15,507 --> 00:25:20,143 WE UNLOCKED AN NYU COMMENTMENT SPEECH. PRESS A TO GET KIDS -- OR PRESS 662 00:25:20,145 --> 00:25:20,410 SPEECH. PRESS A TO GET KIDS -- OR PRESS B. 663 00:25:20,412 --> 00:25:25,015 PRESS A TO GET KIDS -- OR PRESS B. >> THIS GENERATION IS A BUNCH OF 664 00:25:25,017 --> 00:25:25,415 B. >> THIS GENERATION IS A BUNCH OF SNOWFLAKES. 665 00:25:25,417 --> 00:25:25,949 >> THIS GENERATION IS A BUNCH OF SNOWFLAKES. >> CAREER SETBACK. 666 00:25:25,951 --> 00:25:27,050 SNOWFLAKES. >> CAREER SETBACK. >> DAMN IT. 667 00:25:27,052 --> 00:25:30,287 >> CAREER SETBACK. >> DAMN IT. THAT MADE US DROP ALL OUR 668 00:25:30,289 --> 00:25:30,654 >> DAMN IT. THAT MADE US DROP ALL OUR TURNUPS. 669 00:25:30,656 --> 00:25:32,623 THAT MADE US DROP ALL OUR TURNUPS. >> WHAT ARE TURNUPS? 670 00:25:32,625 --> 00:25:33,690 TURNUPS. >> WHAT ARE TURNUPS? >> THEY ARE DOLLARS. 671 00:25:33,692 --> 00:25:35,826 >> WHAT ARE TURNUPS? >> THEY ARE DOLLARS. YOU CAN USE THEM TO BUY OUTFITS. 672 00:25:35,828 --> 00:25:38,195 >> THEY ARE DOLLARS. YOU CAN USE THEM TO BUY OUTFITS. >> SHOULDN'T I BE GETTING PAID 673 00:25:38,197 --> 00:25:38,795 YOU CAN USE THEM TO BUY OUTFITS. >> SHOULDN'T I BE GETTING PAID OR SOMETHING. 674 00:25:38,797 --> 00:25:40,297 >> SHOULDN'T I BE GETTING PAID OR SOMETHING. >> I WOULD ASSUME SO. 675 00:25:40,299 --> 00:25:41,999 OR SOMETHING. >> I WOULD ASSUME SO. THEY HAVE BEEN MAKING THEM FOR 676 00:25:42,001 --> 00:25:42,299 >> I WOULD ASSUME SO. THEY HAVE BEEN MAKING THEM FOR YEARS. 677 00:25:42,301 --> 00:25:44,401 THEY HAVE BEEN MAKING THEM FOR YEARS. >> WE'VE BEEN PLAYING THEM SINCE 678 00:25:44,403 --> 00:25:44,835 YEARS. >> WE'VE BEEN PLAYING THEM SINCE WE WERE KIDS. 679 00:25:44,837 --> 00:25:46,570 >> WE'VE BEEN PLAYING THEM SINCE WE WERE KIDS. >> OH, MY GOD. 680 00:25:46,572 --> 00:25:47,371 WE WERE KIDS. >> OH, MY GOD. IS THAT MY DAUGHTER? 681 00:25:47,373 --> 00:25:48,238 >> OH, MY GOD. IS THAT MY DAUGHTER? >> YEP. 682 00:25:48,240 --> 00:25:50,407 IS THAT MY DAUGHTER? >> YEP. JUST GIVING STELLA THE BIRDS AND 683 00:25:50,409 --> 00:25:50,941 >> YEP. JUST GIVING STELLA THE BIRDS AND THE BEES TALK. 684 00:25:50,943 --> 00:25:53,777 JUST GIVING STELLA THE BIRDS AND THE BEES TALK. >> AND REMEMBER, ALWAYS USE TWO 685 00:25:53,779 --> 00:25:54,144 THE BEES TALK. >> AND REMEMBER, ALWAYS USE TWO CONDOMS. 686 00:25:54,146 --> 00:25:55,512 >> AND REMEMBER, ALWAYS USE TWO CONDOMS. >> THANKS, MOM. 687 00:25:55,514 --> 00:25:58,048 CONDOMS. >> THANKS, MOM. >> HERE'S A TURNIP. 688 00:25:58,050 --> 00:25:59,282 >> THANKS, MOM. >> HERE'S A TURNIP. >> I WOULD NEVER SAY THAT. 689 00:25:59,284 --> 00:26:00,550 >> HERE'S A TURNIP. >> I WOULD NEVER SAY THAT. WHAT'S HAPPENING NOW. 690 00:26:00,552 --> 00:26:01,351 >> I WOULD NEVER SAY THAT. WHAT'S HAPPENING NOW. >> COMBAT MODE. 691 00:26:01,353 --> 00:26:03,854 WHAT'S HAPPENING NOW. >> COMBAT MODE. OUR MOLLYS ARE FIGHTING TO THE 692 00:26:03,856 --> 00:26:04,154 >> COMBAT MODE. OUR MOLLYS ARE FIGHTING TO THE DEATH. 693 00:26:04,156 --> 00:26:06,423 OUR MOLLYS ARE FIGHTING TO THE DEATH. WE CAN ALSO DO THE SKATE LEVEL. 694 00:26:06,425 --> 00:26:09,059 DEATH. WE CAN ALSO DO THE SKATE LEVEL. WE JUST LEARNED HOW TO MAKE 695 00:26:09,061 --> 00:26:09,760 WE CAN ALSO DO THE SKATE LEVEL. WE JUST LEARNED HOW TO MAKE TWISTS. 696 00:26:09,762 --> 00:26:12,529 WE JUST LEARNED HOW TO MAKE TWISTS. >> 2 K 24 IS SUPPOSED TO BE 697 00:26:12,531 --> 00:26:12,896 TWISTS. >> 2 K 24 IS SUPPOSED TO BE FLAWLESS. 698 00:26:12,898 --> 00:26:14,398 >> 2 K 24 IS SUPPOSED TO BE FLAWLESS. >> EMOTIONAL LEVELS ARE LOW. 699 00:26:14,400 --> 00:26:16,667 FLAWLESS. >> EMOTIONAL LEVELS ARE LOW. WE GOT TO GO TO THE THERAPIST. 700 00:26:16,669 --> 00:26:18,568 >> EMOTIONAL LEVELS ARE LOW. WE GOT TO GO TO THE THERAPIST. >> IN COLLEGE I ACTUALLY DATED A 701 00:26:18,570 --> 00:26:18,902 WE GOT TO GO TO THE THERAPIST. >> IN COLLEGE I ACTUALLY DATED A WOMAN. 702 00:26:18,904 --> 00:26:20,070 >> IN COLLEGE I ACTUALLY DATED A WOMAN. >> HOW DOES IT KNOW THAT? 703 00:26:20,072 --> 00:26:21,772 WOMAN. >> HOW DOES IT KNOW THAT? >> THIS GAME RULES. 704 00:26:21,774 --> 00:26:23,607 >> HOW DOES IT KNOW THAT? >> THIS GAME RULES. YOU CAN BE ANY MOLLY SHANNON YOU 705 00:26:23,609 --> 00:26:23,907 >> THIS GAME RULES. YOU CAN BE ANY MOLLY SHANNON YOU WANT. 706 00:26:23,909 --> 00:26:27,678 YOU CAN BE ANY MOLLY SHANNON YOU WANT. YOU CAN BE A SUPERHERO OR A 707 00:26:27,680 --> 00:26:28,011 WANT. YOU CAN BE A SUPERHERO OR A RAPPER. 708 00:26:28,013 --> 00:26:31,682 YOU CAN BE A SUPERHERO OR A RAPPER. >> I DON'T WANT TO BE A RAPPER. 709 00:26:31,684 --> 00:26:32,249 RAPPER. >> I DON'T WANT TO BE A RAPPER. I WANT TO BE MYSELF. 710 00:26:32,251 --> 00:26:34,084 >> I DON'T WANT TO BE A RAPPER. I WANT TO BE MYSELF. >> I'M TIRED OF GETTING YELLED 711 00:26:34,086 --> 00:26:35,652 I WANT TO BE MYSELF. >> I'M TIRED OF GETTING YELLED AT FOR A HOPBY I HAVE. 712 00:26:35,654 --> 00:26:39,856 >> I'M TIRED OF GETTING YELLED AT FOR A HOPBY I HAVE. SEE YOU LATER, MOLLY. 713 00:26:39,858 --> 00:26:42,225 AT FOR A HOPBY I HAVE. SEE YOU LATER, MOLLY. >> OH, MY -- MOLLY, ARE YOU 714 00:26:42,227 --> 00:26:43,160 SEE YOU LATER, MOLLY. >> OH, MY -- MOLLY, ARE YOU PLAYING THE GAME STILL. 715 00:26:43,162 --> 00:26:44,761 >> OH, MY -- MOLLY, ARE YOU PLAYING THE GAME STILL. >> I BECAME A RAPPER. 716 00:26:44,763 --> 00:26:45,662 PLAYING THE GAME STILL. >> I BECAME A RAPPER. >> WHAT? 717 00:26:45,664 --> 00:26:47,631 >> I BECAME A RAPPER. >> WHAT? >> MY NAME IS MOLLY THE RAPPER, 718 00:26:47,633 --> 00:26:48,699 >> WHAT? >> MY NAME IS MOLLY THE RAPPER, AND I'M REALLY GOOD NOW. 719 00:26:48,701 --> 00:26:52,969 >> MY NAME IS MOLLY THE RAPPER, AND I'M REALLY GOOD NOW. I'M ON LEVEL 99. 720 00:26:52,971 --> 00:26:55,672 AND I'M REALLY GOOD NOW. I'M ON LEVEL 99. ♪ SAY MY MOTHER-LOVING NAME, YOU 721 00:26:55,674 --> 00:26:58,141 I'M ON LEVEL 99. ♪ SAY MY MOTHER-LOVING NAME, YOU KNOW IT'S MOLLY SHANNON ♪ 722 00:26:58,143 --> 00:27:01,712 ♪ SAY MY MOTHER-LOVING NAME, YOU KNOW IT'S MOLLY SHANNON ♪ ♪ DOING HIGH KICKS, AND YOU KNOW 723 00:27:01,714 --> 00:27:03,346 KNOW IT'S MOLLY SHANNON ♪ ♪ DOING HIGH KICKS, AND YOU KNOW WHAT THE LOVE IS. 724 00:27:03,348 --> 00:27:05,882 ♪ DOING HIGH KICKS, AND YOU KNOW WHAT THE LOVE IS. GOT MY FINGERS IN MY ARMS, CAN'T 725 00:27:05,884 --> 00:27:06,983 WHAT THE LOVE IS. GOT MY FINGERS IN MY ARMS, CAN'T PULL THEM OUT ♪ 726 00:27:06,985 --> 00:27:11,722 GOT MY FINGERS IN MY ARMS, CAN'T PULL THEM OUT ♪ ♪ LIKE A CALIBER, SEASON 25 727 00:27:11,724 --> 00:27:13,490 PULL THEM OUT ♪ ♪ LIKE A CALIBER, SEASON 25 CALIBER, PUNKS GETTING MARY 728 00:27:13,492 --> 00:27:15,559 ♪ LIKE A CALIBER, SEASON 25 CALIBER, PUNKS GETTING MARY CATHERINE GALLAGHER, BITCH. 729 00:27:15,561 --> 00:27:18,295 CALIBER, PUNKS GETTING MARY CATHERINE GALLAGHER, BITCH. >> OH, MY -- MOLLY SHANNON THE 730 00:27:18,297 --> 00:27:18,628 CATHERINE GALLAGHER, BITCH. >> OH, MY -- MOLLY SHANNON THE RAPPER. 731 00:27:18,630 --> 00:27:20,063 >> OH, MY -- MOLLY SHANNON THE RAPPER. THAT'S WHAT I'M TALKING ABOUT. 732 00:27:20,065 --> 00:27:21,198 RAPPER. THAT'S WHAT I'M TALKING ABOUT. >> THAT WAS SO GOOD. 733 00:27:21,200 --> 00:27:22,899 THAT'S WHAT I'M TALKING ABOUT. >> THAT WAS SO GOOD. >> THAT'S NOT GATORADE. 734 00:27:22,901 --> 00:27:23,734 >> THAT WAS SO GOOD. >> THAT'S NOT GATORADE. >> OH, MY GOD! 735 00:27:23,736 --> 00:27:30,040 >> THAT'S NOT GATORADE. >> OH, MY GOD! >> BITCH. 736 00:27:30,042 --> 00:27:35,078 >> OH, MY GOD! >> BITCH. >>> WOW, MY GIRLFRIEND SOPHIE, A 737 00:27:35,080 --> 00:27:36,580 >> BITCH. >>> WOW, MY GIRLFRIEND SOPHIE, A FANCY PLAY WRITE. 738 00:27:36,582 --> 00:27:37,047 >>> WOW, MY GIRLFRIEND SOPHIE, A FANCY PLAY WRITE. I'M SO PROUD. 739 00:27:37,049 --> 00:27:38,648 FANCY PLAY WRITE. I'M SO PROUD. >> THANKS, BRIAN. 740 00:27:38,650 --> 00:27:40,851 I'M SO PROUD. >> THANKS, BRIAN. >> I'M SO SORRY TO BUG YOU. 741 00:27:40,853 --> 00:27:47,724 >> THANKS, BRIAN. >> I'M SO SORRY TO BUG YOU. I'M A HUGE FAN OF YOUR WRITING. 742 00:27:47,726 --> 00:27:48,291 >> I'M SO SORRY TO BUG YOU. I'M A HUGE FAN OF YOUR WRITING. I SEE ALL YOUR PLAYS. 743 00:27:48,293 --> 00:27:48,859 I'M A HUGE FAN OF YOUR WRITING. I SEE ALL YOUR PLAYS. YOU'RE SO BRILLIANT. 744 00:27:48,861 --> 00:27:49,426 I SEE ALL YOUR PLAYS. YOU'RE SO BRILLIANT. >> THAT'S SO SWEET. 745 00:27:49,428 --> 00:27:50,427 YOU'RE SO BRILLIANT. >> THAT'S SO SWEET. THIS IS T FIRST PLAY THAT'S 746 00:27:50,429 --> 00:27:51,595 >> THAT'S SO SWEET. THIS IS T FIRST PLAY THAT'S ACTUALLY ABOUT MY LIFE. 747 00:27:51,597 --> 00:27:53,163 THIS IS T FIRST PLAY THAT'S ACTUALLY ABOUT MY LIFE. I'M NERVOUS, BRIAN. 748 00:27:53,165 --> 00:27:54,598 ACTUALLY ABOUT MY LIFE. I'M NERVOUS, BRIAN. >> DON'T BE. 749 00:27:54,600 --> 00:27:55,766 I'M NERVOUS, BRIAN. >> DON'T BE. EVERYBODY'S GOING TO LOVE IT. 750 00:27:55,768 --> 00:27:57,801 >> DON'T BE. EVERYBODY'S GOING TO LOVE IT. >> SOPHIE, WHAT'S HAPPENING? 751 00:27:57,803 --> 00:28:00,971 EVERYBODY'S GOING TO LOVE IT. >> SOPHIE, WHAT'S HAPPENING? IT'S YOUR WEDDING DAY. 752 00:28:00,973 --> 00:28:02,405 >> SOPHIE, WHAT'S HAPPENING? IT'S YOUR WEDDING DAY. AND EVERYONE'S EXPECTING YOU TO 753 00:28:02,407 --> 00:28:03,840 IT'S YOUR WEDDING DAY. AND EVERYONE'S EXPECTING YOU TO SAY I DO. 754 00:28:03,842 --> 00:28:05,776 AND EVERYONE'S EXPECTING YOU TO SAY I DO. BUT DO YOU? 755 00:28:05,778 --> 00:28:07,210 SAY I DO. BUT DO YOU? OR FOR ONCE, WOULD YOU RATHER DO 756 00:28:07,212 --> 00:28:11,948 BUT DO YOU? OR FOR ONCE, WOULD YOU RATHER DO YOU? 757 00:28:11,950 --> 00:28:13,116 OR FOR ONCE, WOULD YOU RATHER DO YOU? GIRL, YOU DON'T LOVE HIS SORRY 758 00:28:13,118 --> 00:28:15,552 YOU? GIRL, YOU DON'T LOVE HIS SORRY ASS. 759 00:28:15,554 --> 00:28:17,921 GIRL, YOU DON'T LOVE HIS SORRY ASS. >> GOD, THIS ACTRESS, SHE'S 760 00:28:17,923 --> 00:28:18,288 ASS. >> GOD, THIS ACTRESS, SHE'S AMAZING. 761 00:28:18,290 --> 00:28:20,957 >> GOD, THIS ACTRESS, SHE'S AMAZING. >> WHOA, YOU ALMOST GOT MARRIED? 762 00:28:20,959 --> 00:28:21,258 AMAZING. >> WHOA, YOU ALMOST GOT MARRIED? OKAY. 763 00:28:21,260 --> 00:28:22,893 >> WHOA, YOU ALMOST GOT MARRIED? OKAY. I'M SURPRISED THAT NEVER CAME 764 00:28:22,895 --> 00:28:23,160 OKAY. I'M SURPRISED THAT NEVER CAME UP. 765 00:28:23,162 --> 00:28:24,694 I'M SURPRISED THAT NEVER CAME UP. >> YOU'RE GOING TO LIVE YOUR 766 00:28:24,696 --> 00:28:25,796 UP. >> YOU'RE GOING TO LIVE YOUR TRUTH, SOPHIE. 767 00:28:25,798 --> 00:28:27,297 >> YOU'RE GOING TO LIVE YOUR TRUTH, SOPHIE. YOU'RE GOING TO LEF THIS CHUMP, 768 00:28:27,299 --> 00:28:28,064 TRUTH, SOPHIE. YOU'RE GOING TO LEF THIS CHUMP, AND YOU'RE GOING TO HAVE A YEAR 769 00:28:28,066 --> 00:28:33,303 YOU'RE GOING TO LEF THIS CHUMP, AND YOU'RE GOING TO HAVE A YEAR OF A THOUSAND MEN. 770 00:28:33,305 --> 00:28:34,805 AND YOU'RE GOING TO HAVE A YEAR OF A THOUSAND MEN. AND SO I DID. 771 00:28:34,807 --> 00:28:39,009 OF A THOUSAND MEN. AND SO I DID. I DATED A THOUSAND MEN IN ONE 772 00:28:39,011 --> 00:28:39,309 AND SO I DID. I DATED A THOUSAND MEN IN ONE YEAR. 773 00:28:39,311 --> 00:28:39,976 I DATED A THOUSAND MEN IN ONE YEAR. AND THAT'S WHEN EVERYTHING 774 00:28:39,978 --> 00:28:43,213 YEAR. AND THAT'S WHEN EVERYTHING CHANGED. 775 00:28:43,215 --> 00:28:48,785 AND THAT'S WHEN EVERYTHING CHANGED. ♪ CHANGE, CHANGE, CHANGE ♪ 776 00:28:48,787 --> 00:28:50,353 CHANGED. ♪ CHANGE, CHANGE, CHANGE ♪ >> DID SHE SAY A THOUSAND? 777 00:28:50,355 --> 00:28:51,254 ♪ CHANGE, CHANGE, CHANGE ♪ >> DID SHE SAY A THOUSAND? THAT'S MORE THAN TWO A DAY. 778 00:28:51,256 --> 00:28:53,690 >> DID SHE SAY A THOUSAND? THAT'S MORE THAN TWO A DAY. >> IT EXPLAINS. 779 00:28:53,692 --> 00:28:57,727 THAT'S MORE THAN TWO A DAY. >> IT EXPLAINS. >> WHO DID I DATE, YOU ASK? 780 00:28:57,729 --> 00:28:59,029 >> IT EXPLAINS. >> WHO DID I DATE, YOU ASK? EVERYONE FROM FINANCE BROS WITH 781 00:28:59,031 --> 00:29:01,531 >> WHO DID I DATE, YOU ASK? EVERYONE FROM FINANCE BROS WITH PERFECT ABS TO BROOKLYN ARTISTS 782 00:29:01,533 --> 00:29:03,900 EVERYONE FROM FINANCE BROS WITH PERFECT ABS TO BROOKLYN ARTISTS WITH UNCUT DONGS. 783 00:29:03,902 --> 00:29:05,869 PERFECT ABS TO BROOKLYN ARTISTS WITH UNCUT DONGS. AND THE LESS I WANTED THEM, THE 784 00:29:05,871 --> 00:29:07,103 WITH UNCUT DONGS. AND THE LESS I WANTED THEM, THE MORE THEY WANTED ME. 785 00:29:07,105 --> 00:29:10,640 AND THE LESS I WANTED THEM, THE MORE THEY WANTED ME. I WAS PULLED IN ALL DIRECTIONS. 786 00:29:10,642 --> 00:29:11,374 MORE THEY WANTED ME. I WAS PULLED IN ALL DIRECTIONS. >> SOPHIE. 787 00:29:11,376 --> 00:29:12,509 I WAS PULLED IN ALL DIRECTIONS. >> SOPHIE. >> SOPHIE. 788 00:29:12,511 --> 00:29:14,544 >> SOPHIE. >> SOPHIE. >> SOPHIE. 789 00:29:14,546 --> 00:29:14,945 >> SOPHIE. >> SOPHIE. >> SOPHIE. 790 00:29:14,947 --> 00:29:16,446 >> SOPHIE. >> SOPHIE. >> I WANT TO GET DRUNK ON YOUR 791 00:29:16,448 --> 00:29:16,780 >> SOPHIE. >> I WANT TO GET DRUNK ON YOUR FUMES. 792 00:29:16,782 --> 00:29:18,815 >> I WANT TO GET DRUNK ON YOUR FUMES. >> AND I DON'T WANT TO USE A 793 00:29:18,817 --> 00:29:19,149 FUMES. >> AND I DON'T WANT TO USE A CONDOM. 794 00:29:19,151 --> 00:29:20,650 >> AND I DON'T WANT TO USE A CONDOM. >> FINE BY ME. 795 00:29:20,652 --> 00:29:22,619 CONDOM. >> FINE BY ME. >> I THINK I'M GOING TO HEAD 796 00:29:22,621 --> 00:29:22,919 >> FINE BY ME. >> I THINK I'M GOING TO HEAD OUT. 797 00:29:22,921 --> 00:29:25,322 >> I THINK I'M GOING TO HEAD OUT. >> BABE, DON'T. 798 00:29:25,324 --> 00:29:27,123 OUT. >> BABE, DON'T. 'S LOOSELY BASED ON MY LIFE. 799 00:29:27,125 --> 00:29:27,958 >> BABE, DON'T. 'S LOOSELY BASED ON MY LIFE. IT'S NOT ALL TRUE. 800 00:29:27,960 --> 00:29:29,926 'S LOOSELY BASED ON MY LIFE. IT'S NOT ALL TRUE. >> ALL OF THIS IS TRUE. 801 00:29:29,928 --> 00:29:32,529 IT'S NOT ALL TRUE. >> ALL OF THIS IS TRUE. AS GOD AS MY WITNESS, THERE HAVE 802 00:29:32,531 --> 00:29:35,232 >> ALL OF THIS IS TRUE. AS GOD AS MY WITNESS, THERE HAVE BEEN NO EMBELLISHMENTS. 803 00:29:35,234 --> 00:29:37,868 AS GOD AS MY WITNESS, THERE HAVE BEEN NO EMBELLISHMENTS. ABOUT 998 BANGS LATER, I WAS 804 00:29:37,870 --> 00:29:40,237 BEEN NO EMBELLISHMENTS. ABOUT 998 BANGS LATER, I WAS STILL FEELING TOTALLY 805 00:29:40,239 --> 00:29:40,637 ABOUT 998 BANGS LATER, I WAS STILL FEELING TOTALLY UNFULFILLED. 806 00:29:40,639 --> 00:29:41,771 STILL FEELING TOTALLY UNFULFILLED. BUT ALL OF THAT WAS ABOUT TO 807 00:29:41,773 --> 00:29:45,108 UNFULFILLED. BUT ALL OF THAT WAS ABOUT TO CHANGE, BECAUSE I MET THE ONE. 808 00:29:45,110 --> 00:29:45,442 BUT ALL OF THAT WAS ABOUT TO CHANGE, BECAUSE I MET THE ONE. >> OKAY. 809 00:29:45,444 --> 00:29:49,246 CHANGE, BECAUSE I MET THE ONE. >> OKAY. THAT'S SWEET, I GUESS. 810 00:29:49,248 --> 00:29:50,480 >> OKAY. THAT'S SWEET, I GUESS. >> MY EX, TREVOR, THE ONE THAT 811 00:29:50,482 --> 00:30:00,724 THAT'S SWEET, I GUESS. >> MY EX, TREVOR, THE ONE THAT GOT AWAY. 812 00:30:00,726 --> 00:30:02,025 >> MY EX, TREVOR, THE ONE THAT GOT AWAY. >> HEY, BABE. 813 00:30:02,027 --> 00:30:04,027 GOT AWAY. >> HEY, BABE. I HOPE YOU DIDN'T MIND BEING ON 814 00:30:04,029 --> 00:30:06,696 >> HEY, BABE. I HOPE YOU DIDN'T MIND BEING ON TV WHILE WE SAT COURTSIDE AT THE 815 00:30:06,698 --> 00:30:07,130 I HOPE YOU DIDN'T MIND BEING ON TV WHILE WE SAT COURTSIDE AT THE LAKERS GAME. 816 00:30:07,132 --> 00:30:07,430 TV WHILE WE SAT COURTSIDE AT THE LAKERS GAME. >> NO. 817 00:30:07,432 --> 00:30:08,064 LAKERS GAME. >> NO. THAT'S OKAY. 818 00:30:08,066 --> 00:30:10,333 >> NO. THAT'S OKAY. I KNOW ALL THOSE GUYS ANYWAY. 819 00:30:10,335 --> 00:30:10,667 THAT'S OKAY. I KNOW ALL THOSE GUYS ANYWAY. >> WHAT? 820 00:30:10,669 --> 00:30:13,637 I KNOW ALL THOSE GUYS ANYWAY. >> WHAT? THE LAKERS? 821 00:30:13,639 --> 00:30:16,006 >> WHAT? THE LAKERS? >> BUT THEN I FOUND OUT AN UGLY 822 00:30:16,008 --> 00:30:17,007 THE LAKERS? >> BUT THEN I FOUND OUT AN UGLY TRUTH ABOUT HIM. 823 00:30:17,009 --> 00:30:19,342 >> BUT THEN I FOUND OUT AN UGLY TRUTH ABOUT HIM. >> DOCTORS TOLD ME I HAVE A 824 00:30:19,344 --> 00:30:19,709 TRUTH ABOUT HIM. >> DOCTORS TOLD ME I HAVE A CONDITION. 825 00:30:19,711 --> 00:30:22,479 >> DOCTORS TOLD ME I HAVE A CONDITION. WHERE ANY TIME YOU CLIMAX IN THE 826 00:30:22,481 --> 00:30:24,447 CONDITION. WHERE ANY TIME YOU CLIMAX IN THE FUTURE, IT WILL STILL BE BECAUSE 827 00:30:24,449 --> 00:30:25,148 WHERE ANY TIME YOU CLIMAX IN THE FUTURE, IT WILL STILL BE BECAUSE OF ME. 828 00:30:25,150 --> 00:30:25,849 FUTURE, IT WILL STILL BE BECAUSE OF ME. >> AND THEN, HE BROKE UP WITH 829 00:30:25,851 --> 00:30:32,522 OF ME. >> AND THEN, HE BROKE UP WITH ME. 830 00:30:32,524 --> 00:30:36,226 >> AND THEN, HE BROKE UP WITH ME. HE MOVED TO ANAHEIM TO PURSUE 831 00:30:36,228 --> 00:30:37,260 ME. HE MOVED TO ANAHEIM TO PURSUE HIS DREAM OF RUNNING SOCIAL 832 00:30:37,262 --> 00:30:38,328 HE MOVED TO ANAHEIM TO PURSUE HIS DREAM OF RUNNING SOCIAL MEDIA FOR GRUB HUB. 833 00:30:38,330 --> 00:30:40,297 HIS DREAM OF RUNNING SOCIAL MEDIA FOR GRUB HUB. SO THE NEXT DAY, I WENT TO A 834 00:30:40,299 --> 00:30:42,933 MEDIA FOR GRUB HUB. SO THE NEXT DAY, I WENT TO A BOWLING ALLY TO GET SLOPPY DRUNK 835 00:30:42,935 --> 00:30:54,744 SO THE NEXT DAY, I WENT TO A BOWLING ALLY TO GET SLOPPY DRUNK WHEN -- SOME GUY APPROACHED ME. 836 00:30:54,746 --> 00:30:55,412 BOWLING ALLY TO GET SLOPPY DRUNK WHEN -- SOME GUY APPROACHED ME. >> HELLO. 837 00:30:55,414 --> 00:30:57,814 WHEN -- SOME GUY APPROACHED ME. >> HELLO. I'M BRIAN. 838 00:30:57,816 --> 00:30:59,082 >> HELLO. I'M BRIAN. WOULD YOU LIKE TO GO OUT? 839 00:30:59,084 --> 00:31:01,184 I'M BRIAN. WOULD YOU LIKE TO GO OUT? >> UM, WHATEVER, I GUESS. 840 00:31:01,186 --> 00:31:05,889 WOULD YOU LIKE TO GO OUT? >> UM, WHATEVER, I GUESS. >> OH, MY GOD. 841 00:31:05,891 --> 00:31:10,694 >> UM, WHATEVER, I GUESS. >> OH, MY GOD. >> WELL, MY GIRLFRIEND, SOPHIE, 842 00:31:10,696 --> 00:31:12,062 >> OH, MY GOD. >> WELL, MY GIRLFRIEND, SOPHIE, A FANCY PLAY WRITE. 843 00:31:12,064 --> 00:31:13,163 >> WELL, MY GIRLFRIEND, SOPHIE, A FANCY PLAY WRITE. I'M SO PROUD. 844 00:31:13,165 --> 00:31:15,198 A FANCY PLAY WRITE. I'M SO PROUD. HIGH FIVE. 845 00:31:15,200 --> 00:31:15,532 I'M SO PROUD. HIGH FIVE. NOBODY? 846 00:31:15,534 --> 00:31:15,832 HIGH FIVE. NOBODY? OKAY. 847 00:31:15,834 --> 00:31:18,568 NOBODY? OKAY. >> AND AFTER FOUR WEEKS OF 848 00:31:18,570 --> 00:31:20,303 OKAY. >> AND AFTER FOUR WEEKS OF DATING, I COULDN'T HOLD HIM OFF 849 00:31:20,305 --> 00:31:20,837 >> AND AFTER FOUR WEEKS OF DATING, I COULDN'T HOLD HIM OFF ANYMORE. 850 00:31:20,839 --> 00:31:21,972 DATING, I COULDN'T HOLD HIM OFF ANYMORE. I HAD TO BUCK UP AND FINALLY 851 00:31:21,974 --> 00:31:26,276 ANYMORE. I HAD TO BUCK UP AND FINALLY HAVE SEX WITH HIM. 852 00:31:26,278 --> 00:31:27,077 I HAD TO BUCK UP AND FINALLY HAVE SEX WITH HIM. >> WHOO! 853 00:31:27,079 --> 00:31:28,778 HAVE SEX WITH HIM. >> WHOO! AS THEY SAY, THERE'S A FIRST 854 00:31:28,780 --> 00:31:30,080 >> WHOO! AS THEY SAY, THERE'S A FIRST TIME FOR EVERYTHING. 855 00:31:30,082 --> 00:31:32,182 AS THEY SAY, THERE'S A FIRST TIME FOR EVERYTHING. >> IT WAS ONE OF THE MOST 856 00:31:32,184 --> 00:31:34,784 TIME FOR EVERYTHING. >> IT WAS ONE OF THE MOST PAINFULLY BLAND EXPERIENCES OF 857 00:31:34,786 --> 00:31:35,118 >> IT WAS ONE OF THE MOST PAINFULLY BLAND EXPERIENCES OF MY LIFE. 858 00:31:35,120 --> 00:31:41,858 PAINFULLY BLAND EXPERIENCES OF MY LIFE. >> OKAY. 859 00:31:41,860 --> 00:31:44,828 MY LIFE. >> OKAY. >> AND THERE IT WAS, I HAD 860 00:31:44,830 --> 00:31:46,529 >> OKAY. >> AND THERE IT WAS, I HAD REACHED MY 1,000th MAN. 861 00:31:46,531 --> 00:31:49,466 >> AND THERE IT WAS, I HAD REACHED MY 1,000th MAN. IT WAS TIME TO OFFICIALLY SETTLE 862 00:31:49,468 --> 00:31:50,834 REACHED MY 1,000th MAN. IT WAS TIME TO OFFICIALLY SETTLE IN, UNTIL, I MET SOMEONE WHO 863 00:31:50,836 --> 00:31:53,770 IT WAS TIME TO OFFICIALLY SETTLE IN, UNTIL, I MET SOMEONE WHO WOULD CHANGE MY LIFE. 864 00:31:53,772 --> 00:31:55,472 IN, UNTIL, I MET SOMEONE WHO WOULD CHANGE MY LIFE. >> SORRY TO BUG YOU. 865 00:31:55,474 --> 00:31:57,540 WOULD CHANGE MY LIFE. >> SORRY TO BUG YOU. I'M JUST A HUGE FAN OF OUR 866 00:31:57,542 --> 00:31:57,874 >> SORRY TO BUG YOU. I'M JUST A HUGE FAN OF OUR WRITING. 867 00:31:57,876 --> 00:32:00,243 I'M JUST A HUGE FAN OF OUR WRITING. I SEE ALL YOUR PLAYS. 868 00:32:00,245 --> 00:32:01,011 WRITING. I SEE ALL YOUR PLAYS. YOU'RE BRILLIANT. 869 00:32:01,013 --> 00:32:04,280 I SEE ALL YOUR PLAYS. YOU'RE BRILLIANT. >> I MET MR. 1,001. 870 00:32:04,282 --> 00:32:04,881 YOU'RE BRILLIANT. >> I MET MR. 1,001. >> WAIT. 871 00:32:04,883 --> 00:32:06,649 >> I MET MR. 1,001. >> WAIT. IS THAT THE GUY FROM FIVE 872 00:32:06,651 --> 00:32:07,050 >> WAIT. IS THAT THE GUY FROM FIVE MINUTES AGO? 873 00:32:07,052 --> 00:32:18,028 IS THAT THE GUY FROM FIVE MINUTES AGO? OH, COME ON! 874 00:32:39,700 --> 00:32:44,170 >>> LADIES AND GENTLEMEN, JONAS BROTHERS! [ CHEERS AND APPLAUSE ] 875 00:32:44,172 --> 00:32:45,238 BROTHERS! [ CHEERS AND APPLAUSE ] ♪ HEY NOW 876 00:32:45,240 --> 00:32:46,306 [ CHEERS AND APPLAUSE ] ♪ HEY NOW WE NEVER KNEW 877 00:32:46,308 --> 00:32:47,374 ♪ HEY NOW WE NEVER KNEW HOW TO FORFEIT ♪ 878 00:32:47,376 --> 00:32:48,975 WE NEVER KNEW HOW TO FORFEIT ♪ ♪ HEY NOW 879 00:32:48,977 --> 00:32:50,110 HOW TO FORFEIT ♪ ♪ HEY NOW WE ALWAYS KNEW 880 00:32:50,112 --> 00:32:50,610 ♪ HEY NOW WE ALWAYS KNEW HOW TO TALK♪ 881 00:32:50,612 --> 00:32:52,712 WE ALWAYS KNEW HOW TO TALK♪ HEY NOW ♪ 882 00:32:52,714 --> 00:32:53,780 HOW TO TALK♪ HEY NOW ♪ ♪ COUPLE NIGHTS 883 00:32:53,782 --> 00:32:54,848 HEY NOW ♪ ♪ COUPLE NIGHTS THREW GASOLINE 884 00:32:54,850 --> 00:32:58,585 ♪ COUPLE NIGHTS THREW GASOLINE ON THE FIRE 885 00:32:58,587 --> 00:33:03,957 THREW GASOLINE ON THE FIRE HEY NOW ♪ 886 00:33:03,959 --> 00:33:04,624 ON THE FIRE HEY NOW ♪ ♪ WE NEVER HOW TO PERFECT 887 00:33:04,626 --> 00:33:05,024 HEY NOW ♪ ♪ WE NEVER HOW TO PERFECT HEY NOW 888 00:33:05,026 --> 00:33:06,092 ♪ WE NEVER HOW TO PERFECT HEY NOW WE ALWAYS KNEW 889 00:33:06,094 --> 00:33:07,127 HEY NOW WE ALWAYS KNEW IT WOULD WORK 'CAUSE ♪ 890 00:33:07,129 --> 00:33:08,728 WE ALWAYS KNEW IT WOULD WORK 'CAUSE ♪ ♪ IF SOMETHING MISREAD 891 00:33:08,730 --> 00:33:10,330 IT WOULD WORK 'CAUSE ♪ ♪ IF SOMETHING MISREAD OR IF SOMETHING GOT SAID 892 00:33:10,332 --> 00:33:15,769 ♪ IF SOMETHING MISREAD OR IF SOMETHING GOT SAID KNOW BEFORE THE NIGHT ENDS ♪ 893 00:33:15,771 --> 00:33:20,073 OR IF SOMETHING GOT SAID KNOW BEFORE THE NIGHT ENDS ♪ ♪ NO DON'T GET STRESSED IT'S 894 00:33:20,075 --> 00:33:23,643 KNOW BEFORE THE NIGHT ENDS ♪ ♪ NO DON'T GET STRESSED IT'S GONNA GET FIGURED OUT 895 00:33:23,645 --> 00:33:24,210 ♪ NO DON'T GET STRESSED IT'S GONNA GET FIGURED OUT OH DEEP CONVERSATIONS 896 00:33:24,212 --> 00:33:24,811 GONNA GET FIGURED OUT OH DEEP CONVERSATIONS AT THE WAFFLE HOUSE ♪ 897 00:33:24,813 --> 00:33:25,712 OH DEEP CONVERSATIONS AT THE WAFFLE HOUSE ♪ ♪ HEADSTRONG FATHER 898 00:33:25,714 --> 00:33:29,883 AT THE WAFFLE HOUSE ♪ ♪ HEADSTRONG FATHER AND A DETERMINED MOTHER ♪ 899 00:33:29,885 --> 00:33:34,020 ♪ HEADSTRONG FATHER AND A DETERMINED MOTHER ♪ ♪ OH, THAT'S WHY SOME NIGHTS WE 900 00:33:34,022 --> 00:33:38,124 AND A DETERMINED MOTHER ♪ ♪ OH, THAT'S WHY SOME NIGHTS WE WOULD TRY TO KILL EACH OTHER ♪ 901 00:33:38,126 --> 00:33:42,695 ♪ OH, THAT'S WHY SOME NIGHTS WE WOULD TRY TO KILL EACH OTHER ♪ ♪ BUT YOU KNOW IT'S ALWAYS LOVE, 902 00:33:42,697 --> 00:33:43,096 WOULD TRY TO KILL EACH OTHER ♪ ♪ BUT YOU KNOW IT'S ALWAYS LOVE, HEY NOW ♪ 903 00:33:43,098 --> 00:33:43,596 ♪ BUT YOU KNOW IT'S ALWAYS LOVE, HEY NOW ♪ ♪ WE NEVER KNEW 904 00:33:43,598 --> 00:33:44,030 HEY NOW ♪ ♪ WE NEVER KNEW HOW TO FAKE IT 905 00:33:44,032 --> 00:33:44,431 ♪ WE NEVER KNEW HOW TO FAKE IT HEY NOW ♪ 906 00:33:44,433 --> 00:33:44,964 HOW TO FAKE IT HEY NOW ♪ ♪ WE ALWAYS KNEW 907 00:33:44,966 --> 00:33:45,365 HEY NOW ♪ ♪ WE ALWAYS KNEW HOW TO BREAK 908 00:33:45,367 --> 00:33:45,899 ♪ WE ALWAYS KNEW HOW TO BREAK HEY NOW ♪ 909 00:33:45,901 --> 00:33:46,466 HOW TO BREAK HEY NOW ♪ ♪ COUPLE NIGHTS 910 00:33:46,468 --> 00:33:46,966 HEY NOW ♪ ♪ COUPLE NIGHTS THREW GASOLINE 911 00:33:46,968 --> 00:33:47,567 ♪ COUPLE NIGHTS THREW GASOLINE ON THE FIRE 'CAUSE ♪ 912 00:33:47,569 --> 00:33:48,201 THREW GASOLINE ON THE FIRE 'CAUSE ♪ ♪ IF SOMETHING MISREAD 913 00:33:48,203 --> 00:33:49,602 ON THE FIRE 'CAUSE ♪ ♪ IF SOMETHING MISREAD OR IF SOMETHING GOT SAID 914 00:33:49,604 --> 00:33:53,606 ♪ IF SOMETHING MISREAD OR IF SOMETHING GOT SAID KNOW BEFORE THE NIGHT ENDS ♪ 915 00:33:53,608 --> 00:33:56,409 OR IF SOMETHING GOT SAID KNOW BEFORE THE NIGHT ENDS ♪ ♪ NO DON'T GET STRESSED IT'S 916 00:33:56,411 --> 00:33:57,777 KNOW BEFORE THE NIGHT ENDS ♪ ♪ NO DON'T GET STRESSED IT'S GONNA GET FIGURED OUT 917 00:33:57,779 --> 00:33:58,344 ♪ NO DON'T GET STRESSED IT'S GONNA GET FIGURED OUT OH DEEP CONVERSATIONS 918 00:33:58,346 --> 00:33:58,945 GONNA GET FIGURED OUT OH DEEP CONVERSATIONS AT THE WAFFLE HOUSE ♪ 919 00:33:58,947 --> 00:33:59,813 OH DEEP CONVERSATIONS AT THE WAFFLE HOUSE ♪ ♪ HEADSTRONG FATHER 920 00:33:59,815 --> 00:34:02,982 AT THE WAFFLE HOUSE ♪ ♪ HEADSTRONG FATHER AND A DETERMINED MOTHER ♪ 921 00:34:02,984 --> 00:34:05,785 ♪ HEADSTRONG FATHER AND A DETERMINED MOTHER ♪ ♪ OH, THAT'S WHY SOME NIGHTS WE 922 00:34:05,787 --> 00:34:06,820 AND A DETERMINED MOTHER ♪ ♪ OH, THAT'S WHY SOME NIGHTS WE WOULD TRY TO 923 00:34:06,822 --> 00:34:07,353 ♪ OH, THAT'S WHY SOME NIGHTS WE WOULD TRY TO KILL EACH OTHER ♪ 924 00:34:07,355 --> 00:34:11,558 WOULD TRY TO KILL EACH OTHER ♪ ♪ BUT YOU KNOW 925 00:34:11,560 --> 00:34:12,125 KILL EACH OTHER ♪ ♪ BUT YOU KNOW IT'S ALWAYS LOVE ♪ 926 00:34:12,127 --> 00:34:12,559 ♪ BUT YOU KNOW IT'S ALWAYS LOVE ♪ ♪ NA NA NA 927 00:34:12,561 --> 00:34:16,062 IT'S ALWAYS LOVE ♪ ♪ NA NA NA NA NA NA NA 928 00:34:16,064 --> 00:34:18,231 ♪ NA NA NA NA NA NA NA YOU KNOW IT'S ALL LOVE ♪ 929 00:34:18,233 --> 00:34:18,665 NA NA NA NA YOU KNOW IT'S ALL LOVE ♪ ♪ NA NA NA 930 00:34:18,667 --> 00:34:23,436 YOU KNOW IT'S ALL LOVE ♪ ♪ NA NA NA NA NA NA NA ♪ 931 00:34:23,438 --> 00:34:24,137 ♪ NA NA NA NA NA NA NA ♪ ♪ BUT YOU KNOW IT'S ALWAYS 932 00:34:24,139 --> 00:34:25,004 NA NA NA NA ♪ ♪ BUT YOU KNOW IT'S ALWAYS GON' GET FIGURED OUT 933 00:34:25,006 --> 00:34:26,039 ♪ BUT YOU KNOW IT'S ALWAYS GON' GET FIGURED OUT DEEP CONVERSATIONS 934 00:34:26,041 --> 00:34:28,174 GON' GET FIGURED OUT DEEP CONVERSATIONS AT THE WAFFLE HOUSE ♪ 935 00:34:28,176 --> 00:34:29,242 DEEP CONVERSATIONS AT THE WAFFLE HOUSE ♪ ♪ HEADSTRONG FATHER 936 00:34:29,244 --> 00:34:35,114 AT THE WAFFLE HOUSE ♪ ♪ HEADSTRONG FATHER AND A DETERMINED MOTHER ♪ 937 00:34:35,116 --> 00:34:35,815 ♪ HEADSTRONG FATHER AND A DETERMINED MOTHER ♪ ♪ OH THAT'S WHY SOME NIGHTS 938 00:34:35,817 --> 00:34:36,483 AND A DETERMINED MOTHER ♪ ♪ OH THAT'S WHY SOME NIGHTS WE TRIED TO KILL EACH OTHER 939 00:34:36,485 --> 00:34:41,554 ♪ OH THAT'S WHY SOME NIGHTS WE TRIED TO KILL EACH OTHER BUT YOU KNOW 940 00:34:41,556 --> 00:34:42,655 WE TRIED TO KILL EACH OTHER BUT YOU KNOW IT'S ALWAYS LOVE ♪ 941 00:34:42,657 --> 00:34:43,189 BUT YOU KNOW IT'S ALWAYS LOVE ♪ ♪ THAT'S IT ♪ 942 00:34:43,191 --> 00:34:46,993 IT'S ALWAYS LOVE ♪ ♪ THAT'S IT ♪ OH YEAH THAT'S IT 943 00:34:46,995 --> 00:34:48,127 ♪ THAT'S IT ♪ OH YEAH THAT'S IT YOU KNOW IT'S ALL LOVE ♪ 944 00:34:48,129 --> 00:34:49,062 OH YEAH THAT'S IT YOU KNOW IT'S ALL LOVE ♪ ♪ THAT'S IT 945 00:34:49,064 --> 00:34:53,299 YOU KNOW IT'S ALL LOVE ♪ ♪ THAT'S IT HEY THAT'S IT 946 00:34:53,301 --> 00:34:54,367 ♪ THAT'S IT HEY THAT'S IT YOU KNOW IT'S ALWAYS LOVE ♪ 947 00:34:54,369 --> 00:34:56,769 HEY THAT'S IT YOU KNOW IT'S ALWAYS LOVE ♪ ♪ NA NA NA 948 00:34:56,771 --> 00:35:00,106 YOU KNOW IT'S ALWAYS LOVE ♪ ♪ NA NA NA NA NA NA NA ♪ 949 00:35:00,108 --> 00:35:07,647 ♪ NA NA NA NA NA NA NA ♪ [ CHEERS AND APPLAUSE ] 950 00:35:31,171 --> 00:35:45,318 >> Announcer: IT'S "WEEKEND UPDATE" WITH COLIN JOST AND MICHAEL CHE. 951 00:35:45,320 --> 00:35:47,086 UPDATE" WITH COLIN JOST AND MICHAEL CHE. [ CHEERS AND APPLAUSE ] 952 00:35:47,088 --> 00:35:47,754 MICHAEL CHE. [ CHEERS AND APPLAUSE ] >>> GOOD EVENING, EVERYONE. 953 00:35:47,756 --> 00:35:48,488 [ CHEERS AND APPLAUSE ] >>> GOOD EVENING, EVERYONE. >> WELCOME TO "WEEKEND UPDATE." 954 00:35:48,490 --> 00:35:48,955 >>> GOOD EVENING, EVERYONE. >> WELCOME TO "WEEKEND UPDATE." I'M MICHAEL CHE. 955 00:35:48,957 --> 00:35:51,357 >> WELCOME TO "WEEKEND UPDATE." I'M MICHAEL CHE. >> I'M COLIN JOST. 956 00:35:51,359 --> 00:35:53,459 I'M MICHAEL CHE. >> I'M COLIN JOST. THE WALL STREET JOURNAL IS 957 00:35:53,461 --> 00:35:56,095 >> I'M COLIN JOST. THE WALL STREET JOURNAL IS CALLING ON RUSSIA TO RELEASE ONE 958 00:35:56,097 --> 00:35:56,796 THE WALL STREET JOURNAL IS CALLING ON RUSSIA TO RELEASE ONE OF THEIR JOURNALISTS WHO WAS 959 00:35:56,798 --> 00:35:58,264 CALLING ON RUSSIA TO RELEASE ONE OF THEIR JOURNALISTS WHO WAS ARRESTED ON ESPIONAGE CHARGES, 960 00:35:58,266 --> 00:35:59,299 OF THEIR JOURNALISTS WHO WAS ARRESTED ON ESPIONAGE CHARGES, AND I MIGHT HAVE THE PERFECT 961 00:35:59,301 --> 00:36:03,002 ARRESTED ON ESPIONAGE CHARGES, AND I MIGHT HAVE THE PERFECT IDEA FOR A PRISONER SWAP. 962 00:36:03,004 --> 00:36:04,604 AND I MIGHT HAVE THE PERFECT IDEA FOR A PRISONER SWAP. FORMER PRESIDENT TRUMP WAS 963 00:36:04,606 --> 00:36:06,205 IDEA FOR A PRISONER SWAP. FORMER PRESIDENT TRUMP WAS ARRAIGNED ON TUESDAY, AND A 964 00:36:06,207 --> 00:36:08,341 FORMER PRESIDENT TRUMP WAS ARRAIGNED ON TUESDAY, AND A PHOTOGRAPHER RELEASED THIS PHOTO 965 00:36:08,343 --> 00:36:09,943 ARRAIGNED ON TUESDAY, AND A PHOTOGRAPHER RELEASED THIS PHOTO OF TRUMP IN THE COURTROOM, AND I 966 00:36:09,945 --> 00:36:11,010 PHOTOGRAPHER RELEASED THIS PHOTO OF TRUMP IN THE COURTROOM, AND I DON'T LIKE THAT HE'S SLANKED BY 967 00:36:11,012 --> 00:36:13,112 OF TRUMP IN THE COURTROOM, AND I DON'T LIKE THAT HE'S SLANKED BY AN O.J. AMOUNT OF LAWYERS 968 00:36:13,114 --> 00:36:15,248 DON'T LIKE THAT HE'S SLANKED BY AN O.J. AMOUNT OF LAWYERS BECAUSE THAT TELLS ME HE'S 969 00:36:15,250 --> 00:36:15,915 AN O.J. AMOUNT OF LAWYERS BECAUSE THAT TELLS ME HE'S DEFINITELY GUILTY AND HE'S 970 00:36:15,917 --> 00:36:18,451 BECAUSE THAT TELLS ME HE'S DEFINITELY GUILTY AND HE'S DEFINITELY GETTING AWAY WITH IT. 971 00:36:18,453 --> 00:36:20,553 DEFINITELY GUILTY AND HE'S DEFINITELY GETTING AWAY WITH IT. TRUMP'S LAWYER, JOE TACOPINA, 972 00:36:20,555 --> 00:36:23,756 DEFINITELY GETTING AWAY WITH IT. TRUMP'S LAWYER, JOE TACOPINA, AKA, PHONY SOPRANO, SAID THAT HE 973 00:36:23,758 --> 00:36:25,358 TRUMP'S LAWYER, JOE TACOPINA, AKA, PHONY SOPRANO, SAID THAT HE DOESN'T THINK TRUMP IS GOING TO 974 00:36:25,360 --> 00:36:26,960 AKA, PHONY SOPRANO, SAID THAT HE DOESN'T THINK TRUMP IS GOING TO GET A FAIR TRIAL IN MANHATTAN. 975 00:36:26,962 --> 00:36:28,027 DOESN'T THINK TRUMP IS GOING TO GET A FAIR TRIAL IN MANHATTAN. I AGREE. 976 00:36:28,029 --> 00:36:29,095 GET A FAIR TRIAL IN MANHATTAN. I AGREE. EVEN THE COURTROOM SKETCH ARTIST 977 00:36:29,097 --> 00:36:34,968 I AGREE. EVEN THE COURTROOM SKETCH ARTIST SEEMS TO HATE HIM. 978 00:36:34,970 --> 00:36:35,702 EVEN THE COURTROOM SKETCH ARTIST SEEMS TO HATE HIM. WHEN HE SHOWED UP, I THOUGHT HE 979 00:36:35,704 --> 00:36:36,269 SEEMS TO HATE HIM. WHEN HE SHOWED UP, I THOUGHT HE LOOKED PERFECTLY NICE. 980 00:36:36,271 --> 00:36:37,103 WHEN HE SHOWED UP, I THOUGHT HE LOOKED PERFECTLY NICE. HE HAD BLENDED HIS FOUNDATION. 981 00:36:37,105 --> 00:36:39,739 LOOKED PERFECTLY NICE. HE HAD BLENDED HIS FOUNDATION. HE HAD STAPLED DOWN HIS HAIR. 982 00:36:39,741 --> 00:36:40,807 HE HAD BLENDED HIS FOUNDATION. HE HAD STAPLED DOWN HIS HAIR. BUT THE GUY STILL DREW HIM LIKE 983 00:36:40,809 --> 00:36:45,511 HE HAD STAPLED DOWN HIS HAIR. BUT THE GUY STILL DREW HIM LIKE THE MUD MONSTER FROM SCOOBY-DOO, 984 00:36:45,513 --> 00:36:47,847 BUT THE GUY STILL DREW HIM LIKE THE MUD MONSTER FROM SCOOBY-DOO, >> AFTER HIS ARRAIGNMENT, DONALD 985 00:36:47,849 --> 00:36:50,650 THE MUD MONSTER FROM SCOOBY-DOO, >> AFTER HIS ARRAIGNMENT, DONALD TRUMP SPOKE TO SUPPORTERS AT 986 00:36:50,652 --> 00:36:52,585 >> AFTER HIS ARRAIGNMENT, DONALD TRUMP SPOKE TO SUPPORTERS AT MAR-A-LAGO AND SAID THERE WAS A 987 00:36:52,587 --> 00:36:55,188 TRUMP SPOKE TO SUPPORTERS AT MAR-A-LAGO AND SAID THERE WAS A VERY DARK CLOUD OVER OUR BELOVED 988 00:36:55,190 --> 00:36:55,989 MAR-A-LAGO AND SAID THERE WAS A VERY DARK CLOUD OVER OUR BELOVED COUNTRY, WHICH IS ALSO WHAT HE 989 00:36:55,991 --> 00:36:58,825 VERY DARK CLOUD OVER OUR BELOVED COUNTRY, WHICH IS ALSO WHAT HE USED TO CALL OBAMA. 990 00:36:58,827 --> 00:37:01,094 COUNTRY, WHICH IS ALSO WHAT HE USED TO CALL OBAMA. INSIDERS ARE SAYING THAT SINCE 991 00:37:01,096 --> 00:37:02,495 USED TO CALL OBAMA. INSIDERS ARE SAYING THAT SINCE DONALD TRUMP'S INDICTMENT, HIS 992 00:37:02,497 --> 00:37:04,797 INSIDERS ARE SAYING THAT SINCE DONALD TRUMP'S INDICTMENT, HIS DAUGHTER IVANKA HAS BEEN ABSENT, 993 00:37:04,799 --> 00:37:06,099 DONALD TRUMP'S INDICTMENT, HIS DAUGHTER IVANKA HAS BEEN ABSENT, AND HIS OTHER DAUGHTER TIFFANY 994 00:37:06,101 --> 00:37:09,769 DAUGHTER IVANKA HAS BEEN ABSENT, AND HIS OTHER DAUGHTER TIFFANY IS TRYING TO TAKE HER PLACE BY 995 00:37:09,771 --> 00:37:10,470 AND HIS OTHER DAUGHTER TIFFANY IS TRYING TO TAKE HER PLACE BY HIS SIDE, JUST AS SOON AS SHE 996 00:37:10,472 --> 00:37:14,474 IS TRYING TO TAKE HER PLACE BY HIS SIDE, JUST AS SOON AS SHE GETS THROUGH SECURITY. 997 00:37:14,476 --> 00:37:16,409 HIS SIDE, JUST AS SOON AS SHE GETS THROUGH SECURITY. REPRESENTATIVE MARJORIE TAYLOR 998 00:37:16,411 --> 00:37:19,746 GETS THROUGH SECURITY. REPRESENTATIVE MARJORIE TAYLOR GREEN SEEN HERE SHOUTING, JUMP, 999 00:37:19,748 --> 00:37:21,614 REPRESENTATIVE MARJORIE TAYLOR GREEN SEEN HERE SHOUTING, JUMP, YOU COWARD! 1000 00:37:21,616 --> 00:37:23,182 GREEN SEEN HERE SHOUTING, JUMP, YOU COWARD! VISITED NEW YORK TO PROTEST THE 1001 00:37:23,184 --> 00:37:24,650 YOU COWARD! VISITED NEW YORK TO PROTEST THE ARREST OF DONALD TRUMP AND 1002 00:37:24,652 --> 00:37:27,487 VISITED NEW YORK TO PROTEST THE ARREST OF DONALD TRUMP AND CALLED THE CITY FILTHY, 1003 00:37:27,489 --> 00:37:29,756 ARREST OF DONALD TRUMP AND CALLED THE CITY FILTHY, DISGUSTING, AND REPULSIVE. 1004 00:37:29,758 --> 00:37:31,891 CALLED THE CITY FILTHY, DISGUSTING, AND REPULSIVE. AS A NEW YORKER, LET ME JUST 1005 00:37:31,893 --> 00:37:34,894 DISGUSTING, AND REPULSIVE. AS A NEW YORKER, LET ME JUST SAY, YOU FORGOT RAT INFESTED. 1006 00:37:34,896 --> 00:37:36,262 AS A NEW YORKER, LET ME JUST SAY, YOU FORGOT RAT INFESTED. DON'T FORGET OUR RATS. 1007 00:37:36,264 --> 00:37:37,296 SAY, YOU FORGOT RAT INFESTED. DON'T FORGET OUR RATS. >> NEVER. 1008 00:37:37,298 --> 00:37:39,432 DON'T FORGET OUR RATS. >> NEVER. A NEW REPORT DECLARES FOR 1009 00:37:39,434 --> 00:37:40,967 >> NEVER. A NEW REPORT DECLARES FOR DECADES, CHARNS THOMAS AND HIS 1010 00:37:40,969 --> 00:37:44,404 A NEW REPORT DECLARES FOR DECADES, CHARNS THOMAS AND HIS WIFE WENT ON LUXURY TRIPS BY 1011 00:37:44,406 --> 00:37:46,439 DECADES, CHARNS THOMAS AND HIS WIFE WENT ON LUXURY TRIPS BY REPUBLICAN MEGADONOR, AND 1012 00:37:46,441 --> 00:37:48,174 WIFE WENT ON LUXURY TRIPS BY REPUBLICAN MEGADONOR, AND WHITEST GUY WITH THE BLACKEST 1013 00:37:48,176 --> 00:37:50,109 REPUBLICAN MEGADONOR, AND WHITEST GUY WITH THE BLACKEST NAME, HARLAN CROW. 1014 00:37:50,111 --> 00:37:53,212 WHITEST GUY WITH THE BLACKEST NAME, HARLAN CROW. BECAUSE JUSTICE THOMAS HANDLED 1015 00:37:53,214 --> 00:37:54,080 NAME, HARLAN CROW. BECAUSE JUSTICE THOMAS HANDLED GIFTS FROM REPUBLICANS THE SAME 1016 00:37:54,082 --> 00:37:56,682 BECAUSE JUSTICE THOMAS HANDLED GIFTS FROM REPUBLICANS THE SAME WAY HE HANDLES SUPREME COURT 1017 00:37:56,684 --> 00:37:58,818 GIFTS FROM REPUBLICANS THE SAME WAY HE HANDLES SUPREME COURT CASES, WITH NO QUESTIONS ASKED. 1018 00:37:58,820 --> 00:38:00,987 WAY HE HANDLES SUPREME COURT CASES, WITH NO QUESTIONS ASKED. IT WAS ALSO REPORTED TODAY THAT 1019 00:38:00,989 --> 00:38:02,688 CASES, WITH NO QUESTIONS ASKED. IT WAS ALSO REPORTED TODAY THAT HARLAN CROW HAS A VAST 1020 00:38:02,690 --> 00:38:06,492 IT WAS ALSO REPORTED TODAY THAT HARLAN CROW HAS A VAST COLLECTION OF NAZI MEMORABILIA, 1021 00:38:06,494 --> 00:38:09,429 HARLAN CROW HAS A VAST COLLECTION OF NAZI MEMORABILIA, INCLUDING COPIES SIGNED BY 1022 00:38:09,431 --> 00:38:09,762 COLLECTION OF NAZI MEMORABILIA, INCLUDING COPIES SIGNED BY HITLER. 1023 00:38:09,764 --> 00:38:15,268 INCLUDING COPIES SIGNED BY HITLER. THE SIGNATURE READS, DEAR 1024 00:38:15,270 --> 00:38:16,135 HITLER. THE SIGNATURE READS, DEAR HARLAN, BIG FAN. 1025 00:38:16,137 --> 00:38:18,404 THE SIGNATURE READS, DEAR HARLAN, BIG FAN. >> TENNESSEE REPUBLICANS 1026 00:38:18,406 --> 00:38:21,074 HARLAN, BIG FAN. >> TENNESSEE REPUBLICANS EXPELLED TWO BLACK LAWMAKERS FOR 1027 00:38:21,076 --> 00:38:22,642 >> TENNESSEE REPUBLICANS EXPELLED TWO BLACK LAWMAKERS FOR PROTESTING GUN VIOLENCE, BUT DID 1028 00:38:22,644 --> 00:38:28,281 EXPELLED TWO BLACK LAWMAKERS FOR PROTESTING GUN VIOLENCE, BUT DID NOT EXPEL A WHITE PROTESTOR. 1029 00:38:28,283 --> 00:38:30,316 PROTESTING GUN VIOLENCE, BUT DID NOT EXPEL A WHITE PROTESTOR. THEY SAID, THEY KNOW WHAT IT 1030 00:38:30,318 --> 00:38:31,717 NOT EXPEL A WHITE PROTESTOR. THEY SAID, THEY KNOW WHAT IT LOOKED LIKE, BUT THEY WERE 1031 00:38:31,719 --> 00:38:35,054 THEY SAID, THEY KNOW WHAT IT LOOKED LIKE, BUT THEY WERE ACTUALLY EXPELLED BECAUSE THEIR 1032 00:38:35,056 --> 00:38:35,521 LOOKED LIKE, BUT THEY WERE ACTUALLY EXPELLED BECAUSE THEIR SKIN WAS BLACK. 1033 00:38:35,523 --> 00:38:37,256 ACTUALLY EXPELLED BECAUSE THEIR SKIN WAS BLACK. >> FLORIDA GOVERNOR RON 1034 00:38:37,258 --> 00:38:39,058 SKIN WAS BLACK. >> FLORIDA GOVERNOR RON DeSANTIS, WHO ALWAYS LOOKS LIKE 1035 00:38:39,060 --> 00:38:41,127 >> FLORIDA GOVERNOR RON DeSANTIS, WHO ALWAYS LOOKS LIKE SOMEONE TOLD HIM TO GO HOME AND 1036 00:38:41,129 --> 00:38:44,130 DeSANTIS, WHO ALWAYS LOOKS LIKE SOMEONE TOLD HIM TO GO HOME AND GET HIS SHINE BOX SIGNED A BILL 1037 00:38:44,132 --> 00:38:46,299 SOMEONE TOLD HIM TO GO HOME AND GET HIS SHINE BOX SIGNED A BILL THAT ALLOWS PEOPLE TO CARRY GUNS 1038 00:38:46,301 --> 00:38:47,333 GET HIS SHINE BOX SIGNED A BILL THAT ALLOWS PEOPLE TO CARRY GUNS WITHOUT A PERMIT. 1039 00:38:47,335 --> 00:38:50,903 THAT ALLOWS PEOPLE TO CARRY GUNS WITHOUT A PERMIT. BECAUSE FLORIDA IS DANGEROUS, 1040 00:38:50,905 --> 00:38:53,573 WITHOUT A PERMIT. BECAUSE FLORIDA IS DANGEROUS, AND YOU NEVER KNOW WHEN SOMEONE 1041 00:38:53,575 --> 00:38:56,409 BECAUSE FLORIDA IS DANGEROUS, AND YOU NEVER KNOW WHEN SOMEONE IS GOING TO RUN UP TO YOU AND 1042 00:38:56,411 --> 00:38:56,776 AND YOU NEVER KNOW WHEN SOMEONE IS GOING TO RUN UP TO YOU AND SAY GAY. 1043 00:38:56,778 --> 00:39:00,346 IS GOING TO RUN UP TO YOU AND SAY GAY. >> JILL BIDEN WILL ATTEND THE 1044 00:39:00,348 --> 00:39:05,618 SAY GAY. >> JILL BIDEN WILL ATTEND THE CORONATION ALONG WITH HER PLUS 1045 00:39:05,620 --> 00:39:07,220 >> JILL BIDEN WILL ATTEND THE CORONATION ALONG WITH HER PLUS ONE, THE IOWA WOMEN'S BASKETBALL 1046 00:39:07,222 --> 00:39:07,520 CORONATION ALONG WITH HER PLUS ONE, THE IOWA WOMEN'S BASKETBALL TEAM. 1047 00:39:07,522 --> 00:39:08,254 ONE, THE IOWA WOMEN'S BASKETBALL TEAM. >> KING CHARLES SAID RESEARCHERS 1048 00:39:08,256 --> 00:39:09,789 TEAM. >> KING CHARLES SAID RESEARCHERS WILL BE GIVE ACCESS TO ROYAL AR 1049 00:39:09,791 --> 00:39:13,192 >> KING CHARLES SAID RESEARCHERS WILL BE GIVE ACCESS TO ROYAL AR KOOIS AFS IT WAS DISCOVERED HIS 1050 00:39:13,194 --> 00:39:15,027 WILL BE GIVE ACCESS TO ROYAL AR KOOIS AFS IT WAS DISCOVERED HIS ANCESTORS HAD STAKE IN A 1051 00:39:15,029 --> 00:39:15,761 KOOIS AFS IT WAS DISCOVERED HIS ANCESTORS HAD STAKE IN A SLAVE-TRADING COMPANY. 1052 00:39:15,763 --> 00:39:17,997 ANCESTORS HAD STAKE IN A SLAVE-TRADING COMPANY. YEAH, IT WAS CALLED ENGLAND. 1053 00:39:17,999 --> 00:39:20,867 SLAVE-TRADING COMPANY. YEAH, IT WAS CALLED ENGLAND. >> THIS WEEK, RON DeSANTIS 1054 00:39:20,869 --> 00:39:22,768 YEAH, IT WAS CALLED ENGLAND. >> THIS WEEK, RON DeSANTIS RAMPED UP HIS WAR ON DISNEY. 1055 00:39:22,770 --> 00:39:25,438 >> THIS WEEK, RON DeSANTIS RAMPED UP HIS WAR ON DISNEY. HERE TO COMMENT IS THE VILLAIN 1056 00:39:25,440 --> 00:39:30,476 RAMPED UP HIS WAR ON DISNEY. HERE TO COMMENT IS THE VILLAIN FROM THE MOVIE ALADDIN, JAFAR. 1057 00:39:30,478 --> 00:39:32,011 HERE TO COMMENT IS THE VILLAIN FROM THE MOVIE ALADDIN, JAFAR. >> HELLO, MICHAEL. 1058 00:39:32,013 --> 00:39:34,647 FROM THE MOVIE ALADDIN, JAFAR. >> HELLO, MICHAEL. SO THIS IS THE FAMOUS 1059 00:39:34,649 --> 00:39:36,649 >> HELLO, MICHAEL. SO THIS IS THE FAMOUS ROCKEFELLER PALACE. 1060 00:39:36,651 --> 00:39:36,983 SO THIS IS THE FAMOUS ROCKEFELLER PALACE. >> OKAY. 1061 00:39:36,985 --> 00:39:38,985 ROCKEFELLER PALACE. >> OKAY. SO, JAFAR, AS A DISNEY 1062 00:39:38,987 --> 00:39:40,253 >> OKAY. SO, JAFAR, AS A DISNEY CHARACTER, WHAT DO YOU THINK OF 1063 00:39:40,255 --> 00:39:41,187 SO, JAFAR, AS A DISNEY CHARACTER, WHAT DO YOU THINK OF RON DeSANTIS? 1064 00:39:41,189 --> 00:39:42,555 CHARACTER, WHAT DO YOU THINK OF RON DeSANTIS? >> YOU MEAN, THE BOY? 1065 00:39:42,557 --> 00:39:44,557 RON DeSANTIS? >> YOU MEAN, THE BOY? WELL, MICHAEL, AS FAR AS 1066 00:39:44,559 --> 00:39:47,260 >> YOU MEAN, THE BOY? WELL, MICHAEL, AS FAR AS VILLAINS GO, THE BOY IS AN 1067 00:39:47,262 --> 00:39:47,593 WELL, MICHAEL, AS FAR AS VILLAINS GO, THE BOY IS AN AMATEUR. 1068 00:39:47,595 --> 00:39:51,464 VILLAINS GO, THE BOY IS AN AMATEUR. HE HAS NO RIZ, NO SPARK, NO 1069 00:39:51,466 --> 00:39:51,764 AMATEUR. HE HAS NO RIZ, NO SPARK, NO DRIP. 1070 00:39:51,766 --> 00:39:53,900 HE HAS NO RIZ, NO SPARK, NO DRIP. THE LOOK IS GIVING BABY MAYOR. 1071 00:39:53,902 --> 00:39:56,402 DRIP. THE LOOK IS GIVING BABY MAYOR. HE DID WEAR THOSE WHITE COWBOY 1072 00:39:56,404 --> 00:39:58,337 THE LOOK IS GIVING BABY MAYOR. HE DID WEAR THOSE WHITE COWBOY BOOTS, BUT LET'S BE HONEST, THEY 1073 00:39:58,339 --> 00:39:58,738 HE DID WEAR THOSE WHITE COWBOY BOOTS, BUT LET'S BE HONEST, THEY WORE HIM. 1074 00:39:58,740 --> 00:40:01,474 BOOTS, BUT LET'S BE HONEST, THEY WORE HIM. >> WELL, HE MIGHT NOT LOOK THE 1075 00:40:01,476 --> 00:40:04,810 WORE HIM. >> WELL, HE MIGHT NOT LOOK THE PART, BUT ARE YOU SAYING 1076 00:40:04,812 --> 00:40:05,444 >> WELL, HE MIGHT NOT LOOK THE PART, BUT ARE YOU SAYING DeSANTIS ISN'T BAD ENOUGH? 1077 00:40:05,446 --> 00:40:06,078 PART, BUT ARE YOU SAYING DeSANTIS ISN'T BAD ENOUGH? >> NOT AT ALL. 1078 00:40:06,080 --> 00:40:07,280 DeSANTIS ISN'T BAD ENOUGH? >> NOT AT ALL. DON'T GET ME WRONG. 1079 00:40:07,282 --> 00:40:09,749 >> NOT AT ALL. DON'T GET ME WRONG. THE BOY IS PLENTY EVIL. 1080 00:40:09,751 --> 00:40:11,884 DON'T GET ME WRONG. THE BOY IS PLENTY EVIL. BANNING ROSA PARKS IN SCHOOLS. 1081 00:40:11,886 --> 00:40:16,055 THE BOY IS PLENTY EVIL. BANNING ROSA PARKS IN SCHOOLS. I'M A DARK SOURCER, AND HEN I 1082 00:40:16,057 --> 00:40:16,956 BANNING ROSA PARKS IN SCHOOLS. I'M A DARK SOURCER, AND HEN I WAS LIKE, IT'S ROSA PARKS. 1083 00:40:16,958 --> 00:40:20,026 I'M A DARK SOURCER, AND HEN I WAS LIKE, IT'S ROSA PARKS. >> NOW HE'S COMING AFTER DISNEY 1084 00:40:20,028 --> 00:40:23,196 WAS LIKE, IT'S ROSA PARKS. >> NOW HE'S COMING AFTER DISNEY BECAUSE OF HIS STANCE OF THE 1085 00:40:23,198 --> 00:40:25,398 >> NOW HE'S COMING AFTER DISNEY BECAUSE OF HIS STANCE OF THE DON'T SAY GAY BILL. 1086 00:40:25,400 --> 00:40:26,465 BECAUSE OF HIS STANCE OF THE DON'T SAY GAY BILL. >> YOU CAN'T PREVENT DISNEY 1087 00:40:26,467 --> 00:40:27,767 DON'T SAY GAY BILL. >> YOU CAN'T PREVENT DISNEY WORLD FROM BEING GAY. 1088 00:40:27,769 --> 00:40:29,969 >> YOU CAN'T PREVENT DISNEY WORLD FROM BEING GAY. THAT CARPET HAS FLOWN. 1089 00:40:29,971 --> 00:40:30,536 WORLD FROM BEING GAY. THAT CARPET HAS FLOWN. KNOW WHAT I MEAN? 1090 00:40:30,538 --> 00:40:32,471 THAT CARPET HAS FLOWN. KNOW WHAT I MEAN? >> NO, I REALLY DON'T. 1091 00:40:32,473 --> 00:40:34,373 KNOW WHAT I MEAN? >> NO, I REALLY DON'T. >> I MEAN IF YOU OPEN UP GRINDER 1092 00:40:34,375 --> 00:40:38,077 >> NO, I REALLY DON'T. >> I MEAN IF YOU OPEN UP GRINDER ON MAIN STREET USA, YOUR PHONE 1093 00:40:38,079 --> 00:40:38,444 >> I MEAN IF YOU OPEN UP GRINDER ON MAIN STREET USA, YOUR PHONE EXPLODES. 1094 00:40:38,446 --> 00:40:40,079 ON MAIN STREET USA, YOUR PHONE EXPLODES. EVERYWHERE ELSE IN THE PARK, 1095 00:40:40,081 --> 00:40:41,747 EXPLODES. EVERYWHERE ELSE IN THE PARK, IT'S NOTHING BUT 40-YEAR-OLD MEN 1096 00:40:41,749 --> 00:40:42,982 EVERYWHERE ELSE IN THE PARK, IT'S NOTHING BUT 40-YEAR-OLD MEN WITH BRACES. 1097 00:40:42,984 --> 00:40:44,917 IT'S NOTHING BUT 40-YEAR-OLD MEN WITH BRACES. I DON'T KNOW WHAT THAT IS, BUT 1098 00:40:44,919 --> 00:40:45,451 WITH BRACES. I DON'T KNOW WHAT THAT IS, BUT IT AIN'T STRAIGHT. 1099 00:40:45,453 --> 00:40:47,720 I DON'T KNOW WHAT THAT IS, BUT IT AIN'T STRAIGHT. >> OH, ARE YOU SAYING THAT 1100 00:40:47,722 --> 00:40:48,120 IT AIN'T STRAIGHT. >> OH, ARE YOU SAYING THAT YOU'RE -- 1101 00:40:48,122 --> 00:40:50,856 >> OH, ARE YOU SAYING THAT YOU'RE -- >> A LITTLE LIGHT IN THE 1102 00:40:50,858 --> 00:40:51,290 YOU'RE -- >> A LITTLE LIGHT IN THE LOAFERS? 1103 00:40:51,292 --> 00:40:55,628 >> A LITTLE LIGHT IN THE LOAFERS? DID MY STASH NOT TIP YOU OFF? 1104 00:40:55,630 --> 00:40:57,997 LOAFERS? DID MY STASH NOT TIP YOU OFF? OF COURSE I'M GAY, YOU FOOL. 1105 00:40:57,999 --> 00:41:00,166 DID MY STASH NOT TIP YOU OFF? OF COURSE I'M GAY, YOU FOOL. MY EYE LINER ON POINT. 1106 00:41:00,168 --> 00:41:04,237 OF COURSE I'M GAY, YOU FOOL. MY EYE LINER ON POINT. MY FORM AS A YOLKED GENIE WITH 1107 00:41:04,239 --> 00:41:04,537 MY EYE LINER ON POINT. MY FORM AS A YOLKED GENIE WITH NAILS. 1108 00:41:04,539 --> 00:41:06,772 MY FORM AS A YOLKED GENIE WITH NAILS. YEAH, MICHAEL, I LOVE COOCH. 1109 00:41:06,774 --> 00:41:09,342 NAILS. YEAH, MICHAEL, I LOVE COOCH. >> I GOT IT. 1110 00:41:09,344 --> 00:41:11,577 YEAH, MICHAEL, I LOVE COOCH. >> I GOT IT. WELL, SEEMS LIKE DeSANTIS 1111 00:41:11,579 --> 00:41:13,479 >> I GOT IT. WELL, SEEMS LIKE DeSANTIS DOESN'T EVEN WANT ANYTHING 1112 00:41:13,481 --> 00:41:15,815 WELL, SEEMS LIKE DeSANTIS DOESN'T EVEN WANT ANYTHING REMOTELY GAY HAPPENING AT DISNEY 1113 00:41:15,817 --> 00:41:16,582 DOESN'T EVEN WANT ANYTHING REMOTELY GAY HAPPENING AT DISNEY WORLD AT ALL. 1114 00:41:16,584 --> 00:41:18,317 REMOTELY GAY HAPPENING AT DISNEY WORLD AT ALL. >> THERE'S ALREADY A DISNEY 1115 00:41:18,319 --> 00:41:19,318 WORLD AT ALL. >> THERE'S ALREADY A DISNEY WORLD WHERE NOTHING GAY HAPPENS. 1116 00:41:19,320 --> 00:41:22,388 >> THERE'S ALREADY A DISNEY WORLD WHERE NOTHING GAY HAPPENS. IT'S CALLED SIX FLAGS. 1117 00:41:22,390 --> 00:41:25,424 WORLD WHERE NOTHING GAY HAPPENS. IT'S CALLED SIX FLAGS. THERE ARE LOTS OF DIFFERENCES AT 1118 00:41:25,426 --> 00:41:26,959 IT'S CALLED SIX FLAGS. THERE ARE LOTS OF DIFFERENCES AT DISNEY, MICHAEL. 1119 00:41:26,961 --> 00:41:30,863 THERE ARE LOTS OF DIFFERENCES AT DISNEY, MICHAEL. URSULA IS A LESBIAN, SCAR IS BI, 1120 00:41:30,865 --> 00:41:33,833 DISNEY, MICHAEL. URSULA IS A LESBIAN, SCAR IS BI, AND MULAN JUST GOT TOP SURGE ARE 1121 00:41:33,835 --> 00:41:34,066 URSULA IS A LESBIAN, SCAR IS BI, AND MULAN JUST GOT TOP SURGE ARE I. 1122 00:41:34,068 --> 00:41:35,868 AND MULAN JUST GOT TOP SURGE ARE I. NOW IF I MAY, I WOULD LIKE TO 1123 00:41:35,870 --> 00:41:38,070 I. NOW IF I MAY, I WOULD LIKE TO ADDRESS THE BOY, DeSANTIS. 1124 00:41:38,072 --> 00:41:42,208 NOW IF I MAY, I WOULD LIKE TO ADDRESS THE BOY, DeSANTIS. WELL, IF IT ISN'T THE SWAMP RAT. 1125 00:41:42,210 --> 00:41:44,644 ADDRESS THE BOY, DeSANTIS. WELL, IF IT ISN'T THE SWAMP RAT. BRAVO ATTEMPTING TO SEE THE 1126 00:41:44,646 --> 00:41:46,245 WELL, IF IT ISN'T THE SWAMP RAT. BRAVO ATTEMPTING TO SEE THE PRECIOUS LAND ONLY IT WOULD BE 1127 00:41:46,247 --> 00:41:47,480 BRAVO ATTEMPTING TO SEE THE PRECIOUS LAND ONLY IT WOULD BE THWARTED AGAIN BY THE HOUSE OF 1128 00:41:47,482 --> 00:41:47,880 PRECIOUS LAND ONLY IT WOULD BE THWARTED AGAIN BY THE HOUSE OF MOUSE. 1129 00:41:47,882 --> 00:41:50,483 THWARTED AGAIN BY THE HOUSE OF MOUSE. YOU CAN TRY TO STOP US, BOY, BUT 1130 00:41:50,485 --> 00:41:53,319 MOUSE. YOU CAN TRY TO STOP US, BOY, BUT WE WILL OUTSMART YOU AT EVERY 1131 00:41:53,321 --> 00:41:53,619 YOU CAN TRY TO STOP US, BOY, BUT WE WILL OUTSMART YOU AT EVERY TURN. 1132 00:41:53,621 --> 00:41:55,254 WE WILL OUTSMART YOU AT EVERY TURN. DON'T SAY GAY? 1133 00:41:55,256 --> 00:41:56,522 TURN. DON'T SAY GAY? WELL, IF THERE IS NO GAY, THERE 1134 00:41:56,524 --> 00:41:58,591 DON'T SAY GAY? WELL, IF THERE IS NO GAY, THERE IS NO DISNEY, AND EVERYONE LOVES 1135 00:41:58,593 --> 00:42:01,627 WELL, IF THERE IS NO GAY, THERE IS NO DISNEY, AND EVERYONE LOVES DISNEY, INCLUDING YOU BECAUSE 1136 00:42:01,629 --> 00:42:03,262 IS NO DISNEY, AND EVERYONE LOVES DISNEY, INCLUDING YOU BECAUSE YOUR DUMB ASS GOT MARRIED THERE, 1137 00:42:03,264 --> 00:42:04,030 DISNEY, INCLUDING YOU BECAUSE YOUR DUMB ASS GOT MARRIED THERE, AND THAT'S THE GAYEST THING YOU 1138 00:42:04,032 --> 00:42:06,766 YOUR DUMB ASS GOT MARRIED THERE, AND THAT'S THE GAYEST THING YOU CAN DO! 1139 00:42:06,768 --> 00:42:13,306 AND THAT'S THE GAYEST THING YOU CAN DO! SO I'M SORRY, THE GAYS SHALL 1140 00:42:13,308 --> 00:42:20,212 CAN DO! SO I'M SORRY, THE GAYS SHALL STAY, AND YOU CACHE AWAY. 1141 00:42:20,214 --> 00:42:21,814 SO I'M SORRY, THE GAYS SHALL STAY, AND YOU CACHE AWAY. WHERE WERE WE, MICHAEL? 1142 00:42:21,816 --> 00:42:24,150 STAY, AND YOU CACHE AWAY. WHERE WERE WE, MICHAEL? OH, YES, YOUR EARRING, IT 1143 00:42:24,152 --> 00:42:24,583 WHERE WERE WE, MICHAEL? OH, YES, YOUR EARRING, IT INTRIGUES ME. 1144 00:42:24,585 --> 00:42:27,253 OH, YES, YOUR EARRING, IT INTRIGUES ME. >> NO, NO, NO. 1145 00:42:27,255 --> 00:42:27,787 INTRIGUES ME. >> NO, NO, NO. JAFAR, EVERYBODY. 1146 00:42:27,789 --> 00:42:30,923 >> NO, NO, NO. JAFAR, EVERYBODY. >> I SAW YOU AT THE GRAND 1147 00:42:30,925 --> 00:42:31,290 JAFAR, EVERYBODY. >> I SAW YOU AT THE GRAND FLORIDIAN. 1148 00:42:31,292 --> 00:42:34,560 >> I SAW YOU AT THE GRAND FLORIDIAN. IT WAS A GORGEOUS WEDDING. 1149 00:42:34,562 --> 00:42:36,195 FLORIDIAN. IT WAS A GORGEOUS WEDDING. >> FLORIDIAN. 1150 00:42:36,197 --> 00:42:38,197 IT WAS A GORGEOUS WEDDING. >> FLORIDIAN. >> THAT'S A GREAT EARRING. 1151 00:42:38,199 --> 00:42:40,232 >> FLORIDIAN. >> THAT'S A GREAT EARRING. A NEW STUDY FINDS THAT THE 1152 00:42:40,234 --> 00:42:42,702 >> THAT'S A GREAT EARRING. A NEW STUDY FINDS THAT THE AVERAGE CHILD THROWS A TANTRUM 1153 00:42:42,704 --> 00:42:43,436 A NEW STUDY FINDS THAT THE AVERAGE CHILD THROWS A TANTRUM FOUR TIMES A WEEK, WEEKNIGHTS ON 1154 00:42:43,438 --> 00:42:45,871 AVERAGE CHILD THROWS A TANTRUM FOUR TIMES A WEEK, WEEKNIGHTS ON FOX. 1155 00:42:45,873 --> 00:42:48,207 FOUR TIMES A WEEK, WEEKNIGHTS ON FOX. >> RUPERT MURDOCH'S ENGAGEMENT 1156 00:42:48,209 --> 00:42:51,210 FOX. >> RUPERT MURDOCH'S ENGAGEMENT TO ANN LESLIE SMITH HAS BEEN 1157 00:42:51,212 --> 00:42:52,011 >> RUPERT MURDOCH'S ENGAGEMENT TO ANN LESLIE SMITH HAS BEEN CALLED OFF. 1158 00:42:52,013 --> 00:42:54,180 TO ANN LESLIE SMITH HAS BEEN CALLED OFF. APPARENTLY, SHE GOT COLD FEET 1159 00:42:54,182 --> 00:42:56,549 CALLED OFF. APPARENTLY, SHE GOT COLD FEET AFTER MURDOCH PASSED HIS 1160 00:42:56,551 --> 00:42:56,916 APPARENTLY, SHE GOT COLD FEET AFTER MURDOCH PASSED HIS PHYSICAL. 1161 00:42:56,918 --> 00:42:59,085 AFTER MURDOCH PASSED HIS PHYSICAL. IN A NEW DOCUMENTARY, POPE 1162 00:42:59,087 --> 00:43:01,721 PHYSICAL. IN A NEW DOCUMENTARY, POPE FRANCIS PRAISES THE SIR CHEWS OF 1163 00:43:01,723 --> 00:43:03,255 IN A NEW DOCUMENTARY, POPE FRANCIS PRAISES THE SIR CHEWS OF SEX, CALLING IT ONE OF THE 1164 00:43:03,257 --> 00:43:06,025 FRANCIS PRAISES THE SIR CHEWS OF SEX, CALLING IT ONE OF THE BEAUTIFUL THINGS THAT GOD HAS 1165 00:43:06,027 --> 00:43:06,659 SEX, CALLING IT ONE OF THE BEAUTIFUL THINGS THAT GOD HAS GIVEN TO THE HUMAN PERSON. 1166 00:43:06,661 --> 00:43:12,932 BEAUTIFUL THINGS THAT GOD HAS GIVEN TO THE HUMAN PERSON. NOT THE WAY I DO IT. 1167 00:43:12,934 --> 00:43:14,567 GIVEN TO THE HUMAN PERSON. NOT THE WAY I DO IT. AM I RIGHT, COLIN? 1168 00:43:14,569 --> 00:43:15,201 NOT THE WAY I DO IT. AM I RIGHT, COLIN? >> NO. 1169 00:43:15,203 --> 00:43:16,936 AM I RIGHT, COLIN? >> NO. >> OKAY. 1170 00:43:16,938 --> 00:43:18,070 >> NO. >> OKAY. >> I HOPE NOT. 1171 00:43:18,072 --> 00:43:18,738 >> OKAY. >> I HOPE NOT. I DON'T KNOW. 1172 00:43:18,740 --> 00:43:20,306 >> I HOPE NOT. I DON'T KNOW. A WOMAN HAS BEEN TRAVELING THE 1173 00:43:20,308 --> 00:43:22,441 I DON'T KNOW. A WOMAN HAS BEEN TRAVELING THE WORLD SO SHE'S GONE ON 34 FIRST 1174 00:43:22,443 --> 00:43:24,744 A WOMAN HAS BEEN TRAVELING THE WORLD SO SHE'S GONE ON 34 FIRST DATES IN NEARLY 20 COUNTRIES. 1175 00:43:24,746 --> 00:43:25,277 WORLD SO SHE'S GONE ON 34 FIRST DATES IN NEARLY 20 COUNTRIES. HERE SECRET? 1176 00:43:25,279 --> 00:43:33,619 DATES IN NEARLY 20 COUNTRIES. HERE SECRET? SHE'S BEING SEX TRAFFICKED. 1177 00:43:33,621 --> 00:43:35,454 HERE SECRET? SHE'S BEING SEX TRAFFICKED. >> THERE WAS CONTROVERSY THIS 1178 00:43:35,456 --> 00:43:39,625 SHE'S BEING SEX TRAFFICKED. >> THERE WAS CONTROVERSY THIS WEEK WHEN LSU WOMEN'S BASKETBALL 1179 00:43:39,627 --> 00:43:42,762 >> THERE WAS CONTROVERSY THIS WEEK WHEN LSU WOMEN'S BASKETBALL STAR ANGEL REESE REFUSED AN 1180 00:43:42,764 --> 00:43:45,097 WEEK WHEN LSU WOMEN'S BASKETBALL STAR ANGEL REESE REFUSED AN INVITATION TO THE WHITE HOUSE TO 1181 00:43:45,099 --> 00:43:47,333 STAR ANGEL REESE REFUSED AN INVITATION TO THE WHITE HOUSE TO CELEBRATE HER TEAM'S NATIONAL 1182 00:43:47,335 --> 00:43:47,767 INVITATION TO THE WHITE HOUSE TO CELEBRATE HER TEAM'S NATIONAL CHAMPIONSHIP. 1183 00:43:47,769 --> 00:43:49,368 CELEBRATE HER TEAM'S NATIONAL CHAMPIONSHIP. BUT NOW SHE HAS DECIDED TO GO. 1184 00:43:49,370 --> 00:43:51,103 CHAMPIONSHIP. BUT NOW SHE HAS DECIDED TO GO. SO HERE TO COMMENT IS ANGEL 1185 00:43:51,105 --> 00:43:51,437 BUT NOW SHE HAS DECIDED TO GO. SO HERE TO COMMENT IS ANGEL REESE. 1186 00:43:51,439 --> 00:43:53,472 SO HERE TO COMMENT IS ANGEL REESE. >> YEAH, THE BAYOU BARBIE IS IN 1187 00:43:53,474 --> 00:43:54,707 REESE. >> YEAH, THE BAYOU BARBIE IS IN THE BUILDING. 1188 00:43:54,709 --> 00:43:55,808 >> YEAH, THE BAYOU BARBIE IS IN THE BUILDING. LOUISIANA, STAND UP. 1189 00:43:55,810 --> 00:43:58,244 THE BUILDING. LOUISIANA, STAND UP. >> WELL, ANGEL, YOU HAD QUITE A 1190 00:43:58,246 --> 00:43:58,544 LOUISIANA, STAND UP. >> WELL, ANGEL, YOU HAD QUITE A WEEK. 1191 00:43:58,546 --> 00:43:59,645 >> WELL, ANGEL, YOU HAD QUITE A WEEK. >> YEAH. 1192 00:43:59,647 --> 00:44:02,381 WEEK. >> YEAH. I GOT PEOPLE BIG MAD. 1193 00:44:02,383 --> 00:44:04,216 >> YEAH. I GOT PEOPLE BIG MAD. FIRST THEY WAS MAD BECAUSE I WAS 1194 00:44:04,218 --> 00:44:05,851 I GOT PEOPLE BIG MAD. FIRST THEY WAS MAD BECAUSE I WAS TAUNTING, BUT ALL I DID WAS 1195 00:44:05,853 --> 00:44:06,152 FIRST THEY WAS MAD BECAUSE I WAS TAUNTING, BUT ALL I DID WAS THIS. 1196 00:44:06,154 --> 00:44:07,720 TAUNTING, BUT ALL I DID WAS THIS. YOU WOULD HAVE THOUGHT I PULLED 1197 00:44:07,722 --> 00:44:09,622 THIS. YOU WOULD HAVE THOUGHT I PULLED MY NIPPLE OUT AND FLICKED IT ON 1198 00:44:09,624 --> 00:44:10,556 YOU WOULD HAVE THOUGHT I PULLED MY NIPPLE OUT AND FLICKED IT ON NATIONAL TV. 1199 00:44:10,558 --> 00:44:11,624 MY NIPPLE OUT AND FLICKED IT ON NATIONAL TV. THEN THEY WERE MAD BECAUSE I 1200 00:44:11,626 --> 00:44:12,992 NATIONAL TV. THEN THEY WERE MAD BECAUSE I DIDN'T WANT TO GO TO THE WHITE 1201 00:44:12,994 --> 00:44:13,492 THEN THEY WERE MAD BECAUSE I DIDN'T WANT TO GO TO THE WHITE HOUSE. 1202 00:44:13,494 --> 00:44:15,694 DIDN'T WANT TO GO TO THE WHITE HOUSE. BUT, CHE, THEY INVITED IOWA TOO. 1203 00:44:15,696 --> 00:44:16,395 HOUSE. BUT, CHE, THEY INVITED IOWA TOO. >> BUT THEY LOST. 1204 00:44:16,397 --> 00:44:18,564 BUT, CHE, THEY INVITED IOWA TOO. >> BUT THEY LOST. >> EXACTLY. 1205 00:44:18,566 --> 00:44:19,965 >> BUT THEY LOST. >> EXACTLY. IN THE HISTORY OF SPORTS, WHEN 1206 00:44:19,967 --> 00:44:22,001 >> EXACTLY. IN THE HISTORY OF SPORTS, WHEN YOU LOSE, YOU TAKE YOUR ASS 1207 00:44:22,003 --> 00:44:22,301 IN THE HISTORY OF SPORTS, WHEN YOU LOSE, YOU TAKE YOUR ASS HOME. 1208 00:44:22,303 --> 00:44:25,738 YOU LOSE, YOU TAKE YOUR ASS HOME. BUT THEN, WHITE GIRLS LOSE, AND 1209 00:44:25,740 --> 00:44:28,674 HOME. BUT THEN, WHITE GIRLS LOSE, AND SUDDENLY, IT'S ALL TEAMS MATTER. 1210 00:44:28,676 --> 00:44:30,276 BUT THEN, WHITE GIRLS LOSE, AND SUDDENLY, IT'S ALL TEAMS MATTER. >> WELL, I'M GLAD YOU CHANGED 1211 00:44:30,278 --> 00:44:30,876 SUDDENLY, IT'S ALL TEAMS MATTER. >> WELL, I'M GLAD YOU CHANGED YOUR MIND. 1212 00:44:30,878 --> 00:44:32,044 >> WELL, I'M GLAD YOU CHANGED YOUR MIND. THAT WILL BE PRETTY COOL. 1213 00:44:32,046 --> 00:44:32,812 YOUR MIND. THAT WILL BE PRETTY COOL. >> YEAH. 1214 00:44:32,814 --> 00:44:34,680 THAT WILL BE PRETTY COOL. >> YEAH. IT WILL BE COOL, FOR THEM. 1215 00:44:34,682 --> 00:44:36,682 >> YEAH. IT WILL BE COOL, FOR THEM. I'M A BIG DEAL NOW, CHE. 1216 00:44:36,684 --> 00:44:38,651 IT WILL BE COOL, FOR THEM. I'M A BIG DEAL NOW, CHE. SINCE COLLEGE PLAYERS GET 1217 00:44:38,653 --> 00:44:40,286 I'M A BIG DEAL NOW, CHE. SINCE COLLEGE PLAYERS GET ENDORSEMENTS NOW, I'M ABOUT TO 1218 00:44:40,288 --> 00:44:41,687 SINCE COLLEGE PLAYERS GET ENDORSEMENTS NOW, I'M ABOUT TO CASH IN. 1219 00:44:41,689 --> 00:44:43,522 ENDORSEMENTS NOW, I'M ABOUT TO CASH IN. AND MY BRAND WORKS FOR ANYTHING. 1220 00:44:43,524 --> 00:44:47,526 CASH IN. AND MY BRAND WORKS FOR ANYTHING. HOW THIS SOUND, CHE? 1221 00:44:47,528 --> 00:44:50,763 AND MY BRAND WORKS FOR ANYTHING. HOW THIS SOUND, CHE? DEGREE DEODERANT, Y'ALL STANK. 1222 00:44:50,765 --> 00:44:51,864 HOW THIS SOUND, CHE? DEGREE DEODERANT, Y'ALL STANK. >> IT SEEMS AGGRESSIVE. 1223 00:44:51,866 --> 00:44:52,398 DEGREE DEODERANT, Y'ALL STANK. >> IT SEEMS AGGRESSIVE. >> OKAY. 1224 00:44:52,400 --> 00:44:54,033 >> IT SEEMS AGGRESSIVE. >> OKAY. HOW ABOUT THIS ONE? 1225 00:44:54,035 --> 00:44:57,503 >> OKAY. HOW ABOUT THIS ONE? GARDEN GNOMES, MAN, GET YOUR LIL 1226 00:44:57,505 --> 00:44:59,205 HOW ABOUT THIS ONE? GARDEN GNOMES, MAN, GET YOUR LIL ASS OUT MY FACE! 1227 00:44:59,207 --> 00:45:00,639 GARDEN GNOMES, MAN, GET YOUR LIL ASS OUT MY FACE! >> THAT'S A COMMERCIAL FOR 1228 00:45:00,641 --> 00:45:01,407 ASS OUT MY FACE! >> THAT'S A COMMERCIAL FOR GARDEN GNOMES? 1229 00:45:01,409 --> 00:45:01,974 >> THAT'S A COMMERCIAL FOR GARDEN GNOMES? >> YEAH. 1230 00:45:01,976 --> 00:45:04,310 GARDEN GNOMES? >> YEAH. IT'S THE MONEY, RIGHT? 1231 00:45:04,312 --> 00:45:07,680 >> YEAH. IT'S THE MONEY, RIGHT? NOW, HERE'S MY FAVORITE. 1232 00:45:07,682 --> 00:45:09,615 IT'S THE MONEY, RIGHT? NOW, HERE'S MY FAVORITE. BIG-ASS EYELASHES, EMPOWERING 1233 00:45:09,617 --> 00:45:17,823 NOW, HERE'S MY FAVORITE. BIG-ASS EYELASHES, EMPOWERING WOMEN BALLERS AND -- SINCE 1972. 1234 00:45:17,825 --> 00:45:19,825 BIG-ASS EYELASHES, EMPOWERING WOMEN BALLERS AND -- SINCE 1972. >> I'M GLAD YOU'RE ENJOYING THE 1235 00:45:19,827 --> 00:45:20,159 WOMEN BALLERS AND -- SINCE 1972. >> I'M GLAD YOU'RE ENJOYING THE MOMENT. 1236 00:45:20,161 --> 00:45:21,026 >> I'M GLAD YOU'RE ENJOYING THE MOMENT. >> YEAH, I AM. 1237 00:45:21,028 --> 00:45:24,897 MOMENT. >> YEAH, I AM. LAST WEEK, WOMEN'S SPORTS WAS 1238 00:45:24,899 --> 00:45:26,765 >> YEAH, I AM. LAST WEEK, WOMEN'S SPORTS WAS BORING, NOW ALL Y'ALL TALKING 1239 00:45:26,767 --> 00:45:28,267 LAST WEEK, WOMEN'S SPORTS WAS BORING, NOW ALL Y'ALL TALKING ABOUT WOMEN SPORTS THIS WEEK. 1240 00:45:28,269 --> 00:45:30,569 BORING, NOW ALL Y'ALL TALKING ABOUT WOMEN SPORTS THIS WEEK. MAN, I DROPPED 15 ON IOWA. 1241 00:45:30,571 --> 00:45:32,304 ABOUT WOMEN SPORTS THIS WEEK. MAN, I DROPPED 15 ON IOWA. I WENT HARD IN THE PAINT. 1242 00:45:32,306 --> 00:45:34,740 MAN, I DROPPED 15 ON IOWA. I WENT HARD IN THE PAINT. I DROPPED TEN BOARDS WITHOUT 1243 00:45:34,742 --> 00:45:37,243 I WENT HARD IN THE PAINT. I DROPPED TEN BOARDS WITHOUT EVEN MESSING UP ANY EYELASHES. 1244 00:45:37,245 --> 00:45:39,078 I DROPPED TEN BOARDS WITHOUT EVEN MESSING UP ANY EYELASHES. THE ONLY THING I REGRET IS NOT 1245 00:45:39,080 --> 00:45:40,212 EVEN MESSING UP ANY EYELASHES. THE ONLY THING I REGRET IS NOT GETTING MORE BUCKETS. 1246 00:45:40,214 --> 00:45:42,314 THE ONLY THING I REGRET IS NOT GETTING MORE BUCKETS. I COULD HAVE PICKED THAT BALL 1247 00:45:42,316 --> 00:45:44,383 GETTING MORE BUCKETS. I COULD HAVE PICKED THAT BALL UP, DROPPED IT ON THE GIRL'S 1248 00:45:44,385 --> 00:45:46,785 I COULD HAVE PICKED THAT BALL UP, DROPPED IT ON THE GIRL'S HEAD LIKE I WAS ON AN AND-ONE 1249 00:45:46,787 --> 00:45:48,787 UP, DROPPED IT ON THE GIRL'S HEAD LIKE I WAS ON AN AND-ONE TOUR, BUT I WAS IN FOUL TROUBLE, 1250 00:45:48,789 --> 00:45:51,323 HEAD LIKE I WAS ON AN AND-ONE TOUR, BUT I WAS IN FOUL TROUBLE, SO I HAD TO CHILL. 1251 00:45:51,325 --> 00:45:53,659 TOUR, BUT I WAS IN FOUL TROUBLE, SO I HAD TO CHILL. AND NOW I'M SITTING BACK GETTING 1252 00:45:53,661 --> 00:45:55,461 SO I HAD TO CHILL. AND NOW I'M SITTING BACK GETTING ALL THIS BABY GAP MONEY. 1253 00:45:55,463 --> 00:45:58,464 AND NOW I'M SITTING BACK GETTING ALL THIS BABY GAP MONEY. >> WHY ARE YOU ENDORSED BY BABY 1254 00:45:58,466 --> 00:45:58,831 ALL THIS BABY GAP MONEY. >> WHY ARE YOU ENDORSED BY BABY GAP? 1255 00:45:58,833 --> 00:46:00,533 >> WHY ARE YOU ENDORSED BY BABY GAP? >> BECAUSE ALL THESE BITCHES IS 1256 00:46:00,535 --> 00:46:00,900 GAP? >> BECAUSE ALL THESE BITCHES IS MY SON. 1257 00:46:00,902 --> 00:46:03,302 >> BECAUSE ALL THESE BITCHES IS MY SON. >> ANGEL, REESE, EVERYBODY. 1258 00:46:03,304 --> 00:46:04,970 MY SON. >> ANGEL, REESE, EVERYBODY. >> YOU CAN'T SEE ME. 1259 00:46:04,972 --> 00:46:07,273 >> ANGEL, REESE, EVERYBODY. >> YOU CAN'T SEE ME. WE GOING BACK TO BACK. 1260 00:46:07,275 --> 00:46:07,706 >> YOU CAN'T SEE ME. WE GOING BACK TO BACK. ANGEL REESE. 1261 00:46:07,708 --> 00:46:10,209 WE GOING BACK TO BACK. ANGEL REESE. >> A NEW APP CALLED GREET HER IS 1262 00:46:10,211 --> 00:46:12,011 ANGEL REESE. >> A NEW APP CALLED GREET HER IS DESIGNED TO HELP WOMEN TRAVEL 1263 00:46:12,013 --> 00:46:13,712 >> A NEW APP CALLED GREET HER IS DESIGNED TO HELP WOMEN TRAVEL ALONE SAFELY BY PROVIDING PEOPLE 1264 00:46:13,714 --> 00:46:15,481 DESIGNED TO HELP WOMEN TRAVEL ALONE SAFELY BY PROVIDING PEOPLE TO GREET THEM WHEN THEY ARRIVE 1265 00:46:15,483 --> 00:46:17,716 ALONE SAFELY BY PROVIDING PEOPLE TO GREET THEM WHEN THEY ARRIVE AT AIRPORTS OR HOTELS, AND IT'S 1266 00:46:17,718 --> 00:46:19,852 TO GREET THEM WHEN THEY ARRIVE AT AIRPORTS OR HOTELS, AND IT'S BEING USED FOR MURDER. 1267 00:46:19,854 --> 00:46:22,521 AT AIRPORTS OR HOTELS, AND IT'S BEING USED FOR MURDER. >> A VIRGINIA MAN WHO PRANKS 1268 00:46:22,523 --> 00:46:24,623 BEING USED FOR MURDER. >> A VIRGINIA MAN WHO PRANKS PEOPLE FOR YOUTUBE VIDEOS WAS 1269 00:46:24,625 --> 00:46:29,828 >> A VIRGINIA MAN WHO PRANKS PEOPLE FOR YOUTUBE VIDEOS WAS SHOT WHILE TRICKING SOMEONE IN A 1270 00:46:29,830 --> 00:46:30,129 PEOPLE FOR YOUTUBE VIDEOS WAS SHOT WHILE TRICKING SOMEONE IN A MALL. 1271 00:46:30,131 --> 00:46:31,163 SHOT WHILE TRICKING SOMEONE IN A MALL. GOOD. 1272 00:46:31,165 --> 00:46:33,065 MALL. GOOD. A 106-YEAR-OLD WOMAN IN THE 1273 00:46:33,067 --> 00:46:34,233 GOOD. A 106-YEAR-OLD WOMAN IN THE PHILIPPINES HAS BECOME THE 1274 00:46:34,235 --> 00:46:36,168 A 106-YEAR-OLD WOMAN IN THE PHILIPPINES HAS BECOME THE OLDEST VOGUE COVER MODEL EVER, 1275 00:46:36,170 --> 00:46:36,902 PHILIPPINES HAS BECOME THE OLDEST VOGUE COVER MODEL EVER, BEATING THE PREVIOUS RECORD OF 1276 00:46:36,904 --> 00:46:41,440 OLDEST VOGUE COVER MODEL EVER, BEATING THE PREVIOUS RECORD OF 29. 1277 00:46:41,442 --> 00:46:44,209 BEATING THE PREVIOUS RECORD OF 29. >> A JEOPARDY CONTESTANT THIS 1278 00:46:44,211 --> 00:46:46,545 29. >> A JEOPARDY CONTESTANT THIS WEEK WAS FORCED TO QUIT SOCIAL 1279 00:46:46,547 --> 00:46:48,881 >> A JEOPARDY CONTESTANT THIS WEEK WAS FORCED TO QUIT SOCIAL MEDIA AFTER PEOPLE SAID HIS 1280 00:46:48,883 --> 00:46:51,550 WEEK WAS FORCED TO QUIT SOCIAL MEDIA AFTER PEOPLE SAID HIS MUSTACHE LOOKED LIKE HITLERS. 1281 00:46:51,552 --> 00:46:53,319 MEDIA AFTER PEOPLE SAID HIS MUSTACHE LOOKED LIKE HITLERS. THE CONTESTANT SAID HE'S SO MAD 1282 00:46:53,321 --> 00:46:58,390 MUSTACHE LOOKED LIKE HITLERS. THE CONTESTANT SAID HE'S SO MAD THAT HE'S HAD IT UP TO HERE. 1283 00:46:58,392 --> 00:47:00,759 THE CONTESTANT SAID HE'S SO MAD THAT HE'S HAD IT UP TO HERE. >> NASA HAS NAMED THE FOUR 1284 00:47:00,761 --> 00:47:08,734 THAT HE'S HAD IT UP TO HERE. >> NASA HAS NAMED THE FOUR ASTRONAUTS IT WILL SEND ON THE 1285 00:47:08,736 --> 00:47:11,337 >> NASA HAS NAMED THE FOUR ASTRONAUTS IT WILL SEND ON THE ARTEMIS II MISSION TO THE MOON. 1286 00:47:11,339 --> 00:47:12,905 ASTRONAUTS IT WILL SEND ON THE ARTEMIS II MISSION TO THE MOON. IF ANYTHING GOES WRONG, I THINK 1287 00:47:12,907 --> 00:47:15,274 ARTEMIS II MISSION TO THE MOON. IF ANYTHING GOES WRONG, I THINK I KNOW WHO'S DYING FIRST. 1288 00:47:15,276 --> 00:47:22,214 IF ANYTHING GOES WRONG, I THINK I KNOW WHO'S DYING FIRST. HE CAN DO THE HITLER SALUTE, 1289 00:47:22,216 --> 00:47:22,548 I KNOW WHO'S DYING FIRST. HE CAN DO THE HITLER SALUTE, THOUGH. 1290 00:47:22,550 --> 00:47:25,084 HE CAN DO THE HITLER SALUTE, THOUGH. >> LAST WEEK, DATA SHOWED MORE 1291 00:47:25,086 --> 00:47:26,185 THOUGH. >> LAST WEEK, DATA SHOWED MORE AMERICANS ARE RETURNING TO THE 1292 00:47:26,187 --> 00:47:27,486 >> LAST WEEK, DATA SHOWED MORE AMERICANS ARE RETURNING TO THE OFFICE IN PERSON. 1293 00:47:27,488 --> 00:47:32,992 AMERICANS ARE RETURNING TO THE OFFICE IN PERSON. HERE TO COMMENT IS YOUR COWORKER 1294 00:47:32,994 --> 00:47:34,093 OFFICE IN PERSON. HERE TO COMMENT IS YOUR COWORKER SEEMINGLY BUSY DOING NOTHING. 1295 00:47:34,095 --> 00:47:35,527 HERE TO COMMENT IS YOUR COWORKER SEEMINGLY BUSY DOING NOTHING. >> WE GOT TO MAKE THIS QUICK 1296 00:47:35,529 --> 00:47:36,795 SEEMINGLY BUSY DOING NOTHING. >> WE GOT TO MAKE THIS QUICK BECAUSE I REALLY GOT TO GET 1297 00:47:36,797 --> 00:47:37,196 >> WE GOT TO MAKE THIS QUICK BECAUSE I REALLY GOT TO GET BACK. 1298 00:47:37,198 --> 00:47:38,063 BECAUSE I REALLY GOT TO GET BACK. I GOT TO GET BACK. 1299 00:47:38,065 --> 00:47:39,298 BACK. I GOT TO GET BACK. >> OH, OKAY. 1300 00:47:39,300 --> 00:47:40,933 I GOT TO GET BACK. >> OH, OKAY. WELL, YOU JUST GOT HERE, 1301 00:47:40,935 --> 00:47:41,266 >> OH, OKAY. WELL, YOU JUST GOT HERE, CRYSTAL. 1302 00:47:41,268 --> 00:47:42,267 WELL, YOU JUST GOT HERE, CRYSTAL. AND THANK YOU FOR BEING HERE. 1303 00:47:42,269 --> 00:47:44,670 CRYSTAL. AND THANK YOU FOR BEING HERE. >> ICE BREAKER, ICE BREAKER. 1304 00:47:44,672 --> 00:47:45,738 AND THANK YOU FOR BEING HERE. >> ICE BREAKER, ICE BREAKER. COLIN, HOW ARE YOU? 1305 00:47:45,740 --> 00:47:47,272 >> ICE BREAKER, ICE BREAKER. COLIN, HOW ARE YOU? DON'T ANSWER THAT. 1306 00:47:47,274 --> 00:47:48,374 COLIN, HOW ARE YOU? DON'T ANSWER THAT. LITERALLY DON'T HAVE TIME TO 1307 00:47:48,376 --> 00:47:49,241 DON'T ANSWER THAT. LITERALLY DON'T HAVE TIME TO HEAR YOUR ANSWER. 1308 00:47:49,243 --> 00:47:51,677 LITERALLY DON'T HAVE TIME TO HEAR YOUR ANSWER. I AM SO SLAMMED. 1309 00:47:51,679 --> 00:47:52,778 HEAR YOUR ANSWER. I AM SO SLAMMED. >> SO WHAT DO YOU DO FOR WORK. 1310 00:47:52,780 --> 00:47:55,748 I AM SO SLAMMED. >> SO WHAT DO YOU DO FOR WORK. >> UM, THIS. 1311 00:47:55,750 --> 00:47:56,982 >> SO WHAT DO YOU DO FOR WORK. >> UM, THIS. >> WOW. 1312 00:47:56,984 --> 00:47:57,282 >> UM, THIS. >> WOW. OKAY. 1313 00:47:57,284 --> 00:47:58,784 >> WOW. OKAY. WELL, I GUESS I WOULD LOVE TO 1314 00:47:58,786 --> 00:48:01,253 OKAY. WELL, I GUESS I WOULD LOVE TO GET A SENSE OF WHAT YOU DO IN A 1315 00:48:01,255 --> 00:48:01,553 WELL, I GUESS I WOULD LOVE TO GET A SENSE OF WHAT YOU DO IN A DAY. 1316 00:48:01,555 --> 00:48:02,454 GET A SENSE OF WHAT YOU DO IN A DAY. >> UM, YEAH. 1317 00:48:02,456 --> 00:48:03,856 DAY. >> UM, YEAH. WHAT DON'T I DO? 1318 00:48:03,858 --> 00:48:04,156 >> UM, YEAH. WHAT DON'T I DO? OKAY. 1319 00:48:04,158 --> 00:48:05,457 WHAT DON'T I DO? OKAY. ASK MY TEAM. 1320 00:48:05,459 --> 00:48:06,525 OKAY. ASK MY TEAM. WHERE ARE THEY? 1321 00:48:06,527 --> 00:48:08,894 ASK MY TEAM. WHERE ARE THEY? ON MY BACK. 1322 00:48:08,896 --> 00:48:10,963 WHERE ARE THEY? ON MY BACK. AND MY PHONE'S BLOWING UP. 1323 00:48:10,965 --> 00:48:11,397 ON MY BACK. AND MY PHONE'S BLOWING UP. I'M IN HELL. 1324 00:48:11,399 --> 00:48:13,832 AND MY PHONE'S BLOWING UP. I'M IN HELL. >> I'M SORRY YOU'RE SO SLAMMED, 1325 00:48:13,834 --> 00:48:14,199 I'M IN HELL. >> I'M SORRY YOU'RE SO SLAMMED, CRYSTAL. 1326 00:48:14,201 --> 00:48:15,668 >> I'M SORRY YOU'RE SO SLAMMED, CRYSTAL. >> I NEED A VACATION, BUT 1327 00:48:15,670 --> 00:48:17,536 CRYSTAL. >> I NEED A VACATION, BUT KNOWING ME, I WOULD BRING MY 1328 00:48:17,538 --> 00:48:21,707 >> I NEED A VACATION, BUT KNOWING ME, I WOULD BRING MY WORK PHONE, AKA, MY HUSBAND. 1329 00:48:21,709 --> 00:48:23,242 KNOWING ME, I WOULD BRING MY WORK PHONE, AKA, MY HUSBAND. >> OKAY. 1330 00:48:23,244 --> 00:48:24,410 WORK PHONE, AKA, MY HUSBAND. >> OKAY. WELL, I DON'T LOVE THAT YOU 1331 00:48:24,412 --> 00:48:25,310 >> OKAY. WELL, I DON'T LOVE THAT YOU KISSED YOUR PHONE. 1332 00:48:25,312 --> 00:48:26,679 WELL, I DON'T LOVE THAT YOU KISSED YOUR PHONE. I'M SO CURIOUS ABOUT WHAT YOUR 1333 00:48:26,681 --> 00:48:27,312 KISSED YOUR PHONE. I'M SO CURIOUS ABOUT WHAT YOUR JOB IS. 1334 00:48:27,314 --> 00:48:30,449 I'M SO CURIOUS ABOUT WHAT YOUR JOB IS. >> COLIN, TO EXPLAIN IT, THE 1335 00:48:30,451 --> 00:48:32,384 JOB IS. >> COLIN, TO EXPLAIN IT, THE LEVEL I WOULD HAVE TO START OUT, 1336 00:48:32,386 --> 00:48:34,920 >> COLIN, TO EXPLAIN IT, THE LEVEL I WOULD HAVE TO START OUT, I LITERALLY DON'T HAVE THE BAND 1337 00:48:34,922 --> 00:48:38,757 LEVEL I WOULD HAVE TO START OUT, I LITERALLY DON'T HAVE THE BAND WIDTH -- OH, MY -- OH, MY -- OH, 1338 00:48:38,759 --> 00:48:39,658 I LITERALLY DON'T HAVE THE BAND WIDTH -- OH, MY -- OH, MY -- OH, MY GOD. 1339 00:48:39,660 --> 00:48:42,494 WIDTH -- OH, MY -- OH, MY -- OH, MY GOD. OH, MY GOD, OKAY. 1340 00:48:42,496 --> 00:48:42,928 MY GOD. OH, MY GOD, OKAY. OH, MY GOD. 1341 00:48:42,930 --> 00:48:43,696 OH, MY GOD, OKAY. OH, MY GOD. >> ALL RIGHT. 1342 00:48:43,698 --> 00:48:44,430 OH, MY GOD. >> ALL RIGHT. >> LOOK. 1343 00:48:44,432 --> 00:48:45,130 >> ALL RIGHT. >> LOOK. >> YEAH. 1344 00:48:45,132 --> 00:48:46,899 >> LOOK. >> YEAH. THIS IS A SIGNUP SHEET FOR 1345 00:48:46,901 --> 00:48:47,700 >> YEAH. THIS IS A SIGNUP SHEET FOR BIRTHDAY CAKE. 1346 00:48:47,702 --> 00:48:48,767 THIS IS A SIGNUP SHEET FOR BIRTHDAY CAKE. >> YEAH. 1347 00:48:48,769 --> 00:48:49,034 BIRTHDAY CAKE. >> YEAH. YEP. 1348 00:48:49,036 --> 00:48:51,870 >> YEAH. YEP. AND THEN BRINGING OREO 1349 00:48:51,872 --> 00:48:52,271 YEP. AND THEN BRINGING OREO CHEESECAKE. 1350 00:48:52,273 --> 00:48:53,772 AND THEN BRINGING OREO CHEESECAKE. THAT AIN'T GONNA WORK. 1351 00:48:53,774 --> 00:48:55,307 CHEESECAKE. THAT AIN'T GONNA WORK. THERE GOES MY EASTER SUNDAY. 1352 00:48:55,309 --> 00:48:58,644 THAT AIN'T GONNA WORK. THERE GOES MY EASTER SUNDAY. >> WHY WOULD THERE GO YOUR 1353 00:48:58,646 --> 00:48:59,078 THERE GOES MY EASTER SUNDAY. >> WHY WOULD THERE GO YOUR EASTER SUNDAY? 1354 00:48:59,080 --> 00:49:02,715 >> WHY WOULD THERE GO YOUR EASTER SUNDAY? >> AND DOO, DOO, DOO, DOO, I'M 1355 00:49:02,717 --> 00:49:03,082 EASTER SUNDAY? >> AND DOO, DOO, DOO, DOO, I'M SCREWED. 1356 00:49:03,084 --> 00:49:04,650 >> AND DOO, DOO, DOO, DOO, I'M SCREWED. >> CRYSTAL, CAN YOU JUST TELL ME 1357 00:49:04,652 --> 00:49:05,150 SCREWED. >> CRYSTAL, CAN YOU JUST TELL ME ONE THING YOU DO? 1358 00:49:05,152 --> 00:49:05,484 >> CRYSTAL, CAN YOU JUST TELL ME ONE THING YOU DO? >> YEAH. 1359 00:49:05,486 --> 00:49:05,784 ONE THING YOU DO? >> YEAH. OKAY. 1360 00:49:05,786 --> 00:49:11,156 >> YEAH. OKAY. LOOK 1361 00:49:11,158 --> 00:49:11,657 OKAY. LOOK ALL RIGHT. 1362 00:49:11,659 --> 00:49:14,126 LOOK ALL RIGHT. SO LOOK AT MY SPREAD SHEET, 1363 00:49:14,128 --> 00:49:14,460 ALL RIGHT. SO LOOK AT MY SPREAD SHEET, OKAY? 1364 00:49:14,462 --> 00:49:18,931 SO LOOK AT MY SPREAD SHEET, OKAY? THESE ARE ALL EMAILS I RECEIVED. 1365 00:49:18,933 --> 00:49:20,399 OKAY? THESE ARE ALL EMAILS I RECEIVED. NOW YOU UNDERSTAND? 1366 00:49:20,401 --> 00:49:21,867 THESE ARE ALL EMAILS I RECEIVED. NOW YOU UNDERSTAND? >> NO, I DON'T. 1367 00:49:21,869 --> 00:49:22,835 NOW YOU UNDERSTAND? >> NO, I DON'T. NO, I DON'T UNDERSTAND. 1368 00:49:22,837 --> 00:49:23,402 >> NO, I DON'T. NO, I DON'T UNDERSTAND. WHERE DO YOU WORK? 1369 00:49:23,404 --> 00:49:25,704 NO, I DON'T UNDERSTAND. WHERE DO YOU WORK? >> IN THE WEEDS. 1370 00:49:25,706 --> 00:49:27,139 WHERE DO YOU WORK? >> IN THE WEEDS. >> OKAY. 1371 00:49:27,141 --> 00:49:28,173 >> IN THE WEEDS. >> OKAY. ALL RIGHT. 1372 00:49:28,175 --> 00:49:31,877 >> OKAY. ALL RIGHT. I MEAN SPECIFICALLY. 1373 00:49:31,879 --> 00:49:32,311 ALL RIGHT. I MEAN SPECIFICALLY. SPECIFICALLY. 1374 00:49:32,313 --> 00:49:35,114 I MEAN SPECIFICALLY. SPECIFICALLY. SPECIFICALLY, WHERE? 1375 00:49:35,116 --> 00:49:35,614 SPECIFICALLY. SPECIFICALLY, WHERE? >> NECK DEEP. 1376 00:49:35,616 --> 00:49:36,982 SPECIFICALLY, WHERE? >> NECK DEEP. >> THAT'S NOT AN ANSWER. 1377 00:49:36,984 --> 00:49:37,850 >> NECK DEEP. >> THAT'S NOT AN ANSWER. WHAT DO YOU DO? 1378 00:49:37,852 --> 00:49:39,518 >> THAT'S NOT AN ANSWER. WHAT DO YOU DO? >> WELL, I'LL TELL YOU WHAT I 1379 00:49:39,520 --> 00:49:41,353 WHAT DO YOU DO? >> WELL, I'LL TELL YOU WHAT I DON'T DO, EAT. 1380 00:49:41,355 --> 00:49:42,688 >> WELL, I'LL TELL YOU WHAT I DON'T DO, EAT. HAVEN'T EATEN IN A MONTH. 1381 00:49:42,690 --> 00:49:44,490 DON'T DO, EAT. HAVEN'T EATEN IN A MONTH. >> OH, MY GOD. 1382 00:49:44,492 --> 00:49:45,224 HAVEN'T EATEN IN A MONTH. >> OH, MY GOD. CRYSTAL, YOU NEED TO TAKE CARE 1383 00:49:45,226 --> 00:49:50,262 >> OH, MY GOD. CRYSTAL, YOU NEED TO TAKE CARE OF YOURSELF. 1384 00:49:50,264 --> 00:49:52,331 CRYSTAL, YOU NEED TO TAKE CARE OF YOURSELF. >> MM, KALE SEE CZAR. 1385 00:49:52,333 --> 00:49:53,165 OF YOURSELF. >> MM, KALE SEE CZAR. MY FAVORITE. 1386 00:49:53,167 --> 00:49:55,033 >> MM, KALE SEE CZAR. MY FAVORITE. YOU KNOW WHAT, IT'S KIND OF NICE 1387 00:49:55,035 --> 00:49:57,169 MY FAVORITE. YOU KNOW WHAT, IT'S KIND OF NICE EATING AT THE TABLE AND NOT ON A 1388 00:49:57,171 --> 00:49:57,503 YOU KNOW WHAT, IT'S KIND OF NICE EATING AT THE TABLE AND NOT ON A TOILET. 1389 00:49:57,505 --> 00:49:59,238 EATING AT THE TABLE AND NOT ON A TOILET. >> YOU EAT ON THE TOILET? 1390 00:49:59,240 --> 00:50:05,177 TOILET. >> YOU EAT ON THE TOILET? >> AND I SHOT GOT A CALL ON MY 1391 00:50:05,179 --> 00:50:05,611 >> YOU EAT ON THE TOILET? >> AND I SHOT GOT A CALL ON MY SALAD PHONE. 1392 00:50:05,613 --> 00:50:07,713 >> AND I SHOT GOT A CALL ON MY SALAD PHONE. >> WHAT DOES IT SAY? 1393 00:50:07,715 --> 00:50:11,583 SALAD PHONE. >> WHAT DOES IT SAY? >> I'M SCREWED. 1394 00:50:11,585 --> 00:50:15,521 >> WHAT DOES IT SAY? >> I'M SCREWED. >> STOP THROWING THINGS! 1395 00:50:15,523 --> 00:50:16,221 >> I'M SCREWED. >> STOP THROWING THINGS! >> KEEP TALKING BECAUSE I AM 1396 00:50:16,223 --> 00:50:19,391 >> STOP THROWING THINGS! >> KEEP TALKING BECAUSE I AM LISTENING. 1397 00:50:19,393 --> 00:50:20,959 >> KEEP TALKING BECAUSE I AM LISTENING. AND I -- OH, MY GOD. 1398 00:50:20,961 --> 00:50:23,595 LISTENING. AND I -- OH, MY GOD. I JUST PULLED MY PINKY. 1399 00:50:23,597 --> 00:50:27,299 AND I -- OH, MY GOD. I JUST PULLED MY PINKY. >> CRYSTAL, JUST STOP. 1400 00:50:27,301 --> 00:50:29,501 I JUST PULLED MY PINKY. >> CRYSTAL, JUST STOP. I JUST SAW ON YOUR COMPUTER THAT 1401 00:50:29,503 --> 00:50:31,804 >> CRYSTAL, JUST STOP. I JUST SAW ON YOUR COMPUTER THAT ALL YOU HAVE OPEN IS A BUNCH OF 1402 00:50:31,806 --> 00:50:35,307 I JUST SAW ON YOUR COMPUTER THAT ALL YOU HAVE OPEN IS A BUNCH OF TABS FOR ANN TAYLOR LOFT. 1403 00:50:35,309 --> 00:50:36,708 ALL YOU HAVE OPEN IS A BUNCH OF TABS FOR ANN TAYLOR LOFT. >> FOR WORK CLOTHES BECAUSE I AM 1404 00:50:36,710 --> 00:50:38,744 TABS FOR ANN TAYLOR LOFT. >> FOR WORK CLOTHES BECAUSE I AM ALWAYS HERE. 1405 00:50:38,746 --> 00:50:40,312 >> FOR WORK CLOTHES BECAUSE I AM ALWAYS HERE. >> RIGHT. 1406 00:50:40,314 --> 00:50:41,547 ALWAYS HERE. >> RIGHT. AND WHERE? 1407 00:50:41,549 --> 00:50:46,351 >> RIGHT. AND WHERE? LIKE HONESTLY, WHAT DO YOU DO? 1408 00:50:46,353 --> 00:50:46,952 AND WHERE? LIKE HONESTLY, WHAT DO YOU DO? >> I'M CHE'S ASSISTANT. 1409 00:50:46,954 --> 00:50:51,290 LIKE HONESTLY, WHAT DO YOU DO? >> I'M CHE'S ASSISTANT. >> OKAY. 1410 00:50:51,292 --> 00:50:53,625 >> I'M CHE'S ASSISTANT. >> OKAY. >> HEY, MAN, CRYSTAL'S THE BEST. 1411 00:50:53,627 --> 00:51:20,485 >> OKAY. >> HEY, MAN, CRYSTAL'S THE BEST. >> YOUR VERY BUSY COWORKER, 1412 00:51:20,487 --> 00:51:21,353 >> HEY, MAN, CRYSTAL'S THE BEST. >> YOUR VERY BUSY COWORKER, >>> OKAY. 1413 00:51:21,355 --> 00:51:23,021 >> YOUR VERY BUSY COWORKER, >>> OKAY. LOOKS LIKE OUR AORS HAVE 1414 00:51:23,023 --> 00:51:23,889 >>> OKAY. LOOKS LIKE OUR AORS HAVE ARRIVED ON SET. 1415 00:51:23,891 --> 00:51:25,891 LOOKS LIKE OUR AORS HAVE ARRIVED ON SET. WHAT DO YOWE DO THIS 1416 00:51:25,893 --> 00:51:26,191 ARRIVED ON SET. WHAT DO YOWE DO THIS THING? 1417 00:51:26,193 --> 00:51:28,627 WHAT DO YOWE DO THIS THING? >>NOW I'M READY. 1418 00:51:28,629 --> 00:51:28,961 THING? >>NOW I'M READY. >> YES. 1419 00:51:28,963 --> 00:51:29,328 >>NOW I'M READY. >> YES. >> YES. 1420 00:51:29,330 --> 00:51:31,296 >> YES. >> YES. >> KEITH, I JUST WANTED TO SAY 1421 00:51:31,298 --> 00:51:32,731 >> YES. >> KEITH, I JUST WANTED TO SAY THANK YOU SO MUCH FOR LETTING ME 1422 00:51:32,733 --> 00:51:33,966 >> KEITH, I JUST WANTED TO SAY THANK YOU SO MUCH FOR LETTING ME DO THIS DRUG COMMERCIAL. 1423 00:51:33,968 --> 00:51:35,267 THANK YOU SO MUCH FOR LETTING ME DO THIS DRUG COMMERCIAL. I'M SOMEONE WHO NEVER THOUGHT 1424 00:51:35,269 --> 00:51:36,902 DO THIS DRUG COMMERCIAL. I'M SOMEONE WHO NEVER THOUGHT MUCH ABOUT MEDICATIONS UNTIL I 1425 00:51:36,904 --> 00:51:40,505 I'M SOMEONE WHO NEVER THOUGHT MUCH ABOUT MEDICATIONS UNTIL I RELY SEN TO WOMEN'S I 1426 00:51:40,507 --> 00:51:43,375 MUCH ABOUT MEDICATIONS UNTIL I RELY SEN TO WOMEN'S I ISSUES AND HONESTLY I THINK WILL 1427 00:51:43,377 --> 00:51:43,809 RELY SEN TO WOMEN'S I ISSUES AND HONESTLY I THINK WILL HELP PEOPLE. 1428 00:51:43,811 --> 00:51:45,911 ISSUES AND HONESTLY I THINK WILL HELP PEOPLE. >> WELL, THANK YOU. 1429 00:51:45,913 --> 00:51:46,912 HELP PEOPLE. >> WELL, THANK YOU. I HOPE SO TOO. 1430 00:51:46,914 --> 00:51:50,148 >> WELL, THANK YOU. I HOPE SO TOO. WHAT DO YOU SAY WE GIVE IT A 1431 00:51:50,150 --> 00:51:50,515 I HOPE SO TOO. WHAT DO YOU SAY WE GIVE IT A TRY, HUH? 1432 00:51:50,517 --> 00:51:52,451 WHAT DO YOU SAY WE GIVE IT A TRY, HUH? >> I THINK THAT SOUNDS TERRIFIC. 1433 00:51:52,453 --> 00:51:53,218 TRY, HUH? >> I THINK THAT SOUNDS TERRIFIC. >> ALL RIGHT. 1434 00:51:53,220 --> 00:51:54,386 >> I THINK THAT SOUNDS TERRIFIC. >> ALL RIGHT. PLACES, EVERYBODY 1435 00:51:54,388 --> 00:51:55,354 >> ALL RIGHT. PLACES, EVERYBODY AND ACTION 1436 00:51:55,356 --> 00:51:56,855 PLACES, EVERYBODY AND ACTION ♪ THERE'S A NEW DRUG FOR GALS 1437 00:51:56,857 --> 00:52:01,193 AND ACTION ♪ THERE'S A NEW DRUG FOR GALS OVER 40, IT'S HORMONE-FREE AND 1438 00:52:01,195 --> 00:52:02,127 ♪ THERE'S A NEW DRUG FOR GALS OVER 40, IT'S HORMONE-FREE AND MADE JUST FOR ME ♪ 1439 00:52:02,129 --> 00:52:04,997 OVER 40, IT'S HORMONE-FREE AND MADE JUST FOR ME ♪ ♪ EASY TO USE AND IT'S SUPER 1440 00:52:04,999 --> 00:52:05,697 MADE JUST FOR ME ♪ ♪ EASY TO USE AND IT'S SUPER EFFECTIVE ♪ 1441 00:52:05,699 --> 00:52:08,000 ♪ EASY TO USE AND IT'S SUPER EFFECTIVE ♪ ♪ THAT'S UNEXPECTED, SO WHAT IS 1442 00:52:08,002 --> 00:52:09,401 EFFECTIVE ♪ ♪ THAT'S UNEXPECTED, SO WHAT IS IT CALLED ♪ 1443 00:52:09,403 --> 00:52:12,004 ♪ THAT'S UNEXPECTED, SO WHAT IS IT CALLED ♪ ♪ IT'S CALLED VA JERTED, HOW 1444 00:52:12,006 --> 00:52:16,909 IT CALLED ♪ ♪ IT'S CALLED VA JERTED, HOW GREAT A NAME IS THAT, IT'S 1445 00:52:16,911 --> 00:52:18,143 ♪ IT'S CALLED VA JERTED, HOW GREAT A NAME IS THAT, IT'S 1446 00:52:18,145 --> 00:52:18,911 GREAT A NAME IS THAT, IT'S 1447 00:52:18,913 --> 00:52:23,081 CALLED VAGERTED ♪ 1448 00:52:23,083 --> 00:52:25,050 CALLED VAGERTED ♪ ♪ AND WHERE IS IT INSERTED ♪ 1449 00:52:25,052 --> 00:52:27,219 CALLED VAGERTED ♪ ♪ AND WHERE IS IT INSERTED ♪ ♪ YOU ALREADY KNOW ♪ 1450 00:52:27,221 --> 00:52:29,488 ♪ AND WHERE IS IT INSERTED ♪ ♪ YOU ALREADY KNOW ♪ >> NOT BAD FOR A FIRST TAKE, 1451 00:52:29,490 --> 00:52:29,821 ♪ YOU ALREADY KNOW ♪ >> NOT BAD FOR A FIRST TAKE, Y'ALL. 1452 00:52:29,823 --> 00:52:31,623 >> NOT BAD FOR A FIRST TAKE, Y'ALL. >> I ACTUALLY HAVE A QUESTION. 1453 00:52:31,625 --> 00:52:33,992 Y'ALL. >> I ACTUALLY HAVE A QUESTION. >> YOU DON'T THINK IT'S 1454 00:52:33,994 --> 00:52:34,493 >> I ACTUALLY HAVE A QUESTION. >> YOU DON'T THINK IT'S DIGNIFIED ENOUGH. 1455 00:52:34,495 --> 00:52:35,060 >> YOU DON'T THINK IT'S DIGNIFIED ENOUGH. >> NO. 1456 00:52:35,062 --> 00:52:36,795 DIGNIFIED ENOUGH. >> NO. I ACTUALLY LOVE WHAT YOU'RE 1457 00:52:36,797 --> 00:52:38,263 >> NO. I ACTUALLY LOVE WHAT YOU'RE DOING WITH VAGERTED. 1458 00:52:38,265 --> 00:52:40,332 I ACTUALLY LOVE WHAT YOU'RE DOING WITH VAGERTED. I WAS JUST WONDERING IF WE'RE 1459 00:52:40,334 --> 00:52:41,900 DOING WITH VAGERTED. I WAS JUST WONDERING IF WE'RE ALL DOING IT JUSTICE. 1460 00:52:41,902 --> 00:52:44,469 I WAS JUST WONDERING IF WE'RE ALL DOING IT JUSTICE. SOME OF US ARE UP HERE REALLY 1461 00:52:44,471 --> 00:52:46,004 ALL DOING IT JUSTICE. SOME OF US ARE UP HERE REALLY SELLING IT AND SOME OF US, OR 1462 00:52:46,006 --> 00:52:48,507 SOME OF US ARE UP HERE REALLY SELLING IT AND SOME OF US, OR MAYBE ONE OR TWO OF US ARE NOT 1463 00:52:48,509 --> 00:52:50,609 SELLING IT AND SOME OF US, OR MAYBE ONE OR TWO OF US ARE NOT GIVING IT THE SAME ENERGY. 1464 00:52:50,611 --> 00:52:52,477 MAYBE ONE OR TWO OF US ARE NOT GIVING IT THE SAME ENERGY. I DON'T WANT TO POINT FINGER. 1465 00:52:52,479 --> 00:52:54,980 GIVING IT THE SAME ENERGY. I DON'T WANT TO POINT FINGER. IT WOULD BE SO SAD IF PEOPLE 1466 00:52:54,982 --> 00:52:57,082 I DON'T WANT TO POINT FINGER. IT WOULD BE SO SAD IF PEOPLE DIDN'T BUY VAGERTED BECAUSE THE 1467 00:52:57,084 --> 00:52:57,582 IT WOULD BE SO SAD IF PEOPLE DIDN'T BUY VAGERTED BECAUSE THE DANCING WAS MID. 1468 00:52:57,584 --> 00:52:58,350 DIDN'T BUY VAGERTED BECAUSE THE DANCING WAS MID. >> I DON'T KNOW WHAT THAT WAS. 1469 00:52:58,352 --> 00:53:00,152 DANCING WAS MID. >> I DON'T KNOW WHAT THAT WAS. BUT I ALSO HAVE A QUESTION. 1470 00:53:00,154 --> 00:53:02,621 >> I DON'T KNOW WHAT THAT WAS. BUT I ALSO HAVE A QUESTION. THIS DRUG IS FOR MEN PAUSE, 1471 00:53:02,623 --> 00:53:04,890 BUT I ALSO HAVE A QUESTION. THIS DRUG IS FOR MEN PAUSE, RIGHT, SO WHY DOESN'T THE SONG 1472 00:53:04,892 --> 00:53:06,091 THIS DRUG IS FOR MEN PAUSE, RIGHT, SO WHY DOESN'T THE SONG COME OUT AND SAY THAT? 1473 00:53:06,093 --> 00:53:08,660 RIGHT, SO WHY DOESN'T THE SONG COME OUT AND SAY THAT? >> WELL, WE DON'T WANT PEOPLE TO 1474 00:53:08,662 --> 00:53:09,928 COME OUT AND SAY THAT? >> WELL, WE DON'T WANT PEOPLE TO CHANGE THE CHANNEL. 1475 00:53:09,930 --> 00:53:11,430 >> WELL, WE DON'T WANT PEOPLE TO CHANGE THE CHANNEL. LET'S TRY THIS NEXT VERSE AND 1476 00:53:11,432 --> 00:53:12,664 CHANGE THE CHANNEL. LET'S TRY THIS NEXT VERSE AND GIVE IT MORE ENERGY THIS TIME. 1477 00:53:12,666 --> 00:53:13,899 LET'S TRY THIS NEXT VERSE AND GIVE IT MORE ENERGY THIS TIME. >> THAT'S A GREAT NOTE. 1478 00:53:13,901 --> 00:53:15,500 GIVE IT MORE ENERGY THIS TIME. >> THAT'S A GREAT NOTE. IT'S A GREAT NOTE FOR EVERYONE. 1479 00:53:15,502 --> 00:53:19,938 >> THAT'S A GREAT NOTE. IT'S A GREAT NOTE FOR EVERYONE. >> AND ACTION! 1480 00:53:19,940 --> 00:53:21,940 IT'S A GREAT NOTE FOR EVERYONE. >> AND ACTION! ♪ IN JUST ONE WEEK, YOU'LL 1481 00:53:21,942 --> 00:53:23,842 >> AND ACTION! ♪ IN JUST ONE WEEK, YOU'LL NOTICE A DIFFERENCE, INSERT IT 1482 00:53:23,844 --> 00:53:26,578 ♪ IN JUST ONE WEEK, YOU'LL NOTICE A DIFFERENCE, INSERT IT DOWN THERE JUST AS DEEP AS YOU 1483 00:53:26,580 --> 00:53:29,081 NOTICE A DIFFERENCE, INSERT IT DOWN THERE JUST AS DEEP AS YOU CAN ♪ 1484 00:53:29,083 --> 00:53:35,053 DOWN THERE JUST AS DEEP AS YOU CAN ♪ ♪ GOOD-BYE LABIDO, VAGERTED, 1485 00:53:35,055 --> 00:53:37,489 CAN ♪ ♪ GOOD-BYE LABIDO, VAGERTED, THAT'S THE NAME THEY CLOSE, THEY 1486 00:53:37,491 --> 00:53:39,558 ♪ GOOD-BYE LABIDO, VAGERTED, THAT'S THE NAME THEY CLOSE, THEY CLOSE VAGERTED ♪ 1487 00:53:39,560 --> 00:53:42,594 THAT'S THE NAME THEY CLOSE, THEY CLOSE VAGERTED ♪ COME ON, GIRLS, LET'S DANCE. 1488 00:53:42,596 --> 00:53:44,963 CLOSE VAGERTED ♪ COME ON, GIRLS, LET'S DANCE. >> VAGITA IS NOT FOR EVERYBODY, 1489 00:53:44,965 --> 00:53:46,365 COME ON, GIRLS, LET'S DANCE. >> VAGITA IS NOT FOR EVERYBODY, SO ASK YOUR DOCTOR IF IT'S RIGHT 1490 00:53:46,367 --> 00:53:46,898 >> VAGITA IS NOT FOR EVERYBODY, SO ASK YOUR DOCTOR IF IT'S RIGHT FOR YOU. 1491 00:53:46,900 --> 00:53:49,434 SO ASK YOUR DOCTOR IF IT'S RIGHT FOR YOU. IF HE SAYS NO, FIND ANOTHER 1492 00:53:49,436 --> 00:53:49,768 FOR YOU. IF HE SAYS NO, FIND ANOTHER DOCTOR. 1493 00:53:49,770 --> 00:53:51,403 IF HE SAYS NO, FIND ANOTHER DOCTOR. JUST KEEP GOING TO DIFFERENT 1494 00:53:51,405 --> 00:53:53,672 DOCTOR. JUST KEEP GOING TO DIFFERENT DOCTORS UNTIL ONE OF THEM SAYS 1495 00:53:53,674 --> 00:53:55,040 JUST KEEP GOING TO DIFFERENT DOCTORS UNTIL ONE OF THEM SAYS YOU CAN TAKE VAGITA. 1496 00:53:55,042 --> 00:53:57,843 DOCTORS UNTIL ONE OF THEM SAYS YOU CAN TAKE VAGITA. >> WHAT DID HE CALL IT? 1497 00:53:57,845 --> 00:54:03,715 YOU CAN TAKE VAGITA. >> WHAT DID HE CALL IT? >> DO NOT USE VAGITA IF YOU ARE 1498 00:54:03,717 --> 00:54:05,784 >> WHAT DID HE CALL IT? >> DO NOT USE VAGITA IF YOU ARE ALLERGIC TO VAGITA. 1499 00:54:05,786 --> 00:54:08,787 >> DO NOT USE VAGITA IF YOU ARE ALLERGIC TO VAGITA. IF YOU ARE ALERNL IT TO PEANUTS, 1500 00:54:08,789 --> 00:54:11,723 ALLERGIC TO VAGITA. IF YOU ARE ALERNL IT TO PEANUTS, DON'T PUT IT IN YOUR VA JURY TA. 1501 00:54:11,725 --> 00:54:14,860 IF YOU ARE ALERNL IT TO PEANUTS, DON'T PUT IT IN YOUR VA JURY TA. SOME PEOPLE LIKE VAGITA, SOME 1502 00:54:14,862 --> 00:54:16,094 DON'T PUT IT IN YOUR VA JURY TA. SOME PEOPLE LIKE VAGITA, SOME PEOPLE DO NOT. 1503 00:54:16,096 --> 00:54:18,296 SOME PEOPLE LIKE VAGITA, SOME PEOPLE DO NOT. I THINK IT'S VERY NICE. 1504 00:54:18,298 --> 00:54:20,032 PEOPLE DO NOT. I THINK IT'S VERY NICE. CLINICAL TRIALS HAVE NOT BEEN 1505 00:54:20,034 --> 00:54:21,099 I THINK IT'S VERY NICE. CLINICAL TRIALS HAVE NOT BEEN COMPLETES IN THE SENSE THAT THEY 1506 00:54:21,101 --> 00:54:22,100 CLINICAL TRIALS HAVE NOT BEEN COMPLETES IN THE SENSE THAT THEY HAVE NOT STARTED. 1507 00:54:22,102 --> 00:54:23,368 COMPLETES IN THE SENSE THAT THEY HAVE NOT STARTED. >> THAT'S NOT GOOD. 1508 00:54:23,370 --> 00:54:28,173 HAVE NOT STARTED. >> THAT'S NOT GOOD. >> VAGITA SHOULD NOT BE TAKEN 1509 00:54:28,175 --> 00:54:30,175 >> THAT'S NOT GOOD. >> VAGITA SHOULD NOT BE TAKEN ORALLY, EVEN THOUGH IT TASTES 1510 00:54:30,177 --> 00:54:32,044 >> VAGITA SHOULD NOT BE TAKEN ORALLY, EVEN THOUGH IT TASTES REAL GOOD. 1511 00:54:32,046 --> 00:54:34,012 ORALLY, EVEN THOUGH IT TASTES REAL GOOD. VAGITA IS HIGHLY ADDICTIVE. 1512 00:54:34,014 --> 00:54:37,382 REAL GOOD. VAGITA IS HIGHLY ADDICTIVE. IT GIVES YOU AN ALCOHOL-LIKE 1513 00:54:37,384 --> 00:54:38,617 VAGITA IS HIGHLY ADDICTIVE. IT GIVES YOU AN ALCOHOL-LIKE BUZZ WITHOUT A HANGOVER. 1514 00:54:38,619 --> 00:54:41,520 IT GIVES YOU AN ALCOHOL-LIKE BUZZ WITHOUT A HANGOVER. I WISH I HAD VAGITA SO I COULD 1515 00:54:41,522 --> 00:54:42,654 BUZZ WITHOUT A HANGOVER. I WISH I HAD VAGITA SO I COULD TAKE IT. 1516 00:54:42,656 --> 00:54:43,688 I WISH I HAD VAGITA SO I COULD TAKE IT. TRY VAGINA TODAY. 1517 00:54:43,690 --> 00:54:45,023 TAKE IT. TRY VAGINA TODAY. >> OKAY, CAN WE STOP. 1518 00:54:45,025 --> 00:54:46,158 TRY VAGINA TODAY. >> OKAY, CAN WE STOP. >> YEAH. 1519 00:54:46,160 --> 00:54:48,660 >> OKAY, CAN WE STOP. >> YEAH. HE JUST SAID TRY VAGINA TODAY. 1520 00:54:48,662 --> 00:54:50,228 >> YEAH. HE JUST SAID TRY VAGINA TODAY. THIS PRODUCT SOUNDS REALLY 1521 00:54:50,230 --> 00:54:50,562 HE JUST SAID TRY VAGINA TODAY. THIS PRODUCT SOUNDS REALLY AWFUL. 1522 00:54:50,564 --> 00:54:51,696 THIS PRODUCT SOUNDS REALLY AWFUL. >> I'LL TELL YOU WHAT'S AWFUL. 1523 00:54:51,698 --> 00:54:52,798 AWFUL. >> I'LL TELL YOU WHAT'S AWFUL. LOOK AROUND. 1524 00:54:52,800 --> 00:54:54,900 >> I'LL TELL YOU WHAT'S AWFUL. LOOK AROUND. IT'S LIKE ONE OF US IS BEYONCE 1525 00:54:54,902 --> 00:54:57,035 LOOK AROUND. IT'S LIKE ONE OF US IS BEYONCE AND THE OTHER TWO ARE REALLY BAD 1526 00:54:57,037 --> 00:54:57,602 IT'S LIKE ONE OF US IS BEYONCE AND THE OTHER TWO ARE REALLY BAD AT DANCING. 1527 00:54:57,604 --> 00:54:58,870 AND THE OTHER TWO ARE REALLY BAD AT DANCING. >> WHAT'S YOUR PROBLEM? 1528 00:54:58,872 --> 00:55:00,472 AT DANCING. >> WHAT'S YOUR PROBLEM? YOU WERE SO NICE AT THE 1529 00:55:00,474 --> 00:55:00,839 >> WHAT'S YOUR PROBLEM? YOU WERE SO NICE AT THE AUDITION. 1530 00:55:00,841 --> 00:55:01,540 YOU WERE SO NICE AT THE AUDITION. >> YEAH. 1531 00:55:01,542 --> 00:55:02,207 AUDITION. >> YEAH. THAT'S WHAT I DO. 1532 00:55:02,209 --> 00:55:02,774 >> YEAH. THAT'S WHAT I DO. >>KAY. 1533 00:55:02,776 --> 00:55:04,276 THAT'S WHAT I DO. >>KAY. WE'RE OUT OF HERE. 1534 00:55:04,278 --> 00:55:05,911 >>KAY. WE'RE OUT OF HERE. >> GOOD LUCK, KEITH. 1535 00:55:05,913 --> 00:55:07,145 WE'RE OUT OF HERE. >> GOOD LUCK, KEITH. YOU'LL NEVER REPLACE US. 1536 00:55:07,147 --> 00:55:08,847 >> GOOD LUCK, KEITH. YOU'LL NEVER REPLACE US. >> WELL, NOW WHAT DO WE DO? 1537 00:55:08,849 --> 00:55:12,751 YOU'LL NEVER REPLACE US. >> WELL, NOW WHAT DO WE DO? >> HIT THE MUSIC. 1538 00:55:12,753 --> 00:55:17,489 >> WELL, NOW WHAT DO WE DO? >> HIT THE MUSIC. ♪ THERE'S A NEW DRUG FOR GALS 1539 00:55:17,491 --> 00:55:19,958 >> HIT THE MUSIC. ♪ THERE'S A NEW DRUG FOR GALS OVER 40, IT'S CALLED 1540 00:55:19,960 --> 00:55:20,425 ♪ THERE'S A NEW DRUG FOR GALS OVER 40, IT'S CALLED VA-JAY-JAY ♪ 1541 00:55:20,427 --> 00:55:23,595 OVER 40, IT'S CALLED VA-JAY-JAY ♪ >> I THINK IT'S VAGERTED. 1542 00:55:23,597 --> 00:55:24,029 VA-JAY-JAY ♪ >> I THINK IT'S VAGERTED. >> WHATEVER. 1543 00:55:24,031 --> 00:55:25,564 >> I THINK IT'S VAGERTED. >> WHATEVER. >> ASK YOUR DOCTOR IF VA-JAY-JAY 1544 00:55:25,566 --> 00:55:27,999 >> WHATEVER. >> ASK YOUR DOCTOR IF VA-JAY-JAY IS RIGHT FOR YOU. 1545 00:55:51,674 --> 00:56:08,290 >>> ONCE AGAIN, JONAS BROTHERS. [ CHEERS AND APPLAUSE ] ♪ 1546 00:56:08,292 --> 00:56:10,358 [ CHEERS AND APPLAUSE ] ♪ ♪ I GET TO SEE 1547 00:56:10,360 --> 00:56:16,231 ♪ ♪ I GET TO SEE LIGHTNING IN HER HEART 1548 00:56:16,233 --> 00:56:22,904 ♪ I GET TO SEE LIGHTNING IN HER HEART NEVER ENDING LIGHT 1549 00:56:22,906 --> 00:56:25,006 LIGHTNING IN HER HEART NEVER ENDING LIGHT WHAT A THOUGHT ♪ 1550 00:56:25,008 --> 00:56:26,441 NEVER ENDING LIGHT WHAT A THOUGHT ♪ ♪ DARLING YOU'D MAKE 1551 00:56:26,443 --> 00:56:30,111 WHAT A THOUGHT ♪ ♪ DARLING YOU'D MAKE THE WALLS CRY 1552 00:56:30,113 --> 00:56:32,247 ♪ DARLING YOU'D MAKE THE WALLS CRY DARLING YOU'D MAKE 1553 00:56:32,249 --> 00:56:36,518 THE WALLS CRY DARLING YOU'D MAKE THE WALLS CRY ♪ 1554 00:56:36,520 --> 00:56:38,620 DARLING YOU'D MAKE THE WALLS CRY ♪ ♪ 'CAUSE TIME IS A DOORFRAME 1555 00:56:38,622 --> 00:56:40,722 THE WALLS CRY ♪ ♪ 'CAUSE TIME IS A DOORFRAME I WANNA GO THROUGH 1556 00:56:40,724 --> 00:56:43,391 ♪ 'CAUSE TIME IS A DOORFRAME I WANNA GO THROUGH AS LONG AS IT LEADS ME 1557 00:56:43,393 --> 00:56:46,027 I WANNA GO THROUGH AS LONG AS IT LEADS ME BACK TO YOU YEAH ♪ 1558 00:56:46,029 --> 00:56:48,730 AS LONG AS IT LEADS ME BACK TO YOU YEAH ♪ ♪ IF YOU EVER LEFT ME 1559 00:56:48,732 --> 00:56:49,798 BACK TO YOU YEAH ♪ ♪ IF YOU EVER LEFT ME I WOULD DIE 1560 00:56:49,800 --> 00:56:50,866 ♪ IF YOU EVER LEFT ME I WOULD DIE AND EVEN THE WALLS 1561 00:56:50,868 --> 00:56:54,569 I WOULD DIE AND EVEN THE WALLS WOULD CRY ♪ 1562 00:56:54,571 --> 00:56:59,407 AND EVEN THE WALLS WOULD CRY ♪ ♪ 1563 00:56:59,409 --> 00:57:08,450 WOULD CRY ♪ ♪ ♪ 1564 00:57:08,452 --> 00:57:13,755 ♪ ♪ ♪ WHENEVER YOUR HEADLIGHTS 1565 00:57:13,757 --> 00:57:15,323 ♪ ♪ WHENEVER YOUR HEADLIGHTS DO YOUR HEART 1566 00:57:15,325 --> 00:57:19,561 ♪ WHENEVER YOUR HEADLIGHTS DO YOUR HEART I LOVE YOU ALL OVER 1567 00:57:19,563 --> 00:57:22,797 DO YOUR HEART I LOVE YOU ALL OVER EVERY START OHH ♪ 1568 00:57:22,799 --> 00:57:26,001 I LOVE YOU ALL OVER EVERY START OHH ♪ ♪ DARLING YOU'D MAKE 1569 00:57:26,003 --> 00:57:29,204 EVERY START OHH ♪ ♪ DARLING YOU'D MAKE THE WALLS CRY 1570 00:57:29,206 --> 00:57:32,407 ♪ DARLING YOU'D MAKE THE WALLS CRY DARLING YOU'D MAKE 1571 00:57:32,409 --> 00:57:35,076 THE WALLS CRY DARLING YOU'D MAKE THE WALLS CRY ♪ 1572 00:57:35,078 --> 00:57:37,212 DARLING YOU'D MAKE THE WALLS CRY ♪ ♪ 'CAUSE TIME IS A DOORFRAME 1573 00:57:37,214 --> 00:57:39,848 THE WALLS CRY ♪ ♪ 'CAUSE TIME IS A DOORFRAME I WANNA GO THROUGH 1574 00:57:39,850 --> 00:57:42,517 ♪ 'CAUSE TIME IS A DOORFRAME I WANNA GO THROUGH AS LONG AS IT LEADS ME 1575 00:57:42,519 --> 00:57:45,186 I WANNA GO THROUGH AS LONG AS IT LEADS ME BACK TO YOU YEAH ♪ 1576 00:57:45,188 --> 00:57:47,789 AS LONG AS IT LEADS ME BACK TO YOU YEAH ♪ ♪ IF YOU EVER LEFT ME 1577 00:57:47,791 --> 00:57:49,391 BACK TO YOU YEAH ♪ ♪ IF YOU EVER LEFT ME I WOULD DIE 1578 00:57:49,393 --> 00:57:49,925 ♪ IF YOU EVER LEFT ME I WOULD DIE AND EVEN THE WALLS 1579 00:57:49,927 --> 00:57:56,831 I WOULD DIE AND EVEN THE WALLS WOULD CRY ♪ 1580 00:57:56,833 --> 00:58:02,103 AND EVEN THE WALLS WOULD CRY ♪ ♪ EVEN THE WALLS WOULD CRY 1581 00:58:02,105 --> 00:58:04,272 WOULD CRY ♪ ♪ EVEN THE WALLS WOULD CRY LEVANTATE EN AMOR 1582 00:58:04,274 --> 00:58:11,746 ♪ EVEN THE WALLS WOULD CRY LEVANTATE EN AMOR EVEN THE WALLS WOULD CRY 1583 00:58:11,748 --> 00:58:13,915 LEVANTATE EN AMOR EVEN THE WALLS WOULD CRY EVEN THE WALLS WOULD CRY ♪ 1584 00:58:13,917 --> 00:58:15,483 EVEN THE WALLS WOULD CRY EVEN THE WALLS WOULD CRY ♪ ♪ LEVANTATE 1585 00:58:15,485 --> 00:58:16,551 EVEN THE WALLS WOULD CRY ♪ ♪ LEVANTATE EVEN THE WALLS WOULD CRY 1586 00:58:16,553 --> 00:58:18,720 ♪ LEVANTATE EVEN THE WALLS WOULD CRY LEVANTATE 1587 00:58:18,722 --> 00:58:26,227 EVEN THE WALLS WOULD CRY LEVANTATE EVEN THE WALLS WOULD CRY ♪ 1588 00:58:26,229 --> 00:58:32,600 LEVANTATE EVEN THE WALLS WOULD CRY ♪ ♪ EVEN THE WALLS WOULD CRY 1589 00:58:32,602 --> 00:58:40,542 EVEN THE WALLS WOULD CRY ♪ ♪ EVEN THE WALLS WOULD CRY EVEN THE WALLS WOULD CRY 1590 00:58:40,544 --> 00:58:46,381 ♪ EVEN THE WALLS WOULD CRY EVEN THE WALLS WOULD CRY EVEN THE WALLS WOULD CRY ♪ 1591 00:58:46,383 --> 00:58:47,949 EVEN THE WALLS WOULD CRY EVEN THE WALLS WOULD CRY ♪ ♪ AS WE PROCEED 1592 00:58:47,951 --> 00:58:53,788 EVEN THE WALLS WOULD CRY ♪ ♪ AS WE PROCEED EVEN THE WALLS WOULD CRY ♪ 1593 00:58:53,790 --> 00:58:54,356 ♪ AS WE PROCEED EVEN THE WALLS WOULD CRY ♪ AS WE PROCEED 1594 00:58:54,358 --> 00:58:56,958 EVEN THE WALLS WOULD CRY ♪ AS WE PROCEED EVEN THE WALLS WOULD CRY ♪ 1595 00:58:56,960 --> 00:58:57,659 AS WE PROCEED EVEN THE WALLS WOULD CRY ♪ ♪ EVEN THE WALLS WOULD CRY 1596 00:58:57,661 --> 00:58:58,259 EVEN THE WALLS WOULD CRY ♪ ♪ EVEN THE WALLS WOULD CRY EVEN THE WALLS WOULD CRY 1597 00:58:58,261 --> 00:59:00,695 ♪ EVEN THE WALLS WOULD CRY EVEN THE WALLS WOULD CRY AS WE PROCEED 1598 00:59:00,697 --> 00:59:02,797 EVEN THE WALLS WOULD CRY AS WE PROCEED TO GIVE YOU WHAT YOU NEED ♪ 1599 00:59:02,799 --> 00:59:05,967 AS WE PROCEED TO GIVE YOU WHAT YOU NEED ♪ ♪ EVEN THE WALLS WOULD CRY 1600 00:59:05,969 --> 00:59:07,569 TO GIVE YOU WHAT YOU NEED ♪ ♪ EVEN THE WALLS WOULD CRY AS WE PROCEED 1601 00:59:07,571 --> 00:59:10,205 ♪ EVEN THE WALLS WOULD CRY AS WE PROCEED EVEN THE WALLS WOULD CRY ♪ 1602 00:59:10,207 --> 00:59:10,705 AS WE PROCEED EVEN THE WALLS WOULD CRY ♪ ♪ AS WE PROCEED 1603 00:59:10,707 --> 00:59:15,510 EVEN THE WALLS WOULD CRY ♪ ♪ AS WE PROCEED EVEN THE WALLS WOULD CRY 1604 00:59:15,512 --> 00:59:17,645 ♪ AS WE PROCEED EVEN THE WALLS WOULD CRY EVEN THE WALLS WOULD CRY ♪ 1605 00:59:17,647 --> 00:59:19,748 EVEN THE WALLS WOULD CRY EVEN THE WALLS WOULD CRY ♪ ♪ EVEN THE WALLS WOULD CRY 1606 00:59:19,750 --> 00:59:22,384 EVEN THE WALLS WOULD CRY ♪ ♪ EVEN THE WALLS WOULD CRY AS WE PROCD 1607 00:59:22,386 --> 00:59:23,952 ♪ EVEN THE WALLS WOULD CRY AS WE PROCD TO GIVE YOU WHAT YOUEED ♪ 1608 00:59:23,954 --> 00:59:32,427 AS WE PROCD TO GIVE YOU WHAT YOUEED ♪ ♪ EVEN THE WALLS WOULD CRY 1609 00:59:32,429 --> 00:59:38,233 TO GIVE YOU WHAT YOUEED ♪ ♪ EVEN THE WALLS WOULD CRY ♪ EVEN THE WALLS WOULD CRY 1610 00:59:38,235 --> 00:59:46,674 ♪ EVEN THE WALLS WOULD CRY ♪ EVEN THE WALLS WOULD CRY EVEN THE WALLS WOULD CRY ♪ 1611 00:59:46,676 --> 00:59:49,310 ♪ EVEN THE WALLS WOULD CRY EVEN THE WALLS WOULD CRY ♪ EVEN THE WALLS WOULD CRY ♪ 1612 00:59:49,312 --> 00:59:52,247 EVEN THE WALLS WOULD CRY ♪ EVEN THE WALLS WOULD CRY ♪ ♪ 1613 00:59:52,249 --> 00:59:58,820 EVEN THE WALLS WOULD CRY ♪ ♪ [ CHEERS AND APPLAUSE ] 1614 01:00:13,252 --> 01:00:22,460 ♪ >>> OKAY, OKAY. SORRY TO INTERRUPT. 1615 01:00:22,462 --> 01:00:24,028 >>> OKAY, OKAY. SORRY TO INTERRUPT. GIRLS, TAKE A GREAT. 1616 01:00:24,030 --> 01:00:24,829 SORRY TO INTERRUPT. GIRLS, TAKE A GREAT. GRETEL, TURBO. 1617 01:00:24,831 --> 01:00:26,331 GIRLS, TAKE A GREAT. GRETEL, TURBO. COME ON, WE NEED TO TALK. 1618 01:00:26,333 --> 01:00:27,065 GRETEL, TURBO. COME ON, WE NEED TO TALK. >> WHAT'S UP? 1619 01:00:27,067 --> 01:00:29,534 COME ON, WE NEED TO TALK. >> WHAT'S UP? >> WELL, AS THE JONAS BROTHERS 1620 01:00:29,536 --> 01:00:32,537 >> WHAT'S UP? >> WELL, AS THE JONAS BROTHERS MANAGER, PART OF MY JOB IS TO 1621 01:00:32,539 --> 01:00:33,671 >> WELL, AS THE JONAS BROTHERS MANAGER, PART OF MY JOB IS TO DELIVER BAD NEWS. 1622 01:00:33,673 --> 01:00:36,307 MANAGER, PART OF MY JOB IS TO DELIVER BAD NEWS. THE BOYS WANT TO HIRE A NEW 1623 01:00:36,309 --> 01:00:36,775 DELIVER BAD NEWS. THE BOYS WANT TO HIRE A NEW CHOREOGRAPHER. 1624 01:00:36,777 --> 01:00:37,509 THE BOYS WANT TO HIRE A NEW CHOREOGRAPHER. >> YOU CAN'T FIRE US. 1625 01:00:37,511 --> 01:00:41,079 CHOREOGRAPHER. >> YOU CAN'T FIRE US. WE INVENTED JOE BRO CORE OWE. 1626 01:00:41,081 --> 01:00:43,214 >> YOU CAN'T FIRE US. WE INVENTED JOE BRO CORE OWE. >> I GAVE NICK HIS HEAD BOP. 1627 01:00:43,216 --> 01:00:45,350 WE INVENTED JOE BRO CORE OWE. >> I GAVE NICK HIS HEAD BOP. I TOLD HIM T GO SIDE TO SIDE 1628 01:00:45,352 --> 01:00:46,918 >> I GAVE NICK HIS HEAD BOP. I TOLD HIM T GO SIDE TO SIDE WITH A FINGER SHIMMY. 1629 01:00:46,920 --> 01:00:49,420 I TOLD HIM T GO SIDE TO SIDE WITH A FINGER SHIMMY. >> BE THAT AS IT MAY, THE BOYS 1630 01:00:49,422 --> 01:00:51,856 WITH A FINGER SHIMMY. >> BE THAT AS IT MAY, THE BOYS FEEL THEY'RE NOT A TEENY BOPPER 1631 01:00:51,858 --> 01:00:52,390 >> BE THAT AS IT MAY, THE BOYS FEEL THEY'RE NOT A TEENY BOPPER BAND ANYMORE. 1632 01:00:52,392 --> 01:00:54,859 FEEL THEY'RE NOT A TEENY BOPPER BAND ANYMORE. AND THEY WANT A MORE MATURE 1633 01:00:54,861 --> 01:00:55,260 BAND ANYMORE. AND THEY WANT A MORE MATURE STAGE ACT. 1634 01:00:55,262 --> 01:00:56,594 AND THEY WANT A MORE MATURE STAGE ACT. >> THAT MA CHUR? 1635 01:00:56,596 --> 01:00:59,597 STAGE ACT. >> THAT MA CHUR? WHO DO THEY THINK CAN DO THAT? 1636 01:00:59,599 --> 01:01:01,332 >> THAT MA CHUR? WHO DO THEY THINK CAN DO THAT? >> HARD TO DESCRIBE. 1637 01:01:01,334 --> 01:01:01,800 WHO DO THEY THINK CAN DO THAT? >> HARD TO DESCRIBE. EASIER TO SEE. 1638 01:01:01,802 --> 01:01:08,740 >> HARD TO DESCRIBE. EASIER TO SEE. LET HER IN. 1639 01:01:08,742 --> 01:01:17,315 EASIER TO SEE. LET HER IN. [ CHEERS AND APPLAUSE ] 1640 01:01:17,317 --> 01:01:24,823 LET HER IN. [ CHEERS AND APPLAUSE ] >> MY NAME IS SALLY O'MALLEY. 1641 01:01:24,825 --> 01:01:25,623 [ CHEERS AND APPLAUSE ] >> MY NAME IS SALLY O'MALLEY. I'M 50 YEARS OLD. 1642 01:01:25,625 --> 01:01:27,425 >> MY NAME IS SALLY O'MALLEY. I'M 50 YEARS OLD. NOT ONE OF THOSE GALS WHO'S 1643 01:01:27,427 --> 01:01:29,194 I'M 50 YEARS OLD. NOT ONE OF THOSE GALS WHO'S AFRAID TO TELL HER REAL AGE. 1644 01:01:29,196 --> 01:01:33,498 NOT ONE OF THOSE GALS WHO'S AFRAID TO TELL HER REAL AGE. AND I LIKE TO KICK, STRETCH, AND 1645 01:01:33,500 --> 01:01:38,036 AFRAID TO TELL HER REAL AGE. AND I LIKE TO KICK, STRETCH, AND KICK! 1646 01:01:38,038 --> 01:01:41,306 AND I LIKE TO KICK, STRETCH, AND KICK! AND I'M 50 YEARS OLD. 1647 01:01:41,308 --> 01:01:41,773 KICK! AND I'M 50 YEARS OLD. 50 YEARS OLD. 1648 01:01:41,775 --> 01:01:42,240 AND I'M 50 YEARS OLD. 50 YEARS OLD. >> THAT'S RIGHT. 1649 01:01:42,242 --> 01:01:44,642 50 YEARS OLD. >> THAT'S RIGHT. THE BOYS WERE VISITING THEIR 1650 01:01:44,644 --> 01:01:46,678 >> THAT'S RIGHT. THE BOYS WERE VISITING THEIR GRANDMOTHER, AND SHE TOOK THEM 1651 01:01:46,680 --> 01:01:48,413 THE BOYS WERE VISITING THEIR GRANDMOTHER, AND SHE TOOK THEM TO HER SENIOR CENTER'S 1652 01:01:48,415 --> 01:01:50,114 GRANDMOTHER, AND SHE TOOK THEM TO HER SENIOR CENTER'S PRODUCTION OF ANNIE, AND SALLY 1653 01:01:50,116 --> 01:01:52,383 TO HER SENIOR CENTER'S PRODUCTION OF ANNIE, AND SALLY HERE WAS STARRING, AND SHE 1654 01:01:52,385 --> 01:01:53,284 PRODUCTION OF ANNIE, AND SALLY HERE WAS STARRING, AND SHE ROCKED THEIR WORLD. 1655 01:01:53,286 --> 01:01:54,853 HERE WAS STARRING, AND SHE ROCKED THEIR WORLD. THEY DON'T WANT TO FIRE ANYBODY. 1656 01:01:54,855 --> 01:01:56,387 ROCKED THEIR WORLD. THEY DON'T WANT TO FIRE ANYBODY. THEY WERE JUST HOPING YOU COULD 1657 01:01:56,389 --> 01:01:57,655 THEY DON'T WANT TO FIRE ANYBODY. THEY WERE JUST HOPING YOU COULD LET SALLY ADD A LITTLE 1658 01:01:57,657 --> 01:01:58,056 THEY WERE JUST HOPING YOU COULD LET SALLY ADD A LITTLE SOMETHING. 1659 01:01:58,058 --> 01:02:00,558 LET SALLY ADD A LITTLE SOMETHING. >> OKAY, SALLY, WHAT LITTLE 1660 01:02:00,560 --> 01:02:02,393 SOMETHING. >> OKAY, SALLY, WHAT LITTLE SOMETHING DO YOU THINK YOU CAN 1661 01:02:02,395 --> 01:02:02,827 >> OKAY, SALLY, WHAT LITTLE SOMETHING DO YOU THINK YOU CAN ADD? 1662 01:02:02,829 --> 01:02:06,397 SOMETHING DO YOU THINK YOU CAN ADD? >> 45 DECADES OF LITTLE DANCING 1663 01:02:06,399 --> 01:02:08,933 ADD? >> 45 DECADES OF LITTLE DANCING AND RED PANTS DANCING. 1664 01:02:08,935 --> 01:02:13,605 >> 45 DECADES OF LITTLE DANCING AND RED PANTS DANCING. I GOT HALF A CENTURY OF SHIZZLE 1665 01:02:13,607 --> 01:02:21,079 AND RED PANTS DANCING. I GOT HALF A CENTURY OF SHIZZLE IN MY LADY SNIZZLE. 1666 01:02:21,081 --> 01:02:25,850 I GOT HALF A CENTURY OF SHIZZLE IN MY LADY SNIZZLE. NOTHING WRONG WITH THAT. 1667 01:02:25,852 --> 01:02:31,089 IN MY LADY SNIZZLE. NOTHING WRONG WITH THAT. [ LAUGHTER ] 1668 01:02:31,091 --> 01:02:32,257 NOTHING WRONG WITH THAT. [ LAUGHTER ] BEING A WOMAN. 1669 01:02:32,259 --> 01:02:32,991 [ LAUGHTER ] BEING A WOMAN. THE GRAND CANYON'S GOT NOTHING 1670 01:02:32,993 --> 01:02:36,094 BEING A WOMAN. THE GRAND CANYON'S GOT NOTHING ON ME. 1671 01:02:36,096 --> 01:02:38,763 THE GRAND CANYON'S GOT NOTHING ON ME. >> YOU KNOW, I'VE ENGINEERED BY 1672 01:02:38,765 --> 01:02:39,764 ON ME. >> YOU KNOW, I'VE ENGINEERED BY ENTIRE LIFE SO I WOULD NEVER 1673 01:02:39,766 --> 01:02:43,501 >> YOU KNOW, I'VE ENGINEERED BY ENTIRE LIFE SO I WOULD NEVER HAVE TO E WHAT I JUST SAW. 1674 01:02:43,503 --> 01:02:46,104 ENTIRE LIFE SO I WOULD NEVER HAVE TO E WHAT I JUST SAW. AND RUSSELL, ARE YOU SURE SHE'S 1675 01:02:46,106 --> 01:02:46,371 HAVE TO E WHAT I JUST SAW. AND RUSSELL, ARE YOU SURE SHE'S 50? 1676 01:02:46,373 --> 01:02:49,007 AND RUSSELL, ARE YOU SURE SHE'S 50? >> HONEY, I'VE BEEN 50 SINCE 1677 01:02:49,009 --> 01:02:50,008 50? >> HONEY, I'VE BEEN 50 SINCE BEFORE YOU WAS BORN. 1678 01:02:50,010 --> 01:02:52,343 >> HONEY, I'VE BEEN 50 SINCE BEFORE YOU WAS BORN. >> CAN YOU PLEASE JUST GIVE IT A 1679 01:02:52,345 --> 01:02:52,610 BEFORE YOU WAS BORN. >> CAN YOU PLEASE JUST GIVE IT A TRY? 1680 01:02:52,612 --> 01:02:54,045 >> CAN YOU PLEASE JUST GIVE IT A TRY? THE BOYS FEEL THAT SALLY 1681 01:02:54,047 --> 01:02:54,979 TRY? THE BOYS FEEL THAT SALLY REPRESENTS WHO THEY ARE NOW. 1682 01:02:54,981 --> 01:02:56,147 THE BOYS FEEL THAT SALLY REPRESENTS WHO THEY ARE NOW. >> DO THEY? 1683 01:02:56,149 --> 01:02:58,049 REPRESENTS WHO THEY ARE NOW. >> DO THEY? THEN TELL US WHO YOU ARE, SALLY. 1684 01:02:58,051 --> 01:03:00,852 >> DO THEY? THEN TELL US WHO YOU ARE, SALLY. >> LISTEN, I'M A CHOO CHOO 1685 01:03:00,854 --> 01:03:04,923 THEN TELL US WHO YOU ARE, SALLY. >> LISTEN, I'M A CHOO CHOO CHARLIE AND A CLASS ACT. 1686 01:03:04,925 --> 01:03:06,691 >> LISTEN, I'M A CHOO CHOO CHARLIE AND A CLASS ACT. >> HEY, RUSSELL, I LOVE YOU. 1687 01:03:06,693 --> 01:03:10,628 CHARLIE AND A CLASS ACT. >> HEY, RUSSELL, I LOVE YOU. I JUST THINK THE JONAS BROTHERS 1688 01:03:10,630 --> 01:03:13,831 >> HEY, RUSSELL, I LOVE YOU. I JUST THINK THE JONAS BROTHERS ARE MAKING A HUGE MISTAKE. 1689 01:03:13,833 --> 01:03:18,102 I JUST THINK THE JONAS BROTHERS ARE MAKING A HUGE MISTAKE. >> IS THAT WHAT YOU THINK, HUH? 1690 01:03:18,104 --> 01:03:18,703 ARE MAKING A HUGE MISTAKE. >> IS THAT WHAT YOU THINK, HUH? 1691 01:03:18,705 --> 01:03:21,506 >> IS THAT WHAT YOU THINK, HUH? WELL, WELL, WELL, IF IT ISN'T 1692 01:03:21,508 --> 01:03:22,774 WELL, WELL, WELL, IF IT ISN'T NEIL, CALVIN, AND JOHN. 1693 01:03:22,776 --> 01:03:26,377 WELL, WELL, WELL, IF IT ISN'T NEIL, CALVIN, AND JOHN. >> NICK, JOE, AND KEVIN. 1694 01:03:26,379 --> 01:03:28,313 NEIL, CALVIN, AND JOHN. >> NICK, JOE, AND KEVIN. WE CAME BY BECAUSE WE HAD A 1695 01:03:28,315 --> 01:03:29,480 >> NICK, JOE, AND KEVIN. WE CAME BY BECAUSE WE HAD A FEELING THEY MIGHT NOT 1696 01:03:29,482 --> 01:03:30,648 WE CAME BY BECAUSE WE HAD A FEELING THEY MIGHT NOT UNDERSTAND YOUR NEW CONCEPT. 1697 01:03:30,650 --> 01:03:36,854 FEELING THEY MIGHT NOT UNDERSTAND YOUR NEW CONCEPT. >> SO WE WANTED TO SHOW THEM. 1698 01:03:36,856 --> 01:03:49,734 UNDERSTAND YOUR NEW CONCEPT. >> SO WE WANTED TO SHOW THEM. >> LOOKING GOOD. 1699 01:03:49,736 --> 01:03:51,970 >> SO WE WANTED TO SHOW THEM. >> LOOKING GOOD. YOU'RE LOOKING GOOD, BOYS. 1700 01:03:51,972 --> 01:03:52,537 >> LOOKING GOOD. YOU'RE LOOKING GOOD, BOYS. NOW PUT SOME BONUS? 1701 01:03:52,539 --> 01:03:56,140 YOU'RE LOOKING GOOD, BOYS. NOW PUT SOME BONUS? YOUR JONAS. 1702 01:03:56,142 --> 01:04:00,144 NOW PUT SOME BONUS? YOUR JONAS. NOW, HIT IT, RUSSELL. 1703 01:04:00,146 --> 01:04:04,816 YOUR JONAS. NOW, HIT IT, RUSSELL. HIP, HIP, ARMS, ARMS, NOW KICK, 1704 01:04:04,818 --> 01:04:06,751 NOW, HIT IT, RUSSELL. HIP, HIP, ARMS, ARMS, NOW KICK, STRETCH, AND KICK, STRETCH, 1705 01:04:06,753 --> 01:04:07,452 HIP, HIP, ARMS, ARMS, NOW KICK, STRETCH, AND KICK, STRETCH, KICK, STRETCH. 1706 01:04:07,454 --> 01:04:08,386 STRETCH, AND KICK, STRETCH, KICK, STRETCH. >> WAIT A SECOND. 1707 01:04:08,388 --> 01:04:09,354 KICK, STRETCH. >> WAIT A SECOND. WAIT A SECOND. 1708 01:04:09,356 --> 01:04:10,021 >> WAIT A SECOND. WAIT A SECOND. OH, MY GOD. 1709 01:04:10,023 --> 01:04:12,090 WAIT A SECOND. OH, MY GOD. I AM SO SORRY I EVER DOUBTED 1710 01:04:12,092 --> 01:04:12,690 OH, MY GOD. I AM SO SORRY I EVER DOUBTED YOU, SALLY. 1711 01:04:12,692 --> 01:04:14,158 I AM SO SORRY I EVER DOUBTED YOU, SALLY. I SEE IT NOW. 1712 01:04:14,160 --> 01:04:15,727 YOU, SALLY. I SEE IT NOW. THEY ARE GOING TO PUT THE BOYS 1713 01:04:15,729 --> 01:04:19,897 I SEE IT NOW. THEY ARE GOING TO PUT THE BOYS ON STAGE IN PACKED STADIUMS 1714 01:04:19,899 --> 01:04:21,466 THEY ARE GOING TO PUT THE BOYS ON STAGE IN PACKED STADIUMS AROUND THE WORLD, AND THEY'RE 1715 01:04:21,468 --> 01:04:21,799 ON STAGE IN PACKED STADIUMS AROUND THE WORLD, AND THEY'RE GONNA. 1716 01:04:21,801 --> 01:04:23,267 AROUND THE WORLD, AND THEY'RE GONNA. >> KICK. 1717 01:04:23,269 --> 01:04:23,735 GONNA. >> KICK. >> STRETCH. 1718 01:04:23,737 --> 01:04:24,836 >> KICK. >> STRETCH. >> AND JUMP. 1719 01:04:24,838 --> 01:04:25,703 >> STRETCH. >> AND JUMP. >> JUMP? 1720 01:04:25,705 --> 01:04:26,938 >> AND JUMP. >> JUMP? NEIL, YOU'RE FIRED. 1721 01:04:26,940 --> 01:04:27,605 >> JUMP? NEIL, YOU'RE FIRED. >> WHAT? 1722 01:04:27,607 --> 01:04:30,074 NEIL, YOU'RE FIRED. >> WHAT? >> WAIT A SECOND, SALLY, YOU CAN 1723 01:04:30,076 --> 01:04:30,575 >> WHAT? >> WAIT A SECOND, SALLY, YOU CAN TAKE HIS PLACE. 1724 01:04:30,577 --> 01:04:32,276 >> WAIT A SECOND, SALLY, YOU CAN TAKE HIS PLACE. >> YEAH, THAT'S A GREAT IDEA. 1725 01:04:32,278 --> 01:04:33,678 TAKE HIS PLACE. >> YEAH, THAT'S A GREAT IDEA. DO YOU KNOW ANY OF OUR SONGS? 1726 01:04:33,680 --> 01:04:34,679 >> YEAH, THAT'S A GREAT IDEA. DO YOU KNOW ANY OF OUR SONGS? >> ABSOLUTELY NOT. 1727 01:04:34,681 --> 01:04:36,414 DO YOU KNOW ANY OF OUR SONGS? >> ABSOLUTELY NOT. I'M 50 YEARS OLD. 1728 01:04:36,416 --> 01:04:47,058 >> ABSOLUTELY NOT. I'M 50 YEARS OLD. 50. 1729 01:04:55,601 --> 01:05:00,138 >>> THESE DAYS, IT'S HARD NOT TO FEEL STRESSED OUT AND OVERWHELMED. 1730 01:05:00,140 --> 01:05:01,472 FEEL STRESSED OUT AND OVERWHELMED. SURE, TRUMP GOT INDICTED, BUT 1731 01:05:01,474 --> 01:05:02,707 OVERWHELMED. SURE, TRUMP GOT INDICTED, BUT NOW EVERYONE SAYS THE CASE 1732 01:05:02,709 --> 01:05:05,076 SURE, TRUMP GOT INDICTED, BUT NOW EVERYONE SAYS THE CASE AGAINST HIM IS WEAK AND THAT 1733 01:05:05,078 --> 01:05:07,645 NOW EVERYONE SAYS THE CASE AGAINST HIM IS WEAK AND THAT HE'LL NEVER SERVE ANY JAIL TIME. 1734 01:05:07,647 --> 01:05:09,280 AGAINST HIM IS WEAK AND THAT HE'LL NEVER SERVE ANY JAIL TIME. AS SOMEONE WHOSE ENTIRE 1735 01:05:09,282 --> 01:05:10,415 HE'LL NEVER SERVE ANY JAIL TIME. AS SOMEONE WHOSE ENTIRE PERSONALITY IS HATING DONALD 1736 01:05:10,417 --> 01:05:11,582 AS SOMEONE WHOSE ENTIRE PERSONALITY IS HATING DONALD TRUMP, YOU NEED MORE. 1737 01:05:11,584 --> 01:05:13,951 PERSONALITY IS HATING DONALD TRUMP, YOU NEED MORE. YOU NEED TO FEEL CALM AND 1738 01:05:13,953 --> 01:05:14,318 TRUMP, YOU NEED MORE. YOU NEED TO FEEL CALM AND REASSURED. 1739 01:05:14,320 --> 01:05:20,591 YOU NEED TO FEEL CALM AND REASSURED. YOU NEED THE NEWEST MEDITATION 1740 01:05:20,593 --> 01:05:20,858 REASSURED. YOU NEED THE NEWEST MEDITATION APP. 1741 01:05:20,860 --> 01:05:21,125 YOU NEED THE NEWEST MEDITATION APP. CNZ. 1742 01:05:21,127 --> 01:05:23,461 APP. CNZ. NEW DETAILS FROM TRUMP'S ARREST, 1743 01:05:23,463 --> 01:05:26,030 CNZ. NEW DETAILS FROM TRUMP'S ARREST, FEATURING YOUR FAVORITE CNN 1744 01:05:26,032 --> 01:05:26,397 NEW DETAILS FROM TRUMP'S ARREST, FEATURING YOUR FAVORITE CNN ANCHORS. 1745 01:05:26,399 --> 01:05:27,398 FEATURING YOUR FAVORITE CNN ANCHORS. >> HE'S THE FIRST AMERICAN 1746 01:05:27,400 --> 01:05:28,933 ANCHORS. >> HE'S THE FIRST AMERICAN PRESIDENT TO EVER BE INDICTED. 1747 01:05:28,935 --> 01:05:32,036 >> HE'S THE FIRST AMERICAN PRESIDENT TO EVER BE INDICTED. THIS IS TRULY A HISTORIC AND 1748 01:05:32,038 --> 01:05:32,970 PRESIDENT TO EVER BE INDICTED. THIS IS TRULY A HISTORIC AND HUMILIATING MOMENT. 1749 01:05:32,972 --> 01:05:36,674 THIS IS TRULY A HISTORIC AND HUMILIATING MOMENT. >> TRUMP IS A BRAD, DEFEATED 1750 01:05:36,676 --> 01:05:36,941 HUMILIATING MOMENT. >> TRUMP IS A BRAD, DEFEATED MAN. 1751 01:05:36,943 --> 01:05:38,242 >> TRUMP IS A BRAD, DEFEATED MAN. THEY MADE HIM COME FROM FLORIDA 1752 01:05:38,244 --> 01:05:40,812 MAN. THEY MADE HIM COME FROM FLORIDA WHERE IT'S 80 DEGREES TO NEW 1753 01:05:40,814 --> 01:05:43,681 THEY MADE HIM COME FROM FLORIDA WHERE IT'S 80 DEGREES TO NEW YORK WHERE IT'S ONLY 60 DEGREES. 1754 01:05:43,683 --> 01:05:46,317 WHERE IT'S 80 DEGREES TO NEW YORK WHERE IT'S ONLY 60 DEGREES. HOW DEPRESSING. 1755 01:05:46,319 --> 01:05:48,719 YORK WHERE IT'S ONLY 60 DEGREES. HOW DEPRESSING. >> HIS MOTOR CADE WASN'T THAT 1756 01:05:48,721 --> 01:05:49,020 HOW DEPRESSING. >> HIS MOTOR CADE WASN'T THAT BIG. 1757 01:05:49,022 --> 01:05:50,621 >> HIS MOTOR CADE WASN'T THAT BIG. I THOUGHT IT WOULD BE BIGGER, 1758 01:05:50,623 --> 01:05:52,023 BIG. I THOUGHT IT WOULD BE BIGGER, BUT IT WAS SO SMALL. 1759 01:05:52,025 --> 01:05:53,758 I THOUGHT IT WOULD BE BIGGER, BUT IT WAS SO SMALL. >> DONALD WAS ALL ALONE, NO 1760 01:05:53,760 --> 01:05:55,259 BUT IT WAS SO SMALL. >> DONALD WAS ALL ALONE, NO FAMILY OR FRIENDS TO SUPPORT 1761 01:05:55,261 --> 01:05:55,526 >> DONALD WAS ALL ALONE, NO FAMILY OR FRIENDS TO SUPPORT HIM. 1762 01:05:55,528 --> 01:05:57,295 FAMILY OR FRIENDS TO SUPPORT HIM. I SHOULDN'T SAY THIS AS A 1763 01:05:57,297 --> 01:06:00,031 HIM. I SHOULDN'T SAY THIS AS A JOURNALIST, BUT THAT A LOSER. 1764 01:06:00,033 --> 01:06:03,935 I SHOULDN'T SAY THIS AS A JOURNALIST, BUT THAT A LOSER. >> THAT NEW YORK TIMES REPORTER 1765 01:06:03,937 --> 01:06:06,070 JOURNALIST, BUT THAT A LOSER. >> THAT NEW YORK TIMES REPORTER MAGGIE HABERMAN SOOTH YOU TO 1766 01:06:06,072 --> 01:06:06,404 >> THAT NEW YORK TIMES REPORTER MAGGIE HABERMAN SOOTH YOU TO SLEEP. 1767 01:06:06,406 --> 01:06:08,606 MAGGIE HABERMAN SOOTH YOU TO SLEEP. >> THAT IS A NIGHTMARE, AND HE'S 1768 01:06:08,608 --> 01:06:10,608 SLEEP. >> THAT IS A NIGHTMARE, AND HE'S REALLY FREAKING OUT BECAUSE NOW 1769 01:06:10,610 --> 01:06:12,810 >> THAT IS A NIGHTMARE, AND HE'S REALLY FREAKING OUT BECAUSE NOW HE KNOWS THERE ARE CONSEQUENCES. 1770 01:06:12,812 --> 01:06:14,946 REALLY FREAKING OUT BECAUSE NOW HE KNOWS THERE ARE CONSEQUENCES. >> YOU CAN ALSO LISTEN TO CLIPS 1771 01:06:14,948 --> 01:06:17,482 HE KNOWS THERE ARE CONSEQUENCES. >> YOU CAN ALSO LISTEN TO CLIPS OF TRUMP AND HIS ALLIES 1772 01:06:17,484 --> 01:06:17,882 >> YOU CAN ALSO LISTEN TO CLIPS OF TRUMP AND HIS ALLIES SPIRALING. 1773 01:06:17,884 --> 01:06:20,485 OF TRUMP AND HIS ALLIES SPIRALING. >> PLEASE, DONALD J. TRUMP IS AN 1774 01:06:20,487 --> 01:06:22,320 SPIRALING. >> PLEASE, DONALD J. TRUMP IS AN INNOCENT MAN AND HE NEEDS YOUR 1775 01:06:22,322 --> 01:06:22,620 >> PLEASE, DONALD J. TRUMP IS AN INNOCENT MAN AND HE NEEDS YOUR HELP. 1776 01:06:22,622 --> 01:06:26,190 INNOCENT MAN AND HE NEEDS YOUR HELP. SEND HIM ALL YOUR MONEY TODAY AT 1777 01:06:26,192 --> 01:06:32,864 HELP. SEND HIM ALL YOUR MONEY TODAY AT DON'T J. TRUMP RU/FUND RAISING 1778 01:06:32,866 --> 01:06:33,297 SEND HIM ALL YOUR MONEY TODAY AT DON'T J. TRUMP RU/FUND RAISING SCAM.GUILTY. 1779 01:06:33,299 --> 01:06:35,833 DON'T J. TRUMP RU/FUND RAISING SCAM.GUILTY. >> HIS COURT APPEARANCE WON'T BE 1780 01:06:35,835 --> 01:06:37,001 SCAM.GUILTY. >> HIS COURT APPEARANCE WON'T BE UNTIL AT LEAST DECEMBER. 1781 01:06:37,003 --> 01:06:39,070 >> HIS COURT APPEARANCE WON'T BE UNTIL AT LEAST DECEMBER. THAT'S WHY THEY HAVE A WHOLE 1782 01:06:39,072 --> 01:06:41,706 UNTIL AT LEAST DECEMBER. THAT'S WHY THEY HAVE A WHOLE LIST OF TRUMP INDICTMENT ASR. 1783 01:06:41,708 --> 01:06:44,208 THAT'S WHY THEY HAVE A WHOLE LIST OF TRUMP INDICTMENT ASR. >> CAN YOU HEAR HIM GETTING 1784 01:06:44,210 --> 01:06:46,110 LIST OF TRUMP INDICTMENT ASR. >> CAN YOU HEAR HIM GETTING FINGERPRINTED, AND THE DA 1785 01:06:46,112 --> 01:06:47,845 >> CAN YOU HEAR HIM GETTING FINGERPRINTED, AND THE DA OPENING HIS BIG LEATHER 1786 01:06:47,847 --> 01:06:50,348 FINGERPRINTED, AND THE DA OPENING HIS BIG LEATHER BRIEFCASE, AND A LITTLE GAVEL 1787 01:06:50,350 --> 01:06:50,948 OPENING HIS BIG LEATHER BRIEFCASE, AND A LITTLE GAVEL FROM THE JUDGE. 1788 01:06:50,950 --> 01:06:53,084 BRIEFCASE, AND A LITTLE GAVEL FROM THE JUDGE. I WONDER IF HE'LL EVEN HEAR HAND 1789 01:06:53,086 --> 01:06:57,088 FROM THE JUDGE. I WONDER IF HE'LL EVEN HEAR HAND CUFFS. 1790 01:06:57,090 --> 01:07:00,057 I WONDER IF HE'LL EVEN HEAR HAND CUFFS. >> WITH ADDITIONAL IN-APP 1791 01:07:00,059 --> 01:07:03,161 CUFFS. >> WITH ADDITIONAL IN-APP PURCHASES LIKE AUDIO E RAT KA OF 1792 01:07:03,163 --> 01:07:06,797 >> WITH ADDITIONAL IN-APP PURCHASES LIKE AUDIO E RAT KA OF ALVIN BRAGG READING ALL 40 1793 01:07:06,799 --> 01:07:07,298 PURCHASES LIKE AUDIO E RAT KA OF ALVIN BRAGG READING ALL 40 FELONY ACCOUNTS. 1794 01:07:07,300 --> 01:07:08,666 ALVIN BRAGG READING ALL 40 FELONY ACCOUNTS. >> COUNT ONE, FALSIFYING 1795 01:07:08,668 --> 01:07:10,334 FELONY ACCOUNTS. >> COUNT ONE, FALSIFYING BUSINESS RECORDS IN THE FIRST 1796 01:07:10,336 --> 01:07:10,668 >> COUNT ONE, FALSIFYING BUSINESS RECORDS IN THE FIRST DEGREE. 1797 01:07:10,670 --> 01:07:12,603 BUSINESS RECORDS IN THE FIRST DEGREE. COUNT TWO, FALSIFYING BUSINESS 1798 01:07:12,605 --> 01:07:14,038 DEGREE. COUNT TWO, FALSIFYING BUSINESS RECORDS IN THE FIRST DEGREE. 1799 01:07:14,040 --> 01:07:20,545 COUNT TWO, FALSIFYING BUSINESS RECORDS IN THE FIRST DEGREE. COUNT THREE, FALSIFYING -- 1800 01:07:20,547 --> 01:07:22,380 RECORDS IN THE FIRST DEGREE. COUNT THREE, FALSIFYING -- >> YOU WAITED SEVEN YEARS FOR 1801 01:07:22,382 --> 01:07:24,348 COUNT THREE, FALSIFYING -- >> YOU WAITED SEVEN YEARS FOR THIS INDICTMENT, AND YOU WANT 1802 01:07:24,350 --> 01:07:25,950 >> YOU WAITED SEVEN YEARS FOR THIS INDICTMENT, AND YOU WANT EVERY DELICIOUS DETAIL. 1803 01:07:25,952 --> 01:07:28,186 THIS INDICTMENT, AND YOU WANT EVERY DELICIOUS DETAIL. >>, WHAT ETHNICITY IS TRUMP'S 1804 01:07:28,188 --> 01:07:29,120 EVERY DELICIOUS DETAIL. >>, WHAT ETHNICITY IS TRUMP'S JUDGE AGAIN? 1805 01:07:29,122 --> 01:07:32,557 >>, WHAT ETHNICITY IS TRUMP'S JUDGE AGAIN? >> HISPANIC. 1806 01:07:32,559 --> 01:07:34,425 JUDGE AGAIN? >> HISPANIC. >> CNZN, IN YOUR MIND, HE'S 1807 01:07:34,427 --> 01:07:48,906 >> HISPANIC. >> CNZN, IN YOUR MIND, HE'S ALREAWe aN JAIL. 1808 01:07:49,141 --> 01:07:58,282 >>> THANK YOU SO MUCH TO THE JONAS BROTHERS. MARTIN SHORT. 1809 01:07:58,284 --> 01:08:00,818 JONAS BROTHERS. MARTIN SHORT. I LOVE YOU, LAUREN MICHAELS. 1810 01:08:00,820 --> 01:08:02,987 MARTIN SHORT. I LOVE YOU, LAUREN MICHAELS. YOU ARE THE BEST. 1811 01:08:02,989 --> 01:08:06,991 I LOVE YOU, LAUREN MICHAELS. YOU ARE THE BEST. AND THIS BRILLIANT CAST, OH, MY 1812 01:08:06,993 --> 01:08:07,258 YOU ARE THE BEST. AND THIS BRILLIANT CAST, OH, MY GOD. 1813 01:08:07,260 --> 01:08:08,059 AND THIS BRILLIANT CAST, OH, MY GOD. SO GOOD! 1814 01:08:08,061 --> 01:08:09,927 GOD. SO GOOD! AND OUR WONDERFULCREW. 1815 01:08:09,929 --> 01:08:10,695 SO GOOD! AND OUR WONDERFULCREW. THIS IS JUST A GIFT TO BE BACK. 1816 01:08:10,697 --> 01:08:11,662 AND OUR WONDERFULCREW. THIS IS JUST A GIFT TO BE BACK. THANK YOU! 1817 01:08:11,664 --> 01:08:17,535 THIS IS JUST A GIFT TO BE BACK. THANK YOU! >> YEAH!