1 00:00:08,701 --> 00:00:14,673 . >> Announcer: AND NOW, A MESSAGE FROM FORMER PRESIDENT TRUMP. 2 00:00:14,675 --> 00:00:15,741 >> Announcer: AND NOW, A MESSAGE FROM FORMER PRESIDENT TRUMP. >>> HELLO. 3 00:00:15,743 --> 00:00:16,141 FROM FORMER PRESIDENT TRUMP. >>> HELLO. THANK YOU. 4 00:00:16,143 --> 00:00:16,975 >>> HELLO. THANK YOU. IT'S ME. 5 00:00:16,977 --> 00:00:17,242 THANK YOU. IT'S ME. HI. 6 00:00:17,244 --> 00:00:17,709 IT'S ME. HI. I'M THE PROBLEM. 7 00:00:17,711 --> 00:00:20,178 HI. I'M THE PROBLEM. IT'S ME. 8 00:00:20,180 --> 00:00:21,880 I'M THE PROBLEM. IT'S ME. WELL, FOLKS, IT HAPPENED. 9 00:00:21,882 --> 00:00:24,349 IT'S ME. WELL, FOLKS, IT HAPPENED. I GOT INDICTED, OR AS I SPELL 10 00:00:24,351 --> 00:00:26,218 WELL, FOLKS, IT HAPPENED. I GOT INDICTED, OR AS I SPELL IT, INDICATED. 11 00:00:26,220 --> 00:00:28,987 I GOT INDICTED, OR AS I SPELL IT, INDICATED. AND FRANKLY, IT'S TIME THAT I 12 00:00:28,989 --> 00:00:31,156 IT, INDICATED. AND FRANKLY, IT'S TIME THAT I COME CLEAN, ADMIT THAT I BROKE 13 00:00:31,158 --> 00:00:34,192 AND FRANKLY, IT'S TIME THAT I COME CLEAN, ADMIT THAT I BROKE THE LAW, AND GO QUIETLY TO 14 00:00:34,194 --> 00:00:34,526 COME CLEAN, ADMIT THAT I BROKE THE LAW, AND GO QUIETLY TO PRISON. 15 00:00:34,528 --> 00:00:37,395 THE LAW, AND GO QUIETLY TO PRISON. APRIL FOOLS! 16 00:00:37,397 --> 00:00:38,663 PRISON. APRIL FOOLS! THAT WAS A PRANK. 17 00:00:38,665 --> 00:00:42,267 APRIL FOOLS! THAT WAS A PRANK. I WAS DOING A JIM FROM OFFICE. 18 00:00:42,269 --> 00:00:46,805 THAT WAS A PRANK. I WAS DOING A JIM FROM OFFICE. BUT MAKE NO MISTAKE, WHAT THE 19 00:00:46,807 --> 00:00:48,340 I WAS DOING A JIM FROM OFFICE. BUT MAKE NO MISTAKE, WHAT THE RADICAL LEFT DEMOCRATS ARE DOING 20 00:00:48,342 --> 00:00:50,375 BUT MAKE NO MISTAKE, WHAT THE RADICAL LEFT DEMOCRATS ARE DOING TO ME IS WORSE THAN ANY CRIME 21 00:00:50,377 --> 00:00:51,810 RADICAL LEFT DEMOCRATS ARE DOING TO ME IS WORSE THAN ANY CRIME I'VE EVER COMMITTED, AND I'VE 22 00:00:51,812 --> 00:00:54,679 TO ME IS WORSE THAN ANY CRIME I'VE EVER COMMITTED, AND I'VE COMMITTED A LOT, CLOSE TO 34. 23 00:00:54,681 --> 00:00:56,615 I'VE EVER COMMITTED, AND I'VE COMMITTED A LOT, CLOSE TO 34. SOME ARE SAY I'M GOING TO USE 24 00:00:56,617 --> 00:00:58,483 COMMITTED A LOT, CLOSE TO 34. SOME ARE SAY I'M GOING TO USE THIS INDICTMENT TO RILE UP MY 25 00:00:58,485 --> 00:01:00,485 SOME ARE SAY I'M GOING TO USE THIS INDICTMENT TO RILE UP MY BASE SO THAT THEY GIVE ME MORE 26 00:01:00,487 --> 00:01:00,786 THIS INDICTMENT TO RILE UP MY BASE SO THAT THEY GIVE ME MORE MONEY. 27 00:01:00,788 --> 00:01:01,520 BASE SO THAT THEY GIVE ME MORE MONEY. NOT TRUE. 28 00:01:01,522 --> 00:01:02,487 MONEY. NOT TRUE. NOT TRUE. 29 00:01:02,489 --> 00:01:04,322 NOT TRUE. NOT TRUE. I DON'T WANT ANYTHING FROM MY 30 00:01:04,324 --> 00:01:06,057 NOT TRUE. I DON'T WANT ANYTHING FROM MY BASE EXCEPT THEIR LOVE, THEIR 31 00:01:06,059 --> 00:01:07,459 I DON'T WANT ANYTHING FROM MY BASE EXCEPT THEIR LOVE, THEIR VOTES, PERHAPS THEIR MONEY. 32 00:01:07,461 --> 00:01:08,193 BASE EXCEPT THEIR LOVE, THEIR VOTES, PERHAPS THEIR MONEY. AND I NEED THEIR MONEY MORE THAN 33 00:01:08,195 --> 00:01:10,996 VOTES, PERHAPS THEIR MONEY. AND I NEED THEIR MONEY MORE THAN EVER. 34 00:01:10,998 --> 00:01:13,632 AND I NEED THEIR MONEY MORE THAN EVER. NOW YOU MAY HAVE SEEN I'VE BEEN 35 00:01:13,634 --> 00:01:17,068 EVER. NOW YOU MAY HAVE SEEN I'VE BEEN OPENING MY RALLIES WITH MY 36 00:01:17,070 --> 00:01:18,436 NOW YOU MAY HAVE SEEN I'VE BEEN OPENING MY RALLIES WITH MY WONDERFUL SONG, "JUSTICE FOR 37 00:01:18,438 --> 00:01:22,808 OPENING MY RALLIES WITH MY WONDERFUL SONG, "JUSTICE FOR ALL" WHICH I PERFORMED WITH THE 38 00:01:22,810 --> 00:01:23,475 WONDERFUL SONG, "JUSTICE FOR ALL" WHICH I PERFORMED WITH THE J-6 CHOIR. 39 00:01:23,477 --> 00:01:24,843 ALL" WHICH I PERFORMED WITH THE J-6 CHOIR. THAT'S A REAL THING. 40 00:01:24,845 --> 00:01:26,611 J-6 CHOIR. THAT'S A REAL THING. VERY DISTURBING. 41 00:01:26,613 --> 00:01:31,416 THAT'S A REAL THING. VERY DISTURBING. IT WAS THE NUMBER ONE DOWNLOADED 42 00:01:31,418 --> 00:01:31,716 VERY DISTURBING. IT WAS THE NUMBER ONE DOWNLOADED SONG. 43 00:01:31,718 --> 00:01:32,984 IT WAS THE NUMBER ONE DOWNLOADED SONG. WE BEAT "FLOWERS" BY MILEY, 44 00:01:32,986 --> 00:01:35,654 SONG. WE BEAT "FLOWERS" BY MILEY, WHICH AS WE ALL KNOW IS ABOUT 45 00:01:35,656 --> 00:01:36,087 WE BEAT "FLOWERS" BY MILEY, WHICH AS WE ALL KNOW IS ABOUT LIAM. 46 00:01:36,089 --> 00:01:38,523 WHICH AS WE ALL KNOW IS ABOUT LIAM. BUT MY SONG RAKED IN SO MUCH 47 00:01:38,525 --> 00:01:40,425 LIAM. BUT MY SONG RAKED IN SO MUCH CASH, I THOUGHT WHY STOP THERE. 48 00:01:40,427 --> 00:01:42,427 BUT MY SONG RAKED IN SO MUCH CASH, I THOUGHT WHY STOP THERE. THAT'S WHY I'M PUTTING OUT MY 49 00:01:42,429 --> 00:01:45,397 CASH, I THOUGHT WHY STOP THERE. THAT'S WHY I'M PUTTING OUT MY NEW ALBUM, "NOW THAT'S WHAT I 50 00:01:45,399 --> 00:01:49,334 THAT'S WHY I'M PUTTING OUT MY NEW ALBUM, "NOW THAT'S WHAT I CALL MY LEGAL DEFENSE FUND", 51 00:01:49,336 --> 00:01:51,570 NEW ALBUM, "NOW THAT'S WHAT I CALL MY LEGAL DEFENSE FUND", AKA, TRUMP BOPS, AND I'M 52 00:01:51,572 --> 00:01:53,071 CALL MY LEGAL DEFENSE FUND", AKA, TRUMP BOPS, AND I'M BRINGING ALL THE THINGS 53 00:01:53,073 --> 00:01:55,640 AKA, TRUMP BOPS, AND I'M BRINGING ALL THE THINGS ♪ THAT AIN'T NOTHING, BUT 54 00:01:55,642 --> 00:01:56,675 BRINGING ALL THE THINGS ♪ THAT AIN'T NOTHING, BUT DRUGSTORE LOVING ♪ 55 00:01:56,677 --> 00:01:59,778 ♪ THAT AIN'T NOTHING, BUT DRUGSTORE LOVING ♪ ♪ HEY, LITTLE THINGS, LET ME 56 00:01:59,780 --> 00:02:02,214 DRUGSTORE LOVING ♪ ♪ HEY, LITTLE THINGS, LET ME LIGHT YOUR CANDLE ♪ 57 00:02:02,216 --> 00:02:03,815 ♪ HEY, LITTLE THINGS, LET ME LIGHT YOUR CANDLE ♪ WOW, WHAT A DEAL. 58 00:02:03,817 --> 00:02:08,787 LIGHT YOUR CANDLE ♪ WOW, WHAT A DEAL. JUST 30 CLASSIC OTHERS, ALL 59 00:02:08,789 --> 00:02:09,154 WOW, WHAT A DEAL. JUST 30 CLASSIC OTHERS, ALL HORRIBLE. 60 00:02:09,156 --> 00:02:09,921 JUST 30 CLASSIC OTHERS, ALL HORRIBLE. SUNG BY YOUR FAVORITE PRESIDENT 61 00:02:09,923 --> 00:02:12,457 HORRIBLE. SUNG BY YOUR FAVORITE PRESIDENT TO DEFEND OUR MOVEMENT, AND 62 00:02:12,459 --> 00:02:16,828 SUNG BY YOUR FAVORITE PRESIDENT TO DEFEND OUR MOVEMENT, AND MOSTLY MYSELF, FROM THE EVIL 63 00:02:16,830 --> 00:02:18,396 TO DEFEND OUR MOVEMENT, AND MOSTLY MYSELF, FROM THE EVIL MANHATTAN DA. 64 00:02:18,398 --> 00:02:21,066 MOSTLY MYSELF, FROM THE EVIL MANHATTAN DA. THAT MEANS DISTRICT ATTORNEY. 65 00:02:21,068 --> 00:02:24,102 MANHATTAN DA. THAT MEANS DISTRICT ATTORNEY. BUT I'M A FIGHTER, AND SPEAKING 66 00:02:24,104 --> 00:02:25,237 THAT MEANS DISTRICT ATTORNEY. BUT I'M A FIGHTER, AND SPEAKING OF FIGHTING AND TAKING ADVANTAGE 67 00:02:25,239 --> 00:02:26,705 BUT I'M A FIGHTER, AND SPEAKING OF FIGHTING AND TAKING ADVANTAGE OF FIGHTERS, HERE'S MY FRIEND 68 00:02:26,707 --> 00:02:28,306 OF FIGHTING AND TAKING ADVANTAGE OF FIGHTERS, HERE'S MY FRIEND DON KING. 69 00:02:28,308 --> 00:02:31,643 OF FIGHTERS, HERE'S MY FRIEND DON KING. >> HEY, EVERYBODY. 70 00:02:31,645 --> 00:02:34,145 DON KING. >> HEY, EVERYBODY. WHAT Y'ALL DOING TO THIS MAN IS 71 00:02:34,147 --> 00:02:36,948 >> HEY, EVERYBODY. WHAT Y'ALL DOING TO THIS MAN IS A TRAGEDY. 72 00:02:36,950 --> 00:02:38,950 WHAT Y'ALL DOING TO THIS MAN IS A TRAGEDY. >> SOMEBODY WITH THE BIG HAIR 73 00:02:38,952 --> 00:02:41,419 A TRAGEDY. >> SOMEBODY WITH THE BIG HAIR MURDERED A GUY. 74 00:02:41,421 --> 00:02:42,120 >> SOMEBODY WITH THE BIG HAIR MURDERED A GUY. CAN YOU BELIEVE IT. 75 00:02:42,122 --> 00:02:44,189 MURDERED A GUY. CAN YOU BELIEVE IT. ♪ ISLANDS IN THE STREAM, THAT IS 76 00:02:44,191 --> 00:02:46,892 CAN YOU BELIEVE IT. ♪ ISLANDS IN THE STREAM, THAT IS WHAT WE ARE, NO ONE IN BETWEEN, 77 00:02:46,894 --> 00:02:48,960 ♪ ISLANDS IN THE STREAM, THAT IS WHAT WE ARE, NO ONE IN BETWEEN, HOW CAN WE BE WRONG ♪ 78 00:02:48,962 --> 00:02:50,395 WHAT WE ARE, NO ONE IN BETWEEN, HOW CAN WE BE WRONG ♪ WE'RE NOT WRONG. 79 00:02:50,397 --> 00:02:52,364 HOW CAN WE BE WRONG ♪ WE'RE NOT WRONG. I'VE NEVER BEEN WRONG. 80 00:02:52,366 --> 00:02:55,400 WE'RE NOT WRONG. I'VE NEVER BEEN WRONG. ♪ MAKING LOVE TO EACH OTHER, 81 00:02:55,402 --> 00:02:55,800 I'VE NEVER BEEN WRONG. ♪ MAKING LOVE TO EACH OTHER, UH-HUH♪ 82 00:02:55,802 --> 00:03:00,405 ♪ MAKING LOVE TO EACH OTHER, UH-HUH♪ DON NG, EVERYBODY. 83 00:03:00,407 --> 00:03:04,009 UH-HUH♪ DON NG, EVERYBODY. SPEAKINGF LOVE, ME AND THE 84 00:03:04,011 --> 00:03:05,644 DON NG, EVERYBODY. SPEAKINGF LOVE, ME AND THE FIRST LADY, MELANIA, ARE IN HIGH 85 00:03:05,646 --> 00:03:05,977 SPEAKINGF LOVE, ME AND THE FIRST LADY, MELANIA, ARE IN HIGH SPIRITS. 86 00:03:05,979 --> 00:03:09,080 FIRST LADY, MELANIA, ARE IN HIGH SPIRITS. SINCE THE NEWS OF MY POSSIBLE 87 00:03:09,082 --> 00:03:11,716 SPIRITS. SINCE THE NEWS OF MY POSSIBLE IMPRISONMENT, I'VE NEVER SEEN 88 00:03:11,718 --> 00:03:13,051 SINCE THE NEWS OF MY POSSIBLE IMPRISONMENT, I'VE NEVER SEEN MELANIA HAPPIER. 89 00:03:13,053 --> 00:03:14,419 IMPRISONMENT, I'VE NEVER SEEN MELANIA HAPPIER. SHE'S THE MOST BEAUTIFUL WOMAN 90 00:03:14,421 --> 00:03:16,021 MELANIA HAPPIER. SHE'S THE MOST BEAUTIFUL WOMAN IN THE WORLD, SECOND ONLY TO 91 00:03:16,023 --> 00:03:18,056 SHE'S THE MOST BEAUTIFUL WOMAN IN THE WORLD, SECOND ONLY TO PERHAPS MANY YOUNGER, HOTTER 92 00:03:18,058 --> 00:03:18,356 IN THE WORLD, SECOND ONLY TO PERHAPS MANY YOUNGER, HOTTER WOMEN. 93 00:03:18,358 --> 00:03:19,624 PERHAPS MANY YOUNGER, HOTTER WOMEN. BUT WE LIKE HER. 94 00:03:19,626 --> 00:03:21,126 WOMEN. BUT WE LIKE HER. ALSO JUST TO SET THE RECORD 95 00:03:21,128 --> 00:03:23,561 BUT WE LIKE HER. ALSO JUST TO SET THE RECORD STRAIGHT, I DIDN'T EVEN SLEEP 96 00:03:23,563 --> 00:03:28,566 ALSO JUST TO SET THE RECORD STRAIGHT, I DIDN'T EVEN SLEEP WITH STORMY DANIELS, BUT IN MANY 97 00:03:28,568 --> 00:03:29,601 STRAIGHT, I DIDN'T EVEN SLEEP WITH STORMY DANIELS, BUT IN MANY WAYS, I DID. 98 00:03:29,603 --> 00:03:32,170 WITH STORMY DANIELS, BUT IN MANY WAYS, I DID. ISN'T IT IRONIC THE FIRST TIME I 99 00:03:32,172 --> 00:03:34,539 WAYS, I DID. ISN'T IT IRONIC THE FIRST TIME I PAY SOMEONE, THEY TRY TO SEND ME 100 00:03:34,541 --> 00:03:34,973 ISN'T IT IRONIC THE FIRST TIME I PAY SOMEONE, THEY TRY TO SEND ME TO JAIL. 101 00:03:34,975 --> 00:03:38,877 PAY SOMEONE, THEY TRY TO SEND ME TO JAIL. THAT'S WHY YOU DON'T PAY PEOPLE, 102 00:03:38,879 --> 00:03:39,177 TO JAIL. THAT'S WHY YOU DON'T PAY PEOPLE, FOLKS. 103 00:03:39,179 --> 00:03:40,345 THAT'S WHY YOU DON'T PAY PEOPLE, FOLKS. YOU NEVER PAY PEOPLE. 104 00:03:40,347 --> 00:03:42,447 FOLKS. YOU NEVER PAY PEOPLE. PRETTY IRONIC. 105 00:03:42,449 --> 00:03:47,585 YOU NEVER PAY PEOPLE. PRETTY IRONIC. ♪ IT'S LIKE RAIN ON YOUR WEDDING 106 00:03:47,587 --> 00:03:50,822 PRETTY IRONIC. ♪ IT'S LIKE RAIN ON YOUR WEDDING DAY, WHO WOULD HAVE THOUGHT, IT 107 00:03:50,824 --> 00:03:51,323 ♪ IT'S LIKE RAIN ON YOUR WEDDING DAY, WHO WOULD HAVE THOUGHT, IT FIGURES ♪ 108 00:03:51,325 --> 00:03:53,692 DAY, WHO WOULD HAVE THOUGHT, IT FIGURES ♪ AND FOLKS, IF THEY CAN COME FOR 109 00:03:53,694 --> 00:03:55,260 FIGURES ♪ AND FOLKS, IF THEY CAN COME FOR ME, THEY CAN COME FOR YOU TOO. 110 00:03:55,262 --> 00:03:57,696 AND FOLKS, IF THEY CAN COME FOR ME, THEY CAN COME FOR YOU TOO. OR IN THE CASE OF JANUARY 6th, 111 00:03:57,698 --> 00:03:58,964 ME, THEY CAN COME FOR YOU TOO. OR IN THE CASE OF JANUARY 6th, THEY CAN COME FOR YOU AND NOT 112 00:03:58,966 --> 00:03:59,497 OR IN THE CASE OF JANUARY 6th, THEY CAN COME FOR YOU AND NOT FOR ME. 113 00:03:59,499 --> 00:04:01,232 THEY CAN COME FOR YOU AND NOT FOR ME. I LIKE THAT ONE A LITTLE BIT 114 00:04:01,234 --> 00:04:01,566 FOR ME. I LIKE THAT ONE A LITTLE BIT BETTER. 115 00:04:01,568 --> 00:04:03,268 I LIKE THAT ONE A LITTLE BIT BETTER. BECAUSE I REALLY DON'T WANT TO 116 00:04:03,270 --> 00:04:05,537 BETTER. BECAUSE I REALLY DON'T WANT TO GO TO JAIL, BUT WHEN I THINK 117 00:04:05,539 --> 00:04:08,173 BECAUSE I REALLY DON'T WANT TO GO TO JAIL, BUT WHEN I THINK ABOUT HOW SHREDDED I MIGHT GET, 118 00:04:08,175 --> 00:04:09,708 GO TO JAIL, BUT WHEN I THINK ABOUT HOW SHREDDED I MIGHT GET, IT'S AWFULLY TEMPTING. 119 00:04:09,710 --> 00:04:12,177 ABOUT HOW SHREDDED I MIGHT GET, IT'S AWFULLY TEMPTING. CAN YOU IMAGINE ME PUMPING IRON 120 00:04:12,179 --> 00:04:14,346 IT'S AWFULLY TEMPTING. CAN YOU IMAGINE ME PUMPING IRON IN THE JAIL YARD WITH THE 121 00:04:14,348 --> 00:04:14,679 CAN YOU IMAGINE ME PUMPING IRON IN THE JAIL YARD WITH THE HOMIES? 122 00:04:14,681 --> 00:04:16,715 IN THE JAIL YARD WITH THE HOMIES? GETTING REAL BIG ON TOP, LITTLE 123 00:04:16,717 --> 00:04:17,816 HOMIES? GETTING REAL BIG ON TOP, LITTLE ON BOTTOM. 124 00:04:17,818 --> 00:04:19,250 GETTING REAL BIG ON TOP, LITTLE ON BOTTOM. TOTALLY PRISON YOLKED, LOOKING 125 00:04:19,252 --> 00:04:21,386 ON BOTTOM. TOTALLY PRISON YOLKED, LOOKING LIKE A CANDY APPLE. 126 00:04:21,388 --> 00:04:23,221 TOTALLY PRISON YOLKED, LOOKING LIKE A CANDY APPLE. PERHAPS I MIGHT EVEN BECOME 127 00:04:23,223 --> 00:04:25,957 LIKE A CANDY APPLE. PERHAPS I MIGHT EVEN BECOME RECEPTIVE TO THE TEACHINGS OF 128 00:04:25,959 --> 00:04:27,959 PERHAPS I MIGHT EVEN BECOME RECEPTIVE TO THE TEACHINGS OF THE PROFIT MUHAMMAD. 129 00:04:27,961 --> 00:04:29,327 RECEPTIVE TO THE TEACHINGS OF THE PROFIT MUHAMMAD. ALTHOUGH WITH, I'VE NEVER SEEN 130 00:04:29,329 --> 00:04:31,196 THE PROFIT MUHAMMAD. ALTHOUGH WITH, I'VE NEVER SEEN ANY PICTURES OF HIM. 131 00:04:31,198 --> 00:04:33,565 ALTHOUGH WITH, I'VE NEVER SEEN ANY PICTURES OF HIM. KIND OF SUS. 132 00:04:33,567 --> 00:04:34,499 ANY PICTURES OF HIM. KIND OF SUS. UH-OH, WHO'S THIS? 133 00:04:34,501 --> 00:04:37,569 KIND OF SUS. UH-OH, WHO'S THIS? IT'S A MAN WHO, LIKEME, WAS 134 00:04:37,571 --> 00:04:39,604 UH-OH, WHO'S THIS? IT'S A MAN WHO, LIKEME, WAS ILLEGALLY RAIDED, AND HE'S 135 00:04:39,606 --> 00:04:42,440 IT'S A MAN WHO, LIKEME, WAS ILLEGALLY RAIDED, AND HE'S TURNING IT INTO BIG BUCKS. 136 00:04:42,442 --> 00:04:43,241 ILLEGALLY RAIDED, AND HE'S TURNING IT INTO BIG BUCKS. AFRO MAN. 137 00:04:43,243 --> 00:04:45,410 TURNING IT INTO BIG BUCKS. AFRO MAN. ♪ I WAS GOING TO GO TO CLASS, 138 00:04:45,412 --> 00:04:47,579 AFRO MAN. ♪ I WAS GOING TO GO TO CLASS, BUT THEN I GOT HIGH ♪ 139 00:04:47,581 --> 00:04:50,248 ♪ I WAS GOING TO GO TO CLASS, BUT THEN I GOT HIGH ♪ DRUGS ARE KILLING OUR CHILDREN. 140 00:04:50,250 --> 00:04:50,715 BUT THEN I GOT HIGH ♪ DRUGS ARE KILLING OUR CHILDREN. ♪ 141 00:04:50,717 --> 00:04:52,484 DRUGS ARE KILLING OUR CHILDREN. ♪ I COULD HAVE CHEATED, BUT I 142 00:04:52,486 --> 00:04:57,288 ♪ I COULD HAVE CHEATED, BUT I PASSED, AND THEN I GOT HIGH ♪ 143 00:04:57,290 --> 00:05:01,393 I COULD HAVE CHEATED, BUT I PASSED, AND THEN I GOT HIGH ♪ REAL SHAME. 144 00:05:01,395 --> 00:05:03,661 PASSED, AND THEN I GOT HIGH ♪ REAL SHAME. ♪ BECAUSE I GOT HIGH, BECAUSE I 145 00:05:03,663 --> 00:05:05,997 REAL SHAME. ♪ BECAUSE I GOT HIGH, BECAUSE I GOT HIGH, BECAUSE I GOT HIGH ♪ 146 00:05:05,999 --> 00:05:08,366 ♪ BECAUSE I GOT HIGH, BECAUSE I GOT HIGH, BECAUSE I GOT HIGH ♪ WE NEED TO BE EXECUTING OUR DRUG 147 00:05:08,368 --> 00:05:08,700 GOT HIGH, BECAUSE I GOT HIGH ♪ WE NEED TO BE EXECUTING OUR DRUG DEALERS. 148 00:05:08,702 --> 00:05:12,070 WE NEED TO BE EXECUTING OUR DRUG DEALERS. THANK YOU, AFRO MAN. 149 00:05:12,072 --> 00:05:14,506 DEALERS. THANK YOU, AFRO MAN. FOLKS, FOLKS, YOUR HARD-EARNED 150 00:05:14,508 --> 00:05:15,573 THANK YOU, AFRO MAN. FOLKS, FOLKS, YOUR HARD-EARNED MONEY IS IMPORTANT. 151 00:05:15,575 --> 00:05:18,143 FOLKS, FOLKS, YOUR HARD-EARNED MONEY IS IMPORTANT. IF I GO TO JAIL, I WILL NEED 152 00:05:18,145 --> 00:05:20,045 MONEY IS IMPORTANT. IF I GO TO JAIL, I WILL NEED MONEY FOR COMMISSARY SNACKS. 153 00:05:20,047 --> 00:05:27,919 IF I GO TO JAIL, I WILL NEED MONEY FOR COMMISSARY SNACKS. I WILL NEED A SUPPLY OF RAMONS 154 00:05:27,921 --> 00:05:29,821 MONEY FOR COMMISSARY SNACKS. I WILL NEED A SUPPLY OF RAMONS TO SUCCESSF BARTER WITH A 155 00:05:29,823 --> 00:05:32,424 I WILL NEED A SUPPLY OF RAMONS TO SUCCESSF BARTER WITH A MAN NAMED LIZARD. 156 00:05:32,426 --> 00:05:35,060 TO SUCCESSF BARTER WITH A MAN NAMED LIZARD. AND NOW MY MOST LOYAL SUPPORTER, 157 00:05:35,062 --> 00:05:37,062 MAN NAMED LIZARD. AND NOW MY MOST LOYAL SUPPORTER, I WISH HE WOULD GO AWAY. 158 00:05:37,064 --> 00:05:39,330 AND NOW MY MOST LOYAL SUPPORTER, I WISH HE WOULD GO AWAY. HE'S MY KENDALL ROY. 159 00:05:39,332 --> 00:05:39,964 I WISH HE WOULD GO AWAY. HE'S MY KENDALL ROY. IT'S DON JR. 160 00:05:39,966 --> 00:05:42,567 HE'S MY KENDALL ROY. IT'S DON JR. >> WOW, DAD, THIS IS REALLY 161 00:05:42,569 --> 00:05:42,934 IT'S DON JR. >> WOW, DAD, THIS IS REALLY EMOTIONAL. 162 00:05:42,936 --> 00:05:44,969 >> WOW, DAD, THIS IS REALLY EMOTIONAL. IT MIGHT BE THE LAST TIME I SEE 163 00:05:44,971 --> 00:05:45,270 EMOTIONAL. IT MIGHT BE THE LAST TIME I SEE YOU. 164 00:05:45,272 --> 00:05:47,238 IT MIGHT BE THE LAST TIME I SEE YOU. >> FROM YOUR MOUTH TO GOD'S 165 00:05:47,240 --> 00:05:47,539 YOU. >> FROM YOUR MOUTH TO GOD'S EARS. 166 00:05:47,541 --> 00:05:50,675 >> FROM YOUR MOUTH TO GOD'S EARS. ♪ THE BOY'S A LIAR, THE BOY'S A 167 00:05:50,677 --> 00:05:52,410 EARS. ♪ THE BOY'S A LIAR, THE BOY'S A LIAR, HE DOESN'T SEE YA, YOU'RE 168 00:05:52,412 --> 00:06:02,620 ♪ THE BOY'S A LIAR, THE BOY'S A LIAR, HE DOESN'T SEE YA, YOU'RE NOT LOOKING AT ME, BOY ♪ 169 00:06:02,622 --> 00:06:02,921 LIAR, HE DOESN'T SEE YA, YOU'RE NOT LOOKING AT ME, BOY ♪ YEAH! 170 00:06:02,923 --> 00:06:04,689 NOT LOOKING AT ME, BOY ♪ YEAH! VERY STRANGE ENERGY, MY SON. 171 00:06:04,691 --> 00:06:05,690 YEAH! VERY STRANGE ENERGY, MY SON. DON'T LIKE IT. 172 00:06:05,692 --> 00:06:10,862 VERY STRANGE ENERGY, MY SON. DON'T LIKE IT. HE'S SAYING THAT I'M GOOD 173 00:06:10,864 --> 00:06:13,565 DON'T LIKE IT. HE'S SAYING THAT I'M GOOD ENOUGH, GRABBING MY DRRR, WE 174 00:06:13,567 --> 00:06:15,700 HE'S SAYING THAT I'M GOOD ENOUGH, GRABBING MY DRRR, WE LOVE ICE SPICE, DON'T WE? 175 00:06:15,702 --> 00:06:17,936 ENOUGH, GRABBING MY DRRR, WE LOVE ICE SPICE, DON'T WE? ICE SPICE. 176 00:06:17,938 --> 00:06:20,004 LOVE ICE SPICE, DON'T WE? ICE SPICE. LOOK AT THIS BEAUTIFUL HAIR. 177 00:06:20,006 --> 00:06:22,006 ICE SPICE. LOOK AT THIS BEAUTIFUL HAIR. MANHATTAN, I'LL SEE YOU ON 178 00:06:22,008 --> 00:06:22,340 LOOK AT THIS BEAUTIFUL HAIR. MANHATTAN, I'LL SEE YOU ON TUESDAY. 179 00:06:22,342 --> 00:06:23,441 MANHATTAN, I'LL SEE YOU ON TUESDAY. WE'LL BE WILD. 180 00:06:23,443 --> 00:06:24,175 TUESDAY. WE'LL BE WILD. AND LIVE FROM NEW YORK, IT'S 181 00:06:24,177 --> 00:06:31,816 WE'LL BE WILD. AND LIVE FROM NEW YORK, IT'S SATURDAY NIGHT! 182 00:06:31,818 --> 00:06:33,184 AND LIVE FROM NEW YORK, IT'S SATURDAY NIGHT! >> Announcer: IT'S "SATURDAY 183 00:06:33,186 --> 00:06:35,954 SATURDAY NIGHT! >> Announcer: IT'S "SATURDAY NIGHT LIVE" WITH -- 184 00:07:38,317 --> 00:07:39,317 FEATURING -- 185 00:08:16,755 --> 00:08:30,768 MUSICAL GUEST, LIL YACHTY. AND YOUR HOST, QUINTA BRUNSON. LADIES AND GENTLEMEN, QUINTA 186 00:08:30,770 --> 00:08:33,705 AND YOUR HOST, QUINTA BRUNSON. LADIES AND GENTLEMEN, QUINTA BRUNSON. 187 00:08:33,707 --> 00:08:54,425 LADIES AND GENTLEMEN, QUINTA BRUNSON. [ CHEERS AND APPLAUSE ] 188 00:08:54,427 --> 00:08:55,193 BRUNSON. [ CHEERS AND APPLAUSE ] >>> THANK YOU. 189 00:08:55,195 --> 00:08:55,860 [ CHEERS AND APPLAUSE ] >>> THANK YOU. THANK YOU! 190 00:08:55,862 --> 00:08:57,295 >>> THANK YOU. THANK YOU! THANK YOU SO VERY MUCH. 191 00:08:57,297 --> 00:08:59,464 THANK YOU! THANK YOU SO VERY MUCH. MY NAME IS QUINTA BRUNSON, AND 192 00:08:59,466 --> 00:09:01,566 THANK YOU SO VERY MUCH. MY NAME IS QUINTA BRUNSON, AND LET ME JUST FIRST SAY, I AM SO 193 00:09:01,568 --> 00:09:03,401 MY NAME IS QUINTA BRUNSON, AND LET ME JUST FIRST SAY, I AM SO EXCITED TO BE HERE. 194 00:09:03,403 --> 00:09:04,869 LET ME JUST FIRST SAY, I AM SO EXCITED TO BE HERE. I HAVE BEEN DREAMING ABOUT THIS 195 00:09:04,871 --> 00:09:09,874 EXCITED TO BE HERE. I HAVE BEEN DREAMING ABOUT THIS SINCE I WAS A KID. 196 00:09:09,876 --> 00:09:11,743 I HAVE BEEN DREAMING ABOUT THIS SINCE I WAS A KID. I ACTUALLY -- I WANTED TO BE ON 197 00:09:11,745 --> 00:09:12,777 SINCE I WAS A KID. I ACTUALLY -- I WANTED TO BE ON SNL BACK IN THE DAY. 198 00:09:12,779 --> 00:09:15,713 I ACTUALLY -- I WANTED TO BE ON SNL BACK IN THE DAY. BUT THE AUDITION PROCESS SEEMED 199 00:09:15,715 --> 00:09:16,447 SNL BACK IN THE DAY. BUT THE AUDITION PROCESS SEEMED WELL, LONG. 200 00:09:16,449 --> 00:09:19,884 BUT THE AUDITION PROCESS SEEMED WELL, LONG. SO INSTEAD, I JUST CREATED MY 201 00:09:19,886 --> 00:09:22,020 WELL, LONG. SO INSTEAD, I JUST CREATED MY OWN TV SHOW, MADE SURE IT BECAME 202 00:09:22,022 --> 00:09:24,422 SO INSTEAD, I JUST CREATED MY OWN TV SHOW, MADE SURE IT BECAME REALLY POPULAR, WON A BUNCH OF 203 00:09:24,424 --> 00:09:25,123 OWN TV SHOW, MADE SURE IT BECAME REALLY POPULAR, WON A BUNCH OF EMMYS, AND THEN GOT ASKED TO 204 00:09:25,125 --> 00:09:25,423 REALLY POPULAR, WON A BUNCH OF EMMYS, AND THEN GOT ASKED TO HOST. 205 00:09:25,425 --> 00:09:28,226 EMMYS, AND THEN GOT ASKED TO HOST. SO MUCH EASIER. 206 00:09:28,228 --> 00:09:30,161 HOST. SO MUCH EASIER. I HAVE A SHOW CALLED ABBOTT 207 00:09:30,163 --> 00:09:34,399 SO MUCH EASIER. I HAVE A SHOW CALLED ABBOTT ELEMENTARY. 208 00:09:34,401 --> 00:09:40,805 I HAVE A SHOW CALLED ABBOTT ELEMENTARY. AND IT'S KIND OF UNIQUE. 209 00:09:40,807 --> 00:09:42,273 ELEMENTARY. AND IT'S KIND OF UNIQUE. IT'S A STREAMING SHOW -- IT' 210 00:09:42,275 --> 00:09:42,840 AND IT'S KIND OF UNIQUE. IT'S A STREAMING SHOW -- IT' NOT A STREAMING SHOW. 211 00:09:42,842 --> 00:09:44,676 IT'S A STREAMING SHOW -- IT' NOT A STREAMING SHOW. IT'S A NETWORK SITCOM, LIKE 212 00:09:44,678 --> 00:09:45,677 NOT A STREAMING SHOW. IT'S A NETWORK SITCOM, LIKE FRIENDS EXCEPT INSTEAD OF BEING 213 00:09:45,679 --> 00:09:47,278 IT'S A NETWORK SITCOM, LIKE FRIENDS EXCEPT INSTEAD OF BEING ABOUT A GROUP OF FRIENDS, IT'S 214 00:09:47,280 --> 00:09:48,913 FRIENDS EXCEPT INSTEAD OF BEING ABOUT A GROUP OF FRIENDS, IT'S ABOUT A GROUP OF TEACHERS. 215 00:09:48,915 --> 00:09:51,115 ABOUT A GROUP OF FRIENDS, IT'S ABOUT A GROUP OF TEACHERS. AND INSTEAD OF NEW YORK, IT'S IN 216 00:09:51,117 --> 00:09:52,650 ABOUT A GROUP OF TEACHERS. AND INSTEAD OF NEW YORK, IT'S IN PHILADELPHIA, AND INSTEAD OF NOT 217 00:09:52,652 --> 00:09:58,956 AND INSTEAD OF NEW YORK, IT'S IN PHILADELPHIA, AND INSTEAD OF NOT HAVING BLACK PEOPLE, IT DOES. 218 00:09:58,958 --> 00:09:59,757 PHILADELPHIA, AND INSTEAD OF NOT HAVING BLACK PEOPLE, IT DOES. I GREW UP IN PHILLY, AND MY MOM 219 00:09:59,759 --> 00:10:02,260 HAVING BLACK PEOPLE, IT DOES. I GREW UP IN PHILLY, AND MY MOM WAS A TEACHER THERE, SO CREATING 220 00:10:02,262 --> 00:10:04,295 I GREW UP IN PHILLY, AND MY MOM WAS A TEACHER THERE, SO CREATING A SHOW ABOUT TEACHERS HAS BEEN 221 00:10:04,297 --> 00:10:06,864 WAS A TEACHER THERE, SO CREATING A SHOW ABOUT TEACHERS HAS BEEN REALLY SPECIAL. 222 00:10:06,866 --> 00:10:07,598 A SHOW ABOUT TEACHERS HAS BEEN REALLY SPECIAL. NOW, EVERY TIME THERE'S AN ISSUE 223 00:10:07,600 --> 00:10:08,866 REALLY SPECIAL. NOW, EVERY TIME THERE'S AN ISSUE WITH THE PUBLIC SCHOOL SYSTEM, 224 00:10:08,868 --> 00:10:10,902 NOW, EVERY TIME THERE'S AN ISSUE WITH THE PUBLIC SCHOOL SYSTEM, PEOPLE EXPECT ME TO SOLVE IT. 225 00:10:10,904 --> 00:10:12,370 WITH THE PUBLIC SCHOOL SYSTEM, PEOPLE EXPECT ME TO SOLVE IT. AND THAT'S NOT FAIR. 226 00:10:12,372 --> 00:10:14,772 PEOPLE EXPECT ME TO SOLVE IT. AND THAT'S NOT FAIR. LAST WEEK WHEN THAT BANK 227 00:10:14,774 --> 00:10:16,541 AND THAT'S NOT FAIR. LAST WEEK WHEN THAT BANK COLLAPSED, NO ONE WANTED TO GO 228 00:10:16,543 --> 00:10:18,843 LAST WEEK WHEN THAT BANK COLLAPSED, NO ONE WANTED TO GO UP TO THE CAST OF SUCCESSION 229 00:10:18,845 --> 00:10:20,778 COLLAPSED, NO ONE WANTED TO GO UP TO THE CAST OF SUCCESSION LIKE HOW DO WE FIX THIS? 230 00:10:20,780 --> 00:10:22,447 UP TO THE CAST OF SUCCESSION LIKE HOW DO WE FIX THIS? DON'T GET ME WRONG, I LOVE THAT 231 00:10:22,449 --> 00:10:24,749 LIKE HOW DO WE FIX THIS? DON'T GET ME WRONG, I LOVE THAT PEOPLE ARE ENJOYING ABBOTT, BUT 232 00:10:24,751 --> 00:10:26,584 DON'T GET ME WRONG, I LOVE THAT PEOPLE ARE ENJOYING ABBOTT, BUT I WISH THEY DIDN'T EXPECT ME TO 233 00:10:26,586 --> 00:10:30,755 PEOPLE ARE ENJOYING ABBOTT, BUT I WISH THEY DIDN'T EXPECT ME TO BE LIKE MY CHARACTER ALL THE 234 00:10:30,757 --> 00:10:31,055 I WISH THEY DIDN'T EXPECT ME TO BE LIKE MY CHARACTER ALL THE TIME. 235 00:10:31,057 --> 00:10:32,824 BE LIKE MY CHARACTER ALL THE TIME. JANINE TEAGUES IS A CARING 236 00:10:32,826 --> 00:10:34,058 TIME. JANINE TEAGUES IS A CARING SECOND GRADE TEACHER WHO IS GOOD 237 00:10:34,060 --> 00:10:36,627 JANINE TEAGUES IS A CARING SECOND GRADE TEACHER WHO IS GOOD AND WHOLESOME, AND I'M THE 238 00:10:36,629 --> 00:10:36,994 SECOND GRADE TEACHER WHO IS GOOD AND WHOLESOME, AND I'M THE OPPOSITE. 239 00:10:36,996 --> 00:10:40,164 AND WHOLESOME, AND I'M THE OPPOSITE. I'M NOT A FILTHY WHORE, BUT I 240 00:10:40,166 --> 00:10:40,865 OPPOSITE. I'M NOT A FILTHY WHORE, BUT I LIKE TO HAVE FUN. 241 00:10:40,867 --> 00:10:42,834 I'M NOT A FILTHY WHORE, BUT I LIKE TO HAVE FUN. I NEED TO LIVE MY LIFE WITHOUT 242 00:10:42,836 --> 00:10:45,903 LIKE TO HAVE FUN. I NEED TO LIVE MY LIFE WITHOUT SOMEONE SAYING, DAMN, 243 00:10:45,905 --> 00:10:46,771 I NEED TO LIVE MY LIFE WITHOUT SOMEONE SAYING, DAMN, 244 00:10:46,773 --> 00:10:49,040 SOMEONE SAYING, DAMN, MS. TEAGUES IS OUT HERE GETTING 245 00:10:49,042 --> 00:10:51,776 MS. TEAGUES IS OUT HERE GETTING WASTED AT UNIVERSAL STUDIOS. 246 00:10:51,778 --> 00:10:53,244 MS. TEAGUES IS OUT HERE GETTING WASTED AT UNIVERSAL STUDIOS. I JUST WANT PEOPLE TO LOWER 247 00:10:53,246 --> 00:10:54,912 WASTED AT UNIVERSAL STUDIOS. I JUST WANT PEOPLE TO LOWER THEIR EXPECTATIONS OF ME. 248 00:10:54,914 --> 00:10:56,948 I JUST WANT PEOPLE TO LOWER THEIR EXPECTATIONS OF ME. I'M STILL YOUNG, FIGURING THINGS 249 00:10:56,950 --> 00:10:57,215 THEIR EXPECTATIONS OF ME. I'M STILL YOUNG, FIGURING THINGS OUT. 250 00:10:57,217 --> 00:10:59,684 I'M STILL YOUNG, FIGURING THINGS OUT. I'VE HAD TO START LYING TO MY 251 00:10:59,686 --> 00:11:01,919 OUT. I'VE HAD TO START LYING TO MY MOM ABOUT WHO I'M HANGING OUT 252 00:11:01,921 --> 00:11:02,420 I'VE HAD TO START LYING TO MY MOM ABOUT WHO I'M HANGING OUT WITH. 253 00:11:02,422 --> 00:11:05,123 MOM ABOUT WHO I'M HANGING OUT WITH. I'M LIKE, I'M GOING TO CHILL 254 00:11:05,125 --> 00:11:07,358 WITH. I'M LIKE, I'M GOING TO CHILL WITH MY FRIEND IN HER GARDEN, 255 00:11:07,360 --> 00:11:09,527 I'M LIKE, I'M GOING TO CHILL WITH MY FRIEND IN HER GARDEN, AND I DON'T TELL HER IT'S 256 00:11:09,529 --> 00:11:10,528 WITH MY FRIEND IN HER GARDEN, AND I DON'T TELL HER IT'S OPRAH'S GARDEN. 257 00:11:10,530 --> 00:11:12,897 AND I DON'T TELL HER IT'S OPRAH'S GARDEN. OR WHEN I TELL HER I'M GOING OUT 258 00:11:12,899 --> 00:11:15,933 OPRAH'S GARDEN. OR WHEN I TELL HER I'M GOING OUT TO DINNER BUT NOT WITH WHO. 259 00:11:15,935 --> 00:11:17,568 OR WHEN I TELL HER I'M GOING OUT TO DINNER BUT NOT WITH WHO. >> I'M HAVING DINNER WITH YOUR 260 00:11:17,570 --> 00:11:18,269 TO DINNER BUT NOT WITH WHO. >> I'M HAVING DINNER WITH YOUR DAUGHTER HERE. 261 00:11:18,271 --> 00:11:20,238 >> I'M HAVING DINNER WITH YOUR DAUGHTER HERE. WE'RE SO PROUD OF HER, BUT WE'RE 262 00:11:20,240 --> 00:11:22,240 DAUGHTER HERE. WE'RE SO PROUD OF HER, BUT WE'RE ALSO PROUD OF YOU NOT ONLY 263 00:11:22,242 --> 00:11:23,908 WE'RE SO PROUD OF HER, BUT WE'RE ALSO PROUD OF YOU NOT ONLY BECAUSE YOU'RE A GREAT MOM BUT 264 00:11:23,910 --> 00:11:25,543 ALSO PROUD OF YOU NOT ONLY BECAUSE YOU'RE A GREAT MOM BUT BECAUSE YOU ARE A TEACHER. 265 00:11:25,545 --> 00:11:28,579 BECAUSE YOU'RE A GREAT MOM BUT BECAUSE YOU ARE A TEACHER. MOST IMPORTANT JOB THERE IS. 266 00:11:28,581 --> 00:11:32,650 BECAUSE YOU ARE A TEACHER. MOST IMPORTANT JOB THERE IS. >> AS MY FRIEND BARACK SAID -- I 267 00:11:32,652 --> 00:11:34,719 MOST IMPORTANT JOB THERE IS. >> AS MY FRIEND BARACK SAID -- I CALL HIM BARACK NOW. 268 00:11:34,721 --> 00:11:36,854 >> AS MY FRIEND BARACK SAID -- I CALL HIM BARACK NOW. MY MOM REALLY WAS AN AMAZING 269 00:11:36,856 --> 00:11:39,290 CALL HIM BARACK NOW. MY MOM REALLY WAS AN AMAZING TEACHER, AND I'M SO PROUD OF 270 00:11:39,292 --> 00:11:39,590 MY MOM REALLY WAS AN AMAZING TEACHER, AND I'M SO PROUD OF HER. 271 00:11:39,592 --> 00:11:41,893 TEACHER, AND I'M SO PROUD OF HER. BUT I ALSO NO FIRSTHAND THAT 272 00:11:41,895 --> 00:11:43,828 HER. BUT I ALSO NO FIRSTHAND THAT TEACHERS GET TAKEN FOR GRANTED. 273 00:11:43,830 --> 00:11:45,663 BUT I ALSO NO FIRSTHAND THAT TEACHERS GET TAKEN FOR GRANTED. LIKE I'VE ALWAYS HAD A 274 00:11:45,665 --> 00:11:46,063 TEACHERS GET TAKEN FOR GRANTED. LIKE I'VE ALWAYS HAD A DISHWASHER. 275 00:11:46,065 --> 00:11:48,299 LIKE I'VE ALWAYS HAD A DISHWASHER. NEVER THOUGHT ABOUT IT, LOADED 276 00:11:48,301 --> 00:11:52,170 DISHWASHER. NEVER THOUGHT ABOUT IT, LOADED IT UP, KICKED IT SHUT, WENT TO 277 00:11:52,172 --> 00:11:52,670 NEVER THOUGHT ABOUT IT, LOADED IT UP, KICKED IT SHUT, WENT TO BED WASTED. 278 00:11:52,672 --> 00:11:54,138 IT UP, KICKED IT SHUT, WENT TO BED WASTED. BUT THEN MY HUSBAND AND I MOVED 279 00:11:54,140 --> 00:11:56,841 BED WASTED. BUT THEN MY HUSBAND AND I MOVED INTO AN APARTMENT THAT DIDN'T 280 00:11:56,843 --> 00:11:59,243 BUT THEN MY HUSBAND AND I MOVED INTO AN APARTMENT THAT DIDN'T HAVE A DISHWASHER, AND AFTER ONE 281 00:11:59,245 --> 00:12:01,712 INTO AN APARTMENT THAT DIDN'T HAVE A DISHWASHER, AND AFTER ONE DAY, I WAS LIKE, WE GOT TO GET 282 00:12:01,714 --> 00:12:02,480 HAVE A DISHWASHER, AND AFTER ONE DAY, I WAS LIKE, WE GOT TO GET THE HELL OUT OF HERE. 283 00:12:02,482 --> 00:12:04,081 DAY, I WAS LIKE, WE GOT TO GET THE HELL OUT OF HERE. THAT'S HOW PARENTS FEEL WHEN 284 00:12:04,083 --> 00:12:05,883 THE HELL OUT OF HERE. THAT'S HOW PARENTS FEEL WHEN THEY DON'T HAVE A TEACHER DURING 285 00:12:05,885 --> 00:12:06,984 THAT'S HOW PARENTS FEEL WHEN THEY DON'T HAVE A TEACHER DURING THE PANDEMIC. 286 00:12:06,986 --> 00:12:08,386 THEY DON'T HAVE A TEACHER DURING THE PANDEMIC. SUDDENLY PARENTS ARE LIKE, WE 287 00:12:08,388 --> 00:12:11,255 THE PANDEMIC. SUDDENLY PARENTS ARE LIKE, WE HAVE TO TEACH THESE DISHES NOW? 288 00:12:11,257 --> 00:12:12,890 SUDDENLY PARENTS ARE LIKE, WE HAVE TO TEACH THESE DISHES NOW? FEED THESE DISHES NOW? 289 00:12:12,892 --> 00:12:15,293 HAVE TO TEACH THESE DISHES NOW? FEED THESE DISHES NOW? WHY DID I HAVE SO MANY DISHES? 290 00:12:15,295 --> 00:12:17,261 FEED THESE DISHES NOW? WHY DID I HAVE SO MANY DISHES? THAT LAST DISH WAS A MISTAKE. 291 00:12:17,263 --> 00:12:18,663 WHY DID I HAVE SO MANY DISHES? THAT LAST DISH WAS A MISTAKE. SERIOUSLY, TEACHERS ARE PEOPLE, 292 00:12:18,665 --> 00:12:19,964 THAT LAST DISH WAS A MISTAKE. SERIOUSLY, TEACHERS ARE PEOPLE, NOT APPLIANCES. 293 00:12:19,966 --> 00:12:21,499 SERIOUSLY, TEACHERS ARE PEOPLE, NOT APPLIANCES. SO PLEASE, REMEMBER HOW 294 00:12:21,501 --> 00:12:23,100 NOT APPLIANCES. SO PLEASE, REMEMBER HOW IMPORTANT TEACHERS ARE. 295 00:12:23,102 --> 00:12:24,168 SO PLEASE, REMEMBER HOW IMPORTANT TEACHERS ARE. ACKNOWLEDGE THE WORK THEY DO 296 00:12:24,170 --> 00:12:27,138 IMPORTANT TEACHERS ARE. ACKNOWLEDGE THE WORK THEY DO EVERY DAY, AND FOR THE LOVE OF 297 00:12:27,140 --> 00:12:30,608 ACKNOWLEDGE THE WORK THEY DO EVERY DAY, AND FOR THE LOVE OF GOD, PAY THEM THE MONEY THEY 298 00:12:30,610 --> 00:12:30,942 EVERY DAY, AND FOR THE LOVE OF GOD, PAY THEM THE MONEY THEY DESERVE. 299 00:12:30,944 --> 00:12:32,743 GOD, PAY THEM THE MONEY THEY DESERVE. WE GOT A GREATHOW FOR YOU 300 00:12:32,745 --> 00:12:33,077 DESERVE. WE GOT A GREATHOW FOR YOU TONIGHT. 301 00:12:33,079 --> 00:12:56,767 WE GOT A GREATHOW FOR YOU TONIGHT. LIL YACHTY 302 00:12:56,769 --> 00:12:59,837 TONIGHT. LIL YACHTY >>> DUDE, I THOUGHT THIS CLUB 303 00:12:59,839 --> 00:13:02,640 LIL YACHTY >>> DUDE, I THOUGHT THIS CLUB WAS A LITTLE SKETCHY AT FIRST, 304 00:13:02,642 --> 00:13:03,541 >>> DUDE, I THOUGHT THIS CLUB WAS A LITTLE SKETCHY AT FIRST, BUT THE GIRLS HERE ARE INSANE. 305 00:13:03,543 --> 00:13:04,842 WAS A LITTLE SKETCHY AT FIRST, BUT THE GIRLS HERE ARE INSANE. >> I KNOW. 306 00:13:04,844 --> 00:13:06,577 BUT THE GIRLS HERE ARE INSANE. >> I KNOW. I ALREADY GOT LIKE THREE PHONE 307 00:13:06,579 --> 00:13:06,944 >> I KNOW. I ALREADY GOT LIKE THREE PHONE NUMBERS. 308 00:13:06,946 --> 00:13:09,680 I ALREADY GOT LIKE THREE PHONE NUMBERS. >> THE ONLY THING THAT WOULD 309 00:13:09,682 --> 00:13:10,781 NUMBERS. >> THE ONLY THING THAT WOULD MAKE THIS NIGHT MORE PERFECT IS 310 00:13:10,783 --> 00:13:12,216 >> THE ONLY THING THAT WOULD MAKE THIS NIGHT MORE PERFECT IS IF WE COULD SCORE A LITTLE 311 00:13:12,218 --> 00:13:12,617 MAKE THIS NIGHT MORE PERFECT IS IF WE COULD SCORE A LITTLE SOMETHING. 312 00:13:12,619 --> 00:13:13,417 IF WE COULD SCORE A LITTLE SOMETHING. >> YOU MEAN LIKE COKE? 313 00:13:13,419 --> 00:13:14,886 SOMETHING. >> YOU MEAN LIKE COKE? >> YEAH, MAN. 314 00:13:14,888 --> 00:13:15,386 >> YOU MEAN LIKE COKE? >> YEAH, MAN. >> I DON'T KNOW. 315 00:13:15,388 --> 00:13:16,921 >> YEAH, MAN. >> I DON'T KNOW. >> WHY NOT? 316 00:13:16,923 --> 00:13:19,257 >> I DON'T KNOW. >> WHY NOT? WE'RE ON VACATION, RIGHT? 317 00:13:19,259 --> 00:13:20,224 >> WHY NOT? WE'RE ON VACATION, RIGHT? >> ALL RIGHT. 318 00:13:20,226 --> 00:13:21,492 WE'RE ON VACATION, RIGHT? >> ALL RIGHT. AS LONG AS WE CAN FIND SOMETHING 319 00:13:21,494 --> 00:13:22,093 >> ALL RIGHT. AS LONG AS WE CAN FIND SOMETHING THAT'S PURE. 320 00:13:22,095 --> 00:13:25,329 AS LONG AS WE CAN FIND SOMETHING THAT'S PURE. THERE'S A LOT OF GARBAGE GOING 321 00:13:25,331 --> 00:13:25,863 THAT'S PURE. THERE'S A LOT OF GARBAGE GOING AROUND RIGHT NOW. 322 00:13:25,865 --> 00:13:26,197 THERE'S A LOT OF GARBAGE GOING AROUND RIGHT NOW. >> HEY. 323 00:13:26,199 --> 00:13:28,132 AROUND RIGHT NOW. >> HEY. YOU GUYS LOOKING FOR SOME 324 00:13:28,134 --> 00:13:29,967 >> HEY. YOU GUYS LOOKING FOR SOME COCAINE? 325 00:13:29,969 --> 00:13:30,301 YOU GUYS LOOKING FOR SOME COCAINE? >> WHAT? 326 00:13:30,303 --> 00:13:32,703 COCAINE? >> WHAT? >> I SAID, DO YOU WANT TO GET 327 00:13:32,705 --> 00:13:33,037 >> WHAT? >> I SAID, DO YOU WANT TO GET HIGH? 328 00:13:33,039 --> 00:13:34,572 >> I SAID, DO YOU WANT TO GET HIGH? BECAUSE I CAN MAKE THAT HAPPEN. 329 00:13:34,574 --> 00:13:35,606 HIGH? BECAUSE I CAN MAKE THAT HAPPEN. >> WAIT, SERIOUSLY? 330 00:13:35,608 --> 00:13:37,875 BECAUSE I CAN MAKE THAT HAPPEN. >> WAIT, SERIOUSLY? >> I MEAN, IS IT PURE? 331 00:13:37,877 --> 00:13:39,310 >> WAIT, SERIOUSLY? >> I MEAN, IS IT PURE? >> IS IT PURE? 332 00:13:39,312 --> 00:13:40,945 >> I MEAN, IS IT PURE? >> IS IT PURE? DON'T INSULT ME, MAN. 333 00:13:40,947 --> 00:13:43,180 >> IS IT PURE? DON'T INSULT ME, MAN. MY PRODUCT IS SO PURE WHITE, 334 00:13:43,182 --> 00:13:45,316 DON'T INSULT ME, MAN. MY PRODUCT IS SO PURE WHITE, IT'S LIKE A BUNNY RABBIT MAKING 335 00:13:45,318 --> 00:13:46,717 MY PRODUCT IS SO PURE WHITE, IT'S LIKE A BUNNY RABBIT MAKING SNOW ANGELS ON A CLOUD. 336 00:13:46,719 --> 00:13:48,819 IT'S LIKE A BUNNY RABBIT MAKING SNOW ANGELS ON A CLOUD. >> SOUNDS GOOD TO ME. 337 00:13:48,821 --> 00:13:49,353 SNOW ANGELS ON A CLOUD. >> SOUNDS GOOD TO ME. >> HEY. 338 00:13:49,355 --> 00:13:51,722 >> SOUNDS GOOD TO ME. >> HEY. YOU GUYS LOOKING FOR COCAINE? 339 00:13:51,724 --> 00:13:53,591 >> HEY. YOU GUYS LOOKING FOR COCAINE? >> OH, I THINK WE FOUND SOME 340 00:13:53,593 --> 00:13:53,925 YOU GUYS LOOKING FOR COCAINE? >> OH, I THINK WE FOUND SOME ALREADY. 341 00:13:53,927 --> 00:13:54,625 >> OH, I THINK WE FOUND SOME ALREADY. >> YEAH. 342 00:13:54,627 --> 00:13:56,060 ALREADY. >> YEAH. THEY ALREADY FOUND SOME. 343 00:13:56,062 --> 00:13:57,194 >> YEAH. THEY ALREADY FOUND SOME. GET LOST. 344 00:13:57,196 --> 00:14:00,431 THEY ALREADY FOUND SOME. GET LOST. >> WELL, MY STUFF IS SO WHITE, 345 00:14:00,433 --> 00:14:03,100 GET LOST. >> WELL, MY STUFF IS SO WHITE, IT'S LIKE GWENYTH PALTROW SKIING 346 00:14:03,102 --> 00:14:04,135 >> WELL, MY STUFF IS SO WHITE, IT'S LIKE GWENYTH PALTROW SKIING IN UTAH. 347 00:14:04,137 --> 00:14:05,002 IT'S LIKE GWENYTH PALTROW SKIING IN UTAH. >> OKAY. 348 00:14:05,004 --> 00:14:05,636 IN UTAH. >> OKAY. >> DAMN. 349 00:14:05,638 --> 00:14:06,237 >> OKAY. >> DAMN. I'M SOLD. 350 00:14:06,239 --> 00:14:07,204 >> DAMN. I'M SOLD. HOW MUCH FOR THAT? 351 00:14:07,206 --> 00:14:08,372 I'M SOLD. HOW MUCH FOR THAT? >> WAIT A MINUTE. 352 00:14:08,374 --> 00:14:10,608 HOW MUCH FOR THAT? >> WAIT A MINUTE. MY COCAINE IS SO PURE WHITE, 353 00:14:10,610 --> 00:14:13,578 >> WAIT A MINUTE. MY COCAINE IS SO PURE WHITE, IT'S LIKE THE GUY THAT'S SUING 354 00:14:13,580 --> 00:14:15,379 MY COCAINE IS SO PURE WHITE, IT'S LIKE THE GUY THAT'S SUING GWENYTH PALTROW BECAUSE HE CAN'T 355 00:14:15,381 --> 00:14:17,048 IT'S LIKE THE GUY THAT'S SUING GWENYTH PALTROW BECAUSE HE CAN'T ENJOY WINE TASTINGS ANYMORE. 356 00:14:17,050 --> 00:14:19,116 GWENYTH PALTROW BECAUSE HE CAN'T ENJOY WINE TASTINGS ANYMORE. >> Y'ALL LOOKING FOR SOME 357 00:14:19,118 --> 00:14:19,617 ENJOY WINE TASTINGS ANYMORE. >> Y'ALL LOOKING FOR SOME COCAINE? 358 00:14:19,619 --> 00:14:20,451 >> Y'ALL LOOKING FOR SOME COCAINE? >> NO. 359 00:14:20,453 --> 00:14:21,519 COCAINE? >> NO. >> T ALREADY DECIDED, MAN. 360 00:14:21,521 --> 00:14:23,754 >> NO. >> T ALREADY DECIDED, MAN. >> WELL, NO, WE HAVEN'T. 361 00:14:23,756 --> 00:14:25,723 >> T ALREADY DECIDED, MAN. >> WELL, NO, WE HAVEN'T. WE'RE JUST TRYING TO MAKE SURE 362 00:14:25,725 --> 00:14:26,123 >> WELL, NO, WE HAVEN'T. WE'RE JUST TRYING TO MAKE SURE IT'S PURE. 363 00:14:26,125 --> 00:14:28,225 WE'RE JUST TRYING TO MAKE SURE IT'S PURE. >> LET ME TELL YOU THIS, MAN, 364 00:14:28,227 --> 00:14:30,962 IT'S PURE. >> LET ME TELL YOU THIS, MAN, THE COKE I GOT IS SO WHITE, ITS 365 00:14:30,964 --> 00:14:32,897 >> LET ME TELL YOU THIS, MAN, THE COKE I GOT IS SO WHITE, ITS DAD SENDS IT MONEY EVERY MONTH 366 00:14:32,899 --> 00:14:33,331 THE COKE I GOT IS SO WHITE, ITS DAD SENDS IT MONEY EVERY MONTH FOR THE RENT. 367 00:14:33,333 --> 00:14:33,664 DAD SENDS IT MONEY EVERY MONTH FOR THE RENT. >> OKAY. 368 00:14:33,666 --> 00:14:35,032 FOR THE RENT. >> OKAY. I THINK I WANT THAT ONE. 369 00:14:35,034 --> 00:14:38,302 >> OKAY. I THINK I WANT THAT ONE. >> NO, NO, NO. 370 00:14:38,304 --> 00:14:38,736 I THINK I WANT THAT ONE. >> NO, NO, NO. THAT IS JUNK. 371 00:14:38,738 --> 00:14:39,870 >> NO, NO, NO. THAT IS JUNK. THIS STUFF RIGHT HERE IS SO 372 00:14:39,872 --> 00:14:41,672 THAT IS JUNK. THIS STUFF RIGHT HERE IS SO WHITE, IT TAKES ITS SHOES AND 373 00:14:41,674 --> 00:14:42,873 THIS STUFF RIGHT HERE IS SO WHITE, IT TAKES ITS SHOES AND SOCKS OFF ON A PLANE. 374 00:14:42,875 --> 00:14:44,308 WHITE, IT TAKES ITS SHOES AND SOCKS OFF ON A PLANE. >> NO, NO, NO. 375 00:14:44,310 --> 00:14:45,176 SOCKS OFF ON A PLANE. >> NO, NO, NO. YOU DON'T WANT THAT. 376 00:14:45,178 --> 00:14:46,877 >> NO, NO, NO. YOU DON'T WANT THAT. THIS IS WHAT YOU WANT, MAN. 377 00:14:46,879 --> 00:14:49,146 YOU DON'T WANT THAT. THIS IS WHAT YOU WANT, MAN. THIS COKE RIGHT HERE IS WHITER 378 00:14:49,148 --> 00:14:52,516 THIS IS WHAT YOU WANT, MAN. THIS COKE RIGHT HERE IS WHITER THAN SEASON TWO OF "THE WIRE." 379 00:14:52,518 --> 00:14:53,884 THIS COKE RIGHT HERE IS WHITER THAN SEASON TWO OF "THE WIRE." >> OH, YEAH? 380 00:14:53,886 --> 00:14:56,787 THAN SEASON TWO OF "THE WIRE." >> OH, YEAH? WELL, MY COKE IS LIKE -- 381 00:14:56,789 --> 00:14:58,789 >> OH, YEAH? WELL, MY COKE IS LIKE -- ♪ CUT MY LIFE INTO PIECES, THIS 382 00:14:58,791 --> 00:15:01,826 WELL, MY COKE IS LIKE -- ♪ CUT MY LIFE INTO PIECES, THIS IS MY LAST RESORT ♪ 383 00:15:01,828 --> 00:15:03,427 ♪ CUT MY LIFE INTO PIECES, THIS IS MY LAST RESORT ♪ >> MINE IS LIKE -- 384 00:15:03,429 --> 00:15:05,429 IS MY LAST RESORT ♪ >> MINE IS LIKE -- ♪ I CHIMED IN WITH A HAVEN'T YOU 385 00:15:05,431 --> 00:15:10,735 >> MINE IS LIKE -- ♪ I CHIMED IN WITH A HAVEN'T YOU PEOPLE EVER HEARD OF CLOSING THE 386 00:15:10,737 --> 00:15:12,670 ♪ I CHIMED IN WITH A HAVEN'T YOU PEOPLE EVER HEARD OF CLOSING THE GOD DAMN DOOR ♪ 387 00:15:12,672 --> 00:15:13,938 PEOPLE EVER HEARD OF CLOSING THE GOD DAMN DOOR ♪ >> THAIS WHITE, YEAH. 388 00:15:13,940 --> 00:15:14,572 GOD DAMN DOOR ♪ >> THAIS WHITE, YEAH. >> HEY. 389 00:15:14,574 --> 00:15:17,174 >> THAIS WHITE, YEAH. >> HEY. YOU GUYS LOOKING FOR SOME 390 00:15:17,176 --> 00:15:17,908 >> HEY. YOU GUYS LOOKING FOR SOME COCAINE? 391 00:15:17,910 --> 00:15:18,342 YOU GUYS LOOKING FOR SOME COCAINE? >> WE GOOD. 392 00:15:18,344 --> 00:15:19,477 COCAINE? >> WE GOOD. >> THEY'RE ALL SET, MAN. 393 00:15:19,479 --> 00:15:21,278 >> WE GOOD. >> THEY'RE ALL SET, MAN. >> WE'RE LOOKING FOR COKE THAT'S 394 00:15:21,280 --> 00:15:23,247 >> THEY'RE ALL SET, MAN. >> WE'RE LOOKING FOR COKE THAT'S SO PURE WHITE, IT GOT A LITTLE 395 00:15:23,249 --> 00:15:25,216 >> WE'RE LOOKING FOR COKE THAT'S SO PURE WHITE, IT GOT A LITTLE BOTTLE OPENER ON ITS FLIP FLOPS. 396 00:15:25,218 --> 00:15:27,184 SO PURE WHITE, IT GOT A LITTLE BOTTLE OPENER ON ITS FLIP FLOPS. >> MY COKE IS SO PURE, IT WAS 397 00:15:27,186 --> 00:15:29,420 BOTTLE OPENER ON ITS FLIP FLOPS. >> MY COKE IS SO PURE, IT WAS WRITTEN AND DIRECTED BY NOAH 398 00:15:29,422 --> 00:15:29,787 >> MY COKE IS SO PURE, IT WAS WRITTEN AND DIRECTED BY NOAH BAUMBACH. 399 00:15:29,789 --> 00:15:31,756 WRITTEN AND DIRECTED BY NOAH BAUMBACH. >> WHO THE HELL IS NOAH 400 00:15:31,758 --> 00:15:32,123 BAUMBACH. >> WHO THE HELL IS NOAH BAUMBACH? 401 00:15:32,125 --> 00:15:34,558 >> WHO THE HELL IS NOAH BAUMBACH? >> A POET. 402 00:15:34,560 --> 00:15:35,493 BAUMBACH? >> A POET. >> MAN, THAT'S NOTHING. 403 00:15:35,495 --> 00:15:38,295 >> A POET. >> MAN, THAT'S NOTHING. THIS COCAINE I GOT SAYS STUFF 404 00:15:38,297 --> 00:15:40,698 >> MAN, THAT'S NOTHING. THIS COCAINE I GOT SAYS STUFF LIKE, OOP, LET ME SCOOT RIGHT BY 405 00:15:40,700 --> 00:15:40,998 THIS COCAINE I GOT SAYS STUFF LIKE, OOP, LET ME SCOOT RIGHT BY YOU. 406 00:15:41,000 --> 00:15:42,533 LIKE, OOP, LET ME SCOOT RIGHT BY YOU. >> NO, NO, NO. 407 00:15:42,535 --> 00:15:44,669 YOU. >> NO, NO, NO. THIS COCAINE IS SO WHITE -- 408 00:15:44,671 --> 00:15:46,504 >> NO, NO, NO. THIS COCAINE IS SO WHITE -- >> OH, SORRY. 409 00:15:46,506 --> 00:15:47,638 THIS COCAINE IS SO WHITE -- >> OH, SORRY. HOW WHITE IS IT? 410 00:15:47,640 --> 00:15:48,172 >> OH, SORRY. HOW WHITE IS IT? >> THANK YOU. 411 00:15:48,174 --> 00:15:50,641 HOW WHITE IS IT? >> THANK YOU. IT'S SO WHITE, IT STANDS LIKE 412 00:15:50,643 --> 00:15:54,078 >> THANK YOU. IT'S SO WHITE, IT STANDS LIKE THIS ADMIRING ITS LAWN. 413 00:15:54,080 --> 00:15:56,914 IT'S SO WHITE, IT STANDS LIKE THIS ADMIRING ITS LAWN. >> MY COKE IS SO WHITE -- 414 00:15:56,916 --> 00:15:57,581 THIS ADMIRING ITS LAWN. >> MY COKE IS SO WHITE -- >> LET ME JUST SCOOT BY YOU 415 00:15:57,583 --> 00:16:05,556 >> MY COKE IS SO WHITE -- >> LET ME JUST SCOOT BY YOU THERE. 416 00:16:05,558 --> 00:16:06,057 >> LET ME JUST SCOOT BY YOU THERE. OKAY. 417 00:16:06,059 --> 00:16:06,424 THERE. OKAY. TOODLES. 418 00:16:06,426 --> 00:16:07,091 OKAY. TOODLES. >> IT'S THAT WHITE. 419 00:16:07,093 --> 00:16:08,225 TOODLES. >> IT'S THAT WHITE. >> I ALREADY SAID THAT ONE. 420 00:16:08,227 --> 00:16:09,393 >> IT'S THAT WHITE. >> I ALREADY SAID THAT ONE. >> ALL RIGHT, MAN. 421 00:16:09,395 --> 00:16:10,761 >> I ALREADY SAID THAT ONE. >> ALL RIGHT, MAN. SO WHAT DO YOU THINK? 422 00:16:10,763 --> 00:16:11,829 >> ALL RIGHT, MAN. SO WHAT DO YOU THINK? >> HUH, I DON'T KNOW. 423 00:16:11,831 --> 00:16:12,396 SO WHAT DO YOU THINK? >> HUH, I DON'T KNOW. I STILL CAN'T DECIDE. 424 00:16:12,398 --> 00:16:19,236 >> HUH, I DON'T KNOW. I STILL CAN'T DECIDE. >> HEY. 425 00:16:19,238 --> 00:16:22,039 I STILL CAN'T DECIDE. >> HEY. YOU GUYS LOOKING FOR SOME BLACK 426 00:16:22,041 --> 00:16:23,240 >> HEY. YOU GUYS LOOKING FOR SOME BLACK TAR HEROIN? 427 00:16:23,242 --> 00:16:24,508 YOU GUYS LOOKING FOR SOME BLACK TAR HEROIN? >> WHAT? 428 00:16:24,510 --> 00:16:24,775 TAR HEROIN? >> WHAT? NO. 429 00:16:24,777 --> 00:16:27,411 >> WHAT? NO. >> OH, TOO BAD BECAUSE I'VE GOT 430 00:16:27,413 --> 00:16:29,547 NO. >> OH, TOO BAD BECAUSE I'VE GOT SOME BLACK TAR HEROIN THAT'S SO 431 00:16:29,549 --> 00:16:30,981 >> OH, TOO BAD BECAUSE I'VE GOT SOME BLACK TAR HEROIN THAT'S SO BLACK, IT'S -- YOU KNOW WHAT, 432 00:16:30,983 --> 00:16:31,849 SOME BLACK TAR HEROIN THAT'S SO BLACK, IT'S -- YOU KNOW WHAT, MAYBE I SHOULDN'T SAY. 433 00:16:31,851 --> 00:16:33,217 BLACK, IT'S -- YOU KNOW WHAT, MAYBE I SHOULDN'T SAY. >> NO, NO, NO. 434 00:16:33,219 --> 00:16:34,685 MAYBE I SHOULDN'T SAY. >> NO, NO, NO. WANT TO HEAR IT. 435 00:16:34,687 --> 00:16:35,586 >> NO, NO, NO. WANT TO HEAR IT. GO AHEAD. 436 00:16:35,588 --> 00:16:36,887 WANT TO HEAR IT. GO AHEAD. >> PLEASE TELL US. 437 00:16:36,889 --> 00:16:39,690 GO AHEAD. >> PLEASE TELL US. >> I WAS GOING TO SAY IT'S SO 438 00:16:39,692 --> 00:16:40,357 >> PLEASE TELL US. >> I WAS GOING TO SAY IT'S SO BLACK THAT IT'S STRONG AND 439 00:16:40,359 --> 00:16:43,561 >> I WAS GOING TO SAY IT'S SO BLACK THAT IT'S STRONG AND EQUAL. 440 00:16:43,563 --> 00:16:44,762 BLACK THAT IT'S STRONG AND EQUAL. AND WE SHOULD ALL REALLY GIVE IT 441 00:16:44,764 --> 00:16:45,262 EQUAL. AND WE SHOULD ALL REALLY GIVE IT A CHANCE. 442 00:16:45,264 --> 00:16:47,031 AND WE SHOULD ALL REALLY GIVE IT A CHANCE. YOU KNOW, I'M NOT EVEN HERE. 443 00:16:47,033 --> 00:16:48,099 A CHANCE. YOU KNOW, I'M NOT EVEN HERE. >> THAT'S WHAT I THOUGHT. 444 00:16:48,101 --> 00:16:51,168 YOU KNOW, I'M NOT EVEN HERE. >> THAT'S WHAT I THOUGHT. LIKE I SAID, THIS COKE IS SO 445 00:16:51,170 --> 00:16:53,838 >> THAT'S WHAT I THOUGHT. LIKE I SAID, THIS COKE IS SO WHITE, IT LIKES TO SAY IT'S FROM 446 00:16:53,840 --> 00:16:55,806 LIKE I SAID, THIS COKE IS SO WHITE, IT LIKES TO SAY IT'S FROM CHICAGO, BUT IT'S FROM A SUBURB 447 00:16:55,808 --> 00:16:56,941 WHITE, IT LIKES TO SAY IT'S FROM CHICAGO, BUT IT'S FROM A SUBURB OUTSIDE OF CHICAGO. 448 00:16:56,943 --> 00:17:03,814 CHICAGO, BUT IT'S FROM A SUBURB OUTSIDE OF CHICAGO. >> MY COKE IS 20 PAIRS OF YEEZY 449 00:17:03,816 --> 00:17:04,181 OUTSIDE OF CHICAGO. >> MY COKE IS 20 PAIRS OF YEEZY SNEAKERS. 450 00:17:04,183 --> 00:17:05,182 >> MY COKE IS 20 PAIRS OF YEEZY SNEAKERS. >> THAT DOESN'T SOUND WHITE. 451 00:17:05,184 --> 00:17:06,751 SNEAKERS. >> THAT DOESN'T SOUND WHITE. >> THEY'RE ALL DIRTY. 452 00:17:06,753 --> 00:17:07,785 >> THAT DOESN'T SOUND WHITE. >> THEY'RE ALL DIRTY. >> THAT'S WHITE. 453 00:17:07,787 --> 00:17:09,286 >> THEY'RE ALL DIRTY. >> THAT'S WHITE. >> THAT'S ENOUGH. 454 00:17:09,288 --> 00:17:11,021 >> THAT'S WHITE. >> THAT'S ENOUGH. THOSE ALL SOUND VERY WHITE AND 455 00:17:11,023 --> 00:17:11,322 >> THAT'S ENOUGH. THOSE ALL SOUND VERY WHITE AND PURE. 456 00:17:11,324 --> 00:17:11,989 THOSE ALL SOUND VERY WHITE AND PURE. I CAN'T DECIDE. 457 00:17:11,991 --> 00:17:14,592 PURE. I CAN'T DECIDE. SO I GUESS WE'LL TAKE ONE FROM 458 00:17:14,594 --> 00:17:14,892 I CAN'T DECIDE. SO I GUESS WE'LL TAKE ONE FROM EACH. 459 00:17:14,894 --> 00:17:16,293 SO I GUESS WE'LL TAKE ONE FROM EACH. >> OKAY. 460 00:17:16,295 --> 00:17:16,761 EACH. >> OKAY. >> ALL RIGHT. 461 00:17:16,763 --> 00:17:18,395 >> OKAY. >> ALL RIGHT. >> AND YOU'RE ABSOLUTELY SURE 462 00:17:18,397 --> 00:17:20,498 >> ALL RIGHT. >> AND YOU'RE ABSOLUTELY SURE THERE IS NO FENTANYL IN THIS, 463 00:17:20,500 --> 00:17:20,798 >> AND YOU'RE ABSOLUTELY SURE THERE IS NO FENTANYL IN THIS, RIGHT? 464 00:17:20,800 --> 00:17:21,298 THERE IS NO FENTANYL IN THIS, RIGHT? >> NOBODY SAID -- 465 00:17:21,300 --> 00:17:25,770 RIGHT? >> NOBODY SAID -- >> WELL -- 466 00:17:32,644 --> 00:17:38,182 >>> IT ALL STARTED WITH A BOX ON MY DOORSTEP. >> AND A NOTE WITH A QUESTION. 467 00:17:38,184 --> 00:17:39,850 MY DOORSTEP. >> AND A NOTE WITH A QUESTION. >> I JUST GOT THIS FEELING THAT 468 00:17:39,852 --> 00:17:41,585 >> AND A NOTE WITH A QUESTION. >> I JUST GOT THIS FEELING THAT IT WASN'T THE KIND OF QUESTION 469 00:17:41,587 --> 00:17:43,521 >> I JUST GOT THIS FEELING THAT IT WASN'T THE KIND OF QUESTION YOU COULD SAY NO TO. 470 00:17:43,523 --> 00:17:44,855 IT WASN'T THE KIND OF QUESTION YOU COULD SAY NO TO. >> WILL YOU -- 471 00:17:44,857 --> 00:17:45,856 YOU COULD SAY NO TO. >> WILL YOU -- >> BE MY -- 472 00:17:45,858 --> 00:17:47,358 >> WILL YOU -- >> BE MY -- >> BRIDESMAID. 473 00:17:47,360 --> 00:17:49,426 >> BE MY -- >> BRIDESMAID. >> FROM THE PEOPLE WHO BROUGHT 474 00:17:49,428 --> 00:17:52,696 >> BRIDESMAID. >> FROM THE PEOPLE WHO BROUGHT YOU KEEP SWEET, WILD WILD 475 00:17:52,698 --> 00:17:57,535 >> FROM THE PEOPLE WHO BROUGHT YOU KEEP SWEET, WILD WILD COUNTRY, AND THE DOCUMENTARY 476 00:17:57,537 --> 00:18:00,171 YOU KEEP SWEET, WILD WILD COUNTRY, AND THE DOCUMENTARY COMES A NEW STORY, I WAS A 477 00:18:00,173 --> 00:18:00,571 COUNTRY, AND THE DOCUMENTARY COMES A NEW STORY, I WAS A BRIDESMAID. 478 00:18:00,573 --> 00:18:03,073 COMES A NEW STORY, I WAS A BRIDESMAID. >> EACH YEAR, MORE THAN 6 479 00:18:03,075 --> 00:18:04,008 BRIDESMAID. >> EACH YEAR, MORE THAN 6 MILLION WOMEN FALL INTO THIS 480 00:18:04,010 --> 00:18:05,409 >> EACH YEAR, MORE THAN 6 MILLION WOMEN FALL INTO THIS TYPE OF CULT. 481 00:18:05,411 --> 00:18:07,611 MILLION WOMEN FALL INTO THIS TYPE OF CULT. THEY PREY ON COLLEGE ROOMMATES 482 00:18:07,613 --> 00:18:08,846 TYPE OF CULT. THEY PREY ON COLLEGE ROOMMATES AND SISTERS IN LAW. 483 00:18:08,848 --> 00:18:12,283 THEY PREY ON COLLEGE ROOMMATES AND SISTERS IN LAW. >> THEY SELL YOU ON A ONE DAY. 484 00:18:12,285 --> 00:18:14,118 AND SISTERS IN LAW. >> THEY SELL YOU ON A ONE DAY. THE BUT FOR 18 MONTHS, I WAS 485 00:18:14,120 --> 00:18:16,420 >> THEY SELL YOU ON A ONE DAY. THE BUT FOR 18 MONTHS, I WAS FULLY SUCKED IN. 486 00:18:16,422 --> 00:18:17,655 THE BUT FOR 18 MONTHS, I WAS FULLY SUCKED IN. >> THERE WAS AN EMAIL CHAIN, 487 00:18:17,657 --> 00:18:19,790 FULLY SUCKED IN. >> THERE WAS AN EMAIL CHAIN, GROUP TEXTS, DM, A WHOLE 488 00:18:19,792 --> 00:18:21,425 >> THERE WAS AN EMAIL CHAIN, GROUP TEXTS, DM, A WHOLE CONVERSATION AND VENMO. 489 00:18:21,427 --> 00:18:23,928 GROUP TEXTS, DM, A WHOLE CONVERSATION AND VENMO. >> GOT PULLED INTO A 200 490 00:18:23,930 --> 00:18:25,563 CONVERSATION AND VENMO. >> GOT PULLED INTO A 200 QUESTION POLL ABOUT CUSTOMIZED 491 00:18:25,565 --> 00:18:25,896 >> GOT PULLED INTO A 200 QUESTION POLL ABOUT CUSTOMIZED SHIRTS. 492 00:18:25,898 --> 00:18:28,532 QUESTION POLL ABOUT CUSTOMIZED SHIRTS. WE ENDED UP GOING WITH BRIDE 493 00:18:28,534 --> 00:18:28,866 SHIRTS. WE ENDED UP GOING WITH BRIDE TRIBE. 494 00:18:28,868 --> 00:18:30,568 WE ENDED UP GOING WITH BRIDE TRIBE. >> THEY ALSO TARGET ANOTHER 495 00:18:30,570 --> 00:18:32,703 TRIBE. >> THEY ALSO TARGET ANOTHER VULNERABLE GROUP, OUTGOING GAY 496 00:18:32,705 --> 00:18:33,003 >> THEY ALSO TARGET ANOTHER VULNERABLE GROUP, OUTGOING GAY MEN. 497 00:18:33,005 --> 00:18:34,872 VULNERABLE GROUP, OUTGOING GAY MEN. >> I HAVE BEEN A BRIDESMAID AT 498 00:18:34,874 --> 00:18:35,940 MEN. >> I HAVE BEEN A BRIDESMAID AT NINE WEDDINGS THIS YEAR. 499 00:18:35,942 --> 00:18:37,174 >> I HAVE BEEN A BRIDESMAID AT NINE WEDDINGS THIS YEAR. WHENEVER A GIRL STARTS CALLING 500 00:18:37,176 --> 00:18:41,645 NINE WEDDINGS THIS YEAR. WHENEVER A GIRL STARTS CALLING ME SIS, I KNOW I'M IN TROUBLE. 501 00:18:41,647 --> 00:18:44,348 WHENEVER A GIRL STARTS CALLING ME SIS, I KNOW I'M IN TROUBLE. >> THE BACHELORETTE PARTY IS THE 502 00:18:44,350 --> 00:18:45,482 ME SIS, I KNOW I'M IN TROUBLE. >> THE BACHELORETTE PARTY IS THE FIRST MAJOR RITUAL, ALMOST 503 00:18:45,484 --> 00:18:46,317 >> THE BACHELORETTE PARTY IS THE FIRST MAJOR RITUAL, ALMOST ALWAYS IN NASHVILLE. 504 00:18:46,319 --> 00:18:48,052 FIRST MAJOR RITUAL, ALMOST ALWAYS IN NASHVILLE. >> I TRY TODAY SAY I COULDN'T GO 505 00:18:48,054 --> 00:18:49,119 ALWAYS IN NASHVILLE. >> I TRY TODAY SAY I COULDN'T GO BECAUSE OF MY STUDENT LOANS. 506 00:18:49,121 --> 00:18:51,655 >> I TRY TODAY SAY I COULDN'T GO BECAUSE OF MY STUDENT LOANS. THE MAID OF HONOR TEXTED BACK, 507 00:18:51,657 --> 00:18:55,693 BECAUSE OF MY STUDENT LOANS. THE MAID OF HONOR TEXTED BACK, NO WORRIES WITH A SPARKLE EMOJI. 508 00:18:55,695 --> 00:18:57,328 THE MAID OF HONOR TEXTED BACK, NO WORRIES WITH A SPARKLE EMOJI. I KNEW WHAT THAT MEANT. 509 00:18:57,330 --> 00:19:00,664 NO WORRIES WITH A SPARKLE EMOJI. I KNEW WHAT THAT MEANT. >> AT FIRST, I THOUGHT IT WAS 510 00:19:00,666 --> 00:19:01,432 I KNEW WHAT THAT MEANT. >> AT FIRST, I THOUGHT IT WAS THE BRIDE IN CHARGE, BUT IT WAS 511 00:19:01,434 --> 00:19:03,767 >> AT FIRST, I THOUGHT IT WAS THE BRIDE IN CHARGE, BUT IT WAS THE WOMAN UNDER HER, MICHELLE. 512 00:19:03,769 --> 00:19:05,569 THE BRIDE IN CHARGE, BUT IT WAS THE WOMAN UNDER HER, MICHELLE. >> MICHELLE WAS A SOCIOPATH. 513 00:19:05,571 --> 00:19:07,438 THE WOMAN UNDER HER, MICHELLE. >> MICHELLE WAS A SOCIOPATH. >> FIRST, WE'RE GOING TO BE 514 00:19:07,440 --> 00:19:09,874 >> MICHELLE WAS A SOCIOPATH. >> FIRST, WE'RE GOING TO BE GETTING UP AT 6:00 A.M. FOR A 515 00:19:09,876 --> 00:19:13,177 >> FIRST, WE'RE GOING TO BE GETTING UP AT 6:00 A.M. FOR A POLL DANCE FITNESS CLASS. 516 00:19:13,179 --> 00:19:15,346 GETTING UP AT 6:00 A.M. FOR A POLL DANCE FITNESS CLASS. WE'RE GOING TO BE RUNNING A NINE 517 00:19:15,348 --> 00:19:17,548 POLL DANCE FITNESS CLASS. WE'RE GOING TO BE RUNNING A NINE BIKE PERSON, AND DRINKING, 518 00:19:17,550 --> 00:19:18,082 WE'RE GOING TO BE RUNNING A NINE BIKE PERSON, AND DRINKING, DRINKING, DRINKING. 519 00:19:18,084 --> 00:19:19,750 BIKE PERSON, AND DRINKING, DRINKING, DRINKING. >> I'M NOT FEELING SO GOOD, SO 520 00:19:19,752 --> 00:19:21,952 DRINKING, DRINKING. >> I'M NOT FEELING SO GOOD, SO I'M GOING TO MEET YOU GUYS 521 00:19:21,954 --> 00:19:22,286 >> I'M NOT FEELING SO GOOD, SO I'M GOING TO MEET YOU GUYS LATER. 522 00:19:22,288 --> 00:19:23,821 I'M GOING TO MEET YOU GUYS LATER. >> OH, THAT'S OKAY. 523 00:19:23,823 --> 00:19:27,291 LATER. >> OH, THAT'S OKAY. HEY, BRITTANY, CAN WE TALK FOR A 524 00:19:27,293 --> 00:19:27,691 >> OH, THAT'S OKAY. HEY, BRITTANY, CAN WE TALK FOR A SEC? 525 00:19:27,693 --> 00:19:29,159 HEY, BRITTANY, CAN WE TALK FOR A SEC? >> I DON'T HAVE MANY MEMORIES 526 00:19:29,161 --> 00:19:30,494 SEC? >> I DON'T HAVE MANY MEMORIES FROM THE BACHELORETTE TRIP 527 00:19:30,496 --> 00:19:33,163 >> I DON'T HAVE MANY MEMORIES FROM THE BACHELORETTE TRIP BECAUSE I WAS DRUGGED BY MYSELF. 528 00:19:33,165 --> 00:19:35,199 FROM THE BACHELORETTE TRIP BECAUSE I WAS DRUGGED BY MYSELF. I HAD NO CHOICE. 529 00:19:35,201 --> 00:19:36,934 BECAUSE I WAS DRUGGED BY MYSELF. I HAD NO CHOICE. THESE WOMEN WERE TERRORIZING 530 00:19:36,936 --> 00:19:38,068 I HAD NO CHOICE. THESE WOMEN WERE TERRORIZING EVERY GAY BAR IN TOWN. 531 00:19:38,070 --> 00:19:41,605 THESE WOMEN WERE TERRORIZING EVERY GAY BAR IN TOWN. >> AS WITH ALL CULTS, THERE IS A 532 00:19:41,607 --> 00:19:42,139 EVERY GAY BAR IN TOWN. >> AS WITH ALL CULTS, THERE IS A FINANCIAL ELEMENT. 533 00:19:42,141 --> 00:19:46,310 >> AS WITH ALL CULTS, THERE IS A FINANCIAL ELEMENT. >> I SPENT $300 ON A BRIDESMAID 534 00:19:46,312 --> 00:19:46,610 FINANCIAL ELEMENT. >> I SPENT $300 ON A BRIDESMAID DRESS. 535 00:19:46,612 --> 00:19:47,978 >> I SPENT $300 ON A BRIDESMAID DRESS. THE BRIDES I'VE TRIED OTHER 536 00:19:47,980 --> 00:19:50,948 DRESS. THE BRIDES I'VE TRIED OTHER TIMES TO WEAR IT. 537 00:19:50,950 --> 00:19:54,285 THE BRIDES I'VE TRIED OTHER TIMES TO WEAR IT. WHERE AM I GOING THAT CALLS FOR 538 00:19:54,287 --> 00:19:56,120 TIMES TO WEAR IT. WHERE AM I GOING THAT CALLS FOR A BLUE CHIFFON GOWN? 539 00:19:56,122 --> 00:19:57,955 WHERE AM I GOING THAT CALLS FOR A BLUE CHIFFON GOWN? >> MORE MONEY, MORE GIFTS, THERE 540 00:19:57,957 --> 00:20:00,224 A BLUE CHIFFON GOWN? >> MORE MONEY, MORE GIFTS, THERE WAS ALL THIS PENIS STUFF, 541 00:20:00,226 --> 00:20:02,159 >> MORE MONEY, MORE GIFTS, THERE WAS ALL THIS PENIS STUFF, SASHES, STRAWS, EVERYONE ACTED 542 00:20:02,161 --> 00:20:03,928 WAS ALL THIS PENIS STUFF, SASHES, STRAWS, EVERYONE ACTED LIKE IT WAS HILARIOUS. 543 00:20:03,930 --> 00:20:04,495 SASHES, STRAWS, EVERYONE ACTED LIKE IT WAS HILARIOUS. I DIDN'T UNDERSTAND. 544 00:20:04,497 --> 00:20:06,230 LIKE IT WAS HILARIOUS. I DIDN'T UNDERSTAND. >> THE PENIS STUFF IS VERY 545 00:20:06,232 --> 00:20:06,530 I DIDN'T UNDERSTAND. >> THE PENIS STUFF IS VERY FUNNY. 546 00:20:06,532 --> 00:20:08,132 >> THE PENIS STUFF IS VERY FUNNY. I WILL SAY THAT. 547 00:20:08,134 --> 00:20:10,467 FUNNY. I WILL SAY THAT. >> AND FINALLY, IT WAS TIME FOR 548 00:20:10,469 --> 00:20:10,901 I WILL SAY THAT. >> AND FINALLY, IT WAS TIME FOR THE BIG DAY. 549 00:20:10,903 --> 00:20:13,203 >> AND FINALLY, IT WAS TIME FOR THE BIG DAY. >> I WAS SEPARATED FROM MY 550 00:20:13,205 --> 00:20:15,406 THE BIG DAY. >> I WAS SEPARATED FROM MY BOYFRIEND AND GIVEN A NEW 551 00:20:15,408 --> 00:20:18,542 >> I WAS SEPARATED FROM MY BOYFRIEND AND GIVEN A NEW PARTNER, THE GROOM'S COUSIN 552 00:20:18,544 --> 00:20:21,512 BOYFRIEND AND GIVEN A NEW PARTNER, THE GROOM'S COUSIN DONNY, WHO WAS INEXPLICABLY 61. 553 00:20:21,514 --> 00:20:26,016 PARTNER, THE GROOM'S COUSIN DONNY, WHO WAS INEXPLICABLY 61. >> FINAL RITUAL WAS THE MOST 554 00:20:26,018 --> 00:20:26,383 DONNY, WHO WAS INEXPLICABLY 61. >> FINAL RITUAL WAS THE MOST DEMEANING. 555 00:20:26,385 --> 00:20:28,485 >> FINAL RITUAL WAS THE MOST DEMEANING. WE HAD TO WRITE AND PERFORM 556 00:20:28,487 --> 00:20:33,590 DEMEANING. WE HAD TO WRITE AND PERFORM ORIGINAL LYRICS TO FRESH PRINCE 557 00:20:33,592 --> 00:20:37,194 WE HAD TO WRITE AND PERFORM ORIGINAL LYRICS TO FRESH PRINCE OF BELAIR. 558 00:20:37,196 --> 00:20:39,229 ORIGINAL LYRICS TO FRESH PRINCE OF BELAIR. >> AND THEN, ALL OF A SUDDEN, IT 559 00:20:39,231 --> 00:20:40,531 OF BELAIR. >> AND THEN, ALL OF A SUDDEN, IT WAS OVER. 560 00:20:40,533 --> 00:20:43,968 >> AND THEN, ALL OF A SUDDEN, IT WAS OVER. BUT I JUST GOT ENGAGED. 561 00:20:43,970 --> 00:20:45,069 WAS OVER. BUT I JUST GOT ENGAGED. DON'T WORRY. 562 00:20:45,071 --> 00:20:45,769 BUT I JUST GOT ENGAGED. DON'T WORRY. I'M GOING TO BE SUCH A CHILL 563 00:20:45,771 --> 00:20:52,743 DON'T WORRY. I'M GOING TO BE SUCH A CHILL BRIDE. 564 00:20:52,745 --> 00:20:56,714 I'M GOING TO BE SUCH A CHILL BRIDE. >>> IT'S TIME FOR COUPLE WARS 565 00:20:56,716 --> 00:21:01,118 BRIDE. >>> IT'S TIME FOR COUPLE WARS WITH YOUR HOST, BOB DABILDA. 566 00:21:01,120 --> 00:21:04,154 >>> IT'S TIME FOR COUPLE WARS WITH YOUR HOST, BOB DABILDA. >> WELCOME TO COUPLE GOALS. 567 00:21:04,156 --> 00:21:06,557 WITH YOUR HOST, BOB DABILDA. >> WELCOME TO COUPLE GOALS. LET'S MEET TODAY'S CONTESTANTS. 568 00:21:06,559 --> 00:21:10,794 >> WELCOME TO COUPLE GOALS. LET'S MEET TODAY'S CONTESTANTS. THEY RECENTLY CELEBRATED THEIR 569 00:21:10,796 --> 00:21:11,495 LET'S MEET TODAY'S CONTESTANTS. THEY RECENTLY CELEBRATED THEIR TEN-YEAR ANNIVERSARY, IT'S 570 00:21:11,497 --> 00:21:12,930 THEY RECENTLY CELEBRATED THEIR TEN-YEAR ANNIVERSARY, IT'S THOMAS AND MIA ANDERSON. 571 00:21:12,932 --> 00:21:15,199 TEN-YEAR ANNIVERSARY, IT'S THOMAS AND MIA ANDERSON. AND THEY LIVED ACROSS FROM EACH 572 00:21:15,201 --> 00:21:18,135 THOMAS AND MIA ANDERSON. AND THEY LIVED ACROSS FROM EACH OTHER DURING THE PANDEMIC, IT'S 573 00:21:18,137 --> 00:21:19,870 AND THEY LIVED ACROSS FROM EACH OTHER DURING THE PANDEMIC, IT'S JOHN AND LINDA CRONIN. 574 00:21:19,872 --> 00:21:20,738 OTHER DURING THE PANDEMIC, IT'S JOHN AND LINDA CRONIN. LET'S GET STARTED. 575 00:21:20,740 --> 00:21:22,639 JOHN AND LINDA CRONIN. LET'S GET STARTED. AS YOU KNOW, YOUR SPOUSES 576 00:21:22,641 --> 00:21:23,874 LET'S GET STARTED. AS YOU KNOW, YOUR SPOUSES ANSWERED A SERIES OF QUESTIONS 577 00:21:23,876 --> 00:21:25,642 AS YOU KNOW, YOUR SPOUSES ANSWERED A SERIES OF QUESTIONS BEFORE THE SHOW, AND IT'S UP TO 578 00:21:25,644 --> 00:21:27,478 ANSWERED A SERIES OF QUESTIONS BEFORE THE SHOW, AND IT'S UP TO YOU TO GUESS WHAT THEY SAID. 579 00:21:27,480 --> 00:21:29,680 BEFORE THE SHOW, AND IT'S UP TO YOU TO GUESS WHAT THEY SAID. QUESTION ONE, WHAT WAS YOUR 580 00:21:29,682 --> 00:21:30,881 YOU TO GUESS WHAT THEY SAID. QUESTION ONE, WHAT WAS YOUR WIFE'S FAVORITE FOOD? 581 00:21:30,883 --> 00:21:33,250 QUESTION ONE, WHAT WAS YOUR WIFE'S FAVORITE FOOD? >> COME ON, BOB, THAT'S EASY. 582 00:21:33,252 --> 00:21:34,952 WIFE'S FAVORITE FOOD? >> COME ON, BOB, THAT'S EASY. SHE'S THE QUEEN OF BURGERS. 583 00:21:34,954 --> 00:21:36,520 >> COME ON, BOB, THAT'S EASY. SHE'S THE QUEEN OF BURGERS. >> LET'S SEE WHAT MIA SAID. 584 00:21:36,522 --> 00:21:37,888 SHE'S THE QUEEN OF BURGERS. >> LET'S SEE WHAT MIA SAID. >> BURGERS. 585 00:21:37,890 --> 00:21:39,189 >> LET'S SEE WHAT MIA SAID. >> BURGERS. I'M THE BURGER QUEEN. 586 00:21:39,191 --> 00:21:39,890 >> BURGERS. I'M THE BURGER QUEEN. >> ALL RIGHT. 587 00:21:39,892 --> 00:21:42,493 I'M THE BURGER QUEEN. >> ALL RIGHT. THE ANDERSONS ARE ON THE BOARD. 588 00:21:42,495 --> 00:21:44,528 >> ALL RIGHT. THE ANDERSONS ARE ON THE BOARD. LET'S GO TO THE CRONINS, JOHN. 589 00:21:44,530 --> 00:21:46,764 THE ANDERSONS ARE ON THE BOARD. LET'S GO TO THE CRONINS, JOHN. >> I'M GOING TO GO WITH MY GUT 590 00:21:46,766 --> 00:21:48,699 LET'S GO TO THE CRONINS, JOHN. >> I'M GOING TO GO WITH MY GUT HERE AND SAY CREPES. 591 00:21:48,701 --> 00:21:52,136 >> I'M GOING TO GO WITH MY GUT HERE AND SAY CREPES. >> OH, NO, I SAID FISH STICKS. 592 00:21:52,138 --> 00:21:53,704 HERE AND SAY CREPES. >> OH, NO, I SAID FISH STICKS. WE'LL GET THEM NEXT TIME, BABE. 593 00:21:53,706 --> 00:21:54,805 >> OH, NO, I SAID FISH STICKS. WE'LL GET THEM NEXT TIME, BABE. >> QUESTION TWO. 594 00:21:54,807 --> 00:21:57,574 WE'LL GET THEM NEXT TIME, BABE. >> QUESTION TWO. WHAT IS YOUR HUSBAND'S GREATEST 595 00:21:57,576 --> 00:21:57,875 >> QUESTION TWO. WHAT IS YOUR HUSBAND'S GREATEST FEAR? 596 00:21:57,877 --> 00:21:59,843 WHAT IS YOUR HUSBAND'S GREATEST FEAR? >> I'VE SEEN THIS MAN IN THE 597 00:21:59,845 --> 00:22:01,779 FEAR? >> I'VE SEEN THIS MAN IN THE GARAGE, ANDND TRUST ME, THE ANSR 598 00:22:01,781 --> 00:22:03,313 >> I'VE SEEN THIS MAN IN THE GARAGE, ANDND TRUST ME, THE ANSR IS SPIDERS. 599 00:22:03,315 --> 00:22:04,648 GARAGE, ANDND TRUST ME, THE ANSR IS SPIDERS. >> ALL RIGHT. 600 00:22:04,650 --> 00:22:06,483 IS SPIDERS. >> ALL RIGHT. MIA SAID SPIDERS, AND THOMAS 601 00:22:06,485 --> 00:22:08,786 >> ALL RIGHT. MIA SAID SPIDERS, AND THOMAS SAID HIS GREATEST FEAR IS -- 602 00:22:08,788 --> 00:22:09,987 MIA SAID SPIDERS, AND THOMAS SAID HIS GREATEST FEAR IS -- THAT YOU'LL FALL DOWN THE STAIRS 603 00:22:09,989 --> 00:22:12,423 SAID HIS GREATEST FEAR IS -- THAT YOU'LL FALL DOWN THE STAIRS AND GET HURT SO BAD THAT I HAVE 604 00:22:12,425 --> 00:22:14,425 THAT YOU'LL FALL DOWN THE STAIRS AND GET HURT SO BAD THAT I HAVE TO GIVE UP MY DREAMS AND SPEND 605 00:22:14,427 --> 00:22:19,496 AND GET HURT SO BAD THAT I HAVE TO GIVE UP MY DREAMS AND SPEND THE REST OF MY LIFE CARING FOR 606 00:22:19,498 --> 00:22:19,763 TO GIVE UP MY DREAMS AND SPEND THE REST OF MY LIFE CARING FOR YOU. 607 00:22:19,765 --> 00:22:20,030 THE REST OF MY LIFE CARING FOR YOU. WOW. 608 00:22:20,032 --> 00:22:21,765 YOU. WOW. SO NO POINTS ON THAT ONE. 609 00:22:21,767 --> 00:22:24,001 WOW. SO NO POINTS ON THAT ONE. >> THAT'S YOUR BIGGEST FEAR? 610 00:22:24,003 --> 00:22:27,271 SO NO POINTS ON THAT ONE. >> THAT'S YOUR BIGGEST FEAR? >> SPIDERS, YEAH. 611 00:22:27,273 --> 00:22:28,272 >> THAT'S YOUR BIGGEST FEAR? >> SPIDERS, YEAH. SHOULD HAVE SAID SPIDERS. 612 00:22:28,274 --> 00:22:29,339 >> SPIDERS, YEAH. SHOULD HAVE SAID SPIDERS. >> OKAY. 613 00:22:29,341 --> 00:22:31,642 SHOULD HAVE SAID SPIDERS. >> OKAY. MOVING ON TO THE CRONINS. 614 00:22:31,644 --> 00:22:33,143 >> OKAY. MOVING ON TO THE CRONINS. LINDA, WHAT IS YOUR HUSBAND'S 615 00:22:33,145 --> 00:22:33,577 MOVING ON TO THE CRONINS. LINDA, WHAT IS YOUR HUSBAND'S GREATEST FEAR? 616 00:22:33,579 --> 00:22:35,746 LINDA, WHAT IS YOUR HUSBAND'S GREATEST FEAR? >> OH, I GOT THIS. 617 00:22:35,748 --> 00:22:36,847 GREATEST FEAR? >> OH, I GOT THIS. IT'S AIRPLANES. 618 00:22:36,849 --> 00:22:38,415 >> OH, I GOT THIS. IT'S AIRPLANES. >> NO, HONEY. 619 00:22:38,417 --> 00:22:39,149 IT'S AIRPLANES. >> NO, HONEY. IT'S SNAKES. 620 00:22:39,151 --> 00:22:39,516 >> NO, HONEY. IT'S SNAKES. REMEMBER? 621 00:22:39,518 --> 00:22:39,817 IT'S SNAKES. REMEMBER? >> OH. 622 00:22:39,819 --> 00:22:43,153 REMEMBER? >> OH. SO CLOSE. 623 00:22:43,155 --> 00:22:46,223 >> OH. SO CLOSE. >> WAS IT, THOUGH? 624 00:22:46,225 --> 00:22:46,924 SO CLOSE. >> WAS IT, THOUGH? WAS IT? 625 00:22:46,926 --> 00:22:47,958 >> WAS IT, THOUGH? WAS IT? >> OKAY. 626 00:22:47,960 --> 00:22:48,659 WAS IT? >> OKAY. NEXT QUESTION. 627 00:22:48,661 --> 00:22:50,160 >> OKAY. NEXT QUESTION. WHAT'S SOMETHING YOU DO IN BED 628 00:22:50,162 --> 00:22:54,264 NEXT QUESTION. WHAT'S SOMETHING YOU DO IN BED THAT YOUR HUSBAND DOES NOT LIKE. 629 00:22:54,266 --> 00:22:55,365 WHAT'S SOMETHING YOU DO IN BED THAT YOUR HUSBAND DOES NOT LIKE. MIA? 630 00:22:55,367 --> 00:22:55,799 THAT YOUR HUSBAND DOES NOT LIKE. MIA? 631 00:22:55,801 --> 00:22:58,936 MIA? >> WELL, THIS IS EMBARRASSING, 632 00:22:58,938 --> 00:23:01,171 >> WELL, THIS IS EMBARRASSING, BUT KISSING HIM BEFORE I BRUSH 633 00:23:01,173 --> 00:23:01,572 >> WELL, THIS IS EMBARRASSING, BUT KISSING HIM BEFORE I BRUSH MY TEETH. 634 00:23:01,574 --> 00:23:03,207 BUT KISSING HIM BEFORE I BRUSH MY TEETH. >> AND THOMAS SAID, SLEEP TOO 635 00:23:03,209 --> 00:23:04,041 MY TEETH. >> AND THOMAS SAID, SLEEP TOO CLOSE TO THE EDGE. 636 00:23:04,043 --> 00:23:05,676 >> AND THOMAS SAID, SLEEP TOO CLOSE TO THE EDGE. >> THOMAS, YOU THINK I'M GOING 637 00:23:05,678 --> 00:23:08,812 CLOSE TO THE EDGE. >> THOMAS, YOU THINK I'M GOING TO FALL OUT OF BED AND BREAK MY 638 00:23:08,814 --> 00:23:09,146 >> THOMAS, YOU THINK I'M GOING TO FALL OUT OF BED AND BREAK MY NECK? 639 00:23:09,148 --> 00:23:09,847 TO FALL OUT OF BED AND BREAK MY NECK? >> WHAT'S THE NEXT QUESTION, 640 00:23:09,849 --> 00:23:12,316 NECK? >> WHAT'S THE NEXT QUESTION, MAN? 641 00:23:12,318 --> 00:23:13,884 >> WHAT'S THE NEXT QUESTION, MAN? >> OVER TO LINDA. 642 00:23:13,886 --> 00:23:15,352 MAN? >> OVER TO LINDA. WHAT'S ONE THING YOU DO IN BED 643 00:23:15,354 --> 00:23:17,121 >> OVER TO LINDA. WHAT'S ONE THING YOU DO IN BED THAT YOUR HUSBAND DOES NOT LIKE? 644 00:23:17,123 --> 00:23:18,122 WHAT'S ONE THING YOU DO IN BED THAT YOUR HUSBAND DOES NOT LIKE? >> I WOULD HAVE TO SAY GET ON 645 00:23:18,124 --> 00:23:19,723 THAT YOUR HUSBAND DOES NOT LIKE? >> I WOULD HAVE TO SAY GET ON TOP. 646 00:23:19,725 --> 00:23:24,027 >> I WOULD HAVE TO SAY GET ON TOP. >> OKAY. 647 00:23:24,029 --> 00:23:25,762 TOP. >> OKAY. AND JOHN SAID -- 648 00:23:25,764 --> 00:23:27,798 >> OKAY. AND JOHN SAID -- >> HOG THE SHEETS, BABE. 649 00:23:27,800 --> 00:23:30,300 AND JOHN SAID -- >> HOG THE SHEETS, BABE. >> ONCE AGAIN, THE CRONINS ARE 650 00:23:30,302 --> 00:23:32,536 >> HOG THE SHEETS, BABE. >> ONCE AGAIN, THE CRONINS ARE NOT REMOTELY ON THE SAME PAGE. 651 00:23:32,538 --> 00:23:34,238 >> ONCE AGAIN, THE CRONINS ARE NOT REMOTELY ON THE SAME PAGE. NEXT QUESTION FOR THE ANDERSONS. 652 00:23:34,240 --> 00:23:34,905 NOT REMOTELY ON THE SAME PAGE. NEXT QUESTION FOR THE ANDERSONS. WHAT WAS YOUR BIGGEST FIGHT 653 00:23:34,907 --> 00:23:36,573 NEXT QUESTION FOR THE ANDERSONS. WHAT WAS YOUR BIGGEST FIGHT ABOUT? 654 00:23:36,575 --> 00:23:38,208 WHAT WAS YOUR BIGGEST FIGHT ABOUT? >> OH, I KNOW THIS ONE. 655 00:23:38,210 --> 00:23:39,443 ABOUT? >> OH, I KNOW THIS ONE. THAT WOULD BE THE BASKETBALL 656 00:23:39,445 --> 00:23:40,410 >> OH, I KNOW THIS ONE. THAT WOULD BE THE BASKETBALL GAME INCIDENT. 657 00:23:40,412 --> 00:23:40,911 THAT WOULD BE THE BASKETBALL GAME INCIDENT. >> OKAY. 658 00:23:40,913 --> 00:23:42,946 GAME INCIDENT. >> OKAY. THOMAS SAYS THE BASKETBALL GAME 659 00:23:42,948 --> 00:23:45,015 >> OKAY. THOMAS SAYS THE BASKETBALL GAME INCIDENT, AND MIA SAYS -- THE 660 00:23:45,017 --> 00:23:47,317 THOMAS SAYS THE BASKETBALL GAME INCIDENT, AND MIA SAYS -- THE TIME I HIT A HALF COURT SHOT AT 661 00:23:47,319 --> 00:23:49,720 INCIDENT, AND MIA SAYS -- THE TIME I HIT A HALF COURT SHOT AT A BASKETBALL GAME AND THEY GAVE 662 00:23:49,722 --> 00:23:51,188 TIME I HIT A HALF COURT SHOT AT A BASKETBALL GAME AND THEY GAVE ME FREE ROCK CLIMBING LESSONS 663 00:23:51,190 --> 00:23:53,690 A BASKETBALL GAME AND THEY GAVE ME FREE ROCK CLIMBING LESSONS FOR LIFE, AND YOU RAN AND 664 00:23:53,692 --> 00:23:56,793 ME FREE ROCK CLIMBING LESSONS FOR LIFE, AND YOU RAN AND RIPPED UP THE CERTIFICATE IN 665 00:23:56,795 --> 00:23:58,328 FOR LIFE, AND YOU RAN AND RIPPED UP THE CERTIFICATE IN FRONT OF THE WHOLE STADIUM. 666 00:23:58,330 --> 00:24:00,197 RIPPED UP THE CERTIFICATE IN FRONT OF THE WHOLE STADIUM. FIVE POINTS FOR THE ANDERSONS. 667 00:24:00,199 --> 00:24:02,900 FRONT OF THE WHOLE STADIUM. FIVE POINTS FOR THE ANDERSONS. >> WE RUNNINGY IT NOW, 668 00:24:02,902 --> 00:24:03,934 FIVE POINTS FOR THE ANDERSONS. >> WE RUNNINGY IT NOW, HUH, BABY? 669 00:24:03,936 --> 00:24:05,769 >> WE RUNNINGY IT NOW, HUH, BABY? >> THAT SOUND MEANS IT'S TIME 670 00:24:05,771 --> 00:24:07,204 HUH, BABY? >> THAT SOUND MEANS IT'S TIME FOR A BONUS QUESTION. 671 00:24:07,206 --> 00:24:09,806 >> THAT SOUND MEANS IT'S TIME FOR A BONUS QUESTION. WHO HAS HAD THE BIGGEST 672 00:24:09,808 --> 00:24:11,208 FOR A BONUS QUESTION. WHO HAS HAD THE BIGGEST INFLUENCE ON YOUR HUSBAND'S 673 00:24:11,210 --> 00:24:12,209 WHO HAS HAD THE BIGGEST INFLUENCE ON YOUR HUSBAND'S LIFE? 674 00:24:12,211 --> 00:24:12,676 INFLUENCE ON YOUR HUSBAND'S LIFE? >> HIS FATHER. 675 00:24:12,678 --> 00:24:13,010 LIFE? >> HIS FATHER. >> YEP. 676 00:24:13,012 --> 00:24:14,878 >> HIS FATHER. >> YEP. MY DAD. 677 00:24:14,880 --> 00:24:16,713 >> YEP. MY DAD. MY PARENTS ARE ACTUALLY HERE 678 00:24:16,715 --> 00:24:17,014 MY DAD. MY PARENTS ARE ACTUALLY HERE TODAY. 679 00:24:17,016 --> 00:24:18,015 MY PARENTS ARE ACTUALLY HERE TODAY. HOW AM I DOING, DAD? 680 00:24:18,017 --> 00:24:29,493 TODAY. HOW AM I DOING, DAD? >> YOU'RE DOING GREAT, SON. 681 00:24:29,495 --> 00:24:33,564 HOW AM I DOING, DAD? >> YOU'RE DOING GREAT, SON. >> BACK TO LINDA. 682 00:24:33,566 --> 00:24:35,832 >> YOU'RE DOING GREAT, SON. >> BACK TO LINDA. WHAT IS YOUR HUSBAND'S DREAM 683 00:24:35,834 --> 00:24:36,266 >> BACK TO LINDA. WHAT IS YOUR HUSBAND'S DREAM VACATION? 684 00:24:36,268 --> 00:24:36,733 WHAT IS YOUR HUSBAND'S DREAM VACATION? >> I DON'T KNOW. 685 00:24:36,735 --> 00:24:40,504 VACATION? >> I DON'T KNOW. >> YEAH.RLD? 686 00:24:40,506 --> 00:24:41,605 >> I DON'T KNOW. >> YEAH.RLD? WORLD. 687 00:24:41,607 --> 00:24:42,739 >> YEAH.RLD? WORLD. NO, YOU IDIOT. 688 00:24:42,741 --> 00:24:44,474 WORLD. NO, YOU IDIOT. I JUST SAID I DON'T LIKE SNAKES. 689 00:24:44,476 --> 00:24:46,977 NO, YOU IDIOT. I JUST SAID I DON'T LIKE SNAKES. >> OOH, CALLING YOUR SPOUSE AN 690 00:24:46,979 --> 00:24:48,245 I JUST SAID I DON'T LIKE SNAKES. >> OOH, CALLING YOUR SPOUSE AN IDIOT AND LOSE A TURN. 691 00:24:48,247 --> 00:24:49,947 >> OOH, CALLING YOUR SPOUSE AN IDIOT AND LOSE A TURN. ALL RIGHT. 692 00:24:49,949 --> 00:24:52,082 IDIOT AND LOSE A TURN. ALL RIGHT. MIA, WHAT'S YOUR HUSBAND'S DREAM 693 00:24:52,084 --> 00:24:52,449 ALL RIGHT. MIA, WHAT'S YOUR HUSBAND'S DREAM VACATION. 694 00:24:52,451 --> 00:24:53,884 MIA, WHAT'S YOUR HUSBAND'S DREAM VACATION. >> AT THIS POINT, WHO KNOWS, BUT 695 00:24:53,886 --> 00:24:55,819 VACATION. >> AT THIS POINT, WHO KNOWS, BUT HE ALWAYS SAID ARUBA. 696 00:24:55,821 --> 00:24:56,153 >> AT THIS POINT, WHO KNOWS, BUT HE ALWAYS SAID ARUBA. >> YES. 697 00:24:56,155 --> 00:24:58,822 HE ALWAYS SAID ARUBA. >> YES. YES, BABY. 698 00:24:58,824 --> 00:24:59,723 >> YES. YES, BABY. >> FINALLY. 699 00:24:59,725 --> 00:25:01,391 YES, BABY. >> FINALLY. THERE'S THE MAN I MARRIED. 700 00:25:01,393 --> 00:25:02,292 >> FINALLY. THERE'S THE MAN I MARRIED. >> UH-HUH. 701 00:25:02,294 --> 00:25:04,828 THERE'S THE MAN I MARRIED. >> UH-HUH. AND WHAT'S THAT LITTLE ASHTRAY? 702 00:25:04,830 --> 00:25:08,632 >> UH-HUH. AND WHAT'S THAT LITTLE ASHTRAY? >> OH, THAT'S JUST THIS. 703 00:25:08,634 --> 00:25:11,201 AND WHAT'S THAT LITTLE ASHTRAY? >> OH, THAT'S JUST THIS. >> AS LONG AS YOU'RE STILL 704 00:25:11,203 --> 00:25:11,602 >> OH, THAT'S JUST THIS. >> AS LONG AS YOU'RE STILL HEALTHY. 705 00:25:11,604 --> 00:25:15,872 >> AS LONG AS YOU'RE STILL HEALTHY. IF NOT, THEN BIG SURF WITH YOUR 706 00:25:15,874 --> 00:25:16,206 HEALTHY. IF NOT, THEN BIG SURF WITH YOUR SISTER. 707 00:25:16,208 --> 00:25:18,442 IF NOT, THEN BIG SURF WITH YOUR SISTER. AFTER YEARS OF CARING FOR YOU 708 00:25:18,444 --> 00:25:19,409 SISTER. AFTER YEARS OF CARING FOR YOU TOGETHER, WE WILL HAVE GROWN 709 00:25:19,411 --> 00:25:21,578 AFTER YEARS OF CARING FOR YOU TOGETHER, WE WILL HAVE GROWN CLOSE IN A WAY WE NEVER 710 00:25:21,580 --> 00:25:23,647 TOGETHER, WE WILL HAVE GROWN CLOSE IN A WAY WE NEVER EXPECTED, AND WHEN WE FINALLY 711 00:25:23,649 --> 00:25:25,849 CLOSE IN A WAY WE NEVER EXPECTED, AND WHEN WE FINALLY CLIMAX TOGETHER UNDER THE 712 00:25:25,851 --> 00:25:27,317 EXPECTED, AND WHEN WE FINALLY CLIMAX TOGETHER UNDER THE REDWOODS, WE'LL HOLD EACH OTHER 713 00:25:27,319 --> 00:25:29,720 CLIMAX TOGETHER UNDER THE REDWOODS, WE'LL HOLD EACH OTHER AND WEEP, NOT JUST BECAUSE THE 714 00:25:29,722 --> 00:25:31,054 REDWOODS, WE'LL HOLD EACH OTHER AND WEEP, NOT JUST BECAUSE THE PLEASURE IS SO INTENSE BUT 715 00:25:31,056 --> 00:25:33,590 AND WEEP, NOT JUST BECAUSE THE PLEASURE IS SO INTENSE BUT BECAUSE WE FINALLY FEEL RELIEF 716 00:25:33,592 --> 00:25:35,392 PLEASURE IS SO INTENSE BUT BECAUSE WE FINALLY FEEL RELIEF FROM OUR TRAGICALLY SHARED 717 00:25:35,394 --> 00:25:35,759 BECAUSE WE FINALLY FEEL RELIEF FROM OUR TRAGICALLY SHARED BURDEN. 718 00:25:35,761 --> 00:25:40,130 FROM OUR TRAGICALLY SHARED BURDEN. WELL, YOU BOTH SAID ARUBA, THAT 719 00:25:40,132 --> 00:25:41,431 BURDEN. WELL, YOU BOTH SAID ARUBA, THAT FIVE POINTS PUTS YOU OVER THE 720 00:25:41,433 --> 00:25:42,332 WELL, YOU BOTH SAID ARUBA, THAT FIVE POINTS PUTS YOU OVER THE TOP. 721 00:25:42,334 --> 00:25:43,567 FIVE POINTS PUTS YOU OVER THE TOP. ANDERSONS, YOU HAVE WON OUR 722 00:25:43,569 --> 00:25:44,001 TOP. ANDERSONS, YOU HAVE WON OUR GRAND PRIZE. 723 00:25:44,003 --> 00:25:45,335 ANDERSONS, YOU HAVE WON OUR GRAND PRIZE. >> WAIT, WE DID? 724 00:25:45,337 --> 00:25:46,937 GRAND PRIZE. >> WAIT, WE DID? >> WE WON, BABY. 725 00:25:46,939 --> 00:25:50,440 >> WAIT, WE DID? >> WE WON, BABY. >> AND THAT IS AN ALL EXPENSES 726 00:25:50,442 --> 00:25:53,310 >> WE WON, BABY. >> AND THAT IS AN ALL EXPENSES PAID TRIP TO BALI'S TEMPLE OF A 727 00:25:53,312 --> 00:25:53,777 >> AND THAT IS AN ALL EXPENSES PAID TRIP TO BALI'S TEMPLE OF A THOUSAND STEPS. 728 00:25:53,779 --> 00:25:58,282 PAID TRIP TO BALI'S TEMPLE OF A THOUSAND STEPS. >> NO! 729 00:26:26,944 --> 00:26:37,554 SHE ALMOST PLOWED INTO US. LUNATIC. >> OH, MY GOD, DAD, DON'T BE SO 730 00:26:37,556 --> 00:26:37,921 LUNATIC. >> OH, MY GOD, DAD, DON'T BE SO AWKWARD. 731 00:26:37,923 --> 00:26:39,356 >> OH, MY GOD, DAD, DON'T BE SO AWKWARD. >> SHE ALMOST CAUSED AN ACCIDENT 732 00:26:39,358 --> 00:26:40,123 AWKWARD. >> SHE ALMOST CAUSED AN ACCIDENT JUST TO SIT THERE IN BUMPER TO 733 00:26:40,125 --> 00:26:43,226 >> SHE ALMOST CAUSED AN ACCIDENT JUST TO SIT THERE IN BUMPER TO BUMPER TRAFFIC. 734 00:26:43,228 --> 00:26:43,493 JUST TO SIT THERE IN BUMPER TO BUMPER TRAFFIC. HEY! 735 00:26:43,495 --> 00:26:45,962 BUMPER TRAFFIC. HEY! HELLO? 736 00:26:45,964 --> 00:26:47,531 HEY! HELLO? HEY! 737 00:26:47,533 --> 00:26:49,900 HELLO? HEY! HEY! 738 00:26:49,902 --> 00:26:54,104 HEY! HEY! >> WHAT? 739 00:26:54,106 --> 00:26:58,141 HEY! >> WHAT? >> YOU CUT ME OFF. 740 00:26:58,143 --> 00:27:00,410 >> WHAT? >> YOU CUT ME OFF. YOU DRIVE CRAZY. 741 00:27:00,412 --> 00:27:03,080 >> YOU CUT ME OFF. YOU DRIVE CRAZY. >> YOU KNOW WHAT? 742 00:27:03,082 --> 00:27:04,781 YOU DRIVE CRAZY. >> YOU KNOW WHAT? EAT -- EAT ME. 743 00:27:04,783 --> 00:27:06,349 >> YOU KNOW WHAT? EAT -- EAT ME. EAT ME. 744 00:27:06,351 --> 00:27:10,120 EAT -- EAT ME. EAT ME. I HAD MY BLINKER ON. 745 00:27:10,122 --> 00:27:13,690 EAT ME. I HAD MY BLINKER ON. >> THAT'S A LIE. 746 00:27:13,692 --> 00:27:15,392 I HAD MY BLINKER ON. >> THAT'S A LIE. YOU LIE. 747 00:27:15,394 --> 00:27:16,560 >> THAT'S A LIE. YOU LIE. SHAME ON YOU. 748 00:27:16,562 --> 00:27:18,495 YOU LIE. SHAME ON YOU. >> OKAY. 749 00:27:18,497 --> 00:27:19,663 SHAME ON YOU. >> OKAY. EAT -- EAT MY BUTT. 750 00:27:19,665 --> 00:27:23,100 >> OKAY. EAT -- EAT MY BUTT. THIS, ALL OF THIS. 751 00:27:23,102 --> 00:27:29,106 EAT -- EAT MY BUTT. THIS, ALL OF THIS. >> YOU, YOU ARE A SAD WOMAN. 752 00:27:29,108 --> 00:27:32,743 THIS, ALL OF THIS. >> YOU, YOU ARE A SAD WOMAN. YOU, SAD WOMAN. 753 00:27:32,745 --> 00:27:33,777 >> YOU, YOU ARE A SAD WOMAN. YOU, SAD WOMAN. >> OKAY. 754 00:27:33,779 --> 00:27:35,812 YOU, SAD WOMAN. >> OKAY. WELL, WHY DON'T YOU ROLL DOWN 755 00:27:35,814 --> 00:27:36,747 >> OKAY. WELL, WHY DON'T YOU ROLL DOWN YOUR WINDOW AND SAY THAT TO MY 756 00:27:36,749 --> 00:27:39,349 WELL, WHY DON'T YOU ROLL DOWN YOUR WINDOW AND SAY THAT TO MY FACE? 757 00:27:39,351 --> 00:27:43,787 YOUR WINDOW AND SAY THAT TO MY FACE? >> WHY DID YOU MIME A CRANK? 758 00:27:43,789 --> 00:27:47,724 FACE? >> WHY DID YOU MIME A CRANK? NO CARS HAVE THOSE WINDOWS. 759 00:27:47,726 --> 00:27:48,492 >> WHY DID YOU MIME A CRANK? NO CARS HAVE THOSE WINDOWS. POWER WINDOWS NOW. 760 00:27:48,494 --> 00:27:53,230 NO CARS HAVE THOSE WINDOWS. POWER WINDOWS NOW. DO THIS. 761 00:27:53,232 --> 00:27:53,597 POWER WINDOWS NOW. DO THIS. BOOM. 762 00:27:53,599 --> 00:27:54,731 DO THIS. BOOM. THAT'S GOOD. 763 00:27:54,733 --> 00:27:55,031 BOOM. THAT'S GOOD. BOOM. 764 00:27:55,033 --> 00:27:56,433 THAT'S GOOD. BOOM. >> NO. 765 00:27:56,435 --> 00:27:56,700 BOOM. >> NO. NO. 766 00:27:56,702 --> 00:27:59,202 >> NO. NO. THIS IS TOO SMALL. 767 00:27:59,204 --> 00:28:03,140 NO. THIS IS TOO SMALL. IT WOULDN'T READ. 768 00:28:03,142 --> 00:28:03,640 THIS IS TOO SMALL. IT WOULDN'T READ. >> I GUESS. 769 00:28:03,642 --> 00:28:08,979 IT WOULDN'T READ. >> I GUESS. I GUESS. 770 00:28:08,981 --> 00:28:11,114 >> I GUESS. I GUESS. >> YOU -- YOU ARE SCARED BECAUSE 771 00:28:11,116 --> 00:28:11,648 I GUESS. >> YOU -- YOU ARE SCARED BECAUSE YOU AREN'T A MAN. 772 00:28:11,650 --> 00:28:16,453 >> YOU -- YOU ARE SCARED BECAUSE YOU AREN'T A MAN. YOU'RE NOT A BIG MAN. 773 00:28:16,455 --> 00:28:18,288 YOU AREN'T A MAN. YOU'RE NOT A BIG MAN. >> SHUT UP. 774 00:28:18,290 --> 00:28:18,922 YOU'RE NOT A BIG MAN. >> SHUT UP. SHUT UP. 775 00:28:18,924 --> 00:28:21,224 >> SHUT UP. SHUT UP. I AM A MAN. 776 00:28:21,226 --> 00:28:23,593 SHUT UP. I AM A MAN. I'M A VERY STRONG MAN! 777 00:28:23,595 --> 00:28:26,429 I AM A MAN. I'M A VERY STRONG MAN! >> NO, NO. 778 00:28:26,431 --> 00:28:28,832 I'M A VERY STRONG MAN! >> NO, NO. YOU ARE A LITTLE BITCH. 779 00:28:28,834 --> 00:28:33,236 >> NO, NO. YOU ARE A LITTLE BITCH. YOU'RE A LITTLE BITCH. 780 00:28:33,238 --> 00:28:36,206 YOU ARE A LITTLE BITCH. YOU'RE A LITTLE BITCH. >> IS SHE -- IS SHE USING YOU 781 00:28:36,208 --> 00:28:37,674 YOU'RE A LITTLE BITCH. >> IS SHE -- IS SHE USING YOU FOR THE WORD BITCH? 782 00:28:37,676 --> 00:28:40,877 >> IS SHE -- IS SHE USING YOU FOR THE WORD BITCH? >> THAT IS SO MESSED UP. 783 00:28:40,879 --> 00:28:42,012 FOR THE WORD BITCH? >> THAT IS SO MESSED UP. YOU SUCK. 784 00:28:42,014 --> 00:28:42,712 >> THAT IS SO MESSED UP. YOU SUCK. YOU SUCK! 785 00:28:42,714 --> 00:28:48,752 YOU SUCK. YOU SUCK! >> HEY, DON'T -- DON'T DO THAT! 786 00:28:48,754 --> 00:28:49,886 YOU SUCK! >> HEY, DON'T -- DON'T DO THAT! FIRST OF ALL, I DON'T LOVE THAT 787 00:28:49,888 --> 00:28:55,358 >> HEY, DON'T -- DON'T DO THAT! FIRST OF ALL, I DON'T LOVE THAT YOU USED TWO HANDS. 788 00:28:55,360 --> 00:28:57,227 FIRST OF ALL, I DON'T LOVE THAT YOU USED TWO HANDS. SECOND OF ALL, JUST DON'T DO IT. 789 00:28:57,229 --> 00:28:58,361 YOU USED TWO HANDS. SECOND OF ALL, JUST DON'T DO IT. YOU KNOW WHAT? 790 00:28:58,363 --> 00:29:01,898 SECOND OF ALL, JUST DON'T DO IT. YOU KNOW WHAT? YOU KNOW WHAT, BYE. 791 00:29:01,900 --> 00:29:02,499 YOU KNOW WHAT? YOU KNOW WHAT, BYE. BYE. 792 00:29:02,501 --> 00:29:04,367 YOU KNOW WHAT, BYE. BYE. YOU, NOT WORTH MY TIME. 793 00:29:04,369 --> 00:29:07,404 BYE. YOU, NOT WORTH MY TIME. >> BYE. 794 00:29:07,406 --> 00:29:14,311 YOU, NOT WORTH MY TIME. >> BYE. YOU ARE A GIANT -- THAT'S RIGHT. 795 00:29:14,313 --> 00:29:17,814 >> BYE. YOU ARE A GIANT -- THAT'S RIGHT. >> WHAT WOULD YOUR MOTHER SAY IF 796 00:29:17,816 --> 00:29:22,452 YOU ARE A GIANT -- THAT'S RIGHT. >> WHAT WOULD YOUR MOTHER SAY IF SHE SAW YOU DO THAT? 797 00:29:22,454 --> 00:29:31,127 >> WHAT WOULD YOUR MOTHER SAY IF SHE SAW YOU DO THAT? >> MY MOM TOLD ME TO DO IT. 798 00:29:31,129 --> 00:29:36,099 SHE SAW YOU DO THAT? >> MY MOM TOLD ME TO DO IT. >> SHAME ON YOU. 799 00:29:36,101 --> 00:29:40,403 >> MY MOM TOLD ME TO DO IT. >> SHAME ON YOU. THAT WAS RACIST. 800 00:29:40,405 --> 00:29:42,138 >> SHAME ON YOU. THAT WAS RACIST. >> NO. 801 00:29:42,140 --> 00:29:43,740 THAT WAS RACIST. >> NO. DON'T HATE ALL WHITE PEOPLE, 802 00:29:43,742 --> 00:29:47,377 >> NO. DON'T HATE ALL WHITE PEOPLE, JUST YOU. 803 00:29:47,379 --> 00:29:50,447 DON'T HATE ALL WHITE PEOPLE, JUST YOU. >> BRAVO. 804 00:29:50,449 --> 00:29:50,847 JUST YOU. >> BRAVO. BRAVO. 805 00:29:50,849 --> 00:29:52,716 >> BRAVO. BRAVO. YOU, BAD PERSON. 806 00:29:52,718 --> 00:29:56,152 BRAVO. YOU, BAD PERSON. I FEEL BAD FOR YOUR HUSBAND. 807 00:29:56,154 --> 00:29:58,989 YOU, BAD PERSON. I FEEL BAD FOR YOUR HUSBAND. >> NO HUSBAND. 808 00:29:58,991 --> 00:30:00,090 I FEEL BAD FOR YOUR HUSBAND. >> NO HUSBAND. HE WENT BYE BYE. 809 00:30:00,092 --> 00:30:01,625 >> NO HUSBAND. HE WENT BYE BYE. WE SPLIT UP. 810 00:30:01,627 --> 00:30:04,194 HE WENT BYE BYE. WE SPLIT UP. >> OH. 811 00:30:04,196 --> 00:30:07,964 WE SPLIT UP. >> OH. ME TOO. 812 00:30:07,966 --> 00:30:09,065 >> OH. ME TOO. WIFE LEFT. 813 00:30:09,067 --> 00:30:10,066 ME TOO. WIFE LEFT. BUT IT'S GOOD. 814 00:30:10,068 --> 00:30:11,968 WIFE LEFT. BUT IT'S GOOD. SHE WAS A BITCH. 815 00:30:11,970 --> 00:30:15,238 BUT IT'S GOOD. SHE WAS A BITCH. >> DAD! 816 00:30:15,240 --> 00:30:21,011 SHE WAS A BITCH. >> DAD! >> RESPECT, RESPECT. 817 00:30:21,013 --> 00:30:25,048 >> DAD! >> RESPECT, RESPECT. HEY, THIS MIGHT BE CRAZY. 818 00:30:25,050 --> 00:30:31,087 >> RESPECT, RESPECT. HEY, THIS MIGHT BE CRAZY. BUT ARE YOU HUNGRY? 819 00:30:31,089 --> 00:30:33,690 HEY, THIS MIGHT BE CRAZY. BUT ARE YOU HUNGRY? >> YEAH. 820 00:30:33,692 --> 00:30:38,395 BUT ARE YOU HUNGRY? >> YEAH. I COULD EAT. 821 00:30:38,397 --> 00:30:42,832 >> YEAH. I COULD EAT. >> DO YOU MAYBE WANT TO EAT THIS 822 00:30:42,834 --> 00:30:43,133 I COULD EAT. >> DO YOU MAYBE WANT TO EAT THIS BUTT? 823 00:30:43,135 --> 00:30:49,272 >> DO YOU MAYBE WANT TO EAT THIS BUTT? HUH? 824 00:30:49,274 --> 00:30:49,706 BUTT? HUH? EAT THE BUTT. 825 00:30:49,708 --> 00:30:51,308 HUH? EAT THE BUTT. >> SHAME ON YOU. 826 00:30:51,310 --> 00:30:52,275 EAT THE BUTT. >> SHAME ON YOU. SHAME ON YOU. 827 00:30:52,277 --> 00:30:53,310 >> SHAME ON YOU. SHAME ON YOU. >> YOU SUCK! 828 00:30:53,312 --> 00:30:54,044 SHAME ON YOU. >> YOU SUCK! >> STOP DOING THAT! 829 00:30:54,046 --> 00:31:00,817 >> YOU SUCK! >> STOP DOING THAT! STOP IT! 830 00:31:24,742 --> 00:31:33,416 >>> LADIES AND GENTLEMEN, LIL YACHTY. ♪ 831 00:31:33,418 --> 00:31:33,950 YACHTY. ♪ ♪ SEX SYMBOL 832 00:31:33,952 --> 00:31:39,356 ♪ ♪ SEX SYMBOL THE BLACK SEMINOLE 833 00:31:39,358 --> 00:31:40,457 ♪ SEX SYMBOL THE BLACK SEMINOLE A SEX SYMBOL 834 00:31:40,459 --> 00:31:46,429 THE BLACK SEMINOLE A SEX SYMBOL THE BLACK SEMINOLE ♪ 835 00:31:46,431 --> 00:31:47,497 A SEX SYMBOL THE BLACK SEMINOLE ♪ ♪ AFRICAN RAMBO 836 00:31:47,499 --> 00:31:52,936 THE BLACK SEMINOLE ♪ ♪ AFRICAN RAMBO WITH MORE AMMO 837 00:31:52,938 --> 00:31:54,571 ♪ AFRICAN RAMBO WITH MORE AMMO CAN'T BE ESCAPED 838 00:31:54,573 --> 00:31:56,740 WITH MORE AMMO CAN'T BE ESCAPED I'M ON EVERY CHANNEL ♪ 839 00:31:56,742 --> 00:31:59,476 CAN'T BE ESCAPED I'M ON EVERY CHANNEL ♪ ♪ WHAT'S WRONG 840 00:31:59,478 --> 00:32:00,043 I'M ON EVERY CHANNEL ♪ ♪ WHAT'S WRONG WHAT'S WRONG 841 00:32:00,045 --> 00:32:03,813 ♪ WHAT'S WRONG WHAT'S WRONG MR. MAN ♪ 842 00:32:03,815 --> 00:32:06,016 WHAT'S WRONG MR. MAN ♪ ♪ YOUR EYES ARE LOW 843 00:32:06,018 --> 00:32:07,083 MR. MAN ♪ ♪ YOUR EYES ARE LOW AND YOU'RE WALKING 844 00:32:07,085 --> 00:32:08,718 ♪ YOUR EYES ARE LOW AND YOU'RE WALKING WITH BOTH HANDS 845 00:32:08,720 --> 00:32:11,454 AND YOU'RE WALKING WITH BOTH HANDS ON YOUR HEAD ♪ 846 00:32:11,456 --> 00:32:13,089 WITH BOTH HANDS ON YOUR HEAD ♪ ♪ HIS RESPONSE 847 00:32:13,091 --> 00:32:14,157 ON YOUR HEAD ♪ ♪ HIS RESPONSE HE'S ON A CLEAN 848 00:32:14,159 --> 00:32:16,359 ♪ HIS RESPONSE HE'S ON A CLEAN CLEAN HIGH♪ 849 00:32:16,361 --> 00:32:17,427 HE'S ON A CLEAN CLEAN HIGH♪ ♪ BOTH FEET 850 00:32:17,429 --> 00:32:19,596 CLEAN HIGH♪ ♪ BOTH FEET UP ON THE GROUND 851 00:32:19,598 --> 00:32:22,899 ♪ BOTH FEET UP ON THE GROUND BUT HIS HEAD'S 852 00:32:22,901 --> 00:32:26,703 UP ON THE GROUND BUT HIS HEAD'S WAY WAY WAY IN THE SKY ♪ 853 00:32:26,705 --> 00:32:28,905 BUT HIS HEAD'S WAY WAY WAY IN THE SKY ♪ ♪ 854 00:32:28,907 --> 00:32:30,540 WAY WAY WAY IN THE SKY ♪ ♪ ♪ THE BLACK SEMINOLE 855 00:32:30,542 --> 00:32:36,513 ♪ ♪ THE BLACK SEMINOLE A HEAD GENERAL 856 00:32:36,515 --> 00:32:37,047 ♪ THE BLACK SEMINOLE A HEAD GENERAL DISTANT CONNECTIONS 857 00:32:37,049 --> 00:32:42,519 A HEAD GENERAL DISTANT CONNECTIONS A LARGE INTERVAL ♪ 858 00:32:42,521 --> 00:32:44,154 DISTANT CONNECTIONS A LARGE INTERVAL ♪ ♪ A BLACK MAN WITH 859 00:32:44,156 --> 00:32:49,559 A LARGE INTERVAL ♪ ♪ A BLACK MAN WITH MOUTHS TO FEED 860 00:32:49,561 --> 00:32:50,693 ♪ A BLACK MAN WITH MOUTHS TO FEED EMBRACING EQUALITY 861 00:32:50,695 --> 00:32:56,132 MOUTHS TO FEED EMBRACING EQUALITY THROUGHOUT GREED ♪ 862 00:32:56,134 --> 00:32:58,935 EMBRACING EQUALITY THROUGHOUT GREED ♪ ♪ NO TIME TO JOKE AROUND 863 00:32:58,937 --> 00:33:02,705 THROUGHOUT GREED ♪ ♪ NO TIME TO JOKE AROUND THE KID IS NOW A MAN 864 00:33:02,707 --> 00:33:04,340 ♪ NO TIME TO JOKE AROUND THE KID IS NOW A MAN AND THE SILENCE IS FILLED 865 00:33:04,342 --> 00:33:07,077 THE KID IS NOW A MAN AND THE SILENCE IS FILLED WI REMARKABLE SOUNDS ♪ 866 00:33:07,079 --> 00:33:10,413 AND THE SILENCE IS FILLED WI REMARKABLE SOUNDS ♪ ♪ THIS PART 867 00:33:10,415 --> 00:33:13,683 WI REMARKABLE SOUNDS ♪ ♪ THIS PART I'VE SEEN IN MY DREAMS ♪ 868 00:33:13,685 --> 00:33:16,386 ♪ THIS PART I'VE SEEN IN MY DREAMS ♪ ♪ LOVE IS NOT A LIE 869 00:33:16,388 --> 00:33:19,622 I'VE SEEN IN MY DREAMS ♪ ♪ LOVE IS NOT A LIE IT JUST FEELS LIKE 870 00:33:19,624 --> 00:33:25,628 ♪ LOVE IS NOT A LIE IT JUST FEELS LIKE A TARANTINO MOVIE SCENE ♪ 871 00:33:25,630 --> 00:33:31,601 IT JUST FEELS LIKE A TARANTINO MOVIE SCENE ♪ ♪ 872 00:33:31,603 --> 00:33:37,073 A TARANTINO MOVIE SCENE ♪ ♪ ♪ 873 00:33:37,075 --> 00:33:39,242 ♪ ♪ ♪ EXACTLY ♪ 874 00:33:39,244 --> 00:33:55,558 ♪ ♪ EXACTLY ♪ ♪ 875 00:33:55,560 --> 00:33:57,760 ♪ EXACTLY ♪ ♪ ♪ NOW 876 00:33:57,762 --> 00:34:00,997 ♪ ♪ NOW OH OHH 877 00:34:00,999 --> 00:34:05,368 ♪ NOW OH OHH OHH OHH-OH ♪ 878 00:34:05,370 --> 00:34:11,341 OH OHH OHH OHH-OH ♪ ♪ OHH OHH OH-OH 879 00:34:11,343 --> 00:34:16,779 OHH OHH-OH ♪ ♪ OHH OHH OH-OH OHH OHH-OH OHH-OH OHH-OH 880 00:34:16,781 --> 00:34:24,387 ♪ OHH OHH OH-OH OHH OHH-OH OHH-OH OHH-OH OHH-OHH-OHH OHHH ♪ 881 00:34:24,389 --> 00:34:31,461 OHH OHH-OH OHH-OH OHH-OH OHH-OHH-OHH OHHH ♪ ♪ EE-HEE EE-HEE 882 00:34:31,463 --> 00:34:34,197 OHH-OHH-OHH OHHH ♪ ♪ EE-HEE EE-HEE OHH-OHH-OHH OHHH ♪ 883 00:34:34,199 --> 00:34:40,170 ♪ EE-HEE EE-HEE OHH-OHH-OHH OHHH ♪ ♪ EE-HEE EE-HEE 884 00:34:40,172 --> 00:34:48,344 OHH-OHH-OHH OHHH ♪ ♪ EE-HEE EE-HEE OHH-OH♪ 885 00:34:48,346 --> 00:34:53,783 ♪ EE-HEE EE-HEE OHH-OH♪ ♪ MM-MM MM 886 00:34:53,785 --> 00:34:57,587 OHH-OH♪ ♪ MM-MM MM MM-HMM MM 887 00:34:57,589 --> 00:35:12,335 ♪ MM-MM MM MM-HMM MM MM-HM MM 888 00:35:12,337 --> 00:35:13,937 MM-HMM MM MM-HM MM MM-MM-HM ♪ 889 00:35:13,939 --> 00:35:18,274 MM-HM MM MM-MM-HM ♪ ♪ YEAH-AH 890 00:35:18,276 --> 00:35:27,550 MM-MM-HM ♪ ♪ YEAH-AH YEAH-AH-AHH 891 00:35:27,552 --> 00:35:42,732 ♪ YEAH-AH YEAH-AH-AHH YEAH YEAH-HEE ♪ 892 00:35:42,734 --> 00:35:44,400 YEAH-AH-AHH YEAH YEAH-HEE ♪ ♪ YEAH-AH 893 00:35:44,402 --> 00:35:50,807 YEAH YEAH-HEE ♪ ♪ YEAH-AH OHH ♪ 894 00:36:18,085 --> 00:36:28,695 >> Announcer: IT'S "WEEKEND UPDATE" WITH COLIN JOST AND MICHAEL CHE. 895 00:36:28,697 --> 00:36:29,862 UPDATE" WITH COLIN JOST AND MICHAEL CHE. >>> THANK YOU VERY MUCH. 896 00:36:29,864 --> 00:36:31,030 MICHAEL CHE. >>> THANK YOU VERY MUCH. GOOD EVENING, EVERYONE. 897 00:36:31,032 --> 00:36:36,736 >>> THANK YOU VERY MUCH. GOOD EVENING, EVERYONE. >> WELCOME TO "WEEKEND UPDATE." 898 00:36:36,738 --> 00:36:38,604 GOOD EVENING, EVERYONE. >> WELCOME TO "WEEKEND UPDATE." I'M MICHAEL CHE. 899 00:36:38,606 --> 00:36:40,440 >> WELCOME TO "WEEKEND UPDATE." I'M MICHAEL CHE. >> I'M COLIN JOST. 900 00:36:40,442 --> 00:36:41,808 I'M MICHAEL CHE. >> I'M COLIN JOST. NEW YORK IS FINALLY CRACKING 901 00:36:41,810 --> 00:36:44,310 >> I'M COLIN JOST. NEW YORK IS FINALLY CRACKING DOWN ON CRIME. 902 00:36:44,312 --> 00:36:45,078 NEW YORK IS FINALLY CRACKING DOWN ON CRIME. FORMER PRESIDENT DONALD TRUMP 903 00:36:45,080 --> 00:36:47,347 DOWN ON CRIME. FORMER PRESIDENT DONALD TRUMP WAS INDICTED IN HIS ROLE IN 904 00:36:47,349 --> 00:36:50,550 FORMER PRESIDENT DONALD TRUMP WAS INDICTED IN HIS ROLE IN PAYING HUSH MONEY TO STORMY 905 00:36:50,552 --> 00:36:52,018 WAS INDICTED IN HIS ROLE IN PAYING HUSH MONEY TO STORMY DANIELS, AND THE TRIAL WILL BE 906 00:36:52,020 --> 00:36:54,320 PAYING HUSH MONEY TO STORMY DANIELS, AND THE TRIAL WILL BE LIKE A STORMY DANIELS MOVIE, 907 00:36:54,322 --> 00:36:56,990 DANIELS, AND THE TRIAL WILL BE LIKE A STORMY DANIELS MOVIE, BECAUSE I'M DEEPLY ASHAMED AT 908 00:36:56,992 --> 00:36:59,592 LIKE A STORMY DANIELS MOVIE, BECAUSE I'M DEEPLY ASHAMED AT HOW EXCITED I AM TO WATCH IT. 909 00:36:59,594 --> 00:37:04,864 BECAUSE I'M DEEPLY ASHAMED AT HOW EXCITED I AM TO WATCH IT. HIS LAWYER, JOE, WHO HE CALLED 910 00:37:04,866 --> 00:37:07,900 HOW EXCITED I AM TO WATCH IT. HIS LAWYER, JOE, WHO HE CALLED JOE TAPIOCA SAID HE WILL NOT BE 911 00:37:07,902 --> 00:37:10,103 HIS LAWYER, JOE, WHO HE CALLED JOE TAPIOCA SAID HE WILL NOT BE PUT IN HAND CUFFS, THOUGH HE 912 00:37:10,105 --> 00:37:14,841 JOE TAPIOCA SAID HE WILL NOT BE PUT IN HAND CUFFS, THOUGH HE WILL WEAR BARACK AWAY HAND CUFF 913 00:37:14,843 --> 00:37:16,976 PUT IN HAND CUFFS, THOUGH HE WILL WEAR BARACK AWAY HAND CUFF AND A SUPERMAN T-SHIRT. 914 00:37:16,978 --> 00:37:19,412 WILL WEAR BARACK AWAY HAND CUFF AND A SUPERMAN T-SHIRT. I'M SURE HE'S HOPING HIS MUG 915 00:37:19,414 --> 00:37:32,358 AND A SUPERMAN T-SHIRT. I'M SURE HE'S HOPING HIS MUG SHOT WILL LOOK COOL LIKE FRANK 916 00:37:32,360 --> 00:37:33,659 I'M SURE HE'S HOPING HIS MUG SHOT WILL LOOK COOL LIKE FRANK 917 00:37:33,661 --> 00:37:34,093 SHOT WILL LOOK COOL LIKE FRANK 918 00:37:34,095 --> 00:37:34,494 SINATRA'S. 919 00:37:34,496 --> 00:37:36,396 SINATRA'S. >> TRUMP WILL BE ALSO CHARGED 920 00:37:36,398 --> 00:37:37,930 SINATRA'S. >> TRUMP WILL BE ALSO CHARGED WITH FRAUD. 921 00:37:37,932 --> 00:37:40,133 >> TRUMP WILL BE ALSO CHARGED WITH FRAUD. PRESIDENT BIDEN ON FRIDAY TOLD 922 00:37:40,135 --> 00:37:43,403 WITH FRAUD. PRESIDENT BIDEN ON FRIDAY TOLD REPORTERS HE HADOMME 923 00:37:43,405 --> 00:37:45,505 PRESIDENT BIDEN ON FRIDAY TOLD REPORTERS HE HADOMME TRUMP'S INDICTMENT, ANDHEN HE 924 00:37:45,507 --> 00:37:50,376 REPORTERS HE HADOMME TRUMP'S INDICTMENT, ANDHEN HE DANCED AWAY LILAGS GUY. 925 00:37:50,378 --> 00:37:52,879 TRUMP'S INDICTMENT, ANDHEN HE DANCED AWAY LILAGS GUY. >> I THINK IN GENERAL, THE 926 00:37:52,881 --> 00:37:54,647 DANCED AWAY LILAGS GUY. >> I THINK IN GENERAL, THE PEOPLE MIGHT BE OVERREACTING TO 927 00:37:54,649 --> 00:37:55,348 >> I THINK IN GENERAL, THE PEOPLE MIGHT BE OVERREACTING TO THIS INDICTMENT. 928 00:37:55,350 --> 00:37:57,116 PEOPLE MIGHT BE OVERREACTING TO THIS INDICTMENT. LIKE AN ACTUAL INDICTMENT ON CNN 929 00:37:57,118 --> 00:37:58,451 THIS INDICTMENT. LIKE AN ACTUAL INDICTMENT ON CNN YESTERDAY WAS NOTHING IN 930 00:37:58,453 --> 00:38:01,621 LIKE AN ACTUAL INDICTMENT ON CNN YESTERDAY WAS NOTHING IN AMERICAN HISTORY APPROACHES THE 931 00:38:01,623 --> 00:38:03,923 YESTERDAY WAS NOTHING IN AMERICAN HISTORY APPROACHES THE CHARGES AND POSSIBLE TRIAL AND 932 00:38:03,925 --> 00:38:04,524 AMERICAN HISTORY APPROACHES THE CHARGES AND POSSIBLE TRIAL AND CONVICTION OF A FORMER 933 00:38:04,526 --> 00:38:04,891 CHARGES AND POSSIBLE TRIAL AND CONVICTION OF A FORMER PRESIDENT. 934 00:38:04,893 --> 00:38:06,659 CONVICTION OF A FORMER PRESIDENT. A MORE ACCURATE HEADLINE WOULD 935 00:38:06,661 --> 00:38:11,998 PRESIDENT. A MORE ACCURATE HEADLINE WOULD BE, MAN WE ALL KNEW WAS CRIMINAL 936 00:38:12,000 --> 00:38:12,732 A MORE ACCURATE HEADLINE WOULD BE, MAN WE ALL KNEW WAS CRIMINAL IS CRIMINAL. 937 00:38:12,734 --> 00:38:14,100 BE, MAN WE ALL KNEW WAS CRIMINAL IS CRIMINAL. I WENT DOWN TO THE COURTHOUSE 938 00:38:14,102 --> 00:38:14,767 IS CRIMINAL. I WENT DOWN TO THE COURTHOUSE TODAY, AND I WAS THE ONLY 939 00:38:14,769 --> 00:38:22,508 I WENT DOWN TO THE COURTHOUSE TODAY, AND I WAS THE ONLY PROTESTOR THERE. 940 00:38:22,510 --> 00:38:23,876 TODAY, AND I WAS THE ONLY PROTESTOR THERE. >> I TOLD THEM NOT TO LAUGH AT 941 00:38:23,878 --> 00:38:34,187 PROTESTOR THERE. >> I TOLD THEM NOT TO LAUGH AT YOU. 942 00:38:34,189 --> 00:38:39,725 >> I TOLD THEM NOT TO LAUGH AT YOU. [ CHEERS AND APPLAUSE ] 943 00:38:39,727 --> 00:38:43,362 YOU. [ CHEERS AND APPLAUSE ] >> AM I NOT MICCED? 944 00:38:43,364 --> 00:38:45,865 [ CHEERS AND APPLAUSE ] >> AM I NOT MICCED? THEN I WAS LIKE, OH, I JUST 945 00:38:45,867 --> 00:38:46,165 >> AM I NOT MICCED? THEN I WAS LIKE, OH, I JUST SUCK. 946 00:38:46,167 --> 00:38:55,074 THEN I WAS LIKE, OH, I JUST SUCK. >> MOVING RIGHT ALONG -- 947 00:38:55,076 --> 00:38:55,541 SUCK. >> MOVING RIGHT ALONG -- >> YOU'RE EVIL. 948 00:38:55,543 --> 00:38:57,043 >> MOVING RIGHT ALONG -- >> YOU'RE EVIL. >> MARJORIE TAYLOR GREEN PLANS 949 00:38:57,045 --> 00:38:58,744 >> YOU'RE EVIL. >> MARJORIE TAYLOR GREEN PLANS TO COME TO NEW YORK ON TUESDAY 950 00:38:58,746 --> 00:39:01,681 >> MARJORIE TAYLOR GREEN PLANS TO COME TO NEW YORK ON TUESDAY TO PROTEST TRUMP'S INDICTMENT, 951 00:39:01,683 --> 00:39:02,615 TO COME TO NEW YORK ON TUESDAY TO PROTEST TRUMP'S INDICTMENT, BECAUSE APPARENTLY IT TAKES HER 952 00:39:02,617 --> 00:39:04,951 TO PROTEST TRUMP'S INDICTMENT, BECAUSE APPARENTLY IT TAKES HER THREE DAYS TO PUT ON HER JOKER 953 00:39:04,953 --> 00:39:05,284 BECAUSE APPARENTLY IT TAKES HER THREE DAYS TO PUT ON HER JOKER MAKEUP. 954 00:39:05,286 --> 00:39:06,018 THREE DAYS TO PUT ON HER JOKER MAKEUP. THEY'LL PROBABLY LAUGH AT THIS 955 00:39:06,020 --> 00:39:09,255 MAKEUP. THEY'LL PROBABLY LAUGH AT THIS NEXT ONE. 956 00:39:09,257 --> 00:39:10,656 THEY'LL PROBABLY LAUGH AT THIS NEXT ONE. >> THAT'S THE MEANEST THING 957 00:39:10,658 --> 00:39:13,893 NEXT ONE. >> THAT'S THE MEANEST THING YOU'VE EVER DONE TO ME. 958 00:39:13,895 --> 00:39:20,533 >> THAT'S THE MEANEST THING YOU'VE EVER DONE TO ME. I'M COVERED IN SWEAT. 959 00:39:20,535 --> 00:39:23,836 YOU'VE EVER DONE TO ME. I'M COVERED IN SWEAT. [ CHEERS AND APPLAUSE ] 960 00:39:23,838 --> 00:39:26,606 I'M COVERED IN SWEAT. [ CHEERS AND APPLAUSE ] DON'T EVEN DARE! 961 00:39:26,608 --> 00:39:35,515 [ CHEERS AND APPLAUSE ] DON'T EVEN DARE! DON'T YOU EVEN DARE TRY NOW. 962 00:39:35,517 --> 00:39:38,851 DON'T EVEN DARE! DON'T YOU EVEN DARE TRY NOW. FLORIDA GOVERNOR RON DeSANTIS 963 00:39:38,853 --> 00:39:44,857 DON'T YOU EVEN DARE TRY NOW. FLORIDA GOVERNOR RON DeSANTIS WHO THINKS HE'S GASTON, BUT, 964 00:39:44,859 --> 00:39:52,865 FLORIDA GOVERNOR RON DeSANTIS WHO THINKS HE'S GASTON, BUT, GIRL, YOU LeFOU. 965 00:39:52,867 --> 00:39:55,535 WHO THINKS HE'S GASTON, BUT, GIRL, YOU LeFOU. RON DE -- I'M SHAKING. 966 00:39:55,537 --> 00:39:57,670 GIRL, YOU LeFOU. RON DE -- I'M SHAKING. RON DeSANTIS SAID FLORIDA 967 00:39:57,672 --> 00:39:59,372 RON DE -- I'M SHAKING. RON DeSANTIS SAID FLORIDA OFFICIALS WOULD NOT HELP 968 00:39:59,374 --> 00:40:00,873 RON DeSANTIS SAID FLORIDA OFFICIALS WOULD NOT HELP EXTRADITE TRUMP BACK TO NEW YORK 969 00:40:00,875 --> 00:40:03,109 OFFICIALS WOULD NOT HELP EXTRADITE TRUMP BACK TO NEW YORK UNLESS OF COURSE HE AGREES TO 970 00:40:03,111 --> 00:40:03,876 EXTRADITE TRUMP BACK TO NEW YORK UNLESS OF COURSE HE AGREES TO TAKE A BUS LOAD OF MIGRANTS WITH 971 00:40:03,878 --> 00:40:06,812 UNLESS OF COURSE HE AGREES TO TAKE A BUS LOAD OF MIGRANTS WITH HIM. 972 00:40:06,814 --> 00:40:08,915 TAKE A BUS LOAD OF MIGRANTS WITH HIM. >> IN THE WAKE OF THE NATIONAL 973 00:40:08,917 --> 00:40:09,749 HIM. >> IN THE WAKE OF THE NATIONAL SHOOTING, PRESIDENT BIDEN ONCE 974 00:40:09,751 --> 00:40:11,551 >> IN THE WAKE OF THE NATIONAL SHOOTING, PRESIDENT BIDEN ONCE AGAIN CALLED ON CONGRESS TO PASS 975 00:40:11,553 --> 00:40:14,754 SHOOTING, PRESIDENT BIDEN ONCE AGAIN CALLED ON CONGRESS TO PASS AN ASSAULT WEAPONS BAN, OR, HEAR 976 00:40:14,756 --> 00:40:18,157 AGAIN CALLED ON CONGRESS TO PASS AN ASSAULT WEAPONS BAN, OR, HEAR ME OUT, STOP AND FRISK FOR 977 00:40:18,159 --> 00:40:18,491 AN ASSAULT WEAPONS BAN, OR, HEAR ME OUT, STOP AND FRISK FOR WHITES. 978 00:40:18,493 --> 00:40:19,825 ME OUT, STOP AND FRISK FOR WHITES. HOW LONG BEFORE THESE KIDS EARN 979 00:40:19,827 --> 00:40:27,533 WHITES. HOW LONG BEFORE THESE KIDS EARN A STEREO TYPE? 980 00:40:27,535 --> 00:40:30,436 HOW LONG BEFORE THESE KIDS EARN A STEREO TYPE? >> CONGRESSMAN ANDY OGLES WHO 981 00:40:30,438 --> 00:40:33,472 A STEREO TYPE? >> CONGRESSMAN ANDY OGLES WHO RESPECTS THE DISTRICT WHERE THE 982 00:40:33,474 --> 00:40:35,274 >> CONGRESSMAN ANDY OGLES WHO RESPECTS THE DISTRICT WHERE THE NASHVILLE SHOOTING TOOK PLACE IS 983 00:40:35,276 --> 00:40:37,243 RESPECTS THE DISTRICT WHERE THE NASHVILLE SHOOTING TOOK PLACE IS BEING CRITICIZED FOR A CHRISTMAS 984 00:40:37,245 --> 00:40:39,979 NASHVILLE SHOOTING TOOK PLACE IS BEING CRITICIZED FOR A CHRISTMAS CARD WHERE HE AND HIS FAMILY ARE 985 00:40:39,981 --> 00:40:41,214 BEING CRITICIZED FOR A CHRISTMAS CARD WHERE HE AND HIS FAMILY ARE HOLDING ASSAULT RIFLES. 986 00:40:41,216 --> 00:40:43,216 CARD WHERE HE AND HIS FAMILY ARE HOLDING ASSAULT RIFLES. WHO ARE YOU PSYCHOS SENDING 987 00:40:43,218 --> 00:40:44,483 HOLDING ASSAULT RIFLES. WHO ARE YOU PSYCHOS SENDING THESE CARDS TO? 988 00:40:44,485 --> 00:40:46,519 WHO ARE YOU PSYCHOS SENDING THESE CARDS TO? IF I RECEIVED THAT IN THE MAIL, 989 00:40:46,521 --> 00:40:47,320 THESE CARDS TO? IF I RECEIVED THAT IN THE MAIL, I WOULD MOVE. 990 00:40:47,322 --> 00:40:51,257 IF I RECEIVED THAT IN THE MAIL, I WOULD MOVE. ALL THIS CARD TELLS YOU IS I AM 991 00:40:51,259 --> 00:40:52,058 I WOULD MOVE. ALL THIS CARD TELLS YOU IS I AM ARMED, I HAVE TERRIBLE JUDGMENT, 992 00:40:52,060 --> 00:40:54,293 ALL THIS CARD TELLS YOU IS I AM ARMED, I HAVE TERRIBLE JUDGMENT, AND I KNOW WHERE YOU LIVE. 993 00:40:54,295 --> 00:40:56,362 ARMED, I HAVE TERRIBLE JUDGMENT, AND I KNOW WHERE YOU LIVE. >> DEMOCRATIC REPRESENTATIVE 994 00:40:56,364 --> 00:40:59,498 AND I KNOW WHERE YOU LIVE. >> DEMOCRATIC REPRESENTATIVE JAMAL BOWMAN AND THOMAS MASSEY 995 00:40:59,500 --> 00:41:01,934 >> DEMOCRATIC REPRESENTATIVE JAMAL BOWMAN AND THOMAS MASSEY GOT IN A SCREAMING MATCH ON 996 00:41:01,936 --> 00:41:03,936 JAMAL BOWMAN AND THOMAS MASSEY GOT IN A SCREAMING MATCH ON CAPITOL HILL AFTER HE CALLED 997 00:41:03,938 --> 00:41:06,172 GOT IN A SCREAMING MATCH ON CAPITOL HILL AFTER HE CALLED THEM COWARDS FOR OPPOSING GUN 998 00:41:06,174 --> 00:41:06,672 CAPITOL HILL AFTER HE CALLED THEM COWARDS FOR OPPOSING GUN CONTROL. 999 00:41:06,674 --> 00:41:08,841 THEM COWARDS FOR OPPOSING GUN CONTROL. IF THERE'S ONE THING REPUBLICANS 1000 00:41:08,843 --> 00:41:11,644 CONTROL. IF THERE'S ONE THING REPUBLICANS HAVE, IT'S BIG OLD GUTS. 1001 00:41:11,646 --> 00:41:13,346 IF THERE'S ONE THING REPUBLICANS HAVE, IT'S BIG OLD GUTS. >> TRUMP HAS ALSO BEEN PROMOTING 1002 00:41:13,348 --> 00:41:15,248 HAVE, IT'S BIG OLD GUTS. >> TRUMP HAS ALSO BEEN PROMOTING A SONG CALLED JUSTICE FOR ALL, 1003 00:41:15,250 --> 00:41:17,216 >> TRUMP HAS ALSO BEEN PROMOTING A SONG CALLED JUSTICE FOR ALL, WHICH FEATURES HIMSELF AND A 1004 00:41:17,218 --> 00:41:19,385 A SONG CALLED JUSTICE FOR ALL, WHICH FEATURES HIMSELF AND A CHOIR OF MEN JAILED FOR THEIR 1005 00:41:19,387 --> 00:41:21,153 WHICH FEATURES HIMSELF AND A CHOIR OF MEN JAILED FOR THEIR ROLES IN THE JANUARY 6th ATTACK. 1006 00:41:21,155 --> 00:41:24,857 CHOIR OF MEN JAILED FOR THEIR ROLES IN THE JANUARY 6th ATTACK. I FEEL BAD FOR THE JANUARY 6th 1007 00:41:24,859 --> 00:41:26,058 ROLES IN THE JANUARY 6th ATTACK. I FEEL BAD FOR THE JANUARY 6th SINGERS BECAUSE YOU KNOW JAIL 1008 00:41:26,060 --> 00:41:28,160 I FEEL BAD FOR THE JANUARY 6th SINGERS BECAUSE YOU KNOW JAIL GETS MUCH WORSE WHEN THE OTHER 1009 00:41:28,162 --> 00:41:31,063 SINGERS BECAUSE YOU KNOW JAIL GETS MUCH WORSE WHEN THE OTHER PRISONERS FIND OUT YOU'RE IN AN 1010 00:41:31,065 --> 00:41:31,530 GETS MUCH WORSE WHEN THE OTHER PRISONERS FIND OUT YOU'RE IN AN ACAPELLA GROUP. 1011 00:41:31,532 --> 00:41:32,665 PRISONERS FIND OUT YOU'RE IN AN ACAPELLA GROUP. >> LAST WREAK, A FLORIDA 1012 00:41:32,667 --> 00:41:35,334 ACAPELLA GROUP. >> LAST WREAK, A FLORIDA PRINCIPAL WAS FORCED TO RESIGN 1013 00:41:35,336 --> 00:41:38,170 >> LAST WREAK, A FLORIDA PRINCIPAL WAS FORCED TO RESIGN WHEN PARENTS WERE OUTRAGED WHEN 1014 00:41:38,172 --> 00:41:41,707 PRINCIPAL WAS FORCED TO RESIGN WHEN PARENTS WERE OUTRAGED WHEN MICHAEL ANGLO'S STATUE WAS 1015 00:41:41,709 --> 00:41:42,074 WHEN PARENTS WERE OUTRAGED WHEN MICHAEL ANGLO'S STATUE WAS REVEALED. 1016 00:41:42,076 --> 00:41:44,777 MICHAEL ANGLO'S STATUE WAS REVEALED. HERE TO COMMENT, MICHAEL 1017 00:41:44,779 --> 00:41:52,485 REVEALED. HERE TO COMMENT, MICHAEL ANGELO'S DAVID. 1018 00:41:52,487 --> 00:41:53,619 HERE TO COMMENT, MICHAEL ANGELO'S DAVID. >> HEY. 1019 00:41:53,621 --> 00:41:54,387 ANGELO'S DAVID. >> HEY. 1020 00:41:54,389 --> 00:41:55,021 >> HEY. THANKS FOR HAVING ME. 1021 00:41:55,023 --> 00:41:57,290 THANKS FOR HAVING ME. >> MICHAEL ANGELO'S DAVID. 1022 00:41:57,292 --> 00:41:58,691 THANKS FOR HAVING ME. >> MICHAEL ANGELO'S DAVID. I'M SORRY. 1023 00:41:58,693 --> 00:41:59,525 >> MICHAEL ANGELO'S DAVID. I'M SORRY. I'M OVER HERE. 1024 00:41:59,527 --> 00:42:01,360 I'M SORRY. I'M OVER HERE. CAN YOU NOT TURN YOUR HEAD? 1025 00:42:01,362 --> 00:42:03,462 I'M OVER HERE. CAN YOU NOT TURN YOUR HEAD? >> I'VE ACTUALLY NEVER TRIED. 1026 00:42:03,464 --> 00:42:03,929 CAN YOU NOT TURN YOUR HEAD? >> I'VE ACTUALLY NEVER TRIED. LET'S FIND OUT. 1027 00:42:03,931 --> 00:42:12,238 >> I'VE ACTUALLY NEVER TRIED. LET'S FIND OUT. AHH! 1028 00:42:12,240 --> 00:42:15,107 LET'S FIND OUT. AHH! THAT HURT LIKE HELL. 1029 00:42:15,109 --> 00:42:17,109 AHH! THAT HURT LIKE HELL. >> SO DAVID, HOW ARE YOU DEALING 1030 00:42:17,111 --> 00:42:19,278 THAT HURT LIKE HELL. >> SO DAVID, HOW ARE YOU DEALING WITH THIS FLORIDA CONTROVERSY? 1031 00:42:19,280 --> 00:42:21,547 >> SO DAVID, HOW ARE YOU DEALING WITH THIS FLORIDA CONTROVERSY? THOSE PARENTS ARE PRETTY UPSET. 1032 00:42:21,549 --> 00:42:23,949 WITH THIS FLORIDA CONTROVERSY? THOSE PARENTS ARE PRETTY UPSET. >> THOSE PARENTS ARE IGNORANT 1033 00:42:23,951 --> 00:42:24,417 THOSE PARENTS ARE PRETTY UPSET. >> THOSE PARENTS ARE IGNORANT PRUDES. 1034 00:42:24,419 --> 00:42:30,256 >> THOSE PARENTS ARE IGNORANT PRUDES. I'M THE WORLD'S GREATEST 1035 00:42:30,258 --> 00:42:31,023 PRUDES. I'M THE WORLD'S GREATEST SCULPTURE, AND I'M A VERY PRETTY 1036 00:42:31,025 --> 00:42:31,324 I'M THE WORLD'S GREATEST SCULPTURE, AND I'M A VERY PRETTY BOY. 1037 00:42:31,326 --> 00:42:32,625 SCULPTURE, AND I'M A VERY PRETTY BOY. >> SOUNDS LIKE THE PARENTS 1038 00:42:32,627 --> 00:42:34,994 BOY. >> SOUNDS LIKE THE PARENTS DIDN'T WANT THE KIDS TO SEE YOUR 1039 00:42:34,996 --> 00:42:35,361 >> SOUNDS LIKE THE PARENTS DIDN'T WANT THE KIDS TO SEE YOUR PRIVATES. 1040 00:42:35,363 --> 00:42:37,396 DIDN'T WANT THE KIDS TO SEE YOUR PRIVATES. >> I'M PROUD OF MY TINY PENIS 1041 00:42:37,398 --> 00:42:40,299 PRIVATES. >> I'M PROUD OF MY TINY PENIS AND BIG STONED PRUNED. 1042 00:42:40,301 --> 00:42:43,169 >> I'M PROUD OF MY TINY PENIS AND BIG STONED PRUNED. I'M BEAUTIFUL, AND I THINK YOUR 1043 00:42:43,171 --> 00:42:44,203 AND BIG STONED PRUNED. I'M BEAUTIFUL, AND I THINK YOUR AUDIENCE DESERVES TO SEE THAT. 1044 00:42:44,205 --> 00:42:46,172 I'M BEAUTIFUL, AND I THINK YOUR AUDIENCE DESERVES TO SEE THAT. >> NO, YOU CAN'T DO THAT. 1045 00:42:46,174 --> 00:42:48,174 AUDIENCE DESERVES TO SEE THAT. >> NO, YOU CAN'T DO THAT. WHEREAS WRONG WITH YOU PEOPLE? 1046 00:42:48,176 --> 00:42:48,574 >> NO, YOU CAN'T DO THAT. WHEREAS WRONG WITH YOU PEOPLE? >> WHY? 1047 00:42:48,576 --> 00:42:49,975 WHEREAS WRONG WITH YOU PEOPLE? >> WHY? I WANT TO DO THAT. 1048 00:42:49,977 --> 00:42:52,011 >> WHY? I WANT TO DO THAT. >> YOU CAN'T SHOW THAT. 1049 00:42:52,013 --> 00:42:53,579 I WANT TO DO THAT. >> YOU CAN'T SHOW THAT. ONE PARENT SAID IT WAS 1050 00:42:53,581 --> 00:42:54,013 >> YOU CAN'T SHOW THAT. ONE PARENT SAID IT WAS PORNOGRAPHIC. 1051 00:42:54,015 --> 00:42:54,780 ONE PARENT SAID IT WAS PORNOGRAPHIC. >> IT'S ART. 1052 00:42:54,782 --> 00:42:55,981 PORNOGRAPHIC. >> IT'S ART. IT'S NOT PORNOGRAPHY. 1053 00:42:55,983 --> 00:42:56,949 >> IT'S ART. IT'S NOT PORNOGRAPHY. OKAY, WELL, RIGHT NOW, IT'S 1054 00:42:56,951 --> 00:42:59,719 IT'S NOT PORNOGRAPHY. OKAY, WELL, RIGHT NOW, IT'S PORNOGRAPHY. 1055 00:42:59,721 --> 00:43:02,188 OKAY, WELL, RIGHT NOW, IT'S PORNOGRAPHY. I'LL TELL YOU WHEN IT'S ART 1056 00:43:02,190 --> 00:43:02,521 PORNOGRAPHY. I'LL TELL YOU WHEN IT'S ART AGAIN. 1057 00:43:02,523 --> 00:43:03,155 I'LL TELL YOU WHEN IT'S ART AGAIN. >> THAT'S FINE. 1058 00:43:03,157 --> 00:43:04,990 AGAIN. >> THAT'S FINE. IF PEOPLE WANT TO SEE IT, THEY 1059 00:43:04,992 --> 00:43:07,860 >> THAT'S FINE. IF PEOPLE WANT TO SEE IT, THEY CAN GO TO A MUSEUM IN ITALY OR 1060 00:43:07,862 --> 00:43:09,662 IF PEOPLE WANT TO SEE IT, THEY CAN GO TO A MUSEUM IN ITALY OR LOOK AT IT ONLINE. 1061 00:43:09,664 --> 00:43:11,263 CAN GO TO A MUSEUM IN ITALY OR LOOK AT IT ONLINE. >> OH, YOU'RE ONE OF THOSE GUYS. 1062 00:43:11,265 --> 00:43:13,132 LOOK AT IT ONLINE. >> OH, YOU'RE ONE OF THOSE GUYS. I CAN SEE WHATEVER I NEED TO 1063 00:43:13,134 --> 00:43:13,466 >> OH, YOU'RE ONE OF THOSE GUYS. I CAN SEE WHATEVER I NEED TO ONLINE. 1064 00:43:13,468 --> 00:43:14,367 I CAN SEE WHATEVER I NEED TO ONLINE. THAT'S SAD. 1065 00:43:14,369 --> 00:43:17,136 ONLINE. THAT'S SAD. LOOK, I AM FROM THE BIBLE, OKAY? 1066 00:43:17,138 --> 00:43:21,173 THAT'S SAD. LOOK, I AM FROM THE BIBLE, OKAY? I KILLED GOLIATH WITH A TINY 1067 00:43:21,175 --> 00:43:23,509 LOOK, I AM FROM THE BIBLE, OKAY? I KILLED GOLIATH WITH A TINY ROCK AND MY TINY DONG OUT. 1068 00:43:23,511 --> 00:43:25,044 I KILLED GOLIATH WITH A TINY ROCK AND MY TINY DONG OUT. YOU EVER BEEN IN A FIGHT WITH 1069 00:43:25,046 --> 00:43:26,278 ROCK AND MY TINY DONG OUT. YOU EVER BEEN IN A FIGHT WITH YOUR DONG OUT? 1070 00:43:26,280 --> 00:43:26,779 YOU EVER BEEN IN A FIGHT WITH YOUR DONG OUT? >> NO. 1071 00:43:26,781 --> 00:43:27,213 YOUR DONG OUT? >> NO. >> ANSWER ME. 1072 00:43:27,215 --> 00:43:29,048 >> NO. >> ANSWER ME. >> I DID ANSWER YOU. 1073 00:43:29,050 --> 00:43:29,448 >> ANSWER ME. >> I DID ANSWER YOU. I SAID NO. 1074 00:43:29,450 --> 00:43:31,217 >> I DID ANSWER YOU. I SAID NO. >> I'M SERIOUS, CHE. 1075 00:43:31,219 --> 00:43:33,052 I SAID NO. >> I'M SERIOUS, CHE. FIGHT WITH YOUR DONG OUT, YES OR 1076 00:43:33,054 --> 00:43:33,753 >> I'M SERIOUS, CHE. FIGHT WITH YOUR DONG OUT, YES OR NO? 1077 00:43:33,755 --> 00:43:34,220 FIGHT WITH YOUR DONG OUT, YES OR NO? >> NO. 1078 00:43:34,222 --> 00:43:36,389 NO? >> NO. >> WELL, YOU SHOULD TRY IT. 1079 00:43:36,391 --> 00:43:38,391 >> NO. >> WELL, YOU SHOULD TRY IT. IT REALLY DISTRACTS THE OTHER 1080 00:43:38,393 --> 00:43:38,657 >> WELL, YOU SHOULD TRY IT. IT REALLY DISTRACTS THE OTHER GUY. 1081 00:43:38,659 --> 00:43:40,526 IT REALLY DISTRACTS THE OTHER GUY. QUITE A BIT, YOU KNOW WHAT I 1082 00:43:40,528 --> 00:43:40,826 GUY. QUITE A BIT, YOU KNOW WHAT I MEAN? 1083 00:43:40,828 --> 00:43:41,160 QUITE A BIT, YOU KNOW WHAT I MEAN? >> NO. 1084 00:43:41,162 --> 00:43:41,927 MEAN? >> NO. >> YOU KNOW WHAT? 1085 00:43:41,929 --> 00:43:44,930 >> NO. >> YOU KNOW WHAT? I'M JUST GOING TO SHOW IT. 1086 00:43:44,932 --> 00:43:47,199 >> YOU KNOW WHAT? I'M JUST GOING TO SHOW IT. I'LL JUST SHOW IT. 1087 00:43:47,201 --> 00:43:47,767 I'M JUST GOING TO SHOW IT. I'LL JUST SHOW IT. >> PLEASE DON'T, MAN. 1088 00:43:47,769 --> 00:43:48,467 I'LL JUST SHOW IT. >> PLEASE DON'T, MAN. >> COME ON! 1089 00:43:48,469 --> 00:43:51,070 >> PLEASE DON'T, MAN. >> COME ON! WHAT ARE YOU SCARED OF? 1090 00:43:51,072 --> 00:43:53,439 >> COME ON! WHAT ARE YOU SCARED OF? ALL THE BEST ART IS NUDE. 1091 00:43:53,441 --> 00:43:57,877 WHAT ARE YOU SCARED OF? ALL THE BEST ART IS NUDE. ME, NUDE, VENUS DeMILO, NUDE, 1092 00:43:57,879 --> 00:44:00,112 ALL THE BEST ART IS NUDE. ME, NUDE, VENUS DeMILO, NUDE, STATUE OF LIBERTY, SHOWS FEET. 1093 00:44:00,114 --> 00:44:01,213 ME, NUDE, VENUS DeMILO, NUDE, STATUE OF LIBERTY, SHOWS FEET. >> WHAT ARE YOU TALKING ABOUT? 1094 00:44:01,215 --> 00:44:03,582 STATUE OF LIBERTY, SHOWS FEET. >> WHAT ARE YOU TALKING ABOUT? >> YOU HAVE THE MOST BEAUTIFUL 1095 00:44:03,584 --> 00:44:04,984 >> WHAT ARE YOU TALKING ABOUT? >> YOU HAVE THE MOST BEAUTIFUL PIECE OF ART IN THE WORLD NEXT 1096 00:44:04,986 --> 00:44:06,886 >> YOU HAVE THE MOST BEAUTIFUL PIECE OF ART IN THE WORLD NEXT TO YOU AND YOU DON'T WANT TO 1097 00:44:06,888 --> 00:44:07,286 PIECE OF ART IN THE WORLD NEXT TO YOU AND YOU DON'T WANT TO LOOK AT IT. 1098 00:44:07,288 --> 00:44:09,255 TO YOU AND YOU DON'T WANT TO LOOK AT IT. >> I CAN SEE IT NOW. 1099 00:44:09,257 --> 00:44:10,156 LOOK AT IT. >> I CAN SEE IT NOW. >> AND. 1100 00:44:10,158 --> 00:44:12,091 >> I CAN SEE IT NOW. >> AND. >> I'M NO EXPERT, BUT IT'S KIND 1101 00:44:12,093 --> 00:44:12,491 >> AND. >> I'M NO EXPERT, BUT IT'S KIND OF SMALL. 1102 00:44:12,493 --> 00:44:14,860 >> I'M NO EXPERT, BUT IT'S KIND OF SMALL. >> WELL, MOST PEOPLE SEE IT FROM 1103 00:44:14,862 --> 00:44:15,161 OF SMALL. >> WELL, MOST PEOPLE SEE IT FROM BELOW. 1104 00:44:15,163 --> 00:44:16,595 >> WELL, MOST PEOPLE SEE IT FROM BELOW. DO YOU WANT TO COME UNDER AND 1105 00:44:16,597 --> 00:44:17,830 BELOW. DO YOU WANT TO COME UNDER AND SEE IT FROM BELOW? 1106 00:44:17,832 --> 00:44:18,964 DO YOU WANT TO COME UNDER AND SEE IT FROM BELOW? >> NO, I DO NOT. 1107 00:44:18,966 --> 00:44:21,967 SEE IT FROM BELOW? >> NO, I DO NOT. >> WELL, WHILE YOU'RE LOOKING AT 1108 00:44:21,969 --> 00:44:23,269 >> NO, I DO NOT. >> WELL, WHILE YOU'RE LOOKING AT IT, DO YOU NOTICE HOW THE HAIR 1109 00:44:23,271 --> 00:44:25,805 >> WELL, WHILE YOU'RE LOOKING AT IT, DO YOU NOTICE HOW THE HAIR UP HERE IS THE SAME DOWN HERE? 1110 00:44:25,807 --> 00:44:28,307 IT, DO YOU NOTICE HOW THE HAIR UP HERE IS THE SAME DOWN HERE? THAT'S NOT LIKE RIGHT, RIGHT? 1111 00:44:28,309 --> 00:44:29,275 UP HERE IS THE SAME DOWN HERE? THAT'S NOT LIKE RIGHT, RIGHT? IT'S TOO THICK. 1112 00:44:29,277 --> 00:44:30,309 THAT'S NOT LIKE RIGHT, RIGHT? IT'S TOO THICK. IT'S LIKE ROCKS, LOOK. 1113 00:44:30,311 --> 00:44:34,580 IT'S TOO THICK. IT'S LIKE ROCKS, LOOK. >> DUDE, NO. 1114 00:44:34,582 --> 00:44:35,881 IT'S LIKE ROCKS, LOOK. >> DUDE, NO. DON'T SHOW THAT, PLEASE. 1115 00:44:35,883 --> 00:44:37,016 >> DUDE, NO. DON'T SHOW THAT, PLEASE. >> IT'S JUST ROCKS. 1116 00:44:37,018 --> 00:44:39,018 DON'T SHOW THAT, PLEASE. >> IT'S JUST ROCKS. GOD, AMERICANS ARE UPTIGHT. 1117 00:44:39,020 --> 00:44:41,854 >> IT'S JUST ROCKS. GOD, AMERICANS ARE UPTIGHT. DID YOU KNOW IN THE ITALIAN 1118 00:44:41,856 --> 00:44:45,357 GOD, AMERICANS ARE UPTIGHT. DID YOU KNOW IN THE ITALIAN VERSION OF SNL YOU CAN SHOW FULL 1119 00:44:45,359 --> 00:44:45,758 DID YOU KNOW IN THE ITALIAN VERSION OF SNL YOU CAN SHOW FULL PENETRATION? 1120 00:44:45,760 --> 00:44:53,732 VERSION OF SNL YOU CAN SHOW FULL PENETRATION? >> WHAT? 1121 00:44:53,734 --> 00:44:54,166 PENETRATION? >> WHAT? 1122 00:44:54,168 --> 00:44:55,534 >> WHAT? YOU KNOW WHAT, IF YOU WANT TO 1123 00:44:55,536 --> 00:44:57,570 YOU KNOW WHAT, IF YOU WANT TO SHOW IT SO BAD, JUST SHOW IT. 1124 00:44:57,572 --> 00:44:58,337 YOU KNOW WHAT, IF YOU WANT TO SHOW IT SO BAD, JUST SHOW IT. WE'RE ALL WATCHING. 1125 00:44:58,339 --> 00:45:00,940 SHOW IT SO BAD, JUST SHOW IT. WE'RE ALL WATCHING. >> WELL, NOW I'M SHY. 1126 00:45:00,942 --> 00:45:04,643 WE'RE ALL WATCHING. >> WELL, NOW I'M SHY. >> MICHAEL ANGELO'S DAVID, 1127 00:45:04,645 --> 00:45:05,010 >> WELL, NOW I'M SHY. >> MICHAEL ANGELO'S DAVID, EVERYBODY. 1128 00:45:05,012 --> 00:45:10,382 >> MICHAEL ANGELO'S DAVID, EVERYBODY. GET OUT OF HERE! 1129 00:45:10,384 --> 00:45:11,617 EVERYBODY. GET OUT OF HERE! >> APPLE HAS LAUNCHED A NEW 1130 00:45:11,619 --> 00:45:13,052 GET OUT OF HERE! >> APPLE HAS LAUNCHED A NEW FEATURE CALLED PAY LATER THAT 1131 00:45:13,054 --> 00:45:15,154 >> APPLE HAS LAUNCHED A NEW FEATURE CALLED PAY LATER THAT LETS USERS SPREAD OUT PAYMENTS 1132 00:45:15,156 --> 00:45:17,523 FEATURE CALLED PAY LATER THAT LETS USERS SPREAD OUT PAYMENTS FOR APPS OVER THE COURSE OF SIX 1133 00:45:17,525 --> 00:45:17,857 LETS USERS SPREAD OUT PAYMENTS FOR APPS OVER THE COURSE OF SIX WEEKS. 1134 00:45:17,859 --> 00:45:19,792 FOR APPS OVER THE COURSE OF SIX WEEKS. THIS HAS ALSO LAUNCHED MY NEW 1135 00:45:19,794 --> 00:45:23,596 WEEKS. THIS HAS ALSO LAUNCHED MY NEW FAVORITE INSULT, YO MAMA IS SO 1136 00:45:23,598 --> 00:45:26,131 THIS HAS ALSO LAUNCHED MY NEW FAVORITE INSULT, YO MAMA IS SO POOR, SHE PUT CANDY CRUSH ON LA 1137 00:45:26,133 --> 00:45:26,432 FAVORITE INSULT, YO MAMA IS SO POOR, SHE PUT CANDY CRUSH ON LA AWAY. 1138 00:45:26,434 --> 00:45:28,434 POOR, SHE PUT CANDY CRUSH ON LA AWAY. >> AFTER A RECENT CHEMICAL SPILL 1139 00:45:28,436 --> 00:45:29,835 AWAY. >> AFTER A RECENT CHEMICAL SPILL IN THE DELAWARE RIVER, 1140 00:45:29,837 --> 00:45:31,637 >> AFTER A RECENT CHEMICAL SPILL IN THE DELAWARE RIVER, PHILADELPHIA OFFICIALS SAY THE 1141 00:45:31,639 --> 00:45:33,806 IN THE DELAWARE RIVER, PHILADELPHIA OFFICIALS SAY THE CITY'S DRINKING WATER IS FINALLY 1142 00:45:33,808 --> 00:45:35,040 PHILADELPHIA OFFICIALS SAY THE CITY'S DRINKING WATER IS FINALLY SAFE, UNLESS IT'S BEING HANDED 1143 00:45:35,042 --> 00:45:39,345 CITY'S DRINKING WATER IS FINALLY SAFE, UNLESS IT'S BEING HANDED TO YOU BY THIS PHILADELPHIAN. 1144 00:45:39,347 --> 00:45:42,314 SAFE, UNLESS IT'S BEING HANDED TO YOU BY THIS PHILADELPHIAN. YOU GUYS DON'T LIKE SAFETY 1145 00:45:42,316 --> 00:45:42,715 TO YOU BY THIS PHILADELPHIAN. YOU GUYS DON'T LIKE SAFETY PRECAUTIONS? 1146 00:45:42,717 --> 00:45:45,317 YOU GUYS DON'T LIKE SAFETY PRECAUTIONS? CUP NOODLES HAS INTRODUCED A 1147 00:45:45,319 --> 00:45:47,119 PRECAUTIONS? CUP NOODLES HAS INTRODUCED A BREAKFAST VERSION OF THEIR 1148 00:45:47,121 --> 00:45:49,555 CUP NOODLES HAS INTRODUCED A BREAKFAST VERSION OF THEIR INSTANT RAMON. 1149 00:45:49,557 --> 00:45:52,625 BREAKFAST VERSION OF THEIR INSTANT RAMON. THE FLAVOR WILL BE CALLED, "MOM 1150 00:45:52,627 --> 00:45:55,594 INSTANT RAMON. THE FLAVOR WILL BE CALLED, "MOM LEFT." 1151 00:45:55,596 --> 00:45:57,997 THE FLAVOR WILL BE CALLED, "MOM LEFT." I LIKE THIS CROWD A LOT, MAN. 1152 00:45:57,999 --> 00:45:58,330 LEFT." I LIKE THIS CROWD A LOT, MAN. >> YEAH. 1153 00:45:58,332 --> 00:46:02,568 I LIKE THIS CROWD A LOT, MAN. >> YEAH. YEAH, ME TOO. 1154 00:46:02,570 --> 00:46:09,174 >> YEAH. YEAH, ME TOO. AGREED. 1155 00:46:09,176 --> 00:46:10,075 YEAH, ME TOO. AGREED. AN 89-YEAR-OLD JAPANESE MAN HAS 1156 00:46:10,077 --> 00:46:12,378 AGREED. AN 89-YEAR-OLD JAPANESE MAN HAS BEEN RECOGNIZED AS THE OLDEST 1157 00:46:12,380 --> 00:46:13,946 AN 89-YEAR-OLD JAPANESE MAN HAS BEEN RECOGNIZED AS THE OLDEST MALE SURFER EVER. 1158 00:46:13,948 --> 00:46:18,217 BEEN RECOGNIZED AS THE OLDEST MALE SURFER EVER. HE TRULY EMBODIES THE SURFING 1159 00:46:18,219 --> 00:46:19,618 MALE SURFER EVER. HE TRULY EMBODIES THE SURFING LIFESTYLE BECAUSE EVERY PART OF 1160 00:46:19,620 --> 00:46:21,754 HE TRULY EMBODIES THE SURFING LIFESTYLE BECAUSE EVERY PART OF HIS BODY HANGS LOOSE. 1161 00:46:21,756 --> 00:46:22,821 LIFESTYLE BECAUSE EVERY PART OF HIS BODY HANGS LOOSE. NEW YORK CITY IS EXPECTED TO END 1162 00:46:22,823 --> 00:46:24,957 HIS BODY HANGS LOOSE. NEW YORK CITY IS EXPECTED TO END THE WINTER WITH THE LOWEST 1163 00:46:24,959 --> 00:46:26,025 NEW YORK CITY IS EXPECTED TO END THE WINTER WITH THE LOWEST SNOWFALL ON RECORD. 1164 00:46:26,027 --> 00:46:31,564 THE WINTER WITH THE LOWEST SNOWFALL ON RECORD. YOU LYING SON OF A BITCH. 1165 00:46:31,566 --> 00:46:34,133 SNOWFALL ON RECORD. YOU LYING SON OF A BITCH. >> NEW YORK CITY FIRE DEPARTMENT 1166 00:46:34,135 --> 00:46:36,168 YOU LYING SON OF A BITCH. >> NEW YORK CITY FIRE DEPARTMENT RESCUED FIVE CHILDREN WHO GOT 1167 00:46:36,170 --> 00:46:39,905 >> NEW YORK CITY FIRE DEPARTMENT RESCUED FIVE CHILDREN WHO GOT THEMSELVES LOST IN THE STATEN 1168 00:46:39,907 --> 00:46:43,175 RESCUED FIVE CHILDREN WHO GOT THEMSELVES LOST IN THE STATEN ISLAND SUER SYSTEM. 1169 00:46:43,177 --> 00:46:44,310 THEMSELVES LOST IN THE STATEN ISLAND SUER SYSTEM. IT'S HARD TO BELIEVE A PLACE 1170 00:46:44,312 --> 00:46:46,979 ISLAND SUER SYSTEM. IT'S HARD TO BELIEVE A PLACE THAT FILTHY AND DISGUSTING HAS A 1171 00:46:46,981 --> 00:46:48,213 IT'S HARD TO BELIEVE A PLACE THAT FILTHY AND DISGUSTING HAS A SUER SYSTEM. 1172 00:46:48,215 --> 00:46:51,083 THAT FILTHY AND DISGUSTING HAS A SUER SYSTEM. BUILD A BEAR HAS INTRODUCED A 1173 00:46:51,085 --> 00:46:52,151 SUER SYSTEM. BUILD A BEAR HAS INTRODUCED A NEW RUE PAUL DOLL. 1174 00:46:52,153 --> 00:46:53,419 BUILD A BEAR HAS INTRODUCED A NEW RUE PAUL DOLL. AND HONESTLY, AFTER A FEW BEERS, 1175 00:46:53,421 --> 00:46:59,024 NEW RUE PAUL DOLL. AND HONESTLY, AFTER A FEW BEERS, I WOULD. 1176 00:46:59,026 --> 00:47:00,559 AND HONESTLY, AFTER A FEW BEERS, I WOULD. >> NEW YORK CITY OFFICIALS 1177 00:47:00,561 --> 00:47:01,493 I WOULD. >> NEW YORK CITY OFFICIALS ANNOUNCED THEY WILL STOP CALLING 1178 00:47:01,495 --> 00:47:03,462 >> NEW YORK CITY OFFICIALS ANNOUNCED THEY WILL STOP CALLING THE CITY'S PARK BATHROOMS 1179 00:47:03,464 --> 00:47:04,930 ANNOUNCED THEY WILL STOP CALLING THE CITY'S PARK BATHROOMS COMFORT STATIONS AND WILL 1180 00:47:04,932 --> 00:47:06,832 THE CITY'S PARK BATHROOMS COMFORT STATIONS AND WILL INSTEAD CALL THEM THE MORE 1181 00:47:06,834 --> 00:47:16,642 COMFORT STATIONS AND WILL INSTEAD CALL THEM THE MORE ACCURATE STANK SHACKS. 1182 00:47:16,644 --> 00:47:20,012 INSTEAD CALL THEM THE MORE ACCURATE STANK SHACKS. SAVED A MAN AFTER HE INSERTED A 1183 00:47:20,014 --> 00:47:23,215 ACCURATE STANK SHACKS. SAVED A MAN AFTER HE INSERTED A WATER GLASS INTO HIS RECTUM FOR 1184 00:47:23,217 --> 00:47:26,485 SAVED A MAN AFTER HE INSERTED A WATER GLASS INTO HIS RECTUM FOR SEXUAL GRATIFICATION, AND IT GOT 1185 00:47:26,487 --> 00:47:26,785 WATER GLASS INTO HIS RECTUM FOR SEXUAL GRATIFICATION, AND IT GOT STUFF. 1186 00:47:26,787 --> 00:47:28,954 SEXUAL GRATIFICATION, AND IT GOT STUFF. I THINK HE FELT POSITIVE ABOUT 1187 00:47:28,956 --> 00:47:30,255 STUFF. I THINK HE FELT POSITIVE ABOUT THE EXPERIENCE BECAUSE HE SAID 1188 00:47:30,257 --> 00:47:31,991 I THINK HE FELT POSITIVE ABOUT THE EXPERIENCE BECAUSE HE SAID THE GLASS WAS HALF FULL. 1189 00:47:31,993 --> 00:47:33,993 THE EXPERIENCE BECAUSE HE SAID THE GLASS WAS HALF FULL. >> THE FIRST MARIJUANA 1190 00:47:33,995 --> 00:47:35,961 THE GLASS WAS HALF FULL. >> THE FIRST MARIJUANA DISPENSARY OWNED BY A WOMAN HAS 1191 00:47:35,963 --> 00:47:38,964 >> THE FIRST MARIJUANA DISPENSARY OWNED BY A WOMAN HAS OPENED IN QUEENS NEW YORK. 1192 00:47:38,966 --> 00:47:40,566 DISPENSARY OWNED BY A WOMAN HAS OPENED IN QUEENS NEW YORK. UNFORTUNATELY, THEY HAD TO SHUT 1193 00:47:40,568 --> 00:47:41,433 OPENED IN QUEENS NEW YORK. UNFORTUNATELY, THEY HAD TO SHUT DOWN BECAUSE SHE COULDN'T OPEN 1194 00:47:41,435 --> 00:47:47,539 UNFORTUNATELY, THEY HAD TO SHUT DOWN BECAUSE SHE COULDN'T OPEN THE WEED JARS ON HER OWN. 1195 00:47:47,541 --> 00:47:49,141 DOWN BECAUSE SHE COULDN'T OPEN THE WEED JARS ON HER OWN. >> SIMMER DOWN. 1196 00:47:49,143 --> 00:47:51,610 THE WEED JARS ON HER OWN. >> SIMMER DOWN. A SPERM DONOR IN THE NETHERLANDS 1197 00:47:51,612 --> 00:47:53,912 >> SIMMER DOWN. A SPERM DONOR IN THE NETHERLANDS WHO ALLEGEDLY FATHERED MORE THAN 1198 00:47:53,914 --> 00:47:55,581 A SPERM DONOR IN THE NETHERLANDS WHO ALLEGEDLY FATHERED MORE THAN 500 CHILDREN IS BEING SUED FOR 1199 00:47:55,583 --> 00:47:57,082 WHO ALLEGEDLY FATHERED MORE THAN 500 CHILDREN IS BEING SUED FOR INCREASING THE RISK OF 1200 00:47:57,084 --> 00:47:58,751 500 CHILDREN IS BEING SUED FOR INCREASING THE RISK OF ACCIDENTAL INCEST AMONG THE 1201 00:47:58,753 --> 00:47:59,051 INCREASING THE RISK OF ACCIDENTAL INCEST AMONG THE KIDS. 1202 00:47:59,053 --> 00:48:01,587 ACCIDENTAL INCEST AMONG THE KIDS. ACCIDENTAL INCEST IS ALSO THE 1203 00:48:01,589 --> 00:48:02,321 KIDS. ACCIDENTAL INCEST IS ALSO THE TITLE OF THE WORST AMERICAN PIE 1204 00:48:02,323 --> 00:48:04,657 ACCIDENTAL INCEST IS ALSO THE TITLE OF THE WORST AMERICAN PIE SEQUEL. 1205 00:48:04,659 --> 00:48:07,926 TITLE OF THE WORST AMERICAN PIE SEQUEL. WELL, GUYS, IT'S APRIL, AND THAT 1206 00:48:07,928 --> 00:48:09,695 SEQUEL. WELL, GUYS, IT'S APRIL, AND THAT CAN ONLY MEAN ONE THING, THE 1207 00:48:09,697 --> 00:48:11,263 WELL, GUYS, IT'S APRIL, AND THAT CAN ONLY MEAN ONE THING, THE CELEBRATION OF SHORT MEN THAT 1208 00:48:11,265 --> 00:48:14,466 CAN ONLY MEAN ONE THING, THE CELEBRATION OF SHORT MEN THAT THE INTERNET HAS DUBBED SHORT 1209 00:48:14,468 --> 00:48:16,669 CELEBRATION OF SHORT MEN THAT THE INTERNET HAS DUBBED SHORT KING SPRING. 1210 00:48:16,671 --> 00:48:17,670 THE INTERNET HAS DUBBED SHORT KING SPRING. HERE TO COMMENT IS OUR VERY OWN 1211 00:48:17,672 --> 00:48:20,172 KING SPRING. HERE TO COMMENT IS OUR VERY OWN SHORT KING, MARCELLO HERNANDEZ. 1212 00:48:20,174 --> 00:48:21,507 HERE TO COMMENT IS OUR VERY OWN SHORT KING, MARCELLO HERNANDEZ. >> HEY, COLIN. 1213 00:48:21,509 --> 00:48:22,908 SHORT KING, MARCELLO HERNANDEZ. >> HEY, COLIN. IT'S GREAT TO BE HERE. 1214 00:48:22,910 --> 00:48:24,677 >> HEY, COLIN. IT'S GREAT TO BE HERE. >> HEY, MARCELLO. 1215 00:48:24,679 --> 00:48:26,078 IT'S GREAT TO BE HERE. >> HEY, MARCELLO. THANKS FOR BEING HERE. 1216 00:48:26,080 --> 00:48:27,312 >> HEY, MARCELLO. THANKS FOR BEING HERE. CAN YOU WALK US THROUGH WHAT IT 1217 00:48:27,314 --> 00:48:28,614 THANKS FOR BEING HERE. CAN YOU WALK US THROUGH WHAT IT MEANS TO BE A SHORT KING? 1218 00:48:28,616 --> 00:48:30,649 CAN YOU WALK US THROUGH WHAT IT MEANS TO BE A SHORT KING? >> COLIN, IT'S BASICALLY 1219 00:48:30,651 --> 00:48:33,185 MEANS TO BE A SHORT KING? >> COLIN, IT'S BASICALLY SOMETHING WOMEN SAY AS IF IT'S A 1220 00:48:33,187 --> 00:48:33,585 >> COLIN, IT'S BASICALLY SOMETHING WOMEN SAY AS IF IT'S A COMPLIMENT. 1221 00:48:33,587 --> 00:48:45,698 SOMETHING WOMEN SAY AS IF IT'S A COMPLIMENT. BUT IT'S KIND OF CONDESCENDING. 1222 00:48:45,700 --> 00:48:48,033 COMPLIMENT. BUT IT'S KIND OF CONDESCENDING. >> WELL, IF IT HELPS, I NEVER 1223 00:48:48,035 --> 00:48:50,736 BUT IT'S KIND OF CONDESCENDING. >> WELL, IF IT HELPS, I NEVER THOUGHT OF YOU AS A SHORT MAN, 1224 00:48:50,738 --> 00:48:51,437 >> WELL, IF IT HELPS, I NEVER THOUGHT OF YOU AS A SHORT MAN, AND YOU'RE WELCOME FOR THAT. 1225 00:48:51,439 --> 00:48:52,771 THOUGHT OF YOU AS A SHORT MAN, AND YOU'RE WELCOME FOR THAT. >> I KNOW I'M SHORT. 1226 00:48:52,773 --> 00:48:55,274 AND YOU'RE WELCOME FOR THAT. >> I KNOW I'M SHORT. WHEN I LIE ABOUT MY HEIGHT, I 1227 00:48:55,276 --> 00:48:58,377 >> I KNOW I'M SHORT. WHEN I LIE ABOUT MY HEIGHT, I SAY I'M 5'9", WHICH MEANS I'M 1228 00:48:58,379 --> 00:49:00,546 WHEN I LIE ABOUT MY HEIGHT, I SAY I'M 5'9", WHICH MEANS I'M REALLY 5'7" 1/2, AND I'M LYING 1229 00:49:00,548 --> 00:49:01,847 SAY I'M 5'9", WHICH MEANS I'M REALLY 5'7" 1/2, AND I'M LYING ABOUT THE HALF. 1230 00:49:01,849 --> 00:49:03,849 REALLY 5'7" 1/2, AND I'M LYING ABOUT THE HALF. WHAT HEIGHT DO YOU SAY, COLIN? 1231 00:49:03,851 --> 00:49:04,983 ABOUT THE HALF. WHAT HEIGHT DO YOU SAY, COLIN? >> I'M 6 FEET. 1232 00:49:04,985 --> 00:49:07,219 WHAT HEIGHT DO YOU SAY, COLIN? >> I'M 6 FEET. >> SO YOU'RE 5'9"? 1233 00:49:07,221 --> 00:49:08,821 >> I'M 6 FEET. >> SO YOU'RE 5'9"? >> NO, I'M 6 FEET. 1234 00:49:08,823 --> 00:49:10,556 >> SO YOU'RE 5'9"? >> NO, I'M 6 FEET. >> IF YOU WERE 6 FEET, YOU WOULD 1235 00:49:10,558 --> 00:49:11,623 >> NO, I'M 6 FEET. >> IF YOU WERE 6 FEET, YOU WOULD SAY 6'2". 1236 00:49:11,625 --> 00:49:14,159 >> IF YOU WERE 6 FEET, YOU WOULD SAY 6'2". >> I'M EXACTLY 6 FEET. 1237 00:49:14,161 --> 00:49:15,527 SAY 6'2". >> I'M EXACTLY 6 FEET. >> THEN LET'S STAND BACK TO 1238 00:49:15,529 --> 00:49:15,828 >> I'M EXACTLY 6 FEET. >> THEN LET'S STAND BACK TO BACK. 1239 00:49:15,830 --> 00:49:16,895 >> THEN LET'S STAND BACK TO BACK. >> I DON'T WANT TO DO THAT. 1240 00:49:16,897 --> 00:49:18,497 BACK. >> I DON'T WANT TO DO THAT. >> INTERESTING. 1241 00:49:18,499 --> 00:49:20,365 >> I DON'T WANT TO DO THAT. >> INTERESTING. COLIN, SHORT INC. CANS LIKE US 1242 00:49:20,367 --> 00:49:22,134 >> INTERESTING. COLIN, SHORT INC. CANS LIKE US SHOULD BE PROUD OF OUR HERITAGE. 1243 00:49:22,136 --> 00:49:24,336 COLIN, SHORT INC. CANS LIKE US SHOULD BE PROUD OF OUR HERITAGE. WE COME FROM A LONG LINE OF 1244 00:49:24,338 --> 00:49:28,140 SHOULD BE PROUD OF OUR HERITAGE. WE COME FROM A LONG LINE OF GREATS, KEVIN HART, BRUNO MARS, 1245 00:49:28,142 --> 00:49:30,743 WE COME FROM A LONG LINE OF GREATS, KEVIN HART, BRUNO MARS, PRINCE, THE MINIONS, AL PACINO, 1246 00:49:30,745 --> 00:49:35,848 GREATS, KEVIN HART, BRUNO MARS, PRINCE, THE MINIONS, AL PACINO, MARK WAHLBERG, JACK BLACK, YODA, 1247 00:49:35,850 --> 00:49:38,584 PRINCE, THE MINIONS, AL PACINO, MARK WAHLBERG, JACK BLACK, YODA, TOM HOLLAND, LIL WANE, RIGHT 1248 00:49:38,586 --> 00:49:40,586 MARK WAHLBERG, JACK BLACK, YODA, TOM HOLLAND, LIL WANE, RIGHT THERE IN THE NAME, MARTIN SHORT, 1249 00:49:40,588 --> 00:49:43,222 TOM HOLLAND, LIL WANE, RIGHT THERE IN THE NAME, MARTIN SHORT, AGAIN, RIGHT THERE IN THE NAME. 1250 00:49:43,224 --> 00:49:46,291 THERE IN THE NAME, MARTIN SHORT, AGAIN, RIGHT THERE IN THE NAME. BEETHOVEN, THE COMPOSER, WAS 1251 00:49:46,293 --> 00:49:48,193 AGAIN, RIGHT THERE IN THE NAME. BEETHOVEN, THE COMPOSER, WAS 5'6", AND THE DOG WAS EVEN 1252 00:49:48,195 --> 00:49:48,560 BEETHOVEN, THE COMPOSER, WAS 5'6", AND THE DOG WAS EVEN SHORTER. 1253 00:49:48,562 --> 00:49:49,061 5'6", AND THE DOG WAS EVEN SHORTER. >> GREAT TO KNOW. 1254 00:49:49,063 --> 00:49:50,362 SHORTER. >> GREAT TO KNOW. I THINK WE GET IT. 1255 00:49:50,364 --> 00:49:53,465 >> GREAT TO KNOW. I THINK WE GET IT. >> NOW LET'S THINK OF SOME TALL 1256 00:49:53,467 --> 00:49:54,166 I THINK WE GET IT. >> NOW LET'S THINK OF SOME TALL GUYS. 1257 00:49:54,168 --> 00:49:59,204 >> NOW LET'S THINK OF SOME TALL GUYS. OSAMA BIN LADEN IS 6'4", ARMIE 1258 00:49:59,206 --> 00:50:00,639 GUYS. OSAMA BIN LADEN IS 6'4", ARMIE HAMMER, 7'3". 1259 00:50:00,641 --> 00:50:03,242 OSAMA BIN LADEN IS 6'4", ARMIE HAMMER, 7'3". >> ARMIE HAMMER IS NOT 7'3". 1260 00:50:03,244 --> 00:50:04,176 HAMMER, 7'3". >> ARMIE HAMMER IS NOT 7'3". >> OKAY. 1261 00:50:04,178 --> 00:50:04,877 >> ARMIE HAMMER IS NOT 7'3". >> OKAY. SORRY, I FORGOT YOU TWO WERE 1262 00:50:04,879 --> 00:50:06,912 >> OKAY. SORRY, I FORGOT YOU TWO WERE FRIENDS. 1263 00:50:06,914 --> 00:50:10,249 SORRY, I FORGOT YOU TWO WERE FRIENDS. >> WE'RE FRIENDLY. 1264 00:50:10,251 --> 00:50:11,784 FRIENDS. >> WE'RE FRIENDLY. >> YOU KNOW, THE WORST THING 1265 00:50:11,786 --> 00:50:14,286 >> WE'RE FRIENDLY. >> YOU KNOW, THE WORST THING ABOUT TALL MEN IS WHEN THEY SAY 1266 00:50:14,288 --> 00:50:17,689 >> YOU KNOW, THE WORST THING ABOUT TALL MEN IS WHEN THEY SAY HELLO TO US PETITE PRINCES. 1267 00:50:17,691 --> 00:50:20,092 ABOUT TALL MEN IS WHEN THEY SAY HELLO TO US PETITE PRINCES. THEY GO LOW AND USE A BABY 1268 00:50:20,094 --> 00:50:20,425 HELLO TO US PETITE PRINCES. THEY GO LOW AND USE A BABY VOICE. 1269 00:50:20,427 --> 00:50:22,694 THEY GO LOW AND USE A BABY VOICE. THEY GO, HEY, MAN, EVERYTHING 1270 00:50:22,696 --> 00:50:24,196 VOICE. THEY GO, HEY, MAN, EVERYTHING GOOD DOWN THERE. 1271 00:50:24,198 --> 00:50:25,697 THEY GO, HEY, MAN, EVERYTHING GOOD DOWN THERE. AND WHEN THEY' DONE TALKING TO 1272 00:50:25,699 --> 00:50:27,966 GOOD DOWN THERE. AND WHEN THEY' DONE TALKING TO YOU, IT FEELS LIKE THEY SAY IT, 1273 00:50:27,968 --> 00:50:29,501 AND WHEN THEY' DONE TALKING TO YOU, IT FEELS LIKE THEY SAY IT, WHEN THEY'RE DONE TALKING, THEY 1274 00:50:29,503 --> 00:50:30,269 YOU, IT FEELS LIKE THEY SAY IT, WHEN THEY'RE DONE TALKING, THEY GO, ALL RIGHT, I GOT TO GO BACK 1275 00:50:30,271 --> 00:50:35,007 WHEN THEY'RE DONE TALKING, THEY GO, ALL RIGHT, I GOT TO GO BACK UP. 1276 00:50:35,009 --> 00:50:36,842 GO, ALL RIGHT, I GOT TO GO BACK UP. COLIN, WHAT I'M TRYING TO SAY IS 1277 00:50:36,844 --> 00:50:39,611 UP. COLIN, WHAT I'M TRYING TO SAY IS US TINY TITANS, WE GOT TO 1278 00:50:39,613 --> 00:50:39,978 COLIN, WHAT I'M TRYING TO SAY IS US TINY TITANS, WE GOT TO STICK -- 1279 00:50:39,980 --> 00:50:41,313 US TINY TITANS, WE GOT TO STICK -- >> STOP SAYING US. 1280 00:50:41,315 --> 00:50:43,282 STICK -- >> STOP SAYING US. >> THEN STAND BACK TO BACK WITH 1281 00:50:43,284 --> 00:50:43,549 >> STOP SAYING US. >> THEN STAND BACK TO BACK WITH ME. 1282 00:50:43,551 --> 00:50:43,882 >> THEN STAND BACK TO BACK WITH ME. >> NO. 1283 00:50:43,884 --> 00:50:44,283 ME. >> NO. >> OKAY. 1284 00:50:44,285 --> 00:50:46,451 >> NO. >> OKAY. WELL, LOOK, SHORT KINGS, WE WERE 1285 00:50:46,453 --> 00:50:47,853 >> OKAY. WELL, LOOK, SHORT KINGS, WE WERE BORN KINGS. 1286 00:50:47,855 --> 00:50:49,021 WELL, LOOK, SHORT KINGS, WE WERE BORN KINGS. WE'VE BECOME KINGS. 1287 00:50:49,023 --> 00:50:50,022 BORN KINGS. WE'VE BECOME KINGS. WE'VE DONE THE WORK. 1288 00:50:50,024 --> 00:50:51,590 WE'VE BECOME KINGS. WE'VE DONE THE WORK. WE LEARNED HOW TO DANCE, NOT 1289 00:50:51,592 --> 00:50:55,928 WE'VE DONE THE WORK. WE LEARNED HOW TO DANCE, NOT BECAUSE WE WANTED TO BUT BECAUSE 1290 00:50:55,930 --> 00:50:56,995 WE LEARNED HOW TO DANCE, NOT BECAUSE WE WANTED TO BUT BECAUSE WE HAD TO. 1291 00:50:56,997 --> 00:51:00,933 BECAUSE WE WANTED TO BUT BECAUSE WE HAD TO. TALL GUYS LIKE MICHAEL CHE DON'T 1292 00:51:00,935 --> 00:51:02,201 WE HAD TO. TALL GUYS LIKE MICHAEL CHE DON'T GOT TO LEARN HOW TO DANCE. 1293 00:51:02,203 --> 00:51:03,902 TALL GUYS LIKE MICHAEL CHE DON'T GOT TO LEARN HOW TO DANCE. THEY STAND AT THE BACK OF THE 1294 00:51:03,904 --> 00:51:06,104 GOT TO LEARN HOW TO DANCE. THEY STAND AT THE BACK OF THE PARTY LIKE -- MEANWHILE, YOU AND 1295 00:51:06,106 --> 00:51:07,639 THEY STAND AT THE BACK OF THE PARTY LIKE -- MEANWHILE, YOU AND ME ARE ON THE DANCE FLOOR 1296 00:51:07,641 --> 00:51:08,740 PARTY LIKE -- MEANWHILE, YOU AND ME ARE ON THE DANCE FLOOR WORKING, COLIN. 1297 00:51:08,742 --> 00:51:10,409 ME ARE ON THE DANCE FLOOR WORKING, COLIN. NOT BECAUSE WE WANT TO BUT 1298 00:51:10,411 --> 00:51:11,777 WORKING, COLIN. NOT BECAUSE WE WANT TO BUT BECAUSE WE HAD TO. 1299 00:51:11,779 --> 00:51:13,812 NOT BECAUSE WE WANT TO BUT BECAUSE WE HAD TO. >> AGAIN, I'M 6 FEET TALL. 1300 00:51:13,814 --> 00:51:17,149 BECAUSE WE HAD TO. >> AGAIN, I'M 6 FEET TALL. >> YEAH, YOU'RE A TOWER. 1301 00:51:17,151 --> 00:51:17,482 >> AGAIN, I'M 6 FEET TALL. >> YEAH, YOU'RE A TOWER. ANYWAY. 1302 00:51:17,484 --> 00:51:19,952 >> YEAH, YOU'RE A TOWER. ANYWAY. FOR ALL MY SHORT KINGS WATCHING 1303 00:51:19,954 --> 00:51:21,987 ANYWAY. FOR ALL MY SHORT KINGS WATCHING AT HOME, STAY STRONG, LIVE 1304 00:51:21,989 --> 00:51:23,956 FOR ALL MY SHORT KINGS WATCHING AT HOME, STAY STRONG, LIVE LARGE, AND BE PROUD OF THE TINY 1305 00:51:23,958 --> 00:51:25,257 AT HOME, STAY STRONG, LIVE LARGE, AND BE PROUD OF THE TINY LITTLE PERSON THAT YOU ARE. 1306 00:51:25,259 --> 00:51:27,125 LARGE, AND BE PROUD OF THE TINY LITTLE PERSON THAT YOU ARE. SO LET'S SHOW THEM, COLIN. 1307 00:51:27,127 --> 00:51:28,760 LITTLE PERSON THAT YOU ARE. SO LET'S SHOW THEM, COLIN. STAND UP AND GO BACK TO BACK 1308 00:51:28,762 --> 00:51:29,328 SO LET'S SHOW THEM, COLIN. STAND UP AND GO BACK TO BACK WITH ME. 1309 00:51:29,330 --> 00:51:31,496 STAND UP AND GO BACK TO BACK WITH ME. >> FOR THE LAST TIME, I CAN'T DO 1310 00:51:31,498 --> 00:51:31,797 WITH ME. >> FOR THE LAST TIME, I CAN'T DO THAT. 1311 00:51:31,799 --> 00:51:32,698 >> FOR THE LAST TIME, I CAN'T DO THAT. >> WHY NOT? 1312 00:51:32,700 --> 00:51:33,932 THAT. >> WHY NOT? >> BECAUSE, MARCELLO, I'M 1313 00:51:33,934 --> 00:51:37,336 >> WHY NOT? >> BECAUSE, MARCELLO, I'M ALREADY STANDING. 1314 00:51:37,338 --> 00:51:38,503 >> BECAUSE, MARCELLO, I'M ALREADY STANDING. >> I KNEW IT! 1315 00:51:38,505 --> 00:51:41,940 ALREADY STANDING. >> I KNEW IT! I KNEW IT! 1316 00:51:41,942 --> 00:51:47,880 >> I KNEW IT! I KNEW IT! >> MARCELLO SHORT KING 1317 00:51:47,882 --> 00:51:48,247 I KNEW IT! >> MARCELLO SHORT KING HERNANDEZ. 1318 00:51:48,249 --> 00:51:49,047 >> MARCELLO SHORT KING HERNANDEZ. I'M COLIN JOST. 1319 00:51:49,049 --> 00:51:50,199 HERNANDEZ. I'M COLIN JOST. >> I'M 1320 00:52:14,007 --> 00:52:18,644 >>> OKAY, MRS. MURPHY, YOUR CONTRACTIONS ARE 30 SECONDS APART. 1321 00:52:18,646 --> 00:52:19,912 CONTRACTIONS ARE 30 SECONDS APART. THIS BABY IS COMING. 1322 00:52:19,914 --> 00:52:23,215 APART. THIS BABY IS COMING. >> BUT I'M NOT DUE FOR ANOTHER 1323 00:52:23,217 --> 00:52:23,615 THIS BABY IS COMING. >> BUT I'M NOT DUE FOR ANOTHER TWO WEEKS. 1324 00:52:23,617 --> 00:52:26,251 >> BUT I'M NOT DUE FOR ANOTHER TWO WEEKS. >> I KNOW IT'S SCARY, BUT LISTEN 1325 00:52:26,253 --> 00:52:26,785 TWO WEEKS. >> I KNOW IT'S SCARY, BUT LISTEN TO ME AND BREATHE. 1326 00:52:26,787 --> 00:52:28,654 >> I KNOW IT'S SCARY, BUT LISTEN TO ME AND BREATHE. >> WHAT ABOUT MY MIDWIFE? 1327 00:52:28,656 --> 00:52:29,788 TO ME AND BREATHE. >> WHAT ABOUT MY MIDWIFE? >> HE'S ON HIS WAY. 1328 00:52:29,790 --> 00:52:32,491 >> WHAT ABOUT MY MIDWIFE? >> HE'S ON HIS WAY. >> I NEED HIM HERE! 1329 00:52:32,493 --> 00:52:34,426 >> HE'S ON HIS WAY. >> I NEED HIM HERE! >> CLEAR A PATH, CLEAR A PATH. 1330 00:52:34,428 --> 00:52:35,394 >> I NEED HIM HERE! >> CLEAR A PATH, CLEAR A PATH. I'M THE MIDWIFE. 1331 00:52:35,396 --> 00:52:42,000 >> CLEAR A PATH, CLEAR A PATH. I'M THE MIDWIFE. >> BARRY, THANK GOD. 1332 00:52:42,002 --> 00:52:42,534 I'M THE MIDWIFE. >> BARRY, THANK GOD. 1333 00:52:42,536 --> 00:52:44,169 >> BARRY, THANK GOD. THIS IS MY MIDWIFE BARRY. 1334 00:52:44,171 --> 00:52:47,639 THIS IS MY MIDWIFE BARRY. >> NICE TO MEET YOU, BARRY. 1335 00:52:47,641 --> 00:52:48,240 THIS IS MY MIDWIFE BARRY. >> NICE TO MEET YOU, BARRY. >> ACTUALLY, WE'VE MET. 1336 00:52:48,242 --> 00:52:49,074 >> NICE TO MEET YOU, BARRY. >> ACTUALLY, WE'VE MET. >> I'M SORRY. 1337 00:52:49,076 --> 00:52:50,943 >> ACTUALLY, WE'VE MET. >> I'M SORRY. OF COURSE. 1338 00:52:50,945 --> 00:52:52,844 >> I'M SORRY. OF COURSE. IT IS NICE TO SEE YOU. 1339 00:52:52,846 --> 00:52:57,716 OF COURSE. IT IS NICE TO SEE YOU. SO SHE'S ALREADY DILATED 10 1340 00:52:57,718 --> 00:53:00,686 IT IS NICE TO SEE YOU. SO SHE'S ALREADY DILATED 10 CENTIMETERS, WE'VE GOT TO MOVE 1341 00:53:00,688 --> 00:53:00,986 SO SHE'S ALREADY DILATED 10 CENTIMETERS, WE'VE GOT TO MOVE FAST. 1342 00:53:00,988 --> 00:53:04,723 CENTIMETERS, WE'VE GOT TO MOVE FAST. >> DO YOU REALLY NOT REMEMBER 1343 00:53:04,725 --> 00:53:04,990 FAST. >> DO YOU REALLY NOT REMEMBER ME? 1344 00:53:04,992 --> 00:53:06,558 >> DO YOU REALLY NOT REMEMBER ME? >> SHE'S CROWNING. 1345 00:53:06,560 --> 00:53:08,493 ME? >> SHE'S CROWNING. >> WE MET AT DANIELLE'S 1346 00:53:08,495 --> 00:53:08,860 >> SHE'S CROWNING. >> WE MET AT DANIELLE'S BARBECUE. 1347 00:53:08,862 --> 00:53:10,495 >> WE MET AT DANIELLE'S BARBECUE. >> CAN YOU ASK HER ABOUT THIS 1348 00:53:10,497 --> 00:53:10,796 BARBECUE. >> CAN YOU ASK HER ABOUT THIS LATER? 1349 00:53:10,798 --> 00:53:13,532 >> CAN YOU ASK HER ABOUT THIS LATER? >> FOR SURE. 1350 00:53:13,534 --> 00:53:16,101 LATER? >> FOR SURE. IT WAS THE BARBECUE BEFORE THE 1351 00:53:16,103 --> 00:53:17,169 >> FOR SURE. IT WAS THE BARBECUE BEFORE THE MACKLEMORE CONCERT? 1352 00:53:17,171 --> 00:53:20,472 IT WAS THE BARBECUE BEFORE THE MACKLEMORE CONCERT? >> SO WE MET IN 2012 ONE TIME? 1353 00:53:20,474 --> 00:53:22,140 MACKLEMORE CONCERT? >> SO WE MET IN 2012 ONE TIME? I CAN'T DEAL WITH THIS ONE TIME? 1354 00:53:22,142 --> 00:53:23,709 >> SO WE MET IN 2012 ONE TIME? I CAN'T DEAL WITH THIS ONE TIME? >> REALLY? 1355 00:53:23,711 --> 00:53:26,078 I CAN'T DEAL WITH THIS ONE TIME? >> REALLY? HOW COME WHILE YOU WERE BEING 1356 00:53:26,080 --> 00:53:26,812 >> REALLY? HOW COME WHILE YOU WERE BEING DEFENSIVE, I WAS DELIVERING THIS 1357 00:53:26,814 --> 00:53:36,021 HOW COME WHILE YOU WERE BEING DEFENSIVE, I WAS DELIVERING THIS BABY? 1358 00:53:36,023 --> 00:53:39,057 DEFENSIVE, I WAS DELIVERING THIS BABY? >> PUSH, MRS. SULLIVAN, PUSH. 1359 00:53:39,059 --> 00:53:41,259 BABY? >> PUSH, MRS. SULLIVAN, PUSH. >> IS MY MIDWIFE HERE YET? 1360 00:53:41,261 --> 00:53:42,394 >> PUSH, MRS. SULLIVAN, PUSH. >> IS MY MIDWIFE HERE YET? >> CLEAR A PATH. 1361 00:53:42,396 --> 00:53:44,563 >> IS MY MIDWIFE HERE YET? >> CLEAR A PATH. IT'S BARRY, THE MIDWIFE. 1362 00:53:44,565 --> 00:53:45,897 >> CLEAR A PATH. IT'S BARRY, THE MIDWIFE. >> THAT'S HIM. 1363 00:53:45,899 --> 00:53:46,298 IT'S BARRY, THE MIDWIFE. >> THAT'S HIM. THANK GOD. 1364 00:53:46,300 --> 00:53:48,300 >> THAT'S HIM. THANK GOD. >> BARRY, IT'S NICE TO SEE YOU 1365 00:53:48,302 --> 00:53:48,633 THANK GOD. >> BARRY, IT'S NICE TO SEE YOU AGAIN. 1366 00:53:48,635 --> 00:53:49,534 >> BARRY, IT'S NICE TO SEE YOU AGAIN. >> AGAIN? 1367 00:53:49,536 --> 00:53:50,736 AGAIN. >> AGAIN? OH, HAVE WE MET? 1368 00:53:50,738 --> 00:53:52,904 >> AGAIN? OH, HAVE WE MET? >> ARE YOU SERIOUS? 1369 00:53:52,906 --> 00:53:53,905 OH, HAVE WE MET? >> ARE YOU SERIOUS? >> YEAH. 1370 00:53:53,907 --> 00:53:55,674 >> ARE YOU SERIOUS? >> YEAH. NEVER SEEN YOU BEFORE IN MY 1371 00:53:55,676 --> 00:53:55,974 >> YEAH. NEVER SEEN YOU BEFORE IN MY LIFE. 1372 00:53:55,976 --> 00:53:57,075 NEVER SEEN YOU BEFORE IN MY LIFE. >> I PROMISE YOU HAVE. 1373 00:53:57,077 --> 00:53:58,844 LIFE. >> I PROMISE YOU HAVE. WE MET AT THIS HOSPITAL IN THIS 1374 00:53:58,846 --> 00:53:59,378 >> I PROMISE YOU HAVE. WE MET AT THIS HOSPITAL IN THIS EXACT ROOM. 1375 00:53:59,380 --> 00:54:01,146 WE MET AT THIS HOSPITAL IN THIS EXACT ROOM. >> WHAT IS THE PURPOSE OF THIS? 1376 00:54:01,148 --> 00:54:03,515 EXACT ROOM. >> WHAT IS THE PURPOSE OF THIS? TO EMBARRASS ME? 1377 00:54:03,517 --> 00:54:04,883 >> WHAT IS THE PURPOSE OF THIS? TO EMBARRASS ME? WE'VE NEVER MET. 1378 00:54:04,885 --> 00:54:05,517 TO EMBARRASS ME? WE'VE NEVER MET. GIRL, RESPECT YOURSELF. 1379 00:54:05,519 --> 00:54:06,451 WE'VE NEVER MET. GIRL, RESPECT YOURSELF. >> WHAT'S GOING ON? 1380 00:54:06,453 --> 00:54:07,619 GIRL, RESPECT YOURSELF. >> WHAT'S GOING ON? >> DON'T WORRY. 1381 00:54:07,621 --> 00:54:08,887 >> WHAT'S GOING ON? >> DON'T WORRY. I'LL EXPLAIN. 1382 00:54:08,889 --> 00:54:10,422 >> DON'T WORRY. I'LL EXPLAIN. BARRY IS PRETENDING NOT TO 1383 00:54:10,424 --> 00:54:14,760 I'LL EXPLAIN. BARRY IS PRETENDING NOT TO REMEMBER DR. ROGERS BECAUSE 1384 00:54:14,762 --> 00:54:15,427 BARRY IS PRETENDING NOT TO REMEMBER DR. ROGERS BECAUSE THREE YEARS AGO SHE DIDN'T 1385 00:54:15,429 --> 00:54:17,062 REMEMBER DR. ROGERS BECAUSE THREE YEARS AGO SHE DIDN'T REMEMBER MEETING HIM AT A 1386 00:54:17,064 --> 00:54:17,429 THREE YEARS AGO SHE DIDN'T REMEMBER MEETING HIM AT A BARBECUE. 1387 00:54:17,431 --> 00:54:21,633 REMEMBER MEETING HIM AT A BARBECUE. >> BEFORE A MACKLEMORE CONCERT. 1388 00:54:21,635 --> 00:54:23,201 BARBECUE. >> BEFORE A MACKLEMORE CONCERT. >> MACKLEMORE? 1389 00:54:23,203 --> 00:54:25,937 >> BEFORE A MACKLEMORE CONCERT. >> MACKLEMORE? YOU REALLY REMEMBER ME. 1390 00:54:25,939 --> 00:54:28,673 >> MACKLEMORE? YOU REALLY REMEMBER ME. I'M CURIOUS AS TO WHY. 1391 00:54:28,675 --> 00:54:30,075 YOU REALLY REMEMBER ME. I'M CURIOUS AS TO WHY. ANYWAY, WHILE YOU WERE BEING 1392 00:54:30,077 --> 00:54:31,043 I'M CURIOUS AS TO WHY. ANYWAY, WHILE YOU WERE BEING DR. GASLIGHT, I WAS DELIVERING 1393 00:54:31,045 --> 00:54:36,882 ANYWAY, WHILE YOU WERE BEING DR. GASLIGHT, I WAS DELIVERING THIS BABY. 1394 00:54:36,884 --> 00:54:41,686 DR. GASLIGHT, I WAS DELIVERING THIS BABY. >> THANKS FOR HAVING US AT YOUR 1395 00:54:41,688 --> 00:54:42,220 THIS BABY. >> THANKS FOR HAVING US AT YOUR BARBECUE, DANIELLE. 1396 00:54:42,222 --> 00:54:43,422 >> THANKS FOR HAVING US AT YOUR BARBECUE, DANIELLE. >> NO PROBLEM. 1397 00:54:43,424 --> 00:54:46,324 BARBECUE, DANIELLE. >> NO PROBLEM. I WISH YOU COULD COME TO THE 1398 00:54:46,326 --> 00:54:46,992 >> NO PROBLEM. I WISH YOU COULD COME TO THE MACKLEMORE CONCERT LATER. 1399 00:54:46,994 --> 00:54:47,626 I WISH YOU COULD COME TO THE MACKLEMORE CONCERT LATER. >> I CAN'T. 1400 00:54:47,628 --> 00:54:48,493 MACKLEMORE CONCERT LATER. >> I CAN'T. I HAVE WORK. 1401 00:54:48,495 --> 00:54:50,095 >> I CAN'T. I HAVE WORK. THAT'S WHY I'M DRESSED LIKE 1402 00:54:50,097 --> 00:54:50,395 I HAVE WORK. THAT'S WHY I'M DRESSED LIKE THIS. 1403 00:54:50,397 --> 00:54:52,798 THAT'S WHY I'M DRESSED LIKE THIS. >> CLEAR A PATH FOR BARRY THE 1404 00:54:52,800 --> 00:54:53,365 THIS. >> CLEAR A PATH FOR BARRY THE HUNGRY MIDWIFE. 1405 00:54:53,367 --> 00:54:54,466 >> CLEAR A PATH FOR BARRY THE HUNGRY MIDWIFE. >> HI, I'M JILL. 1406 00:54:54,468 --> 00:54:55,434 HUNGRY MIDWIFE. >> HI, I'M JILL. IT'S NICE TO MEET YOU. 1407 00:54:55,436 --> 00:54:57,235 >> HI, I'M JILL. IT'S NICE TO MEET YOU. >> IT'S NICE TO MEET YOU TOO. 1408 00:54:57,237 --> 00:54:59,004 IT'S NICE TO MEET YOU. >> IT'S NICE TO MEET YOU TOO. WOW, YOU LOVE YOUR HAIR. 1409 00:54:59,006 --> 00:55:00,972 >> IT'S NICE TO MEET YOU TOO. WOW, YOU LOVE YOUR HAIR. I'VE ALWAYS WANTED TO LONG. 1410 00:55:00,974 --> 00:55:01,740 WOW, YOU LOVE YOUR HAIR. I'VE ALWAYS WANTED TO LONG. >> REALLY? 1411 00:55:01,742 --> 00:55:02,974 I'VE ALWAYS WANTED TO LONG. >> REALLY? I DON'T THINK THAT'S A GOOD 1412 00:55:02,976 --> 00:55:03,475 >> REALLY? I DON'T THINK THAT'S A GOOD IDEA. 1413 00:55:03,477 --> 00:55:05,010 I DON'T THINK THAT'S A GOOD IDEA. I WOULDN'T RECOGNIZE YOU IF I 1414 00:55:05,012 --> 00:55:05,844 IDEA. I WOULDN'T RECOGNIZE YOU IF I SAW YOU AGAIN IN THE FUTURE. 1415 00:55:05,846 --> 00:55:22,260 I WOULDN'T RECOGNIZE YOU IF I SAW YOU AGAIN IN THE FUTURE. >> IS THAT A THREAT? 1416 00:55:22,262 --> 00:55:25,530 SAW YOU AGAIN IN THE FUTURE. >> IS THAT A THREAT? >> MRS. MURPHY, LONG TIME NO 1417 00:55:25,532 --> 00:55:25,831 >> IS THAT A THREAT? >> MRS. MURPHY, LONG TIME NO SEE. 1418 00:55:25,833 --> 00:55:27,165 >> MRS. MURPHY, LONG TIME NO SEE. I CAN'T BELIEVE THIS IS BABY 1419 00:55:27,167 --> 00:55:27,599 SEE. I CAN'T BELIEVE THIS IS BABY NUMBER TWO. 1420 00:55:27,601 --> 00:55:28,033 I CAN'T BELIEVE THIS IS BABY NUMBER TWO. >> I KNOW. 1421 00:55:28,035 --> 00:55:29,835 NUMBER TWO. >> I KNOW. LIFE HAPPENS SO FAST. 1422 00:55:29,837 --> 00:55:31,403 >> I KNOW. LIFE HAPPENS SO FAST. OH, AND THIS IS MY MIDWIFE. 1423 00:55:31,405 --> 00:55:33,705 LIFE HAPPENS SO FAST. OH, AND THIS IS MY MIDWIFE. YOU GUYS REMEMBER EACH OTHER, 1424 00:55:33,707 --> 00:55:34,005 OH, AND THIS IS MY MIDWIFE. YOU GUYS REMEMBER EACH OTHER, RIGHT? 1425 00:55:34,007 --> 00:55:39,177 YOU GUYS REMEMBER EACH OTHER, RIGHT? >> ACTUALLY, WE DO. 1426 00:55:39,179 --> 00:55:41,046 RIGHT? >> ACTUALLY, WE DO. I'M SO SORRY, DR. ROGERS. 1427 00:55:41,048 --> 00:55:43,248 >> ACTUALLY, WE DO. I'M SO SORRY, DR. ROGERS. I OWE YOU AN APOLL. 1428 00:55:43,250 --> 00:55:45,517 I'M SO SORRY, DR. ROGERS. I OWE YOU AN APOLL. I PRETENDED NOT TO REMEMBER YOU 1429 00:55:45,519 --> 00:55:46,985 I OWE YOU AN APOLL. I PRETENDED NOT TO REMEMBER YOU BECAUSE YOU DIDN'T REMEMBER ME, 1430 00:55:46,987 --> 00:55:48,520 I PRETENDED NOT TO REMEMBER YOU BECAUSE YOU DIDN'T REMEMBER ME, AND IT MADE ME SO FURIOUS. 1431 00:55:48,522 --> 00:55:50,055 BECAUSE YOU DIDN'T REMEMBER ME, AND IT MADE ME SO FURIOUS. >> I'M SORRY, BARRY. 1432 00:55:50,057 --> 00:55:51,756 AND IT MADE ME SO FURIOUS. >> I'M SORRY, BARRY. I FELT SO BAD THAT I DIDN'T 1433 00:55:51,758 --> 00:55:55,060 >> I'M SORRY, BARRY. I FELT SO BAD THAT I DIDN'T REMEMBER YOU, IT MADE ME FEEL 1434 00:55:55,062 --> 00:55:55,494 I FELT SO BAD THAT I DIDN'T REMEMBER YOU, IT MADE ME FEEL EMBARRASSED. 1435 00:55:55,496 --> 00:55:56,194 REMEMBER YOU, IT MADE ME FEEL EMBARRASSED. >> ARE YOU SERIOUS? 1436 00:55:56,196 --> 00:55:59,931 EMBARRASSED. >> ARE YOU SERIOUS? I WAS BEING AN EMOTIONAL JERK. 1437 00:55:59,933 --> 00:56:01,133 >> ARE YOU SERIOUS? I WAS BEING AN EMOTIONAL JERK. >> OH, MY GOD. 1438 00:56:01,135 --> 00:56:02,834 I WAS BEING AN EMOTIONAL JERK. >> OH, MY GOD. DID WE MISS IT? 1439 00:56:02,836 --> 00:56:04,703 >> OH, MY GOD. DID WE MISS IT? HONEY, WE GOT HERE AS FAST AS WE 1440 00:56:04,705 --> 00:56:05,036 DID WE MISS IT? HONEY, WE GOT HERE AS FAST AS WE COULD. 1441 00:56:05,038 --> 00:56:05,570 HONEY, WE GOT HERE AS FAST AS WE COULD. >> IT'S OKAY. 1442 00:56:05,572 --> 00:56:09,007 COULD. >> IT'S OKAY. THIS IS MY HUSBAND AND MY FIRST 1443 00:56:09,009 --> 00:56:10,175 >> IT'S OKAY. THIS IS MY HUSBAND AND MY FIRST DAUGHTER KAYLA, YOU DELIVERED 1444 00:56:10,177 --> 00:56:10,475 THIS IS MY HUSBAND AND MY FIRST DAUGHTER KAYLA, YOU DELIVERED HER. 1445 00:56:10,477 --> 00:56:12,144 DAUGHTER KAYLA, YOU DELIVERED HER. >> HI, KAYLA! 1446 00:56:12,146 --> 00:56:13,111 HER. >> HI, KAYLA! >> NICE TO MEET YOU. 1447 00:56:13,113 --> 00:56:15,213 >> HI, KAYLA! >> NICE TO MEET YOU. >> ACTUALLY, WE'VE MET. 1448 00:56:15,215 --> 00:56:16,281 >> NICE TO MEET YOU. >> ACTUALLY, WE'VE MET. >> WELL, THEN IT'S NICE TO SEE 1449 00:56:16,283 --> 00:56:47,779 >> ACTUALLY, WE'VE MET. >> WELL, THEN IT'S NICE TO SEE YOU, OKAY? 1450 00:56:47,781 --> 00:56:53,385 >> WELL, THEN IT'S NICE TO SEE YOU, OKAY? >>> ONCE AGAIN, LIL YACHTY. 1451 00:56:53,387 --> 00:56:55,053 YOU, OKAY? >>> ONCE AGAIN, LIL YACHTY. ♪ 1452 00:56:55,055 --> 00:56:57,722 >>> ONCE AGAIN, LIL YACHTY. ♪ ♪ 1453 00:56:57,724 --> 00:57:10,302 ♪ ♪ ♪ 1454 00:57:10,304 --> 00:57:12,003 ♪ ♪ ♪ IMAGINE LIFE WITHOUT ME 1455 00:57:12,005 --> 00:57:14,172 ♪ ♪ IMAGINE LIFE WITHOUT ME IT'S A WASTE OF TIME 1456 00:57:14,174 --> 00:57:15,807 ♪ IMAGINE LIFE WITHOUT ME IT'S A WASTE OF TIME YOU WANT THE KIND OF LOVE 1457 00:57:15,809 --> 00:57:17,442 IT'S A WASTE OF TIME YOU WANT THE KIND OF LOVE THAT CAN MAKE A CHILD ♪ 1458 00:57:17,444 --> 00:57:25,684 YOU WANT THE KIND OF LOVE THAT CAN MAKE A CHILD ♪ ♪ DON'T WANT JUST ANYBODY 1459 00:57:25,686 --> 00:57:26,218 THAT CAN MAKE A CHILD ♪ ♪ DON'T WANT JUST ANYBODY MM YEAH ♪ 1460 00:57:26,220 --> 00:57:27,852 ♪ DON'T WANT JUST ANYBODY MM YEAH ♪ ♪ GOOD LOVE FILLS 1461 00:57:27,854 --> 00:57:28,453 MM YEAH ♪ ♪ GOOD LOVE FILLS MY BODY UP LIKE A GLASS 1462 00:57:28,455 --> 00:57:29,988 ♪ GOOD LOVE FILLS MY BODY UP LIKE A GLASS WHEN YOU POUR IT ALL OUT ♪ 1463 00:57:29,990 --> 00:57:31,089 MY BODY UP LIKE A GLASS WHEN YOU POUR IT ALL OUT ♪ ♪ IF YOU KNOW ME 1464 00:57:31,091 --> 00:57:32,123 WHEN YOU POUR IT ALL OUT ♪ ♪ IF YOU KNOW ME YOU KNOW I MIND 1465 00:57:32,125 --> 00:57:32,691 ♪ IF YOU KNOW ME YOU KNOW I MIND SOMEONE LIKE ME 1466 00:57:32,693 --> 00:57:34,826 YOU KNOW I MIND SOMEONE LIKE ME IS HARD TO FIND ♪ 1467 00:57:34,828 --> 00:57:36,027 SOMEONE LIKE ME IS HARD TO FIND ♪ ♪ NOT MISTAKEN 1468 00:57:36,029 --> 00:57:36,595 IS HARD TO FIND ♪ ♪ NOT MISTAKEN IF I'M THERE 1469 00:57:36,597 --> 00:57:38,230 ♪ NOT MISTAKEN IF I'M THERE WELL AWARE 1470 00:57:38,232 --> 00:57:40,365 IF I'M THERE WELL AWARE YOU ARE ALWAYS MINE ♪ 1471 00:57:40,367 --> 00:57:42,567 WELL AWARE YOU ARE ALWAYS MINE ♪ ♪ AND STILL 1472 00:57:42,569 --> 00:57:46,905 YOU ARE ALWAYS MINE ♪ ♪ AND STILL YOU SEEM SO SURPRISED 1473 00:57:46,907 --> 00:57:47,439 ♪ AND STILL YOU SEEM SO SURPRISED WHEN YOU'RE ALWAYS 1474 00:57:47,441 --> 00:57:52,344 YOU SEEM SO SURPRISED WHEN YOU'RE ALWAYS GON' BE MINE ♪ 1475 00:57:52,346 --> 00:57:53,979 WHEN YOU'RE ALWAYS GON' BE MINE ♪ ♪ I WANNA BE WHERE YOU ARE 1476 00:57:53,981 --> 00:57:56,181 GON' BE MINE ♪ ♪ I WANNA BE WHERE YOU ARE I JUST CAN'T WALK AWAY 1477 00:57:56,183 --> 00:57:58,883 ♪ I WANNA BE WHERE YOU ARE I JUST CAN'T WALK AWAY YOU DRIVE ME CRAZY AH 1478 00:57:58,885 --> 00:58:00,518 I JUST CAN'T WALK AWAY YOU DRIVE ME CRAZY AH I LOSE IT LOSE IT ♪ 1479 00:58:00,520 --> 00:58:01,052 YOU DRIVE ME CRAZY AH I LOSE IT LOSE IT ♪ ♪ AND I WANNA 1480 00:58:01,054 --> 00:58:03,221 I LOSE IT LOSE IT ♪ ♪ AND I WANNA BE WHERE YOU ARE 1481 00:58:03,223 --> 00:58:05,423 ♪ AND I WANNA BE WHERE YOU ARE I JUST CAN'T WALK AWAY ♪ 1482 00:58:05,425 --> 00:58:08,159 BE WHERE YOU ARE I JUST CAN'T WALK AWAY ♪ ♪ YOU DRIVE ME CRAZY AH 1483 00:58:08,161 --> 00:58:09,761 I JUST CAN'T WALK AWAY ♪ ♪ YOU DRIVE ME CRAZY AH I LOSE IT LOSE IT ♪ 1484 00:58:09,763 --> 00:58:12,530 ♪ YOU DRIVE ME CRAZY AH I LOSE IT LOSE IT ♪ ♪ IMAGINE ME 1485 00:58:12,532 --> 00:58:14,132 I LOSE IT LOSE IT ♪ ♪ IMAGINE ME CIRCLIN' THROUGH LIFE 1486 00:58:14,134 --> 00:58:17,369 ♪ IMAGINE ME CIRCLIN' THROUGH LIFE WITHOUT A PIECE OF YOU ♪ 1487 00:58:17,371 --> 00:58:18,470 CIRCLIN' THROUGH LIFE WITHOUT A PIECE OF YOU ♪ ♪ SEVEN OUT OF SEVEN DAYS 1488 00:58:18,472 --> 00:58:20,138 WITHOUT A PIECE OF YOU ♪ ♪ SEVEN OUT OF SEVEN DAYS I'M NEEDIN' YOU 1489 00:58:20,140 --> 00:58:20,672 ♪ SEVEN OUT OF SEVEN DAYS I'M NEEDIN' YOU YOU BRIN' LIFE 1490 00:58:20,674 --> 00:58:27,245 I'M NEEDIN' YOU YOU BRIN' LIFE TO THE PARTY ♪ 1491 00:58:27,247 --> 00:58:28,313 YOU BRIN' LIFE TO THE PARTY ♪ ♪ MM-MM AH AH AH 1492 00:58:28,315 --> 00:58:30,515 TO THE PARTY ♪ ♪ MM-MM AH AH AH GOOD LOVE FEELS LIKE 1493 00:58:30,517 --> 00:58:31,116 ♪ MM-MM AH AH AH GOOD LOVE FEELS LIKE BUTTERFLIES SUFFOCATIN' 1494 00:58:31,118 --> 00:58:32,684 GOOD LOVE FEELS LIKE BUTTERFLIES SUFFOCATIN' YOUR INSIDES ♪ 1495 00:58:32,686 --> 00:58:33,785 BUTTERFLIES SUFFOCATIN' YOUR INSIDES ♪ ♪ OH IT'S A LATE NIGHT 1496 00:58:33,787 --> 00:58:34,853 YOUR INSIDES ♪ ♪ OH IT'S A LATE NIGHT YOU KNOW I TRY 1497 00:58:34,855 --> 00:58:35,387 ♪ OH IT'S A LATE NIGHT YOU KNOW I TRY I CANNOT PICTURE 1498 00:58:35,389 --> 00:58:37,055 YOU KNOW I TRY I CANNOT PICTURE WHEN YOU RIDE ♪ 1499 00:58:37,057 --> 00:58:38,123 I CANNOT PICTURE WHEN YOU RIDE ♪ ♪ I'M MISTAKEN 1500 00:58:38,125 --> 00:58:38,723 WHEN YOU RIDE ♪ ♪ I'M MISTAKEN THINKIN' YOU WERE TAKEN 1501 00:58:38,725 --> 00:58:40,325 ♪ I'M MISTAKEN THINKIN' YOU WERE TAKEN KNOWIN' NOW 1502 00:58:40,327 --> 00:58:42,594 THINKIN' YOU WERE TAKEN KNOWIN' NOW YOU WERE ALWAYS MINE ♪ 1503 00:58:42,596 --> 00:58:49,401 KNOWIN' NOW YOU WERE ALWAYS MINE ♪ ♪ AND STILL 1504 00:58:49,403 --> 00:58:51,202 YOU WERE ALWAYS MINE ♪ ♪ AND STILL YOU SEEM SO SURPRISE ED 1505 00:58:51,204 --> 00:58:51,703 ♪ AND STILL YOU SEEM SO SURPRISE ED WHEN YOU'RE ALWAYS 1506 00:58:51,705 --> 00:58:58,076 YOU SEEM SO SURPRISE ED WHEN YOU'RE ALWAYS GON' BE MINE ♪ 1507 00:58:58,078 --> 00:58:59,144 WHEN YOU'RE ALWAYS GON' BE MINE ♪ ♪ 1508 00:58:59,146 --> 00:59:06,251 GON' BE MINE ♪ ♪ ♪ YEAH YEAH YEAH 1509 00:59:06,253 --> 00:59:07,319 ♪ ♪ YEAH YEAH YEAH MM HMM 1510 00:59:07,321 --> 00:59:13,825 ♪ YEAH YEAH YEAH MM HMM MM HMM-MM ♪ 1511 00:59:13,827 --> 00:59:23,768 MM HMM MM HMM-MM ♪ ♪ 1512 00:59:23,770 --> 00:59:24,369 MM HMM-MM ♪ ♪ ♪ RARELY EVER MISSIN' 1513 00:59:24,371 --> 00:59:24,869 ♪ ♪ RARELY EVER MISSIN' TALK IS CHEAP 1514 00:59:24,871 --> 00:59:26,471 ♪ RARELY EVER MISSIN' TALK IS CHEAP AND TIME IS TICKIN' ♪ 1515 00:59:26,473 --> 00:59:27,572 TALK IS CHEAP AND TIME IS TICKIN' ♪ ♪ RARELY EVER TRICKIN' 1516 00:59:27,574 --> 00:59:28,640 AND TIME IS TICKIN' ♪ ♪ RARELY EVER TRICKIN' CATCH ME SLIPPIN' 1517 00:59:28,642 --> 00:59:31,876 ♪ RARELY EVER TRICKIN' CATCH ME SLIPPIN' ♪ I'M ON MISSION' ♪ 1518 00:59:31,878 --> 00:59:36,381 CATCH ME SLIPPIN' ♪ I'M ON MISSION' ♪ PAYIN' MILLIONS 1519 00:59:36,383 --> 00:59:38,683 ♪ I'M ON MISSION' ♪ PAYIN' MILLIONS I'M TAKING YOU OUT TO EAT 1520 00:59:38,685 --> 00:59:39,217 PAYIN' MILLIONS I'M TAKING YOU OUT TO EAT OKAY OKAY OKAY ♪ 1521 00:59:39,219 --> 00:59:39,751 I'M TAKING YOU OUT TO EAT OKAY OKAY OKAY ♪ ♪ OUT LATE NIGHT 1522 00:59:39,753 --> 00:59:40,218 OKAY OKAY OKAY ♪ ♪ OUT LATE NIGHT I'M SINNIN' 1523 00:59:40,220 --> 00:59:40,752 ♪ OUT LATE NIGHT I'M SINNIN' STILL A CHRISTIAN 1524 00:59:40,754 --> 00:59:41,920 I'M SINNIN' STILL A CHRISTIAN DON'T TELL MY DEACON ♪ 1525 00:59:41,922 --> 00:59:42,954 STILL A CHRISTIAN DON'T TELL MY DEACON ♪ ♪ I MEAN PASTOR 1526 00:59:42,956 --> 00:59:45,090 DON'T TELL MY DEACON ♪ ♪ I MEAN PASTOR OIL HER DOWN 1527 00:59:45,092 --> 00:59:47,859 ♪ I MEAN PASTOR OIL HER DOWN NOT TALKIN' CASTOR ♪ 1528 00:59:47,861 --> 00:59:48,460 OIL HER DOWN NOT TALKIN' CASTOR ♪ ♪ RIDIN' 'ROUND WITH 1529 00:59:48,462 --> 00:59:49,027 NOT TALKIN' CASTOR ♪ ♪ RIDIN' 'ROUND WITH SIX-SEVEN WITH NO TINT 1530 00:59:49,029 --> 00:59:49,994 ♪ RIDIN' 'ROUND WITH SIX-SEVEN WITH NO TINT YOU CAN TELL I'M PIMPIN' ♪ 1531 00:59:49,996 --> 00:59:50,662 SIX-SEVEN WITH NO TINT YOU CAN TELL I'M PIMPIN' ♪ ♪ BIG FOUR-FIVE ON MY HIP 1532 00:59:50,664 --> 00:59:56,134 YOU CAN TELL I'M PIMPIN' ♪ ♪ BIG FOUR-FIVE ON MY HIP LOOK LIKE I'M LIMPIN' 1533 00:59:56,136 --> 00:59:58,069 ♪ BIG FOUR-FIVE ON MY HIP LOOK LIKE I'M LIMPIN' ALWAYS SIMPIN ♪ 1534 00:59:58,071 --> 00:59:58,803 LOOK LIKE I'M LIMPIN' ALWAYS SIMPIN ♪ ♪ ONE OF MY COUSINS CRIPPIN' 1535 00:59:58,805 --> 00:59:59,270 ALWAYS SIMPIN ♪ ♪ ONE OF MY COUSINS CRIPPIN' ALWAYS GRIPPIN' 1536 00:59:59,272 --> 00:59:59,871 ♪ ONE OF MY COUSINS CRIPPIN' ALWAYS GRIPPIN' STUFF GET DANGEROUS ♪ 1537 00:59:59,873 --> 01:00:00,505 ALWAYS GRIPPIN' STUFF GET DANGEROUS ♪ ♪ ALWAYS KEEP IT PLAYER 1538 01:00:00,507 --> 01:00:00,972 STUFF GET DANGEROUS ♪ ♪ ALWAYS KEEP IT PLAYER WE CAN SWAP OUT 1539 01:00:00,974 --> 01:00:01,606 ♪ ALWAYS KEEP IT PLAYER WE CAN SWAP OUT SWAP OUT SWAP OUT SWAP OUT 1540 01:00:01,608 --> 01:00:02,307 WE CAN SWAP OUT SWAP OUT SWAP OUT SWAP OUT ♪ OKAY 1541 01:00:02,309 --> 01:00:02,841 SWAP OUT SWAP OUT SWAP OUT ♪ OKAY ONLY LOVE MY MOTHER 1542 01:00:02,843 --> 01:00:08,313 ♪ OKAY ONLY LOVE MY MOTHER MY SISTER MY DAUGHTER ♪ 1543 01:00:08,315 --> 01:00:10,248 ONLY LOVE MY MOTHER MY SISTER MY DAUGHTER ♪ ♪ ALL Y'ALL GET SLAUGHTERED, 1544 01:00:10,250 --> 01:00:10,682 MY SISTER MY DAUGHTER ♪ ♪ ALL Y'ALL GET SLAUGHTERED, CAN'T BE MINE 1545 01:00:10,684 --> 01:00:14,486 ♪ ALL Y'ALL GET SLAUGHTERED, CAN'T BE MINE PRAY TO THE FATHER ♪ 1546 01:00:14,488 --> 01:00:19,924 CAN'T BE MINE PRAY TO THE FATHER ♪ ♪ MM HM 1547 01:00:19,926 --> 01:00:21,526 PRAY TO THE FATHER ♪ ♪ MM HM MMM HMM 1548 01:00:21,528 --> 01:00:28,066 ♪ MM HM MMM HMM MM-HM ♪ 1549 01:00:28,068 --> 01:00:34,339 MMM HMM MM-HM ♪ ♪ 1550 01:00:34,341 --> 01:00:52,240 MM-HM ♪ ♪ [ CHEERS AND APPLAUSE ] 1551 01:00:52,242 --> 01:00:55,176 ♪ [ CHEERS AND APPLAUSE ] >>> SO, JANET, HOW'S YOUR FIRST 1552 01:00:55,178 --> 01:00:57,078 [ CHEERS AND APPLAUSE ] >>> SO, JANET, HOW'S YOUR FIRST MONTH HERE BEEN? 1553 01:00:57,080 --> 01:00:58,213 >>> SO, JANET, HOW'S YOUR FIRST MONTH HERE BEEN? >> IT'S BEEN GREAT. 1554 01:00:58,215 --> 01:01:00,281 MONTH HERE BEEN? >> IT'S BEEN GREAT. I'M SO HAPPY TO BE WORKING HERE. 1555 01:01:00,283 --> 01:01:01,950 >> IT'S BEEN GREAT. I'M SO HAPPY TO BE WORKING HERE. >> WE'RE LUCKY TO HAVE YOU. 1556 01:01:01,952 --> 01:01:03,485 I'M SO HAPPY TO BE WORKING HERE. >> WE'RE LUCKY TO HAVE YOU. >> I DON'T WANT TO MAKE THIS A 1557 01:01:03,487 --> 01:01:04,185 >> WE'RE LUCKY TO HAVE YOU. >> I DON'T WANT TO MAKE THIS A BIG DEAL. 1558 01:01:04,187 --> 01:01:06,721 >> I DON'T WANT TO MAKE THIS A BIG DEAL. I THINK DANIELS HAS BEEN WEIRD 1559 01:01:06,723 --> 01:01:07,288 BIG DEAL. I THINK DANIELS HAS BEEN WEIRD TO ME. 1560 01:01:07,290 --> 01:01:10,492 I THINK DANIELS HAS BEEN WEIRD TO ME. >> HE'S ALWAYS BEEN COOL TO ME. 1561 01:01:10,494 --> 01:01:11,126 TO ME. >> HE'S ALWAYS BEEN COOL TO ME. >> IT'S PROBABLY NOTHING. 1562 01:01:11,128 --> 01:01:12,193 >> HE'S ALWAYS BEEN COOL TO ME. >> IT'S PROBABLY NOTHING. FORGET I SAID ANYTHING. 1563 01:01:12,195 --> 01:01:14,562 >> IT'S PROBABLY NOTHING. FORGET I SAID ANYTHING. >> HEY, MURPHY, HOW ARE YOU? 1564 01:01:14,564 --> 01:01:15,730 FORGET I SAID ANYTHING. >> HEY, MURPHY, HOW ARE YOU? HOW ARE THE KIDS? 1565 01:01:15,732 --> 01:01:16,731 >> HEY, MURPHY, HOW ARE YOU? HOW ARE THE KIDS? >> THEY'RE GOOD. 1566 01:01:16,733 --> 01:01:19,634 HOW ARE THE KIDS? >> THEY'RE GOOD. JUST SENT MY OLDEST OFF TO PENN 1567 01:01:19,636 --> 01:01:19,968 >> THEY'RE GOOD. JUST SENT MY OLDEST OFF TO PENN STATE. 1568 01:01:19,970 --> 01:01:22,670 JUST SENT MY OLDEST OFF TO PENN STATE. >> GOSH, THAT MUST BE HARD -- ON 1569 01:01:22,672 --> 01:01:24,672 STATE. >> GOSH, THAT MUST BE HARD -- ON THE OLD BANK ACCOUNT. 1570 01:01:24,674 --> 01:01:26,374 >> GOSH, THAT MUST BE HARD -- ON THE OLD BANK ACCOUNT. AND WE HITTING THE LINKS LATER 1571 01:01:26,376 --> 01:01:31,079 THE OLD BANK ACCOUNT. AND WE HITTING THE LINKS LATER OR WHAT, BUDDY? 1572 01:01:31,081 --> 01:01:33,381 AND WE HITTING THE LINKS LATER OR WHAT, BUDDY? >> 5:00 ON THE DOT, DANIELS. 1573 01:01:33,383 --> 01:01:36,751 OR WHAT, BUDDY? >> 5:00 ON THE DOT, DANIELS. >> LOOKING FORWARD TO IT. 1574 01:01:36,753 --> 01:01:42,490 >> 5:00 ON THE DOT, DANIELS. >> LOOKING FORWARD TO IT. AND SIMMONS, BIG BUTT, SETTING 1575 01:01:42,492 --> 01:01:44,559 >> LOOKING FORWARD TO IT. AND SIMMONS, BIG BUTT, SETTING OFF THE PENIS ALARM. 1576 01:01:44,561 --> 01:01:46,728 AND SIMMONS, BIG BUTT, SETTING OFF THE PENIS ALARM. MURPHY, YOU GET THAT REPORT INTO 1577 01:01:46,730 --> 01:01:47,795 OFF THE PENIS ALARM. MURPHY, YOU GET THAT REPORT INTO ME BY MONDAY OR WHAT? 1578 01:01:47,797 --> 01:01:50,165 MURPHY, YOU GET THAT REPORT INTO ME BY MONDAY OR WHAT? >> ABSOLUTELY. 1579 01:01:50,167 --> 01:01:52,934 ME BY MONDAY OR WHAT? >> ABSOLUTELY. >> AND BEFORE I FORGET, WE GOT A 1580 01:01:52,936 --> 01:01:54,702 >> ABSOLUTELY. >> AND BEFORE I FORGET, WE GOT A COMPANY WIDE ZOOM MEETING AT 1581 01:01:54,704 --> 01:01:56,771 >> AND BEFORE I FORGET, WE GOT A COMPANY WIDE ZOOM MEETING AT 6:00 WHERE I'LL BE ZOOMING IN ON 1582 01:01:56,773 --> 01:01:58,473 COMPANY WIDE ZOOM MEETING AT 6:00 WHERE I'LL BE ZOOMING IN ON THOSE BOOBIES. 1583 01:01:58,475 --> 01:02:00,475 6:00 WHERE I'LL BE ZOOMING IN ON THOSE BOOBIES. COMPUTER ENHANCE, ENGAGING X-RAY 1584 01:02:00,477 --> 01:02:07,582 THOSE BOOBIES. COMPUTER ENHANCE, ENGAGING X-RAY VISION. 1585 01:02:07,584 --> 01:02:10,051 COMPUTER ENHANCE, ENGAGING X-RAY VISION. HOUSTON, WE HAVE NIPPLE! 1586 01:02:10,053 --> 01:02:12,587 VISION. HOUSTON, WE HAVE NIPPLE! >> MURPHY, LISTEN, THAT TURNER 1587 01:02:12,589 --> 01:02:14,155 HOUSTON, WE HAVE NIPPLE! >> MURPHY, LISTEN, THAT TURNER FILE IS NOT GOING TO FILE 1588 01:02:14,157 --> 01:02:14,956 >> MURPHY, LISTEN, THAT TURNER FILE IS NOT GOING TO FILE ITSELF, A RIGHT? 1589 01:02:14,958 --> 01:02:16,958 FILE IS NOT GOING TO FILE ITSELF, A RIGHT? >> SO YOU GUYS SAW THAT, RIGHT? 1590 01:02:16,960 --> 01:02:18,426 ITSELF, A RIGHT? >> SO YOU GUYS SAW THAT, RIGHT? >> SAW WHAT? 1591 01:02:18,428 --> 01:02:21,896 >> SO YOU GUYS SAW THAT, RIGHT? >> SAW WHAT? >> DANIELS, WHEN HE TALKED TO 1592 01:02:21,898 --> 01:02:23,364 >> SAW WHAT? >> DANIELS, WHEN HE TALKED TO ME, HE DID AN IMPRESSION OF A 1593 01:02:23,366 --> 01:02:23,798 >> DANIELS, WHEN HE TALKED TO ME, HE DID AN IMPRESSION OF A SEX COMPUTER. 1594 01:02:23,800 --> 01:02:26,467 ME, HE DID AN IMPRESSION OF A SEX COMPUTER. >> I THOUGHT HE WAS BEING GOOFY, 1595 01:02:26,469 --> 01:02:27,502 SEX COMPUTER. >> I THOUGHT HE WAS BEING GOOFY, BUT I'M OLD SCHOOL. 1596 01:02:27,504 --> 01:02:28,603 >> I THOUGHT HE WAS BEING GOOFY, BUT I'M OLD SCHOOL. >> IF YOU'RE HAVING A PROBLEM 1597 01:02:28,605 --> 01:02:31,005 BUT I'M OLD SCHOOL. >> IF YOU'RE HAVING A PROBLEM WITH HIM, YOU CAN ALWAYS TALK TO 1598 01:02:31,007 --> 01:02:31,339 >> IF YOU'RE HAVING A PROBLEM WITH HIM, YOU CAN ALWAYS TALK TO BENSON. 1599 01:02:31,341 --> 01:02:32,707 WITH HIM, YOU CAN ALWAYS TALK TO BENSON. >> BENSON? 1600 01:02:32,709 --> 01:02:33,041 BENSON. >> BENSON? REALLY? 1601 01:02:33,043 --> 01:02:34,108 >> BENSON? REALLY? >> TOTALLY. 1602 01:02:34,110 --> 01:02:35,210 REALLY? >> TOTALLY. HE'S BEEN HERE FOREVER. 1603 01:02:35,212 --> 01:02:37,212 >> TOTALLY. HE'S BEEN HERE FOREVER. HE JUST GETS IT. 1604 01:02:37,214 --> 01:02:37,812 HE'S BEEN HERE FOREVER. HE JUST GETS IT. SPEAKING OF THE DEVIL. 1605 01:02:37,814 --> 01:02:40,682 HE JUST GETS IT. SPEAKING OF THE DEVIL. >> LOOKY HERE, ALL OF MY 1606 01:02:40,684 --> 01:02:41,182 SPEAKING OF THE DEVIL. >> LOOKY HERE, ALL OF MY FAVORITE PEOPLE. 1607 01:02:41,184 --> 01:02:41,649 >> LOOKY HERE, ALL OF MY FAVORITE PEOPLE. >> HOW ARE YOU? 1608 01:02:41,651 --> 01:02:44,519 FAVORITE PEOPLE. >> HOW ARE YOU? >> I WANT TO THANK YOU AGAIN FOR 1609 01:02:44,521 --> 01:02:46,688 >> HOW ARE YOU? >> I WANT TO THANK YOU AGAIN FOR SHOWING UP TO MY GRANDDAUGHTER'S 1610 01:02:46,690 --> 01:02:47,455 >> I WANT TO THANK YOU AGAIN FOR SHOWING UP TO MY GRANDDAUGHTER'S FOOD DRIVE. 1611 01:02:47,457 --> 01:02:48,356 SHOWING UP TO MY GRANDDAUGHTER'S FOOD DRIVE. IT MEANT THE WORLD. 1612 01:02:48,358 --> 01:02:50,558 FOOD DRIVE. IT MEANT THE WORLD. >> ANYTHING FOR YOU, BENSON. 1613 01:02:50,560 --> 01:02:52,560 IT MEANT THE WORLD. >> ANYTHING FOR YOU, BENSON. >> WE FED 500 FAMILIES IN NEED 1614 01:02:52,562 --> 01:02:54,429 >> ANYTHING FOR YOU, BENSON. >> WE FED 500 FAMILIES IN NEED BECAUSE OF YOU GUYS. 1615 01:02:54,431 --> 01:02:57,765 >> WE FED 500 FAMILIES IN NEED BECAUSE OF YOU GUYS. I MEAN, SIMMONS, I KNOW IT MEANT 1616 01:02:57,767 --> 01:02:58,967 BECAUSE OF YOU GUYS. I MEAN, SIMMONS, I KNOW IT MEANT THE WORLD TO MY GRANDDAUGHTER 1617 01:02:58,969 --> 01:03:00,134 I MEAN, SIMMONS, I KNOW IT MEANT THE WORLD TO MY GRANDDAUGHTER THAT YOU BROUGHT THOSE. 1618 01:03:00,136 --> 01:03:01,135 THE WORLD TO MY GRANDDAUGHTER THAT YOU BROUGHT THOSE. >> THOSE WHAT? 1619 01:03:01,137 --> 01:03:04,539 THAT YOU BROUGHT THOSE. >> THOSE WHAT? >> WHY, THOSE BIG BUTTERED YAMS, 1620 01:03:04,541 --> 01:03:05,006 >> THOSE WHAT? >> WHY, THOSE BIG BUTTERED YAMS, OF COURSE. 1621 01:03:05,008 --> 01:03:07,642 >> WHY, THOSE BIG BUTTERED YAMS, OF COURSE. WHAT I WOULD DO TO JUMP OFF A 1622 01:03:07,644 --> 01:03:09,444 OF COURSE. WHAT I WOULD DO TO JUMP OFF A DIVING BOARD AND CANNON BALL 1623 01:03:09,446 --> 01:03:11,179 WHAT I WOULD DO TO JUMP OFF A DIVING BOARD AND CANNON BALL INTO THAT CLEAVAGE. 1624 01:03:11,181 --> 01:03:11,512 DIVING BOARD AND CANNON BALL INTO THAT CLEAVAGE. HELP! 1625 01:03:11,514 --> 01:03:12,981 INTO THAT CLEAVAGE. HELP! I'MDROWNING! 1626 01:03:12,983 --> 01:03:15,216 HELP! I'MDROWNING! BUT DON'T SAVE I WANT TO DIE 1627 01:03:15,218 --> 01:03:16,017 I'MDROWNING! BUT DON'T SAVE I WANT TO DIE IN THERE. 1628 01:03:16,019 --> 01:03:18,152 BUT DON'T SAVE I WANT TO DIE IN THERE. ALL RIGHT, TEAM, IF YOU NEED 1629 01:03:18,154 --> 01:03:21,756 IN THERE. ALL RIGHT, TEAM, IF YOU NEED ANYTHING AT ALL, GIVE ME A CALL. 1630 01:03:21,758 --> 01:03:22,824 ALL RIGHT, TEAM, IF YOU NEED ANYTHING AT ALL, GIVE ME A CALL. I WOULD DO ANYTHING FOR YOU 1631 01:03:22,826 --> 01:03:23,224 ANYTHING AT ALL, GIVE ME A CALL. I WOULD DO ANYTHING FOR YOU GUYS. 1632 01:03:23,226 --> 01:03:24,826 I WOULD DO ANYTHING FOR YOU GUYS. I WOULD EVEN ADOPT THOSE 1633 01:03:24,828 --> 01:03:26,694 GUYS. I WOULD EVEN ADOPT THOSE GORGEOUS TWINS AND RAISE THEM IN 1634 01:03:26,696 --> 01:03:30,131 I WOULD EVEN ADOPT THOSE GORGEOUS TWINS AND RAISE THEM IN A HOTEL LIKE ZACK AND CODY. 1635 01:03:30,133 --> 01:03:33,501 GORGEOUS TWINS AND RAISE THEM IN A HOTEL LIKE ZACK AND CODY. DUTY CALLS, SEE YOU GUYS LATER. 1636 01:03:33,503 --> 01:03:34,335 A HOTEL LIKE ZACK AND CODY. DUTY CALLS, SEE YOU GUYS LATER. LOVE YOU GUYS. 1637 01:03:34,337 --> 01:03:39,941 DUTY CALLS, SEE YOU GUYS LATER. LOVE YOU GUYS. >> LOVE YOU, MAN. 1638 01:03:39,943 --> 01:03:40,708 LOVE YOU GUYS. >> LOVE YOU, MAN. >> YOU GUYS NOTICED THAT, RIGHT? 1639 01:03:40,710 --> 01:03:43,144 >> LOVE YOU, MAN. >> YOU GUYS NOTICED THAT, RIGHT? >> I WANT TO SAY YES SO YOU 1640 01:03:43,146 --> 01:03:45,446 >> YOU GUYS NOTICED THAT, RIGHT? >> I WANT TO SAY YES SO YOU DON'T FEEL CRAZY, BUT NO. 1641 01:03:45,448 --> 01:03:47,815 >> I WANT TO SAY YES SO YOU DON'T FEEL CRAZY, BUT NO. >> HOW? 1642 01:03:47,817 --> 01:03:50,251 DON'T FEEL CRAZY, BUT NO. >> HOW? >> THIS IS INSANE. 1643 01:03:50,253 --> 01:03:53,421 >> HOW? >> THIS IS INSANE. >> I'M HEATHER FROM HR, AND IF 1644 01:03:53,423 --> 01:03:55,256 >> THIS IS INSANE. >> I'M HEATHER FROM HR, AND IF ANYONE IS MAKING YOU 1645 01:03:55,258 --> 01:03:57,125 >> I'M HEATHER FROM HR, AND IF ANYONE IS MAKING YOU UNCOMFORTABLE, WE WILL HANDLE IT 1646 01:03:57,127 --> 01:04:00,295 ANYONE IS MAKING YOU UNCOMFORTABLE, WE WILL HANDLE IT RIGHT NOW IN A COMPANY-WIDE 1647 01:04:00,297 --> 01:04:00,662 UNCOMFORTABLE, WE WILL HANDLE IT RIGHT NOW IN A COMPANY-WIDE MEETING. 1648 01:04:00,664 --> 01:04:01,095 RIGHT NOW IN A COMPANY-WIDE MEETING. >> THANK YOU. 1649 01:04:01,097 --> 01:04:03,831 MEETING. >> THANK YOU. >> BUT FIRST, WE HAVE A MUSICAL 1650 01:04:03,833 --> 01:04:05,700 >> THANK YOU. >> BUT FIRST, WE HAVE A MUSICAL PERFORMANCE FROM THE PENIS 1651 01:04:05,702 --> 01:04:06,067 >> BUT FIRST, WE HAVE A MUSICAL PERFORMANCE FROM THE PENIS BROTHERS. 1652 01:04:06,069 --> 01:04:06,601 PERFORMANCE FROM THE PENIS BROTHERS. >> WHAT IS GOING ON? 1653 01:04:06,603 --> 01:04:08,202 BROTHERS. >> WHAT IS GOING ON? >> COME ON, Y'ALL. 1654 01:04:08,204 --> 01:04:11,306 >> WHAT IS GOING ON? >> COME ON, Y'ALL. THIS ONE GOES OUT TO OUR TWO 1655 01:04:11,308 --> 01:04:12,173 >> COME ON, Y'ALL. THIS ONE GOES OUT TO OUR TWO FAVORITE LADIES. 1656 01:04:12,175 --> 01:04:14,442 THIS ONE GOES OUT TO OUR TWO FAVORITE LADIES. SIMMONS LEFT, AND SIMMONS RIGHT, 1657 01:04:14,444 --> 01:04:14,776 FAVORITE LADIES. SIMMONS LEFT, AND SIMMONS RIGHT, Y'ALL. 1658 01:04:14,778 --> 01:04:17,912 SIMMONS LEFT, AND SIMMONS RIGHT, Y'ALL. >> OH, MY GOD, THE PENIS 1659 01:04:17,914 --> 01:04:18,446 Y'ALL. >> OH, MY GOD, THE PENIS BROTHERS. 1660 01:04:18,448 --> 01:04:19,814 >> OH, MY GOD, THE PENIS BROTHERS. >> THE MOMENT YOU'VE ALL BEEN 1661 01:04:19,816 --> 01:04:24,152 BROTHERS. >> THE MOMENT YOU'VE ALL BEEN WAITING FOR, THE BROTHERS BONGO 1662 01:04:24,154 --> 01:04:24,619 >> THE MOMENT YOU'VE ALL BEEN WAITING FOR, THE BROTHERS BONGO BOOB EXPERIENCE. 1663 01:04:24,621 --> 01:04:33,428 WAITING FOR, THE BROTHERS BONGO BOOB EXPERIENCE. ♪ 1664 01:04:33,430 --> 01:04:35,663 BOOB EXPERIENCE. ♪ >> HOW I IT MAKING THAT SOUND? 1665 01:04:35,665 --> 01:04:37,765 ♪ >> HOW I IT MAKING THAT SOUND? >> MURPHY, YOU GOT THAT FILE FOR 1666 01:04:37,767 --> 01:04:38,666 >> HOW I IT MAKING THAT SOUND? >> MURPHY, YOU GOT THAT FILE FOR ME OR WHAT? 1667 01:04:38,668 --> 01:04:40,501 >> MURPHY, YOU GOT THAT FILE FOR ME OR WHAT? >> HEY, I DO, DANIELS. 1668 01:04:40,503 --> 01:04:43,304 ME OR WHAT? >> HEY, I DO, DANIELS. BY THE WAY, I GOT AN EMAIL FROM 1669 01:04:43,306 --> 01:04:43,971 >> HEY, I DO, DANIELS. BY THE WAY, I GOT AN EMAIL FROM CORPORATE, AND YOU'RE BOTH 1670 01:04:43,973 --> 01:05:05,676 BY THE WAY, I GOT AN EMAIL FROM CORPORATE, AND YOU'RE BOTH FIRED. 1671 01:05:05,678 --> 01:05:06,644 CORPORATE, AND YOU'RE BOTH FIRED. >>> THIS IS NEW YORK. 1672 01:05:06,646 --> 01:05:10,148 FIRED. >>> THIS IS NEW YORK. THE MELTING POT OF OVER THREE 1673 01:05:10,150 --> 01:05:12,683 >>> THIS IS NEW YORK. THE MELTING POT OF OVER THREE CULTURES, AND FOOD IS ITS 1674 01:05:12,685 --> 01:05:13,217 THE MELTING POT OF OVER THREE CULTURES, AND FOOD IS ITS UNIVERSAL LANGUAGE. 1675 01:05:13,219 --> 01:05:15,586 CULTURES, AND FOOD IS ITS UNIVERSAL LANGUAGE. >> MY NAME IS ROCCO. 1676 01:05:15,588 --> 01:05:16,054 UNIVERSAL LANGUAGE. >> MY NAME IS ROCCO. >> HEAVY CAT. 1677 01:05:16,056 --> 01:05:17,422 >> MY NAME IS ROCCO. >> HEAVY CAT. >> AND MY NAME IS DONALD TRUMP. 1678 01:05:17,424 --> 01:05:20,158 >> HEAVY CAT. >> AND MY NAME IS DONALD TRUMP. WE MOVED HERE FOR COLLEGE, AND 1679 01:05:20,160 --> 01:05:22,160 >> AND MY NAME IS DONALD TRUMP. WE MOVED HERE FOR COLLEGE, AND WE'VE BEEN HERE EVER SINCE 1680 01:05:22,162 --> 01:05:22,693 WE MOVED HERE FOR COLLEGE, AND WE'VE BEEN HERE EVER SINCE EXCEPT FOR COVID. 1681 01:05:22,695 --> 01:05:24,262 WE'VE BEEN HERE EVER SINCE EXCEPT FOR COVID. >> TODAY, WE'RE GOING TO SHOW 1682 01:05:24,264 --> 01:05:26,497 EXCEPT FOR COVID. >> TODAY, WE'RE GOING TO SHOW YOU OUR NEW YORK, THE REAL NEW 1683 01:05:26,499 --> 01:05:27,598 >> TODAY, WE'RE GOING TO SHOW YOU OUR NEW YORK, THE REAL NEW YORK, ONE BITE AT A TIME. 1684 01:05:27,600 --> 01:05:29,267 YOU OUR NEW YORK, THE REAL NEW YORK, ONE BITE AT A TIME. >> THIS IS STREET EATS. 1685 01:05:29,269 --> 01:05:31,569 YORK, ONE BITE AT A TIME. >> THIS IS STREET EATS. TODAY, WE ARE IN THE MIDDLE OF 1686 01:05:31,571 --> 01:05:34,005 >> THIS IS STREET EATS. TODAY, WE ARE IN THE MIDDLE OF JAMAICAN PART OF THE CITY, 1687 01:05:34,007 --> 01:05:35,740 TODAY, WE ARE IN THE MIDDLE OF JAMAICAN PART OF THE CITY, JAMAICAN QUEEN, AND WE ARE ON 1688 01:05:35,742 --> 01:05:38,576 JAMAICAN PART OF THE CITY, JAMAICAN QUEEN, AND WE ARE ON THE HUNT FOR SOME AUTHENTIC JERK 1689 01:05:38,578 --> 01:05:38,943 JAMAICAN QUEEN, AND WE ARE ON THE HUNT FOR SOME AUTHENTIC JERK CHICKEN. 1690 01:05:38,945 --> 01:05:47,618 THE HUNT FOR SOME AUTHENTIC JERK CHICKEN. >> AND QUEENS MAKE SOME NOISE! 1691 01:05:47,620 --> 01:05:51,489 CHICKEN. >> AND QUEENS MAKE SOME NOISE! >> RICE, THE STINKING MAN'S 1692 01:05:51,491 --> 01:05:51,823 >> AND QUEENS MAKE SOME NOISE! >> RICE, THE STINKING MAN'S CHIPS. 1693 01:05:51,825 --> 01:05:53,191 >> RICE, THE STINKING MAN'S CHIPS. >> WHAT THE HELL ARE Y'ALL 1694 01:05:53,193 --> 01:05:53,658 CHIPS. >> WHAT THE HELL ARE Y'ALL DOING? 1695 01:05:53,660 --> 01:05:55,626 >> WHAT THE HELL ARE Y'ALL DOING? >> WE'RE JUST HERE TO FIND OUT 1696 01:05:55,628 --> 01:05:58,096 DOING? >> WE'RE JUST HERE TO FIND OUT WHAT JA-MAKES YOUR FOOD SO 1697 01:05:58,098 --> 01:05:58,463 >> WE'RE JUST HERE TO FIND OUT WHAT JA-MAKES YOUR FOOD SO SPECIAL. 1698 01:05:58,465 --> 01:05:59,263 WHAT JA-MAKES YOUR FOOD SO SPECIAL. >> GOT IT. 1699 01:05:59,265 --> 01:06:01,699 SPECIAL. >> GOT IT. SO Y'ALL JUST MOVED HERE FOR 1700 01:06:01,701 --> 01:06:02,366 >> GOT IT. SO Y'ALL JUST MOVED HERE FOR CONNECTICUT, RIGHT? 1701 01:06:02,368 --> 01:06:03,468 SO Y'ALL JUST MOVED HERE FOR CONNECTICUT, RIGHT? YOU HAVE TO STOP YELLING. 1702 01:06:03,470 --> 01:06:05,870 CONNECTICUT, RIGHT? YOU HAVE TO STOP YELLING. >> WELL, I NOTICED YOU WERE 1703 01:06:05,872 --> 01:06:07,338 YOU HAVE TO STOP YELLING. >> WELL, I NOTICED YOU WERE SELLING DELICIOUS JAMAICAN FOOD, 1704 01:06:07,340 --> 01:06:09,207 >> WELL, I NOTICED YOU WERE SELLING DELICIOUS JAMAICAN FOOD, BUT YOU YOURSELF ARE NOT 1705 01:06:09,209 --> 01:06:09,574 SELLING DELICIOUS JAMAICAN FOOD, BUT YOU YOURSELF ARE NOT JAMAICAN. 1706 01:06:09,576 --> 01:06:10,441 BUT YOU YOURSELF ARE NOT JAMAICAN. TELL US ABOUT THAT. 1707 01:06:10,443 --> 01:06:12,577 JAMAICAN. TELL US ABOUT THAT. >> NO, I'M JAMAICAN. 1708 01:06:12,579 --> 01:06:17,281 TELL US ABOUT THAT. >> NO, I'M JAMAICAN. >> HOW WOULD THAT BE -- 1709 01:06:17,283 --> 01:06:19,383 >> NO, I'M JAMAICAN. >> HOW WOULD THAT BE -- >> SPOTS LIKE THAT ARE EXACTLY 1710 01:06:19,385 --> 01:06:22,320 >> HOW WOULD THAT BE -- >> SPOTS LIKE THAT ARE EXACTLY WHAT MAKES NEW YORK SO GREAT. 1711 01:06:22,322 --> 01:06:23,421 >> SPOTS LIKE THAT ARE EXACTLY WHAT MAKES NEW YORK SO GREAT. TACO, OH, SPICY. 1712 01:06:23,423 --> 01:06:26,124 WHAT MAKES NEW YORK SO GREAT. TACO, OH, SPICY. >> SO YOU WANT JERK CHICKEN WITH 1713 01:06:26,126 --> 01:06:29,360 TACO, OH, SPICY. >> SO YOU WANT JERK CHICKEN WITH NO CAYENNE, NO CUMIN, SALT, 1714 01:06:29,362 --> 01:06:29,694 >> SO YOU WANT JERK CHICKEN WITH NO CAYENNE, NO CUMIN, SALT, PEPPER? 1715 01:06:29,696 --> 01:06:30,928 NO CAYENNE, NO CUMIN, SALT, PEPPER? >> NOPE, CAN'T DO IT. 1716 01:06:30,930 --> 01:06:32,997 PEPPER? >> NOPE, CAN'T DO IT. >> SO YOU JUST WANT A BLANK ASS 1717 01:06:32,999 --> 01:06:35,199 >> NOPE, CAN'T DO IT. >> SO YOU JUST WANT A BLANK ASS PIECE OF CHICKEN? 1718 01:06:35,201 --> 01:06:38,503 >> SO YOU JUST WANT A BLANK ASS PIECE OF CHICKEN? >> WHAT'S GOING ON HERE? 1719 01:06:38,505 --> 01:06:39,003 PIECE OF CHICKEN? >> WHAT'S GOING ON HERE? >> IN NEW YORK. 1720 01:06:39,005 --> 01:06:41,205 >> WHAT'S GOING ON HERE? >> IN NEW YORK. >> NEXT, WE DECIDED TO HIT UP A 1721 01:06:41,207 --> 01:06:44,242 >> IN NEW YORK. >> NEXT, WE DECIDED TO HIT UP A NEW YORK STAPLE, SO WE HEADED 1722 01:06:44,244 --> 01:06:46,477 >> NEXT, WE DECIDED TO HIT UP A NEW YORK STAPLE, SO WE HEADED ALL THE WAY UP AND WE WALKED 1723 01:06:46,479 --> 01:06:48,246 NEW YORK STAPLE, SO WE HEADED ALL THE WAY UP AND WE WALKED HERE BECAUSE WE COULD NOT FIND 1724 01:06:48,248 --> 01:06:48,679 ALL THE WAY UP AND WE WALKED HERE BECAUSE WE COULD NOT FIND THE ONE SAY. 1725 01:06:48,681 --> 01:06:50,148 HERE BECAUSE WE COULD NOT FIND THE ONE SAY. >> KEEP GOING THIS WAY? 1726 01:06:50,150 --> 01:06:51,716 THE ONE SAY. >> KEEP GOING THIS WAY? >> RULE NUMBER ONE, YOU'VE GOT 1727 01:06:51,718 --> 01:06:54,218 >> KEEP GOING THIS WAY? >> RULE NUMBER ONE, YOU'VE GOT TO ORDER LIKE A NEW YORKER. 1728 01:06:54,220 --> 01:06:57,555 >> RULE NUMBER ONE, YOU'VE GOT TO ORDER LIKE A NEW YORKER. HEY, YO, BOSS, LET ME GET SOME 1729 01:06:57,557 --> 01:06:58,322 TO ORDER LIKE A NEW YORKER. HEY, YO, BOSS, LET ME GET SOME MAYO AND BREAD. 1730 01:06:58,324 --> 01:07:00,258 HEY, YO, BOSS, LET ME GET SOME MAYO AND BREAD. >> HEY, THERE'S A LINE. 1731 01:07:00,260 --> 01:07:02,527 MAYO AND BREAD. >> HEY, THERE'S A LINE. >> I GOT IT. 1732 01:07:02,529 --> 01:07:07,498 >> HEY, THERE'S A LINE. >> I GOT IT. HEY, FORGET ABOUT -- 1733 01:07:07,500 --> 01:07:09,400 >> I GOT IT. HEY, FORGET ABOUT -- >> MY FATHER IS A LAWYER! 1734 01:07:09,402 --> 01:07:11,936 HEY, FORGET ABOUT -- >> MY FATHER IS A LAWYER! >> CAN'T CUT THE LINE, MAN. 1735 01:07:11,938 --> 01:07:13,070 >> MY FATHER IS A LAWYER! >> CAN'T CUT THE LINE, MAN. WE'VE BEEN WORKING ALL DAY. 1736 01:07:13,072 --> 01:07:15,406 >> CAN'T CUT THE LINE, MAN. WE'VE BEEN WORKING ALL DAY. >> WELL, I HOPE THE BUILDING 1737 01:07:15,408 --> 01:07:17,208 WE'VE BEEN WORKING ALL DAY. >> WELL, I HOPE THE BUILDING YOU'RE WORKING ON EXPLODES. 1738 01:07:17,210 --> 01:07:20,745 >> WELL, I HOPE THE BUILDING YOU'RE WORKING ON EXPLODES. THEY HATED US THERE. 1739 01:07:20,747 --> 01:07:23,648 YOU'RE WORKING ON EXPLODES. THEY HATED US THERE. BUT AT LEAST WE HAVE FRIENDS IN 1740 01:07:23,650 --> 01:07:26,150 THEY HATED US THERE. BUT AT LEAST WE HAVE FRIENDS IN THAT FAKE JAMAICAN LADY. 1741 01:07:26,152 --> 01:07:26,684 BUT AT LEAST WE HAVE FRIENDS IN THAT FAKE JAMAICAN LADY. SHE LOVED US. 1742 01:07:26,686 --> 01:07:29,320 THAT FAKE JAMAICAN LADY. SHE LOVED US. >> I HATED THEM, BUT I READ THE 1743 01:07:29,322 --> 01:07:31,656 SHE LOVED US. >> I HATED THEM, BUT I READ THE COMMENTS ON THEIR VIDEOS, AND NO 1744 01:07:31,658 --> 01:07:32,857 >> I HATED THEM, BUT I READ THE COMMENTS ON THEIR VIDEOS, AND NO ONE SHOULD HAVE TO READ THAT 1745 01:07:32,859 --> 01:07:34,091 COMMENTS ON THEIR VIDEOS, AND NO ONE SHOULD HAVE TO READ THAT ABOUT THEMSELVES. 1746 01:07:34,093 --> 01:07:38,129 ONE SHOULD HAVE TO READ THAT ABOUT THEMSELVES. THE NICEST ONE I SAW SAID GAY 1747 01:07:38,131 --> 01:07:38,429 ABOUT THEMSELVES. THE NICEST ONE I SAW SAID GAY FAIL. 1748 01:07:38,431 --> 01:07:39,330 THE NICEST ONE I SAW SAID GAY FAIL. I MADE THEM SOME PLAIN ASS 1749 01:07:39,332 --> 01:07:41,465 FAIL. I MADE THEM SOME PLAIN ASS CHICKEN, AND THEY LOVED IT. 1750 01:07:41,467 --> 01:07:42,867 I MADE THEM SOME PLAIN ASS CHICKEN, AND THEY LOVED IT. >> AUTHENTIC JERK CHICKEN. 1751 01:07:42,869 --> 01:07:43,901 CHICKEN, AND THEY LOVED IT. >> AUTHENTIC JERK CHICKEN. >> WHAT A BEAUTIFUL NEW YORK 1752 01:07:43,903 --> 01:07:44,202 >> AUTHENTIC JERK CHICKEN. >> WHAT A BEAUTIFUL NEW YORK DAY. 1753 01:07:44,204 --> 01:07:48,072 >> WHAT A BEAUTIFUL NEW YORK DAY. WE HAD SOME CHICKEN. 1754 01:07:48,074 --> 01:07:49,740 DAY. WE HAD SOME CHICKEN. NO ONE CAN DO IT LIKE US. 1755 01:07:49,742 --> 01:08:11,128 WE HAD SOME CHICKEN. NO ONE CAN DO IT LIKE US. >> NEW YORK! 1756 01:08:11,130 --> 01:08:12,663 NO ONE CAN DO IT LIKE US. >> NEW YORK! AND THEIR INCREDIBLE BAND. 1757 01:08:12,665 --> 01:08:14,765 >> NEW YORK! AND THEIR INCREDIBLE BAND. I WANT TO SAY THANK YOU TO MY 1758 01:08:14,767 --> 01:08:17,735 AND THEIR INCREDIBLE BAND. I WANT TO SAY THANK YOU TO MY ENTIRE CAST THAT DID A 1759 01:08:17,737 --> 01:08:20,238 I WANT TO SAY THANK YOU TO MY ENTIRE CAST THAT DID A WONDERFUL, WONDERFUL -- THEY DID 1760 01:08:20,240 --> 01:08:24,075 ENTIRE CAST THAT DID A WONDERFUL, WONDERFUL -- THEY DID IT -- WHAT DO YOU CALL IT? 1761 01:08:24,077 --> 01:08:26,744 WONDERFUL, WONDERFUL -- THEY DID IT -- WHAT DO YOU CALL IT? PANEL WITHOUT ME TODAY BECAUSE I 1762 01:08:26,746 --> 01:08:29,380 IT -- WHAT DO YOU CALL IT? PANEL WITHOUT ME TODAY BECAUSE I WAS HOSTING SNL. 1763 01:08:29,382 --> 01:08:32,016 PANEL WITHOUT ME TODAY BECAUSE I WAS HOSTING SNL. I WANT TO THANK EVERYBODY AT 1764 01:08:32,018 --> 01:08:33,584 WAS HOSTING SNL. I WANT TO THANK EVERYBODY AT ABBOTT ELEMENTARY FOR HELPING ME 1765 01:08:33,586 --> 01:08:34,185 I WANT TO THANK EVERYBODY AT ABBOTT ELEMENTARY FOR HELPING ME GET HERE. 1766 01:08:34,187 --> 01:08:35,953 ABBOTT ELEMENTARY FOR HELPING ME GET HERE. THANK YOU TO MY FANS AND FAMILY, 1767 01:08:35,955 --> 01:08:37,321 GET HERE. THANK YOU TO MY FANS AND FAMILY, WHO SOME OF THEM ARE HERE 1768 01:08:37,323 --> 01:08:37,655 THANK YOU TO MY FANS AND FAMILY, WHO SOME OF THEM ARE HERE TONIGHT. 1769 01:08:37,657 --> 01:08:39,523 WHO SOME OF THEM ARE HERE TONIGHT. I WANT TO SAY THANK YOU TO THIS 1770 01:08:39,525 --> 01:08:41,158 TONIGHT. I WANT TO SAY THANK YOU TO THIS INCREDIBLE CREW, THE PEOPLE AT 1771 01:08:41,160 --> 01:08:43,027 I WANT TO SAY THANK YOU TO THIS INCREDIBLE CREW, THE PEOPLE AT SNL WORK SO HARD, AND THEY ARE 1772 01:08:43,029 --> 01:08:44,996 INCREDIBLE CREW, THE PEOPLE AT SNL WORK SO HARD, AND THEY ARE UNREAL, AND THEY DO IT EVERY 1773 01:08:44,998 --> 01:08:47,298 SNL WORK SO HARD, AND THEY ARE UNREAL, AND THEY DO IT EVERY WEEK, AND IT'S NUTS, THE CAST, 1774 01:08:47,300 --> 01:08:47,648 UNREAL, AND THEY DO IT EVERY WEEK, AND IT'S NUTS, THE CAST, THE EW, IT'S I