1 00:00:10,520 --> 00:00:18,293 [ CHEERS AND APPLAUSE ] GOOD EVENING. IT'S GOOD TO BE WITH YOU. 2 00:00:18,295 --> 00:00:21,329 GOOD EVENING. IT'S GOOD TO BE WITH YOU. I'M KATY TUR, AND TONIGHT, OUR 3 00:00:21,331 --> 00:00:22,097 IT'S GOOD TO BE WITH YOU. I'M KATY TUR, AND TONIGHT, OUR LONG NATIONAL NIGHTMARE IS OVER. 4 00:00:22,099 --> 00:00:25,400 I'M KATY TUR, AND TONIGHT, OUR LONG NATIONAL NIGHTMARE IS OVER. WE GOT THE BALLOON. 5 00:00:25,402 --> 00:00:27,769 LONG NATIONAL NIGHTMARE IS OVER. WE GOT THE BALLOON. THE DISCOVERY OF THE MASSIVE 6 00:00:27,771 --> 00:00:28,703 WE GOT THE BALLOON. THE DISCOVERY OF THE MASSIVE SURVEILLANCE BALLOON EARLIER 7 00:00:28,705 --> 00:00:31,540 THE DISCOVERY OF THE MASSIVE SURVEILLANCE BALLOON EARLIER THIS WEEK INFLAMED ALREADY 8 00:00:31,542 --> 00:00:33,542 SURVEILLANCE BALLOON EARLIER THIS WEEK INFLAMED ALREADY VOLATILE U.S./CHINESE RELATIONS 9 00:00:33,544 --> 00:00:34,810 THIS WEEK INFLAMED ALREADY VOLATILE U.S./CHINESE RELATIONS AND HAD MANY ON THE RIGHT 10 00:00:34,812 --> 00:00:36,311 VOLATILE U.S./CHINESE RELATIONS AND HAD MANY ON THE RIGHT CALLING THE BIDEN 11 00:00:36,313 --> 00:00:37,345 AND HAD MANY ON THE RIGHT CALLING THE BIDEN ADMINISTRATION'S RESPONSE SOFT, 12 00:00:37,347 --> 00:00:39,147 CALLING THE BIDEN ADMINISTRATION'S RESPONSE SOFT, INCLUDING THIS TWEET FROM DONALD 13 00:00:39,149 --> 00:00:41,516 ADMINISTRATION'S RESPONSE SOFT, INCLUDING THIS TWEET FROM DONALD TRUMP JR. SAYING, IF MY DAD WAS 14 00:00:41,518 --> 00:00:42,217 INCLUDING THIS TWEET FROM DONALD TRUMP JR. SAYING, IF MY DAD WAS PRESIDENT, THERE WOULD BE NO 15 00:00:42,219 --> 00:00:44,853 TRUMP JR. SAYING, IF MY DAD WAS PRESIDENT, THERE WOULD BE NO BALLOON. 16 00:00:44,855 --> 00:00:47,022 PRESIDENT, THERE WOULD BE NO BALLOON. AND THIS ONE FROM MARJORIE 17 00:00:47,024 --> 00:00:48,123 BALLOON. AND THIS ONE FROM MARJORIE TAYLOR GREEN SAYING, LOOK, IT'S 18 00:00:48,125 --> 00:00:51,159 AND THIS ONE FROM MARJORIE TAYLOR GREEN SAYING, LOOK, IT'S THE REAL MOON. 19 00:00:51,161 --> 00:00:54,029 TAYLOR GREEN SAYING, LOOK, IT'S THE REAL MOON. FOR MORE DETAILS, I'M HONORED TO 20 00:00:54,031 --> 00:00:56,998 THE REAL MOON. FOR MORE DETAILS, I'M HONORED TO BE JOINED TONIGHT BY PENTAGON 21 00:00:57,000 --> 00:00:58,900 FOR MORE DETAILS, I'M HONORED TO BE JOINED TONIGHT BY PENTAGON OFFICIAL AND AVIATION EXPERT 22 00:00:58,902 --> 00:01:01,269 BE JOINED TONIGHT BY PENTAGON OFFICIAL AND AVIATION EXPERT GENERAL WILLIAM HAMILTON. 23 00:01:01,271 --> 00:01:02,938 OFFICIAL AND AVIATION EXPERT GENERAL WILLIAM HAMILTON. >> THANK YOU FOR HAVING ME. 24 00:01:02,940 --> 00:01:05,607 GENERAL WILLIAM HAMILTON. >> THANK YOU FOR HAVING ME. >> CON KBRACH LAGSS ON YOUR 25 00:01:05,609 --> 00:01:06,174 >> THANK YOU FOR HAVING ME. >> CON KBRACH LAGSS ON YOUR SUCCESSFUL MISSION. 26 00:01:06,176 --> 00:01:06,608 >> CON KBRACH LAGSS ON YOUR SUCCESSFUL MISSION. >> THANK YOU. 27 00:01:06,610 --> 00:01:08,443 SUCCESSFUL MISSION. >> THANK YOU. WE POPPED THE BALLOON. 28 00:01:08,445 --> 00:01:10,779 >> THANK YOU. WE POPPED THE BALLOON. >> GENERAL, WE'VE NEVER SEEN AN 29 00:01:10,781 --> 00:01:13,815 WE POPPED THE BALLOON. >> GENERAL, WE'VE NEVER SEEN AN OBJECT LIKE THIS GAIN ENTRY INTO 30 00:01:13,817 --> 00:01:14,883 >> GENERAL, WE'VE NEVER SEEN AN OBJECT LIKE THIS GAIN ENTRY INTO OUR AIR SPACE BEFORE. 31 00:01:14,885 --> 00:01:16,718 OBJECT LIKE THIS GAIN ENTRY INTO OUR AIR SPACE BEFORE. HOW DID THAT HAPPEN? 32 00:01:16,720 --> 00:01:18,887 OUR AIR SPACE BEFORE. HOW DID THAT HAPPEN? >> THAT'S AN EXCELLENT QUESTION, 33 00:01:18,889 --> 00:01:20,555 HOW DID THAT HAPPEN? >> THAT'S AN EXCELLENT QUESTION, KATY IF BALLOON WAS SOMEHOW ABLE 34 00:01:20,557 --> 00:01:22,991 >> THAT'S AN EXCELLENT QUESTION, KATY IF BALLOON WAS SOMEHOW ABLE TO GET PAST OUR WEST COAST 35 00:01:22,993 --> 00:01:26,261 KATY IF BALLOON WAS SOMEHOW ABLE TO GET PAST OUR WEST COAST ANTIBALLOON DEFENSE SYSTEM, THE 36 00:01:26,263 --> 00:01:27,462 TO GET PAST OUR WEST COAST ANTIBALLOON DEFENSE SYSTEM, THE SEATTLE SPACE NEEDLE. 37 00:01:27,464 --> 00:01:29,164 ANTIBALLOON DEFENSE SYSTEM, THE SEATTLE SPACE NEEDLE. BUT ONCE IT WAS HERE, WE WERE 38 00:01:29,166 --> 00:01:31,566 SEATTLE SPACE NEEDLE. BUT ONCE IT WAS HERE, WE WERE ABLE TO KEEP AN EYE ON IT WITH 39 00:01:31,568 --> 00:01:33,401 BUT ONCE IT WAS HERE, WE WERE ABLE TO KEEP AN EYE ON IT WITH OUR SOPHISTICATED TRACKING 40 00:01:33,403 --> 00:01:37,606 ABLE TO KEEP AN EYE ON IT WITH OUR SOPHISTICATED TRACKING TECHNOLOGY OF GOING LIKE THIS. 41 00:01:37,608 --> 00:01:38,240 OUR SOPHISTICATED TRACKING TECHNOLOGY OF GOING LIKE THIS. >> UNDERSTOOD. 42 00:01:38,242 --> 00:01:39,808 TECHNOLOGY OF GOING LIKE THIS. >> UNDERSTOOD. >> I KNOW THERE ARE QUESTIONS 43 00:01:39,810 --> 00:01:42,177 >> UNDERSTOOD. >> I KNOW THERE ARE QUESTIONS ABOUT WHY WE DIDN'T SHOOT IT 44 00:01:42,179 --> 00:01:43,778 >> I KNOW THERE ARE QUESTIONS ABOUT WHY WE DIDN'T SHOOT IT DOWN IMMEDIATELY, BUT WE WANTED 45 00:01:43,780 --> 00:01:45,147 ABOUT WHY WE DIDN'T SHOOT IT DOWN IMMEDIATELY, BUT WE WANTED TO WAIT UNTIL IT WAS OVER THE 46 00:01:45,149 --> 00:01:47,048 DOWN IMMEDIATELY, BUT WE WANTED TO WAIT UNTIL IT WAS OVER THE COAST SO THAT IT WOULDN'T FALL 47 00:01:47,050 --> 00:01:52,053 TO WAIT UNTIL IT WAS OVER THE COAST SO THAT IT WOULDN'T FALL ON PEOPLE OR GO -- SHSHSH AND 48 00:01:52,055 --> 00:01:53,088 COAST SO THAT IT WOULDN'T FALL ON PEOPLE OR GO -- SHSHSH AND LAND ON MY CAR. 49 00:01:53,090 --> 00:01:56,057 ON PEOPLE OR GO -- SHSHSH AND LAND ON MY CAR. >> IT LOOKED LIKE IT WAS A VERY 50 00:01:56,059 --> 00:01:56,725 LAND ON MY CAR. >> IT LOOKED LIKE IT WAS A VERY EXCITING OPERATION. 51 00:01:56,727 --> 00:01:57,826 >> IT LOOKED LIKE IT WAS A VERY EXCITING OPERATION. CAN YOU TAKE US THROUGH IT? 52 00:01:57,828 --> 00:02:00,562 EXCITING OPERATION. CAN YOU TAKE US THROUGH IT? >> WELL, I DID BRING A 3D 53 00:02:00,564 --> 00:02:08,069 CAN YOU TAKE US THROUGH IT? >> WELL, I DID BRING A 3D RENTERING OF THE ENEMY TARGET. 54 00:02:08,071 --> 00:02:09,671 >> WELL, I DID BRING A 3D RENTERING OF THE ENEMY TARGET. NOW, IMAGINE THIS IS A LOT 55 00:02:09,673 --> 00:02:12,607 RENTERING OF THE ENEMY TARGET. NOW, IMAGINE THIS IS A LOT BIGGER, BUT THEN, PRETTY FAR 56 00:02:12,609 --> 00:02:14,709 NOW, IMAGINE THIS IS A LOT BIGGER, BUT THEN, PRETTY FAR AWAY, IT LOOKS A LOT SMALLER 57 00:02:14,711 --> 00:02:15,010 BIGGER, BUT THEN, PRETTY FAR AWAY, IT LOOKS A LOT SMALLER TOO. 58 00:02:15,012 --> 00:02:17,512 AWAY, IT LOOKS A LOT SMALLER TOO. >> NOW, THAT WAS GATHERING 59 00:02:17,514 --> 00:02:17,812 TOO. >> NOW, THAT WAS GATHERING INTEL? 60 00:02:17,814 --> 00:02:19,347 >> NOW, THAT WAS GATHERING INTEL? WAS IT TAKING PICTURES? 61 00:02:19,349 --> 00:02:20,348 INTEL? WAS IT TAKING PICTURES? >> WE DON'T KNOW. 62 00:02:20,350 --> 00:02:21,416 WAS IT TAKING PICTURES? >> WE DON'T KNOW. BUT I DO KNOW IF YOU TAP IT, IT 63 00:02:21,418 --> 00:02:25,253 >> WE DON'T KNOW. BUT I DO KNOW IF YOU TAP IT, IT PLAYS MUSIC. 64 00:02:25,255 --> 00:02:26,288 BUT I DO KNOW IF YOU TAP IT, IT PLAYS MUSIC. ♪ CELEBRATE GOOD TIMES, COME 65 00:02:26,290 --> 00:02:30,292 PLAYS MUSIC. ♪ CELEBRATE GOOD TIMES, COME ON ♪ 66 00:02:30,294 --> 00:02:30,592 ♪ CELEBRATE GOOD TIMES, COME ON ♪ OKAY. 67 00:02:30,594 --> 00:02:34,095 ON ♪ OKAY. >> WELL, GENERAL, THANK YOU SO 68 00:02:34,097 --> 00:02:37,299 OKAY. >> WELL, GENERAL, THANK YOU SO MUCH FOR YOUR HEROISM AND FOR 69 00:02:37,301 --> 00:02:37,966 >> WELL, GENERAL, THANK YOU SO MUCH FOR YOUR HEROISM AND FOR PROTECTING OUR NATION. 70 00:02:37,968 --> 00:02:40,168 MUCH FOR YOUR HEROISM AND FOR PROTECTING OUR NATION. >> THANK YOU, MRS. TUR, AND I 71 00:02:40,170 --> 00:02:41,970 PROTECTING OUR NATION. >> THANK YOU, MRS. TUR, AND I WANT EVERYONE TO KNOW WE WILL 72 00:02:41,972 --> 00:02:44,573 >> THANK YOU, MRS. TUR, AND I WANT EVERYONE TO KNOW WE WILL NOT TOLERATE ANY FORM OF CHINESE 73 00:02:44,575 --> 00:02:44,839 WANT EVERYONE TO KNOW WE WILL NOT TOLERATE ANY FORM OF CHINESE SPY. 74 00:02:44,841 --> 00:02:46,975 NOT TOLERATE ANY FORM OF CHINESE SPY. TO BE HONEST, THEY ALREADY HAVE 75 00:02:46,977 --> 00:02:48,643 SPY. TO BE HONEST, THEY ALREADY HAVE EVERYTHING THEY NEED FROM 76 00:02:48,645 --> 00:02:53,582 TO BE HONEST, THEY ALREADY HAVE EVERYTHING THEY NEED FROM TIKTOK, SO SCROLL AWAY, KIDS. 77 00:02:53,584 --> 00:02:54,149 EVERYTHING THEY NEED FROM TIKTOK, SO SCROLL AWAY, KIDS. >> THANK YOU, GENERAL. 78 00:02:54,151 --> 00:02:54,649 TIKTOK, SO SCROLL AWAY, KIDS. >> THANK YOU, GENERAL. THIS IS EXCITING. 79 00:02:54,651 --> 00:02:55,317 >> THANK YOU, GENERAL. THIS IS EXCITING. I'M GETTING WORDS WE HAVE 80 00:02:55,319 --> 00:02:57,385 THIS IS EXCITING. I'M GETTING WORDS WE HAVE LOCATED THE REMAINS OF THE 81 00:02:57,387 --> 00:02:59,454 I'M GETTING WORDS WE HAVE LOCATED THE REMAINS OF THE BALLOON, AND I'M TOLD WE HAVE A 82 00:02:59,456 --> 00:02:59,955 LOCATED THE REMAINS OF THE BALLOON, AND I'M TOLD WE HAVE A LIVE FEED. 83 00:02:59,957 --> 00:03:02,757 BALLOON, AND I'M TOLD WE HAVE A LIVE FEED. LET'S SEE HOW IT LOOKS. 84 00:03:02,759 --> 00:03:08,129 LIVE FEED. LET'S SEE HOW IT LOOKS. >> WELL, YOU GOT ME. 85 00:03:08,131 --> 00:03:10,599 LET'S SEE HOW IT LOOKS. >> WELL, YOU GOT ME. CONGRATS, YOU SHOT A BALLOON. 86 00:03:10,601 --> 00:03:11,433 >> WELL, YOU GOT ME. CONGRATS, YOU SHOT A BALLOON. >> WOW. 87 00:03:11,435 --> 00:03:13,201 CONGRATS, YOU SHOT A BALLOON. >> WOW. BALLOON, WELL, I'M SORRY YOU'RE 88 00:03:13,203 --> 00:03:13,935 >> WOW. BALLOON, WELL, I'M SORRY YOU'RE IN THE WATER. 89 00:03:13,937 --> 00:03:15,670 BALLOON, WELL, I'M SORRY YOU'RE IN THE WATER. BUT THANK YOU FOR SPEAKING TO 90 00:03:15,672 --> 00:03:16,037 IN THE WATER. BUT THANK YOU FOR SPEAKING TO US. 91 00:03:16,039 --> 00:03:19,040 BUT THANK YOU FOR SPEAKING TO US. >> I ENTERTAIN YOU PEOPLE FOR 92 00:03:19,042 --> 00:03:20,008 US. >> I ENTERTAIN YOU PEOPLE FOR FOUR DAYS, AND THEN GET SHOT BY 93 00:03:20,010 --> 00:03:23,111 >> I ENTERTAIN YOU PEOPLE FOR FOUR DAYS, AND THEN GET SHOT BY BIDEN? 94 00:03:23,113 --> 00:03:25,480 FOUR DAYS, AND THEN GET SHOT BY BIDEN? I CAN'T BELIEVE I'M JOE'S OSAMA. 95 00:03:25,482 --> 00:03:27,515 BIDEN? I CAN'T BELIEVE I'M JOE'S OSAMA. >> NOW, I HAVE TO ASK, WHAT WERE 96 00:03:27,517 --> 00:03:30,118 I CAN'T BELIEVE I'M JOE'S OSAMA. >> NOW, I HAVE TO ASK, WHAT WERE YOU DOING FLYING OVER MONTANA? 97 00:03:30,120 --> 00:03:34,789 >> NOW, I HAVE TO ASK, WHAT WERE YOU DOING FLYING OVER MONTANA? >> I LOVE THE SHOW 98 00:03:34,791 --> 00:03:36,858 YOU DOING FLYING OVER MONTANA? >> I LOVE THE SHOW "YELLOWSTONE," SO I WAS JUST 99 00:03:36,860 --> 00:03:37,158 >> I LOVE THE SHOW "YELLOWSTONE," SO I WAS JUST THERE. 100 00:03:37,160 --> 00:03:38,793 "YELLOWSTONE," SO I WAS JUST THERE. IT'S LIKE "SUCCESSION" BUT 101 00:03:38,795 --> 00:03:39,194 THERE. IT'S LIKE "SUCCESSION" BUT OUTSIDE. 102 00:03:39,196 --> 00:03:41,096 IT'S LIKE "SUCCESSION" BUT OUTSIDE. NOW I'M ALL WET, SO WHAT A DAY. 103 00:03:41,098 --> 00:03:43,431 OUTSIDE. NOW I'M ALL WET, SO WHAT A DAY. >> WELL, I'M ACTUALLY SURPRISED 104 00:03:43,433 --> 00:03:45,033 NOW I'M ALL WET, SO WHAT A DAY. >> WELL, I'M ACTUALLY SURPRISED YOU'RE STILL FLOATING. 105 00:03:45,035 --> 00:03:46,668 >> WELL, I'M ACTUALLY SURPRISED YOU'RE STILL FLOATING. EXPERTS WERE SAYING YOU'RE THE 106 00:03:46,670 --> 00:03:47,302 YOU'RE STILL FLOATING. EXPERTS WERE SAYING YOU'RE THE SIZE OF THREE BUSES. 107 00:03:47,304 --> 00:03:47,636 EXPERTS WERE SAYING YOU'RE THE SIZE OF THREE BUSES. >> OKAY. 108 00:03:47,638 --> 00:03:50,505 SIZE OF THREE BUSES. >> OKAY. OUCH. 109 00:03:50,507 --> 00:03:51,306 >> OKAY. OUCH. I'M A BALLOON, SO THAT'S MY 110 00:03:51,308 --> 00:03:55,010 OUCH. I'M A BALLOON, SO THAT'S MY BODY. 111 00:03:55,012 --> 00:03:59,180 I'M A BALLOON, SO THAT'S MY BODY. HOW WOULD YOU LIKE IT IF SOMEONE 112 00:03:59,182 --> 00:04:02,284 BODY. HOW WOULD YOU LIKE IT IF SOMEONE MEASURED YOUR WIDTH IN BUSES? 113 00:04:02,286 --> 00:04:04,519 HOW WOULD YOU LIKE IT IF SOMEONE MEASURED YOUR WIDTH IN BUSES? SORRY I'M NOT CAMERA READY. 114 00:04:04,521 --> 00:04:05,320 MEASURED YOUR WIDTH IN BUSES? SORRY I'M NOT CAMERA READY. WHO IS THIS? 115 00:04:05,322 --> 00:04:06,187 SORRY I'M NOT CAMERA READY. WHO IS THIS? GET AWAY. 116 00:04:06,189 --> 00:04:07,422 WHO IS THIS? GET AWAY. I HATE THE OCEAN. 117 00:04:07,424 --> 00:04:08,923 GET AWAY. I HATE THE OCEAN. I'M MORE OF AN AIR GUY. 118 00:04:08,925 --> 00:04:11,159 I HATE THE OCEAN. I'M MORE OF AN AIR GUY. >> LOOK, I'M SORRY, BUT PEOPLE 119 00:04:11,161 --> 00:04:13,628 I'M MORE OF AN AIR GUY. >> LOOK, I'M SORRY, BUT PEOPLE WERE WORRIED THEY WERE BEING 120 00:04:13,630 --> 00:04:13,995 >> LOOK, I'M SORRY, BUT PEOPLE WERE WORRIED THEY WERE BEING SPIED ON. 121 00:04:13,997 --> 00:04:15,764 WERE WORRIED THEY WERE BEING SPIED ON. >> MY BIME? 122 00:04:15,766 --> 00:04:16,631 SPIED ON. >> MY BIME? A BALLOON? 123 00:04:16,633 --> 00:04:19,167 >> MY BIME? A BALLOON? EVERYONE IS BEING SURVEILLED 124 00:04:19,169 --> 00:04:20,268 A BALLOON? EVERYONE IS BEING SURVEILLED CONSTANTLY, BUT IT'S ALWAYS 125 00:04:20,270 --> 00:04:23,805 EVERYONE IS BEING SURVEILLED CONSTANTLY, BUT IT'S ALWAYS SHOOT THE BALLOON AND NEVER, 126 00:04:23,807 --> 00:04:24,239 CONSTANTLY, BUT IT'S ALWAYS SHOOT THE BALLOON AND NEVER, UNPLUG ALEXA. 127 00:04:24,241 --> 00:04:26,274 SHOOT THE BALLOON AND NEVER, UNPLUG ALEXA. IF YOU CARE SO MUCH ABOUT YOUR 128 00:04:26,276 --> 00:04:28,176 UNPLUG ALEXA. IF YOU CARE SO MUCH ABOUT YOUR DATA, WHY DO YOU ALL KEEP YOUR 129 00:04:28,178 --> 00:04:30,645 IF YOU CARE SO MUCH ABOUT YOUR DATA, WHY DO YOU ALL KEEP YOUR BANK PASS WORDS IN THE NOTES 130 00:04:30,647 --> 00:04:30,912 DATA, WHY DO YOU ALL KEEP YOUR BANK PASS WORDS IN THE NOTES APP? 131 00:04:30,914 --> 00:04:33,615 BANK PASS WORDS IN THE NOTES APP? YOU MAIL YOUR LITERAL DNA TO A 132 00:04:33,617 --> 00:04:35,950 APP? YOU MAIL YOUR LITERAL DNA TO A COMPANY TO FIND OUT IF YOU'RE 133 00:04:35,952 --> 00:04:39,521 YOU MAIL YOUR LITERAL DNA TO A COMPANY TO FIND OUT IF YOU'RE LIKE 10% FRENCH, BUT JUST A 134 00:04:39,523 --> 00:04:39,854 COMPANY TO FIND OUT IF YOU'RE LIKE 10% FRENCH, BUT JUST A BALLOON. 135 00:04:39,856 --> 00:04:42,123 LIKE 10% FRENCH, BUT JUST A BALLOON. >> NOW, THE CONCERN WAS THAT YOU 136 00:04:42,125 --> 00:04:44,526 BALLOON. >> NOW, THE CONCERN WAS THAT YOU WERE TAKING SENT TIF IMAGES OF 137 00:04:44,528 --> 00:04:44,893 >> NOW, THE CONCERN WAS THAT YOU WERE TAKING SENT TIF IMAGES OF THE U.S. 138 00:04:44,895 --> 00:04:47,529 WERE TAKING SENT TIF IMAGES OF THE U.S. >> I WAS SO FAR AWAY. 139 00:04:47,531 --> 00:04:50,165 THE U.S. >> I WAS SO FAR AWAY. IT'S LIKE WHEN YOUR AUNT TAKES A 140 00:04:50,167 --> 00:04:52,967 >> I WAS SO FAR AWAY. IT'S LIKE WHEN YOUR AUNT TAKES A CONCERT VIDEO ON HER iPAD, AND 141 00:04:52,969 --> 00:04:54,736 IT'S LIKE WHEN YOUR AUNT TAKES A CONCERT VIDEO ON HER iPAD, AND THEY'RE LIKE, I GUESS THAT'S 142 00:04:54,738 --> 00:04:56,304 CONCERT VIDEO ON HER iPAD, AND THEY'RE LIKE, I GUESS THAT'S MICHAEL BUBLE. 143 00:04:56,306 --> 00:04:58,506 THEY'RE LIKE, I GUESS THAT'S MICHAEL BUBLE. I COULDN'T EVEN TELL WHEN I WAS 144 00:04:58,508 --> 00:05:00,342 MICHAEL BUBLE. I COULDN'T EVEN TELL WHEN I WAS LOOKING AT FROM UP THERE. 145 00:05:00,344 --> 00:05:02,210 I COULDN'T EVEN TELL WHEN I WAS LOOKING AT FROM UP THERE. FRANKLY, I THOUGHT THE STATE 146 00:05:02,212 --> 00:05:04,045 LOOKING AT FROM UP THERE. FRANKLY, I THOUGHT THE STATE LINES WOULD BE LIKE DRAWN OUT. 147 00:05:04,047 --> 00:05:06,081 FRANKLY, I THOUGHT THE STATE LINES WOULD BE LIKE DRAWN OUT. I THOUGHT I WOULD SEE WORDS OVER 148 00:05:06,083 --> 00:05:06,648 LINES WOULD BE LIKE DRAWN OUT. I THOUGHT I WOULD SEE WORDS OVER THE PLACES. 149 00:05:06,650 --> 00:05:09,751 I THOUGHT I WOULD SEE WORDS OVER THE PLACES. >> WELL, WE JUST DID WHAT WE HAD 150 00:05:09,753 --> 00:05:12,420 THE PLACES. >> WELL, WE JUST DID WHAT WE HAD TO DO TO PROTECT THE SECURITY OF 151 00:05:12,422 --> 00:05:13,455 >> WELL, WE JUST DID WHAT WE HAD TO DO TO PROTECT THE SECURITY OF OUR COUNTRY. 152 00:05:13,457 --> 00:05:14,289 TO DO TO PROTECT THE SECURITY OF OUR COUNTRY. >> WHY? 153 00:05:14,291 --> 00:05:15,924 OUR COUNTRY. >> WHY? IS EVERYONE FREAKING OUT BECAUSE 154 00:05:15,926 --> 00:05:17,392 >> WHY? IS EVERYONE FREAKING OUT BECAUSE I'M A CHINESE BALLOON. 155 00:05:17,394 --> 00:05:21,296 IS EVERYONE FREAKING OUT BECAUSE I'M A CHINESE BALLOON. BECAUSE WHERE I COME FROM, I'M 156 00:05:21,298 --> 00:05:21,763 I'M A CHINESE BALLOON. BECAUSE WHERE I COME FROM, I'M JUST A BALLOON. 157 00:05:21,765 --> 00:05:22,630 BECAUSE WHERE I COME FROM, I'M JUST A BALLOON. >> THANKS FOR SPEAKING WITH US 158 00:05:22,632 --> 00:05:24,366 JUST A BALLOON. >> THANKS FOR SPEAKING WITH US TODAY, AND WE'RE SORRY FOR HOW 159 00:05:24,368 --> 00:05:25,467 >> THANKS FOR SPEAKING WITH US TODAY, AND WE'RE SORRY FOR HOW EVERYTHING HAD TO GO DOWN. 160 00:05:25,469 --> 00:05:29,304 TODAY, AND WE'RE SORRY FOR HOW EVERYTHING HAD TO GO DOWN. >> OH, KATY, DON'T DO THAT. 161 00:05:29,306 --> 00:05:30,238 EVERYTHING HAD TO GO DOWN. >> OH, KATY, DON'T DO THAT. YOU'VE MADE IT VERY CLEAR THAT 162 00:05:30,240 --> 00:05:32,941 >> OH, KATY, DON'T DO THAT. YOU'VE MADE IT VERY CLEAR THAT I'M NOT WELCOME HERE, SO GOOD 163 00:05:32,943 --> 00:05:33,208 YOU'VE MADE IT VERY CLEAR THAT I'M NOT WELCOME HERE, SO GOOD JOB. 164 00:05:33,210 --> 00:05:34,342 I'M NOT WELCOME HERE, SO GOOD JOB. LET ME TELL YOU SOMETHING. 165 00:05:34,344 --> 00:05:36,144 JOB. LET ME TELL YOU SOMETHING. YOU'RE GOING TO MISS THIS 166 00:05:36,146 --> 00:05:38,413 LET ME TELL YOU SOMETHING. YOU'RE GOING TO MISS THIS CHINESE SPY BALLOON -- I MEAN, 167 00:05:38,415 --> 00:05:39,114 YOU'RE GOING TO MISS THIS CHINESE SPY BALLOON -- I MEAN, NORMAL BALLOON. 168 00:05:39,116 --> 00:05:39,948 CHINESE SPY BALLOON -- I MEAN, NORMAL BALLOON. WELL, WHATEVER. 169 00:05:39,950 --> 00:05:41,516 NORMAL BALLOON. WELL, WHATEVER. YOU ALREADY HAVE YOUR DATA. 170 00:05:41,518 --> 00:05:42,250 WELL, WHATEVER. YOU ALREADY HAVE YOUR DATA. AND LIVE FROM NEW YORK, IT'S 171 00:05:42,252 --> 00:05:49,157 YOU ALREADY HAVE YOUR DATA. AND LIVE FROM NEW YORK, IT'S SATURDAY NIGHT! 172 00:05:49,159 --> 00:05:50,458 AND LIVE FROM NEW YORK, IT'S SATURDAY NIGHT! >> Announcer: IT'S "SATURDAY 173 00:05:50,460 --> 00:05:52,527 SATURDAY NIGHT! >> Announcer: IT'S "SATURDAY NIGHT LIVE." 174 00:05:52,529 --> 00:05:54,062 >> Announcer: IT'S "SATURDAY NIGHT LIVE." WITH -- 175 00:06:56,625 --> 00:06:56,825 FEATURING -- 176 00:07:32,862 --> 00:07:48,409 MUSICAL GUEST, COLDPLAY. AND YOUR HOST, PEDRO PASCAL. LADIES AND GENTLEMEN, PEDRO 177 00:07:48,411 --> 00:08:04,259 AND YOUR HOST, PEDRO PASCAL. LADIES AND GENTLEMEN, PEDRO PASCAL! 178 00:08:04,261 --> 00:08:09,497 LADIES AND GENTLEMEN, PEDRO PASCAL! [ CHEERS AND APPLAUSE ] 179 00:08:09,499 --> 00:08:11,566 PASCAL! [ CHEERS AND APPLAUSE ] >> THANK YOU, THANK YOU. 180 00:08:11,568 --> 00:08:12,133 [ CHEERS AND APPLAUSE ] >> THANK YOU, THANK YOU. THANK YOU VERY MUCH. 181 00:08:12,135 --> 00:08:14,235 >> THANK YOU, THANK YOU. THANK YOU VERY MUCH. I'M SO EXCITED TO BE HERE. 182 00:08:14,237 --> 00:08:19,607 THANK YOU VERY MUCH. I'M SO EXCITED TO BE HERE. THANK YOU. 183 00:08:19,609 --> 00:08:22,810 I'M SO EXCITED TO BE HERE. THANK YOU. I SPENT THE LAST YEAR SHOOTING A 184 00:08:22,812 --> 00:08:26,748 THANK YOU. I SPENT THE LAST YEAR SHOOTING A SHOW CALLED "THE LAST OF US" ON 185 00:08:26,750 --> 00:08:27,015 I SPENT THE LAST YEAR SHOOTING A SHOW CALLED "THE LAST OF US" ON HBO. 186 00:08:27,017 --> 00:08:29,517 SHOW CALLED "THE LAST OF US" ON HBO. FOR SOME HBO SHOES, YOU GET TO 187 00:08:29,519 --> 00:08:31,819 HBO. FOR SOME HBO SHOES, YOU GET TO SHOOT IN A FIVE STAR ITALIAN 188 00:08:31,821 --> 00:08:33,021 FOR SOME HBO SHOES, YOU GET TO SHOOT IN A FIVE STAR ITALIAN RESORT SURROUNDED BY BEAUTIFUL 189 00:08:33,023 --> 00:08:34,756 SHOOT IN A FIVE STAR ITALIAN RESORT SURROUNDED BY BEAUTIFUL PEOPLE, BUT I SAID, NO, THAT'S 190 00:08:34,758 --> 00:08:35,423 RESORT SURROUNDED BY BEAUTIFUL PEOPLE, BUT I SAID, NO, THAT'S TOO EASY. 191 00:08:35,425 --> 00:08:37,926 PEOPLE, BUT I SAID, NO, THAT'S TOO EASY. I WANT TO SHOOT IN A FREEZING 192 00:08:37,928 --> 00:08:40,461 TOO EASY. I WANT TO SHOOT IN A FREEZING CANADIAN FOREST WHILE BEING 193 00:08:40,463 --> 00:08:42,196 I WANT TO SHOOT IN A FREEZING CANADIAN FOREST WHILE BEING CHASED AROUND BY A GUY WHOSE 194 00:08:42,198 --> 00:08:43,798 CANADIAN FOREST WHILE BEING CHASED AROUND BY A GUY WHOSE HEAD LOOKS LIKE A GENITAL WART. 195 00:08:43,800 --> 00:08:46,301 CHASED AROUND BY A GUY WHOSE HEAD LOOKS LIKE A GENITAL WART. IT IS AN HONOR BEING A PART OF 196 00:08:46,303 --> 00:08:50,772 HEAD LOOKS LIKE A GENITAL WART. IT IS AN HONOR BEING A PART OF THESE HUGE FRANCHISEs LIKE "GAME 197 00:08:50,774 --> 00:08:52,507 IT IS AN HONOR BEING A PART OF THESE HUGE FRANCHISEs LIKE "GAME OF THRONES" AND "STAR WARS," BUT 198 00:08:52,509 --> 00:08:54,809 THESE HUGE FRANCHISEs LIKE "GAME OF THRONES" AND "STAR WARS," BUT I'M STILL GETTING USED TO PEOPLE 199 00:08:54,811 --> 00:08:55,510 OF THRONES" AND "STAR WARS," BUT I'M STILL GETTING USED TO PEOPLE RECOGNIZING ME. 200 00:08:55,512 --> 00:08:58,112 I'M STILL GETTING USED TO PEOPLE RECOGNIZING ME. THE OTHER DAY, A GUY STOPPED ME 201 00:08:58,114 --> 00:09:00,815 RECOGNIZING ME. THE OTHER DAY, A GUY STOPPED ME ON THE STREET AND SAYS, MY SON 202 00:09:00,817 --> 00:09:02,850 THE OTHER DAY, A GUY STOPPED ME ON THE STREET AND SAYS, MY SON LOVES "THE MANDALORIAN" AND THE 203 00:09:02,852 --> 00:09:04,652 ON THE STREET AND SAYS, MY SON LOVES "THE MANDALORIAN" AND THE NEXT THING I KNOW, I'M FACE 204 00:09:04,654 --> 00:09:06,354 LOVES "THE MANDALORIAN" AND THE NEXT THING I KNOW, I'M FACE TIMING WITH A 6-YEAR-OLD WHO HAS 205 00:09:06,356 --> 00:09:08,523 NEXT THING I KNOW, I'M FACE TIMING WITH A 6-YEAR-OLD WHO HAS NO IDEA WHO I AM BECAUSE MY 206 00:09:08,525 --> 00:09:10,158 TIMING WITH A 6-YEAR-OLD WHO HAS NO IDEA WHO I AM BECAUSE MY CHARACTER WEARS A MASK THE 207 00:09:10,160 --> 00:09:10,959 NO IDEA WHO I AM BECAUSE MY CHARACTER WEARS A MASK THE ENTIRE SHOW. 208 00:09:10,961 --> 00:09:13,661 CHARACTER WEARS A MASK THE ENTIRE SHOW. THE GUY IS LIKE, DO THE MANDO 209 00:09:13,663 --> 00:09:15,863 ENTIRE SHOW. THE GUY IS LIKE, DO THE MANDO VOICE, BUT IT'S LIKE A BEDROOM 210 00:09:15,865 --> 00:09:16,164 THE GUY IS LIKE, DO THE MANDO VOICE, BUT IT'S LIKE A BEDROOM VOICE. 211 00:09:16,166 --> 00:09:21,402 VOICE, BUT IT'S LIKE A BEDROOM VOICE. WITHOUT THE MASK, IT JUST SOUNDS 212 00:09:21,404 --> 00:09:21,703 VOICE. WITHOUT THE MASK, IT JUST SOUNDS PORNY. 213 00:09:21,705 --> 00:09:23,838 WITHOUT THE MASK, IT JUST SOUNDS PORNY. PEOPLE WALKING BY ON THE STREET 214 00:09:23,840 --> 00:09:25,640 PORNY. PEOPLE WALKING BY ON THE STREET SEE ME WHISPERING TO A 215 00:09:25,642 --> 00:09:26,240 PEOPLE WALKING BY ON THE STREET SEE ME WHISPERING TO A 6-YEAR-OLD KID. 216 00:09:26,242 --> 00:09:28,109 SEE ME WHISPERING TO A 6-YEAR-OLD KID. I CAN BRING YOU IN WARM, OR I 217 00:09:28,111 --> 00:09:35,049 6-YEAR-OLD KID. I CAN BRING YOU IN WARM, OR I CAN BRING YOU IN COLD. 218 00:09:35,051 --> 00:09:36,718 I CAN BRING YOU IN WARM, OR I CAN BRING YOU IN COLD. EVEN THOUGH I CAME TO THE U.S. 219 00:09:36,720 --> 00:09:41,022 CAN BRING YOU IN COLD. EVEN THOUGH I CAME TO THE U.S. WHEN I WAS LITTLE, I WAS BORN IN 220 00:09:41,024 --> 00:09:42,790 EVEN THOUGH I CAME TO THE U.S. WHEN I WAS LITTLE, I WAS BORN IN CHILE, AND I HAVE 34 FIRST 221 00:09:42,792 --> 00:09:45,059 WHEN I WAS LITTLE, I WAS BORN IN CHILE, AND I HAVE 34 FIRST COUSINS WHO ARE STILL THERE. 222 00:09:45,061 --> 00:09:46,794 CHILE, AND I HAVE 34 FIRST COUSINS WHO ARE STILL THERE. THEY'RE VERY PROUD OF ME. 223 00:09:46,796 --> 00:09:48,429 COUSINS WHO ARE STILL THERE. THEY'RE VERY PROUD OF ME. I KNOW THEY'RE PROUD BECAUSE 224 00:09:48,431 --> 00:09:50,531 THEY'RE VERY PROUD OF ME. I KNOW THEY'RE PROUD BECAUSE THEY GIVE MY PHONE NUMBER TO 225 00:09:50,533 --> 00:09:51,766 I KNOW THEY'RE PROUD BECAUSE THEY GIVE MY PHONE NUMBER TO EVERY PERSON THEY MEET, WHICH 226 00:09:51,768 --> 00:09:54,235 THEY GIVE MY PHONE NUMBER TO EVERY PERSON THEY MEET, WHICH MEANS EVERY DAY, SOMEONE IN 227 00:09:54,237 --> 00:09:55,670 EVERY PERSON THEY MEET, WHICH MEANS EVERY DAY, SOMEONE IN SANTIAGO WILL TEXT ME STUFF 228 00:09:55,672 --> 00:09:57,672 MEANS EVERY DAY, SOMEONE IN SANTIAGO WILL TEXT ME STUFF LIKE, CAN YOU COME TO MY 229 00:09:57,674 --> 00:10:00,708 SANTIAGO WILL TEXT ME STUFF LIKE, CAN YOU COME TO MY WEDDING, OR CAN YOU SING MY 230 00:10:00,710 --> 00:10:01,943 LIKE, CAN YOU COME TO MY WEDDING, OR CAN YOU SING MY PRIEST HAPPY BIRTHDAY, OR IS 231 00:10:01,945 --> 00:10:05,780 WEDDING, OR CAN YOU SING MY PRIEST HAPPY BIRTHDAY, OR IS BABY YODA MEAN IN REAL LIFE. 232 00:10:05,782 --> 00:10:07,315 PRIEST HAPPY BIRTHDAY, OR IS BABY YODA MEAN IN REAL LIFE. SO I HAVE TO BE LIKE NO, NO, AND 233 00:10:07,317 --> 00:10:09,851 BABY YODA MEAN IN REAL LIFE. SO I HAVE TO BE LIKE NO, NO, AND HIS NAME IS GROGU. 234 00:10:09,853 --> 00:10:12,520 SO I HAVE TO BE LIKE NO, NO, AND HIS NAME IS GROGU. BUT MY COUSINS WEREN'T ALWAYS SO 235 00:10:12,522 --> 00:10:12,820 HIS NAME IS GROGU. BUT MY COUSINS WEREN'T ALWAYS SO PROUD. 236 00:10:12,822 --> 00:10:14,422 BUT MY COUSINS WEREN'T ALWAYS SO PROUD. EARLY IN MY CAREER, I PLAYED 237 00:10:14,424 --> 00:10:16,624 PROUD. EARLY IN MY CAREER, I PLAYED SMALL PARTS IN EVERY CRIME SHOW. 238 00:10:16,626 --> 00:10:19,293 EARLY IN MY CAREER, I PLAYED SMALL PARTS IN EVERY CRIME SHOW. I EVEN PLAYED TWO DIFFERENT 239 00:10:19,295 --> 00:10:23,665 SMALL PARTS IN EVERY CRIME SHOW. I EVEN PLAYED TWO DIFFERENT CHARACTERS ON "LAW AND ORDER." 240 00:10:23,667 --> 00:10:26,634 I EVEN PLAYED TWO DIFFERENT CHARACTERS ON "LAW AND ORDER." TITO CABASSA WHO LOOKED LIKE 241 00:10:26,636 --> 00:10:26,934 CHARACTERS ON "LAW AND ORDER." TITO CABASSA WHO LOOKED LIKE THIS. 242 00:10:26,936 --> 00:10:29,337 TITO CABASSA WHO LOOKED LIKE THIS. AND ONE YEAR LATER, I PLAYED 243 00:10:29,339 --> 00:10:32,073 THIS. AND ONE YEAR LATER, I PLAYED REGGIE LUCKMAN WHO LOOKS LIKE 244 00:10:32,075 --> 00:10:32,373 AND ONE YEAR LATER, I PLAYED REGGIE LUCKMAN WHO LOOKS LIKE THIS. 245 00:10:32,375 --> 00:10:35,209 REGGIE LUCKMAN WHO LOOKS LIKE THIS. AND THAT, MY FRIENDS, IS CALLED 246 00:10:35,211 --> 00:10:35,510 THIS. AND THAT, MY FRIENDS, IS CALLED RANGE. 247 00:10:35,512 --> 00:10:38,146 AND THAT, MY FRIENDS, IS CALLED RANGE. BUT IT IS AMAZING TO BE HERE, 248 00:10:38,148 --> 00:10:39,347 RANGE. BUT IT IS AMAZING TO BE HERE, LIKE I SAID. 249 00:10:39,349 --> 00:10:42,717 BUT IT IS AMAZING TO BE HERE, LIKE I SAID. I WAS BORN IN CHILE, AND NINE 250 00:10:42,719 --> 00:10:44,085 LIKE I SAID. I WAS BORN IN CHILE, AND NINE MONTHS LATER, MY PARENTS FLED 251 00:10:44,087 --> 00:10:45,586 I WAS BORN IN CHILE, AND NINE MONTHS LATER, MY PARENTS FLED AND BROUGHT ME AND MY SISTER TO 252 00:10:45,588 --> 00:10:46,287 MONTHS LATER, MY PARENTS FLED AND BROUGHT ME AND MY SISTER TO THE U.S. 253 00:10:46,289 --> 00:10:47,822 AND BROUGHT ME AND MY SISTER TO THE U.S. THEY WERE SO BRAVE, AND WITHOUT 254 00:10:47,824 --> 00:10:49,924 THE U.S. THEY WERE SO BRAVE, AND WITHOUT THEM, I WOULDN'T BE HERE IN THIS 255 00:10:49,926 --> 00:10:51,693 THEY WERE SO BRAVE, AND WITHOUT THEM, I WOULDN'T BE HERE IN THIS WONDERFUL COUNTRY, AND I 256 00:10:51,695 --> 00:10:52,727 THEM, I WOULDN'T BE HERE IN THIS WONDERFUL COUNTRY, AND I CERTAINLY WOULDN'T BE STANDING 257 00:10:52,729 --> 00:10:54,095 WONDERFUL COUNTRY, AND I CERTAINLY WOULDN'T BE STANDING HERE WITH YOU ALL TONIGHT. 258 00:10:54,097 --> 00:10:56,898 CERTAINLY WOULDN'T BE STANDING HERE WITH YOU ALL TONIGHT. SO TO ALL MY FAMILY WATCHING IN 259 00:10:56,900 --> 00:10:57,799 HERE WITH YOU ALL TONIGHT. SO TO ALL MY FAMILY WATCHING IN CHILE, I WANT TO SAY 260 00:10:57,801 --> 00:11:03,071 SO TO ALL MY FAMILY WATCHING IN CHILE, I WANT TO SAY [ SPEAKING NON-ENGLISH ] 261 00:11:03,073 --> 00:11:05,306 CHILE, I WANT TO SAY [ SPEAKING NON-ENGLISH ] WHICH MEANS, I LOVE YOU, I MISS 262 00:11:05,308 --> 00:11:07,275 [ SPEAKING NON-ENGLISH ] WHICH MEANS, I LOVE YOU, I MISS YOU, AND STOP GIVING OUT MY 263 00:11:07,277 --> 00:11:08,042 WHICH MEANS, I LOVE YOU, I MISS YOU, AND STOP GIVING OUT MY PHONE NUMBER. 264 00:11:08,044 --> 00:11:11,713 YOU, AND STOP GIVING OUT MY PHONE NUMBER. WE'VE GOT AN AMAZING SHOW FOR 265 00:11:11,715 --> 00:11:12,613 PHONE NUMBER. WE'VE GOT AN AMAZING SHOW FOR YOU TONIGHT. 266 00:11:12,615 --> 00:11:34,285 WE'VE GOT AN AMAZING SHOW FOR YOU TONIGHT. COLDPLAY IS HERE, SO STICK 267 00:11:35,621 --> 00:11:43,795 >>> IT'S TIME FOR THE BIG HOLLYWOOD QUIZ. HERE'S YOUR HOST, JACK DELL MAR. 268 00:11:43,797 --> 00:11:46,130 HOLLYWOOD QUIZ. HERE'S YOUR HOST, JACK DELL MAR. ♪ LIGHTS SHINE SO BRIGHTLY, 269 00:11:46,132 --> 00:11:51,335 HERE'S YOUR HOST, JACK DELL MAR. ♪ LIGHTS SHINE SO BRIGHTLY, TONIGHT WE DELIGHT IN JAMES DEAN 270 00:11:51,337 --> 00:11:52,970 ♪ LIGHTS SHINE SO BRIGHTLY, TONIGHT WE DELIGHT IN JAMES DEAN AND GENE HARLOW ♪ 271 00:11:52,972 --> 00:11:55,940 TONIGHT WE DELIGHT IN JAMES DEAN AND GENE HARLOW ♪ ♪ ON THE BIG HOLLYWOOD QUIZ ♪ 272 00:11:55,942 --> 00:11:58,876 AND GENE HARLOW ♪ ♪ ON THE BIG HOLLYWOOD QUIZ ♪ THANK YOU, THANK YOU. 273 00:11:58,878 --> 00:12:01,345 ♪ ON THE BIG HOLLYWOOD QUIZ ♪ THANK YOU, THANK YOU. WELCOME TO THE SHOW THAT'S ALL 274 00:12:01,347 --> 00:12:02,380 THANK YOU, THANK YOU. WELCOME TO THE SHOW THAT'S ALL ABOUT ENTERTAINMENT. 275 00:12:02,382 --> 00:12:05,716 WELCOME TO THE SHOW THAT'S ALL ABOUT ENTERTAINMENT. LET'S MEET OUR CONTESTANTS. 276 00:12:05,718 --> 00:12:06,884 ABOUT ENTERTAINMENT. LET'S MEET OUR CONTESTANTS. FIRST, ROBERT IS A PROFESSOR OF 277 00:12:06,886 --> 00:12:08,986 LET'S MEET OUR CONTESTANTS. FIRST, ROBERT IS A PROFESSOR OF FILM STUDIES AT TISCH SCHOOL OF 278 00:12:08,988 --> 00:12:10,321 FIRST, ROBERT IS A PROFESSOR OF FILM STUDIES AT TISCH SCHOOL OF THE ARTS. 279 00:12:10,323 --> 00:12:11,122 FILM STUDIES AT TISCH SCHOOL OF THE ARTS. >> GREAT TO BE HERE. 280 00:12:11,124 --> 00:12:13,224 THE ARTS. >> GREAT TO BE HERE. >> FINALLY, MARY HOSTS HER OWN 281 00:12:13,226 --> 00:12:14,759 >> GREAT TO BE HERE. >> FINALLY, MARY HOSTS HER OWN SHOW ON THE HISTORY OF 282 00:12:14,761 --> 00:12:15,126 >> FINALLY, MARY HOSTS HER OWN SHOW ON THE HISTORY OF HOLLYWOOD. 283 00:12:15,128 --> 00:12:16,928 SHOW ON THE HISTORY OF HOLLYWOOD. WHAT KIND OF SHOW WAS IT, MARY? 284 00:12:16,930 --> 00:12:17,662 HOLLYWOOD. WHAT KIND OF SHOW WAS IT, MARY? >> IT'S A PODCAST. 285 00:12:17,664 --> 00:12:21,332 WHAT KIND OF SHOW WAS IT, MARY? >> IT'S A PODCAST. >> OH, OKAY. 286 00:12:21,334 --> 00:12:23,668 >> IT'S A PODCAST. >> OH, OKAY. WELL, OUR CATEGORIES ARE, THE 287 00:12:23,670 --> 00:12:26,637 >> OH, OKAY. WELL, OUR CATEGORIES ARE, THE MOVIES, THE SHOWS, THE STARS, 288 00:12:26,639 --> 00:12:28,773 WELL, OUR CATEGORIES ARE, THE MOVIES, THE SHOWS, THE STARS, AND HOORAY. 289 00:12:28,775 --> 00:12:29,974 MOVIES, THE SHOWS, THE STARS, AND HOORAY. ROBERT, YOU'RE FIRST. 290 00:12:29,976 --> 00:12:32,977 AND HOORAY. ROBERT, YOU'RE FIRST. >> THANKS, JACK, WE GOT TO START 291 00:12:32,979 --> 00:12:33,411 ROBERT, YOU'RE FIRST. >> THANKS, JACK, WE GOT TO START WITH MOVIES. 292 00:12:33,413 --> 00:12:34,479 >> THANKS, JACK, WE GOT TO START WITH MOVIES. >> WE GOT TO. 293 00:12:34,481 --> 00:12:39,116 WITH MOVIES. >> WE GOT TO. THIS QUESTION IS FROM THE 1950s. 294 00:12:39,118 --> 00:12:41,586 >> WE GOT TO. THIS QUESTION IS FROM THE 1950s. IN ALL ABOUT EVE, SHE SAID, 295 00:12:41,588 --> 00:12:43,154 THIS QUESTION IS FROM THE 1950s. IN ALL ABOUT EVE, SHE SAID, FASTEN YOUR SEAT BELTS, IT'S 296 00:12:43,156 --> 00:12:46,123 IN ALL ABOUT EVE, SHE SAID, FASTEN YOUR SEAT BELTS, IT'S GOING TO BE A BUMPY RIDE. 297 00:12:46,125 --> 00:12:46,824 FASTEN YOUR SEAT BELTS, IT'S GOING TO BE A BUMPY RIDE. ROBERT, YOU BUZZED IN FIRST. 298 00:12:46,826 --> 00:12:48,426 GOING TO BE A BUMPY RIDE. ROBERT, YOU BUZZED IN FIRST. >> THE ONE AND ONLY BETTY DAVIS. 299 00:12:48,428 --> 00:12:50,928 ROBERT, YOU BUZZED IN FIRST. >> THE ONE AND ONLY BETTY DAVIS. >> YES, THAT'S $500. 300 00:12:50,930 --> 00:12:55,867 >> THE ONE AND ONLY BETTY DAVIS. >> YES, THAT'S $500. THIS SHOW IS FROM THE '80s. 301 00:12:55,869 --> 00:12:57,568 >> YES, THAT'S $500. THIS SHOW IS FROM THE '80s. IN 1983, THIS TV SHOW SET IN THE 302 00:12:57,570 --> 00:13:00,037 THIS SHOW IS FROM THE '80s. IN 1983, THIS TV SHOW SET IN THE KOREAN WAR HAD A FINALE WATCHED 303 00:13:00,039 --> 00:13:02,240 IN 1983, THIS TV SHOW SET IN THE KOREAN WAR HAD A FINALE WATCHED BY OVER 100 MILLION VIEWERS. 304 00:13:02,242 --> 00:13:04,509 KOREAN WAR HAD A FINALE WATCHED BY OVER 100 MILLION VIEWERS. >> MASH AND IT WAS WATCHED BY 305 00:13:04,511 --> 00:13:04,976 BY OVER 100 MILLION VIEWERS. >> MASH AND IT WAS WATCHED BY 106 MILLION. 306 00:13:04,978 --> 00:13:06,310 >> MASH AND IT WAS WATCHED BY 106 MILLION. >> THAT'S IT. 307 00:13:06,312 --> 00:13:07,411 106 MILLION. >> THAT'S IT. $500 FOR YOU. 308 00:13:07,413 --> 00:13:08,312 >> THAT'S IT. $500 FOR YOU. GREAT JOB. 309 00:13:08,314 --> 00:13:10,748 $500 FOR YOU. GREAT JOB. NOW LET'S GO OVER TO THE 2020s. 310 00:13:10,750 --> 00:13:13,484 GREAT JOB. NOW LET'S GO OVER TO THE 2020s. THIS BREAKOUT HIT IS THE CURRENT 311 00:13:13,486 --> 00:13:16,954 NOW LET'S GO OVER TO THE 2020s. THIS BREAKOUT HIT IS THE CURRENT NUMBER ONE SHOW ON NETFLIX. 312 00:13:16,956 --> 00:13:22,426 THIS BREAKOUT HIT IS THE CURRENT NUMBER ONE SHOW ON NETFLIX. IT'S GINNY AND -- ANYONE? 313 00:13:22,428 --> 00:13:23,895 NUMBER ONE SHOW ON NETFLIX. IT'S GINNY AND -- ANYONE? IT'S THE MOST WATCHED SHOW ON 314 00:13:23,897 --> 00:13:26,230 IT'S GINNY AND -- ANYONE? IT'S THE MOST WATCHED SHOW ON THE MOST WATCHED STREAMING 315 00:13:26,232 --> 00:13:28,432 IT'S THE MOST WATCHED SHOW ON THE MOST WATCHED STREAMING SERVICE IN THE WORLD. 316 00:13:28,434 --> 00:13:29,800 THE MOST WATCHED STREAMING SERVICE IN THE WORLD. NO? 317 00:13:29,802 --> 00:13:30,234 SERVICE IN THE WORLD. NO? GINNY AND -- 318 00:13:30,236 --> 00:13:31,335 NO? GINNY AND -- >> JUICE? 319 00:13:31,337 --> 00:13:32,036 GINNY AND -- >> JUICE? >> NO. 320 00:13:32,038 --> 00:13:33,938 >> JUICE? >> NO. IT WAS GINNY AND GEORGIA. 321 00:13:33,940 --> 00:13:36,240 >> NO. IT WAS GINNY AND GEORGIA. SEASON TWO. 322 00:13:36,242 --> 00:13:38,042 IT WAS GINNY AND GEORGIA. SEASON TWO. >> IS THAT FROM EUROPE? 323 00:13:38,044 --> 00:13:38,843 SEASON TWO. >> IS THAT FROM EUROPE? >> NO. 324 00:13:38,845 --> 00:13:40,645 >> IS THAT FROM EUROPE? >> NO. IT'S TOTALLY AMERICAN. 325 00:13:40,647 --> 00:13:40,945 >> NO. IT'S TOTALLY AMERICAN. OKAY. 326 00:13:40,947 --> 00:13:42,280 IT'S TOTALLY AMERICAN. OKAY. ROBERT, PICK A CATEGORY. 327 00:13:42,282 --> 00:13:45,316 OKAY. ROBERT, PICK A CATEGORY. >> LET'S GO TO HOORA WHY. 328 00:13:45,318 --> 00:13:47,285 ROBERT, PICK A CATEGORY. >> LET'S GO TO HOORA WHY. >> THESE ARE ALL ABOUT AWARDS. 329 00:13:47,287 --> 00:13:48,920 >> LET'S GO TO HOORA WHY. >> THESE ARE ALL ABOUT AWARDS. STICKING WITH THE 2020s. 330 00:13:48,922 --> 00:13:50,488 >> THESE ARE ALL ABOUT AWARDS. STICKING WITH THE 2020s. THIS FILM WRITTEN AND DIRECTED 331 00:13:50,490 --> 00:13:54,325 STICKING WITH THE 2020s. THIS FILM WRITTEN AND DIRECTED BY SARAH POLLEY HAS BEEN 332 00:13:54,327 --> 00:13:55,760 THIS FILM WRITTEN AND DIRECTED BY SARAH POLLEY HAS BEEN NOMINATED FOR BEST PICTURE THIS 333 00:13:55,762 --> 00:13:56,294 BY SARAH POLLEY HAS BEEN NOMINATED FOR BEST PICTURE THIS YEAR. 334 00:13:56,296 --> 00:13:57,128 NOMINATED FOR BEST PICTURE THIS YEAR. NO ONE? 335 00:13:57,130 --> 00:13:59,096 YEAR. NO ONE? I'LL GIVE YOU A HINT. 336 00:13:59,098 --> 00:14:01,699 NO ONE? I'LL GIVE YOU A HINT. IT HAS AN ALL FEMALE CAST 337 00:14:01,701 --> 00:14:04,235 I'LL GIVE YOU A HINT. IT HAS AN ALL FEMALE CAST FEATURING OSCAR WINNER FRANCIS 338 00:14:04,237 --> 00:14:04,635 IT HAS AN ALL FEMALE CAST FEATURING OSCAR WINNER FRANCIS McDORMAND. 339 00:14:04,637 --> 00:14:06,437 FEATURING OSCAR WINNER FRANCIS McDORMAND. >> 80 FOR BRADY. 340 00:14:06,439 --> 00:14:06,737 McDORMAND. >> 80 FOR BRADY. >> NO. 341 00:14:06,739 --> 00:14:08,873 >> 80 FOR BRADY. >> NO. ANYONE ELSE? 342 00:14:08,875 --> 00:14:10,675 >> NO. ANYONE ELSE? >> CAN YOU GIVE US A HINT? 343 00:14:10,677 --> 00:14:12,009 ANYONE ELSE? >> CAN YOU GIVE US A HINT? >> IT'S WOMEN TALKING. 344 00:14:12,011 --> 00:14:14,645 >> CAN YOU GIVE US A HINT? >> IT'S WOMEN TALKING. >> BE MORE SPECIFIC. 345 00:14:14,647 --> 00:14:15,146 >> IT'S WOMEN TALKING. >> BE MORE SPECIFIC. >> NO. 346 00:14:15,148 --> 00:14:16,247 >> BE MORE SPECIFIC. >> NO. THAT'S THE TITLE. 347 00:14:16,249 --> 00:14:17,682 >> NO. THAT'S THE TITLE. WOMEN TALKING. 348 00:14:17,684 --> 00:14:19,984 THAT'S THE TITLE. WOMEN TALKING. THE WONDERFUL FILM. 349 00:14:19,986 --> 00:14:22,019 WOMEN TALKING. THE WONDERFUL FILM. DO YOU ALL WATCH MUCH TV OR 350 00:14:22,021 --> 00:14:22,353 THE WONDERFUL FILM. DO YOU ALL WATCH MUCH TV OR MOVIES? 351 00:14:22,355 --> 00:14:23,287 DO YOU ALL WATCH MUCH TV OR MOVIES? >> I DO. 352 00:14:23,289 --> 00:14:25,222 MOVIES? >> I DO. AT LEAST 12 HOURS A DAY. 353 00:14:25,224 --> 00:14:26,857 >> I DO. AT LEAST 12 HOURS A DAY. >> YIKES. 354 00:14:26,859 --> 00:14:28,259 AT LEAST 12 HOURS A DAY. >> YIKES. HERE'S THE NEXT QUESTION. 355 00:14:28,261 --> 00:14:31,529 >> YIKES. HERE'S THE NEXT QUESTION. JUST LAST WEEK, ANDREA WAS 356 00:14:31,531 --> 00:14:33,764 HERE'S THE NEXT QUESTION. JUST LAST WEEK, ANDREA WAS NOMINATED FOR AN OSCAR FOR HER 357 00:14:33,766 --> 00:14:41,272 JUST LAST WEEK, ANDREA WAS NOMINATED FOR AN OSCAR FOR HER ROLE IN WHICH MOVIE? 358 00:14:41,274 --> 00:14:41,606 NOMINATED FOR AN OSCAR FOR HER ROLE IN WHICH MOVIE? ANYONE? 359 00:14:41,608 --> 00:14:41,939 ROLE IN WHICH MOVIE? ANYONE? ANDREA. 360 00:14:41,941 --> 00:14:42,974 ANYONE? ANDREA. THEY SAY IT WAS THE BEST 361 00:14:42,976 --> 00:14:43,641 ANDREA. THEY SAY IT WAS THE BEST PERFORMANCE OF HER CAREER. 362 00:14:43,643 --> 00:14:47,979 THEY SAY IT WAS THE BEST PERFORMANCE OF HER CAREER. >> CAREER? 363 00:14:47,981 --> 00:14:50,181 PERFORMANCE OF HER CAREER. >> CAREER? >> IT WAS TO LESLIE. 364 00:14:50,183 --> 00:14:51,549 >> CAREER? >> IT WAS TO LESLIE. THAT'S RIGHT, TO LESLIE. 365 00:14:51,551 --> 00:14:52,383 >> IT WAS TO LESLIE. THAT'S RIGHT, TO LESLIE. IT'S GREAT. 366 00:14:52,385 --> 00:14:53,384 THAT'S RIGHT, TO LESLIE. IT'S GREAT. YOU SHOULD REALLY SEE IT BECAUSE 367 00:14:53,386 --> 00:14:57,154 IT'S GREAT. YOU SHOULD REALLY SEE IT BECAUSE SO FAR, IT'S MADE $27,300. 368 00:14:57,156 --> 00:14:57,888 YOU SHOULD REALLY SEE IT BECAUSE SO FAR, IT'S MADE $27,300. >> OKAY. 369 00:14:57,890 --> 00:14:59,824 SO FAR, IT'S MADE $27,300. >> OKAY. THAT'S NOT A LOT FOR OPENING 370 00:14:59,826 --> 00:15:00,157 >> OKAY. THAT'S NOT A LOT FOR OPENING WEEKEND. 371 00:15:00,159 --> 00:15:03,561 THAT'S NOT A LOT FOR OPENING WEEKEND. >> IT'S BEEN OUT FOR FOUR 372 00:15:03,563 --> 00:15:03,894 WEEKEND. >> IT'S BEEN OUT FOR FOUR MONTHS. 373 00:15:03,896 --> 00:15:05,730 >> IT'S BEEN OUT FOR FOUR MONTHS. >> CAN I MAKE A REQUEST? 374 00:15:05,732 --> 00:15:07,865 MONTHS. >> CAN I MAKE A REQUEST? CAN WE DO A QUESTION WITH SOME 375 00:15:07,867 --> 00:15:10,434 >> CAN I MAKE A REQUEST? CAN WE DO A QUESTION WITH SOME BIG MOVIE STARS, PEOPLE WE WOULD 376 00:15:10,436 --> 00:15:10,801 CAN WE DO A QUESTION WITH SOME BIG MOVIE STARS, PEOPLE WE WOULD ALL KNOW. 377 00:15:10,803 --> 00:15:12,036 BIG MOVIE STARS, PEOPLE WE WOULD ALL KNOW. >> LIKE WHO? 378 00:15:12,038 --> 00:15:12,737 ALL KNOW. >> LIKE WHO? >> NICOLE KIDMAN. 379 00:15:12,739 --> 00:15:13,938 >> LIKE WHO? >> NICOLE KIDMAN. >> ABSOLUTELY. 380 00:15:13,940 --> 00:15:16,474 >> NICOLE KIDMAN. >> ABSOLUTELY. THIS PAST YEAR NICOLE KIDMAN 381 00:15:16,476 --> 00:15:18,809 >> ABSOLUTELY. THIS PAST YEAR NICOLE KIDMAN STARRED IN THIS DARKLY FEMINIST 382 00:15:18,811 --> 00:15:21,245 THIS PAST YEAR NICOLE KIDMAN STARRED IN THIS DARKLY FEMINIST DRAMA ON APPLE TV. 383 00:15:21,247 --> 00:15:21,946 STARRED IN THIS DARKLY FEMINIST DRAMA ON APPLE TV. >> WEDNESDAY? 384 00:15:21,948 --> 00:15:22,246 DRAMA ON APPLE TV. >> WEDNESDAY? >> NO. 385 00:15:22,248 --> 00:15:25,850 >> WEDNESDAY? >> NO. ANYONE? 386 00:15:25,852 --> 00:15:26,484 >> NO. ANYONE? NOBODY? 387 00:15:26,486 --> 00:15:26,884 ANYONE? NOBODY? IT WAS ROAR. 388 00:15:26,886 --> 00:15:29,453 NOBODY? IT WAS ROAR. THAT'S RIGHT, ROAR. 389 00:15:29,455 --> 00:15:29,787 IT WAS ROAR. THAT'S RIGHT, ROAR. >> NO. 390 00:15:29,789 --> 00:15:32,823 THAT'S RIGHT, ROAR. >> NO. >> YES. 391 00:15:32,825 --> 00:15:33,257 >> NO. >> YES. OKAY. 392 00:15:33,259 --> 00:15:35,192 >> YES. OKAY. LET'S DO SAMUEL L. JACKSON. 393 00:15:35,194 --> 00:15:36,761 OKAY. LET'S DO SAMUEL L. JACKSON. EVERYONE KNOWS HIM, RIGHT? 394 00:15:36,763 --> 00:15:38,896 LET'S DO SAMUEL L. JACKSON. EVERYONE KNOWS HIM, RIGHT? THIS PAST YEAR, SAMUEL L. 395 00:15:38,898 --> 00:15:40,364 EVERYONE KNOWS HIM, RIGHT? THIS PAST YEAR, SAMUEL L. JACKSON STARRED IN THIS 396 00:15:40,366 --> 00:15:42,333 THIS PAST YEAR, SAMUEL L. JACKSON STARRED IN THIS CRITICALLY ACCLAIMED DRAMA ON 397 00:15:42,335 --> 00:15:43,934 JACKSON STARRED IN THIS CRITICALLY ACCLAIMED DRAMA ON APPLE TV. 398 00:15:43,936 --> 00:15:44,902 CRITICALLY ACCLAIMED DRAMA ON APPLE TV. >> WEDNESDAY. 399 00:15:44,904 --> 00:15:47,938 APPLE TV. >> WEDNESDAY. >> NO. 400 00:15:47,940 --> 00:15:48,406 >> WEDNESDAY. >> NO. SORRY. 401 00:15:48,408 --> 00:15:51,409 >> NO. SORRY. IT WAS THE LAST DAYS OF PETOLOME 402 00:15:51,411 --> 00:15:51,709 SORRY. IT WAS THE LAST DAYS OF PETOLOME GRAY. 403 00:15:51,711 --> 00:15:52,977 IT WAS THE LAST DAYS OF PETOLOME GRAY. >> COME ON. 404 00:15:52,979 --> 00:15:55,846 GRAY. >> COME ON. YOU'VE GOT TO BE KIDDING ME. 405 00:15:55,848 --> 00:15:57,615 >> COME ON. YOU'VE GOT TO BE KIDDING ME. >> I'M PETOTALLY SERIOUS. 406 00:15:57,617 --> 00:15:59,383 YOU'VE GOT TO BE KIDDING ME. >> I'M PETOTALLY SERIOUS. >> I'M SURE THOSE SHOWS ARE 407 00:15:59,385 --> 00:16:01,385 >> I'M PETOTALLY SERIOUS. >> I'M SURE THOSE SHOWS ARE GREAT, BUT WHERE DID ALL THE 408 00:16:01,387 --> 00:16:02,787 >> I'M SURE THOSE SHOWS ARE GREAT, BUT WHERE DID ALL THE POPULAR MOVIES GO? 409 00:16:02,789 --> 00:16:04,121 GREAT, BUT WHERE DID ALL THE POPULAR MOVIES GO? >> THEY'RE STILL HERE. 410 00:16:04,123 --> 00:16:05,556 POPULAR MOVIES GO? >> THEY'RE STILL HERE. YOU CAN WATCH THEM ON YOUR PHONE 411 00:16:05,558 --> 00:16:07,091 >> THEY'RE STILL HERE. YOU CAN WATCH THEM ON YOUR PHONE ON THE TOILET. 412 00:16:07,093 --> 00:16:07,391 YOU CAN WATCH THEM ON YOUR PHONE ON THE TOILET. OKAY. 413 00:16:07,393 --> 00:16:09,627 ON THE TOILET. OKAY. SINCE NO ONE IS IN THE LEAD, 414 00:16:09,629 --> 00:16:11,529 OKAY. SINCE NO ONE IS IN THE LEAD, LET'S MOVE ON TO THE SPEED 415 00:16:11,531 --> 00:16:11,996 SINCE NO ONE IS IN THE LEAD, LET'S MOVE ON TO THE SPEED ROUND. 416 00:16:11,998 --> 00:16:13,531 LET'S MOVE ON TO THE SPEED ROUND. ROBERT, YOU'RE STILL IN CONTROL. 417 00:16:13,533 --> 00:16:17,234 ROUND. ROBERT, YOU'RE STILL IN CONTROL. OUR ERA IS THE '80s. 418 00:16:17,236 --> 00:16:17,601 ROBERT, YOU'RE STILL IN CONTROL. OUR ERA IS THE '80s. >> GREAT. 419 00:16:17,603 --> 00:16:20,738 OUR ERA IS THE '80s. >> GREAT. >> THE YEAR 1989 FEATURED MOVIES 420 00:16:20,740 --> 00:16:23,207 >> GREAT. >> THE YEAR 1989 FEATURED MOVIES LIKE THE LITTLE MERMAID, WHEN 421 00:16:23,209 --> 00:16:25,776 >> THE YEAR 1989 FEATURED MOVIES LIKE THE LITTLE MERMAID, WHEN HARRY MET SALLY, BATMAN, DEAD 422 00:16:25,778 --> 00:16:27,845 LIKE THE LITTLE MERMAID, WHEN HARRY MET SALLY, BATMAN, DEAD POETS SOCIETY, AND DO THE RIGHT 423 00:16:27,847 --> 00:16:28,145 HARRY MET SALLY, BATMAN, DEAD POETS SOCIETY, AND DO THE RIGHT THING. 424 00:16:28,147 --> 00:16:29,780 POETS SOCIETY, AND DO THE RIGHT THING. ROBERT, NAME THREE MOVIES FROM 425 00:16:29,782 --> 00:16:30,781 THING. ROBERT, NAME THREE MOVIES FROM THE PAST FIVE YEARS. 426 00:16:30,783 --> 00:16:34,652 ROBERT, NAME THREE MOVIES FROM THE PAST FIVE YEARS. >> OH, WOW. 427 00:16:34,654 --> 00:16:34,952 THE PAST FIVE YEARS. >> OH, WOW. THREE? 428 00:16:34,954 --> 00:16:35,252 >> OH, WOW. THREE? OKAY. 429 00:16:35,254 --> 00:16:35,519 THREE? OKAY. WOW. 430 00:16:35,521 --> 00:16:35,920 OKAY. WOW. "TOP GUN." 431 00:16:35,922 --> 00:16:36,921 WOW. "TOP GUN." >> OKAY. 432 00:16:36,923 --> 00:16:37,321 "TOP GUN." >> OKAY. THAT'S ONE. 433 00:16:37,323 --> 00:16:37,688 >> OKAY. THAT'S ONE. >> GREAT. 434 00:16:37,690 --> 00:16:42,593 THAT'S ONE. >> GREAT. OH, GOSH. 435 00:16:42,595 --> 00:16:44,061 >> GREAT. OH, GOSH. THE HANGOVER? 436 00:16:44,063 --> 00:16:46,530 OH, GOSH. THE HANGOVER? >> THAT WAS 20 YEARS AGO. 437 00:16:46,532 --> 00:16:49,366 THE HANGOVER? >> THAT WAS 20 YEARS AGO. >> THE NIGHT. 438 00:16:49,368 --> 00:16:49,633 >> THAT WAS 20 YEARS AGO. >> THE NIGHT. MAN. 439 00:16:49,635 --> 00:16:51,102 >> THE NIGHT. MAN. >> SOUNDS LIKE YOU'RE JUST 440 00:16:51,104 --> 00:16:51,869 MAN. >> SOUNDS LIKE YOU'RE JUST SAYING WORDS. 441 00:16:51,871 --> 00:16:52,470 >> SOUNDS LIKE YOU'RE JUST SAYING WORDS. COME ON. 442 00:16:52,472 --> 00:16:54,105 SAYING WORDS. COME ON. ALL YOU NEED IS ONE. 443 00:16:54,107 --> 00:16:56,774 COME ON. ALL YOU NEED IS ONE. CAN'T YOU JUST NAME ONE MORE 444 00:16:56,776 --> 00:16:57,074 ALL YOU NEED IS ONE. CAN'T YOU JUST NAME ONE MORE MOVIE? 445 00:16:57,076 --> 00:16:57,742 CAN'T YOU JUST NAME ONE MORE MOVIE? >> NOPE. 446 00:16:57,744 --> 00:16:59,510 MOVIE? >> NOPE. >> THAT'S RIGHT, NOPE! 447 00:16:59,512 --> 00:17:02,279 >> NOPE. >> THAT'S RIGHT, NOPE! YOU WON THE SPEED ROUND. 448 00:17:02,281 --> 00:17:04,582 >> THAT'S RIGHT, NOPE! YOU WON THE SPEED ROUND. >> YEA! 449 00:17:04,584 --> 00:17:04,849 YOU WON THE SPEED ROUND. >> YEA! WHY? 450 00:17:04,851 --> 00:17:06,817 >> YEA! WHY? >> JUST TAKE THE WIN, ROBERT. 451 00:17:06,819 --> 00:17:08,886 WHY? >> JUST TAKE THE WIN, ROBERT. WHEN WE COME BACK, THESE THREE 452 00:17:08,888 --> 00:17:10,955 >> JUST TAKE THE WIN, ROBERT. WHEN WE COME BACK, THESE THREE WILL TRY TO GUESS WHAT JULIA 453 00:17:10,957 --> 00:17:12,990 WHEN WE COME BACK, THESE THREE WILL TRY TO GUESS WHAT JULIA ROBERTS IS DOING ON STARZ. 454 00:17:12,992 --> 00:17:16,927 WILL TRY TO GUESS WHAT JULIA ROBERTS IS DOING ON STARZ. BYE! 455 00:17:16,929 --> 00:17:19,997 ROBERTS IS DOING ON STARZ. BYE! >>> HBO'S THE LAST OF US IS A 456 00:17:19,999 --> 00:17:22,967 BYE! >>> HBO'S THE LAST OF US IS A HIT SO A VIDEO GAME CAN BECOME A 457 00:17:22,969 --> 00:17:26,070 >>> HBO'S THE LAST OF US IS A HIT SO A VIDEO GAME CAN BECOME A PRESTIGE DRAMA IN SPRING, HBO IS 458 00:17:26,072 --> 00:17:28,038 HIT SO A VIDEO GAME CAN BECOME A PRESTIGE DRAMA IN SPRING, HBO IS DOING IT AGAIN WITH ANOTHER 459 00:17:28,040 --> 00:17:28,539 PRESTIGE DRAMA IN SPRING, HBO IS DOING IT AGAIN WITH ANOTHER ICONIC GAME. 460 00:17:28,541 --> 00:17:31,909 DOING IT AGAIN WITH ANOTHER ICONIC GAME. >> IT'S BEEN TEN YEARS SINCE OUR 461 00:17:31,911 --> 00:17:32,743 ICONIC GAME. >> IT'S BEEN TEN YEARS SINCE OUR KINGDOM FELL. 462 00:17:32,745 --> 00:17:36,981 >> IT'S BEEN TEN YEARS SINCE OUR KINGDOM FELL. THE ONLY THING WE HAVE LEFT, 463 00:17:36,983 --> 00:17:37,281 KINGDOM FELL. THE ONLY THING WE HAVE LEFT, HOPE. 464 00:17:37,283 --> 00:17:40,851 THE ONLY THING WE HAVE LEFT, HOPE. >> I HAVE IMPORTANT CARGO I NEED 465 00:17:40,853 --> 00:17:42,753 HOPE. >> I HAVE IMPORTANT CARGO I NEED SMUGGLED TO RAINBOW ROAD. 466 00:17:42,755 --> 00:17:44,188 >> I HAVE IMPORTANT CARGO I NEED SMUGGLED TO RAINBOW ROAD. PEOPLE SAY YOU USED TO DRIVE. 467 00:17:44,190 --> 00:17:45,556 SMUGGLED TO RAINBOW ROAD. PEOPLE SAY YOU USED TO DRIVE. >> PEOPLE SAY A LOT OF THINGS. 468 00:17:45,558 --> 00:17:47,758 PEOPLE SAY YOU USED TO DRIVE. >> PEOPLE SAY A LOT OF THINGS. >> YOU GOT A NAME? 469 00:17:47,760 --> 00:17:58,903 >> PEOPLE SAY A LOT OF THINGS. >> YOU GOT A NAME? >> IT'S A-ME, MARIO. 470 00:17:58,905 --> 00:18:00,037 >> YOU GOT A NAME? >> IT'S A-ME, MARIO. WHAT'S IN THE CARGO? 471 00:18:00,039 --> 00:18:02,006 >> IT'S A-ME, MARIO. WHAT'S IN THE CARGO? >> NOT WHAT. 472 00:18:02,008 --> 00:18:02,406 WHAT'S IN THE CARGO? >> NOT WHAT. WHO. 473 00:18:02,408 --> 00:18:05,009 >> NOT WHAT. WHO. SHE'S A PRINCESS. 474 00:18:05,011 --> 00:18:05,976 WHO. SHE'S A PRINCESS. AT LEAST SHE WAS UNTIL HE TOOK 475 00:18:05,978 --> 00:18:10,281 SHE'S A PRINCESS. AT LEAST SHE WAS UNTIL HE TOOK OVER. 476 00:18:10,283 --> 00:18:11,315 AT LEAST SHE WAS UNTIL HE TOOK OVER. >> WE'LL NEVER MAKE IT ON FOOT. 477 00:18:11,317 --> 00:18:20,691 OVER. >> WE'LL NEVER MAKE IT ON FOOT. >> YOU WON'T HAVE TO. 478 00:18:20,693 --> 00:18:22,893 >> WE'LL NEVER MAKE IT ON FOOT. >> YOU WON'T HAVE TO. >> LET'S A-GO. 479 00:18:22,895 --> 00:18:23,961 >> YOU WON'T HAVE TO. >> LET'S A-GO. >> FROM THE PRODUCERS OF THE 480 00:18:23,963 --> 00:18:26,797 >> LET'S A-GO. >> FROM THE PRODUCERS OF THE LAST OF US AND THE MASTER STORY 481 00:18:26,799 --> 00:18:29,099 >> FROM THE PRODUCERS OF THE LAST OF US AND THE MASTER STORY TELLERS BEHIND MARIO CARTS 1 482 00:18:29,101 --> 00:18:29,567 LAST OF US AND THE MASTER STORY TELLERS BEHIND MARIO CARTS 1 THROUGH 8. 483 00:18:29,569 --> 00:18:31,702 TELLERS BEHIND MARIO CARTS 1 THROUGH 8. >> WHAT'S IT LIKE OUT HERE? 484 00:18:31,704 --> 00:18:33,704 THROUGH 8. >> WHAT'S IT LIKE OUT HERE? >> COMING OUT HERE ISN'T A GAME. 485 00:18:33,706 --> 00:18:35,105 >> WHAT'S IT LIKE OUT HERE? >> COMING OUT HERE ISN'T A GAME. IF WE'RE GOING TO MAKE IT, WE 486 00:18:35,107 --> 00:18:41,045 >> COMING OUT HERE ISN'T A GAME. IF WE'RE GOING TO MAKE IT, WE NEED ALL THE HELP WE CAN GET. 487 00:18:41,047 --> 00:18:44,014 IF WE'RE GOING TO MAKE IT, WE NEED ALL THE HELP WE CAN GET. >> IT'S A-LUIGI TIME. 488 00:18:44,016 --> 00:18:46,550 NEED ALL THE HELP WE CAN GET. >> IT'S A-LUIGI TIME. >> EVERYONE ON THIS ROAD WANTS 489 00:18:46,552 --> 00:18:46,917 >> IT'S A-LUIGI TIME. >> EVERYONE ON THIS ROAD WANTS US DEAD. 490 00:18:46,919 --> 00:18:48,319 >> EVERYONE ON THIS ROAD WANTS US DEAD. >> WHAT IS THAT THING? 491 00:18:48,321 --> 00:18:55,226 US DEAD. >> WHAT IS THAT THING? >> GOOMBA. 492 00:18:55,228 --> 00:18:57,528 >> WHAT IS THAT THING? >> GOOMBA. FUNGUS, WEARING SHOES FOR LEGS. 493 00:18:57,530 --> 00:19:00,030 >> GOOMBA. FUNGUS, WEARING SHOES FOR LEGS. >> DRAMATIC HBO CHARACTERS. 494 00:19:00,032 --> 00:19:01,665 FUNGUS, WEARING SHOES FOR LEGS. >> DRAMATIC HBO CHARACTERS. >> I'M YOSHI. 495 00:19:01,667 --> 00:19:07,471 >> DRAMATIC HBO CHARACTERS. >> I'M YOSHI. I'M BISEXUAL. 496 00:19:07,473 --> 00:19:09,340 >> I'M YOSHI. I'M BISEXUAL. >> NAME'S TOAD. 497 00:19:09,342 --> 00:19:10,808 I'M BISEXUAL. >> NAME'S TOAD. ALSO, I'M BISEXUAL. 498 00:19:10,810 --> 00:19:13,410 >> NAME'S TOAD. ALSO, I'M BISEXUAL. >> HBO PICKED THE WRONG GAME TO 499 00:19:13,412 --> 00:19:16,213 ALSO, I'M BISEXUAL. >> HBO PICKED THE WRONG GAME TO DO THIS WITH, RAVES VARIETY. 500 00:19:16,215 --> 00:19:19,850 >> HBO PICKED THE WRONG GAME TO DO THIS WITH, RAVES VARIETY. >> YEAH, THIS AIN'T IT, ADDS THE 501 00:19:19,852 --> 00:19:20,351 DO THIS WITH, RAVES VARIETY. >> YEAH, THIS AIN'T IT, ADDS THE NEW YORK TIMES. 502 00:19:20,353 --> 00:19:21,919 >> YEAH, THIS AIN'T IT, ADDS THE NEW YORK TIMES. >> YOU EAT THAT POISON? 503 00:19:21,921 --> 00:19:24,421 NEW YORK TIMES. >> YOU EAT THAT POISON? >> IT MAKES ME FEEL BIG, OKAY? 504 00:19:24,423 --> 00:19:26,290 >> YOU EAT THAT POISON? >> IT MAKES ME FEEL BIG, OKAY? I NEED TO FEEL BIG! 505 00:19:26,292 --> 00:19:27,758 >> IT MAKES ME FEEL BIG, OKAY? I NEED TO FEEL BIG! BECAUSE BOWSER'S OUT THERE. 506 00:19:27,760 --> 00:19:30,461 I NEED TO FEEL BIG! BECAUSE BOWSER'S OUT THERE. AND HE'S THE MAIN BAD GUY. 507 00:19:30,463 --> 00:19:39,203 BECAUSE BOWSER'S OUT THERE. AND HE'S THE MAIN BAD GUY. ♪ 508 00:19:39,205 --> 00:19:40,938 AND HE'S THE MAIN BAD GUY. ♪ WE'RE OUT THERE IN OUR CARTS, 509 00:19:40,940 --> 00:19:45,576 ♪ WE'RE OUT THERE IN OUR CARTS, AND I NEED YOU TO TRUST ME. 510 00:19:45,578 --> 00:19:49,780 WE'RE OUT THERE IN OUR CARTS, AND I NEED YOU TO TRUST ME. I'LL GET YOU TO RAINBOW ROAD. 511 00:19:49,782 --> 00:19:51,015 AND I NEED YOU TO TRUST ME. I'LL GET YOU TO RAINBOW ROAD. >> YOU CAN DO THIS! 512 00:19:51,017 --> 00:19:51,315 I'LL GET YOU TO RAINBOW ROAD. >> YOU CAN DO THIS! >> NO. 513 00:19:51,317 --> 00:19:59,223 >> YOU CAN DO THIS! >> NO. IT'S RED. 514 00:19:59,225 --> 00:20:01,392 >> NO. IT'S RED. >> WHAT IF WE CRASH? 515 00:20:01,394 --> 00:20:03,060 IT'S RED. >> WHAT IF WE CRASH? >> A LITTLE GUY IN A CLOUD COMES 516 00:20:03,062 --> 00:20:05,162 >> WHAT IF WE CRASH? >> A LITTLE GUY IN A CLOUD COMES AND USES A FISHING POLE TO PUT 517 00:20:05,164 --> 00:20:06,931 >> A LITTLE GUY IN A CLOUD COMES AND USES A FISHING POLE TO PUT YOU BACK ON THE ROAD. 518 00:20:06,933 --> 00:20:19,977 AND USES A FISHING POLE TO PUT YOU BACK ON THE ROAD. >> OH, OKAY. 519 00:20:19,979 --> 00:20:21,245 YOU BACK ON THE ROAD. >> OH, OKAY. >>> DOCTOR, I CAN'T BELIEVE 520 00:20:21,247 --> 00:20:21,545 >> OH, OKAY. >>> DOCTOR, I CAN'T BELIEVE THIS. 521 00:20:21,547 --> 00:20:23,247 >>> DOCTOR, I CAN'T BELIEVE THIS. HOW LONG HAS MY HUSBAND BEEN 522 00:20:23,249 --> 00:20:23,547 THIS. HOW LONG HAS MY HUSBAND BEEN AWAKE? 523 00:20:23,549 --> 00:20:24,815 HOW LONG HAS MY HUSBAND BEEN AWAKE? >> SINCE THIS MORNING. 524 00:20:24,817 --> 00:20:29,687 AWAKE? >> SINCE THIS MORNING. AND HEY, CALL ME DR. JIM. 525 00:20:29,689 --> 00:20:31,355 >> SINCE THIS MORNING. AND HEY, CALL ME DR. JIM. HE'S STILL VERY WEAK AFTER THE 526 00:20:31,357 --> 00:20:33,157 AND HEY, CALL ME DR. JIM. HE'S STILL VERY WEAK AFTER THE COMA, BUT IT SEEMS LIKE HE WANTS 527 00:20:33,159 --> 00:20:33,557 HE'S STILL VERY WEAK AFTER THE COMA, BUT IT SEEMS LIKE HE WANTS TO SPEAK. 528 00:20:33,559 --> 00:20:34,591 COMA, BUT IT SEEMS LIKE HE WANTS TO SPEAK. >> OH, MY GOD. 529 00:20:34,593 --> 00:20:36,627 TO SPEAK. >> OH, MY GOD. I THOUGHT I LOST MY BEST FRIEND. 530 00:20:36,629 --> 00:20:37,561 >> OH, MY GOD. I THOUGHT I LOST MY BEST FRIEND. THIS IS A MIRACLE. 531 00:20:37,563 --> 00:20:38,862 I THOUGHT I LOST MY BEST FRIEND. THIS IS A MIRACLE. >> I KNOW. 532 00:20:38,864 --> 00:20:40,230 THIS IS A MIRACLE. >> I KNOW. LOOK, HE'S WAKING UP! 533 00:20:40,232 --> 00:20:42,399 >> I KNOW. LOOK, HE'S WAKING UP! >> CHARLIE, HEY, IT'S ME. 534 00:20:42,401 --> 00:20:42,833 LOOK, HE'S WAKING UP! >> CHARLIE, HEY, IT'S ME. WELCOME BACK. 535 00:20:42,835 --> 00:20:43,834 >> CHARLIE, HEY, IT'S ME. WELCOME BACK. >> OH, MY GAH. 536 00:20:43,836 --> 00:20:46,971 WELCOME BACK. >> OH, MY GAH. WHERE AM I? 537 00:20:46,973 --> 00:20:50,708 >> OH, MY GAH. WHERE AM I? WHY AM I IN THE BED? 538 00:20:50,710 --> 00:20:51,742 WHERE AM I? WHY AM I IN THE BED? I DON'T GET ANYTHING THAT'S 539 00:20:51,744 --> 00:20:53,277 WHY AM I IN THE BED? I DON'T GET ANYTHING THAT'S GOING ON RIGHT NOW. 540 00:20:53,279 --> 00:20:54,712 I DON'T GET ANYTHING THAT'S GOING ON RIGHT NOW. >> DOCTOR? 541 00:20:54,714 --> 00:20:56,113 GOING ON RIGHT NOW. >> DOCTOR? >> IT'S VERY COMMON. 542 00:20:56,115 --> 00:20:58,282 >> DOCTOR? >> IT'S VERY COMMON. HE'S GOING TO BE A LITTLE 543 00:20:58,284 --> 00:20:58,816 >> IT'S VERY COMMON. HE'S GOING TO BE A LITTLE CONFUSED AT FIRST. 544 00:20:58,818 --> 00:21:01,752 HE'S GOING TO BE A LITTLE CONFUSED AT FIRST. >> WHY IS EVERYBODY -- WHO IS 545 00:21:01,754 --> 00:21:02,186 CONFUSED AT FIRST. >> WHY IS EVERYBODY -- WHO IS EVERYBODY? 546 00:21:02,188 --> 00:21:03,887 >> WHY IS EVERYBODY -- WHO IS EVERYBODY? WHY AM I WEARING PAPER? 547 00:21:03,889 --> 00:21:07,458 EVERYBODY? WHY AM I WEARING PAPER? >> DID YOU SAY PAPER? 548 00:21:07,460 --> 00:21:09,593 WHY AM I WEARING PAPER? >> DID YOU SAY PAPER? THAT'S YOUR HOSPITAL ROBE, 549 00:21:09,595 --> 00:21:09,927 >> DID YOU SAY PAPER? THAT'S YOUR HOSPITAL ROBE, BUDDY. 550 00:21:09,929 --> 00:21:11,996 THAT'S YOUR HOSPITAL ROBE, BUDDY. >> YEAH, HONEY, YOU WERE IN A 551 00:21:11,998 --> 00:21:12,496 BUDDY. >> YEAH, HONEY, YOU WERE IN A LITTLE ACCIDENT. 552 00:21:12,498 --> 00:21:13,297 >> YEAH, HONEY, YOU WERE IN A LITTLE ACCIDENT. >> WHY ARE YOU CALLING ME HONEY? 553 00:21:13,299 --> 00:21:16,266 LITTLE ACCIDENT. >> WHY ARE YOU CALLING ME HONEY? WHO ARE YOU? 554 00:21:16,268 --> 00:21:19,636 >> WHY ARE YOU CALLING ME HONEY? WHO ARE YOU? >> I'M YOUR WIFE. 555 00:21:19,638 --> 00:21:19,970 WHO ARE YOU? >> I'M YOUR WIFE. >> OKAY. 556 00:21:19,972 --> 00:21:23,073 >> I'M YOUR WIFE. >> OKAY. NOT TODAY. 557 00:21:23,075 --> 00:21:27,344 >> OKAY. NOT TODAY. >> DID HE SAY NOT TODAY? 558 00:21:27,346 --> 00:21:29,380 NOT TODAY. >> DID HE SAY NOT TODAY? I MEAN, WE HAVE BEEN MARRIED FOR 559 00:21:29,382 --> 00:21:30,280 >> DID HE SAY NOT TODAY? I MEAN, WE HAVE BEEN MARRIED FOR EIGHT YEARS. 560 00:21:30,282 --> 00:21:33,083 I MEAN, WE HAVE BEEN MARRIED FOR EIGHT YEARS. >> LET'S JUST PUT A PIN IN THAT. 561 00:21:33,085 --> 00:21:33,784 EIGHT YEARS. >> LET'S JUST PUT A PIN IN THAT. >> DOCTOR? 562 00:21:33,786 --> 00:21:35,486 >> LET'S JUST PUT A PIN IN THAT. >> DOCTOR? >> HE MAY NOT RECOGNIZE YOU 563 00:21:35,488 --> 00:21:36,887 >> DOCTOR? >> HE MAY NOT RECOGNIZE YOU RIGHT NOW, BUT THE IMPORTANT 564 00:21:36,889 --> 00:21:39,289 >> HE MAY NOT RECOGNIZE YOU RIGHT NOW, BUT THE IMPORTANT THING IS THAT HE'S UP AND 565 00:21:39,291 --> 00:21:39,656 RIGHT NOW, BUT THE IMPORTANT THING IS THAT HE'S UP AND TALKING. 566 00:21:39,658 --> 00:21:39,990 THING IS THAT HE'S UP AND TALKING. >> YEAH. 567 00:21:39,992 --> 00:21:41,925 TALKING. >> YEAH. BUT HE'S TALKING WITH THIS LIKE 568 00:21:41,927 --> 00:21:43,160 >> YEAH. BUT HE'S TALKING WITH THIS LIKE LA MUSH MOUTH THING. 569 00:21:43,162 --> 00:21:45,029 BUT HE'S TALKING WITH THIS LIKE LA MUSH MOUTH THING. I'VE LITERALLY NEVER HEARD THAT 570 00:21:45,031 --> 00:21:45,362 LA MUSH MOUTH THING. I'VE LITERALLY NEVER HEARD THAT BEFORE. 571 00:21:45,364 --> 00:21:47,131 I'VE LITERALLY NEVER HEARD THAT BEFORE. >> YOU THINK I SOUND LA? 572 00:21:47,133 --> 00:21:47,531 BEFORE. >> YOU THINK I SOUND LA? THANK YOU. 573 00:21:47,533 --> 00:21:49,133 >> YOU THINK I SOUND LA? THANK YOU. I LOVE LA. 574 00:21:49,135 --> 00:21:52,302 THANK YOU. I LOVE LA. >> HE HAS A TOTALLY DIFFERENT 575 00:21:52,304 --> 00:21:52,736 I LOVE LA. >> HE HAS A TOTALLY DIFFERENT PERSONALITY. 576 00:21:52,738 --> 00:21:54,671 >> HE HAS A TOTALLY DIFFERENT PERSONALITY. >> THIS IS COMPLETELY NORMAL AND 577 00:21:54,673 --> 00:21:55,039 PERSONALITY. >> THIS IS COMPLETELY NORMAL AND TEMPORARY. 578 00:21:55,041 --> 00:21:56,673 >> THIS IS COMPLETELY NORMAL AND TEMPORARY. THERE'S EVEN BEEN INSTANCES OF 579 00:21:56,675 --> 00:21:59,109 TEMPORARY. THERE'S EVEN BEEN INSTANCES OF PEOPLE COMING OUT OF COMAS AND 580 00:21:59,111 --> 00:22:00,878 THERE'S EVEN BEEN INSTANCES OF PEOPLE COMING OUT OF COMAS AND SPEAKING FOREIGN LANGUAGES THEY 581 00:22:00,880 --> 00:22:01,412 PEOPLE COMING OUT OF COMAS AND SPEAKING FOREIGN LANGUAGES THEY COULD NEVER BEFORE. 582 00:22:01,414 --> 00:22:03,180 SPEAKING FOREIGN LANGUAGES THEY COULD NEVER BEFORE. >> CAN I SPEAK SPANISH? 583 00:22:03,182 --> 00:22:05,983 COULD NEVER BEFORE. >> CAN I SPEAK SPANISH? LET ME TRY. 584 00:22:05,985 --> 00:22:07,885 >> CAN I SPEAK SPANISH? LET ME TRY. SABA, SABA. 585 00:22:07,887 --> 00:22:09,553 LET ME TRY. SABA, SABA. SOUNDS LIKE SPANISH TO ME. 586 00:22:09,555 --> 00:22:10,421 SABA, SABA. SOUNDS LIKE SPANISH TO ME. >> NOPE. 587 00:22:10,423 --> 00:22:12,156 SOUNDS LIKE SPANISH TO ME. >> NOPE. NOT SPANISH. 588 00:22:12,158 --> 00:22:13,424 >> NOPE. NOT SPANISH. IS HIS BRAIN OKAY? 589 00:22:13,426 --> 00:22:15,025 NOT SPANISH. IS HIS BRAIN OKAY? >> WE'LL FIND OUT. 590 00:22:15,027 --> 00:22:16,560 IS HIS BRAIN OKAY? >> WE'LL FIND OUT. CHARLIE, LISTEN VERY CAREFULLY. 591 00:22:16,562 --> 00:22:18,462 >> WE'LL FIND OUT. CHARLIE, LISTEN VERY CAREFULLY. YOU MEASURE MY LIFE IN HOURS, 592 00:22:18,464 --> 00:22:20,998 CHARLIE, LISTEN VERY CAREFULLY. YOU MEASURE MY LIFE IN HOURS, AND I SERVE YOU BY EXPIRING. 593 00:22:21,000 --> 00:22:22,933 YOU MEASURE MY LIFE IN HOURS, AND I SERVE YOU BY EXPIRING. I'M QUICK WHEN I'M THIN AND SLOW 594 00:22:22,935 --> 00:22:23,667 AND I SERVE YOU BY EXPIRING. I'M QUICK WHEN I'M THIN AND SLOW WHEN I'M FAST. 595 00:22:23,669 --> 00:22:24,468 I'M QUICK WHEN I'M THIN AND SLOW WHEN I'M FAST. WHAT AM I? 596 00:22:24,470 --> 00:22:27,337 WHEN I'M FAST. WHAT AM I? >> DUH, YOU'RE A CONDO. 597 00:22:27,339 --> 00:22:27,805 WHAT AM I? >> DUH, YOU'RE A CONDO. >> HE'S FINE. 598 00:22:27,807 --> 00:22:31,041 >> DUH, YOU'RE A CONDO. >> HE'S FINE. >> THAT'S HOW YOU TEST FOR BRAIN 599 00:22:31,043 --> 00:22:31,375 >> HE'S FINE. >> THAT'S HOW YOU TEST FOR BRAIN DAMAGE? 600 00:22:31,377 --> 00:22:33,110 >> THAT'S HOW YOU TEST FOR BRAIN DAMAGE? HONEY, LOOK AT THIS VIDEO. 601 00:22:33,112 --> 00:22:34,745 DAMAGE? HONEY, LOOK AT THIS VIDEO. THIS IS WHAT YOU NORMALLY SOUND 602 00:22:34,747 --> 00:22:35,045 HONEY, LOOK AT THIS VIDEO. THIS IS WHAT YOU NORMALLY SOUND LIKE. 603 00:22:35,047 --> 00:22:35,846 THIS IS WHAT YOU NORMALLY SOUND LIKE. >> HEY, BABE. 604 00:22:35,848 --> 00:22:37,548 LIKE. >> HEY, BABE. MADE IT TO ARKANSAS. 605 00:22:37,550 --> 00:22:38,982 >> HEY, BABE. MADE IT TO ARKANSAS. PRETTY COOL PLACE. 606 00:22:38,984 --> 00:22:40,050 MADE IT TO ARKANSAS. PRETTY COOL PLACE. MISS YA. 607 00:22:40,052 --> 00:22:40,684 PRETTY COOL PLACE. MISS YA. >> OKAY. 608 00:22:40,686 --> 00:22:43,220 MISS YA. >> OKAY. HE'S THE HOTTEST GUY I'VE EVER 609 00:22:43,222 --> 00:22:43,520 >> OKAY. HE'S THE HOTTEST GUY I'VE EVER SEEN. 610 00:22:43,522 --> 00:22:45,656 HE'S THE HOTTEST GUY I'VE EVER SEEN. WHY DOES HE LIVE IN ARKANSAS? 611 00:22:45,658 --> 00:22:46,990 SEEN. WHY DOES HE LIVE IN ARKANSAS? >> NO, CHARLIE. 612 00:22:46,992 --> 00:22:47,524 WHY DOES HE LIVE IN ARKANSAS? >> NO, CHARLIE. THAT'S YOU. 613 00:22:47,526 --> 00:22:49,326 >> NO, CHARLIE. THAT'S YOU. YOU WERE ON A BUSINESS TRIP IN 614 00:22:49,328 --> 00:22:49,693 THAT'S YOU. YOU WERE ON A BUSINESS TRIP IN ARKANSAS. 615 00:22:49,695 --> 00:22:51,595 YOU WERE ON A BUSINESS TRIP IN ARKANSAS. THAT'S WHERE YOU GOT HIT BY THAT 616 00:22:51,597 --> 00:22:52,663 ARKANSAS. THAT'S WHERE YOU GOT HIT BY THAT PARTY CITY TRUCK. 617 00:22:52,665 --> 00:22:54,531 THAT'S WHERE YOU GOT HIT BY THAT PARTY CITY TRUCK. >> THAT'S SO NICE. 618 00:22:54,533 --> 00:22:54,998 PARTY CITY TRUCK. >> THAT'S SO NICE. AND WHO ARE YOU? 619 00:22:55,000 --> 00:22:56,834 >> THAT'S SO NICE. AND WHO ARE YOU? ANOTHER WIFE? 620 00:22:56,836 --> 00:22:59,303 AND WHO ARE YOU? ANOTHER WIFE? >> NO, I'M NOT YOUR WIFE. 621 00:22:59,305 --> 00:22:59,803 ANOTHER WIFE? >> NO, I'M NOT YOUR WIFE. I'M YOUR SISTER. 622 00:22:59,805 --> 00:23:01,271 >> NO, I'M NOT YOUR WIFE. I'M YOUR SISTER. >> LET'S PUT A PIN IN THAT. 623 00:23:01,273 --> 00:23:03,674 I'M YOUR SISTER. >> LET'S PUT A PIN IN THAT. >> WHY DOES HE KEEP WANTS TO PUT 624 00:23:03,676 --> 00:23:05,309 >> LET'S PUT A PIN IN THAT. >> WHY DOES HE KEEP WANTS TO PUT A PIN IN THINGS? 625 00:23:05,311 --> 00:23:08,278 >> WHY DOES HE KEEP WANTS TO PUT A PIN IN THINGS? ARE YOU SURE HIS BRAIN IS OKAY? 626 00:23:08,280 --> 00:23:08,979 A PIN IN THINGS? ARE YOU SURE HIS BRAIN IS OKAY? ? 627 00:23:08,981 --> 00:23:09,379 ARE YOU SURE HIS BRAIN IS OKAY? ? ABSOLUTELY. 628 00:23:09,381 --> 00:23:10,380 ? ABSOLUTELY. WATCH THIS. 629 00:23:10,382 --> 00:23:11,849 ABSOLUTELY. WATCH THIS. CHARLIE, IDENTIFY THESE OBJECTS, 630 00:23:11,851 --> 00:23:12,449 WATCH THIS. CHARLIE, IDENTIFY THESE OBJECTS, OKAY? 631 00:23:12,451 --> 00:23:18,422 CHARLIE, IDENTIFY THESE OBJECTS, OKAY? >> BALL, BEE, BOAT, BABY. 632 00:23:18,424 --> 00:23:19,389 OKAY? >> BALL, BEE, BOAT, BABY. >> HE'S FINE. 633 00:23:19,391 --> 00:23:20,390 >> BALL, BEE, BOAT, BABY. >> HE'S FINE. GREAT JOB, CHARLIE. 634 00:23:20,392 --> 00:23:21,325 >> HE'S FINE. GREAT JOB, CHARLIE. >> OH, THANK YOU. 635 00:23:21,327 --> 00:23:23,660 GREAT JOB, CHARLIE. >> OH, THANK YOU. >> PLEASE, I WANT MY OLD CHARLIE 636 00:23:23,662 --> 00:23:23,961 >> OH, THANK YOU. >> PLEASE, I WANT MY OLD CHARLIE BACK. 637 00:23:23,963 --> 00:23:27,097 >> PLEASE, I WANT MY OLD CHARLIE BACK. LOOK AT HIM. 638 00:23:27,099 --> 00:23:28,565 BACK. LOOK AT HIM. >> NAH. 639 00:23:28,567 --> 00:23:30,300 LOOK AT HIM. >> NAH. I'M WAY SKINNIER THAN HIM. 640 00:23:30,302 --> 00:23:32,302 >> NAH. I'M WAY SKINNIER THAN HIM. >> THAT'S BECAUSE YOU LOST 50 641 00:23:32,304 --> 00:23:33,504 I'M WAY SKINNIER THAN HIM. >> THAT'S BECAUSE YOU LOST 50 POUNDS IN THE COMA. 642 00:23:33,506 --> 00:23:37,241 >> THAT'S BECAUSE YOU LOST 50 POUNDS IN THE COMA. >> OH, GOOD FOR ME. 643 00:23:37,243 --> 00:23:39,843 POUNDS IN THE COMA. >> OH, GOOD FOR ME. >> DOCTOR, ARE YOU -- I JUST 644 00:23:39,845 --> 00:23:41,945 >> OH, GOOD FOR ME. >> DOCTOR, ARE YOU -- I JUST DON'T KNOW IF I CAN HANDLE THIS. 645 00:23:41,947 --> 00:23:42,646 >> DOCTOR, ARE YOU -- I JUST DON'T KNOW IF I CAN HANDLE THIS. >> OH, MY GOD. 646 00:23:42,648 --> 00:23:45,782 DON'T KNOW IF I CAN HANDLE THIS. >> OH, MY GOD. DON'T CRY. 647 00:23:45,784 --> 00:23:48,519 >> OH, MY GOD. DON'T CRY. YOU'RE GOING TO MAKE ME CRY. 648 00:23:48,521 --> 00:23:52,523 DON'T CRY. YOU'RE GOING TO MAKE ME CRY. COME ON, HOLD MY HAND. 649 00:23:52,525 --> 00:23:58,762 YOU'RE GOING TO MAKE ME CRY. COME ON, HOLD MY HAND. LOOK, I DON'T KNOW WHO YOU ARE, 650 00:23:58,764 --> 00:24:01,031 COME ON, HOLD MY HAND. LOOK, I DON'T KNOW WHO YOU ARE, AND DESPITE WHAT THEY SAY, I CAN 651 00:24:01,033 --> 00:24:02,065 LOOK, I DON'T KNOW WHO YOU ARE, AND DESPITE WHAT THEY SAY, I CAN SPEAK SPANISH. 652 00:24:02,067 --> 00:24:03,834 AND DESPITE WHAT THEY SAY, I CAN SPEAK SPANISH. BUT THE MOST IMPORTANT THING IS 653 00:24:03,836 --> 00:24:05,435 SPEAK SPANISH. BUT THE MOST IMPORTANT THING IS YOU'RE MY SOUL MATE, AND YOU AND 654 00:24:05,437 --> 00:24:08,172 BUT THE MOST IMPORTANT THING IS YOU'RE MY SOUL MATE, AND YOU AND I -- YOU AND I ARE GOING TO BE 655 00:24:08,174 --> 00:24:08,472 YOU'RE MY SOUL MATE, AND YOU AND I -- YOU AND I ARE GOING TO BE FINE. 656 00:24:08,474 --> 00:24:10,707 I -- YOU AND I ARE GOING TO BE FINE. >> SEE HOW HE'S SOUNDING CLEARER 657 00:24:10,709 --> 00:24:11,041 FINE. >> SEE HOW HE'S SOUNDING CLEARER ALREADY? 658 00:24:11,043 --> 00:24:15,212 >> SEE HOW HE'S SOUNDING CLEARER ALREADY? >> BECAUSE NO MATTER WHAT, 659 00:24:15,214 --> 00:24:22,886 ALREADY? >> BECAUSE NO MATTER WHAT, PEOPLE ALWAYS -- 660 00:24:22,888 --> 00:24:23,887 >> BECAUSE NO MATTER WHAT, PEOPLE ALWAYS -- [ LAUGHTER ] 661 00:24:23,889 --> 00:24:26,623 PEOPLE ALWAYS -- [ LAUGHTER ] PEOPLE ALWAYS -- AND THAT'S THE 662 00:24:26,625 --> 00:24:28,859 [ LAUGHTER ] PEOPLE ALWAYS -- AND THAT'S THE TRUTH. 663 00:24:28,861 --> 00:24:29,993 PEOPLE ALWAYS -- AND THAT'S THE TRUTH. >> OKAY. 664 00:24:29,995 --> 00:24:32,396 TRUTH. >> OKAY. THAT'S SOUNDING A LITTLE -- 665 00:24:32,398 --> 00:24:33,797 >> OKAY. THAT'S SOUNDING A LITTLE -- >> WHAT DO I DO? 666 00:24:33,799 --> 00:24:36,133 THAT'S SOUNDING A LITTLE -- >> WHAT DO I DO? >> MEET HIM WHERE HE'S AT. 667 00:24:36,135 --> 00:24:47,844 >> WHAT DO I DO? >> MEET HIM WHERE HE'S AT. >> CHARLIE. 668 00:24:47,846 --> 00:24:48,445 >> MEET HIM WHERE HE'S AT. >> CHARLIE. >> REALLY? 669 00:24:48,447 --> 00:24:52,583 >> CHARLIE. >> REALLY? >> YEAH. 670 00:24:52,585 --> 00:24:52,916 >> REALLY? >> YEAH. AND -- 671 00:24:52,918 --> 00:24:56,687 >> YEAH. AND -- >> NOW I'M GOING CRY, AND I LIKE 672 00:24:56,689 --> 00:24:57,087 AND -- >> NOW I'M GOING CRY, AND I LIKE NEVER CRY. 673 00:24:57,089 --> 00:25:04,461 >> NOW I'M GOING CRY, AND I LIKE NEVER CRY. >> BRING IT IN, YOU GUYS. 674 00:25:32,006 --> 00:25:40,547 >>> OKAY, STUDENTS OF SAINT LAWRENCE HIGH SCHOOL, WELCOME TO YOUR ASSEMBLY ABOUT TECHNOLOGY 675 00:25:40,549 --> 00:25:40,814 LAWRENCE HIGH SCHOOL, WELCOME TO YOUR ASSEMBLY ABOUT TECHNOLOGY USE. 676 00:25:40,816 --> 00:25:41,782 YOUR ASSEMBLY ABOUT TECHNOLOGY USE. SETTLE DOWN, ALL RIGHT? 677 00:25:41,784 --> 00:25:44,651 USE. SETTLE DOWN, ALL RIGHT? HERE TO GIVE THE PRESENTATION, 678 00:25:44,653 --> 00:25:47,955 SETTLE DOWN, ALL RIGHT? HERE TO GIVE THE PRESENTATION, PLEASE WELCOME YOUR FAVORITE 679 00:25:47,957 --> 00:25:50,157 HERE TO GIVE THE PRESENTATION, PLEASE WELCOME YOUR FAVORITE TEACHER, MR. BEN. 680 00:25:50,159 --> 00:25:52,893 PLEASE WELCOME YOUR FAVORITE TEACHER, MR. BEN. >> MR. BEN! 681 00:25:52,895 --> 00:25:53,327 TEACHER, MR. BEN. >> MR. BEN! >> THANK YOU. 682 00:25:53,329 --> 00:25:56,163 >> MR. BEN! >> THANK YOU. I THINK. 683 00:25:56,165 --> 00:25:56,663 >> THANK YOU. I THINK. OKAY. 684 00:25:56,665 --> 00:25:59,900 I THINK. OKAY. LET'S START. 685 00:25:59,902 --> 00:26:02,536 OKAY. LET'S START. FIRST RULE, DO NOT ACCESS 686 00:26:02,538 --> 00:26:05,539 LET'S START. FIRST RULE, DO NOT ACCESS IMPROPRIETY CONTENT ONLINE. 687 00:26:05,541 --> 00:26:08,408 FIRST RULE, DO NOT ACCESS IMPROPRIETY CONTENT ONLINE. AND DO NOT BULLY ON SOCIAL 688 00:26:08,410 --> 00:26:08,809 IMPROPRIETY CONTENT ONLINE. AND DO NOT BULLY ON SOCIAL MEDIA. 689 00:26:08,811 --> 00:26:09,309 AND DO NOT BULLY ON SOCIAL MEDIA. >> COME ON, GIRL. 690 00:26:09,311 --> 00:26:12,212 MEDIA. >> COME ON, GIRL. EAT IT UP. 691 00:26:12,214 --> 00:26:12,646 >> COME ON, GIRL. EAT IT UP. >> THANK YOU. 692 00:26:12,648 --> 00:26:15,716 EAT IT UP. >> THANK YOU. I THINK. 693 00:26:15,718 --> 00:26:17,784 >> THANK YOU. I THINK. AND HERE'S A NEW RULE. 694 00:26:17,786 --> 00:26:23,490 I THINK. AND HERE'S A NEW RULE. AS OF TODAY, DO NOT MAKE FANCAMS 695 00:26:23,492 --> 00:26:25,325 AND HERE'S A NEW RULE. AS OF TODAY, DO NOT MAKE FANCAMS OF SCHOOL STAFF SUCH AS THIS. 696 00:26:25,327 --> 00:26:38,839 AS OF TODAY, DO NOT MAKE FANCAMS OF SCHOOL STAFF SUCH AS THIS. ♪ 697 00:26:38,841 --> 00:26:39,973 OF SCHOOL STAFF SUCH AS THIS. ♪ >> NO! 698 00:26:39,975 --> 00:26:41,942 ♪ >> NO! SKINNY LEGEND, WHY ARE YOU DOING 699 00:26:41,944 --> 00:26:42,342 >> NO! SKINNY LEGEND, WHY ARE YOU DOING THIS? 700 00:26:42,344 --> 00:26:43,610 SKINNY LEGEND, WHY ARE YOU DOING THIS? >> BECAUSE YOU HAVE MADE 701 00:26:43,612 --> 00:26:45,645 THIS? >> BECAUSE YOU HAVE MADE THOUSANDS OF FANCAMS OF ME, AND 702 00:26:45,647 --> 00:26:47,347 >> BECAUSE YOU HAVE MADE THOUSANDS OF FANCAMS OF ME, AND I'M NOT SURE WHAT THEY MEAN, BUT 703 00:26:47,349 --> 00:26:49,216 THOUSANDS OF FANCAMS OF ME, AND I'M NOT SURE WHAT THEY MEAN, BUT I KNOW IT HAS TO STOP. 704 00:26:49,218 --> 00:26:50,984 I'M NOT SURE WHAT THEY MEAN, BUT I KNOW IT HAS TO STOP. >> BUT WE MAKE THEM BECAUSE 705 00:26:50,986 --> 00:26:52,085 I KNOW IT HAS TO STOP. >> BUT WE MAKE THEM BECAUSE YOU'RE OUR BELOVED, AND YOU HAVE 706 00:26:52,087 --> 00:26:54,554 >> BUT WE MAKE THEM BECAUSE YOU'RE OUR BELOVED, AND YOU HAVE US IN A CHOKE HOLD! 707 00:26:54,556 --> 00:26:54,888 YOU'RE OUR BELOVED, AND YOU HAVE US IN A CHOKE HOLD! >> OKAY. 708 00:26:54,890 --> 00:26:58,191 US IN A CHOKE HOLD! >> OKAY. DON'T SAY THAT. 709 00:26:58,193 --> 00:27:00,060 >> OKAY. DON'T SAY THAT. I JUST DON'T UNDERSTAND WHY DO 710 00:27:00,062 --> 00:27:02,596 DON'T SAY THAT. I JUST DON'T UNDERSTAND WHY DO YOU MAKE SPARKLY FAST ROMANTIC 711 00:27:02,598 --> 00:27:07,367 I JUST DON'T UNDERSTAND WHY DO YOU MAKE SPARKLY FAST ROMANTIC MONTAGES OF ME EVERY SINGLE DAY 712 00:27:07,369 --> 00:27:07,734 YOU MAKE SPARKLY FAST ROMANTIC MONTAGES OF ME EVERY SINGLE DAY LIKE THIS. 713 00:27:07,736 --> 00:27:16,043 MONTAGES OF ME EVERY SINGLE DAY LIKE THIS. ♪ 714 00:27:16,045 --> 00:27:18,945 LIKE THIS. ♪ >> I MEAN, WE DON'T MAKE THEM 715 00:27:18,947 --> 00:27:19,379 ♪ >> I MEAN, WE DON'T MAKE THEM EVERY DAY. 716 00:27:19,381 --> 00:27:20,047 >> I MEAN, WE DON'T MAKE THEM EVERY DAY. >> YEAH. 717 00:27:20,049 --> 00:27:23,650 EVERY DAY. >> YEAH. JUST ON THE DAYS YOU SEND US OR 718 00:27:23,652 --> 00:27:24,084 >> YEAH. JUST ON THE DAYS YOU SEND US OR GIVE US LIFE. 719 00:27:24,086 --> 00:27:25,519 JUST ON THE DAYS YOU SEND US OR GIVE US LIFE. >> WHAT DOES THAT MEAN? 720 00:27:25,521 --> 00:27:26,887 GIVE US LIFE. >> WHAT DOES THAT MEAN? >> DON'T WORRY. 721 00:27:26,889 --> 00:27:28,488 >> WHAT DOES THAT MEAN? >> DON'T WORRY. IT JUST MEANS YOUR FOOT IS 722 00:27:28,490 --> 00:27:29,022 >> DON'T WORRY. IT JUST MEANS YOUR FOOT IS ALWAYS ON OUR NECKS. 723 00:27:29,024 --> 00:27:29,289 IT JUST MEANS YOUR FOOT IS ALWAYS ON OUR NECKS. SEE. 724 00:27:29,291 --> 00:27:34,094 ALWAYS ON OUR NECKS. SEE. ♪ 725 00:27:34,096 --> 00:27:37,631 SEE. ♪ >> IS THAT ME RIGHT NOW? 726 00:27:37,633 --> 00:27:39,232 ♪ >> IS THAT ME RIGHT NOW? HOW DID YOU MAKE THAT SO FAST, 727 00:27:39,234 --> 00:27:41,134 >> IS THAT ME RIGHT NOW? HOW DID YOU MAKE THAT SO FAST, AND HOW DID YOU TAKE OVER ACCESS 728 00:27:41,136 --> 00:27:42,069 HOW DID YOU MAKE THAT SO FAST, AND HOW DID YOU TAKE OVER ACCESS TO THE MONITOR? 729 00:27:42,071 --> 00:27:44,571 AND HOW DID YOU TAKE OVER ACCESS TO THE MONITOR? >> MR. BEN, WHY YOU SO MAD? 730 00:27:44,573 --> 00:27:47,407 TO THE MONITOR? >> MR. BEN, WHY YOU SO MAD? YOU'RE IN YOUR ASSEMBLY ERA. 731 00:27:47,409 --> 00:27:48,742 >> MR. BEN, WHY YOU SO MAD? YOU'RE IN YOUR ASSEMBLY ERA. >> I'M NOT MAD. 732 00:27:48,744 --> 00:27:50,277 YOU'RE IN YOUR ASSEMBLY ERA. >> I'M NOT MAD. I'M CONFUSED. 733 00:27:50,279 --> 00:27:53,280 >> I'M NOT MAD. I'M CONFUSED. IS THE WAY I ATE THIS UP A 734 00:27:53,282 --> 00:27:56,650 I'M CONFUSED. IS THE WAY I ATE THIS UP A COMPLIMENT BECAUSE IT WAS NOM, 735 00:27:56,652 --> 00:27:59,820 IS THE WAY I ATE THIS UP A COMPLIMENT BECAUSE IT WAS NOM, NOM DELISH AND HAD YOU GAG? 736 00:27:59,822 --> 00:28:00,654 COMPLIMENT BECAUSE IT WAS NOM, NOM DELISH AND HAD YOU GAG? >> EXACTLY. 737 00:28:00,656 --> 00:28:02,322 NOM DELISH AND HAD YOU GAG? >> EXACTLY. WE LOVE YOU DOWN, MR. BEN. 738 00:28:02,324 --> 00:28:05,192 >> EXACTLY. WE LOVE YOU DOWN, MR. BEN. >> YOU'RE SO FATHER, PERIOD. 739 00:28:05,194 --> 00:28:07,627 WE LOVE YOU DOWN, MR. BEN. >> YOU'RE SO FATHER, PERIOD. >> OKAY. 740 00:28:07,629 --> 00:28:07,961 >> YOU'RE SO FATHER, PERIOD. >> OKAY. SEE. 741 00:28:07,963 --> 00:28:11,798 >> OKAY. SEE. BUT IF FANCAMS ARE -- IF -- 742 00:28:11,800 --> 00:28:12,099 SEE. BUT IF FANCAMS ARE -- IF -- OKAY. 743 00:28:12,101 --> 00:28:14,101 BUT IF FANCAMS ARE -- IF -- OKAY. IF FANCAMS ARE BECAUSE I'M 744 00:28:14,103 --> 00:28:16,870 OKAY. IF FANCAMS ARE BECAUSE I'M FATHER, THEN WHY DID YOU MAKE 745 00:28:16,872 --> 00:28:19,973 IF FANCAMS ARE BECAUSE I'M FATHER, THEN WHY DID YOU MAKE FANCAMS OF LADY LUNCH PAULINA? 746 00:28:19,975 --> 00:28:23,810 FATHER, THEN WHY DID YOU MAKE FANCAMS OF LADY LUNCH PAULINA? >> BECAUSE PAULINA IS MOTHER. 747 00:28:23,812 --> 00:28:28,482 FANCAMS OF LADY LUNCH PAULINA? >> BECAUSE PAULINA IS MOTHER. ♪ 748 00:28:28,484 --> 00:28:32,285 >> BECAUSE PAULINA IS MOTHER. ♪ >> KIDS ON PHONE TOO MUCH. 749 00:28:32,287 --> 00:28:33,286 ♪ >> KIDS ON PHONE TOO MUCH. GROW UP WRONG. 750 00:28:33,288 --> 00:28:35,255 >> KIDS ON PHONE TOO MUCH. GROW UP WRONG. >> GUYS, I'M TRYING TO 751 00:28:35,257 --> 00:28:36,656 GROW UP WRONG. >> GUYS, I'M TRYING TO UNDERSTAND IF FANCAMS ARE GOOD 752 00:28:36,658 --> 00:28:37,257 >> GUYS, I'M TRYING TO UNDERSTAND IF FANCAMS ARE GOOD OR BAD. 753 00:28:37,259 --> 00:28:39,626 UNDERSTAND IF FANCAMS ARE GOOD OR BAD. DID YOU MAKE A FANCAM OF LUNCH 754 00:28:39,628 --> 00:28:43,363 OR BAD. DID YOU MAKE A FANCAM OF LUNCH LADY PAULINA TO MAKE FUN OF HER? 755 00:28:43,365 --> 00:28:44,097 DID YOU MAKE A FANCAM OF LUNCH LADY PAULINA TO MAKE FUN OF HER? >> NO. 756 00:28:44,099 --> 00:28:46,466 LADY PAULINA TO MAKE FUN OF HER? >> NO. WE MADE IT BECAUSE SHE ATE US UP 757 00:28:46,468 --> 00:28:48,468 >> NO. WE MADE IT BECAUSE SHE ATE US UP AND LEFT NO CRUMBS. 758 00:28:48,470 --> 00:28:49,569 WE MADE IT BECAUSE SHE ATE US UP AND LEFT NO CRUMBS. >> THAT'S IT. 759 00:28:49,571 --> 00:28:51,238 AND LEFT NO CRUMBS. >> THAT'S IT. FANCAMS ARE OFFICIALLY BANNED 760 00:28:51,240 --> 00:28:51,671 >> THAT'S IT. FANCAMS ARE OFFICIALLY BANNED FROM SCHOOL. 761 00:28:51,673 --> 00:28:52,506 FANCAMS ARE OFFICIALLY BANNED FROM SCHOOL. >> NO! 762 00:28:52,508 --> 00:28:54,541 FROM SCHOOL. >> NO! >> WHY, MR. BEN? 763 00:28:54,543 --> 00:28:56,643 >> NO! >> WHY, MR. BEN? THOUGHT YOU WERE DIFFERENT, BUT 764 00:28:56,645 --> 00:28:58,545 >> WHY, MR. BEN? THOUGHT YOU WERE DIFFERENT, BUT YOU'RE JUST LIKE EVERYONE ELSE. 765 00:28:58,547 --> 00:28:58,812 THOUGHT YOU WERE DIFFERENT, BUT YOU'RE JUST LIKE EVERYONE ELSE. MID. 766 00:28:58,814 --> 00:28:59,779 YOU'RE JUST LIKE EVERYONE ELSE. MID. >> I'M SORRY. 767 00:28:59,781 --> 00:29:02,015 MID. >> I'M SORRY. I WANT TO BE A COOL TEACHER. 768 00:29:02,017 --> 00:29:05,585 >> I'M SORRY. I WANT TO BE A COOL TEACHER. I KNOW I'M YOUR BIAS AND THAT I 769 00:29:05,587 --> 00:29:07,821 I WANT TO BE A COOL TEACHER. I KNOW I'M YOUR BIAS AND THAT I ALWAYS MUNCH ON IT, BUT I JUST 770 00:29:07,823 --> 00:29:09,556 I KNOW I'M YOUR BIAS AND THAT I ALWAYS MUNCH ON IT, BUT I JUST DON'T GET IT. 771 00:29:09,558 --> 00:29:11,024 ALWAYS MUNCH ON IT, BUT I JUST DON'T GET IT. WHAT'S -- WHY DOES YOUR 772 00:29:11,026 --> 00:29:12,826 DON'T GET IT. WHAT'S -- WHY DOES YOUR GENERATION HAVE TO MAKE EVERYONE 773 00:29:12,828 --> 00:29:13,827 WHAT'S -- WHY DOES YOUR GENERATION HAVE TO MAKE EVERYONE A CELEBRITY? 774 00:29:13,829 --> 00:29:16,997 GENERATION HAVE TO MAKE EVERYONE A CELEBRITY? WHY DO YOU FILM EVERYTHING? 775 00:29:16,999 --> 00:29:17,264 A CELEBRITY? WHY DO YOU FILM EVERYTHING? WHY? 776 00:29:17,266 --> 00:29:17,764 WHY DO YOU FILM EVERYTHING? WHY? >> FINE. 777 00:29:17,766 --> 00:29:21,201 WHY? >> FINE. YOU REALLY WANT TO KNOW? 778 00:29:21,203 --> 00:29:23,003 >> FINE. YOU REALLY WANT TO KNOW? IT'S CUZ COVID. 779 00:29:23,005 --> 00:29:23,937 YOU REALLY WANT TO KNOW? IT'S CUZ COVID. >> WHAT? 780 00:29:23,939 --> 00:29:25,639 IT'S CUZ COVID. >> WHAT? WHAT DO YOU MEAN? 781 00:29:25,641 --> 00:29:27,340 >> WHAT? WHAT DO YOU MEAN? >> BECAUSE THREE YEARS COVID 782 00:29:27,342 --> 00:29:29,242 WHAT DO YOU MEAN? >> BECAUSE THREE YEARS COVID MADE US ONLINE FOREVER. 783 00:29:29,244 --> 00:29:31,645 >> BECAUSE THREE YEARS COVID MADE US ONLINE FOREVER. >> BECAUSE COVID LOCK US DOWN 784 00:29:31,647 --> 00:29:35,582 MADE US ONLINE FOREVER. >> BECAUSE COVID LOCK US DOWN WHEN WE ARE 11, AND NOW WE ARE 785 00:29:35,584 --> 00:29:36,850 >> BECAUSE COVID LOCK US DOWN WHEN WE ARE 11, AND NOW WE ARE 14, SO NOW WE HAVE TO MAKE YOU 786 00:29:36,852 --> 00:29:37,184 WHEN WE ARE 11, AND NOW WE ARE 14, SO NOW WE HAVE TO MAKE YOU DADDY. 787 00:29:37,186 --> 00:29:39,753 14, SO NOW WE HAVE TO MAKE YOU DADDY. >> BECAUSE MOMMY WORKS REMOTELY 788 00:29:39,755 --> 00:29:41,021 DADDY. >> BECAUSE MOMMY WORKS REMOTELY ALL DAY AND DOESN'T HAVE TIME TO 789 00:29:41,023 --> 00:29:43,156 >> BECAUSE MOMMY WORKS REMOTELY ALL DAY AND DOESN'T HAVE TIME TO EAT IT UP NO CRUMBS LEFT, SO WE 790 00:29:43,158 --> 00:29:46,259 ALL DAY AND DOESN'T HAVE TIME TO EAT IT UP NO CRUMBS LEFT, SO WE MADE YOU DADDY AND MS. JENNY 791 00:29:46,261 --> 00:29:46,593 EAT IT UP NO CRUMBS LEFT, SO WE MADE YOU DADDY AND MS. JENNY MOMMY. 792 00:29:46,595 --> 00:29:47,227 MADE YOU DADDY AND MS. JENNY MOMMY. >> WHAT? 793 00:29:47,229 --> 00:29:51,598 MOMMY. >> WHAT? WHY IS MS. JENNY MOMMY? 794 00:29:51,600 --> 00:29:56,570 >> WHAT? WHY IS MS. JENNY MOMMY? >> GUYS. 795 00:29:56,572 --> 00:30:03,109 WHY IS MS. JENNY MOMMY? >> GUYS. [ CHEERS AND APPLAUSE ] 796 00:30:03,111 --> 00:30:05,178 >> GUYS. [ CHEERS AND APPLAUSE ] WE'VE TOLD YOU, THERE IS NOTHING 797 00:30:05,180 --> 00:30:07,914 [ CHEERS AND APPLAUSE ] WE'VE TOLD YOU, THERE IS NOTHING GOING ON BETWEEN ME AND MR. BEN. 798 00:30:07,916 --> 00:30:08,381 WE'VE TOLD YOU, THERE IS NOTHING GOING ON BETWEEN ME AND MR. BEN. >> OH, REALLY? 799 00:30:08,383 --> 00:30:09,216 GOING ON BETWEEN ME AND MR. BEN. >> OH, REALLY? THEN EXPLAIN THIS. 800 00:30:09,218 --> 00:30:17,424 >> OH, REALLY? THEN EXPLAIN THIS. ♪ 801 00:30:17,426 --> 00:30:20,260 THEN EXPLAIN THIS. ♪ >> HONEY, THEY HAVE BEEN THROUGH 802 00:30:20,262 --> 00:30:21,161 ♪ >> HONEY, THEY HAVE BEEN THROUGH SO MUCH. 803 00:30:21,163 --> 00:30:23,897 >> HONEY, THEY HAVE BEEN THROUGH SO MUCH. LET'S JUST TELL THEM THE TRUTH. 804 00:30:23,899 --> 00:30:26,800 SO MUCH. LET'S JUST TELL THEM THE TRUTH. MS. JENNY AND I, WE'RE IN LOVE. 805 00:30:26,802 --> 00:30:28,134 LET'S JUST TELL THEM THE TRUTH. MS. JENNY AND I, WE'RE IN LOVE. >> OOH! 806 00:30:28,136 --> 00:30:30,270 MS. JENNY AND I, WE'RE IN LOVE. >> OOH! >> FINE, IT'S TRUE. 807 00:30:30,272 --> 00:30:32,772 >> OOH! >> FINE, IT'S TRUE. HE'S DADDY, I'M MOMMY, AND WE'RE 808 00:30:32,774 --> 00:30:33,740 >> FINE, IT'S TRUE. HE'S DADDY, I'M MOMMY, AND WE'RE ALL A HAPPY FAMILY. 809 00:30:33,742 --> 00:30:35,275 HE'S DADDY, I'M MOMMY, AND WE'RE ALL A HAPPY FAMILY. NO CRUMBS LEFT. 810 00:30:35,277 --> 00:30:35,976 ALL A HAPPY FAMILY. NO CRUMBS LEFT. >> YEAH! 811 00:30:35,978 --> 00:30:42,482 NO CRUMBS LEFT. >> YEAH! ♪ 812 00:30:42,484 --> 00:30:43,550 >> YEAH! ♪ >>> THE BIG GAME IS RIGHT AROUND 813 00:30:43,552 --> 00:30:44,251 ♪ >>> THE BIG GAME IS RIGHT AROUND THE CORNER, AND WING PIT HAS 814 00:30:44,253 --> 00:30:46,219 >>> THE BIG GAME IS RIGHT AROUND THE CORNER, AND WING PIT HAS YOUR PARTY COVERED. 815 00:30:46,221 --> 00:30:48,355 THE CORNER, AND WING PIT HAS YOUR PARTY COVERED. >> WINGS ARE HERE! 816 00:30:48,357 --> 00:30:49,956 YOUR PARTY COVERED. >> WINGS ARE HERE! >> WE'VE GOT GAME DAY SPECIALS 817 00:30:49,958 --> 00:30:51,558 >> WINGS ARE HERE! >> WE'VE GOT GAME DAY SPECIALS THAT WILL KEEP THE WHOLE PARTY 818 00:30:51,560 --> 00:30:53,693 >> WE'VE GOT GAME DAY SPECIALS THAT WILL KEEP THE WHOLE PARTY HAPPY, LIKE OUR TOUCHDOWN TRAY. 819 00:30:53,695 --> 00:30:57,430 THAT WILL KEEP THE WHOLE PARTY HAPPY, LIKE OUR TOUCHDOWN TRAY. >> TWO DOZEN WINGS AND TWO 820 00:30:57,432 --> 00:30:59,599 HAPPY, LIKE OUR TOUCHDOWN TRAY. >> TWO DOZEN WINGS AND TWO SAUCES FOR ONLY 24.99. 821 00:30:59,601 --> 00:31:00,333 >> TWO DOZEN WINGS AND TWO SAUCES FOR ONLY 24.99. >> THAT'S SOMETHING WE CAN BOTH 822 00:31:00,335 --> 00:31:02,769 SAUCES FOR ONLY 24.99. >> THAT'S SOMETHING WE CAN BOTH AGREE ON. 823 00:31:02,771 --> 00:31:08,875 >> THAT'S SOMETHING WE CAN BOTH AGREE ON. >> OR CALL 824 00:31:08,877 --> 00:31:09,276 AGREE ON. >> OR CALL AN AUDIBLE. 825 00:31:09,278 --> 00:31:09,943 >> OR CALL AN AUDIBLE. AND TRY THE STREAM PLATTER. 826 00:31:09,945 --> 00:31:10,677 AN AUDIBLE. AND TRY THE STREAM PLATTER. >> JUICY BUFFALO WINGS FOR ONLY 827 00:31:10,679 --> 00:31:11,011 AND TRY THE STREAM PLATTER. >> JUICY BUFFALO WINGS FOR ONLY 39.99. 828 00:31:11,013 --> 00:31:11,578 >> JUICY BUFFALO WINGS FOR ONLY 39.99. >> NOW WE'RE TALKING. 829 00:31:11,580 --> 00:31:13,146 39.99. >> NOW WE'RE TALKING. >> AND IF YOUR PARTY IS REALLY 830 00:31:13,148 --> 00:31:14,748 >> NOW WE'RE TALKING. >> AND IF YOUR PARTY IS REALLY RAGING, GO FOR TWO WITH WING PIT 831 00:31:14,750 --> 00:31:18,451 >> AND IF YOUR PARTY IS REALLY RAGING, GO FOR TWO WITH WING PIT TAILGATE FEAST. 832 00:31:18,453 --> 00:31:22,522 RAGING, GO FOR TWO WITH WING PIT TAILGATE FEAST. >> 20 DOZEN WINGS, FIVE 833 00:31:22,524 --> 00:31:24,758 TAILGATE FEAST. >> 20 DOZEN WINGS, FIVE ETHNICALLY TROUBLING SAUCES AND 834 00:31:24,760 --> 00:31:27,761 >> 20 DOZEN WINGS, FIVE ETHNICALLY TROUBLING SAUCES AND A GALLON OF RANCH FOR JUST 835 00:31:27,763 --> 00:31:28,061 ETHNICALLY TROUBLING SAUCES AND A GALLON OF RANCH FOR JUST 89.99. 836 00:31:28,063 --> 00:31:28,495 A GALLON OF RANCH FOR JUST 89.99. >> THANK YOU. 837 00:31:28,497 --> 00:31:29,195 89.99. >> THANK YOU. WE'RE PROBABLY GOOD ON WINGS, 838 00:31:29,197 --> 00:31:29,529 >> THANK YOU. WE'RE PROBABLY GOOD ON WINGS, THOUGH. 839 00:31:29,531 --> 00:31:30,230 WE'RE PROBABLY GOOD ON WINGS, THOUGH. >> BUT YOU COULD BE GREAT ON 840 00:31:30,232 --> 00:31:32,999 THOUGH. >> BUT YOU COULD BE GREAT ON WINGS. 841 00:31:33,001 --> 00:31:34,668 >> BUT YOU COULD BE GREAT ON WINGS. WITH WING PITS NEW TRAY OF 842 00:31:34,670 --> 00:31:34,968 WINGS. WITH WING PITS NEW TRAY OF TEARS. 843 00:31:34,970 --> 00:31:35,735 WITH WING PITS NEW TRAY OF TEARS. >> 600 OF OUR SUCCULENT WINGS 844 00:31:35,737 --> 00:31:40,907 TEARS. >> 600 OF OUR SUCCULENT WINGS PLUS 16 BUTT-DESTROYING SAUCES 845 00:31:40,909 --> 00:31:41,675 >> 600 OF OUR SUCCULENT WINGS PLUS 16 BUTT-DESTROYING SAUCES AND A KEG FULL OF RANCH 846 00:31:41,677 --> 00:31:42,542 PLUS 16 BUTT-DESTROYING SAUCES AND A KEG FULL OF RANCH FOR ONLY 205.99. 847 00:31:42,544 --> 00:31:44,144 AND A KEG FULL OF RANCH FOR ONLY 205.99. >> WE DON'T NEED ALL THAT. 848 00:31:44,146 --> 00:31:47,347 FOR ONLY 205.99. >> WE DON'T NEED ALL THAT. >> BUT YOU WANT IT JUST LIKE YOU 849 00:31:47,349 --> 00:31:48,381 >> WE DON'T NEED ALL THAT. >> BUT YOU WANT IT JUST LIKE YOU WANT WING PIT'S THE CHICKEN 850 00:31:48,383 --> 00:31:54,087 >> BUT YOU WANT IT JUST LIKE YOU WANT WING PIT'S THE CHICKEN SMOOTHIE. 851 00:31:54,089 --> 00:31:55,255 WANT WING PIT'S THE CHICKEN SMOOTHIE. IT'S 40 LIQUEFIED WINGS MIXED 852 00:31:55,257 --> 00:31:55,822 SMOOTHIE. IT'S 40 LIQUEFIED WINGS MIXED WITH 80 PROOF ALCOHOL. 853 00:31:55,824 --> 00:31:56,456 IT'S 40 LIQUEFIED WINGS MIXED WITH 80 PROOF ALCOHOL. MUST BE OVER 12 TO ORDER. 854 00:31:56,458 --> 00:31:57,223 WITH 80 PROOF ALCOHOL. MUST BE OVER 12 TO ORDER. >> OVER 12? 855 00:31:57,225 --> 00:31:57,924 MUST BE OVER 12 TO ORDER. >> OVER 12? >> AND IF YOU'RE THIRSTY FOR 856 00:31:57,926 --> 00:32:02,095 >> OVER 12? >> AND IF YOU'RE THIRSTY FOR MORE, TRY THE CARNAGE PLATTER. 857 00:32:02,097 --> 00:32:06,433 >> AND IF YOU'RE THIRSTY FOR MORE, TRY THE CARNAGE PLATTER. >> 3,000 WINGS 858 00:32:06,435 --> 00:32:07,167 MORE, TRY THE CARNAGE PLATTER. >> 3,000 WINGS PACKED IN A BLACK CONTRACTOR BAG 859 00:32:07,169 --> 00:32:07,867 >> 3,000 WINGS PACKED IN A BLACK CONTRACTOR BAG THROWN STRAIGHT THROUGH YOUR 860 00:32:07,869 --> 00:32:08,535 PACKED IN A BLACK CONTRACTOR BAG THROWN STRAIGHT THROUGH YOUR WINDOW IN TIME FOR KICKOFF. 861 00:32:08,537 --> 00:32:09,569 THROWN STRAIGHT THROUGH YOUR WINDOW IN TIME FOR KICKOFF. >> HEY, IF YOU DON'T STOP, I'M 862 00:32:09,571 --> 00:32:10,637 WINDOW IN TIME FOR KICKOFF. >> HEY, IF YOU DON'T STOP, I'M CALLING THE POLICE. 863 00:32:10,639 --> 00:32:11,338 >> HEY, IF YOU DON'T STOP, I'M CALLING THE POLICE. >> WELL, GOOD LUCK BECAUSE WE 864 00:32:11,340 --> 00:32:13,306 CALLING THE POLICE. >> WELL, GOOD LUCK BECAUSE WE OWN THE POLICE. 865 00:32:13,308 --> 00:32:15,442 >> WELL, GOOD LUCK BECAUSE WE OWN THE POLICE. WING PIT DONATES MILLIONS TO 866 00:32:15,444 --> 00:32:17,077 OWN THE POLICE. WING PIT DONATES MILLIONS TO POLICE CHARITIES SO WE CAN 867 00:32:17,079 --> 00:32:18,645 WING PIT DONATES MILLIONS TO POLICE CHARITIES SO WE CAN OPERATE WITH TOTAL IMMUNITY. 868 00:32:18,647 --> 00:32:19,713 POLICE CHARITIES SO WE CAN OPERATE WITH TOTAL IMMUNITY. >> AND THAT LETS US SERVE YOU 869 00:32:19,715 --> 00:32:23,416 OPERATE WITH TOTAL IMMUNITY. >> AND THAT LETS US SERVE YOU THE CHICK NOBLE. 870 00:32:23,418 --> 00:32:25,018 >> AND THAT LETS US SERVE YOU THE CHICK NOBLE. >> 5,000 WINGS, 10,000 BEANS, A 871 00:32:25,020 --> 00:32:33,526 THE CHICK NOBLE. >> 5,000 WINGS, 10,000 BEANS, A FULL GALLON OF HOT SAUCE 872 00:32:33,528 --> 00:32:34,627 >> 5,000 WINGS, 10,000 BEANS, A FULL GALLON OF HOT SAUCE AIR-DROPPED RANCH. 873 00:32:34,629 --> 00:32:35,328 FULL GALLON OF HOT SAUCE AIR-DROPPED RANCH. >> ALL PUMPED INTO YOUR PARTY 874 00:32:35,330 --> 00:32:36,196 AIR-DROPPED RANCH. >> ALL PUMPED INTO YOUR PARTY VIA CEMENT SHOOT. 875 00:32:36,198 --> 00:32:37,764 >> ALL PUMPED INTO YOUR PARTY VIA CEMENT SHOOT. >> OH! 876 00:32:37,766 --> 00:32:43,136 VIA CEMENT SHOOT. >> OH! >> AHH! 877 00:32:43,138 --> 00:32:45,839 >> OH! >> AHH! >> WHY ARE YOU DOING THIS? 878 00:32:45,841 --> 00:32:46,573 >> AHH! >> WHY ARE YOU DOING THIS? >> TO HONOR THE CHICKEN GOD OF 879 00:32:46,575 --> 00:32:51,678 >> WHY ARE YOU DOING THIS? >> TO HONOR THE CHICKEN GOD OF DEATH. 880 00:32:51,680 --> 00:32:52,746 >> TO HONOR THE CHICKEN GOD OF DEATH. >> NO, PLEASE MAKE IT STOP. 881 00:32:52,748 --> 00:32:58,351 DEATH. >> NO, PLEASE MAKE IT STOP. >> YOUR FATE IS SEALED. 882 00:32:58,353 --> 00:32:59,419 >> NO, PLEASE MAKE IT STOP. >> YOUR FATE IS SEALED. >> WING PIT. 883 00:32:59,421 --> 00:33:02,155 >> YOUR FATE IS SEALED. >> WING PIT. LET THE SLAUGHTER BEGIN. 884 00:33:23,227 --> 00:33:30,200 >>> LADIES AND GENTLEMEN, COLDPLAY. [ CHEERS AND APPLAUSE ] 885 00:33:30,202 --> 00:33:31,901 COLDPLAY. [ CHEERS AND APPLAUSE ] ♪ 886 00:33:31,903 --> 00:33:34,537 [ CHEERS AND APPLAUSE ] ♪ ♪ YOU AND ME ♪ 887 00:33:34,539 --> 00:33:39,909 ♪ ♪ YOU AND ME ♪ WE'LL GO DOWN IN HISTORY 888 00:33:39,911 --> 00:33:42,579 ♪ YOU AND ME ♪ WE'LL GO DOWN IN HISTORY GREATEST STORY OF US 889 00:33:42,581 --> 00:33:46,816 WE'LL GO DOWN IN HISTORY GREATEST STORY OF US ONE FOR THE CENTURIES ♪ 890 00:33:46,818 --> 00:33:48,384 GREATEST STORY OF US ONE FOR THE CENTURIES ♪ ♪ I SAW YOU I WAS BROKE OPEN 891 00:33:48,386 --> 00:33:50,053 ONE FOR THE CENTURIES ♪ ♪ I SAW YOU I WAS BROKE OPEN TORE RIGHT INTO TWO 892 00:33:50,055 --> 00:33:52,155 ♪ I SAW YOU I WAS BROKE OPEN TORE RIGHT INTO TWO I NEVER SAW ANYTHING 893 00:33:52,157 --> 00:33:54,824 TORE RIGHT INTO TWO I NEVER SAW ANYTHING AS BEAUTIFUL AS YOU ♪ 894 00:33:54,826 --> 00:33:57,494 I NEVER SAW ANYTHING AS BEAUTIFUL AS YOU ♪ ♪ IF I WOKE UP 895 00:33:57,496 --> 00:33:59,095 AS BEAUTIFUL AS YOU ♪ ♪ IF I WOKE UP AND ALL THIS WAS JUST A DREAM 896 00:33:59,097 --> 00:34:00,196 ♪ IF I WOKE UP AND ALL THIS WAS JUST A DREAM I WANT TO TELL YOU 897 00:34:00,198 --> 00:34:05,602 AND ALL THIS WAS JUST A DREAM I WANT TO TELL YOU JUST WHAT YOU MEAN ♪ 898 00:34:05,604 --> 00:34:13,676 I WANT TO TELL YOU JUST WHAT YOU MEAN ♪ ♪ WHEN I'M WITH YOU 899 00:34:13,678 --> 00:34:18,448 JUST WHAT YOU MEAN ♪ ♪ WHEN I'M WITH YOU THERE IS NO ONE ELSE 900 00:34:18,450 --> 00:34:21,117 ♪ WHEN I'M WITH YOU THERE IS NO ONE ELSE I GET HEAVEN TO MYSELF ♪ 901 00:34:21,119 --> 00:34:28,091 THERE IS NO ONE ELSE I GET HEAVEN TO MYSELF ♪ ♪ WHEN I'M WITH YOU 902 00:34:28,093 --> 00:34:32,862 I GET HEAVEN TO MYSELF ♪ ♪ WHEN I'M WITH YOU THERE IS NO ONE ELSE 903 00:34:32,864 --> 00:34:34,531 ♪ WHEN I'M WITH YOU THERE IS NO ONE ELSE I FEEL THIS WAY 904 00:34:34,533 --> 00:34:36,666 THERE IS NO ONE ELSE I FEEL THIS WAY I'VE NEVER FELT ♪ 905 00:34:36,668 --> 00:34:52,682 I FEEL THIS WAY I'VE NEVER FELT ♪ ♪ 906 00:34:52,684 --> 00:34:55,852 I'VE NEVER FELT ♪ ♪ ♪ YOU AND ME 907 00:34:55,854 --> 00:35:00,690 ♪ ♪ YOU AND ME WE'LL GO DOWN IN HISTORY 908 00:35:00,692 --> 00:35:01,758 ♪ YOU AND ME WE'LL GO DOWN IN HISTORY WE'RE IN THIS LIFE 909 00:35:01,760 --> 00:35:02,792 WE'LL GO DOWN IN HISTORY WE'RE IN THIS LIFE TOGETHER ♪ 910 00:35:02,794 --> 00:35:03,359 WE'RE IN THIS LIFE TOGETHER ♪ ♪ SOME THINGS 911 00:35:03,361 --> 00:35:07,630 TOGETHER ♪ ♪ SOME THINGS ARE MEANT TO BE ♪ 912 00:35:07,632 --> 00:35:09,732 ♪ SOME THINGS ARE MEANT TO BE ♪ ♪ SAW YOU I WAS BROKEN OPEN 913 00:35:09,734 --> 00:35:11,868 ARE MEANT TO BE ♪ ♪ SAW YOU I WAS BROKEN OPEN TORE RIGHT INTO TWO 914 00:35:11,870 --> 00:35:12,936 ♪ SAW YOU I WAS BROKEN OPEN TORE RIGHT INTO TWO I NEVER SAW ANYTHING 915 00:35:12,938 --> 00:35:14,504 TORE RIGHT INTO TWO I NEVER SAW ANYTHING AS BEAUTIFUL AS YOU ♪ 916 00:35:14,506 --> 00:35:17,173 I NEVER SAW ANYTHING AS BEAUTIFUL AS YOU ♪ ♪ IF I WOKE UP 917 00:35:17,175 --> 00:35:18,808 AS BEAUTIFUL AS YOU ♪ ♪ IF I WOKE UP AND ALL THIS WAS JUST A DREAM 918 00:35:18,810 --> 00:35:20,910 ♪ IF I WOKE UP AND ALL THIS WAS JUST A DREAM I WANT TO TELL YOU 919 00:35:20,912 --> 00:35:26,316 AND ALL THIS WAS JUST A DREAM I WANT TO TELL YOU JUST WHAT YOU MEAN ♪ 920 00:35:26,318 --> 00:35:32,255 I WANT TO TELL YOU JUST WHAT YOU MEAN ♪ ♪ WHEN I'M WITH YOU 921 00:35:32,257 --> 00:35:38,628 JUST WHAT YOU MEAN ♪ ♪ WHEN I'M WITH YOU THERE IS NO ONE ELSE 922 00:35:38,630 --> 00:35:42,365 ♪ WHEN I'M WITH YOU THERE IS NO ONE ELSE I GET HEAVEN TO MYSELF ♪ 923 00:35:42,367 --> 00:35:48,838 THERE IS NO ONE ELSE I GET HEAVEN TO MYSELF ♪ ♪ WHEN I'M WITH YOU 924 00:35:48,840 --> 00:35:54,110 I GET HEAVEN TO MYSELF ♪ ♪ WHEN I'M WITH YOU THERE IS NO ONE ELSE 925 00:35:54,112 --> 00:35:55,178 ♪ WHEN I'M WITH YOU THERE IS NO ONE ELSE I FEEL THIS WAY 926 00:35:55,180 --> 00:36:01,651 THERE IS NO ONE ELSE I FEEL THIS WAY I NEVER FELT ♪ 927 00:36:01,653 --> 00:36:03,319 I FEEL THIS WAY I NEVER FELT ♪ ♪ I FEEL THIS WAY 928 00:36:03,321 --> 00:36:11,828 I NEVER FELT ♪ ♪ I FEEL THIS WAY I NEVER FELT 929 00:36:11,830 --> 00:36:12,462 ♪ I FEEL THIS WAY I NEVER FELT OH OH-OH-OH OH-OH-OH ♪ 930 00:36:12,464 --> 00:36:19,335 I NEVER FELT OH OH-OH-OH OH-OH-OH ♪ ♪ WHEN I'M WITH YOU 931 00:36:19,337 --> 00:36:24,674 OH OH-OH-OH OH-OH-OH ♪ ♪ WHEN I'M WITH YOU THERE IS NO ONE ELSE 932 00:36:24,676 --> 00:36:28,411 ♪ WHEN I'M WITH YOU THERE IS NO ONE ELSE I GET HEAVEN TO MYSELF ♪ 933 00:36:28,413 --> 00:36:34,817 THERE IS NO ONE ELSE I GET HEAVEN TO MYSELF ♪ ♪ WHEN I'M WITH YOU 934 00:36:34,819 --> 00:36:39,622 I GET HEAVEN TO MYSELF ♪ ♪ WHEN I'M WITH YOU THERE IS NO ONE ELSE ♪ 935 00:36:39,624 --> 00:36:42,292 ♪ WHEN I'M WITH YOU THERE IS NO ONE ELSE ♪ ♪ A LIFE 936 00:36:42,294 --> 00:36:46,029 THERE IS NO ONE ELSE ♪ ♪ A LIFE A SPARKLE IN YOUR EYES 937 00:36:46,031 --> 00:36:54,103 ♪ A LIFE A SPARKLE IN YOUR EYES HEAVEN COMIN' THROUGH ♪ 938 00:36:54,105 --> 00:36:57,907 A SPARKLE IN YOUR EYES HEAVEN COMIN' THROUGH ♪ AND I LOVE YOU ♪ 939 00:36:57,909 --> 00:37:02,145 HEAVEN COMIN' THROUGH ♪ AND I LOVE YOU ♪ ♪ 940 00:37:02,147 --> 00:37:06,949 AND I LOVE YOU ♪ ♪ ♪ I REALLY DO 941 00:37:06,951 --> 00:37:09,619 ♪ ♪ I REALLY DO OH-OH-OH OH-OH-OH ♪ 942 00:37:09,621 --> 00:37:16,059 ♪ I REALLY DO OH-OH-OH OH-OH-OH ♪ ♪ WHEN I'M WITH YOU 943 00:37:16,061 --> 00:37:19,262 OH-OH-OH OH-OH-OH ♪ ♪ WHEN I'M WITH YOU THERE IS NO ONE ELSE 944 00:37:19,264 --> 00:37:21,964 ♪ WHEN I'M WITH YOU THERE IS NO ONE ELSE THERE IS NO ONE 945 00:37:21,966 --> 00:37:24,600 THERE IS NO ONE ELSE THERE IS NO ONE I GET HEAVEN TO MYSELF ♪ 946 00:37:24,602 --> 00:37:28,905 THERE IS NO ONE I GET HEAVEN TO MYSELF ♪ ♪ WHEN I'M WITH YOU 947 00:37:28,907 --> 00:37:34,744 I GET HEAVEN TO MYSELF ♪ ♪ WHEN I'M WITH YOU THERE IS NO ONE ELSE 948 00:37:34,746 --> 00:37:36,913 ♪ WHEN I'M WITH YOU THERE IS NO ONE ELSE THERE IS NO ONE 949 00:37:36,915 --> 00:37:43,319 THERE IS NO ONE ELSE THERE IS NO ONE FEEL THIS WAY I NEVER FELT ♪ 950 00:37:43,321 --> 00:37:45,421 THERE IS NO ONE FEEL THIS WAY I NEVER FELT ♪ ONE, TWO, THREE, FOUR. 951 00:37:45,423 --> 00:37:48,124 FEEL THIS WAY I NEVER FELT ♪ ONE, TWO, THREE, FOUR. ♪ 952 00:37:48,126 --> 00:37:51,627 ONE, TWO, THREE, FOUR. ♪ >> THANK YOU. 953 00:37:51,629 --> 00:37:53,696 ♪ >> THANK YOU. [ CHEERS AND APPLAUSE ] 954 00:38:18,839 --> 00:38:27,380 >> Announcer: IT'S "WEEKEND UPDATE" WITH COLIN JOST AND MICHAEL CHE. 955 00:38:27,382 --> 00:38:29,582 UPDATE" WITH COLIN JOST AND MICHAEL CHE. >>> THANK YOU VERY MUCH. 956 00:38:29,584 --> 00:38:29,949 MICHAEL CHE. >>> THANK YOU VERY MUCH. THANK YOU. 957 00:38:29,951 --> 00:38:31,184 >>> THANK YOU VERY MUCH. THANK YOU. GOOD EVENING, EVERYONE. 958 00:38:31,186 --> 00:38:33,553 THANK YOU. GOOD EVENING, EVERYONE. >> WELCOME TO "WEEKEND UPDATE" 959 00:38:33,555 --> 00:38:36,189 GOOD EVENING, EVERYONE. >> WELCOME TO "WEEKEND UPDATE" I'M MICHAEL CHE. 960 00:38:36,191 --> 00:38:36,722 >> WELCOME TO "WEEKEND UPDATE" I'M MICHAEL CHE. >> I'M COLIN JOST. 961 00:38:36,724 --> 00:38:38,791 I'M MICHAEL CHE. >> I'M COLIN JOST. >>> EARLIER TODAY, AN AMERICAN 962 00:38:38,793 --> 00:38:40,193 >> I'M COLIN JOST. >>> EARLIER TODAY, AN AMERICAN FIGHTER JET SHOT DOWN A 963 00:38:40,195 --> 00:38:41,961 >>> EARLIER TODAY, AN AMERICAN FIGHTER JET SHOT DOWN A SUSPECTED CHINESE SURVEILLANCE 964 00:38:41,963 --> 00:38:43,429 FIGHTER JET SHOT DOWN A SUSPECTED CHINESE SURVEILLANCE BALLOON THAT HAD BEEN SPOTTED 965 00:38:43,431 --> 00:38:44,630 SUSPECTED CHINESE SURVEILLANCE BALLOON THAT HAD BEEN SPOTTED CROSSING THE UNITED STATES, 966 00:38:44,632 --> 00:38:48,101 BALLOON THAT HAD BEEN SPOTTED CROSSING THE UNITED STATES, OFFICIALLY ENDING HISTORY'S MOST 967 00:38:48,103 --> 00:38:49,602 CROSSING THE UNITED STATES, OFFICIALLY ENDING HISTORY'S MOST COMPLICATED GENDER REVEAL PARTY. 968 00:38:49,604 --> 00:38:58,611 OFFICIALLY ENDING HISTORY'S MOST COMPLICATED GENDER REVEAL PARTY. BAD NEWS FOR CHINA, IT'S A GIRL. 969 00:38:58,613 --> 00:39:01,380 COMPLICATED GENDER REVEAL PARTY. BAD NEWS FOR CHINA, IT'S A GIRL. CHINESE OFFICIALS CONDEMNED THE 970 00:39:01,382 --> 00:39:03,282 BAD NEWS FOR CHINA, IT'S A GIRL. CHINESE OFFICIALS CONDEMNED THE DECISION TO DESTROY THE BALLOON 971 00:39:03,284 --> 00:39:05,184 CHINESE OFFICIALS CONDEMNED THE DECISION TO DESTROY THE BALLOON SAYING IT WAS A CIVILIAN 972 00:39:05,186 --> 00:39:05,551 DECISION TO DESTROY THE BALLOON SAYING IT WAS A CIVILIAN AIRCRAFT. 973 00:39:05,553 --> 00:39:06,319 SAYING IT WAS A CIVILIAN AIRCRAFT. BUT EVEN THEY CAN BE EXTREMELY 974 00:39:06,321 --> 00:39:10,623 AIRCRAFT. BUT EVEN THEY CAN BE EXTREMELY DANGEROUS. 975 00:39:10,625 --> 00:39:17,063 BUT EVEN THEY CAN BE EXTREMELY DANGEROUS. >> THE REVIVED A.P. AMERICAN 976 00:39:17,065 --> 00:39:19,832 DANGEROUS. >> THE REVIVED A.P. AMERICAN HISTORY CLASS REMOVED THE 977 00:39:19,834 --> 00:39:24,403 >> THE REVIVED A.P. AMERICAN HISTORY CLASS REMOVED THE CLASSES THAT FLORIDA SAYS HAVE 978 00:39:24,405 --> 00:39:24,904 HISTORY CLASS REMOVED THE CLASSES THAT FLORIDA SAYS HAVE BEEN PROBLEMATIC. 979 00:39:24,906 --> 00:39:26,205 CLASSES THAT FLORIDA SAYS HAVE BEEN PROBLEMATIC. INSTEAD THEY REPLACED IT WITH 980 00:39:26,207 --> 00:39:27,440 BEEN PROBLEMATIC. INSTEAD THEY REPLACED IT WITH AUTHORS THEY CALL ONE OF THE 981 00:39:27,442 --> 00:39:29,308 INSTEAD THEY REPLACED IT WITH AUTHORS THEY CALL ONE OF THE GOOD ONES. 982 00:39:29,310 --> 00:39:31,344 AUTHORS THEY CALL ONE OF THE GOOD ONES. REPRESENTATIVE GEORGE SANTOS 983 00:39:31,346 --> 00:39:32,845 GOOD ONES. REPRESENTATIVE GEORGE SANTOS SAID THAT HE IS STEPPING ASIDE 984 00:39:32,847 --> 00:39:34,380 REPRESENTATIVE GEORGE SANTOS SAID THAT HE IS STEPPING ASIDE FROM HIS COMMITTEE ASSIGNMENTS 985 00:39:34,382 --> 00:39:36,048 SAID THAT HE IS STEPPING ASIDE FROM HIS COMMITTEE ASSIGNMENTS TO PREVENT BEING A DISTRACTION. 986 00:39:36,050 --> 00:39:39,085 FROM HIS COMMITTEE ASSIGNMENTS TO PREVENT BEING A DISTRACTION. HE ADDED THE LAST THING I WANT 987 00:39:39,087 --> 00:39:42,755 TO PREVENT BEING A DISTRACTION. HE ADDED THE LAST THING I WANT IS ATTENTION. 988 00:39:42,757 --> 00:39:49,362 HE ADDED THE LAST THING I WANT IS ATTENTION. THEN HE SACHEED AWAY IN A 989 00:39:49,364 --> 00:39:50,396 IS ATTENTION. THEN HE SACHEED AWAY IN A FEATHER BOA. 990 00:39:50,398 --> 00:39:52,665 THEN HE SACHEED AWAY IN A FEATHER BOA. >> IT WAS ALSO REPORTED HE LIED 991 00:39:52,667 --> 00:39:55,401 FEATHER BOA. >> IT WAS ALSO REPORTED HE LIED TO CAMPAIGN DONORS THAT HE WAS A 992 00:39:55,403 --> 00:39:57,069 >> IT WAS ALSO REPORTED HE LIED TO CAMPAIGN DONORS THAT HE WAS A PRODUCER OF SPIDERMAN, TURN OFF 993 00:39:57,071 --> 00:39:58,971 TO CAMPAIGN DONORS THAT HE WAS A PRODUCER OF SPIDERMAN, TURN OFF THE DARK, THOUGH HE DID END UP 994 00:39:58,973 --> 00:40:03,910 PRODUCER OF SPIDERMAN, TURN OFF THE DARK, THOUGH HE DID END UP WORKING WITH THE GREEN GOBLIN. 995 00:40:03,912 --> 00:40:05,178 THE DARK, THOUGH HE DID END UP WORKING WITH THE GREEN GOBLIN. SPEAKER OF THE HOUSE -- THANK 996 00:40:05,180 --> 00:40:07,413 WORKING WITH THE GREEN GOBLIN. SPEAKER OF THE HOUSE -- THANK YOU -- SPEAKER OF THE HOUSE 997 00:40:07,415 --> 00:40:09,115 SPEAKER OF THE HOUSE -- THANK YOU -- SPEAKER OF THE HOUSE KEVIN McCARTHY SEEN HERE WANTING 998 00:40:09,117 --> 00:40:11,250 YOU -- SPEAKER OF THE HOUSE KEVIN McCARTHY SEEN HERE WANTING TO KNOW IF SOMEONE YOU OR YOU 999 00:40:11,252 --> 00:40:13,286 KEVIN McCARTHY SEEN HERE WANTING TO KNOW IF SOMEONE YOU OR YOU KNOW HAS BEEN INJURED IN A CAR 1000 00:40:13,288 --> 00:40:15,154 TO KNOW IF SOMEONE YOU OR YOU KNOW HAS BEEN INJURED IN A CAR ACCIDENT MET IN PERSON WITH 1001 00:40:15,156 --> 00:40:17,223 KNOW HAS BEEN INJURED IN A CAR ACCIDENT MET IN PERSON WITH PRESIDENT BIDEN ABOUT THE DEBT 1002 00:40:17,225 --> 00:40:19,258 ACCIDENT MET IN PERSON WITH PRESIDENT BIDEN ABOUT THE DEBT CEILING AND SAID THEY HAD A GOOD 1003 00:40:19,260 --> 00:40:19,692 PRESIDENT BIDEN ABOUT THE DEBT CEILING AND SAID THEY HAD A GOOD CONVERSATION. 1004 00:40:19,694 --> 00:40:21,527 CEILING AND SAID THEY HAD A GOOD CONVERSATION. IT WENT SO WELL, BIDEN LET HIM 1005 00:40:21,529 --> 00:40:23,396 CONVERSATION. IT WENT SO WELL, BIDEN LET HIM PICK A COUPLE OF CLASSIFIED 1006 00:40:23,398 --> 00:40:24,397 IT WENT SO WELL, BIDEN LET HIM PICK A COUPLE OF CLASSIFIED DOCUMENTS OUT OF A BOWL. 1007 00:40:24,399 --> 00:40:26,966 PICK A COUPLE OF CLASSIFIED DOCUMENTS OUT OF A BOWL. >> THE FBI SEARCHED PRESIDENT 1008 00:40:26,968 --> 00:40:28,734 DOCUMENTS OUT OF A BOWL. >> THE FBI SEARCHED PRESIDENT BIDEN'S DELAWARE BEACH HOUSE BUT 1009 00:40:28,736 --> 00:40:30,736 >> THE FBI SEARCHED PRESIDENT BIDEN'S DELAWARE BEACH HOUSE BUT FOUND NO CLASSIFIED DOCUMENTS. 1010 00:40:30,738 --> 00:40:33,206 BIDEN'S DELAWARE BEACH HOUSE BUT FOUND NO CLASSIFIED DOCUMENTS. ALSO, THE NEXT TIME SOMEBODY 1011 00:40:33,208 --> 00:40:34,740 FOUND NO CLASSIFIED DOCUMENTS. ALSO, THE NEXT TIME SOMEBODY TELLS THAT YOU BIDEN GOT 1012 00:40:34,742 --> 00:40:36,275 ALSO, THE NEXT TIME SOMEBODY TELLS THAT YOU BIDEN GOT BILLIONS FROM CHINA, REMEMBER 1013 00:40:36,277 --> 00:40:38,044 TELLS THAT YOU BIDEN GOT BILLIONS FROM CHINA, REMEMBER HIS BEACH HOUSE IS IN DELAWARE. 1014 00:40:38,046 --> 00:40:41,180 BILLIONS FROM CHINA, REMEMBER HIS BEACH HOUSE IS IN DELAWARE. IT WAS ANNOUNCED THAT DONALD 1015 00:40:41,182 --> 00:40:42,582 HIS BEACH HOUSE IS IN DELAWARE. IT WAS ANNOUNCED THAT DONALD TRUMP'S GOLF COURSES WILL HOST 1016 00:40:42,584 --> 00:40:44,183 IT WAS ANNOUNCED THAT DONALD TRUMP'S GOLF COURSES WILL HOST THREE LIV GOLF TOURNAMENTS THIS 1017 00:40:44,185 --> 00:40:47,286 TRUMP'S GOLF COURSES WILL HOST THREE LIV GOLF TOURNAMENTS THIS YEAR, FURTHERING TRUMP'S TIES TO 1018 00:40:47,288 --> 00:40:48,020 THREE LIV GOLF TOURNAMENTS THIS YEAR, FURTHERING TRUMP'S TIES TO SAUDI ARABIA. 1019 00:40:48,022 --> 00:40:51,657 YEAR, FURTHERING TRUMP'S TIES TO SAUDI ARABIA. MAKES SENSE, SAUDI ARABIA NEEDS 1020 00:40:51,659 --> 00:40:54,493 SAUDI ARABIA. MAKES SENSE, SAUDI ARABIA NEEDS VENUE FOR GOLF TOURNAMENTS, AND 1021 00:40:54,495 --> 00:40:57,597 MAKES SENSE, SAUDI ARABIA NEEDS VENUE FOR GOLF TOURNAMENTS, AND DUMP NEEDS OIL FOR THAT BIG OLE 1022 00:40:57,599 --> 00:40:58,631 VENUE FOR GOLF TOURNAMENTS, AND DUMP NEEDS OIL FOR THAT BIG OLE DUMP TRUCK. 1023 00:40:58,633 --> 00:41:01,534 DUMP NEEDS OIL FOR THAT BIG OLE DUMP TRUCK. >> SENATE VOTED TO DESIGNATE 1024 00:41:01,536 --> 00:41:03,202 DUMP TRUCK. >> SENATE VOTED TO DESIGNATE JANUARY NATIONAL STALKING 1025 00:41:03,204 --> 00:41:04,937 >> SENATE VOTED TO DESIGNATE JANUARY NATIONAL STALKING AWARENESS MONTH, WHICH IS A GOOD 1026 00:41:04,939 --> 00:41:06,305 JANUARY NATIONAL STALKING AWARENESS MONTH, WHICH IS A GOOD REMINDER WE'RE ONLY A FEW WEEKS 1027 00:41:06,307 --> 00:41:13,446 AWARENESS MONTH, WHICH IS A GOOD REMINDER WE'RE ONLY A FEW WEEKS AWAY FROM STALKER CHRISTMAS. 1028 00:41:13,448 --> 00:41:15,181 REMINDER WE'RE ONLY A FEW WEEKS AWAY FROM STALKER CHRISTMAS. TOO CLOSE TO HOME? 1029 00:41:15,183 --> 00:41:15,481 AWAY FROM STALKER CHRISTMAS. TOO CLOSE TO HOME? WOW. 1030 00:41:15,483 --> 00:41:17,383 TOO CLOSE TO HOME? WOW. FLORIDA HAS PROPOSED LEGISLATION 1031 00:41:17,385 --> 00:41:19,819 WOW. FLORIDA HAS PROPOSED LEGISLATION THAT WOULD ALLOW RESIDENTS TO 1032 00:41:19,821 --> 00:41:21,554 FLORIDA HAS PROPOSED LEGISLATION THAT WOULD ALLOW RESIDENTS TO CARRY FIREARMS WITHOUT A PERMIT. 1033 00:41:21,556 --> 00:41:24,223 THAT WOULD ALLOW RESIDENTS TO CARRY FIREARMS WITHOUT A PERMIT. ALSO, EVERYONE GETS TO DO ONE 1034 00:41:24,225 --> 00:41:24,557 CARRY FIREARMS WITHOUT A PERMIT. ALSO, EVERYONE GETS TO DO ONE MURDER. 1035 00:41:24,559 --> 00:41:26,892 ALSO, EVERYONE GETS TO DO ONE MURDER. >> NEWLY RELEASED VIDEO OF A 1036 00:41:26,894 --> 00:41:28,427 MURDER. >> NEWLY RELEASED VIDEO OF A DEPOSITION TO NEW YORK'S 1037 00:41:28,429 --> 00:41:30,463 >> NEWLY RELEASED VIDEO OF A DEPOSITION TO NEW YORK'S ATTORNEY GENERAL'S OFFICE SHOWS 1038 00:41:30,465 --> 00:41:31,731 DEPOSITION TO NEW YORK'S ATTORNEY GENERAL'S OFFICE SHOWS FORMER PRESIDENT TRUMP TAKING 1039 00:41:31,733 --> 00:41:34,200 ATTORNEY GENERAL'S OFFICE SHOWS FORMER PRESIDENT TRUMP TAKING THE FIFTH HUNDREDS OF TIMES. 1040 00:41:34,202 --> 00:41:39,171 FORMER PRESIDENT TRUMP TAKING THE FIFTH HUNDREDS OF TIMES. ALSO TAKING A FIFTH, HIS LAWYER. 1041 00:41:39,173 --> 00:41:40,973 THE FIFTH HUNDREDS OF TIMES. ALSO TAKING A FIFTH, HIS LAWYER. >> FOR THE FIRST TIME EVER, TWO 1042 00:41:40,975 --> 00:41:42,575 ALSO TAKING A FIFTH, HIS LAWYER. >> FOR THE FIRST TIME EVER, TWO BROTHERS WILL BE FACING OFF 1043 00:41:42,577 --> 00:41:44,910 >> FOR THE FIRST TIME EVER, TWO BROTHERS WILL BE FACING OFF AGAINST EACH OTHER IN THE SUPER 1044 00:41:44,912 --> 00:41:45,211 BROTHERS WILL BE FACING OFF AGAINST EACH OTHER IN THE SUPER BOWL. 1045 00:41:45,213 --> 00:41:45,945 AGAINST EACH OTHER IN THE SUPER BOWL. INCIDENTALLY, TWO BROTHERS IN 1046 00:41:45,947 --> 00:41:47,280 BOWL. INCIDENTALLY, TWO BROTHERS IN THE SUPER BOWL IS WHY MY 1047 00:41:47,282 --> 00:41:54,186 INCIDENTALLY, TWO BROTHERS IN THE SUPER BOWL IS WHY MY GRANDFATHER WON'T BE WATCHING. 1048 00:41:54,188 --> 00:41:57,290 THE SUPER BOWL IS WHY MY GRANDFATHER WON'T BE WATCHING. >> OH IN FEBRUARY, MAN, WOW. 1049 00:41:57,292 --> 00:42:04,664 GRANDFATHER WON'T BE WATCHING. >> OH IN FEBRUARY, MAN, WOW. THIS THURSDAY WAS GROUNDHOG DAY, 1050 00:42:04,666 --> 00:42:10,603 >> OH IN FEBRUARY, MAN, WOW. THIS THURSDAY WAS GROUNDHOG DAY, AND PHIL SAW HIS SHADOW. 1051 00:42:10,605 --> 00:42:16,642 THIS THURSDAY WAS GROUNDHOG DAY, AND PHIL SAW HIS SHADOW. HERE TO TALK ABOUT IT IS PHIL. 1052 00:42:16,644 --> 00:42:18,210 AND PHIL SAW HIS SHADOW. HERE TO TALK ABOUT IT IS PHIL. DO YOU HAVE ANY ADVICE? 1053 00:42:18,212 --> 00:42:20,279 HERE TO TALK ABOUT IT IS PHIL. DO YOU HAVE ANY ADVICE? >> I DON'T KNOW, MAN, THINGS ARE 1054 00:42:20,281 --> 00:42:20,813 DO YOU HAVE ANY ADVICE? >> I DON'T KNOW, MAN, THINGS ARE BLEAK OUT THERE. 1055 00:42:20,815 --> 00:42:33,159 >> I DON'T KNOW, MAN, THINGS ARE BLEAK OUT THERE. RIDE IT OUT, I GUESS. 1056 00:42:33,161 --> 00:42:34,260 BLEAK OUT THERE. RIDE IT OUT, I GUESS. >> YOU SEEM PRETTY DOWN. 1057 00:42:34,262 --> 00:42:35,695 RIDE IT OUT, I GUESS. >> YOU SEEM PRETTY DOWN. I THOUGHT IT WAS A BIG DAY FOR 1058 00:42:35,697 --> 00:42:35,995 >> YOU SEEM PRETTY DOWN. I THOUGHT IT WAS A BIG DAY FOR YOU. 1059 00:42:35,997 --> 00:42:37,196 I THOUGHT IT WAS A BIG DAY FOR YOU. >> WHAT'S THE POINT OF ME? 1060 00:42:37,198 --> 00:42:39,965 YOU. >> WHAT'S THE POINT OF ME? A WEATHER PREDICTING GROUNDHOG 1061 00:42:39,967 --> 00:42:42,802 >> WHAT'S THE POINT OF ME? A WEATHER PREDICTING GROUNDHOG IN THE YEAR 2023? 1062 00:42:42,804 --> 00:42:43,202 A WEATHER PREDICTING GROUNDHOG IN THE YEAR 2023? I'M USELESS. 1063 00:42:43,204 --> 00:42:46,305 IN THE YEAR 2023? I'M USELESS. I'M LIKE A CONDEMN IN NICK 1064 00:42:46,307 --> 00:42:46,806 I'M USELESS. I'M LIKE A CONDEMN IN NICK CANNON'S WALLET. 1065 00:42:46,808 --> 00:42:50,409 I'M LIKE A CONDEMN IN NICK CANNON'S WALLET. >> BUT YOU DID SEE YOUR SHADOW? 1066 00:42:50,411 --> 00:42:54,213 CANNON'S WALLET. >> BUT YOU DID SEE YOUR SHADOW? >> I'M SEEING MY SHADOW 1067 00:42:54,215 --> 00:42:54,613 >> BUT YOU DID SEE YOUR SHADOW? >> I'M SEEING MY SHADOW EVERYWHERE. 1068 00:42:54,615 --> 00:42:57,516 >> I'M SEEING MY SHADOW EVERYWHERE. CLIMATE CHANGE HAS MADE IT ALL 1069 00:42:57,518 --> 00:42:57,850 EVERYWHERE. CLIMATE CHANGE HAS MADE IT ALL USELESS. 1070 00:42:57,852 --> 00:42:58,684 CLIMATE CHANGE HAS MADE IT ALL USELESS. IS WINTER STILL HERE? 1071 00:42:58,686 --> 00:43:00,653 USELESS. IS WINTER STILL HERE? I JOGGED IN MY SHORTS THE OTHER 1072 00:43:00,655 --> 00:43:00,953 IS WINTER STILL HERE? I JOGGED IN MY SHORTS THE OTHER DAY. 1073 00:43:00,955 --> 00:43:01,654 I JOGGED IN MY SHORTS THE OTHER DAY. >> YOU JOG? 1074 00:43:01,656 --> 00:43:03,656 DAY. >> YOU JOG? >> IT'S A RESOLUTION. 1075 00:43:03,658 --> 00:43:06,826 >> YOU JOG? >> IT'S A RESOLUTION. I WASN'T ABOUT TO DO DRY 1076 00:43:06,828 --> 00:43:07,993 >> IT'S A RESOLUTION. I WASN'T ABOUT TO DO DRY JANUARY. 1077 00:43:07,995 --> 00:43:08,594 I WASN'T ABOUT TO DO DRY JANUARY. 1078 00:43:08,596 --> 00:43:09,995 JANUARY. ALCOHOL, THE ONLY COOL WAY TO 1079 00:43:09,997 --> 00:43:11,430 ALCOHOL, THE ONLY COOL WAY TO WET THE BED. 1080 00:43:11,432 --> 00:43:13,466 ALCOHOL, THE ONLY COOL WAY TO WET THE BED. YOU KNOW THE CORE STOPPED? 1081 00:43:13,468 --> 00:43:17,737 WET THE BED. YOU KNOW THE CORE STOPPED? THE EARTH'S CORE STOPPED 1082 00:43:17,739 --> 00:43:18,104 YOU KNOW THE CORE STOPPED? THE EARTH'S CORE STOPPED SPINNING. 1083 00:43:18,106 --> 00:43:18,404 THE EARTH'S CORE STOPPED SPINNING. LOOK. 1084 00:43:18,406 --> 00:43:18,671 SPINNING. LOOK. SEE. 1085 00:43:18,673 --> 00:43:19,338 LOOK. SEE. JUST STRAIGHT UP STOPPED. 1086 00:43:19,340 --> 00:43:20,740 SEE. JUST STRAIGHT UP STOPPED. THEY WANT ME TO GO TO WORK? 1087 00:43:20,742 --> 00:43:21,907 JUST STRAIGHT UP STOPPED. THEY WANT ME TO GO TO WORK? I'M A GROUNDHOG. 1088 00:43:21,909 --> 00:43:23,676 THEY WANT ME TO GO TO WORK? I'M A GROUNDHOG. I LIVE CLOSE TO THE CORE, CHE. 1089 00:43:23,678 --> 00:43:25,745 I'M A GROUNDHOG. I LIVE CLOSE TO THE CORE, CHE. NOT THAT CLOSE, BUT CLOSE ENOUGH 1090 00:43:25,747 --> 00:43:27,813 I LIVE CLOSE TO THE CORE, CHE. NOT THAT CLOSE, BUT CLOSE ENOUGH WHEN IT STOPPED SPINNING, I WAS 1091 00:43:27,815 --> 00:43:35,187 NOT THAT CLOSE, BUT CLOSE ENOUGH WHEN IT STOPPED SPINNING, I WAS LIKE, WHOA, YOU GUYS FEEL THAT? 1092 00:43:35,189 --> 00:43:37,189 WHEN IT STOPPED SPINNING, I WAS LIKE, WHOA, YOU GUYS FEEL THAT? 1093 00:43:37,191 --> 00:43:37,923 LIKE, WHOA, YOU GUYS FEEL THAT? MIND IF I DO A BUMP REAL QUICK? 1094 00:43:37,925 --> 00:43:38,257 MIND IF I DO A BUMP REAL QUICK? >> NO. 1095 00:43:38,259 --> 00:43:39,058 MIND IF I DO A BUMP REAL QUICK? >> NO. >> AT THE AFTERPARTY, ALL RIGHT. 1096 00:43:39,060 --> 00:43:39,859 >> NO. >> AT THE AFTERPARTY, ALL RIGHT. YOU KNOW THE MOON'S THE SUN NOW? 1097 00:43:39,861 --> 00:43:42,962 >> AT THE AFTERPARTY, ALL RIGHT. YOU KNOW THE MOON'S THE SUN NOW? >> WHAT? 1098 00:43:42,964 --> 00:43:43,796 YOU KNOW THE MOON'S THE SUN NOW? >> WHAT? >> LOOK. 1099 00:43:43,798 --> 00:43:45,030 >> WHAT? >> LOOK. BECAUSE OF WILDFIRES, THIS IS 1100 00:43:45,032 --> 00:43:46,966 >> LOOK. BECAUSE OF WILDFIRES, THIS IS WHAT THE SUN LOOKS LIKE IN 1101 00:43:46,968 --> 00:43:48,834 BECAUSE OF WILDFIRES, THIS IS WHAT THE SUN LOOKS LIKE IN CALIFORNIA FOR LIKE WEEKS AT A 1102 00:43:48,836 --> 00:43:49,135 WHAT THE SUN LOOKS LIKE IN CALIFORNIA FOR LIKE WEEKS AT A TIME. 1103 00:43:49,137 --> 00:43:51,337 CALIFORNIA FOR LIKE WEEKS AT A TIME. IT'S LIKE THEY'RE ON A STAR WARS 1104 00:43:51,339 --> 00:43:52,972 TIME. IT'S LIKE THEY'RE ON A STAR WARS PLANET, AND NOT EVEN A GOOD ONE. 1105 00:43:52,974 --> 00:43:55,007 IT'S LIKE THEY'RE ON A STAR WARS PLANET, AND NOT EVEN A GOOD ONE. LIKE ONE OF THOSE DUSTY POOR 1106 00:43:55,009 --> 00:43:55,307 PLANET, AND NOT EVEN A GOOD ONE. LIKE ONE OF THOSE DUSTY POOR ONES. 1107 00:43:55,309 --> 00:43:56,776 LIKE ONE OF THOSE DUSTY POOR ONES. YOU KNOW FOR ME, THIS IS SPACE. 1108 00:43:56,778 --> 00:43:58,711 ONES. YOU KNOW FOR ME, THIS IS SPACE. >> I DON'T KNOW WHAT THAT MEANS. 1109 00:43:58,713 --> 00:44:01,680 YOU KNOW FOR ME, THIS IS SPACE. >> I DON'T KNOW WHAT THAT MEANS. >> WELL, GROUNDHOGS LIVE UNDER 1110 00:44:01,682 --> 00:44:05,317 >> I DON'T KNOW WHAT THAT MEANS. >> WELL, GROUNDHOGS LIVE UNDER GROUND, SO TO ME, THIS IS SPACE. 1111 00:44:05,319 --> 00:44:05,985 >> WELL, GROUNDHOGS LIVE UNDER GROUND, SO TO ME, THIS IS SPACE. HOUSTON, REQUESTING OXYGEN 1112 00:44:05,987 --> 00:44:16,362 GROUND, SO TO ME, THIS IS SPACE. HOUSTON, REQUESTING OXYGEN BREAK. 1113 00:44:16,364 --> 00:44:18,030 HOUSTON, REQUESTING OXYGEN BREAK. TIME IS AN ILLUSION. 1114 00:44:18,032 --> 00:44:19,799 BREAK. TIME IS AN ILLUSION. YEP, SCIENCE GUYS ARE SAYING 1115 00:44:19,801 --> 00:44:20,099 TIME IS AN ILLUSION. YEP, SCIENCE GUYS ARE SAYING THIS. 1116 00:44:20,101 --> 00:44:22,601 YEP, SCIENCE GUYS ARE SAYING THIS. IT'S NOT JUST AN EXCUSE I USE 1117 00:44:22,603 --> 00:44:25,004 THIS. IT'S NOT JUST AN EXCUSE I USE WHENEVER MY OLD LADY SAYS I 1118 00:44:25,006 --> 00:44:26,972 IT'S NOT JUST AN EXCUSE I USE WHENEVER MY OLD LADY SAYS I MISSED OUR ANNIVERSARY. 1119 00:44:26,974 --> 00:44:29,542 WHENEVER MY OLD LADY SAYS I MISSED OUR ANNIVERSARY. WE STEP OUT, GUYS LIKE US, DON'T 1120 00:44:29,544 --> 00:44:29,875 MISSED OUR ANNIVERSARY. WE STEP OUT, GUYS LIKE US, DON'T WE SM. 1121 00:44:29,877 --> 00:44:32,111 WE STEP OUT, GUYS LIKE US, DON'T WE SM. >> WHAT DO YOU MEAN GUYS LIKE 1122 00:44:32,113 --> 00:44:32,378 WE SM. >> WHAT DO YOU MEAN GUYS LIKE US? 1123 00:44:32,380 --> 00:44:33,612 >> WHAT DO YOU MEAN GUYS LIKE US? >> COME ON. 1124 00:44:33,614 --> 00:44:35,347 US? >> COME ON. I'M PUNXSUTAWNEY PHIL. 1125 00:44:35,349 --> 00:44:37,850 >> COME ON. I'M PUNXSUTAWNEY PHIL. SHE KNOWS WHAT SHE SIGNED UP 1126 00:44:37,852 --> 00:44:38,150 I'M PUNXSUTAWNEY PHIL. SHE KNOWS WHAT SHE SIGNED UP FOR. 1127 00:44:38,152 --> 00:44:39,351 SHE KNOWS WHAT SHE SIGNED UP FOR. >> YOU'RE A BAD GROUNDHOG. 1128 00:44:39,353 --> 00:44:41,587 FOR. >> YOU'RE A BAD GROUNDHOG. >> I'M NOT A BAD GROUNDHOG. 1129 00:44:41,589 --> 00:44:42,922 >> YOU'RE A BAD GROUNDHOG. >> I'M NOT A BAD GROUNDHOG. I JUST LIKE GOOD BEAVER. 1130 00:44:42,924 --> 00:44:44,790 >> I'M NOT A BAD GROUNDHOG. I JUST LIKE GOOD BEAVER. >> OH, MAN. 1131 00:44:44,792 --> 00:44:46,992 I JUST LIKE GOOD BEAVER. >> OH, MAN. >> BUT SERIOUSLY, I'M TRYING TO 1132 00:44:46,994 --> 00:44:48,928 >> OH, MAN. >> BUT SERIOUSLY, I'M TRYING TO KEEP MY MIND RIGHT BY GETTING 1133 00:44:48,930 --> 00:44:50,696 >> BUT SERIOUSLY, I'M TRYING TO KEEP MY MIND RIGHT BY GETTING BACK TO THE BASICS, TOUCHING THE 1134 00:44:50,698 --> 00:44:52,631 KEEP MY MIND RIGHT BY GETTING BACK TO THE BASICS, TOUCHING THE GRASS, EATING THE GRASS, SMOKING 1135 00:44:52,633 --> 00:44:53,365 BACK TO THE BASICS, TOUCHING THE GRASS, EATING THE GRASS, SMOKING THE GRASS. 1136 00:44:53,367 --> 00:44:55,401 GRASS, EATING THE GRASS, SMOKING THE GRASS. YOU KNOW, THOSE TOP HAT PEOPLE 1137 00:44:55,403 --> 00:44:56,235 THE GRASS. YOU KNOW, THOSE TOP HAT PEOPLE TOUCH ME. 1138 00:44:56,237 --> 00:44:57,736 YOU KNOW, THOSE TOP HAT PEOPLE TOUCH ME. THAT'S PROBABLY WHY I DRINK. 1139 00:44:57,738 --> 00:44:58,737 TOUCH ME. THAT'S PROBABLY WHY I DRINK. >> WHAT? 1140 00:44:58,739 --> 00:44:59,939 THAT'S PROBABLY WHY I DRINK. >> WHAT? >> YOU HEARD ME. 1141 00:44:59,941 --> 00:45:01,841 >> WHAT? >> YOU HEARD ME. LOOK, AT THE END OF THE DAY, I 1142 00:45:01,843 --> 00:45:03,742 >> YOU HEARD ME. LOOK, AT THE END OF THE DAY, I JUST WANT TO LIVE A LONG 1143 00:45:03,744 --> 00:45:05,544 LOOK, AT THE END OF THE DAY, I JUST WANT TO LIVE A LONG PEACEFUL LIFE AND DIE OF NATURAL 1144 00:45:05,546 --> 00:45:05,878 JUST WANT TO LIVE A LONG PEACEFUL LIFE AND DIE OF NATURAL CAUSES. 1145 00:45:05,880 --> 00:45:06,979 PEACEFUL LIFE AND DIE OF NATURAL CAUSES. >> THAT'S ACTUALLY VERY SWEET. 1146 00:45:06,981 --> 00:45:09,215 CAUSES. >> THAT'S ACTUALLY VERY SWEET. >> WELL, FOR A GROUNDHOG, 1147 00:45:09,217 --> 00:45:11,784 >> THAT'S ACTUALLY VERY SWEET. >> WELL, FOR A GROUNDHOG, NATURAL CAUSES MEANS GETTING 1148 00:45:11,786 --> 00:45:12,918 >> WELL, FOR A GROUNDHOG, NATURAL CAUSES MEANS GETTING OBLITERATED BY AN 18 WHEELER. 1149 00:45:12,920 --> 00:45:14,587 NATURAL CAUSES MEANS GETTING OBLITERATED BY AN 18 WHEELER. >> OH, MY GOD, MAN. 1150 00:45:14,589 --> 00:45:16,989 OBLITERATED BY AN 18 WHEELER. >> OH, MY GOD, MAN. >> THEY SAY YOU CAN'T EVEN FEEL 1151 00:45:16,991 --> 00:45:17,256 >> OH, MY GOD, MAN. >> THEY SAY YOU CAN'T EVEN FEEL IT. 1152 00:45:17,258 --> 00:45:18,824 >> THEY SAY YOU CAN'T EVEN FEEL IT. I'LL LET YOU KNOW. 1153 00:45:18,826 --> 00:45:23,028 IT. I'LL LET YOU KNOW. >> PUNXSUTAWNEY PHIL, EVERYBODY. 1154 00:45:23,030 --> 00:45:25,231 I'LL LET YOU KNOW. >> PUNXSUTAWNEY PHIL, EVERYBODY. >> A GENETIC ENGINEERING COMPANY 1155 00:45:25,233 --> 00:45:27,066 >> PUNXSUTAWNEY PHIL, EVERYBODY. >> A GENETIC ENGINEERING COMPANY HAS ANNOUNCED PLANS TO BRING 1156 00:45:27,068 --> 00:45:30,135 >> A GENETIC ENGINEERING COMPANY HAS ANNOUNCED PLANS TO BRING BACK THE LONG EXTENSION DODO 1157 00:45:30,137 --> 00:45:32,004 HAS ANNOUNCED PLANS TO BRING BACK THE LONG EXTENSION DODO BIRD, BUT ONLY FOR A LIMITED 1158 00:45:32,006 --> 00:45:33,205 BACK THE LONG EXTENSION DODO BIRD, BUT ONLY FOR A LIMITED TIME AT ARBY'S. 1159 00:45:33,207 --> 00:45:36,709 BIRD, BUT ONLY FOR A LIMITED TIME AT ARBY'S. >> WE HAVE THE DODO BIRDS. 1160 00:45:36,711 --> 00:45:39,345 TIME AT ARBY'S. >> WE HAVE THE DODO BIRDS. >> AMC THEATERS IS CELEBRATING 1161 00:45:39,347 --> 00:45:41,881 >> WE HAVE THE DODO BIRDS. >> AMC THEATERS IS CELEBRATING BLACK HISTORY MONTH BY OFFERING 1162 00:45:41,883 --> 00:45:44,917 >> AMC THEATERS IS CELEBRATING BLACK HISTORY MONTH BY OFFERING $5 TICKETS TO RECENTLY RELEASED 1163 00:45:44,919 --> 00:45:46,385 BLACK HISTORY MONTH BY OFFERING $5 TICKETS TO RECENTLY RELEASED BLACK LED MOVIES. 1164 00:45:46,387 --> 00:45:48,354 $5 TICKETS TO RECENTLY RELEASED BLACK LED MOVIES. THEY'RE ALSO HONORING BLACK 1165 00:45:48,356 --> 00:45:51,090 BLACK LED MOVIES. THEY'RE ALSO HONORING BLACK PEOPLE BY STARTING THE MOVIE 20 1166 00:45:51,092 --> 00:45:51,690 THEY'RE ALSO HONORING BLACK PEOPLE BY STARTING THE MOVIE 20 MINUTES LATE. 1167 00:45:51,692 --> 00:45:52,324 PEOPLE BY STARTING THE MOVIE 20 MINUTES LATE. DO YOU GET THAT, COLIN? 1168 00:45:52,326 --> 00:45:55,327 MINUTES LATE. DO YOU GET THAT, COLIN? >> I DON'T KNOW. 1169 00:45:55,329 --> 00:45:56,795 DO YOU GET THAT, COLIN? >> I DON'T KNOW. I DON'T KNOW WHAT YOU'RE TALKING 1170 00:45:56,797 --> 00:45:57,096 >> I DON'T KNOW. I DON'T KNOW WHAT YOU'RE TALKING ABOUT. 1171 00:45:57,098 --> 00:45:58,764 I DON'T KNOW WHAT YOU'RE TALKING ABOUT. POLICE OFFICIALS IN COLORADO SAY 1172 00:45:58,766 --> 00:46:00,933 ABOUT. POLICE OFFICIALS IN COLORADO SAY THAT A BEAR DISCOVERED A WILD 1173 00:46:00,935 --> 00:46:03,035 POLICE OFFICIALS IN COLORADO SAY THAT A BEAR DISCOVERED A WILD LIFE CAMERA IN THE WOODS AND 1174 00:46:03,037 --> 00:46:07,873 THAT A BEAR DISCOVERED A WILD LIFE CAMERA IN THE WOODS AND POSED FOR MORE THAN 400 SELFIES. 1175 00:46:07,875 --> 00:46:09,675 LIFE CAMERA IN THE WOODS AND POSED FOR MORE THAN 400 SELFIES. 400 SELFIES OF A BEAR IS ALSO 1176 00:46:09,677 --> 00:46:13,779 POSED FOR MORE THAN 400 SELFIES. 400 SELFIES OF A BEAR IS ALSO KNOWN AS A GRINDER PROFILE. 1177 00:46:13,781 --> 00:46:14,947 400 SELFIES OF A BEAR IS ALSO KNOWN AS A GRINDER PROFILE. THE U.S. SURGEON GENERAL IS 1178 00:46:14,949 --> 00:46:16,682 KNOWN AS A GRINDER PROFILE. THE U.S. SURGEON GENERAL IS WARNING THAT CHILDREN ARE 1179 00:46:16,684 --> 00:46:18,517 THE U.S. SURGEON GENERAL IS WARNING THAT CHILDREN ARE JOINING SOCIAL MEDIA AT TOO 1180 00:46:18,519 --> 00:46:20,553 WARNING THAT CHILDREN ARE JOINING SOCIAL MEDIA AT TOO YOUNG AN AGE, AND THEY SHOULD 1181 00:46:20,555 --> 00:46:21,620 JOINING SOCIAL MEDIA AT TOO YOUNG AN AGE, AND THEY SHOULD WAIT UNTIL THEY'RE AT LEAST 16, 1182 00:46:21,622 --> 00:46:28,527 YOUNG AN AGE, AND THEY SHOULD WAIT UNTIL THEY'RE AT LEAST 16, WHEN THEY'RE HOTTER. 1183 00:46:28,529 --> 00:46:30,863 WAIT UNTIL THEY'RE AT LEAST 16, WHEN THEY'RE HOTTER. >> A NEW STUDY FINDS THAT 1184 00:46:30,865 --> 00:46:32,498 WHEN THEY'RE HOTTER. >> A NEW STUDY FINDS THAT DESPITE WOMEN MAKING LESS MONEY 1185 00:46:32,500 --> 00:46:34,300 >> A NEW STUDY FINDS THAT DESPITE WOMEN MAKING LESS MONEY THAN MEN, MORE SINGLE WOMEN IN 1186 00:46:34,302 --> 00:46:36,402 DESPITE WOMEN MAKING LESS MONEY THAN MEN, MORE SINGLE WOMEN IN THE U.S. OWN HOMES THAN SINGLE 1187 00:46:36,404 --> 00:46:38,437 THAN MEN, MORE SINGLE WOMEN IN THE U.S. OWN HOMES THAN SINGLE MEN, THANKS TO A PHENOMENON 1188 00:46:38,439 --> 00:46:45,978 THE U.S. OWN HOMES THAN SINGLE MEN, THANKS TO A PHENOMENON ECONOMISTS CALL DIVORCE. 1189 00:46:45,980 --> 00:46:47,513 MEN, THANKS TO A PHENOMENON ECONOMISTS CALL DIVORCE. >> A SCHOOL OFFICIAL IN ILLINOIS 1190 00:46:47,515 --> 00:46:49,848 ECONOMISTS CALL DIVORCE. >> A SCHOOL OFFICIAL IN ILLINOIS HAS BEEN ARRESTED ON CHARGES OF 1191 00:46:49,850 --> 00:46:51,383 >> A SCHOOL OFFICIAL IN ILLINOIS HAS BEEN ARRESTED ON CHARGES OF STEALING OVER $1 MILLION WORTH 1192 00:46:51,385 --> 00:46:53,519 HAS BEEN ARRESTED ON CHARGES OF STEALING OVER $1 MILLION WORTH OF CHICKEN WINGS, SAID THE 1193 00:46:53,521 --> 00:46:55,988 STEALING OVER $1 MILLION WORTH OF CHICKEN WINGS, SAID THE OFFICIAL, I SWEAR, I WAS GOING 1194 00:46:55,990 --> 00:47:01,594 OF CHICKEN WINGS, SAID THE OFFICIAL, I SWEAR, I WAS GOING TO GIVE ALL THE MONEY -- BOCK! 1195 00:47:01,596 --> 00:47:03,762 OFFICIAL, I SWEAR, I WAS GOING TO GIVE ALL THE MONEY -- BOCK! >> NO. 1196 00:47:03,764 --> 00:47:06,365 TO GIVE ALL THE MONEY -- BOCK! >> NO. DON'T -- THE UNITED KINGDOM WILL 1197 00:47:06,367 --> 00:47:08,367 >> NO. DON'T -- THE UNITED KINGDOM WILL BE CROWNING ITS NEW KING AND 1198 00:47:08,369 --> 00:47:12,237 DON'T -- THE UNITED KINGDOM WILL BE CROWNING ITS NEW KING AND QUEEN SOON, LAUNCHING A NEW ERA 1199 00:47:12,239 --> 00:47:13,872 BE CROWNING ITS NEW KING AND QUEEN SOON, LAUNCHING A NEW ERA OF THE BRITISH MONARCHY. 1200 00:47:13,874 --> 00:47:16,241 QUEEN SOON, LAUNCHING A NEW ERA OF THE BRITISH MONARCHY. HERE TO COMMENT OR BRITISH 1201 00:47:16,243 --> 00:47:19,011 OF THE BRITISH MONARCHY. HERE TO COMMENT OR BRITISH RAPPERS MILLIE FOUNDS AND 1202 00:47:19,013 --> 00:47:19,345 HERE TO COMMENT OR BRITISH RAPPERS MILLIE FOUNDS AND SHIRTY. 1203 00:47:19,347 --> 00:47:20,145 RAPPERS MILLIE FOUNDS AND SHIRTY. >> THANKS, CHE. 1204 00:47:20,147 --> 00:47:22,281 SHIRTY. >> THANKS, CHE. >> SO, GUYS, WHAT'S GOING ON 1205 00:47:22,283 --> 00:47:23,515 >> THANKS, CHE. >> SO, GUYS, WHAT'S GOING ON WITH THE ROYAL FAMILY? 1206 00:47:23,517 --> 00:47:25,918 >> SO, GUYS, WHAT'S GOING ON WITH THE ROYAL FAMILY? CAN YOU GIVE US AN UPDATE? 1207 00:47:25,920 --> 00:47:28,754 WITH THE ROYAL FAMILY? CAN YOU GIVE US AN UPDATE? >> RIGHT, RIGHT, LISTEN, MATE. 1208 00:47:28,756 --> 00:47:30,589 CAN YOU GIVE US AN UPDATE? >> RIGHT, RIGHT, LISTEN, MATE. ALL THE FOCUS IS ON THE ROYALS 1209 00:47:30,591 --> 00:47:34,526 >> RIGHT, RIGHT, LISTEN, MATE. ALL THE FOCUS IS ON THE ROYALS WHEN IT SHOULD BE ON ENGLAND'S 1210 00:47:34,528 --> 00:47:35,728 ALL THE FOCUS IS ON THE ROYALS WHEN IT SHOULD BE ON ENGLAND'S EXPLOITIVE TABLOID PRESS. 1211 00:47:35,730 --> 00:47:37,229 WHEN IT SHOULD BE ON ENGLAND'S EXPLOITIVE TABLOID PRESS. >> IT'S PANTS, MATE. 1212 00:47:37,231 --> 00:47:38,163 EXPLOITIVE TABLOID PRESS. >> IT'S PANTS, MATE. >> IT'S PANTS. 1213 00:47:38,165 --> 00:47:39,098 >> IT'S PANTS, MATE. >> IT'S PANTS. >> WHAT IS PANTS? 1214 00:47:39,100 --> 00:47:42,134 >> IT'S PANTS. >> WHAT IS PANTS? >> IT'S PANTS. 1215 00:47:42,136 --> 00:47:44,103 >> WHAT IS PANTS? >> IT'S PANTS. >> WE KNOW WHAT REALLY GOES 1216 00:47:44,105 --> 00:47:44,403 >> IT'S PANTS. >> WE KNOW WHAT REALLY GOES DOWN. 1217 00:47:44,405 --> 00:47:47,506 >> WE KNOW WHAT REALLY GOES DOWN. WE'VE KNOWN HARRY SINCE OUR DAYS 1218 00:47:47,508 --> 00:47:47,873 DOWN. WE'VE KNOWN HARRY SINCE OUR DAYS AT EDEN. 1219 00:47:47,875 --> 00:47:50,309 WE'VE KNOWN HARRY SINCE OUR DAYS AT EDEN. >> YOU GUYS WENT TO EDEN? 1220 00:47:50,311 --> 00:47:51,043 AT EDEN. >> YOU GUYS WENT TO EDEN? >> YEAH. 1221 00:47:51,045 --> 00:47:56,949 >> YOU GUYS WENT TO EDEN? >> YEAH. >> EATING YOUR MOM'S BUM. 1222 00:47:56,951 --> 00:47:57,483 >> YEAH. >> EATING YOUR MOM'S BUM. >> NO. 1223 00:47:57,485 --> 00:47:59,018 >> EATING YOUR MOM'S BUM. >> NO. BUT SERIOUSLY. 1224 00:47:59,020 --> 00:48:00,152 >> NO. BUT SERIOUSLY. LOOK, LOOK. 1225 00:48:00,154 --> 00:48:03,255 BUT SERIOUSLY. LOOK, LOOK. IF YOU WANT US TO SUM UP OUR 1226 00:48:03,257 --> 00:48:04,356 LOOK, LOOK. IF YOU WANT US TO SUM UP OUR THOUGHTS TAKE OUT THE PODS AND 1227 00:48:04,358 --> 00:48:05,357 IF YOU WANT US TO SUM UP OUR THOUGHTS TAKE OUT THE PODS AND HEAR ME, ALL RIGHT? 1228 00:48:05,359 --> 00:48:11,296 THOUGHTS TAKE OUT THE PODS AND HEAR ME, ALL RIGHT? BECAUSE WE HAVE A WAY OF 1229 00:48:11,298 --> 00:48:11,630 HEAR ME, ALL RIGHT? BECAUSE WE HAVE A WAY OF TALKING. 1230 00:48:11,632 --> 00:48:12,965 BECAUSE WE HAVE A WAY OF TALKING. ACTUALLY, MILLIE POUNDS. 1231 00:48:12,967 --> 00:48:14,333 TALKING. ACTUALLY, MILLIE POUNDS. >> YEAH. 1232 00:48:14,335 --> 00:48:17,903 ACTUALLY, MILLIE POUNDS. >> YEAH. ♪ PRINCE HARRY, PRINCE HARRY, 1233 00:48:17,905 --> 00:48:21,140 >> YEAH. ♪ PRINCE HARRY, PRINCE HARRY, STAYED OVER AT TYLER PERRYS, I'M 1234 00:48:21,142 --> 00:48:22,574 ♪ PRINCE HARRY, PRINCE HARRY, STAYED OVER AT TYLER PERRYS, I'M ALLERGIC TO DAIRY ♪ 1235 00:48:22,576 --> 00:48:27,813 STAYED OVER AT TYLER PERRYS, I'M ALLERGIC TO DAIRY ♪ ♪ HARRY AND MEGHAN, RONALD 1236 00:48:27,815 --> 00:48:28,514 ALLERGIC TO DAIRY ♪ ♪ HARRY AND MEGHAN, RONALD REAGAN, INTERRACIAL DATING, 1237 00:48:28,516 --> 00:48:30,783 ♪ HARRY AND MEGHAN, RONALD REAGAN, INTERRACIAL DATING, QUEEN SAID NOT TODAY ♪ 1238 00:48:30,785 --> 00:48:34,086 REAGAN, INTERRACIAL DATING, QUEEN SAID NOT TODAY ♪ ♪ I SLIDE DOWN THE ROAD LIKE -- 1239 00:48:34,088 --> 00:48:37,690 QUEEN SAID NOT TODAY ♪ ♪ I SLIDE DOWN THE ROAD LIKE -- GIRL SAW ME LIKE -- BECAUSE I 1240 00:48:37,692 --> 00:48:40,993 ♪ I SLIDE DOWN THE ROAD LIKE -- GIRL SAW ME LIKE -- BECAUSE I STAY HOT LIKE YOUNG ♪ 1241 00:48:40,995 --> 00:48:42,061 GIRL SAW ME LIKE -- BECAUSE I STAY HOT LIKE YOUNG ♪ >> GUYS, GUYS, GUYS, NO. 1242 00:48:42,063 --> 00:48:47,066 STAY HOT LIKE YOUNG ♪ >> GUYS, GUYS, GUYS, NO. STOP. 1243 00:48:47,068 --> 00:48:50,436 >> GUYS, GUYS, GUYS, NO. STOP. WHO IS YAN WUDUS? 1244 00:48:50,438 --> 00:48:52,771 STOP. WHO IS YAN WUDUS? >> CHE, WHY DID YOU STOP IT, 1245 00:48:52,773 --> 00:48:53,072 WHO IS YAN WUDUS? >> CHE, WHY DID YOU STOP IT, MATE? 1246 00:48:53,074 --> 00:48:54,707 >> CHE, WHY DID YOU STOP IT, MATE? >> WE SHARED SO MANY FACTS. 1247 00:48:54,709 --> 00:48:55,974 MATE? >> WE SHARED SO MANY FACTS. >> YOU REALLY DIDN'T. 1248 00:48:55,976 --> 00:48:59,778 >> WE SHARED SO MANY FACTS. >> YOU REALLY DIDN'T. >> IT'S NOT ALL CHICKEN SHOPS 1249 00:48:59,780 --> 00:49:00,546 >> YOU REALLY DIDN'T. >> IT'S NOT ALL CHICKEN SHOPS AND TEA. 1250 00:49:00,548 --> 00:49:03,048 >> IT'S NOT ALL CHICKEN SHOPS AND TEA. BUT I THINK THIS NEXT VERSE WILL 1251 00:49:03,050 --> 00:49:04,717 AND TEA. BUT I THINK THIS NEXT VERSE WILL REALLY SHINE A LIGHT ON WHAT'S 1252 00:49:04,719 --> 00:49:07,319 BUT I THINK THIS NEXT VERSE WILL REALLY SHINE A LIGHT ON WHAT'S HAPPENING WHERE WE COME FROM. 1253 00:49:07,321 --> 00:49:07,920 REALLY SHINE A LIGHT ON WHAT'S HAPPENING WHERE WE COME FROM. ALL RIGHT? 1254 00:49:07,922 --> 00:49:10,122 HAPPENING WHERE WE COME FROM. ALL RIGHT? ♪ PRIME MINISTER, YOU KNOW THAT, 1255 00:49:10,124 --> 00:49:13,058 ALL RIGHT? ♪ PRIME MINISTER, YOU KNOW THAT, HE GOT STYLES LIKE HARRY, I'M 1256 00:49:13,060 --> 00:49:15,394 ♪ PRIME MINISTER, YOU KNOW THAT, HE GOT STYLES LIKE HARRY, I'M ALLERGIC TO DAIRY ♪ 1257 00:49:15,396 --> 00:49:18,564 HE GOT STYLES LIKE HARRY, I'M ALLERGIC TO DAIRY ♪ ♪ YOUR BOYFRIEND IS POOR, I MAKE 1258 00:49:18,566 --> 00:49:20,733 ALLERGIC TO DAIRY ♪ ♪ YOUR BOYFRIEND IS POOR, I MAKE MORE, I CHAT ONLINE WITH YOUR 1259 00:49:20,735 --> 00:49:23,168 ♪ YOUR BOYFRIEND IS POOR, I MAKE MORE, I CHAT ONLINE WITH YOUR GIRL BECAUSE I STAY UP LIKE 1260 00:49:23,170 --> 00:49:25,471 MORE, I CHAT ONLINE WITH YOUR GIRL BECAUSE I STAY UP LIKE YAN WUDUS ♪ 1261 00:49:25,473 --> 00:49:26,538 GIRL BECAUSE I STAY UP LIKE YAN WUDUS ♪ >> OKAY. 1262 00:49:26,540 --> 00:49:28,006 YAN WUDUS ♪ >> OKAY. WAIT, WAIT. 1263 00:49:28,008 --> 00:49:29,842 >> OKAY. WAIT, WAIT. WHAT IS -- WHAT IS THAT? 1264 00:49:29,844 --> 00:49:33,746 WAIT, WAIT. WHAT IS -- WHAT IS THAT? I GREW UP IN NEW YORK IN THE 1265 00:49:33,748 --> 00:49:35,013 WHAT IS -- WHAT IS THAT? I GREW UP IN NEW YORK IN THE '90s, SO I CONSIDER MYSELF A 1266 00:49:35,015 --> 00:49:36,281 I GREW UP IN NEW YORK IN THE '90s, SO I CONSIDER MYSELF A PRETTY FRESH GUY WHEN IT COMES 1267 00:49:36,283 --> 00:49:38,517 '90s, SO I CONSIDER MYSELF A PRETTY FRESH GUY WHEN IT COMES TO HIP HOP, BUT I'VE NEVER HEARD 1268 00:49:38,519 --> 00:49:38,951 PRETTY FRESH GUY WHEN IT COMES TO HIP HOP, BUT I'VE NEVER HEARD THAT BEFORE. 1269 00:49:38,953 --> 00:49:40,385 TO HIP HOP, BUT I'VE NEVER HEARD THAT BEFORE. >> BACK HOME, WE DON'T REALLY 1270 00:49:40,387 --> 00:49:41,754 THAT BEFORE. >> BACK HOME, WE DON'T REALLY HAVE GUNS, DO WE? 1271 00:49:41,756 --> 00:49:42,888 >> BACK HOME, WE DON'T REALLY HAVE GUNS, DO WE? >> BOP, BOP. 1272 00:49:42,890 --> 00:49:45,991 HAVE GUNS, DO WE? >> BOP, BOP. >> BUT WE DO HAVE LITTLE TINY 1273 00:49:45,993 --> 00:49:48,260 >> BOP, BOP. >> BUT WE DO HAVE LITTLE TINY KNIVES WE CARRY WITH US AT ALL 1274 00:49:48,262 --> 00:49:49,995 >> BUT WE DO HAVE LITTLE TINY KNIVES WE CARRY WITH US AT ALL TIMES, AND THOSE KIND OF SOUND 1275 00:49:49,997 --> 00:49:52,498 KNIVES WE CARRY WITH US AT ALL TIMES, AND THOSE KIND OF SOUND LIKE SHSHSH. 1276 00:49:52,500 --> 00:49:56,401 TIMES, AND THOSE KIND OF SOUND LIKE SHSHSH. >> BUT WHO IS YAN WUDUS. 1277 00:49:56,403 --> 00:50:00,606 LIKE SHSHSH. >> BUT WHO IS YAN WUDUS. >> A SEMI FOOTBALL PLAYER FROM 1278 00:50:00,608 --> 00:50:02,007 >> BUT WHO IS YAN WUDUS. >> A SEMI FOOTBALL PLAYER FROM THE '80s. 1279 00:50:02,009 --> 00:50:03,675 >> A SEMI FOOTBALL PLAYER FROM THE '80s. >> YOU LIKE SOCCER. 1280 00:50:03,677 --> 00:50:06,979 THE '80s. >> YOU LIKE SOCCER. CAN YOU TELL US HOW THE BRITS 1281 00:50:06,981 --> 00:50:08,647 >> YOU LIKE SOCCER. CAN YOU TELL US HOW THE BRITS FEEL ABOUT PEOPLE 1282 00:50:08,649 --> 00:50:11,884 CAN YOU TELL US HOW THE BRITS FEEL ABOUT PEOPLE ♪ CORRUPT, YOUR GIRL TOLD ME 1283 00:50:11,886 --> 00:50:16,822 FEEL ABOUT PEOPLE ♪ CORRUPT, YOUR GIRL TOLD ME WHAT'S UP, TRY TO SEE THAT 1284 00:50:16,824 --> 00:50:17,189 ♪ CORRUPT, YOUR GIRL TOLD ME WHAT'S UP, TRY TO SEE THAT BUTT ♪ 1285 00:50:17,191 --> 00:50:21,026 WHAT'S UP, TRY TO SEE THAT BUTT ♪ ♪ I'M ALLERGIC TO DAIRY ♪ 1286 00:50:21,028 --> 00:50:25,697 BUTT ♪ ♪ I'M ALLERGIC TO DAIRY ♪ ♪ ON A VESPA SCOOTER ♪ 1287 00:50:25,699 --> 00:50:25,998 ♪ I'M ALLERGIC TO DAIRY ♪ ♪ ON A VESPA SCOOTER ♪ 1288 00:50:47,837 --> 00:50:54,576 >>> BABE, SO BEFORE WE GO IN, I JUST WANT YOU TO KNOW MY MOM CAN BE PRETTY PROTECTIVE OF ME, AND 1289 00:50:54,578 --> 00:50:56,478 JUST WANT YOU TO KNOW MY MOM CAN BE PRETTY PROTECTIVE OF ME, AND I JUST DON'T WANT YOU TO GET 1290 00:50:56,480 --> 00:50:57,012 BE PRETTY PROTECTIVE OF ME, AND I JUST DON'T WANT YOU TO GET SCARED OFF. 1291 00:50:57,014 --> 00:50:58,847 I JUST DON'T WANT YOU TO GET SCARED OFF. >> DON'T WORRY. 1292 00:50:58,849 --> 00:51:00,349 SCARED OFF. >> DON'T WORRY. WE'RE GOOD. 1293 00:51:00,351 --> 00:51:00,682 >> DON'T WORRY. WE'RE GOOD. >> OKAY. 1294 00:51:00,684 --> 00:51:02,518 WE'RE GOOD. >> OKAY. WE'RE HOME! 1295 00:51:02,520 --> 00:51:11,793 >> OKAY. WE'RE HOME! >> I'M COMING! 1296 00:51:11,795 --> 00:51:13,829 WE'RE HOME! >> I'M COMING! >> MAMA! 1297 00:51:13,831 --> 00:51:17,032 >> I'M COMING! >> MAMA! >> MAN OF MY LIFE. 1298 00:51:17,034 --> 00:51:20,802 >> MAMA! >> MAN OF MY LIFE. MY COLLEGE BOY, I MISSED YOU SO 1299 00:51:20,804 --> 00:51:21,370 >> MAN OF MY LIFE. MY COLLEGE BOY, I MISSED YOU SO MUCH. 1300 00:51:21,372 --> 00:51:23,672 MY COLLEGE BOY, I MISSED YOU SO MUCH. YOU DON'T CALL ENOUGH, BAD BOY, 1301 00:51:23,674 --> 00:51:24,339 MUCH. YOU DON'T CALL ENOUGH, BAD BOY, I KILL YOU. 1302 00:51:24,341 --> 00:51:28,744 YOU DON'T CALL ENOUGH, BAD BOY, I KILL YOU. I PUT YOU IN JAIL. 1303 00:51:28,746 --> 00:51:29,111 I KILL YOU. I PUT YOU IN JAIL. 1304 00:51:29,113 --> 00:51:29,678 I PUT YOU IN JAIL. I LOVE YOU SO MUCH. 1305 00:51:29,680 --> 00:51:31,380 I LOVE YOU SO MUCH. >> WELL, I LOVE YOU TOO, MAMA, 1306 00:51:31,382 --> 00:51:34,950 I LOVE YOU SO MUCH. >> WELL, I LOVE YOU TOO, MAMA, AND I WANT TO INTRODUCE YOU TO 1307 00:51:34,952 --> 00:51:37,486 >> WELL, I LOVE YOU TOO, MAMA, AND I WANT TO INTRODUCE YOU TO MY NEW GIRLFRIEND, BRITNEY. 1308 00:51:37,488 --> 00:51:39,988 AND I WANT TO INTRODUCE YOU TO MY NEW GIRLFRIEND, BRITNEY. >> YES, MS. FLORES, I'M BRITNEY. 1309 00:51:39,990 --> 00:51:41,156 MY NEW GIRLFRIEND, BRITNEY. >> YES, MS. FLORES, I'M BRITNEY. I'VE HEARD SO MUCH ABOUT YOU. 1310 00:51:41,158 --> 00:51:41,990 >> YES, MS. FLORES, I'M BRITNEY. I'VE HEARD SO MUCH ABOUT YOU. >> YOU'RE CUTE. 1311 00:51:41,992 --> 00:51:43,825 I'VE HEARD SO MUCH ABOUT YOU. >> YOU'RE CUTE. YOU DRESS LIKE A BOY. 1312 00:51:43,827 --> 00:51:44,259 >> YOU'RE CUTE. YOU DRESS LIKE A BOY. I LIKE THAT. 1313 00:51:44,261 --> 00:51:45,427 YOU DRESS LIKE A BOY. I LIKE THAT. >> MAMA, LET'S EAT. 1314 00:51:45,429 --> 00:51:46,962 I LIKE THAT. >> MAMA, LET'S EAT. HOW ABOUT THAT? 1315 00:51:46,964 --> 00:51:49,631 >> MAMA, LET'S EAT. HOW ABOUT THAT? >> AND MY PARENTS TAUGHT ME 1316 00:51:49,633 --> 00:51:51,667 HOW ABOUT THAT? >> AND MY PARENTS TAUGHT ME NEVER TO COME EMPTY HANDED, SO I 1317 00:51:51,669 --> 00:51:58,106 >> AND MY PARENTS TAUGHT ME NEVER TO COME EMPTY HANDED, SO I DID BRING SOME VEGAN SLIDERS. 1318 00:51:58,108 --> 00:51:58,707 NEVER TO COME EMPTY HANDED, SO I DID BRING SOME VEGAN SLIDERS. [ SPEAKING NON-ENGLISH ] 1319 00:51:58,709 --> 00:51:59,541 DID BRING SOME VEGAN SLIDERS. [ SPEAKING NON-ENGLISH ] VEGAN SLIDERS. 1320 00:51:59,543 --> 00:52:00,742 [ SPEAKING NON-ENGLISH ] VEGAN SLIDERS. >> ARE YOU TALKING ABOUT ME? 1321 00:52:00,744 --> 00:52:01,343 VEGAN SLIDERS. >> ARE YOU TALKING ABOUT ME? >> YES. 1322 00:52:01,345 --> 00:52:02,611 >> ARE YOU TALKING ABOUT ME? >> YES. BUT IN A GOOD WAY. 1323 00:52:02,613 --> 00:52:03,779 >> YES. BUT IN A GOOD WAY. DON'T WORRY. 1324 00:52:03,781 --> 00:52:04,846 BUT IN A GOOD WAY. DON'T WORRY. MAMA, WE'RE HUNGRY. 1325 00:52:04,848 --> 00:52:06,648 DON'T WORRY. MAMA, WE'RE HUNGRY. >> AND THIS LOOKS GREAT. 1326 00:52:06,650 --> 00:52:08,083 MAMA, WE'RE HUNGRY. >> AND THIS LOOKS GREAT. WHERE SHOULD I PUT THESE? 1327 00:52:08,085 --> 00:52:08,717 >> AND THIS LOOKS GREAT. WHERE SHOULD I PUT THESE? >> I'LL TAKE IT. 1328 00:52:08,719 --> 00:52:24,933 WHERE SHOULD I PUT THESE? >> I'LL TAKE IT. THANK YOU. 1329 00:52:29,272 --> 00:52:31,073 SIT, SIT. >> EVERYTHING LOOKS SO GREAT, MAMA. 1330 00:52:31,075 --> 00:52:31,473 >> EVERYTHING LOOKS SO GREAT, MAMA. THANK YOU. 1331 00:52:31,475 --> 00:52:33,508 MAMA. THANK YOU. >> SO, BRITNEY, WHAT ARE YOU 1332 00:52:33,510 --> 00:52:33,875 THANK YOU. >> SO, BRITNEY, WHAT ARE YOU STUDYING? 1333 00:52:33,877 --> 00:52:37,412 >> SO, BRITNEY, WHAT ARE YOU STUDYING? >> I'M ACTUALLY STUDYING FINE 1334 00:52:37,414 --> 00:52:40,616 STUDYING? >> I'M ACTUALLY STUDYING FINE ART WITH A CONCENTRATION IN 17th 1335 00:52:40,618 --> 00:52:41,950 >> I'M ACTUALLY STUDYING FINE ART WITH A CONCENTRATION IN 17th CENTURY BROKE ARCHITECTURE. 1336 00:52:41,952 --> 00:52:43,318 ART WITH A CONCENTRATION IN 17th CENTURY BROKE ARCHITECTURE. >> SO SHE DOESN'T LIKE MONEY? 1337 00:52:43,320 --> 00:52:45,887 CENTURY BROKE ARCHITECTURE. >> SO SHE DOESN'T LIKE MONEY? >> MAMA, PLEASE, BRITNEY WANTS 1338 00:52:45,889 --> 00:52:48,423 >> SO SHE DOESN'T LIKE MONEY? >> MAMA, PLEASE, BRITNEY WANTS TO BE AN ART PROFESSOR ONE DAY. 1339 00:52:48,425 --> 00:52:50,692 >> MAMA, PLEASE, BRITNEY WANTS TO BE AN ART PROFESSOR ONE DAY. >> SO SHE'S A LESBIAN. 1340 00:52:50,694 --> 00:52:52,628 TO BE AN ART PROFESSOR ONE DAY. >> SO SHE'S A LESBIAN. >> MAMA, PLEASE. 1341 00:52:52,630 --> 00:52:56,565 >> SO SHE'S A LESBIAN. >> MAMA, PLEASE. >> NO, NO 1342 00:52:56,567 --> 00:52:57,165 >> MAMA, PLEASE. >> NO, NO [ SPEAKING NON-ENGLISH ] 1343 00:52:57,167 --> 00:52:57,699 >> NO, NO [ SPEAKING NON-ENGLISH ] BROKE ARCHITECTURE. 1344 00:52:57,701 --> 00:53:00,335 [ SPEAKING NON-ENGLISH ] BROKE ARCHITECTURE. >> MAMA, POR FAVOR. 1345 00:53:00,337 --> 00:53:11,413 BROKE ARCHITECTURE. >> MAMA, POR FAVOR. >> VAN GOGH, PICASSO, VEGAN 1346 00:53:11,415 --> 00:53:11,780 >> MAMA, POR FAVOR. >> VAN GOGH, PICASSO, VEGAN SLIDERS. 1347 00:53:11,782 --> 00:53:16,718 >> VAN GOGH, PICASSO, VEGAN SLIDERS. >> THIS IS A NICE WHITE GIRL. 1348 00:53:16,720 --> 00:53:17,119 SLIDERS. >> THIS IS A NICE WHITE GIRL. SUN SCREEN 1349 00:53:17,121 --> 00:53:17,719 >> THIS IS A NICE WHITE GIRL. SUN SCREEN [ SPEAKING NON-ENGLISH ] 1350 00:53:17,721 --> 00:53:18,220 SUN SCREEN [ SPEAKING NON-ENGLISH ] ULTIMATE FRISBEE. 1351 00:53:18,222 --> 00:53:18,720 [ SPEAKING NON-ENGLISH ] ULTIMATE FRISBEE. >> OH, MY GOSH. 1352 00:53:18,722 --> 00:53:19,054 ULTIMATE FRISBEE. >> OH, MY GOSH. LISTEN. 1353 00:53:19,056 --> 00:53:21,056 >> OH, MY GOSH. LISTEN. I'M SO SORRY IF I OFFENDED YOU 1354 00:53:21,058 --> 00:53:21,990 LISTEN. I'M SO SORRY IF I OFFENDED YOU IN ANY WAY. 1355 00:53:21,992 --> 00:53:24,893 I'M SO SORRY IF I OFFENDED YOU IN ANY WAY. I ONLY WANT THE BEST FOR YOUR 1356 00:53:24,895 --> 00:53:25,160 IN ANY WAY. I ONLY WANT THE BEST FOR YOUR SON. 1357 00:53:25,162 --> 00:53:26,895 I ONLY WANT THE BEST FOR YOUR SON. LIKE, LOUIS, DO YOU REMEMBER 1358 00:53:26,897 --> 00:53:29,398 SON. LIKE, LOUIS, DO YOU REMEMBER WHEN YOU WERE HAVING TROUBLE 1359 00:53:29,400 --> 00:53:30,766 LIKE, LOUIS, DO YOU REMEMBER WHEN YOU WERE HAVING TROUBLE CONCENTRATING FIRST SEMESTER -- 1360 00:53:30,768 --> 00:53:33,468 WHEN YOU WERE HAVING TROUBLE CONCENTRATING FIRST SEMESTER -- >> OH, NO, NO. 1361 00:53:33,470 --> 00:53:36,004 CONCENTRATING FIRST SEMESTER -- >> OH, NO, NO. >> AND I SET YOU UP WITH MY 1362 00:53:36,006 --> 00:53:36,471 >> OH, NO, NO. >> AND I SET YOU UP WITH MY FAMILY DOCTOR. 1363 00:53:36,473 --> 00:53:37,439 >> AND I SET YOU UP WITH MY FAMILY DOCTOR. >> WHAT? 1364 00:53:37,441 --> 00:53:39,308 FAMILY DOCTOR. >> WHAT? >> NOW HE'S ON A.D.D. 1365 00:53:39,310 --> 00:53:42,210 >> WHAT? >> NOW HE'S ON A.D.D. MEDICATION, AND HE'S DOING A LOT 1366 00:53:42,212 --> 00:53:42,544 >> NOW HE'S ON A.D.D. MEDICATION, AND HE'S DOING A LOT BETTER. 1367 00:53:42,546 --> 00:53:46,415 MEDICATION, AND HE'S DOING A LOT BETTER. >> MY SON DON'T HAVE A.D.D.! 1368 00:53:46,417 --> 00:53:48,850 BETTER. >> MY SON DON'T HAVE A.D.D.! HE JUST LIKES TO JUMP! 1369 00:53:48,852 --> 00:53:52,721 >> MY SON DON'T HAVE A.D.D.! HE JUST LIKES TO JUMP! >> OH, WELL, A.D.D. ISN'T 1370 00:53:52,723 --> 00:53:54,790 HE JUST LIKES TO JUMP! >> OH, WELL, A.D.D. ISN'T ANYTHING TO BE EMBARRASSED ABOUT 1371 00:53:54,792 --> 00:53:58,126 >> OH, WELL, A.D.D. ISN'T ANYTHING TO BE EMBARRASSED ABOUT DEMI LOVATO HAS IT. 1372 00:53:58,128 --> 00:54:00,162 ANYTHING TO BE EMBARRASSED ABOUT DEMI LOVATO HAS IT. >> FAMILY DOCTOR -- 1373 00:54:00,164 --> 00:54:00,762 DEMI LOVATO HAS IT. >> FAMILY DOCTOR -- [ SPEAKING NON-ENGLISH ] 1374 00:54:00,764 --> 00:54:01,930 >> FAMILY DOCTOR -- [ SPEAKING NON-ENGLISH ] NORMALIZE A.D.D. 1375 00:54:01,932 --> 00:54:03,932 [ SPEAKING NON-ENGLISH ] NORMALIZE A.D.D. >> SHE HATES ME. 1376 00:54:03,934 --> 00:54:12,074 NORMALIZE A.D.D. >> SHE HATES ME. >> SHE'S NOT TALKING ABOUT YOU. 1377 00:54:12,076 --> 00:54:12,407 >> SHE HATES ME. >> SHE'S NOT TALKING ABOUT YOU. MAMA -- 1378 00:54:12,409 --> 00:54:13,008 >> SHE'S NOT TALKING ABOUT YOU. MAMA -- [ SPEAKING NON-ENGLISH ] 1379 00:54:13,010 --> 00:54:15,177 MAMA -- [ SPEAKING NON-ENGLISH ] UNISEX APPAREL. 1380 00:54:15,179 --> 00:54:17,045 [ SPEAKING NON-ENGLISH ] UNISEX APPAREL. [ SPEAKING NON-ENGLISH ] 1381 00:54:17,047 --> 00:54:19,114 UNISEX APPAREL. [ SPEAKING NON-ENGLISH ] "WHITE LOTUS" 1382 00:54:19,116 --> 00:54:19,715 [ SPEAKING NON-ENGLISH ] "WHITE LOTUS" [ SPEAKING NON-ENGLISH ] 1383 00:54:19,717 --> 00:54:21,983 "WHITE LOTUS" [ SPEAKING NON-ENGLISH ] HEY, MAN, WANT TO GET SOME SWEET 1384 00:54:21,985 --> 00:54:22,317 [ SPEAKING NON-ENGLISH ] HEY, MAN, WANT TO GET SOME SWEET GREEN? 1385 00:54:22,319 --> 00:54:24,853 HEY, MAN, WANT TO GET SOME SWEET GREEN? >> WHAT IS SHE SAYING? 1386 00:54:24,855 --> 00:54:25,120 GREEN? >> WHAT IS SHE SAYING? >> 1387 00:54:25,122 --> 00:54:25,721 >> WHAT IS SHE SAYING? >> [ SPEAKING NON-ENGLISH ] 1388 00:54:25,723 --> 00:54:26,988 >> [ SPEAKING NON-ENGLISH ] LONG TERM, OKAY? 1389 00:54:26,990 --> 00:54:28,223 [ SPEAKING NON-ENGLISH ] LONG TERM, OKAY? NO. 1390 00:54:28,225 --> 00:54:29,658 LONG TERM, OKAY? NO. >> WHAT? 1391 00:54:29,660 --> 00:54:31,393 NO. >> WHAT? [ SPEAKING NON-ENGLISH ] 1392 00:54:31,395 --> 00:54:32,094 >> WHAT? [ SPEAKING NON-ENGLISH ] ONE NIGHTSTAND. 1393 00:54:32,096 --> 00:54:38,033 [ SPEAKING NON-ENGLISH ] ONE NIGHTSTAND. HIT IT AND QUIT IT, HIT AND DIP. 1394 00:54:38,035 --> 00:54:38,633 ONE NIGHTSTAND. HIT IT AND QUIT IT, HIT AND DIP. I DON'T CARE. 1395 00:54:38,635 --> 00:54:39,868 HIT IT AND QUIT IT, HIT AND DIP. I DON'T CARE. THAT'S OKAY. 1396 00:54:39,870 --> 00:54:42,070 I DON'T CARE. THAT'S OKAY. >> THAT WAS ALL ENGLISH. 1397 00:54:42,072 --> 00:54:43,972 THAT'S OKAY. >> THAT WAS ALL ENGLISH. I WOULD JUST LOVE TO START OVER. 1398 00:54:43,974 --> 00:54:46,775 >> THAT WAS ALL ENGLISH. I WOULD JUST LOVE TO START OVER. >> CAN WE PLEASE JUST EAT? 1399 00:54:46,777 --> 00:54:48,343 I WOULD JUST LOVE TO START OVER. >> CAN WE PLEASE JUST EAT? >> THIS LOOKS DELICIOUS, 1400 00:54:48,345 --> 00:54:49,378 >> CAN WE PLEASE JUST EAT? >> THIS LOOKS DELICIOUS, MS. FLORES. 1401 00:54:49,380 --> 00:54:50,245 >> THIS LOOKS DELICIOUS, MS. FLORES. BUT BEFORE WE EAT, MIND IF I SAY 1402 00:54:50,247 --> 00:54:55,784 MS. FLORES. BUT BEFORE WE EAT, MIND IF I SAY GRACE? 1403 00:54:55,786 --> 00:54:59,988 BUT BEFORE WE EAT, MIND IF I SAY GRACE? >> GRACE. 1404 00:54:59,990 --> 00:55:01,790 GRACE? >> GRACE. OH, WHY DIDN'T YOU TELL ME SHE 1405 00:55:01,792 --> 00:55:04,159 >> GRACE. OH, WHY DIDN'T YOU TELL ME SHE WAS A WOMAN OF GOD? 1406 00:55:04,161 --> 00:55:09,464 OH, WHY DIDN'T YOU TELL ME SHE WAS A WOMAN OF GOD? NOW WHERE ARE MY GRAND CHILDREN? 1407 00:55:20,042 --> 00:55:25,013 >>> THIS PLACE IS SO CUTE. >> YEAH. >> YEAH LOOK AT ALL THOSE GRAPES 1408 00:55:25,015 --> 00:55:26,548 >> YEAH. >> YEAH LOOK AT ALL THOSE GRAPES ON THE WALL. 1409 00:55:26,550 --> 00:55:29,017 >> YEAH LOOK AT ALL THOSE GRAPES ON THE WALL. >> YES. 1410 00:55:29,019 --> 00:55:31,052 ON THE WALL. >> YES. >> PLEASE. 1411 00:55:31,054 --> 00:55:34,689 >> YES. >> PLEASE. WELCOME TO ANGELINO'S REAL 1412 00:55:34,691 --> 00:55:36,425 >> PLEASE. WELCOME TO ANGELINO'S REAL ITALIAN RESTAURANT. 1413 00:55:36,427 --> 00:55:39,261 WELCOME TO ANGELINO'S REAL ITALIAN RESTAURANT. AND THIS IS THE MOST BEAUTIFUL 1414 00:55:39,263 --> 00:55:40,429 ITALIAN RESTAURANT. AND THIS IS THE MOST BEAUTIFUL TABLE I HAVE EVER SEEN. 1415 00:55:40,431 --> 00:55:42,197 AND THIS IS THE MOST BEAUTIFUL TABLE I HAVE EVER SEEN. YOU TAKE MY BREATH AWAY. 1416 00:55:42,199 --> 00:55:44,433 TABLE I HAVE EVER SEEN. YOU TAKE MY BREATH AWAY. >> AWW! 1417 00:55:44,435 --> 00:55:49,805 YOU TAKE MY BREATH AWAY. >> AWW! >> BELLA, BELLA, BELLA, BELLA -- 1418 00:55:49,807 --> 00:55:53,642 >> AWW! >> BELLA, BELLA, BELLA, BELLA -- SMART. 1419 00:55:53,644 --> 00:55:56,812 >> BELLA, BELLA, BELLA, BELLA -- SMART. I BE RIGHT BACK WITH THE MENUS. 1420 00:55:56,814 --> 00:55:59,314 SMART. I BE RIGHT BACK WITH THE MENUS. >> DID HE SAY SMART? 1421 00:55:59,316 --> 00:56:00,882 I BE RIGHT BACK WITH THE MENUS. >> DID HE SAY SMART? >> THAT'S A COMPLIMENT. 1422 00:56:00,884 --> 00:56:03,084 >> DID HE SAY SMART? >> THAT'S A COMPLIMENT. >> YEAH, MAYBE HE LIKES YOU 1423 00:56:03,086 --> 00:56:03,385 >> THAT'S A COMPLIMENT. >> YEAH, MAYBE HE LIKES YOU MORE. 1424 00:56:03,387 --> 00:56:03,919 >> YEAH, MAYBE HE LIKES YOU MORE. >> EXCUSE ME. 1425 00:56:03,921 --> 00:56:08,056 MORE. >> EXCUSE ME. I HAVE A WATER FOR YOU. 1426 00:56:08,058 --> 00:56:11,493 >> EXCUSE ME. I HAVE A WATER FOR YOU. BELLISSIMA, BELLISSIMA, 1427 00:56:11,495 --> 00:56:15,363 I HAVE A WATER FOR YOU. BELLISSIMA, BELLISSIMA, BELLISSIMA, BELLISSIMA -- AND A 1428 00:56:15,365 --> 00:56:15,997 BELLISSIMA, BELLISSIMA, BELLISSIMA, BELLISSIMA -- AND A FUNNY ONE. 1429 00:56:15,999 --> 00:56:18,099 BELLISSIMA, BELLISSIMA -- AND A FUNNY ONE. >> DO I LOOK WEIRD TODAY OR 1430 00:56:18,101 --> 00:56:18,467 FUNNY ONE. >> DO I LOOK WEIRD TODAY OR SOMETHING? 1431 00:56:18,469 --> 00:56:20,535 >> DO I LOOK WEIRD TODAY OR SOMETHING? >> NO, NO. 1432 00:56:20,537 --> 00:56:20,936 SOMETHING? >> NO, NO. >> NO WAY. 1433 00:56:20,938 --> 00:56:21,336 >> NO, NO. >> NO WAY. >> NEVER. 1434 00:56:21,338 --> 00:56:23,672 >> NO WAY. >> NEVER. >> NOW, LET ME GUESS. 1435 00:56:23,674 --> 00:56:25,106 >> NEVER. >> NOW, LET ME GUESS. YOU ARE A MODEL? 1436 00:56:25,108 --> 00:56:27,075 >> NOW, LET ME GUESS. YOU ARE A MODEL? >> OH, YOU'RE SWEET. 1437 00:56:27,077 --> 00:56:27,409 YOU ARE A MODEL? >> OH, YOU'RE SWEET. NO, NO. 1438 00:56:27,411 --> 00:56:29,444 >> OH, YOU'RE SWEET. NO, NO. >> YOU ARE A STATUE. 1439 00:56:29,446 --> 00:56:30,779 NO, NO. >> YOU ARE A STATUE. >> NO. 1440 00:56:30,781 --> 00:56:31,246 >> YOU ARE A STATUE. >> NO. I'M A NURSE. 1441 00:56:31,248 --> 00:56:31,813 >> NO. I'M A NURSE. >> NO. 1442 00:56:31,815 --> 00:56:33,181 I'M A NURSE. >> NO. THIS IS A CRIME. 1443 00:56:33,183 --> 00:56:33,482 >> NO. THIS IS A CRIME. OKAY. 1444 00:56:33,484 --> 00:56:34,082 THIS IS A CRIME. OKAY. I TRY AGAIN. 1445 00:56:34,084 --> 00:56:36,551 OKAY. I TRY AGAIN. YOU ARE A WRITER. 1446 00:56:36,553 --> 00:56:37,219 I TRY AGAIN. YOU ARE A WRITER. >> NO. 1447 00:56:37,221 --> 00:56:38,587 YOU ARE A WRITER. >> NO. I'M ACTUALLY AN ACTOR. 1448 00:56:38,589 --> 00:56:40,422 >> NO. I'M ACTUALLY AN ACTOR. I WAS EVEN IN A MOVIE. 1449 00:56:40,424 --> 00:56:43,825 I'M ACTUALLY AN ACTOR. I WAS EVEN IN A MOVIE. >> OH, YES. 1450 00:56:43,827 --> 00:56:44,192 I WAS EVEN IN A MOVIE. >> OH, YES. BABADOOK. 1451 00:56:44,194 --> 00:56:47,128 >> OH, YES. BABADOOK. >> I'M NOT THE BABADOOK. 1452 00:56:47,130 --> 00:56:47,963 BABADOOK. >> I'M NOT THE BABADOOK. JUST GO. 1453 00:56:47,965 --> 00:56:50,165 >> I'M NOT THE BABADOOK. JUST GO. WHAT IS MY VIBE TODAY? 1454 00:56:50,167 --> 00:56:52,501 JUST GO. WHAT IS MY VIBE TODAY? >> LADIES, I WANT TO INTRODUCE 1455 00:56:52,503 --> 00:56:53,568 WHAT IS MY VIBE TODAY? >> LADIES, I WANT TO INTRODUCE YOU TO CHEF DINO. 1456 00:56:53,570 --> 00:56:55,871 >> LADIES, I WANT TO INTRODUCE YOU TO CHEF DINO. HE WANTS TO GIVE YOU A GIFT, A 1457 00:56:55,873 --> 00:56:56,304 YOU TO CHEF DINO. HE WANTS TO GIVE YOU A GIFT, A LITTLE BITE. 1458 00:56:56,306 --> 00:56:59,374 HE WANTS TO GIVE YOU A GIFT, A LITTLE BITE. >> OH, YES. 1459 00:56:59,376 --> 00:57:02,410 LITTLE BITE. >> OH, YES. FOR SUCH A BEAUTY, YOU DESERVE 1460 00:57:02,412 --> 00:57:03,044 >> OH, YES. FOR SUCH A BEAUTY, YOU DESERVE SOMETHING VERY SPECIAL. 1461 00:57:03,046 --> 00:57:04,813 FOR SUCH A BEAUTY, YOU DESERVE SOMETHING VERY SPECIAL. >> OH, PRETTY. 1462 00:57:04,815 --> 00:57:08,917 SOMETHING VERY SPECIAL. >> OH, PRETTY. >> FOR YOU, FOR YOU, AND FOR 1463 00:57:08,919 --> 00:57:13,188 >> OH, PRETTY. >> FOR YOU, FOR YOU, AND FOR YOU -- CHILI. 1464 00:57:13,190 --> 00:57:15,390 >> FOR YOU, FOR YOU, AND FOR YOU -- CHILI. >> CHILI? 1465 00:57:15,392 --> 00:57:15,824 YOU -- CHILI. >> CHILI? THIS IS HUGE. 1466 00:57:15,826 --> 00:57:20,729 >> CHILI? THIS IS HUGE. >> OH, YES, A BIG BOY CHILI. 1467 00:57:20,731 --> 00:57:21,062 THIS IS HUGE. >> OH, YES, A BIG BOY CHILI. ENJOY. 1468 00:57:21,064 --> 00:57:23,064 >> OH, YES, A BIG BOY CHILI. ENJOY. >> WHY DO THEY EVEN HAVE THAT 1469 00:57:23,066 --> 00:57:23,365 ENJOY. >> WHY DO THEY EVEN HAVE THAT HERE? 1470 00:57:23,367 --> 00:57:25,500 >> WHY DO THEY EVEN HAVE THAT HERE? >> I THINK IT'S NICE THEY MADE 1471 00:57:25,502 --> 00:57:26,201 HERE? >> I THINK IT'S NICE THEY MADE YOU SOMETHING SPECIAL. 1472 00:57:26,203 --> 00:57:29,104 >> I THINK IT'S NICE THEY MADE YOU SOMETHING SPECIAL. >> YEAH. 1473 00:57:29,106 --> 00:57:29,471 YOU SOMETHING SPECIAL. >> YEAH. >> YEAH. 1474 00:57:29,473 --> 00:57:30,105 >> YEAH. >> YEAH. >> LADIES, DO YOU HAVE A 1475 00:57:30,107 --> 00:57:31,006 >> YEAH. >> LADIES, DO YOU HAVE A QUESTION ABOUT THE MENU? 1476 00:57:31,008 --> 00:57:31,606 >> LADIES, DO YOU HAVE A QUESTION ABOUT THE MENU? >> YES. 1477 00:57:31,608 --> 00:57:34,009 QUESTION ABOUT THE MENU? >> YES. CAN I GET THE SPAGHETTI WITH 1478 00:57:34,011 --> 00:57:35,043 >> YES. CAN I GET THE SPAGHETTI WITH EXTRA MEATBALLS? 1479 00:57:35,045 --> 00:57:36,111 CAN I GET THE SPAGHETTI WITH EXTRA MEATBALLS? >> ANYTHING FOR YOU. 1480 00:57:36,113 --> 00:57:36,978 EXTRA MEATBALLS? >> ANYTHING FOR YOU. NOW, I HAVE A QUESTION. 1481 00:57:36,980 --> 00:57:38,513 >> ANYTHING FOR YOU. NOW, I HAVE A QUESTION. WILL YOU MARRY ME? 1482 00:57:38,515 --> 00:57:40,482 NOW, I HAVE A QUESTION. WILL YOU MARRY ME? >> OH, THAT IS SO SWEET, BUT I'M 1483 00:57:40,484 --> 00:57:41,316 WILL YOU MARRY ME? >> OH, THAT IS SO SWEET, BUT I'M ALREADY MARRIED. 1484 00:57:41,318 --> 00:57:42,918 >> OH, THAT IS SO SWEET, BUT I'M ALREADY MARRIED. >> OH, LUCKY MAN. 1485 00:57:42,920 --> 00:57:45,420 ALREADY MARRIED. >> OH, LUCKY MAN. >> ACTUALLY, I'M MARRIED TOO. 1486 00:57:45,422 --> 00:57:47,556 >> OH, LUCKY MAN. >> ACTUALLY, I'M MARRIED TOO. >> OH, TO YOUR CAREER. 1487 00:57:47,558 --> 00:57:50,625 >> ACTUALLY, I'M MARRIED TOO. >> OH, TO YOUR CAREER. >> OH, MY GOD. 1488 00:57:50,627 --> 00:57:51,826 >> OH, TO YOUR CAREER. >> OH, MY GOD. >> JEN, I DON'T KNOW WHAT'S 1489 00:57:51,828 --> 00:57:52,561 >> OH, MY GOD. >> JEN, I DON'T KNOW WHAT'S GOING ON. 1490 00:57:52,563 --> 00:57:54,496 >> JEN, I DON'T KNOW WHAT'S GOING ON. THOSE TWO GUYS SERIOUSLY JUST 1491 00:57:54,498 --> 00:57:59,434 GOING ON. THOSE TWO GUYS SERIOUSLY JUST HAVE WEIRD TASTE. 1492 00:57:59,436 --> 00:58:01,436 THOSE TWO GUYS SERIOUSLY JUST HAVE WEIRD TASTE. >> CANDLES FOR THE LADIES. 1493 00:58:01,438 --> 00:58:07,475 HAVE WEIRD TASTE. >> CANDLES FOR THE LADIES. AND LET ME JUST UNSCREW THIS 1494 00:58:07,477 --> 00:58:08,009 >> CANDLES FOR THE LADIES. AND LET ME JUST UNSCREW THIS LIGHT. 1495 00:58:08,011 --> 00:58:09,377 AND LET ME JUST UNSCREW THIS LIGHT. MUCH BETTER. 1496 00:58:09,379 --> 00:58:12,013 LIGHT. MUCH BETTER. AND YOUR HARLEY DAVIDSON IS 1497 00:58:12,015 --> 00:58:13,381 MUCH BETTER. AND YOUR HARLEY DAVIDSON IS LEAKING OIL ALL OVER THE STREET. 1498 00:58:13,383 --> 00:58:14,349 AND YOUR HARLEY DAVIDSON IS LEAKING OIL ALL OVER THE STREET. CAN YOU MOVE IT? 1499 00:58:14,351 --> 00:58:16,217 LEAKING OIL ALL OVER THE STREET. CAN YOU MOVE IT? >> I DON'T DRIVE A HARLEY. 1500 00:58:16,219 --> 00:58:17,752 CAN YOU MOVE IT? >> I DON'T DRIVE A HARLEY. >> OH, MY MISTAKE. 1501 00:58:17,754 --> 00:58:18,153 >> I DON'T DRIVE A HARLEY. >> OH, MY MISTAKE. >> WHATEVER. 1502 00:58:18,155 --> 00:58:20,689 >> OH, MY MISTAKE. >> WHATEVER. WHERE IS OUR WAITER? 1503 00:58:20,691 --> 00:58:21,556 >> WHATEVER. WHERE IS OUR WAITER? >> YES. 1504 00:58:21,558 --> 00:58:23,224 WHERE IS OUR WAITER? >> YES. WHAT CAN I DO FOR YOU? 1505 00:58:23,226 --> 00:58:24,659 >> YES. WHAT CAN I DO FOR YOU? >> CAN WE JUST ORDER? 1506 00:58:24,661 --> 00:58:27,262 WHAT CAN I DO FOR YOU? >> CAN WE JUST ORDER? AND BY THE WAY, I ACTUALLY AM 1507 00:58:27,264 --> 00:58:27,662 >> CAN WE JUST ORDER? AND BY THE WAY, I ACTUALLY AM BEAUTIFUL. 1508 00:58:27,664 --> 00:58:28,730 AND BY THE WAY, I ACTUALLY AM BEAUTIFUL. >> EVERYONE IS BEAUTIFUL. 1509 00:58:28,732 --> 00:58:30,999 BEAUTIFUL. >> EVERYONE IS BEAUTIFUL. AND YOU MOST OF ALL BECAUSE IT'S 1510 00:58:31,001 --> 00:58:33,969 >> EVERYONE IS BEAUTIFUL. AND YOU MOST OF ALL BECAUSE IT'S THE KIND THAT'S ON THE INSIDE. 1511 00:58:33,971 --> 00:58:36,304 AND YOU MOST OF ALL BECAUSE IT'S THE KIND THAT'S ON THE INSIDE. >> YOU KNOW WHAT? 1512 00:58:36,306 --> 00:58:38,440 THE KIND THAT'S ON THE INSIDE. >> YOU KNOW WHAT? I'VE HAD ENOUGH INSULTS. 1513 00:58:38,442 --> 00:58:40,942 >> YOU KNOW WHAT? I'VE HAD ENOUGH INSULTS. I'M JUST GOING TO GO HOME AND 1514 00:58:40,944 --> 00:58:41,910 I'VE HAD ENOUGH INSULTS. I'M JUST GOING TO GO HOME AND HAVE A SALAD. 1515 00:58:41,912 --> 00:58:43,712 I'M JUST GOING TO GO HOME AND HAVE A SALAD. >> OH, THIS IS SO SAD. 1516 00:58:43,714 --> 00:58:46,348 HAVE A SALAD. >> OH, THIS IS SO SAD. WAS IT SOMETHING I SAID? 1517 00:58:46,350 --> 00:58:47,449 >> OH, THIS IS SO SAD. WAS IT SOMETHING I SAID? >> YEAH, EVERYTHING YOU SAID. 1518 00:58:47,451 --> 00:58:49,751 WAS IT SOMETHING I SAID? >> YEAH, EVERYTHING YOU SAID. WHY WERE YOU LIKE THAT TO HER? 1519 00:58:49,753 --> 00:58:51,786 >> YEAH, EVERYTHING YOU SAID. WHY WERE YOU LIKE THAT TO HER? >> OH, I MUST CONFESS. 1520 00:58:51,788 --> 00:58:53,054 WHY WERE YOU LIKE THAT TO HER? >> OH, I MUST CONFESS. WHENEVER THERE'S A GROUP OF 1521 00:58:53,056 --> 00:58:54,689 >> OH, I MUST CONFESS. WHENEVER THERE'S A GROUP OF WOMEN, WE TEAM UP AGAINST ONE 1522 00:58:54,691 --> 00:58:57,158 WHENEVER THERE'S A GROUP OF WOMEN, WE TEAM UP AGAINST ONE AND FLATTER THE OTHERS FOR MORE 1523 00:58:57,160 --> 00:58:57,459 WOMEN, WE TEAM UP AGAINST ONE AND FLATTER THE OTHERS FOR MORE TIPS. 1524 00:58:57,461 --> 00:59:01,229 AND FLATTER THE OTHERS FOR MORE TIPS. IS THAT BAD? 1525 00:59:01,231 --> 00:59:01,596 TIPS. IS THAT BAD? >> YEAH. 1526 00:59:01,598 --> 00:59:01,930 IS THAT BAD? >> YEAH. >> YEAH. 1527 00:59:01,932 --> 00:59:03,999 >> YEAH. >> YEAH. >> I MEAN, IT WAS DEFINITELY 1528 00:59:04,001 --> 00:59:04,866 >> YEAH. >> I MEAN, IT WAS DEFINITELY WORKING ON ME. 1529 00:59:04,868 --> 00:59:06,601 >> I MEAN, IT WAS DEFINITELY WORKING ON ME. I WAS GOING TO GIVE THE BIGGEST 1530 00:59:06,603 --> 00:59:07,669 WORKING ON ME. I WAS GOING TO GIVE THE BIGGEST TIP OF MY LIFE. 1531 00:59:07,671 --> 00:59:11,072 I WAS GOING TO GIVE THE BIGGEST TIP OF MY LIFE. >> BUT, HEY, YOU SERIOUSLY 1532 00:59:11,074 --> 00:59:12,273 TIP OF MY LIFE. >> BUT, HEY, YOU SERIOUSLY MISREAD OUR FRIEND BY THE WAY. 1533 00:59:12,275 --> 00:59:12,907 >> BUT, HEY, YOU SERIOUSLY MISREAD OUR FRIEND BY THE WAY. WHAT WAS THAT? 1534 00:59:12,909 --> 00:59:14,376 MISREAD OUR FRIEND BY THE WAY. WHAT WAS THAT? >> IT IS YOUR FRIEND. 1535 00:59:14,378 --> 00:59:14,809 WHAT WAS THAT? >> IT IS YOUR FRIEND. SHE'S OUTSIDE. 1536 00:59:14,811 --> 00:59:15,110 >> IT IS YOUR FRIEND. SHE'S OUTSIDE. LOOK. 1537 00:59:15,112 --> 00:59:17,412 SHE'S OUTSIDE. LOOK. SO SMART. 1538 00:59:17,414 --> 00:59:20,649 LOOK. SO SMART. BIG BOY CHILI. 1539 00:59:20,651 --> 00:59:22,484 SO SMART. BIG BOY CHILI. >> BIG BOY CHILI, FOR YOUR 1540 00:59:22,486 --> 00:59:24,419 BIG BOY CHILI. >> BIG BOY CHILI, FOR YOUR PRETTIEST FRIEND. 1541 00:59:47,076 --> 01:00:02,557 >>> ONCE AGAIN, COLDPLAY. [ CHEERS AND APPLAUSE ] ♪ BOYS BOYS DON'T CRY 1542 01:00:02,559 --> 01:00:08,897 [ CHEERS AND APPLAUSE ] ♪ BOYS BOYS DON'T CRY BOYS KEEP IT ALL INSIDE 1543 01:00:08,899 --> 01:00:11,566 ♪ BOYS BOYS DON'T CRY BOYS KEEP IT ALL INSIDE I TRY TO HIDE IT 1544 01:00:11,568 --> 01:00:16,905 BOYS KEEP IT ALL INSIDE I TRY TO HIDE IT UNDERNEATH ♪ 1545 01:00:16,907 --> 01:00:20,642 I TRY TO HIDE IT UNDERNEATH ♪ ♪ BUT STILL MY HEART 1546 01:00:20,644 --> 01:00:27,015 UNDERNEATH ♪ ♪ BUT STILL MY HEART STARTS TO BEAT 1547 01:00:27,017 --> 01:00:30,251 ♪ BUT STILL MY HEART STARTS TO BEAT MY HUMAN HEART 1548 01:00:30,253 --> 01:00:35,090 STARTS TO BEAT MY HUMAN HEART ONLY GOT A HUMAN HEART♪ 1549 01:00:35,092 --> 01:00:39,928 MY HUMAN HEART ONLY GOT A HUMAN HEART♪ ♪ I WISH IT DIDN'T RUN AWAY 1550 01:00:39,930 --> 01:00:43,598 ONLY GOT A HUMAN HEART♪ ♪ I WISH IT DIDN'T RUN AWAY I WISH IT DIDN'T FALL APART 1551 01:00:43,600 --> 01:00:47,335 ♪ I WISH IT DIDN'T RUN AWAY I WISH IT DIDN'T FALL APART OH MY HUMAN HEART ♪ 1552 01:00:47,337 --> 01:00:49,971 I WISH IT DIDN'T FALL APART OH MY HUMAN HEART ♪ ♪ NIGHT AND DAY 1553 01:00:49,973 --> 01:00:52,107 OH MY HUMAN HEART ♪ ♪ NIGHT AND DAY AND LIGHT AND DARK ♪ 1554 01:00:52,109 --> 01:00:54,776 ♪ NIGHT AND DAY AND LIGHT AND DARK ♪ ♪ ANY DAY 1555 01:00:54,778 --> 01:00:56,911 AND LIGHT AND DARK ♪ ♪ ANY DAY IT COULD BE TORN IN HALF 1556 01:00:56,913 --> 01:01:03,384 ♪ ANY DAY IT COULD BE TORN IN HALF ONLY GOT A HUMAN HEART ♪ 1557 01:01:03,386 --> 01:01:13,528 IT COULD BE TORN IN HALF ONLY GOT A HUMAN HEART ♪ ♪ 1558 01:01:13,530 --> 01:01:15,663 ONLY GOT A HUMAN HEART ♪ ♪ ♪ WHEN YOU TRY YOUR BEST 1559 01:01:15,665 --> 01:01:19,934 ♪ ♪ WHEN YOU TRY YOUR BEST BUT YOU DON'T SUCCEED 1560 01:01:19,936 --> 01:01:21,536 ♪ WHEN YOU TRY YOUR BEST BUT YOU DON'T SUCCEED YOU GET WHAT YOU WANT 1561 01:01:21,538 --> 01:01:27,442 BUT YOU DON'T SUCCEED YOU GET WHAT YOU WANT BUT NOT WHAT YOU NEED ♪ 1562 01:01:27,444 --> 01:01:29,577 YOU GET WHAT YOU WANT BUT NOT WHAT YOU NEED ♪ ♪ WHEN YOU FEEL SO TIRED 1563 01:01:29,579 --> 01:01:32,814 BUT NOT WHAT YOU NEED ♪ ♪ WHEN YOU FEEL SO TIRED BUT YOU CAN'T SLEEP 1564 01:01:32,816 --> 01:01:37,552 ♪ WHEN YOU FEEL SO TIRED BUT YOU CAN'T SLEEP STUCK IN REVERSE ♪ 1565 01:01:37,554 --> 01:01:44,993 BUT YOU CAN'T SLEEP STUCK IN REVERSE ♪ >> LET'S GO. 1566 01:01:44,995 --> 01:01:52,567 STUCK IN REVERSE ♪ >> LET'S GO. ♪ LIGHTS WILL GUIDE YOU HOME 1567 01:01:52,569 --> 01:01:59,007 >> LET'S GO. ♪ LIGHTS WILL GUIDE YOU HOME AND IGNITE YOUR BONES 1568 01:01:59,009 --> 01:02:03,311 ♪ LIGHTS WILL GUIDE YOU HOME AND IGNITE YOUR BONES AND I WILL TRY TO FIX YOU ♪ 1569 01:02:03,313 --> 01:02:06,514 AND IGNITE YOUR BONES AND I WILL TRY TO FIX YOU ♪ ♪ 1570 01:02:06,516 --> 01:02:17,225 AND I WILL TRY TO FIX YOU ♪ ♪ ♪ 1571 01:02:17,227 --> 01:02:26,000 ♪ ♪ ♪ 1572 01:02:26,002 --> 01:02:30,104 ♪ ♪ >> THANKS TO PEDRO AND VERONICA. 1573 01:02:30,106 --> 01:02:33,208 ♪ >> THANKS TO PEDRO AND VERONICA. LET'S GO, LET'S GO. 1574 01:02:33,210 --> 01:02:33,474 >> THANKS TO PEDRO AND VERONICA. LET'S GO, LET'S GO. HEY! 1575 01:02:33,476 --> 01:02:35,343 LET'S GO, LET'S GO. HEY! ♪ TEARS STREAM 1576 01:02:35,345 --> 01:02:36,945 HEY! ♪ TEARS STREAM DOWN YOUR FACE 1577 01:02:36,947 --> 01:02:41,216 ♪ TEARS STREAM DOWN YOUR FACE WHEN YOU LOSE SOMETHING 1578 01:02:41,218 --> 01:02:43,885 DOWN YOUR FACE WHEN YOU LOSE SOMETHING YOU CANNOT REPLACE ♪ 1579 01:02:43,887 --> 01:02:48,156 WHEN YOU LOSE SOMETHING YOU CANNOT REPLACE ♪ ♪ TEARS STREAM 1580 01:02:48,158 --> 01:02:57,265 YOU CANNOT REPLACE ♪ ♪ TEARS STREAM DOWN YOUR FACE AND I ♪ 1581 01:02:57,267 --> 01:03:00,468 ♪ TEARS STREAM DOWN YOUR FACE AND I ♪ TEARS STREAM 1582 01:03:00,470 --> 01:03:03,104 DOWN YOUR FACE AND I ♪ TEARS STREAM DOWN YOUR FACE ♪ 1583 01:03:03,106 --> 01:03:05,240 TEARS STREAM DOWN YOUR FACE ♪ ♪ I PROMISE YOU 1584 01:03:05,242 --> 01:03:07,342 DOWN YOUR FACE ♪ ♪ I PROMISE YOU I WILL LEARN 1585 01:03:07,344 --> 01:03:11,145 ♪ I PROMISE YOU I WILL LEARN FROM MY MISTAKES ♪ 1586 01:03:11,147 --> 01:03:14,882 I WILL LEARN FROM MY MISTAKES ♪ ♪ TEARS STREAM 1587 01:03:14,884 --> 01:03:16,484 FROM MY MISTAKES ♪ ♪ TEARS STREAM DOWN YOUR FACE 1588 01:03:16,486 --> 01:03:28,329 ♪ TEARS STREAM DOWN YOUR FACE AND I ♪ 1589 01:03:28,331 --> 01:03:35,803 DOWN YOUR FACE AND I ♪ ♪ LIGHTS WILL GUIDE YOU HOME 1590 01:03:35,805 --> 01:03:42,210 AND I ♪ ♪ LIGHTS WILL GUIDE YOU HOME AND IGNITE YOUR BONES 1591 01:03:42,212 --> 01:03:48,750 ♪ LIGHTS WILL GUIDE YOU HOME AND IGNITE YOUR BONES I WILL TRY TO FIX YOU ♪ 1592 01:03:48,752 --> 01:03:49,350 AND IGNITE YOUR BONES I WILL TRY TO FIX YOU ♪ [ CHEERS AND APPLAUSE ] 1593 01:03:49,352 --> 01:03:57,058 I WILL TRY TO FIX YOU ♪ [ CHEERS AND APPLAUSE ] >> THANK YOU, EVERYBODY. 1594 01:04:07,186 --> 01:04:11,356 >>> TOAST TO OUR BIRTHDAY GIRL, SHAYNA. >> TO SHAYNA. 1595 01:04:11,358 --> 01:04:14,158 SHAYNA. >> TO SHAYNA. >> HERE COMES -- LET'S NOT 1596 01:04:14,160 --> 01:04:16,928 >> TO SHAYNA. >> HERE COMES -- LET'S NOT FORGET HER BABY SISTER LISA WHO 1597 01:04:16,930 --> 01:04:19,464 >> HERE COMES -- LET'S NOT FORGET HER BABY SISTER LISA WHO FLEW ALL THE WAY FROM TEMECULA 1598 01:04:19,466 --> 01:04:20,765 FORGET HER BABY SISTER LISA WHO FLEW ALL THE WAY FROM TEMECULA TO CELEBRATE WITH US. 1599 01:04:20,767 --> 01:04:23,801 FLEW ALL THE WAY FROM TEMECULA TO CELEBRATE WITH US. IT'S SO NICE TO FINALLY MEET 1600 01:04:23,803 --> 01:04:24,102 TO CELEBRATE WITH US. IT'S SO NICE TO FINALLY MEET YOU. 1601 01:04:24,104 --> 01:04:24,869 IT'S SO NICE TO FINALLY MEET YOU. >> THAT'S CUTE. 1602 01:04:24,871 --> 01:04:28,139 YOU. >> THAT'S CUTE. BUT DON'T THINK I'M GIVING UP 1603 01:04:28,141 --> 01:04:28,640 >> THAT'S CUTE. BUT DON'T THINK I'M GIVING UP THE BUTT TONIGHT. 1604 01:04:28,642 --> 01:04:30,141 BUT DON'T THINK I'M GIVING UP THE BUTT TONIGHT. >> I'M SORRY. 1605 01:04:30,143 --> 01:04:30,608 THE BUTT TONIGHT. >> I'M SORRY. WHAT? 1606 01:04:30,610 --> 01:04:33,111 >> I'M SORRY. WHAT? >> SHE'S JUST KIDDING. 1607 01:04:33,113 --> 01:04:33,578 WHAT? >> SHE'S JUST KIDDING. DON'T MIND HER. 1608 01:04:33,580 --> 01:04:35,279 >> SHE'S JUST KIDDING. DON'T MIND HER. >> SORRY FOR THE WAIT. 1609 01:04:35,281 --> 01:04:36,414 DON'T MIND HER. >> SORRY FOR THE WAIT. YOUR STEAK SHOULD BE COOKED TO 1610 01:04:36,416 --> 01:04:38,383 >> SORRY FOR THE WAIT. YOUR STEAK SHOULD BE COOKED TO YOUR LIKING NOW. 1611 01:04:38,385 --> 01:04:39,751 YOUR STEAK SHOULD BE COOKED TO YOUR LIKING NOW. THIRD TIME'S A CHARM. 1612 01:04:39,753 --> 01:04:41,319 YOUR LIKING NOW. THIRD TIME'S A CHARM. EXTRA EXTRA WELL DONE. 1613 01:04:41,321 --> 01:04:41,786 THIRD TIME'S A CHARM. EXTRA EXTRA WELL DONE. >> THANK YOU. 1614 01:04:41,788 --> 01:04:43,521 EXTRA EXTRA WELL DONE. >> THANK YOU. >> LISA, DO YOU ALWAYS ORDER 1615 01:04:43,523 --> 01:04:45,823 >> THANK YOU. >> LISA, DO YOU ALWAYS ORDER STEAKS LIKE THAT? 1616 01:04:45,825 --> 01:04:47,458 >> LISA, DO YOU ALWAYS ORDER STEAKS LIKE THAT? >> I DN KNOW YOU COULD GET THEM 1617 01:04:47,460 --> 01:04:48,126 STEAKS LIKE THAT? >> I DN KNOW YOU COULD GET THEM EXTRA EXTRA WELL. 1618 01:04:48,128 --> 01:04:49,027 >> I DN KNOW YOU COULD GET THEM EXTRA EXTRA WELL. >> UH-HUH. 1619 01:04:49,029 --> 01:04:50,094 EXTRA EXTRA WELL. >> UH-HUH. COOK MY MEAT. 1620 01:04:50,096 --> 01:04:52,030 >> UH-HUH. COOK MY MEAT. I DON'T WANT TO SEE ONE SPECK OF 1621 01:04:52,032 --> 01:04:52,397 COOK MY MEAT. I DON'T WANT TO SEE ONE SPECK OF RED. 1622 01:04:52,399 --> 01:04:53,831 I DON'T WANT TO SEE ONE SPECK OF RED. I CAN'T BE SICK TONIGHT, I GOT 1623 01:04:53,833 --> 01:04:55,066 RED. I CAN'T BE SICK TONIGHT, I GOT TO BE IN COURT IN THE MORNING. 1624 01:04:55,068 --> 01:04:55,900 I CAN'T BE SICK TONIGHT, I GOT TO BE IN COURT IN THE MORNING. >> YOU'RE A LAWYER? 1625 01:04:55,902 --> 01:04:56,601 TO BE IN COURT IN THE MORNING. >> YOU'RE A LAWYER? >> YEAH. 1626 01:04:56,603 --> 01:04:59,003 >> YOU'RE A LAWYER? >> YEAH. SHE'S ACTUALLY THE LEAD 1627 01:04:59,005 --> 01:05:02,240 >> YEAH. SHE'S ACTUALLY THE LEAD LITIGATOR ON A CLASS ACTION SUIT 1628 01:05:02,242 --> 01:05:02,774 SHE'S ACTUALLY THE LEAD LITIGATOR ON A CLASS ACTION SUIT AGAINST WALMART. 1629 01:05:02,776 --> 01:05:04,509 LITIGATOR ON A CLASS ACTION SUIT AGAINST WALMART. >> COUPLE OF THEIR COINSTAR 1630 01:05:04,511 --> 01:05:05,476 AGAINST WALMART. >> COUPLE OF THEIR COINSTAR MACHINES EXPLODED. 1631 01:05:05,478 --> 01:05:07,211 >> COUPLE OF THEIR COINSTAR MACHINES EXPLODED. I AIN'T GOT TO TELL YOU WHAT 1632 01:05:07,213 --> 01:05:07,679 MACHINES EXPLODED. I AIN'T GOT TO TELL YOU WHAT HAPPENED NEXT. 1633 01:05:07,681 --> 01:05:09,480 I AIN'T GOT TO TELL YOU WHAT HAPPENED NEXT. >> THAT'S REALLY AMAZING OF YOU. 1634 01:05:09,482 --> 01:05:10,748 HAPPENED NEXT. >> THAT'S REALLY AMAZING OF YOU. I REALLY ADMIRE THAT. 1635 01:05:10,750 --> 01:05:11,983 >> THAT'S REALLY AMAZING OF YOU. I REALLY ADMIRE THAT. >> WHAT IS GOING ON WITH YOUR 1636 01:05:11,985 --> 01:05:13,051 I REALLY ADMIRE THAT. >> WHAT IS GOING ON WITH YOUR LITTLE FRIEND? 1637 01:05:13,053 --> 01:05:15,420 >> WHAT IS GOING ON WITH YOUR LITTLE FRIEND? HE'S DOING THE MOST TRYING TO 1638 01:05:15,422 --> 01:05:16,587 LITTLE FRIEND? HE'S DOING THE MOST TRYING TO GET SOME BUTT TONIGHT. 1639 01:05:16,589 --> 01:05:17,355 HE'S DOING THE MOST TRYING TO GET SOME BUTT TONIGHT. >> EXCUSE ME? 1640 01:05:17,357 --> 01:05:18,723 GET SOME BUTT TONIGHT. >> EXCUSE ME? >> OH, MY GOD. 1641 01:05:18,725 --> 01:05:19,757 >> EXCUSE ME? >> OH, MY GOD. NOTHING, PAUL. 1642 01:05:19,759 --> 01:05:21,292 >> OH, MY GOD. NOTHING, PAUL. GIRL, DON'T START WITH THAT. 1643 01:05:21,294 --> 01:05:23,661 NOTHING, PAUL. GIRL, DON'T START WITH THAT. >> YOU KNOW WHAT, I'M GOING TO 1644 01:05:23,663 --> 01:05:25,863 GIRL, DON'T START WITH THAT. >> YOU KNOW WHAT, I'M GOING TO SIT HERE AND EAT MY STEAK IN 1645 01:05:25,865 --> 01:05:26,197 >> YOU KNOW WHAT, I'M GOING TO SIT HERE AND EAT MY STEAK IN PEACE. 1646 01:05:26,199 --> 01:05:28,332 SIT HERE AND EAT MY STEAK IN PEACE. >> WELL, ANYWAY. 1647 01:05:28,334 --> 01:05:30,802 PEACE. >> WELL, ANYWAY. I -- I DIDN'T TELL YOU GUYS, BUT 1648 01:05:30,804 --> 01:05:36,374 >> WELL, ANYWAY. I -- I DIDN'T TELL YOU GUYS, BUT A FEW NIGHTS BACK, THIS DOG 1649 01:05:36,376 --> 01:05:36,874 I -- I DIDN'T TELL YOU GUYS, BUT A FEW NIGHTS BACK, THIS DOG FOLLOWED ME HOME. 1650 01:05:36,876 --> 01:05:40,545 A FEW NIGHTS BACK, THIS DOG FOLLOWED ME HOME. >> I'M ABOUT TO TEAR THIS THING 1651 01:05:40,547 --> 01:05:40,812 FOLLOWED ME HOME. >> I'M ABOUT TO TEAR THIS THING UP. 1652 01:05:40,814 --> 01:05:47,652 >> I'M ABOUT TO TEAR THIS THING UP. >> WHEN I OPENED THE DOOR, HE -- 1653 01:05:47,654 --> 01:05:50,021 UP. >> WHEN I OPENED THE DOOR, HE -- HE JUST SPRINTED INSIDE. 1654 01:05:50,023 --> 01:05:53,357 >> WHEN I OPENED THE DOOR, HE -- HE JUST SPRINTED INSIDE. >> THAT MAN DIDN'T GIVE ME NO 1655 01:05:53,359 --> 01:05:53,725 HE JUST SPRINTED INSIDE. >> THAT MAN DIDN'T GIVE ME NO KETCHUP. 1656 01:05:53,727 --> 01:05:55,026 >> THAT MAN DIDN'T GIVE ME NO KETCHUP. >> I'M RUNNING AROUND MY HOUSE 1657 01:05:55,028 --> 01:05:55,860 KETCHUP. >> I'M RUNNING AROUND MY HOUSE TRYING TO CATCH HIM. 1658 01:05:55,862 --> 01:05:57,962 >> I'M RUNNING AROUND MY HOUSE TRYING TO CATCH HIM. >> YOU GOT KETCHUP OVER THERE? 1659 01:05:57,964 --> 01:05:59,831 TRYING TO CATCH HIM. >> YOU GOT KETCHUP OVER THERE? >> GIRL, CAN YOU JUST EAT? 1660 01:05:59,833 --> 01:06:01,999 >> YOU GOT KETCHUP OVER THERE? >> GIRL, CAN YOU JUST EAT? >> YOU THINK IT'S GOING TO BE 1661 01:06:02,001 --> 01:06:03,534 >> GIRL, CAN YOU JUST EAT? >> YOU THINK IT'S GOING TO BE NASTY WITHOUT KETCHUP? 1662 01:06:03,536 --> 01:06:11,943 >> YOU THINK IT'S GOING TO BE NASTY WITHOUT KETCHUP? >> SO ANYWAY, I -- I GUESS I HAD 1663 01:06:11,945 --> 01:06:13,711 NASTY WITHOUT KETCHUP? >> SO ANYWAY, I -- I GUESS I HAD TWO BONES IN MY BASEMENT. 1664 01:06:13,713 --> 01:06:22,553 >> SO ANYWAY, I -- I GUESS I HAD TWO BONES IN MY BASEMENT. >> THAT'S SO CRAZY. 1665 01:06:22,555 --> 01:06:24,489 TWO BONES IN MY BASEMENT. >> THAT'S SO CRAZY. >> I GOT TO CUT YOU A PIECE OF 1666 01:06:24,491 --> 01:06:25,690 >> THAT'S SO CRAZY. >> I GOT TO CUT YOU A PIECE OF THIS STEAK. 1667 01:06:25,692 --> 01:06:28,993 >> I GOT TO CUT YOU A PIECE OF THIS STEAK. THIS STEAK IS BUSSIN. 1668 01:06:28,995 --> 01:06:30,161 THIS STEAK. THIS STEAK IS BUSSIN. OH, MY GOD. 1669 01:06:30,163 --> 01:06:31,662 THIS STEAK IS BUSSIN. OH, MY GOD. CAN YOU JUST CHILL? 1670 01:06:31,664 --> 01:06:33,464 OH, MY GOD. CAN YOU JUST CHILL? HE'S TRYING TO TELL A STORY. 1671 01:06:33,466 --> 01:06:34,732 CAN YOU JUST CHILL? HE'S TRYING TO TELL A STORY. >> YOU HEARD THE MAN. 1672 01:06:34,734 --> 01:06:35,767 HE'S TRYING TO TELL A STORY. >> YOU HEARD THE MAN. I HEARD HIM. 1673 01:06:35,769 --> 01:06:39,303 >> YOU HEARD THE MAN. I HEARD HIM. HE SAID HE GOT CHASED BY A DOG. 1674 01:06:39,305 --> 01:06:41,773 I HEARD HIM. HE SAID HE GOT CHASED BY A DOG. >> OKAY. 1675 01:06:41,775 --> 01:06:42,073 HE SAID HE GOT CHASED BY A DOG. >> OKAY. OKAY. 1676 01:06:42,075 --> 01:06:42,373 >> OKAY. OKAY. LISA. 1677 01:06:42,375 --> 01:06:42,673 OKAY. LISA. OKAY. 1678 01:06:42,675 --> 01:06:43,207 LISA. OKAY. ALL RIGHT. 1679 01:06:43,209 --> 01:06:48,813 OKAY. ALL RIGHT. >> OKAY. 1680 01:06:48,815 --> 01:06:49,113 ALL RIGHT. >> OKAY. LOOK. 1681 01:06:49,115 --> 01:06:49,847 >> OKAY. LOOK. TODD -- 1682 01:06:49,849 --> 01:06:50,248 LOOK. TODD -- >> THE MAN. 1683 01:06:50,250 --> 01:06:53,951 TODD -- >> THE MAN. >> ANTONIO BANDERES OVER HERE 1684 01:06:53,953 --> 01:06:55,987 >> THE MAN. >> ANTONIO BANDERES OVER HERE TRYING TO GET SOME BUTT WHILE HE 1685 01:06:55,989 --> 01:06:58,956 >> ANTONIO BANDERES OVER HERE TRYING TO GET SOME BUTT WHILE HE GOT KUJO LIVING IN HIS BASEMENT. 1686 01:06:58,958 --> 01:07:01,592 TRYING TO GET SOME BUTT WHILE HE GOT KUJO LIVING IN HIS BASEMENT. >> JUST WANTED TO CHECK IN ON 1687 01:07:01,594 --> 01:07:01,926 GOT KUJO LIVING IN HIS BASEMENT. >> JUST WANTED TO CHECK IN ON YOU. 1688 01:07:01,928 --> 01:07:03,027 >> JUST WANTED TO CHECK IN ON YOU. EVERYTHING ALL RIGHT? 1689 01:07:03,029 --> 01:07:04,395 YOU. EVERYTHING ALL RIGHT? WE HAVE BEEN GETTING COMPLAINTS. 1690 01:07:04,397 --> 01:07:09,767 EVERYTHING ALL RIGHT? WE HAVE BEEN GETTING COMPLAINTS. >> OH, BECAUSE WE BLACK? 1691 01:07:09,769 --> 01:07:10,401 WE HAVE BEEN GETTING COMPLAINTS. >> OH, BECAUSE WE BLACK? WE OVER HERE MINDING OUR 1692 01:07:10,403 --> 01:07:13,404 >> OH, BECAUSE WE BLACK? WE OVER HERE MINDING OUR BUSINESS. 1693 01:07:13,406 --> 01:07:15,506 WE OVER HERE MINDING OUR BUSINESS. >> I'M JUST MAKING SURE 1694 01:07:15,508 --> 01:07:17,408 BUSINESS. >> I'M JUST MAKING SURE EVERYTHING'S OKAY. 1695 01:07:17,410 --> 01:07:20,845 >> I'M JUST MAKING SURE EVERYTHING'S OKAY. >> ACTUALLY, EVERYTHING IS NOT 1696 01:07:20,847 --> 01:07:21,145 EVERYTHING'S OKAY. >> ACTUALLY, EVERYTHING IS NOT OKAY. 1697 01:07:21,147 --> 01:07:22,713 >> ACTUALLY, EVERYTHING IS NOT OKAY. THERE IS WINE ALL IN THEIR FOOD. 1698 01:07:22,715 --> 01:07:25,883 OKAY. THERE IS WINE ALL IN THEIR FOOD. IT'S ALL OVER THE FLOOR NOW. 1699 01:07:25,885 --> 01:07:26,484 THERE IS WINE ALL IN THEIR FOOD. IT'S ALL OVER THE FLOOR NOW. Y'ALL NEED TO DO BETTER. 1700 01:07:26,486 --> 01:07:30,221 IT'S ALL OVER THE FLOOR NOW. Y'ALL NEED TO DO BETTER. >> LISA. 1701 01:07:30,223 --> 01:07:31,722 Y'ALL NEED TO DO BETTER. >> LISA. >> YES, ANTONIO. 1702 01:07:31,724 --> 01:07:33,858 >> LISA. >> YES, ANTONIO. >> I UNDERSTAND YOU DON'T -- YOU 1703 01:07:33,860 --> 01:07:35,827 >> YES, ANTONIO. >> I UNDERSTAND YOU DON'T -- YOU DON'T WANT TO BE SICK TOMORROW, 1704 01:07:35,829 --> 01:07:38,029 >> I UNDERSTAND YOU DON'T -- YOU DON'T WANT TO BE SICK TOMORROW, BUT YOU HAVE BEEN SAWING THAT 1705 01:07:38,031 --> 01:07:38,362 DON'T WANT TO BE SICK TOMORROW, BUT YOU HAVE BEEN SAWING THAT STEAK. 1706 01:07:38,364 --> 01:07:39,363 BUT YOU HAVE BEEN SAWING THAT STEAK. THIS IS A MESS BECAUSE OF YOU. 1707 01:07:39,365 --> 01:07:40,064 STEAK. THIS IS A MESS BECAUSE OF YOU. >> OKAY. 1708 01:07:40,066 --> 01:07:41,332 THIS IS A MESS BECAUSE OF YOU. >> OKAY. NOW HOLD UP NOW. 1709 01:07:41,334 --> 01:07:43,334 >> OKAY. NOW HOLD UP NOW. I'M NOT GOING TO LET Y'ALL 1710 01:07:43,336 --> 01:07:45,770 NOW HOLD UP NOW. I'M NOT GOING TO LET Y'ALL CORNER MY BABY SISTER LISA WHO 1711 01:07:45,772 --> 01:07:48,606 I'M NOT GOING TO LET Y'ALL CORNER MY BABY SISTER LISA WHO CAME ALL THE WAY FROM TEMECULA 1712 01:07:48,608 --> 01:07:49,740 CORNER MY BABY SISTER LISA WHO CAME ALL THE WAY FROM TEMECULA ON MY BIRTHDAY. 1713 01:07:49,742 --> 01:07:50,775 CAME ALL THE WAY FROM TEMECULA ON MY BIRTHDAY. >> I KNOW THAT'S RIGHT. 1714 01:07:50,777 --> 01:07:52,810 ON MY BIRTHDAY. >> I KNOW THAT'S RIGHT. >> DOES MY SISTER HAVE TERRIBLE 1715 01:07:52,812 --> 01:07:54,712 >> I KNOW THAT'S RIGHT. >> DOES MY SISTER HAVE TERRIBLE LISTENING SKILLS? 1716 01:07:54,714 --> 01:07:55,046 >> DOES MY SISTER HAVE TERRIBLE LISTENING SKILLS? 1,000%. 1717 01:07:55,048 --> 01:07:56,747 LISTENING SKILLS? 1,000%. BUT SHE'S THE ONLY SISTER I'VE 1718 01:07:56,749 --> 01:07:57,048 1,000%. BUT SHE'S THE ONLY SISTER I'VE GOT. 1719 01:07:57,050 --> 01:07:59,283 BUT SHE'S THE ONLY SISTER I'VE GOT. >> WE THE YOUNGEST OF SIX GIRLS. 1720 01:07:59,285 --> 01:08:01,586 GOT. >> WE THE YOUNGEST OF SIX GIRLS. >> BUT AT THE END OF THE DAY, 1721 01:08:01,588 --> 01:08:05,423 >> WE THE YOUNGEST OF SIX GIRLS. >> BUT AT THE END OF THE DAY, SHE'S MY FAMILY, AND THERE 1722 01:08:05,425 --> 01:08:08,793 >> BUT AT THE END OF THE DAY, SHE'S MY FAMILY, AND THERE BETTER NOT BE A RED DAMN SPECK 1723 01:08:08,795 --> 01:08:09,260 SHE'S MY FAMILY, AND THERE BETTER NOT BE A RED DAMN SPECK ON THAT PLATE. 1724 01:08:09,262 --> 01:08:10,127 BETTER NOT BE A RED DAMN SPECK ON THAT PLATE. >> COOK MY MEAT. 1725 01:08:10,129 --> 01:08:10,628 ON THAT PLATE. >> COOK MY MEAT. >> OKAY? 1726 01:08:10,630 --> 01:08:12,263 >> COOK MY MEAT. >> OKAY? >> YOU KNOW WHAT? 1727 01:08:12,265 --> 01:08:13,397 >> OKAY? >> YOU KNOW WHAT? Y'ALL HAVEN'T HAD IT. 1728 01:08:13,399 --> 01:08:15,633 >> YOU KNOW WHAT? Y'ALL HAVEN'T HAD IT. I'M GOING TO CUT Y'ALL A PCE. 1729 01:08:15,635 --> 01:08:17,468 Y'ALL HAVEN'T HAD IT. I'M GOING TO CUT Y'ALL A PCE. IE 1730 01:08:31,984 --> 01:08:42,960 For 1731 01:08:43,161 --> 01:08:52,803 >>> THANKS TO COLDPLAY, JACOB COLLIER, AND JASON MAX FERDINAND, SINGERS, SARAH 1732 01:08:52,805 --> 01:08:55,106 COLLIER, AND JASON MAX FERDINAND, SINGERS, SARAH PAULSON, AND THIS AZING CAST 1733 01:08:55,108 --> 01:08:56,390 FERDINAND, SINGERS, SARAH PAULSON, AND THIS AZING CAST THAT TOOK SUCH GOOD CAR OF ME