1
00:00:03,233 --> 00:00:07,133
<i>NARRATOR:</i> <i>THE U.S. MEXICAN BORDER.</i>

2
00:00:07,967 --> 00:00:10,867
OFFICER: SIT DOWN... SIT DOWN.

3
00:00:10,900 --> 00:00:13,667
<i>NARRATOR: MEXICAN CARTELS</i> <i>NOW DOMINATE A BILLION DOLLAR</i>

4
00:00:13,700 --> 00:00:17,100
<i>INDUSTRY EXPORTING</i> <i>UNDOCUMENTED MIGRANTS.</i>

5
00:00:17,133 --> 00:00:18,633
VICENTE: WE GOT GUNS.

6
00:00:18,667 --> 00:00:20,367
THAT'S TO PROTECT US.

7
00:00:20,400 --> 00:00:21,967
PROTECT THEM.

8
00:00:22,000 --> 00:00:23,533
<i>NARRATOR: FAIL</i> <i>TO PAY THE BILL AND</i>

9
00:00:23,567 --> 00:00:26,333
<i>THE DEAL GOES SOUR FAST.</i>

10
00:00:26,367 --> 00:00:29,467
AGENT BALLISTREA: THESE MIGRANTS ARE NOT A HUMAN BEING TO THEM.

11
00:00:29,500 --> 00:00:31,000
<i>NARRATOR: STRIPPED</i> <i>OF THEIR DIGNITY...</i>

12
00:00:31,033 --> 00:00:33,233
<i>MIGRANTS ARE BOUGHT AND SOLD.</i>

13
00:00:33,266 --> 00:00:33,934
MAGDALENA: IT IS WHAT IT IS.

14
00:00:33,967 --> 00:00:34,967
IT'S PROSTITUTION.

15
00:00:35,000 --> 00:00:36,934
WHO'S NOT GONNA PAY FOR SEX?

16
00:00:38,333 --> 00:00:40,867
<i>NARRATOR: BUT IF</i> <i>THE CASH FLOW STOPS.</i>

17
00:00:40,900 --> 00:00:42,734
JAIME: IF YOU DON'T PAY US WHAT WE NEED...

18
00:00:42,767 --> 00:00:45,533
YOU WON'T SEE YOUR FAMILY NO MORE.

19
00:00:52,533 --> 00:00:55,433
<i>NARRATOR: PIMA</i> <i>COUNTY MORGUE... ARIZONA.</i>

20
00:00:55,467 --> 00:00:59,467
DR. HESS: WE HAVE ABOUT 120 REMAINS INSIDE THIS COOLER.

21
00:00:59,500 --> 00:01:01,166
<i>NARRATOR: BAGGED AND TAGGED...</i>

22
00:01:01,200 --> 00:01:03,900
<i>UNDOCUMENTED MIGRANTS</i> <i>WHO DIDN'T MAKE IT.</i>

23
00:01:03,934 --> 00:01:06,300
DR. HESS: HERE WE HAVE A CASE FROM 2013...

24
00:01:06,333 --> 00:01:08,000
IDENTIFIED AS A JOHN DOE.

25
00:01:08,033 --> 00:01:09,266
HERE WE HAVE ANOTHER.

26
00:01:09,300 --> 00:01:11,467
AND WE JUST HAVE IT LISTED AS DOE.

27
00:01:11,500 --> 00:01:15,600
REMAINS DOWN HERE THAT SAY THEY'RE UNIDENTIFIED.

28
00:01:15,633 --> 00:01:18,800
<i>NARRATOR: THEY ALL DIED</i> <i>CROSSING THE BORDER DESERT.</i>

29
00:01:19,433 --> 00:01:23,867
DR. HESS: HERE'S JUST AN EXAMPLE OF FRAGMENTED REMAINS.

30
00:01:23,900 --> 00:01:25,867
WHERE WE HAVE LABELLED 14.

31
00:01:25,900 --> 00:01:28,667
WHICH MEANS REMAINS WERE FOUND IN 2014.

32
00:01:28,700 --> 00:01:32,200
SO WE DON'T HAVE LISTED AS A MAN OR A WOMAN.

33
00:01:32,433 --> 00:01:36,500
HERE IS JUST A CRANIUM.

34
00:01:36,533 --> 00:01:39,233
THESE ARE WHERE THE EYES ARE LOCATED.

35
00:01:39,266 --> 00:01:42,200
WE NO LONGER HAVE A MANDIBLE AND YOU CAN SEE

36
00:01:42,233 --> 00:01:44,367
THAT THE BONE IS WEATHERED AND SUN BLEACHED

37
00:01:44,400 --> 00:01:46,433
AND HAS BEEN ON THE SURFACE OF THE DESERT.

38
00:01:50,066 --> 00:01:54,600
<i>NARRATOR: NOGALES MEXICO...</i> <i>RIGHT ON THE U.S. BORDER.</i>

39
00:01:55,734 --> 00:01:58,934
<i>MIGRANTS ARE DRAWN TO</i> <i>NOGALES BY ITS REPUTATION</i>

40
00:01:58,967 --> 00:02:02,400
<i>AS THE CENTER OF A</i> <i>PEOPLE SMUGGLING OPERATION.</i>

41
00:02:03,000 --> 00:02:05,934
<i>ON THE GROUND IT'S</i> <i>FRANCISCO'S JOB TO KEEP</i>

42
00:02:05,967 --> 00:02:08,066
<i>HIS CLIENTS</i> <i>OUT OF THE MORGUE.</i>

43
00:02:16,800 --> 00:02:18,834
<i>NARRATOR: HE'S A</i> <i>SUCCESSFUL COYOTE...</i>

44
00:02:18,867 --> 00:02:21,400
<i>HIS SECRET IS TRAINING.</i>

45
00:02:30,834 --> 00:02:34,533
<i>NARRATOR: HE TRAINS HIS</i> <i>CLIENTS TO HIDE AND SURVIVE.</i>

46
00:02:35,467 --> 00:02:39,600
<i>THEY PAY UP TO $5,000 TO</i> <i>BE SMUGGLED INTO THE U.S.A.</i>

47
00:02:52,567 --> 00:02:56,433
<i>NARRATOR: FOR FRANCISCO</i> <i>THIS RUN THROUGH IS KEY.</i>

48
00:02:56,467 --> 00:02:59,400
<i>IF THEY DON'T MAKE IT TO</i> <i>THEIR DESTINATION STATE SIDE</i>

49
00:02:59,433 --> 00:03:01,400
<i>HE WON'T GET HIS CUT.</i>

50
00:03:13,400 --> 00:03:16,633
<i>NARRATOR: THIS TRIAL RUN</i> <i>TEACHES THEM SURVIVAL SKILLS</i>

51
00:03:16,667 --> 00:03:19,000
<i>TO HELP MAKE SURE</i> <i>HE GETS HIS MONEY.</i>

52
00:03:29,734 --> 00:03:31,433
<i>NARRATOR: HE SHOWS</i> <i>THEM HOW TO EVADE THE</i>

53
00:03:31,467 --> 00:03:33,600
<i>U.S. BORDER PATROLS.</i>

54
00:04:10,533 --> 00:04:13,467
<i>NARRATOR: NEXT TIME</i> <i>IT'LL BE FOR REAL.</i>

55
00:04:13,500 --> 00:04:16,800
<i>HE WARNS HIS ROOKIES</i> <i>ABOUT THE BORDER FENCE.</i>

56
00:04:24,834 --> 00:04:27,367
<i>NARRATOR: THIS BARRIER IS</i> <i>DESIGNED TO STOP MIGRANTS IN</i>

57
00:04:27,400 --> 00:04:29,934
<i>THEIR TRACKS.</i>

58
00:04:29,967 --> 00:04:32,867
<i>THE CLIMBERS WILL</i> <i>NEED FRANCISCO'S HELP.</i>

59
00:04:43,800 --> 00:04:47,233
<i>NARRATOR: ANY INJURY TAKES</i> <i>A BITE OUT OF HIS PAY CHECK.</i>

60
00:05:00,867 --> 00:05:03,800
<i>NARRATOR: IF YOU HAVE THE</i> <i>RIGHT PASSPORT NOGALES TO</i>

61
00:05:03,834 --> 00:05:05,834
<i>PHOENIX IS JUST A COUPLE</i> <i>OF HOURS AIR CONDITIONED</i>

62
00:05:05,867 --> 00:05:08,867
<i>CRUISE UP I-19 AND I-10.</i>

63
00:05:08,900 --> 00:05:11,800
<i>BUT FOR FRANCISCO AND</i> <i>HIS CLIENTS THAT JOURNEY MEANS</i>

64
00:05:11,834 --> 00:05:15,400
<i>FIVE DAYS ON FOOT</i> <i>IN THE SONORAN DESERT.</i>

65
00:05:16,834 --> 00:05:20,967
<i>IT'S ONE OF THE HARSHEST</i> <i>PLACES IN NORTH AMERICA.</i>

66
00:05:21,400 --> 00:05:24,800
<i>AT NIGHT IT</i> <i>CAN BE A FREEZER.</i>

67
00:05:24,834 --> 00:05:28,800
<i>DURING THE DAY AN OVEN.</i>

68
00:05:28,834 --> 00:05:32,133
<i>HERE EVERY COYOTE FIGHTS</i> <i>TO KEEP HIS GROUP ALIVE.</i>

69
00:06:17,967 --> 00:06:20,200
<i>NARRATOR: FOR THESE</i> <i>COYOTES A DEAD MIGRANT</i>

70
00:06:20,233 --> 00:06:23,667
<i>IS A FAILED</i> <i>DELIVERY... VALUE $0.</i>

71
00:06:24,133 --> 00:06:26,166
<i>THEY JUST KEEP MOVING.</i>

72
00:06:33,000 --> 00:06:37,200
<i>NARRATOR: TO BEAT THE DESERT</i> <i>MIGRANTS MUST BE WELL PREPARED.</i>

73
00:06:40,367 --> 00:06:42,767
<i>COYOTES TELL MIGRANTS</i> <i>EXACTLY WHAT KEY SUPPLIES</i>

74
00:06:42,800 --> 00:06:45,633
<i>TO BUY FOR THE</i> <i>JOURNEY BECAUSE IN NOGALES...</i>

75
00:06:45,667 --> 00:06:49,000
<i>SHOPPING CAN SAVE YOUR LIFE.</i>

76
00:07:12,200 --> 00:07:14,500
<i>NARRATOR: IN THE DESERT</i> <i>EVEN A MINOR ILLNESS</i>

77
00:07:14,533 --> 00:07:16,700
<i>IS A MEDICAL EMERGENCY.</i>

78
00:07:19,400 --> 00:07:21,433
<i>NARRATOR: A LOT OF</i> <i>PHARMACIES IN NOGALES</i>

79
00:07:21,467 --> 00:07:23,567
<i>MEET THE MIGRANTS' NEEDS.</i>

80
00:07:37,800 --> 00:07:40,900
<i>NARRATOR: IN THE DESERT</i> <i>IT'S A LONG WAY TO THE E.R.</i>

81
00:07:46,667 --> 00:07:49,533
<i>NARRATOR: THE HARDWARE</i> <i>STORES ARE ALSO BOOMING.</i>

82
00:07:49,567 --> 00:07:51,266
<i>EVEN EVERYDAY ITEMS</i> <i>ARE ESSENTIAL FOR THE</i>

83
00:07:51,300 --> 00:07:53,367
<i>MIGRANTS TRAVEL KIT.</i>

84
00:08:07,533 --> 00:08:09,300
<i>NARRATOR: THE STORE</i> <i>KEEPER KNOWS EXACTLY WHAT</i>

85
00:08:09,333 --> 00:08:11,100
<i>THE BORDER</i> <i>CROSSERS MIGHT WANT.</i>

86
00:08:50,266 --> 00:08:53,433
<i>NARRATOR: ERNESTO CAN'T</i> <i>AFFORD A CAMOUFLAGE SUIT</i>

87
00:08:53,467 --> 00:08:56,233
<i>BUT HE CAN DISGUISE THE</i> <i>CLEAR GALLONS OF WATER.</i>

88
00:09:14,567 --> 00:09:17,000
<i>NARRATOR: ERNESTO</i> <i>JUMPED THE BORDER BEFORE</i>

89
00:09:17,033 --> 00:09:19,100
<i>BUT HE WAS DEPORTED.</i>

90
00:09:19,133 --> 00:09:22,166
<i>THIS TIME THE</i> <i>STAKES ARE SKY HIGH.</i>

91
00:09:40,667 --> 00:09:43,600
<i>NARRATOR: THE U.S. BORDER</i> <i>PATROL THROWS ITS MAIN FORCE</i>

92
00:09:43,633 --> 00:09:46,133
<i>INTO CATCHING MIGRANTS</i> <i>LIKE ERNESTO ON THE</i>

93
00:09:46,166 --> 00:09:48,700
<i>U.S. SIDE OF THE BORDER.</i>

94
00:09:48,967 --> 00:09:53,767
AGENT: YEAH 262 MILES OF LINEAR BORDER FRONT .

95
00:09:53,800 --> 00:09:56,967
AND THAT RIGHT THERE IS PROBABLY ABOUT 12 MILES.

96
00:09:57,000 --> 00:09:58,867
THAT'S JUST ONE SECTION.

97
00:09:58,900 --> 00:10:01,433
DOWN IN THE VALLEY THE FENCE GOES ALONG PRETTY MUCH

98
00:10:01,467 --> 00:10:03,834
FOR AS FAR AS WE BUILD A FENCE EASILY.

99
00:10:03,867 --> 00:10:06,133
AND IT STOPS WHERE THE DRAIN TAKES OVER THE

100
00:10:06,166 --> 00:10:08,333
FUNCTION OF A FENCE.

101
00:10:08,367 --> 00:10:14,200
RADIO: YEAH ROGER 31 57... 33.

102
00:10:15,033 --> 00:10:17,934
<i>NARRATOR: A SCOPE TRUCK</i> <i>PINPOINTS A GROUP OF MIGRANTS</i>

103
00:10:17,967 --> 00:10:19,800
<i>NOT FAR FROM THE FENCE.</i>

104
00:10:19,834 --> 00:10:21,767
<i>TIMING IS CRUCIAL.</i>

105
00:10:21,800 --> 00:10:23,467
AGENT: PEOPLE ON THE GROUND CAN HEAR THE

106
00:10:23,500 --> 00:10:25,967
HELICOPTER WITHIN NO LESS THAN A MILE.

107
00:10:26,000 --> 00:10:28,533
JUST BECAUSE THE SCOPE TRUCK HAS A TARGET WE DON'T;

108
00:10:28,567 --> 00:10:30,300
WE DON'T WANNA IMMEDIATELY RESPOND TO IT

109
00:10:30,333 --> 00:10:32,500
BECAUSE WE'LL SCATTER THAT ABOUT.

110
00:10:32,533 --> 00:10:35,367
IT ACTUALLY MAKES ROUNDING THEM UP THAT MUCH HARDER.

111
00:10:35,400 --> 00:10:37,300
IF IT'S A GROUP OF TEN THEY WILL RUN LITERALLY

112
00:10:37,333 --> 00:10:38,767
IN TEN DIFFERENT DIRECTIONS.

113
00:10:38,800 --> 00:10:41,266
<i>NARRATOR: THE</i> <i>CHOPPERS HANG BACK WHILE</i>

114
00:10:41,300 --> 00:10:43,500
<i>THE GROUND PATROL MOVES IN.</i>

115
00:10:43,533 --> 00:10:46,667
AGENT: AND THEY'LL ESTIMATE THEIR TIME OF ARRIVAL AT THE

116
00:10:46,700 --> 00:10:48,333
TARGET BECAUSE WE DON'T WANNA GET THERE TOO EARLY...

117
00:10:48,367 --> 00:10:50,100
WE DON'T WANNA GET THERE TOO LATE.

118
00:10:50,133 --> 00:10:52,633
SO ONCE THEY GET READY TO POUNCE SO TO SPEAK THEY'LL

119
00:10:52,667 --> 00:10:55,867
CALL US IN SO THAT WE ALL ARRIVE AT THE SAME TIME.

120
00:10:55,900 --> 00:10:58,600
<i>NARRATOR: SURPRISE IS KEY.</i>

121
00:10:58,633 --> 00:11:00,633
AGENT: IF THEY'RE NOT EXPECTING US WITH THE

122
00:11:00,667 --> 00:11:02,633
HELICOPTER TO COME IN PEOPLE ACTUALLY JUMP OUT

123
00:11:02,667 --> 00:11:04,333
OF IT AND CATCH THEM.

124
00:11:08,633 --> 00:11:10,533
NOTICE A LOT OF THE ALIENS ARE WEARING THE SAME

125
00:11:10,567 --> 00:11:14,166
KIND OF CAMOUFLAGE AS THE AGENTS WEAR.

126
00:11:15,300 --> 00:11:18,400
OFFICER: SIT DOWN... SIT DOWN!

127
00:11:19,133 --> 00:11:21,467
AGENT: THAT'S A NEW TREND OVER THE LAST YEAR...

128
00:11:21,500 --> 00:11:23,200
YEAR AND A HALF.

129
00:11:23,233 --> 00:11:26,500
IT ACTUALLY WORKS PRETTY GOOD FOR THEM.

130
00:11:30,567 --> 00:11:32,934
<i>NARRATOR: MORE MONEY AND</i> <i>BOOTS ON THE GROUND HAVE</i>

131
00:11:32,967 --> 00:11:37,300
<i>TURNED THE BORDER LANDS</i> <i>INTO A MILITARIZED ZONE.</i>

132
00:11:40,834 --> 00:11:44,800
<i>IN NOGALES EVERY BORDER</i> <i>PATROL SUCCESS FORCES THE</i>

133
00:11:44,834 --> 00:11:47,967
<i>PEOPLE SMUGGLERS</i> <i>TO UP THEIR GAME.</i>

134
00:11:54,700 --> 00:11:57,266
<i>NARRATOR: TO AVOID</i> <i>THE LONG ARM OF THE LAW...</i>

135
00:11:57,300 --> 00:12:00,667
<i>ILLEGAL MIGRATION</i> <i>HAS GOTTEN ORGANIZED.</i>

136
00:12:10,867 --> 00:12:14,433
<i>NARRATOR: THE CARTELS</i> <i>CONTROL ILLEGAL MIGRATION HERE.</i>

137
00:12:21,500 --> 00:12:23,667
<i>NARRATOR: THE CARTEL</i> <i>SQUEEZES EXTRA CASH</i>

138
00:12:23,700 --> 00:12:26,333
<i>FROM THE MIGRANTS</i> <i>FROM THE GET GO.</i>

139
00:12:43,300 --> 00:12:45,700
<i>NARRATOR: FRANCISCO COLLECTS</i> <i>THE PROTECTION MONEY FOR THE</i>

140
00:12:45,734 --> 00:12:48,500
<i>POWERFUL SINALOA CARTEL.</i>

141
00:12:59,934 --> 00:13:02,834
<i>NARRATOR: THE CARTEL THEN</i> <i>CHARGES UP TO $1500 FOR THE</i>

142
00:13:02,867 --> 00:13:06,800
<i>FIRST LEG OF THE TRIP</i> <i>TO A PICK UP IN ARIZONA.</i>

143
00:13:06,834 --> 00:13:11,066
<i>NOW CARTEL ASSETS...</i> <i>MIGRANTS ARE JEALOUSLY GUARDED.</i>

144
00:13:22,500 --> 00:13:24,667
<i>NARRATOR: THE CARTELS</i> <i>AIM TO MONOPOLIZE ILLEGAL</i>

145
00:13:24,700 --> 00:13:26,834
<i>BORDER CROSSING.</i>

146
00:13:26,867 --> 00:13:30,934
<i>MIGRANTS IN MEXICO GOING IT</i> <i>ALONE RISK BEING HUNTED DOWN.</i>

147
00:13:48,333 --> 00:13:49,934
<i>NARRATOR: THOUSANDS OF</i> <i>MIGRANTS HAVE TO BEAT THE</i>

148
00:13:49,967 --> 00:13:54,533
<i>FENCE JUST TO REACH THEIR</i> <i>FIRST OBJECTIVE... A HIGHWAY.</i>

149
00:13:54,567 --> 00:13:57,333
<i>LIKE ARIZONA'S ROUTE 86.</i>

150
00:14:00,533 --> 00:14:03,600
<i>CUTTING WEST TO EAST</i> <i>THROUGH THE DESERT ROUTE 86</i>

151
00:14:03,633 --> 00:14:06,300
<i>RUNS WITHIN 20</i> <i>MILES OF THE BORDER.</i>

152
00:14:06,333 --> 00:14:10,300
<i>MIGRANTS MUST COVER</i> <i>THIS DISTANCE ON FOOT.</i>

153
00:14:10,567 --> 00:14:13,100
<i>AGENT BALLISTREA IS</i> <i>STALKING A SMALL GROUP</i>

154
00:14:13,133 --> 00:14:14,800
<i>THROUGH THE DESERT.</i>

155
00:14:14,834 --> 00:14:16,266
AGENT BALLISTREA: HERE YOU CAN SEE THAT THE

156
00:14:16,300 --> 00:14:18,266
FENCE IS MANIPULATED.

157
00:14:18,300 --> 00:14:21,133
YOU CAN SEE THAT THESE TWO BARBED WIRES ARE SITTING

158
00:14:21,166 --> 00:14:24,100
RIGHT NEXT TO EACH OTHER TO ALLOW A PERSON TO CRAWL

159
00:14:24,133 --> 00:14:26,200
THROUGH THE BARBED WIRE.

160
00:14:31,834 --> 00:14:34,700
<i>NARRATOR: THE CBP SWEEPS</i> <i>THE SANDY TRACKS SO NEW</i>

161
00:14:34,734 --> 00:14:37,033
<i>FOOTPRINTS STAND OUT.</i>

162
00:14:41,934 --> 00:14:43,467
AGENT BALLISTREA: WELL YOU SEE THAT THIS FOOTPRINT

163
00:14:43,500 --> 00:14:45,100
WAS VERY-VERY FRESH.

164
00:14:45,133 --> 00:14:47,133
THAT A NEW GROUP HAD PASSED THROUGH.

165
00:14:49,400 --> 00:14:51,900
<i>NARRATOR: SHE FINDS CLEAR</i> <i>EVIDENCE THAT MIGRANTS HAVE</i>

166
00:14:51,934 --> 00:14:56,667
<i>RECENTLY PASSED THROUGH...</i> <i>DISCARDED BLACK WATER BOTTLES.</i>

167
00:14:57,333 --> 00:15:00,633
AGENT BALLISTREA: THE CLEAR GALLONS REFLECTED SUNLIGHT SO

168
00:15:00,667 --> 00:15:03,600
IN THIS ARID DESERT COULD BE EASILY SEEN.

169
00:15:03,633 --> 00:15:06,166
WELL THERE'S ONE RIGHT THERE.

170
00:15:06,200 --> 00:15:10,633
THERE'S ONE OVER HERE.

171
00:15:10,867 --> 00:15:13,667
THIS PERSON TIED THIS WATER BOTTLE TO THEIR BACK PACK.

172
00:15:13,700 --> 00:15:15,967
THEY CARRY TWO GALLONS OF WATER... THEY CARRY IT

173
00:15:16,000 --> 00:15:17,433
ON THEIR BACK PACK THAT'S ALREADY FULL.

174
00:15:17,467 --> 00:15:19,100
THAT'S A LOT OF WEIGHT.

175
00:15:19,133 --> 00:15:21,266
<i>NARRATOR: AGENT</i> <i>BALLISTREA'S TASK IS TO TRACK</i>

176
00:15:21,300 --> 00:15:23,100
<i>AND ARREST THE MIGRANTS.</i>

177
00:15:23,133 --> 00:15:25,000
<i>SHE HAS TO BE QUICK.</i>

178
00:15:25,033 --> 00:15:26,867
<i>SHE MAY NOT FIND THEM ALIVE.</i>

179
00:15:26,900 --> 00:15:29,867
AGENT BALLISTREA: WHEN YOU'RE WALKING IN A 115 - 120

180
00:15:29,900 --> 00:15:32,433
DEGREES YOU'RE GONNA BE SWEATING MORE... YOU'RE GONNA

181
00:15:32,467 --> 00:15:35,133
BE YOU KNOW EXHAUSTING ALL OF THE LIQUID INSIDE OF YOU.

182
00:15:35,166 --> 00:15:38,200
AND SO ONCE THIS WATER HAS GONE YOU KNOW THERE AREN'T

183
00:15:38,233 --> 00:15:42,066
ANY NATURAL WATER RESOURCES.

184
00:15:42,333 --> 00:15:45,166
<i>NARRATOR: AGENTS</i> <i>BALLISTREA GETS A CALL.</i>

185
00:15:47,066 --> 00:15:49,266
AGENT BALLISTREA: 10-4 I'LL STAND BY.

186
00:15:49,300 --> 00:15:51,166
<i>NARRATOR: HER COLLEAGUES</i> <i>ARE TRACKING THREE SUSPECTED</i>

187
00:15:51,200 --> 00:15:53,200
<i>ILLEGAL MIGRANTS.</i>

188
00:15:53,233 --> 00:15:56,467
<i>SHE HAS TO GO HEAD THEM OFF.</i>

189
00:16:07,033 --> 00:16:08,200
AGENT BALLISTREA: OK.

190
00:16:08,233 --> 00:16:11,934
<i>NARRATOR: DAZED AND</i> <i>CONFUSED THESE MEN HAVE FAILED.</i>

191
00:16:11,967 --> 00:16:14,000
AGENT BALLISTREA: HERE WE CAME ACROSS THREE MIGRANTS...

192
00:16:14,033 --> 00:16:16,000
OUR MAIN CONCERN IS TO MAKE SURE THAT THEY'RE IN

193
00:16:16,033 --> 00:16:18,633
GOOD HEALTH AND ESTABLISH THEIR CITIZENSHIP.

194
00:16:21,867 --> 00:16:22,967
OK.

195
00:16:23,000 --> 00:16:25,567
HE ACTUALLY BOUGHT THOSE BLACK WATER BOTTLES IN MEXICO.

196
00:16:25,600 --> 00:16:26,500
HELLO!

197
00:16:26,533 --> 00:16:28,233
<i>NARRATOR:</i> <i>DESPITE PREPARATION...</i>

198
00:16:28,266 --> 00:16:30,300
<i>THEY'VE BEEN</i> <i>BEATEN BY THE DESERT.</i>

199
00:16:43,633 --> 00:16:46,133
<i>NARRATOR: THE BORDER PATROL</i> <i>HAS RESCUED THESE MIGRANTS.</i>

200
00:16:46,166 --> 00:16:48,934
<i>NOW THEY INVESTIGATE.</i>

201
00:16:48,967 --> 00:16:51,367
AGENT BALLISTREA: WE DETERMINE THEIR NATIONALITY...

202
00:16:51,400 --> 00:16:54,600
WE MAKE SURE THAT THEY ARE MEDICALLY STABLE AND AFTER

203
00:16:54,633 --> 00:16:56,700
THAT WE WILL TRANSPORT THEM TO THE CLOSEST

204
00:16:56,734 --> 00:16:58,200
BORDER CONTROL STATION.

205
00:16:58,233 --> 00:17:00,433
FROM THERE WE'LL TAKE THEIR BIOGRAPHICAL INFORMATION...

206
00:17:00,467 --> 00:17:02,834
WE'LL TAKE THEIR FINGERPRINTS AND DEPENDING ON IF THEY HAVE

207
00:17:02,867 --> 00:17:05,433
CRIMINAL HISTORY THAT WILL DETERMINE WHAT WILL HAPPEN

208
00:17:05,467 --> 00:17:07,367
FOR THEM FROM HERE.

209
00:17:07,400 --> 00:17:10,033
<i>NARRATOR: THESE GUYS</i> <i>WON'T BE GETTING TO ROUTE 86.</i>

210
00:17:10,066 --> 00:17:14,567
<i>AFTER DUE PROCESS...</i> <i>ODDS ARE THEY'LL BE DEPORTED.</i>

211
00:17:17,033 --> 00:17:19,834
<i>THOUSANDS OF MIGRANTS</i> <i>FIND THEMSELVES IN DANGER...</i>

212
00:17:19,867 --> 00:17:23,700
<i>NOT JUST FROM THE</i> <i>DESERT BUT THE CARTELS.</i>

213
00:17:23,967 --> 00:17:26,000
AGENT BALLISTREA: OFTEN TIMES; SEVERAL TIMES IN

214
00:17:26,033 --> 00:17:29,500
MEXICO THESE MIGRANTS WILL BE EXTORTED FOR MONEY.

215
00:17:29,533 --> 00:17:32,533
IN ORDER TO PASS THROUGH A CERTAIN TOWN THEY'LL

216
00:17:32,567 --> 00:17:36,533
BE TOLD YOU NEED TO PAY X AMOUNT OF DOLLARS.

217
00:17:36,567 --> 00:17:38,533
THEY'RE OFTEN TIMES THREATENED.

218
00:17:38,567 --> 00:17:41,333
AND THEN ONCE THEY GET TO THE INTERNATIONAL BOUNDARY WITH

219
00:17:41,367 --> 00:17:43,166
YOU KNOW THE UNITED STATES AND MEXICO THEY'RE

220
00:17:43,200 --> 00:17:46,000
OFTEN EXTORTED AGAIN FOR MORE MONEY.

221
00:17:46,033 --> 00:17:51,600
<i>NARRATOR: AT EACH STEP OF THE</i> <i>WAY EVERYONE SUCKS THEM DRY.</i>

222
00:17:51,633 --> 00:17:53,133
AGENT BALLISTREA: THEY'RE LOOKING AT THESE MIGRANTS AS

223
00:17:53,166 --> 00:17:54,834
A SYMBOL OF MONEY.

224
00:17:54,867 --> 00:17:57,867
YOU KNOW THAT'S ALL THAT THESE MIGRANTS ARE.

225
00:17:57,900 --> 00:18:02,400
THEY'RE NOT A HUMAN BEING TO THEM.

226
00:18:03,900 --> 00:18:06,166
<i>NARRATOR: TIRED AND</i> <i>HUNGRY MANY MIGRANTS</i>

227
00:18:06,200 --> 00:18:10,367
<i>MUST REACH ROUTE 86.</i>

228
00:18:12,233 --> 00:18:15,600
<i>A CARTEL TAXI PICKS UP</i> <i>THESE MIGRANTS AND DRIVES</i>

229
00:18:15,633 --> 00:18:17,600
<i>THEM TO THEIR</i> <i>NEXT DESTINATION...</i>

230
00:18:17,633 --> 00:18:21,700
<i>A STASH HOUSE IN</i> <i>THE PHOENIX SUBURBS.</i>

231
00:18:34,133 --> 00:18:38,567
<i>THEY VANISH INTO</i> <i>TRAFFIC IN MINUTES.</i>

232
00:18:38,600 --> 00:18:43,500
<i>THIS CRUCIAL RIDE IS</i> <i>THE NEXT LINK IN THE CHAIN.</i>

233
00:18:43,533 --> 00:18:46,000
VICENTE: AS LONG AS THEY GOT A BORDER I'M IN BUSINESS.

234
00:18:50,800 --> 00:18:53,367
AS LONG AS THERE'S A WAY TO MAKE MONEY OFF OF CATS THAT

235
00:18:53,400 --> 00:18:57,166
WANT A LITTLE BIT OF FREEDOM... WANT TO CHASE THE WILD LIFE...

236
00:18:57,200 --> 00:19:01,900
DRIVE AROUND IN NICE CARS AND BUY NICE THINGS.

237
00:19:01,934 --> 00:19:04,133
I WANT A PIECE OF THAT TOO.

238
00:19:07,967 --> 00:19:10,667
<i>NARRATOR: VICENTE RUNS A</i> <i>BUSY STASH HOUSE OPERATION</i>

239
00:19:10,700 --> 00:19:13,767
<i>IN PHOENIX, ARIZONA... TWO</i> <i>AND A HALF HOURS DRIVE FROM THE</i>

240
00:19:13,800 --> 00:19:16,200
<i>BORDER ON THE INTERSTATE.</i>

241
00:19:16,233 --> 00:19:19,967
<i>FOR MANY MIGRANTS PHOENIX</i> <i>IS THE GATEWAY TO AMERICA.</i>

242
00:19:20,000 --> 00:19:25,934
VICENTE: I RUN IN 20 CATS A WEEK AT LEAST.

243
00:19:25,967 --> 00:19:30,333
SO YOU FIGURE ABOUT $5,000 PER PERSON.

244
00:19:30,367 --> 00:19:32,600
IT'S A LOT OF MONEY.

245
00:19:32,633 --> 00:19:34,533
AND AT THE END OF THE WEEK YOU GET PAID JUST LIKE

246
00:19:34,567 --> 00:19:36,033
YOU GUYS DO.

247
00:19:36,066 --> 00:19:38,667
TAKE A SMALL PERCENTAGE... A SMALL CUT.

248
00:19:38,700 --> 00:19:41,133
<i>NARRATOR: VICENTE</i> <i>BELIEVES THE CBP'S EFFORTS</i>

249
00:19:41,166 --> 00:19:42,934
<i>KEEP HIM IN BUSINESS.</i>

250
00:19:42,967 --> 00:19:44,800
VICENTE: YOU GOT THAT BIG ASS WALL.

251
00:19:44,834 --> 00:19:48,934
THEY JUST MAKE THE GATES BIGGER... LONGER... HIGHER...

252
00:19:48,967 --> 00:19:51,667
MORE DANGEROUS AND MAKE IT HARDER FOR THEM...

253
00:19:51,700 --> 00:19:53,633
YOU MAKE IT EASIER FOR US.

254
00:19:53,667 --> 00:19:55,367
BECAUSE WE GONNA FIND A WAY AROUND IT

255
00:19:55,400 --> 00:19:58,667
AND WE GONNA MAKE MONEY DOING IT.

256
00:19:58,700 --> 00:20:00,767
<i>NARRATOR: VICENTE PICKS</i> <i>UP GROUPS OF ILLEGAL BORDER</i>

257
00:20:00,800 --> 00:20:03,333
<i>CROSSERS AND DELIVERS</i> <i>THEM TO A STASH HOUSE</i>

258
00:20:03,367 --> 00:20:06,100
<i>IN THE PHOENIX SUBURBS.</i>

259
00:20:06,133 --> 00:20:09,300
VICENTE: JUST BUY A HOUSE... WE GOT REALTORS...

260
00:20:09,333 --> 00:20:12,200
WE GOT CAR DEALERSHIPS... THAT'S HOW WE GET VEHICLES

261
00:20:12,233 --> 00:20:15,300
LIKE THE ONE WE'RE DRIVING IN NOW.

262
00:20:15,333 --> 00:20:17,800
SO WE JUST WORK OUR RESOURCES.

263
00:20:17,834 --> 00:20:20,166
GOT A LOT OF PEOPLE OUT THERE WORKING FOR US.

264
00:20:20,200 --> 00:20:21,734
NORMAL PEOPLE.

265
00:20:24,467 --> 00:20:26,633
SO EVERY 30 DAYS WANT A NEW SPOT.

266
00:20:26,667 --> 00:20:28,867
WE DON'T STAY ONE PLACE TOO LONG.

267
00:20:28,900 --> 00:20:32,533
THAT'S THE WAY YOU GET CAUGHT.

268
00:20:34,700 --> 00:20:38,033
RIGHT I'M GONNA NEED EVERYONE TO GET OUT.

269
00:20:38,867 --> 00:20:43,500
<i>NARRATOR: VICENTE HOLDS</i> <i>THEM IN THE STASH HOUSE UNTIL</i>

270
00:20:43,533 --> 00:20:47,300
<i>THEIR FAMILIES PAY THE SECOND</i> <i>HALF OF THE SMUGGLING FEE.</i>

271
00:20:50,066 --> 00:20:52,900
VICENTE: THIS IS ONE OF THE GOOD SPOTS.

272
00:20:52,934 --> 00:20:54,266
THEY'RE HERE.

273
00:20:54,300 --> 00:20:55,600
THEY'RE SAFE.

274
00:20:55,633 --> 00:21:00,133
YOUNG ONES... VERY DELICATE PARCEL.

275
00:21:00,166 --> 00:21:03,834
YEAH WE GOT GUNS BUT IT'S NOT FOR THEM.

276
00:21:05,433 --> 00:21:06,533
IT'S FOR THE OTHER PEOPLE.

277
00:21:06,567 --> 00:21:08,300
IT'S FOR PEOPLE WHO IS TRYING TO HARM US.

278
00:21:08,333 --> 00:21:10,367
IT'S TO PROTECT US.

279
00:21:10,400 --> 00:21:11,600
PROTECT THEM.

280
00:21:12,867 --> 00:21:15,000
<i>NARRATOR: EVERY HOUR</i> <i>VICENTE HOLDS THE MIGRANTS</i>

281
00:21:15,033 --> 00:21:18,200
<i>IN THE STASH</i> <i>HOUSE COSTS HIM MONEY.</i>

282
00:21:18,233 --> 00:21:19,700
VICENTE: WE GOT MOMMA IN THE BACK COOKING...

283
00:21:19,734 --> 00:21:21,200
SHE HOLDS IT DOWN.

284
00:21:21,233 --> 00:21:22,533
MAKES SURE EVERYBODY IS FED...

285
00:21:22,567 --> 00:21:24,600
MAKES SURE EVERYBODY IS CLEAN.

286
00:21:24,633 --> 00:21:28,000
I MEAN WE GOT YOUNG ONES... OLD ONES...

287
00:21:28,033 --> 00:21:30,633
EVERYBODY LOVES CANDY... SWEETS.

288
00:21:30,667 --> 00:21:35,200
WE GOT PILLOWS... BLANKETS.

289
00:21:35,233 --> 00:21:37,600
WE GOT WHEELCHAIRS IN CASE THEY COME IN HURT.

290
00:21:37,633 --> 00:21:39,266
THEY CAN'T GET MOVING.

291
00:21:39,300 --> 00:21:42,467
FIVE DAYS OF WALKING IN THE DESERT.

292
00:21:42,500 --> 00:21:44,834
SOME OF THEM ARE; THEY GOT BAD FEET...

293
00:21:44,867 --> 00:21:47,000
BAD LEGS... BAD BACKS.

294
00:21:47,033 --> 00:21:48,834
WHEN THEY GET HERE THEY CAN'T MOVE.

295
00:21:48,867 --> 00:21:50,800
WE HELP THEM OUT.

296
00:21:50,834 --> 00:21:52,734
THEY'RE GONNA MAKE SOME PHONE CALLS.

297
00:21:52,767 --> 00:21:55,800
LET THEIR FAMILY KNOW THAT THEY'RE SAFE.

298
00:21:55,834 --> 00:21:58,633
THEY MADE IT TO THIS SIDE OK.

299
00:21:58,667 --> 00:22:00,967
<i>NARRATOR: VICENTE</i> <i>PAINTS A PRETTY PICTURE.</i>

300
00:22:01,000 --> 00:22:02,100
VICENTE: THEY ENJOY THEMSELVES.

301
00:22:02,133 --> 00:22:03,834
THEY'LL BE OUT TOMORROW.

302
00:22:03,867 --> 00:22:06,367
OUT TO A NEW PLACE... TO A NEW LOCATION...

303
00:22:06,400 --> 00:22:10,333
TO A NEW SPOT... MIGHT BE DESTINATION END.

304
00:22:12,400 --> 00:22:15,100
THAT'S; THAT'S THE PLAN ANYWAYS.

305
00:22:15,133 --> 00:22:18,100
<i>NARRATOR:</i> <i>BUT PLANS GO WRONG.</i>

306
00:22:18,133 --> 00:22:21,100
<i>IF A MIGRANTS U.S.</i> <i>FAMILY CAN'T PAY...</i>

307
00:22:21,133 --> 00:22:23,467
<i>EVERYTHING CHANGES.</i>

308
00:22:24,500 --> 00:22:29,033
<i>IN A HEARTBEAT PEOPLE SMUGGLING</i> <i>SWITCHES TO PEOPLE TRAFFICKING.</i>

309
00:22:33,467 --> 00:22:37,934
VICENTE: WE GOT NUMEROUS BUSINESSES WHERE THESE GUYS

310
00:22:37,967 --> 00:22:42,467
AND THESE LADIES CAN WORK OFF THEIR DEBT.

311
00:22:42,500 --> 00:22:46,033
MEN WE USE THEM FOR LABOR.

312
00:22:46,066 --> 00:22:51,533
THE FEMALES... THEY WORK REAL GOOD IN ENTERTAINMENT.

313
00:22:52,633 --> 00:22:57,467
SO THOSE ARE THE OPTIONS.

314
00:22:57,734 --> 00:22:59,867
<i>NARRATOR: WOMEN ARE</i> <i>FORCED TO WORK AS STRIPPERS...</i>

315
00:22:59,900 --> 00:23:03,600
<i>LAP DANCERS OR</i> <i>PROSTITUTES UNTIL THEY PAY...</i>

316
00:23:03,633 --> 00:23:05,600
<i>THEY'RE PRISONERS.</i>

317
00:23:05,633 --> 00:23:08,433
VICENTE: I AIN'T A BAD PERSON.

318
00:23:08,467 --> 00:23:11,300
MIGHT HAD TO DO SOME BAD THINGS.

319
00:23:11,333 --> 00:23:13,200
BUT THAT'S EVERY PERSON... A PERSON HASN'T

320
00:23:13,233 --> 00:23:15,433
HAD TO MAKE A CHOICE.

321
00:23:15,467 --> 00:23:18,867
MY CHOICE IS TO DO WHAT WE DO.

322
00:23:18,900 --> 00:23:25,000
MAKE A LIVING FOR OUR FAMILY... DO THIS FOR MY KIDS.

323
00:23:25,033 --> 00:23:27,767
AND I AIN'T NEVER GONNA STOP.

324
00:23:27,800 --> 00:23:29,600
FREEDOM AIN'T FREE.

325
00:23:29,633 --> 00:23:34,800
AS LONG AS IT AIN'T FREE WE'RE GONNA GET PAID OFF OF IT.

326
00:23:36,367 --> 00:23:38,500
<i>NARRATOR: NOTHING IS</i> <i>ALLOWED TO INTERRUPT THE</i>

327
00:23:38,533 --> 00:23:40,700
<i>CASH FLOW IN THIS BUSINESS.</i>

328
00:23:40,734 --> 00:23:43,800
<i>IF THE FAMILY CAN'T PAY</i> <i>FOR FREEDOM THE CARTEL...</i>

329
00:23:43,834 --> 00:23:46,033
<i>JUST LIKE A BANK WITH</i> <i>A SUB PRIME MORTGAGE...</i>

330
00:23:46,066 --> 00:23:49,500
<i>MIGHT SELL THE DEBT ON.</i>

331
00:23:51,400 --> 00:23:53,867
<i>FOR WOMEN IT'S EXTRA TOUGH.</i>

332
00:23:53,900 --> 00:23:55,900
MAGDALENA: YOU GOTTA BE SMART... YOU GOTTA BE ABOUT IT.

333
00:23:59,800 --> 00:24:00,867
IT IS WHAT IT IS.

334
00:24:00,900 --> 00:24:01,767
IT'S PROSTITUTION.

335
00:24:01,800 --> 00:24:03,633
WHO'S NOT GONNA PAY FOR SEX?

336
00:24:03,667 --> 00:24:05,600
A MONTH YOU COULD BE MAKING 20 G'S...

337
00:24:05,633 --> 00:24:07,066
YOU COULD BE MAKING A MILLION.

338
00:24:07,100 --> 00:24:09,734
YOU KNOW IT REALLY JUST DEPENDS.

339
00:24:09,767 --> 00:24:12,133
<i>NARRATOR: THE WOMEN</i> <i>ARE MODERN DAY SLAVES...</i>

340
00:24:12,166 --> 00:24:14,133
<i>HELD BY SLAVE MASTERS.</i>

341
00:24:14,166 --> 00:24:15,667
SANTIAGO: COME ON!

342
00:24:15,700 --> 00:24:18,166
<i>NARRATOR: THE ARMED</i> <i>SECURITY GUY IS ON EDGE</i>

343
00:24:18,200 --> 00:24:19,533
<i>AND TURNS ON THE FILM CREW.</i>

344
00:24:19,567 --> 00:24:20,800
SANTIAGO: I REALLY GOT SHIT TO DO, GUYS...

345
00:24:20,834 --> 00:24:22,834
COME ON MAN THIS IS GETTING ME FUCKING IRKED. COME ON.

346
00:24:25,200 --> 00:24:26,567
SANTIAGO: COME ON.

347
00:24:26,600 --> 00:24:28,900
<i>NARRATOR: THE SECURITY GUY IS</i> <i>FRUSTRATED WITH THE INTERVIEW.</i>

348
00:24:28,934 --> 00:24:32,700
<i>IT TAKES TIME</i> <i>AND TIME IS MONEY.</i>

349
00:24:32,734 --> 00:24:33,700
SANTIAGO: IS THAT SHIT RUNNING?

350
00:24:33,734 --> 00:24:35,367
MAGDALENA: IS THAT FUCKING THROUGH?

351
00:24:35,400 --> 00:24:38,100
SANTIAGO: WE RUN A VERY SUCCESSFUL OPERATION HERE.

352
00:24:38,133 --> 00:24:39,700
MAGDALENA: YOU'RE ALRIGHT MAN.

353
00:24:39,734 --> 00:24:41,533
YOU JUST WATCH... WATCH THE GIRLS AND YOU KNOW WE'RE

354
00:24:41,567 --> 00:24:43,533
GONNA TRY TO DO THIS REAL QUICK.

355
00:24:43,567 --> 00:24:44,533
<i>NARRATOR: HE MAKES</i> <i>SURE THAT THE GIRLS ARE</i>

356
00:24:44,567 --> 00:24:46,834
<i>NOT SEEN OR HEARD.</i>

357
00:24:46,867 --> 00:24:49,467
MAGDALENA: I'M REALLY PICKY ON WHO I KEEP.

358
00:24:49,500 --> 00:24:51,834
I'M NOT TRYING TO HAVE THEM ROWDY ASS MOTHERFUCKERS RUN

359
00:24:51,867 --> 00:24:54,433
OR JUMP OUT... TRY TO CAUSE SOME DRAMA DOWN THE STREET.

360
00:24:54,467 --> 00:24:57,066
WE TRY TO KEEP IT AS LOW KEY AS POSSIBLE...

361
00:24:57,100 --> 00:25:00,633
AS QUIET AS POSSIBLE.

362
00:25:00,667 --> 00:25:02,767
<i>NARRATOR: MAGDALENA HAS</i> <i>HER OWN WAY OF KEEPING</i>

363
00:25:02,800 --> 00:25:04,867
<i>THE GIRLS IN LINE.</i>

364
00:25:04,900 --> 00:25:06,333
MAGDALENA: YOU KEEP THEM HIGH... YOU KEEP THEM HAPPY...

365
00:25:06,367 --> 00:25:07,533
THEY'RE COOL THEY'RE GONNA... YOU KNOW WHAT I'M SAYING...

366
00:25:07,567 --> 00:25:08,567
THEY'RE GONNA SHUT UP.

367
00:25:08,600 --> 00:25:10,367
OUR NETWORK YOU KNOW THERE'S HOUSES EVERYWHERE

368
00:25:10,400 --> 00:25:13,033
THROUGHOUT THE UNITED STATES.

369
00:25:13,066 --> 00:25:15,934
<i>NARRATOR: SEX FOR SALE IS</i> <i>ONE THING BUT MAGDALENA BUYS</i>

370
00:25:15,967 --> 00:25:19,266
<i>AND SELLS WOMEN WHOLESALE.</i>

371
00:25:19,300 --> 00:25:21,000
MAGDALENA: SOMETIMES YOU MIGHT HAVE SOMEBODY WHO'S

372
00:25:21,033 --> 00:25:22,834
LIKE HEY I REALLY WANT THEM GIRLS...

373
00:25:22,867 --> 00:25:24,300
I'LL GIVE YOU THIS AMOUNT OF MONEY.

374
00:25:24,333 --> 00:25:25,700
THEY TAKE THEIR GIRLS OUT OF THERE.

375
00:25:25,734 --> 00:25:27,633
YOU MIGHT HAVE SOMEBODY SAY HEY I GOT

376
00:25:27,667 --> 00:25:29,333
A SHIPMENT OF GIRLS... THEY NEED A PLACE TO STAY...

377
00:25:29,367 --> 00:25:31,667
YOU WILLING TO WORK WITH THEM?

378
00:25:31,700 --> 00:25:34,033
<i>NARRATOR: WORK CAN</i> <i>MEAN TURNING UP TO 45 TRICKS</i>

379
00:25:34,066 --> 00:25:37,266
<i>A DAY WITH ANY JOHN</i> <i>SENT TO A GIRL'S ROOM.</i>

380
00:25:38,533 --> 00:25:39,367
MAGDALENA: I LIKE PERSONALLY DEALING WITH

381
00:25:39,400 --> 00:25:41,033
GIRLS THAT ARE WILLING.

382
00:25:41,066 --> 00:25:42,266
I DON'T... YOU KNOW WHAT I'M SAYING...

383
00:25:42,300 --> 00:25:43,934
I DON'T DEAL WITH SHIT WHERE THEY LIKE KIDNAPPED THEM GIRLS

384
00:25:43,967 --> 00:25:45,834
AND LIKE FORCING THEM INTO THE; I'M NOT;

385
00:25:45,867 --> 00:25:47,100
I'M NOT WITH THAT PART.

386
00:25:47,133 --> 00:25:48,767
THAT'S YOU KNOW SOMEBODY ELSE.

387
00:25:48,800 --> 00:25:50,467
SANTIAGO: AND YOU DON'T COME HERE AGAINST YOUR

388
00:25:50,500 --> 00:25:52,667
WILL LIKE THE LADY SAYS.

389
00:25:52,700 --> 00:25:56,266
YOU COME HERE BECAUSE YOU ARE SEEKING AN OPPORTUNITY.

390
00:25:56,300 --> 00:25:57,800
AND THIS IS AN OPPORTUNITY...

391
00:25:57,834 --> 00:26:00,533
WE ARE EQUAL OPPORTUNITY EMPLOYERS.

392
00:26:00,567 --> 00:26:02,166
<i>NARRATOR: IT'S</i> <i>EQUAL OPPORTUNITIES FROM</i>

393
00:26:02,200 --> 00:26:03,900
<i>THE BARREL OF A GUN.</i>

394
00:26:24,200 --> 00:26:27,700
<i>NARRATOR: CARMEN WAS NOW</i> <i>AN ASSET ON THE BALANCE SHEET.</i>

395
00:26:52,867 --> 00:26:55,467
<i>NARRATOR: HER RICH</i> <i>PIMP WELCHED ON THE DEAL.</i>

396
00:27:02,033 --> 00:27:05,467
<i>NARRATOR: TO GET THEIR MONEY</i> <i>THE STASH HOUSE SOLD HER ON.</i>

397
00:27:15,834 --> 00:27:18,100
<i>NARRATOR: SO NOW</i> <i>CARMEN OWES THESE GUYS.</i>

398
00:27:18,133 --> 00:27:19,800
<i>AND MUST WORK.</i>

399
00:27:19,834 --> 00:27:22,600
MAGDALENA: SOMETIMES SHE GIVES ME; DOING REAL SLOPPY.

400
00:27:22,633 --> 00:27:24,934
SHE COULD BRING IN A COUPLE OF HUNDRED A WEEK.

401
00:27:24,967 --> 00:27:27,834
IF SHE'S DOING FANTASTIC AND SHE'S YOU KNOW DOWN TO DO

402
00:27:27,867 --> 00:27:32,467
WHATEVER IT TAKES SHE MIGHT PULL IN A COUPLE OF G'S A WEEK.

403
00:27:32,834 --> 00:27:35,834
<i>NARRATOR: CARMEN'S</i> <i>WORKED HERE THREE YEARS.</i>

404
00:27:35,867 --> 00:27:39,433
<i>SHE MUST HAVE REPAID</i> <i>HER DEBT MANY TIMES OVER.</i>

405
00:27:39,467 --> 00:27:41,867
MAGDALENA: ONCE THEY'RE DONE WITH THEIR DEBT YOU KNOW

406
00:27:41,900 --> 00:27:44,233
THEY'RE FREE TO LEAVE IF THEY LIKE... IF NOT A LOT

407
00:27:44,266 --> 00:27:46,934
OF THEM STAY BECAUSE THEY DON'T KNOW NOTHING ELSE.

408
00:27:46,967 --> 00:27:49,767
SANTIAGO: EVERYBODY CAN COME AND WALK AWAY FROM THIS.

409
00:27:49,800 --> 00:27:55,333
IF THE PRICE IS RIGHT BECAUSE NUMBERS ARE NUMBERS HERE.

410
00:27:55,900 --> 00:27:59,166
<i>NARRATOR: HOW BIG THE</i> <i>DEBT IS NOW NO ONE IS SAYING.</i>

411
00:28:05,834 --> 00:28:08,333
<i>NARRATOR: THE BOSS</i> <i>CALLS TIME TO GIVE THE GIRLS</i>

412
00:28:08,367 --> 00:28:10,900
<i>THE OPPORTUNITY</i> <i>TO WORK SOME MORE.</i>

413
00:28:32,166 --> 00:28:33,533
<i>NARRATOR: THE DREAM</i> <i>OF A BETTER LIFE CAN</i>

414
00:28:33,567 --> 00:28:37,000
<i>QUICKLY TURN</i> <i>INTO A NIGHTMARE.</i>

415
00:28:37,033 --> 00:28:41,367
<i>WHETHER FOR LACK OF</i> <i>CASH OR LACK OF WATER.</i>

416
00:28:41,400 --> 00:28:43,934
<i>IN THE DESERT OVER</i> <i>50 MILES NORTH OF THE</i>

417
00:28:43,967 --> 00:28:47,600
<i>BORDER A CELL</i> <i>PHONE CALLS 911.</i>

418
00:28:47,633 --> 00:28:49,433
911 DISPATCHER: HE'S ALONE AND BEEN WITHOUT WATER FOR

419
00:28:49,467 --> 00:28:52,000
TWO HOURS... BEEN IN THE DESERT SIX DAYS AND

420
00:28:52,033 --> 00:28:55,266
THAT THE WATER TOWER IS NORTH OF HIM BUT VERY FAR AWAY.

421
00:28:55,300 --> 00:28:57,867
AND HE'S GOT THREE BARS LEFT ON HIS PHONE BATTERY.

422
00:28:57,900 --> 00:28:59,967
OFFICER: WHAT WE'VE GOT FROM THE CALL IS HE HAD NO MORE

423
00:29:00,000 --> 00:29:04,500
BARS LEFT ON HIS PHONE AND NOW 911 DISPATCH HAS TRIED TO.

424
00:29:04,533 --> 00:29:06,834
911 DISPATCHER: NOT GONNA CHANGE THAT MUCH.

425
00:29:06,867 --> 00:29:09,533
OFFICER: GET BACK IN TOUCH WITH HIM AND THE PHONE IS DEAD.

426
00:29:09,567 --> 00:29:13,033
SO WE'RE GONNA DO OUR BEST TO TRY TO LOCATE THIS GUY.

427
00:29:13,066 --> 00:29:15,600
<i>NARRATOR: IN A</i> <i>JOINT OPERATION WITH CBP...</i>

428
00:29:15,633 --> 00:29:18,133
<i>THE MARICOPA COUNTY</i> <i>SHERIFF'S HELICOPTER DIVERTS</i>

429
00:29:18,166 --> 00:29:20,934
<i>TO MAKE A MERCY DASH.</i>

430
00:29:20,967 --> 00:29:24,767
<i>WITHOUT WATER THE CALLER HAS</i> <i>ONLY A LIMITED TIME TO LIVE.</i>

431
00:29:26,567 --> 00:29:28,200
OFFICER: IF HE'S ACTUALLY CALLING IN 911

432
00:29:28,233 --> 00:29:29,900
THAT MEANS HE IS IN TROUBLE.

433
00:29:32,633 --> 00:29:35,000
<i>NARRATOR: OUT OF WATER</i> <i>IN THE DESERT... A LOST</i>

434
00:29:35,033 --> 00:29:38,867
<i>MIGRANT CALLS 911</i> <i>ON HIS CELL PHONE.</i>

435
00:29:38,900 --> 00:29:41,633
<i>FOR THE CBP AND THE</i> <i>LOCAL SHERIFF'S OFFICE</i>

436
00:29:41,667 --> 00:29:44,500
<i>IT'S A RACE TO FIND HIM ALIVE.</i>

437
00:29:44,533 --> 00:29:45,967
PILOT: ADVISE HIM THAT HE NEEDS TO WALK

438
00:29:46,033 --> 00:29:47,200
TO THAT WATER TOWER.

439
00:29:47,233 --> 00:29:49,233
AGENT: I DON'T BELIEVE HE'S WALKING AT THIS POINT.

440
00:29:49,266 --> 00:29:53,000
HE SAYS THAT HE'S ABOUT TWO MILES AWAY FROM THE WATER TOWER.

441
00:29:53,033 --> 00:29:55,000
<i>NARRATOR: THE CELL</i> <i>SIGNAL PIN POINTS HIM AND</i>

442
00:29:55,033 --> 00:29:56,967
<i>THE CHOPPER LOCKS IN.</i>

443
00:29:57,000 --> 00:29:59,300
AGENT: HEY BRIAN... RYAN... IF WE PUT THOSE NUMBERS IN...

444
00:29:59,333 --> 00:30:01,667
IT'S PUTTING US DOWN HERE BY THE CORRALS.

445
00:30:01,700 --> 00:30:04,367
<i>NARRATOR: FROM THE</i> <i>AIR THERE'S NO SIGN OF HIM.</i>

446
00:30:04,400 --> 00:30:07,533
<i>GROUND PATROLS</i> <i>SCOUR THE AREA.</i>

447
00:30:07,567 --> 00:30:08,967
AGENT: THOSE COORDINATES PUT US RIGHT THERE IN

448
00:30:09,000 --> 00:30:10,800
THE AREA OF THAT CORRAL.

449
00:30:10,834 --> 00:30:12,600
I GUESS WE'LL JUST START CHECKING TREES.

450
00:30:12,633 --> 00:30:14,166
<i>NARRATOR: THEY SPOT</i> <i>A BORDER PATROL TRUCK</i>

451
00:30:14,200 --> 00:30:16,533
<i>SPEEDING THROUGH THE DUST.</i>

452
00:30:16,567 --> 00:30:17,467
AGENT: THEY HAVE HIM?

453
00:30:17,500 --> 00:30:18,333
IS THAT WHAT THEY SAID?

454
00:30:18,367 --> 00:30:19,100
HOW DID THEY SEE HIM?

455
00:30:19,133 --> 00:30:20,200
AGENT: I DON'T KNOW.

456
00:30:20,233 --> 00:30:22,133
AGENT: WHERE YOU AT IN RELATION TO THE HELICOPTER.

457
00:30:22,166 --> 00:30:26,400
<i>NARRATOR: HE'S FOUND</i> <i>RESTING IN THE SHADE OF A TREE.</i>

458
00:30:26,433 --> 00:30:31,100
<i>OVER A MILE FROM</i> <i>WHERE THEY EXPECTED.</i>

459
00:30:31,133 --> 00:30:33,834
<i>THE CBP OFFICER</i> <i>BRINGS HIM A GALLON OF WATER</i>

460
00:30:33,867 --> 00:30:36,967
<i>AND SAVES HIS LIFE.</i>

461
00:30:37,633 --> 00:30:40,300
<i>THE STRETCHER</i> <i>WON'T BE NEEDED TODAY.</i>

462
00:31:01,700 --> 00:31:03,867
<i>NARRATOR: AFTER</i> <i>AN INVESTIGATION HE</i>

463
00:31:03,900 --> 00:31:05,467
<i>WILL LIKELY BE DEPORTED.</i>

464
00:31:05,500 --> 00:31:08,433
<i>BUT IT COULD</i> <i>HAVE BEEN WORSE.</i>

465
00:31:08,467 --> 00:31:12,400
<i>OTHERS ARE ALSO HUNTING</i> <i>STRAYS IN THE DESERT.</i>

466
00:31:19,567 --> 00:31:21,333
<i>TWO MORE MIGRANTS</i> <i>HAVE BEEN PICKED UP BY</i>

467
00:31:21,367 --> 00:31:24,333
<i>A NOTORIOUS CARTEL GANG.</i>

468
00:31:26,700 --> 00:31:29,266
ALARM: WARNING YOU HAVE TRIGGERED THE ALARM SYSTEM...

469
00:31:29,300 --> 00:31:31,700
YOUR MOVEMENTS ARE BEING RECORDED.

470
00:31:31,734 --> 00:31:33,667
<i>NARRATOR: THEY ARE</i> <i>ON RED ALERT FOR ATTACKS</i>

471
00:31:33,700 --> 00:31:36,266
<i>FROM RIVAL TRAFFICKERS.</i>

472
00:31:36,300 --> 00:31:39,500
<i>THEIR CARTEL HAS</i> <i>PLENTY OF ENEMIES.</i>

473
00:31:43,200 --> 00:31:45,066
JAIME: MY LIFE IS ON THE LINE I AM GONNA DO BY ALL MEANS

474
00:31:45,100 --> 00:31:48,667
WHAT I HAVE TO PROTECT MYSELF AS WELL AS MY ORGANIZATION.

475
00:31:55,266 --> 00:31:58,200
YOU HAVE PEOPLE WHO FEEL REVENGEFUL BECAUSE WE

476
00:31:58,233 --> 00:32:00,233
GET RID OF THEIR FAMILY MEMBERS BECAUSE THEY;

477
00:32:00,266 --> 00:32:01,667
THEY'RE NOT COOPERATING.

478
00:32:01,700 --> 00:32:03,266
SO THEY SEEK REVENGE.

479
00:32:03,300 --> 00:32:06,767
AND WE STARTED TO GET OTHER CARTELS AGAINST US.

480
00:32:06,800 --> 00:32:08,934
<i>NARRATOR: THEY WILL</i> <i>DEFEND THEIR MERCHANDISE</i>

481
00:32:08,967 --> 00:32:11,367
<i>AGAINST ALL COMERS.</i>

482
00:32:32,700 --> 00:32:35,467
<i>NARRATOR: THIS IS MORE</i> <i>THAN JUST A STASH HOUSE...</i>

483
00:32:35,500 --> 00:32:38,633
<i>IT'S A BUSY</i> <i>CARTEL TRANSIT FACILITY.</i>

484
00:32:38,667 --> 00:32:41,133
<i>AND TODAY'S CONSIGNMENT OF</i> <i>PEOPLE HAS BEEN IMPORTED...</i>

485
00:32:41,166 --> 00:32:43,667
<i>PAID FOR AND SHIPPED OUT.</i>

486
00:32:43,700 --> 00:32:46,867
<i>BUT TWO MIGRANTS</i> <i>ARE LEFT ON THE SHELF.</i>

487
00:33:01,834 --> 00:33:05,467
<i>NARRATOR: ARTURO WAS TOO POOR</i> <i>TO AFFORD THE CARTEL PACKAGE.</i>

488
00:33:05,500 --> 00:33:09,667
<i>HE WENT SOLO BUT A GANG</i> <i>SOON TOOK WHAT MONEY HE HAD.</i>

489
00:33:33,734 --> 00:33:36,433
<i>NARRATOR: WITHOUT</i> <i>ORGANIZED SUPPORT HE QUICKLY</i>

490
00:33:36,467 --> 00:33:39,033
<i>FACED DYING OF THIRST.</i>

491
00:33:46,900 --> 00:33:49,667
<i>NARRATOR: HE TURNED TO</i> <i>THE HIGHWAY FOR SALVATION</i>

492
00:33:49,700 --> 00:33:52,967
<i>BUT FELL INTO THE HANDS</i> <i>OF A RUTHLESS CARTEL GANG.</i>

493
00:34:22,000 --> 00:34:25,033
<i>NARRATOR: THE CARTEL IS</i> <i>HOLDING ARTURO FOR RANSOM</i>

494
00:34:25,066 --> 00:34:26,867
<i>LOOKING FOR EXTRA</i> <i>MONEY TO ADD TO THEIR</i>

495
00:34:26,900 --> 00:34:29,166
<i>REGULAR PEOPLE</i> <i>SMUGGLING BUSINESS.</i>

496
00:34:46,667 --> 00:34:49,700
JAIME: YOU HAVE FAMILY IN MEXICO AND YOU WANT THEM HERE...

497
00:34:49,734 --> 00:34:52,767
YOU PAY US THE RIGHT AMOUNT AND WE'LL HAVE THEM HERE FOR YOU.

498
00:34:52,800 --> 00:34:55,433
WE'LL BRING THEM HERE... YOU DON'T PAY US WHAT WE NEED...

499
00:34:55,467 --> 00:34:57,300
THEN WE'LL TAKE CARE OF THE REST.

500
00:34:57,333 --> 00:35:00,834
YOU AIN'T GONNA SEE YOUR FAMILY NO MORE.

501
00:35:02,233 --> 00:35:04,533
<i>NARRATOR: IF YOUR</i> <i>FAMILY CAN'T PAY...</i>

502
00:35:04,567 --> 00:35:08,867
<i>THE CARTEL WILL SELL</i> <i>YOU TO ANYONE WITH THE MONEY.</i>

503
00:35:22,200 --> 00:35:24,767
WE HAD SITUATIONS WHERE SOMEONE TOOK A DIFFERENT

504
00:35:24,800 --> 00:35:28,533
CHILD THAN THEIRS AND LEFT THEIRS HERE SO I MEAN...

505
00:35:28,567 --> 00:35:31,033
WE JUST HERE... YOU BRING US OUR MONEY WE'RE GONNA

506
00:35:31,066 --> 00:35:33,467
GIVE YOU A PERSON... THAT'S ALL WE'RE DOING.

507
00:35:33,500 --> 00:35:36,333
WE'RE NOT HERE TO KEEP INVENTORY.

508
00:35:36,367 --> 00:35:38,800
<i>NARRATOR: THEY ARE HERE</i> <i>TO MAKE MONEY AND THEY ARE</i>

509
00:35:38,834 --> 00:35:40,934
<i>DETERMINED TO HOLD</i> <i>ON TO THEIR STOCK.</i>

510
00:35:40,967 --> 00:35:44,000
JAIME: IF SOMEONE TRIES TO ESCAPE THERE'S CONSEQUENCES.

511
00:35:44,033 --> 00:35:46,467
THEY'LL GO WITHOUT EATING FOR A COUPLE OF DAYS.

512
00:35:46,500 --> 00:35:48,467
THEY'LL GET WATER MAYBE.

513
00:35:48,500 --> 00:35:52,166
IF NOT WE GOT A TRAILER BACK THERE THAT THEY'LL STAY IN

514
00:35:52,200 --> 00:35:54,900
AND WE'LL DISCIPLINE THEM... BY ALL MEANS.

515
00:35:54,934 --> 00:35:57,700
STARVING... BEATING.

516
00:35:57,734 --> 00:36:01,633
OR WE HIT THEM WITH BOARDS... IT JUST DEPENDS.

517
00:36:01,667 --> 00:36:03,667
IF YOU'RE GONNA BRING HEAT ON US WE'RE GONNA BRING

518
00:36:03,700 --> 00:36:06,934
HEAT ON YOU.

519
00:36:07,900 --> 00:36:10,100
<i>NARRATOR: THE WRECKED</i> <i>TRAILER IS A PUNISHMENT CELL</i>

520
00:36:10,133 --> 00:36:12,667
<i>FOR BREAKING CARTEL RULES.</i>

521
00:36:40,400 --> 00:36:42,967
<i>NARRATOR: MIGRANTS</i> <i>FIND THEY'VE MADE A DEAL</i>

522
00:36:43,000 --> 00:36:44,200
<i>WITH THE DEVIL.</i>

523
00:37:10,066 --> 00:37:12,900
<i>NARRATOR: FOR THE CARTELS...</i> <i>MIGRANTS ARE ASSETS TO BE</i>

524
00:37:12,934 --> 00:37:15,367
<i>REPACKAGED AND</i> <i>STORED IN STASH HOUSES...</i>

525
00:37:15,400 --> 00:37:17,233
<i>JUST LIKE ANY OTHER GOODS.</i>

526
00:37:20,066 --> 00:37:24,700
<i>STASH HOUSES ARE A PROBLEM</i> <i>THROUGHOUT THE BORDER STATES.</i>

527
00:37:24,734 --> 00:37:27,800
<i>IN HOUSTON, TEXAS</i> <i>SPECIAL AGENT PIERRE PERRY</i>

528
00:37:27,834 --> 00:37:31,166
<i>OF IMMIGRATION AND CUSTOMS</i> <i>ENFORCEMENT IS ON HIS WAY TO</i>

529
00:37:31,200 --> 00:37:33,467
<i>CHECK ON A</i> <i>FORMER STASH HOUSE...</i>

530
00:37:33,500 --> 00:37:36,166
<i>HE BUSTED IT</i> <i>JUST SIX MONTHS AGO.</i>

531
00:37:39,967 --> 00:37:42,667
SPECIAL AGENT PERRY: THIS WAS A SIGHT OF ALIENS BEING HELD

532
00:37:42,700 --> 00:37:46,266
AT A STASH HOUSE... WE'RE JUST GOING TO MAKE SURE THAT

533
00:37:46,300 --> 00:37:49,367
THEY HAVEN'T GONE BACK INTO BUSINESS.

534
00:37:49,400 --> 00:37:51,734
<i>NARRATOR: SMUGGLERS</i> <i>ARE KNOWN TO REUSE BUSTED</i>

535
00:37:51,767 --> 00:37:55,233
<i>STASH HOUSES ONCE</i> <i>THE COAST IS CLEAR.</i>

536
00:37:58,266 --> 00:37:59,934
SPECIAL AGENT PERRY: RIGHT NOW WE JUST PULLED UP TO THE

537
00:37:59,967 --> 00:38:04,033
HOUSE AND THEY APPEARED TO HAVE CLOSED THE GATE.

538
00:38:04,066 --> 00:38:05,967
THERE'S A NEW PADLOCK ON HERE THAT WE DIDN'T

539
00:38:06,033 --> 00:38:08,033
FIND THAT FIRST DAY.

540
00:38:08,066 --> 00:38:10,400
<i>NARRATOR: PEOPLE SMUGGLERS</i> <i>SQUEEZE THESE ASSETS FOR ALL</i>

541
00:38:10,433 --> 00:38:13,066
<i>THE MONEY THEY CAN GET...</i> <i>GAMBLING THAT THE U.S.</i>

542
00:38:13,100 --> 00:38:18,600
<i>FAMILY WON'T CALL FOR HELP BUT</i> <i>SOMETIMES THEY GET IT WRONG.</i>

543
00:38:18,633 --> 00:38:21,100
SPECIAL AGENT PERRY: A LADY AND HER CHILD HAD PAID

544
00:38:21,133 --> 00:38:25,500
APPROXIMATELY $10,000 TO BE TRANSPORTED INTO THE U.S.

545
00:38:25,533 --> 00:38:29,266
UPON GETTING HERE TO HOUSTON AND AFTER PAYING THAT MONEY...

546
00:38:29,300 --> 00:38:31,767
THESE SMUGGLERS THEN TOLD THEM THAT THEY HAD TO PAY AN

547
00:38:31,800 --> 00:38:35,767
ADDITIONAL $13,000 AND IF THEY DIDN'T PAY THAT $13,000

548
00:38:35,800 --> 00:38:39,467
THEN THEY WOULDN'T SEE THEIR FAMILY MEMBERS AGAIN.

549
00:38:40,700 --> 00:38:44,433
<i>NARRATOR: IN DESPERATION... HER</i> <i>RELATIVES DID CALL THE COPS.</i>

550
00:38:44,467 --> 00:38:47,800
<i>MOST STASH HOUSES HOLD ABOUT</i> <i>TEN PEOPLE BUT THE STASH</i>

551
00:38:47,834 --> 00:38:52,266
<i>HOUSE AGENT PERRY BUSTED</i> <i>WAS ON A WHOLE DIFFERENT SCALE.</i>

552
00:38:52,300 --> 00:38:54,200
SPECIAL AGENT PERRY: THERE WAS SO MANY PEOPLE THAT WE

553
00:38:54,233 --> 00:38:56,033
COULDN'T GET AN ACCURATE COUNT.

554
00:38:56,066 --> 00:38:59,266
AS MORE PEOPLE BEGAN TO COME OUT WE SAW THAT IT WAS A

555
00:38:59,300 --> 00:39:05,233
FINAL COUNT OF 115... OF WHICH WERE ABOUT 20 KIDS.

556
00:39:05,900 --> 00:39:08,233
THIS IS BY FAR THE LARGEST AMOUNT OF PEOPLE

557
00:39:08,266 --> 00:39:10,800
I'VE EVER SEEN HELD.

558
00:39:10,834 --> 00:39:13,667
<i>NARRATOR: THE PEOPLE</i> <i>WERE IN A PITIFUL CONDITION.</i>

559
00:39:13,700 --> 00:39:17,033
<i>INSIDE THE HOUSE</i> <i>WAS A NIGHTMARE.</i>

560
00:39:17,066 --> 00:39:18,800
SPECIAL AGENT PERRY: AS I COME BACK HERE IT DOES BRING

561
00:39:18,834 --> 00:39:21,266
BACK SOME OF THE MEMORIES OF THAT DAY.

562
00:39:21,300 --> 00:39:23,433
<i>NARRATOR: THIS NEVER</i> <i>BEFORE AIRED FOOTAGE SHOT BY</i>

563
00:39:23,467 --> 00:39:27,633
<i>ICE AGENTS MOMENTS AFTER</i> <i>THE RAID LEFT THEM SHOCKED.</i>

564
00:39:27,667 --> 00:39:29,200
SPECIAL AGENT PERRY: WHEN YOU GOT INTO THE HOUSE...

565
00:39:29,233 --> 00:39:32,333
BEING THAT THE BATHROOM DID NOT WORK... THE SMELL OF FECES...

566
00:39:32,367 --> 00:39:36,767
URINE... SWEAT... THE BODY ODOR OF ALIENS WHO HAD BEEN

567
00:39:36,800 --> 00:39:40,767
WALKING THROUGH THE DESERT AND HERE WITHOUT THE ABILITY

568
00:39:40,800 --> 00:39:44,333
TO TAKE SHOWERS AND CLEAN UP...

569
00:39:44,367 --> 00:39:46,700
JUST WAS AN OVERWHELMING STENCH.

570
00:39:46,734 --> 00:39:48,967
IT MAKES YOU SICK TO YOUR STOMACH.

571
00:40:29,200 --> 00:40:30,934
<i>NARRATOR: THE</i> <i>CAPTORS HAD RIFLES...</i>

572
00:40:30,967 --> 00:40:35,033
<i>HANDGUNS AND TAZERS</i> <i>TO SUBDUE THE MIGRANTS.</i>

573
00:40:35,066 --> 00:40:36,633
<i>THEY BEAT THEM TOO.</i>

574
00:41:00,333 --> 00:41:02,467
<i>NARRATOR: WITH PLYWOOD</i> <i>NAILED OVER THE WINDOWS</i>

575
00:41:02,500 --> 00:41:04,100
<i>IT'S A PRISON.</i>

576
00:41:04,133 --> 00:41:06,367
<i>THE NEIGHBORS</i> <i>DIDN'T SEE A THING.</i>

577
00:41:38,533 --> 00:41:40,300
<i>NARRATOR: PHONING RELATIVES</i> <i>IS NORMALLY PART OF THE</i>

578
00:41:40,333 --> 00:41:45,433
<i>RELOCATION PACKAGE...</i> <i>HERE YOU GOT MORE ABUSE.</i>

579
00:42:02,867 --> 00:42:05,934
<i>NARRATOR: MOST OF THE</i> <i>MIGRANTS WERE DEPORTED.</i>

580
00:42:05,967 --> 00:42:09,700
<i>SOME DID REMAIN IN THE</i> <i>U.S. AS MATERIAL WITNESSES.</i>

581
00:42:09,734 --> 00:42:11,800
SPECIAL AGENT PERRY: WE TAKE A LOT OF PRIDE AND JOY IN OUR

582
00:42:11,834 --> 00:42:15,133
ABILITY TO RESCUE THESE PEOPLE AND TO SAVE THEM FROM

583
00:42:15,166 --> 00:42:17,000
THESE SITUATIONS.

584
00:42:17,033 --> 00:42:18,934
<i>NARRATOR: THE FIVE</i> <i>PERPETRATORS WERE CAUGHT...</i>

585
00:42:18,967 --> 00:42:21,667
<i>TRIED AND FOUND GUILTY</i> <i>OF FIRE ARMS OFFENSES AND</i>

586
00:42:21,700 --> 00:42:25,934
<i>CONSPIRING TO HARBOR AND</i> <i>TRANSPORT ILLEGAL ALIENS.</i>

587
00:42:25,967 --> 00:42:29,367
<i>THEY GOT FROM 9 TO 11</i> <i>YEARS IN JAIL.</i>

588
00:42:29,400 --> 00:42:30,834
SPECIAL AGENT PERRY: IT APPEARS TO BE VACANT RIGHT

589
00:42:30,867 --> 00:42:33,266
NOW OR AT LEAST SECURE.

590
00:42:33,300 --> 00:42:35,867
WE'LL PROBABLY JUST PUT IT BACK ON OUR ROTATION TO COME

591
00:42:35,900 --> 00:42:38,600
BACK AROUND IN A COUPLE OF MONTHS TO SEE WHETHER OR NOT

592
00:42:38,633 --> 00:42:41,300
ANYBODY HAS COME BACK IN THERE AND REOCCUPIED IT OR IF

593
00:42:41,333 --> 00:42:43,433
THEY'RE BACK TO RUNNING THIS;

594
00:42:43,467 --> 00:42:47,166
RUNNING THEIR ORGANIZATION AGAIN.

595
00:42:47,200 --> 00:42:49,133
<i>NARRATOR: AT THE CARTEL</i> <i>STASH HOUSE WHERE THE TWO</i>

596
00:42:49,166 --> 00:42:52,266
<i>MIGRANTS ARE BEING HELD...</i> <i>ARTURO IS WAITING FOR HIS</i>

597
00:42:52,300 --> 00:42:54,633
<i>UNCLE TO COME UP</i> <i>WITH THE CASH.</i>

598
00:42:54,667 --> 00:42:56,633
<i>HE'S IN A BAD PLACE.</i>

599
00:43:05,867 --> 00:43:08,100
<i>NARRATOR: ONCE THE</i> <i>SMUGGLERS ASSET...</i>

600
00:43:08,133 --> 00:43:11,266
<i>ARTURO NOW RISKS</i> <i>BECOMING OVER STOCK.</i>

601
00:43:14,867 --> 00:43:17,700
<i>NARRATOR: DAVID DOUBTS</i> <i>WHETHER BOTH OF THEM CAN PAY.</i>

602
00:43:25,734 --> 00:43:28,700
<i>NARRATOR: THE CARTEL</i> <i>MEMBERS TAKE THEM AWAY.</i>

603
00:43:33,967 --> 00:43:36,166
<i>.</i>

604
00:43:51,800 --> 00:43:55,266
<i>NARRATOR: WHOEVER COMES UP</i> <i>WITH THE CASH WILL BE RELEASED.</i>

605
00:43:55,300 --> 00:43:57,367
<i>AND IF ARTURO'S</i> <i>UNCLE DOESN'T PAY UP</i>


