1
00:07:31,440 --> 00:07:32,740
Block all the gates of the tower.

2
00:07:33,120 --> 00:07:34,160
Gather everyone.

3
00:07:34,500 --> 00:07:35,500
General alert.

4
00:08:14,090 --> 00:08:15,190
Don't let them go! I want them alive!

5
00:08:23,090 --> 00:08:25,170
You can't escape the black tower so
easily.

6
00:12:46,830 --> 00:12:48,770
Good evening, Mr. Barran. Good evening,
Carole.

7
00:12:49,390 --> 00:12:52,150
Here are the invitations for Sunday.

8
00:12:52,350 --> 00:12:53,350
You will put them in the mailbox.

9
00:12:53,690 --> 00:12:57,090
Good, Mr. Barran. I understand that I
have to go home for a sequel.

10
00:12:58,870 --> 00:13:03,830
But of course, Carole, you know very
well that the private meetings of our

11
00:13:03,830 --> 00:13:05,050
must support us.

12
00:13:24,740 --> 00:13:26,480
Oh, Madame la Comtesse X.

13
00:13:27,100 --> 00:13:29,280
C 'est une nouvelle connaissance de
sir and madam?

14
00:13:30,260 --> 00:13:31,260
Yes and no.

15
00:13:31,560 --> 00:13:33,360
No member of our club knows her
really.

16
00:13:34,000 --> 00:13:36,100
We only know her from
reputation.

17
00:14:00,420 --> 00:14:02,820
Thank you.

18
00:14:33,870 --> 00:14:38,190
We're all afraid she'll come. It looks
like she's very beautiful, and she's

19
00:14:38,190 --> 00:14:42,810
hosting the parties in an extraordinary
way.

20
00:15:02,820 --> 00:15:04,060
Too bad I can't stay.

21
00:15:04,420 --> 00:15:07,460
You know Carole, it's a very
closed.

22
00:17:23,980 --> 00:17:24,980
Ugh.

23
00:18:06,590 --> 00:18:08,290
I'm very happy to have organized it.

24
00:28:44,780 --> 00:28:45,780
Hmm.

25
00:33:04,680 --> 00:33:05,680
You must have heard.

26
00:33:06,100 --> 00:33:07,420
Heard? What?

27
00:33:08,260 --> 00:33:09,260
Like a humiliation.

28
00:33:09,900 --> 00:33:11,060
Human. Really?

29
00:33:13,800 --> 00:33:14,940
As long as they're not stupid.

30
00:33:57,320 --> 00:34:00,660
The Countess will never receive this
invitation.

31
00:34:05,540 --> 00:34:11,920
But... There will still be a Countess at
the

32
00:34:11,920 --> 00:34:12,920
Baron's party.

33
00:34:43,480 --> 00:34:47,840
I'm sure he'll come.

34
00:34:48,460 --> 00:34:51,060
I'd like to meet him, too. He seems very
surprising.

35
00:34:51,960 --> 00:34:53,000
Do you think he'll come?

36
00:34:53,620 --> 00:34:55,460
Don't worry, these people are always
waiting.

37
00:34:56,780 --> 00:35:00,560
You know, I heard about her in my
British circle. They say she's a very

38
00:35:00,560 --> 00:35:01,560
nurse.

39
00:35:01,720 --> 00:35:02,720
How did you know that?

40
00:35:02,960 --> 00:35:05,660
I was in a party, and they put an old
woman on the floor.

41
00:35:05,940 --> 00:35:06,940
That's impossible.

42
00:35:07,780 --> 00:35:09,720
She's from South America, you know, in
those countries.

43
00:35:11,120 --> 00:35:12,220
That would be so strange.

44
00:35:12,820 --> 00:35:13,820
Don't worry.

45
00:35:13,860 --> 00:35:16,300
We can ask her to dance for us.

46
00:35:16,780 --> 00:35:18,180
I hope she can hold on.

47
00:35:18,960 --> 00:35:21,540
A little distance would animate the
evening.

48
00:35:23,360 --> 00:35:25,620
Look, here she is for sure.

49
00:35:26,510 --> 00:35:27,510
À pied?

50
00:35:27,870 --> 00:35:29,330
Elle a dû laisser son chauffeur à la
grille.

51
00:36:24,340 --> 00:36:25,880
My friends, I have just arrived.

52
00:36:26,720 --> 00:36:28,460
I am so happy to be among you.

53
00:36:28,840 --> 00:36:29,920
Let me take my time.

54
00:36:31,140 --> 00:36:33,400
Baron, your guests are charming.

55
00:36:33,980 --> 00:36:36,020
And I'm happy to introduce you all.

56
00:36:36,540 --> 00:36:38,960
You've heard of your dance number.

57
00:36:40,100 --> 00:36:41,840
Is it true that you dance in front of
everyone?

58
00:36:42,360 --> 00:36:43,840
We would love to see you so much.

59
00:36:44,140 --> 00:36:47,100
It seems that this magnificent show is
very good for us.

60
00:36:47,880 --> 00:36:50,960
Everyone here is waiting impatiently for
the master of the atmosphere.

61
00:36:52,020 --> 00:36:55,420
Choose the music you prefer, whatever
you want.

62
00:36:56,180 --> 00:36:58,460
I think you can no longer refuse.

63
00:36:59,860 --> 00:37:02,680
Dear Countess, I think that inviting us
to say...

64
00:37:03,180 --> 00:37:04,480
But you will dance for us.

65
00:37:05,300 --> 00:37:06,300
Dance naked, me?

66
00:37:07,600 --> 00:37:08,600
I've already done it.

67
00:37:09,320 --> 00:37:10,320
Ah, yes, yes, certainly.

68
00:37:10,860 --> 00:37:11,940
You heard about that.

69
00:37:13,160 --> 00:37:15,400
Well, if you want, but I don't know if I
will.

70
00:37:16,500 --> 00:37:17,339
Well, yes.

71
00:37:17,340 --> 00:37:18,340
Yes, yes, of course.

72
00:37:18,860 --> 00:37:19,860
Here, come here.

73
00:37:25,420 --> 00:37:26,940
Well, I think I will dance here.

74
00:37:27,860 --> 00:37:30,040
Take a seat and sit down in the middle.

75
00:37:33,170 --> 00:37:35,690
Can you put her in this chair? Can you
put her in this chair? Can you put her

76
00:37:35,690 --> 00:37:36,569
this chair?

77
00:37:36,570 --> 00:37:41,510
Can you put her in this chair? Can you
put her in this

78
00:37:41,510 --> 00:37:58,490
chair?

79
00:37:58,960 --> 00:38:00,760
I think we're going to see a great show.

80
00:38:48,499 --> 00:38:51,220
My friends, I think we're going to have
a fantastic evening.

81
00:39:01,620 --> 00:39:04,420
Music. Music.

82
00:39:55,529 --> 00:39:58,330
Thank you.

83
00:40:23,240 --> 00:40:24,480
I've never written anything like this
before.

84
00:40:48,310 --> 00:40:49,310
She's got it.

85
00:40:49,370 --> 00:40:50,550
She's got it. She's got it.

86
00:41:16,319 --> 00:41:17,580
I'm the only one who's looking at it.

87
00:42:05,160 --> 00:42:07,220
You don't think the champagne had a
gross taste?

88
00:42:07,560 --> 00:42:08,560
Indeed,

89
00:42:08,820 --> 00:42:09,598
but pleasant.

90
00:42:09,600 --> 00:42:10,600
I feel very moved.

91
00:42:37,339 --> 00:42:40,700
It's so good.

92
00:43:11,100 --> 00:43:12,500
Oh,

93
00:43:15,700 --> 00:43:16,700
no.

94
00:43:24,940 --> 00:43:27,020
It's good to know that you didn't dress
me like that.

95
00:43:27,240 --> 00:43:30,220
Oh, it's because of this champagne that
I like this effect. Believe me. After

96
00:43:30,220 --> 00:43:31,220
all, you're right.

97
00:43:31,880 --> 00:43:32,880
Oh,

98
00:43:40,080 --> 00:43:42,040
yes. Oh, yes.

99
00:43:42,880 --> 00:43:43,880
Oh, yes.

100
00:43:45,260 --> 00:43:47,780
Oh, yes. Oh, yes. Oh, yes. Oh, yes.

101
00:43:49,780 --> 00:43:51,400
Oh, yes.

102
00:44:05,130 --> 00:44:06,130
Oh, that's me.

103
00:44:06,150 --> 00:44:07,150
Oh, yes.

104
00:44:07,230 --> 00:44:08,270
Like that, that's good.

105
00:44:09,510 --> 00:44:10,510
There are some everywhere.

106
00:44:21,710 --> 00:44:24,950
This dream is the most beautiful day of
my existence.

107
00:44:25,410 --> 00:44:26,410
It's wonderful.

108
00:44:26,430 --> 00:44:27,430
It's wonderful.

109
00:44:28,250 --> 00:44:29,169
It's wonderful.

110
00:44:29,170 --> 00:44:30,170
It's wonderful.

111
00:44:57,620 --> 00:45:02,900
My friends, thanks to the Countess and
her total freedom,

112
00:45:03,660 --> 00:45:05,460
We have just found our love of
newlyweds.

113
00:45:07,020 --> 00:45:08,660
We are going to celebrate this in front
of you.

114
00:45:09,060 --> 00:45:14,140
And as we think you are free, like us,
we are going to make love.

115
00:45:14,380 --> 00:45:15,380
Do you want that?

116
00:46:00,080 --> 00:46:07,040
I am very happy to be able to meet a
partner as charming as

117
00:46:07,040 --> 00:46:08,040
you.

118
00:49:38,540 --> 00:49:39,540
Walston.

119
00:51:12,200 --> 00:51:13,200
Mm.

120
00:55:56,240 --> 00:55:57,520
I love you.

121
00:57:15,630 --> 00:57:16,630
Mm hmm.

122
00:59:07,660 --> 00:59:08,660
Wilson.

123
01:02:46,830 --> 01:02:47,990
Oh oui, pour la bière dans ta bouche.

124
01:02:48,790 --> 01:02:49,790
Oui.

125
01:02:50,630 --> 01:02:51,630
Oui, c 'est bon, ça.

126
01:02:52,530 --> 01:02:53,750
Oh oui, défait tes cheveux.

127
01:03:19,530 --> 01:03:20,790
Let me have the white, let me have the
white.

128
01:03:24,090 --> 01:03:26,830
My balls too.

129
01:03:27,550 --> 01:03:33,310
Yes, like that, it's good.

130
01:03:34,010 --> 01:03:35,810
Oh yes, suck the big tail there.

131
01:03:36,750 --> 01:03:37,750
Yes.

132
01:03:38,170 --> 01:03:39,170
Oh yes.

133
01:03:40,370 --> 01:03:42,450
Yes, come on, your mouth all the way
down there.

134
01:03:45,370 --> 01:03:46,370
Oh yes.

135
01:04:21,930 --> 01:04:22,930
Mmm.

136
01:06:06,160 --> 01:06:07,160
Oh!

137
01:07:31,760 --> 01:07:32,698
What's going on?

138
01:07:32,700 --> 01:07:34,240
It's a group therapy, madam.

139
01:07:35,300 --> 01:07:36,300
I'll see you later.

140
01:07:36,860 --> 01:07:38,940
I didn't think the baron and the
baroness were like this.

141
01:07:39,820 --> 01:07:40,940
They are like this.

142
01:07:41,780 --> 01:07:45,220
And here you have an assembly of a
remarkable education.

143
01:07:45,700 --> 01:07:47,560
They are very good people.

144
01:08:14,280 --> 01:08:15,280
Thank you.

145
01:14:17,350 --> 01:14:18,350
Oh.

146
01:19:48,110 --> 01:19:49,730
Countess. Dear Countess.

147
01:19:50,430 --> 01:19:53,790
I beg you, dear friend, to take my place
in my company.

148
01:19:54,670 --> 01:19:57,510
I beg you, dear friend, to take my place
in my company. I beg you, dear friend,

149
01:19:57,510 --> 01:19:58,510
to take my place in my company. I beg
you, dear friend,

150
01:20:02,130 --> 01:20:08,610
to take my place in my company.

151
01:20:34,340 --> 01:20:37,140
Thank you.

152
01:21:21,740 --> 01:21:27,640
Oh, my God.

153
01:26:13,520 --> 01:26:14,700
How come? Are you still dressed?

154
01:26:15,380 --> 01:26:17,500
Yes, I think you would do well to do so.

155
01:26:17,960 --> 01:26:21,920
Why? I think it will soon be time to go.

156
01:26:22,280 --> 01:26:27,560
Oh, really? Tell me, you. Yes? The
Countess. I didn't receive an

157
01:26:27,560 --> 01:26:28,379
I came anyway.

158
01:26:28,380 --> 01:26:30,040
Here. And you, who are you?

159
01:26:30,640 --> 01:26:32,780
It seems that you are passing for me.

160
01:26:33,220 --> 01:26:34,220
Oh, really?

161
01:26:39,580 --> 01:26:41,880
Tell me, Baron, funny things are
happening at home.

162
01:26:44,140 --> 01:26:44,919
My jewelry!

163
01:26:44,920 --> 01:26:45,920
Quick!

164
01:28:12,720 --> 01:28:13,960
Well, I think we ate them.

165
01:28:15,200 --> 01:28:16,700
But who are you?

166
01:28:18,180 --> 01:28:20,060
I am also a burglar.

167
01:28:20,980 --> 01:28:24,300
I saw you pour the powder into the cups.

168
01:28:25,420 --> 01:28:26,420
I didn't see.

169
01:28:27,680 --> 01:28:29,780
But you let me do it without saying
anything.

170
01:28:30,640 --> 01:28:33,640
Yes, and I got the bag.

171
01:28:34,320 --> 01:28:35,660
We won.

172
01:28:37,020 --> 01:28:39,900
I have all the jewelry in it.

173
01:28:41,710 --> 01:28:42,710
Et l 'argent?

174
01:28:46,210 --> 01:28:47,350
On partage?

175
01:28:51,670 --> 01:28:53,290
Et si on s 'associait?

176
01:28:56,330 --> 01:28:57,330
Pourquoi pas?

177
01:28:58,390 --> 01:29:01,490
J 'ai une invitation pour une soirée
bourgeoise.

178
01:29:02,550 --> 01:29:03,550
Samedi soir.

179
01:29:05,030 --> 01:29:09,350
J 'ai justement encore un peu de ma
poudre à froidir.

180
01:29:42,190 --> 01:29:43,250
How do you say baby in French?

181
01:32:52,620 --> 01:32:53,620
Good evening, Mr. Barnes.

182
01:32:53,720 --> 01:32:54,720
Good evening, Carole.

183
01:32:55,180 --> 01:32:58,880
Here, here are the invitations for your
birthday. You will put them in the

184
01:32:58,880 --> 01:33:00,240
mailbox. Good, Mr. Barnes.

185
01:33:00,580 --> 01:33:02,900
Do I understand that I have to go home
for a weekend?

186
01:33:03,980 --> 01:33:10,220
But of course, Carole, you know very
well that private meetings of our club

187
01:33:10,220 --> 01:33:11,400
support us, so a visit.

188
01:33:30,500 --> 01:33:32,160
Oh, Madame la contestante.

189
01:33:32,840 --> 01:33:35,040
C 'est une nouvelle connaissance de
monsieur et de madame?

190
01:33:36,000 --> 01:33:37,000
Oui et non.

191
01:33:37,300 --> 01:33:39,100
Aucun membre de notre club ne la connaît
vraiment.

192
01:33:39,740 --> 01:33:41,860
Nous ne la connaissons que de
réputation.

193
01:34:06,160 --> 01:34:08,540
Thank you.

194
01:34:39,600 --> 01:34:41,000
We will do everything we can.

195
01:34:41,260 --> 01:34:46,180
It seems that she is very beautiful and
entertains the guests in an

196
01:34:46,180 --> 01:34:48,560
extraordinary way.

197
01:35:09,320 --> 01:35:13,140
You know, Carole, it's a very closed
club.

198
01:37:29,840 --> 01:37:30,840
Rawr!

199
01:38:12,590 --> 01:38:13,990
I'm very happy to have hidden it.

200
01:43:23,560 --> 01:43:24,560
Hmm.

201
01:48:50,700 --> 01:48:51,700
hmm

202
01:53:10,400 --> 01:53:11,400
You must have heard.

203
01:53:11,920 --> 01:53:13,440
Heard? What do you mean?

204
01:53:14,160 --> 01:53:15,160
Like a human genius.

205
01:53:16,420 --> 01:53:17,420
Really?

206
01:53:19,680 --> 01:53:20,680
As long as they're not stupid.

207
01:54:03,050 --> 01:54:06,530
La Comtesse X ne recevra jamais cette
invitation.

208
01:54:11,390 --> 01:54:18,370
Mais... Il y aura quand même une
Comtesse X à la soirée du Baron.

209
01:54:49,210 --> 01:54:53,570
I'm sure she'll come.

210
01:54:54,210 --> 01:54:56,830
I'd like to meet her too. She's very
surprising.

211
01:54:57,710 --> 01:54:58,750
Do you think she'll come?

212
01:54:59,350 --> 01:55:01,230
Don't worry, these people are always
waiting.

213
01:55:02,570 --> 01:55:06,330
You know, I heard about her in my bridge
circle. They say she's a very free

214
01:55:06,330 --> 01:55:07,330
nurse.

215
01:55:07,490 --> 01:55:08,510
How did you know that?

216
01:55:08,910 --> 01:55:11,470
In a party, she put a nightgown on the
table.

217
01:55:11,750 --> 01:55:12,750
That's impossible.

218
01:55:13,570 --> 01:55:15,490
She's American, you know, in her shoes.

219
01:55:16,910 --> 01:55:17,910
That would be so strange.

220
01:55:18,710 --> 01:55:19,648
Don't worry.

221
01:55:19,650 --> 01:55:22,070
We just asked her to think for us.

222
01:55:22,570 --> 01:55:23,970
I hope she knows how to hold on.

223
01:55:24,730 --> 01:55:27,110
A little bit of license would animate
her.

224
01:55:29,150 --> 01:55:31,090
Look, here she is.

225
01:55:32,270 --> 01:55:33,270
À pied?

226
01:55:33,630 --> 01:55:35,090
Elle a dû laisser son chauffeur à la
grille.

227
01:56:30,120 --> 01:56:31,640
My friends, I have just arrived.

228
01:56:32,560 --> 01:56:34,240
I am so happy to be among you.

229
01:56:34,700 --> 01:56:36,000
Leave me alone for a while.

230
01:56:37,000 --> 01:56:39,160
Baron, your guests are charming.

231
01:56:39,740 --> 01:56:41,780
And I'm happy to introduce you all.

232
01:56:42,300 --> 01:56:44,700
We've heard of your dance number.

233
01:56:45,820 --> 01:56:47,600
Is it true that you dance in front of
everyone?

234
01:56:48,300 --> 01:56:49,580
We'd love to see you so much.

235
01:56:49,840 --> 01:56:52,480
It seems to be a magnificent show. What
do you think?

236
01:56:53,640 --> 01:56:56,540
Everyone here is waiting impatiently for
you. I'll set the mood.

237
01:56:57,740 --> 01:56:59,420
Choose the music you prefer.

238
01:56:59,820 --> 01:57:01,240
Well, whatever you want.

239
01:57:01,940 --> 01:57:04,220
I think you can no longer refuse.

240
01:57:05,620 --> 01:57:08,200
Dear Countess, I think our guests want
to...

241
01:57:08,940 --> 01:57:10,260
But you will dance for us.

242
01:57:11,080 --> 01:57:12,080
Dance naked, me?

243
01:57:13,340 --> 01:57:14,340
I've already done it.

244
01:57:15,080 --> 01:57:16,080
Ah, yes, yes, certainly.

245
01:57:16,620 --> 01:57:17,740
You heard about that.

246
01:57:18,920 --> 01:57:21,200
Well, if you want, but I don't know if I
would.

247
01:57:22,260 --> 01:57:23,099
Well, yes.

248
01:57:23,100 --> 01:57:24,100
Yes, yes, of course.

249
01:57:24,620 --> 01:57:25,620
Here, come here.

250
01:57:31,180 --> 01:57:32,660
Well, I think I'll dance here.

251
01:57:33,640 --> 01:57:35,800
Take a seat and sit down in the middle.

252
01:57:37,290 --> 01:57:38,630
Can you put it in this chair?

253
01:57:38,930 --> 01:57:41,670
Can you put it in this chair? Can you
put it in this chair?

254
01:57:42,370 --> 01:57:47,250
Can you put it in this chair? Can you
put it in this

255
01:57:47,250 --> 01:58:04,250
chair?

256
01:58:04,720 --> 01:58:06,500
I think we're going to see an
extraordinary spectacle.

257
01:58:48,760 --> 01:58:55,700
My friends, I think we're going to have
a

258
01:58:55,700 --> 01:58:57,040
fantastic evening.

259
01:59:10,320 --> 01:59:12,540
music music music

260
01:59:56,860 --> 01:59:59,660
Thank you.

261
02:00:25,640 --> 02:00:26,680
No. No.

262
02:00:27,040 --> 02:00:28,040
No.

263
02:00:28,640 --> 02:00:29,640
No.

264
02:01:21,490 --> 02:01:22,490
She did it. She did it, but... Thank
you.

265
02:02:10,570 --> 02:02:13,090
You didn't find that the champagne had a
big taste?

266
02:02:13,790 --> 02:02:14,990
A bit, but pleasant.

267
02:02:15,370 --> 02:02:16,370
I feel very excited.

268
02:02:21,360 --> 02:02:22,179
Don't fall!

269
02:02:22,180 --> 02:02:23,680
Don't fall! Don't fall!

270
02:02:24,100 --> 02:02:25,120
Don't fall!

271
02:02:30,040 --> 02:02:31,040
Don't fall!

272
02:03:04,820 --> 02:03:06,500
I don't know.

273
02:03:31,640 --> 02:03:33,680
Oh, yes.

274
02:04:10,760 --> 02:04:11,760
Oh, yes,

275
02:04:12,740 --> 02:04:14,020
like that, that's good.

276
02:04:28,500 --> 02:04:31,840
Oh, my God.

277
02:05:04,340 --> 02:05:10,480
My friends, thanks to the Countess and
her total freedom, we have just found

278
02:05:10,480 --> 02:05:11,480
love of newlyweds.

279
02:05:12,620 --> 02:05:17,900
We will celebrate this in front of you,
and as we think you are free, as we are,

280
02:05:19,120 --> 02:05:20,540
Nous allons faire l 'amour. Le voulez
-vous?

281
02:05:20,840 --> 02:05:21,840
Ouais!

282
02:06:05,840 --> 02:06:08,340
I'm very happy to be able to reenact
this little evening.

283
02:06:10,780 --> 02:06:12,980
Especially to meet such a charming
partner as you.

284
02:08:07,820 --> 02:08:08,820
Ooh.

285
02:09:00,330 --> 02:09:01,330
Hmm.

286
02:09:44,880 --> 02:09:47,680
Thank you.

287
02:19:13,389 --> 02:19:14,389
Awesome.

288
02:22:52,400 --> 02:22:53,600
Oh, yes, take the beer out of your
mouth.

289
02:22:54,520 --> 02:22:55,520
Yes.

290
02:22:56,320 --> 02:22:57,320
Yes, that's good.

291
02:22:58,220 --> 02:22:59,420
Oh, yes, untie your hair.

292
02:23:01,120 --> 02:23:02,400
Yes, that's great.

293
02:23:05,320 --> 02:23:06,460
Do you want to suck on me?

294
02:23:08,980 --> 02:23:09,980
Yes.

295
02:23:14,100 --> 02:23:15,360
Take the whole thing out of your mouth.

296
02:23:25,290 --> 02:23:26,550
Let me have the white, let me have the
white.

297
02:23:29,710 --> 02:23:32,570
My balls too.

298
02:23:33,290 --> 02:23:39,070
Yes, like that, it's good.

299
02:23:39,730 --> 02:23:41,550
Oh yes, suck the big ass there.

300
02:23:42,510 --> 02:23:43,510
Yes.

301
02:23:43,950 --> 02:23:44,950
Oh yes.

302
02:23:46,110 --> 02:23:48,210
Yes, come on, your mouth is deep there.

303
02:23:51,150 --> 02:23:52,150
Oh yes.

304
02:24:27,690 --> 02:24:28,690
Mmm.

305
02:26:11,920 --> 02:26:12,920
Whoa.

306
02:27:37,060 --> 02:27:38,100
What's going on here?

307
02:27:38,520 --> 02:27:40,200
Group therapy, ma 'am.

308
02:27:40,900 --> 02:27:41,900
I trust you.

309
02:27:42,560 --> 02:27:44,720
I didn't know the Baron was a priest.

310
02:27:45,740 --> 02:27:46,740
They're like that.

311
02:27:47,440 --> 02:27:50,980
And here you have an assembly of a
remarkable education.

312
02:27:51,920 --> 02:27:53,320
They're very good people.

313
02:27:55,480 --> 02:27:57,180
You see?

314
02:27:57,520 --> 02:27:58,520
You can organize them.

315
02:34:22,890 --> 02:34:23,890
Oh.

316
02:37:10,730 --> 02:37:11,730
Um.

317
02:39:53,590 --> 02:39:59,250
Countess, dear Countess, I beg you, dear
friend, to take my place next to my

318
02:39:59,250 --> 02:40:02,610
companion. Ah, I beg you, I insist.

319
02:40:03,050 --> 02:40:04,050
Yes, yes, I insist.

320
02:40:06,610 --> 02:40:12,370
He's a charming person.

321
02:40:12,930 --> 02:40:14,950
All your time, Countess.

322
02:40:58,510 --> 02:40:59,510
thank you

323
02:41:27,740 --> 02:41:34,520
Oh, my God.

324
02:46:02,220 --> 02:46:04,540
. .

325
02:46:04,540 --> 02:46:31,376
.

326
02:46:31,370 --> 02:46:33,870
Merchandise. I didn't get an invitation,
but I came anyway.

327
02:46:34,110 --> 02:46:35,790
Here. And you, who are you?

328
02:46:36,110 --> 02:46:38,550
It seems you're passing for me.

329
02:46:38,910 --> 02:46:39,910
Oh, really?

330
02:46:45,270 --> 02:46:47,630
Say, Baron, funny things are happening
at home.

331
02:46:49,350 --> 02:46:50,350
My jewelry!

332
02:46:50,870 --> 02:46:51,870
Quick!

333
02:47:18,280 --> 02:47:19,680
But what's going on?

334
02:48:16,100 --> 02:48:17,500
um

335
02:48:33,580 --> 02:48:35,540
But you let me do it without saying
anything.

336
02:48:36,240 --> 02:48:37,240
Yes.

337
02:48:37,840 --> 02:48:39,420
And I got the bag.

338
02:48:39,720 --> 02:48:41,340
And we won.

339
02:48:42,640 --> 02:48:45,720
I have all the jewelry in it.

340
02:48:47,180 --> 02:48:48,380
And the money.

341
02:48:52,060 --> 02:48:53,060
Let's share.

342
02:48:55,040 --> 02:48:58,880
What if we became friends?

343
02:49:02,440 --> 02:49:03,440
Pourquoi pas?

344
02:49:04,120 --> 02:49:07,260
J 'ai une invitation pour une soirée
bourgeoise.

345
02:49:08,280 --> 02:49:09,280
Samedi soir.

346
02:49:10,760 --> 02:49:15,460
J 'ai justement encore un peu de ma
poudre aphrodisiaque.

347
02:49:47,920 --> 02:49:48,920
What's your name?

348
02:51:20,239 --> 02:51:21,239
Come on.

349
02:53:42,730 --> 02:53:43,730
Thank you.

350
02:54:48,520 --> 02:54:53,400
It's terrible, you know what I mean? You
would have to lay down your ass, drink

351
02:54:53,400 --> 02:55:00,400
a shot, and then go back in 30 years,

352
02:55:00,440 --> 02:55:02,020
it's nothing, you know?

353
02:55:02,920 --> 02:55:09,720
With the madness that was our engine to
all of us, all of

354
02:55:09,720 --> 02:55:10,940
that is fed by...

355
02:55:12,030 --> 02:55:13,950
by an ideological background.

356
02:55:15,730 --> 02:55:21,790
You have to know, I mean, we were all
people from a certain

357
02:55:21,790 --> 02:55:28,530
period where a reflection was brought on
our

358
02:55:28,530 --> 02:55:34,690
way of life, on our choices, on our
commitment to existence, what we wanted

359
02:55:34,690 --> 02:55:41,250
do. So, our friends were all, still,
anartic and rebellious.

360
02:55:41,760 --> 02:55:47,320
You have to know that in those times,
when you opted for a career as a

361
02:55:47,380 --> 02:55:48,600
you were putting yourself in the hands
of humanity.

362
02:55:49,320 --> 02:55:54,860
So if it was only nourished by a spirit
of profit, that is to say, earning

363
02:55:54,860 --> 02:55:57,180
money, it could not go any further.

364
02:55:57,920 --> 02:56:03,760
It was nourished by other reasons, more
profound, more organic,

365
02:56:04,100 --> 02:56:10,460
or cerebral, or of madness, but still...

366
02:56:11,240 --> 02:56:18,140
It was a commitment that was
compromising, compromising.

367
02:56:18,480 --> 02:56:24,320
And to keep the commitment and advance
in this path,

368
02:56:24,560 --> 02:56:31,380
in my opinion, you still had to be
armed, armed

369
02:56:31,380 --> 02:56:38,380
with a bit of dream, armed with a bit of
delirium, of madness.

370
02:56:40,770 --> 02:56:47,090
as sexual as poetic or ideological or...

371
02:56:47,090 --> 02:56:52,510
It's really... I mean, the big engine is
still the balls.

372
02:57:10,320 --> 02:57:17,020
If people allowed me to talk about some
aspects of the shooting,

373
02:57:17,360 --> 02:57:22,000
to know what we could live after the
shooting. The shooting, you have to know

374
02:57:22,000 --> 02:57:23,660
that we had terrible technical
constraints.

375
02:57:24,040 --> 02:57:25,680
We were shooting in 35 mm.

376
02:57:26,120 --> 02:57:30,940
So we had technical constraints specific
to

377
02:57:30,940 --> 02:57:37,120
the film at 35 mm, the magazine of the
loading shaft.

378
02:57:40,080 --> 02:57:47,000
The actors at that time were of

379
02:57:47,000 --> 02:57:49,980
remarkable health.

380
02:57:50,440 --> 02:57:57,360
This is one of the aspects. Contraire
technique, shooting in 35mm. All the

381
02:57:57,360 --> 02:58:03,800
made with Jean Pierre were films that we
shot in 35mm.

382
02:58:07,560 --> 02:58:11,140
A very particular support with very
restrictive constraints.

383
02:58:11,380 --> 02:58:16,380
So in the job, we were professionals at
all levels.

384
02:58:16,680 --> 02:58:23,320
However, to live, to exult, as Bral
said, the

385
02:58:23,320 --> 02:58:24,800
body must exult, okay?

386
02:58:25,340 --> 02:58:31,000
That, we would do it between the scenes
or after the shooting.

387
02:58:32,420 --> 02:58:34,480
And there, I have memories.

388
02:58:35,020 --> 02:58:36,880
Because there, it was a real moment of
life.

389
02:58:37,539 --> 02:58:43,120
In front of the camera, of course, there
are anecdotes, there are little things,

390
02:58:43,240 --> 02:58:50,200
there are... To talk about more precise
things, I would like Jean and

391
02:58:50,200 --> 02:58:51,139
Jean -Pierre to be there.

392
02:58:51,140 --> 02:58:57,040
Okay. Because, head hurt, I have
memories that are very

393
02:58:57,040 --> 02:59:02,540
anecdotal, very precise, very... I was
convinced in

394
02:59:02,540 --> 02:59:05,040
this film, finally.

395
02:59:06,570 --> 02:59:09,230
the best, I kept it.

396
02:59:09,970 --> 02:59:14,370
Okay. And your pseudonym at the time was
Cyril Valle? Cyril Valle.

397
02:59:14,650 --> 02:59:16,890
Did it have a meaning, this pseudonym?

398
02:59:17,350 --> 02:59:20,710
I was from the

399
02:59:20,710 --> 02:59:26,430
theater called Engagé from the

400
02:59:26,430 --> 02:59:28,550
60s, okay?

401
02:59:28,790 --> 02:59:34,810
So before I committed myself in the X
industry or...

402
02:59:35,290 --> 02:59:41,830
or other forms of marginal cinema, I
played and I wrote

403
02:59:41,830 --> 02:59:47,670
pieces at the end of the 1960s which
were produced at the Théâtre de l 'Épée

404
02:59:47,670 --> 02:59:54,310
Bois and at the Petit Mouffetard, at the
Grand Mouffetard, a thing of rebels,

405
02:59:54,550 --> 02:59:58,990
of rebels in the spirit of that time.

406
02:59:59,570 --> 03:00:06,510
So, Val, Val is a reference made to to
Arthur, to Tutu

407
03:00:06,510 --> 03:00:08,730
Rimbaud, the sleeper of the waltz.

408
03:00:09,850 --> 03:00:16,550
And Cyril is a tribute

409
03:00:16,550 --> 03:00:19,950
given to Russian authors.

410
03:00:45,680 --> 03:00:46,680
How did it happen?

411
03:00:47,060 --> 03:00:48,060
How did it happen?

412
03:00:48,400 --> 03:00:51,780
So, I ended up in a mundane place.

413
03:00:53,580 --> 03:00:59,820
I was trained by my partner at the time,
who was a fan of this kind of

414
03:00:59,820 --> 03:01:01,100
collective debate.

415
03:01:01,460 --> 03:01:02,500
Me, not really.

416
03:01:02,840 --> 03:01:09,440
I'm quite an optimist, not introverted
or shy, but

417
03:01:09,440 --> 03:01:14,660
this kind of debate requires
concentration.

418
03:01:15,580 --> 03:01:16,580
Okay?

419
03:01:16,880 --> 03:01:23,760
To be well aware of the subject.
However, it was a collective debate

420
03:01:23,760 --> 03:01:29,140
organized by François Florent, the
famous François Florent of the Cours

421
03:01:29,520 --> 03:01:35,960
And during a party organized there, I
was noticed

422
03:01:35,960 --> 03:01:42,920
by a big bearded man who came to see me
and who told me,

423
03:01:42,920 --> 03:01:43,920
you have talent.

424
03:01:44,280 --> 03:01:47,460
I fought with two young women in a small
room.

425
03:01:47,940 --> 03:01:49,620
And he said to me, what are you doing?

426
03:01:49,900 --> 03:01:51,420
You're an actor, you surprise me.

427
03:01:51,700 --> 03:01:57,160
At François Florent's, it was roughly in
the middle of the theater or the

428
03:01:57,160 --> 03:01:58,820
studio, there, they were meeting.

429
03:01:59,480 --> 03:02:01,120
And he said to me, I have a friend,

430
03:02:01,840 --> 03:02:03,920
this is the first film.

431
03:02:04,560 --> 03:02:10,640
I had made two small previews, but this
is the first film with

432
03:02:10,640 --> 03:02:13,360
Pierre Lugard, Candide Candide.

433
03:02:14,320 --> 03:02:20,840
I went to see to surpass myself because
I thought that

434
03:02:20,840 --> 03:02:27,460
it was still a feat to copulate in front
of the camera and that it could lead

435
03:02:27,460 --> 03:02:34,000
me to cross the limits

436
03:02:34,000 --> 03:02:38,520
and go see beyond these limits what I
was capable of.

437
03:02:39,000 --> 03:02:42,960
I saw this director, I said that

438
03:02:44,270 --> 03:02:50,890
I expressed myself in the theater that I
might be able to give a reply in a

439
03:02:50,890 --> 03:02:57,590
movie, but that what concerned the
explicit acts of sexuality

440
03:02:57,590 --> 03:03:00,370
on the screen, I guarantee it's nothing.

441
03:03:00,770 --> 03:03:02,030
That's what seduced her.

442
03:03:02,570 --> 03:03:03,570
That's it.

443
03:03:03,770 --> 03:03:08,430
And it was... It was the very beginning
of a movie, but in France at the time,

444
03:03:08,430 --> 03:03:09,490
it no longer existed.

445
03:03:09,910 --> 03:03:10,910
One or two.

446
03:03:11,230 --> 03:03:13,570
Yes, I arrived in 1975.

447
03:03:14,750 --> 03:03:18,570
It was from the previous year, 1974.

448
03:03:19,410 --> 03:03:24,930
And the first actors were Charles
Franin,

449
03:03:24,970 --> 03:03:31,890
the first actor, followed by Richard
Allan

450
03:03:31,890 --> 03:03:34,050
and his wife, Liliane.

451
03:03:34,730 --> 03:03:36,510
So those were the two.

452
03:03:59,180 --> 03:04:06,020
You came to tell me that you made 200
films in 8 years. On paper, it's

453
03:04:06,020 --> 03:04:07,020
intense. Yes.

454
03:04:07,520 --> 03:04:09,100
I also did live shows.

455
03:04:09,420 --> 03:04:11,900
I did live shows in Pical.

456
03:04:12,180 --> 03:04:14,740
So you stopped all of a sudden. Yes.

457
03:04:15,340 --> 03:04:17,160
And now you're... In 1982.

458
03:04:17,520 --> 03:04:18,399
In 1982?

459
03:04:18,400 --> 03:04:24,800
Yes. And then I find myself again, if
you want,

460
03:04:24,860 --> 03:04:26,240
involved.

461
03:04:27,130 --> 03:04:33,350
in the industry by other means in 1992
and I was

462
03:04:33,350 --> 03:04:39,950
commissioned to realize this museum in

463
03:04:39,950 --> 03:04:43,910
1925 -1926.

464
03:04:44,350 --> 03:04:51,210
The museum was inaugurated in 1997 and
the museum has

465
03:04:51,210 --> 03:04:52,330
now become famous.

466
03:04:52,630 --> 03:04:59,610
It is the reference of the museums of
Europe and the world dedicated

467
03:04:59,610 --> 03:05:06,550
to this theme and we receive 150 ,000
visitors per year to say that I

468
03:05:06,550 --> 03:05:12,950
have not abandoned in any case and never
my

469
03:05:12,950 --> 03:05:19,090
most virulent passion which is that of
the

470
03:05:19,090 --> 03:05:22,390
awakening of senses.

471
03:05:23,440 --> 03:05:28,500
And beyond the emancipation of senses,
the emancipation of the mind, that's it.

472
03:05:28,860 --> 03:05:33,680
You are also a collector, apparently, of
erotic art.

473
03:05:34,220 --> 03:05:36,840
And when you travel, do you travel a
lot?

474
03:05:37,120 --> 03:05:42,620
Yes, I always travel around the world
with my comrades, and I continue to

475
03:05:42,620 --> 03:05:47,100
to collect rare pieces.

476
03:06:05,360 --> 03:06:12,140
There I bring you to this showcase
precisely because it is a showcase

477
03:06:12,140 --> 03:06:14,280
to the cult of the woman.

478
03:06:14,600 --> 03:06:21,600
It is the aspect of Shakti, of the union
Shila -Shakti. And

479
03:06:21,600 --> 03:06:22,680
the pieces are rare.

480
03:06:22,980 --> 03:06:28,700
We have more venerated the phallus than
the veil.

481
03:06:29,040 --> 03:06:33,620
And here I have a showcase dedicated to
the cult of...

482
03:06:34,090 --> 03:06:38,110
It's very,

483
03:06:39,110 --> 03:06:45,970
very rare to see a very small man.

484
03:06:46,190 --> 03:06:49,030
And I like this doctrine.

485
03:06:50,190 --> 03:06:56,270
I carry with me a burden of this
emotion.

486
03:07:02,060 --> 03:07:05,460
The exercises are Indian and Nepalese.

487
03:10:37,200 --> 03:10:39,120
Good evening, Mr. Barran. Good evening,
Carole.

488
03:10:39,760 --> 03:10:43,660
Here are the invitations for the family.
You will put them in the mailbox.

489
03:10:44,040 --> 03:10:45,040
Good, Mr. Barran.

490
03:10:45,120 --> 03:10:47,460
I understand that I have to go home for
a sequel.

491
03:10:49,240 --> 03:10:54,200
But of course, Carole, you know very
well that the private meetings of our

492
03:10:54,200 --> 03:10:55,480
must support us.

493
03:11:15,050 --> 03:11:16,870
Oh, Madam Countess X.

494
03:11:17,430 --> 03:11:19,650
It's a new knowledge of
sir and madam?

495
03:11:20,610 --> 03:11:21,610
Yes and no.

496
03:11:21,910 --> 03:11:23,710
No member of our club knows her
really.

497
03:11:24,350 --> 03:11:26,470
We only know her from
reputation.

498
03:11:50,760 --> 03:11:53,220
Thank you.

499
03:12:24,240 --> 03:12:28,180
We all hope she will come.
It seems that she is very beautiful and

500
03:12:28,180 --> 03:12:33,180
livens up the evenings in a way
extraordinary.

501
03:12:53,190 --> 03:12:54,450
Too bad I can't stay.

502
03:12:54,790 --> 03:12:57,830
You know, Carole, it's a very
closed.

503
03:15:14,440 --> 03:15:15,440
Ugh.

504
03:15:56,980 --> 03:15:58,580
I'm very happy to have hidden it.

505
03:26:35,280 --> 03:26:36,280
Hmm.

506
03:30:55,020 --> 03:30:56,020
You must have heard.

507
03:30:56,360 --> 03:30:57,760
Heard? What?

508
03:30:58,560 --> 03:30:59,560
Like a humiliation.

509
03:31:00,240 --> 03:31:01,400
Human. Really?

510
03:31:04,140 --> 03:31:05,280
As long as they're not stupid.

511
03:31:47,690 --> 03:31:51,070
The Countess will never receive this
invitation.

512
03:31:55,930 --> 03:32:02,290
But... There will still be a Countess at
the

513
03:32:02,290 --> 03:32:03,290
Baron's party.

514
03:32:19,540 --> 03:32:21,020
Your evening was a success, dear friend.

515
03:32:21,560 --> 03:32:24,080
Yes, but the countess is missing, provided
let her come.

516
03:32:24,320 --> 03:32:27,500
Did you know that weird noises
are running on this countess?

517
03:32:28,000 --> 03:32:32,880
So, this mysterious countess...
let's wait, I hope she doesn't go

518
03:32:32,880 --> 03:32:33,880
delay.

519
03:32:33,940 --> 03:32:37,300
I admit that I came mainly for
this countess, but she is not there.

520
03:32:37,520 --> 03:32:38,620
I'm sure she will come.

521
03:32:39,060 --> 03:32:41,460
I too would like to know her. He
seems to be someone very

522
03:32:41,460 --> 03:32:42,460
astonishing.

523
03:32:42,820 --> 03:32:43,820
Do you believe she will come?

524
03:32:44,320 --> 03:32:46,380
Don't worry, these people are always
there to wait.

525
03:32:47,420 --> 03:32:51,240
You know, I heard about her in my bridge
circle. They say she's a very free

526
03:32:51,240 --> 03:32:52,240
nurse.

527
03:32:52,420 --> 03:32:53,440
How did you know that?

528
03:32:53,820 --> 03:32:56,400
In a party, she danced naked on the
floor.

529
03:32:56,700 --> 03:32:57,700
That's impossible.

530
03:32:58,540 --> 03:33:00,460
She's from America, you know, in those
countries.

531
03:33:01,860 --> 03:33:02,900
That would be so strange.

532
03:33:03,560 --> 03:33:04,560
Don't worry.

533
03:33:04,720 --> 03:33:08,900
When we come to ask her to dance for
us... I hope she knows how to hold on.

534
03:33:09,220 --> 03:33:12,240
Well, a bit of license would animate the
party.

535
03:33:15,000 --> 03:33:16,380
Regardez, la voilà sûrement.

536
03:33:16,980 --> 03:33:17,980
À pied?

537
03:33:18,540 --> 03:33:20,000
Elle a dû laisser son chauffeur à la
grille.

538
03:34:15,130 --> 03:34:16,590
My friends, I have just arrived.

539
03:34:17,470 --> 03:34:19,170
I am so happy to be among you.

540
03:34:19,590 --> 03:34:20,650
Let me take my time.

541
03:34:21,890 --> 03:34:24,110
Baron, your guests are charming.

542
03:34:24,680 --> 03:34:26,740
And I'm happy to introduce you all.

543
03:34:27,220 --> 03:34:29,640
We've heard about your number of dances.

544
03:34:30,800 --> 03:34:32,520
Is it true that you dance right in front
of everyone?

545
03:34:33,240 --> 03:34:34,540
We'd love to see you so much.

546
03:34:35,060 --> 03:34:37,360
It's a magnificent show. It's great.

547
03:34:38,540 --> 03:34:41,500
Everyone here is waiting impatiently for
you. I'll set the mood.

548
03:34:42,700 --> 03:34:44,380
Choose the music you prefer.

549
03:34:44,780 --> 03:34:46,180
Well, anything you want.

550
03:34:46,840 --> 03:34:49,160
I think you can no longer refuse.

551
03:34:50,560 --> 03:34:53,180
Dear Countess, I think our guests want
to...

552
03:34:53,870 --> 03:34:55,190
But you can dance for us.

553
03:34:56,010 --> 03:34:57,010
Dance naked, me?

554
03:34:58,250 --> 03:34:59,250
I've already done it.

555
03:35:00,030 --> 03:35:01,030
Oh, yes, yes, certainly.

556
03:35:01,650 --> 03:35:02,710
You've heard about that.

557
03:35:03,870 --> 03:35:06,130
Well, if you want, but I don't know if I
know.

558
03:35:07,210 --> 03:35:08,990
Well, yes, yes, of course.

559
03:35:09,550 --> 03:35:10,550
Here, come here.

560
03:35:16,110 --> 03:35:17,630
Well, I think I'm going to dance here.

561
03:35:18,570 --> 03:35:20,750
Take a seat and sit down in the middle.

562
03:35:28,620 --> 03:35:31,580
Thank you very

563
03:35:31,580 --> 03:35:36,520
much.

564
03:35:48,810 --> 03:35:51,290
I think we're going to see a show.

565
03:36:38,990 --> 03:36:41,970
My friends, I think we've had a
fantastic evening.

566
03:36:52,460 --> 03:36:55,260
music music

567
03:37:34,160 --> 03:37:35,160
Okay.

568
03:38:13,730 --> 03:38:15,250
I never thought it was going to be like
this.

569
03:39:05,390 --> 03:39:08,050
She's doing it. She's doing it. She's
doing it. Somebody might have needed a

570
03:39:08,050 --> 03:39:09,050
little bit.

571
03:39:55,820 --> 03:39:57,920
You didn't find this champagne to have a
great taste?

572
03:39:58,740 --> 03:39:59,860
Indeed, but pleasant.

573
03:40:00,220 --> 03:40:01,220
I feel very emotional.

574
03:40:33,200 --> 03:40:36,000
um um

575
03:41:04,950 --> 03:41:06,490
Oh, no.

576
03:41:10,070 --> 03:41:11,470
Oh,

577
03:41:14,050 --> 03:41:24,110
no.

578
03:41:59,860 --> 03:42:01,050
Oh, yes. Oh, yes. Oh, there's some
everywhere.

579
03:42:01,730 --> 03:42:03,210
Oh, my God.

580
03:42:03,870 --> 03:42:07,110
Oh, my God.

581
03:42:07,450 --> 03:42:08,670
Oh,

582
03:42:10,510 --> 03:42:14,070
my God. Oh,

583
03:42:14,830 --> 03:42:16,830
my God.

584
03:42:49,160 --> 03:42:55,420
My friends, thanks to the Countess and
her total freedom, we have just found

585
03:42:55,420 --> 03:42:56,420
love of newlyweds.

586
03:42:58,000 --> 03:42:59,360
Nous allons fêter cela devant vous.

587
03:42:59,680 --> 03:43:04,780
Et comme nous pensons que vous êtes
libérés, comme nous, nous allons faire l

588
03:43:04,780 --> 03:43:05,679
'amour. Le voulez -vous?

589
03:43:05,680 --> 03:43:06,680
Oui!

590
03:43:50,760 --> 03:43:53,260
I'm very happy to be back on this little
evening.

591
03:43:55,680 --> 03:43:57,940
To meet a partner as charming as you.

592
03:47:28,300 --> 03:47:29,300
Awesome.

593
03:49:02,920 --> 03:49:03,920
Mm.

594
03:55:07,020 --> 03:55:08,020
Hmm.

595
04:00:35,760 --> 04:00:36,760
Like this.

596
04:00:37,600 --> 04:00:38,860
Oh, yes, take the beer in your mouth.

597
04:00:39,800 --> 04:00:40,800
Yes.

598
04:00:41,500 --> 04:00:42,500
Yes, that's good.

599
04:00:43,420 --> 04:00:44,720
Oh, yes, untie your hair.

600
04:00:46,320 --> 04:00:47,800
Yes, your hair.

601
04:00:49,300 --> 04:00:51,720
Do not suck me.

602
04:01:10,570 --> 04:01:11,830
Let go of the white, let go of the
white.

603
04:01:15,110 --> 04:01:17,850
My balls too.

604
04:01:18,650 --> 04:01:19,650
Yes,

605
04:01:22,510 --> 04:01:24,350
like that, it's good.

606
04:01:24,990 --> 04:01:26,890
Oh yes, suck it well, the big tail
there.

607
04:01:27,790 --> 04:01:28,790
Yes.

608
04:01:29,250 --> 04:01:30,250
Oh yes.

609
04:01:31,410 --> 04:01:33,510
Yes, well, your mouth is at the bottom
there.

610
04:01:36,450 --> 04:01:37,450
Oh yes.

611
04:02:12,970 --> 04:02:13,970
Mmm.

612
04:03:57,230 --> 04:03:58,230
Whoa.

613
04:05:22,800 --> 04:05:23,799
What's going on here?

614
04:05:23,800 --> 04:05:25,280
It's a group therapy, madam.

615
04:05:26,400 --> 04:05:27,400
I'll take care of you.

616
04:05:27,980 --> 04:05:29,980
I didn't think the baron and the
baroness were like this.

617
04:05:30,960 --> 04:05:31,980
They are like this.

618
04:05:32,880 --> 04:05:35,340
And here you have an assembly of a
remarkable,

619
04:05:36,140 --> 04:05:37,140
perfect education.

620
04:05:37,200 --> 04:05:39,000
They are already very good, very good.

621
04:05:42,500 --> 04:05:44,140
But it's me.

622
04:12:08,170 --> 04:12:09,170
Oh.

623
04:17:38,950 --> 04:17:44,810
Countess, dear Countess, I beg you, dear
friend, take my place, take my company.

624
04:17:45,250 --> 04:17:47,870
Ah, all, all, I beg you, I insist.

625
04:17:48,490 --> 04:17:49,490
I insist.

626
04:17:50,490 --> 04:17:57,070
You are a charming

627
04:17:57,070 --> 04:18:00,190
person. Take all your time, Countess.

628
04:18:25,520 --> 04:18:28,320
Thank you.

629
04:19:11,280 --> 04:19:15,780
Oh, my God.

630
04:23:47,850 --> 04:23:48,850
Ha, ha, ha!

631
04:24:36,290 --> 04:24:37,690
Merchandise.

632
04:25:03,260 --> 04:25:04,660
But what's going on?

633
04:26:04,010 --> 04:26:05,370
Well, I think we sowed them.

634
04:26:06,550 --> 04:26:07,970
But who are you?

635
04:26:09,450 --> 04:26:11,350
I am also a burglar.

636
04:26:12,230 --> 04:26:15,590
I saw you pouring powder into the cups.

637
04:26:16,750 --> 04:26:17,750
I didn't see.

638
04:26:19,030 --> 04:26:21,090
But you let me do it without saying
anything.

639
04:26:21,990 --> 04:26:24,950
Yes, and I got the bag.

640
04:26:25,610 --> 04:26:26,970
We won.

641
04:26:28,310 --> 04:26:31,190
I have all the jewelry in it.

642
04:26:33,040 --> 04:26:34,040
Et l 'argent?

643
04:26:37,440 --> 04:26:38,740
On partage?

644
04:26:43,020 --> 04:26:44,620
Si on s 'associait.

645
04:26:47,540 --> 04:26:48,620
Pourquoi pas?

646
04:26:49,600 --> 04:26:52,820
J 'ai une invitation pour une soirée
bourgeoise.

647
04:26:53,740 --> 04:26:54,780
Samedi soir.

648
04:26:56,340 --> 04:27:00,700
J 'ai justement encore un peu de ma
poudre, Aphrodisia.

649
04:27:33,529 --> 04:27:34,529
How do you spell it?

650
04:31:27,560 --> 04:31:28,840
Ah!

651
04:35:39,820 --> 04:35:41,099
Block all the gates of the tower.

652
04:35:41,460 --> 04:35:42,520
Gather everyone.

653
04:35:42,860 --> 04:35:43,860
General alert.

654
04:36:22,570 --> 04:36:23,069
Don't kill her!

655
04:36:23,070 --> 04:36:24,070
I want her alive!

656
04:36:31,410 --> 04:36:33,529
You can't escape from the Black Tower so
easily.

657
04:39:20,070 --> 04:39:21,070
No! No!

658
04:42:41,930 --> 04:42:42,930
Thank you.

659
04:43:55,280 --> 04:44:02,220
It's so... I mean, you have to put your
ass down, drink a shot, and then

660
04:44:02,220 --> 04:44:08,820
go back in 30 years, it's nothing, you
know.

661
04:44:09,540 --> 04:44:16,500
With the madness that was our engine to
all of us, all of

662
04:44:16,500 --> 04:44:17,700
that is nourished by...

663
04:44:18,780 --> 04:44:20,760
by an ideological background.

664
04:44:22,480 --> 04:44:28,540
I don't know, we were all people from a
certain

665
04:44:28,540 --> 04:44:35,320
period where a reflection was brought on
our

666
04:44:35,320 --> 04:44:41,460
way of life, on our choices, on our
commitment to existence, what we wanted

667
04:44:41,460 --> 04:44:47,980
do. So, our friends were all a kind of
art, and rebellious.

668
04:44:48,520 --> 04:44:54,280
You have to know that in those times,
when you opted for a career as a SIP,

669
04:44:54,280 --> 04:44:55,340
were putting yourself in the hands of
humanity.

670
04:44:55,960 --> 04:45:01,640
So if it was only nourished by a
lucrative spirit, that is to say,

671
04:45:01,640 --> 04:45:03,900
money, you couldn't go any further.

672
04:45:04,680 --> 04:45:11,220
It was nourished by other deeper
reasons, or organic, or

673
04:45:11,220 --> 04:45:17,200
cerebral, or madness, but still...

674
04:45:17,980 --> 04:45:24,900
It was a commitment that was
compromising, compromising.

675
04:45:25,220 --> 04:45:31,100
And to hold the baggage and advance in
this path,

676
04:45:31,280 --> 04:45:35,460
in my opinion, you still had to be
armed,

677
04:45:36,380 --> 04:45:42,000
armed with a little dream, armed with a
little

678
04:45:42,000 --> 04:45:45,020
delirium, madness,

679
04:45:48,030 --> 04:45:53,850
as sexual as poetic, or ideological,
or...

680
04:45:53,850 --> 04:45:59,450
it's really... well, the big engine was
still Lille -Couillier.

681
04:46:14,990 --> 04:46:16,010
I would like to be there.

682
04:46:17,050 --> 04:46:23,770
If people allowed me to talk about some
aspects of the shooting,

683
04:46:24,130 --> 04:46:28,650
to know what we could live after the
shooting. For the shooting, you have to

684
04:46:28,650 --> 04:46:30,430
know that we had terrible technical
constraints.

685
04:46:30,910 --> 04:46:32,470
We were shooting in 35mm.

686
04:46:32,970 --> 04:46:37,730
So we had technical constraints,
specific to

687
04:46:37,730 --> 04:46:41,370
the 35mm.

688
04:46:44,720 --> 04:46:48,820
The light, the basculation, the movement
of the shoulders, the angle of view.

689
04:46:50,080 --> 04:46:56,760
The actors at that time were in
remarkable health.

690
04:46:57,760 --> 04:47:00,620
You have to know that. So that's one of
the aspects.

691
04:47:01,500 --> 04:47:06,220
Technique constraint, shooting in 35mm.
All the films made with Jean, or Jean

692
04:47:06,220 --> 04:47:10,580
-Pierre, were the films we shot in 35mm.

693
04:47:14,220 --> 04:47:17,920
A very particular support with very
impressive constraints.

694
04:47:18,120 --> 04:47:23,140
So in the job, we were professionals at
all levels.

695
04:47:23,420 --> 04:47:30,040
However, to live, to exult, as Bral
said, the

696
04:47:30,040 --> 04:47:31,580
body must exult, okay?

697
04:47:32,080 --> 04:47:37,740
That, we would offer ourselves between
the scenes or after the shooting.

698
04:47:39,160 --> 04:47:41,240
And there, I have memories.

699
04:47:41,760 --> 04:47:43,600
Because there, it was real moments of
life.

700
04:47:44,350 --> 04:47:49,890
In front of the camera, of course, there
are anecdotes, there are little things,

701
04:47:49,970 --> 04:47:56,950
there are... To talk about more precise
things, I would like Jean and

702
04:47:56,950 --> 04:47:57,869
Jean -Pierre to be there.

703
04:47:57,870 --> 04:48:02,130
Okay. Because, perhaps, I have very

704
04:48:02,130 --> 04:48:09,010
anecdotal memories, very precise, very
circumstantial,

705
04:48:09,050 --> 04:48:11,810
in these films, finally.

706
04:48:13,200 --> 04:48:16,020
the best, I kept it.

707
04:48:17,200 --> 04:48:22,380
And your pseudonym at the time was
Cyrille Valme? Cyrille Valme. What does

708
04:48:22,380 --> 04:48:23,380
mean?

709
04:48:23,860 --> 04:48:29,960
I was from the

710
04:48:29,960 --> 04:48:35,300
theater of the 60s, okay?

711
04:48:35,540 --> 04:48:41,500
So before I committed myself in the X
industry or...

712
04:48:42,060 --> 04:48:48,600
or other forms of marginal cinema, I
played and I wrote

713
04:48:48,600 --> 04:48:54,380
pieces at the end of the 1960s which
were produced at the Théâtre de l 'Épée

714
04:48:54,380 --> 04:49:01,080
Bois and at the Petit Moustard, at the
Grand Moustard, a thing of rebels,

715
04:49:01,300 --> 04:49:05,760
of rebels in the spirit of that time.

716
04:49:06,260 --> 04:49:13,210
So, Val, Val is a reference made to
Arthur, Titus

717
04:49:13,210 --> 04:49:15,350
Rimbaud, Le Dormeur du Val.

718
04:49:16,410 --> 04:49:23,310
And Cyril is a tribute

719
04:49:23,310 --> 04:49:26,730
to the Russian authors.

720
04:49:52,970 --> 04:49:53,970
How did it happen?

721
04:49:55,470 --> 04:49:58,550
I ended up in a mundane place.

722
04:50:00,350 --> 04:50:06,590
I was trained by my partner at the time,
who was a fan of this kind of

723
04:50:06,590 --> 04:50:07,850
collective debate.

724
04:50:08,250 --> 04:50:09,250
Me, not really.

725
04:50:09,590 --> 04:50:16,150
I'm quite an introvert and shy person,
but

726
04:50:16,150 --> 04:50:21,490
this kind of debate requires
concentration.

727
04:50:22,330 --> 04:50:23,330
Okay?

728
04:50:23,610 --> 04:50:30,510
To be well aware of the subject.
However, it was a collective debate

729
04:50:30,510 --> 04:50:32,790
organized by François Florent.

730
04:50:33,530 --> 04:50:35,870
The famous François Florent, Descaux
Florent.

731
04:50:36,230 --> 04:50:42,690
And during a party organized there, I
was noticed

732
04:50:42,690 --> 04:50:49,670
by a big bearded man who came to see me
and who told me,

733
04:50:49,670 --> 04:50:50,670
you have talent.

734
04:50:51,040 --> 04:50:54,160
I fought with two young women in a small
room.

735
04:50:54,700 --> 04:50:56,340
And he said to me, what are you doing?

736
04:50:56,700 --> 04:50:58,200
You are an actor, you surprise me.

737
04:50:58,480 --> 04:51:04,420
At François Florent's, it was roughly in
the middle of the theater or of the

738
04:51:04,420 --> 04:51:05,560
showbiz, there, they were meeting.

739
04:51:06,220 --> 04:51:10,660
And he said to me, I have a friend, this
is the first film.

740
04:51:11,320 --> 04:51:17,380
I had made two little previews, but this
is the first film with

741
04:51:17,380 --> 04:51:20,160
Pierre Rignard, Candide Candide.

742
04:51:21,290 --> 04:51:27,590
You will see, to surpass me, because I
thought that

743
04:51:27,590 --> 04:51:34,230
it was still a feat to copulate in front
of the camera and that it could lead

744
04:51:34,230 --> 04:51:40,690
me to cross the limits

745
04:51:40,690 --> 04:51:45,290
and go beyond those limits, which I was
able to do.

746
04:51:45,690 --> 04:51:49,710
I saw this director, I said that

747
04:51:50,960 --> 04:51:57,800
I expressed to the theatre that I might
be able to give a reply in English,

748
04:51:58,120 --> 04:52:05,120
but that concerning the explicit acts of
sexuality on

749
04:52:05,120 --> 04:52:06,980
the screen, I guarantee nothing.

750
04:52:07,400 --> 04:52:08,780
That, it seduced her.

751
04:52:09,760 --> 04:52:15,700
It was the very beginning of English,
but in France at the time, it no longer

752
04:52:15,700 --> 04:52:17,420
existed, one or two.

753
04:52:18,010 --> 04:52:24,050
Yes, Amandou, when I arrived in 1975, it
had already existed since the previous

754
04:52:24,050 --> 04:52:25,350
year, 1974.

755
04:52:26,350 --> 04:52:33,330
And the first actors were Zahra Bikrana,
who was

756
04:52:33,330 --> 04:52:34,910
the first, I think.

757
04:52:35,870 --> 04:52:40,810
Followed closely by Deshaan Allan and
his wife, Liliane.

758
04:52:41,630 --> 04:52:42,730
So that was it.

759
04:53:06,410 --> 04:53:12,990
You made 200 films in 8 years. On paper,
it's a lot.

760
04:53:14,190 --> 04:53:15,890
I also did a live show.

761
04:53:16,090 --> 04:53:18,710
I did a live show in Pétale.

762
04:53:19,090 --> 04:53:20,930
So you stopped all of a sudden.

763
04:53:21,210 --> 04:53:22,209
Yes.

764
04:53:22,210 --> 04:53:23,910
In 1982.

765
04:53:24,670 --> 04:53:29,250
And then I meet again.

766
04:53:30,510 --> 04:53:33,290
If you want to get involved.

767
04:53:33,880 --> 04:53:40,140
in the industry, by other means, in
1992, and I was

768
04:53:40,140 --> 04:53:46,840
asked, commissioned, to realize this
museum in

769
04:53:46,840 --> 04:53:48,520
1995,

770
04:53:50,040 --> 04:53:51,040
not 1996.

771
04:53:51,140 --> 04:53:58,020
The museum was inaugurated in 1997, and
the museum has

772
04:53:58,020 --> 04:53:59,100
now become famous.

773
04:53:59,400 --> 04:54:01,880
It is the reference of...

774
04:54:02,220 --> 04:54:08,940
of the museums of Europe and the world
dedicated to Sten and we receive 150

775
04:54:08,940 --> 04:54:13,820
,000 visitors per year to say that I
have not

776
04:54:13,820 --> 04:54:20,800
abandoned, in any case and never, my
most

777
04:54:20,800 --> 04:54:25,860
virulent passion, which is that of the

778
04:54:25,860 --> 04:54:29,120
development of senses.

779
04:54:30,220 --> 04:54:33,900
and beyond the emancipation of senses,
the emancipation of the mind.

780
04:54:35,080 --> 04:54:40,440
You are also a collector of erotic art.

781
04:54:41,200 --> 04:54:42,880
You travel a lot.

782
04:54:43,660 --> 04:54:49,900
Yes, I travel all over the world with my
friend and I continue to travel to

783
04:54:49,900 --> 04:54:56,040
collect rare pieces to complete the

784
04:54:56,040 --> 04:54:57,640
collection.

785
04:55:12,110 --> 04:55:18,890
There I have this window precisely
because it is a window dedicated

786
04:55:18,890 --> 04:55:21,070
to the cult of the woman.

787
04:55:21,270 --> 04:55:27,830
It is the aspect of Shakti, of the union
Shila -Shakti.

788
04:55:27,910 --> 04:55:29,450
And the pieces here are rare.

789
04:55:29,750 --> 04:55:35,630
We have venerated the phallus more than
the vulva.

790
04:55:35,950 --> 04:55:40,390
And here I have a window dedicated to
the cult of...

791
04:55:42,760 --> 04:55:44,520
It's very,

792
04:55:45,920 --> 04:55:52,760
very rare that we see a very small man.

793
04:55:53,020 --> 04:55:55,960
And I like it very much.

794
04:55:57,120 --> 04:56:03,600
I carry myself a sign of this emotion.

795
04:56:04,940 --> 04:56:06,700
And from which country?

796
04:56:07,380 --> 04:56:08,380
From Laos.

797
04:56:08,750 --> 04:56:12,150
These places are Indian and Nepalese.