1 00:01:26,720 --> 00:01:28,856 -CHARLES! -GOOD MORNING, MRS. FOSTER. 2 00:01:28,889 --> 00:01:30,491 I'VE GOT A LETTER FOR YOU. 3 00:01:30,524 --> 00:01:32,293 IT'S FROM MR. EDWARDS. 4 00:01:32,326 --> 00:01:34,395 ISAIAH? DO YOU MIND IF I TAKE A BREAK, NELS? 5 00:01:34,428 --> 00:01:35,829 -NOT AT ALL. -THANK YOU. 6 00:01:38,632 --> 00:01:40,468 -THANKS A LOT, MRS. FOSTER. -YOU'RE VERY WELCOME. 7 00:01:45,639 --> 00:01:47,275 HOW'S THAT BOY OF HIS DOING IN SCHOOL? 8 00:01:47,308 --> 00:01:49,377 HE SHOULD BE GRADUATING FROM COLLEGE ANY DAY NOW. 9 00:01:49,410 --> 00:01:51,312 HE'S AN HONOR STUDENT. YOU OUGHT TO HEAR ISAIAH GO ON ABOUT HIM. 10 00:01:51,345 --> 00:01:52,813 HE USUALLY WRITES 5 TIMES THIS MUCH. 11 00:02:01,855 --> 00:02:03,191 WHAT'S WRONG, CHARLES? 12 00:02:08,629 --> 00:02:09,563 HIS... 13 00:02:12,500 --> 00:02:14,302 HIS BOY HAS BEEN KILLED. 14 00:02:14,335 --> 00:02:15,569 OH, DEAR GOD. 15 00:02:18,706 --> 00:02:20,274 IT WAS A-- AN ACCIDENT. 16 00:02:24,312 --> 00:02:25,446 I HAVE TO GO, NELS. 17 00:02:37,591 --> 00:02:38,692 I STILL CAN'T BELIEVE IT. 18 00:02:42,330 --> 00:02:43,497 IT SEEMS LIKE ONLY YESTERDAY 19 00:02:43,531 --> 00:02:44,898 THEY'D TAKE YOU AND JOHN FISHING. 20 00:02:47,401 --> 00:02:48,936 REMEMBER HOW MAD HE USED TO GET AT YOU, HALF-PINT? 21 00:02:48,969 --> 00:02:50,904 YOU ALWAYS CAUGHT THE BIGGEST FISH. 22 00:02:53,741 --> 00:02:55,409 WHEN WILL YOU LEAVE FOR CHICAGO? 23 00:02:57,911 --> 00:02:59,680 Charles: I'LL CHECK THE TRAIN SCHEDULES IN THE MORNING. 24 00:03:02,283 --> 00:03:04,418 ISAIAH ASKED ME TO BE IN CHICAGO BY FRIDAY. 25 00:03:04,452 --> 00:03:06,387 I'LL PROBABLY HAVE TO LEAVE SOMETIME EARLY TOMORROW. 26 00:03:09,990 --> 00:03:12,860 SUCH A BAD TIME TO GO. I HAVE SO MUCH WORK HERE. 27 00:03:14,262 --> 00:03:15,729 I CAN HANDLE IT FOR YOU. 28 00:03:15,763 --> 00:03:17,765 MR. EDWARDS WILL NEED YOU THERE, PA. 29 00:03:21,001 --> 00:03:22,503 I STILL CAN'T BELIEVE IT. 30 00:03:26,940 --> 00:03:28,542 THAT BOY WAS THE WHOLE WORLD TO HIM. 31 00:03:49,930 --> 00:03:52,232 [WHISTLE BLOWING] 32 00:04:47,020 --> 00:04:48,322 Isaiah: CHARLES! 33 00:04:51,792 --> 00:04:52,993 I'M SORRY I'M SO LATE. 34 00:04:53,026 --> 00:04:55,028 I ONLY GOT HERE ABOUT AN HOUR AGO MYSELF. 35 00:05:13,447 --> 00:05:16,784 TOOK THE TROUBLE TO GET US A ROOM 36 00:05:16,817 --> 00:05:17,951 A COUPLE OF BLOCKS FROM HERE. 37 00:05:20,921 --> 00:05:22,022 LET'S GO. 38 00:05:47,681 --> 00:05:48,982 WANT SOME TO TAKE AWAY THE CHILL? 39 00:05:50,518 --> 00:05:52,453 NO, THANKS. 40 00:05:52,486 --> 00:05:55,489 RIGHT. IT'S BEEN SO LONG, I ALMOST FORGOT. 41 00:05:55,523 --> 00:05:56,657 TEETOTALING. 42 00:06:07,735 --> 00:06:11,071 "DEEPLY REGRET I MUST INFORM YOU 43 00:06:11,104 --> 00:06:14,007 "THAT JOHN SANDERSON JR. 44 00:06:14,041 --> 00:06:16,844 "WAS KILLED IN A STREET ACCIDENT 45 00:06:16,877 --> 00:06:20,113 "10:30 P.M. TODAY. 46 00:06:20,147 --> 00:06:22,816 "PLEASE CONTACT ME OR MERCY HOSPITAL 47 00:06:22,850 --> 00:06:24,151 FOR ADDITIONAL INFORMATION." 48 00:06:26,587 --> 00:06:27,855 "T. CALLAHAN." 49 00:06:35,463 --> 00:06:36,564 WHO IS THIS CALLAHAN? 50 00:06:39,199 --> 00:06:40,534 THE MAN FROM THE PAPER. 51 00:06:42,002 --> 00:06:43,637 JOHN WORKED THERE AFTER CLASSES. 52 00:06:46,907 --> 00:06:48,175 PAID HIS WAY, THAT BOY. 53 00:06:51,579 --> 00:06:52,680 HAVE YOU TALKED TO CALLAHAN? 54 00:06:54,748 --> 00:06:55,683 NO. 55 00:06:57,785 --> 00:06:58,952 NO, I FIGURED WE COULD DO THAT 56 00:06:58,986 --> 00:07:00,120 FIRST THING IN THE MORNING... 57 00:07:03,090 --> 00:07:05,626 THEN MAKE ARRANGEMENTS TO BRING JOHN'S BODY HOME. 58 00:07:21,709 --> 00:07:23,043 Charles: YOU OUGHT TO GET SOME SLEEP. 59 00:07:27,247 --> 00:07:28,816 DAMN. HE WAS A FINE BOY! 60 00:07:49,903 --> 00:07:52,706 [SOBS] 61 00:08:01,148 --> 00:08:02,516 Driver: GET BACK, YOU FOOL! 62 00:08:02,550 --> 00:08:03,751 DO YOU WANT TO GET KILLED? 63 00:08:34,848 --> 00:08:35,983 MR. CALLAHAN? 64 00:08:37,217 --> 00:08:38,719 WHO MIGHT YOU BE? 65 00:08:38,752 --> 00:08:41,589 I'M CHARLES INGALLS. THIS IS ISAIAH EDWARDS. 66 00:08:44,224 --> 00:08:47,160 I'M SORRY I HAD TO BE THE ONE TO BREAK THE NEWS. 67 00:08:48,796 --> 00:08:50,297 I HAVE SOME QUESTIONS. 68 00:08:50,330 --> 00:08:53,066 AT LEAST A HUNDRED, I EXPECT. 69 00:08:53,100 --> 00:08:55,235 IT'S MY LUNCHTIME. WILL YOU GENTLEMEN JOIN ME? 70 00:08:57,070 --> 00:08:59,306 MR. CALLAHAN! PAGE ONE PROOF! 71 00:08:59,339 --> 00:09:00,774 I COUNTED 11 TYPOS, 72 00:09:00,808 --> 00:09:02,142 AND THAT WAS JUST THE FAST LOOK. 73 00:09:02,175 --> 00:09:03,777 LATER. GENTLEMEN. 74 00:09:03,811 --> 00:09:05,879 BUT THE BULLDOG EDITION ROLLS IN 20 MINUTES! 75 00:09:05,913 --> 00:09:07,848 -I'M GOING TO LUNCH. -LUNCH? 76 00:09:07,881 --> 00:09:09,049 YOU HEARD ME. 77 00:09:09,082 --> 00:09:10,818 YOU GOT PROBLEMS, FIX IT. 78 00:09:36,844 --> 00:09:38,278 BEST ROAST BEEF IN TOWN! 79 00:09:38,311 --> 00:09:39,947 YOU'RE ABOUT FOUR HOURS EARLY, MR. T. 80 00:09:39,980 --> 00:09:42,315 -HAVE YOU TAKEN THE DAY OFF? -3 WHISKIES. 81 00:09:42,349 --> 00:09:43,951 FRIEND HERE DOESN'T USE IT. 82 00:09:43,984 --> 00:09:45,185 3 WHISKIES. 83 00:09:52,259 --> 00:09:53,360 TO A BETTER DAY. 84 00:10:00,200 --> 00:10:02,169 JOHNNY WAS A FINE BOY. 85 00:10:02,202 --> 00:10:05,372 CLEAN AND DECENT, EAGER AND HARD-WORKING. 86 00:10:05,405 --> 00:10:07,274 AND HE HAD BETTER NEWSPAPER INSTINCTS 87 00:10:07,307 --> 00:10:08,742 THAN ANY BOY I'VE EVER HIRED. 88 00:10:09,977 --> 00:10:11,378 I PUT HIM ON AS A COPY BOY. 89 00:10:11,411 --> 00:10:14,214 NEXT THING, HE WANTED TO BE A REPORTER. 90 00:10:14,247 --> 00:10:16,950 EVERY MORNING, HE'D HAVE A STORY ON MY DESK. 91 00:10:16,984 --> 00:10:18,351 NOTHING I COULD USE, 92 00:10:18,385 --> 00:10:19,753 BUT WRITTEN SO THE WORDS 93 00:10:19,787 --> 00:10:21,454 CAME OFF THE PAPER SINGING. 94 00:10:25,325 --> 00:10:26,960 HOW'D IT HAPPEN? 95 00:10:26,994 --> 00:10:30,263 THE RAIN AND THE DARK ON WEST O'BRIEN STREET. 96 00:10:30,297 --> 00:10:32,299 BREWERY A HALF BLOCK AWAY. 97 00:10:32,332 --> 00:10:34,334 BAR WAGONS COMING AND GOING ALL NIGHT LONG. 98 00:10:36,236 --> 00:10:37,805 THE DRIVER NEVER SAW JOHNNY. 99 00:10:47,147 --> 00:10:48,415 WE LOVED JOHNNY. 100 00:10:48,448 --> 00:10:50,751 NOT JUST ME, BUT... 101 00:10:50,784 --> 00:10:52,219 ALL OF US. 102 00:10:52,252 --> 00:10:54,354 HE WAS SO GOOD. SO MUCH TO GIVE. 103 00:10:55,989 --> 00:10:57,825 HE WOULD'VE HAD HIS OWN BYLINE IN 6 MONTHS, 104 00:10:57,858 --> 00:10:58,959 MAYBE SOONER. 105 00:11:02,062 --> 00:11:04,197 HOW DO I FIND THIS DRIVER? 106 00:11:04,231 --> 00:11:06,934 THE BREWERY'S 6 BLOCKS STRAIGHT DOWN THE STREET. 107 00:11:06,967 --> 00:11:08,101 WORKS THE NIGHT SHIFT. 108 00:11:08,135 --> 00:11:10,137 STARTS AT 7:00. 109 00:11:10,170 --> 00:11:11,939 WHAT'S HIS NAME? 110 00:11:11,972 --> 00:11:13,841 JACOB SCHULTZ. NAME'S ON THAT PAPER. 111 00:11:16,043 --> 00:11:17,377 IF HE DRINKS WHAT HE HAULS, 112 00:11:17,410 --> 00:11:19,212 MAYBE THAT'S WHY HE DIDN'T SEE JOHN JR. 113 00:11:21,181 --> 00:11:23,316 I KNOW HOW YOU FEEL, MR. EDWARDS. 114 00:11:26,453 --> 00:11:27,755 NO, YOU DON'T. 115 00:11:34,161 --> 00:11:36,864 MORTICIAN'S NAME AND ADDRESS. YOU'LL NEED THAT. 116 00:11:36,897 --> 00:11:37,998 AN HONEST MAN. 117 00:11:40,768 --> 00:11:42,135 AND THE ROOMING HOUSE WHERE JOHNNY LIVED. 118 00:11:43,503 --> 00:11:44,905 I SENT HIM TO MRS. BAXTER 119 00:11:44,938 --> 00:11:48,408 BECAUSE SHE COULD COOK FOR THE ANGELS. 120 00:11:48,441 --> 00:11:50,243 SHE LOVED JOHNNY LIKE HE WAS HER OWN. 121 00:11:54,414 --> 00:11:56,416 AND THIS... 122 00:11:56,449 --> 00:11:58,518 THE THINGS THAT WERE IN JOHNNY'S POCKETS. 123 00:11:58,551 --> 00:12:00,153 I GOT THEM FOR YOU FROM THE POLICE. 124 00:12:03,791 --> 00:12:04,925 JOE, ANOTHER ONE! 125 00:12:04,958 --> 00:12:06,159 RIGHT, MR. T. 126 00:12:11,064 --> 00:12:12,332 THANK YOU, LAD. 127 00:12:16,236 --> 00:12:18,005 SAID IT HAD 11 TYPOS. 128 00:12:18,038 --> 00:12:19,439 STILL GOT 4. 129 00:12:19,472 --> 00:12:22,442 MY AUNT'S CAT COULD DO BETTER! 130 00:12:22,475 --> 00:12:23,844 IF YOU SEE ALEX HILL BEFORE I DO, 131 00:12:23,877 --> 00:12:25,212 TELL HIM HE'S FIRED. 132 00:12:30,417 --> 00:12:32,519 I EXPECT YOU GENTLEMEN WILL BE GOING HOME IN THE MORNING. 133 00:12:34,121 --> 00:12:36,356 IF YOU NEED ME, YOU KNOW WHERE TO FIND ME. 134 00:12:36,389 --> 00:12:39,159 AGAIN, I'M SORRY FOR YOUR TROUBLES. 135 00:12:42,162 --> 00:12:44,497 BEST NEWSPAPER MAN IN THIS OR ANY OTHER TOWN. 136 00:12:44,531 --> 00:12:46,533 A LITTLE TOUGH ON HIS HIRED HELP, ISN'T HE? 137 00:12:46,566 --> 00:12:48,168 Joe: YOU MEAN THE MAN HE FIRED? 138 00:12:48,201 --> 00:12:50,838 [LAUGHS] THINK NOTHING OF IT. 139 00:12:50,871 --> 00:12:53,173 THAT'S THE FIFTH TIME HE'S FIRED HIM THIS MONTH. 140 00:12:53,206 --> 00:12:54,474 [LAUGHS] 141 00:12:56,443 --> 00:12:59,046 FINE WHISKEY. BE A SIN TO LET IT GO TO WASTE. 142 00:13:17,497 --> 00:13:19,499 Mortician: I THINK YOU'LL FIND THAT'S EVERYTHING, 143 00:13:19,532 --> 00:13:22,002 AND IN PROPER ORDER. 144 00:13:22,035 --> 00:13:23,536 NOW, IF YOU'LL GIVE ME YOUR DEPARTURE TIME, 145 00:13:23,570 --> 00:13:25,505 WE'LL SEE TO IT THAT YOUR SON'S CASKET 146 00:13:25,538 --> 00:13:27,274 IS PLACED ABOARD THE TRAIN. 147 00:13:28,608 --> 00:13:31,578 RAILROAD REGULATIONS REQUIRE THAT ONE OF YOU 148 00:13:31,611 --> 00:13:34,314 RIDE WITH HIM IN THE BAGGAGE CAR. 149 00:13:34,347 --> 00:13:35,482 YES, WE WERE TOLD. 150 00:13:37,117 --> 00:13:38,551 WHAT DO I OWE YOU? 151 00:13:38,585 --> 00:13:41,889 NOTHING. THE BILL'S BEEN PAID IN FULL. 152 00:13:41,922 --> 00:13:43,223 WHO? 153 00:13:43,256 --> 00:13:44,224 T. CALLAHAN. 154 00:13:46,093 --> 00:13:48,328 WHY WOULD HE WANT TO DO THAT? 155 00:13:48,361 --> 00:13:49,997 WELL, T. CALLAHAN'S THE KIND OF PERSON 156 00:13:50,030 --> 00:13:52,399 THAT WE'D ALL LIKE TO BE. 157 00:13:52,432 --> 00:13:55,402 IF YOU DOUBT ME, ASK THE FIRST HUNDRED PEOPLE YOU MEET ON THE STREET. 158 00:13:58,038 --> 00:13:59,272 WE'LL LET YOU KNOW ABOUT THE TRAIN. 159 00:14:00,640 --> 00:14:02,209 AND THANK YOU VERY MUCH. 160 00:14:06,446 --> 00:14:07,915 Charles: ISAIAH? 161 00:14:54,261 --> 00:14:56,163 [DOORBELL RINGING] 162 00:15:01,134 --> 00:15:03,536 -YES? -MRS. BAXTER? 163 00:15:03,570 --> 00:15:05,238 ISAIAH. 164 00:15:05,272 --> 00:15:09,076 YOU HAVE TO BE ISAIAH EDWARDS, JOHN JR.'S FATHER. 165 00:15:09,109 --> 00:15:10,277 HE TALKED OF YOU SO MUCH, 166 00:15:10,310 --> 00:15:11,511 I'D HAVE KNOWN YOU ANYWHERE. 167 00:15:11,544 --> 00:15:12,679 WELL, COME IN, COME IN. 168 00:15:18,718 --> 00:15:20,053 Isaiah: THIS IS CHARLES INGALLS. 169 00:15:20,087 --> 00:15:22,622 CHARLES INGALLS, MARY'S FATHER. 170 00:15:22,655 --> 00:15:25,358 OH, HE SPOKE ABOUT YOU, TOO. 171 00:15:25,392 --> 00:15:27,627 YOU AND MARY, AND CAROLINE, YOUR WIFE, 172 00:15:27,660 --> 00:15:29,062 AND YOUR LITTLE ONES. 173 00:15:29,096 --> 00:15:30,964 Charles: YES, MA'AM. 174 00:15:30,998 --> 00:15:32,465 WON'T YOU HAVE A SEAT? 175 00:15:32,499 --> 00:15:35,468 NOW, KETTLE'S ON THE FIRE. NICE HOT TEA IN A MINUTE. 176 00:15:35,502 --> 00:15:38,138 AND THEN I'LL SHOW YOU HIS ROOM 177 00:15:38,171 --> 00:15:40,340 AND HIS THINGS. 178 00:15:40,373 --> 00:15:42,109 WE HAVEN'T GOT MUCH TIME, MRS. BAXTER. 179 00:15:42,142 --> 00:15:44,111 WE HAVE ANOTHER MAN TO SEE. 180 00:15:44,144 --> 00:15:45,745 WHY, MR. CALLAHAN WOULD NEVER FORGIVE ME 181 00:15:45,778 --> 00:15:47,614 IF I LET YOU GO WANDERING OFF IN THE RAIN 182 00:15:47,647 --> 00:15:49,116 WITHOUT TEA. 183 00:15:49,149 --> 00:15:50,950 NOW, IT'LL JUST BE A MOMENT. 184 00:16:51,178 --> 00:16:54,147 Mrs. Baxter: JOHNNY'S PRIDE AND JOY, HIS TYPEWRITER. 185 00:16:54,181 --> 00:16:56,316 MR. CALLAHAN GAVE IT TO HIM. 186 00:16:56,349 --> 00:16:58,685 A GIFT TO THE NEWSPAPER FROM THE MANUFACTURER. 187 00:17:00,487 --> 00:17:02,089 JOHNNY COULD WRITE FASTER WITH IT 188 00:17:02,122 --> 00:17:03,456 THAN HE COULD WITH A PENCIL. 189 00:17:06,259 --> 00:17:07,360 MA'AM... 190 00:17:10,763 --> 00:17:13,400 YOU TOOK REAL GOOD CARE OF JOHN, JR... 191 00:17:15,335 --> 00:17:17,170 AND FOR THAT, I DEARLY THANK YOU. 192 00:17:21,474 --> 00:17:22,575 I'LL SEND FOR HIS THINGS. 193 00:17:27,714 --> 00:17:29,649 [THUNDER] 194 00:18:11,224 --> 00:18:13,226 Charles: EXCUSE ME. 195 00:18:13,260 --> 00:18:14,894 WE'RE LOOKING FOR A JAKE SCHULTZ. 196 00:18:14,927 --> 00:18:16,763 JAKE SCHULTZ? THAT'S ME. 197 00:18:16,796 --> 00:18:18,165 WHAT DO YOU WANT? 198 00:18:18,198 --> 00:18:21,534 YOU RAN OVER MY SON. KILLED HIM. 199 00:18:23,836 --> 00:18:27,407 OH, JA. 200 00:18:27,440 --> 00:18:30,510 WORST THING THAT EVER HAPPENED TO ME. 201 00:18:30,543 --> 00:18:32,812 THE RAIN WAS COMING DOWN. 202 00:18:32,845 --> 00:18:35,415 A BLACK NIGHT. 203 00:18:35,448 --> 00:18:38,351 I NEVER SEEN A THING UNTIL THE HORSES SHIED. 204 00:18:38,385 --> 00:18:40,153 IT WAS TOO LATE THEN. 205 00:18:40,187 --> 00:18:41,488 WHY DIDN'T YOU SEE HIM? 206 00:18:41,521 --> 00:18:43,856 CLIMB UP ON THE WAGON SEAT 207 00:18:43,890 --> 00:18:45,525 AND LOOK FOR YOURSELF. 208 00:18:45,558 --> 00:18:49,696 A FOUR-UP IN FRONT OF YOU, ALL OF THEM WANTING TO GO, 209 00:18:49,729 --> 00:18:51,764 KNOWING THE ROUTE BETTER THAN ME. 210 00:18:51,798 --> 00:18:53,766 I SWEAR TO YOU. 211 00:18:53,800 --> 00:18:57,537 THERE WAS JUST A BUMP WHEN THE WHEELS HIT. 212 00:18:57,570 --> 00:19:00,207 I WAS THE SICKEST MAN IN ALL CHICAGO. 213 00:19:00,240 --> 00:19:01,941 Man: 'TIS THE TRUTH. 214 00:19:01,974 --> 00:19:03,743 HE WAS SICK INDEED. 215 00:19:05,278 --> 00:19:07,947 I CARRIED HIM MYSELF TO MERCY HOSPITAL, 216 00:19:07,980 --> 00:19:10,550 BUT IT WAS TOO LATE. 217 00:19:10,583 --> 00:19:13,853 THE MUD FROM YOUR DITCH ALL OVER THE STREET. 218 00:19:13,886 --> 00:19:16,356 NO WONDER THE BOY SLIPPED UND FELL. 219 00:19:16,389 --> 00:19:18,358 I DIDN'T MAKE THE RAIN. 220 00:19:19,892 --> 00:19:23,696 IF PRAYERS WOULD BRING HIM BACK, 221 00:19:23,730 --> 00:19:25,332 HE WOULD BE HERE NOW. 222 00:19:26,833 --> 00:19:28,568 Man: IF IT'S NOT GREAT TROUBLE, 223 00:19:28,601 --> 00:19:31,338 COULD YOU DROP A HALF A KEG FOR MY BOYS? 224 00:19:31,371 --> 00:19:34,441 WORKING THE WAY THEY DO IN THIS KIND OF WEATHER, 225 00:19:34,474 --> 00:19:35,642 THEY CAN USE IT. 226 00:19:35,675 --> 00:19:36,876 TALK TO THE BOSS. 227 00:19:44,417 --> 00:19:45,652 WHERE DID IT HAPPEN? 228 00:19:46,919 --> 00:19:48,788 HALF A BLOCK. 229 00:19:48,821 --> 00:19:50,757 AGAINST THE CURB. 230 00:19:50,790 --> 00:19:52,592 ON YOUR RIGHT. 231 00:19:54,527 --> 00:19:56,663 Schultz: AH, MISTER. 232 00:19:56,696 --> 00:19:58,998 IF YOU HAVE TIME TO SPARE, 233 00:19:59,031 --> 00:20:02,935 I WOULD LIKE TO HAVE--YOU HAVE A MEAL WITH US. 234 00:20:02,969 --> 00:20:05,972 MY MISSUS UND MY 7. 235 00:20:06,005 --> 00:20:08,575 THEN YOU WILL KNOW THAT I AM NOT ONE 236 00:20:08,608 --> 00:20:11,678 TO BE RUNNING DOWN YOUNG FOLKS. 237 00:20:31,298 --> 00:20:32,632 YOU! 238 00:20:32,665 --> 00:20:34,000 GET BACK TO WORK! 239 00:21:07,033 --> 00:21:08,368 IS THIS ABOUT WHERE IT HAPPENED? 240 00:21:10,603 --> 00:21:11,704 YEAH, I GUESS. 241 00:21:13,005 --> 00:21:15,408 [SALOON MUSIC] 242 00:21:23,916 --> 00:21:25,585 BE RIGHT BACK. 243 00:22:05,892 --> 00:22:07,394 THERE'S TIMES WHEN A MAN... 244 00:22:08,928 --> 00:22:10,697 DON'T LECTURE ME, CHARLES. I HEARD THEM ALL. 245 00:22:23,843 --> 00:22:24,777 Isaiah: CHARLES, LOOK! 246 00:22:26,012 --> 00:22:28,080 WHAT IS IT? 247 00:22:28,114 --> 00:22:29,549 IT'S JOHN'S WATCH. 248 00:22:31,651 --> 00:22:33,420 ARE YOU SURE? 249 00:22:33,453 --> 00:22:35,354 OF COURSE I'M SURE. IT WAS HIS GOING-AWAY PRESENT. 250 00:22:38,658 --> 00:22:39,592 OPEN UP! 251 00:22:41,093 --> 00:22:42,028 Isaiah: OPEN UP! 252 00:22:44,096 --> 00:22:46,165 GET AWAY FROM HERE OR I'LL CALL THE POLICE. 253 00:22:46,198 --> 00:22:48,034 Charles: OPEN IT! 254 00:22:48,067 --> 00:22:50,069 I TOLD YOU, I'LL CALL THE POLICE. 255 00:22:58,144 --> 00:23:00,780 -WHERE'D YOU GET THIS? -I'M WARNING YOU, GET OUT! 256 00:23:00,813 --> 00:23:02,582 I SAID, WHERE'D YOU GET THIS? 257 00:23:02,615 --> 00:23:03,716 I BOUGHT IT. 258 00:23:03,750 --> 00:23:06,152 NO, I BOUGHT IT FOR MY SON. 259 00:23:06,185 --> 00:23:07,920 AND HE'D NEVER SELL IT! 260 00:23:07,954 --> 00:23:11,424 NOW, I WANT YOU TO TELL ME WHO SOLD IT TO YOU? 261 00:23:11,458 --> 00:23:12,725 I DON'T KNOW. 262 00:23:12,759 --> 00:23:14,694 ONE WATCH LOOKS LIKE ANOTHER. 263 00:23:14,727 --> 00:23:18,164 LISTEN, THIS IS MY SON'S WATCH. 264 00:23:18,197 --> 00:23:20,667 AND I WANT TO KNOW WHO SOLD IT TO YOU. 265 00:23:20,700 --> 00:23:23,470 I AM A MERCHANT, MISTER. 266 00:23:23,503 --> 00:23:26,172 18 HOURS A DAY I STAND HERE. 267 00:23:26,205 --> 00:23:28,541 I BUY, I SELL. 268 00:23:28,575 --> 00:23:30,142 SOMEBODY OFFERS ME SOMETHING, 269 00:23:30,176 --> 00:23:32,479 IF THE PRICE IS RIGHT, I'LL BUY. 270 00:23:32,512 --> 00:23:34,947 FACES--WHO LOOKS AT FACES? 271 00:23:34,981 --> 00:23:38,050 YOU LISTEN, I WANT TO KNOW. 272 00:23:38,084 --> 00:23:40,152 IF YOU KEEP LYING TO ME, I'M GONNA PUNCH YOU RIGHT-- 273 00:23:40,186 --> 00:23:42,188 -ISAIAH! - ANOTHER STEP AND I'LL SHOOT! 274 00:23:42,221 --> 00:23:43,590 YOU ANSWER ME! 275 00:23:43,623 --> 00:23:45,525 I SWEAR I DON'T REMEMBER! 276 00:23:46,826 --> 00:23:48,094 THAT'S ENOUGH, ISAIAH. 277 00:23:51,731 --> 00:23:52,699 COME ON. 278 00:23:54,233 --> 00:23:55,535 COME ON. 279 00:24:04,744 --> 00:24:08,715 IT'S JOHNNY'S, SURE ENOUGH, HIS PROUDEST POSSESSION. 280 00:24:08,748 --> 00:24:10,082 YOU BOUGHT IT AT A PAWN SHOP? 281 00:24:10,116 --> 00:24:11,484 TOOK IT. 282 00:24:11,518 --> 00:24:12,685 THE PAWNBROKER LET US TAKE IT. 283 00:24:12,719 --> 00:24:14,487 IT PROVES HE KNOWS IT WAS STOLEN. 284 00:24:14,521 --> 00:24:16,756 OR THE TWO OF YOU SCARED HIM SILLY. 285 00:24:16,789 --> 00:24:19,592 HE WASN'T THAT SCARED. HE HELD A GUN. 286 00:24:19,626 --> 00:24:20,893 WHERE IS THIS PAWNSHOP? 287 00:24:20,927 --> 00:24:21,994 ABOUT A BLOCK FROM THE BREWERY 288 00:24:22,028 --> 00:24:23,630 RIGHT WHERE JOHNNY WAS KILLED. 289 00:24:23,663 --> 00:24:25,565 A LOVELY NEIGHBORHOOD. 290 00:24:25,598 --> 00:24:27,099 SALOONS, FANCY HOUSES, 291 00:24:27,133 --> 00:24:29,536 PAWNBROKERS, THE MACHINERY BOYS... 292 00:24:29,569 --> 00:24:32,505 YOU NAME IT, THEY'LL GET IT FOR YOU IN THE MORNING. 293 00:24:32,539 --> 00:24:33,806 NEAR THE BREWERY... 294 00:24:33,840 --> 00:24:36,643 HAS TO BE EITHER ROSIE ROSENTHAL'S, 295 00:24:36,676 --> 00:24:38,611 ISAAC ABRAMS, OR JACK GOLDEN. 296 00:24:38,645 --> 00:24:40,012 JACK GOLDEN. THAT'S THE NAME. 297 00:24:40,046 --> 00:24:41,881 T. Callahan: 12 GAUGE. KEEPS IT UNDER THE COUNTER. 298 00:24:41,914 --> 00:24:43,683 IT'S A GOOD THING YOU GUYS STARTED WALKING. 299 00:24:43,716 --> 00:24:44,984 HE'S USED IT BEFORE. 300 00:24:49,689 --> 00:24:51,591 -COPY! -YES, SIR. 301 00:24:51,624 --> 00:24:53,793 ASK MR. HILL TO FINISH THIS FOR ME. I'VE GOT BUSINESS ELSEWHERE. 302 00:24:53,826 --> 00:24:55,762 -YES, SIR. -GENTLEMEN, IF YOU'D FOLLOW ME, PLEASE. 303 00:25:02,034 --> 00:25:03,936 Golden: I AM AN HONEST MERCHANT. 304 00:25:03,970 --> 00:25:05,972 WHY DO YOU BRING BRING ME TROUBLE? 305 00:25:06,005 --> 00:25:09,208 3 CENTS ON THE DOLLAR, AND YOU'D DO WELL TO GET THAT. 306 00:25:09,241 --> 00:25:12,211 GO HOME, MR. CALLAHAN. YOU'RE DRUNK AGAIN. 307 00:25:12,244 --> 00:25:14,781 IT'LL BE ON PAGE ONE OF "THE EXPRESS" TOMORROW. 308 00:25:14,814 --> 00:25:17,183 "JACK GOLDEN-- THIEF, FENCE. 309 00:25:17,216 --> 00:25:18,851 "THE MAN WHO'D BUY THE DEPOT STOVE 310 00:25:18,885 --> 00:25:21,554 "WHEN IT'S STILL HOT ENOUGH TO FRY YOUR HANDS, 311 00:25:21,588 --> 00:25:23,756 AND WATCHES STOLEN FROM THE POCKETS OF THE DEAD." 312 00:25:23,790 --> 00:25:25,091 NOT ME, MR. T. 313 00:25:25,124 --> 00:25:26,593 Callahan: WHO SOLD IT TO YOU? 314 00:25:26,626 --> 00:25:28,561 Golden: LIKE I TOLD THESE GENTLEMEN, 315 00:25:28,595 --> 00:25:29,829 WHO LOOKS AT FACES? 316 00:25:29,862 --> 00:25:31,898 YOU DO. YOU GET THEIR NAMES IN YOUR BOOK 317 00:25:31,931 --> 00:25:34,567 JUST IN CASE THE POLICE WANT TO LOOK. 318 00:25:34,601 --> 00:25:36,903 TROUBLE. TROUBLE! 319 00:25:36,936 --> 00:25:39,038 THESE DAYS, A BUSINESSMAN 320 00:25:39,071 --> 00:25:40,740 CAN'T MAKE AN HONEST DOLLAR. 321 00:25:40,773 --> 00:25:42,208 WHAT WOULD YOU KNOW ABOUT AN HONEST DOLLAR? 322 00:25:50,082 --> 00:25:51,918 "JOHN SMITH." 323 00:25:51,951 --> 00:25:53,252 "JOHN SMITH, 324 00:25:53,285 --> 00:25:54,721 "JANE JONES, 325 00:25:54,754 --> 00:25:57,624 "B. JONES, RYAN O'CONNOR"-- 326 00:25:57,657 --> 00:26:00,593 THERE'S A STRANGER IN A NEST OF SNAKES. 327 00:26:00,627 --> 00:26:02,695 B. JONES, 328 00:26:02,729 --> 00:26:04,997 SOLD YOU A WATCH THE DAY JOHNNY DIED. 329 00:26:06,866 --> 00:26:09,035 B. JONES AGAIN. AGAIN. 330 00:26:09,068 --> 00:26:10,937 BUSY FELLOW, MR. JONES. 331 00:26:10,970 --> 00:26:12,905 7 SALES IN TWO DAYS. 332 00:26:12,939 --> 00:26:15,041 SOME PEOPLE NEED MONEY. 333 00:26:15,074 --> 00:26:18,878 "WATCH, KNIFE, GUITAR, MISCELLANEOUS." 334 00:26:18,911 --> 00:26:20,046 SOLD YOU EVERYTHING 335 00:26:20,079 --> 00:26:22,348 BUT THE COURTHOUSE CLOCK. 336 00:26:22,381 --> 00:26:23,349 WHO IS HE? 337 00:26:23,382 --> 00:26:26,819 UH...BLACK KID. 338 00:26:26,853 --> 00:26:28,721 JONES IS ALL I KNOW. 339 00:26:28,755 --> 00:26:31,157 THEN WE'LL BE BIDDING YOU GOOD NIGHT, MR. GOLDEN. 340 00:26:31,190 --> 00:26:33,325 BUT I'LL BE TAKING THIS ALONG WITH ME. 341 00:26:33,359 --> 00:26:34,727 THERE'S A DETECTIVE SERGEANT I KNOW 342 00:26:34,761 --> 00:26:36,228 THAT WOULD ENJOY LOOKING AT IT 343 00:26:36,262 --> 00:26:37,997 AFTER "THE EXPRESS" IS THROUGH. 344 00:26:52,812 --> 00:26:54,280 ALL RIGHT. WE KNOW SOME BLACK KID 345 00:26:54,313 --> 00:26:55,982 IS USING THE NAME B. JONES 346 00:26:56,015 --> 00:26:57,984 TOOK THE WATCH OFF YOUR SON'S BODY. 347 00:26:58,017 --> 00:26:59,919 MAYBE HE SAW WHAT HAPPENED. 348 00:26:59,952 --> 00:27:01,821 WE KNOW WHAT HAPPENED. IT WAS AN ACCIDENT. 349 00:27:01,854 --> 00:27:05,758 IF HE WAS YOUR SON, WOULDN'T YOU WANT TO KNOW FOR SURE? 350 00:27:05,792 --> 00:27:08,060 WELL, I GUESS I WOULD. 351 00:27:08,094 --> 00:27:09,729 ALL RIGHT. YOU LEAVE THE REST TO ME. 352 00:27:09,762 --> 00:27:11,297 NO, NO, IF YOU THINK I'M GOING TO-- 353 00:27:11,330 --> 00:27:13,933 LOOK, DO ME THE COURTESY TO LISTEN, MR. EDWARDS. 354 00:27:13,966 --> 00:27:15,902 JOHNNY WAS YOUR SON, 355 00:27:15,935 --> 00:27:18,671 BUT YOU AND MR. INGALLS ARE FARMERS FROM MINNESOTA. 356 00:27:18,705 --> 00:27:20,406 IN YOUR COUNTRY, I'D BE TOTALLY LOST, 357 00:27:20,439 --> 00:27:23,175 NOT KNOWING WHICH ONE OF THE HORSES TO TIE THE PLOW TO. 358 00:27:23,209 --> 00:27:25,978 IN MY TOWN, YOU COULDN'T EVEN FIND THE HORSE. 359 00:27:26,012 --> 00:27:28,681 I KNOW WHERE TO LOOK AND WHAT TO LOOK FOR. 360 00:27:28,715 --> 00:27:30,082 AND IF I CAN'T FIND IT, 361 00:27:30,116 --> 00:27:33,052 I CAN WHISTLE UP 20 REPORTERS TO GIVE ME A HAND. 362 00:27:33,085 --> 00:27:34,386 THERE'S GOT TO BE SOMETHING WE CAN DO. 363 00:27:34,420 --> 00:27:35,822 Callahan: THERE IS. 364 00:27:35,855 --> 00:27:38,257 GO GET YOURSELVES SUPPER AND A NICE REST. 365 00:27:38,290 --> 00:27:40,359 SEE ME IN THE MORNING AT THE OFFICE. 366 00:27:40,392 --> 00:27:41,694 GOOD NIGHT, GENTLEMEN. 367 00:27:55,474 --> 00:27:57,276 [EXCITED CHATTER IN SALOON] 368 00:28:17,363 --> 00:28:19,498 -WHERE'S MR. CALLAHAN? -MERCY HOSPITAL. 369 00:28:19,531 --> 00:28:20,833 Isaiah: WHAT HAPPENED? 370 00:28:20,867 --> 00:28:23,102 POLICE FOUND HIM EARLY THIS MORNING. 371 00:28:23,135 --> 00:28:25,137 CONCUSSION, MULTIPLE BRUISES, POSSIBLE FRACTURE, 372 00:28:25,171 --> 00:28:26,839 UNCONSCIOUS... 373 00:28:26,873 --> 00:28:29,041 AMBULANCE DRIVER DIDN'T THINK HE WAS GONNA MAKE IT. 374 00:28:29,075 --> 00:28:31,477 BUT THE DOCTOR SAYS HE'S GOT A HEAD HARDER THAN AN ANVIL. 375 00:28:31,510 --> 00:28:34,747 I WAS HOPING YOU COULD TELL US WHAT HAPPENED. 376 00:28:34,781 --> 00:28:37,149 WE GOT NO IDEA. HOW DO WE GET TO MERCY HOSPITAL? 377 00:28:37,183 --> 00:28:39,451 QUICKEST WAY, GRAB A CAB. 378 00:28:58,570 --> 00:29:00,406 MR. CALLAHAN. HOW IS HE? 379 00:29:00,439 --> 00:29:02,809 AS GOOD AS CAN BE EXPECTED. BETTER. 380 00:29:02,842 --> 00:29:04,877 BUT NO VISITORS. 381 00:29:04,911 --> 00:29:07,847 IF WE DON'T TALK. JUST SIT WITH AN OLD FRIEND. 382 00:29:07,880 --> 00:29:10,282 HE CAN'T TALK-- CONCUSSION. 383 00:29:10,316 --> 00:29:12,985 LET US JUST LOOK IN, AND NOT A WHISPER OUT OF US. 384 00:29:15,487 --> 00:29:17,323 3 OR 4 MINUTES, NO MORE. 385 00:29:17,356 --> 00:29:19,258 AND NO TALKING. 386 00:29:19,291 --> 00:29:20,827 OUR WORD ON THAT. 387 00:29:37,977 --> 00:29:39,311 HE WRITES EVERYTHING DOWN. 388 00:29:39,345 --> 00:29:40,813 I'M GOING TO CHECK HIS CLOTHES. 389 00:29:59,131 --> 00:29:59,866 "B.J." 390 00:30:01,333 --> 00:30:02,468 Charles: THAT'S GOT TO BE B. JONES. 391 00:30:02,501 --> 00:30:03,569 YEAH. 392 00:30:05,104 --> 00:30:07,940 1021 EAST 43rd STREET. 393 00:30:07,974 --> 00:30:09,075 LET'S GO. 394 00:30:49,648 --> 00:30:51,417 Charles: OH, EXCUSE ME. 395 00:30:51,450 --> 00:30:52,618 CAN YOU TELL US WHERE 1021 IS? 396 00:30:52,651 --> 00:30:54,420 IT'S RIGHT OVER THERE. 397 00:30:54,453 --> 00:30:55,554 THANK YOU VERY MUCH. 398 00:31:11,370 --> 00:31:13,272 Isaiah: DOES B.J. JONES LIVE HERE? 399 00:31:13,305 --> 00:31:15,307 NO JONES IN THIS BUILDING. 400 00:31:17,109 --> 00:31:20,046 -I THANK YOU, MA'AM. -THERE'S A B.J. JACKSON. 401 00:31:20,079 --> 00:31:22,481 ARE SURE YOU GOT THE RIGHT LAST NAME? 402 00:31:23,715 --> 00:31:25,184 NO, MA'AM. WE'RE NOT SURE. 403 00:31:25,217 --> 00:31:26,986 Woman: WELL, I'M BESSIE JANE. 404 00:31:27,019 --> 00:31:29,688 I THINK IT'S BOBBY JOE YOU'RE LOOKING FOR. 405 00:31:29,721 --> 00:31:31,357 Charles: YES, MA'AM. 406 00:31:31,390 --> 00:31:32,258 WHAT ABOUT? 407 00:31:35,161 --> 00:31:37,629 WE JUST WANTED TO TALK TO HIM...ABOUT A JOB. 408 00:31:37,663 --> 00:31:39,365 OH, I'M AFRAID YOU MISSED HIM. 409 00:31:39,398 --> 00:31:40,967 HE'S GETS UP AND GONE EARLY, 410 00:31:41,000 --> 00:31:44,270 AND WORKS UNTIL REAL LATE AT NIGHT. 411 00:31:44,303 --> 00:31:46,138 WON'T YOU GENTLEMEN COME IN? 412 00:31:46,172 --> 00:31:48,407 WE DON'T HAVE MANY VISITORS ANYMORE. 413 00:31:48,440 --> 00:31:49,675 WE'D LIKE TO VERY MUCH, MA'AM, 414 00:31:49,708 --> 00:31:51,710 BUT IT'S VERY IMPORTANT WE TALK TO B.J. 415 00:31:51,743 --> 00:31:53,345 COULD YOU JUST TELL US WHERE HE WORKS? 416 00:31:53,379 --> 00:31:56,315 OH, IF YOU'RE LOOKING FOR A WORKER, 417 00:31:56,348 --> 00:31:57,383 HE'S A FINE ONE. 418 00:31:57,416 --> 00:31:59,618 HE'S A GOOD PROVIDER. 419 00:31:59,651 --> 00:32:01,053 WE COULDN'T DO BETTER. 420 00:32:01,087 --> 00:32:02,088 MA'AM, IT'S REALLY IMPORTANT 421 00:32:02,121 --> 00:32:03,189 THAT WE GET IN TOUCH WITH HIM. 422 00:32:03,222 --> 00:32:04,423 COULD YOU TELL US WHERE HE WORKS? 423 00:32:04,456 --> 00:32:06,592 OH, HE WORKS ALL OVER THE PLACE. 424 00:32:06,625 --> 00:32:09,695 MY GRANDSON DON'T LET NO GRASS GROW UNDER HIS FEET. 425 00:32:09,728 --> 00:32:12,564 HE SAYS HE'S GOING TO BUY US A HOME, 426 00:32:12,598 --> 00:32:16,735 WHERE I CAN HAVE A GARDEN AND FLOWERS. 427 00:32:16,768 --> 00:32:20,406 OF COURSE, I TEND TO THESE WINDOW BOXES, BUT AIN'T THE SAME. 428 00:32:20,439 --> 00:32:21,740 WE UNDERSTAND, MA'AM. 429 00:32:21,773 --> 00:32:23,509 IF YOU COULD JUST THINK OF A NAME, 430 00:32:23,542 --> 00:32:25,711 WHERE HE WORKS. IT'S AWFULLY IMPORTANT WE TALK TO HIM. 431 00:32:25,744 --> 00:32:29,148 I DON'T RIGHTLY KNOW A PLACE. 432 00:32:29,181 --> 00:32:30,516 BUT THERE'S A... 433 00:32:30,549 --> 00:32:32,718 A MR. DRUM-- DRUMMOND, 434 00:32:32,751 --> 00:32:34,620 THAT HE'S TERRIBLY FOND OF. 435 00:32:34,653 --> 00:32:38,257 HE SAYS HE'S THE BEST WORKER HE EVER HAD. 436 00:32:38,290 --> 00:32:39,591 DRUMMOND CONSTRUCTION? 437 00:32:39,625 --> 00:32:42,261 THAT'S IT! THAT'S IT! 438 00:32:42,294 --> 00:32:45,731 YES, DRUMMOND CONSTRUCTION, AS I RECALL. 439 00:32:45,764 --> 00:32:47,499 THANK YOU, MA'AM, YOU'VE BEEN A BIG HELP. 440 00:32:47,533 --> 00:32:49,268 Bessie Jane: OH, IF YOU SEE MY B.J., 441 00:32:49,301 --> 00:32:51,337 YOU TELL HIM TO GET HOME EARLY. 442 00:32:51,370 --> 00:32:54,073 'CAUSE WE'RE GOING TO HAVE BUTTER BEANS FOR SUPPER. 443 00:32:54,106 --> 00:32:55,741 YOU GENTLEMEN ARE WELCOME TO JOIN US. 444 00:32:55,774 --> 00:32:57,476 WE JUST MAY DO THAT, MA'AM. 445 00:32:57,509 --> 00:32:59,378 -THANK YOU. -THANK YOU. 446 00:33:28,374 --> 00:33:29,808 CHARLES. 447 00:33:29,841 --> 00:33:31,277 THAT'S GOT TO BE HIM. 448 00:33:39,485 --> 00:33:40,719 JUST TAKE IT EASY. 449 00:33:40,752 --> 00:33:43,089 YEAH, I'LL TAKE IT EASY. 450 00:33:52,464 --> 00:33:55,134 EXCUSE ME. YOUR NAME JACKSON? 451 00:33:55,167 --> 00:33:57,303 WE'RE TALKING TO YOU. IS YOUR NAME JACKSON? 452 00:33:57,336 --> 00:33:59,571 NO, SIR, THOMAS. 453 00:33:59,605 --> 00:34:02,174 WILLIAM THOMAS. 454 00:34:02,208 --> 00:34:04,476 YOU SURE? 455 00:34:04,510 --> 00:34:05,811 WELL, SAME AS MY DADDY 456 00:34:05,844 --> 00:34:07,613 AND HIS DADDY BEFORE HIM. 457 00:34:09,215 --> 00:34:10,449 WE'RE LOOKING FOR A MAN NAMED JACKSON. 458 00:34:10,482 --> 00:34:11,783 WE WERE TOLD HE WORKED HERE. 459 00:34:11,817 --> 00:34:13,452 JACKSON. 460 00:34:13,485 --> 00:34:15,187 OH, Y'ALL MUST MEAN B.J. 461 00:34:15,221 --> 00:34:16,722 YEAH. THAT'S RIGHT. 462 00:34:16,755 --> 00:34:18,357 YEAH, WELL, HE'S A GOOD MAN, ALL RIGHT. 463 00:34:18,390 --> 00:34:20,826 HE ALWAYS BUTTERS THE BUCKET. 464 00:34:20,859 --> 00:34:22,661 -WHAT? -THE BEER PAIL. 465 00:34:22,694 --> 00:34:25,697 HE BUTTERS THE TOP SO WE DON'T PAY FOR HALF FOAM. 466 00:34:25,731 --> 00:34:27,399 WHERE DO WE FIND HIM? 467 00:34:27,433 --> 00:34:29,535 HE WENT OUT FOR SANDWICHES A WHILE AGO. 468 00:34:29,568 --> 00:34:31,503 I RECKON HE'LL BE BACK ANYTIME NOW. 469 00:34:31,537 --> 00:34:33,639 Man: HEY, B.J., THIS IS LIVERWURST. 470 00:34:33,672 --> 00:34:35,241 I ASKED FOR BOLOGNA. 471 00:34:35,274 --> 00:34:36,808 ALL THEY HAD LEFT, SIR. 472 00:34:36,842 --> 00:34:38,810 I GOT YOU DOUBLE SLICES. 473 00:34:38,844 --> 00:34:41,247 THAT'S YOUR MAN. 474 00:34:41,280 --> 00:34:43,249 HEY, YOU! JACKSON! 475 00:35:07,406 --> 00:35:08,640 YOU CUT HIM OFF! THERE! 476 00:35:31,363 --> 00:35:32,831 LET ME GO! LET ME GO! 477 00:35:32,864 --> 00:35:34,166 Charles: JUST TAKE IT EASY! 478 00:35:35,834 --> 00:35:37,236 B.J.: LET ME GO! 479 00:35:37,269 --> 00:35:38,937 I DON'T KNOW NOTHING! 480 00:35:38,970 --> 00:35:41,573 DON'T KNOW NOTHING ABOUT ANYTHING! 481 00:35:41,607 --> 00:35:42,708 DO YOU KNOW ABOUT THIS WATCH? 482 00:35:43,809 --> 00:35:45,444 ANSWER ME! 483 00:35:45,477 --> 00:35:47,913 YOU AIN'T COPPERS. I DON'T HAVE TO SAY. 484 00:35:47,946 --> 00:35:49,848 I DON'T KNOW NOTHING ABOUT A WATCH! 485 00:35:49,881 --> 00:35:52,451 ALL RIGHT. WE'RE NOT POLICE. WE COULD TAKE YOU HOME. 486 00:35:52,484 --> 00:35:53,619 MAYBE YOU'D LIKE TO ANSWER SOME OF THESE QUESTIONS 487 00:35:53,652 --> 00:35:54,786 IN FRONT OF YOUR GRANDMA. 488 00:35:54,820 --> 00:35:56,855 YOU LEAVE GRANDMA BESSIE OUT OF THIS! 489 00:35:56,888 --> 00:35:59,658 LISTEN, THIS WAS MY SON'S WATCH. 490 00:35:59,691 --> 00:36:01,293 WE KNOW YOU SOLD IT. 491 00:36:01,327 --> 00:36:03,195 WHERE DID YOU GET IT? 492 00:36:03,229 --> 00:36:05,297 Charles: LOOK, B. JONES SOLD A LOT OF OTHER THINGS TO MR. GOLDEN. 493 00:36:05,331 --> 00:36:07,566 MAYBE YOU'D LIKE TO TELL YOUR GRANDMA ABOUT THOSE THINGS, TOO. 494 00:36:07,599 --> 00:36:09,835 IT WAS JUST LYING THERE IN THE RAIN. 495 00:36:09,868 --> 00:36:11,870 HE DIDN'T HAVE NO USE FOR IT. 496 00:36:11,903 --> 00:36:14,206 YOU MEAN, YOU PICKED IT UP AFTER THE ACCIDENT? 497 00:36:14,240 --> 00:36:16,508 DON'T KNOW ABOUT NO ACCIDENT. 498 00:36:16,542 --> 00:36:18,810 BUT SOMEBODY HIT HIM AWFUL HARD. 499 00:36:18,844 --> 00:36:21,947 SOMEBODY? YOU DIDN'T SEE THE BREWERY WAGON? 500 00:36:21,980 --> 00:36:23,582 THE ALLEY BY O'BRIEN STREET IS 501 00:36:23,615 --> 00:36:26,518 TOO NARROW FOR A BREWERY WAGON, MISTER. 502 00:36:26,552 --> 00:36:27,853 Charles: ALLEY? 503 00:36:27,886 --> 00:36:29,655 JOHN, JR. WAS KILLED IN THE STREET. 504 00:36:29,688 --> 00:36:31,790 WELL, HE DIDN'T WALK THERE. 505 00:36:31,823 --> 00:36:34,226 HE WAS DEAD WHEN I TOOK THE WATCH. 506 00:36:34,260 --> 00:36:37,596 IT WAS DARK AND RAINY, AND I COULDN'T SEE. 507 00:36:40,566 --> 00:36:42,801 COME ON. THERE'S SOMEBODY ELSE I WANT YOU TO TELL THIS STORY TO. 508 00:36:48,707 --> 00:36:49,975 Isaiah: WHAT I'M SAYING, MR. CALLAHAN, IS THERE 509 00:36:50,008 --> 00:36:51,843 WAS WITNESSES TO THAT ACCIDENT. 510 00:36:51,877 --> 00:36:53,245 HE SWORE TO IT. 511 00:36:53,279 --> 00:36:54,880 YOU SHOWED US THE POLICE REPORTS. 512 00:36:54,913 --> 00:36:57,483 NOW, WHAT I'M SAYING IS, EITHER THEM WITNESSES ARE LYING 513 00:36:57,516 --> 00:36:58,650 OR THIS BOY IS. 514 00:36:58,684 --> 00:36:59,818 THE BOY'S TELLING YOU THE TRUTH. 515 00:36:59,851 --> 00:37:00,986 CAN'T YOU SEE THAT? 516 00:37:01,019 --> 00:37:02,488 OK, WHAT ABOUT THE WITNESSES, THEN? 517 00:37:02,521 --> 00:37:03,689 Callahan: I DON'T KNOW. 518 00:37:03,722 --> 00:37:05,724 I MEAN, YOU TALKED TO THE BREWERY DRIVER. 519 00:37:05,757 --> 00:37:06,958 YOU THINK HE WAS LYING TO YOU? 520 00:37:06,992 --> 00:37:08,994 NO, SIR. BUT HE NEVER SAW JOHN, 521 00:37:09,027 --> 00:37:11,229 HE SAID SO. NOT TILL AFTER. 522 00:37:12,631 --> 00:37:15,367 SON, THIS MAN YOU SAW... 523 00:37:15,401 --> 00:37:16,368 BIG, YOU SAY? 524 00:37:16,402 --> 00:37:17,769 YES, SIR. 525 00:37:17,803 --> 00:37:19,338 BUT YOU COULDN'T SEE HIS FACE? 526 00:37:19,371 --> 00:37:20,439 NO, SIR. 527 00:37:20,472 --> 00:37:22,574 BUT YOU MUST SEEN SOMETHING. 528 00:37:22,608 --> 00:37:24,876 I MEAN, YOU KNEW IT WAS A MAN, NOT A COW. 529 00:37:24,910 --> 00:37:26,745 JUST A MAN IN THE RAIN. 530 00:37:26,778 --> 00:37:27,879 IN THE RAIN? 531 00:37:27,913 --> 00:37:29,448 DID HE HAVE A HAT? 532 00:37:29,481 --> 00:37:31,283 A RAIN HAT. 533 00:37:31,317 --> 00:37:33,485 AND A COAT, 534 00:37:33,519 --> 00:37:35,020 SORT OF LIKE HIS? 535 00:37:35,053 --> 00:37:36,822 B.J.: LONGER. 536 00:37:36,855 --> 00:37:38,424 Callahan: LIKE A SLICKER? 537 00:37:38,457 --> 00:37:39,758 MAYBE BOOTS? 538 00:37:39,791 --> 00:37:41,026 YES, SIR. 539 00:37:41,059 --> 00:37:43,529 MR. JACKSON, FOR A YOUNG MAN WHO 540 00:37:43,562 --> 00:37:46,031 ONLY GOT ONE QUICK LOOK AT SOMEBODY IN THE RAIN, 541 00:37:46,064 --> 00:37:48,266 I'D SAY YOU'RE VERY OBSERVANT. 542 00:37:50,436 --> 00:37:52,671 HAND ME MY PANTS, IF YOU WOULD, PLEASE, MR. EDWARDS, 543 00:37:52,704 --> 00:37:53,939 AND MY COAT. 544 00:38:02,514 --> 00:38:04,550 MR. CALLAHAN, WHAT DO YOU THINK YOU'RE DOING? 545 00:38:04,583 --> 00:38:06,318 I'M GOING BACK TO WORK, MY LOVE. 546 00:38:06,352 --> 00:38:07,519 OH, YOU CAN'T JUST WALK OUT OF HERE. 547 00:38:07,553 --> 00:38:08,887 YOU'RE MY RESPONSIBILITY. 548 00:38:08,920 --> 00:38:10,789 AND I'LL BE HOLDING YOU TO THAT, MOLLY. 549 00:38:10,822 --> 00:38:12,924 YOUR DAYS OFF ARE NEXT TUESDAY AND WEDNESDAY. 550 00:38:12,958 --> 00:38:14,660 I THINK A NICE PICNIC IN THE PARK 551 00:38:14,693 --> 00:38:15,861 WITH A COLD BOTTLE OF WINE 552 00:38:15,894 --> 00:38:17,396 WILL BE JUST WHAT THE DOCTOR ORDERED. 553 00:38:17,429 --> 00:38:19,598 -MR. CALLAHAN. -T., MY DARLING. 554 00:38:19,631 --> 00:38:21,066 NOW, IF YOU DON'T WISH TO BE EMBARRASSED, 555 00:38:21,099 --> 00:38:22,734 I THINK YOU SHOULD BE TURNING YOUR BACK. 556 00:39:03,842 --> 00:39:05,744 COPY... 557 00:39:05,777 --> 00:39:07,913 GO TELL MRS. HARRIS DOWN AT THE MORGUE I WANT TO SEE HER IMMEDIATELY. 558 00:39:07,946 --> 00:39:09,047 YES, SIR. 559 00:39:09,080 --> 00:39:10,682 -DID YOU SEE THAT? -YES, SIR! 560 00:39:10,716 --> 00:39:13,118 GOOD. I'M GOING TO MAKE AN HONEST MAN OUT OF YOU. 561 00:39:13,151 --> 00:39:15,887 NOW, THIS $5.00 IS YOUR FIRST WEEK'S PAY. 562 00:39:15,921 --> 00:39:17,689 NOW, TO EARN IT, YOU'RE GOING TO PLACE YOUR BEHIND 563 00:39:17,723 --> 00:39:18,857 ON THAT BENCH OVER THERE, 564 00:39:18,890 --> 00:39:20,692 AND IF YOU HEAR ANYONE YELL "COPY," 565 00:39:20,726 --> 00:39:22,394 YOU'RE GOING TO COME A-RUNNING, AND YOU'RE GOING TO DO 566 00:39:22,428 --> 00:39:24,162 EXACTLY AS THEY TELL YOU, OK? 567 00:39:24,195 --> 00:39:25,897 YES, SIR! 568 00:39:25,931 --> 00:39:29,134 IF I EVER SO MUCH AS EVER HEAR YOU STEAL ANYTHING AGAIN, 569 00:39:29,167 --> 00:39:30,702 EVEN A BROKEN PENCIL, 570 00:39:30,736 --> 00:39:33,405 YOUR BRITCHES WON'T HOLD SPIT. 571 00:39:33,439 --> 00:39:34,506 YOU GOT MY MEANING? 572 00:39:34,540 --> 00:39:36,742 YES, SIR! THANK YOU, SIR. 573 00:39:39,044 --> 00:39:42,113 ANYTHING THAT FIRES MY IRISH IS NOT SO MUCH ACTING STUPID, 574 00:39:42,147 --> 00:39:44,683 AS ALLOWING MYSELF TO BE PLAYED FOR A FOOL! 575 00:39:44,716 --> 00:39:46,452 WHAT DO YOU MEAN, LETTING THEM FELLAS JUMP YOU? 576 00:39:46,485 --> 00:39:48,153 Callahan: NO, NO. IT'S NOT THE FIRST TIME 577 00:39:48,186 --> 00:39:50,489 I'VE TAKEN A LUMP ON THE HEAD IN THE DARK. 578 00:39:50,522 --> 00:39:54,125 IT'S FOR NOT REALIZING IT'S FOR THE SAME REASON POOR JOHNNY DIED. 579 00:39:54,159 --> 00:39:55,961 I DON'T UNDERSTAND. 580 00:39:55,994 --> 00:39:57,929 MR. CALLAHAN! 581 00:39:57,963 --> 00:40:00,098 IT IS NOT CUSTOMARY THAT I BE SUMMONED 582 00:40:00,131 --> 00:40:02,534 FROM MY FILES BY A COPY BOY. 583 00:40:02,568 --> 00:40:05,471 AH, MRS. HARRIS, MY APOLOGIES BY THE THOUSANDS. 584 00:40:05,504 --> 00:40:07,038 NOW, GET THIS CLEARLY. 585 00:40:07,072 --> 00:40:10,008 I'M A TIRED MAN, AND I'M LOSING MY PATIENCE. 586 00:40:10,041 --> 00:40:12,043 I WANT EVERYTHING FROM THE MORGUE, 587 00:40:12,077 --> 00:40:13,879 EVERY LOW BID ON CONTRACTS 588 00:40:13,912 --> 00:40:16,081 PUT OUT BY ALDERMAN HENDRICKS TO THE SEVENTH WARD. 589 00:40:16,114 --> 00:40:19,751 ALDERMAN HENDRICKS HAS BEEN IN OFFICE SINCE I WAS A LITTLE GIRL. 590 00:40:19,785 --> 00:40:21,553 A LONG TIME, YES. 591 00:40:21,587 --> 00:40:23,722 I PARTICULARLY WANT THE NOTICES ON THE LOW BID 592 00:40:23,755 --> 00:40:27,058 AWARDED TO MR. DRUMMOND OF THE DRUMMOND CONSTRUCTION. 593 00:40:27,092 --> 00:40:29,160 HOW FAR BACK DO YOU WANT TO GO? 594 00:40:29,194 --> 00:40:31,162 IF YOU REACH THE EXTRA WE PUT OUT 595 00:40:31,196 --> 00:40:34,199 ON THE LANDING OF THE "MAYFLOWER," THAT WOULD BE FINE. 596 00:40:34,232 --> 00:40:35,634 NOW GO! 597 00:40:35,667 --> 00:40:37,135 AND SEND THEM UP AS YOU GET THEM! 598 00:40:41,540 --> 00:40:42,908 WHAT DOES IT MEAN, ALL THIS? 599 00:40:42,941 --> 00:40:45,010 IF MY SUSPICIONS ARE CORRECT, 600 00:40:45,043 --> 00:40:47,779 I THINK YOUR BOY JOHNNY WAS IN A MAN'S JOB, 601 00:40:47,813 --> 00:40:49,781 A NEWSPAPERMAN'S JOB. 602 00:40:49,815 --> 00:40:51,049 HE DIED FOR IT. 603 00:40:51,082 --> 00:40:52,618 WHAT ARE YOU TALKING ABOUT? 604 00:40:52,651 --> 00:40:54,753 I GAVE JOHNNY AN ASSIGNMENT. 605 00:40:54,786 --> 00:40:57,088 NOTHING IMPORTANT, JUST HUMAN INTEREST. 606 00:40:57,122 --> 00:40:59,791 I WANTED HIM TO FIND OUT HOW THE RESIDENTS ALONG O'BRIEN STREET FELT 607 00:40:59,825 --> 00:41:02,227 ABOUT HAVING THEIR PAVEMENTS RIPPED UP EVERY OTHER WEEK. 608 00:41:02,260 --> 00:41:06,231 I GUESS JOHNNY CHECKED AROUND AND STUMBLED ON MORE THAN JUST HUMAN INTEREST. 609 00:41:06,264 --> 00:41:08,099 I THINK HE STUMBLED ON GRAFT. 610 00:41:08,133 --> 00:41:09,735 AND THEY'D KILL HIM FOR THAT? 611 00:41:12,270 --> 00:41:14,873 IF THERE WAS ENOUGH MONEY INVOLVED, THEY WOULD. 612 00:41:14,906 --> 00:41:16,542 WHO'S THEY? 613 00:41:16,575 --> 00:41:18,544 MY GUESS IS DRUMMOND CONSTRUCTION. 614 00:41:18,577 --> 00:41:20,178 [TELEPHONE RINGS] 615 00:41:24,315 --> 00:41:25,851 ANNIE, HOLD ALL CALLS. 616 00:41:27,285 --> 00:41:30,288 WHY WOULD THEY KILL JOHN? HE WAS JUST A BOY. 617 00:41:30,321 --> 00:41:32,090 FOR THE SAME REASON I GOT MY LUMPS 618 00:41:32,123 --> 00:41:34,793 WHEN I STARTED ASKING QUESTIONS DOWN ON O'BRIEN STREET. 619 00:41:34,826 --> 00:41:36,662 I SHOULD HAVE KNOWN SOMETHING WAS WRONG 620 00:41:36,695 --> 00:41:39,064 WHEN THEY DIDN'T FIND JOHNNY'S NOTEBOOK IN HIS EFFECTS. 621 00:41:39,097 --> 00:41:41,132 THAT BOY WAS A DEMON FOR NOTES. 622 00:41:41,166 --> 00:41:42,734 CAN YOU BE CERTAIN OF THIS? 623 00:41:42,768 --> 00:41:44,570 Callahan: WELL, I CAN BE CERTAIN OF ONE THING. 624 00:41:44,603 --> 00:41:46,204 JOHNNY DIED IN THAT ALLEY. 625 00:41:46,237 --> 00:41:48,907 SOMEBODY DRAGGED HIS BODY OUT INTO THE STREET. 626 00:41:48,940 --> 00:41:50,508 THERE HAS TO BE A REASON. 627 00:41:52,978 --> 00:41:54,580 THIS IS THE FIRST BATCH. 628 00:41:54,613 --> 00:41:56,548 THE NOTICES ARE MARKED. 629 00:41:56,582 --> 00:41:58,917 OH, AND MRS. HARRIS SAYS THERE'LL BE LOTS MORE COMING. 630 00:41:58,950 --> 00:42:00,719 THE REASON'S IN HERE. 631 00:42:00,752 --> 00:42:02,588 NAMES ARE DRUMMOND AND HENDRICKS. 632 00:42:02,621 --> 00:42:03,822 LET'S GO TO WORK. 633 00:43:14,359 --> 00:43:15,827 MR. DRUMMOND! 634 00:43:17,328 --> 00:43:19,330 [CAT SCREECHES] 635 00:43:19,364 --> 00:43:20,732 AH, T. CALLAHAN. 636 00:43:20,766 --> 00:43:22,167 WHAT BRINGS YOU BACK DOWN OUR WAY? 637 00:43:22,200 --> 00:43:24,235 Callahan: NEED THE ANSWERS TO A FEW QUESTIONS. 638 00:43:24,269 --> 00:43:26,404 I READ WHERE YOU WERE STOVE IN A BIT. 639 00:43:26,437 --> 00:43:28,239 THAT'S WHAT I WANTED TO ASK YOU ABOUT. 640 00:43:28,273 --> 00:43:31,743 WAS IT YOU OR SOME OF YOUR LADS WAYLAID ME EVENING BEFORE LAST? 641 00:43:31,777 --> 00:43:33,745 SURELY YOU'RE JOKING. 642 00:43:33,779 --> 00:43:36,147 Charles: OVER $200,000 A YEAR IN CONSTRUCTION CONTRACTS 643 00:43:36,181 --> 00:43:37,382 DOESN'T SOUND LIKE A JOKE, 644 00:43:37,415 --> 00:43:39,117 ESPECIALLY FOR DIGGING DITCHES. 645 00:43:39,150 --> 00:43:41,920 T., WHO IS THIS GENTLEMAN? 646 00:43:41,953 --> 00:43:43,755 PERHAPS YOU SHOULD EXPLAIN TO HIM. 647 00:43:43,789 --> 00:43:45,991 NO, YOU'RE THE ONE THAT'S GOT SOME EXPLAINING TO DO. 648 00:43:46,024 --> 00:43:47,325 Callahan: YOU SEE, DRUMMOND, 649 00:43:47,358 --> 00:43:49,761 THIS GENTLEMAN IS THE BOY'S FATHER. 650 00:43:49,795 --> 00:43:52,731 THE BOY THAT STAYED UP NIGHTS WATCHING WHAT YOU WERE DOING DOWN HERE 651 00:43:52,764 --> 00:43:55,667 AND ASKING QUESTIONS WHY YOU WERE LAYING SEWER PIPES 652 00:43:55,701 --> 00:43:57,836 AND FIXING STREETS THAT DIDN'T NEED FIXING. 653 00:43:57,869 --> 00:44:00,171 CALLAHAN, I DON'T HAVE TO EXPLAIN TO YOU 654 00:44:00,205 --> 00:44:02,107 THAT ALL I HAVE TO DO IS CALL DOWNTOWN-- 655 00:44:02,140 --> 00:44:04,409 Callahan: OH, ALDERMAN HENDRICKS, YES. 656 00:44:04,442 --> 00:44:07,879 I HAVE A FEW QUESTIONS FOR HIM ALSO. 657 00:44:07,913 --> 00:44:11,817 WHY DID YOU HAVE TO GO AND KILL SUCH A FINE BOY AS JOHNNY? 658 00:44:11,850 --> 00:44:13,952 I DON'T KNOW WHAT YOU'RE TALKING ABOUT. 659 00:44:13,985 --> 00:44:15,420 WELL, I DO. 660 00:44:15,453 --> 00:44:17,355 I'VE GOT A WITNESS. 661 00:44:17,388 --> 00:44:18,123 B.J.! 662 00:44:21,793 --> 00:44:23,862 THIS IS THE MAN YOU SAW KILL JOHNNY? 663 00:44:25,396 --> 00:44:27,966 SAME COAT, SAME SIZE. 664 00:44:27,999 --> 00:44:29,467 COME ON, CALLAHAN. 665 00:44:29,500 --> 00:44:31,169 "SAME COAT, SAME SIZE." 666 00:44:31,202 --> 00:44:34,039 THAT WON'T HOLD UP IN COURT AND YOU KNOW IT. 667 00:44:34,072 --> 00:44:35,106 BUT THIS WILL. 668 00:44:37,108 --> 00:44:39,177 THAT'S THE RING YOU DESCRIBED, SON. 669 00:44:39,210 --> 00:44:41,146 LION'S HEAD WITH RUBY EYES. 670 00:44:43,214 --> 00:44:45,383 Callahan: THAT'S IT, AIN'T IT? 671 00:44:45,416 --> 00:44:49,220 DON'T BE AFRAID, SON. THAT'S IT, AIN'T IT? 672 00:44:49,254 --> 00:44:50,688 YEAH, THAT'S IT. 673 00:44:54,292 --> 00:44:55,460 GO TO THE ALLEY. CUT HIM OFF! 674 00:44:59,430 --> 00:45:00,866 B.J.: MR. CALLAHAN. 675 00:45:02,333 --> 00:45:04,269 I AIN'T SEEN NO RING. 676 00:45:05,436 --> 00:45:06,805 YOU DID FINE. 677 00:45:53,819 --> 00:45:54,886 AAH! 678 00:45:54,920 --> 00:45:56,287 [CRASH] 679 00:46:05,096 --> 00:46:06,297 Worker: I THINK HIS NECK'S BROKE. 680 00:46:07,565 --> 00:46:08,867 HE'S DEAD. 681 00:46:24,983 --> 00:46:26,484 COME ON. LET'S GO. 682 00:47:05,390 --> 00:47:06,858 MR. CALLAHAN, 683 00:47:06,892 --> 00:47:08,226 I WANT TO THANK YOU FOR THE HELP. 684 00:47:08,259 --> 00:47:11,062 Callahan: NO NEED. MY CONDOLENCES TO YOUR WIFE. 685 00:47:11,096 --> 00:47:12,998 THANK YOU. 686 00:47:13,031 --> 00:47:14,632 THANK YOU, TOO, B.J. 687 00:47:14,665 --> 00:47:17,602 IT'S ME WHO SHOULD BE DOING THE THANKING. 688 00:47:17,635 --> 00:47:19,637 I'M EARNING AN HONEST LIVING. 689 00:47:19,670 --> 00:47:22,040 IT'S NOT MUCH, 690 00:47:22,073 --> 00:47:24,042 BUT IT'S THE FIRST COPY OFF THE PRESS. 691 00:47:26,411 --> 00:47:28,446 GRACE WILL LIKE THAT. 692 00:47:28,479 --> 00:47:30,215 JOHN, JR.'S NAME ON IT. 693 00:47:30,248 --> 00:47:32,150 Callahan: JOHNNY DESERVED THE BYLINE. 694 00:47:32,183 --> 00:47:33,418 IT WAS HIS STORY. 695 00:47:35,353 --> 00:47:36,287 THANK YOU. 696 00:47:38,289 --> 00:47:39,357 DRIVER. 697 00:47:46,197 --> 00:47:47,432 Boy: READ ALL ABOUT IT! 698 00:47:47,465 --> 00:47:49,634 ALDERMAN HENDRICKS CHARGED WITH FRAUD. 699 00:47:49,667 --> 00:47:53,038 CONTRACTOR KILLED IN ATTEMPTED ESCAPE. READ ALL ABOUT IT. 700 00:47:53,071 --> 00:47:55,406 ALDERMAN HENDRICKS CHARGED WITH FRAUD. 701 00:47:55,440 --> 00:47:58,643 CONTRACTOR KILLED IN ATTEMPTED ESCAPE. 702 00:47:58,676 --> 00:47:59,877 PAPER! 703 00:48:01,512 --> 00:48:02,680 READ ALL ABOUT IT! 704 00:48:02,713 --> 00:48:05,016 ALDERMAN HENDRICKS CHARGED WITH FRAUD.