1 00:01:44,905 --> 00:01:48,476 Helen: ANNIE, IT'S GOING TO BE A FEW MORE MINUTES. 2 00:01:48,509 --> 00:01:50,411 TAKE YOUR TIME, MOTHER. 3 00:01:50,444 --> 00:01:51,479 YOU SURE YOU DON'T WANT TO COME IN FOR A MINUTE 4 00:01:51,512 --> 00:01:53,214 AND HAVE A CUP OF TEA? 5 00:01:53,247 --> 00:01:56,850 IT'S TOO BEAUTIFUL OUT, AND MY HAND WANTS TO PAINT. 6 00:01:56,884 --> 00:01:58,786 Helen: ALL RIGHT. 7 00:02:02,790 --> 00:02:03,724 I TRIED TO TELL YOU. 8 00:02:03,757 --> 00:02:05,493 I KNOW, I KNOW. 9 00:02:05,526 --> 00:02:08,496 IT JUST WORRIES ME THE WAY THAT CHILD IS WITH HER PAINTING. 10 00:02:08,529 --> 00:02:10,164 SHE'D STARVE TO DEATH IF I DIDN'T FORCE HER 11 00:02:10,198 --> 00:02:11,632 TO STOP AND EAT ONCE IN A WHILE. 12 00:02:11,665 --> 00:02:14,202 HERE YOU ARE. A LITTLE MORE TEA. 13 00:02:14,235 --> 00:02:15,436 HEY, YOU MIGHT AS WELL JOIN US 14 00:02:15,469 --> 00:02:17,438 IF YOU'RE NOT TOO BUSY, CAROLINE. 15 00:02:17,471 --> 00:02:20,174 ANNIE'S NOT IN THE MOOD FOR TEA. 16 00:02:20,208 --> 00:02:22,176 WELL, IN THAT CASE, I WILL SIT. 17 00:02:22,210 --> 00:02:23,577 GOOD. 18 00:02:26,847 --> 00:02:30,918 IT JUST AMAZES ME THE WAY THAT CHILD 19 00:02:30,951 --> 00:02:35,189 CAN PUT ON CANVAS WHAT SHE SEES IN HER MIND. 20 00:02:35,223 --> 00:02:37,658 YOU CAN THANK YOUR DAUGHTER FOR THAT, 21 00:02:37,691 --> 00:02:39,593 PUTTING THEM PAINTS ON THE PALETTE FOR HER 22 00:02:39,627 --> 00:02:45,199 LIKE A SUPPER PLATE, WITH AZURE BLUE AT 12 O'CLOCK 23 00:02:45,233 --> 00:02:48,902 AND BURNT AMBER AT 2. 24 00:02:48,936 --> 00:02:53,441 I NEVER COULD UNDERSTAND HOW A CHILD ALMOST TOTALLY BLIND 25 00:02:53,474 --> 00:02:54,775 COULD TAKE SO TO PAINTING. 26 00:02:54,808 --> 00:02:57,211 MAKES HER HAPPY. 27 00:02:57,245 --> 00:03:00,714 YOU KNOW, SHE SAYS IT'S THE ONLY THING SHE CAN SEE, 28 00:03:00,748 --> 00:03:02,550 AND I THINK SHE CAN. 29 00:03:02,583 --> 00:03:04,218 GOD GAVE HER THAT GIFT. 30 00:03:04,252 --> 00:03:07,255 WELL, I WISH HE'D GIVEN HER A GIFT TO SEW 31 00:03:07,288 --> 00:03:09,390 OR TO TEACH, LIKE YOUR DAUGHTER, CAROLINE-- 32 00:03:09,423 --> 00:03:13,294 SOMETHING SHE COULD DO TO EARN HER WAY SOMEDAY. 33 00:03:13,327 --> 00:03:16,297 OH, NOW, SORRELL, DON'T START THAT NOW. 34 00:03:16,330 --> 00:03:17,565 Sorrell: NOW, HELEN, 35 00:03:17,598 --> 00:03:20,234 IF I CAN'T TALK IN FRONT OF A FRIEND, 36 00:03:20,268 --> 00:03:22,936 WHO CAN I TALK IN FRONT OF? 37 00:03:22,970 --> 00:03:26,840 MY WIFE DOESN'T LIKE TO THINK ABOUT OUR DYING, 38 00:03:26,874 --> 00:03:28,709 BUT IT'S A FACT OF LIFE. 39 00:03:28,742 --> 00:03:31,512 SHE'S GOING TO BE ALONE SOMEDAY, 40 00:03:31,545 --> 00:03:36,317 AND THE THOUGHT OF IT WORRIES ME MORE THAN MY OWN PASSING ON. 41 00:03:36,350 --> 00:03:39,253 THAT ISN'T GOING TO BE FOR QUITE A WHILE YET. 42 00:03:39,287 --> 00:03:42,490 CAROLINE, WE KNEW WE WERE GOING TO HAVE TO FACE THIS DAY 43 00:03:42,523 --> 00:03:45,826 WHEN WE TOOK THAT CHILD IN AS A BABY. 44 00:03:45,859 --> 00:03:47,395 WE WERE YOUNG THEN. 45 00:03:47,428 --> 00:03:49,497 OH, NOW, SORRELL, THAT'S ENOUGH. 46 00:03:49,530 --> 00:03:50,998 NOW, PLEASE, COME. 47 00:03:51,031 --> 00:03:52,766 I'VE GOT PICKLES I'VE GOT TO PUT UP. 48 00:03:52,800 --> 00:03:53,967 YES, DEAR. 49 00:03:54,001 --> 00:03:55,603 I'LL COME OUT WITH YOU. 50 00:03:55,636 --> 00:03:59,473 I LOVE TO SEE ANNIE'S PAINTINGS. 51 00:03:59,507 --> 00:04:01,442 WE'RE READY TO GO, ANNIE. 52 00:04:01,475 --> 00:04:03,344 ARE YOU READY? 53 00:04:03,377 --> 00:04:05,313 OH, IT'S BEAUTIFUL! 54 00:04:05,346 --> 00:04:07,315 THANK YOU, MRS. INGALLS. 55 00:04:07,348 --> 00:04:09,283 IS THE SKY RIGHT? 56 00:04:09,317 --> 00:04:11,585 IT FELT RIGHT WHEN I DID IT. 57 00:04:11,619 --> 00:04:14,688 IT'S VERY RIGHT. 58 00:04:14,722 --> 00:04:16,724 WOULD YOU LIKE TO HAVE IT? 59 00:04:16,757 --> 00:04:18,292 OH, I COULDN'T! 60 00:04:18,326 --> 00:04:19,827 OH, PLEASE! 61 00:04:19,860 --> 00:04:22,963 I WANT YOU TO HAVE IT. I HAVE DOZENS AT HOME, BELIEVE ME. 62 00:04:22,996 --> 00:04:24,765 OH, I CAN VOUCH FOR THAT. 63 00:04:24,798 --> 00:04:28,302 HALF THE HOUSE IS FULL OF PAINTINGS. 64 00:04:28,336 --> 00:04:29,570 ALL RIGHT. 65 00:04:29,603 --> 00:04:31,772 I'D LOVE TO HAVE IT! 66 00:04:31,805 --> 00:04:34,074 UM, THE PAINT'S NOT DRY YET, 67 00:04:34,107 --> 00:04:36,810 SO MIND THE WAY YOU HANDLE IT. 68 00:04:36,844 --> 00:04:39,046 I'LL BE VERY CAREFUL. 69 00:04:39,079 --> 00:04:42,850 OH, THANK YOU! 70 00:04:42,883 --> 00:04:44,952 DARLING, I'LL TAKE THOSE THINGS. YOU CAN RUN ALONG. 71 00:04:44,985 --> 00:04:46,820 ANNIE. 72 00:04:46,854 --> 00:04:48,989 Helen: WE'LL SEE YOU IN A COUPLE OF DAYS, CAROLINE. 73 00:04:49,022 --> 00:04:52,526 Caroline: YES, HELEN. AND DON'T FORGET THOSE PICKLES THAT NELLIE WANTS TO TRY. 74 00:04:52,560 --> 00:04:53,727 OH, I WON'T FORGET. 75 00:04:53,761 --> 00:04:55,062 GOOD-BYE, MRS. INGALLS 76 00:04:55,095 --> 00:04:57,398 - GOOD-BYE. - BYE. 77 00:05:42,042 --> 00:05:43,811 Driver: WE'LL BE HERE 30 MINUTES, FOLKS. 78 00:05:43,844 --> 00:05:46,480 GOOD RESTAURANT INSIDE. FACILITIES INSIDE FOR THE LADIES. 79 00:05:46,514 --> 00:05:48,048 MEN, OUT BACK. 80 00:06:04,665 --> 00:06:06,567 - WELCOME! - THANK YOU, I'M STARVED. 81 00:06:06,600 --> 00:06:08,769 - OH, JUST SIT ANYWHERE. - THANK YOU. 82 00:06:16,644 --> 00:06:18,746 Caroline: UH, IT'S STILL WET. Unger: HUH? 83 00:06:18,779 --> 00:06:21,415 Caroline: OH, I'M SORRY. 84 00:06:21,449 --> 00:06:23,817 I THOUGHT YOU WERE GOING TO TOUCH IT. 85 00:06:23,851 --> 00:06:26,720 - BEAUTIFUL, ISN'T IT? - IT'S EXTRAORDINARY. 86 00:06:26,754 --> 00:06:27,921 EVEN MORE SO, WHEN YOU CONSIDER 87 00:06:27,955 --> 00:06:30,090 THE GIRL THAT PAINTED IT IS BLIND. 88 00:06:30,123 --> 00:06:31,559 BLIND? 89 00:06:31,592 --> 00:06:33,627 YES. 90 00:06:33,661 --> 00:06:35,128 WHAT A GIFT. 91 00:06:35,162 --> 00:06:36,564 WHAT'S THE NAME OF THE ARTIST? 92 00:06:36,597 --> 00:06:37,765 ANNIE CRANE. 93 00:06:37,798 --> 00:06:38,966 SHE LIVES HERE? 94 00:06:38,999 --> 00:06:40,968 ABOUT A MILE OR SO FROM TOWN. 95 00:06:41,001 --> 00:06:43,571 WHEN YOU SEE HER NEXT, WOULD YOU GIVE HER MY CARD-- 96 00:06:43,604 --> 00:06:45,773 OR I SHOULD SAY-- READ IT TO HER? 97 00:06:45,806 --> 00:06:48,676 MY NAME IS JEREMY UNGER. 98 00:06:48,709 --> 00:06:50,578 "ART DEALER"? 99 00:06:50,611 --> 00:06:51,812 IN SLEEPY EYE? 100 00:06:51,845 --> 00:06:53,180 OH, I HAVE SEVERAL THROUGHOUT THE STATE. 101 00:06:53,213 --> 00:06:55,683 THE LARGEST IS IN MINNEAPOLIS. 102 00:06:55,716 --> 00:06:58,852 HAS THIS GIRL DONE MANY PAINTINGS? 103 00:06:58,886 --> 00:07:01,655 HER FATHER SAYS HALF A HOUSEFUL. 104 00:07:01,689 --> 00:07:04,658 I'D BE VERY INTERESTED IN BUYING HER WORK. 105 00:07:04,692 --> 00:07:09,096 IF SHE'S INTERESTED, I'LL BE IN SLEEPY EYE FOR THE NEXT MONTH. 106 00:07:09,129 --> 00:07:11,465 OH, I'M SURE SHE'LL BE INTERESTED. 107 00:07:11,499 --> 00:07:15,936 MEANWHILE, I'D LIKE A LIVERWURST SANDWICH AND A CUP OF COFFEE. 108 00:07:15,969 --> 00:07:17,505 THE STAGE DOES NOT WAIT. 109 00:07:17,538 --> 00:07:20,574 CERTAINLY. JUST SIT RIGHT DOWN, MR. UNGER. 110 00:07:20,608 --> 00:07:23,677 THANK YOU. 111 00:07:23,711 --> 00:07:27,815 Caroline: NOW, WHAT CAN I DO FOR YOU FOLKS? 112 00:07:27,848 --> 00:07:30,484 I CAN'T BELIEVE IT! 113 00:07:30,518 --> 00:07:33,053 A REAL ART DEALER LIKED MY PAINTING. 114 00:07:33,086 --> 00:07:35,022 NOT JUST LIKED. 115 00:07:35,055 --> 00:07:39,493 THE WORD HE USED WAS "EXTRAORDINARY." 116 00:07:39,527 --> 00:07:41,128 AND HE WANTS TO BUY THEM? 117 00:07:41,161 --> 00:07:42,730 THAT'S WHAT HE SAID. 118 00:07:42,763 --> 00:07:43,697 WHAT SHOULD WE DO? 119 00:07:43,731 --> 00:07:45,633 Caroline: IF YOU ASK ME, 120 00:07:45,666 --> 00:07:48,536 I THINK YOU SHOULD TAKE A WHOLE WAGONFUL OF PAINTINGS TO SLEEPY EYE. 121 00:07:48,569 --> 00:07:50,103 CAN WE, PA? 122 00:07:50,137 --> 00:07:52,205 Sorrell: WELL, OF COURSE WE CAN. 123 00:07:52,239 --> 00:07:53,974 I'LL HAVE TO BORROW A RIG. 124 00:07:54,007 --> 00:07:55,175 I ALREADY TALKED TO CHARLES. 125 00:07:55,208 --> 00:07:57,077 YOU CAN USE OUR WAGON. 126 00:07:57,110 --> 00:07:59,212 I'LL DRIVE IF YOU LIKE. 127 00:07:59,246 --> 00:08:00,514 WELL, I'D APPRECIATE IT. 128 00:08:00,548 --> 00:08:01,815 IT'S MY PLEASURE. 129 00:08:01,849 --> 00:08:04,051 I WOULDN'T MISS IT FOR THE WORLD. 130 00:08:04,084 --> 00:08:05,653 WE CAN LEAVE ON SATURDAY. 131 00:08:05,686 --> 00:08:06,987 Caroline: I'LL GET IN TOUCH WITH MARY. 132 00:08:07,020 --> 00:08:08,756 SHE CAN PUT US UP AT THE BLIND SCHOOL. 133 00:08:08,789 --> 00:08:11,792 I'LL GET TO BE WITH MY CLASSMATES AGAIN. 134 00:08:11,825 --> 00:08:15,963 OH! I'M SO EXCITED, I DON'T KNOW WHAT TO DO. 135 00:08:18,632 --> 00:08:20,834 YES, I DO. 136 00:08:20,868 --> 00:08:23,036 I WANT TO PAINT. 137 00:08:23,070 --> 00:08:25,673 I WANT TO PAINT HAPPINESS. 138 00:08:43,023 --> 00:08:44,825 Caroline: WE'LL BE IN SLEEPY EYE IN AN HOUR. 139 00:08:44,858 --> 00:08:46,560 OH, GOOD. 140 00:08:46,594 --> 00:08:48,095 JUST ANOTHER HOUR, SORRELL. 141 00:08:48,128 --> 00:08:49,963 [LAUGHS] PRAISE GOD. 142 00:08:49,997 --> 00:08:52,933 MY BEHIND HASN'T BEEN SO SORE SINCE MY PA TOOK A STRAP TO-- 143 00:08:52,966 --> 00:08:54,635 OH! 144 00:08:54,668 --> 00:08:56,570 I'M SO HAPPY. 145 00:08:56,604 --> 00:08:58,105 [LAUGHS] SO AM I. 146 00:08:58,138 --> 00:09:00,741 SO AM I! 147 00:09:00,774 --> 00:09:04,578 [HUMS] 148 00:09:04,612 --> 00:09:05,779 SOMEBODY'S VERY HAPPY. 149 00:09:05,813 --> 00:09:07,781 OH, I AM. IT'S LIKE A DREAM. 150 00:09:07,815 --> 00:09:09,917 SOMEONE ACTUALLY LIKED MY PAINTINGS. 151 00:09:09,950 --> 00:09:11,184 WHY ARE YOU SO SURPRISED? 152 00:09:11,218 --> 00:09:13,020 EVERYBODY THAT SEES THEM LIKES THEM. 153 00:09:13,053 --> 00:09:15,188 OH, I KNOW, BUT THIS IS DIFFERENT. 154 00:09:15,222 --> 00:09:16,590 THIS MR. UNGER LIKED MY PAINTINGS 155 00:09:16,624 --> 00:09:18,358 BEFORE HE KNEW I WAS BLIND. 156 00:09:18,391 --> 00:09:19,793 ANNIE. 157 00:09:19,827 --> 00:09:22,630 TRY TO UNDERSTAND, MRS. INGALLS. 158 00:09:22,663 --> 00:09:24,031 EVEN IF ALL OF YOU WERE BEING HONEST, 159 00:09:24,064 --> 00:09:26,266 IT WAS STILL AT THE BACK OF MY MIND. 160 00:09:26,299 --> 00:09:29,670 I MEAN, WHY WOULD ANYBODY SAY ANYTHING BAD ABOUT MY PAINTINGS? 161 00:09:29,703 --> 00:09:34,107 I CAN'T SEE THEM, AND NO ONE WANTS TO HURT A BLIND PERSON. 162 00:09:34,141 --> 00:09:36,009 BUT NOW... 163 00:09:36,043 --> 00:09:37,377 NOW I KNOW FOR SURE THEY MUST LOOK 164 00:09:37,410 --> 00:09:40,681 LIKE THEY DO ON MY MIND. 165 00:09:40,714 --> 00:09:43,316 I JUST HOPE MR. UNGER LIKES THE REST OF THEM. 166 00:09:43,350 --> 00:09:44,885 OH, HE WILL. 167 00:09:44,918 --> 00:09:46,754 I CAN FEEL IT IN MY BONES. 168 00:09:46,787 --> 00:09:47,988 AH! [LAUGHTER] 169 00:09:48,021 --> 00:09:50,624 Sorrell: SO CAN I. 170 00:10:30,130 --> 00:10:31,765 WELL, ANNIE. 171 00:10:31,799 --> 00:10:34,234 THEY'RE VERY GOOD--VERY GOOD, INDEED. 172 00:10:34,267 --> 00:10:36,369 - THANK YOU, SIR. - NOW, HERE'S WHAT I'D LIKE TO DO. 173 00:10:36,403 --> 00:10:39,139 I'D LIKE TO ARRANGE FOR AN EXHIBITION OF YOUR PAINTINGS. 174 00:10:39,172 --> 00:10:41,074 - AN EXHIBITION? - RIGHT. 175 00:10:41,108 --> 00:10:43,410 AT THE BLIND SCHOOL. IT'S A PERFECT TIE-IN. 176 00:10:43,443 --> 00:10:45,312 BUT I'LL NEED ALL THE BACKGROUND ON YOU, 177 00:10:45,345 --> 00:10:48,215 ABOUT YOUR SCHOOLING, YOUR BLINDNESS. 178 00:10:48,248 --> 00:10:51,384 MR. UNGER, DO WE HAVE TO TELL THEM ABOUT MY BEING BLIND? 179 00:10:51,418 --> 00:10:53,954 I MEAN, I DON'T WANT THEM TO BUY MY PAINTINGS OUT OF PITY. 180 00:10:53,987 --> 00:10:57,390 [CHUCKLES] ANNIE, YOU'RE VERY YOUNG, AND YOU'VE GOT A LOT TO LEARN. 181 00:10:57,424 --> 00:10:59,793 NO ONE IS GOING TO BUY YOUR PAINTINGS OUT OF PITY. 182 00:10:59,827 --> 00:11:02,763 ART LOVERS WANT THEIR MONEY'S WORTH. 183 00:11:02,796 --> 00:11:05,966 BUT HOW ARE WE GOING TO GET PEOPLE TO BUY YOUR PAINTINGS IF THEY DON'T SEE THEM? 184 00:11:05,999 --> 00:11:09,302 Unger: YOU'RE AN UNKNOWN. THAT'S WHY WE HAVE TO USE EVERYTHING WE CAN 185 00:11:09,336 --> 00:11:12,039 TO GET THEM TO SEE YOUR PAINTINGS, TO GET THEM OUT. 186 00:11:12,072 --> 00:11:13,907 WE HAVE TO GET PEOPLE ASKING THEMSELVES, 187 00:11:13,941 --> 00:11:16,710 WHAT DOES A BLIND GIRL PAINT? 188 00:11:16,744 --> 00:11:18,311 Annie: BUT-- Unger: THERE ARE NO BUTS. 189 00:11:18,345 --> 00:11:20,814 NOW, SOME ARTISTS WEAR OUTLANDISH COSTUMES, 190 00:11:20,848 --> 00:11:21,849 SOME DO STRANGE THINGS, 191 00:11:21,882 --> 00:11:23,216 SOME EVEN CUT OFF THEIR EARS, 192 00:11:23,250 --> 00:11:26,754 BUT NO MATTER WHAT, THEY MAKE PEOPLE CURIOUS. 193 00:11:26,787 --> 00:11:28,789 NOW, ONCE PEOPLE SEE YOUR PAINTINGS, 194 00:11:28,822 --> 00:11:32,059 THEY'RE NOT GOING TO CARE WHETHER YOU'RE BLIND OR NOT. 195 00:11:32,092 --> 00:11:33,827 BUT FIRST... 196 00:11:33,861 --> 00:11:36,029 THEY'VE GOT TO SEE THE PAINTINGS. 197 00:11:36,063 --> 00:11:39,733 NOW, WHAT DO YOU SAY? 198 00:11:39,767 --> 00:11:41,735 I SAY, LET'S GET THEM TO SEE THEM! 199 00:11:41,769 --> 00:11:43,270 THANK YOU. HEY, GET YOUR PAPER! 200 00:11:43,303 --> 00:11:44,437 PAPER? 201 00:11:47,007 --> 00:11:51,411 Paperboy: PAPER? GET YOUR PAPER! PAPER? 202 00:11:51,444 --> 00:11:54,281 "SHE WAS ABANDONED AT THE AGE OF TWO, 203 00:11:54,314 --> 00:11:57,117 "HER SIGHT ALREADY GROWING STEADILY DIM. 204 00:11:57,150 --> 00:12:00,888 "BY THE AGE OF 5, SHE WAS ALMOST TOTALLY BLIND. 205 00:12:00,921 --> 00:12:03,957 Victor: "WHEN THE BLIND SCHOOL IN WINOKA WAS CLOSED, 206 00:12:03,991 --> 00:12:07,895 "HER FOSTER PARENTS TRAVELED WITH HER TO WALNUT GROVE, 207 00:12:07,928 --> 00:12:11,164 WHERE THEY STILL RESIDE." 208 00:12:11,198 --> 00:12:13,500 IT'S HER... 209 00:12:13,533 --> 00:12:15,468 MY LITTLE SANDRA. 210 00:12:17,337 --> 00:12:18,471 YOU SURE? 211 00:12:19,973 --> 00:12:23,777 VERY SURE. 212 00:12:23,811 --> 00:12:25,813 OHH. 213 00:12:25,846 --> 00:12:29,549 AFTER ALL THESE YEARS... 214 00:12:29,582 --> 00:12:33,186 ALL THESE YEARS... 215 00:12:33,220 --> 00:12:34,955 IS THERE ANY MORE? 216 00:12:36,924 --> 00:12:40,794 JUST AN AD FOR HER EXHIBITION IN SLEEPY EYE. 217 00:12:40,828 --> 00:12:42,796 WELL, WHAT DOES IT SAY? 218 00:12:42,830 --> 00:12:45,132 UH, IT SAYS, UH... 219 00:12:45,165 --> 00:12:47,968 SAYS IT'LL BE AT THE BLIND SCHOOL FROM 2:00 TO 5:00 220 00:12:48,001 --> 00:12:50,337 ON SEPTEMBER EIGHTH, NINTH, AND TENTH. 221 00:12:55,542 --> 00:13:00,180 SHE'S 16 NOW AND AN ARTIST! 222 00:13:03,150 --> 00:13:06,253 I CAN'T BELIEVE IT. 223 00:13:06,286 --> 00:13:07,988 16! 224 00:13:14,862 --> 00:13:16,964 OH, GOD, HOW I REMEMBER THAT DAY. 225 00:13:16,997 --> 00:13:18,932 MARGE, DON'T. 226 00:13:21,568 --> 00:13:23,837 I CAN STILL SEE HER, 227 00:13:23,871 --> 00:13:26,974 SITTING ON THE STEPS OF THE WINOKA SCHOOL, 228 00:13:27,007 --> 00:13:32,145 WITH HER BAG OF BELONGINGS NEXT TO HER. 229 00:13:32,179 --> 00:13:35,115 "I'LL BE BACK SOON," I SAID. 230 00:13:35,148 --> 00:13:36,850 "DON'T WORRY, I'LL BE BACK SOON." 231 00:13:36,884 --> 00:13:39,953 MARGE, I TOLD YOU, DON'T. 232 00:13:39,987 --> 00:13:41,321 THERE WAS NOTHING ELSE YOU COULD DO, 233 00:13:41,354 --> 00:13:43,156 YOU KNOW THAT. 234 00:13:43,190 --> 00:13:45,292 WELL, YOU COULDN'T TAKE CARE OF HER BY YOURSELF. 235 00:13:45,325 --> 00:13:47,861 NO ONE COULD. 236 00:13:47,895 --> 00:13:50,898 YOU DID WHAT WAS BEST FOR THE CHILD. 237 00:13:50,931 --> 00:13:52,099 [SOBBING] 238 00:13:52,132 --> 00:13:53,300 SHE MUST HATE ME. 239 00:13:53,333 --> 00:13:54,501 I KNOW SHE MUST HATE ME. 240 00:13:54,534 --> 00:13:57,537 NO, NO, SHE DOESN'T. SHE DOESN'T. 241 00:13:57,570 --> 00:13:59,439 I WANT TO HOLD HER. 242 00:13:59,472 --> 00:14:01,341 MARGE. 243 00:14:01,374 --> 00:14:03,643 VICTOR, I WANT TO HOLD HER. I WANT TO TELL HER I LOVE HER. 244 00:14:03,676 --> 00:14:05,979 MARGE. 245 00:14:06,013 --> 00:14:08,515 MARGE, IT'S A HARD TRIP TO SLEEPY EYE, AND-- 246 00:14:08,548 --> 00:14:10,417 YOU GO. 247 00:14:10,450 --> 00:14:15,322 YOU GO AND TELL HER HER MOTHER LOVES HER AND WANTS TO HOLD HER. 248 00:14:15,355 --> 00:14:18,058 LET'S WAIT A WHILE, THINK ABOUT IT. 249 00:14:18,091 --> 00:14:20,493 MAYBE WHEN YOU'RE STRONGER, WE CAN BOTH GO. 250 00:14:20,527 --> 00:14:23,030 NO. 251 00:14:23,063 --> 00:14:25,265 I DON'T WANT HER TO KNOW ABOUT ME. 252 00:14:25,298 --> 00:14:27,867 I DON'T WANT HER TO HOLD ME OUT OF PITY. 253 00:14:30,470 --> 00:14:33,473 YOU SAID SHE DOESN'T HATE ME. 254 00:14:33,506 --> 00:14:35,943 GO TO HER. 255 00:14:35,976 --> 00:14:38,111 TELL HER I LOVE HER. 256 00:14:38,145 --> 00:14:41,081 I WANT TO HOLD HER JUST ONCE. 257 00:14:43,483 --> 00:14:46,519 PLEASE, MY LOVE. 258 00:14:46,553 --> 00:14:48,221 PLEASE. 259 00:14:50,257 --> 00:14:51,959 PLEASE. 260 00:14:55,062 --> 00:14:57,564 ALL RIGHT. 261 00:14:57,597 --> 00:14:59,399 ALL RIGHT, I'LL-- 262 00:14:59,432 --> 00:15:03,971 I'LL GET MRS. HAWKINS TO TAKE CARE OF YOU. 263 00:15:04,004 --> 00:15:06,339 I'LL LEAVE ON THURSDAY. 264 00:15:06,373 --> 00:15:08,008 THANK YOU. 265 00:15:09,609 --> 00:15:11,678 NOW, DON'T YOU THANK ME. 266 00:15:11,711 --> 00:15:13,480 YOU JUST EAT SOME SOUP I MADE, 267 00:15:13,513 --> 00:15:17,017 AND DON'T BE TELLING ME AGAIN THAT YOU'RE NOT HUNGRY. 268 00:15:17,050 --> 00:15:19,152 OH. 269 00:15:19,186 --> 00:15:22,289 I AM HUNGRY, 270 00:15:22,322 --> 00:15:23,556 AND I'D LOVE SOME SOUP. 271 00:15:23,590 --> 00:15:26,960 ALL RIGHT. 272 00:15:26,994 --> 00:15:29,429 SOUP'S COMING UP. 273 00:15:31,131 --> 00:15:33,133 VICTOR? 274 00:15:33,166 --> 00:15:34,701 YES, LOVE. 275 00:15:34,734 --> 00:15:36,336 DON'T TELL HER ABOUT ME. 276 00:15:36,369 --> 00:15:39,239 PROMISE YOU WON'T TELL HER! 277 00:15:39,272 --> 00:15:40,940 I PROMISE. 278 00:15:43,176 --> 00:15:44,644 I LOVE YOU. 279 00:15:46,479 --> 00:15:48,481 AND I YOU. 280 00:15:51,318 --> 00:15:52,986 I'LL GET SOME SOUP. 281 00:16:36,196 --> 00:16:38,231 Caroline: IT CERTAINLY IS CROWDED! 282 00:16:38,265 --> 00:16:40,367 WHAT DO YOU THINK, MRS. INGALLS? 283 00:16:40,400 --> 00:16:41,701 I THINK THEY LOVE YOUR WORK. 284 00:16:41,734 --> 00:16:44,171 - REALLY? - DOUBLE REALLY. 285 00:16:44,204 --> 00:16:46,606 Unger: ANNIE? 286 00:16:46,639 --> 00:16:49,008 ANNIE, THERE'S SOMEONE I WANT YOU TO MEET. 287 00:16:53,080 --> 00:16:55,582 THIS IS MR. MALCOLM COLE 288 00:16:55,615 --> 00:16:57,584 OF LONDON ARTS, LIMITED. 289 00:16:57,617 --> 00:16:59,419 MR. COLE. 290 00:16:59,452 --> 00:17:02,422 MS. CRANE, I WANT TO CONGRATULATE YOU. 291 00:17:02,455 --> 00:17:04,291 YOUR WORK IS FASCINATING. 292 00:17:04,324 --> 00:17:06,059 THANK YOU VERY MUCH. 293 00:17:06,093 --> 00:17:07,494 AND PLEASE, CALL ME ANNIE. 294 00:17:07,527 --> 00:17:09,696 MR. COLE WANTS TO HAVE SOME OF YOUR PAINTINGS 295 00:17:09,729 --> 00:17:12,699 FOR HIS FIRM'S GALLERY IN LONDON. 296 00:17:12,732 --> 00:17:14,701 LONDON? 297 00:17:14,734 --> 00:17:16,303 NOT LONDON, ENGLAND? 298 00:17:16,336 --> 00:17:17,637 MY DEAR, 299 00:17:17,670 --> 00:17:21,141 TO AN ENGLISHMAN, THERE IS NO OTHER LONDON. 300 00:17:21,174 --> 00:17:22,709 MOTHER! 301 00:17:22,742 --> 00:17:26,079 MOTHER, THIS GENTLEMAN WANTS TO SEND MY PAINTINGS TO LONDON. 302 00:17:26,113 --> 00:17:28,581 OH, I HEARD. I'M SO PROUD, DEAR. 303 00:17:28,615 --> 00:17:31,284 MY MOUTH IS SUDDENLY DRY. I MUST BE NERVOUS. 304 00:17:31,318 --> 00:17:33,086 LET'S GET SOME PUNCH. 305 00:17:33,120 --> 00:17:34,687 TAKE MY ARM. 306 00:17:34,721 --> 00:17:36,123 MY MOUTH IS DRY, TOO. 307 00:17:36,156 --> 00:17:37,790 [LAUGHTER] 308 00:17:37,824 --> 00:17:39,259 TO THE PUNCH BOWL. 309 00:17:39,292 --> 00:17:40,693 DADDY, I'M SO EXCITED. 310 00:17:40,727 --> 00:17:42,529 I KNOW YOU ARE, DEAR. 311 00:17:44,131 --> 00:17:45,732 I'VE NEVER SEEN HER SO HAPPY. 312 00:17:45,765 --> 00:17:47,267 SHE DESERVES IT, 313 00:17:47,300 --> 00:17:49,269 SHE HAS UNIQUE TALENT. 314 00:17:49,302 --> 00:17:51,238 HER WORK HAS GREAT BEAUTY, 315 00:17:51,271 --> 00:17:54,274 BUT AT THE SAME TIME, THERE IS PAIN. 316 00:17:54,307 --> 00:17:56,776 I FEEL TEARS BEHIND HER CANVAS. 317 00:17:56,809 --> 00:17:58,811 I FELT THAT, TOO, MALCOM. 318 00:17:58,845 --> 00:18:01,448 WELL, I THINK I'LL GO AND MINGLE A BIT. 319 00:18:01,481 --> 00:18:03,316 WE'LL TALK PRICE LATER. 320 00:18:03,350 --> 00:18:05,885 AT YOUR CONVENIENCE. 321 00:18:05,918 --> 00:18:08,288 WELL, IT'S GOING BEAUTIFULLY. 322 00:18:08,321 --> 00:18:09,289 I KNEW IT WOULD. 323 00:18:09,322 --> 00:18:10,457 YOU WERE THAT SURE? 324 00:18:10,490 --> 00:18:11,424 THAT'S THE WAY I MAKE MY LIVING. 325 00:18:11,458 --> 00:18:13,693 Mrs. Barnsdale: JEREMY! 326 00:18:13,726 --> 00:18:17,464 THAT'S MRS. BARNSDALE. SHE'S FILTHY RICH. SHE KNOWS NOTHING WHATEVER ABOUT ART. 327 00:18:17,497 --> 00:18:20,533 SHE'S GOING TO INSIST THAT I SELL HER THE MOST EXPENSIVE PAINTING HERE 328 00:18:20,567 --> 00:18:24,137 AND THE LARGER, THE BETTER. EXCUSE ME. 329 00:18:24,171 --> 00:18:26,473 COMING, MRS. BARNSDALE. 330 00:18:26,506 --> 00:18:29,142 YES, MRS. BARNSDALE, CAN I HELP YOU? 331 00:18:29,176 --> 00:18:30,510 YOU CERTAINLY CAN. 332 00:18:30,543 --> 00:18:33,480 I WOULD LIKE TO SEE SOME MORE OF THESE PICTURES. 333 00:18:42,389 --> 00:18:43,756 Sorrell: MARY, WOULD YOU LIKE SOME PUNCH? 334 00:18:43,790 --> 00:18:46,293 Mary: PLEASE. Sorrell: THERE YOU GO. 335 00:18:46,326 --> 00:18:49,629 - I THOUGHT YOU MIGHT LIKE SOME PUNCH. - OH, THANK YOU. 336 00:18:49,662 --> 00:18:53,466 Helen: ANNIE IS POSITIVELY SURROUNDED BY ADMIRERS. 337 00:18:53,500 --> 00:18:56,269 I THINK MY HUSBAND MAY EXPLODE WITH PRIDE. 338 00:18:56,303 --> 00:18:57,870 Victor: EXCUSE ME. 339 00:18:57,904 --> 00:18:58,871 YOU'RE MRS. CRANE? 340 00:18:58,905 --> 00:18:59,839 YES, I AM. 341 00:18:59,872 --> 00:19:01,708 MY NAME IS VICTOR CROSBY, 342 00:19:01,741 --> 00:19:05,178 AND I WONDER IF I MIGHT HAVE A WORD WITH YOU ABOUT YOUR DAUGHTER. 343 00:19:05,212 --> 00:19:05,945 OH, I'M SORRY, MR. CROSBY, 344 00:19:05,978 --> 00:19:07,480 BUT MR. UNGER HAS ASKED US 345 00:19:07,514 --> 00:19:09,449 NOT TO TALK PRICE ON ANNIE'S PAINTINGS. 346 00:19:09,482 --> 00:19:12,219 WELL, IT REALLY HAS NOTHING TO DO WITH YOUR DAUGHTER'S PAINTINGS. 347 00:19:12,252 --> 00:19:14,354 IT'S...PERSONAL. 348 00:19:14,387 --> 00:19:17,357 PLEASE, IT'LL JUST TAKE A MOMENT. 349 00:19:17,390 --> 00:19:20,460 WELL, UM... ALL RIGHT. 350 00:19:20,493 --> 00:19:22,362 WE CAN TALK IN HERE. EXCUSE US, CAROLINE. 351 00:19:22,395 --> 00:19:24,197 CERTAINLY. 352 00:19:24,231 --> 00:19:26,533 Mrs. Barnsdale: OH, JEREMY, I LIKE THIS ONE VERY MUCH! 353 00:19:26,566 --> 00:19:27,834 IT IS PRETTY, ISN'T IT? 354 00:19:27,867 --> 00:19:29,702 AND IS IT ONE OF YOUR MORE EXPENSIVE ONES? 355 00:19:29,736 --> 00:19:32,305 OH, YES, IT'S ONE OF OUR MORE EXPENSIVE ONES. 356 00:19:32,339 --> 00:19:35,275 OH, GOOD, AND I THINK I'D LIKE THAT ONE OVER THERE, TOO. 357 00:19:35,308 --> 00:19:37,244 Mrs. Barnsdale: CAN WE SEE IT CLOSE UP? Unger: CERTAINLY. 358 00:19:41,781 --> 00:19:44,984 - OH, CAROLINE. - WHAT'S WRONG? 359 00:19:45,017 --> 00:19:47,320 I NEED SOMEPLACE TO SIT DOWN FOR A MINUTE, 360 00:19:47,354 --> 00:19:48,688 WHERE IT'S QUIET. 361 00:19:48,721 --> 00:19:50,290 COME ALONG WITH ME. 362 00:19:50,323 --> 00:19:52,191 - UM... - COME ON. 363 00:20:06,806 --> 00:20:09,509 WHAT'S WRONG? 364 00:20:09,542 --> 00:20:10,677 [SIGHS] 365 00:20:13,813 --> 00:20:17,384 THAT MAN DOWNSTAIRS IS MARRIED TO ANNIE'S REAL MOTHER. 366 00:20:19,286 --> 00:20:20,987 WHAT? 367 00:20:23,290 --> 00:20:24,691 HE SAID THAT HE WANTED TO TALK TO HER, 368 00:20:24,724 --> 00:20:26,726 AND I TOLD HIM NO, 369 00:20:26,759 --> 00:20:28,361 AND HE SAID... 370 00:20:32,732 --> 00:20:35,368 - IT'S GOING TO BE ALL RIGHT. - I JUST CAN'T BELIEVE THIS IS HAPPENING. 371 00:20:35,402 --> 00:20:36,903 IT'S BEEN SUCH A WONDERFUL DAY, 372 00:20:36,936 --> 00:20:39,906 AND ANNIE-- ANNIE IS SO HAPPY. 373 00:20:39,939 --> 00:20:41,274 SHE-- 374 00:20:42,942 --> 00:20:47,780 Helen: HE SAID THAT HIS WIFE WANTED TO SEE ANNIE. 375 00:20:55,422 --> 00:20:58,758 FIRST THING YOU'D BETTER DO IS CALM DOWN. 376 00:20:58,791 --> 00:21:01,928 I KNOW, I KNOW. 377 00:21:01,961 --> 00:21:07,367 NOW, UH, HOW DOES ANNIE FEEL ABOUT HER REAL MOTHER? 378 00:21:07,400 --> 00:21:12,305 WE'VE NEVER EVEN REALLY DISCUSSED HER, 379 00:21:12,339 --> 00:21:13,640 BUT SHE REMEMBERS. 380 00:21:13,673 --> 00:21:17,076 EVEN THOUGH SHE WAS ONLY TWO, SHE REMEMBERS. 381 00:21:17,109 --> 00:21:21,047 SHE REMEMBERS THAT HER MOTHER JUST LEFT HER. 382 00:21:21,080 --> 00:21:22,649 SHE'S NEVER HEARD FROM HER. 383 00:21:26,853 --> 00:21:29,856 I THINK YOU'RE GOING TO HAVE TO FACE UP TO IT. 384 00:21:32,925 --> 00:21:37,029 I JUST DON'T KNOW HOW ANNIE'S GOING TO TAKE THIS. 385 00:21:37,063 --> 00:21:38,565 Unger: THANK YOU FOR COMING, 386 00:21:38,598 --> 00:21:41,000 I HOPE YOU ENJOYED YOURSELF. 387 00:21:41,033 --> 00:21:42,635 THANK YOU VERY MUCH. 388 00:21:45,505 --> 00:21:47,674 THANK YOU. THANK YOU. 389 00:21:47,707 --> 00:21:48,975 THANK YOU VERY MUCH. 390 00:21:51,711 --> 00:21:52,779 BYE-BYE. 391 00:21:55,948 --> 00:21:58,351 WELL, YOUNG LADY, IT COULD NOT HAVE GONE BETTER. 392 00:21:58,385 --> 00:21:59,552 THEY LOVED YOUR PAINTINGS. 393 00:21:59,586 --> 00:22:01,421 SO, WHAT ABOUT A CELEBRATIONARY PARTY? 394 00:22:01,454 --> 00:22:03,756 - I'D LOVE IT! - GOOD. HOW LONG WILL IT TAKE YOU TO GET READY? 395 00:22:03,790 --> 00:22:05,057 - I'M READY RIGHT NOW. - ALL RIGHT. 396 00:22:05,091 --> 00:22:07,059 ANNIE, WE ALL NEED TO CLEAN UP AND CHANGE. 397 00:22:07,093 --> 00:22:09,829 Helen: I THINK, UM-- COULD YOU GIVE US AN HOUR, MR. UNGER? 398 00:22:09,862 --> 00:22:11,364 Unger: ALL RIGHT, I'LL BE BACK IN AN HOUR. 399 00:22:11,398 --> 00:22:12,965 BUT YOU'D BETTER BE HUNGRY, YOUNG LADY, 400 00:22:12,999 --> 00:22:14,601 BECAUSE I'M GOING TO TAKE YOU 401 00:22:14,634 --> 00:22:17,437 TO THE BEST FRENCH RESTAURANT IN THE STATE. 402 00:22:17,470 --> 00:22:19,606 OH, PA! A FRENCH RESTAURANT! 403 00:22:19,639 --> 00:22:21,908 WELL, I HOPE I CAN GET SOME MEAT AND POTATOES. 404 00:22:21,941 --> 00:22:23,676 OH, I'D BETTER GET READY. 405 00:22:23,710 --> 00:22:25,545 Annie: MAMA, I'D LIKE TO WEAR MY BLUE DRESS. 406 00:22:25,578 --> 00:22:28,381 ANNIE, THERE'S SOMEONE HERE WHO'D LIKE TO TALK TO YOU. 407 00:22:28,415 --> 00:22:29,616 WHO IS IT? 408 00:22:29,649 --> 00:22:31,851 MY NAME IS VICTOR CROSBY, ANNIE. 409 00:22:31,884 --> 00:22:33,853 HOW DO YOU DO? 410 00:22:33,886 --> 00:22:36,623 MR. CROSBY, THIS IS MY HUSBAND SORRELL. 411 00:22:36,656 --> 00:22:37,924 Victor: MR. CRANE. 412 00:22:37,957 --> 00:22:39,426 Sorrell: HOWDY. 413 00:22:39,459 --> 00:22:40,927 WHY DON'T WE ALL SIT IN THE OFFICE HERE? 414 00:22:40,960 --> 00:22:43,430 I THINK WE'LL BE MORE COMFORTABLE. 415 00:22:43,463 --> 00:22:45,765 Annie: GOOD IDEA. MY FEET ARE JUST KILLING ME. 416 00:22:45,798 --> 00:22:47,767 CAROLINE, COME WITH US, PLEASE. 417 00:22:47,800 --> 00:22:50,036 ALL RIGHT. 418 00:22:50,069 --> 00:22:51,638 SOMETHING'S WRONG. WHAT IS IT? 419 00:22:51,671 --> 00:22:53,606 YOU'LL FIND OUT IN A MINUTE. 420 00:23:02,482 --> 00:23:04,383 Victor: THERE'S A CHAIR HERE, ANNIE. 421 00:23:13,526 --> 00:23:15,762 WELL, I'LL GET RIGHT TO IT, ANNIE, UM-- 422 00:23:18,731 --> 00:23:23,035 MY WIFE, MARGE, 423 00:23:23,069 --> 00:23:26,606 ASKED ME IF I'D COME TO SEE YOU. 424 00:23:26,639 --> 00:23:28,174 SHE HASN'T BEEN TOO WELL OF LATE. 425 00:23:28,207 --> 00:23:30,409 OH, I'M SORRY. 426 00:23:34,514 --> 00:23:36,015 SHE, UH-- 427 00:23:40,553 --> 00:23:42,555 SHE'S YOUR MOTHER, ANNIE. 428 00:23:47,093 --> 00:23:49,562 I KNOW THIS VISIT MUST COME AS A SHOCK TO YOU 429 00:23:49,596 --> 00:23:52,899 AFTER ALL THESE YEARS, BUT... 430 00:23:52,932 --> 00:23:56,469 BUT AS FOLKS GET OLDER, IT'S HARDER FOR THEM 431 00:23:56,503 --> 00:23:59,839 TO KEEP THINGS INSIDE-- FEELINGS. 432 00:24:01,541 --> 00:24:02,942 BUT SHE DESPERATELY WANTS YOU TO KNOW 433 00:24:02,975 --> 00:24:06,012 THAT SHE LOVES YOU, AND SHE WANTS-- 434 00:24:06,045 --> 00:24:07,614 TO SEE ME. 435 00:24:07,647 --> 00:24:09,549 YES. 436 00:24:09,582 --> 00:24:11,818 JUST ONCE. 437 00:24:11,851 --> 00:24:13,920 IF YOU WOULD, IT WOULD MAKE HER SO HAPPY. 438 00:24:13,953 --> 00:24:16,856 WHY WOULD I WANT TO MAKE HER HAPPY, MR. CROSBY? 439 00:24:16,889 --> 00:24:19,559 WHAT IN GOD'S NAME DID SHE EVER DO FOR ME? 440 00:24:19,592 --> 00:24:21,027 Victor: WELL, ANNIE, TRY TO UNDERSTAND. 441 00:24:21,060 --> 00:24:25,632 NO! YOU UNDERSTAND, AND YOU TELL HER! 442 00:24:25,665 --> 00:24:30,069 WHAT DID YOU SAY MY MOTHER'S NAME WAS--MARGE? 443 00:24:30,102 --> 00:24:32,038 YOU TELL HER THAT I HATE HER. 444 00:24:32,071 --> 00:24:35,207 I HATE HER, AND I DON'T EVER WANT HER NEAR ME! 445 00:24:35,241 --> 00:24:36,943 NOW, GET OUT! 446 00:24:36,976 --> 00:24:38,811 ANNIE, I KNOW YOU FEEL YOU HAVE A RIGHT TO-- 447 00:24:38,845 --> 00:24:42,515 Annie: A RIGHT?! 448 00:24:42,549 --> 00:24:45,685 MY MOTHER THREW ME AWAY LIKE A BROKEN DOLL. 449 00:24:45,718 --> 00:24:49,221 I WAS GOING BLIND. WHO WANTS A BLIND CHILD? 450 00:24:49,255 --> 00:24:50,923 "GET RID OF IT! GO AWAY! FORGET IT! 451 00:24:50,957 --> 00:24:52,559 YOU CAN ALWAYS HAVE ANOTHER ONE." 452 00:24:56,629 --> 00:24:59,532 NO, MR. CROSBY, I DON'T FORGIVE HER. 453 00:24:59,566 --> 00:25:01,267 YOU TELL HER THAT. 454 00:25:02,935 --> 00:25:04,904 NOW, GET OUT. 455 00:25:08,641 --> 00:25:12,511 I THINK YOU'D BETTER GO, MR. CROSBY. 456 00:25:25,124 --> 00:25:27,193 YOUR MOTHER NEVER HAD ANOTHER CHILD. 457 00:25:36,736 --> 00:25:38,605 WE'D ALL BETTER GET READY FOR SUPPER. 458 00:25:38,638 --> 00:25:42,208 - ANNIE... - I, FOR ONE, DON'T INTEND TO MISS THIS CELEBRATION. 459 00:25:50,149 --> 00:25:52,218 I'M FINE, MAMA. 460 00:25:54,754 --> 00:25:56,555 REALLY. 461 00:26:24,751 --> 00:26:27,319 [KNOCKING ON DOOR] 462 00:26:27,353 --> 00:26:29,021 COME IN. 463 00:26:37,830 --> 00:26:39,365 I TRIED TO KNOCK AS SOFTLY AS I COULD. 464 00:26:39,398 --> 00:26:43,703 I--I THOUGHT MAYBE YOU'D BE ASLEEP. 465 00:26:43,736 --> 00:26:47,039 I'M NOT REALLY TIRED. JUST ALL THE EXCITEMENT, I GUESS. 466 00:26:49,208 --> 00:26:52,845 I'VE BEEN DOWNSTAIRS TALKING WITH MARY AND ADAM. 467 00:26:52,879 --> 00:26:55,848 THE WHOLE SCHOOL IS EXCITED. 468 00:26:55,882 --> 00:27:01,387 THE IDEA THAT ONE OF THEIR FORMER CLASSMATES IS A FAMOUS ARTIST 469 00:27:01,420 --> 00:27:03,990 HAS ALL THE CHILDREN... 470 00:27:04,023 --> 00:27:06,726 ON A CLOUD. 471 00:27:06,759 --> 00:27:08,895 I'M NOT REALLY FAMOUS. 472 00:27:10,329 --> 00:27:13,966 YOU'RE ON YOUR WAY. 473 00:27:14,000 --> 00:27:17,236 YOU HEARD WHAT MR. UNGER SAID-- 474 00:27:17,269 --> 00:27:20,840 ANOTHER EXHIBIT HERE IN 3 WEEKS, 475 00:27:20,873 --> 00:27:23,976 DEALERS COMING FROM ALL OVER THE COUNTRY. 476 00:27:29,716 --> 00:27:31,650 YOU SHOULD BE VERY PROUD. 477 00:27:33,720 --> 00:27:35,254 I SUPPOSE. 478 00:27:39,025 --> 00:27:41,360 WHAT TIME ARE WE LEAVING TOMORROW? 479 00:27:43,062 --> 00:27:45,197 IN THE MORNING. 480 00:27:45,231 --> 00:27:46,665 WHENEVER YOU LIKE. 481 00:27:50,803 --> 00:27:53,806 I'D LIKE TO GO HOME AS SOON AS POSSIBLE, PLEASE. 482 00:27:55,474 --> 00:27:57,009 I WANT TO PAINT. 483 00:27:59,045 --> 00:28:01,881 ALL RIGHT. 484 00:28:01,914 --> 00:28:03,115 WE'LL LEAVE AT 7:00. 485 00:28:06,385 --> 00:28:07,887 I'LL BE READY. 486 00:28:17,029 --> 00:28:18,831 THERE, THERE. 487 00:28:23,069 --> 00:28:26,005 TRY AND GET SOME REST, HMM? 488 00:28:35,414 --> 00:28:37,750 GOOD NIGHT, MRS. INGALLS. 489 00:28:37,784 --> 00:28:39,085 Caroline: GOOD NIGHT, DEAR. 490 00:29:05,077 --> 00:29:07,546 BROUGHT YOU SOME LEMONADE. 491 00:29:07,579 --> 00:29:09,181 THANK YOU, MAMA. 492 00:29:09,215 --> 00:29:11,383 [SIGHS] 493 00:29:11,417 --> 00:29:13,552 WHAT DO YOU THINK OF IT? 494 00:29:13,585 --> 00:29:16,956 OH, I DON'T KNOW. 495 00:29:16,989 --> 00:29:19,025 IT'S SO DIFFERENT FROM YOUR OTHER WORK. 496 00:29:19,058 --> 00:29:20,893 I KNOW, BUT WHAT DO YOU THINK OF IT? 497 00:29:20,927 --> 00:29:25,865 UM...I'M NOT THE ONE TO ASK, ANNIE. 498 00:29:25,898 --> 00:29:28,400 WHO IS IT? 499 00:29:28,434 --> 00:29:30,870 IT'S MARGE. 500 00:29:30,903 --> 00:29:32,805 MOTHER MARGE. 501 00:29:32,839 --> 00:29:36,275 - OH, ANNIE. - IT'S THE WAY I SEE HER. 502 00:29:36,308 --> 00:29:38,477 IT'S THE WAY I FEEL ABOUT HER. 503 00:29:38,510 --> 00:29:41,881 IT'S BEEN LIKE THIS SINCE WE GOT BACK. 504 00:29:41,914 --> 00:29:44,150 NO MATTER WHAT SHE DID, ANNIE, SHE'S YOUR MOTHER. 505 00:29:44,183 --> 00:29:47,019 NO, SHE'S NOT! 506 00:29:47,053 --> 00:29:49,221 I KNOW YOU'RE ANGRY. 507 00:29:49,255 --> 00:29:50,589 I WAS, TOO, WHEN IT FIRST HAPPENED, 508 00:29:50,622 --> 00:29:54,326 BECAUSE I WAS AFRAID I WAS GOING TO LOSE YOU. 509 00:29:54,360 --> 00:29:57,096 I WAS EVEN GLAD YOU DIDN'T WANT TO SEE HER. 510 00:29:57,129 --> 00:29:58,530 BUT WE CAN'T HATE HER. 511 00:29:58,564 --> 00:30:00,466 WE CAN'T HATE SOMEBODY WE DON'T EVEN KNOW. 512 00:30:00,499 --> 00:30:02,835 YES, I CAN. 513 00:30:02,869 --> 00:30:04,036 OH, YES, I CAN, MAMA. 514 00:30:04,070 --> 00:30:08,040 SHE LIED TO ME. 515 00:30:08,074 --> 00:30:11,978 "I'LL BE BACK FOR YOU," SHE SAID, 516 00:30:12,011 --> 00:30:15,414 AND SHE HELD ME. 517 00:30:15,447 --> 00:30:18,484 SHE SAID, "I LOVE YOU." 518 00:30:18,517 --> 00:30:20,386 I CAN REMEMBER, AND I HATE HER. 519 00:30:28,327 --> 00:30:30,496 I'D BEST FINISH THE WASH. 520 00:30:33,099 --> 00:30:34,934 YOUR LEMONADE'S ON THE STAND, ANNIE. 521 00:30:36,402 --> 00:30:37,569 THANK YOU, MAMA. 522 00:30:57,924 --> 00:30:59,258 I'LL BE BACK SOON. 523 00:31:03,562 --> 00:31:05,097 I LOVE YOU. 524 00:31:57,149 --> 00:31:58,951 Caroline: NELLIE, I CAN FINISH UP IN HERE. 525 00:31:58,985 --> 00:32:00,452 WHY DON'T YOU GO RELAX? 526 00:32:00,486 --> 00:32:01,653 BELIEVE ME, MRS. INGALLS, 527 00:32:01,687 --> 00:32:03,555 TO ME, WORK IS RELAXING. 528 00:32:03,589 --> 00:32:06,558 MY MOTHER HAS MADE RELAXING WORK. 529 00:32:06,592 --> 00:32:07,960 IT'S TRUE! 530 00:32:07,994 --> 00:32:09,328 I CAN'T WAIT TO HAVE THE BABY 531 00:32:09,361 --> 00:32:11,663 SO THINGS CAN GET BACK TO NORMAL. 532 00:32:11,697 --> 00:32:13,465 I GET UP IN THE MORNING, MOTHER SAYS, "LIE DOWN." 533 00:32:13,499 --> 00:32:15,201 [LAUGHS] 534 00:32:15,234 --> 00:32:17,603 THIS MORNING, SHE WANTED FATHER TO HITCH UP THE BUCKBOARD 535 00:32:17,636 --> 00:32:20,006 TO DRIVE ME ACROSS THE STREET TO THE STORE. 536 00:32:20,039 --> 00:32:21,273 HA HA! 537 00:32:21,307 --> 00:32:23,609 SHE CALLS ON THE TELEPHONE 10 TIMES A DAY 538 00:32:23,642 --> 00:32:27,346 AND THEN GETS ANGRY BECAUSE I'M ANSWERING THE TELEPHONE. 539 00:32:27,379 --> 00:32:29,215 OOH, WHIPPED CREAM! 540 00:32:29,248 --> 00:32:30,983 OH, I LOVE IT. 541 00:32:31,017 --> 00:32:33,986 YOU'D BETTER GO EASY ON THAT WHIPPED CREAM, YOUNG LADY. 542 00:32:34,020 --> 00:32:36,288 YOU KNOW, THE MORE YOU PUT ON, THE MORE YOU HAVE TO TAKE OFF. 543 00:32:36,322 --> 00:32:37,489 Percival: NELLIE! 544 00:32:37,523 --> 00:32:39,525 IN THE KITCHEN, PERCIVAL. 545 00:32:39,558 --> 00:32:40,492 NELLIE, I HAVE TO TALK TO YOU. 546 00:32:40,526 --> 00:32:42,461 CERTAINLY, DEAREST. 547 00:32:42,494 --> 00:32:45,664 ALL RIGHT, NOW, YOU ASKED ME TO PROMISE NOT TO ARGUE WITH YOUR MOTHER. 548 00:32:45,697 --> 00:32:47,199 AND I HAVE BEEN TRYING, HAVE I NOT? 549 00:32:47,233 --> 00:32:48,534 YES, YOU HAVE. 550 00:32:48,567 --> 00:32:50,669 I DIDN'T YELL WHEN YOUR MOTHER INSISTED 551 00:32:50,702 --> 00:32:53,372 THAT YOU HAVE YOUR SUPPER LYING DOWN ON THE SOFA, NOW, DID I? 552 00:32:53,405 --> 00:32:55,674 - NO. - AND I DIDN'T YELL WHEN YOUR MOTHER 553 00:32:55,707 --> 00:32:57,209 BEGAN SERVING YOU BREAKFAST IN BED 554 00:32:57,243 --> 00:32:58,244 WHETHER I WAS UP OR NOT, NOW, DID I? 555 00:32:58,277 --> 00:33:00,279 NO, YOU DIDN'T. 556 00:33:00,312 --> 00:33:03,215 AND I DIDN'T YELL WHEN YOUR MOTHER TOLD ME NOT TO HOLD YOU TOO CLOSE 557 00:33:03,249 --> 00:33:05,417 BECAUSE I MIGHT SQUISH THE BABY, NOW, DID I? 558 00:33:05,451 --> 00:33:08,554 - NO. - BUT NOW, JUST NOW, YOUR MOTHER HAS INFORMED ME 559 00:33:08,587 --> 00:33:09,755 THAT I AM NO LONGER ALLOWED 560 00:33:09,788 --> 00:33:12,491 TO SLEEP IN THE SAME BED WITH MY WIFE! 561 00:33:12,524 --> 00:33:15,227 - MRS. INGALLS. - PERCIVAL. 562 00:33:15,261 --> 00:33:16,462 NELLIE? 563 00:33:16,495 --> 00:33:18,197 I'M GOING TO ASK YOUR PERMISSION 564 00:33:18,230 --> 00:33:21,133 TO ALLOW ME TO BREAK MY PROMISE AND YELL AT YOUR MOTHER. 565 00:33:21,167 --> 00:33:24,403 Harriet: PERCIVAL! WHERE ARE YOU? 566 00:33:24,436 --> 00:33:26,372 YOU HAVE MY PERMISSION. 567 00:33:27,806 --> 00:33:29,575 IN HERE, MOTHER. 568 00:33:29,608 --> 00:33:32,044 Harriet: PERCIVAL DALTON, I HAVEN'T FINISHED WITH YOU. 569 00:33:32,078 --> 00:33:33,545 OH, MY GOODNESS, NELLIE, DARLING! 570 00:33:33,579 --> 00:33:34,813 WHY AREN'T YOU LYING DOWN? 571 00:33:34,846 --> 00:33:36,415 BECAUSE I DON'T WANT HER TO LIE DOWN. 572 00:33:36,448 --> 00:33:38,250 I WANT HER TO STAND UP. 573 00:33:38,284 --> 00:33:41,587 AND I WANT HER TO SIT UP WHEN SHE'S HAVING HER DINNER. 574 00:33:41,620 --> 00:33:43,822 AND, IF SHE IS GOING TO HAVE BREAKFAST IN BED, 575 00:33:43,855 --> 00:33:46,058 SHE IS GOING TO DO SO WITH ME. 576 00:33:46,092 --> 00:33:51,130 AND I AM GOING TO SLEEP EVERY NIGHT WITH MY WIFE IN OUR ROOM. 577 00:33:51,163 --> 00:33:54,733 AND IF I WANT TO HOLD MY WIFE OR KISS MY WIFE, 578 00:33:54,766 --> 00:33:58,170 I WILL DO SO ANYWHERE OR ANY TIME I DARN WELL CHOOSE TO, 579 00:33:58,204 --> 00:34:01,440 LIKE RIGHT NOW. 580 00:34:01,473 --> 00:34:05,277 UGH! AH! OHH! 581 00:34:05,311 --> 00:34:06,712 OH, YOU ANIMAL! 582 00:34:06,745 --> 00:34:08,280 NELS! 583 00:34:08,314 --> 00:34:10,149 Harriet: NELS! 584 00:34:10,182 --> 00:34:13,119 - THANK YOU, DEAREST. - YOU'RE WELCOME, MY LOVE. 585 00:34:13,152 --> 00:34:15,421 I'LL BE BACK IN ABOUT AN HOUR. YOU GET SOME REST? 586 00:34:15,454 --> 00:34:17,089 - I WILL. - OKAY. 587 00:34:17,123 --> 00:34:18,324 BYE-BYE, MRS. INGALLS. 588 00:34:18,357 --> 00:34:20,092 Caroline: BYE, PERCIVAL. 589 00:34:20,126 --> 00:34:21,760 ISN'T HE WONDERFUL? 590 00:34:21,793 --> 00:34:23,462 HE'S PRETTY AMAZING. 591 00:34:27,533 --> 00:34:28,700 AFTERNOON, MRS. CRANE. 592 00:34:28,734 --> 00:34:30,569 HELLO, PERCIVAL. 593 00:34:36,175 --> 00:34:38,177 - HELEN! - HELLO, CAROLINE. 594 00:34:38,210 --> 00:34:40,112 HOW ARE YOU? 595 00:34:40,146 --> 00:34:41,547 I'M ALL RIGHT. 596 00:34:41,580 --> 00:34:43,449 I WANTED TO GET BY TO SEE YOU THE PAST FEW DAYS, 597 00:34:43,482 --> 00:34:48,154 BUT I JUST-- I HAD SO MUCH TO CATCH UP ON HERE. 598 00:34:48,187 --> 00:34:49,455 HOW'S ANNIE? 599 00:34:49,488 --> 00:34:51,257 COULD WE SIT DOWN FOR A MINUTE AND TALK? 600 00:34:51,290 --> 00:34:53,559 OF COURSE. 601 00:34:53,592 --> 00:34:56,428 HERE. 602 00:34:56,462 --> 00:34:59,665 HMM, OH, CAROLINE. 603 00:34:59,698 --> 00:35:03,802 THESE LAST FEW DAYS HAVE BEEN... 604 00:35:03,835 --> 00:35:05,437 [SIGHS] 605 00:35:05,471 --> 00:35:06,638 TELL ME ABOUT IT. 606 00:35:08,474 --> 00:35:11,910 ANNIE IS SO... 607 00:35:11,943 --> 00:35:14,280 SO... 608 00:35:14,313 --> 00:35:15,747 SO CHANGED. 609 00:35:15,781 --> 00:35:20,919 ALL OF HER JOY, HER ENERGY, HER--IT'S GONE. 610 00:35:20,952 --> 00:35:23,121 AND EVEN HER PAINTINGS ARE-- 611 00:35:25,191 --> 00:35:28,560 OH, I WISH YOU COULD SEE THEM. 612 00:35:28,594 --> 00:35:30,696 I DON'T KNOW WHAT TO DO. 613 00:35:30,729 --> 00:35:32,464 WHEN THAT MAN FIRST CAME TO ME, 614 00:35:32,498 --> 00:35:36,402 I WAS SO AFRAID OF WHAT WOULD HAPPEN IF ANNIE WENT TO HER, 615 00:35:36,435 --> 00:35:37,936 AND NOW I'M AFRAID OF WHAT WILL HAPPEN 616 00:35:37,969 --> 00:35:40,339 IF ANNIE DOESN'T. 617 00:35:40,372 --> 00:35:41,707 WOULD SHE GO TO SEE HER? 618 00:35:41,740 --> 00:35:43,375 NO. 619 00:35:43,409 --> 00:35:45,844 SHE JUST WANTS TO KEEP ON HATING HER. 620 00:35:48,647 --> 00:35:50,182 WHAT IF MRS. CROSBY CAME HERE? 621 00:35:53,785 --> 00:35:56,322 I DON'T KNOW. 622 00:35:56,355 --> 00:35:58,790 MR. CROSBY LEFT A NUMBER WHERE THEY CAN BE REACHED. 623 00:36:00,826 --> 00:36:03,462 DO YOU THINK SHE'D COME? 624 00:36:03,495 --> 00:36:04,796 [SIGHS] 625 00:36:04,830 --> 00:36:07,199 WE CAN ONLY TRY. 626 00:36:07,233 --> 00:36:11,570 OH, NO. I'M AFRAID IF I DID THAT, SHE MIGHT HATE ME, TOO. 627 00:36:14,940 --> 00:36:17,443 I COULD DO IT. 628 00:36:17,476 --> 00:36:19,745 JUST A NOSY NEIGHBOR BUTTING IN. 629 00:36:22,914 --> 00:36:24,716 THANK YOU. 630 00:36:24,750 --> 00:36:25,951 COME ON. 631 00:36:28,987 --> 00:36:31,590 HOW'S THAT? THAT'S NOT TOO HARD, IS IT? 632 00:36:31,623 --> 00:36:33,759 NO. 633 00:36:33,792 --> 00:36:35,227 YOU KNOW, WHEN YOU GET A LITTLE STRONGER, 634 00:36:35,261 --> 00:36:37,796 WE'RE GOING TO HAVE TO TAKE A TRIP, 635 00:36:37,829 --> 00:36:39,931 GET SOME WARM SUN ON YOUR FACE. 636 00:36:39,965 --> 00:36:42,234 DO US BOTH SOME GOOD. 637 00:36:42,268 --> 00:36:44,436 I'D LIKE THAT. [TELEPHONE RINGS] 638 00:36:44,470 --> 00:36:48,240 OH, LAND SAKES, THAT SCARED ME! [LAUGHING] 639 00:36:48,274 --> 00:36:50,976 SOUNDS OF THE MODERN AGE. 640 00:36:51,009 --> 00:36:54,413 HELLO. YES? 641 00:36:54,446 --> 00:36:55,847 MRS. INGALLS? 642 00:37:00,452 --> 00:37:01,587 YES. 643 00:37:04,923 --> 00:37:08,460 WELL, I-- I DON'T KNOW. 644 00:37:08,494 --> 00:37:11,330 YES, OF COURSE. JUST A MOMENT. 645 00:37:17,068 --> 00:37:20,272 IT'S THE MRS. INGALLS THAT I MENTIONED TO YOU. 646 00:37:20,306 --> 00:37:21,907 SHE'S COMING? 647 00:37:21,940 --> 00:37:23,809 ANNIE'S COMING? 648 00:37:23,842 --> 00:37:27,279 NO, SHE WONDERED IF YOU COULD GO TO HER. 649 00:37:27,313 --> 00:37:29,481 - SHE-- - WELL, I CAN'T. 650 00:37:29,515 --> 00:37:31,550 Victor: MARGE, I UNDERSTAND YOUR FEELINGS, BUT-- 651 00:37:31,583 --> 00:37:32,851 I CAN'T. 652 00:37:32,884 --> 00:37:35,387 I'M TOO SICK TO TRAVEL. YOU TELL HER THAT. 653 00:37:35,421 --> 00:37:37,423 PLEASE, VICTOR? 654 00:37:37,456 --> 00:37:39,591 TELL HER THAT. 655 00:37:47,599 --> 00:37:49,701 MRS. INGALLS, I'M SORRY, BUT, UH... 656 00:37:49,735 --> 00:37:51,970 MY WIFE IS JUST TOO ILL. 657 00:37:53,639 --> 00:37:55,307 Victor: YES, I KNOW. 658 00:37:55,341 --> 00:37:57,676 I'M SORRY. 659 00:37:57,709 --> 00:37:58,977 GOOD-BYE. 660 00:37:59,010 --> 00:38:00,346 BYE. 661 00:38:06,084 --> 00:38:08,987 WELL, AT LEAST YOU TRIED. 662 00:38:09,020 --> 00:38:10,422 THANK YOU, CAROLINE. 663 00:38:10,456 --> 00:38:12,290 I'M SORRY. 664 00:38:40,919 --> 00:38:43,555 WELL, I'VE CHECKED ALL ALBERT'S SPELLING AND HISTORY HOMEWORK. 665 00:38:43,589 --> 00:38:44,923 YOU'RE GOING TO HAVE TO CHECK HIS ALGEBRA. 666 00:38:44,956 --> 00:38:46,558 I CAN'T MAKE HEADS OR TAILS OUT OF IT. 667 00:38:46,592 --> 00:38:48,059 ALL RIGHT. 668 00:38:48,093 --> 00:38:49,928 I DON'T KNOW WHY LAURA HAS TO TEACH ALGEBRA ANYWAY. 669 00:38:49,961 --> 00:38:51,930 YOU'D THINK PLAIN OLD CIPHERING WOULD BE GOOD ENOUGH. 670 00:38:51,963 --> 00:38:53,732 DON'T BLAME LAURA. 671 00:38:53,765 --> 00:38:57,369 BLAME THE GREEKS, THEY STARTED IT. 672 00:38:57,403 --> 00:38:58,937 YOU'VE BEEN READING THE SAME PAGE IN THAT BIBLE 673 00:38:58,970 --> 00:39:00,105 FOR OVER AN HOUR. 674 00:39:02,007 --> 00:39:03,575 I'M NOT REALLY READING IT. 675 00:39:05,110 --> 00:39:07,379 THINKING ABOUT ANNIE, HUH? 676 00:39:07,413 --> 00:39:09,981 YES, AND HER MOTHER, 677 00:39:10,015 --> 00:39:12,518 HER REAL MOTHER. 678 00:39:12,551 --> 00:39:15,854 IF ONLY SHE WOULD HAVE COME TO SEE ANNIE. 679 00:39:15,887 --> 00:39:18,457 THE WOMAN'S ILL. THERE'S NOTHING YOU CAN DO ABOUT THAT. 680 00:39:18,490 --> 00:39:20,859 Caroline: I DON'T BELIEVE SHE IS THAT ILL. 681 00:39:20,892 --> 00:39:22,160 HE HAD ME WAIT ON THE TELEPHONE 682 00:39:22,193 --> 00:39:24,530 WHILE HE WENT TO TALK TO HER. 683 00:39:24,563 --> 00:39:27,566 HE MUST HAVE ASKED HER IF SHE'D GO TO ANNIE. 684 00:39:27,599 --> 00:39:31,803 HE WOULDN'T HAVE EVEN ASKED HER IF SHE WAS THAT SICK. 685 00:39:31,837 --> 00:39:33,839 WELL, YOU COULD BE RIGHT. 686 00:39:35,173 --> 00:39:37,976 SHE JUST DOESN'T CARE ENOUGH. 687 00:39:38,009 --> 00:39:40,378 OH, I WOULDN'T BE SO SURE ABOUT THAT. 688 00:39:42,448 --> 00:39:44,783 PRETTY HARD FOR A PARENT NOT TO CARE. 689 00:39:44,816 --> 00:39:47,118 WELL, JUST LOOK AT THE OLD TESTAMENT-- ABSALOM. 690 00:39:47,152 --> 00:39:48,954 HERE HE WAS, TRYING TO KILL HIS OWN FATHER, 691 00:39:48,987 --> 00:39:54,092 AND YET, WHEN HE DIED, KING DAVID ASKED GOD TO TAKE HIM INSTEAD. 692 00:39:54,125 --> 00:39:58,129 THEN WHY DOESN'T SHE COME? 693 00:39:58,163 --> 00:39:59,531 I DON'T KNOW. 694 00:39:59,565 --> 00:40:00,799 GUILT? 695 00:40:00,832 --> 00:40:03,435 PERHAPS. 696 00:40:03,469 --> 00:40:07,906 CHARLES, COULD I USE THE WAGON AGAIN ON FRIDAY? 697 00:40:07,939 --> 00:40:09,708 SURE. 698 00:40:09,741 --> 00:40:11,710 ANNIE'S MOTHER LIVES IN BRADLEYVILLE. 699 00:40:11,743 --> 00:40:12,911 I DON'T KNOW THEIR ADDRESS, 700 00:40:12,944 --> 00:40:14,980 BUT I'M SURE I COULD FIND IT. 701 00:40:15,013 --> 00:40:17,616 IF THE MOUNTAIN WILL NOT COME TO MOHAMED... 702 00:40:17,649 --> 00:40:19,785 MOHAMED MUST GO TO THE MOUNTAIN. 703 00:40:58,890 --> 00:41:01,092 Victor: HERE YOU GO. 704 00:41:01,126 --> 00:41:03,929 THANK YOU. 705 00:41:03,962 --> 00:41:05,163 MRS. INGALLS. 706 00:41:05,196 --> 00:41:08,066 Caroline: MR. CROSBY. 707 00:41:08,099 --> 00:41:09,267 I HOPE YOU DON'T MIND MY COMING. 708 00:41:09,300 --> 00:41:12,037 I--I JUST HAD TO TRY ONCE MORE. 709 00:41:12,070 --> 00:41:15,741 MRS. INGALLS, I APPRECIATE YOUR CONCERN FOR ANNIE-- 710 00:41:15,774 --> 00:41:17,643 AND FOR YOUR WIFE? 711 00:41:17,676 --> 00:41:20,045 AND FOR MARGE. 712 00:41:20,078 --> 00:41:22,714 I TRIED, BELIEVE ME, I DID, BUT-- 713 00:41:22,748 --> 00:41:25,283 MR. CROSBY, SOMETIMES WE JUST HAVE TO MAKE PEOPLE DO THINGS 714 00:41:25,316 --> 00:41:26,985 WHETHER THEY LIKE IT OR NOT-- 715 00:41:27,018 --> 00:41:28,754 FOR THEIR OWN GOOD. 716 00:41:28,787 --> 00:41:30,856 CAN YOUR WIFE TRAVEL? 717 00:41:30,889 --> 00:41:34,059 YES, AS A MATTER OF FACT, WE'RE GOING TO TAKE A LITTLE TRIP THIS WEEKEND. 718 00:41:34,092 --> 00:41:36,227 I THOUGHT IT'D BE GOOD FOR HER TO GET AWAY. 719 00:41:38,196 --> 00:41:40,265 COULD WE GO SOMEWHERE AND TALK? 720 00:41:40,298 --> 00:41:43,168 OH, SURE. I THINK WE'D BETTER. 721 00:41:43,201 --> 00:41:45,170 THERE'S SOMETHING YOU SHOULD KNOW ABOUT MARGE. 722 00:41:45,203 --> 00:41:48,506 UH, CHARLIE? CHARLIE, I'M TAKING A BREAK. 723 00:41:54,613 --> 00:41:57,048 Marge: THE SUN FEELS WONDERFUL. 724 00:41:57,082 --> 00:42:00,852 Victor: WELL, I TOLD YOU IT'D DO YOU GOOD TO GET OUT IN THE AIR FOR A WHILE. 725 00:42:00,886 --> 00:42:03,789 THERE'S A LITTLE TOWN DOWN THE ROAD. 726 00:42:03,822 --> 00:42:07,125 I THOUGHT WE MIGHT STOP, GO TO SERVICES. 727 00:42:07,158 --> 00:42:09,127 YOU WANT TO GO TO CHURCH? 728 00:42:09,160 --> 00:42:11,229 I CAN'T GET YOU TO DO THAT AT HOME. 729 00:42:11,262 --> 00:42:15,834 WELL, I JUST THOUGHT IT MIGHT BE INTERESTING TO HEAR A NEW PREACHER. 730 00:42:15,867 --> 00:42:19,137 MAYBE HE WON'T BE AS LONG-WINDED AS REVEREND HAILEY. 731 00:42:19,170 --> 00:42:21,873 WHY, VICTOR CROSBY, YOU SHOULD BE ASHAMED OF YOURSELF, 732 00:42:21,907 --> 00:42:23,208 TALKING LIKE THAT. 733 00:42:23,241 --> 00:42:25,644 WELL, SO SHOULD REVEREND HAILEY. 734 00:42:25,677 --> 00:42:28,213 [LAUGHS] 735 00:42:28,246 --> 00:42:32,718 All: * WAITING FOR THE HARVEST AND THE TIME OF REAPING * 736 00:42:32,751 --> 00:42:36,922 * WE SHALL COME REJOICING BRINGING IN THE SHEAVES * 737 00:42:36,955 --> 00:42:41,292 * BRINGING IN THE SHEAVES, BRINGING IN THE SHEAVES * 738 00:42:41,326 --> 00:42:45,831 * WE SHALL COME REJOICING BRINGING IN THE SHEAVES * 739 00:42:50,335 --> 00:42:53,271 Rev. Alden: "BLESSED IS THE MAN THAT WALKETH NOT IN THE COUNSEL OF THE UNGODLY, 740 00:42:53,304 --> 00:42:55,206 "NOR STANDETH IN THE WAY OF SINNERS, 741 00:42:55,240 --> 00:42:57,976 "NOR SITTETH IN THE SEAT OF THE SCORNFUL. 742 00:42:58,009 --> 00:43:00,979 "BUT HIS DELIGHT IS IN THE LAW OF THE LORD-- 743 00:43:01,012 --> 00:43:05,350 AND ON HIS LAW DOTH HE MEDITATE DAY AND NIGHT." 744 00:43:05,383 --> 00:43:08,053 GOD'S LAW IS LOVE. 745 00:43:08,086 --> 00:43:11,857 HIS LAW IS FORGIVENESS. 746 00:43:11,890 --> 00:43:14,292 THINK ABOUT THAT THIS WEEK. 747 00:43:14,325 --> 00:43:16,628 PRACTICE IT. 748 00:43:16,662 --> 00:43:18,730 HOLD YOUR LOVED ONES CLOSE, 749 00:43:18,764 --> 00:43:20,932 AND YOU'LL HOLD GOD IN YOUR HEART. 750 00:43:20,966 --> 00:43:24,369 OH, BEFORE WE GO, WE'D LIKE TO TAKE THIS OPPORTUNITY 751 00:43:24,402 --> 00:43:29,908 TO CONGRATULATE ANNIE CRANE ON HER SUCCESSFUL ART EXHIBIT 752 00:43:29,941 --> 00:43:33,011 AND TO GIVE HER OUR BEST WISHES FOR HER FUTURE EXHIBITS. 753 00:43:33,044 --> 00:43:34,913 ANNIE, YOU'VE MADE US ALL VERY PROUD. 754 00:43:36,347 --> 00:43:37,949 Rev. Alden: THAT'S ALL FOR THIS WEEK. 755 00:43:37,983 --> 00:43:39,985 MAY GOD GO WITH YOU. 756 00:43:40,018 --> 00:43:41,753 PAPA AND I'LL GO GET THE WAGON. 757 00:43:41,787 --> 00:43:43,288 I'LL BE RIGHT BACK. 758 00:44:01,707 --> 00:44:03,675 TALK TO HER, DARLING. 759 00:44:03,709 --> 00:44:05,176 TELL HER. 760 00:44:09,280 --> 00:44:10,749 TELL HER. 761 00:44:35,073 --> 00:44:37,175 ANNIE? 762 00:44:37,208 --> 00:44:39,978 YES? 763 00:44:40,011 --> 00:44:42,213 HOW HAVE YOU BEEN? 764 00:44:42,247 --> 00:44:44,249 FINE. 765 00:44:44,282 --> 00:44:47,953 WHO IS IT? I'M SORRY, I DON'T RECOGNIZE YOUR VOICE. 766 00:44:47,986 --> 00:44:51,122 I-- I AM... 767 00:44:52,924 --> 00:44:54,726 YOUR MOTHER, ANNIE. 768 00:44:56,327 --> 00:44:58,063 WHAT ARE YOU DOING HERE? 769 00:44:59,330 --> 00:45:01,166 WELL, I DIDN'T KNOW YOU WERE HERE. 770 00:45:01,199 --> 00:45:03,902 - I SWEAR TO GOD-- - I DON'T WANT YOU HERE! 771 00:45:05,904 --> 00:45:08,006 I KNOW. 772 00:45:08,039 --> 00:45:09,808 I DON'T BLAME YOU. 773 00:45:11,810 --> 00:45:14,445 I-- 774 00:45:14,479 --> 00:45:16,314 I JUST WANTED TO SEE YOU ONCE, 775 00:45:16,347 --> 00:45:17,515 TO TELL YOU THAT I LOVE YOU. 776 00:45:17,548 --> 00:45:19,050 THAT'S A LIE! 777 00:45:22,788 --> 00:45:27,025 I DON'T BLAME YOU FOR NOT BELIEVING ME... 778 00:45:27,058 --> 00:45:31,296 BUT THINGS HAPPEN IN LIFE, ANNIE. 779 00:45:31,329 --> 00:45:33,231 WHEN YOUR FATHER DIED, AND I WAS ALONE-- 780 00:45:33,264 --> 00:45:35,366 YOU'RE NOT THE ONLY WIDOW TO HAVE A CHILD. 781 00:45:35,400 --> 00:45:38,336 BUT YOU DIDN'T WANT TO. YOU DIDN'T WANT A CHILD THAT WAS GOING BLIND. 782 00:45:38,369 --> 00:45:41,306 - THAT'S NOT TRUE. - YES, IT IS! 783 00:45:41,339 --> 00:45:43,441 ALL RIGHT, YOU WANTED TO SEE ME? 784 00:45:43,474 --> 00:45:45,076 LOOK AT ME! 785 00:45:45,110 --> 00:45:48,446 GO AHEAD, LOOK AT ME! LOOK AT YOUR BLIND DAUGHTER! 786 00:46:07,899 --> 00:46:10,401 WHAT COLOR IS YOUR HAIR? 787 00:46:13,138 --> 00:46:15,106 IT WAS SO BLOND WHEN YOU WERE FIRST BORN, 788 00:46:15,140 --> 00:46:18,276 BUT IT STARTED TO DARKEN. 789 00:46:18,309 --> 00:46:20,045 WHAT COLOR IS IT? 790 00:46:22,280 --> 00:46:24,415 BROWN. 791 00:46:26,852 --> 00:46:29,054 I THOUGHT SO. 792 00:46:31,322 --> 00:46:32,858 LET ME SEE YOU. 793 00:46:42,133 --> 00:46:45,871 SO LOVELY, SO VERY LOVELY. 794 00:46:48,539 --> 00:46:49,841 I HAD SCARLET FEVER 795 00:46:49,875 --> 00:46:51,809 WHILE I WAS CARRYING YOU. 796 00:46:57,215 --> 00:47:01,419 IT WAS ONLY A MATTER OF TIME, THE DOCTOR SAID. 797 00:47:01,452 --> 00:47:05,924 IT GREW DARKER EVERY DAY. 798 00:47:05,957 --> 00:47:08,559 IF I HAD ONLY HAD A FAMILY--SOMEONE. 799 00:47:08,593 --> 00:47:13,164 MAMA, WHY DIDN'T YOU TELL ME? 800 00:47:13,198 --> 00:47:17,936 Annie: WHY? Marge: I DIDN'T WANT YOU TO COME TO ME OUT OF PITY. 801 00:47:17,969 --> 00:47:20,438 I LOVE YOU, MAMA. 802 00:47:20,471 --> 00:47:22,207 I WISH I'D KNOWN. 803 00:47:22,240 --> 00:47:23,641 HOLD ME. 804 00:47:23,674 --> 00:47:25,476 HOLD ME. 805 00:47:49,234 --> 00:47:50,902 Laura, voice-over: ANNIE CRANE'S SECOND EXHIBIT 806 00:47:50,936 --> 00:47:53,338 WAS AN EVEN BIGGER SUCCESS THAN THE FIRST. 807 00:47:53,371 --> 00:47:58,143 MR. UNGER SAID THAT HER NEW WORKS WERE FILLED WITH JOY AND LOVE, 808 00:47:58,176 --> 00:48:01,980 ESPECIALLY THE ONE ANNIE TITLED "MY MAMA."