1 00:00:02,000 --> 00:00:07,000 2 00:00:08,000 --> 00:00:13,000 3 00:00:15,766 --> 00:00:18,352 - Over here? - Yeah, there. 4 00:00:18,352 --> 00:00:19,729 - Where do you want it? - Right there. 5 00:00:20,021 --> 00:00:21,647 We want to make sure... 6 00:00:21,647 --> 00:00:23,649 They look after us on this show. 7 00:00:23,649 --> 00:00:25,401 You know, you guys are really too much, 8 00:00:25,401 --> 00:00:28,696 and I want to introduce you to the guys individually in the Who 9 00:00:29,030 --> 00:00:30,781 because you never get to know their names. 10 00:00:30,781 --> 00:00:32,700 You know them as The Who. Everybody says "Who?" 11 00:00:32,700 --> 00:00:34,744 And you say, you know. So what's your name? 12 00:00:35,036 --> 00:00:36,704 Pete. Pete Townshend. 13 00:00:36,704 --> 00:00:38,414 - And where are you from, Pete? - London. 14 00:00:38,414 --> 00:00:39,665 - From London? - Yeah. 15 00:00:39,665 --> 00:00:41,751 - London where? - London, England. 16 00:00:41,751 --> 00:00:43,794 Where did you learn to play? 17 00:00:43,794 --> 00:00:46,797 You know, that's a wild style of play. 18 00:00:46,797 --> 00:00:48,632 Where did you learn to play the guitar like that? 19 00:00:48,632 --> 00:00:50,760 That was bowling. 20 00:00:50,760 --> 00:00:53,721 Bowling. Yeah, I could tell. 21 00:00:53,721 --> 00:00:55,347 Now we move right along... 22 00:00:57,600 --> 00:00:59,769 right over here. 23 00:01:00,061 --> 00:01:01,562 - And you're... - John. 24 00:01:01,562 --> 00:01:03,814 You're John? And you're from? 25 00:01:03,814 --> 00:01:06,192 - London, too. - From London, too? 26 00:01:06,192 --> 00:01:09,361 And you must be Roger. 27 00:01:09,361 --> 00:01:10,571 I must be. 28 00:01:10,571 --> 00:01:12,573 - Are you? - Yeah. 29 00:01:12,573 --> 00:01:13,741 - You're Roger? - I'm Roger. 30 00:01:13,741 --> 00:01:15,534 - And where you from? - Oz. 31 00:01:17,244 --> 00:01:19,330 Here's Roger from Oz. 32 00:01:20,581 --> 00:01:23,584 And over here, the guy that plays the sloppy drums. 33 00:01:23,584 --> 00:01:25,419 Follow the yellow brick road. 34 00:01:25,419 --> 00:01:27,129 - What's your name? - Keith. 35 00:01:27,129 --> 00:01:28,547 - Keith? - My friends call me Keith. 36 00:01:28,547 --> 00:01:30,758 - You can call me John. - Okay, John. 37 00:01:30,758 --> 00:01:34,428 I'd just as soon call you Roger. 38 00:01:34,428 --> 00:01:38,307 Roger from Oz, what's the next song you're going to play? 39 00:01:38,307 --> 00:01:40,226 "My Generation." 40 00:01:40,226 --> 00:01:41,685 - Your generation? - Yeah. 41 00:01:41,685 --> 00:01:43,270 I can really identify with that 42 00:01:43,270 --> 00:01:45,231 because I can really identify with these guys. 43 00:01:45,231 --> 00:01:46,565 I dig them. And this is... 44 00:01:49,777 --> 00:01:52,321 You got sloppy stage hands around here. 45 00:01:54,281 --> 00:01:56,784 Okay, that's enough! 46 00:01:57,118 --> 00:01:58,828 They're going to sing "My Generation." 47 00:01:58,828 --> 00:02:00,287 This song really goes-- 48 00:02:00,287 --> 00:02:01,789 And you're going to be surprised what happens 49 00:02:02,123 --> 00:02:04,416 because this is excitement. And hit it. 50 00:02:04,416 --> 00:02:05,459 "My Generation." 51 00:04:39,780 --> 00:04:42,533 "THE WHO" 52 00:05:05,514 --> 00:05:11,645 "THE KIDS ARE ALRIGHT" 53 00:05:19,653 --> 00:05:24,825 "A FILM BY JEFF STEIN" 54 00:05:24,825 --> 00:05:26,827 ' Hey, Dick! ' Yes? 55 00:05:26,827 --> 00:05:29,705 I'd like to borrow your bass for a minute. 56 00:05:29,705 --> 00:05:31,957 And now here is your Shindig host... 57 00:05:31,957 --> 00:05:33,667 Jimmy O'Neil. 58 00:05:33,667 --> 00:05:36,503 Thank you very much, ladies and gentlemen. 59 00:05:36,503 --> 00:05:37,671 How are you all, Shindiggers? 60 00:05:37,671 --> 00:05:41,091 Tonight is our very last Shindig, and were going out with a bang. 61 00:05:41,091 --> 00:05:43,010 We got a bang-up cast for you, 62 00:05:43,010 --> 00:05:45,387 starring Billy Jay Kramer and the Dakotas, 63 00:05:45,387 --> 00:05:46,513 The Who, 64 00:05:46,513 --> 00:05:48,474 Dave Berry, Ian Watkins, Sandy Shaw, 65 00:05:48,474 --> 00:05:50,601 The Kinks, The Barren Knights, Twinkle, 66 00:05:50,601 --> 00:05:52,436 and of course our own Blossoms and Wellingtons. 67 00:05:52,436 --> 00:05:54,438 What do you say we get ready to live it up? 68 00:05:54,438 --> 00:05:56,065 Because here we go with our kick-off tune tonight, 69 00:05:56,065 --> 00:05:57,649 called "I Can't Explain." 70 00:05:57,649 --> 00:05:59,902 Here to sing it are The Who. 71 00:08:12,117 --> 00:08:14,786 Terribly sorry, Russell. 72 00:08:15,829 --> 00:08:17,706 Does this stuff belong to you? 73 00:08:17,706 --> 00:08:18,874 Have a seat, old love. 74 00:08:18,874 --> 00:08:20,167 You sit down, then. 75 00:08:20,167 --> 00:08:22,669 Drake, this is all over the upholstery. 76 00:08:22,669 --> 00:08:26,590 Who does that machinery belong to? Does it belong to you or to us? 77 00:08:26,590 --> 00:08:29,635 - I mean, who has to pay for it? - It's mortgaged. 78 00:08:29,635 --> 00:08:30,886 It's all right. 79 00:08:30,886 --> 00:08:33,222 - It looks all right. - Doesn't matter to them. 80 00:08:33,514 --> 00:08:35,224 A lot of people like what were doing. 81 00:08:35,224 --> 00:08:37,226 We've got 83... 82 00:08:37,226 --> 00:08:40,020 - Stop interrupting! - ...deposed Pakistanis to visit. 83 00:08:40,020 --> 00:08:41,813 Do go on. 84 00:08:41,813 --> 00:08:44,566 It's no good. I've lost my nerve now. 85 00:08:44,566 --> 00:08:47,027 All right, let me take over now. 86 00:08:47,027 --> 00:08:49,196 Now, you have been together now as a group 87 00:08:49,196 --> 00:08:50,739 for how many years? 10 years? 88 00:08:50,739 --> 00:08:51,823 Yeah I'm leaving 89 00:08:51,823 --> 00:08:53,575 Wait a minute, hold on, hold on. 90 00:08:53,575 --> 00:08:55,786 Was it that long? Christ Almighty. 91 00:08:55,786 --> 00:08:57,996 It's known as Decay of The Who. 92 00:08:57,996 --> 00:08:59,998 - What's it, then? - The Decline of The Who 93 00:08:59,998 --> 00:09:01,667 The Decade of The Who. 94 00:09:01,667 --> 00:09:02,751 Oh, the decade. 95 00:09:02,751 --> 00:09:03,835 Who decayed? 96 00:14:21,987 --> 00:14:24,155 Everybody, you will be all right. 97 00:14:24,155 --> 00:14:25,323 Sure, sure. 98 00:14:25,323 --> 00:14:28,201 Everybody, focus. You'll be all right. 99 00:14:28,201 --> 00:14:29,369 Yeah, yeah, we know. 100 00:14:29,369 --> 00:14:32,956 You'll be all... yeah, you'll be all right. 101 00:15:42,108 --> 00:15:44,402 Everybody, clap your hands! 102 00:16:03,129 --> 00:16:04,589 I can't hear you! 103 00:16:10,470 --> 00:16:12,389 It has to be loud! 104 00:16:12,389 --> 00:16:13,348 Come on! 105 00:16:14,432 --> 00:16:16,601 A little louder! 106 00:16:16,601 --> 00:16:18,103 Shout! 107 00:16:19,312 --> 00:16:20,397 That's good. 108 00:16:25,193 --> 00:16:27,153 Let's bring our souls together. 109 00:16:27,153 --> 00:16:28,571 You've been together for 10 years. 110 00:16:28,571 --> 00:16:30,949 A decade. You haven't yet decayed. 111 00:16:31,992 --> 00:16:33,368 Apart from the Rolling Stones, 112 00:16:33,368 --> 00:16:36,204 You are the longest surviving together group, are you not? 113 00:16:36,204 --> 00:16:38,081 Well, not together. 114 00:16:39,582 --> 00:16:44,212 What strains that you have suffered together, if at all? 115 00:16:47,507 --> 00:16:49,300 Seems it's just beginning. 116 00:16:52,679 --> 00:16:55,181 It's such a long story. Should I start... 117 00:16:55,181 --> 00:16:56,349 Start at the beginning. 118 00:16:56,349 --> 00:17:00,145 We started off as... 119 00:17:00,145 --> 00:17:03,523 I must admit that the fantastic thing about The Who 120 00:17:03,523 --> 00:17:07,068 is that we are all incredibly nasty. 121 00:17:07,068 --> 00:17:08,695 You are or were? 122 00:17:08,695 --> 00:17:10,780 Were. I mean, we still were. 123 00:17:10,780 --> 00:17:12,699 His feet are nasty as well. 124 00:17:12,699 --> 00:17:14,784 Christ. 125 00:17:14,784 --> 00:17:16,536 Don't mind me. 126 00:17:16,536 --> 00:17:19,080 We were nasty... 127 00:17:19,080 --> 00:17:20,248 God. 128 00:17:20,248 --> 00:17:21,708 Carry on, Russell. 129 00:17:21,708 --> 00:17:23,376 I don't want it. 130 00:17:23,376 --> 00:17:27,088 You just carry on, Russell. Go on. 131 00:17:29,049 --> 00:17:31,217 Be sure it's going to be worth seeing. 132 00:21:17,318 --> 00:21:18,861 There's a thing here, 133 00:21:18,861 --> 00:21:21,614 an account of one week exactly ten years ago, 134 00:21:21,614 --> 00:21:25,785 when you had played in that week in the Social Club In Goldhawk Road 135 00:21:25,785 --> 00:21:27,912 and the California Ballroom In Dunstable 136 00:21:27,912 --> 00:21:30,456 And the Railway Arms Neasden. 137 00:21:30,456 --> 00:21:34,877 And what you had made that week was £370. 138 00:21:34,877 --> 00:21:40,425 And what you had spent was £1946.17.6, 139 00:21:40,425 --> 00:21:42,802 and including £785 140 00:21:42,802 --> 00:21:46,556 on replacement of guitars, drum kits, and microphones. 141 00:21:47,807 --> 00:21:50,351 Who covered that gap in money, 142 00:21:50,351 --> 00:21:52,562 that £400 gap 143 00:21:52,562 --> 00:21:56,774 which left £1,300 to find every week? 144 00:21:56,774 --> 00:21:58,609 It's hard to say. 145 00:21:59,861 --> 00:22:02,822 I used to rush into Marshall's Music Shop 146 00:22:02,822 --> 00:22:05,867 and steal guitars off the wall. 147 00:22:05,867 --> 00:22:09,037 I'd say, "Just taking a guitar. Pay you Tuesday," and rush out. 148 00:22:09,037 --> 00:22:10,913 "ENTERTAINMENT-- THE WHO-- RICHEST VANDALS IN THE WORLD!" 149 00:22:10,913 --> 00:22:12,999 Kit Lampert, our manager... It frustrates me. 150 00:22:12,999 --> 00:22:15,376 "Photographer from the Daily Mail in the audience. 151 00:22:15,376 --> 00:22:16,669 Smash your guitar." 152 00:22:16,669 --> 00:22:19,005 So I smashed the guitar around the stage. 153 00:22:19,005 --> 00:22:20,381 He'd come back 154 00:22:20,381 --> 00:22:23,384 "Pete, Pete. Sorry. He missed it. 155 00:22:23,384 --> 00:22:25,678 Smash another one. I'll give you the money." 156 00:22:25,678 --> 00:22:26,846 And as soon as I started... 157 00:22:26,846 --> 00:22:28,097 "A BEAST INVADES THE HIGH SCHOOL HOP" 158 00:22:28,097 --> 00:22:29,599 smashing something up, Keith, who is a great joiner-inner, 159 00:22:29,599 --> 00:22:31,809 used to smash up his drum kit. 160 00:22:56,626 --> 00:22:59,962 Well, I suppose all his friends have been on here 161 00:22:59,962 --> 00:23:01,923 because, you know, I'm only one of several. 162 00:23:01,923 --> 00:23:04,509 I've told you about all the mad things he's done in life, 163 00:23:04,509 --> 00:23:07,553 such as, you know, breaking up rooms, 164 00:23:07,553 --> 00:23:10,640 driving his car into swimming pools, 165 00:23:10,640 --> 00:23:12,725 driving his car into foyers. 166 00:23:12,725 --> 00:23:14,894 Well, I'm not going to tell you about any of that. 167 00:23:14,894 --> 00:23:17,063 You know, I'm just here to tell you 168 00:23:17,063 --> 00:23:19,565 about the Keith I know and love, you know? 169 00:23:23,611 --> 00:23:28,074 Keith, what's your opinion of your public image? 170 00:23:28,074 --> 00:23:32,370 I think it sort of varies with every record I put out. 171 00:23:33,579 --> 00:23:35,456 I think sometimes... 172 00:23:35,456 --> 00:23:38,960 Could you get on with it? Will you keep it together? 173 00:23:38,960 --> 00:23:43,005 No, I think I'm very reliant on my management 174 00:23:43,005 --> 00:23:45,633 and my public relations people. 175 00:23:45,633 --> 00:23:50,555 This country is in a weird, feeble, grotesque state, 176 00:23:50,555 --> 00:23:52,932 and it's about time it got out of it, 177 00:23:52,932 --> 00:23:57,770 And the on... the reason it could get out of it is rock music. 178 00:23:57,770 --> 00:24:01,107 And I think The Towns... and The Who, Roger Daltrey, 179 00:24:01,107 --> 00:24:03,109 Entwistle, Moon, 180 00:24:03,109 --> 00:24:07,780 could rise this country out of its decadent, ambient state 181 00:24:07,780 --> 00:24:11,117 more than Wilson and those crappy people 182 00:24:11,117 --> 00:24:12,660 could ever hope to achieve! 183 00:25:45,545 --> 00:25:48,965 What about the little singer? What's your opinion of him? 184 00:25:48,965 --> 00:25:52,677 Well, I think he does a damn good job out there. 185 00:25:52,677 --> 00:25:55,096 Personally, I mean, I wouldn't go out there 186 00:25:55,096 --> 00:25:58,224 up front with nothing to protect me but a small microphone, 187 00:25:58,224 --> 00:26:01,018 but he manages to revolve it so fast 188 00:26:01,018 --> 00:26:02,895 that when people do throw things, 189 00:26:02,895 --> 00:26:07,024 he gets sort of desiccated eggs and sliced tomato. 190 00:26:07,024 --> 00:26:09,735 I turn my cymbals up this way 191 00:26:09,735 --> 00:26:13,239 So that at the end of the night I have a salad mixed. 192 00:26:13,239 --> 00:26:15,908 I just sprinkle some salt 193 00:26:15,908 --> 00:26:17,910 and some Italian seasoning on it,' 194 00:26:17,910 --> 00:26:20,079 and that sort of ends up my evening here. 195 00:28:45,891 --> 00:28:48,060 There are some elements in the story line... 196 00:28:48,060 --> 00:28:51,188 the image in the mirror, 197 00:28:51,188 --> 00:28:54,442 the pinball, 198 00:28:54,734 --> 00:28:58,404 and the sensibility in general. 199 00:28:58,404 --> 00:29:01,031 See me, feel me, touch me, heal me. 200 00:29:01,031 --> 00:29:04,785 Which reflect in a certain sense 201 00:29:04,785 --> 00:29:09,915 the phenomenon of youth subculture. 202 00:29:09,915 --> 00:29:12,209 There is narcissism. 203 00:29:12,209 --> 00:29:15,337 There is a kind of new sensibility 204 00:29:15,337 --> 00:29:19,884 as a strong tendency for playing up things 205 00:29:19,884 --> 00:29:27,349 and no more putting it into aggressive forms of counter-action. 206 00:29:31,520 --> 00:29:33,355 - It's. .. - Yeah. 207 00:34:32,196 --> 00:34:33,572 Thank you 208 00:34:33,572 --> 00:34:35,616 Good. 209 00:34:35,616 --> 00:34:37,159 Thank you. 210 00:34:46,418 --> 00:34:48,712 Because that was the end of the '60s. 211 00:34:48,712 --> 00:34:50,714 That seemed to sum up an awful lot about rock. 212 00:34:50,714 --> 00:34:54,843 It was the time when you were a great star of Woodstock. 213 00:34:54,843 --> 00:34:59,348 Woodstock itself was one of the biggest pop events in world terms 214 00:34:59,348 --> 00:35:03,143 because of the film that masses and millions of people have seen. 215 00:35:03,143 --> 00:35:06,605 And it was a marvelous thing in its way. 216 00:35:06,605 --> 00:35:09,399 But just as a matter of interest, what do you think it changed? 217 00:35:09,399 --> 00:35:10,651 What was different after it? 218 00:35:10,651 --> 00:35:12,653 What did that generation, all those people, 219 00:35:12,653 --> 00:35:15,447 given the same high by the same thing, 220 00:35:15,447 --> 00:35:16,615 yourself in turn... 221 00:35:16,615 --> 00:35:18,826 what did it change? I'm just interested to know. 222 00:35:19,118 --> 00:35:21,078 Well, it changed me. I hated it. 223 00:36:38,697 --> 00:36:40,574 Ladies and gentlemen... 224 00:36:44,203 --> 00:36:45,495 The Who. 225 00:37:07,643 --> 00:37:09,895 You have to resign yourself to the fact 226 00:37:09,895 --> 00:37:14,524 that a large part of the audience ls sort of thick, you know, 227 00:37:14,524 --> 00:37:17,778 and don't appreciate quality, 228 00:37:17,778 --> 00:37:20,280 however much you try and put it over. 229 00:37:20,280 --> 00:37:25,494 The fact is that our group isn't... hasn't got any quality. 230 00:37:25,494 --> 00:37:27,579 It's just musical sensationalism. 231 00:37:27,579 --> 00:37:30,916 You do something big on the stage, 232 00:37:30,916 --> 00:37:33,669 and a thousand geezers sort of go "Ahh." 233 00:37:33,669 --> 00:37:38,590 It's just basic Shepherd's Bush enjoyment. 234 00:39:19,107 --> 00:39:21,068 Our sound appeals to mods 235 00:39:21,068 --> 00:39:25,072 in the case for aggression. 236 00:39:25,364 --> 00:39:29,743 For example, for a brief period, I stopped smashing guitars. 237 00:39:29,743 --> 00:39:30,869 Kids started shouting out 238 00:39:30,869 --> 00:39:34,039 "Smash your guitar, Pete. Smash your guitar" 239 00:39:34,039 --> 00:39:36,708 and getting quite annoyed that I wasn't 240 00:39:36,708 --> 00:39:40,545 because to a large percentage of geezers that come to see the group, 241 00:39:40,545 --> 00:39:43,131 they paid their money to see me re-amplify with the guitar 242 00:39:43,131 --> 00:39:45,050 or see a guitar break, you know? 243 00:39:45,050 --> 00:39:47,094 A lot of girls come to see the group 244 00:39:47,386 --> 00:39:49,888 because of various things which people in the group wear 245 00:39:49,888 --> 00:39:53,058 such as John's jacket of medals 246 00:39:53,058 --> 00:39:55,102 and my jacket made out of flags 247 00:39:55,394 --> 00:39:58,647 and Keith who wears sort of fab gear, 248 00:39:58,647 --> 00:40:00,065 pop art T-shirts 249 00:40:00,399 --> 00:40:03,068 made out of targets and hearts and things like this 250 00:40:03,068 --> 00:40:05,570 Because the group is a fairly simple form of pop art, 251 00:40:05,570 --> 00:40:08,657 we get a lot of audience this way. 252 00:40:08,657 --> 00:40:11,118 Off stage, the group get on terribly badly. 253 00:40:11,410 --> 00:40:15,163 There's a lot of just spite and things which flash around. 254 00:40:15,163 --> 00:40:17,582 The singer is a Shepherd's Bush geezer 255 00:40:17,582 --> 00:40:19,042 who wants everything to be a big laugh, 256 00:40:19,042 --> 00:40:21,753 and when it isn't, he thinks something is going wrong, 257 00:40:21,753 --> 00:40:23,171 Terribly wrong 258 00:40:23,171 --> 00:40:26,174 The drummer is a sort of completely different person 259 00:40:26,174 --> 00:40:28,593 to anyone else other than me. 260 00:40:28,593 --> 00:40:30,137 The bass player just doesn't seem to be 261 00:40:30,137 --> 00:40:31,680 interested in anything, you know, 262 00:40:31,680 --> 00:40:33,765 which makes it all very difficult. 263 00:40:33,765 --> 00:40:35,100 You've been together 10 years. 264 00:40:35,434 --> 00:40:36,726 You must have been subject 265 00:40:36,726 --> 00:40:38,645 to a great deal of strain and inner tension. 266 00:40:38,645 --> 00:40:40,647 I now cannot ask that... 267 00:40:40,647 --> 00:40:43,108 - Actually... - We do try to ignore each other. 268 00:40:43,108 --> 00:40:45,152 We've always been very close, you and I. 269 00:40:45,152 --> 00:40:46,778 No. 270 00:40:46,778 --> 00:40:49,781 Most of the thing is that I loathe Pete Townshend. 271 00:40:49,781 --> 00:40:52,075 - Keith and I... - The group has had no history, 272 00:40:52,075 --> 00:40:54,202 and I've hated him ever since we began. 273 00:40:54,202 --> 00:40:56,163 Since I've been doing the bulk of the.. 274 00:40:56,163 --> 00:40:58,915 The thing is that he does no writing. I do most of it. 275 00:40:58,915 --> 00:41:00,792 I end up doing most of the lyric work. 276 00:41:00,792 --> 00:41:02,169 He keeps taking the tapes. 277 00:41:02,461 --> 00:41:03,920 He thinks he does the lyrics. 278 00:42:35,554 --> 00:42:37,764 What about musical quality, though? 279 00:42:37,764 --> 00:42:40,183 You said that you don't think your group have got any. 280 00:42:40,183 --> 00:42:41,851 Why don't you try and give it some? 281 00:42:41,851 --> 00:42:45,814 If you don't... If you steer clear of quality, 282 00:42:45,814 --> 00:42:47,274 you're all right, you know. 283 00:42:47,566 --> 00:42:49,234 No, really. This is the truth, you know. 284 00:42:49,568 --> 00:42:51,861 But wouldn't you say The Beatles and people like that 285 00:42:51,861 --> 00:42:53,530 have a certain musical quality? 286 00:42:54,906 --> 00:42:56,908 You know, that's a tough question. 287 00:42:56,908 --> 00:42:59,286 I... actually this afternoon, 288 00:42:59,578 --> 00:43:03,039 we, John and I were listening to a stereo of The Beatles 289 00:43:03,039 --> 00:43:05,333 in which the voices come out of one side 290 00:43:05,333 --> 00:43:07,294 And the backing track comes out of the other. 291 00:43:07,294 --> 00:43:09,629 And when you actually hear the backing track to The Beatles 292 00:43:09,629 --> 00:43:11,798 without their voices, They're flipping nails. 293 00:46:28,328 --> 00:46:31,456 The first major American tour was by bus. 294 00:46:31,790 --> 00:46:34,375 We traveled from coast to coast, 295 00:46:34,375 --> 00:46:38,129 and from Miami we'd go up to Canada. 296 00:46:38,129 --> 00:46:39,506 It was pretty awful. 297 00:46:40,840 --> 00:46:43,468 We used New York as a springboard. 298 00:46:43,468 --> 00:46:46,387 We used to play for Murray the K. 299 00:46:46,387 --> 00:46:48,515 We used to do five shows a day there, 300 00:46:48,807 --> 00:46:52,477 and we had three minutes to do our show. 301 00:46:52,477 --> 00:46:56,189 First you'd have one and a half minutes of kind of explaining 302 00:46:56,189 --> 00:46:58,483 and one and a half minutes Of "My Generation," 303 00:46:58,483 --> 00:47:01,528 smash your guitar, and run off, you know. 304 00:47:01,820 --> 00:47:05,073 Five times a day, seven days a week. 305 00:47:05,073 --> 00:47:08,076 In those days, your performances used to end up 306 00:47:08,076 --> 00:47:09,994 with you smashing all your equipment. 307 00:47:09,994 --> 00:47:12,205 There were stories about you smashing hotel rooms on every tour. 308 00:47:12,205 --> 00:47:15,500 All lies. Not a word of truth. 309 00:47:15,500 --> 00:47:19,003 Well, according to people at the time, it certainly was true. 310 00:47:19,003 --> 00:47:23,299 Why was there all that violence surrounding you? 311 00:47:25,051 --> 00:47:27,178 Well, this was only last week, wasn't it? 312 00:47:27,178 --> 00:47:32,016 What made us first want to go to America and conquer it 313 00:47:32,016 --> 00:47:33,518 was being English. 314 00:47:33,852 --> 00:47:38,523 Not because we cared monkeys about the American Dream 315 00:47:38,857 --> 00:47:41,192 or about the American drug situation 316 00:47:41,192 --> 00:47:43,027 or about the dollars or anything. 317 00:47:43,027 --> 00:47:45,280 It's because we were English kids, right? 318 00:47:45,280 --> 00:47:47,574 And we wanted to go to America and beat it. 319 00:47:47,866 --> 00:47:52,078 Pop music is crucial to today's art, 320 00:47:52,078 --> 00:47:54,539 and it's crucial that it should remain art, 321 00:47:54,539 --> 00:47:58,126 And it is crucial that is should progress as art. 322 00:50:06,462 --> 00:50:08,172 I saw you. 323 00:50:08,172 --> 00:50:11,175 Girls came to see you mainly to look at the clothes you wear. 324 00:50:11,175 --> 00:50:14,095 Don't you think that most of them come for a certain sexual thrill 325 00:50:14,095 --> 00:50:15,471 they get out of your performance? 326 00:50:15,471 --> 00:50:18,683 Our group is probably one of the most unglamorous on the stage today. 327 00:50:18,683 --> 00:50:20,101 I mean... 328 00:50:20,101 --> 00:50:24,605 No, really, I mean, this is one of our big problems, you know, 329 00:50:24,605 --> 00:50:26,190 and probably still is, you know, 330 00:50:26,190 --> 00:50:28,067 is that the group didn't have enough glamour. 331 00:50:28,067 --> 00:50:32,196 It was all these clothes and smashing things up 332 00:50:32,196 --> 00:50:34,198 it was all mechanical things. 333 00:50:34,198 --> 00:50:36,200 It was bricks and stones and things 334 00:50:36,200 --> 00:50:39,245 and not enough of, sort of, normal group things, you know. 335 00:50:39,245 --> 00:50:45,460 We made our second album, which he produced, 336 00:50:45,460 --> 00:50:47,170 and it was during that album, 337 00:50:47,170 --> 00:50:49,213 which, as I said, Kit Lampert produced, 338 00:50:49,213 --> 00:50:52,675 that we really realized what making albums was all about. 339 00:50:52,675 --> 00:50:55,428 You know, we had great fun, and it was very creative. 340 00:50:55,428 --> 00:50:58,306 And Kit was learning about record production 341 00:50:58,306 --> 00:51:04,270 and doing crazy things like recording the group 342 00:51:04,270 --> 00:51:06,522 from a microphone down the corridor 343 00:51:06,522 --> 00:51:08,816 and all these things which are very commonplace nowadays. 344 00:51:08,816 --> 00:51:13,154 Using incredible amounts of compression 345 00:51:13,154 --> 00:51:16,157 and squeezing the sound up, 346 00:51:16,157 --> 00:51:18,242 squeezing cymbal sounds up 347 00:51:18,242 --> 00:51:19,827 to make them sound like steam engines 348 00:51:19,827 --> 00:51:23,289 and various, sort of, twiddling knobs 349 00:51:23,289 --> 00:51:25,124 as the recording was going. 350 00:51:25,124 --> 00:51:27,752 The engineers throwing their hands in the air. 351 00:51:28,086 --> 00:51:31,380 "It... coated knobs, mate. You can't do that." 352 00:51:34,258 --> 00:51:36,803 And all this was going on in the studio, 353 00:51:36,803 --> 00:51:40,264 but unfortunately we had ten minutes on the album to fill 354 00:51:40,264 --> 00:51:41,766 when we'd finished, 355 00:51:41,766 --> 00:51:44,143 and so Kit turned around to me 356 00:51:44,143 --> 00:51:48,272 and said "I think you should write something linear, 357 00:51:48,272 --> 00:51:49,857 something with continuity, 358 00:51:49,857 --> 00:51:52,860 perhaps a ten-minute song." 359 00:51:52,860 --> 00:51:55,780 So I said, "You can't write a ten minute song." 360 00:51:56,114 --> 00:51:59,575 I mean, rock songs are two minutes 50, by tradition. 361 00:51:59,575 --> 00:52:01,285 It's one of the traditions, you know. 362 00:52:01,285 --> 00:52:05,498 They only allowed you one modulation. 363 00:52:05,498 --> 00:52:08,584 Four chords or five, you know. 364 00:52:08,584 --> 00:52:11,295 Five chords, you might be up before the committee. 365 00:52:11,295 --> 00:52:13,631 Ten minutes is ridiculous. 366 00:52:13,631 --> 00:52:17,218 So he said "Well, listen, if you can't write a ten-minute song, 367 00:52:17,218 --> 00:52:20,805 write a ten-minute story 368 00:52:20,805 --> 00:52:23,474 made up of two-minutes-50 songs," 369 00:52:23,474 --> 00:52:24,642 which I did. 370 00:52:24,642 --> 00:52:27,687 And that was the Mini Opera, it was called. 371 00:52:27,687 --> 00:52:31,482 And now, ladies and gentlemen, dig The Who. 372 00:52:31,482 --> 00:52:33,276 2, 3. 373 00:55:22,486 --> 00:55:25,740 Here comes Ivor the dirty old city engine driver 374 00:55:25,740 --> 00:55:27,742 to make you feel all right. 375 01:00:11,650 --> 01:00:13,652 What we have to do is we have to-- 376 01:00:13,652 --> 01:00:16,655 we have to decide whether or not we are going to remain 377 01:00:16,655 --> 01:00:18,907 this circus act, right? 378 01:00:18,907 --> 01:00:20,784 Or whether we're going to, in other words, 379 01:00:20,784 --> 01:00:24,330 doing what everybody knows we can do and what we know we can do. 380 01:00:24,622 --> 01:00:28,375 Right? Until the band eventually turns into a cabaret act, 381 01:00:28,375 --> 01:00:32,004 - which is inevitable. - No. That's ridiculous to say that. 382 01:00:33,047 --> 01:00:34,298 I mean... 383 01:00:34,298 --> 01:00:35,924 Well, let's just... 384 01:00:35,924 --> 01:00:38,052 Okay, Keith, let's go. 385 01:00:38,052 --> 01:00:39,261 Bragging and drums. 386 01:00:45,851 --> 01:00:48,103 I've heard a lot about you and the rest of the group 387 01:00:48,103 --> 01:00:49,355 taking drugs, Pete. 388 01:00:49,355 --> 01:00:51,357 Does this mean you're usually blocked up 389 01:00:51,649 --> 01:00:52,858 when you're actually on stage? 390 01:00:52,858 --> 01:00:56,236 No, but it means we're blocked up all the time, you know. 391 01:00:57,696 --> 01:01:01,158 Well, kid, we've heard you drink a lot, but that's beside the point. 392 01:01:01,158 --> 01:01:03,285 If you could tell us, you know, 393 01:01:03,285 --> 01:01:07,289 how did you happen to join The Who 394 01:01:07,289 --> 01:01:10,876 and if in fact that's what they were called when you joined. 395 01:01:10,876 --> 01:01:15,172 Well, I've just been sitting in for the past 15 years. 396 01:01:15,172 --> 01:01:18,008 You know, they never actually told me that I was part of the band. 397 01:01:18,008 --> 01:01:19,343 I knew it by instinct. 398 01:01:19,677 --> 01:01:22,721 Keith Moon rolled up one day all ginger all over-- 399 01:01:22,721 --> 01:01:25,808 ginger shoes, ginger corduroy trousers, ginger jacket, 400 01:01:25,808 --> 01:01:27,351 and his hair dyed ginger, 401 01:01:27,351 --> 01:01:30,187 holding a glass of brown ale. 402 01:01:30,187 --> 01:01:33,273 So this complete ginger sort of vision 403 01:01:33,273 --> 01:01:35,359 came up and said, "I can play better than him." 404 01:01:35,693 --> 01:01:39,154 And this horrible impudent with his hair down like this. 405 01:01:39,154 --> 01:01:43,450 And... got up on the drummer's drum kit 406 01:01:43,450 --> 01:01:46,120 and practically smashed it to pieces. 407 01:01:46,120 --> 01:01:47,830 And we thought this is the man for us. 408 01:03:02,863 --> 01:03:07,367 Hi. I'm Ralph Baines speaking to you for the Hewitt House Hotels, 409 01:03:07,367 --> 01:03:10,162 the rock stars' home away from home. 410 01:03:13,415 --> 01:03:16,919 Don't be alarmed I think I know what's going on. 411 01:04:32,578 --> 01:04:35,539 Let's get some information across before the fun breaks loose again. 412 01:04:35,873 --> 01:04:38,250 What were you before you kicked off with as a group 413 01:04:38,250 --> 01:04:40,836 He was almost as interesting as... 414 01:04:43,171 --> 01:04:45,257 Inland revenue income tax. 415 01:04:45,257 --> 01:04:47,092 I thought you said land rover. 416 01:04:47,092 --> 01:04:48,594 I guess it's some time in the back. 417 01:04:48,594 --> 01:04:51,054 Inland revenue. 418 01:04:51,054 --> 01:04:52,514 So what what did you do? 419 01:04:52,514 --> 01:04:54,975 Me? 420 01:04:54,975 --> 01:04:56,518 All sort of things. 421 01:04:56,518 --> 01:04:57,561 Like what? 422 01:04:57,895 --> 01:04:59,396 Be more specific. He wants... 423 01:04:59,396 --> 01:05:02,983 I want one thing that you did before you joined as a group. 424 01:05:02,983 --> 01:05:05,402 I mean, were you digging a garden or what? 425 01:05:05,402 --> 01:05:07,112 He was born in a bunk. 426 01:05:07,112 --> 01:05:08,614 I was a sheet metal worker 427 01:05:08,906 --> 01:05:10,490 Sheet metal worker'? 428 01:05:10,490 --> 01:05:13,118 Yeah, I was a rust repairer. 429 01:05:16,580 --> 01:05:20,292 I was a rust repairer and full-time survivor. 430 01:05:20,292 --> 01:05:23,211 I survived all the major earthquakes. 431 01:05:24,338 --> 01:05:28,091 And the Titanic and several air crashes. 432 01:05:28,091 --> 01:05:29,635 I think you'll have to give me a few lessons in survival 433 01:05:29,927 --> 01:05:33,597 because if I'm gonna stay and survive this interview, I'll need a few lessons. 434 01:05:33,597 --> 01:05:36,308 Well, there is more brandy-- I mean lemonade. 435 01:05:36,308 --> 01:05:37,517 That's right. 436 01:05:37,517 --> 01:05:39,269 And you were doing what? 437 01:05:39,269 --> 01:05:41,229 Oh, we didn't work. 438 01:05:41,229 --> 01:05:43,440 Arty-farty he was. 439 01:05:43,440 --> 01:05:45,150 You leave me out of this. 440 01:05:45,150 --> 01:05:49,363 We were talking about me. Hey, get out! Oh, no! 441 01:05:49,363 --> 01:05:51,031 Oh, no, Keith. 442 01:05:52,324 --> 01:05:53,575 It's a ripper. 443 01:05:55,243 --> 01:05:58,580 That's what he was doing, developing his muscles. 444 01:05:58,580 --> 01:06:02,084 Keith, leave me alone. 445 01:06:02,084 --> 01:06:05,128 - Well, they have to ask you this. - I know. 446 01:06:05,128 --> 01:06:07,130 You know, what do you think about Pete? 447 01:06:07,130 --> 01:06:11,385 I love the man. He's one of my dearest friends. 448 01:06:11,385 --> 01:06:14,388 But I couldn't say that about Ringo. 449 01:06:14,388 --> 01:06:16,223 If Pete said "What do you think about Ringo?" 450 01:06:16,223 --> 01:06:19,184 "You know, we have our moments, and when we get together, 451 01:06:19,184 --> 01:06:21,687 there are certain times that you just... 452 01:06:21,979 --> 01:06:25,148 Something happens, and I really don't know what it is." 453 01:06:25,148 --> 01:06:27,401 - But there's that magic there. - It's probably we're drunk 454 01:06:27,401 --> 01:06:28,694 It could be that. 455 01:06:28,694 --> 01:06:31,196 Oh, not drunk, teeny-boppers. 456 01:06:31,196 --> 01:06:33,490 No, absolutely not, you Don Henry fans. 457 01:06:33,490 --> 01:06:35,242 Keith and Henry had a lot of medicine 458 01:06:35,242 --> 01:06:37,619 - Absolutely. - You know, just a lot of medicine 459 01:06:37,619 --> 01:06:39,037 We're getting on. 460 01:06:39,037 --> 01:06:41,289 We're getting on now, and we need our medicine, so... 461 01:06:41,289 --> 01:06:43,333 Let's see the age of this suit. 462 01:06:43,333 --> 01:06:45,711 When I'm on the stage... Let me try and explain. 463 01:06:45,711 --> 01:06:48,463 When I'm on the stage, I'm not in control of myself at all. 464 01:06:48,463 --> 01:06:50,215 I don't even know who I am 465 01:06:50,215 --> 01:06:52,175 You know, I'm not this rational person 466 01:06:52,175 --> 01:06:53,760 that can sit here now and talk to you. 467 01:06:53,760 --> 01:06:55,721 If you walked on the stage with a microphone 468 01:06:56,013 --> 01:06:57,514 in the middle of a concert, 469 01:06:57,514 --> 01:06:59,683 I'd probably come close to killing you. 470 01:07:00,017 --> 01:07:02,769 I have come close to killing people who have walked on stage. 471 01:07:02,769 --> 01:07:05,188 Abbie Hoffman walked on the stage at Woodstock, 472 01:07:05,188 --> 01:07:07,190 and I nearly killed him with my guitar. 473 01:07:07,190 --> 01:07:09,693 A cameraman walked on the stage. 474 01:07:09,693 --> 01:07:12,362 A policeman came on when the bloody building 475 01:07:12,362 --> 01:07:15,198 at the Fillmore In New York was burning down, 476 01:07:15,198 --> 01:07:18,201 and I kicked him in the balls and sent him off 477 01:07:18,201 --> 01:07:22,372 because I...you know, I'm just not there, really. 478 01:07:22,372 --> 01:07:26,084 It's not like being possessed. It's just I do my job, 479 01:07:26,084 --> 01:07:30,005 and I know I have to get into a certain state of mind to do it. 480 01:11:39,754 --> 01:11:42,799 We'd realized the end of our tether. 481 01:11:42,799 --> 01:11:47,887 We'd reached it. We'd come upon the point when the... 482 01:11:53,351 --> 01:11:56,896 nose bleeds and all that were no good. 483 01:11:56,896 --> 01:12:02,027 We can't go on doing that. It's no good. 484 01:12:02,027 --> 01:12:05,697 It's beyond the beyond. 485 01:12:05,697 --> 01:12:08,408 Bob. Barbara. 486 01:12:08,408 --> 01:12:09,451 Barbara Ann? 487 01:12:11,661 --> 01:12:12,746 Well, that's... 488 01:14:45,023 --> 01:14:48,109 We did that bit, though. Does it come in twice? 489 01:14:51,654 --> 01:14:52,780 Look what happened? 490 01:14:53,990 --> 01:14:56,618 I mean, one main ambition now was to get back on the road 491 01:14:56,618 --> 01:14:58,161 with the horrible Who, 492 01:14:58,161 --> 01:15:00,538 the worst rock and roll group in the world. 493 01:15:00,538 --> 01:15:01,873 - The worst? - Yes. 494 01:15:01,873 --> 01:15:05,168 You couldn't pick four more horrible geezers 495 01:15:05,168 --> 01:15:08,838 that make more, like, the worst noise that you've ever heard in your life. 496 01:20:22,276 --> 01:20:24,153 You want one of the reasons 497 01:20:24,153 --> 01:20:28,407 for having music and things fantastically loud 498 01:20:28,407 --> 01:20:33,371 is because you get so many people that turn deaf ears to what you do. 499 01:20:33,371 --> 01:20:37,166 You know what I mean? They just won't listen to what you do, 500 01:20:37,166 --> 01:20:40,127 and it doesn't matter how good or bad it is. 501 01:20:40,127 --> 01:20:43,548 In fact, The bigger it is, normally, 502 01:20:43,548 --> 01:20:46,175 the more they'll close their ears to it. 503 01:20:46,175 --> 01:20:49,512 And so the louder you got to work, you know. 504 01:20:49,512 --> 01:20:51,514 Volume is fantastic thing. 505 01:20:51,514 --> 01:20:55,977 Power and volume and power and volume. 506 01:20:57,895 --> 01:21:00,022 When I went to get my ears tested, 507 01:21:00,022 --> 01:21:01,357 I thought I was really encouraged, 508 01:21:01,357 --> 01:21:05,278 apart from the fact you said I have terrible ears. 509 01:21:05,278 --> 01:21:10,324 He said Bill said, "What advice would you give him? 510 01:21:10,324 --> 01:21:15,913 Would you tell him to stop playing entirely and leave the group?" 511 01:21:15,913 --> 01:21:18,374 Throw his career out the window. 512 01:21:18,374 --> 01:21:21,210 Become a pauper, starve. 513 01:21:21,210 --> 01:21:22,587 Would you tell him that? 514 01:21:22,879 --> 01:21:27,425 "Well, actually, no, but I would advise him to learn to lip read." 515 01:21:30,094 --> 01:21:31,929 It's true. That's what he said. 516 01:21:31,929 --> 01:21:33,639 Get off. 517 01:21:33,639 --> 01:21:38,060 Have all of you made enough money to stop work this afternoon, tonight? 518 01:21:38,060 --> 01:21:40,229 Well, I'm certain you'd like that. 519 01:21:40,229 --> 01:21:41,564 Yes, I have. 520 01:21:41,564 --> 01:21:43,316 You have? Why don't you stop, then? 521 01:21:43,316 --> 01:21:46,152 He's got to support me and the rest of the boys. 522 01:21:48,070 --> 01:21:50,072 You mean you've made more money than they have? 523 01:21:50,072 --> 01:21:51,991 Well, I write all the songs. 524 01:21:51,991 --> 01:21:54,076 No, I write the songs. 525 01:21:54,076 --> 01:21:56,537 So if you write songs, you get a bit on the side. 526 01:21:58,414 --> 01:22:04,962 You see, the thing is, as songwriter, I do have something, you know... 527 01:22:04,962 --> 01:22:07,298 - Going for you. - Going for me. 528 01:22:09,926 --> 01:22:11,510 We go for him. 529 01:22:11,510 --> 01:22:13,346 Scab. 530 01:22:16,182 --> 01:22:18,267 Carry on, Russell. 531 01:22:18,267 --> 01:22:21,604 I'm transfixed by John. I don't know why I'm here. 532 01:22:21,604 --> 01:22:25,274 In "My Generation," you wrote "I hope I die before I get old." 533 01:22:25,274 --> 01:22:27,276 - Do you in fact mean this? - Yes 534 01:22:29,111 --> 01:22:32,281 Guitar up here, including big-mouthed little kid 535 01:22:32,281 --> 01:22:34,408 who wants to come and fucking take it off me. 536 01:22:38,245 --> 01:22:41,415 Rock and roll has got no future. It don't matter. 537 01:22:41,415 --> 01:22:44,669 We became rich a lot later than I expected. 538 01:22:46,462 --> 01:22:50,466 Now I'm too old to enjoy my money. 539 01:22:50,466 --> 01:22:54,553 Excuse me. You know, we just shot a lot of film for the interview, 540 01:22:54,553 --> 01:22:57,431 and talking about all that. 541 01:22:57,431 --> 01:23:01,018 I was wondering now if you can really tell us the truth and stuff. 542 01:23:01,018 --> 01:23:03,479 Oh, no. 543 01:23:03,479 --> 01:23:07,149 It's... I mean, the truth as you want to hear it? 544 01:23:07,149 --> 01:23:09,610 I can't do that. 545 01:23:09,610 --> 01:23:11,570 You couldn't afford me. 546 01:23:11,570 --> 01:23:14,490 But you're a very different person now 547 01:23:14,490 --> 01:23:17,034 to the desperate young man of the early '60s, aren't you? 548 01:23:17,034 --> 01:23:19,203 Yeah, I'm a desperate old fart now. 549 01:23:19,203 --> 01:23:20,413 Not boring, though. 550 01:28:36,520 --> 01:28:39,356 So there. 551 01:28:39,356 --> 01:28:41,567 I've been saving that. 552 01:28:41,567 --> 01:28:43,610 You've all been behaving this crazy way well all the time. 553 01:28:43,610 --> 01:28:45,029 You're all married, aren't you? 554 01:28:46,322 --> 01:28:48,365 No. 555 01:28:48,365 --> 01:28:49,950 I wouldn't marry this lot. 556 01:28:54,455 --> 01:28:56,081 That's a great sleeve, that is. 557 01:28:56,081 --> 01:28:58,751 - If you touch my bleeding sleeve... - See? 558 01:28:58,751 --> 01:29:01,462 He's getting stroppy now. 559 01:29:01,462 --> 01:29:04,089 You leave his sleeves alone. 560 01:29:04,089 --> 01:29:05,507 Personal, them. 561 01:29:05,507 --> 01:29:07,634 Can't touch the interviewer, can we? 562 01:29:08,802 --> 01:29:10,387 No, he's in command, isn't he? 563 01:29:10,387 --> 01:29:13,015 He can make everybody else look a right twit, 564 01:29:13,015 --> 01:29:14,767 as long as you don't have a go at him. 565 01:29:14,767 --> 01:29:16,477 How long have you been happily married, then? 566 01:29:21,523 --> 01:29:24,026 You really do have a lovely life line. 567 01:29:24,360 --> 01:29:25,736 Have I a long life line? 568 01:29:25,736 --> 01:29:28,030 - Here about the warts. - No, not too long. 569 01:29:28,030 --> 01:29:29,531 I should say about half a fortnight. 570 01:29:29,531 --> 01:29:34,536 Ladies and gentlemen, before my life line, according to him is two minutes long, 571 01:29:34,536 --> 01:29:36,413 which means we've got to the end of the program. 572 01:29:36,413 --> 01:29:39,458 We will be back, God willing, same time, same place, next week. 573 01:29:39,458 --> 01:29:40,876 - See you then. Good night. - He's so smooth. 574 01:29:40,876 --> 01:29:43,462 "RUSSELL HARTY PLUS" 575 01:29:43,462 --> 01:29:46,632 This is where it all ends. 576 01:33:35,611 --> 01:33:37,904 I can't think of anything to say. 577 01:33:39,948 --> 01:33:42,200 Rock and roll's never ever stood 578 01:33:42,200 --> 01:33:45,829 dissecting and inspecting it at close range. 579 01:33:45,829 --> 01:33:48,123 It just doesn't stand up. 580 01:33:48,123 --> 01:33:49,875 So shut up. 581 01:33:51,376 --> 01:33:54,671 There is a place for us. 582 01:33:54,671 --> 01:34:01,386 I am accused of letting the side down, as it were, 583 01:34:01,386 --> 01:34:04,139 often by our fans, you know. 584 01:34:04,139 --> 01:34:05,349 Like, for example, 585 01:34:05,349 --> 01:34:08,977 you can't stop doing this. 586 01:34:08,977 --> 01:34:10,354 You can't stop doing what you're doing 587 01:34:10,646 --> 01:34:13,940 because you'd let down all these people. 588 01:34:13,940 --> 01:34:16,777 It's not people just saying "Listen, you'll disappoint your fans 589 01:34:16,777 --> 01:34:18,904 if you don't go on. The show must go on. 590 01:34:18,904 --> 01:34:22,407 You must go on, otherwise all those people will be so upset." 591 01:34:22,407 --> 01:34:24,701 It's "You've got to go on, man. 592 01:34:24,701 --> 01:34:27,746 Otherwise, all those kids, they'll be finished. 593 01:34:27,746 --> 01:34:29,831 They'll have nothing to live for. 594 01:34:29,831 --> 01:34:30,916 That's rock and roll. 595 01:43:54,395 --> 01:43:56,689 Thank you, Thank you.