1 00:00:00,875 --> 00:00:03,002 PREVIOUSLY ON "THE 100"... 2 00:00:03,211 --> 00:00:05,421 I AM THE LAST NATBLIDA, 3 00:00:05,630 --> 00:00:07,715 HEIR TO BEKKA PRAMHEDA, 4 00:00:07,924 --> 00:00:09,592 AND YOU ARE MY SUBJECTS. 5 00:00:09,800 --> 00:00:11,385 JAHA: WE NEED TO INCREASE THE POPULATION 6 00:00:11,594 --> 00:00:12,929 IN THE CITY OF LIGHT. 7 00:00:13,137 --> 00:00:14,764 THE MORE MINDS TURNED TO THE TASK, 8 00:00:14,972 --> 00:00:16,974 THE MORE POWERFUL ALIE BECOMES. 9 00:00:17,183 --> 00:00:18,267 JASPER: JAHA HAS BEEN CHIPPING EVERYONE. 10 00:00:18,476 --> 00:00:19,393 CLARKE: JASPER'S RIGHT. 11 00:00:19,602 --> 00:00:21,729 I'VE SEEN IT WITH MY OWN EYES. 12 00:00:21,938 --> 00:00:24,232 ABBY: NOW THAT ARKADIA HAS FALLEN, 13 00:00:24,440 --> 00:00:26,943 WE'LL MOVE ON TO STAGE TWO. 14 00:00:27,151 --> 00:00:28,027 UH! 15 00:00:28,236 --> 00:00:30,446 MONTY: WHAT ARE YOU DOING? STOP! 16 00:00:30,655 --> 00:00:32,406 [GUNSHOT] 17 00:00:35,993 --> 00:00:37,161 SINCLAIR: RAVEN-- 18 00:00:37,370 --> 00:00:39,830 YOU KNOW TOO MUCH. I CAN'T LET THEM HAVE YOU. 19 00:00:40,039 --> 00:00:41,207 -UH! AH! -RAVEN-- 20 00:00:41,415 --> 00:00:43,042 WHY DID ALIE WANT YOU TO KILL YOURSELF? 21 00:00:43,251 --> 00:00:45,169 BECAUSE I KNOW WHY SHE WANTS THE SECOND A.I 22 00:00:45,378 --> 00:00:46,420 WHY? 23 00:00:46,629 --> 00:00:49,423 IT'S THE ONLY THING THAT CAN STOP HER. 24 00:00:51,551 --> 00:00:53,094 MILLER: YOU EVER HEAR THE ONE ABOUT THE MASSACRE 25 00:00:53,302 --> 00:00:54,178 ON ALPHA STATION? 26 00:00:54,387 --> 00:00:55,471 -NO. -NO? 27 00:00:55,680 --> 00:00:57,974 -NO. -YOU? 28 00:00:58,182 --> 00:00:59,809 -HEY. -HA HA! 29 00:01:00,017 --> 00:01:01,686 WELL, LISTEN. 30 00:01:01,894 --> 00:01:04,188 IT--IT WASN'T LONG AFTER UNITY DAY, RIGHT? 31 00:01:04,397 --> 00:01:05,648 GENERATION ONE, THEY DIDN'T KNOW 32 00:01:05,856 --> 00:01:07,984 THAT THEY WERE LEAVING THE GROUND FOREVER. 33 00:01:08,192 --> 00:01:09,902 SOME OF THEM LOST THEIR MINDS. 34 00:01:10,069 --> 00:01:13,489 NOT LISTENING, OK? 35 00:01:13,698 --> 00:01:14,699 WE GOT TO MEET THE OTHERS IN 6 HOURS. 36 00:01:14,907 --> 00:01:17,034 I NEED SLEEP. 37 00:01:17,243 --> 00:01:18,619 OH, HE HATES GHOST STORIES. 38 00:01:18,828 --> 00:01:20,329 WELL, I WANT TO HEAR IT, 39 00:01:20,538 --> 00:01:21,622 SO COME ON, MILLER. 40 00:01:21,831 --> 00:01:24,000 SCARE ME. 41 00:01:24,208 --> 00:01:26,127 ALL RIGHT. 42 00:01:26,335 --> 00:01:29,130 THERE'S THIS ONE GUY-- 43 00:01:29,338 --> 00:01:32,216 BRAZILIAN, CAPTAIN FIDALGO. 44 00:01:32,425 --> 00:01:34,343 THAT WAS HIS NAME. 45 00:01:34,552 --> 00:01:35,678 HE STARTED TO SEE HIS DEAD WIFE 46 00:01:35,886 --> 00:01:37,638 AND KIDS IN HIS DREAMS. 47 00:01:37,847 --> 00:01:41,350 THEY WERE ALL BURNED UP FROM THE BOMBS. 48 00:01:41,559 --> 00:01:44,020 HE TOLD THE SHIP'S DOC 49 00:01:44,228 --> 00:01:45,479 THAT THEY LOOKED LIKE DEMONS. 50 00:01:45,688 --> 00:01:46,814 [CHUCKLES] 51 00:01:47,023 --> 00:01:48,691 AFTER A WHILE, HE STARTED 52 00:01:48,899 --> 00:01:51,569 TO SEE THEM WHEN HE WAS AWAKE, TOO. 53 00:01:51,777 --> 00:01:53,237 HE WOULD BEG AND BEG AND BEG THEM 54 00:01:53,446 --> 00:01:56,449 TO LEAVE HIM ALONE, JUST TO STOP, RIGHT? 55 00:01:56,657 --> 00:01:59,035 THEY SAID THE ONLY WAY THEY'D LEAVE HIM ALONE 56 00:01:59,243 --> 00:02:00,911 WAS IF HE DID ONE THING. 57 00:02:01,120 --> 00:02:03,164 -UH-HUH. -WHAT? 58 00:02:03,372 --> 00:02:05,249 KILL. 59 00:02:05,458 --> 00:02:07,543 WELL, LIKE DEMONS DO. 60 00:02:07,752 --> 00:02:11,005 YEAH. LIKE DEMONS DO. 61 00:02:11,213 --> 00:02:14,091 HIS WEAPON OF CHOICE-- METAL HOOK. 62 00:02:14,300 --> 00:02:16,010 -MM. -[CHUCKLES] 63 00:02:16,218 --> 00:02:17,595 -A HOOK? -MM-HMM. 64 00:02:17,803 --> 00:02:19,221 THAT'S THE BEST YOU CAN DO? 65 00:02:19,430 --> 00:02:20,556 SHUT UP, BRYAN. LET HIM TELL IT. 66 00:02:20,765 --> 00:02:23,976 SO HE MURDERED 11 PEOPLE IN ONE NIGHT. 67 00:02:24,185 --> 00:02:27,104 HE GUTTED THEM AND STRUNG THEM UP IN THE MESS. 68 00:02:27,313 --> 00:02:30,441 WORST PART OF IT, WHEN THE GUARDS FOUND HIM, 69 00:02:30,650 --> 00:02:33,527 HE WAS CUT INTO PIECES, TOO. 70 00:02:33,736 --> 00:02:36,739 HE WROTE A SINGLE WORD WITH HIS OWN BLOOD ON THE FLOOR 71 00:02:36,947 --> 00:02:40,326 WITH THE ARM THAT HE DIDN'T HACK OFF--"DEMONS." 72 00:02:40,534 --> 00:02:41,702 [THUNDER] 73 00:02:41,911 --> 00:02:44,163 PBBB...GOD, I HATE YOU. 74 00:02:47,208 --> 00:02:48,918 ANYWAY, YOU KNOW THAT, UH-- 75 00:02:49,126 --> 00:02:52,046 THAT SCRAPING SOUND WE HEAR AT ALPHA STATION SOMETIMES? 76 00:02:52,254 --> 00:02:54,340 SOME SAY THAT'S FIDALGO'S GHOST 77 00:02:54,548 --> 00:02:57,927 DRAGGING HIS METAL HOOK ALONG THE WALLS, 78 00:02:58,135 --> 00:03:00,721 BEGGING THE DEMONS TO STOP, 79 00:03:00,930 --> 00:03:03,265 BUT THEY NEVER DO, 80 00:03:03,474 --> 00:03:05,434 AND HE'S BACK 81 00:03:05,643 --> 00:03:07,269 LOOKING FOR HIS NEXT VICTIM! 82 00:03:07,478 --> 00:03:10,439 -OH! -HA HA HA! 83 00:03:10,648 --> 00:03:12,149 [SIGHS] 84 00:03:12,358 --> 00:03:13,609 HA HA! 85 00:03:13,818 --> 00:03:16,404 ANYWAY, UH, NATURE CALLS. 86 00:03:16,612 --> 00:03:18,781 LISTEN FOR THAT HOOK, RIGHT? 87 00:03:21,450 --> 00:03:23,035 LOOK. RELAX, BRYAN. 88 00:03:23,244 --> 00:03:25,162 NO DEMONS OUT THERE, JUST GROUNDERS 89 00:03:25,371 --> 00:03:27,748 WHO DIDN'T HEAR THE BLOCKADE WAS LIFTED. 90 00:03:27,957 --> 00:03:30,126 ARMY OF CHIPPED ARKADIANS. 91 00:03:30,334 --> 00:03:31,293 MILLER: UH! 92 00:03:31,502 --> 00:03:32,837 [THUD] 93 00:03:37,925 --> 00:03:41,387 DON'T LOOK AT ME. HE'S YOUR BOYFRIEND. 94 00:03:41,595 --> 00:03:43,305 OH, YEAH. 95 00:03:43,514 --> 00:03:45,558 KICK MY BOYFRIEND'S ASS. 96 00:03:45,766 --> 00:03:47,935 GOOD LUCK. 97 00:03:52,565 --> 00:03:54,692 HEY, WHEN YOU GUYS FIND CAPTAIN FIDALGO, 98 00:03:54,900 --> 00:03:57,570 GET HIM TO CHOP UP SOME MORE FIREWOOD, OK? 99 00:03:57,778 --> 00:03:59,280 HEH. 100 00:04:01,657 --> 00:04:02,825 [THUD] 101 00:04:03,033 --> 00:04:05,244 [GASPS] 102 00:04:05,453 --> 00:04:07,913 OH, SERIOUSLY, "A" FOR EFFORT, MILLER. 103 00:04:13,627 --> 00:04:15,379 GUYS? 104 00:04:19,008 --> 00:04:22,678 [THUNDER] 105 00:04:22,887 --> 00:04:25,055 BRYAN. 106 00:04:26,432 --> 00:04:28,726 GUYS, THIS ISN'T FUNNY ANYMORE. 107 00:04:28,934 --> 00:04:30,770 [THUNDER] 108 00:04:30,978 --> 00:04:32,354 MILLER. 109 00:04:42,156 --> 00:04:44,033 [EXHALES] 110 00:04:44,241 --> 00:04:46,786 GOT ME. 111 00:04:46,952 --> 00:04:49,622 YOU'RE HILARIOUS. YOU CAN COME BACK NOW. 112 00:04:51,832 --> 00:04:54,418 AAH! 113 00:05:24,949 --> 00:05:26,450 HE--HEDA. 114 00:05:26,659 --> 00:05:29,161 -HEDA. -FOR HEDA. 115 00:05:31,914 --> 00:05:33,749 WOMAN: HEDA! 116 00:05:35,668 --> 00:05:37,795 WOMAN: HEDA. 117 00:05:38,003 --> 00:05:41,465 HEY, STRANGER, CARE FOR A BITE? 118 00:05:44,134 --> 00:05:46,720 EMORI, WHAT THE HELL ARE YOU DOING HERE? 119 00:05:46,929 --> 00:05:48,889 COOKING RATS. 120 00:05:49,098 --> 00:05:50,766 THE OLD VENDOR WAS BRUTALLY ATTACKED 121 00:05:50,975 --> 00:05:52,476 ON THE ROAD. 122 00:05:52,685 --> 00:05:54,728 IT'S DANGEROUS OUT THERE. 123 00:05:54,937 --> 00:05:57,314 YEAH. CLEARLY, IT IS. 124 00:05:57,523 --> 00:05:58,816 I HAVE BEEN LOOKING FOR YOU 125 00:05:59,024 --> 00:06:00,276 EVER SINCE YOU WERE TAKEN, 126 00:06:00,484 --> 00:06:03,028 AND THEN I HEARD RUMORS OF THE NEW HEDA'S 127 00:06:03,237 --> 00:06:05,614 HANDSOME SKAIKRU FLAME KEEPER. 128 00:06:05,823 --> 00:06:08,492 I KNEW IT HAD TO BE YOU. 129 00:06:08,701 --> 00:06:10,744 I TAUGHT YOU WELL. 130 00:06:10,953 --> 00:06:12,872 SHE'S ONE HELL OF A MARK, JOHN. 131 00:06:13,080 --> 00:06:14,582 I WANT IN. 132 00:06:16,625 --> 00:06:19,169 UH, LOVE ONE. THANK YOU. 133 00:06:21,547 --> 00:06:22,965 MM, IT'S THE BEST. 134 00:06:23,173 --> 00:06:25,551 IT'S THE BEST RAT I'VE EVER HAD. 135 00:06:25,759 --> 00:06:29,221 DO NOT FALL BEHIND AGAIN. 136 00:06:33,142 --> 00:06:34,852 KEEP FOLLOWING THIS STREET, 137 00:06:35,060 --> 00:06:37,438 ALLEY ON THE LEFT, BLACK DOOR HALFWAY DOWN. 138 00:06:37,646 --> 00:06:39,690 I'll GET AWAY AS SOON AS I CAN. 139 00:06:45,487 --> 00:06:48,866 RAVEN: BECCA'S JOURNAL IS AMAZING. 140 00:06:49,074 --> 00:06:53,454 AT 26, SHE FOUND A PATHWAY TO ACCESS A HUMAN MIND. 141 00:06:55,080 --> 00:06:56,540 THAT SAME YEAR, SHE HAD TO LOCK UP ALIE 142 00:06:56,749 --> 00:06:57,958 BECAUSE HER ANSWER FOR WHAT WAS WRONG 143 00:06:58,167 --> 00:07:00,502 WITH THE WORLD WAS TOO MANY PEOPLE. 144 00:07:00,711 --> 00:07:03,839 SHE WAS 27 WHEN IT LAUNCHED THE BOMBS. 145 00:07:04,048 --> 00:07:05,799 WHAT DID SHE WRITE ABOUT THE FLAME? 146 00:07:06,008 --> 00:07:07,092 ALIE 2.0. 147 00:07:07,301 --> 00:07:09,053 SHE SAW IT AS A WAY TO ATONE FOR HER SINS. 148 00:07:09,261 --> 00:07:11,513 SHE DESIGNED IT TO NOT JUST ACCESS A HUMAN MIND, 149 00:07:11,722 --> 00:07:13,891 BUT TO MERGE WITH ONE. 150 00:07:14,099 --> 00:07:16,977 IT COULD NEVER WIPE US OUT BECAUSE IT WOULD BE ONE OF US. 151 00:07:17,186 --> 00:07:18,938 SHE WOULD PUT IT IN HERSELF FIRST, 152 00:07:19,146 --> 00:07:22,399 ALTERED HER GENES SO HER BODY WOULDN'T REJECT THE IMPLANT. 153 00:07:22,608 --> 00:07:25,945 BEKKA PRAMHEDA, THE FIRST COMMANDER. 154 00:07:26,153 --> 00:07:28,864 THE GENE THERAPY MADE HER BLOOD BLACK, DIDN'T IT? 155 00:07:29,073 --> 00:07:31,617 -YEAH. -HOW DID YOU KNOW THAT? 156 00:07:31,825 --> 00:07:33,327 NIGHTBLOOD. 157 00:07:33,535 --> 00:07:34,870 THAT'S WHERE IT CAME FROM. 158 00:07:35,079 --> 00:07:37,247 SOMEHOW IT BECAME HEREDITARY. 159 00:07:37,456 --> 00:07:38,624 LUNA HAS IT. 160 00:07:38,791 --> 00:07:41,043 THAT'S WHY WE HAVE TO FIND HER. 161 00:07:41,251 --> 00:07:43,045 IF SHE CAN ACCESS ALIE 2-- 162 00:07:43,253 --> 00:07:45,381 SHE CAN TELL US HOW TO STOP ALIE 1. 163 00:07:46,507 --> 00:07:47,883 BEKKA PRAMHEDA GETS 164 00:07:48,092 --> 00:07:49,385 HER SECOND SHOT AT ATONEMENT. 165 00:07:49,593 --> 00:07:51,595 MONTY: GET BACK TO THE MIND PATHWAY. 166 00:07:51,804 --> 00:07:53,722 IF ALIE USES IT TO UPLOAD OUR MINDS 167 00:07:53,931 --> 00:07:56,016 TO THE CITY OF LIGHT, 168 00:07:56,225 --> 00:07:58,811 THEN THERE'S A CHANCE MY MOM'S STILL ALIVE. 169 00:07:59,019 --> 00:08:02,231 THAT DEPENDS ON YOUR DEFINITION OF "ALIVE." 170 00:08:05,859 --> 00:08:08,362 BELLAMY: EYES SHARP. WEAPONS HOT. 171 00:08:08,570 --> 00:08:10,114 WE'RE ALMOST HOME. 172 00:08:13,575 --> 00:08:15,160 MILLER, COME IN. 173 00:08:15,369 --> 00:08:17,454 [STATIC] 174 00:08:17,663 --> 00:08:19,164 HARPER, YOU THERE? 175 00:08:19,373 --> 00:08:21,542 RIDE'S TWO MINUTES OUT. 176 00:08:24,712 --> 00:08:27,006 GOOD START. 177 00:08:30,634 --> 00:08:33,303 CLARKE: WE LEFT TWO DAYS AGO. 178 00:08:33,512 --> 00:08:35,723 WHY HAVEN'T THEY FIXED THE GATE? 179 00:08:35,931 --> 00:08:38,684 MAYBE BECAUSE THERE'S NO ONE HERE TO FIX IT. 180 00:08:38,851 --> 00:08:41,353 RAVEN: IT'S LIKE A GHOST TOWN. 181 00:08:43,731 --> 00:08:46,775 MILLER, WHERE THE HELL ARE YOU? 182 00:08:46,984 --> 00:08:48,318 I DON'T LIKE THIS. 183 00:08:48,527 --> 00:08:50,529 MAYBE THEY GOT CHIPPED. 184 00:08:50,738 --> 00:08:52,156 IF THEY GOT CHIPPED, 185 00:08:52,364 --> 00:08:54,450 THEY'D HAVE BEEN WAITING FOR US AT THE CAVE. 186 00:08:54,658 --> 00:08:55,993 MAYBE THEY SAW THE OPEN GATE, 187 00:08:56,201 --> 00:08:57,453 WENT IN FOR LINCOLN'S BOOK. 188 00:08:57,661 --> 00:08:59,413 MAYBE YOU SHOULD STOP SAYING "MAYBE." 189 00:08:59,621 --> 00:09:02,458 CLARKE: IF THEY ARE CHIPPED, ALIE ALREADY KNOWS WE'RE COMING. 190 00:09:20,100 --> 00:09:22,394 LET'S GET HIS BOOK AND GET THE HELL OUT OF HERE. 191 00:09:22,603 --> 00:09:24,521 THAT'S A PLAN I CAN SUPPORT. 192 00:09:30,027 --> 00:09:32,029 LINCOLN. 193 00:09:45,250 --> 00:09:47,294 [BRAKES SQUEAK] 194 00:09:48,545 --> 00:09:50,380 CLOSE IT UP. TURN THE ROVER AROUND. 195 00:09:50,589 --> 00:09:52,382 WE MAY NEED TO GET OUT OF HERE QUICKLY. 196 00:09:57,888 --> 00:09:59,431 [GATE CLOSES] 197 00:10:08,732 --> 00:10:11,235 LOOKS LIKE THEY JUST GOT UP AND WALKED AWAY. 198 00:10:11,443 --> 00:10:13,070 WE'RE IN AND OUT. 199 00:10:13,278 --> 00:10:14,613 PACK AS MUCH GEAR AS YOU CAN 200 00:10:14,822 --> 00:10:15,864 INTO THE ROVER. 201 00:10:16,073 --> 00:10:17,574 I'll GET THE MAP. 202 00:10:17,783 --> 00:10:20,369 JASPER: I'll, UH, GO WITH HER. NO ONE SHOULD BE ALONE. 203 00:10:20,577 --> 00:10:22,204 YOU DON'T WANT TO LOAD GEAR, HUH? 204 00:10:22,412 --> 00:10:23,872 NOT EVEN A LITTLE. 205 00:10:24,081 --> 00:10:25,999 WHAT'S THE RUSH? THEY WON'T BE COMING BACK. 206 00:10:26,208 --> 00:10:27,793 HOW DO YOU KNOW? 207 00:10:28,001 --> 00:10:30,003 ALIE'S MISSION IS TO CHIP EVERYONE. 208 00:10:30,212 --> 00:10:31,839 IT WOULDN'T MAKE SENSE TO RETURN TO A PLACE 209 00:10:32,047 --> 00:10:33,715 SHE ALREADY TOOK. 210 00:10:33,924 --> 00:10:36,051 MIGHT MAKE SENSE IF THERE WERE SOMEONE IN THAT PLACE-- 211 00:10:36,260 --> 00:10:39,138 LE., YOU--WHO COULD TELL US STUFF LIKE THAT. 212 00:10:39,346 --> 00:10:43,642 GOOD POINT. LET'S LOAD GEAR. 213 00:11:09,293 --> 00:11:11,837 G'AH! 214 00:11:12,045 --> 00:11:13,505 UH... 215 00:11:15,299 --> 00:11:18,051 -HEY... -WHAT? 216 00:11:19,511 --> 00:11:23,307 REMEMBER WHEN YOU TOLD ME IT--IT GETS BETTER? 217 00:11:23,515 --> 00:11:26,476 THIS IS NOT THE SAME THING. 218 00:11:26,685 --> 00:11:29,521 YOU KNOW, IT'S OK TO FALL APART A LITTLE, OCTAVIA. 219 00:11:30,689 --> 00:11:32,357 YOU LOVED HIM. 220 00:11:35,027 --> 00:11:36,653 [INHALES] 221 00:11:36,862 --> 00:11:39,364 A WARRIOR DOESN'T MOURN THE DEAD 222 00:11:39,573 --> 00:11:42,951 UNTIL THE WAR IS OVER. 223 00:11:43,160 --> 00:11:46,705 I'll WAIT IN THE HALL. 224 00:11:55,672 --> 00:11:56,924 [SNIFFLES] 225 00:12:04,723 --> 00:12:06,642 [EXHALES] 226 00:12:06,850 --> 00:12:08,810 [SNIFFLES] 227 00:12:15,192 --> 00:12:16,735 [GASPS] 228 00:12:19,071 --> 00:12:22,241 LUNA, WE'RE ON OUR WAY. 229 00:12:24,910 --> 00:12:26,495 UH... 230 00:12:28,705 --> 00:12:30,165 GROUNDER. 231 00:12:30,374 --> 00:12:31,541 UH! 232 00:12:31,750 --> 00:12:32,668 JASPER-- 233 00:12:33,877 --> 00:12:36,296 UH! UGH... 234 00:12:36,505 --> 00:12:37,923 UGH... 235 00:12:53,647 --> 00:12:56,483 READY TO PROVE HOW MUCH YOU MISS ME? 236 00:12:58,277 --> 00:13:00,696 [CHUCKLES] 237 00:13:18,380 --> 00:13:20,799 I RECOGNIZE SOME OF THIS TECH. 238 00:13:21,008 --> 00:13:22,843 OH, LET ME GUESS. 239 00:13:23,051 --> 00:13:26,388 FLAME KEEPER WAS ONE OF YOUR CUSTOMERS? 240 00:13:29,433 --> 00:13:31,310 WHO IS THIS? 241 00:13:33,353 --> 00:13:36,773 THEY, UH, CALL HER BEKKA PRAMHEDA. 242 00:13:36,982 --> 00:13:39,484 SHE WAS THE FIRST COMMANDER. 243 00:13:40,819 --> 00:13:41,862 BECCA. 244 00:13:43,238 --> 00:13:45,073 COME ON. DON'T TELL ME YOU ACTUALLY 245 00:13:45,282 --> 00:13:47,117 BELIEVE IN THIS RELIGIOUS CRAP. 246 00:14:26,365 --> 00:14:28,700 OH... 247 00:14:28,909 --> 00:14:30,911 [CHUCKLES] 248 00:14:31,119 --> 00:14:32,788 ARE YOU SURE NO ONE WILL COME IN? 249 00:14:32,996 --> 00:14:35,248 DOES IT SEEM LIKE I'M SURE? 250 00:14:35,457 --> 00:14:36,917 HA HA HA! 251 00:15:00,899 --> 00:15:01,983 [BEEP] 252 00:15:02,192 --> 00:15:03,652 EVERYONE FINISH WHAT YOU'RE DOING. 253 00:15:03,860 --> 00:15:06,446 MEET ME AT THE ARMORY. 254 00:15:06,655 --> 00:15:08,073 WHY? WHAT'S GOING ON? 255 00:15:08,281 --> 00:15:09,449 BELLAMY, ON RADIO: YOU'LL SEE WHEN YOU GET HERE. 256 00:15:09,658 --> 00:15:12,077 -WE JUST GOT LUCKY. -ON OUR WAY. 257 00:15:12,285 --> 00:15:14,788 WAIT. LEAVE ALIE 2. 258 00:15:14,996 --> 00:15:16,790 WHY? 259 00:15:16,998 --> 00:15:18,291 I THINK I KNOW HOW TO ACTIVATE IT. 260 00:15:18,500 --> 00:15:19,543 WITHOUT A NIGHTBLOOD? 261 00:15:19,751 --> 00:15:20,877 THIS SECTION HERE CODES FOR ACTIVATION 262 00:15:21,086 --> 00:15:23,588 USING A SPOKEN PASSPHRASE. 263 00:15:23,797 --> 00:15:24,965 YOU CAN READ THAT? 264 00:15:25,173 --> 00:15:26,758 SINCLAIR: THAT'S-- NO. HOW? 265 00:15:26,967 --> 00:15:28,009 NONE OF OUR SYSTEMS ARE IN THIS LANGUAGE, 266 00:15:28,218 --> 00:15:29,511 AND YOU'RE A LOUSY CODER. 267 00:15:29,719 --> 00:15:30,554 HERE. 268 00:15:32,264 --> 00:15:33,807 WHAT PHRASE? 269 00:15:34,015 --> 00:15:37,436 IT'S DOESN'T SAY. IT COULD BE ANYTHING. 270 00:15:37,602 --> 00:15:41,273 IT WAS IN LEXA, RIGHT? SHE WOULD'VE KNOWN IT. 271 00:15:42,607 --> 00:15:45,235 LEXA DIDN'T EVEN KNOW SHE WAS AN ALI 272 00:15:45,444 --> 00:15:47,112 SHE WASN'T AN ALI 273 00:15:47,320 --> 00:15:48,905 HER MIND WAS JUST ENHANCED BY ONE. 274 00:15:49,114 --> 00:15:50,574 I'M GUESSING THE REASON SHE DIDN'T KNOW WAS 275 00:15:50,782 --> 00:15:52,659 BECAUSE THE PROGRAM DEGRADED OVER TIME. 276 00:15:52,868 --> 00:15:54,578 PARTS OF IT GOT LOST. 277 00:15:56,621 --> 00:15:58,415 THINK, CLARKE. 278 00:15:58,623 --> 00:16:01,001 IT MIGHT HAVE BEEN A PHRASE THAT MEANT SOMETHING TO LEXA, 279 00:16:01,209 --> 00:16:03,503 WORDS SHE SAID OVER AND OVER AGAIN. 280 00:16:07,757 --> 00:16:10,051 "BLOOD MUST HAVE BLOOD." 281 00:16:15,557 --> 00:16:17,434 "JUS DREIN JUS DAUN." 282 00:16:24,858 --> 00:16:26,776 "SEEK HIGHER THINGS." 283 00:16:29,529 --> 00:16:31,656 WAIT. 284 00:16:31,865 --> 00:16:34,367 BECCA'S BOOK IS FULL OF LATIN PHRASES. 285 00:16:34,576 --> 00:16:35,827 I TAKE IT ALIE DIDN'T LEAVE LATIN 286 00:16:35,994 --> 00:16:37,037 BEHIND IN YOUR BRAIN. 287 00:16:37,245 --> 00:16:38,538 I STUDIED SOME LATIN. 288 00:16:40,040 --> 00:16:43,168 "SEEK HIGHER THINGS." 289 00:16:43,376 --> 00:16:48,340 "ALTIORA...PETIMUS." 290 00:16:48,548 --> 00:16:52,511 NO. GO FOR LESS LITERAL TRANSLATION. 291 00:16:52,677 --> 00:16:56,681 "ASCENDE... 292 00:16:56,890 --> 00:16:58,517 SUPERIUS." 293 00:16:58,725 --> 00:17:01,019 [ZAP] 294 00:17:10,612 --> 00:17:11,947 [ZAP] 295 00:17:12,155 --> 00:17:14,407 CLARKE: WHAT HAPPENED? 296 00:17:14,616 --> 00:17:17,035 ASCENDA SUPERIUS. 297 00:17:17,244 --> 00:17:18,161 HUH. 298 00:17:22,457 --> 00:17:24,167 OH, HEY, NO. 299 00:17:25,377 --> 00:17:29,005 IT'S LIKE IT SENSED YOUR MIND. 300 00:17:29,214 --> 00:17:31,007 WHEN SOMEONE WITHOUT THE BLOOD TAKES THE FLAME, 301 00:17:31,216 --> 00:17:33,510 THE FLAME TAKES THEIR LIFE. 302 00:17:33,718 --> 00:17:34,719 OK. THERE MUST BE ANOTHER WAY 303 00:17:34,928 --> 00:17:36,429 TO ACCESS THE CODE, THEN. 304 00:17:36,638 --> 00:17:38,098 THERE'S NOT. 305 00:17:38,306 --> 00:17:39,599 UNTIL WE FIND IT A HOST, 306 00:17:39,808 --> 00:17:42,060 WE WON'T KNOW HOW TO STOP ALIE. 307 00:17:42,269 --> 00:17:44,187 THEN LET'S FIND IT A HOST. 308 00:17:44,396 --> 00:17:46,481 COME ON. BELLAMY'S WAITING, 309 00:17:46,690 --> 00:17:47,774 AND SO'S LUNA. 310 00:17:47,983 --> 00:17:50,068 OK. WE'LL CATCH UP. 311 00:17:51,736 --> 00:17:54,948 SO WHAT ELSE DO YOU KNOW THAT NO ONE EVER TAUGHT YOU? 312 00:17:57,534 --> 00:17:58,660 CLARKE: ONCE WE FIND LUNA, THIS WILL ALL BE OVER. 313 00:17:58,868 --> 00:18:00,745 ONTARI'LL BE EXPOSED AS A FRAUD, 314 00:18:00,954 --> 00:18:04,082 AND THE Al WILL TELL US HOW TO SHUT DOWN ALIE. 315 00:18:06,710 --> 00:18:08,837 IF WE SHUT DOWN ALIE, 316 00:18:09,045 --> 00:18:11,590 WHAT HAPPENS TO THE CITY OF LIGHT? 317 00:18:11,798 --> 00:18:15,427 YOUR MOM WILL COME BACK LIKE RAVEN DID. 318 00:18:15,635 --> 00:18:17,637 WHAT ABOUT MINE? 319 00:18:19,306 --> 00:18:22,225 [MUSIC BOX PLAYING "ROCK-A-BYE BABY" 320 00:18:22,434 --> 00:18:24,352 SOMEONE'S HERE. 321 00:18:28,648 --> 00:18:31,276 FOLLOWING THE CREEPY MUSIC IS A BAD IDEA. 322 00:18:35,363 --> 00:18:38,116 OR WE CAN FOLLOW THE CREEPY MUSIC. 323 00:18:39,784 --> 00:18:41,911 [MUSIC BOX CONTINUES] 324 00:18:51,087 --> 00:18:54,215 [MUSIC BOX SLOWING DOWN] 325 00:19:15,904 --> 00:19:17,906 [MUSIC BOX STOPS] 326 00:19:18,114 --> 00:19:20,241 "AARON." 327 00:19:22,452 --> 00:19:25,205 MONTY: I DON'T LIKE THIS. WE SHOULD GO. 328 00:19:29,626 --> 00:19:31,753 CLARKE: GET OUT. RUN! 329 00:19:34,255 --> 00:19:35,840 [COUGHS] 330 00:19:37,842 --> 00:19:39,344 [COUGHING] 331 00:19:41,930 --> 00:19:44,391 [GASPS] 332 00:19:58,405 --> 00:19:59,698 [GASPS] 333 00:19:59,906 --> 00:20:01,116 OH! 334 00:20:03,827 --> 00:20:05,578 [GASPING] 335 00:20:09,541 --> 00:20:11,418 [CLARKE COUGHING] 336 00:20:11,626 --> 00:20:13,086 -CLARKE-- -BELLAMY-- 337 00:20:13,294 --> 00:20:15,797 CLARKE, OH, WHAT IS IT? 338 00:20:16,005 --> 00:20:18,550 WHAT'S GOING ON? 339 00:20:18,758 --> 00:20:21,261 EMERSON. 340 00:20:31,104 --> 00:20:32,772 [PANTING] 341 00:20:36,526 --> 00:20:38,361 EMORI, YOU GOT TO LEAVE POLIS, ALL RIGHT? 342 00:20:38,570 --> 00:20:39,446 OH... 343 00:20:39,654 --> 00:20:42,157 HEY, IT'S NOT SAFE FOR YOU HERE. 344 00:20:42,365 --> 00:20:44,743 I CAN LOOK AFTER MYSELF. 345 00:20:46,619 --> 00:20:48,872 [SIGHS] 346 00:20:49,080 --> 00:20:51,499 HA HA HA! 347 00:20:51,708 --> 00:20:53,793 NOW, HOW THE HELL DID YOU PULL THIS OFF? 348 00:20:54,002 --> 00:20:55,211 WELL, YOU KNOW ME. 349 00:20:55,420 --> 00:20:57,213 JUST DOING WHAT I CAN TO STAY ALIVE, RIGHT? 350 00:20:57,422 --> 00:20:59,507 YOU'RE CUTE WHEN YOU'RE MODEST. 351 00:21:01,801 --> 00:21:04,888 I'M BEING SERIOUS, THOUGH. 352 00:21:05,096 --> 00:21:08,683 ONTARI, SHE'S CRAZY, AND THAT'S COMING FROM ME. 353 00:21:08,892 --> 00:21:10,727 THE ONLY REASON WHY I'M STILL BREATHING, 354 00:21:10,935 --> 00:21:13,188 SHE THINKS I KNOW HOW TO MAKE HER THE COMMANDER. 355 00:21:13,396 --> 00:21:16,191 I THOUGHT SHE WAS THE COMMANDER. 356 00:21:16,399 --> 00:21:18,568 NOT TECHNICALLY. NO. 357 00:21:18,777 --> 00:21:20,320 TO BE THE COMMANDER, YOU HAVE TO SHOVE 358 00:21:20,528 --> 00:21:23,156 A COMPUTER CHIP INTO YOUR BRAIN. 359 00:21:23,364 --> 00:21:26,451 THESE FOOLS THINK IT'S REINCARNATION. 360 00:21:26,659 --> 00:21:29,454 WHY WOULD YOU THINK YOU COULD DO THIS? 361 00:21:29,621 --> 00:21:31,623 BECAUSE I SAW IT COME OUT OF THE LAST COMMANDER. 362 00:21:31,831 --> 00:21:34,292 DON'T ASK. 363 00:21:34,501 --> 00:21:38,004 SO WHAT DO YOU DO FOR HER NOW? 364 00:21:41,257 --> 00:21:44,761 SHE'S TAKEN A LIKING TO ME. 365 00:21:46,888 --> 00:21:48,473 [SIGHS] 366 00:21:48,681 --> 00:21:50,975 WHO COULD BLAME HER? 367 00:21:51,184 --> 00:21:53,937 [THUMPS ON DOOR] 368 00:21:54,145 --> 00:21:55,730 GO. 369 00:21:57,607 --> 00:22:00,193 WHAT? 370 00:22:01,736 --> 00:22:05,323 HEDA REQUIRES YOUR PRESENCE, FLAME KEEPER. 371 00:22:06,699 --> 00:22:09,702 OF COURSE SHE DOES. THANK YOU. 372 00:22:12,288 --> 00:22:13,706 [DOOR CLOSES] 373 00:22:21,005 --> 00:22:24,092 SO IMPORTANT. 374 00:22:24,300 --> 00:22:26,177 I GOT TO GO. 375 00:22:26,344 --> 00:22:28,304 STAY HERE, OK? YOU'LL BE SAFE. 376 00:22:33,935 --> 00:22:36,229 [DOOR OPENS AND CLOSES] 377 00:22:39,232 --> 00:22:41,442 WHERE'S MONTY? 378 00:22:41,651 --> 00:22:44,404 EMERSON TOOK HIM. 379 00:22:46,239 --> 00:22:48,157 WHY? 380 00:22:48,366 --> 00:22:50,451 OCTAVIA, CAN YOU HEAR ME? COME IN. 381 00:22:50,660 --> 00:22:51,995 JASPER WAS WITH HER. 382 00:22:52,203 --> 00:22:54,163 JASPER, ARE YOU THERE? SAY SOMETHING. 383 00:22:54,372 --> 00:22:57,333 [STATIC] 384 00:22:57,542 --> 00:23:01,087 MILLER, HARPER, BRYAN. 385 00:23:01,296 --> 00:23:03,631 THIS IS ALL MY FAULT. 386 00:23:03,840 --> 00:23:05,800 I LET EMERSON LIVE. 387 00:23:06,009 --> 00:23:08,511 WHAT ARE YOU TALKING ABOUT? 388 00:23:08,720 --> 00:23:11,681 IN POLIS, I HAD A CHANCE TO KILL HIM, 389 00:23:11,890 --> 00:23:14,142 AND I LET HIM GO. 390 00:23:14,350 --> 00:23:16,436 RAVEN, ON RADIO: BELLAMY, WHAT'S WRONG? 391 00:23:16,644 --> 00:23:18,688 RAVEN, ARE YOU OK? WHERE ARE YOU? 392 00:23:18,897 --> 00:23:20,398 STILL IN ENGINEERING. WE'RE FINE. 393 00:23:20,607 --> 00:23:22,066 CLARKE, ON RADIO: RAVEN, LISTEN TO ME. 394 00:23:22,275 --> 00:23:24,152 EMERSON IS HERE. ARE THE OTHERS WITH YOU? 395 00:23:24,360 --> 00:23:26,529 RAVEN, ON RADIO: NEGATIVE. JUST SINCLAIR. 396 00:23:26,738 --> 00:23:28,406 MOUNT WEATHER EMERSON? 397 00:23:28,615 --> 00:23:30,825 CLARKE, ON RADIO: YES. OK. LOCK DOWN THE HANGAR BAY. 398 00:23:31,034 --> 00:23:33,036 DON'T LET ANYONE IN BUT US. 399 00:23:33,244 --> 00:23:34,537 OK. 400 00:23:37,790 --> 00:23:40,919 STAY HERE. I'll LOCK THE DOORS. 401 00:23:41,127 --> 00:23:42,837 IS THIS GUY EMERSON CHIPPED? 402 00:23:43,046 --> 00:23:45,006 HE WASN'T AS OF YESTERDAY. 403 00:23:45,214 --> 00:23:46,049 [BEEP BEEP] 404 00:23:49,427 --> 00:23:52,013 HE WANTS REVENGE. 405 00:23:52,221 --> 00:23:54,223 -RAVEN-- -SHH SHH SHH. 406 00:23:55,934 --> 00:23:58,144 HE'S HERE. HE'S INSIDE THE HANGAR BAY. 407 00:23:58,353 --> 00:23:59,646 -OH! -RAVEN, I'M COMING. 408 00:23:59,854 --> 00:24:01,481 OPEN THE HANGAR DOOR! AH! 409 00:24:01,689 --> 00:24:03,900 HE CUT THE POWER, SO DO IT MANUALLY. 410 00:24:05,735 --> 00:24:08,196 -RAVEN! -RAVEN! 411 00:24:08,404 --> 00:24:10,114 UH...UH... 412 00:24:10,323 --> 00:24:12,408 THE OUTER DOOR. 413 00:24:14,911 --> 00:24:16,621 AH! 414 00:24:16,829 --> 00:24:18,039 YAH! GAH! 415 00:24:18,247 --> 00:24:20,291 RAVEN, GET BACK IN THE ROVER! LOCK THE DOOR! 416 00:24:23,294 --> 00:24:25,546 SINCLAIR: AGH! 417 00:24:25,755 --> 00:24:27,256 UH... 418 00:24:27,465 --> 00:24:29,634 [SINCLAIR COUGHING] 419 00:24:29,801 --> 00:24:30,885 UH! 420 00:24:31,094 --> 00:24:32,428 UH...UH...AGH! 421 00:24:32,637 --> 00:24:33,680 NO. 422 00:24:33,888 --> 00:24:35,765 UH... 423 00:24:38,434 --> 00:24:41,104 SINCLAIR: NO, NO, NO, NO. PLEASE STAY IN THE ROVER. 424 00:24:41,312 --> 00:24:42,897 [COUGHS] 425 00:24:43,106 --> 00:24:44,816 STAY IN THE ROVER, PLEASE. 426 00:24:45,024 --> 00:24:46,192 STAY IN THE ROVER. 427 00:24:46,401 --> 00:24:47,402 STAY--STAY IN THE ROVER. 428 00:24:47,610 --> 00:24:48,861 STAY--STAY IN THE ROVER. 429 00:24:49,070 --> 00:24:49,988 STAY IN THE ROVER. 430 00:24:50,196 --> 00:24:51,197 I'M GONNA GET YOU OUT OF HERE. 431 00:24:51,406 --> 00:24:54,242 NO. UH--AGH. IT'S OK. IT'S OK. 432 00:24:54,450 --> 00:24:56,119 -SHH SHH SHH SHH. -IT'S OK. STAY IN THE ROVER. 433 00:24:56,327 --> 00:24:57,453 -STAY IN THE ROVER. -SHH SHH SHH SHH. 434 00:24:57,662 --> 00:24:59,706 JUST GO BACK, PLEASE. 435 00:24:59,914 --> 00:25:02,166 PLEASE GO BACK. GO BACK. 436 00:25:02,375 --> 00:25:04,293 I'M GONNA GET YOU OUT OF HERE. 437 00:25:04,502 --> 00:25:07,296 NO, NO. STAY-- STAY IN THE ROVER. 438 00:25:07,505 --> 00:25:09,298 STAY IN THE ROVER. STAY IN THE ROVER. 439 00:25:09,507 --> 00:25:11,968 STAY-- 440 00:25:12,176 --> 00:25:14,262 AGH! AGH! AGH! 441 00:25:14,470 --> 00:25:16,389 AAH! AAH! 442 00:25:16,597 --> 00:25:18,224 AAH... 443 00:25:26,482 --> 00:25:27,900 BELLAMY: RAVEN. SINCLAIR. 444 00:25:28,109 --> 00:25:31,112 RAVEN. AFTER ME. 445 00:25:36,534 --> 00:25:38,911 SINCLAIR. 446 00:25:53,217 --> 00:25:56,804 WE'RE TOO LATE. 447 00:25:57,013 --> 00:26:00,475 NO, WE'RE NOT. 448 00:26:01,893 --> 00:26:04,395 HE DIDN'T KILL MONTY OR RAVEN. 449 00:26:04,604 --> 00:26:06,230 HE WOULD HAVE LEFT THEIR BODIES. 450 00:26:06,439 --> 00:26:07,857 HE TOOK THEM SOMEWHERE. 451 00:26:08,066 --> 00:26:09,901 IF YOU'RE RIGHT, OCTAVIA 452 00:26:10,109 --> 00:26:11,527 AND THE OTHERS ARE THERE, TOO. 453 00:26:13,571 --> 00:26:16,157 WHERE WOULD HE BE TAKING THEM? 454 00:26:16,365 --> 00:26:17,742 THEY COULD BE ANYWHERE. 455 00:26:17,950 --> 00:26:19,452 DOES HE EVEN KNOW HIS WAY AROUND? 456 00:26:19,660 --> 00:26:21,329 HE WAS HERE. 457 00:26:21,537 --> 00:26:23,247 YOU WERE IN MOUNT WEATHER. 458 00:26:25,333 --> 00:26:27,627 THE AIRLOCK. 459 00:26:30,630 --> 00:26:34,592 EMERSON, I KNOW YOU'RE LISTENING. 460 00:26:34,801 --> 00:26:37,053 WE NEED TO TALK. 461 00:26:43,726 --> 00:26:47,814 I DON'T NEED TO DO ANYTHING. 462 00:26:48,022 --> 00:26:52,068 YOU SHOULD'VE KILLED ME WHEN YOU HAD THE CHANCE. 463 00:26:52,276 --> 00:26:55,154 AND NOW YOU'RE HERE TO KILL ME. IS THAT IT? 464 00:26:55,363 --> 00:26:57,615 SOMETHING LIKE THAT. 465 00:26:57,824 --> 00:27:00,576 THEN LET MY FRIENDS GO. 466 00:27:00,785 --> 00:27:02,662 DO THAT, AND YOU CAN HAVE ME. 467 00:27:02,870 --> 00:27:04,288 YOU'RE BRAVE, CLARKE. 468 00:27:04,497 --> 00:27:05,581 CLARKE-- 469 00:27:05,790 --> 00:27:06,666 I'll GIVE YOU THAT. 470 00:27:06,874 --> 00:27:08,209 I KNOW WHAT I'M DOING. 471 00:27:08,417 --> 00:27:11,254 THEY'RE LUCKY TO HAVE A FRIEND LIKE YOU. 472 00:27:12,797 --> 00:27:15,716 COME TO THE AIRLOCK, NO WEAPONS, RIGHT NOW. 473 00:27:18,219 --> 00:27:19,387 [BEEP] 474 00:27:20,847 --> 00:27:22,098 HERE. 475 00:27:22,306 --> 00:27:23,432 WHAT THE HELL ARE YOU DOING? 476 00:27:23,641 --> 00:27:25,935 SAVING THEM. LOOK. 477 00:27:26,144 --> 00:27:29,021 WHEN IT'S OVER, TAKE THIS TO LUNA. 478 00:27:29,230 --> 00:27:31,357 RAVEN'LL KNOW WHAT TO DO WITH IT. 479 00:27:31,566 --> 00:27:33,359 PROMISE ME. 480 00:27:33,568 --> 00:27:35,278 NO. 481 00:27:35,486 --> 00:27:36,863 YOU'RE OUT OF YOUR MIND IF YOU THINK 482 00:27:37,071 --> 00:27:38,823 I'M LETTING YOU DO THIS ALONE. 483 00:27:39,031 --> 00:27:41,159 BELLAMY, THIS IS MY FAULT. 484 00:27:41,367 --> 00:27:43,953 I'M NOT LETTING ANYONE ELSE DIE FOR MY MISTAKE, 485 00:27:44,162 --> 00:27:45,538 OK, SO TAKE IT. 486 00:27:45,746 --> 00:27:47,623 YOU THROUGH? 487 00:27:47,832 --> 00:27:48,958 I DON'T KNOW WHAT HAPPENED 488 00:27:49,167 --> 00:27:51,169 BETWEEN YOU AND EMERSON IN POLIS, 489 00:27:51,377 --> 00:27:52,670 BUT I DO KNOW THAT LETTING HIM 490 00:27:52,879 --> 00:27:56,132 KILL YOU HERE TODAY IS A STUPID PLAN. 491 00:27:56,340 --> 00:27:59,302 YOU GOT A BETTER ONE? 492 00:27:59,510 --> 00:28:02,180 DISTRACT HIM. I SHOOT HIM. 493 00:28:08,144 --> 00:28:11,105 [FOOTSTEPS DEPARTING] 494 00:28:17,904 --> 00:28:21,240 MURPHY: COMMANDER'S DECISION IS FINAL. 495 00:28:21,449 --> 00:28:22,408 -THANK YOU. -THANK YOU, HEDA. 496 00:28:22,617 --> 00:28:24,619 YOU'RE NEXT. COME ON. 497 00:28:24,827 --> 00:28:26,829 STEP FORWARD. 498 00:28:35,421 --> 00:28:37,381 ONLY TO GIVE YOU WHAT YOU NEED. 499 00:28:37,590 --> 00:28:39,217 YOU SON OF A BITCH. 500 00:28:40,927 --> 00:28:42,970 HELLO, JOHN. 501 00:28:43,179 --> 00:28:44,805 YOU'VE DONE WELL FOR YOURSELF, I SEE. 502 00:28:45,014 --> 00:28:47,183 WHO IS THIS? 503 00:28:47,391 --> 00:28:50,645 YOUR FLAME KEEPER AND I ARE OLD FRIENDS. 504 00:28:50,853 --> 00:28:53,689 FRIENDS. 505 00:28:53,898 --> 00:28:55,691 YOU KNOW, I DON'T KNOW WHAT 506 00:28:55,900 --> 00:28:57,735 YOU'RE DOING HERE, JAHA, 507 00:28:57,944 --> 00:29:00,238 BUT IF I WERE YOU, I'D LEAVE 508 00:29:00,446 --> 00:29:02,031 WHILE I STILL CAN. 509 00:29:03,866 --> 00:29:06,160 YOU DON'T HAVE TO BE A FALSE COMMANDER. 510 00:29:08,579 --> 00:29:10,164 [SPEAKING TRIGEDASLENG] 511 00:29:14,293 --> 00:29:16,921 [DOOR CLOSES] 512 00:29:17,129 --> 00:29:19,131 HOW DO YOU KNOW THAT? 513 00:29:19,340 --> 00:29:21,884 YOU TOLD ME... 514 00:29:22,093 --> 00:29:23,970 HE'S LYING. 515 00:29:24,178 --> 00:29:25,513 OBVIOUSLY, YOU SHOULD KILL HIM RIGHT NOW 516 00:29:25,721 --> 00:29:26,889 FOR INSULTING YOU. 517 00:29:27,098 --> 00:29:29,141 JUST AS YOU TOLD ME YOU WOULD BE UNABLE 518 00:29:29,350 --> 00:29:31,477 TO PERFORM THE ASCENSION RITUAL, 519 00:29:31,686 --> 00:29:35,231 EVEN IF YOU HAD THE FLAME. 520 00:29:42,989 --> 00:29:44,991 YOU? 521 00:29:48,411 --> 00:29:50,871 YOU TOOK THE CHIP. 522 00:29:51,080 --> 00:29:52,748 ONTARI: THIS IS THE GIRL FROM THE MARKET. 523 00:29:52,957 --> 00:29:55,167 YOU ACTED AS IF YOU DIDN'T KNOW HER. 524 00:29:55,376 --> 00:29:57,670 I'M HIS LOVER. 525 00:29:57,878 --> 00:29:59,922 REALLY? 526 00:30:00,131 --> 00:30:01,340 ONTARI, LISTEN TO ME. 527 00:30:01,549 --> 00:30:03,551 YOU CANNOT TRUST THESE PEOPLE. 528 00:30:03,759 --> 00:30:06,971 SEEMS THE ONLY PERSON I CAN'T TRUST IS YOU. 529 00:30:07,179 --> 00:30:10,516 I TOLD YOU WHAT WOULD HAPPEN IF YOU BETRAYED ME. 530 00:30:12,393 --> 00:30:15,021 YOU KILL HIM, 531 00:30:15,229 --> 00:30:18,190 I WON'T HELP YOU. 532 00:30:18,399 --> 00:30:19,692 WHY? 533 00:30:23,779 --> 00:30:27,700 HE'S A FRAUD, BUT HE DOES HAVE KNOWLEDGE 534 00:30:27,908 --> 00:30:30,870 THAT COULD BE USEFUL TO ALL OF US. 535 00:30:31,078 --> 00:30:33,205 TRUST ME. 536 00:30:39,170 --> 00:30:40,671 [SPEAKS TRIGEDASLENG] 537 00:30:40,880 --> 00:30:42,131 ONTARI, LISTEN TO ME, OK? 538 00:30:42,340 --> 00:30:43,924 NOTHING THIS MAN SAYS IS THE TRUTH, OK? 539 00:30:44,133 --> 00:30:45,593 YOU CAN'T BELIEVE-- LET GO OF ME. 540 00:30:45,801 --> 00:30:48,179 JAHA! LISTEN TO ME. 541 00:30:48,387 --> 00:30:49,805 ONTARI, YOU CAN'T BELIEVE ANYTHING-- 542 00:30:51,015 --> 00:30:53,142 DON'T TAKE ANYTHING-- 543 00:30:53,351 --> 00:30:54,894 NO! NO! 544 00:30:56,020 --> 00:30:59,065 YOU'RE RULING 545 00:30:59,273 --> 00:31:02,651 WITHOUT THE WISDOM OF THE COMMANDER'S SPIRIT. 546 00:31:02,860 --> 00:31:05,446 YOUR PEOPLE WILL SOON FIGURE THAT OUT. 547 00:31:05,654 --> 00:31:08,574 I CAN OFFER YOU SOMETHING 548 00:31:08,783 --> 00:31:12,661 EVEN MORE POWERFUL THAN THE FLAME-- 549 00:31:12,870 --> 00:31:17,041 TRUE LEGACY OF BEKKA PRAMHEDA, 550 00:31:17,249 --> 00:31:21,837 ALL POWER, ALL WISDOM 551 00:31:22,046 --> 00:31:25,341 CONTAINED IN ONE SIMPLE KEY. 552 00:31:30,429 --> 00:31:33,057 ALL YOU HAVE TO DO IS SWALLOW IT. 553 00:32:06,590 --> 00:32:09,009 I HELD UP MY PART OF THE DEAL. 554 00:32:09,218 --> 00:32:10,511 YOUR TURN. 555 00:32:10,719 --> 00:32:13,431 LET MY FRIENDS GO. 556 00:32:13,597 --> 00:32:15,891 TELL BELLAMY TO SHOW HIMSELF FIRST. 557 00:32:16,100 --> 00:32:17,351 I DON'T KNOW WHAT YOU'RE TALK-- 558 00:32:17,560 --> 00:32:18,769 -RAAH! -UH! 559 00:32:18,978 --> 00:32:20,855 BELLAMY: NO. 560 00:32:21,063 --> 00:32:23,816 [COUGHS] 561 00:32:26,068 --> 00:32:27,486 EMERSON: GOOD. 562 00:32:27,695 --> 00:32:31,907 NOW TAKE OUT THE CLIP. THROW IT DOWN THE HALL. 563 00:32:32,116 --> 00:32:34,618 PUT THE GUN ON THE GROUND 564 00:32:34,827 --> 00:32:36,203 AND GET INSIDE. 565 00:32:36,412 --> 00:32:38,038 UH-UH. 566 00:32:38,247 --> 00:32:40,499 CLARKE: PLEASE. YOU WANTED ME. 567 00:32:40,708 --> 00:32:43,586 I'll GET INSIDE ONCE YOU LET THEM GO. 568 00:32:43,794 --> 00:32:46,213 I WAS TALKING TO BELLAMY. 569 00:32:46,422 --> 00:32:49,633 BELLAMY: OK, OK. JUST--JUST STOP. 570 00:32:51,385 --> 00:32:53,762 BELLAMY, DON'T. 571 00:32:53,971 --> 00:32:55,473 G'UH... 572 00:33:12,114 --> 00:33:13,324 [WHIMPERS] 573 00:33:22,791 --> 00:33:24,126 [WHIMPERS] 574 00:33:25,252 --> 00:33:27,338 THOSE ARE YOURS. 575 00:33:33,427 --> 00:33:35,804 UH! 576 00:33:36,013 --> 00:33:36,889 [WHIMPERS] 577 00:33:39,642 --> 00:33:41,936 GET ON YOUR KNEES, CLARKE. 578 00:33:46,607 --> 00:33:49,568 PUT YOUR HANDS BEHIND YOUR HEAD. 579 00:33:59,954 --> 00:34:01,247 [CLICK] 580 00:34:02,581 --> 00:34:04,333 NO. 581 00:34:06,418 --> 00:34:08,087 YOU CAN DO ANYTHING YOU WANT WITH ME, OK? 582 00:34:08,295 --> 00:34:09,505 JUST LET THEM GO. 583 00:34:09,713 --> 00:34:11,507 UH...UH...UH... 584 00:34:11,715 --> 00:34:14,093 UH! UH... 585 00:34:15,886 --> 00:34:19,139 YOU MURDERED 381 PEOPLE. 586 00:34:19,348 --> 00:34:20,474 AH! 587 00:34:20,683 --> 00:34:23,018 YOU TOOK THE LIVES OF MY CHILDREN, 588 00:34:23,227 --> 00:34:26,146 MY BROTHER, MY FRIENDS. 589 00:34:26,355 --> 00:34:29,692 DID YOU REALLY THINK THAT I WOULD BE HAPPY 590 00:34:29,900 --> 00:34:34,321 WITH JUST ONE LIFE IN RETURN, HMM? 591 00:34:34,530 --> 00:34:36,365 AGH! UH! 592 00:34:36,574 --> 00:34:38,158 [GASPING] 593 00:34:40,536 --> 00:34:44,582 VOICE, ON P.A.: AIRLOCK 5, OXYGEN VENTING. 594 00:34:44,790 --> 00:34:47,835 AIRLOCK 5, OXYGEN VENTING. 595 00:34:48,043 --> 00:34:49,336 [GASPING] 596 00:34:49,545 --> 00:34:52,006 NOW YOU'RE GONNA FEEL WHAT I FELT. 597 00:34:52,214 --> 00:34:53,299 AH! 598 00:34:53,507 --> 00:34:56,218 [ALL GASPING] 599 00:34:56,427 --> 00:35:00,264 BEG ME TO STOP IT. 600 00:35:00,431 --> 00:35:02,099 I TOLD YOU TO BEG! 601 00:35:02,308 --> 00:35:03,809 -I'M BEGGING YOU. -LOUDER! 602 00:35:04,018 --> 00:35:06,020 PLEASE! 603 00:35:06,228 --> 00:35:07,813 BELLAMY... 604 00:35:08,022 --> 00:35:09,773 [GASPING CONTINUES] 605 00:35:09,982 --> 00:35:11,900 UH... 606 00:35:12,109 --> 00:35:15,654 AARON WOULDN'T WANT YOU TO DO THIS. 607 00:35:15,863 --> 00:35:17,656 YOU DON'T SAY HIS NAME! 608 00:35:17,865 --> 00:35:20,451 -UH! -AH! 609 00:35:20,659 --> 00:35:23,203 AH! UH! 610 00:35:23,412 --> 00:35:25,414 UH! NO! UH! 611 00:35:25,623 --> 00:35:26,915 OOH! 612 00:35:27,124 --> 00:35:28,834 [GASPING] 613 00:35:29,043 --> 00:35:32,713 -RRGH! -AGH... 614 00:35:32,921 --> 00:35:36,550 NNGH...RAAGH! 615 00:35:36,759 --> 00:35:37,885 UGH... 616 00:35:38,093 --> 00:35:40,012 RRGH! 617 00:35:40,220 --> 00:35:42,056 NO... 618 00:35:42,264 --> 00:35:43,807 NOT YET. 619 00:35:44,016 --> 00:35:44,933 [PANTING] 620 00:35:45,142 --> 00:35:46,518 RRGH! 621 00:35:46,727 --> 00:35:49,146 [BOTH PANTING] 622 00:35:52,566 --> 00:35:54,568 [GASPING] 623 00:35:54,777 --> 00:35:57,863 FIRST, YOU'LL WATCH THEM DIE. 624 00:35:58,072 --> 00:36:00,407 CLARKE: AGH... 625 00:36:00,616 --> 00:36:02,034 EMERSON: UH! 626 00:36:02,242 --> 00:36:04,286 [GASPING] 627 00:36:04,495 --> 00:36:08,832 YOU HAVE ANY LAST WORDS FOR YOUR FRIENDS? 628 00:36:09,041 --> 00:36:10,751 YEAH. 629 00:36:10,959 --> 00:36:13,170 ASCENDE SUPERIUS. 630 00:36:13,379 --> 00:36:15,297 [ZAP] 631 00:36:19,301 --> 00:36:20,803 UH... 632 00:36:21,011 --> 00:36:23,305 UGH! 633 00:36:23,514 --> 00:36:25,474 WHAT-- 634 00:36:25,683 --> 00:36:27,810 UH! EEGH! UH! 635 00:36:28,018 --> 00:36:29,937 OH! NO. 636 00:36:30,145 --> 00:36:33,732 [GURGLING] 637 00:36:40,239 --> 00:36:42,574 [GURGLING CONTINUES] 638 00:36:42,783 --> 00:36:44,993 [ALL GASPING] 639 00:37:57,983 --> 00:37:59,735 [SOBS] 640 00:37:59,943 --> 00:38:01,695 NO. 641 00:38:01,904 --> 00:38:02,988 [SNIFFLES] 642 00:38:03,197 --> 00:38:05,032 [WAILING] 643 00:38:17,169 --> 00:38:19,713 [OCTAVIA SNIFFLES] 644 00:38:27,471 --> 00:38:28,931 [SOBS] 645 00:38:31,517 --> 00:38:33,352 [SNIFFLES] 646 00:38:54,206 --> 00:38:56,083 MAY WE MEET AGAIN. 647 00:39:08,971 --> 00:39:11,431 ALL: YU GONPLEI STE ODON. 648 00:39:19,940 --> 00:39:22,192 [SIGHS] 649 00:39:22,359 --> 00:39:25,028 YU GONPLEI STE ODON. 650 00:39:45,257 --> 00:39:49,469 IT'S TIME TO GO. I'll GET THE MAP. 651 00:40:21,793 --> 00:40:24,129 BELLAMY: HEY, WE'RE LEAVING. WHY AREN'T YOU READY? 652 00:40:24,338 --> 00:40:26,256 RAVEN: WE'RE NOT GOING WITH YOU. 653 00:40:26,465 --> 00:40:27,716 CLARKE: RAVEN-- 654 00:40:27,925 --> 00:40:29,635 HE CAN BARELY WALK, AND MY SHOULDER'S KILLING ME. 655 00:40:29,843 --> 00:40:32,095 MY BRAIN'S ALL KINDS OF AWESOME. 656 00:40:32,304 --> 00:40:33,680 SHE REMEMBERED THAT ALIE DOWNLOADED HERSELF 657 00:40:33,889 --> 00:40:35,265 INTO THE ARK MAINFRAME. 658 00:40:35,474 --> 00:40:36,934 IF THE CODE IS STILL THERE, 659 00:40:37,142 --> 00:40:38,727 WE MIGHT BE ABLE TO FIND A BACK DOOR. 660 00:40:38,936 --> 00:40:40,479 RAVEN: I'M GUESSING ONCE YOU CONNECT ALIE 2 661 00:40:40,687 --> 00:40:42,773 TO LUNA, WE'LL NEED TO ACCESS ALIE 1 662 00:40:42,981 --> 00:40:44,691 TO TAKE HER DOWN. 663 00:40:44,900 --> 00:40:46,526 MILLER. 664 00:40:46,735 --> 00:40:47,986 WE'LL KEEP THEM SAFE. 665 00:40:48,195 --> 00:40:49,821 I'll KEEP THEM SAFE. 666 00:40:50,030 --> 00:40:53,116 HOW ABOUT YOU? IT'S GONNA BE DANGEROUS. 667 00:40:53,325 --> 00:40:56,870 YOU KNOW ME WELL. I'M IN. 668 00:40:57,079 --> 00:40:58,664 OK. 669 00:41:22,354 --> 00:41:23,981 [ENGINE STARTS] 670 00:41:47,629 --> 00:41:49,548 THE GATES TO POLIS ARE OPEN. 671 00:41:49,756 --> 00:41:52,384 ALIE: THANK YOU, EMORI. 672 00:41:52,592 --> 00:41:56,179 IT'S TIME TO FILL THE CITY OF LIGHT.